Pasadena Society of Artists 95th Annual Juried Exhibition

Page 70

Still-life with White Pitcher, Egg and Pewter Vase Kathleen Swaydan Oil on Belgian Linen Panel 8" x 10" $395

I am a studio artist. My art focuses primarily on realistic still-life and landscape paintings. I work in several media depending on the subject at hand. Whether oil, watercolor, pastel, or graphite, my art is influenced by the ancient Greek and Roman tradition of still-life and landscape paintings frequently found on the walls of guest quarters in private domiciles such as those located in Pompeii. These images provided a private devotional area and visual banquet for the guests and evoked an impression of hospitality and generosity. This ancient tradition is the undertone of my artwork. “Still-life with White Pitcher, Egg and Pewter Vase� appears to be a monochromatic still-life study; however, the objects are represented in their actual color. The reflective surfaces offer additional interest for the viewer.

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pages 86-87

Shaney Watters

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page 79

Ken Weintrub

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pages 80-81

Tsvetelina Valkov

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pages 76-78

Matthew Tanaka

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pages 74-75

Kathleen Swaydan

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pages 70-72

Barbara Thorn

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page 73

S. A. Smith

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page 69

Emily Suñez

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pages 66-68

Tom Oldfield

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page 61

Rhonda Raulston

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pages 62-63

Jackie Steimke

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pages 64-65

Nancy Wood Pink

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pages 58-60

Steve Ohlrich

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pages 56-57

Margaret Raab

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page 55

Albert Natian

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pages 52-54

Victor Picou

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Robin McCarthy

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pages 46-47

Peter McDonald

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pages 48-50

Janet Manalo

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page 45

Brian Mark

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pages 42-44

Sonali Kolhatkar

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pages 40-41

Nora Koerber

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pages 38-39

Leah Knecht

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pages 36-37

Mina Ferrante

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pages 34-35

Martin Ehrlich

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pages 28-30

Warner LeMénager

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page 31

Mims Ellis

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pages 32-33

Rick Drobner

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pages 26-27

Jeffry Jensen

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Vibiana Aparicio-Chamberlin

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Julianna Aparicio-Curtis

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Michael Childs

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pages 20-21

Memorial Award Histories

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page 9

President’s Message & Short PSA History

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page 4

Juror Statement & Biography

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page 6

Andrea Abonyi

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page 11

Table of Contents & Artists Directory

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page 5
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