Architecture Portfolio 2020 | Ana Flavia Piva Panzenhagen

PORTFOLIO architecture 2020

selected works ana flavia piva panzenhagen

portfolio

Curriculum Vitae

01

Cultural Rescue Ancient // Modern University Pavilion Community Center Join House Highway 25 de Mayo Gallery of (Re)existence

02 18 24 32 40 52 56

Research Alberti at San Sebastiano Aesthetic Evaluation Of The Urban Space

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contents

Architecture

curriculum vitae

Ana Flรกvia Piva Panzenhagen 25 years old, brazilian ppanzenhagen@gmail.com +39 366 330 2491 Msc. Architectural Design and History Politecnico di Milano Italy Bachelor of Architecture Federal University of Rio Grande do Sul Brazil

Education Politecnico di Milano Master of Science Architectural Design and History 2019-2021 Mantova Campus, Italy Federal University Bachelor of Architecture* of Rio Grande do Sul Porto Alegre, Brazil 2013-2018 * Honorable Mention - Institute of Architects of Brazil for best graduation project of the class of 2018

Research PROPAR Research Assistant during B.Arch | Research and Graduate Center in Architecture 2016-2017 Project: Alberti at San Sebastiano: Principles and Procedures of Design Author: PhD. Leandro Manenti PROPUR Reserach Assistant during B.Arch | Research and Graduate Center in Urbanism 2015-2016 Project: Aesthetic Evaluation Of The Urban Space* Author: PhD. Antônio Tarcísio da Luz Reis * Honorable Mention - best presentation in the area of ​​Applied Social Sciences in the University’s annual research hall (XX SIC UFRGS)

Workshops & Courses University of Groningen Summer School Pathways Towards Sustainable Futures: dutch environment, jan 2017 urban and transportation planning in an era of turbulance

ETSAB Barcelona Fourth International Workshop of Architecture and Urbanism may 2015 Project: High Speed in Montmeló

Work Experience Dillenburg Studio Architect | Remote work for an architecture studio.

Mar 2019 - Present Development of executive projects of residential architecture and outsource projects such as electrical and hydrosanitary, modeled in MEP.

curriculum vitae

University of Buenos Aires Unesco Virtual Workshop Arquisur mar-jun 2016 Project: Highway 25 de Mayo

Urbana BIM Architect | Company that works as a BIM unifying agent, making all the Mar 2019 - Jun 2019 construction disciplines compatible into one unified 3D model, coordinating the design process. Experience with project compatibility in ArchiCAD, MEP tool and implementation of ArchiCAD in architectural studios of Porto Alegre.

0E1 Architects Internship | Design studio focused on residential and commercial projects.

Dec 2017 - Feb 2019 Experience as a trainee with the development of executive projects, site surveying, site inspection and construction detailment.

Gallo Architecture Internship | Design studio focused on interior design and small-scale buildings.

Sep 2017 - Nov 2017 Experience in the development of executive projects in ArchiCAD and assistance on the transition from AutoCAD to ArchiCAD. EPAHC Internship | Historical and Cultural Heritage Team of Porto Alegre, Brazil.

Jan 2017 - Aug 2017 Assistance on the elaboration of the city’s architectural heritage protection list.

Metroplan Internship | State Foundation of Metropolitan and Regional Planning.

Jan 2015 - Aug 2015 Support on the analyses of land parceling of the metropolitan area of Porto Alegre.

Languages

Skills Software ArchiCAD AutoCAD ScketchUp V-Ray Rendering Microsoft Office

Adobe Illustrator Adobe Photoshop Adobe Indesign Adobe Lightroom

Portuguese | native English | fluent Italian | intermediary Spanish | basic French | basic

01

Analog Hand drafting Physical Model-making Laser Cutting

I

Cultural Rescue: a new context to dramatic arts*

cultural rescue

Type | Academic, 2018 Advisor | Leandro Manenti Location | Porto Alegre, Brazil University | UFRGS The Porto Alegre Festival “In Scene” is responsible for bringing the performing arts of the city into the world’s spotlight and it proves, with its success of 25 editions, that cultural productions finds its space between the population. In contrast, superior theatrical education suffers: the Dramatic Arts Departament of the Federal University, which could be a national reference such as the Festival, lacks the facilities that its rigorous program requires. Within this context, independent theater groups demand public spaces for the realization of its activities that do not exists in the city.

These three complementary groups compose the frame of the performing arts of the city.

It is in this context that a proposition for a complex of dramatic arts encompassing this three agents must be understood: a combat against amnesia, neglect, and governmental disinterest. The site chosen to shelter this complex has its valuable historical edification abandoned to the mercy of intemperisms that slowly transforms it into ruins. The Chaves Barcelos Palace, a cultural heritage of the State, made by the great architect Theo Wiederspahn, is located in the Historical Center of the city. It is important to call attention to the local culture and arts. I intended to do that by the reborn of a precious good through the implementation of a program that also requires its valorization.

02

* Honorable Mention |Institute of Architects of Brazil | José Albano Volkmer Award for best Graduation Project of the class of 2018

03

cultural rescue

I

I 04

cultural rescue

site location

site plan

I 31m

28m 35m

32m

02. leveling by base

03. placement of theater

04. volume framing the palace

05. subtraction of base

03. subtraction of terrain

07. uniformization of floor

08. allocation of attachments

09. walkway connection

axonometric

05

cultural rescue

01. rough terrain

I

05 cultural rescue

02 00 -01 06

-02 axonometric

library classrooms

theater foyer technical area library PoAin scene headquarter residents housing

theater foyer technical area coffee walkways squares residents housing

theater foyer technical area dressing rooms auditorium open theater square residents housing

parking lot residents housing technical area

07

cultural rescue

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I 08

cultural rescue

facade detail

section | theater and faculty buildnng

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cultural rescue

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cultural rescue

facade detail

section | open theater and faculty buildnng

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cultural rescue

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2

cultural rescue

5

3 1

6 4

1. Perforated sheet metal brise-soleil 2. Metallic brise structure - angle bars 3. Glass metallic framing 4. Insulated laminated glass 5. Metallic extender 6. Vertical upright in laminated glass

12

+ metal rod

axonometric detail | curtain wall theater

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cultural rescue

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14

cultural rescue

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I 4 5 6

3

cultural rescue

2

1. Perforated sheet metal brise-soleil 2. Metallic brise structure - angle bars 3. Insulated laminated glass

1

4. 200mm metallic I-beam 5. 250mm metallic H-pillar 6. Tubular beam 100m

8

10

11

4 4. 200mm metallic I-beam 7. Glass metalic framing 8. Insulated laminated glass

9

7

9. Metallic column diameter 250mm 11. Expanded sheet metal screen

axonometric detail | covered walkway and metalic pergola

15

10. Metallic beam with gutter

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1

9

2

5 3

11

7

12

8

4

10

13

6 14

cultural rescue

15

02

03

curtain wall structure

theater structure

8 22 16

21 27

23

20 24

17 18

28 6

19 26

10

25

29

04

05

water feature detail

roof detail

16

01. Brise metal perforated plate 02. Brises fixing brackets 03. Horizontal amount of fixing glass 04. Insulated laminated glass facade 05. Tubular profile welded to the frame 06. Tubular beam 200 mm + C profile beams 250 mm 07. C profile rail 300mm

08. Insulated laminated glass cover 09. Theater Armchair 10. Inclined plaster fixation structure 11. Mortar Filling 12. Air conditioning insufflation grid 13. Laminate wood flooring 14. Main structural beam 530mm

I cultural rescue detail section | theater

23. Welded metal platform on the beam 24. Sandwich thermoacoustic tile 25. Reinforced concrete plateau 26. Roof scissors 27. Lining structure in wire mesh 28. Expanded sheet metal screen 29. Inclined plaster 17

15. Air conditioning piping 17. Tubular fluorescent lighting fixed to the beam 18. Reinforced concrete beam 530mm 19. Water feature 20. Ceramic coating 21. Algeroz Roof 22. Platband metal capping

I

Ancient // Modern a study on five roman architectural cases

18

Ancient // Modern

Type | Academic, 2019 Advisor | Federico Bucci, Luigi Spinelli Location | Rome, Italy University | Politecnico di Milano Group | Elena Modena, Marta Mengali, Shane Karkheck The aim of the work is to investigate five Italian modernist case studies through a comparative framework known as Conformi, a combination of two images, connecting the modern works with its historical influences. This primitive collage constitutes a means of building on what Luigi Moretti, Franco Albini, Studio Passarelli, and Adalberto Libera deemed a crisis in modern architecture: namely a lack of a historically didactic character, a need for symbolic expression (memory and tradition), and a synthesis of increasingly distant artistic disciplines and practices. Casa della GIL, Palazzina Girasole, Palazzo delle Poste, Edificio Polifunzionale, and La Rinascente, executed by these giants of Italian modernism, account for the diversity of ideas within the inter- and post-war period in Italy —

among those architects unsatisfied by the dogma and aestheticism of rationalism and monumentalism — and provide a visual basis for dialogue beyond Italian language commentary.

The studies resulted in a playful interactive model whose main function is to explore the influences of historical architecture in the five cases mentioned, in order to create a unique and impossible architecture. The model consists of two “magic cubes”, one with the façades of the original buildings, in wood tone, and the other with pieces of historic buildings that inspired them, in light grey. The “game” becomes interactive as the pieces can be exchanged to create a collage that explores the conversation between architectural styles and history.

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Ancient // Modern

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I Ancient // Modern 20

books of the design studio

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Ancient // Modern

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22

Ancient // Modern

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23

Ancient // Modern

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I

University and City Pavilion in Mantova

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University and City Pavilion

Type | Academic, 2020 Advisor | B. Bogoni, Eduardo Souto de Moura Location | Mantova, Italy University | Politecnico di Mialno Group | Miguel Francisco Sebastian III Piazza d’Arco has a rich and unique history of its own, changing with the centuries and embodying the identity of Mantova. Adjacent to the piazza is the Politecnico di Milano campus. The task for the project was to design a pavilion that caters to the needs of the university but is also open to the community as a public space.

By researching and applying the rich history of the area, the proposed pavilion embodies the past while fully catering to the needs of present times. The approach chosen was to embody a modern character that follows the axes of all surrounding buildings. This allows the design to have a unique identity

while still respecting the rest of the piazza: it is a pure and transparent volume, so as to contrast the building of the university, closed to the inside.

The structure itself, floating above the water and the void of the urban space, tell about its aim: it’s open not only to the university, but also to the city itself.

The University Pavilion has an auditorium, two classrooms, an exhibition area, a cafeteria, and an underground parking facility. Public spaces were generously provided to ensure that the students of Politecnico di Milano and the people of Mantova can integrate and interact within the piazza and its beautiful history.

25

University and City Pavilion

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I University and City Pavilion 26

Past | XVII Century with Church of St. Ambrogio

N

Present | Piazza Carlo d’Arco with no defined urban role

N

Future| Concept of connecting the Buildings across the Piazza

N

Project | Site Plan with urban spaces defined

N

27

Floor Plan | Ground Floor N

University and City Pavilion

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I

-01

Small cafeteria Auditorium Foyer Restrooms Open Theater Parking Lot Level -01

-02

Parking Lot Level -02 Storage Technical areas

28

University and City Pavilion

00

Public Space Reception + Atrium Classrooms Restrooms Vending Machines area

29

University and City Pavilion

I

I University and City Pavilion 30 Perspective Cross Section | Auditorium

I University and City Pavilion 31 Perspective Cross Section | Open Theater

I 32

Tacloban Community Center

Tacloban Community Center Type | Academic, 2020 Advisor | Manlio Mazzon, Adriana Granato Location | Tacloban, Leyte, Philippines University | Politecnico di Mialno Group | Miguel Francisco Sebastian III, Maria Paula Villa, Vivian Camila Bolivar The Philippines is a tropical country that is frequently visited by strong storms throughout the year. This often leads affected areas to be devastated by these typhoons, needing to recover and rebuild.

Tacloban, Leyte was selected as the site for the final application for the course where sustainable measures and construction methods are incorporated into the design.

Bamboo was selected as the primary material in constructing the community center. Using variations of whole bamboo

poles and laminated bamboo sheets, the end-goal was to produce a zero-energy building that is easily replicable and readily available to locals. Following climate responsive design principles, the building integrates vernacular bamboo architecture with modified traditional construction methods.

This project serves as a formal research on the viability of modular typhoonresilient buildings that can be easily constructed and would serve any community in the event of natural calamities in the future.

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Tacloban Community Center

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01

00

Tacloban Community Center

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35

Tacloban Community Center

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I Tacloban Community Center 36

Section | Detail of the Facade

I Tacloban Community Center 37

Exploded Axonometric| Detail of the Facade

I Tacloban Community Center

Perspective Cross Section

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Perspective Longitudinal Section

MEP | Electrical System Ground Floor

MEP | Electrical System First Floor

I Tacloban Community Center

Cross Section | MEP Sytem

MEP | Plumbing System

MEP | HVAC System

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Longitudinal Section | MEP Sytem

I

Join House: Sustainable living

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join house

Type | Academic, 2018 Advisor | Nicolás Sica Palermo Location | Porto Alegre, Brazil University | UFRGS Group | Thaís Gerhardt, Jéssica de Souza The Join House is inspired by the Japanese woodwork technique that involves joining together pieces of wood or lumber. The so called “Joinery” oftentimes involves complex geometry in its junctions and connections, so as to form a coherent, rigid and strong structure.

The design of this house, situated on the south zone of the city of Porto Alegre, Brazil, is related to this milenar technique in the sense that it is a manifest for the craftsmanship of the masters and its detailments that characterize the traditional woodwork. Referring to the Japanese technique, a house with oriental characteristics was sought: integrated and connected with nature, with its patios and gardens; full of wood

and panels that can control privacy and the level of brightness.

The project was inspired by the international contest Solar Decathlon, and as such, it was designed to be built in only 10 days and focused on the problems of sustainability and habitability.

Accordingly, the house was designed elevated from the soil, allowing it to have a better energy efficiency. Also, it is equipped with systems that allow the reutilization of pluvial and black waters, captation of solar energy and resources that allow the utilization of passive energy. Its energy efficiency and thermal capacity have been proven succesful through studies in the Design Builder software.

41

join house

I

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02. sectorization setorizar

03. connection juntar

04. shelter abrigar

05. access acessar

06. protect proteger

07. protect acolher

08. soften amenizar

42

join house

01. modules modularizar

axonomĂŠtricascheme axonometric ambientada

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join house

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join house

cross ventilation

perspective section | passive strategies for habitability

45

join house

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I join house 46

axonometric section | structure

I Column fixing system

1. Main beam in 3 pieces of CLT 150x75mm 2. Substructure beam in 1 piece of CLT 150x75mm 3. 150mm screw for fixation 4. Spacer between beams

1. Hollow steel column 75x75mm 2. 4-piece CLT column 75x75mm 3. 20mm metallic piece for fixing the CLT column 4. 150mm screws for fixing to the SIP panel slab

Fixing system beam substructure panel SIP on wooden brise-soleil

Pillar fixing system on SIP panel slab

1. Substructure beam in 1 piece of CLT 150x75mm 2. Brise-soleil column in CLT 100x75mm 3. Metal connection 100x80mm 4. Screw fitting 75mm

1. Brise-soleil column in CLT 100x75mm 2. Metal connection 100x150mm 3. 100mm screws for fixing to the SIP panel slab

47

join house

Main beam fixing system

I 48

join house

section | technical frontal cabinet

section | technical frontal cabinet

I axonometric | technical frontal cabinet

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join house

axonometric | technical frontal cabinet

I join house 50

01. Tilting window in galvanized aluminum painted gray graphite 450x150mm 02. Sheet metal for closing e = 2mm 03. CLT brise-soleil 100x75mm 04. Sliding door in painted galvanized aluminum graphite gray 05. 20mm OSB wall with CLT wooden slat 20x20mm 06. 20mm OSB wall with matte white paint 07. Technical cabinet in OSB 20mm 08. CLT 20x20mm wooden slatted bifold door 09. Roof parapet in CLT 150x500mm 10. Ecotelhado Wetland System 11. Technical slab for piping and electrical wiring 12. Wooden slat in CLT 100x50mm 13. EPS - expanded polystyrene e = 100mm 14. Beam substructure in 1 piece of CLT 150x75mm 15. Main beam in 3 pieces of CLT 150x75mm 16. Pinus wooden floor = 200mm 17. Column 4 pieces CLT 75x75mm 18. Underfloor Heating System 19. Rigid foam insulation for underfloor heating 20. Beam substructure in 1 piece of CLT 150x75mm 21. OSB 10mm closure 22. Edge metal beam 250x100mm 23. Hollow metal column 75x75mm 24. 300x300mm concrete foundation

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join house

I

I

Highway 25 de mayo

52

highway 25 de mayo

Type | International wokshop, 2016 Advisor | Ana Elísia da Costa Location | Buenos Aires, Argentina University | UBA Group | Danielle Martins, Gabriela Costa, Lucie Perrier, Ulisses Romano The location of the project is on the neighborhood of San Telmo, in Buenos Aires, Argentina. Its mesh has been forever marked by the construction of a viaduct that dates back to the argentinian dictatorship. The gray of the viaduct is a dialy reminder of those dark times and brings to the area a great vulnerability. Thanks to its location close to the city’s port, San Telmo is caracterized by the presence of diferent cultures, which influence the dinamic of the neighborhood - market today by its bohemic and turistic potential.

From a morfologinal, economical and social analysis, contrasts caracterized by diferent local agents were identified (local population, cultural heritage, turism, local government, institutions and local investidors). The interests from each agent where recognized with the main goal of reconsiling them

within one project, causing the least first impact as possible.

Axes and potencial points were interconected by a web painted on the floor. The mesh of the neighborhood that was broken by the viaduct could, then, be connected again. The visual language adopted was the treatment of the floor with red lines that connected diferent sectors of the project. They go through all the extension of the viaduct up to the memorial proposed, which rescue the memory of the victims of the dictatorship. From this symbolic character, an artistic homage and historical reflection are configured in the denser part of the viaduct, where there would be a contrast between the concentration of concrete pillars and illuminated tubes representing victims of oppressive times, forming a scenic effect of marked visual impact.

53

highway 25 de mayo

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I highway 25 de mayo 54

the commerce moves

the mesh softens

the green comforts

the buildings rise

the open invites

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highway 25 de mayo

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I

Gallery of (Re) existence*

56

Gallery of Reexistence

Type | Competition, 2019 Location | Rio de Janeiro, Brazil Plataform | Projetar.org Group | Thaís Gerhardt, Stephanie Cerioli, Mariana Samurio, Natalia Zaffari The Palace São Cristóvão, a landmark in terms of architecture and history, which housed the National Museum in Rio de Janeiro, had its narrative interrupted in 2018 when its structure and part of its valuable collection were consumed by a fire. From the ashes, the memory resists.

Through the proposal of a temporary gallery for the museum, we have the opportunity to save the remaining collection, continue the research, preserve and value the history of our country. The Gallery of (Re)existence, thus, appears as a space of survival to the Museum.

A space of memory, that allows us to remember the past, but also of hope, that allows us to think about the future.

The Museum, neglected, called for help. In the center of the new gallery a smoke signal refers to the fire and signals the warning that should not be forgotten. From this signal, a stream of water, symbolizing the passage of time, flows to the outer limits of the building pointing towards the Palace, opening the way to a new - and conscious - future.

Surrounding the smoke sign, volumes were arranged, creating an environment of reflection and contemplation. The main volume is that of the exhibition, which is divided in two, according to the periods of time: on the first volume, the past is remembered through the history of Brazil and of the Palace. The water line divides both volumes of the exhibition, forcing the path towards the inner courtyard before reentering the second volume, which guards the remaining collection of the museum.

The rest of the program is arranged on the other volumes surrounding the inner courtyard, closing the introspective space with an U shape that is oriented in the same direction as the Palace’s original courtyard.

The four volumes are structured by a metalic frame and raised by means of a platform, adapting to the terrain and to the temporary condition of the gallery.

A tensioned textile membrane ties the volumes together, forming a cohesive translucent architectonic piece, contrasting the image of the Palace.

57

Gallery of Reexistence

I

58 Gallery of Reexistence

volumetry

uses

monument

exhibition

multisue and coffee

administration

research and teaching

raised platform palace memorial outter shell

I

59

exhibition path Gallery of Reexistence

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I

Subtitles

60

Gallery of Reexistence

01. Foyer 02. Reception 03. Coordination 04. Director’s Office 05. Bathrooms 06. Pantry 07. Teacher’s Room 08. Meeting Room 09. Scanning Room 10. Deposit 11. Laboratory

12. Restoration Room 13. Repair Room 14. Archive 15. Multipurpose Room 16. Kitchen 17. Coffee 18. Exhibition Brazil 19. Exhibition Museum 20. Classroom 21. Employee room

I Gallery of Reexistence

19

18

01 02 17 03

05

05

06 07

15

08

09 14

13

12

05

10 11

first floor plan

N

61

16 10

04

I

Subtitles 12. Restoration Room 13. Repair Room 14. Archive 15. Multipurpose Room 16. Kitchen 17. Coffee 18. Exhibition Brazil 19. Exhibition Museum 20. Classroom 21. Employee room

Gallery of Reexistence

01. Foyer 02. Reception 03. Coordination 04. Director’s Office 05. Bathrooms 06. Pantry 07. Teacher’s Room 08. Meeting Room 09. Scanning Room 10. Deposit 11. Laboratory

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perspective section

I Gallery of Reexistence 20

20

20

20

20

20

20

20

second floor plan

N

63

21

08

05

II

Alberti at San Sebastiano: Principles and Procedures of Design

Alberti at San Sebastiano

Type | Research, 2016-17 Author | Leandro Manenti University | UFRGS The finished architectural piece can be modified by a series of sources since its design conception by an architect. Even in modern times, the documentation of the different phases of construction and interventions on the architectural work are crucial to the interpretation and understanding of the architect’s initial intention, since the constructed piece may not contain all the necessary information. When the architectural piece in question is five centuries old, the situation is aggravated, and the documents available achieve even greater importance as an instrument for the elaboration of interpretations regarding the work that has been altered throughout the ages.

When the documents available for the interpretation of the piece are nonexistent, an alternative is the investigation of the written words of the architect that conceptualized it, so as to understand the work of art through the lens of the architects mind. Following this logic, a research project titled “Written Architectures” has been developed, consisting on the analysis of the principles and procedures of design from texts and treatises by architects,

aiming to complement and discuss the interpretations of works of the Italian Renaissance considering the textual testimony of their authors.

One of the studies of this research is on Leon Battista Alberti’s Treatise De Re Aedificatoria, followed by the analysis of his 15th century Church of San Sebastiano in Mantua, Italy, not finished according to the original design of the architect. It was tried to retake Alberti’s design process based on the Treatise, from which some alternatives were proposed for what would be the original San Sebastiano project, considering information found in historical documentation about interferences and demands imposed on the work along of its construction. Based on this framework of alternatives, we discussed the validity of some widely diffused interpretations, such as that of analytic-diagrammatic tradition inaugurated by Rudolf Wittkower, which does not find base on the words of Alberti.

It should be emphasized that we did not seek to invalidate widely accepted theories, but to reinforce the role of textual documentation in the analysis of projects.

Publication

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Work, interpretation and documentation: discussions about Alberti’s project for San Sebastiano. Proceedings of the 5th Ibero-American Seminar on Architecture and Documentation. Belo Horizonte (MG) UFMG, 2018.

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Alberti at San Sebastiano

II

II

Aesthetic Evaluation of The Urban Space *

Aesthetic Evaluation

Type | Research, 2015-16 Author | Antonio Tarcísio da Luz Reis University | UFRGS The objective of this research was to analyze the preferences for streets with different levels of permeability regarding aesthetics and as places to live by three groups of people with different levels and types of educational background, namely: architects; non-architects college graduates and non-college graduates. These different levels of permeability means: buildings inside the blocks with no direct relationship with the street; buildings on the block perimeter with doors and windows facing the street; buildings with blind walls facing the street; gated condominiums’ walls facing the street; and garages’ doors facing the street.

Data gathering means include questionnaires made available in the LimeSurvey software via internet and filled in by 250 people as follows: 62 architects, 169 non-architects college graduates and 19 non-college graduates.

Nine scenes representing the streets with different levels of permeability were edited and presented in the question-

naires. Questions about the preferences of scenes´ appearance and the preferences of scenes as places to live, as well as multiple-choice questions about the justifications for such preferences were used. Non parametric statistical tests such as Kruskal-Wallis, Kendall W and Spearman’s rank correlation coefficient were used to analyze the data.

The main results indicate, for example, that buildings with blind walls, gated condominiums´ walls and buildings with garages´ doors facing the streets tend to be less preferred by people, while the opposite tend to occur regarding buildings on the block perimeter with doors and windows facing the street.

Moreover, correlations between preference for a scene appearance and preference for a scene as a place to live were found regarding each of the three groups of respondents for each of the nine scenes, with one exception, revealing that the appearance of the scene tend to have an effect on its preference as a place to live.

Publications Streets with Different Levels of Permeability: An Analysis of Preferences Regarding Aesthetics and As Places to Live. Proceedings of the Environmental Design Research Association 50th edition: Brooklyn, 2019.

Aesthetic Perception of Different Street Interfaces. 25th IAPS Conference, 2018, Rome. 25th IAPS Conference. Roma: IAPS, 2018. p. 171-171.

Urban Interfaces and Aesthetic Evaluations. International Conference on Changing Cities III: Spatial, Design, Landscape & Socio-economic Dimensions, 2017, Syros. Proceedings of the International Conference on Changing Cities III. Thessaloniki: Grafima Publications, 2017. v. 1. p. 1092-1102.

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* Honorable Mention for presentation in the area of ​​Applied Social Sciences in the University’s annual research hall (XX SIC UFRGS)

II Aesthetic Evaluation Cena

Formação / Escolaridad e

Total (%)

Muito bonito (%)

Bonito (%)

Nem bonito nem feio (%)

Feio (%)

Muito Feio (%)

Arquitetos

46 (28.8)

9 (19.6)

25 (54.3)

11 (23.9)

1 (2.2)

0 (0.0)

Não arquitetos

107 (66.9)

14 (13.1)

53 (49.5)

21 (19.6)

16 (15.0)

3 (2.8)

Sem

7

0

6

0

1

0

67

Tabela avaliação individual por aparência

architecture 2020

selected works ana flavia piva panzenhagen