Adam Wiseman works by Patricia Conde Galeria

ADAM WISEMAN

“Estación Buenavista” series 2015 80 x 112 cm Digital Print on cotton paper

“Estación Buenavista” series 9 pieces 2015 18 x 27 cm Digital Print on cotton paper *Selección bienal Oaxaca 2016

“Casa castillo“ “Polyarquitectura Mexicana” series 2016 80 x 106 cm Digital Print on cotton paper Ed. 1/4

“Polyarquitectura Mexicana” series 2016 80 x 106 cm Digital Print on cotton paper Ed. 1/4

â&#x20AC;&#x153;Arquitectura libreâ&#x20AC;? series 2016 80 x 106 cm Digital Print on cotton paper Ed. 1/4

“Ovni (Museo de Arte Moderno) “Arquitectura libre” series 2016 80 x 106 cm Digital Print on cotton paper Ed. 1/4

“Cabeza de Juarez, Ciudad Nezahualcoyotl” “Arquitectura libre” series 2015 Digital Print on cotton paper 115 x 156 cm Ed. 4 + 2 AP

â&#x20AC;&#x153;Tlatelolco Desmentidoâ&#x20AC;? series 2014 Digital Print on cotton paper 75 x 50 cm

â&#x20AC;&#x153;Tlatelolco Desmentidoâ&#x20AC;? series 2014 Digital Print on cotton paper 36 x 100 cm

â&#x20AC;&#x153;Not Close Enoughâ&#x20AC;? series 2009-2012 Digital Print on cotton paper 60 x 60 cm

â&#x20AC;&#x153;Factory Wallsâ&#x20AC;? series 2013 Digital Print on cotton paper 93 x 120 cm

Adam Wiseman México, 1970. El trabajo de Adam Wiseman se caracteriza por su mirada limpia y minimalista frente a lo urbano. Su lente adopta la estética “dead pan” cuestionando las proporciones y dimensiones del espacio de una manera excepcional. Su trabajo editorial es inseparable del personal en donde los personajes principales de su fotografía son la gente, el tráfico, los edificios, los espectaculares y el movimiento de la ciudad. En concreto, la materia prima de su trabajo es la vida cotidiana. En su mas de 20 año s de carrera el trabajo de Wiseman se ha publicado en revistas como Le Monde, Paris Match, New York Times, T Magazine, Rolling Stone, Time Magazine, The Telegraph Magazine y la National Geographic, así como en los periódicos The New York Times, Wall Street Journal, The Observer Magazine y The Guardian. En los últimos años su trabajo se ha convertido en una exploración del lenguaje fotográfico documental y los cambios que vive actualmente que se enfocan en retar la estructura formal del documentalismo y lograr las metas de la objetividad a través de la incorporación de los procesos como parte de la factura final. Es decir lograr la objetividad a través de la intersubjetividad. El trabajo de Wiseman ha sido exhibido en España, Estados Unidos, Francia, Japón, México, Argentina, Venezuela y Suiza, y cuenta con obra en la Colección Schöepflin Stiftung en Alemania; la colección permanente del Smithsonian Institute en Washington D.C; el Museum of Fine Arts Houston; el 9/11 Memorial en Nueva York; el World Bank, cede México; la Colección Coppel, México; Colección Banamex, Mexico; el Museum of Fine Arts Houston, Texas.

Adam Wiseman Born in Mexico City in 1970, Wiseman has lived in Mexico, NY, Scotland and Brazil. He has a BA from NYU in Ethnographic Film (1992) and completed the Documentary Program at the International Center of Photography in NY (1996). After living in NY for 13 years working as a freelance photographer and as fine printer for the Magnum photo agency, Wiseman returned to Mexico City in 2001. Selected for the XVI Bienal de la Fotografía in 2014 he is also the recipient of Mexico’s prestigious Endowment Of the Arts SNCA/FONCA fellowship (2012-2015). A Photolucida Critical Mass top 50 (2012), recipient of the Best of Show Award in the 2012 from the Photo Review Competition, selected as a PhotoEspaña Visionary and a Prix Pictet nominee in 2013. His work has been featured in LENSCRATCH, Fototazo, Developtube, Porcupine, LATAM and F-Stop Magazines. Wiseman´s personal work challenges the traditional format of documentary photography primarily the idea of persuing objectivity with an intrinsically subjective medium. His recent projects “Moving Portraits” (2013), “Moving Stills” (2015) and “Tlatelolco Disproved” (2014) are examples of how the processes can be integrated into the final presentation of a project to create an honest representation through subjectivity and transparency. He continues to work as a freelance editorial photographer with recent commissions from magazines such as Wallpaper, Rolling Stone, Metropolis, Frieze, Domus, The New York Times, Time Magazine, Los Angeles Times Magazine, Wall Street Journal, Mens Journal, El Mundo, Le Monde, Monocle, The Telegraph Magazine, ESPN Magazine, The Guardian, Colors Magazine, National Geographic Traveler, National Geographic, and Paris Match among others. His work has also been published in the books; ¨Harvard Design School Guide to Shopping¨ Rem Koolhaas/Tashen, ¨New York September 11 by Magnum Photographers¨ Powerhouse books, ¨Mutations¨ Actar, and “The Endless City” Phaidon/London School of Economics. His personal work has been published in: “El Super” and “Sonora Magic Market” both by Editorial RM, and “Area Conurbada” by Edition One Books. Wiseman´s work has been exhibited in the US, Switzerland, Spain, Mexico, Japan, Argentina, Venezuela, and at the 2006 Venice Architecture Biennal. His work is in the permanent collections of the Smithsonian Institute in Washington D.C., in the 9/11 Memorial in NY, the Coppel Collection, The World Bank, The Museum of Fine Arts Houston, as well as a number of private collections. Wiseman currently works as an independent fine art and documentary photographer in Mexico City and is represented by the Patricia Conde Gallery.

General Juan Cano #68 San Miguel Chapultepec MĂŠxico, DF + 52 (55) 5290-6345 / 46 info@patriciacondegaleria.com