DIRECTOR’S MESSAGE
CAMP!
Triple Threats Musical Theatre Workshop turns 10! What can be said that has not been said over the past decade of stories told by our intrepid, youth performers? When tasked with the responsibility of creating a narrative for this year, I looked back at past showcases to inspire the path forward. Past themes have included murder, deals with the devil, the seasons of change, museum exhibits that come to life, and a postapocalyptic dystopian future.
When pondering what story to tell for this showcase, I decided I wanted to reflect a narrative that was all about hope. The past few years have been tough. So much has changed in our world and each morning, we wake up to slay more dragons and fight more battles. I wanted to highlight the resilience of the human spirit and the compassion that continues to outpour from all of us even as we continue to face our own challenges. I hope that this story will inspire you to hope again. In spite of all human (and other) foibles, we find a way to show a little more love, spark a little more joy, and instill a little more compassion.
I would like to thank the entire production team that worked tirelessly over this whirlwind two-week period to bring this showcase to fruition, without which none of what you are about to see could be possible. They are the absolute best!
I would also like to thank all of you for supporting Pangdemonium and the performing arts here in Singapore. Live theatre is an experience like no other so let’s continue to embrace it with childlike wonder and unmitigated joy!
Enjoy
Dr. Caleb Goh Workshop DirectorA NOTE FROM PANGDEMONIUM
Dear Friends,
Welcome to Pangdemonium’s Triple Threats Musical Theatre Workshop 2023!
One of Pangdemonium’s key missions is to nurture young talents in a safe, professional environment. Our Triple Threats Musical Theatre Workshop gives aspiring young actor-singerdancers an invaluable opportunity to learn and hone fundamental skills and techniques of musical theatre. And perhaps more importantly, we aim to empower these young folks to feel great about themselves, while having FUN!
Many thanks to our Triple Threats Workshop Director Caleb Goh, Musical Director Joanne Ho, and Vocal Coach TJ Taylor for your dedication, patience and hard work.
And to our young Triple Threats - you’ve all demonstrated commitment, discipline, energy, and passion, learned new skills, discovered more about yourselves, and grown in selfconfidence. May this be a truly memorable step in life’s journey for each and every one of you. And, you are now part of the Pangdemonium family!
A big THANK YOU to the Diana Koh Foundation and The Grace, Shua Jacob Ballas II Charitable Trust for your unwavering support, always.
Finally, thanks to the dear friends and families of these young Triple Threats – with your support, encouragement and love, the world belongs to them!
Best Regards,
Adrian & Tracie Pang Artistic DirectorsQUOTES FROM THE CAST
(IN ALPHABETICAL ORDER)
“I am currently in my Year 3 at Singapore Polytechnic, specialising in Applied Drama and Psychology. One of the things I enjoy the most is spending time with my beautiful girlfriend. Apart from that, during my free time, I like to listen to music, play video games, and hang out with friends. Currently, my favorite musical is Beetlejuice.
During my childhood, I was often told that I had an unattractive voice. As a result, I developed a sense of shame and fear surrounding singing. I joined this programme to regain confidence in that area and to acquire invaluable skills that would help me as a performer in the future.”
“I am currently pursuing a diploma in Psychology at Temasek Polytechnic. At the moment, my favorite musical would have to be Hadestown, thanks to its unique and distinct soundtrack. The beautiful set design and clever use of lighting established a captivating connection with the stage. Above all, its heartbreaking and unpredictable ending leaves a lasting impact.
For me, joining Triple Threats has been a way to challenge myself as a performer, pushing the boundaries of my skills and creating unforgettable experiences with new material and friends. It has always been an exhilarating opportunity for personal growth.”
“I am a student from Tanglin Trust School, and my favorite musical is Dear Evan Hansen! Why? Integrity is a big part of the show because Evan lies the entire time but he can’t lie to himself. The world needs more integrity.
At the tender age of 8, I auditioned for a show on the MBS theatre stage, and that experience solidified my desire to pursue a life on stage. It was an electrifying moment for me. Last Christmas, I had the privilege of performing in Wild Rice’s production of Pinocchio, and it felt like I had discovered a second home.
Having heard rave reviews from former students, I eagerly awaited the moment I turned 13 so that I could audition for Triple Threats.
I am immensely grateful for this opportunity. Thank you!”
“I am a Year 3 student at Singapore Polytechnic, pursuing a Diploma in Integrated Events & Projects Management.
I like to read, paint, and watch movies and shows in my free time. I also enjoy spending time with my family and friends! My favorite musicals are Hadestown and Mean Girls.
I joined Triple Threats because I love performing, I wanted to experience what it’s like performing in musical theatre and to further enhance my skills in singing, acting, and dancing.”
“I’m 18 years old and I recently graduated from UWCSEA Dover and I’ll be going to University of California, San Diego this autumn.
In addition to theatre, I love to paint, do graphic design, dance, and I am also an avid scrapbooker. My favourite musicals are Falsettos, the Last Five Years, and Carrie.
I wanted to join Triple Threats because I am a huge fan of musical theatre, and wanted to develop my skills as well as have a chance to perform, which is something I adore doing.”
“I’m 15 years old and I am currently studying music at the School of the Arts (SOTA). My favourite musical is Hamilton! I have cherished a deep love for music and singing for as long as I can remember, and I aspire to continue pursuing my dreams through this program. Let’s strive to give our best effort every day!
I joined Triple Threats because it captures the very reason I fell in love with music — its ability to convey stories. However, with musical theatre, stories are told through various avenues beyond music.
Thus, I am genuinely intrigued by the opportunity to explore these other aspects of performance through Triple Threats.”
“I’m 17 and I attend UWCSEA East. My favourite musical is Hadestown. My hobbies include playing music on the guitar and piano, as well as singing. I also adore being involved in theatre! Additionally, I thoroughly enjoy playing basketball.
I wanted to join Pangdemonium’s Triple Threats Program because I believe it would provide an amazing opportunity for me to enhance my skills as a performer and connect with like-minded individuals who share a passion for musical theatre. I am elated to say that this experience has exceeded my expectations, and I am immensely grateful for this opportunity!”
“I’m 14 and I study at UWCSEA Dover. I can’t choose my favourite musical because there’s so many I haven’t watched yet, but Fun Home will always be special to me.
I like taking pictures of the beautiful sky. I joined because, as the song ‘When You Wish Upon a Star’ says, ‘anything your heart desires will come to you’.”
CREATIVE TEAM
Caleb graduated with a BA in Drama from QUT (Australia), an MFA in Musical Theatre from SDSU (California), and a Ph.D. in Musical Theatre at WAAPA (Australia).
He has worked professionally as an actor, singer, playwright, director, choreographer and dancer in over seventy stage productions, a dozen television series, and four feature films, both in Singapore as well as the United States of America.
For the past two decades, Caleb has directed over forty plays and musicals, and choreographed over twenty musicals, plays with music, and dance performances. Additionally, from 2006-2012, Caleb was the Glee Club director and choreographer at La Jolla Country Day School in California. In 2012, the Caleb Goh Dance Award was named after him to honor his contribution to the dance and musical theatre curriculum at the institution.
In Singapore, Caleb taught musical theatre history at LASALLE College of the Arts, and also directed and choreographed the musical theatre productions at the university. He was also previously the artist-in-residence, mentor and musical theatre lecturer at the College of Alice and Peter Tan at NUS.
In recent years, Caleb has held the position as the artistic director of the Grace Theater Company in New York.
Website: www.calebygoh.com
Joanne is the first Singaporean to graduate from the Royal Conservatoire of Scotland with an MA in Music Directing. She was nominated for Best Musical Direction in Broadway World’s West End Awards. Joanne has worked extensively abroad, with credits spanning London, Scotland, Malaysia and Korea.
Selected music directing credits include The LKY Musical (Singapore Repertory Theatre (SRT), Aiwei); [title of show], Spoonful of Sherman (Sing’theatre); Fun Home (Pangdemonium); In Pieces,The Box, Viral Songs: A Cycle (7/8 Musical Collective); Chicken Little, Red Riding Hood, Peter Rabbit, Three Little Pigs, Treasure Island (SRT’s Little Company); The Paiseh Pieces (Second Breakfast Company); The Addams Family (Edinburgh Fringe); Mina Kaye in Concert (Sightlines).
Other selected theatre credits include Wicked (International Tour); The Soldier and His Virtuous Wife (The Theatre Practice); La Vie En Rose (Sing’theatre); Urinetown (Pangdemonium); Aida (Limelight Productions, Scotland); Company (Dream Academy).
Since moving to Singapore from the UK 10 years ago, TJ has established himself as a leading musical theatre practitioner in Singapore. TJ is the proud Associate Artistic Director of Sing’theatre as well as the Artistic Director for the Singapore Musical Theatre Fringe Festival.
As a director, his passion is in creating innovative ensemble theatre that brings top-quality Broadway style productions to Singapore. Recent directing credits include Rent and I Love You, You’re Perfect, Now Change both with Sing’theatre.
TJ’s performance highlights include; Anthony in End of the Rainbow (Pangdemonium), Frollo in Quasimodo (Sing’theatre) and Jeff in [title of show] (Sing’theatre).
TJ specialises in Musical Theatre singing techniques and teaches at LASALLE College of the Arts as well as his private students. His vocal coach highlights include working with Singapore’s top musical theatre production houses such as SRT, Base Entertainment, Pangdemonium and Sing’theatre.
Amirul Azmi Lighting DesignerBorn and raised in Singapore, Amirul has had opportunities to work and design in multiple areas of theatre, arts and the entertainment industry. Having graduated from LASALLE College of The Arts in 2020, Amirul holds a Diploma in Technical and Production Management. He is currently awaiting to continue pursuing his higher education in Master of Arts in Collaborative Theatre Production and Design at Guildhall School of Music and Drama, London, in September 2023.
His recent design credits include Rent, [title of show] (Sing’theatre); The Tide is Low (P7:1SMA); The Wonderful World of Dissocia (Wild Rice); The Addams Family, Company the Musical (LASALLE College of the Arts); A Monster Calls (SRT); In Pieces: A New Musical (7/8 Musical Collective), Tartuffe (SOTA); Holly Herndon: PROTO (SIFA 2022).
Daniel Wong Sound Designer
Daniel Wong is a sound designer, composer and music producer. He graduated from Yong Siew Toh Conservatory of Music with a B.Mus (Hons) in Recording Arts & Science.
Sound design credits include Doubt: A Parable (Pangdemonium), People, Places & Things (Pangdemonium), The Almighty Sometimes (SRT), Muswell Hill (Pangdemonium), I And You (Gateway Arts), The Sound Inside (SRT), Tuesdays with Morrie (SRT), and Cafe (Wild Rice).
Outside of theatre, Daniel produces songs for various artists and organisations, including lewloh, JAWN, Vivien Yap, HubbaBubbas, Lorong Boys, and Voices of Singapore. He recently produced the main theme song for Sunny Side Up with his band, Oakë.
MUSICAL NUMBERS
1. I’ve Been Waiting 13 Company
2. Travel Song
Shrek
Edward and Seth
3. Alto’s Lament by Zina Goldrich & Marcy
Heisler
Megan and Naomika
4. Secret of Happiness
Daddy Long Legs
Chloe
5. Someday
The Wedding Singer
Aria and Edward
6. Dance With You The Prom
Aisha and Jasmine
7. Michael in the Bathroom Be More Chill
Seth 8. Six Six
Aisha, Aria, Chloe, Jasmine, Megan and Naomika
9. Cross The Line Big Company
CREDITS
Cast
(in alphabetical order)
SETH ARRI AZHAR
CHLOE CHOO
EDWARD LYSANDER CLARK
JASMINE ASHLEY FRANCISCO
NAOMIKA NADKARNI
MEGAN TAN
AISHA TISDALL-MCPHEE
ARIA ZHANG
Creative Team
CALEB GOH
Workshop Director
JOANNE HO
Musical Director
TJ TAYLOR
Vocal Coach
AMIRUL AZMI
Lighting Designer
DANIEL WONG
Sound Designer
Production and Stage Management Team
LEE JIA MIN
Stage Manager
SOPHIA ZHU
Assistant Stage Manager
CAT ANDRADE
SM Mentor
KATRIEL TAI
Radio Crew
Pangdemonium Team
TRACIE PANG
Artistic Director/ Managing Director
ADRIAN PANG
Artistic Director/ Producer
RENEE TAN General Manager
TIMOTHY KOH Associate Director
LEAH SIM Production Manager
SUNITHA NAYAR Production Manager
CAT ANDRADE
Company Stage Manager
KRISTAL ZHOU Marketing Manager
RICHIE RYAN Digital Marketing Executive
KUSUM SANDHU Fundraising & Engagement Manager
CLARE YURU Business Development Manager
SHARMIN NORMAN Ticketing Executive
MARIEM TOUAHRIA Accounting Consultant
GUINEVIERE LOW Company Administrator
MAN LIN
Ticketing & Marketing Assistant
TAN QIANG QIAN Fundraising Assistant
SOPHIA ZHU
Production & Stage Management Apprentice
LEE JIA MIN
Production & Stage Management Apprentice
JAMES TAN Associate Artist
Pangdemonium Board
Raeza Ibrahim
John Currie
Debbie Andrade
Leonardo Drago
Dr. Jade Kua
Beatrice Chia-Richmond
Tracie Pang
Adrian Pang
Acknowledgements
Diana Koh Foundation
The Grace, Shua Jacob Ballas II
Charitable Trust
Triple Threats
Pangdemonium Theatre Company Ltd is a registered charity with IPC status.
Registration number: 201229915M
Pangdemonium Theatre Company Ltd is supported by the National Arts Council under the Major Company Scheme for the period from 1 April 2023 to 31 March 2026