pavelka luka portfolio catalogue
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105 - 112 елиса work in progress
studio project 1_2013
SP 1 is a student project in the 3rd semester of the 3-year bachelor program at the Faculty of Architecture. The assignment is to create a conceptual proposal of a set of 1 story high residential houses with a typology of houses in a row. The assigned location for the project is situated in the eastern part of Belgrade, next to the “Višnjica” suburb, and right before “Lešće” cemetary. The location is further constrained with a frame of 200 by 400 meters, for a more focused research. The start of the project was a visit to this location, and analysis of the present contents, conditions and factors influencing this space proceeding with a newly formed methods for designing.
studio project 1_luka pavelka portfolio catalogue
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Design methods extracted from the analysis material.
The analysis of the terrain, among other approaches, was chosen to be the driving method for further research. Planning and positioning a route for a simple path from the lowest to the highest point in the framed field, led to descovering an existing natural line throughout the terrain, composed of closely lined up contour lines of different heights. This further continued to use as a parameter for placement of an aligned system for producing the set of residential houses. The idea was to use the present conditions of the space as much as possible and as a supportive context for the new interventions which are to be minimal in terms of interfering the present structure of the terrain and its surroundings. The system should work with, and cooperate with the context in a synchronized manner, with no waste of matter.
studio project 1_2013
200m
first location mapping and concept placement
The temporarily placed trajectory is used as a material for further investigation of the upcoming design method. The nature of the terrain analysis will be further transcended into the construction itself, securing an approach to design with an attention to self-sustainability of the unfolding system. With this in mind, first signs of a form revealing and challenges started to arise.v
studio project 1_luka pavelka portfolio catalogue
400m
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a space-producing system emerged from the analysis of the terrain
studio project 1_2013
geometry of the system in a section showing its functioning in the terrain
The next primary perspective for further research is a section of the terrain, and implementation of the system. From the idea of self-sustainability and use of the located terrain matter in a continuous flow, emerged a geometry which would further be the working flow of the unfolding structure. A machine for producing space, digging through the terrain, and switching the positions of volumes, opening up a gap in the ground behind it and at the same time, directing the geomerty of the construction and an included program for the housing itself. Afterwords, a spacial organization followed.
studio project 1_luka pavelka portfolio catalogue
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first floor and movement prgram layout proposals
The form of the infinity sign-shaped geometry is found to be suitable as a general theme for the project and is further followed by fy function.The clear division which this step creates in the terrain itself, and the theoretical connection between the two by the form of the system is afterwords used in the program layout.
studio studioproject project1_ 1_2013 2013
The division between each sides of the system is found to be adequate for implementing two different programs in the structure: residential (3/4) and administrative (business,office) (1/4). Further on, these opposite programs were placed in the geometry functioning as a work-home flow system providing the connection and the division of the two.
studio project 1_luka pavelka portfolio catalogue
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physical structure emerged from the space forming system
studio project 1_2013
200m
final location and housing assembly positioning
400m
studio project 1_luka pavelka portfolio catalogue
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system flow in a different medium
studio project 1_2013
06:00
08:00
10:00
16:00 (winter solstice)
18:00 (summer solstice)
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studio project 1_2013
A - A section of a unit
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studio project 1_2013
B - B section of a unit
+8.27
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studio project 1_luka pavelka portfolio catalogue
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the unit
studio project 1_2013
unit top view
unit section front view
studio project 1_luka pavelka portfolio catalogue
unit axonometry
unit side view
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final base drawing and top view organization
studio project 1_2013
axonometic preview of a single unit
the outer shell is devided and cut diagonally for better viewing purposes of the inside
The spatial organization within a single unit works with a construction of the whole system, but is fitted to accompany the division between the home and the office. As the structure of the system devides the two sides of the field, to the lower side, a residential access is assigned, and for the upper side an office access. The inside is devided by trancelucent walls and vertical communications. A passage through this border is also present inside the unit. Units are formed of prefabricated elements and can be fitted inside of the metal construction in different ways. This particular unit fits inside two spaces in the construction chain. A bigger unit can also be fitted taking 3 or more spaces in the chain. This system presents a new strategy for planning and a model for residential/business settlements.
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studio project 1_2013
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studio project 2_part 1_2012
SP2 is a student project in the 4th semester of the Bachelor’s programme in the faculty of Architecture in Belgrade. The assignment is a pavillion-type building for bearing 40% of the space for administrative purposes in the IT sector, and the other 60% for an exhibition space. The assigned location is in the New Belgrade, in a wide open area of the city on the north-west side of the river Sava, with wide streets and modern buildings such as shopping malls and office buildings. The research took off with the analysis of the behaviour of space in different horizontal access communication restrictions as shown in the first sketches.
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section A - A
section B - B
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floor 1
floor 1
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floor 0
floor 0
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basement
basement
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view from the north
view from the east
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floor 1
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floor 0
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studio project 2_part 1_2012
axonometric view from the north-west
studio project 1_luka pavelka portfolio catalogue
Tho horizontal passages led to many space-organizational challenges, but also led to adequete solutions, without giving up on the leading idea. Horizontal spatial organization of a double spiral created unusable narrow angled corners which were solved with an ongoing concept within this project. The concept of the horizontal curvature of space, and directing lines culminating in the centre was simply transfered in a vertical position.A new view to the project opened up with this act. The lines of curved passages in the top view now are siluettes of the curved walls in the section view. New curved cuts were added to the walls opening them up from the bottom or from the top, erasing multiple problems with the narrow angled dead ends. This way the commitment to the pursuit of using curves in the project was retained,and problems solved.
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axonometric view from the south
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studio project 2_part 1_2012
studio project 1_luka pavelka portfolio catalogue
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lighthouse_2012
The lighthouse is attached, with a usable space organized in a way that it’s using already present shapes in the cliff with minimal interventions. Transparent fasade absorbs daylight making this lighthouse an object of light.
monolith monoli mo lilith th 0066
Analytical approach to the context - the cliff at the North sea, led to spontainious and in some way expected surfacing of the object in its complete physical structure from the utilitary, constructive, to the asthetical from its location. Characteristics of the current state of the context are used as a potential for designing. A special attention was given to avoiding any demolitions and reshaping of the cliff, ecologically, constructively and aesthetically. The final object is lightly resting, attached to its terrain whith a predominantly vertical support, but horizontal as well, near the top of the construction. This object allows a unique oppertunity for vertical communications with an open view to the open sea.
lighthouse_luka pavelka portfolio catalogue
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elevation +1.00m roof top view
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lighthouse_2012
section drawing
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beach guard house _2013
The question of protecting the beach and the need for the guard was the motive fduring the production of the project. The decision for a specific location, a beach which is disappearing “Ada Bojana� in Montenegro, was a frame for the research. In general, en environmentally consciouss approach was started and it unfolded until the end, until the very physical structure of the objects and the shapes of the movements conditioned by the objects. The case of this particular location is primarily an ecological problem, and the proposal isn’t focused towards instant changes for the interest of people. A specific design approach was needed for solving an issue of a dissapearing land underneath the water, and a specific shape of the building intended for the correction of the terrain which is in a crytical state was needed. As the riverflow of the river Bojana which flows into Adriatic sea is slowing down due to the multipbe hydro power plant built upland, the force of the river is decreasing, and the riverbed is losing its shape as it is widening. Besides the physical structure of the location which is at risk, the whole underwater life, flora, fauna, salinity, temperature and the purity of the water itself is also in a dangerous situation. These are the motives for protecting the beach. Through analysing the movement of the sand on the riverbed, an idea to create opsticles for allowing sand to collect around them arose. Ball shaped satelites would be scattered around on the ground which is in the most places here only upto half a meter under the water, except for far out of the coast. The sand which is naturally moving on the riverbed would collect itself around these objects untill the sand has collected enough so the surface is above the water. Afterwords, these objects would be taken out and placed elsewhere in a systematic manner, so the land can be extracted above the water. These ball shaped satelites would contain different instruments for analysing the situation of the riverflow and other aspects of the location. A vertical tower which inland would be the centre for collecting data from the satelites, aswell as a home for the people in cahrge of the system.
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reduced riverflow - water covering the land
beach guard house _2013
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satelite 2 satelite 1
satelite 3
satelite 4 swtich board
placement of the mobile obstacles- satelites, and sand naturally gathering around them creating land
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satelites functioning with the riverflow in the top view
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the switchboard tower - house for the beach guard
beach guard house _2013
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2005
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0,00m
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light behaviour
extended light ray piercing through
underground shelter for light _2012
additional directions shaping the form
underground shelter for light_luka pavelka portfolio catalogue
“Underground shelter� is a theme for researching the possibilities of assigning a physical underground structure to a certain notion or a subject. Observation of the elusive behavior of daylight and its relations with the physical forms was the motive for developing the underground shelter for light. The task to adapt a physical structure to daylight in order to collect and preserve it in an underground environment was tackled with the idea of using a skylight prism in a fissure on the ground, connecting the lowest point underneath it with the overground end of the prism as the collector. Aditionally, a system of ramps leading to the bottom was included.
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A - A section
B - B section
The system of horizontal and vertical communications using ramps, gravitates around the skylight prism following its leaning form which is favorable for collecting light during most of the day. The directed light focused on the bottom of the object can be used for illuminating certain activities which are forced to be positioned underground. With a system of solar collectors this “light pocket� can be used for storing and producing electricity.
Light is compressed, condenced, saved and sustained. The shelter is grasping the nature of light, and gives it a space for stillness, where its potentials and be preserved and utilized.
underground shelter for light _2012
A - A and B - B section and base plans communication lines
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overground shelter for light _2012
Encasing space, potentiating and cultivating its content with the structure of the casing on which it can feed and grow out of is a challenge for a shelter. Temporary or permanent stay of an elusive resident is directed by the physical structure of a built environment. Understanding the nature of light, and its behaviour in relation with objects taken into account were the guidelines for creating a structure for seizing the light. An overground object which stands separated from the ground and open enough for light to come in, but closed off enough so it is directed in a certain way.
A narrow corridor lifted from the ground through which light passes and is more conciously observed and looked into, when there is an object for constraining it as a refference system for comparason.
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model
side view
overground shelter for light _2012
top view
middle section
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A roof extension is a project for analysing the context raised from the ground in an urban tissue. Assigned simple shaped buildings bordering the space between with no additional information are the context for this space.
A simple geometry of the empty space is to be filled with a shape which functiones physically and aesthetically. As the starting point is emptyness, the first step was to fill in with an unspecific shape. As an opposite approach was also possible, emptyness was slowly reduced as a volume. A full object is consumed by emptyness from within, in an unspecific manner. An organic way of the growth of emptyness is achieved, and the outside of this volume is matter, compressed in the corners and sides of the imaginary closed-off space, bordered by 3 story high neighbouring houses.
roof extension _2012
emptyness overtaking fullness from the inside
emptyness overtaking from the outside
growth of emptyness
shape fills the space
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extension , extracted from the context
roof extension _2012
functioning of the extension within the structure
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monoliths_2012
Monoliths are a series of seven three dimensional paintings evolving from a 1 meter by 50 centimeters module panel. A space research carried out with two devices: Three dimensionally presented polygonal objects of open and closed forms, and an impression of emptyness - sky. White objects are constituted and accentuated with their position in relation to the depiction of the sky. Their positions are often switched, connected, disconnected, blended and annuled as they are forming a different optical illusion. The spectator’s involvement with the paintings was one of the main motives in the research, as a different visual experience was intended to be offered depending on their position. Sky, as a representation of an elusive empty space is restricted in the frame, pushed out of, condensed in an object and never experienced in one same way. The prehension on which is where is the spectator’s decision to be made, and the paintings are there to offer a different perspective to the idea of space.
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monolith 01
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monolith 02
monolith 03
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monolith 04
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monolith 05
monolith 07
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monoliths_2012
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monoliths_2012
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monoliths_2012
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scratching surfaces _2013
Scratching Surfaces is the name of the one night event, a production of the Fall 2014 internship programme at the Danish studio for experimental art, Atelier Hotel Pro Forma which took place on 3rd of October, 2014. The project included several video installations, static art pieces, real time mechanical contraptions and a performance. Through all pieces, a general theme was drawn from a previous research at the atelier. Copenhagen Cable Surfing Park was the subject of the research, throughout which several different currents of inspiration were cultivated. Three particularly similar thought processes of artists Ingjerd H. Nergaard, Nanna M. Madsen and Luka Pavelka led to the conception of producing a performance, synchronizing three different impressions into one piece. The performance consisted of one narrative, one text consisting of sentences from multiple interviews with different people, as answers to the question “Have you ever almost drownd?�, which was later the opener for performance. A video projection of the reflection of a human figure in the water was a second element, in close cooperation with two performers: One holding and controlling the projection, and the other being projected with the video. The 8 minute long performance was accompanied by a live sound scape performance by Tobias Lukassen.
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The Copenhagen Cable Park was an assigned location for drawing inspiration, by the artistic dirrector of Hotel Pro Forma, Kirsten Dehlholm. From there, it was up to us to decide what to do. Water, air, motion, surface, in, out, above, under, consciouseness, subconsciouseness, meditation, fear, danger, safety. All these, and other notions were concidered. The ideas of polatities, dualism and divisions were taken for further research, as these were concidered most subject to bearing an open theme which could withstand different impressions and mediums. Water was used as a tool for depicting a surface, as it is a clear representation of the characteristics of both air, and water. The surface of the water is constituted by the difference between the two, and it always holds both. The research led to analysing the concept of the in-between space, which is a border, with no dimension. Expansion of this space, or zooming-in, showed remarkable susceptibilities for extracting inspiration and conclusions for the research as well as the performance. From there, everything was assembled to this structure, and was held in place until the very product-the performance. In an area of human perceptions and and activities, two human figures were taken for representing the conscious and the other (either subconscious or a different entity). One figure is a living person, and the other is a video footage of the same figure, captured as a reflection in the water. The difference clearly states the certainty of the one and the uncertaithy of the other. Other theories were drawn from this, but this was used as an open tool for questioning the spectators. From here, many different possibilities for presenting the idea arose, such as visual play between the projection and the real human figure and possible interaction, which was further developed. One text consisting of multiple interviews was placed on this frame and used as a dialog between the two human figure representations. One asks the question, and afterwords, following the confusing nature of the text itself, no reasonable social structure was used in forming the dialog. The sentences were spoken out (or played from the speakers) alternately, one after the other, but creating a feel of what a conversation would sound like. Sound wise, different possibilities arose, and were used as much as possible. Which sentence is recorded, and which is spoken out, was one of the challenges. On this structure, various visual transformations took place. Synchronized, the interaction with the projection and the human performer was also performed. Various visual changes and distortions were controlled by the carrier of the projector (Luka Pavelka), opening up a wide variety of possible visual modifications on the part of the projection placement, movement and the appearance. Sound wise, a complementing live performed sound scape was implemented.
scratching surfaces _2013
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A conversation with the “other”. This is a text containing answers from multiple interviews with different people on the question “Have you ever almost drownd?” The nature of the concluded text was amplified by the sound scape, using voice and tone alterations, as well as the visual aspect by the performer’s movements, and the movements of the projection.
scratching surfaces _2013
Possible interactions between the performer and the projection were thoroughly investigated.
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beach guard scratching surfaces house _2013 _2013
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Scratching Surfaces “Have you ever almost drowned?� performance: Nanna M. Madsen (Denmark) Luka Pavelka (Serbia) Tobias Lukassen (Denmark) Ingjerd H. Nergaard (Norway) supervision: Kirsten Dehlholm (Denmark)
scratching surfaces _2013
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urban agriculture _2012
Location: The chosen location is situated in the “Skojevsko� suburb of Belgrade, away from the main city centres, which can be beneficial for one experimental projact. The working subject is a row of abandoned garages on an edge of a hill in this suburb. Garages are not used, and it can be approached to their rooftops over a broken leaning concrete panes, which was a roof of one of the garages. The view from the rooftops is spectaculer as it is open towards the suburb beneath, and the Avala mountain, and it will be included as an important value of this location. Description of the solution for approaching the assigned location: Approaching the row of garages, the first problem which arises is the accessability. The current leaning concrete panel over which can now be accessed to the rooftops will be removed. As a replacement, a bended ramp will be placed with a 5% slope. This ramp will allow different uses for communicating vertically such as agricultural works which can be placed on the rooftops. Aditionally, a staircase within the ramp will be placed for faster communication. The ramp and the staircase as a package, can be mounted on various locations, and their use can be xpanded.
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urban agriculture _2012
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urban agriculture _2012
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axonometric preview of the structure
urban agriculture _2012
section through the garage A - A
detail 1
green roof description: -soil 20 cm -membrane 0,5 cm -drainage layer 10 cm -protactive foil 0,5 cm -hydroisolation 1 cm -termoisolation 20 cm -vapor barrier -layer for equalizing steam pressure 0,5 cm, -slope layer 20 cm - reinforced concrete panel 25 cm
The relation between the constructive elements and the hypothetical vitality of the assigned location: In the base drawings, elevation and sections is clearly visible that the rooftops are in a mutual denivelation. This relation will be kept and used as a frame for segmenting different potential activities which will take place here. For example, breeding goats, bees, growing grapes, different fruits and other. Communications between these denivelated rooftops would be practiced over mounted ramps, so a continuous accessability through all rooftops would be achived. In the detail drawing 1, layers which are to be added to the rooftops are shown. Garages will be thermoisolated aditionally so the spaces inside can also be used for manufacturing produce which is grown on the rooftops.
urban agricu agriculture_luka cultltltur cu ure ur e_l _luk uka uk a pavelka pave pa velk ve lka portfolio lk port po rtfo rt folililioo ca fo catalo catalogue logu guee gu
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base drawing
urban agriculture _2012
The idea for the project originated as an answer to the social political aspect of the expansions of the cities with a potential 75% inhabitants living in the cities, as a result of the centralization of trade and agriculture. Exploring the values and and roles of nature in an everyday life, as well as spaces in which it is appreciated and interacted with actively, we discovered that the lack of this relationship drastically reduces ones perception of a human’s habitat as a living organism and todays problems in terms of ecology, and in the lives of citizens. To this phenomenon we are responding with a proposal for reanimating the rooftops of abandoned buildings by greening and importing a layer subjec to a model of miniature agriculture. This platform would, depending on the participation of the public, subversively place the issues, ask questions and provide tools for finding the solution.
The chosen location for the concept is a row of abandoned garages and their rooftops on which a spatial reanimation will be achieved, and a model of a miniature urban agriculture. In the garages themselves, aditional following activities will be carried out. Green surfaces would be used for bio-dynamical growing of organic fruits and vegetables as well as livestock breeding. The production of the by-products will be carried out in the garages themselves such as honey, goat milk soap, wine, and so on. By-products and leftovers can further be used for compost and making fertilizer, so a closed production loop can be acheived. As a following activities, an educational program would be organized for the youth in the form of workshops for experiments, as a tool for raising conciouseness about self-sustainability, energy resources, food and the importance of rational consumption.
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urban agriculture _2012
neglected bigness_2014
Neglected Bigness is the name of the W2 workshop withing the BELGRADE.SCAPES:LAB project. The theme of the workshop is the suburb of Belgrade, Kaluđerica, its socio-political situation, and the relation with the city itself. The task was to investigate from a new perspective, blind to the statistics, and thoroughly based on the information extracted from the location and the inhabitants themselves. The aim was to demistify its socio-political structure by analising its history, the present moment situation, and the possible future on which impact can be made.
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area of detailed research
neglected bigness_2014
segments of the movement map
The finished product of the workshow was the comprehensive mind map consisting of several different research currents, all culminated in one 1,2 x 1,2 meter panel. The information in it was placed on a six directions structure, within which segments are both separated and in close cause - consequence interaction. Any which of these six paths can be a starting point for reading the map, and all of them provide information which seeks other sources that can also be found here. In this booklet, it has been cut horizontally in four pieces so it can be read more easily, but a full resolution image is on the workshop website.
The link and the qr code can be found on the last page of this project.
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Luka Pavelka Jelena Tasic Luna Lukic Martina Milic Ana Popovic Iris Puzovic Jelena Dzinovic Ivana Marjanovic Sanja Đurđevic Dušan Božić Ksenija Radosavljević Srna Tulić + Milica Leković Marko Macura Haris Piplas Snežana Timotijević Nina Radosavljević
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BELGRADE.SCAPES:LAB
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Neglected Bigness full resolution map image
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елиса _work in progress
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елиса _work in progress
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underground елиса _work shelter in progress for light _2012
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елиса _work in progress
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pavelka luka student index no: 31/2012 mobile phone: 00381643464923 underground shelter for light _2012 e-mail: pavelkaluka@gmail.com