Thesis 07: Coburg's Harmony by Phanthep.th

Thesis Studio 7: Uncommon-Unity

Coburg’s Harmony

An approach to create a creative community infrastructure for hybrid learning while coexisting with the cities redevelopment structure plan.

Phanthep Thiengthamcharoen 1147847 ABPL90169

Table of Content Introduction Since the pandemic, social interactions have changed drastically, and space became more isolated for people. The project redefines what future spaces will provide to responds to the regulations that keep people isolated from their community and adapt to the situation from the locals’ area. The focus of this project is to look into the less known community where are practices are kept within local communities and how to encourage these groups to share to the community and grow into an artistic community from the various background creating harmonization of cultures through their heritage artistic expressions.

Phase 01: Thesis Design Focus Part 1: Uncommon-unity

Research Question: How to create Culture Harmony Thesis Statement: Space for Coburg Collaboration Community groups (Who?) Endangered Art and Culture Early Space Interpretation

Part 2: Coburg Proposal+ RQ for Site Response Coburg Context (People,Artists) Coburg Site Proposal: at Carpark Stripe at Russell Street Personas: Local/Non Local for Design Needs Site Vision, Artwork, Issues, Future Plans and Limitation Site Photo, S.W.O.T. Analysis of Russel Street Cast Study and Literatures for Communities

Phase 02: Concept Design Concepts for Form Making Site Entry Analysis & Initial Approach Program Relationship Diagrams Russell Street Circulation Parti Russell Street Massing Parti

Pg.4 Pg.5 Pg.6-7 Pg.8-11 Pg.12-13 Pg.16-23 Pg.24-25 Pg.26-29 Pg.30-37 Pg.38-41 Pg.42-47

Pg.50-55 Pg.56-59 Pg.60-63 Pg.64-67 Pg.68-73

Un-common-Unity

The thesis explores the term Uncommon-unity, which can be reinterpret as a group of people with different lifestyle, background, but shared a similar interest whether its their career, hobby, or certain beliefs/rituals. Furthermore, they are lesser known groups within the social circles that are excluded from the norm and form their or social circle that branch out from the common community.

Acknowledgment

I would like to thank my instructors Rob Polglase, Stephanie Wan, and Tina Huynh, for the guidance and insights throughout the studio. With their feedback and advices, I was able to grasp new approach for the development of the design. Also many thanks to my studio mates who were helpful in participating on given me feedback, and share some ideas in this subject.

Phase 03: Sketch Design

Spacial Qualities Precedents Coburg Art House Mood Board Art House Programs Further Design Strategies Spacial Qualities Placement at the Coburg Art House Two Preliminary design for the Art House Plan Testing on Digital Media FurtherDesign Iterations (Plan, Sections, Isometric, Perspectives)

Phase 04: Design Refinement

Form making Sequential Diagrams Exploded Isometric + Spacial Needs for Personas Inclusive Design Precedents + Application Methods Ground Floor Plan L1-Roof Plans Facade/Material Expressions Elevation Sections Wall Sections: 1:20, ESD Russel Street View: Artisan Street Exterior Render: South West View, Russell Street Arrival Art Street, Gallery, Day/Night Library/Stage Exterior Render: South West View, Bridges Reserve Arrival Bibliography/List of Figures 3

Pg.76-77 Pg.78-79 Pg.80-81 Pg.82-83 Pg.84-85 Pg.86-87 Pg.88-89 Pg.90-103

Pg.106-119 Pg.120-121 Pg.122-123 Pg.124-125 Pg.126-127 Pg.128-129 Pg.130-131 Pg.132-133 Pg.134-135 Pg.136-137 Pg.138-139 Pg.140-141 Pg.142-143 Pg.144-145 Pg.144-153

01: Thesis Design Focus Coburg’s Re development Plan 1. More Shopping Centers 2. More Urban Village 3. Encourage Non-Locals Moving In 4. Increase In Entertainment Centers

Reconfiguration of Redevelopment

Development

Source: Moreland Planning Scheme, 2006

Fig 1. Thiengthamcharoen, Benefits and limitation of Coburg reconfiguration, 2022

Losing Sense of Local Diverse Community 1. Shut Down Art Studios 2. Invasion Of Large Scale Buildings 3. Less Cultural Events 4. Increase Price Properties 5. Less sense of ownership Source: Vice, The Changing Face of Australian Suburban Shopping Malls, 2018

Research Question How to create an inclusive space for local artist communities to create a sense of ownership, artistic expression and maintain the characteristics of Coburg, while coexisting with the reconfiguration of new buildings in Coburg.

Coburg Harmony

Development

Vision: Create an Art House for local creative communities to participate, and have a role in developing Coburg in the future.

Community Infrastructure For Local/Nonlocal participated Development

Input

Fig 2. Thiengthamcharoen, Proposal to revitalize and bring back the sense of ownership/ community back, 2022

Thesis Statement Coburg’s creative communities are losing their space to express their interest, which destroys the engagement in their local community, causing a lot of art business to shut down and local identity. New spaces should encourage self-developing skills, and collaboration (Klinenberg, E., 2018) in their interest and create income opportunities in these crucial times. Contemporary community infrastructure should be inclusive and celebrated for its multi cultural background, gender, and physical abilities and inspired to create artwork, workshop, vdo production, live performances, and community design to support their living expenses, while contributing their skills back into the community.

Creative-Community Sub Groups Examples

Uncommon Community (Shared interests)

Social Circle 3

Designer Community

Art Community (Digital/Traditional)

Plant Breeders

Social Circle 3

Medieval Sword Community

Music Community

Costume Community

Martial Art Community

Shodo Community

Pet Community

Fig 3. Thiengthamcharoen, Types of communities through share interests, 2022

Different modern Social circle Creates Smaller Communities A local community is comprised of other small groups in their social circle. These circles can share common interests that can be seen uncommon compare to other groups (Vogl,2016), which can raised some interest or misunderstanding between these smaller communities. Certain attributes can disturb other communities as well. eg. Noise, visual, certain movements, etc.

Rare Art Forms (Heritage art Forms) Furthermore, there are sub groups of people who still perform traditional art forms, which that are inherited throughout their generations. However, it is mostly practices in close environment such as families and people with similar backgrounds, and most are shown in markets, and cultural event. Their should be a platform for these endangered art forms to be brought back to the contemporary world, and still practiced and shared to their communities.

Ritual Dances

Puppet Makers

Brass Figurine Crafting

Traditional Potteries

Textile Crafts

Folk Dances

Traditional Cooking

Blacksmiths

Instrument Making

Fig 4. Thiengthamcharoen, Different types of heritage art communities, 2022

Research: Art from previous generations Endangered art forms such as craftsmanship, traditional Dances and even cooking reside within the facilities tradition and should be shared to the community. Example, ritual dances such Theyyam in india, Kabukis are considered rare performances. Most are practices in the region, which makes it more difficult to preserve and shared to the public (RTF, Arpitha S,2021). Furthermore, throughout the pandemic, most events are shutdown leaving the art form in stagnated conditions and might be difficult to revive. This can happen to other heritage art forms ass well, where it is forgotten without constant practice, and by providing spaces in the local community, artists can have spaces to practice.

This lead to creating spaces that respond to the research questions and how it can be assembled to unite these small communities with not being marginalized and felt left out. The idea is to turn these interest into an education space where it can be shared and experience with other communities. The space is a platform for revival through resources, collaboration, education, and representation to the public. Every country has its own heritage cultural background that has been lost or ignore from contemporary growth of cities and most of these art forms are practices quite within their own small communities. Some are proud, and some kept it quite to their own.

Fig 5. “Colorful dye painting – Rogan painting of Kutch in Gujarat,”n.d

Fig 6. “ Greek vase painting,” ATTIC BLACK: ΘΕΤΙΣ AUTHENTICS LTD, Penthesilea bowl | Greek vase painting in practice | The red figure technique, 2019

Fig 7. “Erhu Players,” ABC News (Australia) China embraces the piano after the instrument was destroyed by Mao | ABC News, 2022

Common Interaction During the Pandemic: Spacial Approach to adapt to the new types of interactions Minimal Pandemic

Full Physical Interaction

Low Pandemic

Semi-Physical Interaction

Full Pandemic

No Physical Interaction

Going back and forth between these situations

Pre-Pandemic Space

Partition Spaces

Isolated Space

Fig 8. Thiengthamcharoen, Space Transition During the Pandemic of Covid-19, 2022

Creating Hybrid Community Plan Provide alternative Jobs, area or artistic expression (Digital, Traditional, Heritage, Contemporary Art ) (Local design to help develop ideas eg. local infrastructure, juristic development)

Better work condition

Preservation of endangered art forms Local Community Access to Education Resourse

Why

Where Diverse population Area Less populated area Adapt to lockdowns

Proposed Community Art & Design Resourses + Leisure Center

How

What Amphitheater Multipurpose Facility Training Facility Art Studio Tech. Lab Martial Arts

Space Provide Training Space Provide Education Encourage Interaction Adaptable Space

Iconic for Attration Provide Access to Global Education Bring in professionals from Around the World Fig 9. Thiengthamcharoen, Initial Response for the Research Question, 2022

Initial Vision of Spaces

Fig 10. Thiengthamcharoen, Initial Response for the Research Question: Section 1, 2022

Fig 11. Thiengthamcharoen, Initial Response for the Research Question: Section 1 with Partition, 2022

Initial Vision of Spaces

Fig 12. Thiengthamcharoen, Initial Response for the Research Question: Section 2, 2022

Fig 13. Thiengthamcharoen, Initial Response for the Research Question: Section 2 with Partition, 2022

Part 2: Site Research & Response to Corresponding to Thesis

Fig Fig14. 12.Google GoogleEarth, Earth,Coburg CoburgMap, Map,2022 2022

500M

Site Response Coburg,City of Moreland, Vic Precinct 4

Fig 15. Near Maps, Coburg Map, 2022

Characteristics The research question respond well for the site in Coburg, which is a locality in the city of Moreland, Victoria. The reason is the diverse cultural backgrounds and the lack of contemporary facilities that embodies its cultural significances and local interests. Coburg has existing local streets and cultural events which can be more enhanced with a community creative center. The proposed space will share and educate different types of artistic expression in the forms of performances, arts and design, and multipurpose areas for various niche communities in the area. A strong local community can be formed that can provide safety, and challenge the city council when facing injustice in their service. Location 1: Precinct 4: Carpark stripe From this initial analysis, the site is located near the education facility and the council building. This will provide easy access to the facility, and connect the existing leisure center at the south, which joins main street into a larger complex. According to the COBURG PRINCIPAL ACTIVITY CENTRE,2014, it is intended to create connections with the street of Coburg.

Bohemian Nights

@schoolhousestudios, @AmaniHaydar

Second Sti

@bakersdelight

itch

The Caribbean Kings

Emma Ismawi

Jow Ga Kuen Dragon & Lion Dance Association

Inka Marka Fig 16. Instagram @Central Coburg, People of Coburg, 2022

Fig 17. Thiengthamcharoen, People of Corburg in Carnivals Collage 2012-2015, 2022

People of Coburg Local Artists The people of Coburg pay attention to creative expression through various form of art. One of the events that is shown in the Moreland City Council channel on YouTube since 2012 is the carnival, which provide a space for the local creative communities to expression themselves. Furthermore, Coburg’s local artist are interested in public art installation such as mural, sculptures, and yarn bombing.

Local Artists and Cultures in Coburg

Yarn/Sewing Club

Local Illustrators

Coburg Carnival

Turkish Band

Turkish Traditional Performances

Greek Community

Graffiti

Public art/Sculptures

African Drum Community

Fig 18. Thiengthamcharoen, Coburg’s Multicultural Communities, 2022

Coburg is a suburb and a part of the City council of Moreland, where it is a diverse place with many cultural backgrounds. The area is becoming a destination for young artists that usually practice visual arts such as graffiti, public sculptures, musician and performers usually from nearby cities such as Brunswick, and Collingwood.

Fig 19. Thiengthamcharoen, Coburg’s Activity Center Site Plan, 2022

Uncommon Non-Local Personas

Alice Chen

Baz & Helen

Age: 6 Chinese Born Artistic interests: Drawing, Violin

Age: 35,32 Australian Born :from W.Australia Artistic interests: Graphic Designers Move in because want a quite place Looking for community Safety

Move in because of her family’s new Career

Design Experience: Baz and Helen both graduate from their graphic diploma. They both work as a dual freelance designers working in their home office

Wants to make new friends Design Experience: Chen’s passionate about drawing landscapes and animals. She mainly uses color pencils and color them with markers and crayons,

Needs: They want a space larger than their house to meet clients and expand their workspace.

Needs: Chen needs a space for collaboration with other students

Daily Engagement: They usually work mainly digitally, so they are flexible to move around

Daily Engagement: Her parents will bring her to the hub for workshops with Coburgs Local artists

Design Opportunities: Larger studio and space. Their Children could study in the Primary School.

Design Opportunities: Collaboration Space with Local Illustrators. 26

Josh Davis

Saadee Khalil

Age: 25 American Born Artistic interests: Music composing

Age: 72 Lebanese Born Artistic interests: Photography

Move in because wants to discover

Unable to walk. Move in with his

new sounds. Wants to collaborate with locals

family.

Design Experience: 5 years of traveling composer. He is self taught and gain experience from friends in age group.

Design Experience: He was a war photographer, but began to start taking pictures of cityscapes. His work is shown in multiple galleries in Lebanon for his unique style of photography.

Needs: Platform for him to meet musician and perform together.

Needs: Wants to open up a camera shop

Daily Engagement: He is not a morning person, so most of the time he spends on his laptop and digitally compose the music file

Daily Engagement: At this age, Kalil wanders around his son’s house watching T.V.

Design Opportunities: A Place for him to listen to live music and collaborate with Coburg musician to gain new experience.

Design Opportunities: Space for senior citizen to interact with local residents and bring in photography art. Fig 20. Thiengthamcharoen, Non Local Personas, 2022

Uncommon Local Personas

Age: 8

Emma, Chrysta Adamos

Australian: English Heri-

Age: 45,34

tage,born with down syndrome

Australian: Greek Heritage

Artistic interests: Drawing,

Artistic interests: Sculpture,

Dancing.

Music

Exposed to diverse background

Third generation

Have groups of friends.

Opens a local restaurant

Design Experience: Brown enjoys role playing as monsters and draws a lot of dinosaurs with his friends. He is too focused on his drawing.

Design Experience: Both are trained in a fine arts academy in sculpting and sell traditional pottery to support their family. Chrysta open a local restaurant in Coburg where her child studies in the primary school.

Tim Brown

Needs: He needs a guidance to develop his skills and training to calm his temper.

Needs: A place to sell their artwork and workshop to pass on their skill.

Daily Engagement: His daily life is at the school with his friends. He spends his day drawing and playing games.

Daily Engagement: Emma work at her backyard and her partner opens a restaurant. She comes and help her later in the evening

Design Opportunities: The Uncommon Hub will bring variety of art for Brown to explore and might encourage him to explore his potential

Design Opportunities: Open a shop that is near to each other. 28

John Tang

Alfredo Bucci

Age: 27 Australian: Asian Heritage Artistic interests: Circus Performance

Age: 88 Australian: Italian Heritage Artistic interests: Painting,

Student and performance arts.

Music

Member of Coburg circus.

Enjoying retirement However, get bored easily Design Experience: Bucci loves out door painting (water color) since he was young and practice the mandolin in his spare time.

Design Experience: Tang trained in a gymnastic school when he was young and got interested in circus later in high school. He has to bike to Preston where he trains as an acrobat.

Needs: A space for him to collaborate with younger artists.

Needs: A shorter distant to travel and personal space to train independently.

Daily Engagement: He usually enjoy his day at the coffee shop in Sydney road and paint people along the street. However it is quite lonely for him sometimes and wanted a place where he can interact with people.

Daily Engagement: Tang is still studying in his masters of performance art and work part time at a super market. Some days he practice during the weekend

Design Opportunities: Collaborating space between younger generation painters. This allow him to teach as well.

Design Opportunities: Multi-purpose space that is short distance for him to use.

Fig 21. Thiengthamcharoen, Uncommon Local Personas, 2022

Site General Statistics

People: 26,285 Male: 48.4% Female: 51.6% Median age 35 Furthermore, Corbug also have high population of senior citizen

English: 17.4% Australian: 15.6% Italian: 12.8% Future Speculation: More migrations from Asian Countries

Irish: 12.8% Greek: 6%

Country of Birth(Parents) Both born Overseas: 47% Both born in Australia: 33.9% Father born overseas: 8.3% Mother born overseas: 5.3%

Coburg is rich with diverse cultural backgrounds, potential growth for creative communities. “2016 Census QuickStats: Coburg.” Accessed March 17, 2022. https://quickstats.censusdata.abs.gov.au/ census_services/getproduct/census/2016/quickstat/SSC20592. Fig 22. Thiengthamcharoen, Coburg Demographics, 2022

Vision for 2031

Environment: Renewal Energy, Passive house

Access: Moving, Pedestrian, Bicycle

Health: Physical, mental health, food, health facility

Space: Housing, public and commercial spaces

Empower: Engagement & collaboration Source: City of Moreland. (2021). Imagine Moreland, The Moreland Community Vision document Fig 23. Thiengthamcharoen, Coburg City Vision, 2022

Some Existing Community Artworks

Fig 24. Stephanie Hughes and teachers “ Russell Street Coburg – Community Art Project., 2021

Fig 25. Al Stark “Thinking of the Earth” , photograph by “colourourcity” 2016

Fig 26. EoI, Steph Hughes and Glen Walton “ ‘FACES & PLACES”, 2020

Fig 27. Supplied: Theordore Hartman Coburg High School students vow to redo mural covered up in grey paint, 2015

Fig 28. Vice, The Changing Face of Australian Suburban Shopping Malls, 2018

Coburg’s Issue Unavoidable Gentrification & Locals opinion Coburg is facing gentrification, causing the sense of community and ownership to gradually disappear as shown in the The “Changing Face of Australian Suburban Shopping Malls”, which discuss the probability that old fashioned mall might get redevelop to a much more efficient space for growing in population migrating in. One of the interview with True North Cafe suggested that they should be a library and a cultural related business open more to liven up the city while keeping the development more diverse.

Source: amendment-c123--coburg-activity-centre-zone--coburg-principle-activity-centre-council-urban-design-strategy Fig 29. Moreland City Council, Precint Developtment Plan, 2014

Source: amendment-c123--coburg-activity-centre-zone--coburg-principle-activity-centre-council-urban-design-strategy Fig 30. Moreland City Council, Initial Program Placement, 2014

Problem 1. Area is facing increases pricing in properties, which is an early sign of gentrification. 2. Old commercial buildings are targeted for re-development, causing locals to move away. 3. Locals are only using smaller street for there carnival/cultural events, which is currently not well represented as Coburg’s highlights. 4. Non local moving in might not understand Coburg’s diverse historical and not participate with the community causing the relationship to disappear.

Fig 31. Thiengthamcharoen, Problem with Site Diagram, 2022

Existing Site at Coburg The existing site is a car park which creates a flat surface of asphalt collecting heat gain from the sun. It does not create any connection to the community and creates a heat surface area to the space. The location is ideal for creating shading and providing activities, learning and relax around the most active area in Coburg. It is also accessible for non locals who will come by public transport to participate in the facility and enjoying their time in the event.

Proposed Solution 1. Coburg needs a resource center can provide learning facilities where local can learning about design for them to develop the ability to decide how they want their city to develop. 2. Permeable Space Connecting the commercial space (west), Existing School (North), Residential (south, east) for efficient access to the resource center. 3. Locate the center near the leisure center to provide balance between learning and exercise within the area.

Fig 32. Thiengthamcharoen, Community Infrastructure Response to Coburg, 2022

Response to Coburg One factor Coburg needs is to preserve its diversity in culture through its creative community. By placing a art related resource facility where all the different building context connect together through a permeable space can create a space available for all local members to use. Furthermore, the parking space will be replaced by green space to accommodate for artistic outdoor activity, and also a space to hold the carnivals which is one of Coburg’s special event. it will be enriched and more celebrate than its original a place at Victoria mall street.

Site Street View

Fig. 33

Fig. 34

Fig. 35

Fig. 26

Fig. 37

Fig. 38 Fig 33-38. “Street View,” Google Street View, 2020

Strength

1. Long stripe of Land.

2. Potential for easy access from public transportation. 3. Connected to important areas and building. 4. Gain connection from Sydney Road. 5, People still want to create a sense of community.

Weakness

1. Not so good view from the backside of the shop houses. 2. Sacrifice some parking space. 3. No existing sidewalk. 4. Loosing its sense of community through gentrification. 5. Cannot avoid increase price in housing.

Opportunities

1. Create a new community space.

2. Make Russel street more appealing for local to use and attract non-locals to join. 3. More art display that is not just murals. 4. Connect other spaces and enrich the area with art and open space for people in the community. 5. Provide space to celebrate market, carnivals, market, performances.

Threats

1. Since the shop house is own by different owner, it is uncertain they want to cooperate to clean up+ make their backside of the building more appealing. 2. Different can be a challenge to manage multiple event happening 3. Losing its sense of culture if there is only a few groups of people left. 4. If Coburg is not develop, people will move out to find better job opportunities.

Fig 39.

Fig 40. Laurian Ghinitoiu, Oma: Brighton college school science sports, 2020

Case Study 1: School of Science and Sports at a Historic college in Brighton Reflection

The school demonstrates the use of spacial qualities to set up the foundations foe the programs between sports and academics. This allows both communities to have a relationship while circulation along the building. The strategy allows students to gain interaction within other activities as well and not caught up with their own field.

Fig 41.

Fig 42. Chalermwat Wongchompoo: TCDC Khonkean 2019

Case Study 2:

Thailand Creative & Design Center, City: Khon Kaen Reflection One of the key factors of this creative center is the use of transparency to encourage full visual of the activities. This also allow natural light to pass through which is ideal for reading. Also the library is lifted with a open space at the bottom which receive natural ventilation for those who prefer to read outdoors.

Fig 43. Min Hui Lee,Unfinished Architecture and Transformation Salak South Community-Hub 2020

Case Study 3:

Unfinished: Architecture In Transformation - Salak South Community Hub & Master Planning

Reflection Although this is a conceptual project, it provide a good introduction into an architecture that requires participation from the community to build the space. One significant factors of this project is how the designer uses different structural types (Primary, secondary, tertiary) to assemble the hub.

Fig 44. John Gollings: Surry Hills Library and Community Centre / FJMT, 2009

Case Study 4:

Surry Hills Library and Community Centre / FJMT, 2009 Reflection This case study is similar to the TCDC in Thailand, but the focus is on the sun shade arrangement. Also this project introduced a computer operating system into the building to adapt to the climate conditions throughout the day. Environment design system is heavily emphasis in this project to provide a good comfort zone inside the building for communities.

Literature Review 01 The essay starts out by what creates a strong sense of community in a public space low (less surface parking, higher levels in commercial area ratio to land use of multipurpose area), and what causes a weak sense of community (suburbanization, long commute to work, and prolong independence aging population). The writings further explore how people use the space by conducting experiment which results in that a strong sense of community usually occurs in shops more that open areas. Furthermore, green space also have a major role for less crime and positive psychological effect.

Literature Review 02 The book presents the structure of a community and how it performs to maintain its structure. A community is created from a sense of belonging of people, shared by common interest. Also the author analyses the structure withing the ring that although the individual is in a community. He mention the inner rings of deeper desire of belongs and exclusiveness inside the community groups, which continues into a trap of never ending desires to be a part of a group.

Phase 02: Concept Design

Fig 45. Thiengthamcharoen, Concept 1, Coburg’s Weaving Culture, 2020

Cultural Celebration Weaving Cultures The idea is to create a permeable space that connects and lead to discovery of different spaces that is created through multicultural backgrounds, art-forms and encourage interaction between people. Also the space will be able to expose the process and artists character to community members to

Fig 46. Thiengthamcharoen, Concept 2, Coburg’s Local Context, 2020

Homage/Context Character Creative Atmosphere Brick, timber, plaster and a hint of steel are the main materials use in Coburg, which creates warmth of comfort. The character of warmth gives a sense of ease and safety. However, Coburg is sensing a change where gentrified material is being use more and eventually take over the area. The though of using the warmth of local materials will preserve the characteristic of the location.

Fig 47. Thiengthamcharoen, Concept 3, Coburg Solar Control, 2020

Solar Control Space of Light The Art house consists of different spaces use for different activities. The concept is to create a adaptable envelop t typologies that treats the sunlight differently according to the spacial usage for different artist through out the day. From architectural screens to variety of volumes of space will create multiple light qualities for the art-forms which can provide comfort working for artists.

Fig 48. Thiengthamcharoen, Concept 4, Coburg’s Blank Canvas, 2020

Open Canvas Communicate with Space To create interaction with architecture, multiple black space is provided for artistic expression can interact with architecture. Unlike bridge, alleyway walls that is not intended to be modified by artists, certain areas of the art house will allow artwork to be put on to create a subjective topic to discuss and share ideas. Each year it will be reset to provide opportunity for multiple artwork to be express and temporary appreciated, making it more valuable over time.

Variety of Local

With multi-cultural backgrounds and art-forms orate. The priority for the art house is to create plore and enjoyed. The embodiment of these artculture and artistic expression. Furthermore, it p and potential for exposure to preserve and kept

Fig 49. Thiengthamcharoen, Concept 5, Coburg’s Celebration of Creation, 2020

f Creation Made

s, spaces are rich with creative potential to collaba place where creative creations are cherished, ex-forms will transform into Coburg’s long history of provides a space for revival of endangered art-forms on practicing.

Site E

Entry

Fig 50. Thiengthamcharoen, Coburg’s Context Analysis: Entry from Sydney Rd. To Russel St., : Isometric View, 2022

(Mainly) Non- Local Access (Mainly) Local Access

Site Entry

Joined Cir

Perme

Unpleasant Views

Hierarchize Programs 58

Connectin

rculation

eable

ng Program

Unpleasant Views

Ground Floor Manipulation

View Consideration Fig 51. Thiengthamcharoen, Parti to Site Response, 2022

Fig 52. Thiengthamcharoen, Program Layout, 2022

No En Playground Art Shops Small Galleries

Main Access

Amphitheater (Sunken Pit)

Local Cafes

Cob Un-co Crea Hu

West Entry Small Cafes Fabric Shops

Multipurpose Green Space

Commercial/Artisan Street

For local communuty to Practice, Reherse

Facilities (Activities) Facilities (Education) Buffer Zones, Park

Gathering Space

So En

Second 62

orth ntry Library Arts and Design Admin Lobby

Computer Lab

burg’s ommon ative ub

outh ntry

Leisure Center >

Study Room

East Entry

Amphitheater (Sunken Pit)

Multipurpose Green Space For local communuty to Practice, Reherse

d Acess Fig 53. Thiengthamcharoen, . Coburg’s Creative Hub Connections Center Bubble Diagram, 2022

Coburg’s Grid

Dynamic Circulation

Introducing Organic shape encourage interaction

Fig 11. Thiengthamcharoen, Parti Plan Diagram: Circulation , 2022

Preliminary Circulation Planning This phase explore how can the circulation of art house be more dynamic from grid structure of existing city layout. The objective is t create a circulation that encourage people to meet up and collaborate on various art projects. Fragments of programs are scattered to encourage people to walk and explore the art house and discover art programs along their journey. The use of courtyard is to provide shade of green space and give a comfort atmosphere on the are building.

Assigned Programs

Create Linkage with Existing Context

Create Multipurpose Ground Activity In Courtyard

Courtyard Event 1

Connect Creative Programs

Courtyard Event 2 Fig 54. Thiengthamcharoen, Iteration 02 Parti Plan Diagrams, 2022

Plan Iteration 03 The first application to the plan is to incorporate the main program with different geometry in distinct its program use. For example the play area at the north will have more staggering shapes and undulating floors for children to explore. The south has more ground floor to encourage more ground activity. Fig 55. Thiengthamcharoen, Concept Ground Floor Plan 1, 2022

Plan Iteration 04 This approach explores the rotated angle of the grid to create an circulation that is different from Coburg’s city grid to create more pathways for users to interact and meet other. With this methods different artists will be able to meet each other and increase collaboration through the circulation. Fig 56. Thiengthamcharoen, Concept Ground Floor Plan 2, 2022

Coburg’s Building Mass

Subtract from to avoid Tall building typology

Lift Bu create free gr open area un

Subtract forms

Mass Iteration 01: Lifting the M 68

uilding: round space, nder building

s for programs

Floor Manipulation for activities

Connect Context With Green Buffer Zones

Mass to Increase Permeability Fig 57. Thiengthamcharoen, Iteration 01: Parti Massing Diagrams, 2022

Dealing with Given Site Potential (8 stories) This iteration proposes not to use the full potential, which the massing on the site allows 8 stories high building into the site. The mass will overshadow the context letting less light shine in.

Subtract F Dominat

To respond to the 8 s carve out the unneces the upper floor plan. T through the subtractio place for interaction a flow

Source: Coburg principal activity CentreCouncil Urban Design Evidence, 2014

Mass Iteration 02: S 70

Forms to avoid ting Context.

stories approach is to ssary space to reduce The void that is created on of space became a and an area for air to w in.

Irregular Formation To Create Dynamic Circulation. The irregular forms can from the shift in the circulation to increase interaction in art space. Also, the angles are oriented according to the city’s oval geometry to create a connecting visual transition.

Subtracting Forms Fig 58. Thiengthamcharoen, Parti Subtraction of Mass (Physical Model), 2022

Fig 59. Thiengthamcharoen, Parti, Maximizing Ground Activities, 2022

Mass Iteration 03: Center Ground Activity The massing is develop from the program diagram where the semi-commercial area is created to create a transition between the commercial district to the creative hubs. The retails in the hub create a space for artist to be able to sell their product and hold exhibition. The facility is pushed back to the inner of the property line to create more open area for ground activities. This will provide multipurpose use in the area encouraging participants for Coburg’s Local artists, especially live musicians and performers.

Fig 60. Thiengthamcharoen, Parti, Connecting Different Art Programs, 2022

Mass Iteration 04: Connecting Art Fragments This massing explores the possibility for creating maximum permeable space at the ground floor and putting most of the programs o the upper floor. It is combined with different blocks of programs that are connected by the massing bridge to encourage artist to explore the area and get inspired by different art forms that are practices in the hub. The strategy still provides freedom to control the ground floor and support the access from different direction.

Phase 03: Sketch Design

Spacial Qualitie

Fig 61. Apple TV

es Precedents

V: Home, Episode 2 - A Local Artist revitalizes inner-city social; spaces to create a new sense of home for his overlooked neighborhood, 2020

Fig 62. Ramus Hjortshoj, Aarhus School of Architecture / ADEPT + Vargo Nielsen Palle, 2021

Fig 63. Thiengthamcharoen, Mood Board Collage, 2022

Temporal-Space Progra

Initial Temporal-Space Programs fo Non Local Arrives

Maker Space Weekdays Art Shops / Cafes Weekends (400sqm) (80ppl max)

Non L

Dancers: Practic

Amphitheater

Indeginoes Perfo Practice

(89sqm) (25ppl max)

Library

(380sqm) (200ppl max)

Play Ground

Parents & Children

(700sqm) (150ppl max)

Green Space

Elderly

(130sqm) (260ppl max)

Art Studios (Total)

(370sqm) (185ppl max)

Local Painters, Sculptors

Typical Unit : 30 sqm 5 max (per ﬂoor)

Non Local Local Artis

Multipurpose Spaces

(140sqm) (14ppl max)

Music Rooms

(280sqm) (93 ppl max)

0am

2am 80

4am

6am

8am

ams of Coburg Uncommon Hub

or Coburg Uncommon Creative Hub Non Local Leaves

Local Artist

All People

Local Artist

All People

Dancers: Practice

ormance: Special needs Dancers

Special needs Dancers

Design Workshops

Local Artist

All People

Senior Citizen & Children

Out door Teaching Italian Live Music Night Markets Events, Carnival, Markets All people Local Mural

Non Local Visitors

Local Artist Non Local Artists

Artists sts

All People

Sculpures Oil Painting

Sculpures Middle Eastern Textiles

Illustration Courses

Sewing Clubs

School Tutoring

Local Artists Etc.

Traditional Music: Practice Local Music Performances

Local Music Lessons

10am

12pm

2pm

4pm

6pm

8pm

10pm

Fig 64. Thiengthamcharoen, Proposal Space Activation, 2022

1. Maintain Existing Tree

4.Combined Programs

2. Integrate Cou for Existing Tre

5.Horizontal Expa

Design Translati 82

urtyard ees

and & Multilevel

3.Edge Control

6. Activate Community on Roof

ion & Strategies Fig 65. Thiengthamcharoen, Design Strategies, 2022

Self Direct Play Zone

Art Street, Exhibitions ,Cafes Art Space 1

Art Space 2

Playing Pit

Interactive Art Work

Culture Performances

Music Performances

Art Space 3

Communal Circulation

Vdo Room Fig 10. Thiengthamcharoen, Space quality Strategies, 2022

Ground Floor Plan (Iteration 1, East Courtyard)

Ground Floor Plan (Iteration 2, West Courtyard) 86

Roof Legend Play Zone Maker Space Library Art/Music Studio Buffer Zones Art Street/Market

Roof

Fig 67. Thiengthamcharoen, Planning Strategies, 2022

EW VI 1:1000 @A1

10M 88

Fig 68. Thiengthamcharoen, Early Stage Master Plan, 2022

Perspective: Iteratio

Perspective: Iteratio 90

on 1, East Courtyard

on 2, West Courtyard

Fig 69. Thiengthamcharoen, Main Entry Perspective Sketch, 2022

(Iteration 1, East Courtyard) 92

(Iteration 2, West Courtyard) Fig 70. Thiengthamcharoen, Isometric views, 2022

Ground: (Iteration 1, East Courtyard)

1:250 @A1

20M 94

Ground: (Iteration 2, West Courtyard) Fig 71. Thiengthamcharoen, Ground Floor Iterations, 2022

L1 Plan: (Iteration 1, East Courtyard)

1:250 @A1

20M 96

L1 Plan: (Iteration 2, West Courtyard) Fig 72. Thiengthamcharoen, Level 1 Plan Iterations, 2022

Roof Plan: (Iteration 1, East Courtyard)

1:250 @A1

20M 98

Roof Plan: (Iteration 2, West Courtyard) Fig 73. Thiengthamcharoen, Roof Floor Plan Iterations, 2022

Section A: Iteration

Key Plan

Section A: Iteration Key Plan

100

n 1, East Courtyard

n 2, West Courtyard Fig 18. Thiengthamcharoen, Section A Iterations, 2022

101

Section B: Iteration Key Plan

Section A: Iteration Key Plan

102

n 1, East Courtyard

n 2, West Courtyard

Fig 19. Thiengthamcharoen, Section B Iterations, 2022

103

104

Phase 04: Design Refinement

105

Existing Site

Edge C

Secondary Program

Solar C

Sequence Des 106

Control

Activate Russel Street

Control

Connecting Community

sign Strategies Fig 76. Thiengthamcharoen, Design Strategies, 2022

107

108

Fig 77. Thiengthamcharoen, Existing Site, 2022

109

110

Fig 78. Thiengthamcharoen, Edge Control, 2022

111

112

Fig 79. Thiengthamcharoen, Activate Russell Street, 2022

113

114

Fig 80. Thiengthamcharoen, Secondary Program, 2022

115

116

Fig 81. Thiengthamcharoen, Solar Control, 2022

117

118

Fig 82. Thiengthamcharoen, Activate Black Canvas+ Garden, 2022

119

Total Area: Approx 3500 sqm

120

Artist Persona Design Needs

Illustrator

Acrobat

Potter & Musician

Painter

Self Direct Playground 700 sqm 150 ppl

Indoor/Outdoor Stage 700 sqm 150 ppl

Artist Market 870 sqm 200 ppl

Individual Studio 32sqm 3-5 ppl

Robotics 100 sqm 30 ppl

Textile/Sewing Space 100 sqm 30 ppl

Pottery/Ceramic Studio 100 sqm 30ppl

Workshop for Opening Classes 74 sqm 20 ppl

Fig 83. Thiengthamcharoen, Explode Axon: Spacial Design Needs, 2022

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Fig 84.

Inclusive Access Wheelchair Lift The design from Sesame Access provides a innovative approach into creating a hidden lift system into the stairs. The design hides partial of the stair risers and lifts up the wheelchair to the upper floor. This allows architectural design to have an alternative option not to design ramps that is 1:12 or 1:14 which can obstructs and limits of space design.

122

Fig 84a

Access in Raise Level Floor Provide access on raised floor Most wheelchair lift are considered band aid to universal (inclusive) design. One of the reason is because the design does not integrate well into the design. However for the proposal offers mechanical solution to hide the mechanics and allows people with physical challenges to experience space typologies such as raised floors with multilevel programs. This proposal will omit the implement the design of ramps that hinders the use of multiple art spaces.

Fig 84-a. Thiengthamcharoen, Precedent Study of a hidden wheel chairlift and application on the Art House, 2022

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The Layout of the Plan for the artist village consist of 4 main spaces that transitioned from the existing context. The Play space that connects to the Coburg Primary school The extended courtyard that extended from the Bridges reserve and provide spacing for the Coburg Leisure Center. The maker space that allows the public to see the work of local artist and can join in for workshops and collaborations and the art street that is set on the commercial area of Sydney Road and use it to sell art and host daily events to celebrate the local artist and opportunity to create a local economy.

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Fig 85. Thiengthamcharoen, Ground Floor Plan, 2022

125

Fig 86. Thiengthamcharoen, L1 Floor Plan, 2022

126

Fig 87. Thiengthamcharoen, Roof Floor Plan, 2022

127

Fig 88. Thiengthamcharoen, Material Expression Concept, 2022

Material Expression Opaque to Transparent The use of local material expresses the characters of Coburg where most buildings uses timber, brick and concrete. The combination of these materials creates a warm atmosphere for people inside the spaces. The use of solid and transparent configuration creates a language for different space types according to the art form.

128

L1:Library G: Playground

L1:Library G: Courtyard

L1:WC G: WC

L1:Library G: Maker Space

*Artwork changes annually

L1: Studio G: Maker Space

L1:Music Practice G: Gathering

Fig 89. Thiengthamcharoen, Material Expression Concept Apply on Art house, 2022

Application for Coburg Art House Communication with Artists. A combination local materials are use to create architectural fins, glass frames, and overhang to control natural light in different programs. Solid walls provide opportunities for artist to create artwork to create a subjective discourse between architecture and the communities.

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130

Fig 90. Thiengthamcharoen, Elevation 1, 2022

Fig 91. Thiengthamcharoen, Elevation 2, 2022

131

Sections showing human interaction within the space from individual art studios to a more crowed activities, the hub provides spaces and resources for them to stay and contribute to the community

132

Fig 92. Thiengthamcharoen, Section 1, 2022

Fig 93. Thiengthamcharoen, Section 2, 2022

133

134

Fig 92. Thiengthamcharoen, Section Detailed, 2022

135

136

Fig 93. Thiengthamcharoen, South West Exterior Rendering at Russel Street, 2022

137

138

Fig 94. Thiengthamcharoen, Russel Street Rendering: Artisan Street, 2022

139

Fig 95. Thiengthamcharoen, Russel Street: Entry Art Street, 2022

Fig 97. Thiengthamcharoen, Library: Day, 2022

140

Fig 96. Thiengthamcharoen, Art Gallery, 2022

Fig 98. Thiengthamcharoen, Library: Night: Transform to Stage for Performance Art, 2022

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142

Fig 99. Thiengthamcharoen, Exterior from Leisure Center, 2022

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Bibliography “City of Moreland.” Accessed March 23, 2022. https://moreland.vic.gov.au/globalassets/areas/amendments/amendmentslib-7208/c123/amendment-c123--coburg-activity-centre-zone--coburg-principle-activity-centre-council-urban-design-strategy.pdf. “ENDANGERED ARTS.” Accessed March 15, 2022. https://www.financialexpress.com/ archive/endangered-arts/159442/. Francis, Jacinta, Billie Giles-Corti, Lisa Wood, and Matthew Knuiman. “Creating Sense of Community: The Role of Public Space.” Journal of Environmental Psychology 32, no. 4 (December 2012): 401–9. https://doi.org/10.1016/j.jenvp.2012.07.002. Home. Central Coburg. (2022, May 27). Retrieved June 11, 2022, from https://centralcoburg.com.au/ “Invest in Moreland - Moreland.vic.gov.au.” Accessed March 23, 2022. https://www. moreland.vic.gov.au/globalassets/areas/strategic-planning/id_0085_moreland-ebook-plannin~invest-in-moreland-final-ebook.pdf. Jodee Mundy OAM. Coburg Carnivale Part One 2014, 2014. https://www.youtube.com/ watch?v=emkNC3oF45k. McShane, I., Coffey, B. (2022, Feb). Rethinking community hubs- community facilities as critical infrastructure, Current Opinion in Environmental Sustainability, Volume 54, 101149, ISSN 1877-3435 Moreland City Council. Coburg Carnivale, 2015. https://www.youtube.com/ watch?v=lvnrjfNT62c. Moreland City Council. Detailed Overview of 2012 Coburg Carnivale, 2012. https:// www.youtube.com/watch?v=sUhLO8X44KQ. RTF | Rethinking The Future. “Dying Art and Craft Practices Leading to a Country’s Cultural Loss,” October 1, 2021. https://www.re-thinkingthefuture.com/architectural-community/a5380-dying-art-and-craft-practices-leading-to-a-countryscultural-loss/. Sesameaccess. (2022, January 19). Fiona Jarvis | Sesame access. YouTube. Retrieved June 13, 2022, from https://www.youtube.com/watch?v=ZShE2PzCbCk&amp;ab_ channel=SesameAccess Video. “The Changing Face of Australian Suburban Shopping Malls.” Accessed March 23, 2022. https://video.vice.com/en_au/video/malls/5a56aea0177dd43661216781.

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List of Figures Figure 1. Thiengthamcharoen, Phanthep. Benefits and limitation of Coburg reconfiguration, 2022, Digital diagram Figure 2. Thiengthamcharoen, Phanthep. Proposal to revitalize and bring back the sense of ownership/ community back, 2022, Digital diagram Figure 3. Thiengthamcharoen, Phanthep. Types of communities through share interests. 2022. Digital diagram+mix media. Figure 4. Thiengthamcharoen, Phanthep. Different types of heritage art communities. 2022. Digital diagram+mix media. Figure 5. Unknown Artist. Colorful dye painting – Rogan painting of Kutch in Gujarat, 2021. ©www.roganartnirona.combalac. Figure 6. ATTIC BLACK: ΘΕΤΙΣ AUTHENTICS LTD. YouTube, 2019. https://www.youtube.com/watch?v=Be2MQTdbLdA Figure7. “Erhu Players,” ABC News (Australia) China embraces the piano after the instrument was destroyed by Mao. YouTube, 2022. https://www.youtube.com/ watch?v=vS-QKDamVQU&ab_channel=ABCNews%28Australia%29 Figure 8. Thiengthamcharoen, Phanthep. Space Transition During the Pandemic of Covid-19. 2022. Digital diagram+mix media. Figure 9. Thiengthamcharoen, Phanthep. Initial Response for the Research Question. 2022. Digital diagram+mix media. Figure 10. Thiengthamcharoen, Phanthep. Initial Response for the Research Question: Section 1. 2022. Sketching. Figure 11. Thiengthamcharoen, Phanthep. Research Question: Section 1 with Partition. 2022. Sketching+mix media. Figure 12. Thiengthamcharoen, Phanthep. Initial Response for the Research Question: Section 2. 2022. Sketching. Figure13. Thiengthamcharoen, Phanthep. Initial Response for the Research Question: Section 2 with Partition, 2022. Sketching+mix media. Fig 14. Google Earth, Coburg Map, 2022. https://www.google.com/maps/place/Coburg+VIC+3058,+Australia/data=!4m2!3m1!1s0x6ad644c098f4d5eb:0x5045675218cd430?sa=X&ved=2ahUKEwjHrsvJnOP2AhWswjgGHV51B8sQ8gF6BAglEAE Figure 15. Near Maps, Coburg Map, 2022. https://drive.google.com/drive/folders/1tjkpOvzYWMCoCNDBev69mEEh9hxR0mez

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Figure 16.Instagram. @Central Coburg, People of Coburg,2022, Collection of Photographs Figure 17. Thiengthamcharoen, Phanthep. People of Corburg in Carnivals Collage 20122015, 2022. Collage Figure 18. Thiengthamcharoen, Phanthep. Coburg’s Multicultural Communities, 2022. Collage Figure 19. Thiengthamcharoen, Phanthep. Coburg’s Activity Center Site Plan, 2022. Collage, Digital Diagram Figure 20. Thiengthamcharoen, Phanthep. Non Local Personas, 2022. Collage Figure 21. Thiengthamcharoen, Phanthep. Local Personas, 2022. Collage Figure 22. Thiengthamcharoen, Coburg Demographics, 2022, Digital Digiagram Figure 23. Thiengthamcharoen, City Vision, 2022. Drawing Figure 24. Unknown Photographer, Stephanie Hughes and teachers “ Russell Street Coburg – Community Art Project, 2021. https://conversations.moreland.vic.gov.au/russell-street-community-art-project Figure 25. colourourcity, Al Stark “Thinking of the Earth”. Flickr, 2016. https://www. flickr.com/photos/colourourcity/27609533286/in/photostream/ Figure 26. EoI, Steph Hughes and Glen Walton, “ ‘FACES & PLACES”, 2020. https:// premiersdesignawards.vic.gov.au/entries/2021/communication-design/faces-places-intergenerational-community-art-activation-coburg Figure 27. Supplied: Theordore Hartman. Coburg High School students vow to redo mural covered up in gray paint, 2022. https://www.abc.net.au/news/2015-12-04/ coburg-high-school-students-vow-to-repaint-mural-on-overpass/7001466#:~:text=Work%20has%20begun%20to%20restore,with%20permission%20from%20 Vic%20Roads. Figure 28. Vice, The Changing Face of Australian Suburban Shopping Malls, 2018. https://video.vice.com/en_au/video/malls/5a56aea0177dd43661216781 Figure 29. Moreland City Council, Precint Developtment Plan, 2014. PDF Figure 30. Moreland City Council, Initial Program Placement, 2014. PDF Figure 31. Thiengthamcharoen, Phanthep. Problem with Site Diagram, 2022. Drawing Figure 32. Thiengthamcharoen, Phanthep. Community Infrastructure Response to Coburg. 2022. Drawing

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Figure 33-38. “Street View,” Google Street View, 2020. https://www.google.com/ maps/@-37.744859,144.9667907,3a,75y,248.03h,90t/data=!3m7!1e1!3m5!1sYoJ9gigD5Pxk7yQZsU6jqg!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis. com%2Fv1%2Fthumbnail%3Fpanoid%3DYoJ9gigD5Pxk7yQZsU6jqg%26cb_client%3Dmaps_sv.tactile.gps%26w%3D203%26h%3D100%26yaw%3D242.96748%26p itch%3D0%26thumbfov%3D100!7i16384!8i8192 Figure 39-40. Laurian Ghinitoiu, Oma: Brighton college school science sports, 2020. Photograph. https://www.archdaily.com/931957/brighton-college-oma/5e1f1a733312fd05e600014b-brighton-college-oma-photo Figure 41-42. Wongchompoo, Chalermwat: TCDC Khonkean, 2019, photograph. https:// www.archdaily.com/948218/thailand-creative-design-center-khon-kaen-architects-49 Figure 43. Min Hui Lee, Unfinished Architecture in Transformation Salak South Community-Hub, 2020. https://worldarchitecture.org/architecture-projects/hvzeg/unfinished-architecture-in-transformation---salak-south-community-hub-master-planning-project-pages.html Figure 44. John Gollings: Surry Hills Library and Community Centre / FJMT, 2009. https://www.archdaily.com/57339/surry-hills-library-and-community-centre-fjmt Figure 45. Thiengthamcharoen, Phanthep. Concept 1, Coburg’s Weaving Cultures, 2022. Collage. Figure 46. Thiengthamcharoen, Phanthep. Concept 2, Coburg’s Local Context, 2022. Collage. Figure 47. Thiengthamcharoen, Phanthep. Concept 3, Weaving Cultures, 2022. Collage. Figure 48. Thiengthamcharoen, Phanthep. Concept 4, Coburg’s Blank Canvas, 2022. Collage. Figure 49. Thiengthamcharoen, , Phanthep. Concept 5, Coburg’s Celebration of Creation, 2020. Collage Figure 50. Thiengthamcharoen, Phanthep. Coburg’s Context Analysis: Entry from Sydney Rd. To Russel St., 2022. Digital diagram Figure 51.Thiengthamcharoen, Phanthep. Digital

Parti to Site Response, 2022. Sketching+

Figure 52. Thiengthamcharoen, Phanthep. Program Layout, 2022, Digital Diagram Figure 53. Thiengthamcharoen, Phanthep. Coburg’s Creative Hub Connections Center Bubble Diagram, 2022. Digital diagram Figure 54. Thiengthamcharoen, Phanthep. Parti Plan Diagram: Circulation, 2022. Sketch Figure 55. Thiengthamcharoen, Phanthep, Concept Ground Floor Plan 1, 2022. Sketch

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Figure 56. Thiengthamcharoen, Phanthep, Concept Ground Floor Plan 2, 2022. Sketch Figure 57. Thiengthamcharoen, Phanthep. Iteration 01: Parti Massing Diagrams, 2022. Sketch Figure 58. Thiengthamcharoen, Phanthep. Iteration 02: Parti Massing Diagrams, 2022. Physical Model Figure 59. Thiengthamcharoen, Phanthep. Parti, Maximizing Ground Activities, 2022. Digital Diagram Figure 60. Thiengthamcharoen, Phanthep. Parti, Connecting Different Art Programs, 2022. Digital Diagram Figure 61. Apple TV: Home, Episode 2 - A Local Artist revitalizes inner-city social; spaces to create a new sense of home for his overlooked neighborhood, 2020. Screenshot Figure 62. Ramus Hjortshoj, Aarhus School of Architecture / ADEPT + Vargo Nielsen Palle, 2021. Photograph Figure 63. Thiengthamcharoen, Phanthep. Mood Board Collage, 2022. Combined photographs Figure 64. Thiengthamcharoen, Phanthep. Proposal Space Activation, 2022. Digital Diagram Figure 65. Thiengthamcharoen, Phanthep. Design Strategies, 2022. Sketch Figure 66. Thiengthamcharoen, Phanthep. Space quality Strategies, 2022. Sketch Figure 67. Thiengthamcharoen, Phanthep. Planning Strategies, 2022. Sketch Figure 68. Thiengthamcharoen, Phanthep. Early Stage Master Plan, 2022, Sketch Figure 69.Thiengthamcharoen, Phanthep. Main Entry Perspective , 2022. Sketching over digital model Figure 70. Thiengthamcharoen, Phanthep. Isometric views, 2022. Sketch Figure 71. Thiengthamcharoen, Phanthep. Ground Floor Iterations, 2022. Sketching over Cad Plan Figure 72. Thiengthamcharoen, Phanthep. Level 1 Floor Plan Iterations, 2021. Sketching over Cad Plan Figure 73. Thiengthamcharoen, Phanthep. Roof Floor Plan Iterations, 2021. Sketching over Cad Plan Figure 74. Thiengthamcharoen, Phanthep. Concept Section A Iterations, 2022. . Sketching over 3d Model Figure 75. Thiengthamcharoen, Phanthep. Concept Section B Iterations, 2022. . Sketching over 3d Model

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Figure 76. Thiengthamcharoen, Phanthep. Design Strategies, 2022. Digital Diagram Figure 77. Thiengthamcharoen, Phanthep. Existing Site, 2022. Digital Diagram Figure 78. Thiengthamcharoen, Phanthep. Edge Control, 2022. Digital Diagram Figure 79. Thiengthamcharoen, Phanthep. Activate Russell Street, 2022. Digital Diagram Figure 80. Thiengthamcharoen, Phanthep. Secondary Program, 2022. Digital Diagram Figure 81. Thiengthamcharoen, Phanthep. Solar Control, 2022. Digital Diagram Figure 82. Thiengthamcharoen, Phanthep. Activate Black Canvas+ Garden, 2022. Digital Diagram Figure 83. Thiengthamcharoen, Phanthep. Explode Axon: Spacial Design Needs, 2022. Digital Diagram Figure 84-a. Thiengthamcharoen, Phanthep. Precedent Study of a hidden wheel chairlift and application on the Art House, 2022. Digital Diagram Figure 84. Thiengthamcharoen, Phanthep. Precedent Study of a hidden wheel chairlift and application on the Art House, 2022. Isometric Diagram Figure 85. Thiengthamcharoen, Phanthep. Ground Floor Plan, 2022. Plan Drawing Figure 86. Thiengthamcharoen, Phanthep. L1 Floor Plan, 2022. Plan Drawing Figure 87. Thiengthamcharoen, Phanthep, Roof Floor Plan, 2022. Plan Drawing Figure 88. Thiengthamcharoen, Phanthep. Material Expression Concept, 2022. Collage Figure 89. Thiengthamcharoen, Phanthep. Material Expression Concept Apply to Arthouse, 2022. Isometric Diagram Figure 90. Thiengthamcharoen, Phanthep. Elevation 1, 2022. Elevation Rendering Figure 91. Thiengthamcharoen, Phanthep. Elevation 2, 2022. Elevation Rendering Figure 92. Thiengthamcharoen, Phanthep. Section Detailed, 2022. Section Detail Figure 93. Thiengthamcharoen, Phanthep. South West Exterior Rendering at Russell Street, 2022. Exterior Rendering Figure 94. Thiengthamcharoen, Phanthep. Russel Street Rendering: Artisan Street, 2022. Exterior Rendering Figure 95. Thiengthamcharoen, Phanthep. Russel Street Entry: Art Street, 2022. Exterior Rendering

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Figure 96. Thiengthamcharoen, Phanthep. Art Gallery, 2022. Exterior Rendering Figure 97. Thiengthamcharoen, Phanthep. Library Day: Night: Transform to Stage for Performance Art, 2022. Interior Rendering Figure 98. Thiengthamcharoen, Phanthep. Library: Night: Transform to Stage for Performance Art, 2022. Interior Rendering Figure 99. Thiengthamcharoen, Phanthep.Exterior from Leisure Center, 2022. Interior Rendering

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