Art & Culture Winter 2024

art&culture OF PALM BEACH COUNTY Winter 2024

SET UP: THE CURTAIN RISES ON SCENIC DESIGN I AM WOMAN: FEMALE ARTISTS TAKE THE REINS STRIKE A CHORD: MUSIC ORGS CONNECT WITH NEW AUDIENCES

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12/4/23 11:00 AM

THE SOCIETY OF THE

FOUR ARTS

Art Exhibitions ■ Concerts ■ Films ■ Lectures ■ Classes ■ Libraries ■ Gardens The Society of the Four Arts offers a dynamic lineup of cultural programming from November through April, including art exhibitions, live performances, notable speakers, films, cultural partner screenings, educational programs, and book discussions.

The Four Arts sculpture and botanical gardens and children’s and adult libraries are open year round. Located along the Intracoastal Waterway just north of Royal Palm Way, The Four Arts is one of Palm Beach’s oldest and most respected cultural destinations.

Visit fourarts.org to reserve tickets for programs

100 Four Arts Plaza, Palm Beach, FL | (561) 655-7226 | customerservice@fourarts.org

FOUR ARTS FOR EVERYONE

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BY NIEL SIMON BARRY MANN & CYNTHIA WEIL MANN & CYNTHIA WEIL PLAZA SUITE BY NIEL SIMON PLAZA SUITE BY NIEL SIMON JANUARY 9 28, 2024 JANUARY 9 28, 2024 AND AND SUITE NIEL SUITE FEBRUARY 11SIMON -NIEDLAND 25, 2024PLAZA NIEL11 SIMON FEBRUARY -NIEDLAND 25, 2024 AS MCGRATH SUITE SUITE PLAZA SUITE SUITE MONIQUE BRECHTER &BYKING STEVEN HEINEMANN JANUARY 9 - 28,BEAUTIFUL: 2024 OLE KING MUSICAL JANUARY 9 -SUITE 28,NIEDLAND 2024 IN PLAZA BEAUTIFUL: THE CAROLE KING MUSICAL MONIQUE BRECHTER STEVEN HEINEMANN BOOK DOUGLAS MCGRATH PLAZA SUITE SUZANNE LOVING MEMORY OFPLAZA ARTBY AND MEG SUZANNE NIEDLAND IN PLAZA LOVING& MEMORY OFPLAZA ARTBY AND MEG MUSICAL THE CAROLE MUSICAL

BY NIEL SIMON GOFFIN & CAROLE KING,

BY NIEL SIMON WORDS AND MUSIC BY GERRY GOFFIN & CAROLE KATHY ANDMUSICAL JOE SAVARESE KATHY PLAZA ANDBY JOE SAVARESE

BY NIEL11 SIMON FEBRUARY -25, 25, 2024 2024 BY NIEL11 SIMON FEBRUARY -25, 25, 2024 2024 A SUITE SUITE EL SIMON NIEL SIMON SUITE SUITE BY NIEL SIMON

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BY NIEL PLAZA SUITE FEBRUARY - 25, 2024

BY NIEL11 SIMON FEBRUARY - 25,BRECHTER 2024 PLAZA AND FEBRUARY 11 FEBRUARY 11 MUSICAL YNTHIA WEIL THE KING MUSICAL BARRY MANN & CYNTHIA WEIL BOOK

BY CAROLE DOUGLAS MCGRATH AND AND GOFFIN & CAROLE KING, WORDS AND MUSIC BY GERRY GOFFIN & CAROLE KING, KATHY AND JOE SAVARESE KATHY ANDBY JOE SAVARESE EL NIEL SIMONIN LOVING MEMORY OF ART

BY NIEL SIMON

BY NIEL SIMONIN LOVING MEMORY OF ART AND MEG NIEDLAND SUZANNE NIEDLAND AND MEG NIEDLAND TIFUL: THE CAROLE KING MUSICAL SUZANNE NIEDLAND BOOK BY DOUGLAS LE SIMON KING, WORDS AND MUSIC

BY GERRY GOFFIN & CAROLE KING,

BY NIEL SIMON FEBRUARY 11 25, 2024

BY NIEL SIMON KATHY AND JOE SAVARESEMCGRATH FEBRUARY 11 25, 2024 KATHY AND JOE SAVARESE FEBRUARY 11 25, 2024 FEBRUARY 11 25, 2024 Y 11 25, 2024 FEBRUARY 11 25, 2024 FEBRUARY 11 25, 2024 FEBRUARY 11 25, 2024 YNTHIA WEIL BARRY MANNAND & OSHER CYNTHIA WEIL BOOK BY DOUGLAS MCGRATH JOHN AND FEBRUARY 11 - 25, 2024SUZANNE NIEDLAND IN LOVING MEMORY OF ART ANDJOEL HART FEBRUARY 11 - 25, 2024SUZANNE RDS AND MUSIC BY GERRY GOFFIN & CAROLE KING,MANN BARRY & JANUARY CYNTHIA WEIL NANCY AND JOEL HART NANCY AND 28, 9 - 28, AND MEG NIEDLAND NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND BOOK BY DOUGLAS MCGRATH LE KING, WORDS ANDOSHER MUSIC BY GERRY GOFFIN & CAROLE KATHY AND JOE SAVARESE KATHY AND JOE JOHN JOHN SUZANNE NIEDLAND IN LOVING MEMORY ARTFEBRUARY AND MEGOSHER NIEDLAND SUZANNE NIEDLAND IN LOVING MEMORY OF ARTFEBRUARY AND MEG NIEDLAND NANCY AND HART BARRY MANN & CYNTHIA WEIL NANCY AND JOEL HART YRDS 11 -2024 25, 2024 11JOEL - 25, FEBRUARY 11KING, -2024 25, 2024 11 - 25, SUZANNE NIEDLAND IN 2024 LOVING MEMORY OF ART AND MEG NIEDLAND SUZANNE NIEDLAND IN 2024 LOVING MEMORY OF ART AND MEG NIEDLAND JOHN OSHER FEBRUARY 11SAVARESE - 25,OF2024 FEBRUARY 11 - 25, 2024 AND BY NIEL SIMON BY NIEL SIMON MUSIC BY GERRY GOFFIN & CAROLE KING, BARRY MANN & JANUARY CYNTHIA WEIL NANCY AND JOEL HART NANCY AND JOEL HART AND 28,AND 2024 AND 9 28, 2024 JOHN OSHER JOHN OSHER SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND JANUARY 9 28, 2024 SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND NANCY AND JOEL HART & CYNTHIA WEIL& TARRYSUZANNE AND JOEL HART SUZANNE NIEDLAND IN MEMORY OF ART AND MEGSUZANNE NIEDLAND SUZANNE NIEDLAND IN OF ART AND MEG NIEDLAND MEMORYBARRY OFJOHN ARTMANN AND MEG NIEDLAND INGLENDA LOVING MEMORY OFLOVING ART AND MEG NIEDLAND NIEDLAND IN LOVING MEMORY OFJOHN ARTSUZANNE AND MEGNIEDLAND NIEDLAND NIEDLAND INNANCY LOVING MEMORY OFLOVING ART ANDMEMORY MEG NIEDLAND OSHER OSHER RAYMOND GRAZIOTTO RAYMOND & TARRY GRAZIOTTO & JEFF HOOPS AND SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND GLENDA & JEFF HOOPS SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND BY NIEL SIMON BY NIEL SIMON RAYMOND &AND TARRY GRAZIOTTO AND AVARESE JANUARY 9 - 28, 2024GLENDA KATHY JOE SAVARESE &NIEDLAND HOOPS GLENDA &AND JEFF HOOPS JANUARY 9JEFF - 28, 2024 MEMORY OFJOHN ART AND MEG NIEDLAND INGLENDA LOVING OF ART AND MEG NIEDLAND SUZANNE IN LOVING MEMORY OFJOHN ARTSUZANNE AND MEGNIEDLAND NIEDLAND SUZANNE NIEDLAND INGLENDA LOVING OF ART AND MEG NIEDLAND OSHER OSHER RAYMOND & TARRY GRAZIOTTO RAYMOND & TARRY GRAZIOTTO &MEMORY JEFF HEINEMANN HOOPS SUZANNE NIEDLAND IN LOVING MEMORY OF ARTBRECHTER AND MEG &MEMORY JEFF HOOPS SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND RAYMOND & TARRY GRAZIOTTO RAYMOND & TARRY GRAZIOTTO MONIQUE BRECHTER & STEVEN HEINEMANN MONIQUE &NIEDLAND STEVEN RAYMOND & TARRY GRAZIOTTO JANUARY 9 - 28, 2024 AND AVARESE KATHY AND JOE SAVARESE GLENDA & JEFF HOOPS NANCY AND JOEL HART GLENDA & JEFF HOOPS NANCY AND JOEL HART KATHY AND JOE SAVARESE RAYMOND & TARRY GRAZIOTTO RAYMOND & TARRY GRAZIOTTO MONIQUE BRECHTER & STEVEN HEINEMANN MONIQUE BRECHTER & STEVEN HEINEMANN KATHY JOE SAVARESE AND NIQUE BRECHTER &AND STEVEN HEINEMANN MONIQUE BRECHTER & STEVEN HEINEMANN BY SIMON

BY NIEL SIMON NANCY AND JOEL HART NANCY AND JOEL HART MONIQUE BRECHTER & STEVEN HEINEMANN HER JOHN OSHER KATHY AND JOENIEL SAVARESE NANCY AND JOEL HART NANCY AND JOEL HART MUSIC BY HARRY WARREN GLENDAAND & JEFF HOOPS

BY NEIL SIMON GLENDAAND & JEFF HOOPS NANCY JOEL HART NANCY JOEL HART KATHY&AND JOE SAVARESE 42ND STREET 42ND NIQUE BRECHTER STEVEN HEINEMANN MONIQUE BRECHTER & STEVEN HEINEMANN BY NIELJOHN SIMON BY NIELSTREET SIMON MONIQUE BRECHTER &AND STEVEN HEINEMANN HER OSHER BYAND AL DUBIN JOEL HART NANCY JOEL HART MUSIC BY HARRY WARREN GLENDAAND & JEFF HOOPS

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NANCY AND JOEL HART HARRY NANCY AND JOEL HART GLENDA JEFF HOOPS PLAZA SUITEBY: SUITE GLENDA JEFF HOOPS 42ND STREET MUSIC BYPLAZA WARREN | LYRICS

BY AL&DUBIN 42ND STREET MUSIC BY HARRY WARREN LYRICS

BY AL&DUBIN JOHN OSHER SPONSORED BOOK

BY MICHAEL STEWART SPONSORED BY: LYRICS

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BY MICHAEL STEWART &25, MARK BRAMBLE NANCY JOEL HARTBY NANCY JOEL HARTBY GLENDA &DUBIN JEFF HOOPS PLAZA SUITE

BY NIEL SIMON PLAZA SUITE GLENDA JEFF HOOPS BY NIEL SIMON & JEFF HOOPS GLENDA & JEFF HOOPS GLENDA &GRAZIOTTO JEFF HOOPS GLENDA & JEFF EVEN HEINEMANN MONIQUE BRECHTER & STEVEN HEINEMANN RAYMOND & TARRY GRAZIOTTO GLENDA & JEFF HOOPS MUSIC HARRY WARREN | LYRICS BY AL MUSIC HARRY WARREN LYRICS

BY AL&DUBIN GLENDA & JEFF HOOPS PLAZA SUITE PLAZA SUITE &BY MARK BRAMBLE JOHN OSHER SPONSORED BY: BOOK MICHAEL STEWART SPONSORED BY: FEBRUARY 11 25, 2024 RAYMOND & TARRY GRAZIOTTO FEBRUARY 11 25, 2024 NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND SUZANNE NIEDLAND INBOOK LOVING MEMORY OF ART AND MEG NIEDLAND BOOK BY MICHAEL & MARK BRAMBLE

BY MICHAEL STEWART & MARK BRAMBLE

BY NIEL SIMON MONIQUE 42ND STREET BY NIEL STEWART SIMON 42ND STREET & JEFFHEINEMANN HOOPS GLENDA & JEFF HOOPS GLENDA & JEFFHEINEMANN HOOPS GLENDA & JEFF HOOPS EVEN BRECHTER & STEVEN RAYMOND & TARRY GRAZIOTTO GLENDA & SIMON JEFF HOOPS GLENDABRAMBLE & JEFF HOOPS PLAZA SUITE

BY NIEL SIMON PLAZA SUITE

BY NIEL MARCH 12 31, 2024 MARCH 12 31, 2024 & MARK N FEBRUARY 11 25, 2024 MONIQUE BRECHTER & STEVEN HEINEMANN FEBRUARY 11 25, 2024 RAYMOND & TARRY GRAZIOTTO NIEDLAND IN LOVING MEMORY OF ARTBY: AND MEG NIEDLAND SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG 42ND STREET MONIQUE BRECHTER & STEVEN HEINEMANN MUSIC BY HARRY WARREN | LYRICS

BY AL DUBIN STREET 42ND STREET AND MUSIC BY BY: HARRY WARREN | LYRICS

BY AL DUBIN NIEDLAND AND SPONSORED SPONSORED 42ND 42ND BY NIEL SIMON

BY NIELSTREET SIMON FEBRUARY MARCH 12 31, 2024 MARCH 12 31, 2024 NFEBRUARY 42ND STREET FEBRUARY 11 25, 2024 MONIQUE BRECHTER & STEVEN HEINEMANN 42ND STREET 11 25, 2024 BOOK BY MICHAEL STEWART & MARK BRAMBLE 11 - 25, 2024 BOOK BY MICHAEL STEWART & MARK BRAMBLE FEBRUARY 11 - 25, 2024 MONIQUE BRECHTER & STEVEN HEINEMANNAND MUSIC BY HARRY WARREN MUSIC | LYRICS BY AL DUBIN MUSIC BY BY: HARRY WARREN | LYRICS BY AL DUBIN AND SUITE PLAZA SUITE SPONSORED BY: SPONSORED 42ND STREET MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN 42ND STREET BY HARRY WARREN | LYRICS BY AL DUBIN SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN 42ND STREET MUSIC BY HARRY WARREN | LYRICS BYBRAMBLE AL DUBIN STREET 42ND STREET MUSIC BY HARRY WARREN | LYRICS BYBRAMBLE AL DUBIN STREET 42ND STREET 42ND STREET 42ND STREET SUZANNE IN LOVING MEMORY OF ART AND MEG NIEDLAND JANA & KEN KAHN / LRP MEDIA GROUP JANA & KEN KAHN / LRP MEDIA GROUP SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND 42ND 42ND BOOK BY MICHAEL STEWART & MARK FEBRUARY 11NIEDLAND - 25, 2024 BOOK BY MICHAEL STEWART & MARK FEBRUARY 11STREET - 25,&2024 BOOK

BY MICHAEL STEWART MARK BRAMBLE BOOK BOOK

BY MICHAEL STEWART & MARK BRAMBLE BOOK

BY MICHAEL STEWART &2024 MARK BRAMBLE

BY MICHAEL STEWART &2024 MARK BRAMBLE SUITE MON PLAZA SUITE BY NIEL SIMON MARCH 12NIEDLAND - 31, MARCH 12DUBIN - 31, MUSIC BY HARRY WARREN |MEG LYRICS BY AL DUBIN MUSIC

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BY AL DUBIN PLAZA SUITE AND STREET 42ND STREET REN | LYRICS BY AL DUBIN MUSIC BY HARRY WARREN | ART LYRICS BY AL DUBIN 42ND STREET 42ND STREET MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN BY HARRY WARREN | MEDIA LYRICS

BY AL SUZANNE NIEDLAND IN LOVING MEMORY OF ART AND MEG NIEDLAND JANA & KEN KAHN / LRP MEDIA GROUP JANA & KEN KAHN / LRP GROUP SUZANNE NIEDLAND IN LOVING MEMORY OF AND MEG BOOK BY MICHAEL STEWART & MARK BRAMBLE BOOK BY MICHAEL STEWART & MARK BRAMBLE 42ND STREET MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN 42ND STREET MUSIC BY HARRY WARREN | LYRICS BY AL DUBIN DEE DEE, MARTY & DOUGLAS JAFFE DEE DEE, MARTY & DOUGLAS JAFFE AND IN LOVING MEMORY SUITE OF ART AND MEG NIEDLAND BYBYNIEL SIMON SUZANNE NIEDLAND LOVING STEWART MEMORY OF ART AND MEG NIEDLAND BOOK BYINMICHAEL & MARK BRAMBLE BOOK

BY MICHAEL STEWART & MARK BRAMBLE PLAZA BOOK BY&MICHAEL STEWART &2024 MARK BRAMBLESTEWART BOOK BY&MICHAEL STEWART &2024 MARK BRAMBLE EWART & MARK BRAMBLE BOOK BYBRAMBLE MICHAEL STEWART MARK BRAMBLE MON BOOK BY MICHAEL STEWART & MARKSTEWART BRAMBLE BOOK BYBRAMBLE MICHAEL STEWART MARK BRAMBLE NIEL MARCH 12 31, MARCH 12 31, BOOK BY |MARCH MICHAEL MARK BOOK

BY MARCH MICHAEL MARK AS& TRUSTEES OF THEWARREN JEFF HUNTER CHARITABLE TRUST AS& TRUSTEES OF THEWARREN JEFF HUNTER CHARITABLE TRUST 12 31, 2024 12 -MICHAEL 31, 2024 PLAZA SUITE AND

BY NIEL SIMON REN LYRICS BY AL DUBIN BY MICHAEL BY HARRY | LYRICS

BY AL DUBIN MUSIC

BY AND HARRY WARREN LYRICS BY AL-DUBIN BY HARRY | LYRICS

BY AL DUBIN -AND 25,IN| 2024 FEBRUARY 11SIMON -SIMON 25, 2024 MARCH 12 --31, 2024 BOOK & MARK BRAMBLE MARCH 12 --31, 2024 BOOK BY & MARK BRAMBLE MUSIC

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BY NIELFEBRUARY SIMONMARCH -EWART 2024 OSHER 11STEWART -1225, 2024 OSHER 12TRUST 31, 2024 12TRUST 31,MEDIA 2024GROUP 225, - 31, 2024 MARCH 12HUNTER -JANA 31,&MARCH 2024 -BY31, 202412 MARCH 12HUNTER -JANA 31,&MARCH 2024

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MARCH12 12 - 31, 2024 MARCH 31, 2024 MARCH 12 31, MARCH 12 - 31,2024 2024

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CONTENTS features

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A CANVAS OF ONE’S OWN Meet the female curators, artists, gallerists, and collectors who are shaping The Palm Beaches’ art scene for the better

BEHIND THE SCENES A sneak peek at the scenic design for three plays gracing Palm Beach County stages this February

CLASSICAL MUSIC IN THE TWENTY-FIRST CENTURY From opera to the symphony, classical music is finding fans among a new generation

HOME IS WHERE THE ART IS The Bunker Artspace’s Beth Rudin DeWoody shares her personal art collection

By Heather Graulich

By Mary Murray

By Nicole Neal

By Susie Stanton Staikos

ORIOL TARRIDAS, COURTESY OF ANN NORTON SCULPTURE GARDENS

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MIND THE BODY (2023), RACHEL LEE HOVNANIAN, THE DIVINE FEMININE: CONTEMPORARY WOMEN SCULPTORS IN PARTNERSHIP WITH NEW WAVE, ANN NORTON SCULPTURE GARDENS

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CONTENTS

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LETTER FROM THE CEO Dave Lawrence, president and CEO of the Cultural Council for Palm Beach County

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UP FRONT What’s New at Old School Square | Out There | Dialogue | Reinvention | Docent Tales

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SCENE An extensive guide to the many exciting cultural happenings of the season

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GALLERIES Learn about the county’s abundant galleries and support local artists

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BABY OWLS AT BUSCH WILDLIFE SANCTUARY AT ABRAMSON & SCHLAGGER RESERVE

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COURTESY OF BUSCH WILDLIFE SANCTUARY

LENS Photos from recent Cultural Council events

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FINALE Artist Sonya Sanchez Arias straddles past and present in a new solo exhibition

ON THE COVER: Artwork: Michael McClain’s scenic design for Rooted at Theatre Lab in Boca Raton Photographer: Jerry Rabinowitz

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ON VIEW

JANUARY 26 – APRIL 6, 2024 While women artists are beginning to achieve recognition for their work, they remain under-represented in galleries and museums. This exhibition focuses exclusively on the work of women artists and their responses to perceived requirements of domesticity, the many waves of feminism, and their own lived experiences.

Véronique Chagnon-Burke, co-founder of the Women Art Dealers Digital Archives (WADDA), serves as guest curator.

Exhibition generously sponsored by:

Ellen Liman

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Lisa Zukowski, Things Fall Apart V , 2018, Terracotta, encaustic, string, 8 x 6 ½ x 5 inches

Olivia Rachel Austin , I Shall Be Released , 2023, Fabric and acrylic paint on found object, 12 x 12 inches

Autumn Kioti Horne, Red Hen (impossible standard) , 2017, Performance piece

Laura Tanner, Lola III (Three Tiered), detail, 2021 , Ink drawing on hand-cut mylar, 47 ¾ x 37 ¼ inches

Robert M. Montgomery, Jr. Building Main Gallery 601 Lake Avenue Lake Worth Beach, FL 33460 Tuesday – Saturday, 12 – 5 p.m.

Free and open to the public palmbeachculture.com/exhibitions

12/5/23 1:57 PM

601 Lake Avenue, Lake Worth Beach, FL 33460 561.471.2901 | palmbeachculture.com

Discovering Creativity American Art Masters January 10 - March 17, 2024

Cultural Council Board of Directors

Jordi Mollà Artist in Residence January - June 2024 Savage Garden|Jardín Salvaje March 20 - June, 2024

SECOND SUNDAY OF THE MONTH

Members Edrick Barnes, Owner, The Law Office of Edrick Barnes • Bruce A. Beal, Partner and Chairman, The Beal Companies • David Cohen, Advertising Executive • Philip M. DiComo, Attorney, Nason Yeager Gerson Harris & Fumero, P.A. • Donald M. Ephraim, Philanthropist • Roe Green, Philanthropist Stephen Jacobs, Philanthropist • Bill Parmelee, Chief Financial Officer, Oxbow Carbon LLC Denise B. Rivas, Owner/Founder, Your Computer Tutor Ex-Officio Members Barbara McQuinn, School Board Member, District 1, School Board of Palm Beach County Emanuel Perry, Executive Director, Palm Beach County Tourist Development Council Davicka N. Thompson, TDC Board Member and President and CEO, Thompson Creative Collective Marci Woodward, Palm Beach County Commissioner, District 4 Cultural Council Founder Alexander W. Dreyfoos (in memoriam)

DECEMBER - MARCH 1:00-3:00 PM

Palm Beach County Board of County Commissioners Michael Barnett, Sara Baxter, Mack Bernard, Maria G. Marino, Maria Sachs (Vice Mayor), Gregg K. Weiss (Mayor), Marci Woodward

SPEAKER SERIES

President and CEO Dave Lawrence Chief Financial Officer and Chief Operating Officer Kathleen Alex Senior Vice President Jennifer Sullivan

First Thursday of the Month January - April: 6:00 - 7:00 pm ­

the gardens conservancy presents

Music&Art an evening of

Gardens in the

March 20, 2024

Historic Home, Artist Studio, Exhibition Galleries and Rare Palm and Cycad Gardens of Ann Weaver Norton 253 Barcelona Road • West Palm Beach, FL 33401 October through June • www.ansg.org

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Officers Daryn M. Kirchfeld (Chair), Senior Vice President and Managing Director, Northern Trust • Cheryl K. Crowley, Community Leader (Vice Chair) • Phillip Edwards, Director, City Private Bank (Vice Chair) • Jean S. Sharf (Secretary), Philanthropist • Christopher D. Caneles (Treasurer), Community Leader

Artist Services Director of Artist Services Jessica Ransom Community Engagement Director of Community Engagement Alexandra Alfred Activations and Events Coordinator Mumbi O’Brien Development and Membership Associate Vice President of Development Jessica Lavin Senior Director of Stewardship Debbie Calabria Executive Assistant and Administrative Support Katherine Bonner Finance and Operations Accounting Manager Paul To Bookkeeper Gloria Rose Operations Assistant and Store Manager Helen Hood Visitor Services and Store Assistant Patricia Natteri Grants Associate Vice President of Grants Vicky Jackson Grants Assistant Julian Crewe Grants Assistant Stephanie Issac Marketing and Public Relations Associate Vice President of Marketing and Cultural Tourism Lauren Perry Director of Marketing Nick Murray Graphic Design and Visual Brand Manager Kristin Beck Marketing Coordinator Jaymie Masci Public Relations Consultant Linnea Bailey

©SARGENT PHOTOGRAPHY, COURTESY OF THE CULTURAL COUNCIL FOR PALM BEACH COUNTY

The Divine Feminine: Contemporary Women Sculptors December 1, 2023 - May 1, 2024

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Inspired Art. Inspired Life.

Joe O’Connell for Creative Machines Codes, 2019 Flagler Banyan Square Yinka Shonibare, CBE Material (SG) II, 2021 360 Rosemary A public/private partnership with Related Companies

Ben Leone Orchid City, 2023 Anya Apartments Image credit: JP Chovet

Public Art for an Inspired City.

Internationally acclaimed, ArtLife is the public art and community-building program for the City of West Palm Beach, Florida. ArtLife projects and installations capture the diversity, inclusivity, and dynamic spirit that make West Palm Beach a premiere destination city. ArtLife curates the world’s creativity, inspiration, and ideas that define West Palm Beach.

Learn more at wpb.org/our-city/artlife-wpb

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Publisher Terry Duffy Associate Publisher Deidre Wade

CLASSICAL CONCERT SERIES

DETROIT SYMPHONY ORCHESTRA Jader Bignamini, Music Director Alisa Weilerstein, cello February 17–18 Saturday at 7:30pm Sunday at 2pm Tickets start at $35

ROTTERDAM PHILHARMONIC Lahav Shani, Chief Conductor Daniil Trifonov, piano Monday, March 4 at 7:30pm Tickets start at $40

VIENNA PHILHARMONIC Franz Welser-Möst, Conductor March 8–9 Friday at 7:30pm Sunday at 2pm Tickets start at $50 Sponsored by Christine and Max G. Ansbacher • Eleanor and Frank Pao

Editorial Director Daphne Nikolopoulos Editor Mary Murray Creative Director Olga M. Gustine Art Director Jenny Fernandez-Prieto Digital Imaging Specialist Leonor Alvarez Maza Contributing Writers Abigail Duffy, Stephanie Gates, Heather Graulich, Nicole Neal, Susie Stanton Staikos Contributing Photographers and Artists Jerry Rabinowitz, Diana Ramirez Advertising Account Managers Kathy Breen, Jennifer Dardano, Tanya Lorigan, Dina Turner, Meegan Wyatt Advertising Services Coordinator Elizabeth Hackney Marketing Manager Rebecca Desir Production Production Director Selene M. Ceballo Production Manager Lourdes Linares Digital Pre-Press Specialist George Davis Advertising Design Coordinators Anaely J. Perez Vargas, Jeffrey Rey Production Coordinator Ileana Caban Digital Marketing Manager Tyler Sansone Operations Chief Operating Officer Todd Schmidt Accounting Specialist Mary Beth Cook Accounts Receivable Specialist Ana Coronel Distribution Manager Judy Heflin Logistics Manager Omar Morales Circulation Manager Marjorie Leiva Circulation Assistants Cathy Hart, Britney Stinson Circulation Promotions Manager David Supple IT Manager Omar Greene In Memoriam Ronald J. Woods (1935-2013)

HOUR MEDIA, LLC CEO Stefan Wanczyk President John Balardo PUBLISHERS OF:

Classical Concert Series sponsored by Leonard and Sophie Davis Media support from

For tickets, visit kravis.org Group sales: 561.651.4438

All programs, artists, dates, prices and seating are subject to change.

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Palm Beach Illustrated • Naples Illustrated • Palm Beach Charity Register Naples Charity Register • Florida Design • Florida Design Naples Florida Design Miami • Florida Design Sarasota • Florida Design Sourcebook Palm Beach Relocation Guide • Southwest Florida Relocation Guide Fifth Avenue South • Palm Beach 100 • Naples 100 • Art & Culture: Cultural Council for Palm Beach County • Pinnacle: Jupiter Medical Center Foundation Waypoints: Naples Yacht Club • Naples on the Gulf: Greater Naples Chamber Jupiter • Stuart • Aventura • Vero Beach Magazine • Community Report: Collier Community Foundation • Advances: Tampa General Hospital Naples Realtor: Naples Area Board of REALTORS Published by Palm Beach Media Group North P.O. Box 3344, Palm Beach, FL 33480 Telephone: 561.659.0210 • Fax: 561.659.1736 www.palmbeachmedia.com Copyright 2024 Palm Beach Media Group North Inc. All rights reserved.

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Flagler Museum Programs FLAGLER MUSEUM 2024 Five Concerts from February 6 - March 5, 2024 Ulysses Quartet, Feb. 6 • Pianist Elissa Lee Koljonen, Feb. 13 Beo String Quartet, Feb. 20 Aznavoorian Sisters, Feb. 27 • Black Oak Ensemble, March 5 Audience members experience chamber music as it was intended, in a gracious and intimate setting. Enjoy the rare opportunity to meet the musicians during a champagne and dessert reception following each concert.

Roe Green

Sponsored by:

Rena & John Blades

MBS Family Foundation

Railcar 91

Tea Room

Open for the Season through March 31 The Railcar 91 Tea RoomTM offers a tea service featuring delicacies and refreshments reminiscent of the elegance of entertaining during the Gilded Age. The Flagler Kenan Pavilion evokes the ambiance of a 19th-century Beaux-Arts railway palace and provides guests with spectacular panoramic views of Lake Worth and the West Palm Beach skyline. Henry Flagler’s private Railcar No. 91 completes the setting.

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Six Lectures Sunday afternoons February 4 - March 10 The Whitehall Lecture Series presents Unlikely Titans of Industry and Commerce, at 3:00 pm each Sunday afternoon from February 4 to March 10. Experts and authors will speak about the Titans that were responsible for some of the most successful business ventures built from the ground-up.

Sponsored by:

h e n r y

m o r r i s o n

FLAGLER MUSEUM palm beach, florida

TM

A National Historic Landmark

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FROM THE CEO

A Truly Creative Community ANNETT MEYER PHOTOGRAPHY

Dear friends and supporters, Happy New Year! I hope you’ve set a resolution to engage with more arts and culture in 2024 because there are a lot of exciting events, exhibitions, festivals, performances, and more coming to The Palm Beaches this winter. No matter if you’re reading this as a visitor to Florida’s Cultural Capital or as a local arts enthusiast—this magazine is your go-to guide for what to do and see when it comes to arts and culture.

Recently, the Cultural Council announced more than $12.6 million in new and expanded funding for Palm Beach County cultural organizations and artists alike in a campaign we’re calling the Year of Extraordinary Support (YES!). This new initiative includes funding for our groundbreaking Artist Innovation Fellowship Program; support for emerging artists, arts administrators of color, and cultural tourism programs across the county; and a new sweeping arts and cultural education funding program. The YES! campaign is the result of years of planning and fundraising to uplift and grow our phenomenal cultural sector. I hope you’ll join me in supporting our astounding cultural community.

In this issue, we’re diving deep into the stories of creative people who power this destination. In the following pages, you’ll learn more from female creatives, collectors, and curators of Palm Beach County (“A Canvas of One’s Own,” page 26), explore the process of set design from some incredible theater professionals (“Behind the Scenes,” page 32), hear the tales of a charming museum docent (“The Norton’s Teacher,” page 22), educate yourself on a timeless art form (“Classical Music in the Twenty-first Century,” page 38), and so much more.

It’s my hope that you set forth on your arts adventure this season with the knowledge presented to you in this magazine, attend as many arts and cultural events as possible, and appreciate the dedication, care, and creativity that goes into presenting it.

Thank you and enjoy,

Dave Lawrence President & CEO Cultural Council for Palm Beach County

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SOPHISTICATED SUITES IN THE HEART OF WEST PALM BEACH

Steps from the Intracoastal, AKA West Palm offers brand new hotel residences for short and long term stays.

Balancing the space and comfort of a private residence with the attentive services of a luxury hotel, AKA West Palm’s refined accommodations were designed for ultimate livability, including studio, one and two bedroom suites, many with full kitchens.

Spectacular amenities include an indoor/outdoor terrace lounge; tranquil pool deck; Technogym fitness center; 24/7 Resident Services Team; and pet spa.

Coming this winter: Blind Monk wine and tapas bar; specialty gourmet market; and Body+Beauty Lab Med Spa. Please contact us for special seasonal rates.

AKA WEST PALM 695 S. OLIVE AVENUE

STAYAKA.COM 561.821.2252

AKA HOTELS + HOTEL RESIDENCES NEW YORK BOSTON PHILADELPHIA WASHINGTON DC ALEXANDRIA MIAMI WEST PALM BEACH LOS ANGELES LONDON

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Get your tickets now for our 2024 series!

Presented by:

Join us in the luxurious

SAGES on January 8 Chris Headshots

Blue Heron Ballroom on the rooftop at The Ben, Autograph Collection located along the waterfront of Downtown

by stellar stories about

Rissa Miller Creative

Stephanie Diani

and light bites followed

Two theater co-founders—one of Palm Beach Dramaworks, the other of Miami’s Zoetic Stage—will discuss their award-winning career as producers, directors, actors, and playwrights.

PAGES on February 5

West Palm Beach.

Enjoy craft cocktails

A Dramatic Conversation Between William Hayes and Michael McKeever

A Revealing Conversation with Best Selling Author James Patterson Leslie Gray Streeter, author of Black Widow and former columnist at The Palm Beach Post, returns to reprise their pre-pandemic Culture & Cocktails conversation in reversed roles.

theater, books and music from cultural insiders.

WHERE: The Ben rooftop Blue Heron Ballroom 251 N. Narcissus Ave. West Palm Beach WHAT:

Cocktails, 5 p.m.

Program, 5:45 - 7 p.m.

TICKETS: $125-$165* per event $300-$450* full series *Indicates VIP preferred seating. Tickets are per person. Seating is limited and speakers are subject to change.

All proceeds support the Cultural Council for Palm Beach County’s mission to champion, engage and grow the arts in Palm Beach County.

STAGES on April 1 A Hopeful Conversation about the Future of the Royal Poinciana Playhouse and the Sunset Lounge With special guests Cheryl Mendelson of The Innovate, Palm Beach and Alisha R. Winn of Consider The Culture, moderated by Barbara Cheives, Converge & Associates Consulting, Inc.

Culture & Cocktails is generously sponsored by:

The Roe Green Foundation, Roe Green, Founder The Donald M. Ephraim Family Foundation Senior Vice President Scott Teich, Teich Wealth Management of Raymond James Milton and Tamar Maltz | Jean Sharf | Bonnie Lautenberg

For tickets, call 561-471-2901 or visit palmbeachculture.com/cocktails

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11/21/23 4:33 PM

UP FRONT

EL GRAN TORO FUEGO, ELMAR ROJAS, PART OF CENTRAL AMERICAN MODERNISM

WHAT’S NEW

AT OLD SCHOOL SQUARE After sitting closed for more than a year, Old School Square reopened in late 2022 under the management of the Delray Beach Downtown Development Authority (DDA) and the City of Delray Beach. Now, as the calendar turns to 2024, DDA officials are excited to rev up seasonal programming and open new art exhibitions at the historic cultural arts institution in the heart of the city’s downtown district. “Our overall goal for stepping into this role was to reactivate and reignite the arts and culture center of our community,” says Laura Simon, executive director of the Delray Beach DDA. “As a downtown organization, it’s extremely important for us to keep that vitality going, especially in the arts and culture arena that is so important for the success of our community.” Turn the page to learn more about what’s in store for 2024. —Mary Murray art&culture

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12/4/23 9:52 AM

UP FRONT

BY MARY MURRAY

WHAT’S NEW

AT OLD SCHOOL SQUARE

Paradise (January 5 to February 26), the Cornell is displaying plein air paintings of Delray’s Paradise Palms & Sculpture Gardens. For Reimagining Palm Beach

by Serge Strosberg (February 9 to May 28), Strosberg will expand his portfolio of whimsical, modern portraits of historically significant Palm Beachers with a new work featuring Solomon Spady, for whom the Spady Cultural Heritage Museum is named. And, in Central American Modernism (March 8 to July 28), viewers will be able to explore the private collection of Mark Ford of Delray’s Ford Fine Art gallery.

The cultural programming continues outdoors, in Old School Square’s amphitheater and main lawn. Residents and visitors alike can stop by to catch a concert, shop the weekly green market, attend family-friendly (and many pet-friendly) special events, or participate in Wellness Wednesday, a low-cost series focused on well-being activities such as meditation, yoga, and tai chi. The Vintage Gym also plays host to private events and cultural happenings, including lectures presented by the Osher Lifelong Learning Institute at Florida Atlantic University.

“In everything that we try to do on the campus and through our efforts, we’re looking at all ages, especially our families as well as young children and into our senior population,” says Simon.

Simon adds that the Creative Arts School is on track to reopen later this year following renovations. Another facility receiving a facelift is the Crest Theatre, which will turn 100 in 2025. Simon notes that the goal for those upgrades is to maintain the theater’s historic feel while modernizing its infrastructure and performance capabilities. The city hopes to unveil the new and improved Crest Theatre in late 2024. delrayoldschoolsquare.com, 561.654.2220 ‡ FROM LEFT: BLUE LATAN PALM, DEBBY COLES-DOBAY, PART OF PAINTING IN PARADISE; WHERE FLOWERS GROW SO DOES HOPE, EILEEN SHALOUM, PART OF SEASON OF RED.

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he reopening of Old School Square is occurring in phases, though much of the facility has been hosting events for several months. At the Cornell Art Museum, works by and of Florida creatives are a focus, notes Marusca Gatto, cultural arts director for the Delray Beach DDA. “We’re trying to show art that is imaginative and captivating, and also trying to work with current trends in art, where it’s more about the experiences than it is just a painting on a wall,” Gatto explains. “Right now, we are welcoming in primarily Florida artists. There will come a time when we expand a bit, but for now, we have so much gold in our own state. We’re so lucky that artists who are career artists, very prolific, professional, choose to live here. It’s wonderful that we can showcase them in this way.”

In addition to spotlighting Florida artists, the Cornell is also collaborating with other arts organizations and cultural centers from across South Florida. For example, the new Season of Red exhibition (on view through February 4) is a partnership with Arts United, a Fort Lauderdale–based organization that aims to present a positive message about the LGBTQ+ community through the arts. In Painting in

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12/5/23 3:07 PM

A SEASON OF BEAUTY, ART & CULTURE SACRED ARTS TOUR

Drepung Gomang Monastery

Jan 7 — May 12, 2024

Jan 21 — 27, 2024

Patrick Dougherty

STICKWORK

Feb 10 — 11 | Apr 27 — 28

MOAI AT MOUNTS

a permanent exhibit gifted by Margaret Blume

thru Summer 2024

~ Palm Beach County’s tropical oasis ~ 25 display gardens ~ 7,000 species of tropical & subtropical botanicals

inspiring & educating through nature

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www.mounts.org @mountsbotanicalgarden

11/20/23 8:29 AM

UP FRONT OUT THERE

BY ABIGAIL DUFFY

Not-So-Hidden Figures THESE NEW OUTDOOR ARTWORKS ARE ROOTED IN LOCAL AND GLOBAL HISTORY

Orchid City, Ben Leone

Anya, West Palm Beach

Creating art is serendipitous. For West Palm Beach artist Ben Leone, the stars aligned for Orchid City, a towering art-meetsarchitecture sculpture adorning the side of the Anya high-rise apartment building, created in partnership with ArtLife WPB. In the project’s infancy, Leone worked to find a symbolic throughline from his identity as a born-andbred Palm Beacher to the “overarching identity that represents West Palm Beach,” he says. Leone felt that orchids (which are found across South Florida) symbolize what it means to live here, create connection to the environment, and encourage reflection on history. When Leone was introducing the eco-friendly 3Form polycarbonate, Knotwood battens, and aluminum structure, a voice in the crowd informed him that West Palm Beach used to be known as the Orchid City. “It’s a title that’s since been forgotten by the younger generation,” Leone says. “Once I learned this, it validated the symbolism.” benleonestudio.com

Genius Loci, Nekisha Durrett

Children’s Holocaust Memorial Tree, Bruce Gendelman

Heart & Soul Park, West Palm Beach

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MorseLife, West Palm Beach

Standing 27 feet tall and weighing 60,000 pounds, the Gendelman Children’s Holocaust Memorial Tree at MorseLife in West Palm Beach is a sight to behold. Much like the rest of Bruce Gendelman’s Post-Witness Holocaust art, which he began creating after visiting the Ukrainian town where the Nazis murdered his family, the sheer scale of it is captivating.

Modeled after the landmark Giant Kapok Tree on Palm Beach, this memorial tree holds 4,000 ceramic butterflies hand-painted by local children as part of The Butterfly Project, which aims to display 1.5 million butterflies globally in memory of the children who perished in the Holocaust. When gazing up at this reminder of atrocity and resilience, which also serves as a symbol of MorseLife’s Holocaust Learning Experience, Gendelman hopes to get people thinking. “How can we function as a society? How can we make it a better society?” The tree will be dedicated January 25, two days ahead of International Holocaust Remembrance Day. bgendelman.art, morselife.org CAPEHART

When tapped by West Palm Beach’s public art program, ArtLife WPB, to create a piece for Heart & Soul Park in the Historic Northwest neighborhood, mixed-media artist Nekisha Durrett ventured into the past. After learning about the Styx and the Sunset Lounge (the former a historically African American settlement on Palm Beach that burnt down, the latter a mid-century Black entertainment venue), she decided to pay homage to Black contributions to music and architecture in West Palm Beach.

The title Genius Loci was inspired by poet David Whyte’s explanation of the phrase’s ancient etymology and its use to describe the spirit of a place. As for the design, a giant gramophone— fashioned from copper to symbolize antiquation and board forms of charred wood to represent the blaze in the Styx—amplifies and projects the history of the area. “I really wanted this piece to speak to the spirit of the place and [encourage] visitors … to reflect on the bygone Black community and think of their legacy,” says Durrett. nekishadurrett.com art&culture

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12/4/23 9:59 AM

On Display Through April 14th, 2024

Cox Science Center and Aquarium | 4801 Dreher Tr N, WPB, FL 33405 | (561) 832-1988 | CoxScienceCenter.org

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11/21/23 10:44 AM 11/21/23 1:00 PM

UP FRONT DIALOGUE

BY MARY MURRAY

Fine Print BOOKS ARE VISUAL ART AT THE JAFFE CENTER FOR BOOK ARTS

A&C: The essential focus of the collection is on artists’ books. How do you describe this genre to those who are unfamiliar with the term?

It’s always a challenge. We basically try to distill it into artists working in the book format. Instead of making a painting or a sculpture, they’re actually making a book. The book is meant to be their art object. Many are one of a kind and many are limited editions. Most people have no idea what they’re in for until they come and see them.

There are quite a few pieces in the collection that challenge the traditional notions of what makes a book. One example is Pharmacy of Crippling Hope by Jessica Poor, which is a pill bottle. Are there any specific criteria to determine if something is in fact an artists’ book or is it more of a gut feeling?

It’s a little bit of both. But there is one thing that we definitely look

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AGRIPPINA FADEL, COURTESY OF THE JAFFE CENTER FOR BOOK ARTS

“Books are so ubiquitous,” notes John Cutrone, director of the Jaffe Center for Book Arts (JCBA) at Florida Atlantic University in Boca Raton. “From the time we’re very little, we have a very clear idea of what a book is. JCBA challenges that.” Established in 1998 with a gift from the late Arthur Jaffe, this collection now includes thousands of what Cutrone describes as artists’ books. JCBA is open to the public by appointment and for research, and the center also hosts special exhibitions and workshops on traditional bookmaking techniques. A&C recently caught up with Cutrone to discuss the collection and just what constitutes an artists’ book. jaffecollection.org, 561.297.0226

for and it’s the question of does this thing have sequence? Even if you’re paging through the dictionary or reading a textbook, a book has sequence, you’re turning pages. An artist book has to have the same sequence concept. If it doesn’t have sequence, then it’s not a book. We don’t feel like it necessarily has to have words, or it could be in a language that no one understands. It doesn’t have to necessarily look like a book. [In Pharmacy of Crippling Hope], it’s a prescription bottle and inside are capsules [each of which] has a message printed on paper and rolled up inside the capsules. In some ways, that hearkens back to earlier than the codex when we had the scroll.

So, there’s something that propels you forward with these artists’ books. There’s something that prompts you in an experiential way.

Exactly. You start somewhere and end up somewhere else, whether it’s through story or just through experience. But you need that facet of sequence. There’s this whole subgenre called altered books, where artists will take an existing book and alter it into something else. We have quite a few of those where, either through nails or stakes or glue, you can’t turn the pages. I would argue that this is no longer a book; now you have a sculpture that is made from a book. There’s no sequence anymore [because] you can’t turn the pages.

What is a key example from the collection?

There’s one book that we show almost everyone who comes here. It’s

by Julie Chen and called World Without End. It taps into the three core traditions of the book arts: hand papermaking, letterpress printing, and bookbinding. This book has all those things, and it has box making as well. We can show people right away what the book arts are just

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12/4/23 10:03 AM

THIS PAGE, FROM LEFT: ZANG TUMB TUMB (BASED ON THE FAMOUS POEM OF THE SAME NAME BY F.T. MARINETTI), HOWARD MUNSON; WORLD WITHOUT END, JULIE CHEN. OPPOSITE PAGE, FROM TOP: JOHN CUTRONE WITH THE KHMER LEGACY, ANDREW BINDER; PHARMACY OF CRIPPLING HOPE, JESSICA POOR.

through this one book. It is a pretty nontraditional-looking book. The text is a poem called World Without End that Julie wrote. The way that she designed it, by the time that you build the book and complete it, it looks like a globe. It’s a perfect metaphor for the title of the poem, and so it makes that leap into the artists’ book territory as well.

Is the Jaffe Center still actively acquiring books?

Yes. Artists will come by and show us what they’ve made, and

there are a handful of book dealers who specialize in books like these. There’s a book arts discussion list online that I pay close attention to. We still get prospectuses in the mail from artists who are working on things. A lot of it is word of mouth, which is also how this place operates. … But it is definitely an active collection. I’ve always felt passionate that it should not be stagnant. It should continue to grow and evolve. ‡

The Historical Society of Palm Beach County presents

IN CONVERSATION WITH LECTURE SERIES

In honor of this season’s grand exhibition, Endless Summer: Palm Beach Resort Wear, the Historical Society of Palm Beach County presents a new lecture series that invites the audience to engage with guest speakers. In this inaugural season, the topics will be aspects of fashion in Palm Beach history.

“The Legacy of Lilly”

Moderator Katherine Lande, Fashion Editor Palm Beach Illustrated

Featuring Mira Fain and Lilly Leas Ferreira Johnson Palm Beach County History Museum

January 25, 2024

@pbchistory

Presented by:

Media Sponsor:

Thank you Palm Beach Dramaworks for hosting the March 1, 2024 lecture.

“The Palm Beach Influence” Featuring Dee Ocleppo, Sarah Wetenhall, and Mark Badgley & James Mischka Palm Beach Dramaworks

March 1, 2024

pbchistory.org | 561.832.4164 300 N. Dixie Hwy., West Palm Beach, Florida art&culture

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12/4/23 10:03 AM

UP FRONT REINVENTION

BY SUSIE STANTON STAIKOS

The Ultimate Migration BUSCH WILDLIFE SANCTUARY CELEBRATED ITS FORTIETH BIRTHDAY WITH A NEW HOME AND A NEW NAME

BUSCH WILDLIFE SANCTUARY’S NEW CAMPUS (BOTTOM CENTER) GIVES THE ORGANIZATION MORE SPACE TO HELP EVEN MORE ANIMALS.

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ounded in 1983, Busch Wildlife Sanctuary not only recently marked a milestone anniversary, but it also entered a new chapter in its mission to protect and conserve Florida’s wildlife and natural resources. Thanks to a generous donation by Earl Abramson and Sheila Schlagger, Busch Wildlife has been able to make the transformational move to a larger campus at 17855 Rocky Road in Jupiter Farms and is now known as the Busch Wildlife Sanctuary at Abramson & Schlagger Reserve.

Over the years, the nonprofit Busch Wildlife Sanctuary has rescued and admitted more than 570 native species for rehabilitation and release efforts whenever possible. “The principal reason that animals come to us is [due to a] harmful interaction with humans,” explains Amy Kight, Busch Wildlife’s executive director. “This is where our education programs can help.”

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The new facility, which officially opened in mid-October, is quadruple the size of the former center. It includes a wildlife rehabilitation complex, expanded enclosures, a large-mammal complex that can double as a hurricane shelter for animal residents, a small-mammal complex that houses rotating exhibits, a reptile complex, and the Mary Alice Fortin Foundation Educational Amphitheater, where visitors can take part in hands-on presentations with animal ambassadors. A focal point of Busch Wildlife’s new home is the Cornelia T. Bailey Environmental Education Building, which boasts a discovery center with interactive exhibits and classrooms.

“The main thing the new campus gives us is sustainability and security so that we can go on for many years to come,” says Kight. “For the past 40 years, we have rented. Now we own the land and can provide enlarged spaces and additional facilities for our animals’ rehabilitation and safety, and the ability to welcome more visitors.” buschwildlife.org, 561.575.3399 ‡

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Save the Dates!

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February 27 - March 10, 2024

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11/28/23 11:01 AM

UP FRONT DOCENT TALES

BY STEPHANIE GATES

The Norton’s Teacher A LIFELONG EDUCATOR SHARES HER PASSION FOR ART AS A DOCENT

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JERRY RABINOWITZ

I

’m not sure what I was expecting a docent at the Norton Museum of Art to be like, but as I settle into a chair in the museum’s great hall, I am taken aback when Faith Schullstrom walks in.

I am immediately struck by her beauty—and I quite expect her to be loud because of it. Instead, the woman nestled before me is so softspoken that I find myself cocking my head and leaning forward so as not to miss a word. At one point, she casually mentions the work of Nigerian artist Njideka Akunyili Crosby with such impeccable pronunciation that it stirs me to sit up a bit straighter. It feels like I am talking to the amalgamation of writer Joan Didion and fashion executive Linda Fargo, all embodied in the slight frame of the 81-year-old Schullstrom.

“I’m a senior docent only because I’ve put in the time. There’s no status to it,” she says, immediately downplaying her importance. “I’m just here to have us all look at the art together. I’ve been volunteering at the museum for 16 years. I know I’m old, but I don’t feel old. When I have conversations with people, I think we are the same age.”

Her skin is enviously flawless, her red lipstick is perfection, and every gray hair is coiffed into a chic bob. Her coral nails match the paint on her toes, and she wears silver bangles on one wrist and a Fitbit or the like on the other.

“I was just reading Jon Meacham’s book on Abraham Lincoln before I came here,” she says. “I’m in three book clubs, and I am always reading at least two books at once—one in print and one that I listen to when I walk.”

The oldest of nine children, Schullstrom grew up in Lake Worth and attended Lake Worth High School, where she eventually returned to teach English and serve as the school’s assistant swimming and diving coach. She went on to work for the New York State Education Department; also in New York, she was a school district superintendent for 22 years. While living in Illinois, she was the executive director of the National Council of Teachers of English. She moved back to Florida in 2004 and has since volunteered with the Flagler Museum and the Mandel Public Library, for which she’s a founding member of the Friends of the Library organization. She’s also volunteered as a guardian ad litem, serving as a legal advocate for children in court proceedings.

“My husband passed away when I was 29, and it made me figure out who I was going to be pretty quickly,” she explains. “I decided I was going to use who and what I was to do good in the community. I think my work with the museum is a big part of that.”

Schullstrom says that as a Norton docent, she is constantly learning.

“The training to become a docent took about two years. During training, we are given a theme, and we develop our tours around that. I choose themes that represent the lives of the people of this community.”

Some that she’s used for her tours include adversity, identity, and changing identities. For example, she might weave the thread of adversity across the work of Gauguin, a Buddha statue, and an installation from Alfredo Jaar.

While Norton docents are required to give two tours a month, Schullstrom often gives between nine and 14. Overachiever? Perhaps, but more likely just genuine enthusiasm, an educator through and through.

(Express museum tours are held Fridays and Saturdays at noon, collection highlight tours take place Thursday through Sunday at 2:30 p.m., and garden sculpture tours occur the first Saturday morning of every month. There are also two Art After Dark tours on Friday evenings.)

“Treat the museum like a day out,” she advises. “Be comfortable. Take pictures in front of the art. Find a piece you want to take a selfie with.”

On this day, Schullstrom is off to see the Barbie movie, and I wish I was going with her. Docent Barbie, charm and intellect included.

Visit norton.org/get-involved/volunteer to learn more about volunteering at the Norton Museum of Art. ‡

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12/4/23 10:16 AM

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BESPOKE GALAS | DREAM WEDDINGS | WORLD-CLASS DESIGN WWW.SPECIALEVENTRESOURCE.COM | 561.686.7757

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9/7/23 9:51 AM

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FEBRUARY 15, 2024

JACOB’S DIAMOND & ESTATE JEWELRY

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650 OKEECHOBEE BLVD, WEST PALM BEACH, FL

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showcase of its kind in the United States, the 21st Annual Palm Beach Show will return showcasing the finest art, antiques, design and jewelry collections from over 130 exhibitors in an opulent and captivating setting. Renowned for its impeccable curation and vibrant atmosphere, the show attracts private collectors, museum curators, art enthusiast, investors and interior designers from around the world.

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11/21/23 10:04 AM

A CANVAS

of

One’H s Own

PALM BEACH COUNTY’S FEMALE ARTISTS, CURATORS, GALLERISTS, AND COLLECTORS ARE EXPANDING THEIR OPPORTUNITIES, ADVOCATING FOR GREATER REPRESENTATION, AND CLAIMING THEIR PLACE WITHIN THE GREATER VISUAL ART ECOSYSTEM

BY HEATHER GRAULICH

A

ABOVE: LOLA III (THREE TIERED), LAURA TANNER, PART OF SHE. HER. HERS. OPPOSITE PAGE: FOR FULL COLLAGE CREDITS, TURN TO PAGE 62.

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fter giving birth to her first child via cesarean, artist Laura Tanner learned how tough the path for women in the arts can be. At the time, she held an adjunct teaching position in the same Louisiana college’s art department where her husband, Jim Graham, taught.

“One week later I was waddling back into school, with my motherin-law watching the baby in my husband’s office,” she recalls.

Her son was born in Spring 2015, and Tanner immediately returned to finish out the semester, as she was not offered any parental leave. The following semester, due to a misunderstanding about her intent to return to the classroom, her classes were given away to other instructors. Now in need of an alternative source of income, she focused her efforts on making art, finding gallery representation, and interviewing at other universities. Fueled both by frustration and a recognition of the value of her artistic efforts, Tanner took to the streets—with her baby in a stroller—to assert her choices in matters of career and motherhood.

“I was marching up and down New Orleans with my newborn trying to find representation in a gallery,” she says. “And I did.”

Tanner is still represented by the Jonathan Ferrara Gallery in New Orleans, but she’s since relocated to South Florida, where she serves as an assistant professor in Florida Atlantic University’s Department of Visual Art and Art History. In January, she will join nine other women artists in the She. Her. Hers. exhibit at the Cultural Council for Palm Beach County.

The free exhibit, to be held in the Cultural Council’s main gallery in Lake Worth Beach January 26 to April 6, focuses exclusively on the work of Palm Beach County–based women artists and their responses to perceived requirements of domesticity, the many waves

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12/4/23 10:11 AM

DIANA RAMIREZ

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12/4/23 10:54 AM

ORIOL TARRIDAS, COURTESY OF ANN NORTON SCULPTURE GARDENS

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COURTESY OF THE ARTIST AND GAVLAK GALLERY

SARAH GAVLAK (BELOW) WILL EXHIBIT WORKS BY DEBORAH BROWN (LEFT AND BELOW LEFT) AT HER PALM BEACH GALLERY THROUGH JANUARY 14.

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ABOVE: SARAH GAVLAK AND ALLISON RADDOCK CO-CURATED THE DIVINE FEMININE: CONTEMPORARY WOMEN SCULPTORS, ON VIEW AT ANN NORTON SCULPTURE GARDENS TO MAY 1. IT INCLUDES RUTH DUCKWORTH’S UNTITLED 2022 SCULPTURE.

of feminism, and their own lived experiences. The show is, in part, a reaction to statistics that show that while women artists are achieving broader recognition for their work, they remain underrepresented in galleries and museums.

Numbers gathered in recent years by the National Museum of Women in the Arts in Washington, D.C., paint a stark picture: within major U.S. art museums, nearly 76 percent of the permanent collections are works by white men. Only 11 percent are by white women.

For women of color, the number drops below 1 percent.

When it comes to access to commercial 28

spaces where artists can grow careers and sell their work, the statistics are equally bleak.

Out of more than 3,000 U.S. art galleries in the Artsy database, nearly half represent just 25 percent or fewer women artists, and only 8 percent of galleries represent more women than men in their collections.

“It’s about having people in positions of leadership and power making sure there is representation,” says Sarah Gavlak, owner of Gavlak galleries in Palm Beach and Los Angeles, who opened her space on the island in 2005 with a focus on representing women, BIPOC, and LGBTQ+ artists. “It’s time to make up for lost time. There are so many great male

artists, and you don’t want to erase that history, you want to balance it. You put everything in the conversation. And it’s happening.”

Gavlak has grown her business to include the New Wave Art Wknd (a noncommercial art event with public programming held in early December) as well as a New Wave artist in residence program at The Square in West Palm Beach, giving artists from diverse and underrepresented communities a space to create. She also recently co-curated an exhibition (alongside Allison Raddock) entitled The Divine Feminine: Contemporary Women Sculptors, in partnership with New Wave, which is on view at the Ann Norton Sculpture Gardens in West Palm Beach through May 1.

While Gavlak notes that many initially questioned her business model, it has worked.

“I actually had a male collector tell me if I wanted to be successful, I’d have to show less women and more men,” she recalls. “And in 2005, he wasn’t wrong. But I work with a lot of women collectors, and I think there are more professional women spending their own money and consciously choosing women artists. And if you can plan your family, you

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12/4/23 10:11 AM

STARTING JUNE 12, THE BOCA RATON MUSEUM OF ART WILL DISPLAY NEW CERAMICS BY JULIE EVANS, INCLUDING BLOWOUT (ABOVE) AND CONSOLATION (RIGHT).

can build an art career. That has given women artists more agency and it’s showing in their work, [to include trends that] look at the political and the domestic.”

These trends will be a focus of She. Her. Hers.

Tanner’s work in the exhibit includes Lola I (Sweet Tea), Lola III (Three Tiered), and P.o.P., which look at themes of domesticity, particularly from the vantage of her traditional Southern upbringing. Another, Merrymaking, is reflective of prominent issues in the #metoo movement. Another artist in the exhibit, Autumn Kioti Horne, will be featured with their performance art piece, red hen [impossible standard]. In it, Kioti Horne, who identifies as nonbinary and notes their lived experience as a biological female, uses a cage of wire hangers and live breadmaking to reflect the “architecture of suppression.”

“For the performance, I have [the cage] lowered down over me, then I bake bread over and over again in kind of a ritual, like I’m stuck in this structure, and I’m struggling to

bake,” they note. “[It’s] acknowledging this person isn’t a human being, but a tool, humanity’s incubator, feeding humanity. It opens such an important conversation. It’s also a little subversive, and I think it’s important to do things to make people think about something, boiled down to its essence, to make connections and community.”

Dr. Catherine Lowe, a Palm Beach Gardens ophthalmologist, lifelong art collector, and chair emeritus for the Cultural Council, agrees.

In 1989, she founded Artists Showcase of the Palm Beaches to champion artists of color and provide art education and advocacy to underserved communities. The organization is no longer active, but Lowe is still thinking about ways to showcase female-made art, especially of the BIPOC community, possibly with an eventual exhibit of her own collection.

For years, Lowe collected important works by women artists, including a cast of Augusta Savage’s bronze sculpture Gamin, other casts of which are in the Smithsonian American Art Museum and the Norton Mu-

COURTESY OF THE ARTIST

VÉRONIQUE CHAGNON-BURKE (CENTER) GUEST CURATED SHE. HER. HERS., WHICH WILL INCLUDE AUTUMN KIOTI HORNE’S RED HEN [IMPOSSIBLE STANDARD] PERFORMANCE ART PIECE (BELOW).

seum of Art in West Palm Beach.

She also owns works by Loïs Mailou Jones and others that, while undervalued when purchased, are now fetching larger sums, disproving the notion that art by women or people of color is a lesser investment for a collector or museum. “[Sexism] pervades all disciplines— how women are perceived about their abilities, their talents, their values, what they bring, the audiences they command, and the respect they get,” Lowe says. “But there are so many talented women and women of color and so much is taken for granted. When creative people are given the opportunity, it makes for a better world.”

As with many male-dominated professions, it’s taken centuries for the smallest shifts to occur in the art world.

Art professionals and historians including Gavlak and Véronique Chagnon-Burke, who is guest curating She. Her. Hers., point to art’s ascent in modern society as a valued vocation. Across generations, men have historically controlled the realm, from the Renaissance, when wealthy noblemen funded religious-themed works like those by Michelangelo, through the twentieth century, when contemporary art movements were led by such artists as Henri Matisse, Pablo Picasso, and Jackson Pollock. art&culture

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AL TE

R, C

DANIEL TERNA

©JUDY GLICKMAN LAUDER COLLECTION

©MELONIE BENNETT

ON HAAM G A LL ER Y F JAS O SY TE UR O

MAX BU RKH

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THE NORTON MUSEUM OF ART SPOTLIGHTS ITS CURRENT ARTIST IN RESIDENCE, NORA MAITÉ NIEVES (LEFT), IN CLOUDS IN THE EXPANDED FIELD, ON VIEW TO APRIL 28.

FEATURED WORKS INCLUDE CICLO LUNAR (2021) (BELOW LEFT) AND GARDEN OF EDEN (2023) (BELOW).

WORKS IN PRESENCE: THE PHOTOGRAPHY COLLECTION OF JUDY GLICKMAN LAUDER AT THE NORTON MUSEUM OF ART, FROM LEFT: SUZIE, BAHAMA BEACH CLUB, PORTLAND, MAINE (1996), MELONIE BENNETT; LOUISE WEINSTEIN ELLIS (1938), IRVING BENNETT ELLIS.

With societal expectations centered on women’s roles as mothers and homemakers, barriers to access for women artists included fewer spaces offered in art schools and disinterested gallerists. Women rarely held high-level leadership positions at museums or auction houses, and their presence in academia was limited.

Chagnon-Burke, who served as Christie’s director of education for 20 years and is the founder of the Women Art Dealers Digital Archive, notes that the twentieth century’s waves of feminist activism helped women gain more decision-making roles, leading to expanded access for all. Prominent women philanthropists and collectors with an eye for art were an early force, and they have continued to grow in both numbers and impact.

“I’m interested in women artists but also in women collectors and dealers—the ecosystem,” Chagnon-Burke explains. “Despite the fact that there’s still not parity, especially at the top of the market, women have had agency. Look at Peggy Guggenheim or Abby Rockefeller, without whom we wouldn’t have the MoMA.” Guggenheim’s groundbreaking Exhibition by 31 Women, held in 1943 at her New York City gallery, is often heralded as the first documented all-female art exhibition in the United States. It marked a shift in professional representation for women in the field.

There have also been shifts in the forms of art considered valuable, expanding opportunities. Work traditionally made by women—fiber art, ceramics, quilts, weavings—has risen in both prestige and price. Beginning in May, the Smithsonian will host Subversive, Skilled, Sublime: Fiber Art by Women, showcasing 34 women artists in its historic Renwick Gallery in Washington, D.C. Locally, the Boca Raton Museum of Art will unveil an exhibit of ceramics by New York artist Julie Evans in June. The Norton Museum of Art currently has a number of femalecentered exhibitions on view, to include representation of a female collector and photographer in Presence: The Photography Collection of Judy Glickman Lauder, as well as the work of the museum’s current artist in residence,

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About the Exhibition She. Her. Hers., January 26 to April 6, Cultural Council for Palm Beach County, Lake Worth Beach. palmbeachculture.com, 561.471.2901

Nora Maité Nieves, who often utilizes decorative elements (such as tile floor patterns) to express her Puerto Rican heritage.

In recent years, West Palm Beach–based creative curator Gaby Viteri has been on a mission to promote the work of Palm Beach County–based women artists by considering shifting trends and using clever marketing to make art more accessible and approachable—for both the artists and their audiences.

In October, she co-curated the all-women art exhibit Pink Waves with artist Sarah LaPierre and others at LaPierre’s studio at The Peach art collective in West Palm Beach. In addition to the art exhibit, which ran throughout October, Pink Waves featured a monthlong series of wellness panel discussions, a makers’ market, and other elements to draw public engagement. A portion of proceeds from art sales and associated programing was donated to the Promise Fund of Florida, which helps women overcome financial and cultural barriers to access breast and cervical health care.

Pink Waves was an outgrowth of Viteri’s earlier First, Female exhibit of all-women artists held in 2022. Since then, she’s evolved the concept into a community of West Palm Beach–area artists seeking to elevate female representation in the arts. Now, through her First, Female collective, Viteri and her fellow

JORDAN BAUM

JORDAN BAUM

JORDAN BAUM

WEST PALM BEACHER GABY VITERI (FAR LEFT) ESTABLISHED THE FIRST, FEMALE ART COLLECTIVE (BELOW) AS A WAY TO CONNECT AND SUPPORT LOCAL WOMEN ARTISTS. IN THE FALL, SHE CO-CURATED PINK WAVES, WHICH INCLUDED LIVING ON A THIN LINE BY SARAH E. HUANG (LEFT, TOP) AND TOGETHER I, II, AND III BY SARAH LAPIERRE (LEFT, BOTTOM), WHO ALSO CO-CURATED.

board members are actively organizing more exhibitions, special events, and studio visits, among other initiatives.

“Creativity is my outlet and being local is my superpower,” Viteri says. “I have a love for West Palm Beach, and I want to highlight the amazing creativity that’s right here. There are so many more women artists, and many of them just aren’t working as artists because they have nowhere to show their work.”

Viteri adds that while the statistics regarding representation of professional female artists can be alarming, the best way to counteract that is to organize programming that not only spotlights these creatives, but also invites the public to meet them, engage with them, and (hopefully) purchase works from them. “You have to showcase it in a way that attracts people,” she says. “Trust your gut that something’s beautiful and take a risk.”

Chagnon-Burke says that kind of enthusiasm and collaborative spirit have made her curatorial work on She. Her. Hers. so fulfilling.

She hopes visitors to the exhibit feel entitled to simply experience the “keys to beauty” woven through the show.

“You want the works to talk to each other, show the energy they have with each other,” she says. “An exhibition like this brings around the way women have found their voice and expressed themselves and dealt with work and family plus the weight of what society puts on you. We really worked on selecting art that will speak to a large diversity of people.

“You can have those discussions through art at a time when we experience a very divided society. Art, I think, can help, because it’s not just choosing words but experiences and engaging the viewer in a way that is essential to the world we live in.” ‡ art&culture

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BEHIND THE SCENES Theater is the ultimate team project. Long before the curtain rises on opening night, dozens of creative professionals have devoted hundreds of hours to bringing a playwright’s words from page to stage. Scenic designers have the formidable task of imagining the space where it all happens. Here, they share insight into their processes.

BY MARY MURRAY

The Cancellation of Lauren Fein Palm Beach Dramaworks, West Palm Beach February 2-18

JERRY RABONOWITZ

FOR THE WORLD PREMIERE PRODUCTION OF THE CANCELLATION OF LAUREN FEIN, ANNE MUNDELL ENVISIONED AN ARENA-STYLE SET MORE GROUNDED IN EMOTIONAL TEXTURES THAN PHYSICAL REALITIES. HERE YOU SEE A MODEL (OPPOSITE PAGE), A COMPUTER-GENERATED FRONT VIEW (BELOW), AND AN AERIAL OF THE FLOOR PAINT (TOP RIGHT).

As an academic, Anne Mundell strongly relates to the themes in The Cancellation of Lauren Fein, playwright Christopher Demos-Brown’s look at what happens when a professor’s professional and personal lives are dissected in a public forum. When asked to design the set for the show’s world premiere at Palm Beach Dramaworks, Mundell says she first had to create distance between herself and the material.

“Like any artist, we all have personal connections to any story that we tell,” explains Mundell, a professor emeritus of scenic design at Carnegie Mellon University. “I was so close to this one that the big challenge was trying to find a way to step far enough away from it to give the entire story room to breathe.”

After conversations with the creative team, Mundell settled on an arena-style set that acts more as an emotional landscape than a specific location. This space allows the characters to circle one another as they navigate the shifting cultural topography that gives the play its tension. In this way, the set becomes a supporting character of sorts. Rather austere and utilitarian, it brings even more focus to the actors and provides them with the tools they need to tease out the various textures within their performances.

“As a scenic designer and part of a creative team, you define the physics of a world,” Mundell says.

“You really have to find out what the foundational questions are. Ask yourself: Is up really up? Is down really down? Is it a world that we recognize? Is it a world that is parallel to our world? Is it a world that we are living in at this very moment?” palmbeach dramaworks.org, 561.514.4042 art&culture

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ABOVE: ONE OF MUNDELL’S FAVORITE ELEMENTS OF THE PLAZA SUITE SET DESIGN WAS CREATING THIS POSTCARD, WHICH WILL BE PROJECTED ONTO THE CURTAIN. “IT’S A LITTLE BIT OF A LOVE LETTER TO THE PLAZA AND THE PEOPLE WHO OCCUPIED THE PLAZA AT A CERTAIN PERIOD OF TIME,” SHE SAYS. BELOW: THE SUITE’S INTERIOR WALLS WILL FEATURE LOTS OF TRIM, CROWN MOLDING, AND WALLPAPER ACCENTS THAT EVOKE A GRANDEUR WORTHY OF ONE OF THE WORLD’S MOST FAMOUS HOTELS.

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Plaza Suite

Maltz Jupiter Theatre, Jupiter February 11-25 In the case of Neil Simon’s 1968 comedy, Plaza Suite, the set itself is a main character, one that commands the spotlight. The team at Maltz Jupiter Theatre also enlisted Anne Mundell to design this set.

Knowing that many audience members will have personal connections to The Plaza Hotel—whether they be memories of high teas or honeymoons, business luncheons or weddings—Mundell sought to transport an “old friend” from Manhattan to The Palm Beaches.

At The Plaza, everything from the headboards to the hardware is totally custom and very specific. “I really tried to hew to those specifics,” Mundell says. “That is a little bit against what I usually do, which is generally more expressive. But in [Plaza Suite], there’s a character who tells you who it is and what it wants to be.”

Once Mundell shared her design with the Maltz, the theater’s technical director, Zach Kuhl, set about establishing the logistics for the build out. “My goal primarily is to work with the designers and create all of the structural information we’ll need to actually make that dream happen,” Kuhl explains. “It’s like if you bought a box of Legos and didn’t have the instructions, my job is to make the instructions.”

Kuhl generates build plates (or blueprints) that will guide the work that the carpenters do and help the team load in the show once the set is complete. He believes that audience members will be entranced by the detailing of this unit set, which is full of trim and grandeur. “It’s all physically based off of The Plaza Hotel,” he says. “There’s such a scale and an awe.” jupitertheatre.org, 561.575.2223

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MUNDELL AND THE MALTZ TEAM GAVE CARE TO EVEN THE SET’S SMALLEST SPACES, SUCH AS THIS HALLWAY THAT AUDIENCES WILL GLIMPSE WITH CHARACTER ENTRANCES AND EXITS. CARPENTERS AT THE MALTZ WILL 3D PRINT CERTAIN PIECES, SUCH AS THE DOOR PLACARDS.

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JERRY RABONOWITZ

FOR ROOTED, MICHAEL MCCLAIN HAD TO CREATE A SET THAT BALANCES MAGIC WITH REALISM. THE SPACE NEEDS TO FEEL INHABITABLE AND LIVED IN, BUT MUST ALSO ACCOUNT FOR THE MYSTICAL ROLE THAT THE TREE WILL PLAY, BOTH LITERALLY AS DICTATED BY THE PLAYWRIGHT AND FIGURATIVELY VIS-À-VIS THE MAIN CHARACTER’S RELATIONSHIP TO IT.

Rooted

Theatre Lab, Florida Atlantic University, Boca Raton February 3-18 Scenic designer Michael McClain was excited at the prospect of crafting a treehouse for Deborah Zoe Laufer’s Rooted, which will have its Florida premiere at Theatre Lab. In the play, a 60-something woman named Emery has made her home in a tree she calls Mabel. McClain, a Wellington resident and Dreyfoos School of the Arts alum, knew that the project came with two big challenges.

“The main thing I had to constantly keep in mind was how do I achieve not only the texture and authenticity of the space, but the amount of magical elements that the playwright requests?” says McClain. “And how do I achieve that in Theatre Lab’s intimate venue?”

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Theatre Lab’s proscenium isn’t even 8 feet tall, McClain notes, so he needed to create the illusion of height and sell the idea that the characters are entering the stage after having climbed up a tree. And while the play is imbued with magic, McClain wanted the treehouse to feel very real and livable. He achieved this by mixing mediums and materials, as well as adding practical details, such as a daybed.

“This is very much based on realism and [Emery’s] isolation,” McClain explains. “This is not a fantasy world. This is a legitimate treehouse.”

McClain also had to figure out how to situate Mabel, the tree—which he describes as an unspoken character—within the space. By centering the trunk and edging the set in foliage, he brings Mabel into full view while still giving the actors room to play.

“The importance of Mabel is very integral and special to the main character,” he adds. “Watch out for the tree to come alive.” fau.edu/artsand letters/theatrelab, 561.297.4784 ‡

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Classical Music

How Palm Beach County organizations are futureproofing this timeless art form by fostering new audiences, new works, and new performers

By Nicole Neal 38

BRIAN LARRABEE

in the Twenty-first Century

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FROM OPPOSITE PAGE: VIOLINIST CHARLES YANG AT THE LAUNCH OF THE YOUNG FRIENDS OF THE CHAMBER MUSIC SOCIETY OF PALM BEACH; ALASTAIR WILLIS CONDUCTS THE SYMPHONIA.

EDUARDO SCHNEIDER

S

ure, there are a few pesky misconceptions that cling to classical music.

“You have to wear an Armani suit,” says David McClymont, CEO of the Palm Beach Symphony.

“You can’t understand what’s going on,” says David Walker, general and artistic director of the Palm Beach Opera.

“Stuffy,” says Ahmad Mayes, executive director of the Chamber Music Society of Palm Beach.

Annabel Russell, executive director of the Boca Raton–based chamber orchestra The Symphonia, brings it home: “You have to sit still in the dark for two hours and not say boo to people and it’s elitist and you have to come from a rich family.”

No, no, no, and no.

McClymont, Walker, Mayes, and Russell may helm arts institutions that celebrate different musical forms, but they share a refrain, tutti and fortissimo: classical music is for everyone.

“We don’t take ourselves too seriously,” says Mayes, extolling the virtues of a chamber music performance, where, true to its roots, the social experience is as important as the artistic one. “The atmosphere is warm. It’s intimate. The artists are accessible. You can clap. You can feel comfortable.”

The Palm Beach Opera’s Walker reminds potential attendees that supertitles demystify the storyline. And although the Kravis Center’s Dreyfoos Hall (where the Palm Beach Opera performs) is not intimate in scale, the opera experience is unifying all the same. “Opera lets people open up to emotions they might not allow themselves to have in their daily lives,” he says. “And you have that emotional experience with the 2,000 people around you.” art&culture

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COASTAL CLICK PHOTOGRAPHY

world premieres showcase the works of living composers, including South Florida’s Ellen Taaffe Zwilich (February 5), the first woman to win the Pulitzer Prize in music, and Aaron Jay Kernis (March 6), also a Pulitzer Prize recipient as well as the winner of two Grammy Awards.

The Palm Beach Opera, which will open its 2024 season with Tosca (January 2628), reported nearly 1,000 new ticket-buying households and a 27 percent increase in total revenue in 2023.

The Chamber Music Society of Palm Beach, which underwent an organizational rebrand two years ago, experiCAPEHART

And please, all four say, wear whatever you want.

These egalitarian messages, combined with innovative programming and targeted outreach efforts, led to record 2022-23 seasons for many of Palm Beach County’s musical arts institutions.

The Palm Beach Symphony saw a 21 percent increase in subscriptions and memberships and a 38 percent growth in ticket sales.

For its current fiftieth anniversary season, four

AARON BRISTOL

RICHARD BOWDITCH

BILL KEEFREY

BRIAN LARRABEE

BRIAN LARRABEE

CLOCKWISE FROM FAR LEFT: PETER DUGAN AND CHARLES YANG; DAVID WALKER; AHMAD MAYES; ANNABEL RUSSELL; DAVID MCCLYMONT; ELLEN TAAFFE ZWILICH; AARON JAY KERNIS.

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enced a doubling of single-ticket sales last year.

A revenue increase of 32 percent brought the society, now in its eleventh season, across the $1 million mark for the first time.

And The Symphonia, now in its nineteenth season, is seeing a surge of brand-new attendees who are giving the experience a try with single-ticket purchases. “That’s exciting,” says Russell. “It makes me very hopeful for the season and for the future.”

Many of those newcomers Russell speaks of belong to a demographic not previously associated with classical music: younger people. All four institutions report a marked uptick in attendees under 50.

The Palm Beach Symphony’s Young Friends group has benefited from the influx of young professionals into South Florida, says Felix Rivera, patron advancement coordinator. “It’s been a real bright spot,” he notes. “These people come from larger cities with vibrant arts communities, and they want to see that same interweaving of arts and culture here.”

The Young Friends, which gives members the opportunity to connect with the arts and each other, has grown over nine years to about 100 members. Last season, both the Chamber Music Society and Palm Beach Opera formed similar groups.

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INDIEHOUSE FILM

PHILIP GROSHONG

CLOCKWISE FROM RIGHT: THE PALM BEACH OPERA WILL STAGE NORMA APRIL 5-7; ALASTAIR WILLIS LEADS A “NEW DIRECTIONS” CONCERT WITH THE SYMPHONIA; TROMBONIST DOMINGO PAGLIUCA AT THE PALM BEACH SYMPHONY’S “MEET ME IN THE MEZZANINE” EVENT.

Also aiding classical music is an unlikely ally: popular culture. While exposure to the art form was once limited to Elmer Fudd warbling “kill the wabbit” on Saturday mornings (Walker’s introduction to opera, he reports), younger generations are exposed to classical music—conveniently in the public domain— through an ever-expanding range of sources.

Video games like The Legend of Zelda and Resident Evil and streaming series like Squid Game and The Queen’s Gambit might be behind a 2023 YouGov poll, which found that 7 percent of 18- to 44-year-olds identified classical music as a favorite genre, compared to 4 percent of those 45 and older. On the social media platform TikTok, #classicalmusic has more than 5 billion views.

The question, of course, has been how to move these new fans from earbuds to auditoriums?

One way, arts leaders say, is by acknowledging the realities of today’s audiences— who are starved for time and motivated by social media—while still providing a highquality arts experience. In other words, new patrons, but no patronizing.

“The younger generation is seeking something different, and it’s beholden on us to

find different ways to expose them to music,” says Russell.

The Symphonia, she says, has had success with its “New Directions” series, which began in 2017. Principal conductor Alastair Willis incorporates costumes, narration, and multimedia to weave a story throughout a performance—all in 70 to 80 minutes “done and dusted,” Russell says. In “Seeking Haydn” (April 13), Willis will take audiences back to eighteenth-century Austria and life with the composer in Esterhazy Palace.

“It’s a great way to introduce classical music to a new audience,” says Russell, who’s seen “younger, broader, and more diverse” attendees fill seats for these concerts.

Innovation combined with “bite-size performances” has worked for the Chamber Music Society too, says Mayes, pointing to last season’s sold-out performance by crossover pop and classical duo Peter Dugan and Charles Yang. He calls their “Ravel to the Bea-

tles” and similar shows, “an easy, friendly access point for chamber music for people not familiar with it. It pushes against the ‘stuffy’ impression, without feeling dumbed down.”

The Palm Beach Symphony’s McClymont shares the origin story of last season’s successful “Meet Me in the Mezzanine” event. To bring the dark floor back to life, symphony personnel beta-tested an experience: for a $25 ticket to the season’s final show, ticketholders could also head to the mezzanine pre-performance for Champagne and photo-ops with Latin Grammy–winning trombonist Domingo Pagliuca. Invitations were extended to local business leaders, and the social media team created an eye-catching visual featuring an overflowing glass of Champagne.

The moral? Ignore the lure of Champagne and selfies at your peril. In the audience that night were about 75 first-time guests, including social media influencers who traveled from Miami, as well as members of the Chamber of Commerce of the Palm Beaches and the Business Development Board of Palm Beach County.

“Then, we heat mapped the data and did follow-up surveys,” says McClymont. “Why did you come? What did you think? Would you come back?”

This season, the mezzanine is a bright spot: there are six such events. art&culture

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—Annabel Russell 42

EDUARDO SCHNEIDER

“The younger generation is seeking something different, and it’s beholden on us to find different ways to expose them to music.”

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INDIEHOUSE FILM

Accessibility. Connections. An experience.

Classical music’s longevity seems dependent on providing more than music.

At Palm Beach Opera’s new society for young professionals, the Aria Society, members get perks like box seating at a dress rehearsal and backstage tours. Last season, too, the opera began hosting an “Opera Forum” series, free panel discussions with scholars and experts who explore the relevance of each opera for modern audiences. Nine more are planned for this season; before Tosca, for example, discussions might center on abuse of power, Walker says.

Furthermore, the Palm Beach Opera seeks to engage future fans through educational programming including “Concerts in the Classroom,” for students in kindergarten through twelfth grade, and “Opera Rehearsal 101,” wherein middle- and high-school students can attend main-stage dress rehearsals for free. The organization also coordinates “Lunch and Learn” gatherings for its primary productions. During these sit-down events at West Palm Beach’s National Croquet Center, attendees can learn more about the show and enjoy a musical presentation featuring the opera’s Benenson Young Artists.

The Symphonia’s “Box Lunch It” series gives audience members a view of rehearsal from the vantage point of musicians—facing the conductor—and a chance to eat and chat with performers. In March, the Chamber Music Society will begin a community engagement residency, putting string trios in

ABOVE: THE PALM BEACH OPERA HOSTS TALKS ON ITS MAIN-STAGE OPERAS. LEFT AND OPPOSITE PAGE: THE SYMPHONIA HAS A “MEET THE ORCHESTRA” PROGRAM. BELOW: PALM BEACH SYMPHONY MUSICIANS VISIT LOCAL CLASSROOMS.

libraries, community centers, hospitals, retirement communities, and schools.

Those schools, of course, are a critical link to the future of classical music, holding the performers—and the audiences—of tomorrow. Outreach in many forms is part of all

four institutions, including efforts by the Palm Beach Symphony that last season put 162 instruments into the hands of local students.

Palm Beach Opera’s three-tiered training initiative for budding performers has seen its graduates placed at major opera houses around the world. The Symphonia is now offering string instrument lessons at the Milagro Center, a Delray Beach–based nonprofit that seeks to ensure the social and academic success of underserved children and youth through the cultural arts, living values, academic support, and mentoring. The Symphonia also connects to local youth through its “Meet the Orchestra” program, inviting children to attend Saturday dress rehearsals to get acquainted with the musicians and even try out their instruments.

“I’ve seen it so many times over the years, that light in the eyes,” Russell says, of the lifechanging impact of arts education. “It’s transformational.”

And for the audience, experiencing the live creation of art is transformational, too, say McClymont, Russell, Mayes, and Walker.

“It creates community, and it feeds the soul,” says Mayes. “Anyone looking for a place to belong, you can find that here.” ‡ art&culture

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Home is Where the ART is WHETHER IN NEW YORK CITY, LOS ANGELES, OR WEST PALM BEACH, COLLECTOR AND CURATOR BETH RUDIN DEWOODY CHAMPIONS CONTEMPORARY ARTISTS AND LIVES AMONG WORKS THAT SHE FINDS PERSONALLY INSPIRING

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By Susie Stanton Staikos | Photography by Jerry Rabinowitz

Beth Rudin DeWoody has a voracious appetite for collecting art. In South Florida, she’s best known for The Bunker Artspace, the 1920s-era former toy factory in West Palm Beach that she converted into an art space where visitors can peruse her ever-evolving collection and rotating exhibitions. At The Bunker, DeWoody and her co-curators aim to provide a complete view of contemporary art today, to include works by both leading artists as well as emerging and oft-overlooked creatives. The same ethos holds true when it comes to the artworks that she lives with at her home in West Palm Beach.

“People were surprised that I chose to live in West Palm Beach, and now it’s the place to be,” says DeWoody, who lives seasonally in The Palm Beaches and maintains apartments in Los

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RIGHT: BETH RUDIN DEWOODY IS PICTURED IN HER WEST PALM BEACH HOME IN FRONT OF 5AM FRIDAY (2018), LYNETTE YIADOM-BOAKYE. ABOVE/OPPOSITE PAGE: DEWOODY’S LIVING ROOM FEATURES A SHELL-FILLED FIREPLACE TOPPED WITH GIANT SPIRAL (1997), FAITH WILDING. THE SPACE ALSO INCLUDES (FROM FAR LEFT) AIN’T BEEN A PICNIC (2019), FORREST KIRK, AND NIGHT VISION (2018), KENTURAH DAVIS (SEEN OBSCURRED BY A LAMP).

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CLOCKWISE FROM RIGHT: ANDY WARHOL’S FLOWERS AND PLAY (2005), R. LUKE DUBOIS, IN DEWOODY’S POWDER ROOM; DEWOODY IN FRONT OF LENSMAN (2011), JACK WHITTEN; HER LIGHT-FILLED LIVING ROOM INCLUDES AN ASSEMBLAGE OF CERAMICS, GLASS OBJECTS, AND CULTURAL BOOKS.

Angeles and New York City.

Nestled on a leafy road parallel to the Intracoastal Waterway, DeWoody’s home was built in 1958. When she purchased it in 2002, she says it was just in need of some “cleaning up” and she was able to retain much of the original ’50s architectural style. The white exterior and interior walls lend the home a fresh, contemporary feel and provide a perfect backdrop to the different color tones of the artworks positioned throughout.

The collection is quite fluid, with the exception of Bob Wynne’s Almost Nothing glass text installation (2003), which is a longtime fixture in DeWoody’s bedroom. DeWoody often lends pieces to museums and frequently adds to her collection, necessitating the rotation of other works. She works closely with co-curators Maynard Monrow and Laura Dvorkin, and she notes that she doesn’t adhere to a specific theme when acquiring. “It’s a gut feeling I have when I see a painting and it’s hard to articulate what attracts me to it,” she says. “I just know straight away.”

While she attends some of the major art fairs and often receives information on new works from galleries, DeWoody says that one of her prime passions is meeting the artists themselves. “Each artist’s approach is unique to them, and I love to hear the processes of their work and their motivations. I like 46

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to see the work of young artists and to support young galleries.”

Sure enough, her West Palm Beach home is full of pieces by living artists who are actively creating new works. The light-filled living room features a pair of huge, black-rimmed brown eyes, a circa-2003 installation titled Eyes without a Face (brown) by Los Angeles artist Liz Craft, whom DeWoody has followed for some years. The work typifies the eclectic and multimedia nature of DeWoody’s collection, as does Play (2005) by R. Luke DuBois, which is installed on the wall facing the toilet in the guest powder room. The 50-second video features the flashing faces of every centerfold from Playboy magazine’s first 50 years, from 1953 to 2004.

The open living room is divided into seating sections, with groupings of various items assembled on tables and shelves, including books, colorful glass objects, and ceramics. The fireplace is filled with shells and echoes the painting above: Giant Spiral (1997) by Paraguayan-American multidisciplinary artist Faith Wilding, who was part of American artist Judy Chicago’s Feminist Art Movement.

The living room also contains three powerful figurative works. Situated at the entrance, Lynette Yiadom-Boakye’s 5AM Friday (2018) shows a figure of a Black man in a blackand-white-striped top standing against a wall, arms behind his back, his well-defined face looking sideways into the

room. “It’s funny that I seem to be drawn to black-and-white stripes,” DeWoody says of this piece. “Usually, [YiadomBoakye’s] work is quite dark, but this one is more delicate, and I like the figurative, classical stance against the pale background. She’s very hot right now, and I was lucky to get it.”

On the opposite wall is Kenturah Davis’ Night Vision (2018).

Based in Los Angeles and Ghana, Davis frequently incorporates text into her portraits, sometimes weaving in a textile design as a form of text. For this pencil rubbing drawing, Davis pressed stamps onto the surface of the image, giving the piece a woven textile appearance. The depicted woman is turned away from the viewer and dons a black jacket that highlights a grayer section over her right shoulder that may indicate how Davis explores the idea that shadows and darkness have the capability to reveal as much as they conceal. Nearby is Forrest Kirk’s Ain’t Been a Picnic (2019), which DeWoody purchased directly from his L.A. studio. The single clenched fist in this piece is a recurring visual theme for Kirk, a Black man who often explores the anxieties that can emerge because of the underlying power structures within urban environments.

Elsewhere in her home, DeWoody displays three works by Jack Whitten from two distinct periods of his artistic life: Liquid Space II and III (1976), created some time after he emerged on the New York abstract expressionist scene, and Lensman

ABOVE: A FULL VIEW OF KENTURAH DAVIS’ NIGHT VISION. DAVIS, WHO BALANCES ELEMENTS OF PORTRAITURE AND DESIGN IN HER PROCESS, DESCRIBES HERSELF AS BOTH AN ARTIST AND A “WRITER OF SORTS,” BECAUSE SHE OFTEN INCLUDES TEXT COMPONENTS WITHIN HER WORK.

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LEFT: LIZ CRAFT’S EYES WITHOUT A FACE (BROWN) (2003) KEEPS WATCH OVER THE LIVING ROOM. BELOW: A HOCKNEY-ESQUE PHOTOGRAPH OF DEWOODY’S WATERFRONT POOL.

(2011), which is more indicative of the layered approach to painting he would adopt over the years as well as his embrace of geometric forms and handmade “tesserae” of acrylic paint that gives the impression of a mosaic.

“I usually think that an artist’s earlier work is their best, but in Whitten’s case, his work grew,” DeWoody explains.

“His work was under the radar for a while until my friend, Alex, at the Alexander Gray Gallery took him on. I first bought the small Liquid Space pieces and then Lensman. I love his work and wish I had bought more, but he was taken to Hauser & Wirth, and they have become more expensive. I met him shortly before he passed away.”

On the upper floor, among other works, is the familiar face of Barbra

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Streisand. Her distinctive profile appears in Not Titled (Streisand) (2020), an oversize portrait by Karl Haendel, who specializes in black-and-white, photorealistic pencil drawings.

Back on the ground floor, glass doors in the living room open out onto an almost Hockney-like scene.

Manicured bright-green grass and the pool’s straight lines define the view, while white lounge chairs invite you into this stunning picture. Art is present here as well. Two of Les Lalanne’s sheep are grazing in the foreground.

In the distance, a man—artist Hannah Greely’s Remainder (2006)—stands toward the house. His arms are outstretched and his hands cup birdseed, welcoming all to flock toward him and become part of the artistic tableau. ‡

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HANNAH GREELY’S REMAINDER (2006) COMMANDS THE BACKYARD.

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ART & THE CITY The Players, Must-Sees, and Surprises of Basel 2022

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HOW SUPER CLAMS ARE CLEANING THE INDIAN RIVER LAGOON

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SCENE

ZSOLT MÉSZÁROS

SCENARIO TWO

CLOCKWISE FROM TOP LEFT: STILL FROM JAWS; BARCELONA FLAMENCO BALLET; RENÉE FLEMING.

MEET ME IN BOCA THE SHADES OF CULTURE—THE CULTURAL COUNCIL’S SYMBOL FOR CULTURAL TOURISM IN THE PALM BEACHES— MADE A STOP AT LAST YEAR’S FESTIVAL. FIND OUT WHERE YOU CAN SEE THEM NOW AT PALMBEACHCULTURE. COM/EXPLORE

Clear your calendar for 10 culture-packed days as the Festival of the Arts Boca returns to the Mizner Park Amphitheater March 1-10. Cultural arts education is a cornerstone of the festival’s programming, with organizers always challenging themselves to introduce new audiences to cultural thought-leaders and leading performing and literary art professionals. The eighteenth annual Festival of the Arts Boca will kick off with “Henry Mancini at 100,” a concert honoring the centenary of the Oscar-winning composer behind The Pink Panther and Moon River, among many others.

Additional highlights include a screening of the original blockbuster, Jaws, accompanied by a live orchestra (March 2), two events with legendary soprano Renée Fleming (March 3 and 4), a performance by Barcelona Flamenco Ballet (March 8), and a staging of Hello, Isaac, fashion designer Isaac Mizrahi’s critically acclaimed cabaret show (March 9). It all comes to a dramatic conclusion March 10, when the Festival Boca Jazz Orchestra presents “100 Years of Rhapsody in Blue.” festivalboca.org, 561.757.4762 —Mary Murray art&culture

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©MARTIN SCHOELLER, COURTESY OF CAMERA WORK

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EXHIBITS

Stories on the Planet: Jewelry by Maeda Asagi Morikami Museum and Japanese Gardens, Delray Beach, to April 7, morikami.org, 561.495.0233

Addison Mizner: Letters and Manuscripts Preservation Foundation of Palm Beach, to Feb. 2, palmbeachpreservation.org, 561.832.0731

Titanic: The Artifact Exhibition Cox Science Center and Aquarium, West Palm Beach, to April 14, coxsciencecenter.org, 561.832.1988

Season of Red Cornell Art Museum, Delray Beach, to Feb. 4, delrayoldschoolsquare.com, 561.654.2220

Artists in Motion: Impressionist and Modern Masterpieces from the Pearlman Collection Norton Museum of Art, West Palm Beach, to Feb. 18, norton.org, 561.832.5196 THIS CALENDAR IS CULLED BY EDITORS AND IS NOT A COMPLETE LISTING OF COUNTY EVENTS. VISIT THE CULTURAL COUNCIL’S WEBSITE FOR MORE.

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Presence: The Photography Collection of Judy Glickman Lauder Norton Museum of Art, West Palm Beach, to March 10, norton.org, 561.832.5196 Discovering Creativity in Partnership with Heather James Fine Art Ann Norton Sculpture Gardens, West Palm Beach, to March 17, ansg.org, 561.832.5238

Scenes of New York City: The Elie and Sarah Hirschfeld Collection The Society of the Four Arts, Palm Beach, to Jan. 28, fourarts.org, 561.655.7226

Symbolic Messages in Chinese Animal Paintings Norton Museum of Art, West Palm Beach, to Feb. 4, norton.org, 561.832.5196

CLOCKWISE FROM LEFT: RED ELEPHANT II, ANTHONY BURKS, PART OF CELEBRATION OF THE ARTS THROUGH THE DIASPORA AT PALM BEACH GARDENS CITY HALL; JEFF KOONS WITH FLORAL HEADPIECE, NEW YORK, NY, MARTIN SCHOELLER, PART OF FLORA IMAGINARIA AT THE SOCIETY OF THE FOUR ARTS; JORDI MOLLÀ ARTIST IN RESIDENCE SHOWCASE AT THE ANN NORTON SCULPTURE GARDENS.

BLUE FLOWER, JORDI MOLLÀ

Personal Space: On Photography and Being Norton Museum of Art, West Palm Beach, to Feb. 18, norton.org, 561.832.5196 Painting in Paradise Cornell Art Museum, Delray Beach, to Feb. 26, delrayoldschoolsquare.com, 561.654.2220 Gazing Forward: Surrealism Arts Garage, Delray Beach, to Feb. 27, artsgarage.org, 561.450.6357

Flora Imaginaria: The Flower in Contemporary Photography The Society of the Four Arts, Palm Beach, to April 28, fourarts.org, 561.655.7226 Nora Maité Nieves: Clouds in the Expanded Field Norton Museum of Art, West Palm Beach, to April 28, norton.org, 561.832.5196 The Divine Feminine: Contemporary Women Sculptors Ann Norton Sculpture Gardens, West Palm Beach, to May 1, ansg.org, 561.832.5238

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Origami in the Garden Mounts Botanical Garden, West Palm Beach, to May 12, mounts.org, 561.233.1757 Smoke and Mirrors: Magical Thinking in Contemporary Art Boca Raton Museum of Art, to May 12, bocamuseum.org, 561.392.2500 Dorothea Lemeh: Cycles Boca Raton Museum of Art, to May 19, bocamuseum.org, 561.392.2500 Endless Summer: Palm Beach Resort Wear Richard and Pat Johnson Palm Beach County History Museum, West Palm Beach, to May 25, pbchistory.org, 561.832.4164

Celebration of the Arts through the Diaspora City Hall Lobby, Palm Beach Gardens, Feb. 5 to March 28, pbgrec.com/gardensart, 561.630.1116 Reimagining Palm Beach by Serge Strosberg Cornell Art Museum, Delray Beach, Feb. 9 to May 28, delrayoldschoolsquare.com, 561.654.2220 Guild Hall: An Adventure in the Arts The Society of the Four Arts, Palm Beach, Feb. 10 to April 28, fourarts.org, 561.655.7226

FROM LEFT: CATCH FORBIDDEN BROADWAY: THE NEXT GENERATION AT THE KRAVIS CENTER FEBRUARY 2-4; CECE TENEAL WILL PERFORM AT ARTS GARAGE MARCH 15-16.

Alphonse Mucha: Master of Art Nouveau Flagler Museum, Palm Beach, Jan. 16 to April 14, flaglermuseum.us, 561.655.2833

Beach, March 20 to June 30, ansg.org, 561.832.5238

Wild Hearts Lighthouse ArtCenter, Tequesta, Jan. 18 to Feb. 24, lighthousearts.org, 561.746.3101

Open Mic Comedy The Peach, West Palm Beach, Jan. 8 (and every subsequent Monday night), thepeachwpb.com, 561.532.0900

Florida in World War II Schmidt Boca Raton History Museum, Jan. 22 to May 17, bocahistory.org, 561.395.6766 Kandy G. Lopez Spady Cultural Heritage Museum, Delray Beach, Jan. 26 to March 2, spadymuseum.org, 561.279.8883 She. Her. Hers.

Cultural Council for Palm Beach County, Lake Worth Beach, Jan. 26 to April 6, palmbeachculture.com, 561.471.2901 Sonya Sanchez Arias Cultural Council for Palm Beach County, Lake Worth Beach, Jan. 26 to March 9, palmbeachculture.com, 561.471.2901 Suzi K. Edwards: Chinese Zodiac Cultural Council for Palm Beach County, Lake Worth Beach, Feb. 2-8, palmbeachculture.com, 561.471.2901

STAGE Nicole Dora Cultural Council for Palm Beach County, Lake Worth Beach, Feb. 16 to April 6, palmbeachculture.com, 561.471.2901 I Am Woman: Ekphrastic Exploration on Womanhood Arts Garage, Delray Beach, March 1 to April 30, artsgarage.org, 561.450.6357

Beautiful: The Carole King Musical Maltz Jupiter Theatre, Jan. 9-28, jupitertheatre.org, 561.575.2223 The Sunshine Boys Levis JCC Sandler Center, Boca Raton, Jan. 10-20, levisjcc.org/culture, 561.558.2520

Central American Modernism Cornell Art Museum, Delray Beach, March 8 to July 28, delrayoldschoolsquare.com, 561.654.2220

Fiddler on the Roof The Wick, Boca Raton, Jan. 11 to Feb. 11, thewick.org, 561.995.2333

Members Show and Sale Lighthouse ArtCenter, Tequesta, March 14 to April 4, lighthousearts.org, 561.746.3101

Oklahoma!

Lake Worth Playhouse, Jan. 19 to Feb. 4, lakeworthplayhouse.org, 561.586.6410

Diana Garcia Cultural Council for Palm Beach County, Lake Worth Beach, March 15 to April 24, palmbeachculture.com, 561.471.2901

Constellations Stonzek Theatre, Lake Worth Beach, Feb. 1-11, lakeworthplayhouse.org, 561.586.6410

Jordi Mollà: Savage Garden | Jardín Salvaje Ann Norton Sculpture Gardens, West Palm

The Cancellation of Lauren Fein Palm Beach Dramaworks, West Palm Beach, Feb. 2-18, palmbeachdramaworks.org, 561.514.4042 art&culture

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SCENE Forbidden Broadway: The Next Generation Kravis Center, West Palm Beach, Feb. 2-4, kravis.org, 561.832.7469

Proof Levis JCC Sandler Center, Boca Raton, Feb. 7-24, levisjcc.org/culture, 561.558.2520

Carousel The Wick, Boca Raton, Feb. 29 to March 24, thewick.org, 561.995.2333

Grumpy Old Men Delray Beach Playhouse, Feb. 2-25, delraybeachplayhouse.com, 561.272.1281

Plaza Suite Maltz Jupiter Theatre, Feb. 11-25, jupitertheatre.org, 561.575.2223

Clue on Stage Lake Worth Playhouse, March 1-10, lakeworthplayhouse.org, 561.586.6410

Rooted Theatre Lab, Boca Raton, Feb. 3-18, fauevents.com, 561.297.6124

Jagged Little Pill Kravis Center, West Palm Beach, Feb. 20-25, kravis.org, 561.832.7469

42nd Street Maltz Jupiter Theatre, March 12-31, jupitertheatre.org, 561.575.2223

PALM BEACH SYMPHONY

Tina: The Tina Turner Musical Kravis Center, West Palm Beach, March 12-17, kravis.org, 561.832.7469

MASTERWORKS SERIES

Visiting Mr. Green Levis JCC Sandler Center, Boca Raton, March 13-24, levisjcc.org/culture, 561.558.2520

Featuring all-time favorite works by Beethoven, Tchaikovsky, Mozart , Sibelius, and many more.

Belleville Stonzek Theatre, Lake Worth Beach, March 14-24, lakeworthplayhouse.org, 561.586.6410

GERARD SCHWARZ, MUSIC DIRECTOR

SEASON 2023-24

TICKETS:

Single Tickets: starting at $25 Contact our box office today!

561-281-0145

boxoffice@palmbeachsymphony.org All concerts will take place in Dreyfoos Hall at the Kravis Center for the Performing Arts.

Merrily We Roll Along Delray Beach Playhouse, March 22 to April 7, delraybeachplayhouse.com, 561.272.1281 Death of a Salesman Palm Beach Dramaworks, West Palm Beach, March 29 to April 14, palmbeachdramaworks. org, 561.514.4042

MUSIC AND DANCE Trio Reimagined: Benjamin Beilman, Araud Sussman, Edward Arron Presented by the Chamber Music Society of Palm Beach, Church of Bethesda-by-the-Sea, Palm Beach, Jan. 11, cmspb.org, 561.379.6773

PINCHAS ZUKERMAN

January 15 at 7:30pm

EMANUEL AX

March 6 at 7:00pm

Beethoven Festival III The Society of the Four Arts, Palm Beach, Jan. 14, fourarts.org, 561.655.7226 Jazz and Gospel in the Gardens Ann Norton Sculpture Gardens, West Palm Beach, Jan. 14 (also Feb. 11 and March 10), ansg.org, 561.832.5238

VLADIMIR FELTSMAN

February 5 at 7:30pm

IGNAT SOLZHENITSYN

April 25 at 7:30pm

700 S. Dixie Highway, Suite 100, West Palm Beach, FL 33401 Box Office: 561.281.0145 | @pbsymphony | palmbeachsymphony.org

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Palm Beach Symphony with Pinchas Zukerman Kravis Center, West Palm Beach, Jan. 15, palmbeachsymphony.org, 561.281.0145 Complexions Contemporary Ballet Duncan Theatre, Lake Worth Beach, Jan. 1920, duncantheatre.org, 561.868.3309

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Hip-Hop Orchestra Experience Kravis Center, West Palm Beach, Jan. 20, kravis.org, 561.832.7469

Aaron Kula and Klezmer Co. Jazz Orchestra Levis JCC Sandler Center, Boca Raton, Jan. 29 (also Feb. 25), levisjcc.org/culture, 561.558.2520

Palm Beach Symphony with Vladimir Feltsman Kravis Center, West Palm Beach, Feb. 5, palmbeachsymphony.org, 561.281.0145

Greg Negbaur: Jazz, Blues, and American Roots Levis JCC Sandler Center, Boca Raton, Jan. 21, levisjcc.org/culture, 561.558.2520

Bodytraffic Duncan Theatre, Lake Worth Beach, Feb. 2-3, duncantheatre.org, 561.868.3309

2024 Music Series Flagler Museum, Palm Beach, Feb. 6 (also Feb. 13, 20, 27, and March 5), flaglermuseum. us, 561.655.2833

The Symphonia: Distant Lands Countess de Hoernle Theatre at Spanish River High School, Boca Raton, Jan. 21, thesymphonia.org, 561.414.5266

Miami City Ballet in The Palm Beaches: Program Two Kravis Center, West Palm Beach, Feb. 3-4, miamicityballet.org, 305.929.7010

Michael Feinstein: Big Band Blast Kravis Center, West Palm Beach, Feb. 7, kravis.org, 561.832.7469

Beatles on the Beach Amphitheatre at Old School Square, Delray Beach, Jan. 24-28, beatlesonthebeach.com

Philharmonia No. 4 Lynn University, Boca Raton, Feb. 3-4, events. lynn.edu, 561.237.9000

Metropolitan Opera Lindemann Artists The Society of the Four Arts, Palm Beach, Feb. 9, fourarts.org, 561.655.7226

Pianist Jeremy Denk The Society of the Four Arts, Palm Beach, Jan. 24, fourarts.org, 561.655.7226

Tom Glynn in American Tune Arts Garage, Delray Beach, Feb. 3, artsgarage.org, 561.450.6357

ArgenTenors Levis JCC Sandler Center, Boca Raton, Feb. 11, levisjcc.org/culture, 561.558.2520

Palm Beach Opera: Tosca Kravis Center, West Palm Beach, Jan. 26-28, pbopera.org, 561.833.7888

Calidore String Quartet The Society of the Four Arts, Palm Beach, Feb. 4, fourarts.org, 561.655.7226

Sounds of Soul Duncan Theatre, Lake Worth Beach, Feb. 12, duncantheatre.org, 561.868.3309

373 Tequesta Drive, Tequesta, FL 561-746-3101 • LighthouseArts.org

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SCENE David Foster, Katharine McPhee, and Leann Rimes Kravis Center, West Palm Beach, Feb. 16, kravis.org, 561.832.7469 John Primer Arts Garage, Delray Beach, Feb. 17, artsgarage.org, 561.450.6357 Piano Virtuosos: Juho Pohjonen and Wu Qian Presented by the Chamber Music Society of Palm Beach, Norton Museum of Art, West Palm Beach, Feb. 22, cmspb.org, 561.379.6773

Robert Sharon Chorale Spring Concert DeSantis Family Chapel, Palm Beach Atlantic University, West Palm Beach, March 13, therobertsharonchorale.com Cece Teneal: Divas of Soul Arts Garage, Delray Beach, March 15-16, artsgarage.org, 561.450.6357

Ballet Palm Beach: Romeo and Juliet Kravis Center, West Palm Beach, Feb. 24-25, kravis.org, 561.832.7469

The Symphonia: Europe’s Shores Countess de Hoernle Theatre at Spanish River High School, Boca Raton, March 17, thesymphonia.org, 561.414.5266

Natural Movers Foundation: A Celebration of Black History and Culture Through Dance Kravis Center, West Palm Beach, Feb. 24, naturalmovers.org, 561.331.1237

Miami City Ballet in The Palm Beaches: Program Three Kravis Center, West Palm Beach, March 23-24, miamicityballet.org, 305.929.7010

Ari Axelrod Levis JCC Sandler Center, Boca Raton, Feb. 28-29, levisjcc.org/culture, 561.558.2520

SPECIAL EVENTS

Palm Beach Opera: The Tales of Hoffmann Kravis Center, West Palm Beach, March 1-3, pbopera.org, 561.833.7888 Copeland Davis Arts Garage, Delray Beach, March 2, artsgarage.org, 561.450.6357 Escher String Quartet The Society of the Four Arts, Palm Beach, March 6, fourarts.org, 561.655.7226 Palm Beach Symphony with Emanuel Ax Kravis Center, West Palm Beach, March 6, palmbeachsymphony.org, 561.281.0145 Vocal Radiance: Sasha Cooke and John Churchwell Presented by the Chamber Music Society of Palm Beach, Church of Bethesda-bythe-Sea, Palm Beach, March 7, cmspb.org, 561.379.6773

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Step Afrika Kravis Center, West Palm Beach, March 11-12, kravis.org, 561.832.7469

Culture & Cocktails The Ben, West Palm Beach, Jan. 8 (also Feb. 5), palmbeachculture.com, 561.471.2901 South Florida Fair South Florida Fairgrounds, West Palm Beach, Jan. 12-28, southfloridafair.com, 561.793.0333 Culture Talks Cultural Council for Palm Beach County, Lake Worth Beach, Jan. 13 (also Jan. 20, Feb. 3, and Feb. 24), palmbeachculture.com, 561.471.2901 Downtown Delray Beach Festival of the Arts Atlantic Avenue, Delray Beach, Jan. 13-14, artfestival.com, 561.746.6615 Martin Luther King Jr. Brunch Indian Spring Country Club, Boynton Beach, Jan. 15, spadymuseum.org, 561.279.8883 Traditional Colored Town Bus Tour Spady Cultural Heritage Museum, Delray Beach, Jan. 16, spadymuseum.org, 561.279.8883

Black Angels Over Tuskegee Arts Garage, Delray Beach, March 10, artsgarage.org, 561.450.6357

Boca Fest 5150 Town Center Circle, Boca Raton, Jan. 20-21, artfestival.com, 561.746.6615

Jazz at Lincoln Center: Sing and Swing Duncan Theatre, Lake Worth Beach, March 11, duncantheatre.org, 561.868.3309

Sacred Arts Tour Mounts Botanical Garden, West Palm Beach, Jan. 21-27, mounts.org, 561.233.1757

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DOREEN POREBA

THE SOUTH FLORIDA FAIR RETURNS JANUARY 12-28.

Art Palm Beach Palm Beach County Convention Center, West Palm Beach, Jan. 24-28, artpalmbeach.com

Mardi Gras Meyer Amphitheatre, West Palm Beach, Feb. 17, downtownwpb.com/mardigras

First Saturdays Art Walks The Peach, West Palm Beach, Feb. 3 (also March 2), thepeachwpb.com, 561.532.0900

Boca International Jewish Film Festival Various locations in Boca Raton and Delray Beach, Feb. 25 to March 17, jfilmboca.org, 561.235.2403

Celebrating Black History: Unity and Community Richard and Pat Johnson Palm Beach County History Museum, West Palm Beach, Feb. 8, pbchistory.org, 561.832.4164 Judy Levis Krug Boca Raton Jewish Film Festival Various locations in Boca Raton and Delray Beach, Feb. 10 to March 4, levisjcc.org/filmfestival African American Film Festival Kravis Center, West Palm Beach, Feb. 15-18, kravis.org, 561.832.7469 Open House Armory Art Center, West Palm Beach, Feb. 15, armoryart.org, 561.832.1776 The Palm Beach Show Palm Beach County Convention Center, West Palm Beach, Feb. 15-20, palmbeachshow.com, 561.822.5440; Fine Craft Show, Feb. 16-18, palmbeachfinecraft.com Black History Youth Awareness Art Festival Spady Cultural Heritage Museum, Delray Beach, Feb. 16, spadymuseum.org, 561.279.8883 ArtiGras Gardens North County District Park, Palm Beach Gardens, Feb. 17-18, artigras.org, 561.746.7111

Donald M. Ephraim Sun & Stars International Film Festival presented by MorseLife Kravis Center, West Palm Beach, and Paragon Theatres, Delray Beach, Feb. 27 to March 10, sasiff.org, 561.867.4138 Festival of the Arts Boca Mizner Park Amphitheater, Boca Raton, March 1-10, festivalboca.org, 561.757.4762 Plein Air Festival Lighthouse ArtCenter, Tequesta, March 3-9, lighthousearts.org, 561.746.3101 ArtFest by the Sea 14200 U.S. Hwy. 1, Juno Beach, March 9-10, artfestbythesea.com, 561.746.7111 Palm Beach Book Festival at FAU Florida Atlantic University, Boca Raton, March 15, fauevents.com, 561.297.6124

For more information SCAN QR CODE

visit spadymuseum.com 561-279-8883 I info@spadymuseum.org

Palm Beach Modern + Contemporary Palm Beach County Convention Center, West Palm Beach, March 21-24, artpbfair.com Women’s History Initiative Richard and Pat Johnson Palm Beach County History Museum, West Palm Beach, March 27, pbchistory.org, 561.832.4164

Sponsored in part by the Board of County Commissioners, the Tourist Development Council and the Cultural Council of Palm Beach County.

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For over 100 years, Cummings & Lockwood has been building meaningful and lasting relationships with our private clients, their family offices, businesses and charitable entities, serving as trusted advisors throughout their lifetimes and providing sophisticated legal counsel at every important stage of their lives.

Our core services include: ■ Estate planning and administration

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For a private consultation, please contact our Palm Beach Gardens office at 561.214.8500.

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BPB - Romeo, Peter, Gala 3.75 x 4.75.pdf

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11/21/23

12:12 AM

April 20-21, 2024

All performances at the Kravis Center for the Performing Arts

For tickets visit balletpalmbeach.org or call 561.832.7469 or 800.572.8471

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GALLERIES

INFLECTION POINT For a self-taught artist who has only been painting for four years, an offer to exhibit at one of Palm Beach County’s biggest art shows is a Cinderella moment. That’s exactly what happened to Aphrodite Lutz, who began painting in 2019 as an outlet after a period of transition in her life. Steidel Contemporary gallery saw her work on the Cultural Council’s artist directory and offered to represent her at The Palm Beach Show, taking place at the Palm Beach County Convention Center in West Palm Beach February 1520. Lutz is creating eight new large-scale paintings to show, all exhibiting her signature style of geometric shapes and vibrant colors.

“I have always been drawn to expressing myself with bold contrasts—shapes, circles, and lines, and all their intersections,” she says. “I think that’s what captivated [Steidel].”

Lutz defines her aesthetic as “whimsical yet precise,” and her paintings are characterized by three gesso dots in the manner of a thought bubble. The dots, she says, signal a progression to whatever comes next—for Lutz, that means the conWORKS BY APHROtinual evolution of her creative process. Though she’s grown vastly DITE LUTZ, MADE FOR THE PALM as an artist, a deceptive simplicity has always marked her work.

BEACH SHOW, “Whether it’s something abstract or more representational, I CLOCKWISE FROM TOP LEFT: THE like to make it look simple, yet to have layers of complexity,” she JUGGLER; says. “That’s how I am as a person as well.” steidelcontemporary.

XYLOPHONE; com, 561.283.2446 —Daphne Nikolopoulos LOLLIPOP TREE. art&culture

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GALLERIES

PALM BEACH ARTIST COLLECTIVE SUPPORTS, FEATURES, AND SELLS ORIGINAL WORKS BY ESTABLISHED AND EMERGING SOUTH FLORIDA ARTISTS, INCLUDING CÔTE D’AZUR BY LIZA KAW (LEFT) AND THE VIEW FROM THE DECK BY VIG MAYOL (ABOVE).

z BIPOC OR WOMEN OWNED OR OPERATED z SHOWING PALM BEACH COUNTY ARTISTS

PALM BEACH ACQUAVELLA In its 100-year history, New York–based Acquavella has provided international collectors and museums with works from old masters through to the nineteenth, twentieth, and twenty-first centuries. 340 Royal Poinciana Way Suite M309, acquavellagalleries.com, 561.283.3415

artists and twentieth-century masters. 244 Worth Ave., benbrownfinearts.com, 561.366.9985 BRINTZ GALLERY Founded in 2014, Brintz exhibits and promotes established, mid-career, and emerging artists, with a focus toward painting and sculpture. 375 S. County Road, brintzgallery.com, 561.469.7771 CONTESSA GALLERY With a mission grounded in passion, integrity, and education, Contessa Gallery aims to help its patrons develop meaningful collections. 216 Sunset Ave., contessagallery.com, 216.956.2825

ADELSON GALLERIES Adelson Galleries is a family-run enterprise that showcases living artists with strong aesthetic, technical, and academic merit. 318 Worth Ave., adelsongalleries.com, 561.720.2079

z DTR MODERN DTR Modern has strong relationships with some of today’s modern masters and showcases works by blue-chip artists from the last 100 years. 408 Hibiscus Ave., dtrmodern.com, 561.366.9387

AKTION ART Run by Nick Hissom and Kameron Ramirez, Aktion Art offers gallery, advisory, and dealer services. Hissom and Ramirez also foster the work of emerging artists.

150 Worth Ave. Suite 224, aktionart.com

EDWARD AND DEBORAH POLLACK FINE ART The Pollacks specialize in important Floridian and other tropical paintings created between 1850 and 1980. 205 Worth Ave. Suite 202, edwardanddeborahpollack.com, 561.655.1425

BEN BROWN FINE ARTS This London transplant presents curated selections of works by gallery

EVEY FINE ART Established in 2019, Evey Fine Art carries a diverse portfolio of investment

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art as well as creations by emerging talent from Latin America and Europe. 24o S. County Road, artevey.com, 561.675.0208 FINDLAY GALLERIES Findlay Galleries represents more than 100 artists and artist estates, presenting bimonthly exhibitions featuring works from a wide range of styles. 165 Worth Ave., findlaygalleries.com, 561.655.2090 GALERIA OF SCULPTURE Peruse museumquality art glass by American and European artists, including unique furniture pieces. 11 Via Parigi, galeriaofsculpture.com, 561.659.7557 z GALLERY BIBA Paintings, sculptures, and works on paper by modern and contemporary masters abound at Gallery Biba. 224A Worth Ave., gallerybiba.com, 561.651.1371 z GAVLAK This contemporary gallery focuses on the representation of women, LGBTQ+, and BIPOC artists. 340 Royal Poinciana Way Suite M334, gavlakgallery.com, 561.833.0583 z HOLDEN LUNTZ GALLERY Holden Luntz exists to acquire and present the work of significant photographers who are defining or expanding the parameters of photography,

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as well as images by such iconic pioneers as Diane Arbus, Berenice Abbott, Horst P. Horst, and Robert Mapplethorpe. 332 Worth Ave., holdenluntz.com, 561.805.9550 ODITTO GALLERY The fully hybrid Oditto Gallery offers digital certificates with every piece of art purchased. 139 N. County Road Suite 11, odittogallery.io, 561.490.3221 PROVIDENT FINE ART Provident Fine Art is highly regarded for its expertise in nineteenth- and twentieth-century French and American impressionism, post-impressionism, modern, and contemporary art. 125 Worth Ave., providentfineart.com, 561.249.7929 z ROSENBAUM CONTEMPORARY Rosenbaum Contemporary features a nationally recognized, museum-caliber exhibition program of Post-War, modern, and contemporary masters in all mediums. Main gallery: Boca Raton. 2 Via Parigi, rosenbaumcontemporary.com, 561.994.9180 (more locations online) z RUSSECK GALLERY Russeck Gallery specializes in paintings, sculptures, and works on paper by twentieth-century artists, as well as paintings and sculptures of the late nineteenthand early twentieth-century American West. 203 Worth Ave., russeckgalleries.com, 561.832.4811 z SAMUEL OWEN GALLERY Samuel Owen Gallery represents contemporary artists who reflect upon the twentieth- and twenty-firstcentury zeitgeist. Its roster includes South Florida–based artists as well as Palm Beach artist Cayla Birk. 253 Royal Poinciana Way, samuelowen.com, 561.249.1876 SOTHEBY’S PALM BEACH Sotheby’s carries an array of luxury goods, from fine art to fine jewelry and automobiles. 50 Cocoanut Row Suite S101, sothebys.com/palmbeach, 561.710.8830

WEST PALM BEACH z z ARTPRENEURS GALLERY This artist-run gallery aims to merge business, community, and creativity. 408 Northwood Road, artpreneursgallery.com, 561.206.4024 z z THE BOX GALLERY Artist Rolando Chang Barrero’s gallery is also a hub for local, national, and international artists and cultural events. 809 Belvedere Road, theboxgallery.info, 786.521.1199 z JF GALLERY This contemporary art gallery provides framing services and exhibits new works by lauded painters and sculptors. 3901 S. Dixie Hwy., jfgallery.com, 561.478.8281

FROM FEBRUARY 8-29, ROSENBAUM CONTEMPORARY ON PALM BEACH WILL DISPLAY DANIELLE KOSANN: A DIVINE COMEDY, INCLUSIVE OF KOSANN’S PAINTING ENTITLED HIGH HORSE (ABOVE).

z MARY WOERNER FINE ARTS In addition to personal collection services, Mary Woerner sells contemporary paintings, drawings, sculptures, objects, mixed media, and graphics. 3700 S. Dixie Hwy. #7, marywoernerfinearts.com, 561.832.3233 z PALM BEACH ARTIST COLLECTIVE Shop works by Florida artists online or by appointment at the gallery inside Studio 1608. 1608 S. Dixie Hwy., palmbeach.artistcollectives.org, 415.990.2220 z THE PEACH Discover local creatives at this art collective, which often hosts open studios, workshops, and special events. 3950 Georgia Ave., thepeachwpb.com, 561.532.0900 TW FINE ART Presenting thought-provoking projects and emerging, mid-career, and historically significant artists on a global scale.

2412 Florida Ave., tw-fineart.com, 561.331.8972

PALM BEACH GARDENS

z SUROVEK GALLERY Surovek Gallery offers American paintings, drawings, watercolors, and prints from the nineteenth and twentieth centuries. 349 Worth Ave. 8 Via Parigi, surovekgallery.com, 561.832.0422

CALL OF AFRICA’S NATIVE VISIONS GALLERIES Native Visions specializes in works by internationally acclaimed environmental and wildlife artists. 4600 PGA Blvd. Suite 105, nativevisions.com, 561.741.1600

TAGLIALATELLA GALLERIES This international gallery specializes in Pop and street art movements. 313 1/2 Worth Ave., taglialatellagalleries.com, 561.833.4700

ONESSIMO FINE ART Showing fine art, sculpture, and glass from old and modern masters.

4530 PGA Blvd. Suite 101, onessimofineart.com, 561.355.8061 (more locations online)

z STUDIO E GALLERY A must-visit for collectors wanting to discover a not-yet-famous talent or an internationally known artist. 4600 PGA Blvd. Suite 101, studioegallery.com, 561.799.3333

JUPITER/TEQUESTA z LIGHTHOUSE ARTCENTER GALLERY & SCHOOL OF ART The Lighthouse ArtCenter boasts a gallery that features curated exhibitions centered around works by local, national, and international artists. 373 Tequesta Drive, lighthousearts.org, 561.746.3101 z MAC ART GALLERIES MAC Art Galleries offers a diverse collection and provides personalized guidance and in-home showings to clients. 4601 Military Trail Unit 101, macfineart. com, 561.429.4829 (more locations online) z THE VILLAGE ART STUDIOS This hidden gem has championed and sold the original works of local artists for 10 years. 578 N. U.S. Hwy. 1, instagram.com/thevillageartstudios, 561.310.8499

LAKE WORTH BEACH z CULTURAL COUNCIL FOR PALM BEACH COUNTY The Cultural Council’s Lake Worth Beach headquarters is home to three gallery spaces (the main gallery, solo gallery, and north gallery), all dedicated to celebrating and showcasing works by Palm Beach County artists. 601 Lake Ave., palmbeachculture.com, 561.471.2901 art&culture

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GALLERIES z z MTN SPACE In addition to exhibitions, this artist-owned gallery offers curation, collection development, and art rental services. 502 Lake Ave., mtnspace.com, 561.285.4883 z PALM BEACH ART, ANTIQUE & DESIGN SHOWROOM This arts hub displays fine art and design objects from an array of international and national galleries. 500 N. Dixie Hwy., palmbeachdesignshowroom. com, 561.229.0046 z STEIDEL CONTEMPORARY Known for sculptural objects and emerging international collections, Steidel Contemporary hosts exhibitions showcasing mixedmedia makers, ceramists, and glass artists. 500 N. Dixie Hwy. Suite 305, steidelcontemporary.com, 561.283.2446

DELRAY BEACH z ADDISON GALLERY This contemporary art gallery represents established and emerging artists whose work the gallery describes as innovative, passionate, and uplifting. 206 N.E. 2nd St., addisongallery.com, 561.278.5700 z z AMANDA JAMES GALLERY This boutique gallery is run by a husband-and-wife team of artists, James Knill and Amanda Johnson. 400 Gulfstream Blvd. #7, amandajamesgallery.com, 561.270.7832 z ARTS WAREHOUSE This arts incubator also holds exhibitions where patrons can discover new works by the artists who create within the warehouse and others. 313 N.E. 3rd St., artswarehouse.org, 561.330.9614 BLUE GALLERY At two locations, Blue Gallery displays heavy hitters in contemporary art. 600 E. Atlantic Ave., 616 E. Atlantic Ave., bluefineart. com, 561.265.0020, 561.562.5390 z DEBILZAN GALLERIES Artist William DeBilzan creates both paintings and sculptures featuring elongated figures, engaging textures, and a rich 62

color palette. 38 E. Atlantic Ave., debilzan.com, 561.266.2090 FORD FINE ART Visit Ford Fine Art for a snapshot of the best in Latin American art. 260 N.E. 5th Ave., fordfineart.com, 561.243.0630 z THE HEART OF DELRAY GALLERY Featuring works by more than 90 artists, including some who call Delray Beach home. 301 N.E. 2nd Ave., theheartofdelraygallery.com, 561.278.0074 z JOHN SCHUYLER GALLERY At his gallery, John Schuyler displays his ethereal abstract landscapes and paintings. 200 N.E. 2nd Ave. Suite 101, johnschuyler.com, 561.330.4615 z z MAGNUS & GORDON GALLERY This gallery features work

by South Florida artists Brenda Gordon and Magnus Sebastian. 354 N.E. 4th St. Unit C, magnusandgordongallery.com, 561.212.6714 POSH ART GALLERY This 4,000-square-foot gallery is home to a roster of more than 55 contemporary artists. 9089 W. Atlantic Ave. Suite 104, poshdesignstudio.net, 561.591.3680

BOCA RATON z SPONDER GALLERY With a focus on Post-War paintings, sculpture, and photography, this gallery provides support in all aspects of collecting.

The Boca Raton, 501 E. Camino Real, spondergallery.com, 561.241.3050 z VERTU FINE ART This gallery boasts Pop, abstract expressionism, and optical art as well as photography.

5250 Town Center Circle Suite 128, vertufineart.com, 561.368.4680 WENTWORTH GALLERY With locations across the East Coast, Wentworth Gallery features works by some of the world’s most acclaimed artists. 6000 Glades Road #1089, wentworthgallery.com, 561.338.0804

“A CANVAS OF ONE’S OWN” COLLAGE CREDITS Design by Diana Ramirez.

Top half, from left: detail of Suzie, Bahama Beach Club, Portland, Maine (1996), Melonie Bennett, part of Presence: The Photography Collection of Judy Glickman Lauder at Norton Museum of Art, courtesy of Portland Museum of Art, Maine, ©Melonie Bennett; Living on a Thin Line, Sarah E. Huang, part of Pink Waves, photo by Jordan Baum; detail of Vida (2022) and Clouds Over Red Field (2021), Nora Maité Nieves, both part of Clouds in the Expanded Field at Norton Museum of Art, photos by Daniel Terna; Véronique Chagnon-Burke, guest curator of She. Her. Hers. at Cultural Council for Palm Beach County; detail of Consolation (2022), Julie Evans, on display at Boca Raton Museum of Art June 12 to October 20, photo courtesy of the artist; Nora Maité Nieves (2023), photo by Max Burkhalter, courtesy of Jason Haam Gallery; Peggy Guggenheim, Wikimedia Commons; detail of American Gothic (Portrait of Ella Watson), Washington, DC (1942), Gordon Parks, part of Presence: The Photography Collection of Judy Glickman Lauder at Norton Museum of Art, courtesy of Portland Museum of Art, Maine, and courtesy of and ©The Gordon Parks Foundation; Untitled (2022), Ruth Duckworth, part of The Divine Feminine: Contemporary Women Sculptors at Ann Norton Sculpture Gardens, courtesy of the artist and Thea Burger. Bottom half, from left: Pink Waves opening, photo by Van Richardson; Deity (2022), Judy Chicago, part of The Divine Feminine: Contemporary Women Sculptors at Ann Norton Sculpture Gardens, courtesy of the artist, Salon94, and Jeffrey Deitch/Artists Rights Society (ARS), New York; Often a Bird (2023), Arlene Shechet, part of The Divine Feminine: Contemporary Women Sculptors at Ann Norton Sculpture Gardens, courtesy of the artist and Pace Gallery; Sarah Gavlak, photo by Olivia Alonso Gough; red hen [impossible standard], Autumn Kioti Horne, in Songs of Freedom, curated by Art in Flux, Harlem, part of She. Her. Hers. at Cultural Council for Palm Beach County; Yurn (2022), Julie Evans, on display at Boca Raton Museum of Art June 12 to October 20, photo courtesy of the artist; Lola I (Sweet Tea), Laura Tanner, part of She. Her. Hers. at Cultural Council for Palm Beach County; Gaby Viteri, photo by Jordan Baum; detail of Garden of Eden (2023), Nora Maité Nieves, part of Clouds in the Expanded Field at Norton Museum of Art, photo by Daniel Terna; Abby Rockefeller, Library of Congress; detail of Louise Weinstein Ellis (1938), Irving Bennett Ellis, part of Presence: The Photography Collection of Judy Glickman Lauder at Norton Museum of Art, courtesy of Portland Museum of Art, Maine, ©Judy Glickman Lauder Collection; Ciclo Lunar (2021), Nora Maité Nieves, part of Clouds in the Expanded Field at Norton Museum of Art, photo by Daniel Terna.

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LENS

EDRICK BARNES, DEBBIE CALABRIA, DURWOOD YOUNG

JACEK GANCARZ

SAMANTHA WILKINS, ROMILY WOTRING

DAVE LAWRENCE, DR. SETH BERNSTEIN, PHILLIP EDWARDS

OPENING RECEPTION FOR WHIMSY & WONDER Launching a new season of exhibitions with artists and art fans Cultural Council for Palm Beach County, Lake Worth Beach November 16, 2023

CHERYL CROWLEY, DARYN KIRCHFELD

ELLEN LIMAN

CHRISTOPHER CANELES, STEPHEN NESBITT

ALEXANDRA ALFRED, PHYLLISIA ROSS, MATT VORZIMER, MUMBI O’BRIEN

JACEK GANCARZ

GIL AND DENISE RIVAS, SHERRY AND TOM BARRAT

AIFP SHOWCASE The Cultural Council’s 2022 Artist Innovation Fellows (from left) Carin Wagner, Elizabeth Dimon, Shanique Scott, Yvette Norwood-Tiger, Kianga Jinaki, and Henriett Michel at the showcase event in June. The Council will announce a new round of 2024 Fellows at An A-MUSE-ing Evening on March 7 at The Hangar.

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FINALE

“You may leave the islands, but they never leave you,” says artist Sonya Sanchez Arias, a sixthgeneration Trinidadian who now resides in Palm Beach County.

Growing up in Trinidad, she embraced art as a child. Her mother, who was also an artist, encouraged her to create and would often take her on walks in the forest or on the beach to collect objects—shells, seas, pods, leaves— to incorporate into new works.

“One of the threads that runs through all of my art is recycled materials and found objects, and my mom really taught me that,” she says. “[She] trained me from an early age to look for beauty in unusual objects and to see the potential to transform them into other things.”

Sanchez Arias’ Caribbean heritage and passion for transforming materials are potent themes in her latest solo exhibition, Then and Now (something old – something new), on display at the Cultural Council for Palm Beach County in Lake Worth Beach January 26 to March 9. The show encompasses the various genres that she works in—mixed media, digital art, portraiture, jewelry—and is her way of honoring her ancestors and celebrating the diversity and beauty of her homeland.

Some of the featured works are multilayered and include numerous found objects. The Journey, for example, is a miniature boat crafted from hand-carved wood salvaged from an actual boat, with sails made from maps. In the center, Sanchez Arias used old letterpress letters to spell out “I am a hybrid, I am Caribbean,” a line from a poem by Peter Minshall. The piece also boasts an accompanying book filled with vintage photographs.

“I love to make art where people feel they need to come back and look at it, [art] that opens up questions or memories from your childhood or upbringing,” Sanchez Arias explains. “Connection is an artist’s ultimate goal.” sonyasanchezarias.com —Mary Murray 64

SONYA SANCHEZ ARIAS

PAST, PRESENT, AND FUTURE

SONYA SANCHEZ ARIAS MADE THE JOURNEY USING RECYCLED MATERIALS AND FOUND OBJECTS.

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