PORTFOLIO
Acollectionofselectedarchitecturalworks (2017-2022)
GAYATRIRAJENDRAPANDKAR
pandkargayatri@gmail.com www.linkedin.com/in/pandkargayatri
@gayatripandkar
Hello!
IamGayatri,aB.Archgraduate,andthisisacollectionofmymostnotableworkoverthelastfiveyears. Ibelievethatarchitectureismorethanjustcreatinganderectingstructures;it'salsoabouttheexperiencesindividualshavewhile interactingwiththespacesthatarecreatedforthem.Architecture,likeallotherformsofart,isaprocessofcommunicationinwhich thedesignerencodestheinformationandtheperceiverdecodesit.Althoughtherevelationofartcomesafterthebasiccreationof space,artstilloffersachancetostressandhumanizespacewhileinvolving,interacting,andinvolvingthepublicintheseeverlasting spatialnarratives.
Education
SavitribaiPhulePuneUniversity(2017-2022)
Pune,India
Dr.BhanubenNanavatiCollegeofArchitecture BachelorofArchitecture
Semester10-Thesis
Anubhuti-ExhibitingtheHeritageofPurandar HeritageInterpretationCentre
Semester08-UrbanDesign Streetdesign StudyandanalysisofMahatmaPhuleMandai,Pune
Semester08-ArchitecturalDesign Mandai2.0 RevitalizingtheMandai(Market)
Semester04-ArchitecturalDesign
LeCorbusierTouristCentre ChandigarhTouristInformationCentre
Semester09-PracticalTraining(Internship) JoglekarFarmhouse InternshipatShaileshSalehittalArchitects
Internationalstudytourworkshop BarcelonaStep-by-Step
EscolaTècnicaSuperiord'ArquitecturadeBarcelona
*Alldrawings,images,andtextintheportfolioareoriginalandproducedforacademicpurposesonly.
At
Art 01 03 04 06 07 08 09 01 02 04 06 03 05 07
ANUBHUTI
ExhibitingtheHeritageofPurandar
Semester10-Thesis
Mentor:Ar.AsmitaJoshi Duration:Jan2022-May2022
TherichheritageofIndia,oneoftheworld’soldestcivilizations,isanall-embracingconfluenceofreligions,traditions,andcustoms. ThestrengthsoftheIndianheritagelieinthetreasureofitsart,architecture,classicaldance,music,floraandfauna,aswellasin thecenturies-oldphilosophyinnatetoitspeople.Avisittoheritagesitesislikeawalkthroughhistory,changingpathswitheach dynastythathasruledoverIndiansoil.Foranexhibitionofthisheritagetoall,itisnecessaryaspacewherealltheculturalheritage ofIndiacanbeexposed.Adedicatedspaceineachlocalitynearheritagesiteswheretouristsandlocalpopulationscanacquire knowledgeaboutthesitesbeforereallyvisitingthesites.Aninterpretationcentercanbedesignedfordisplayingtheessenceofthe tangibleandintangibleheritage.
*Anubhuti(Marathiorigin)|\uh-n-uu-bh-oo-t-ee\:experience;perception
Anubhuti- ExhibitingtheHeritageofPurandar
Location:Saswad,India
Built-uparea:9800sqm.
Saswadisatalukatown33km southofPuneatthefoothillsofthe FortPurandar,and30kmfromthe laststretchoftheDiveGhat. AccordingtoBabasaheb Purandare,thegreatnarratorof thegrandMarathasaga,“everyinch ofSaswadsoilhasachapterof historywrittenonit!”.Thistownis packedwithsomeoftheancient templesbuiltduringMaratha’s reign.Saswadisknowntobe deeplyentrenchedinhistory, spirituality,religion,culture,and architecturefromtime immemorial.TheannualAlandito PandharpurWariofDnyaneshwar Palkhistopsinthetown.
ThePandharpurWarirouteisshowninthe map,withthelocationofSaswadmarkedon themap.
SiteAnalysis
Thissiteislocatednear Pune-Saswadroad.The plotisanopenlandwell connectedbytheprimary road18mwide.For transportation,thebus stopislocatedonthemain road.Theheritageplaces includingtemplesand wadasareeasily accessible.
ContextAnalysis Map
Theheritageplacesin Saswadaremarkedonthe map.Thebusstopsand busstationsarealso marked.Thesiteislocated nearthesaswad-BopdeoPuneroadandisnearthe Saswad-Puneroad(route forPandharpurWaari).
Aim:
Theproject'saimistoproposeaplacethatcanrepresenttherichculturalheritage characteristicsofthePurandartaluka,particularlySaswadandJejuri,andbecome adistinguishingfeatureofthem.Inadditiontoprovidingresearchfacilitiesto academics,thisinterpretationcenterwillalsoofferanumberofIndologycourses andhostseminars.
Courtyard1 Courtyard2 Courtyard3 Entrance SectionA-A
01
Saswadtownmap
LocationofSaswad onthemapofINDIA
Sangmeshwartemple |PhotoCredit:GayatriPandkar SardarPurandarewada|PhotoCredit:AnupGandhe PalkhiSohalaatDiveGhat|Source:Lokmat HeritagesitesinPurandartaluka Taluka:Administrativedistrict
Startingpointofthedesign
Initial2Dcompositionwithgridand patterns,creatingsolidblocks,andopen spacesLateraddingfunctionstothese blocks.
Initial2Dcompositionsketch
Whyvaults?
Avaultedceilingcansaveenergyand money,whichisthetheorybehindbuilding green.Oneofthemostessentialfeaturesof avaultedceilingistoincreasethenatural lightintotherooms.Vaultedceilingsgive theeffectofopenspace.Eventhoughthe increasedspaceexistsoverhead,avaulted ceilingappearstoaddsquarefootage.
Courtyard4 GuestHouse 0 10 20 30 50m
ANUBHUTI-HeritageInterpretationCentre
Initialsketchcreatingsolidbuildingmass,openspacesandtransitionzones
ABOVE
ABOVE Zoningsketch ABOVE
N
03 04 06 07 08 10 11 12 13 14 15 17 16 09 09 05 02 02 01 01 01 ABOVE Viewoftheoutdoortemporaryexhibitionareaandserviceentryforexhibition Masterplan
02
LEGEND 01ENTRY/EXIT 02PARKING 03ENTRANCELOBBY 04ADMIN 05SEMINARHALL 06MUSEUM 07EXHIBITION 08OPENEXHIBITIONAREA 09WETCORE 10CAFETERIA 11OUTDOORSEATING 12AMPHITHEATRE 13RESEARCHCENTRE 14LIBRARY 15GUESTHOUSE N
ABOVE ViewofthecourtyardbetweenCafeteriaandAmphitheatre
ANUBHUTI-HeritageInterpretationCentre
LEFT Photographofthemodelfromthetopview ABOVE Photographofthemodelwiththepositionofanamphitheatreandthe mainentrance
STREETDESIGN
StudyandAnalysisofMandai(Marketplace)
Semester08-UrbanDesign
Mentor:Ar.Ketakikadam Duration:Feb2021-March2021
PuneissituatedwheretheriversMulaandMuthaconverge.AfterMumbai,itisthesecond-largestcityinthestateofMaharashtra, anditissignificantforthedevelopmentofthenation'seconomyandindustry.ThelargestretailvegetablemarketinPune,India,is MahatmaJyotibaPhuleMandai.ThelocationchosenforthestudyandanalysisoftheurbanfabricisboundedtothenorthbyLaxmi Road,tothewestbyBajiraoRoad,totheeastbyShivajiMaharajRoad,andtothesouthbyChavanRoad,withMahatmaPhule Mandaiservingasthedominantlandmark.ThelocationisintheheartofPune,andvariousoldWadasfromthe1700sto1900scan befoundthere.Thestudyareaisequippedwithpracticallyallofthenecessaryamenities.
Puneislocatedatthejunctionof theMulaandMutharivers.Itisthe secondlargestcityinthestateafter Mumbai,andisanimportantcityin termsofitseconomicaland industrialgrowth.MahatmaJyotiba PhuleMandaiisthebiggestretail vegetablemarketinthecityof Pune,India.Themarketbuildingis designedintheGothicstyle.The buildersusedmasonrycarvedfrom thelocalgreystone.Thestructure isdominatedbyan80feetcentral, squat,octagonaltower.Thetower issurroundedbyaverandahwitha tiledroof.Thiscoverstheground andfirstfloor.Todaythemarket about526stallsoffruitsand vegetables.Themarkethasitsown GaneshMandalforGaneshFestival andisoneoftheoldestinPune.
ExistingMasterplan
Strength
•Commercialareasituatedinthe citycore.
•Linedoneithersidebytwomajor onewayroads.
•Roadsideparkingisavailable, alongwithtwopayandpark buildings.
•Mandailiesinthecoreareaofthe cityhencemakingcommunication withotherareaseasy
Opportunities
•Creatingapedestrianmarket streetswithpausepointsweaved inforenhancedshopping experiencefortheusers.
•Providingpausepoints
•Segregationoftheshoppingareas intodifferentblocks
•Placeallotmenttotheroadside vendors
Weakness
•Highdensity-Difficulttointervene
•Nodefinedpausepoints
•Shopsonthemainstreet minimizingfootpathspacethat hamperspedestrianmovement.
•Increasingpopulationleadstothe overcrowdingofroads
•Extensivesecondaryuse(parking, vendorsetc.)ofroadsthanjust trafficflow
Threats
•Thebuildingsareplacedtooclose toeachother,leavinglessspace forevacuationduringfire outbreakandnaturalcalamities likeearthquake
•Pollutionduetotraffic
Location:Pune,India
LocationofMahatma JyotibaPhuleMandai
PhotoCourtesy:Yashvardhan
Bajiraoroad
Laxmiroad
Chavanroad
Shanipar-Mandairoad
ShukravarPethMahatmaGandhiroad ShivajiMaharajChhatrapati
LocationofPuneCity onthemapofINDIA STREETDESIGN- StudyandAnalysisofMandai Built-Unbuilt
BuildingHeights BuildingAge
03
Landuse
RoadHeirarchy
ProposedMasterplan
Theentireareacanbelookedatasadiverse commercialarea.Thereareheritagemarketplaces, culturalmarketplaces,andnewagemarketplaces,to nameafew.Therefore,avarietyofinterventionsare beingconsideredtoenhancetheneighbourhood's identityinthespiritof"redefiningthisarea."
Incontrasttowhatmallsorretailstoresoffer, pedestrianwalkwayscuttingacrossthezonescanbe createdtoprovidethedistinctfeelofatraditional Indianbazaar,whichisessentiallyintenselycrowded duetoitssqueezingwithinsmallspaces.
Whenitcomestotheproductsthataresold,whichare primarilythoseneededforPujaandnumerousother culturalactivities,thestreetsclosetoMandaihavea distinctcharacter.Thisarea'srichculturallegacycan beembracedandcelebratedbyredefiningthese streets.
Theimpendingmetrostationwillofferexcellent opportunities,whetheritisbuiltonthegroundoron stilts.
EXISTINGSECTIONA-A’ EXISTINGSECTIONB-B’
PROPOSEDSECTIONA-A’ PROPOSEDSECTIONB-B’
STREETDESIGN-StudyandAnalysisofMandai(Marketplace)
1.5MWide Footpath for Pedestrians 1MWide Cycle-track runningalongtheroad. Organic frontage infrontofthecommercial marketplaces Bus-Stop
A A’ A StallsandVendors theCulturalLane 3MWide Footpath for Pedestrians Organic frontage infront o thecommercial marketplaces JUNCTIONC 1.5MWide Footpath forPedestrians 1MWide Cycle-track runningalongthe road. Organic frontage infrontofthecommercial marketplaces B StallsandVendors theCulturalLane 3MWide Footpath for Pedestrians Organic frontage infront o thecommercial marketplaces JUNCTIONC B’ B
JunctionA JunctionB
withaslight nicheontheroad.
LaxmiRoad
BajiraoRoad Shanipar-Mandai Road
ShukrawarpethMahatma GandhiRoad
ChatrapatiShivaji MaharajRoad
ChavanRoad
MANDAI2.0
RevitalizingtheMandai(Market)
Semester08-ArchitecturalDesign
Mentor:Ar.VasudhaGokhale Duration:April2021-May2021
Theproposalaimstostrengthentheconnectionbetweenpeopleandtheplacestheyshare,facilitatingcreativepatternsofuseand payingparticularattentiontothephysical,cultural,andsocialidentitiesthatdefineaplace.Placemakingisamulti-facetedapproach thattakesadvantageofalocalcommunity'sassets,inspiration,andpotentialtocreategoodpublicspaces.Itdependsonthemyriad waysandmeansinwhichthephysical,social,ecological,cultural,andevenspiritualqualitiesofaplaceareintimatelyintertwined. ThenewMandaibuildingisamassiveconcretestructureplacedbehindtheMahatmaPhuleMandaibuilding.
Mandai2.0- RevitalizingtheMandai(Market)
Location:Pune,India
Built-uparea:2600sqm.
ThenewMandaibuildinghamperstheelevationofthesurroundingarea.TheexistingMandai buildingisonlyamarketplace,andtherearenopausepointsinMandai.Thiscommercial sectionofthecorecitywillbeimprovedbytheproposalofanewmarketareaand multipurposeopenspacewithaseatingarea.Theconnectionbetweenthetwomarketplaces willbestrengthenedbytheproposedplazabetweenthetwoMandaistructures.Thisplaza willserveasarestarea.Bystagingstreetplays,artexhibits,urbansketchermeetups,and othersuchevents,theplazaandtheopenspaceofthenewMandaibuildingwillpromote culturalvalues.
Laxmiroad
ShukravarPeth-Mahatma Gandhiroad
Masterplan
ABOVE Viewofthecentralopenspacefromtheservicevehicleentry.
Fig2
Fig3
Fig1 Fig4
ABOVE Processsketches (Fig1&2)Oldandnewmandaibuilding (Fig3&4 )Connectingplaza
Bajiraoroad
OldMandai
NewMandai
Shanipar-Mandairoad
Metroline
04
MaharajroadChhatrapatiShivaji Chavanroad
FIGURE1
FIGURE2
ABOVE
MANDAI2.0-RevitalizingtheMandai(Market)
ViewoftheOldMandai,theconnectingplazaandtheproposednewMandai.
Centralopenspaceusedforactivitiessuchasmusicalprogramorstreetplays,artexhibitions,pausepointforvisitorsandurbansketchersmeet.
Thevegetablemarketareawithbambootrussasroofandsmallopenspacewithseatingprovided.Theseatingareaisshadedbyatreecanopy.
SectionB-B’ Masterplan C’ C’ 05
TheoldbuildingofmandaiisaGothic-stylestructurebuiltin 1886.Thematerialusedfortheconstructioniswood.Assuch,the proposednewmandaibuildingshouldmergewiththeold mandaistructureandnotstandoutasacontrastingstructure. Thenewlyproposedmandaibuildingisamarketwithsomeopen spacesthatwillactasbreakpointsforpeople.Thecentralopen spaceisthegreatestofthethreeopenspaces.Thisopenspace canhostanartexhibit,streetplays,meetingsofurbansketchers oramusicalprogram.
Thevegetableandfruitmarketisdistributedintotwostructures. Theroofforthemarketareaisabambootrussandasmallopen spacewithseatingprovidedinthesmallopenspaces.Theseating areaisshadedbyatreecanopy;itcanbeusedasabreakpoint.
Inthisway,thenewmandaiofferedisnotonlyamarket,butalso aplatformforvariousactivities.
SectionC-C’
ArchitecturalcharacteroftheMandai2.0
MANDAI2.0-RevitalizingtheMandai(Market)
LECORBUSIER TOURISTCENTRE
ChandigarhTouristInformationCentre
Semester04-ArchitecturalDesign
Mentor:Ar.ChetanSahasrabudhe Duration:Feb2019-March2019
ChandigarhiswellknownforitsarchitectureanddesignbyarchitectssuchasLeCorbusier,PierreJeanneret,JaneDrew,andMaxwell Fry.TheMasterPlanbyLeCorbusierwasbroadlysimilartotheonepreparedbyAlbertMayerandMathewNovicki,exceptthatthe shapeofthecityplanwasmodifiedfromonewithacurvingroadnetworktoarectangularshapewithagridironpatternforthefast trafficroads,besidesreducingitsareaforreasonsofeconomy.Thesiteforthecity'stouristinformationcenterliesintheCapitol Complex.Withtheuseofarticles,photos,videodisplays,exhibitions,andinstallations,thistouristcenterdisseminatesknowledge aboutthehistoryandarchitectureofthecity.Thisstructureneedsopenspacesandseatingplacesbecausepeopleofvariousages, students,andprofessionalsusethislocation.
LeCorbusierTouristCentre
Location:Chandigarh,India
Built-uparea:1606sqm.
Theminimalistdesignphilosophyisused todesignthetourisminformationcenter. Thespacesusedfordisplayand exhibitionaremadetobeopenand spacious.Someofthewallsaretallerand thickerthantheresttoaccentuatethe useofcolorsandmaterials.Areplicaof oneofLeCorbusier'spaintingsisusedto
SUNPATHDIAGRAM
Thewinddirectionforthecityisnorthwestto southeast,andthecityliesinacompositeclimate zone.Thewindowopeningsandspacesare designedaccordingly.
CapitolComplex Siteplan
01GEOMETRICHILL
ABOVE (Fig1)
Photographoftheviewofthegraffitiwallnearthewet coreandthetreenexttothewaterbodyandseatingarea (Fig2)
Photographoftheviewoftheentrancetothevisitor's centre.
02 05
09
Fig1 Fig2 01
06
07 08 03 04
02TOWEROFSHADOW 03ASSEMBLY 04SECRETARIAT 05MARTYRSMONUMENT 06HIGHCOURT 07OPENHANDMONUMENT 08TOURISTCENTRE 09MUSEUMOFKNOWLEDGE
ABOVE
Viewofthedisplayarea,cafeteriaandthesouvenirstorefromthelobbynexttoauditorium
06
SectionA-A’ ABOVE Viewofthecafeteriaanddisplayareafromtheentrance. GROUNDFLOORPLAN Built-UpArea=1606sqm. LECORBUSIERTOURISTCENTRE-ChandigarthTouristInformationCentre
01ENTRANCE 02INFORMATIONDESK 03ADMINISTRATION 04AUDITORIUM 05DISPLAYAREA 06SOUVENIRSTORE 07CAFETERIA 08KITCHEN(CAFETERIA) 09STORAGE 10SEATINGAREA 11LADIESWASHROOM 12GENTS’WASHROOM 13OPENHANDMONUMENT
JOGLEKAR FARMHOUSE
FarmhouseatBhukum,Pune
Semester09-PracticalTraining(Internship) InternshipatShaileshSalehittalArchitects Duration:Sept2021-Oct2021
JoglekarfarmhouseisproposedinBhukumwhichisontheoutskirtsofPunecity.Thesitelocationisfullofleafytreesandisa contouredsitewiththehighestpointbeing100mandthelowestbeing88m.Theshortersidesofthesiteareconnectedtothemain roads.Theclientwantedtohavealeisurelyexperienceinthisarea.Afamilyroomalongthedeckoverlookingthegreenareais providedwithinthefarmhouseforthatpurpose.Inaddition,alivingroomwithadiningareaisprovidedonthefrontside,nextto thekitchenandstoragearea.Twobedroomsonthelowergroundfloorandtwoontheupperfloorareplannedwithattachedtoilets. Aswell,aserviceroomislocatedonthefrontside.Thefrontsideofthefarmiswellconnectedtothemainroadandaparkingarea isgiventothefrontwithcertainlandscapesandrestareas.
ABOVE ViewoftherearsidewiththedeckofJoglekarfarmhouse 07
JoglekarFarmhouse Location:Bhukum,India Built-uparea:3804sqft.(353sqm.)
UPPERGROUNDFLOORPLAN
Built-UpArea=2327.00sqft
LOWERGROUNDFLOORPLAN
ABOVE
ViewofthefrontsideofJoglekarfarmhousewithrestareasandlandscaping.
JOGLEKARFARMHOUSE-FarmhouseatBhukum,Pune
Built-UpArea=1477.00sqft SectionA-A’ SectionB-B’
Photocredits:GayatriR.Pandkar
BARCELONA
STEP-BY-STEP
InternationalStudyTourWorkshop
HeldatEscolaTècnicaSuperiord'ArquitecturadeBarcelona Groupwork(Individualcontribution-Sketches) Duration:Nov2018
InNovember2018,aworkshopcalled"BarcelonaStep-by-Step"washeldatEscolaTècnicaSuperiord'ArquitecturadeBarcelonaThe workshop'semphasiswasonresearchingBarcelona'sarchitecturalandurbanplanninghistory.Theoutcomewastogainknowledge abouthowalocation'slanguageandculturecaninfluencedesignandconstructiontechnologies.Thestudentswhoparticipatedin theworkshopwererequiredtogiveapresentationattheendoftheclassoutlininghowtheyunderstoodthecity.ThegroupIworked withemployedtheconceptofthesoundscapeinthepresentationsinceeachlocationhasadistinctivesoundthatcanbeusedto distinguishitthroughouttheday.Withtheuseofacity'ssoundtrack,pictures,andsketches,thecityofBarcelonawasportrayed.For eachillustration'ssoundscape,aQRcodeisincluded.
PlazadetorosdelasArenas,Barcelona
LasArenas,thehistoricbullringinPlaçaEspanya,isnowoneofthemostsignificantandwell-liked commercialareasinthecity,drawingbothlocalsandtourists.Oneofthemostsignificantbullringsin Spain,itshistoryasabullringdatesbackto1900whenitwasconstructedbythearchitectAugustFont iCarrerasintheclassicNeo-Mudejarstyle.Inadditiontobullfighting,thearenahasexperiencedalot oftryingtimesthroughoutBarcelona'shistory,includingservingasarepublicansidebarracksduring theCivilWar.Later,itservedasthelocationforfestivals,circuses,andboxing.Inthe1940sand50s,it wasequippedwithadetachablevelodrometoenablecyclingeventstobeheld,atatime whencompetitivesportsstartedtobecomefashionableinCatalansociety.
08
ABOVE Photocredits:AlfiyaShaikh Sketch:GayatriR.Pandkar https://youtu.be/X_nK3MhoF1s
TheChurchofSantaAnna,Barcelona
WalkingthroughBarcelona'shistoriccenterwillbringyoutothisstunningcathedral,whichstillhas someRomanesquefeaturesinsideandastrikingGothiccloisterthatoncebelongedtothemonastery ofthesamename,whichisnowmostlyruined.TheJerusalem-basedOrderoftheHolySepulchre constructedtheChurchofSantaAna(SaintAnna)in1177.Withitscross-shapedfloorplanandsquare apse,whichwascrownedbyadomethatwasdamagedbyfireinthe20thcentury,thebuilding'score stillfeatures12th-centuryarchitecturalfeatures.SantaAnnaisanotherillustrationofhowarchitecture canchange.Thereisacourtyardandagardensurroundingthischurch.Aseatingareaforarestaurant islocatedononesideofthecourtyard'scorridor.
https://youtu.be/fREq1N6UNBo ABOVE Photocredits:AlfiyaShaikh Sketch:GayatriR.Pandkar
ABOVE
BELOW
Location:Humayun’sTomb,Delhi
PhotoCredits:GayatriR.Pandkar Location:IndiaHabitatCentre,Delhi
PhotoCredits:GayatriR.Pandkar
ARTArtisanexpression,andarchitectureisallaboutexpression.Itconveysthegrowth,comprehensionoftheworldaroundus,and portrayalofthepresent.Drawingplansisjustoneaspectofarchitecture'sartisticexpression.Itisevidentinthedesigns' conceptualization.Itisevidentintheurgetoproducesomethingextraordinaryandnovel.Inarchitecture,photographyandmodels gohandinhand.Thecollectionofarchitecturaldesignmodelsispresentedbelow.
ABOVE&LEFT Semester1-BasicDesignmodel PrinciplesofDesign Rhythm 09
ABOVE Semester2-BasicDesignmodel Paperfolding/Origami
GAYATRIRAJENDRAPANDKAR
pandkargayatri@gmail.com www.linkedin.com/in/pandkargayatri