20TH CENTURY AND CONTEMPORARY ART [catalogue] by PHILLIPS

20th Century & Contemporary Art Evening & Day Sales London / 20 & 21 October 2020

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Lot 10

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10.

Georg Baselitz

Das letzte Selbstbildnis I Estimate £4,700,000-6,000,000

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*Some phones may require a separate application to support QR codes. *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

20th Century & Contemporary Art Department Evening Sale

Day Sale

Head of Sale

Kate Bryan +44 20 7318 4026 kbryan@phillips.com

Tamila Kerimova +44 20 7318 4065 tkerimova@phillips.com

Cataloguers

Louise Simpson +44 20 7901 7911 lsimpson@phillips.com

Judith Lamb +44 20 7901 7995 jlamb@phillips.com

Kathy Lin +44 20 7318 4093 klin@phillips.com

Researcher/Writer Clara Krzentowski +44 20 7318 4064 ckrzentowski@phillips.com

Administrator

Researcher Maria Vittoria Raiola +44 20 7901 2927 mvraiola@phillips.com Senior Administrator Constance Perret +44 20 7318 4073 cperret@phillips.com

Elena Setaro +44 20 7318 4028 esetaro@phillips.com

20th Century & Contemporary Art Evening & Day Sales London / 20 & 21 October 2020

Auction & Viewing Location

Sale Designation

30 Berkeley Square London, W1J 6EX

When sending in written bids or making enquiries please refer to this sale as UK010620 or 20th Century & Contemporary Art Evening Sale and UK010720 or 20th Century & Contemporary Art Day Sale.

Auctions Evening Sale Tuesday 20 October, 5pm (lots 1–40) Day Sale Wednesday 21 October, 2pm (lots 101–273) Please register to bid online, absentee or by phone. Viewing 14–21 October Monday to Saturday, 10am–6pm Sunday, 12pm–6pm

Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@philips.com

Executives Edward Dolman

David Norman

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Chief Executive Ofcer

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Cheyenne Westphal

Jonathan Crockett

Hugues Jofre

Global Chairwoman

Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Senior Advisor to the CEO

ÂŠ Brigitte Lacombe

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Deputy Chairmen & Chairwomen

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Head of Private Sales

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Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

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Our Team 20th Century & Contemporary Art

Jean-Paul Engelen

Robert Manley

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

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+1 212 940 1358 rmanley@phillips.com

London

Olivia Thornton Head of 20th Century & Contemporary Art, Europe

Nathalie Zaquin-Boulakia International Specialist

Matt Langton

Henry Highley

Rosanna WidĂŠn

Senior Specialist

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Kate Bryan

Tamila Kerimova

Simon Tovey

Charlotte Gibbs

Louise Simpson

Head of Evening Sale

Head of Day Sale

Head of New Now Sale

Head of Online Sales, London

Cataloguer

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Kathy Lin

Olivia Taylor

Judith Lamb

Clara Krzentowski

Maria Vittoria Raiola

Cataloguer

Researcher/Writer

Researcher

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20th Century & Contemporary Art

New York Scott Nussbaum

Takako Nagasawa

Rachel Adler Rosan

Kevie Yang

Amanda Lo Iacono

John McCord

Head of Department

International Specialist

Senior Specialist

Head of Day Sale, Morning

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New York Head of Auctions, Head of Evening Sale

Rebekah Bowling

Sam Mansour

Katherine Lukacher

Jeannette van Campenhout

Annie Dolan

Patrizia Koenig

Head of Day Sale, Afernoon

Head of New Now Sale

Head of Online Sales

Head of Latin American Art

Associate Head of Day Sales

Associate Specialist

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Carolyn Mayer

Avery Semjen

Brittany Jones

Cataloguer

Researcher/Writer

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Isaure de Viel Castel

Lihua Tung

Charlotte Raybaud

Danielle So

Delissa Putri Handoko

Head of Department

Senior Specialist, Asia

Head of Evening Sale

Head of Day Sale

Head of Online Sales, Hong Kong

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Hong Kong

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146878-1

Business Development

Americas Vivian Pfeifer Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Client Advisory

Europe Giulia Campaner Mendes Client Advisor +44 20 7318 4058 gcampaner@phillips.com

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Americas Philae Knight Client Advisory Director +1 212 940 1313 pknight@phillips.com

Asia

Middle East & South Asia

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Yassaman Ali

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Client Advisory Director

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Trusts, Estates & Valuations

Americas Jennifer Jones

Laura Wenger

Senior Vice President, Director of Trusts, Estates & Valuations

Associate Vice President Account Manager Trusts, Estates & Valuations

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International Specialists & Regional Directors

Europe Laurence Calmels

Clara Rivollet

Laurence Barret-Cavy

Elie Massaoutis

Thibault Stockmann

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

Head of Design, France, Senior International Specialist

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International Specialist, 20th Century & Contemporary Art, France

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Dr. Nathalie Monbaron Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Dr. Alice Trier

Carolina Lanfranchi

Margherita Solaini

Maura Marvao

Kalista Fenina

Kirsten MacDonald

Specialist, 20th Century & Contemporary Art, Germany

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

Associate Specialist, 20th Century & Contemporary Art, Italy

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

Regional Director, Scandinavia

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Lori Spector Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Zurich +41 76 259 30 39 lspector@phillips.com

Americas CĂ˘ndida SodrĂŠ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, Miami

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Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Sophia Kinell

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

Regional Representative, San Francisco

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Kyoko Hattori

Jane Yoon

Yeonah Lim

Wenjia Zhang

Alicia Zhang

Yolanda Zeng

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, China

Associate Regional Representative, Shanghai

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Asia

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Cindy Yen

Meiling Lee

Christine Fernando

Sandy Ma

Vivi Yip

Rika Dila

General Manager, Taiwan

International Specialist, Taiwan

Senior Consultant, Thailand

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Our team is comprised of experts from auction houses, museums, galleries and other leading arts institutions. In addition to auctions in our New York, London, Hong Kong and Geneva salerooms, Phillips holds private sales and curated selling exhibitions across all of our categories around the world. Our range of services includes appraisals for private clients, advisors, attorneys and other key fduciaries, and our dedicated Trusts, Estates & Valuations team provides complimentary reviews of collections.

Evening Sale Lots 1â&#x20AC;&#x201C;40

Property from a Private Collection, U.S.A.

1. Emily Mae Smith

b. 1979

Alien Shores signed and dated ‘Emily MS 2018’ on the reverse oil on linen. 137.2 x 116.8 cm (54 x 45 7/8 in.). Painted in 2018. Estimate £40,000-60,000 $50,900-76,400 €43,700-65,600 ‡ plus Buyers Premium and VAT*

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*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

2. Salman Toor

b. 1983

Aashiana (Hearth and Home) signed and dated ‘Salman Toor ‘12’ on the reverse. oil on canvas. 101.6 x 111.8 cm (40 x 44 in.). Painted in 2012. Estimate £30,000-50,000 $38,200-63,600 €32,800-54,700 ‡ plus Buyers Premium and VAT*

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3. Portia Zvavahera

b. 1985

Arising from the Unknown signed and dated ‘Portia Zvavahera 19’ lower lef. oil-based printing ink and oil bar on canvas. 198.1 x 149.9 cm (77 7/8 x 59 in.). Executed in 2019. Estimate £40,000-60,000 $50,900-76,400 €43,700-65,600 ‡ plus Buyers Premium and VAT*

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4. Titus Kaphar

b. 1976

Alternate Endings signed and dated ‘Kaphar 16’ on the reverse. oil on canvas mounted on panel. 199 x 121.9 cm (78 3/8 x 47 7/8 in.). Painted in 2016. Estimate £60,000-80,000 $76,400-102,000 €65,600-87,500 ‡ plus Buyers Premium and VAT*

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Property from a Private Scandinavian Collection

5. Hernan Bas

b. 1978

Two Fruits signed with the artist’s initials and dated ‘HB 15’ lower lef; further signed with the artist’s initials, titled and dated ‘TWO FRUITS HB 2015’ on the reverse. acrylic on linen. 152.7 x 122.5 cm (60 1/8 x 48 1/4 in.). Painted in 2015. Estimate £60,000-80,000 $76,400-102,000 €65,600-87,500 plus Buyers Premium and VAT*

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6. Otis Kwame Kye Quaicoe

b. 1990

Black Stripes on White signed and dated ‘Kwame Kye 19’ lower right; further signed and dated ‘KWAME KYE JUNE 2019’ on the reverse. oil on canvas. 122 x 91.5 cm (48 x 36 in.). Painted in June 2019. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡ plus Buyers Premium and VAT*

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Property from an Esteemed East Coast Collection

7. Dana Schutz

b. 1976

Trump Descending an Escalator signed and dated ‘Dana Schutz 2017’ on the reverse. oil on canvas 223.5 x 190.5 cm (88 x 75 in.). Painted in 2017. Estimate £380,000-580,000 $484,000-738,000 €415,000-634,000 ‡ plus Buyers Premium and VAT*

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8. Banksy

b. 1974

Girl with Balloon & Morons Sepia signed, numbered and dated ‘Banksy 07 2/8’ lower right. spray paint and screenprint on paper, double-sided. 56.5 x 76 cm (22 1/4 x 29 7/8 in.). Executed in 2007, this work is number 2 from an edition of 8, and is accompanied by a certifcate of authenticity issued by Pest Control. Estimate £500,000-700,000 $636,000-891,000 €547,000-765,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Distinguished European Collection

9. Nicolas Party

b. 1980

Rocks signed and dated ‘Nicolas Party 2014’ on the reverse. pastel on canvas. 150 x 150 cm (59 x 59 in.). Executed in 2014. Estimate £400,000-600,000 $509,000-764,000 €437,000-656,000 plus Buyers Premium and VAT*

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From the Collection of Marcel Brient, Paris

10. Georg Baselitz

b. 1938

Das letzte Selbstbildnis I signed with the artist’s initials and dated ‘22. IX. 82 G.B.’ lower centre; further signed, titled and dated ‘G. Baselitz das letzte Selbstbildnis I 22. IX. 82’ on the reverse. oil on canvas. 250 x 200 cm (98 3/8 x 78 3/4 in.). Painted in 1982. Estimate £4,700,000-6,000,000 $6,034,706-7,703,880 €5,173,030-6,603,868 ♠ plus Buyers Premium and VAT, ARR applies*

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Sold to Beneft The Bedari Foundation O♦

11. Jean-Michel Basquiat

1960-1988

Back of the Neck signed and dated ‘Jean-Michel Basquiat 1982’ lower right; further inscribed ‘B.A.T’ on the reverse. screenprint with hand colouring on paper. 127.7 x 257.8 cm (501/4 x 1011/2 in.). Executed in 1982, this work is the bon à tirer before the edition of 24 plus 3 artist’s proofs. Estimate £450,000-650,000 $573,000-827,000 €492,000-711,000 ‡ plus Buyers Premium and VAT*

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Sold to Beneft The Bedari Foundation O♦

12. Keith Haring

1958-1990

Untitled (Grace Jones Mask) signed and dated ‘© K. Haring 1987 ’ on the reverse. enamel on aluminium. 113 x 110.5 x 31.8 cm (441/ 2 x 431/ 2 x 121/ 2 in.). Executed in 1987. Estimate £1,500,000-2,000,000 $1,934,070-2,578,760 €1,656,277-2,208,370 ‡ plus Buyers Premium and VAT*

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Sold to Beneft The Bedari Foundation O♦

13. George Condo

b. 1957

The Age of Reason signed and dated ‘Condo 2010’ on the reverse. oil and pastel on canvas. 193.7 x 198.8 cm (76 1/4 x 78 1/4 in.). Executed in 2010. Estimate £2,000,000-3,000,000 $2,578,760-3,312,555 €2,208,370-3,868,575 ‡ plus Buyers Premium and VAT*

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Property from an Important Asian Collection

14. Alex Katz

b. 1927

Ada with Mirror signed and dated ‘Alex Katz 69’ lower right. oil on linen, in artist’s frame. 83 x 123.5 cm (32 5/8 x 48 5/8 in.). Painted in 1969. Estimate £400,000-600,000 $509,000-764,000 €437,000-656,000 ‡ plus Buyers Premium and VAT*

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15. Yoshitomo Nara

b. 1959

Magic Carpet colour pencil on paper laid on canvas mounted on wood. 162 x 162 cm (63 3/4 x 63 3/4 in.). Executed in 2012. Estimate £500,000-700,000 $636,000-891,000 €547,000-765,000 plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

16. Ed Ruscha

b. 1937

1981 - Future signed, titled and dated ‘“1981 - FUTURE” Ed Ruscha 1980’ on the reverse. oil on canvas. 56 x 202.9 cm (22 x 79 7/8 in.). Painted in 1980. Estimate £600,000-800,000 $764,000-1,020,000 €656,000-875,000 plus Buyers Premium and VAT*

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Property from a Private Swiss Collection O

17. Jean-Michel Basquiat

1960-1988

Untitled (Pestus) acrylic and oilstick on paper. 114.3 x 182.8 cm (45 x 71 7/8 in.). Executed in 1982, this work is accompanied by a certifcate of authenticity from the Authentication Committee of the Estate of Jean-Michel Basquiat. Estimate £2,000,000-3,000,000 $2,578,760-3,312,555 €2,208,370-3,868,575 ‡ plus Buyers Premium and VAT*

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18. Andy Warhol

1928-1987

Flowers signed and dated ‘ANDY WARHOL 64 Andy Warhol’ on the overlap. synthetic polymer and silkscreen ink on canvas. 61 x 61 cm (24 x 24 in.). Executed in 1964. Estimate £1,400,000-1,800,000 $1,780,000-2,290,000 €1,530,000-1,970,000 ‡ plus Buyers Premium and VAT*

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Property of a Private European Collector

19. Sir Peter Blake, R.A.

b. 1932

Nudina signed, titled and dated ‘“NUDINA.” 1961-64 P Blake.’ on the reverse. oil and enamel on Masonite and wood, in artist’s frame with attached ornament. 33 x 17.7 cm (12 7/8 x 6 7/8 in.). Executed in 1961–64. Estimate £60,000-80,000 $76,400-102,000 €65,600-87,500 ♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Private European Collector

20. Allen Jones

b. 1937

Project for Fifeen Foot Women signed, titled and dated ‘Allen Jones Project for Fifeen Foot Woman 1967’ on the stretcher. oil and graphite on canvas. 91.5 x 91.5 cm (36 x 36 in.). Executed in 1967. Estimate £150,000-200,000 $191,000-255,000 €164,000-219,000 ♠ plus Buyers Premium and VAT, ARR applies*

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O♦

21. Sean Scully

b. 1945

Somebody’s Angel signed, titled and dated ‘SOMEBODY’S ANGEL Sean Scully 2017’ on the reverse. oil on aluminum. 215.9 x 190.5 cm (85 x 75 in.). Executed in 2017. Estimate £600,000-800,000 $770,580-1,027,440 €658,676-878,235 ‡♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private Collection O

22. Joan Mitchell

1925-1992

Untitled signed ‘Joan Mitchell’ on the lef stretcher; further signed and dedicated ‘To Elga Merry Christmas love Joan Joan MitchEll’ on the right stretcher. oil on canvas, diptych. 46.2 x 76.2 cm (18 1/4 x 30 in.). Painted in 1975. Estimate £400,000-600,000 $509,000-764,000 €437,000-656,000 plus Buyers Premium and VAT*

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23. Cy Twombly

1928-2011

Portrait of Alvise di Robilant inscribed ‘ALVISE DI ROBILANT’ upper edge. oil-based house paint, graphite and wax crayon on canvas. 149.8 x 124.5 cm (58 7/8 x 49 in.). Executed in 1967. Estimate £500,000-700,000 $636,000-891,000 €547,000-765,000 ‡ plus Buyers Premium and VAT*

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24. Alberto Giacometti

1901-1966

Femme debout incised with the artist’s signature and numbered ‘Alberto Giacometti 7/8’ on the right side of the base; further incised with the foundry mark ‘Susse Fondeur Paris’ on the reverse of the base; further stamped with the foundry mark ‘Susse Fondeur Paris Cire Perdue’ on the underside of the base. bronze. 44.5 x 7.8 x 11.1 cm (17 1/2 x 3 1/8 x 4 3/8 in.). Conceived circa 1961 and cast in bronze in 1993 by Susse Fondeur, Paris, this work is number 7 from an edition of 8 plus one 0 cast and a further Fondation Alberto et Annette Giacometti cast. This work is recorded in the Alberto Giacometti Database under no. 1953, and is accompanied by a certifcate of authenticity from the Giacometti Committee. Estimate £550,000-750,000 $700,000-955,000 €601,000-820,000 ‡ plus Buyers Premium and VAT*

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Property from a Private European Collection

25. Wojciech Fangor

1922-2015

M 91 signed, titled and dated ‘FANGOR M 91 1967’ on the reverse. oil on canvas. 168 x 177.5 cm (66 1/8 x 69 7/8 in.). Painted in 1967. This work will be included in the forthcoming catalogue raisonné currently being prepared by the Estate of Wojciech Fangor. Estimate £200,000-300,000 $255,000-382,000 €219,000-328,000 ♠ plus Buyers Premium and VAT, ARR applies*

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26. Georges Mathieu

1921-2012

Petite Torture infigée au Marquis de Coconat et à son complice la Molle signed ‘Mathieu 60’ lower right; further signed, titled and dated ‘Petite Torture infigée au Marquis de Coconat et à son complice la Molle. Mathieu 1960’ on the stretcher. oil on canvas. 250 x 300 cm (983/8 x 1181/8 in.). Painted in May 1960. This work will be included in the forthcoming catalogue raisonné, currently being prepared by Le Comité Georges Mathieu under no. GM60038, and is accompanied by a certifcate of authenticity issued by Le Comité Georges Mathieu. Estimate £250,000-350,000 $318,000-446,000 €273,000-383,000 ♠ plus Buyers Premium and VAT, ARR applies*

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27. Hurvin Anderson

b. 1965

Marlene’s signed with the artist’s initials, titled and dated ‘“Marlene’s’’ April 2005 H.A’ on the overlap; further titled ‘Marlene’s’ on the stretcher. oil on canvas. 88.4 x 146 cm (34 3/4 x 57 1/2 in.). Painted in April 2005. Estimate £250,000-350,000 $318,000-446,000 €273,000-383,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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28. Damien Hirst

b. 1965

The Body of Christ glass, stainless steel, steel, aluminium, nickel, paracetamol pills and blood. 185.3 x 120.3 x 10.2 cm (72 7/8 x 47 3/8 x 4 in.). Executed in 2005. Estimate £800,000-1,200,000 $1,020,000-1,530,000 €875,000-1,310,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Important French Collection

29. Lynette Yiadom-Boakye

b. 1977

Luminary signed with the artist’s initials, titled and dated ‘LYB 2011 Luminary’ on the reverse. oil on canvas. 180.3 x 150 cm (70 7/8 x 59 in.). Painted in 2011. Estimate £250,000-450,000 $318,000-573,000 €273,000-492,000 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private Collection, U.S.A.

30. Henry Taylor

b. 1958

Ami and the Deer signed, titled and dated ‘“Ari” and the Dear 2015–2017 Henry Taylor’ on the reverse. acrylic and collage on canvas. 181.6 x 119.1 cm (71 1/2 x 46 7/8 in.). Executed in 2015-17. Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 ‡ plus Buyers Premium and VAT*

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O♦

31. Georg Baselitz

b. 1938

Kopf an Kopf II signed with the artist’s initials and dated ‘GB. 18.IV.89’ lower lef; further signed, titled, inscribed and dated ‘G.Baselitz .7.II.89 + 18.IV.89 .Kopf an Kopf II’ on the reverse. oil on canvas. 249.9 x 200.4 cm (983/8 x 787/8 in.). Painted in 1989. Estimate £600,000-800,000 $764,000-1,020,000 €656,000-875,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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O♦

32. Albert Oehlen

b. 1954

Control signed and dated ‘A Oehlen 07’ on the reverse. oil, acrylic and printed paper collage on canvas. 230 x 200 cm (90 1/2 x 78 3/4 in.). Executed in 2007. Estimate £400,000-600,000 $509,000-764,000 €437,000-656,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private American Collection

33. Rudolf Stingel

b. 1956

Untitled signed and dated ‘Stingel 2011’ on the reverse. oil and enamel on linen. 241.7 x 193.2 cm (95 1/8 x 76 1/8 in.). Executed in 2011. Estimate £800,000-1,200,000 $1,020,000-1,530,000 €875,000-1,310,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Important German Collection

34. Albert Oehlen

b. 1954

Die Veränderungen signed and dated ‘A. Oehlen 05’ on the reverse. oil, acrylic and photo-paper collage on canvas. 299.5 x 280.4 cm (117 7/8 x 110 3/8 in.). Executed in 2005. Estimate £700,000-900,000 $891,000-1,150,000 €765,000-984,000 ♠ plus Buyers Premium and VAT, ARR applies*

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35. Günther Förg

1952-2013

Untitled signed and dated ‘Förg 95’ on the reverse. acrylic on lead on wood. 180 x 110 cm (70 7/8 x 43 1/4 in.). Executed in 1995, this work is recorded in the archive of Günther Förg as no. WVF. 95. B. 0650. Estimate £250,000-350,000 $318,000-446,000 €273,000-383,000 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Important American Collection

36. Anish Kapoor

b. 1954

Blade stainless steel. 55 x 106 x 106 cm (21 5/8 x 41 3/4 x 41 3/4 in.). Executed in 2004, this work is number 1 from an edition of 3 plus 1 artist’s proof. Estimate £60,000-80,000 $76,400-102,000 €65,600-87,500 ‡♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Collector

37. KAWS

b. 1974

HARD FEELINGS each signed and dated ‘KAWS..10’ on the reverse. acrylic on canvas, in 2 parts. lef part 213.4 x 91.4 cm (84 x 36 in.). right part 213.4 x 30.5 cm (84 x 12 in.). Painted in 2010. Estimate £580,000-750,000 $738,000-955,000 €634,000-820,000 ‡ plus Buyers Premium and VAT*

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Property of a Private French Collector

38. Jason Rhoades

1965-2006

Heroic Vagina two neon phrases with transformer and power cord, orange Plexiglas panel, PeaRoeFoam, cardboard and rubber boot on Lifetime folding table. 233.7 x 154.9 x 109.2 cm (92 x 60 7/8 x 42 7/8 in.). Executed in 2003, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate ÂŁ150,000-200,000 $191,000-255,000 â&#x201A;Ź164,000-219,000 plus Buyers Premium and VAT*

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Property from an Important European Collection Ж

39. Wolfgang Tillmans

b. 1968

Freischwimmer 27 signed and numbered ‘Wolfgang Tillmans 1/1’ on the accompanying artist’s label. c-print. 240 x 180 cm (94 1/2 x 70 7/8 in.). Executed in 2003, this work is number 1 from an edition of 1 plus 1 artist’s proof. Estimate £210,000-300,000 $267,000-382,000 €230,000-328,000 ♠ plus Buyers Premium and VAT, ARR applies*

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40. Cory Arcangel

b. 1978

Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient ‘Spectrum’, mousedown y=23900 x=11650, mouseup y=32650 x=11650 Diasec-mounted c-print, in artist’s frame. 279.4 x 182.9 cm (109 7/8 x 72 in.). Executed in 2009. Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 ‡ plus Buyers Premium and VAT*

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Day Sale Lots 101â&#x20AC;&#x201C;273

101. Jordan Wolfson

b. 1980

102. Robert Nava

b. 1985

Untitled

Anu Zord (Transformer)

inkjet print on canvas, fush mounted to aluminium 151.1 x 126.8 cm (59 1/2 x 49 7/8 in.) Executed in 2014.

signed, titled and dated ‘“Anu Zord” Nava 18’ on the reverse acrylic, spray paint and graphite on canvas 230 x 160 cm (90 1/2 x 62 7/8 in.) Executed in 2018.

Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600 ‡ plus Buyers Premium and VAT*

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 plus Buyers Premium and VAT*

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103. Eddie Martinez

b. 1977

104. Eddie Martinez

b. 1977

Wave Rider

Untitled

signed and dated ‘Martinez 2017’ on the reverse oil, spray paint and enamel on canvas 122.1 x 152.4 cm (48 1/8 x 60 in.) Executed in 2017.

signed with the artist’s initials and dated ‘EM 08’ lower right; further signed, titled and dated ‘E. Martinez 2008. UNTITLED’ on the reverse; further signed and dated ‘EM. 08.’ on the stretcher oil, acrylic and spray paint on canvas 152.4 x 122.4 cm (60 x 48 1/4 in.) Executed in 2008.

Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 plus Buyers Premium and VAT*

Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 plus Buyers Premium and VAT*

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105. Banksy

b. 1974

106. Stanley Whitney

b. 1946

Girl with Balloon

Butter’s Real Name

numbered ‘A/P DN 67/600’ lower right screenprint on wove paper 65.5 x 49.9 cm (25 3/4 x 19 5/8 in.) Executed in 2004, this work is number 67 from an edition of 600, and is accompanied by a certifcate of authenticity issued by Pest Control.

signed and titled ‘Stanley Whitney “Butter Real Name”’ on the reverse oil on linen 183.5 x 183.2 cm (72 1/4 x 72 1/8 in.) Painted in 2018.

Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600 ‡ ♠

Estimate £150,000-200,000 $191,000-255,000 €164,000-219,000 ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

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Property from an Esteemed European Collection

107. Nicolas Party

b. 1980

Property from an Esteemed European Collection

108. Nicolas Party

b. 1980

Landscape

signed and dated ‘Nicolas Party 2012’ on the reverse watercolour on paper 23 x 30 cm (9 x 11 3/4 in.) Executed in 2012.

signed and dated ‘Nicolas Party 2012’ on the reverse watercolour on paper 23 x 32 cm (9 x 12 5/8 in.) Executed in 2012.

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700

plus Buyers Premium and VAT*

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109. Loie Hollowell

b. 1983

Linked Lingam in green, purple, and orange signed, titled and dated ‘Loie Hollowell 2018 “Linked Lingam in green, purple and orange” “Linked Lingam in green, purple and orange”’ on the reverse oil, acrylic, sawdust and high-density foam on linen, mounted on panel 71.3 x 53.5 cm (28 1/8 x 21 1/8 in.) Executed in 2018.

110. Harold Ancart

b. 1980

Untitled oilstick and graphite on paper, in artist’s frame 116.7 x 78.7 cm (45 7/8 x 30 7/8 in.) Executed in 2013. Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 ‡ plus Buyers Premium and VAT* scan for more on this lot

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111. Genieve Figgis

b. 1972

112. Genieve Figgis

b. 1972

The Seance

Day Out

signed and dated ‘Genieve Figgis 2018’ on the reverse acrylic on canvas 119.7 x 119.7 cm (47 1/8 x 47 1/8 in.) Painted in 2018.

signed and dated ‘Genieve Figgis 2018’ on the reverse acrylic on canvas 79.8 x 99.8 cm (31 3/8 x 39 1/4 in.) Painted in 2018.

Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 ‡ ♠

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ‡ ♠

plus Buyers Premium and VAT, ARR applies*

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113. Claire Tabouret

b. 1981

114. Lynette Yiadom-Boakye

Lyda Borelli (Mi-clos)

Chord

signed and dated ‘C. TABOURET 2016’ on the reverse acrylic and glitter on wood 35.5 x 28 cm (13 7/8 x 11 in.) Executed in 2016.

signed with the artist’s initials, titled and dated ‘LYB 2007 Chord’ on the reverse oil on linen 50.3 x 45 cm (19 3/4 x 17 3/4 in.) Painted in 2007.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠ plus Buyers Premium and VAT, ARR applies*

b. 1977

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠ plus Buyers Premium and VAT, ARR applies*

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115. Godwin Champs Namuyimba

b. 1989

Escape with a Beer signed, titled and dated ‘Escape with a beer Namuyimba. Namuyimba 2020’ on the reverse oil on canvas 139.4 x 110.8 cm (54 7/8 x 43 5/8 in.) Painted in 2020. Estimate £6,000-8,000 $7,600-10,200 €6,600-8,800 ‡ plus Buyers Premium and VAT*

116. Wonder Buhle Mbambo Inkomo iyashayelwa ubisi Iwayo

signed, titled and dated ‘“Inkomo iyashayelwa ubisi lwayo” Wonderbuhle 2020”’ on the reverse acrylic on canvas 50 x 50 cm (19 5/8 x 19 5/8 in.) Painted in 2020. Estimate £3,000-5,000 $3,800-6,400 €3,300-5,500 ‡ plus Buyers Premium and VAT*

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b. 1989

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117. William Mackinnon

b. 1978

118. Josh Smith

b. 1976

Push the sky away

Untitled (JSP16029)

signed, titled and dated ‘Push the sky away William Mackinnon 2018’ on the reverse acrylic, oil and enamel on linen 119.2 x 150.3 cm (46 7/8 x 59 1/8 in.) Executed in 2018.

signed, titled and dated ‘JOSH SMITH 2016 JSP16029’ on the overlap oil on canvas 122 x 91.4 cm (48 x 35 7/8 in.) Painted in 2016.

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ♠

Estimate £60,000-70,000 $76,400-89,200 €65,700-76,600

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

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119. Wolfgang Tillmans

b. 1968

Freischwimmer 143 inkjet print with 8 white binder clips 253 x 316 cm (995/8 x 1243/8 in.) Executed in 2009, this work is number 1 from an edition of 1 plus 1 artist’s proof and is accompanied by a certifcate of authenticity, signed by the artist ‘Wolfgang Tillmans’, a colour match print of the present work and a data CD. Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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121. Secundino Hernández

b. 1975

122. Henry Taylor

b. 1958

Untitled

signed with the artist’s initials and dated ‘SH. 08’ lower right oil on canvas 200 x 180 cm (78 3/4 x 70 7/8 in.) Painted in 2008.

acrylic on panel, in artist’s frame with nail and nail clippers 47 x 41.2 cm (18 1/2 x 16 1/4 in.) Executed in 2006.

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠

Estimate £18,000-25,000 $22,900-31,900 €19,700-27,400 plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

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123. Kehinde Wiley

b. 1977

Passing/ Posing (Female Prophet Anne, Samuel’s Mother) No. 2

124. George Condo

b. 1957

Together on the Island

oil on canvas, in artist’s frame 218.4 x 182.9 cm (85 7/8 x 72 in.) Painted in 2004.

signed ‘Condo 84’ upper right oil and paper collage on canvas 45.5 x 37.5 cm (17 7/8 x 14 3/4 in.) Executed in 1984.

Estimate £60,000-90,000 $76,400-115,000 €65,700-98,500 ‡

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700

plus Buyers Premium and VAT*

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125. George Condo

b. 1957

126. Tomoo Gokita

b. 1969

Cubist Woman

Mature #5

signed and dated ‘Condo 03’ lower lef ink pen and gouache on paper 29.7 x 30.2 cm (11 3/4 x 11 7/8 in.) Executed in 2003.

signed, titled and dated ‘“MATURE #5” Tomoo Gokita 2017’ on the reverse acrylic and gouache on linen 89.5 x 145.7 cm (35 1/4 x 57 3/8 in.) Painted in 2017.

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 plus Buyers Premium and VAT*

Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ‡ plus Buyers Premium and VAT*

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127. KAWS

b. 1974

128. Kehinde Wiley

b. 1977

UNTITLED (MOSCHINO)

Saint Francis of Assisi

signed and dated ‘KAWS..97©’ lower right acrylic on existing advertising poster 127 x 66 cm (50 x 25 7/8 in.) Executed in 1997.

oil wash and graphite on paper, in artist’s frame 193.9 x 141 cm (76 3/8 x 55 1/2 in.) Executed in 2008.

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ‡

Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ‡

plus Buyers Premium and VAT*

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129. Arthur Jafa

b. 1960

130. Jon Rafman

b. 1981

HA Crow 8B

New Age Demanded

Epson Fine Art print Diasec-mounted to acrylic, on aluminium panel 203.2 x 146.1 cm (80 x 57 1/2 in.) Executed in 2018, this work is number 1 from an edition of 3 plus 2 artist’s proofs.

archival pigment print 147.3 x 106.7 cm (57 7/8 x 42 in.)

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ‡

plus Buyers Premium and VAT*

Estimate £18,000-22,000 $22,900-28,000 €19,700-24,100 ‡

plus Buyers Premium and VAT*

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131. Allora & Calzadilla

b. 1974 b. 1971

Shape Shifer sandpaper laid on canvas, mounted to aluminium 252 x 187.9 cm (99 1/4 x 73 7/8 in.) Executed in 2012. Estimate £10,000-15,000 $12,700-19,100 €10,90016,400 ‡ plus Buyers Premium and VAT*

132. Harland Miller

b. 1964

Incurable Romantic Seeks Dirty Filthy Whore signed and dated ‘Harland Miller 2006’ on the reverse oil on canvas 213.3 x 154.9 cm (83 7/8 x 60 7/8 in.) Painted in 2006. Estimate £175,000-225,000 $223,000-287,000 €192,000-246,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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133. McArthur Binion

b. 1946

134. Lorna Simpson

b. 1960

DNA: Sepia: IX

Portrait

signed with the artist’s initials, titled and dated ‘dna: sepia: IX MAB 2016’ on the reverse oilstick, ink and paper collage on board 122 x 101.6 cm (48 x 40 in.) Executed in 2016.

silver gelatin print, in artist’s frame with engraved plastic plaque frame 158.8 x 65.4 cm (62 1/2 x 25 3/4 in.) plaque 12.7 x 38.4 cm (5 x 15 1/8 in.) Executed in 1988, this work is number 1 from an edition of 1 plus 1 artist’s proof.

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ‡

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ‡

plus Buyers Premium and VAT*

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135. Lorna Simpson

b. 1960

Practical Joke 2 dye difusion colour polaroid prints, in artist’s frame 65.7 x 109.3 cm (25 7/8 x 43 in.) Executed in 1992, this work is number 1 from an edition of 3. Estimate £15,000-25,000 $19,100-31,900 €16,400-27,400 ‡ plus Buyers Premium and VAT*

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137. Danh Vo

b. 1975

138. Mike Kelley

1954-2012

We the People (detail)

City 17

copper, 280 kg 115.5 x 392 x 206 cm (45 1/2 x 154 3/8 x 81 1/8 in.) Executed in 2011-2016.

tinted urethan resin on wooden base with LED lights 204.4 x 42.5 x 42.5 cm (80 1/2 x 16 3/4 x 16 3/4 in.) Executed in 2011, this work is number 2 from an edition of 2 plus 1 artist’s proof.

Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £50,000-80,000 $63,700-102,000 €54,700-87,600 ‡ plus Buyers Premium and VAT*

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Property from a Distinguished Belgian Collector

139. Nam June Paik

140. Tony Cragg Close Quarters

1932-2006

Neon Buddha signed, indistinctly inscribed and dated ‘PAik ‘97 ... PAIK ‘97’ on a plaque afxed to the lower right of the main panel 1 television, 3 radio televisions, neon lights, extension cable and electrical components mounted on panel with accompanying video player, transformer, electrical components and laser disk main panel 104 x 113 x 42 cm (40 7/8 x 44 1/2 x 16 1/2 in.) overall installation dimensions variable Executed in 1997.

stamped with the artist’s initials and dated ‘T. C. 2006’ lower edge bronze 141 x 60 x 68 cm (55 1/2 x 23 5/8 x 26 3/4 in.) Executed in 2006. Estimate £120,000-180,000 $153,000-229,000 €131,000-197,000 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 plus Buyers Premium and VAT* scan for more on this lot

b. 1949

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Alexander Calder & Yves Klein’s Poetic Approach to Colour and Space Comprising fve delicate sculptures by the American artist Alexander Calder and an idiosyncratically saturated blue sponge by the French artist Yves Klein, the following Property from an Important Private Collection, Paris, ofers a poetic meditation on the properties of colour, balance and space. Executed between 1953 and 1975, Calder’s untitled works illustrate the artist’s two quintessential sculptural manifestations: the stabile and the mobile. Ceaselessly animating the space they occupy, Calder’s ‘mobiles’ and ‘stabiles’ resemble materialised levitations. They challenge the sculptural medium’s traditions of staticity and conventional presentation, and, - whether designed to hang from ceilings, stand on grounded supports, or remain static in natural settings - they echo Sartre’s claim that ‘If it is true that in sculpture movement must be cut into the motionless, then it would be an error to relate Calder’s art to sculpture’ (Jean-Paul Sartre, ‘Existentialist on Mobilist’, December 1947, online). With idiosyncratic grace and delicacy, Calder’s abstractions propel their architectural shell into a celestial realm that removes them from perceived notions of space and time. Following a meticulous method enacted through the careful use and manipulation of a particular set of materials, ‘Calder’s characteristic material is metal’, wrote James Johnson Sweeney. ‘He has always avoided modelling in favour of direct handling cutting, shaping with a hammer, or assembling piece by piece. Such an approach has fostered a simplicity of form and clarity of contour in his work. It allies him with [Constantin] Brancusi, [Jean] Arp, [Henry] Moore and [Alberto] Giacometti in their repudiation of virtuosity’ (James Johnson Sweeney, Alexander Calder, exh. cat., Museum of Modern Art, New York, 1951, np). Standing within the ranks of such seminal modern fgures, who Sweeney contends are Calder’s conceptual kin, the artist furthermore shared close relationships with a number of artists who informed his own practice. Among close friends, the artist counted Arp, who came up with the linguistic contraction ‘stabile’ in 1932, and Marcel Duchamp, who coined the term ‘mobile’ a year prior.

Drenched in vibrant red, yellow and black hues, the four Calder works were notably executed at a time when Calder’s poetic vision was gaining increasing critical attention, with major retrospectives taking place in esteemed institutions including the Guggenheim Museum in New York, 1964, the Museum of Fine Arts, in Houston, 1964, and the Musée National d’Art Moderne in Paris, 1965. These shows anticipated his solo exhibition at the Fondation Maeght in 1969, and his seminal retrospective at the Whitney Museum of American Art, New York, in 1976. ‘In working on my pictures in my studio, I sometimes used sponges. They became blue very quickly, obviously! One day I noticed the beauty of the blue in the sponge; at once this working tool became raw material for me. It is that extraordinary faculty of the sponge to become impregnated with whatever may be fuid that seduced me.’ - Yves Klein An elegant, simple, yet metaphysical object, Yves Klein’s Sculpture Éponge bleue sans titre (SE 281) is a sumptuous example of the artist’s pioneering Sculptures Éponges (Sponge Sculptures). ‘The sponge has that extraordinary capacity to absorb and become impregnated with whatever fuid, which was naturally very seductive to me’, the artist explained. ‘Thanks to the natural and living nature of sponges, I was able to make portraits to the readers of my monochromes, which, afer having seen and travelled into the blue of my paintings, returned from them completely impregnated with sensibility, just as the sponges’ (Yves Klein, Overcoming the Problematics of Art: The Writings of Yves Klein, New York, 2007, p. 23). Embarking on what he called his ‘Blue Revolution’, Klein coined the ultramarine colour that he would subsequently register under his name: ‘International Klein Blue’, or ‘IKB’. In Sculpture Éponge bleue sans titre (SE 281), the objects beautiful sponge material emulates a fowering form and imbues the work with elevated, spiritual associations.

Property from An Important Private Collection, Paris

141. Alexander Calder

1898-1976

Untitled sheet metal, brass, wire and paint, in 2 parts. 15.5 x 12 x 10 cm (6 1/8 x 4 3/4 x 3 7/8 in.). Executed circa 1953, this work is registered in the archives of the Calder Foundation, New York, under application number A18319. Estimate £200,000-300,000 $255,000-382,000 €219,000-328,000 plus Buyers Premium and VAT*

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Property from An Important Private Collection, Paris

142. Alexander Calder

1898-1976

Untitled incised with the artist’s monogram and date ‘CA 75’ on the base. sheet metal, brass, wire and paint, in 2 parts. 25 x 24.1 x 14.5 cm (9 7/8 x 9 1/2 x 5 3/4 in.). Executed in 1975, this work is registered in the archives of the Calder Foundation, New York, under application number A10988. Estimate £200,000-300,000 $255,000-382,000 €219,000-328,000 plus Buyers Premium and VAT*

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Property from An Important Private Collection, Paris

143. Alexander Calder

1898-1976

Property from An Important Private Collection, Paris

144. Alexander Calder

1898-1976

Untitled

incised with the artist’s monogram ‘CA’ on the base sheet metal, brass, wire and paint, in 2 parts 22.9 x 18.4 x 10.2 cm (9 x 7 1/4 x 4 in.) Executed in 1964, this work is registered in the archives of the Calder Foundation, New York, under application number A23507.

sheet metal, brass, wire and paint, in 2 parts 12.7 x 13.3 x 5.1 cm (5 x 5 1/4 x 2 in.) Executed in 1954, this work is registered in the archives of the Calder Foundation, New York, under application number A08248.

Estimate £150,000-200,000 $191,000-255,000 €164,000-219,000

Estimate £150,000-200,000 $191,000-255,000 €164,000-219,000 plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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Property from An Important Private Collection, Paris

145. Alexander Calder

1898-1976

Property from An Important Private Collection, Paris

146. Yves Klein

1928-1962

Untitled

Sculpture Éponge bleue sans titre (SE 281)

sheet metal and wire 23.2 x 40.7 x 17.4 cm (9 1/8 x 16 x 6 7/8 in.) Executed circa 1975, this work is registered in the archives of the Calder Foundation, New York, under application number A08708.

dry pigment and synthetic resin on natural sponge 3.9 x 5.9 x 4.5 cm (1 1/2 x 2 3/8 x 1 3/4 in.) Executed in 1961, this work is registered in the Yves Klein Archives under number SE 281.

Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000

Estimate £40,000-60,000 $51,400-77,200 €44,000-66,000 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

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Property from an Esteemed European Collection

147. Richard Pettibone

Property from an Esteemed European Collection b. 1938

Roy Lichtenstein, ‘Woman with Flowered Hat’, 1963 signed, stamped with the title, numbered and dated ‘ROY LICHTENSTEIN WOMAN WITH FLOWERED HAT 1963 65/100 R Pettibone 1970’ on the reverse acrylic and silkscreen on canvas, in artist’s frame 19.2 x 16 cm (7 1/2 x 6 1/4 in.) Executed in 1970, this work is number 65 from an edition of 100. Estimate £12,000-18,000 $15,300-22,900 €13,10019,700

148. Richard Pettibone

b. 1938

Frank Stella, ‘Protractor Variation IV’, 1968 signed, titled and dated ‘Frank Stella Protractor Variation IV, 1968 R Pettibone 1969’ on the stretcher acrylic and graphite on shaped canvas, in artist’s frame 5.4 x 10.4 cm (2 1/8 x 4 1/8 in.) Executed in 1969. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

149. Ed Ruscha

b. 1937

Property from an Important Northern European Collection

150. Ed Ruscha

b. 1937

signed and dated ‘Ed Ruscha 2001’ on the inside front cover bleach on a 1998 cloth-bound book The New American Politician 21.6 x 14.5 x 3 cm (8 1/2 x 5 3/4 x 1 1/8 in.) Executed in 2001.

signed and dated ‘Ed Ruscha ‘93’ on the inside of the back cover bleach on a 1973 cloth-bound book Stand Like Men 21.9 x 14.8 x 3 cm (8 5/8 x 5 7/8 x 1 1/8 in.) Executed in 1993.

Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700

plus Buyers Premium and VAT*

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151. Joseph Kosuth

b. 1945

‘Texts for Nothing #18’ warm white neon dipped in matte black mounted directly on the wall. 36 x 183.6 cm (14 1/8 x 72 1/4 in.). This work is accompanied by a certifcate of authenticity, signed by the artist and executed in 2010. Estimate £30,000-40,000 $38,200-51,000 €32,800-43,800 ‡ plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

152. Steven Parrino

1958-2005

Blob #4 signed, titled and dated ‘Steven Parrino ‘94 BLOB #4’’ on the underside. lacquer, silicone, staples, and duct tape on folded canvas. 23 x 89 x 68 cm (9 x 35 x 26 3/4 in.). Executed in 1994. Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 plus Buyers Premium and VAT*

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153. Julian Schnabel

b. 1951

154. Julian Schnabel

b. 1951

Untitled

Mi vida es una cumbre de mentiras

signed, titled, inscribed and dated ‘ANNA LISA FRANCESCA UNTITLED Julian Schnabel 1982’ on the overlap oil and oil stick on stitched canvas 300 x 275 cm (118 1/8 x 108 1/4 in.) Executed in 1982.

titled ‘mi vida es una cumbre de mentiras’ to the centre oil, resin, plaster and leather collage on canvas, in artist’s frame 200.7 x 170.2 cm (79 x 67 in.) Executed in 2000.

Estimate £120,000-180,000 $153,000-229,000 €131,000-197,000

Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 ‡

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155. Christo

1935-2020

156. Ilya Kabakov

b. 1933

The Pont Neuf, Wrapped (Project for Paris)

The Paintings about Sun, #1

signed and dated ‘Christo 1985’ lower lef; further titled and inscribed ‘THE PONT NEUF, WRAPPED (PROJecT FOR PaRiS) Quai de LouVRe, Q. de la MegrisséRie Ile de la Cité, Quai de Conti, Q. des Gds Augusting’ lower edge graphite, charcoal, wax crayon, aerial photograph and architectural drawings on card collage, oil pastel, fabric and thread, in artist’s Plexiglas box frame with tape, in 2 parts top part 29 x 72 cm (11 3/8 x 28 3/8 in.) bottom part 56.8 x 72 cm (22 3/8 x 28 3/8 in.) Executed in 1985.

signed, titled and dated ‘I. Kabakov “Four paintings about the Sun” [in Cyrillic] N1 2013r.’ on the reverse oil on canvas, in artist’s frame 169.5 x 263.5 cm (66 3/4 x 103 3/4 in.) Painted in 2013. Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ‡ plus Buyers Premium and VAT*

Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600 ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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157. Tom Wesselmann

1931-2004

Study for Still Life with Fruit, Daisies and Monica

158. Andy Warhol

1928-1987

Camoufage Painting

signed and dated ‘Wesselmann 86’ lower right Liquitex acrylic and graphite on Bristol board 41.2 x 56 cm (16 1/4 x 22 in.) Executed in 1986.

stamped by the Andy Warhol Foundation for The Visual Arts Inc., New York and numbered ‘PA85.052’ on the overlap synthetic polymer and silkscreen on canvas 30.5 x 25 cm (12 x 9 7/8 in.) Executed in 1985.

Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600

Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600

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159. William Kentridge

b. 1955

Mr and Mrs Eckstein signed and dated ‘KENTRIDGE ‘91’ lower right charcoal and pastel on paper 120 x 149.5 cm (47 1/4 x 58 7/8 in.) Executed in 1991. Estimate £160,000-200,000 $204,000-255,000 €175,000-219,000 plus Buyers Premium and VAT*

Property from an Important Northern European Collection

160. Robert Longo

b. 1953

Bodyhammer: Tec 9 charcoal and graphite on paper 265.2 x 167.4 cm (104 3/8 x 65 7/8 in.) Executed in 1993. Estimate £150,000-200,000 $191,000-255,000 €164,000-219,000 plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

161. Maurizio Cattelan

162. Allan McCollum

b. 1944

The Plaster Surrogates b. 1960

Lullaby wooden pallet, rubble and plastic wrap, in 2 parts each 88 x 122 x 85 cm (34 5/8 x 48 x 33 1/2 in.) Executed in 1994. Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 ♠ plus Buyers Premium and VAT, ARR applies*

each signed, consecutively numbered and dated ‘Allan McCollum 1988 [M-13 No. 13...; M-14 No. 14... ; M-15 No. 15...; M-16 No. 16...; M-17 No. 17...; M-18 No. 18...; M-19 No. 19...; M-20 No. 20...]’ on the reverse enamel on stone, in 144 parts smallest 12.7 x 10.4 cm (5 x 4 1/8 in.) largest 24.2 x 18.3 cm (9 1/2 x 7 1/4 in.) overall installation dimensions approx. 244 x 274.5 cm (96 1/8 x 108 1/8 in.) Executed in 1988. Estimate £80,000-100,000 $102,000-127,000 €87,600-109,000 plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

163. Haim Steinbach

b. 1944

exuberant relative #2 signed, partially titled, numbered and dated ‘Haim Steinbach ‘86 #2, 2/2’ on the reverse plastic laminated wood shelf, plastic beverage helmets, plastic toilet brushes, aluminium Budweiser cans and Coca-Cola cans, in 9 parts overall 64.5 x 143.7 x 38.4 cm (25 3/8 x 56 5/8 x 15 1/8 in.) Executed in 1986, this work is number 2 from an edition of 2.

164. Darren Bader

b. 1978

Who has not asked himself at some time or other: am I a monster or is this what it means to be a person? - Clarice Lispector “I know, but there are lots of parts of being a person, you know?” “Yeah, I know”. Anyone who lives, knows, even without knowing, that he or she knows - Clarice Lispector fortune cookies installation dimensions variable Executed in 2013, this work is a unique work of art of which the artist is retaining 1 artist’s proof. This work is a certifcate of authenticity signed by the artist and the fortune cookies are to be sourced locally by the buyer.

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

Estimate £8,000-10,000 $10,200-12,700 €8,800-10,900 ‡

plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

165. John Armleder

b. 1948

Property from an Esteemed European Collection

166. Alan Charlton

b. 1948

Paina Te Matai

Untitled

signed, titled and dated ‘PAINA TE MATAI John Armleder 2006’ on the overlap acrylic on canvas 200.2 x 200.2 cm (78 7/8 x 78 7/8 in.) Painted in 2006.

signed and dated ‘A CHARLTON 1990’ on the stretcher of the central part acrylic on canvas, in 3 parts overall 234 x 234 cm (92 1/8 x 92 1/8 in.) Painted in 1990.

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ♠

plus Buyers Premium and VAT*

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167. Jef Elrod

b. 1966

Untitled signed and dated ‘Jef Elrod JEFF ELROD 2015’ on the overlap acrylic on canvas diameter 121.9 cm (47 7/8 in.) Painted in 2015. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡ plus Buyers Premium and VAT*

Property from an Esteemed European Collection

168. Heimo Zobernig

b. 1958

Untitled (HZ 1989-041) signed and dated ‘HEIMO ZOBERNIG 1989’ lower lef; further signed and dated ‘Heimo Zobernig 1989’ on the reverse; further titled ‘HZ 1989-041’ on the overlap oil on canvas 150 x 149.5 cm (59 x 58 7/8 in.) Painted in 1989. Estimate £25,000-35,000 $31,900-44,600 €27,400-38,300 ♠ plus Buyers Premium and VAT, ARR applies*

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170. Raoul de Keyser

1930-2012

Property from a Distinguished Belgian Collector

Doelpaal signed and dated ‘raoul de keyser 1968’ on the reverse acrylic on canvas 150 x 120 cm (59 x 47 1/4 in.) Painted in 1968. Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠ plus Buyers Premium and VAT, ARR applies*

171. Bram van Velde

1895-1981

Untitled signed ‘Bram van V’ lower right Indian ink wash and gouache on paper 150 x 125 cm (59 x 49 1/4 in.) Executed in August - September 1979. Estimate £100,000-150,000 $127,000-191,000 €109,000-164,000 ♠ plus Buyers Premium and VAT, ARR applies*

Property from an Esteemed European Collection

172. Gabriel Orozco

173. Enoc Perez

born 1967

Bacardi b. 1962

Piedra que cede plasticine and debris 32 x 41.5 x 34.5 cm (12 5/8 x 16 3/8 x 13 5/8 in.) Executed in 1992. Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600

signed, titled and dated ‘Enoc Perez December 2009 Bacardi’ on the reverse oil on canvas 152.5 x 107 cm (60 x 42 1/8 in.) Painted in December 2009. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡ plus Buyers Premium and VAT*

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174. Conrad Marca-Relli

1913-2000

175. Lucio Fontana

1899-1968

Untitled

Concetto spaziale

signed ‘MARCA-RELLI’ lower right; further signed and dated ‘MARCA-RELLI ‘59’ on the reverse jute and canvas collage on canvas laid on panel 55 x 64.5 cm (21 5/8 x 25 3/8 in.) Executed in 1959.

signed ‘L. Fontana’ on the underside coloured glazed ceramic with holes and grafto 28.5 x 25 x 25 cm (11 1/4 x 9 7/8 x 9 7/8 in.) Executed in 1962-64, this work is registered with the Fondazione Lucio Fontana under the archive no. 3777/1.

Estimate £30,000-40,000 $38,200-51,000 €32,800-43,800

Estimate £50,000-60,000 $63,700-76,400 €54,700-65,700 ‡ ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

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176. Dadamaino

1930-2004

177. Jannis Kounellis

1936-2017

Volume

Untitled

signed, titled and dated ‘DADAMAINO VOLUME 1958’ on the stretcher waterpaint on handcut canvas 115 x 85 cm (45 1/4 x 33 1/2 in.) Executed in 1958, this work is accompanied by a certifcate of authenticity issued by the Archivio Dadamaino, Milan, and is registered under no. 015/13.

empty olive oil bottles, jute sacks and wire on iron panel 200 x 180.5 cm (78 3/4 x 71 1/8 in.) Executed in 2010.

Estimate £50,000-60,000 $63,700-76,400 €54,700-65,700 ♠

plus Buyers Premium and VAT, ARR applies*

Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ‡ ♠

plus Buyers Premium and VAT, ARR applies*

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178. Sandro Chia

b. 1946

179. Antoni Tàpies

1923-2012

Melancholic Drinker

Incisions sobre tors.

signed ‘CHiA’ lower right oil, canvas and cardboard collage with staples on board, in artist’s frame 131.3 x 112.6 cm (51 3/4 x 44 3/8 in.)

signed ‘Tàpies’ on the reverse charcoal, oil pastel and sand on panel 194.6 x 130.5 cm (76 5/8 x 51 3/8 in.) Executed in 2000.

Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100 ♠

Estimate £120,000-180,000 $153,000-229,000 €131,000-197,000 ♠ plus Buyers Premium and VAT, ARR applies*

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180. Tierry De Cordier

1954

181. Tierry De Cordier

1954

FONT. (“Fat and creamy… ”)

NNNANNNN. Byz (Black Mad. With a bump)

signed with the artist’s pseudonym and dated ‘RTTY 1996’ upper right; further indistinctly titled, inscribed and dated ‘GRASSe et CRémé, il m’a plu d’habiter en elle REPRIS À OSTENDE DURANT L’HIVER 2006-‘07’ lower edge oil and enamel on carpet 223.5 x 170.2 cm (87 7/8 x 67 in.) Executed in 1996-2007.

signed with the artist’s pseudonym and dated ‘RTTY ‘96’ centre right acrylic and varnish on paper 58.4 x 46.4 cm (22 7/8 x 18 1/4 in.) Executed in 1996. Estimate £22,000-28,000 $28,000-35,700 €24,100-30,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £75,000-85,000 $95,600-108,000 €82,100-93,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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Property from an Important Northern European Collection

182. Jules Olitski

183. André Lanskoy Sans Titre

1922-2007

First Love - 9 signed, titled, numbered and dated ‘Jules Olitski 1972 First Love - 9 72/42’ on the reverse acrylic on canvas 201.4 x 380 cm (79 1/4 x 149 5/8 in.) Painted in 1972. Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900

signed ‘Lanskoy’ lower right oil on board 63.8 x 45.7 cm (25 1/8 x 17 7/8 in.) Painted circa 1948-1950. This work will be included in the artist’s catalogue raisonné currently in preparation by the Lanskoy Committee. Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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1902-1976

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184. Adrian Ghenie

b. 1977

History Is Always Horny I signed and dated ‘Ghenie 2007’ on the reverse. oil on canvas. 30.2 x 70.4 cm (11 7/8 x 27 3/4 in.). Painted in 2007. Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private Belgian Collection

185. David Hockney

b. 1937

Rue des Beaux-Arts signed with the artist’s initials, titled, inscribed and dated ‘DH. Rue des Beaux Arts Beaux Arts Paris 74.’ lower right coloured pencil on paper 65 x 48.2 cm (25 5/8 x 18 7/8 in.) Executed in 1974. Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 ♠

186. Michaël Borremans A thinner slice

signed, titled, inscribed and dated ‘MICHAËL BORREMANS M.C. G. A THINNER SLICE - 01/2001’ on the reverse oil on canvas 30 x 24 cm (11 3/4 x 9 1/2 in.) Painted in 2001. Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠ plus Buyers Premium and VAT, ARR applies*

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b. 1963

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187. Lynn Chadwick, R.A.

1914-2003

188. Victor Pasmore

1908-1998

Two Reclining Figures

Black Image

stamped with the artist’s signature, numbered and dated ‘CHADWICK 72 644 1/6’ on the underside of the male fgure; further signed with the artist’s initial ‘C’ on the underside of the female fgure bronze 14.3 x 35 x 23 cm (5 5/8 x 13 3/4 x 9 in.) Executed in 1972, this work is number 1 from an edition of 6.

signed with the artist’s initials and dated ‘VP 70/08’ on the reverse oil and gravure on carved panel 40.9 x 40.8 cm (16 1/8 x 16 1/8 in.) Executed in 1970. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £25,000-30,000 $31,900-38,200 €27,400-32,800 ♠ plus Buyers Premium and VAT, ARR applies*

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189. Victor Vasarely

1906-1997

190. Ilya Bolotowsky

1907-1981

Edax

Yellow Diamond with Red and Blue

signed ‘Vasarely’ lower centre; further signed, titled, numbered and dated ‘3719 VASARELY “EDAX” 1971/73 Vasarely’ on the reverse acrylic on canvas 80 x 68.5 cm (31 1/2 x 26 7/8 in.) Conceived in 1971-1973 and painted in 1989.

signed and dated ‘Ilya Bolotowsky / 77.’ lower right; further signed, titled and dated ‘“YELLOW DIAMOND WITH RED AND BLUE” 1977 by Ilya Bolotowsky’ on the reverse acrylic on canvas 180.5 x 179.5 cm (71 1/8 x 70 5/8 in.) Painted in 1977.

The authenticity of the present work has been confrmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely. This work will be included in the forthcoming Catalogue Raisonné de l’Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence.

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ plus Buyers Premium and VAT*

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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191. Richard Anuszkiewicz

1930-2020

192. Omar Rayo

1928-2010

Temple of Fire Red

Efmero No. 3

signed, numbered and dated ‘824 © RICHARD ANUSZKIEWICZ 1985’ on the reverse acrylic on canvas 107 x 61 cm (42 1/8 x 24 in.) Painted in 1985.

signed, titled, inscribed and dated ‘OMAR RAYO- 64 NEW YORK 20+20 “EFIMERO No. 3”’ on the reverse oil on canvas, in artist’s frame 52.5 x 52.4 cm (20 5/8 x 20 5/8 in.) Painted in 1964.

Estimate £25,000-35,000 $31,900-44,600 €27,400-38,300 ‡

Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700

plus Buyers Premium and VAT*

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Property from an Esteemed European Collection

193. Dan Walsh

b. 1960

Property from an Esteemed European Collection

194. David Diao

b. 1943

Untitled

Third International/ Tatlin

signed and dated ‘Dan Walsh 2002/05’ on the reverse; further signed, titled and dated ‘Dan Walsh untitled 2002/05 Dan Walsh’ on the stretcher acrylic on canvas 91.7 x 202.7 cm (36 1/8 x 79 3/4 in.) Painted in 2002-05.

each part signed, titled and dated ‘David Diao 1985© IIIrd International/ Tatlin’ on the reverse acrylic on canvas, in 3 parts upper part 56.2 x 45.9 cm (22 1/8 x 18 1/8 in.) middle part 96.9 x 111.9 cm (38 1/8 x 44 in.) lower part 117 x 132.6 cm (46 1/8 x 52 1/4 in.) overall 270.1 x 132.6 cm (106 3/8 x 52 1/4 in.) Painted in 1985.

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 plus Buyers Premium and VAT*

Estimate £40,000-50,000 $51,000-63,700 €43,800-54,700 plus Buyers Premium and VAT*

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195. A.R. Penck

1939-2017

196. A.R. Penck

1939-2017

KARIBIK

Ohne Titel

signed and numbered ‘4/4 ar. penck’ on the base; further stamped ‘Gebr. Ihle Ihle & Janus Dresden’ on the base bronze 68 x 11 x 17 cm (26 3/4 x 4 3/8 x 6 3/4 in.) Executed in 1994, this work is number 4 from an edition of 4.

signed ‘ar. penck’ lower lef gouache on paper 41.3 x 51.2 cm (16 1/4 x 20 1/8 in.) Executed circa 1990-1992. Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ♠ plus Buyers Premium and VAT, ARR applies*

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197. Hermann Nitsch

b. 1938

Untitled indistinctly signed, inscribed and dated ‘fuß meines habens alte freund ... herzlichst ... Hermann Nitsch 1987’ lower right oil and blood on paper laid on canvas 98.1 x 153.5 cm (38 5/8 x 60 3/8 in.) Executed in 1987. Estimate £18,000-25,000 $22,900-31,900 €19,700-27,400 ♠

Property from an Esteemed European Collection

198. Franz West

1947-2012

Untitled (Chaise Longue) fabric, metal and foam 91 x 154 x 95 cm (35 7/8 x 60 5/8 x 37 3/8 in.) Executed in 1994. Estimate £25,000-35,000 $31,900-44,600 €27,400-38,300 ♠ plus Buyers Premium and VAT, ARR applies*

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199. Günther Uecker

b. 1930

200. Günther Uecker

b. 1930

Sintfut (Die Engel Fliegen)

Sintfut Manifest, Überfutung der Welt

signed, titled and dated ‘Uecker Sintfut 1963’ lower lef; further titled ‘die Engel fiegen’ upper right photo collage and marker pen on two adjoined sheets of paper 88.7 x 62.1 cm (34 7/8 x 24 1/2 in.) Executed in 1963.

signed, titled, indistinctly inscribed and dated ‘Sintfut Manifest, Überfutung der Welt TRANSGRESSion G. Uecker ... 1963’ lower right nails, paper collage and chalk on chipboard 60.5 x 35.2 cm (23 7/8 x 13 7/8 in.) Executed in 1963.

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ♠

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠

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Property from an Esteemed European Collection

201. Peter Dreher

202. Norbert Schwontkowski Landschaf mit Türmen

1932-2020

Two works: (i) Tag um Tag Guter Tag #2319 (Night); (ii) Tag um Tag Guter Tag #1336 (Day) (i) signed and dated ‘Peter Dreher 2007’ on the reverse (ii) signed and dated ‘Peter Dreher 1997’ on the reverse oil on linen each 25.4 x 20.3 cm (10 x 7 7/8 in.) (i) Painted in 2007. (ii) Painted in 1997.

signed and dated ‘Schwontkowski 2006’ on the reverse oil on canvas 180.4 x 160.3 cm (71 x 63 1/8 in.) Painted in 2006. Estimate £18,000-20,000 $22,900-25,500 €19,700-21,900 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

1949-2013

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203. Karin Knefel

b. 1957

Untitled signed, inscribed and dated ‘Karin Knefel 1998 (FLIV)’ on the reverse oil on canvas 150 x 150 cm (59 x 59 in.) Painted in 1998. Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ♠ plus Buyers Premium and VAT, ARR applies*

Property from an Esteemed European Collection

204. Michael Krebber

b. 1954

DEP-MK-0037 signed with the artist’s initials and dated ‘MK 2017’ on the reverse acrylic on canvas 127.2 x 106.2 cm (50 1/8 x 41 3/4 in.) Painted in 2017. Estimate £50,000-70,000 $63,700-89,200 €54,700-76,600 ♠ plus Buyers Premium and VAT, ARR applies*

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205. Peter Dreher

1932-2020

206. Rosemarie Trockel

b. 1952

Schwarzald Panorama Doppelt

Non-Believers Need Good Godfathers

signed and titled ‘SCHWARZALD PANORAMA DOPPELT Peter Dreher’ on the reverse of one part oil on canvas, in 7 parts, in artist’s frames each 24.7 x 29.5 cm (9 3/4 x 11 5/8 in.) overall 25 x 210 cm (9 7/8 x 82 5/8 in.) Executed in 1977.

signed ‘RTrockel’ on the underside glazed ceramic 9.3 x 28.5 x 19.3 cm (3 5/8 x 11 1/4 x 7 5/8 in.) Executed in 2015, this work is number 1 from an edition of 15 unique variants plus 3 artist’s proofs.

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Esteemed European Collection

208. Alicja Kwade

b. 1979

Totum Pro Parte (Ein Hocker ist ein Bild)

207. Olafur Eliasson

b. 1967

Triple Window spotlight, tripod and gobo, in 3 parts overall installation dimensions variable Executed in 1999. Estimate £30,000-40,000 $38,200-51,000 €32,800-43,800 ♠ plus Buyers Premium and VAT, ARR applies*

found wood and steel bar stool and mirror glass 106.7 x 94 x 94 cm (42 x 37 x 37 in.) Executed in 2017, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ♠ plus Buyers Premium and VAT, ARR applies*

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209. Martin Creed

b. 1968

Work No.172: An intrusion and a protrusion from a wall silver, in 2 parts each diameter 10.1 cm (3 7/8 in.) Executed in 1997- 2000, this work is from an edition of 2 plus 1 artist’s proof. Estimate £9,000-12,000 $11,500-15,300 €9,900-13,100 ‡ ♠

Property from an Esteemed European Collection

210. David Altmejd

b. 1974

La chambre d’hôte titled ‘La chambre d’hôte’ on a plaque to the lower centre Plexiglas, metal wire, thread, acrylic paint and acrylic gel 75 x 61 x 61 cm (29 1/2 x 24 x 24 in.) Executed in 2010.

plus Buyers Premium and VAT, ARR applies*

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 plus Buyers Premium and VAT*

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211. Jim Hodges

b. 1957

212. Urs Fischer

b. 1973

When In There Is Out There

kindsoho

signed, titled and dated ‘Jim Hodges 2005 “when in there is out there”’ on the reverse mirror with contact cement on canvas 58.4 x 40.6 cm (22 7/8 x 15 7/8 in.) Executed in 2005.

embossed with the artist’s name, title, number and date ‘Urs Fischer kindsoho (2011) UF.11.229’ on the underside top part Ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane and urethane base part cold-rolled steel powder-coated with polyester TGIC (RAL 8007), polyester tape, cork composite and hardware 46 x 137.2 x 74.9 cm (18 1/8 x 54 x 29 1/2 in.) Executed in 2011.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ‡ plus Buyers Premium and VAT*

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 † plus Buyers Premium and VAT*

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213. Dan Colen

b. 1979

214. Sterling Ruby

b. 1972

Smoke Em If You Got Em

Mortar & Pestle/Torso Combo

glass, copper, aluminium, rubber flled with cement, rubber flled with silicone and spray paint on cardboard box with tape reinforced with MDF, in 10 parts smallest part (green rubber) 8.5 x 11.8 x 14 cm (3 3/8 x 4 5/8 x 5 1/2 in.) largest part (yellow glass) 8.5 x 53.5 x 46.5 cm (3 3/8 x 21 1/8 x 18 1/4 in.) cardboard box 45.8 x 54 x 48.3 cm (18 x 21 1/4 x 19 in.) overall installation dimensions variable Executed in 2013.

signed with the artist’s initials and dated ‘SR 07’ on the end of Torso Combo; further signed with the artist’s initials and dated ‘SR 07’ to the lower edge of Mortar & Pestle; further signed with the artist’s initials ‘SR’ on a ceramic fragment inside Mortar & Pestle glazed ceramic with oxides and brass, in 2 parts on spray painted wooden base mortar and pestle 21.5 x 73.5 x 59 cm (8 1/2 x 28 7/8 x 23 1/4 in.) torso combo 35 x 52 x 84 cm (13 3/4 x 20 1/2 x 33 1/8 in.) base 84.6 x 215.3 x 93.1 cm (33 1/4 x 84 3/4 x 36 5/8 in.) Executed in 2007.

Estimate £3,500-4,000 $4,500-5,100 €3,800-4,400 ‡ plus Buyers Premium and VAT*

Estimate £25,000-35,000 $31,900-44,600 €27,400-38,300 ‡ plus Buyers Premium and VAT* scan for more on this lot

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215. Rob Pruitt

b. 1964

216. Rob Pruitt

b. 1964

World of Pandas

Country Girl (Copper)

part 1 signed, titled numbered and dated ‘World of Pandas 2013 1/4 Rob Pruitt’ on the stretcher part 2 numbered ‘2/4’ on the stretcher part 3 numbered ‘3/4’ on the stretcher part 4 signed, numbered and dated ‘4/4 Rob Pruitt 2013’ on the stretcher acrylic and enamel on canvas, in 4 parts each 71.2 x 56.1 cm (28 x 22 1/8 in.) Painted in 2013.

glitter and enamel on linen 122.1 x 91.5 cm (48 1/8 x 36 in.) Executed in 2008. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡ plus Buyers Premium and VAT*

Estimate £25,000-35,000 $31,900-44,600 €27,400-38,300 ‡ plus Buyers Premium and VAT* scan for more on this lot

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217. Ella Kruglyanskaya

b. 1978

218. Friedrich Kunath

b. 1974

Seductress on Zebra

Only a Fool Breaks His Own Heart

signed and dated ‘ELLA KRUGLYANSKAYA 2012’ on the reverse oil, oilstick and graphite on linen 76.3 x 58.5 cm (30 x 23 in.) Executed in 2012.

oil, acrylic, watercolour, pastel, charcoal and felt tip pen on muslin 140 x 122 cm (55 1/8 x 48 in.) Executed in 2013.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ♠ ‡ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

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219. Claire Tabouret

b. 1981

220. Andy Warhol

1928-1987

The Wise Man (pale)

Alcoholism (Bottle with hands, in color)

monotype on paper 51 x 38 cm (20 1/8 x 14 7/8 in.) Executed in 2017.

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for The Visual Arts Inc., New York, and numbered ‘VF 330.003’ on the reverse ink and tempera on Strathmore paper 35.9 x 26.4 cm (14 1/8 x 10 3/8 in.) Executed in 1953.

Estimate £6,000-8,000 $7,600-10,200 €6,600-8,800 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100 plus Buyers Premium and VAT*

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221. Steven Shearer

b. 1968

Untitled signed, inscribed and dated ‘STEVEN SHEARER “ARMAGEDDON” 2003 Steven Shearer’ on a label afxed to the reverse of the frame of one part mixed media, in 10 parts overall dimensions variable Executed in 2003. Estimate £30,000-50,000 $38,600-64,300 €33,000-55,000 plus Buyers Premium and VAT*

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223. Walasse Ting

1929-2010

224. Izumi Kato

b. 1969

Untitled

stamped with the artist’s seal upper lef Chinese ink and acrylic on rice paper 58.7 x 87.7 cm (23 1/8 x 34 1/2 in.) Executed circa 1980s.

signed and dated ‘2004 KATO KATO [in Kanji]’ on the reverse oil on canvas 60.1 x 80 cm (23 5/8 x 31 1/2 in.) Painted in 2004.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 plus Buyers Premium and VAT*

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 plus Buyers Premium and VAT*

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225. Ella Kruglyanskaya

b. 1978

Repose in Primary Colors Flashe and oil pastel on paper 118.1 x 78.7 cm (46 1/2 x 30 7/8 in.) Executed in 2014. Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ‡ plus Buyers Premium and VAT*

226. Yue Minjun

b. 1962

Two works: (i) Contemporary Terracotta Warrior No.5; (ii) Contemporary Terracotta Warrior No.5 each signed, numbered and dated ‘yue minjun 5 9/25; 10/25 2003’ on the reverse respectively acrylic on fbreglass and reinforced plastic with iron base each 184 x 93 x 43 cm (72 1/2 x 36 5/8 x 16 7/8 in.) (i) Executed in 2003, this work is number 9 from an edition of 25. (ii) Executed in 2003, this work is number 10 from an edition of 25. Estimate £60,000-80,000 $76,400-102,000 €65,700-87,600 ‡ plus Buyers Premium and VAT*

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227. Richard Hambleton

1952-2017

Shadow Head signed and dated ‘R Hambleton 04 R Hambleton 04’ lower edge acrylic on paper 70 x 45.2 cm (27 1/2 x 17 3/4 in.) Executed in 2004. Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100 ‡ plus Buyers Premium and VAT*

228. Charming Baker

b. 1964

Love Is Not Needing Any Help If You Are Intent On Staying Ignorant signed and dated ‘BAKER 2010’ on the reverse oil and buckshot holes on linen 125.3 x 105.4 cm (49 3/8 x 41 1/2 in.) Executed in 2010. Estimate £18,000-22,000 $22,900-28,000 €19,700-24,100 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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229. KAWS

b. 1974

230. KAWS

b. 1974

UNTITLED (MBFVP10)

NO ONE’S HOME

signed and dated ‘KAWS..14’ on the reverse acrylic on paper 50.8 x 40.6 cm (20 x 15 7/8 in.) Executed in 2014.

signed, numbered and dated ‘KAWS..15 56/250’ lower edge screenprint on paper 91.4 x 73.7 cm (36 x 29 in.) Executed in 2015, this work is number 56 from an edition of 250 plus 50 artist’s proofs.

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 plus Buyers Premium and VAT*

Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100 ‡ plus Buyers Premium and VAT*

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231. Invader

b. 1969

232. Cai Guo-Qiang

b. 1957

Small retinal invasion 2

Impression of Stage

signed, signed with the artist’s symbol, titled and dated ‘“SMALL RETiNAL iNVASiON 2” iNVADER 007’ on the reverse ceramic tiles and refective plastic flm on ceramic tiles on board 24 x 30 cm (9 1/2 x 11 3/4 in.) Executed in 2007.

signed, titled, inscribed and dated ‘Impressions of stage - 2 San Gimignano. Italy 2006. Cai Guo-Qiang’ lower right gunpowder and ink on paper 98 x 125 cm (38 5/8 x 49 1/4 in.) Executed in 2006.

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ♠

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

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Property from an Esteemed European Collection

233. Sergej Jensen

b. 1973

Property from an Important Northern European Collection

234. Mark Flood

b. 1957

Since You Lef

Men’s Club

stitched linen on linen 140.4 x 120.4 cm (55 1/4 x 47 3/8 in.) Executed in 2004.

signed and titled ‘“MEN’S CLUB” Mark Flood’ on the overlap acrylic on canvas 214.2 x 107 cm (84 3/8 x 42 1/8 in.) Painted in 2006.

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £6,000-8,000 $7,600-10,200 €6,600-8,800 plus Buyers Premium and VAT*

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Property from an Esteemed Belgian Collection

235. Nathan Hylden

b. 1978

Property from an Esteemed Belgian Collection

236. Ryan Sullivan

b. 1983

Untitled

September 26, 2011 - September 28, 2011

signed and dated ‘Nathan Hylden ‘11’ on the reverse; further signed with the artist’s initials, inscribed and dated ‘NH1211C’ on the stretcher acrylic and polyurethane on linen 171.7 x 119.5 cm (67 5/8 x 47 in.) Executed in 2011.

oil, enamel and latex on canvas 114.9 x 150.5 cm (45 1/4 x 59 1/4 in.) Executed in 2011. Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 plus Buyers Premium and VAT*

Estimate £4,000-6,000 $5,100-7,600 €4,400-6,600 plus Buyers Premium and VAT*

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Property from an Esteemed Belgian Collection

237. David Ostrowski

b. 1981

Property from an Esteemed Belgian Collection

238. Chris Succo

b. 1979

F (Rom)

GOOD LUCK WINNING THE LOTTERY #2

signed and dated ‘David Ostrowski 13’ on the overlap lacquer and canvas collage on canvas, in artist’s frame 241.1 x 191.5 cm (94 7/8 x 75 3/8 in.) Executed in 2013.

signed and dated ‘Chris Succo 2014’ on the reverse oil and lacquer on canvas, in artist’s frame 111.7 x 82.5 cm (43 7/8 x 32 1/2 in.) Executed in 2014.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠

Estimate £5,000-7,000 $6,400-8,900 €5,500-7,700 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT, ARR applies*

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239. Dan Colen

b. 1979

240. Dan Colen

b. 1979

I can go steady with any girl I please

The Dead Don’t Die

signed and dated ‘Daniel Colen 2008-2009’ on the backboard chewing gum and Bazooka Joe wrappers on canvas, in artist’s frame 60.6 x 51.4 cm (23 7/8 x 20 1/4 in.) Executed in 2008-2009.

signed with the artist’s initials and numbered ‘DC ō488’ on the stretcher dirt on canvas 266.8 x 209.8 cm (105 x 82 5/8 in.) Executed in 2011.

Estimate £18,000-25,000 $22,900-31,900 €19,700-27,400 ‡

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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241. Parker Ito

b. 1986

Cheeto Returns (Dynamic Blue) / Not Sure if You Know This But I’m an Artist (Red Strainer) - This is Actually so Hype (ParkerItoArt.com) oil on canvas in artist’s painted aluminium frame and strainer with chains, LED strip tape, LED strip tape controller, electrical components and hanging hardware framed 311.8 x 245.9 cm (122 3/4 x 96 3/4 in.) overall installation dimensions variable Executed in 2014.

242. Leo Gabin

b. 1980

With Ice in Mouth signed, titled and dated ‘WiTH iCE iN MOUTH 2014 Leo Gabin’ on the reverse lacquer, spray paint, acrylic silkscreen and paper collage on canvas 275.2 x 205.4 cm (108 3/8 x 80 7/8 in.) Executed in 2014. Estimate £3,000-5,000 $3,800-6,400 €3,300-5,500 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £1,500-2,000 $1,900-2,500 €1,600-2,200 ‡ plus Buyers Premium and VAT*

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Property from an Important Northern European Collection

243. Adam McEwen

244. Aaron Curry

b. 1972

Witch with a Flower Pot Head b. 1965

Untitled signed and dated ‘A. McEwen 2013’ on the reverse inkjet print on cellulose sponge on aluminium 199.4 x 149.5 cm (78 1/2 x 58 7/8 in.) Executed in 2013.

ink and silkscreen on wood on painted aluminium base 330.8 x 102.2 x 66.2 cm (130 1/4 x 40 1/4 x 26 1/8 in.) Executed in 2011. Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700 plus Buyers Premium and VAT*

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠ plus Buyers Premium and VAT, ARR applies*

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245. Matthew Day Jackson

b. 1974

The Way We Were titanium, aluminium, steel, iron, bronze, copper, lead and stainless steel smallest skull (copper) 14.5 x 16 x 21.5 cm (5 3/4 x 6 1/4 x 8 1/2 in.) largest skull (titanium) 16 x 20 x 17 cm (6 1/4 x 7 7/8 x 6 3/4 in.) shelf 7.5 x 320.5 x 35.7 cm (2 7/8 x 126 1/8 x 14 in.) overall 32 x 323 x 35.7 cm (12 5/8 x 127 1/8 x 14 in.) Executed in 2010, this work is number 1 from an edition of 3 plus 2 artist’s proofs. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡

Property from an Esteemed European Collection

246. Kelley Walker Recycle Sign

gold leaf and digital image on laser-cut steel diameter 146.5 cm (57 5/8 in.) Executed in 2006. Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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b. 1969

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247. Sanya Kantarovsky

b. 1982

248. Michael Ray Charles

b. 1967

Today I wrote nothing

(Forever Free) Surprise

alkyd enamel and pigment on powder coated steel 243.8 x 233.7 x 170.2 cm (95 7/8 x 92 x 67 in.) Executed in 2012.

signed and dated ‘MICHAEL R A Y © CHARLES 2003’ lower right household paint and copper penny on board 123.7 x 95.3 cm (48 3/4 x 37 1/2 in.) Executed in 2003.

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ‡ plus Buyers Premium and VAT*

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 plus Buyers Premium and VAT*

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249. Rirkrit Tiravanija

b. 1961

250. Tomás Sánchez

b. 1948

Los Dìas de Esta Sociedad. Pussy Riot

Untitled

signed with the artist’s initials and dated ‘RT. TV 2015’ lower right silkscreen on newspaper 39.5 x 57 cm (15 1/2 x 22 1/2 in.) Executed in 2015.

signed and dated ‘Tomás Sánchez 99’ lower lef pastel on paper 49.8 x 64.9 cm (19 5/8 x 25 1/2 in.) Executed in 1999.

Estimate £8,000-12,000 $10,200-15,300 €8,800-13,100

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

plus Buyers Premium and VAT*

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251. Jim Hodges

b. 1957

In the Dark Cave each signed, titled, consecutively numbered and dated ‘Jim Hodges Sept 2007 in the dark cave [1-6] of 6 parts’ on the reverse; further inscribed ‘for glenn mom.’ on the reverse of part 6. part 1-5 charcoal with saliva on paper. part 6 charcoal with saliva on book cloth. part 1 38.2 x 28 cm (15 x 11 in.). part 2 50 x 35 cm (19 5/8 x 13 3/4 in.). part 3 55.5 x 38 cm (21 7/8 x 14 7/8 in.). part 4 57 x 38.5 cm (22 1/2 x 15 1/8 in.). part 5 36.5 x 26.2 cm (14 3/8 x 10 3/8 in.). part 6 23.4 x 14.5 cm (9 1/4 x 5 3/4 in.). Executed in September 2007. scan for more on this lot

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 ‡ plus Buyers Premium and VAT*

Lot 252, parts 1-5

Lot 252, parts 6-10

Lot 252, parts 11-15

Lot 252, parts 16-20

252. Danh Vo

Lot 252, parts 21-24

b. 1975

Photographs of Dr. Joseph M. Carrier 1962-1973 each numbered ‘22/24’ on the reverse. photogravure on paper, in 24 parts. parts 1-6 25.5 x 29 cm (10 x 11 3/8 in.). parts 7-10 29 x 35 cm (11 3/8 x 13 3/4 in.). part 11-16 38 x 29 cm (14 7/8 x 11 3/8 in.). part 17 40 x 29.3 cm (15 3/4 x 11 1/2 in.). part 18 43 x 32 cm (16 7/8 x 12 5/8 in.). part 19 33.5 x 43 cm (13 1/4 x 16 7/8 in.). part 20 38 x 43 cm (14 7/8 x 16 7/8 in.). parts 21-22 38 x 45 cm (14 7/8 x 17 3/4 in.). parts 23-24 39 x 45 cm (15 3/8 x 17 3/4 in.). Executed in 2010, this work is number 22 from an edition of 24 plus 6 artist’s proofs. Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Important Northern European Collection

253. Rodney Graham

254. Tomas Ruf

b. 1958

03h 40m/-25° b. 1949

Willow, Mullem (from the series Flanders Trees) monochrome colour photograph 228.5 x 179 cm (89 7/8 x 70 1/2 in.) Executed in 1989, this work is number 1 from an edition of 1. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

signed, titled, numbered and dated ‘03h 40m/-25° Thomas Ruf 1/2 1992’ on the reverse c-print 252.5 x 180.3 cm (99 3/8 x 70 7/8 in.) Executed in 1992, this work is number 1 from an edition of 2. Estimate £30,000-50,000 $38,200-63,700 €32,800-54,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

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256. Tomas Ruf

Property from an Esteemed European Collection

255. Douglas Huebler

Portrait (J.Blum) 1924-1997

Duration Piece #7 signed ‘Douglas Huebler’ on the statement paper gelatin silver print, in 14 parts with typed statement on paper, laid down on card 92 x 109.3 cm (36 1/4 x 43 in.) Executed in March 1971. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

signed, numbered and dated ‘Thomas Ruf 4/4 1989’ on the reverse of the backing board c-print, in artist’s frame 210.8 x 166.1 cm (83 x 653/8 in.) Executed in 1989, this work is number 4 from an edition of 4. Estimate £7,000-9,000 $8,900-11,500 €7,700-9,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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b. 1958

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257. Bernd and Hilla Becher

1931-2007 and 1934-2015

Kühltürme, Beton signed, titled and dated ‘KÜHLTÜRME BETON Bernd Becher Hilla Becher 72’ lower edge. black and white photographs mounted on artist’s board, in 9 parts. each photograph 39.4 x 29.2 cm (15 1/2 x 11 1/2 in.). board 139.7 x 100.3 cm (54 7/8 x 39 1/2 in.). Executed in 1972. Estimate £80,000-120,000 $102,000-153,000 €87,600-131,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Esteemed European Collection

258. Roni Horn

b. 1955

Clowd and Cloun (Gray) - Group 2 part 1 signed, titled, numbered and dated ‘Roni Horn CLOWD + CLOUN (GRAY) GRP#2 2/4’ on a label afxed to the backing board. parts 2-6 partially titled and consecutively numbered ‘GRP #2 [1-6] of 6 2/4’ on a label afxed to the backing board. c-print, in 6 parts. each clowd 67.6 x 88 cm (26 5/8 x 34 5/8 in.). each cloun 67.5 x 67.5 cm (26 5/8 x 26 5/8 in.). Executed in 2000-01, this work is number 2 from an edition of 4. Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800 plus Buyers Premium and VAT*

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Property from an Esteemed European Collection

260. Marc Quinn

b. 1964

Under the Volcano (Manchena Galapagos)

259. David Claerbout

b. 1969

Sections of a Happy Moment signed and numbered ‘5/5 David Claerbout’ on the artist’s label afxed to the hard disk video projection with stereo sound, duration 25:57 minute loop, hard disk, DVD disk, CD Rom and electrical components ideal projection dimensions 375 x 5 cm (147 5/8 x 1 7/8 in.) overall dimensions variable Executed in 2007, this work is number 5 from an edition of 5.

signed, titled and dated ‘Under the Volcano: Manchena Galapagos Marc Quinn 2011’ on the reverse oil on canvas 66.1 x 109.4 cm (26 x 43 1/8 in.) Painted in 2011. Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠ plus Buyers Premium and VAT, ARR applies*

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261. Cecily Brown

b. 1969

3 Studies Afer “An Election: An Election Entertainment” by William Hogarth each signed and dated ‘Cecily Brown 2004’ on the reverse. watercolour and gouache on paper, in 3 parts, each 27.8 x 35.3 cm (10 7/8 x 13 7/8 in.) Executed in 2004. Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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262. Toby Ziegler

b. 1972

263. Djordje Ozbolt

b. 1967

Cotton Rich Panic

Last Year’s Fashion

signed and dated ‘Toby Ziegler 2013’ on the reverse oil on aluminium 149.8 x 221.8 cm (58 7/8 x 87 3/8 in.) Executed in 2013.

signed and dated ‘Djordje Ozbolt 2008’ on the reverse acrylic on board 148.9 x 148.9 cm (58 5/8 x 58 5/8 in.) Painted in 2008.

Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700 ♠

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠ †

plus Buyers Premium and VAT, ARR applies*

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264. Peter Phillips

b. 1939

265. Gilbert & George

b. 1943 and b. 1942

Eliminator II

Faith Window

signed and dated ‘Peter Phillips 1971’ on the reverse; further signed, titled and dated ‘Peter Phillips 1971. ELIMINATOR II’ on the stretcher acrylic, egg tempera, silkscreen and graphite on linen, in artist’s frame 179 x 129 cm (70 1/2 x 50 3/4 in.) Executed in 1971.

signed, titled and dated ‘FAITH WINDOW Gilbert & George 1989’ on a label lower centre postcard collage on card, in artist’s frame 247.6 x 189 cm (97 1/2 x 74 3/8 in.) Executed in 1989.

Estimate £40,000-60,000 $51,000-76,400 €43,800-65,700 ♠

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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266. Toby Ziegler

b. 1972

267. Chris Ofli

b. 1968

Found Object

Black Milky Way

oxidised aluminium and wood 200 x 93.5 x 135 cm (78 3/4 x 36 3/4 x 53 1/8 in.) Executed in 2012.

signed, titled and dated ‘“Black Milky Way” 2007 Chris Ofli’ lower right; further signed and dated ‘Chris Ofli Chris Ofli 2007’ on the reverse graphite on paper 101.9 x 67 cm (401/8 x 263/8 in.) Executed in 2007.

Estimate £4,000-6,000 $5,100-7,600 €4,400-6,600 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £15,000-20,000 $19,100-25,500 €16,400-21,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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268. Anj Smith

b. 1978

269. Katrin Fridriks

b. 1974

Garden II

Stendhal Syndrome No. 7

signed, titled and dated ‘Anj Smith 2007 “GARDEN II”’ on the overlap oil on canvas 48.8 x 39.2 cm (19 1/4 x 15 3/8 in.) Painted in 2007.

signed, titled and dated ‘FRiDRiKS 2009/10 “SYNDROME Stendhal”’ on the reverse acrylic on canvas 170.1 x 170.1 cm (66 7/8 x 66 7/8 in.) Painted in 2009-10.

Estimate £4,000-6,000 $5,100-7,600 €4,400-6,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £10,000-15,000 $12,700-19,100 €10,900-16,400 ♠ plus Buyers Premium and VAT, ARR applies*

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270. Stanley Casselman

b. 1963

271. David Kim Whittaker

b. 1964

IR-43

DECIDING TO GO TO SEA II

signed, titled and dated ‘STANLEY CASSELMAN “IR-43” 2013’ on the reverse acrylic on canvas 244 x 244 cm (96 1/8 x 96 1/8 in.) Painted in 2013.

signed, signed with the artist’s initials, titled and dated ‘DECIDING TO GO TO SEA, II. Whittaker DKW 2006.’ on the reverse oil, acrylic, graphite and paper collage on board, in artist’s frame 83 x 83 cm (32 5/8 x 32 5/8 in.) Executed in 2006.

Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700 ‡ plus Buyers Premium and VAT*

Estimate £12,000-18,000 $15,300-22,900 €13,100-19,700 ♠ plus Buyers Premium and VAT, ARR applies*

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272. Mark Alexander

b. 1966

273. Wang Yigang

b. 1961

Shield of Achilles X

Landscape N 59

signed and dated ‘alexander. 08.’ on the overlap oil silkscreen on canvas diameter 218 cm (85 7/8 in.) Executed in 2008.

signed and dated ‘Wang Yigang [in Chinese] 2014’ lower right oil on canvas, in artist’s frame 185.5 x 201 cm (73 x 79 1/8 in.) Painted in 2014.

Estimate £18,000-22,000 $22,900-28,000 €19,700-24,100 ♠ †

Estimate £20,000-30,000 $25,500-38,200 €21,900-32,800

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

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Sale Information

20th Century & Contemporary Art Evening and Day Sale

20th Century & Contemporary Art Department

Auctioneers Henry Highley, Principal Auctioneer Susanna Brockman

Heads of Sales

Client Accounting Richard Addington Head of Client Accounting +44 20 7901 7914

Auction & Viewing Location 30 Berkeley Square, London, W1J 6EX Evening Auction 20 October, 5pm Day Auction 21 October, 2pm

Kate Bryan (Evening Sale) kbryan@phillips.com +44 20 7318 4026 Tamila Kerimova (Day Sale) tkerimova@phillips.com +44 20 7318 4065 Cataloguers

Viewing 14–21 October Monday–Saturday 10am–6pm Sunday 12pm–6pm Sale Designation When sending in written bids or making enquiries please refer to these sales as UK010620 for Evening Sale and UK010720 for Day Sale Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@philips.com

Louise Simpson (Evening & Day Sale) lsimpson@phillips.com +44 20 7901 7911 Judith Lamb (Evening Sale) jlamb@phillips.com +44 20 7901 7995 Kathy Lin (Day Sale) klin@phillips.com +44 20 7318 4093 Senior Administrator Constance Perret (Evening Sale) cperret@phillips.com +44 20 7318 4073 Administrator Elena Setaro (Day Sale) esetaro@phillips.com +44 20 7318 4028 Senior Property Manager Ross Martin (Evening & Day Sale) +44 20 7318 4788 rmartin@phillips.com Photographers Charlie Sheldon Alex Braun Jean Bourbon Matt Kroenig Kent Pell

Jason King Client Accounting, Director +44 20 7318 4086 Buyer Accounts Heather Welham +44 20 7901 2982 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Annaliese Clark +44 20 7318 4081 Rita Matos +44 20 7901 7906 Lucia Nuñez +44 20 7901 7920 Creative Services Andrea Koronkiewicz, Director of Creative Services Orlann Capazorio, Director of Production Chris Ward, Creative Services Manager Grace Neighbour, Graphic Designer Steve Rubbins, Senior Graphic Designer

The 20th Century & Contemporary Art Team would like to thank: London Operations Team, Anthony Brennan, Nathan Bendavid, Emily Cosgrove, Francesca Carnovelli, Samara Kaplan, Mathilde Heaton, Martin Wilson, Catherine Bird, Lauren Philpott, Rebecca Dabby, Michael de Habsbourg-Lorraine, Raphael Laval, Charlotte Van der Vorst, Jake Lussier and Mélodie Argi.

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UK Auction Buyer’s Guide The following pages are designed to offer you information on how to buy at auction at Phillips. Our staff will be happy to assist you. The Conditions of Sale and Authorship Warranty published on our website at https://phillips.com also govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips, the seller and the buyer and describe the terms upon which items are bought at auction. A) Before The Auction Catalogues & Catalogue Entries Our catalogues provide information on the lots for sale at the auction and are available on our website at www.phillips. com and in hard copy. Lot details can also be viewed on the Phillips App. If you would like to purchase a hard copy catalogue for a Phillips auction, please visit our website or contact us at catalogues@phillips.com. Catalogue entries may include the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive. In some cases we may not disclose the identity of previous owners where we are not authorised to do so. Please note that all dimensions of the property set out in the catalogue entry are approximate. Pre-auction viewings are open to the public and free of charge. The dates and times are published on our website at https://phillips.com. Our specialists are available to give advice and condition reports at viewings or by appointment. Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Pre-sale estimates do not include the buyer’s premium or VAT. Where ‘Estimate on Request’ appears, please contact the specialist department for further information. As estimates can be subject to revision we suggest contacting us closer to the time of the auction. Estimates in non-local currencies Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction catalogues may also be printed in other currencies. These estimates are approximate and provided as a courtesy to our clients. The exchange rates used are those applying on the last practical date before printing the catalogue. The rates may have changed between the time of printing the catalogue and the auction. Condition Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections.

Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding.

∑ Endangered Species Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import.

Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer.

Calculating the Total Purchase Price If you are the successful bidder on a Lot, the total purchase price you pay is made up of the following elements:

Symbols Used In The Catalogue You may see the following symbols referenced in the catalogue. O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the thirdparty guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the thirdparty guarantor is the successful bidder Phillips will report the purchase price net of any fees paid to the third-party guarantor. ∆ Property in which Phillips has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. No Reserve •Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

Ж Property Subject to US Import Tarifs

Lots with this symbol indicate that the Property may be subject to additional tariffs upon importation into the United States of America. See paragraph 12 of the Conditions of Sale.

Hammer Price

Buyer’s Premium

VAT on Buyer’s Premium and/or Hammer Price (If applicable)

Artist’s Resale Royalty (ARR) (If applicable)

The Hammer Price: This is the final, highest bid which the auctioneer accepts by bringing down the auctioneer’s hammer. Buyer’s Premium: This is the commission Phillips charges the successful highest bidder and buyer of the lot. The Buyer’s premium is calculated on the hammer price of the lot at the following rates on a cumulative basis: • 25% on the portion of the hammer price up to and including £300,000; and • 20% on the portion of the hammer price above £300,000 up to and including £3,000,000 and • 13.5% on the portion of the hammer price above £3,000,000. Where VAT is payable on the Buyer’s premium the VAT inclusive Buyer’s Premium rates are 30%, 24% and 16.2% respectively. VAT Most items we sell are sold under UK Auctioneer’s Margin Scheme rules. This means that VAT is charged at 20% on the buyer’s premium and will not be shown separately on the invoice. UK Auctioneer’s Margin Scheme lots have no VAT symbol. Where the lot has a †, ‡ or Ω symbol against it, VAT may be charged on a different basis. For full details, including how to claim VAT refunds, please see the VAT & Tax Guide in this Auction Buyer’s Guide and on our website ♠ Artist’s Resale Royalty (ARR) The laws in certain countries entitle qualifying artists or their estates to a royalty when the artist’s works are resold for a hammer price of EUR 1,000 or more. Lots subject to ARR are marked with the symbol ♠. The ARR is calculated as a percentage of the hammer price on a cumulative basis as follows and is payable as part of the purchase price: Portion of the Hammer Price (in EUROS) From 0 to 50,000 From 50,000.01 to 200,000

Royalty Rate 4% 3%

From 200,000.01 to 350,000 From 350,000.01 to 500,000 Exceeding 500,000

1% 0.5% 0.25%

The total charge for ARR on any single lot cannot exceed Euros 12,500. To calculate the ARR, we use the pounds sterling/euro reference exchange rate quoted on the date of the auction by the European Central Bank. Example To illustrate how the purchase price is calculated, please see the below example: UK Auctioneer’s Margin Scheme lot Hammer Price: £350,000 Buyer’s Premium including VAT @20% £102,000: 25% of first £300,000 of the hammer price = £75,000 + 20% on the balance of £50,000 = £10,000 Total BP = £85,000 VAT @ 20% on the total BP of £85,000 = £17,000 B) At The Auction Bidding Bids may be executed during the auction in person, by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of governmentissued identification will be required, as will an original signature and recent proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation or similar as well as proof of owners (including ultimate beneficial owner) and directors. Undisclosed agreements between bidders to bid or abstain from bidding on lots are illegal. Please note that Phillips monitors its sales and bidding records to ensure that bidding is transparent and fair and will take appropriate action in the event of any suspected breach of this requirement. In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staff member immediately. At the end of the auction, please return your paddle to the registration desk. By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multilingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale

estimate is at least £500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are unable to reach you by telephone. Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at https://phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate firewalls may cause difficulties for online bidders. Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. UK£50 to UK£1,000 UK£1,000 to UK£2,000 UK£2,000 to UK£3,000 UK£3,000 to UK£5,000

by UK£50s by UK£100s by UK£200s by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) UK£5,000 to UK£10,000 by UK£500s UK£10,000 to UK£20,000 by UK£1,000s UK£20,000 to UK£30,000 by UK£2,000s UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 UK£50,000 to UK£100,000 by UK£5,000s UK£100,000 to UK£200,000 by UK£10,000s above UK£200,000 at the auctioneer’s discretion The auctioneer may vary the increments during the course of the auction at his or her own discretion. Conditions Of Sale The auction is governed by the Conditions of Sale and Authorship Warranty which are available on our website. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement.

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive And Responsive Bidding; The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. No Reserve Lots If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. C) After The Auction Payment Payment is due immediately following the auction, unless other arrangements have been agreed with Phillips in writing in advance of the sale. Interest will be charged on late payment at the rate of 12% per annum. Payments must be made by the invoiced party in pounds sterling and may be sent by wire transfer. Our account details are available on our website. Please reference the relevant invoice number when making payment. Alternatively, payment can be made by credit card, for invoices of £30,000 or less. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). Title to each lot will not pass until the buyer has made full payment of the Purchase Price plus any applicable Artist Resale Royalty and all applicable taxes. Collection Once Phillips has received full and cleared payment of the total purchase price for the lot and any other amounts the buyer owes to Phillips, lots will be released for collection. To collect paid for lots buyers (or their authorised representatives) must provide proof of identity. Authorised Representatives should also bring a copy of a letter signed by the buyer authorising them to collect. Smaller items may be collected from our London gallery on the day of the auction. Please check with our staff when making payment.

Important Notices After the auction, lots will be transferred to offsite fine art storage facilities. The buyer information pack you will receive after the auction will confirm details of the storage facility where your lot is held for collection. Please contact us to make arrangements for collection. Storage Charges Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to you in the buyer information pack you will receive after the auction. Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven (7) days following the auction. Transport and Shipping We will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips. Please refer to Paragraph 7 of the Conditions of Sale for more information. As a free service for buyers, Phillips will wrap purchased lots which are for hand carry only. We do not provide packing, handling or shipping services directly. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required documentation. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase

these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at https://phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips’ premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third-party websites and applications.

Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC”) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK. • Where the buyer is a non-EU business, Phillips requires evidence of the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. • Where the buyer is an EU VAT registered business, Phillips requires the business’s VAT registration number. These details can be scanned and emailed to us, or alternatively they can be faxed or mailed. If these requirements are not met, we will be unable to cancel/ refund any applicable VAT. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

VAT & Tax Guide VAT Depending on the status of the lot, and your status as a buyer, VAT may be charged on the hammer price, the buyer’s premium or both. UK Auctioneer’s Margin Scheme Most items we sell are second-hand goods, so we sell them under UK Auctioneer’s Margin Scheme rules. Lots falling into this category have no VAT symbol and are treated as follows: No symbol

UK Auctioneer’s Margin Scheme sale

20% VAT charged on the buyer’s premium. (The invoiced buyer’s premium will include the VAT).

Special VAT Treatment If the Lot has one of the below symbols, the VAT treatment will be as follows: VAT Symbol

Basis

Treatment

Standard UK VAT rules

20% VAT charged on both the hammer price and buyer’s premium

Imported lot under Temporary Admission (Low rate)

5% import VAT on the hammer price and 20% VAT on the buyer’s premium

Imported lot under Temporary Admission (High rate)

20% import VAT on the hammer price and 20% VAT on the buyer’s premium

Lots sold outside the Auctioneer’s Margin Scheme If the buyer is a relevant business person in the EU (nonUK) or is a relevant business person in a non-EU country then no VAT will be charged on the buyer’s premium. This is subject to Phillips receiving evidence of the buyer’s VAT registration number in the relevant Member State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium. Exports from the European Union The following types of VAT may be cancelled or refunded by Phillips on exports made within three months of the sale date if strict conditions are met: • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol). • The VAT on the hammer price for property sold under normal VAT rules (i.e., with a † symbol). The following type of VAT may be cancelled or refunded by Phillips on exports made within 30 days of the payment date if strict conditions are met: • The import VAT charged on the hammer price and an amount in lieu of VAT on the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω symbol) under the Auctioneer’s Margin Scheme.

In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or before the time of invoicing, the buyer instructs Phillips to export the property from the EU. This will require acceptance of an export quotation provided by Phillips. If such instruction is received after payment, a refund of the VAT amount will be made.

If you are located in an EU member state other than the UK you will need to apply for a refund of UK VAT directly to your local tax authority. This is done via submission of an electronically based claim form which should be accessed through the website of your local tax authority. As a result, your form may include VAT incurred in a number of member states.

Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips will charge the VAT amount due as a deposit and refund it if the lot has been exported within the timelines specified below and either of the following conditions are met:

Time limits for claiming VAT refunds

• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, Phillips is provided with appropriate original documentary proof of export from the EU within three months of the date of sale. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department to facilitate this process. • For lots sold under temporary admission, Phillips is provided with the original correct paperwork duly completed and stamped by HMRC which shows the property has been exported from the EU via the UK within 30 days of the payment date. It is essential for shippers acting on behalf of buyers to collect copies of original import papers from our Shipping Department. HMRC insist that the correct customs procedures are followed and Phillips will not be able to issue any refunds where the export documents do not exactly comply with governmental regulations. Property subject to temporary admission must be transferred to another customs procedure immediately if any restoration or repair work is to be carried out. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department, for which a charge of £20 (plus any applicable VAT) will be made. The VAT refund will be processed once the appropriate paperwork has been returned to Phillips. Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU private residents unless the lot is subject to temporary admission and the property is exported from the EU within 30 days of the payment date. We can only process VAT refunds where the VAT to be refunded is £50 or more per shipment. There will be a processing fee of £20 (plus any applicable VAT). Buyers intending to export, repair, restore or alter lots under temporary admission should notify the Shipping Department before collection. Failure to do so may result in the import VAT becoming payable immediately and Phillips being unable to refund the VAT charged on deposit. VAT Refunds from HM Revenue & Customs Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible to seek repayment from HMRC . Repayments in this manner are limited to businesses located outside the UK and may be considered for example for Import VAT charged on the hammer price for lots sold under temporary admission.

• If you are located in an EU member state other than the UK: Any claim must be made on a calendar year basis and submitted no later than 30 September in the following calendar year (e.g., for VAT incurred in the year 1 January to 31 December 2019 you should make a claim to your local tax authority no later than 30 September 2020). Once you have submitted the electronic form to your local tax authority it is their responsibility to ensure that payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest on the unpaid amounts. • If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC. Claim forms are available from the HMRC website. https://www.gov.uk. You should submit claims for VAT to HMRC no later than six months from the end of the 12-month period ending 30 June (e.g., claims for the period 1 July 2019 to 30 June 2020 should be made no later than 31 December 2020). Please note that refunds of VAT will only be made where VAT has been incurred for a business purpose. Any VAT incurred on articles bought for personal use will not be refunded. Sales and Use Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of lots following purchase. Buyers should consult their own tax advisors.

Conditions of Sale The Conditions of Sale and Authorship Warranty set out below govern the relationship between bidders and buyers, on the one hand, and Phillips Auctioneers Limited (registered in England with company number 04228373) ("Phillips") and sellers, on the other hand. All prospective buyers should read these Conditions of Sale, the UK Auction Buyer’s Guide, the Important Notices, VAT & Tax Guide and the Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers and Important Notices, and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer. 2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller, and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips is available for inspection by prospective buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders (and

independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips at our absolute discretion. Neither Phillips nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. (b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the ‘Absentee Bid Form’, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and value added tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the ‘Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale estimate is at least £500. Phillips reserves the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation.

(d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are final and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal, state or other antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct. (h) Employees of Phillips and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve, which is the confidential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction.

(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For the benefit of international clients, pre-sale estimates in the auction catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in US dollars or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’, ‘returned to owner’ or ‘bought-in’. (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction. 6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium, plus any applicable value added tax (VAT) and any applicable resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer price up to and including £300,000, 20% of the portion of the hammer price above £300,000 up to and including £3,000,000 and 12.5% of the portion of the

hammer price above £3,000,000. Phillips reserves the right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property offered and sold at auction. (b) VAT is payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of VAT. (c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us an amount equal to the resale royalty provided for in those regulations and we undertake to the buyer to pay such amount to the artist’s collection agent. In circumstances where (i) we are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the nationality of the artist, we will identify the lot with the symbol ♠ next to the lot number and will invoice the resale royalty to the buyer. If we subsequently determine that the nationality of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund to the buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect the resale royalty on a particular lot, we become aware that information provided to us prior to the auction concerning an artist’s nationality was incorrect and the artist is entitled to the resale royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an invoice. (d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in pounds sterling as follows: (i) Payments may be made by wire transfer. Our account details are available on our website. Please reference the relevant invoice number when making payment. Alternatively, payment can be made by credit card for invoices of £30,000 or less. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). (e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price. 7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including providing information and documentation we require to satisfy our customer due diligence and verification checks for Know Your Customer compliance purposes and completing any anti-money laundering or anti-terrorism financing and sanctions checks. As soon as a buyer has satisfied all of the above conditions, he or she should contact us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased property.

(b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. After the auction, we will transfer all lots to offsite fine art storage facilities. Details will be included in the buyer information packs sent to buyers after the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from (i) the date of collection or (ii) seven days after the auction, whichever is the earlier. Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property. (c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether or not recommended by Phillips, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips. Any such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Property will be collected by the buyer at the point it is released in the sale location by Phillips in the sale location to the buyer or to a third-party shipper acting for the buyer. The buyer is responsible for paying any import duties and local taxes payable to import the Property to its final destination. (d) Phillips will require presentation of government-issued identification prior to release of a lot to the buyer or the buyer’s authorized representative. 8 Failure to Collect Purchases (a) Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to buyers in the buyer information pack they will receive after the auction. Purchased lots will not be released to the buyer until the Purchase Price and all charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies For Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv)

charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our affiliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take such other action as we deem necessary or appropriate. (b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s property which is in our possession upon notification by any of our affiliated companies that the buyer is in default of payment. Phillips will notify the buyer of any such lien. The buyer also irrevocably authorizes Phillips, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge. (c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to instruct any of our affiliated companies in possession of the buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips to hold the property on our behalf as security for the payment of the Purchase Price and any other amount due and, no earlier than 30 days from the date of written notice to the buyer, to sell the property in such manner and for such consideration as can reasonably be obtained on a forced sale basis and to apply the proceeds to any amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon. 10 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party.

Upon notice of Phillips election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 14 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale. 11 Export, Import and Endangered Species Licences and Permits Before bidding for any property, prospective buyers are advised to make their own enquiries as to whether a licence is required to export a lot from the United Kingdom or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis of continent of origin and confirmation the object is more than 100 years old. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the item qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object containing endangered species into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licences or permits. Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 12. US Imports Customs Tariffs Buyers intending to import property into the United States of America should note that US Customs may charge an additional import duty upon the importation of (i) products manufactured or created in mainland China and (ii) printed materials (including photographs, prints, lithographs, books and designs) printed in the UK or Germany. Phillips will mark with a symbol lots which may be subject to additional US import tariffs, where this is known to us. Please note, however, that any such markings are done by us only as a convenience to bidders. Phillips

does not accept liability for errors including failing to mark lots accurately or for the absence of any marking. Export, Import, Sales and/or Use Taxes Buyers should note that they are responsible for all charges, duties and taxes related to the exportation and importation of lots shipped by them or shipped on their behalf, including any applicable Sales and/or Use Taxes which may be due on importing the property to the United States. Please contact the department organising the auction for further details. 13 Personal Data (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our Privacy Policy as published at www.phillips.com or available by emailing dataprotection@ phillips.com. (b) Our Privacy Policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be filmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, filmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or filmed or appear in such recordings, please speak to a member of Phillips staff. Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com. 14 Limitation of Liability (a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (b) Except as otherwise provided in this Paragraph 14, none of Phillips, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or any of our affiliated companies or (ii)

Authorship Warranty accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips, our affiliated companies and the seller to the fullest extent permitted by law. (d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss or damage is characterised as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions. 15 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and, subject to the provisions of the Copyright, Designs and Patents Act 1988, such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 16 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

(e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of Third Parties) Act 1999 by anyone other than the buyer. 17 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with English law. (b) For the benefit of Phillips, all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips shall retain the right to bring proceedings in any court other than the Courts of England. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by personal service, delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips.

Phillips warrants the authorship of property in this auction catalogue described in headings in BOLD or CAPITALIZED type for a period of five years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot; or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying to bid as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

In-person Absentee Bidding Telephone Bidding

Paddle Number

• Private Purchases: Proof of identity in the form of government-issued identification and recent proof of address will be required. • Company Purchases: If you are buying under a business entity, we require a copy of government-issued identifcation (such as the certifcate of incorporation) as well as proof of owners (including ultimate benefcial owners) and directors to verify the status of the company. This should be accompanied by an ofcial document confrming the company’s EU VAT registration number, if applicable, which we are now required by HMRC to hold. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale available online at phillips.com,. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

As a private individual On behalf of a company

• If you cannot attend the sale, we can execute bids confdentially on your behalf.

Sale Title Title

Sale Number First Name

Sale Date

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20th Century & Contemporary Art Evening Sale New York / 12 November Enquiries Amanda Lo Iacono Head of Evening Sale aloiacono@phillips.com +1 212 940 1278 phillips.com

Ruth Asawa Untitled (S.045, Hanging Five-Lobed, Multilayered Continuous Form within a Form, with Spheres in the First, Second and Third Lobes) copper and brass wire 72 x 14 x 14 in. (182.9 x 35.6 x 35.6 cm) Executed circa early 1960s. ÂŠ 2020 Estate of Ruth Asawa / Artists Rights Society (ARS), New York

Index Alexander, M. 272

Gabin, L. 242

Mackinnon, W. 117

Sanchez, T. 250

Allora & Calzadilla 131

Ghenie, A. 184

Marca-Relli, C. 174

Schnabel, J. 153, 154

Altmejd, D. 210

Giacometti, A. 24

Martinez, E. 103, 104

Schutz, D. 7

Ancart, H. 110

Gilbert & George 265

Mathieu, G. 26

Schwontowski, N. 202

Anderson, H. 27

Gokita, T. 126

Mbambo, W.B. 116

Scully, S. 21

Anuszkiewicz, R. 191

Graham, R. 253

McCollum, A. 162

Shearer, S. 221

Arcangel, C. 40

Cai, G. Q. 232

McEwen, A. 243

Simpson, L. 134, 135, 136

Miller, H. 132

Smith, A. 268

Minjun, Y. 226

Smith, E. M. 1

Mitchell, J. 22

Smith, J. 118

Armleder, J. 165 Hambleton, R. 227 Bader, D. 164

Haring, K. 12

Baker, C. 228

Hernández, S. 121

Banksy 8, 104

Hirst, D. 28

Bas, H. 5

Hockney, D. 185

Baselitz, G. 10, 31

Hodges, J. 211, 251

Basquiat, J. M. 11, 17

Hollowell, L. 109

Becher, B. & H. 257

Horn, R. 258

Binion, M. 133

Huebler, D. 255

Blake, P. 19

Hylden, N. 235

Bolotowsky, I. 190 Borremans, M. 186

Invader 231

Brown, C. 261

Ito, P. 241

Calder, A. 141, 142, 143, 144, 145

Jafa, A. 129

Casselman, S. 270

Jensen, S. 233

Cattelan, M. 161

Jones, A. 20

Chadwick, L. 187

June Paik, N. 139

Charlton, A. 166 Chia, S. 178

Kabakov, I. 156

Christo 155

Kantarovsky, S. 247

Claerbout, D. 259

Kaphar, T. 4

Colen, D. 213, 239, 240

Kapoor, A. 36

Condo, G. 13, 124, 125

Kato, I. 224

Cragg, T. 140

Katz, A. 14

Creed, M. 209

KAWS 37, 127, 229, 230

Curry, A. 244

Kelley, M. 138 Kentridge, W. 159

Dadamaino, 176

Klein, Y. 146

Day Jackson, M. 245

Knefel, K. 203

De Cordier, T. 180, 181

Kosuth, J. 151

De Keyser, R. 170

Kounellis, J. 177

Diao, D. 194

Krebber, M. 204

Dreher, P. 201, 205

Kruglyanskaya, E. 217, 225 Kunath, F. 218

Eliasson, O. 207

Figgis, G. 111, 112 Fischer, U. 212 Flood, M. 234 Fontana, L. 175 Förg, G. 35 Fridriks, K. 269

Stingel, R. 33

Nara, Y. 15

Succo, C. 238

Nava,R. 102

Sullivan, R. 236

Nitsch, H. 197 Tabouret, C. 113, 219 Oehlen, A. 32, 34

Tàpies, A. 179

Ofli, C. 267

Taylor, H. 30, 122

Olitski, J. 182

Tillmans, W. 39, 119

Orozco, G. 172

Ting, W. 223

Ostrowski, D. 237

Tiravanija, R. 249

Ozbolt, D. 263

Toor, S. 2 Trockel, R. 206

Parrino, S. 152

Twombly, C. 23

Party, N. 9, 107, 108 Pasmore, V. 188

Uecker, G. 199, 200

Penck, A.R. 195, 196 Perez, E. 173

Van Velde, B. 171

Pettibone, R. 147, 148

Vasarely, V. 189

Phillips, P. 264

Vo, D. 137, 252

Pruitt, R. 215, 216 Walker, K. 246 Quaicoe, O. K. K. 6

Walsh, D. 193

Quinn, M. 260

Warhol, A. 18, 158, 220 Wesselmann, T. 157

Rafman, J . 130

West, F. 198

Ray Charles, M. 248

Whitney, S. 106

Rayo, O. 192

Whittaker, D. K. 271

Rhoades, J. 38

Wiley, K. 123, 128

Ruby, S. 214

Wolfson, J. 101

Ruf, T. 254, 256 Ruscha, E. 16, 149, 150

Yiadom-Boakye, L. 29, 114

Kwade, A. 208

Yigang, W. 273

Lanskoy, A. 183

Ziegler, T. 262, 266

Elrod, J. 167 Fangor, W. 25

Steinbach, H. 163 Namuyimba, G. C. 115

Longo, R. 160

Zobernig, H. 168 Zvavahera, P. 3

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