Philadelphia City Paper, April 28th, 2011

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Publisher Nancy Stuski Editor in Chief Theresa Everline Senior Editor Patrick Rapa News Editor Isaiah Thompson Associate Editor and Web Editor Drew Lazor Arts & Movies Editor/Copy Chief Carolyn Huckabay Associate Editor Josh Middleton Staff Writer Holly Otterbein Assistant Copy Editor Carolyn Wyman Contributors Sam Adams, A.D. Amorosi, Janet Anderson, Rodney Anonymous, Mary Armstrong, Nancy Armstrong, Julia Askenase, Justin Bauer, Shaun Brady, Peter Burwasser, Anthony Campisi, Mark Cofta, Felicia D’Ambrosio, Jesse Delaney, Adam Erace, M.J. Fine, David Anthony Fox, Cindy Fuchs, K. Ross Hoffman, Deni Kasrel, Gary M. Kramer, Gair Marking, Robert McCormick, Natalie Hope McDonald, Andrew Milner, Michael Pelusi, Nathaniel Popkin, Robin Rice, Yowei Shaw, Lee Stabert, Will Stone, Andrew Thompson, Tom Tomorrow, Char Vandermeer, John Vettese, Bruce Walsh, Julia West Editorial Interns Emily Apisa, Bianca Brown, Matt Cantor, Ryan Carey, Angelo Fichera, Erin Finnerty, Tanya Hull, Kala Jamison, Emad Khalil, Diana Palmieri, Adrian Pelliccia, Massimo Pulcini, Laurel Rose Purdy, Eric Schuman Webmaster Dafan Zhang Associate Web Editor/Staff Photographer Neal Santos Systems Administrator John Tarng Production Director Michael Polimeno Editorial Art Director Reseca Peskin Senior Editorial Designer Allie Rossignol Senior Editorial Designer Alyssa Grenning Senior Designer Evan M. Lopez Designer Alicia Solsman Contributing Photographers Jessica Kourkounis, Mark Stehle Contributing Illustrators Jonathan Bartlett, Ryan Casey, Don Haring Jr., Thomas Pitilli, Matthew Smith Human Resources Ron Scully (ext. 210) Accounts Receivable Coordinator Tricia Bradley (ext. 232) Circulation Director Mark Burkert (ext. 239) Advertising Director Eileen Pursley (ext. 257) Senior Account Managers Nick Cavanaugh (ext. 260), Sharon MacWilliams (ext. 262), Stephan Sitzai (ext. 258) Account Managers Sara Carano (ext. 228), Chris Scartelli (ext. 215), Donald Snyder (ext. 213) Business Development Manager Nicholas Forte (ext. 237) Office Coordinator/Adult Advertising Sales Alexis Pierce (ext. 234) Founder & Editor Emeritus Bruce Schimmel citypaper.net

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the thebellcurve CP’s Quality-o-Life-o-Meter

[ - 5]

Gov.Tom Corbett signs his first bill, which repeals a law requiring sprinkler systems in new homes. “I’m sorry, Master Rendell,” says the ex-governor’s loyal butler. “Some men just want to watch the world burn.”

[ +1 ]

Only one-third of philly.com readers say they would call the police if they found 5 pounds of pot on their doorstep. And when they call, they’ll say, “Is this a trap? Legally, you have to tell me if this is a trap.”

[ +1 ]

In the first quarter of the year, Philly house prices drop again, but by a smaller amount than usual. Well, of course property values are turning around. Weed elves are just, like, dropping off 5-pound bags on our porches.

[ +3 ]

The third hawk chick hatches on Fran— klin Institute’s webcam. But it was still a disappointment to everybody who found the site by Googling “webcam” and “chicks.” Oh, and “hatching.” You don’t even wanna know what hatching is code for.

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[ +5 ]

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city

Philadelphia kicks off its first science festival. In protest, two SugarHouse Sweeties and a Wingette are burned as witches. Very sad.

[0 ]

Philly celebrates National Pretzel Day. Every day.

[ 1]

Penn’s Office of Student Life clears a fraternity of allegations of abusing a camel. Turns out the camel was already humped when they found it.

[ +2 ]

The Pennsylvania Senate introduces a medical marijuana bill. Too much work. Weed elves deliver.

[ -2 ]

Police arrest a North Philly man for hoarding cats, both dead and alive. Shame on you, Mr. Schrödinger.

[ +2 ]

Commissioner Charles Ramsey says he’s not leaving Philly.“Why would I go?” asked Ramsey. “At some point one-third of philly.com readers are going to call me up, and we’re going to get very, very high together.”

+

This week’s total: 8 | Last week’s total: -11

evan m. loPez

[ numbers ]

Down for the Count How many vacant lots are there in the city? No one’s quite sure. By Anthony Campisi ➤ Editor’s notE: This article is part of our ongoing series “The

Abandoned City.” How many vacant lots are there in philadelphia? The question seems so simple. The answer, however, is not. Take “40,000,” the number most frequently cited in recent news articles. That count first began to circulate widely after appearing in a study last year by Econsult. Or “24,000 to 25,000,” the number of vacant properties identified by the city’s Department of licenses & inspections in preparation for a new push to bring privately owned blighted properties into compliance, as City Paper recently reported [News, “Blight Fight,” anthony Campisi and isaiah Thompson, april 7, 2011]. But do a little digging, and you’ll find that both numbers are really only rough estimates. in fact, you’ll quickly discover a startling fact: No one knows exactly how many vacant properties there are here. and as the Nutter administration tries to come up with a comprehensive policy around vacant land, that elusive number represents a question mark in its equations. it’s a problem that community development groups, whose strategies often rely on acquiring vacant land from the city, would like to

see solved. Knowing exactly where all that property is, who owns it, and whether or not it is, in fact, vacant is essential, says rick Sauer, executive director of the philadelphia association of Community Development Corporations: “it’s awfully hard to do planning for reuse of [vacant land] if you don’t know where the vacants are,” he sums up. So why is pinning down the number and location of every vacant lot so tricky? For one thing, abandoned property is, after all, abandoned — owners don’t generally send a postcard to the city when they die or decide to walk away. The vacant land owned by the city, meanwhile, is divided between various city agencies — and the administration only just compiled and published a list of all the vacant property it owns a few months ago. But the vast majority of vacant and abandoned land — an estimated 75 percent — is in private hands. in those cases, the city and community development groups have been turning to so-called “vacancy indicators,” clues in various data sets that a property is likely vacant or abandoned. The oft-cited 40,000 estimate, for example, comes from Water Department data for properties whose water has been shut off. l&i, on the other hand, made its own list of abandoned buildings to target for code enforcement by looking for certain violations — things such “structural instability.” There are other measures: real estate tax delinquencies, maybe, or gas shut-off notices, or perhaps, undeliverable mail notices. Each yields a different list — which underscores the point that “vacancy indicators” aren’t perfect, as paCDC’s Saur points out. He thinks the 40,000 number still undercounts vacant properties. >>> continued on page 8


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[ a million stories ]

CatCh as CatCh Can philadelphia is, if nothing else, a city of dreamers. and of fish. and of those whose dreams revolve around fish. last weekend the city celebrated Shadfest, an event with two humble purposes: having a great time at penn Treaty park and honoring the great shad fish, once pivotal to the region, now all but gone from the delaware’s raunchy waters. in just three years, the offbeat festival has become a philly institution. and dreams, it seems, beget more dreams. among the tables at Shadfest was one manned by len albright and Jason Strohl, two men with a single mission: to organize a striped bass fishing derby. in an epic, 1,000-word press release they sent out recently, they explained that striped bass annually swim up the Schuylkill and Delaware rivers to spawn before returning to the sea. But philly has no organized contest to fish for them. On may 1, the first philadelphia Striped Bass Derby will begin (go to phillystripedbassderby.com for info). a catch-and-release contest, the derby, as its organizers see it, is about something even bigger than a really big fish: “We kind of saw it as a way for people to make a connection to philly’s rivers,” says albright. “The striped bass is a really beautiful fish, so we thought it would be a good starting point.” They’re reaching out to as diverse a crowd as they can — “There’s a huge Cambodian community that fishes down by the airport,” albright notes. “a lot of people fish the rivers but they don’t get a chance to meet each other.” “it’s only recently that the rivers were clean enough for bass and shad and herring to come up them again,” adds albright. “and

with all this fracking, you know, the rivers are under threat

again. any way to draw attention to them is really important.”

electionear Get vote-smart here

—isaiah thompson

RaCe to finish

Cutting Class When only half the City Council at-large candidates show up for a public panel, busy schedules can be blamed. But what to say about the near-empty university auditorium where the forum was held? last Thursday, Temple University’s Democratic and republican groups hosted a forum with the at-large candidates on the university’s main campus. While the communications director of the College Democrats, David lopez, said the organizations reached out to all 23 candidates, only 13 said they would attend; three later changed their minds. Candidate isaiah Thomas showed up only briefly. But the more conspicuous attendance number was the public’s — the target audience being, in this case, students. Sure, the attendees outnumbered the candidates. But not by much. No more than 20 people filled the seats, including students, professors and former Mayor John F. Street, who teaches urban politics and policy at the university. lopez admitted turnout “could have been better,” but he said, “it was nice to see students” attend a local-election event. He added that the two campus organizations are making efforts to inform students about the elections and help them to register. Whether they can actually get students interested in the most fascinating local election in years is yet to be seen. —angelo Fichera

photostream ➤ submit to photostream@citypaper.net

Committee of Seventy’s 7th Council District forum last Thursday, none was as strange as the unex­ pected invocation (as if he were some sort of political genie) of former Mayor John F. Street by candidate Dan Savage. The 7th District, currently represented by Council­ woman Maria Quiñones­Sánchez, is profoundly gerrymandered, and proving profoundly difficult to represent. The bottom half of the district, a blob encompassing parts of Kensington, eastern North Philly and the city’s “El Centro de Oro” section, is heavily Hispanic. As the district meanders upward into Frankford, its residents skew increasingly black and then white. Quiñones­Sánchez, who is Hispanic and from the lower part, faces a tough challenge from Savage, who is white and from the upper part. Get it? More complicated still, Quiñones­Sánchez has been hung out to dry by local ward leaders . But while Quiñones­Sánchez’s main task will be to mobilize her base, Savage appears to face a more complicated feat: He needs, or thinks he needs, to woo black voters — hence the magic lantern. The question was what to do about crime. Quiñones­Sánchez touted various local successes and defended her record, saying she’d help bring every police pilot program available into the district. Savage countered that crime had not improved — in part, he asserted, because of the “relation­ ship between the councilwoman and the current mayor,” and then he noted, “Mayor Street had a much better drug task force” and “under Mayor Street [drug dealers] would be in jail.” Debate host Gar Joseph of the Daily News then asked whether the audience would support John Street running as an independent for councilman at­large — to what the Daily News later reported was “a hearty round of applause.” The applause, this author confirms, was indeed hearty, but almost exclusively on the part of black audience members (including at least one boisterous committeeperson) who had come to support Savage. That was Thursday. On Monday, Mayor Michael Nutter — the same politician, we’ll point out, whom Street once said did not seem like a “black mayor” — threw his support behind Quiñones­Sánchez along with Congressman Chaka Fattah. That race matters in big city politics is not shock­ ing. Still, these tidbits offer glimpses into how com­ plicated and convoluted Philly’s racial politics can get. Take, for example, another political bottled genie: Schools Superintendent Arlene Ackerman. Last week, this author mentioned a candidates’ >>> continued on page 8

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JaMeS J. Kelly FliCKr: JKel

➤ Among A few strange moments at the

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Down For the Count

[ the naked city ]

<<< continued from page 6

What’s needed, they say, is a street-bystreet, block-byblock inventory. Sauer and others are calling for a simpler approach, if also a more massive one. What’s needed, they say, is a street-by-street, block-byblock inventory of every lot in the city. “It’s a major undertaking, but it’s something that would be worth [doing] over the summer,” says Sauer. John Kromer agrees. He was the city’s housing director when Ed Rendell was mayor and is currently running for sheriff. The city’s property records are in “serious need of updating,” he says, and the single best approach would be to have workers — interns, perhaps — literally walk down every street in the city, verifying vacancy information with their own eyes. “It’s not that hard,” Kromer insists, pointing out that a graduate student he recruited to take such an inventory of Southwest Center City competed the job, alone, in 10 days. And even if the administration won’t undertake a citywide inventory, it could at least do it in specific neighborhoods where the city and Community Development Corporations have plans to tackle the vacancy problem. But Deputy Managing Director Bridget Collins-Greenwald, who is helping lead the city’s policy review on vacant properties, says

the manpower just doesn’t exist for such an approach and that the Econsult study has provided enough information to work with. The main obstacle to compiling an accurate, authoritative list is, not surprisingly, limited resources and competing priorities. Still, just how important is it to have an accurate count? Collins-Greenwald argues that it would be better to focus on tackling other aspects of the vacantproperty problem. For example, the administration has yet to come out with a streamlined process for selling city-owned properties to private developers; and agencies like L&I will be busy enough trying to enforce code violations among the 20,000-odd properties they believe to be vacant. And yet, it’s hard to see how any of those goals can be met entirely until the city knows exactly what it’s got — blight, after all, only breeds more blight. (editorial@citypaper.net)

Race to Finish

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<<< continued from page 6

forum held for residents of the 2nd Council District (South Philly west of Broad, currently represented by Councilwoman Anna Verna), at which candidates Barbara Capozzi, state Rep. Kenyatta Johnson and Damon K. Roberts sat down to answer questions. While they differed little on most issues, they seemed to occupy opposite worlds when it came to one question in particular: “How do you feel about the performance of Schools Superintendent Arlene Ackerman?” Capozzi, who is white, said that she could “never, ever, forgive the way she handled [South Philadelphia High School].” Johnson and Roberts, who are both black, answered differently: “I support Dr. Arlene Ackerman,” said Johnson. “I know it’s an uphill battle she’s fighting.” Roberts split the difference, but not quite evenly. Ackerman has made “some mistakes,” he said, “but I don’t know any one of us who hasn’t made mistakes.” Interestingly, at another candidates’ forum for the 1st Council District that was being held just a few blocks away, none of the four candidates voiced support for Ackerman. They were all white. Did I mention that another Street — mayoral candidate T. Milton Street — recently called on Mayor Nutter to “take a stand” on Ackerman because of his “lack of visible support” for her? Street, in the same press release, didn’t express outright support himself but said he could “imagine it must be stressful and troubling” for Ackerman’s private tax troubles to be discussed publicly. (isaiah.thompson@citypaper.net) ➤ IN A CITY where Democrats outnumber Republicans six

to one, the GOP has no choice but to court liberals if it wants

a slice of the electorate pie. No surprise, then, that at a Republican at-large candidates forum last Wednesday, several politicians seemed to inch closer and closer to the left as the sun went down. Candidates Steve Odabashian and David Oh admitted that they had voted for President Barack Obama. Michael Untermeyer, meanwhile, called himself a “moderate.” State Rep. Denny O’Brien voiced concern over Gov.Tom Corbett’s proposed school cuts. And Oh conceded that it was “possible” he’d support Councilwoman Marian Tasco — who’s enrolled in that fourletter word DROP — for president. A few at-large candidates, including Oh, said they support collective bargaining, and Oh also acknowledged campaign contributions from several unions, prompting moderator Larry Mendte (yes, that Larry Mendte) to quip, “Which came first, the chicken or the egg?” Some audience members were unnerved by such moderate opinions. But no one was quite as mad as Republican mayoral candidate John Featherman. He later told City Paper he was “aghast” at candidates who voted for Obama, and was bummed that some front-runners “were acting more like moderate Democrats than Republicans.” (holly.otterbein@citypaper.net)


the naked city | feature

[ nonstop four-color fun ] ➤ noisemakers

Phil Ochs: There But for Fortune is no recent project. among the

as long as there’s been cheap electric guitars, untutored would-be rock stars have been exiled to garages to make noise on them. New Garage Explosion!!: In Love With These Times, screening tonight at ritz East (april 28, scionav. com), provides a survey of the state of garage rock art. as the late Jay reatard put it, the point is to “convey as much emotion with as little as possible,” amply represented by the sweat-drenched performance footage. —Shaun Brady

➤ pop fest pop art is devoted to celebrating the glories of the marketplace, so it’s fitting that international House’s three-day festival of films about and inspired by the movement, Pop Cinema (april 28-30, ihousephilly.org), is as crammed with goodies as a Toys r Us. The Brit-focused first night features Free Cinema landmarks by lindsay anderson, Karel reisz and Tony richardson; on Friday, the U.S. gets its turn with Bruce Conner’s apocalyptic test pattern Cosmic Ray. Saturday features peter Whitehead and Niki de Saint phalle’s Daddy, a grueling act of retribution against the latter’s abusive father — but until then, it’s nonstop four-color fun. —Sam adams

flickpick

reminiscers in Kenneth Bowser’s documentary — which plays this Wednesday at Bryn mawr Film institute (may 4, brynmawrfilm.org) — are long-gone folkie Dave Van ronk and yippie abbie Hoffman. lovingly dovetailed between archival footage of Ochs in performance and being interviewed is a wealth of contemporary news footage that demonstrates the topics that the protest singer so incisively skew—Mary armstrong ered with his clever turns of phrase.

Pushing iT Who cares if you listen? ➤ oriGinality in art can be overestimated.

➤ books/movies as a filmmaker, John Sayles has often reached deep into the shadowy corners of american history. But his novels provide an even grander scale in which to drink deep of little-known incidents from the nation’s past. Sayles’ films are intimate by necessity, but words on paper are free, allowing him the freedom to go epic. His latest, A Moment in the Sun (mcSweeney’s, may 17), from which he’ll read monday at the Free library (may 2, freelibrary.org), is set during the philippineamerican war while encompassing the Gold rush, turn-of-the-century race relations and the beginnings of the film industry. —Shaun Brady

[ movie review ]

The Double hour [ B ] Giuseppe Capotandi’s sumptuous, sexy thriller twists itself in knots try-

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Two of the greatest composers who ever lived, Mozart and Bach, wrote completely within the styles of their time, with little interest in technical innovation. Both were content with merely perfecting the state of the art. Then there was Beethoven and Stravinsky, who threw thunderbolts of inspiration but remained rooted in certain traditions. In the second half of the 20th century, a new aesthetic arose, espoused by such figures as Boulez, Babbitt, Stockhausen and Ligeti, in which newness was a goal in its own right. Babbitt’s infamous taunt was: Who cares if you listen? At best, this approach could lead to works of astonishing, ear-pricking novelty. But it also forced a crisis in music, repelling audiences by the droves, and eventually leading to a neo-Romantic return to tonal composition, from artists who did care if we listened. As in so many things, the stylistic pendulum in music is always swinging, and the flood of pandering pablum that purports to pass for real music has rekindled an interest in adventuresome writing. A rapt audience got a bracing dose of such stuff a couple of weeks ago when the Network for New Music presented a program including music by Japaneseborn, British-based composer Dai Fujikura, including a new piece written for the ensemble. I had the opportunity to chat with Fujikura the day of the concert. He is a charming and low-key fellow with some provocative ideas. He acknowledges the importance of Debussy and Takemitsu in contemporary Japanese music, but when I asked him what it meant to be a Japanese composer, he said he did not know how to answer. Yet he has a conception of what Japanese music sounds like, because whenever he detects such a quality in his own writing, he immediately rips it out. The two works played by Network — Okeanos Breeze for mixed ensemble, and Halcyon for clarinet and strings — were all about sound and texture. Large gestures and oozing shapes took the place of traditional melodic construction. Okeanos Breeze included several western instruments, but also a koto, and the wonderful thousand-year-old reed instrument, the sho. Of course, Fujikura used them in completely un-idiomatic ways. This guy has a subversive streak that is highly compelling. Keep an ear out for his extraordinary music. (p_burwasser@citypaper.net)

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ing to wrong-foot its audience — and succeeds, at least for a time. italo-Slovenian chambermaid Sonia (Kseniya rappoport) meets widowed ex-cop Guido (Filippo Timi) at a speed-dating session and it’s love, or something, at first sight. But after the art-stuffed mansion he guards is ransacked by a group of well-informed thieves, it becomes clear their relationship isn’t as it seems. indeed, almost nothing is. The Double Hour is obsessed with surveillance, overhead cameras and longrange microphones, and the way patterns repeat themselves in unobserved ways; the title comes from the moments when hours and minutes numerically coincide, a minor reflection that slips by 24 times a day. Capotandi and his three screenwriters stuff the film back-to-front with recurring lines and shots, creating an eerie sense of déjà vu and a feeling of looming expectation they never quite pay off. rappoport and Timi have an easy rapport and a natural feel that lends a hint of depth to their under-conceived characters. you feel as if you could watch these two talk about nothing all day. in a sense, they’re more intriguing than the story they’re caught up in, less twisted on the surface but harboring depths the film only dips a toe in. The movie vacillates between a compelling social-realist romance and a well-shot but mechanical labyrinth of plot; either might work on its own, but they don’t fit together smoothly. The Double Hour isn’t so contrived that its machinations become tiresome, but after a while, you feel as if you’re being spun in circles, left to stumble woozily in the dark. Tat radcliffe’s lighting evokes moody pools of light and shadow, but the movie’s ample atmosphere never coalesces into something you can wrap your hands around. —Sam Adams

Looming expectation that never pays off.

EYES WIDE OPEN: Kseniya Rappoport (pictured) and her co-star, Filippo Timi, have a rapport that gives depth to their under-conceived characters.

suitespot Peter Burwasser on classical

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[ cinemascope ]


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[ the naked city ]

The Race and Sports Lecture Race and the National Football League: The Rooney Rule and Beyond

The Rooney Rule was passed in 2003 to address the lack of opportunities for African-Americans as head coaches in the NFL. The program will examine racial issues pre Rooney Rule and discuss the future of African-Americans in the NFL.

Panelists:

Kevin Blackistone (Moderator) is a sports columnist and the Shirley Povich Chair in Sports Journalism at the University of Maryland. N. Jeremi Duru is Associate Professor of Law at Temple University. He is the author of, Advancing the Ball: Race, Reformation, and the Quest for Equal Coaching Opportunity in the NFL. Cyrus Mehri is a civil rights attorney and founding partner of the law firm Mehri & Skalet, PLLC. he and Johnnie L. Cochran, Jr. released the report, Black Coaches in the National Football League: Superior Performance, Inferior Opportunities.

Thursday, April 28, 2011. 5:30 p.m. The Auditorium, Jon. M. Hunstman Hall. 38th and Walnut Street FREE AND OPEN TO THE PUBLIC For more information, contact the Center for Africana Studies at 215.898.4965 or africana@sas.upenn.edu

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From our readers

REGULATIONS FOR ALL Regarding Holly Otterbein’s story about potential ulterior motives in a state bill about abortion clinics [“Hiding in Plain Sight,” April 21], citypaper.net commenter aaron678 writes: “I am a pro-choice supporter, and I see what the author is trying to say in this article. Nonetheless, I fail to see why there should be different standards for abortion clinics than other medical facilities. The issue at stake here is bigger than abortion. That is, regulating abortion can be called a ‘tactic … used against low-income women’ if and only if health care regulation in general can be called a tactic that is being used against low-income citizens.” THE PROMISED BLAND Otterbein’s profile of ramshackle Italian Market vendor John Banks and the possible efforts to get rid of him [“Very Strong Bags,” April 21] caused Tim McMahon to send an email full of indignation. “It has been a long time since I’ve read anything that has made me as mad as [South 9th Street Business Men’s Association representative] Cookie Ciliberti’s comments in ‘Very Strong Bags.’ Her stance optimizes what I would describe as ‘evil.’ In her attempt to rebrand the Italian Market by ‘cleaning’ it up and developing an iPhone app, she completely misses the mark, and rather than doing Philly a service, she embraces the soulless and boring, lifeless and bland aspirations of the suburbs which the rest of us are trying so hard to avoid. The Italian Market is so wondrous exactly BECAUSE of its unpredictable and organic nature, and iconic and interesting people like

John Banks making their living outside the soul-crushing corporate model.” DIS LOCATION The video of the April 21 7th Council District debate that Isaiah Thompson posted on our “Naked City” blog earned this response from online commenter AngelR: “I thought Danny Savage did a great job last night at the debate. He did extremely well considering it was an obvious set-up once things got started, besides being in Sanchez’s backyard. Why not pick a ‘neutral’ place so more people from the 7th could easily attend?” We say to all of you, attend those candidate forums — and keep reading and responding to our ElectionEar coverage in print and at citypaper.net/blogs/nakedcity.

We welcome and encourage your feedback.

Mail letters to Feedback, City Paper, 123 Chestnut St., 3rd Floor, Phila., PA 19106. Fax us at 215-599-0634, e-mail editorial@citypaper.net or comment online at citypaper.net. Submissions may be edited for clarity and space.


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the naked city

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feature a&e | the agenda | food | classifieds

“When you say tourist attraction, then that’s what happens,� she says. “That person behind the stand becomes an object, just like the fruit they’re selling. They’re not real people who are going through real things.� Her exhibit with Rocco sheds light on the people behind the produce by profiling vendors along Ninth Street. Mixing archival family photographs, Rocco’s portraiture and Ortiz’s design work, the images in “Different Paths� were printed to large sheets of vinyl and hung at their corresponding merchant’s stand, replacing the worn tarps flapping in the wind. “It’s not about my big artwork on the spaces,� Ortiz says. “It’s really about telling people who walk through here to look past tomatoes and celery and look past the grittiness of the market, to realize people who create the spirit of the space and recognize the struggle they had to endure.� The installation is one of four featured in Journeys South, a Mural Arts Program series of non-murals unveiling in South Philadelphia this month. The projects

the naked city

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P H I L A D E L P H I A C I T Y PA P E R | A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T |

tattered vinyl awning covering Scott & Judy’s Chinese Groceries. The proprietors are replenishing inventory on the curbside produce stand of their South Ninth Street business, sweeping the sidewalk and chatting with customers, when muralist Michelle Angela Ortiz and photographer Tony Rocco approach. Judy Tran smiles, convivially embracing Ortiz, and the two go indoors to gather paperwork; her husband shakes Rocco’s hand, offers a friendly hello and gets back to work. The artists didn’t always receive such a warm reception. “He didn’t speak to me until maybe about a month ago,â€? Rocco confides. He and Ortiz had been visiting the vendors along Ninth Street since December 2009, conducting interviews, shooting photographs and gathering stories for “Different Paths, One Market,â€? their Mural Arts exhibit being installed this week. Later on, tucked inside Anthony’s Italian Coffee House up the street, Rocco says he doesn’t begrudge the Trans’ reluctance to open up. His voice is warm, his delivery pointed as he explains that working with the vendors on this project gave him “an appreciation of how many cameras get stuck in their face every day. If you just sit right here and look outside — every Photo 1 student in Philadelphia walks by the Italian Market to take pictures. And they’re in your face about it, totally. So then you can imagine how, after we come and want to do the same thing ‌ â€? His frankness is distinctively South Philly, and indeed, Rocco, 41, grew up at Fifth and Morris. But he’s right: The market is something of an attraction for tourists and those in search of “local color.â€? It draws thousands of daily visitors from the suburbs, around the region, around the country — folks who want to gawk at the street Rocky went running down, then grab some pepperoni bread from Sarcone’s. But it’s also a practical destination, a place for neighborhood residents to grocery shop (like Ortiz, 32, who grew up at 10th and League, and still lives nearby), or for local restaurants to gather supplies. On another level, the market is a gateway for new immigrants to establish themselves and their families in the United States. It’s historically held this role, for the Jewish and Italian merchants of the early 20th century and for the Mexican and Vietnamese vendors doing the same thing today. Ortiz rattles off facts and anecdotes in a breathless, energetic voice. She’s gregarious and passionate about her neighborhood, and bristles at the notion of its merchants gaining their foothold in a new country while, in a way, being on display.

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the naked city feature classifieds | food | the agenda | a&e

— ranging from animations of old photographs to poetry collections placed in decorated honor boxes along East Passyunk — seek to document the immigrant experience in a section of the city that’s an entry point to the country. It’s something about which Rocco and Ortiz have firsthand knowledge. Both are first-generation children of immigrants, Colombian on their mothers’ side. Rocco’s mom used to drag him shopping on Ninth Street every weekend as a child; she saw in the market remembrances of home. Ortiz’s mom worked at Giordano and Giordano Produce for 25 years; she saw in the market opportunity. After finishing our drinks, we head to Triple Play Sports, an apparel and printing shop at Ninth and Christian, so Ortiz and Rocco can pick up a proof of the tarp intended for Anthony’s Coffee. The artists hold it up to the window and nod with satisfaction. Ortiz designed the images with the color palette of the market in mind: dark chestnut reds, olive greens and grays, muted tangerines. Backlit by the sky, the colors pop even on this overcast afternoon. On a sunny day, the work will positively glow.

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14 | P H I L A D E L P H I A C I T Y PA P E R |

A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T

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The images were created through a lengthy process of information-gathering and editing. Ortiz and Rocco spoke with some 20 subjects along Ninth Street about their business and their family’s path to America. They met with varying degrees of willingness. A few, like fruit vendor Mary Messina, would consent only to an audio interview. Others allowed them to record video as the two asked questions. Later, Rocco returned to shoot their portraits. From these initial interviews, Ortiz and Rocco chose a demographic cross-section to profile further, through the tarps. They wanted to show the diversity of the space — despite the name it commonly goes by, the market is not exclusively Italian (the Pennsylvania Historical & Museum Commission marker at Christian Street calls it the “9th Street Curb Market�). They sought to bring out the stories of the African, Chinese, Mexican and Vietnamese vendors, as well as Italians who perhaps have not told their stories. You can rattle off famous names like Di Bruno Bros., Ortiz points out, but you might not think as immediately of Carmen Lerro, a fruit vendor and the fourth generation of his family to work the strip. Eight vendors were chosen for profiling in the tarps, and Rocco and Ortiz returned to each for follow-up interviews. Upon revisiting, the subjects seemed far more at ease, willing to share intimate details of their work. Anthony Anastasio, proprietor of Anthony’s Italian Coffee House, described the pushcart filled with produce and fish that his grandparents used to wheel up and down Ninth Street. He also told a story about his grandfather walking around in shoes worn through with holes, vowing as a child of the Great Depression to provide for his offspring. “Sharing these stories with Tony and Michelle, it was surprisingly hard to verbalize them,� Anastasio says. You know the facts, but when speaking them out loud, “It hits you — it makes you realize how difficult it was for merchants in the 1920s and ’30s. They didn’t have the technology we have today. They didn’t have the advantages we have today.� The design Ortiz created for Anastasio’s shop blends the circle and spokes of the pushcart wheel with an old photograph of Anastasio’s grandfather, with the phrase “A promise to my family� arcing around the side. Key phrases like this are prominent on each tarp, reading as a free-associative poem as the works unfold southward from Christian Street to Washington Avenue and back up the other side of the street. Likewise, the circular contour of ,,, Q]\bW\cSR ]\ ^OUS $


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SIMPLICITY! You’ll continue to receive a monthly bill from your utility company; the only difference is that the “supplier charge” will be a lot less. MORE INFORMATION To register in just a few minutes, have your PECO bill handy and click on the website below. You will get answers to any questions you have and begin saving right away.

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P h i l a d e l P h i a C i t y Pa P e r | a p r i l 2 8 - m a y 4 , 2 0 1 1 | C i t y Pa P e r . n e t |

PECO still carries the power to your home or business and services your account. There is no change in response time or guaranteed services and power outages will be handled on the same priority basis. It’s similar to when the telephone industry was deregulated and used the same wires with new economical service providers. PECO supports this program and has been actively encouraging its customers to take advantage of it.

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the naked city classifieds | food | the agenda | a&e

feature

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with how we present our products, how we present ourselves and how we present our families.� And the families, Ortiz notes, have very similar stories. Rosario and Karina Corona, the Mexican couple operating a produce stand, met and fell in love in the market, just as Paul and Frances Giordano, an Italian couple, did nearly a century ago. The story of the Trans progressing from producestand merchants to store owners over the course of two decades follows the trajectory of the Anastasio family, who went from pushcart vendors to successful wholesalers to coffee-shop proprietors. Ortiz wants the vendors to see those common threads. In her eyes, “Different Paths� is about them sharing with one another as much as with the larger public. “So that way, there isn’t the element of ‘you’re an illegal’ or ‘my family has been here longer,’� she says. “I’m trying to break that down so the merchants take a moment and see each other in one another’s stories.� (j_vettese@citypaper.net) Journeys South runs through June 11. For more information,

visit muralarts.org.

16 | P H I L A D E L P H I A C I T Y PA P E R |

A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T

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the wheel becomes a recurring visual motif, shaped as an Aztec warrior shield on the banner at Rosalio and Karina Corona’s produce stand and a silver coin on the one at Giordano and Giordano’s Groceries. A video loop of interview excerpts explaining these elements screens Saturdays through June 11 at the vacant Pronto storefront at Ninth and Montrose. Along with a display of Rocco’s portraits, the video provides an enriching complement to the tarps. The work is simultaneously aesthetic, literary and documentary. It’s also functional: The images are themselves awnings, shielding the vendors from the elements — like the rain we’re trudging through. When the exhibit concludes in June, the vendors may keep the tarps permanently if they wish. Giving the work a purpose beyond being purely decorative was important to both artists, who each have formidable public art rĂŠsumĂŠs. Rocco’s documentary photography in Colombia led to an educational outreach program in the capital of Cali, while Ortiz’s murals in Mexico, Fiji and Philadelphia were each designed with neighborhood participation. They know how to work within communities, and how to reflect the stories of those communities to a broader public. In the market, the challenge was also getting their subjects comfortable with having their stories told in a climate where anti-immigration sentiment is high, both nationally (the staunch rhetoric and strict laws in Arizona and California) and locally (the “order in Englishâ€? hubbub at Geno’s Steaks a couple years back). After meeting with that initial resistance from Scott and Judy Tran, the artists approached the couple’s son, Keong, who also works at the shop. He explains that the problem wasn’t just that his parents were camera-shy. “My dad, he’s respectful of the other businesses, he doesn’t like to have any drama,â€? Keong Tran says. “He thought that if we had a tarp up, other vendors, the Italian vendors, would look down on us, would have prejudice against us. He didn’t want to be flashy. He was content.â€? Rocco concurs: “There’s a ‘don’t rock the boat’ mentality,â€? he says. As the project went on, seeing fellow non-Italian vendors working with Rocco and Ortiz turned Tran’s father around. The artists say he’s now the most enthusiastic participant. “You lead by example,â€? Anastasio observes. “We’ve had negative connotations associated with the market — it smells, it’s dirty, people are rude. Looking back, and looking to the future, what makes it special is we’ve overcome those barriers

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artsmusicmoviesmayhem

icepack By A.D. Amorosi

➤ I’ve touted Erika Schiff’s singing abilities

for so long, it might seem like she’s a woman in her 60s rather than the sprightly twentysomething that she is. Philly’s resident blue-eyed soul chanteuse pays her bills as a wedding singer, has done backing vocals for old area cats like John Eddie and sang in expansive jazz acts with avant-guys like Elliot Levin. But the woman I spoke to from the Hollywood set of American Idol early this year (Schiff was a contestant) has her very first CD ready with a gig at Legendary Dobbs April 30. Who made this CD, In the Blonde, and her new band of the same name possible? Her beau and co-conspirator, Jimmy James. “This may be a debut, but it feels like the story of two artists who’ve done some living and are still hungry for more,” says James of ITB’s moody bits, Latin dance beats, whiskey-soaked guitars, plaintive string arrangements — all unified by Schiff’s potent, soulful vocals. “With eight pieces behind us, Dobbs will be a hell of a time.” Check out CritMass (citypaper.net/criticalmass) — I’ll have an Ice Cube featuring exclusive snaps from notorious Penthouse photographer Tony Ward soon. ➤ Chef-ing: NoLibs’ Arrow Swim Club may have announced an opening date (May 15) and pool-side menu (lots of flatbreads), but until now has been mum about the chef behind its Chenango Bar & Grill restaubar. Ta da. It’s Timothy McGinty, a European export who last served as exec sous chef at The Old Mill in Dublin, and spent time at The Anchor & Hope Inn and Pub in London. ➤ And remember my Ice exclusive last week on Fare, the frosted-glass organic restaubar readying its opening at 2028 Fairmount? They’ve got a chef named Timothy Bellew and a possible opening before May’s end. ➤ What about the 3,000-person live concert venue David Grasso was trying to get from a 7,600-square-foot warehouse at Beach and Richmond? You know, the one the neighbors weren’t keen on in 2010? Sounds like in 2011, Grasso and Councilman Frank DiCicco are getting the Live Nation-booked spot into a City Council zoning legislation hearing on May 4 and that the new venue will probably go through. ➤ Le Virtù on East Passyunk — the area’s quintessential Abruzzese cookery — has its ducks in a row. Or rather, pigs. Along with unveiling sous chef Massimo Conocchioli’s porchetta — roast suckling pig — Le Virtù is finally opening Campo, its outdoor spot on the grassy knoll adjacent to the mother spot on May 5 with an opening soiree featuring beer from Phoenixville’s Sly Fox Brewery, who’ll hook attendees up with commemorative goblets. Pigs and goblets sounds more like a Renaissance Faire than South Philly, but I’ll take it. (a_amorosi@citypaper.net)

MASQUE, THE GATHERING: “We wanted to have a band that combined chaos with complexity,” says singer Lynnette Shelley.

[ rock ]

Fire with Fire It’s a prog-eat-prog world for art rockers The Red Masque. By A.D. Amorosi

A

fter a decade as Philadelphia’s go-to progressive art rock ensemble, The Red Masque is having its most incendiary year. Surrounding married mates Brandon Lord Ross and Lynnette Shelley are some fired-up new players. Their sound is ferocious, leaner and meaner. Yet nothing put a flame under the quartet’s ass like its last gig, in March 2011. That was the one at Hoi Polloi Studios, canceled by a four-alarm fire nearby. Not even the worst part. While the band was meeting at a diner several blocks away from the blaze, their car’s windows got smashed. Duffel bags of vintage equipment, including a Morley Fuzz Wah and an echo Theremin, were stolen. So was Shelley’s notebook with lyrics for a bunch of new songs she didn’t have written anywhere else. “No, nothing positive came of it,” she says dryly when asked to look for a silver lining. “I think it would be fair to say that evening was the worst gig ever, if it can even be called a gig in that we weren’t even able to play.” The Red Masque had been through some muck in its time. The pair started its musical life in Delaware under the name Copperthrush. (Their first gig was at WWDB’s 1998 Scrapplefest, held at the TLA.) Back then, Shelley and Ross struggled to accomplish the wild vision — inspired by King

Crimson and Van der Graaf Generator — when they started to play the quietly dark and complicated arrangements of The Red Masque. “We wanted to have a band that combined chaos with complexity,” says Shelley. She’s a clarion vocalist whose lower range is like a rich bassoon, whose high notes could shatter a windshield, whose lyrics touch deeply and oddly on mythology and Celtic folklore. It didn’t help that she and Ross had issues with wannabe band members who would disappear without notice, had little time to devote to the cause or just didn’t get the idea behind The Red Masque’s terrapin score. “Brandon and I were very close to calling it quits. We just didn’t see how we were going to be able to move forward.” The solution came from a brief pre2010 hiatus, one Craigslist ad and a desire to streamline their schizoid sound into something less grand. The pair wanted to make a brand of noir art metal that was more intimately intertwining yet blunter than their previous sound. They also wanted to be able to share such studio-centric frippery with live audiences. “I no longer worry that we won’t be able to pull off our live sound,” says Shelley of the new union that’s been together since fall of 2010. Red Masque Mach 3 includes guitarist Nicholas Giannetti and drummer Steve Craig. “We were moving in this direction before Nicholas joined,” says

“I think it would be fair to say that evening was the worst gig ever.”

>>> continued on page 20


the naked city | feature

[ nonstop four-color fun ] ➤ noisemakers

Phil Ochs: There But for Fortune is no recent project. among the

as long as there’s been cheap electric guitars, untutored would-be rock stars have been exiled to garages to make noise on them. New Garage Explosion!!: In Love With These Times, screening tonight at ritz East (april 28, scionav. com), provides a survey of the state of garage rock art. as the late Jay reatard put it, the point is to “convey as much emotion with as little as possible,” amply represented by the sweat-drenched performance footage. —Shaun Brady

➤ pop fest pop art is devoted to celebrating the glories of the marketplace, so it’s fitting that international House’s three-day festival of films about and inspired by the movement, Pop Cinema (april 28-30, ihousephilly.org), is as crammed with goodies as a Toys r Us. The Brit-focused first night features Free Cinema landmarks by lindsay anderson, Karel reisz and Tony richardson; on Friday, the U.S. gets its turn with Bruce Conner’s apocalyptic test pattern Cosmic Ray. Saturday features peter Whitehead and Niki de Saint phalle’s Daddy, a grueling act of retribution against the latter’s abusive father — but until then, it’s nonstop four-color fun. —Sam adams

flickpick

reminiscers in Kenneth Bowser’s documentary — which plays this Wednesday at Bryn mawr Film institute (may 4, brynmawrfilm.org) — are long-gone folkie Dave Van ronk and yippie abbie Hoffman. lovingly dovetailed between archival footage of Ochs in performance and being interviewed is a wealth of contemporary news footage that demonstrates the topics that the protest singer so incisively skew—Mary armstrong ered with his clever turns of phrase.

Pushing iT Who cares if you listen? ➤ oriGinality in art can be overestimated.

➤ books/movies as a filmmaker, John Sayles has often reached deep into the shadowy corners of american history. But his novels provide an even grander scale in which to drink deep of little-known incidents from the nation’s past. Sayles’ films are intimate by necessity, but words on paper are free, allowing him the freedom to go epic. His latest, A Moment in the Sun (mcSweeney’s, may 17), from which he’ll read monday at the Free library (may 2, freelibrary.org), is set during the philippineamerican war while encompassing the Gold rush, turn-of-the-century race relations and the beginnings of the film industry. —Shaun Brady

[ movie review ]

The Double hour [ B ] Giuseppe Capotandi’s sumptuous, sexy thriller twists itself in knots try-

19

Two of the greatest composers who ever lived, Mozart and Bach, wrote completely within the styles of their time, with little interest in technical innovation. Both were content with merely perfecting the state of the art. Then there was Beethoven and Stravinsky, who threw thunderbolts of inspiration but remained rooted in certain traditions. In the second half of the 20th century, a new aesthetic arose, espoused by such figures as Boulez, Babbitt, Stockhausen and Ligeti, in which newness was a goal in its own right. Babbitt’s infamous taunt was: Who cares if you listen? At best, this approach could lead to works of astonishing, ear-pricking novelty. But it also forced a crisis in music, repelling audiences by the droves, and eventually leading to a neo-Romantic return to tonal composition, from artists who did care if we listened. As in so many things, the stylistic pendulum in music is always swinging, and the flood of pandering pablum that purports to pass for real music has rekindled an interest in adventuresome writing. A rapt audience got a bracing dose of such stuff a couple of weeks ago when the Network for New Music presented a program including music by Japaneseborn, British-based composer Dai Fujikura, including a new piece written for the ensemble. I had the opportunity to chat with Fujikura the day of the concert. He is a charming and low-key fellow with some provocative ideas. He acknowledges the importance of Debussy and Takemitsu in contemporary Japanese music, but when I asked him what it meant to be a Japanese composer, he said he did not know how to answer. Yet he has a conception of what Japanese music sounds like, because whenever he detects such a quality in his own writing, he immediately rips it out. The two works played by Network — Okeanos Breeze for mixed ensemble, and Halcyon for clarinet and strings — were all about sound and texture. Large gestures and oozing shapes took the place of traditional melodic construction. Okeanos Breeze included several western instruments, but also a koto, and the wonderful thousand-year-old reed instrument, the sho. Of course, Fujikura used them in completely un-idiomatic ways. This guy has a subversive streak that is highly compelling. Keep an ear out for his extraordinary music. (p_burwasser@citypaper.net)

P h i l a d e l P h i a C i t y Pa P e r | a p r i l 2 8 - m a y 4 , 2 0 1 1 | C i t y Pa P e r . n e t |

ing to wrong-foot its audience — and succeeds, at least for a time. italo-Slovenian chambermaid Sonia (Kseniya rappoport) meets widowed ex-cop Guido (Filippo Timi) at a speed-dating session and it’s love, or something, at first sight. But after the art-stuffed mansion he guards is ransacked by a group of well-informed thieves, it becomes clear their relationship isn’t as it seems. indeed, almost nothing is. The Double Hour is obsessed with surveillance, overhead cameras and longrange microphones, and the way patterns repeat themselves in unobserved ways; the title comes from the moments when hours and minutes numerically coincide, a minor reflection that slips by 24 times a day. Capotandi and his three screenwriters stuff the film back-to-front with recurring lines and shots, creating an eerie sense of déjà vu and a feeling of looming expectation they never quite pay off. rappoport and Timi have an easy rapport and a natural feel that lends a hint of depth to their under-conceived characters. you feel as if you could watch these two talk about nothing all day. in a sense, they’re more intriguing than the story they’re caught up in, less twisted on the surface but harboring depths the film only dips a toe in. The movie vacillates between a compelling social-realist romance and a well-shot but mechanical labyrinth of plot; either might work on its own, but they don’t fit together smoothly. The Double Hour isn’t so contrived that its machinations become tiresome, but after a while, you feel as if you’re being spun in circles, left to stumble woozily in the dark. Tat radcliffe’s lighting evokes moody pools of light and shadow, but the movie’s ample atmosphere never coalesces into something you can wrap your hands around. —Sam Adams

Looming expectation that never pays off.

EYES WIDE OPEN: Kseniya Rappoport (pictured) and her co-star, Filippo Timi, have a rapport that gives depth to their under-conceived characters.

suitespot Peter Burwasser on classical

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➤ protest doc

a&e

[ cinemascope ]


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[ arts & entertainment ]

Fire with Fire

<<< continued from page 18

Shelley. “The newer material that Brandon and i were writing was more aggressive at times than anything in our past. That said, Nicholas is probably the most technically skilled guitarist we’ve had. That’s not a slight to anybody who played with us before. Brandon is not your average bass player and most of the songs are structured around his bass lines.” What this translates to is that the sharp shards of The red masque’s new crunch sounds closer to the band’s mangy first Ep (Death of the Red Masque, 2001) than to their last opulent CD (Fossil Eyes, 2008). “That Ep had a kind of garage prog sound to it, dirty, Diy and adventurous,” says Shelley. The discordant roar of their past is now made bolder and more brusque for the present. That suits

Shelley’s new songs, like “The Dark Salt Sea” (eerily prescient of the disaster in Japan), just fine. Other new songs about minotaurs and Saturn follow suit. “The new music is very intense, cathartic and transporting,” says Shelley. “it makes perfect sense for what i’m writing now.” (a_amorosi@citypaper.net) The Red Masque plays Sun., May 1,

8 p.m., $10, with Moraine and K2, The Fire, 412 W. Girard Ave., 267-671-9298, iourecords.com/thefire.

➤ folk/pop

Kath Bloom A second-generation folkie of the mid-1970s, Kath Bloom was rediscovered and embraced in the last decade, as fans from the new-American-songwriter scene (Devendra Banhart, Espers) ushered her from dormancy. As Bloom showed in an appearance at Fleisher-Ollman Gallery last year, her singing voice has ripened with age, conveying tender longing, heartbreak and ebullient joy. —John Vettese

20 | P h i l a d e l P h i a C i t y Pa P e r |

a p r i l 2 8 - m a y 4 , 2 0 1 1 | C i t y Pa P e r . n e t

Wed., May 4, 7:30 p.m., $8, with Meg Baird and Ember Schrag, Kung Fu Necktie, 1250 N. Front St., 215-291-4919, kungfunecktie.com.


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[ arts & entertainment ]

re:view Robin Rice on visual art

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a&e

IN PLANE SIGHT HIRO SAKAGUCHI: “NO PARTICULAR PLACE TO GO� | Through Aug. 28, Pennsylvania Academy of

the Fine Arts, Morris Gallery, 118 N. Broad St., 215-9727600, pafa.org

➤ AT THE VERY center of Hiro Sakaguchi’s PAFA

show is a one-person wooden boat. Beside the helm, Sakaguchi has placed a cast-iron hibachi filled with charcoal and flanked by cooking implements. Copper tubing leads toward the back of the boat, presumably to power it. “Floating� on a mat screened with frothing waves, the boat is attractive, charming and everso-slightly unsettling. The tiny boat tossed on the metaphorical waves of fortune might be understood as the interior artist. An expatriate of Nagano and 1996 graduate of PAFA, Sakaguchi is a fairly typical, though unusually successful, young artist: teaching a few courses and working as an art handler at the Philadelphia Museum of Art. The improvised boat embodies the insouciance and risk of his journey; a couple of crushed cans of Budweiser tossed behind the seat keep the mood light.

Sakaguchi’s linear work contains graphic references to Persian miniature painting, Middle Eastern iconography and manga. They exuberantly depict iconic silhouettes: airplanes, golfers, clouds and energy patterns. The artist’s interest in hidden interiors — and his curatorial bent — led him to design wood cuts of archetypal domestic clichÊs, asking friends to add their individual visions. Sakaguchi consistently juxtaposes violence (volcanos, military airplanes) with the magic transformation of disaster into beautiful or poetic forms like bouquets of flowers. By projecting this gentle outcome onto our hopes for Japan, this work might be experienced as an unintentional but healing talisman for the future. (r_rice@citypaper.net)

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22 | P H I L A D E L P H I A C I T Y PA P E R |

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A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T

editors speak

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Admission: $5 with drexel id $15 for the GenerAl Public

Visit www.drexel.edu/westphal www.somethingborrowedmovie.com

No purchase necessary. Limit two tickets per person while supplies last. Theater is overbooked to ensure a full house. Arrive early. Tickets received through this promotion do not guarantee admission. Seating is on a first-come, first-served basis, except for members of the reviewing press. This film is rated PG-13 for alcohol use throughout, sexual content, language and some drug references. Must be 13 years or older to enter contest and attend screening. Anti-piracy security will be in place at this screening. By attending, you agree to comply with all security requirements. All federal, state, and local regulations apply. Warner Bros. Pictures, Philadelphia City Paper and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred, or redeemed for cash, in whole or in part. We are not responsible for lost, delayed, or misdirected entries, phone failures, or tampering. Void where prohibited by law.

IN THEATERS FRIDAY, MAY 6


the naked city | feature a&e

Get Your MealTicket to BizBites

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Philadelphia Business Journal & Philadelphia City Paper combine key ingredients for the area’s hottest happy hour.

When: Wednesday, May 11, 5:00pm-7:00pm Where: TRUST, Corner of 3rd & Arch Streets Featured Menu: Appetizer - Registration & Networking Entree - Food Tasting of Philly’s Finest Restaurants Dessert - Top Restaurateur Panel Discussion with insight to the food industry from the blueprint to the bar, with everything in between.

Participating Restaurants: 2312 Garrett B.T. Bake Shop Chick’s Cafe & Wine Bar Delicatessen Gambier Events Harvest Seasonal Grill & Wine Bar KOO ZEE DOO Marabella Meatball Co. Maru Global Takoyaki Oyster House Paddy Whack Irish Sports Pub

Pat’s King of Steaks Philadelphia Bar & Restaurant Philadelphia Distilling PinotBoutique Pop-A-Nugget Pudding Lane Red Zone Old City Shank’s Uptown Skinny Water Supper Triumph Brewing Company The Wishing Well *As of 4/26/11

Reserve Today: http://tinyurl.com/MealTix2BizBites $35, includes ticket, restaurant guide & chance to win over $400 worth of restaurant gift certificates

YOU AND A GUEST ARE INVITED TO A SPECIAL ADVANCE SCREENING OF

FOR YOUR CHANCE TO WIN PASSES FOR YOU AND A GUEST TO AN ADVANCE SCREENING, VISIT

Co-Moderators:

WWW.CITYPAPER.NET/WIN

NO PURCHASE NECESSARY. PASSES ARE AVAILABLE WHILE SUPPLIES LAST. ONE (ADMIT TWO) PASS PER WINNER. NO PHONE CALLS PLEASE. SEATING AT SCREENING IS NOT GUARANTEED. THIS FILM IS RATED PG-13.

Drew Lazor Restaurant Blogger Phila. City Paper Co-Moderator

Panelists:

Peter Van Allen Staff Reporter Phila. Business Journal Co-Moderator

Dana Hebert Desserts by Dana TLC’s Cake Boss Winner

Moon Krapugthong Chabaa Thai Bistro & Mango Moon

Mitch Prensky, Supper

Michael Schulson, Sampan

Hosted by:

Sponsored by:

PAT’S KING OF STEAKS 9th & Passyunk Ave.

Partners:

Center City District | Center City Proprietors Association

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Event Questions? Contact Jennifer Wolf at jenniferwolf@bizjournals.com

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IN THEATERS MAY 6


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the naked city | feature

[ arts & entertainment ]

curtaincall CP theater review

Rosencrantz and Guildenstern Are Dead

is no exception. Their West philly playing space, shaped this time for an audience of 65 (Kuhn’s expert at making it vast or cozy, as needed), gives director liz Carlson’s production multiple layers — including a cart that becomes a stage, and a ship’s crow’s nest and sails — while keeping Tom Stoppard’s verbally rich play intimate. Kuhn’s sister, costume designer aetna Gallagher, likewise consistently contributes smart, clever work, as in this handsome production, and receives too little recognition. CJ Keller and Eric Scotolati are wellmatched as the titular duo, minor characters in Shakespeare’s Hamlet charged by King Claudius to “glean what afflicts him,� but more concerned with fathoming their own lives’ meaning. Their jaunty banter gives way to Brian mcCann’s superbly incisive performance as The player. in Shakespeare he’s just a traveling actor, but by Stoppard via mcCann he’s a charmingly enig-

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innovative and under-appreciated set designer paul Kuhn works Curio theatre Co.’s converted church into one great set after another, and

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➤ Blood, love and RhetoRic

matic existential philosopher (amusingly positing that “We’re actors — the opposite of people�) whom Stoppard gives the very best lines. mcCann’s “orchestral� vocal accompaniment to Hamlet’s play-within-a-play dumb show is sheer genius. Six actors double as The player’s ragtag company (of the “blood, love and rhetoric school�) and principals from Hamlet, shining more as the former. as often happens with this 1967 comedy, Hamlet’s world is wrought cartoonishly; sure, it’s cheaply amusing (and easier on those unfamiliar with Hamlet), and Stoppard rightfully cautions against performing the play too seriously, but why not show us Stoppard’s sly satire as written, up against Hamlet’s heft, mystery and malice? Through May 14, $15, Curio Theatre Co., 4740 Baltimore Ave., 215-525-1350, curiotheatre.org. —Mark Cofta

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Fairmount Park, Philadelphia | MannCenter.org 5JDLFUNBTUFS DPN t t BFHMJWF DPN t 5JDLFU1IJMBEFMQIJB PSH t t 5IF .BOO #PY 0GmDF


GaG Redux Comedic optimism makes a comeback in 1812’s Our Show of Shows! By A.D. Amorosi

[ arts & entertainment ]

mark GarviN

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[ theater ]

T

he only thing better than a comedy set behind the scenes at Your Show of Shows would be Your Show of Shows itself. That’s why 1812 productions has been supplementing their production of Neil Simon’s Laughter on the 23rd Floor (directed by matt pfeiffer) with sketches from Sid Caesar’s legendary variety comedy program. “Having the opportunity to perform these two shows at the same time is a treat,” says Dave Jadico, who shares stage time for both productions with local comic luminaries anthony lawton, David ingram and Jen Childs. “artistically, the shows feed each other.” The camaraderie and riff-based humor in Laughter fuels an almost mirror-image process in rehearsal for Our Show of Shows!, he says. The hours the ensemble spends together creates comedic shorthand that’s useful for both events. Better still: “The crew can disassemble Laughter in its entirety and replace it with the complex Our Show of Shows! set in 90 minutes — all in a theater that has the wing space of a phone booth,” says Jadico of 1812’s host venue, plays & players Theatre. The smart and shticky humor of Simon, who — along with Woody allen, mel Brooks, Carl reiner and larry Gelbart — worked the writers’ roundtable at Show, is in the 1812 DNa. “The rhythm of Simon’s writing is in everyone’s comic DNa,” claims Jadico. “His text is like music, every syllable and piece of punctuation is placed to drive to the laugh. There are some multi-character exchanges of dialogue where you can replace the words with gibberish, and you’ll still get a laugh when you reach the punctuation.”

The whole of ’50s and early-’60s comedy (Nichols and may, Shelley Berman) has long been on 1812’s radar. Wittily sophisticated past projects such as Like Crazy Like Wow (with pete pryor) and Let’s Pretend We’re Married (with Tony Braithwaite) in particular pull from america’s most earnest and fertile comedic era, borrowing its effervescence of clever cool and adding its own dash of modern sass. “Shows such as Caesar’s existed in this time of national optimism, and the comedy reflects that,” says Childs. “Comedy was not used to make a point — comedy was the point. Now, i feel like we are in a time of national ambivalence.” With Show of Shows! and Laughter, Childs wanted to explore the rambunctious sophistication of that brand of comedy. “i’m a history nerd in general and feel like you can learn a lot about who we are as a country, a society, as humans by looking at what we laughed at.” Childs not only directs Show of Shows! but with her cast improvised and wrote new bits updated from old Caesar sketches. it’s not just mugging faces and weird dialect humor. 1812’s Our Show of Shows! employs a lot of what Caesar’s company did best: physicality, wordplay and pantomime.

For instance, “Five Dollar Date” was a solo piece where Caesar went through the kind of date you’d have for $5 in 1940 and then what the same $5 got you 10 years later. “it’s an incredibly virtuoisic piece where he uses doublespeak and mime and multiple characters,” says Childs. “insane and hilarious. Our ‘Three Decades, Three Dances’ is a pantomime that Jadico and i do that looks at a couple going to the prom in the 1950s, the 1980s and now. it’s ultimately about the fact that while things have changed a great deal — different music, attitudes — the awkwardness of being a teenager and the desire to connect with someone else remain.” The challenge with these two shows was to honor these artists, their comedic forms, this work, these eras, “and find how they live today and how they live in us as creators and performers,” says Childs. “That doesn’t necessarily mean imitating or innovating — it’s about capturing the spirit of who they were then, are now and sharing that.” (a_amorosi@citypaper.net) Our Show of Shows! runs through May 15, $20-

$35; laughter on the 23rd Floor runs through May 8, $26-$32; Plays & Players Theatre, 1714 Delancey Place, 215 592-9560, 1812productions.org.

Last Party in Paris

PiFa Dance Party hosted by Boris Kodjoe

Featuring: MUSIC BY DJ GARY O Live performance by: LEAH SMITH with THE URRBAN GUERILLA ORCHESTRA

Fri, Apr 29 9pm | Kimmel Center for the Performing Arts Experience everything you love about Paris, right in the heart of Philadelphia! Dance into the wee hours under the Kimmel’s Eiffel Tower, with cocktails and a cosmopolitan ambience. It’s all the passion and excitement of the City of Lights, right here in the City of Brotherly Love!

PIFA.org

215.546.PIFA


:236+.+8-9

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INVITE YOU AND A GUEST TO SEE

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Featuring the Philadelphia premiere of Guess Who’s Coming to Dinner

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Milton Myers: Violin Concerto; Christopher Huggins: Cottonwool; Ray Mercer: Guess Who’s Coming to Dinner; Rennie Harris: Philadelphia Experiment

Friday, May 6-Sunday, May 8

Perelman Theater Enter to win tickets at: www.citypaper.net/win NOW ON SALE

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No purchase necessary. Limit two tickets per person while supplies last. Theatre is overbooked to ensure a full house. Arrive early. Tickets received through this promotion do not guarantee admission. Seating is on a first-come, first-served basis, except for members of the reviewing press. This film is rated PG-13 for sequences of intense sci-fi action and violence. Anti-piracy security will be in place at this screening. By attending, you agree to comply with all security requirements. A recipient of ticket assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. We are not responsible for lost, delayed, or misdirected entries, computer failures, or tampering.

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invites you to kick off the Summer with the God of Thunder!

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shorts

EVEN IF YOU NEVER SAW THE TV SHOW, THIS IS �

—David Young, Tonightatthemovies.com

A COMIC MASTERPIECE. AND THE BEST PART IS IT’S ALL REAL!

“

�

—Pete Hammond, BOXOFFICE Magazine

“

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THE FUNNIEST MOVIE OF THE YEAR!

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Films are graded by City PaPer critics a-F.

“

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movie

% % % % # % %

"

I CANNOT REMEMBER AN AUDIENCE

LAUGHING SO LOUDLY OR SO OFTEN �

—Suzanne Van Randwyk, Austin KXAN News

.

Hoodwinked Too! Hood vs. Evil

New The Double hour|B Read Sam Adams’ review on p. 19. (Ritz Five)

DylaN Dog: DeaD of NighT A haiku: From Superman to some kind of ghost detective. A lateral move. (Not reviewed) (Pearl, UA Riverview)

“Maybe it’s me,� ponders Phil Rosenthal. “Maybe I need a better sense of current Russian culture.� In Moscow to bring Everybody Loves Raymond to Russian TV, Rosenthal comes up against a whole block of cultural differences, in the production process as well as in how viewers perceive comedy, costumes and marriage. The film follows his antic reactions to discoveries that Russians like Britney Spears precisely because she’s superficial and, moreover, prefer their TV housewives in designer outfits. He acts surprised to hear that a Russian gallery owner would believe that “the selling of it is actually more important that what you’re selling.� He insists more than once that his show is “based on reality,� and that makes it “relatable.� While clips from Everybody Loves Raymond don’t precisely make that point, the film insists on it, using encounters with Rosenthal’s parents and his own mugging and one-lining. When he asserts that his Russian counterparts lack experience with marriage per se, the film tips into a very narrow view indeed. When it uses his driver’s hospital stay as a means for Rosenthal to appreciate a Russian’s “reality,� that view looks even less nuanced. —Cindy Fuchs (Ritz at the Bourse)

A haiku: Vin Diesel! The Rock! And that like boring Ryan Phillippe knockoff. (Not reviewed) (Pearl, UA 69th St., UA Grant, UA Riverview)

hooDwiNkeD Too! hooD vs. evil|C+ Hoodwinked Too! is Shrek at 100 miles per hour — a little less sophisticated, a lot more violent. Like the tales of the green ogre, it’s full of pop culture in-jokes for the adults. Kids, meanwhile, are treated to nonstop action. Though they might not tire of seeing characters in severe cartoon pain — in particular, a blind, banjo-playing goat who exists only to suffer — parents probably will. Hayden Panetierre returns as Little Red Riding Hood, who’s off learning martial arts when Granny is kidnapped by a witch. That forces our heroine to team up with the Big Bad Wolf, who, here, is actually a good guy. Both are members of a secret agency populated with various fairy tale characters who fight evil so everyone can live happily ever after. Little Red and the wolf, voiced by the deadpan Patrick Warburton, don’t get along so well at first; a rift between them points to the importance of loyalty and friendship. Other than that, there’s not a whole lot in the way of message, though Granny does say that “a person can never truly fail unless they give up.� The 3D is fun and effective, and Amy Poehler and Bill Hader echo their Saturday Night Live personas with an amusing take on Hansel and Gretel. —Matt Cantor (UA Riverview)

OFFICIAL SELECTION

WINNER AUDIENCE AWARD

JUST FOR LAUGHS COMEDY FESTIVAL PALM SPRINGS FILM FESTIVAL SANTA BARBARA FILM FESTIVAL

AUSTIN FILM FESTIVAL 2010

PHIL ROSENTHAL

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SAMUEL GOLDWYN FILMS AND CULVER ENTERTAINMENT PRESENT A WHERE’S LUNCH PRODUCTION A FULL ON SERVICE PRODUCTION “EXPORTING RAYMOND� MUSIC BY RICK MAROTTA EXECUTIVE PRODUCER JOHN WOLDENBERG PRODUCED BY PHIL ROSENTHAL JIM CZARNECKI WRITTEN AND DIRECTED BY PHIL ROSENTHAL exportingraymond-movie.com

i am|C In 2007, film producer Tom Shadyac fell off his bike in Virginia. Afterward he suffered acute headaches and sensitivity to light, symptoms of post-concussion syndrome.

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[ in with the new ]

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exporTiNg raymoND|C-

fasT five


DIABOLICALLY CLEVER! THE BEST MOVIE OF ITS KIND SINCE ‘TELL NO ONE!’

You may want to see it a second or even a third time to decipher its secrets... you don’t want it to end.”

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A ROMANCE. A ROBBERY. A MYSTERY. NOTHING IS WHAT IT SEEMS.

—Stephen Holden, THE NEW YORK TIMES

ffff! A twisty Italian thriller ” that keeps us guessing...deliciously, maliciously deft.

—Joe Neumaier , DAILY NEWS

THE DOUBLE HOUR KSENIA RAPPOPORT FILIPPO TIMI

A FILM BY GIUSEPPE CAPOTONDI

(LA DOPPIA ORA)

© 2009 MEDUSA FILM - INDIGO FILM. ALL RIGHTS RESERVED.

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THED OUBLEHOUR .C OM

From the director of BRUCE ALMIGHTY, THE NUTTY PROFESSOR and ACE VENTURA: PET DETECTIVE

AIt’sPASSIONATE FILM. what Shadyac was saying all along in his comedies,

but this time he’s saying it with feeling.” -Tad Friend, THE NEW YORKER

“The film is crammed with INTRIGUING IDEAS, but Shadyac earns his keep as a filmmaker. He illustrates the serious talk with PROVOCATIVE IMAGES emphasizing our sense of connectedness.” -Patrick Goldstein, LOS ANGELES TIMES

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a p r i l 2 8 - m a y 4 , 2 0 1 1 | C i t y Pa P e r . n e t

“The transformational movement has a great friend in Tom Shadyac.

ENTERTAINING AND ENLIGHTENING.

‘I AM’ IS A SPARK OF LIGHT AND A WORK OF LOVE.” -Marianne Williamson

What if the solution to the world’s problems was right in front of us all along?

A Film By Tom Shadyac

The experience, he explains in his documentary, changed his view of the world and his place in it. He wonders, what’s wrong with us? Why is the world so materialistic, so superficial, so un-serious? Using himself as Exhibit a (“i made Jim Carrey talk out of his ass”), he heads out in earnest search of meaning and direction. He begins his film with a Black Eyed peas song, then treks from expert to expert, including Desmond Tutu, Howard Zinn, Noam Chomsky and Shadyac’s own dad, a lawyer who seems concerned with social justice. all tell him pretty much what you’d expect, that harmony is better than corporate plunder. it’s essential, he learns, for “humans to cooperate.” at St. Jude’s Children’s Hospital, he finds remarkable kids and a focus for his own energies. When he sells his Hollywood mansion, his expensive art and his ugly furniture, Shadyac presents the choice as moral and political, not exactly recognizing that most people don’t have such options. —C.F. (Ritz Five)

Lebanon, Pa|B a modest, locally made indie, Lebanon, PA has philadelphia-based Will (Josh Hopkins) being dumped by his girlfriend and losing his estranged father before the opening credits. With his advertising career stagnating, he heads to the title town to re-evaluate his life after his father’s death. Basking in the simple pleasure of mowing a lawn, Will begins a possibly ill-fated affair with the married Vicki (Samantha mathis). He also befriends his pregnant teenage neighbor, CJ (rachel Kitson), who considers abortion (another life/death duality). Lebanon, PA writer/director Ben Hickernell may test his characters — and the audience’s goodwill — by giving them thankless ethical quandaries and contrived situations, but he elicits warm performances from his three leads, and exhibits an eye for composition, an ear for dialogue and a nice sense for the rhythm of life. Lebanon, PA could be edgier, but despite all the life lessons and anti-abortion rhetoric, it never feels preachy. —Gary M. Kramer (Ritz at the Bourse)

nuremburg: Its Lessons for today|B+

the shift is about to hit the fan featuring

DESMOND TUTU • HOWARD ZINN • NOAM CHOMSKY COLEMAN BARKS • LYNNE MCTAGGART and THOM HARTMANN

FLYING EYE PRODUCTIONS in association with a HOMEMADE CANVAS PRODUCTION presents a SHADY ACRES FILM Associate Producer NICOLE PRITCHETT Co-Producer JACQUELYN ZAMPELLA Director of Photography ROKO BELIC Executive Producers JENNIFER ABBOTT JONATHAN WATSON Producer DAGAN HANDY Edited by JENNIFER ABBOTT Written and Directed by TOM SHADYAC

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“people wanted the answers,” narrates liev Schreiber. “They wanted to know what happened and why.” in 1945, World War ii was over and the victors endeavored to provide those answers, through the forum of the Nuremburg war crimes trial. a first version of this documentary was assembled in 1948 by Stuart Schulberg from footage of the war and the courtroom; restored by Sandra Schulberg and Josh Waletzky,

it now reveals not only the horrors embodied by the Nazi officials, but also suggests how the trial imposed order — and offered answers — for traumatized survivors. images of Nazi atrocities, cut alongside testimonies and prosecutors’ assessments, assert that the trial was righteous in every way, a model of legal and moral process. Given its postwar origin, the film can’t consider concerns that those convicted might have been tortured to extract confessions, or other possible imperfections in the process. Still, the film conveys the efforts to restore some trust in institutional authority, as a source of answers, as impossible as that may have been. —C.F. (Ritz at the Bourse)

Prom Read Carolyn Huckabay’s review at citypaper.net/movies. (UA 69th St., UA Grant, UA Riverview)

ContInuIng afrICan Cats|C+ “Not too long ago, two mothers fought against forces that sought to destroy them.” These mothers, as the title of Disneynature’s new film sets up, are a lioness and a cheetah, and the forces against them are, more or less, africa, other cats, hyenas and weather, as well as old age and injury. The film anthropomorphizes the animals’ behavior to a fever pitch: Even the thunderclouds seem to be in on the tragedy. Some of the shots are stunning, but the story imposed is clumsy and unconvincing. —C.F. (UA Riverview)

atLas shrugged: Part 1|Dafter four decades in development hell, ayn rand disciple John aglialoro has finally brought the book to the screen as a planned trilogy. Tolkien this ain’t, however; in its nighttime soap-level acting and direction, this feels like the première episode of a lackluster new TV series rather than an epic film. in zealously putting rand’s Objectivist arguments in the mouths of actors, aglialoro verges on the self-parodic. —Shaun Brady (Ritz at the Bourse)

bILL CunnIngham new york|B it’s impossible not to be charmed by the subject of richard press’ documentary, an octogenarian photographer of “street style” who roams the streets of manhattan with one hand on his bike’s handlebars and the other attached to his camera. a figure of apparently bottomless dedication and good will, Bill Cunningham is an unabashed enthusiast with an acute eye for how clothes are worn in the real world, as interested in colorful passers-by as what anna Wintour’s wearing to work today. —Sam Adams (Ritz at the Bourse)

[ movie shorts ]

CertIfIed CoPy|A in Tuscany, a man and a woman meet and spend a day forging an increasingly contentious relationship. That stuttering synopsis is about as close as one can get to a definitive account of abbas Kiarostami’s elusive, engrossing Certified Copy, the iranian master’s first feature shot outside his native country, and his first narrative in nearly a decade. it’s a difficult film to explain, but not to watch, a dizzying balancing act whose heights are apparent only in retrospect. —S.A. (Ritz Five) the ConsPIrator|CWhat’s remarkable about abraham lincoln’s assassination is how much of it almost no one knows. as far as most americans are aware, John Wilkes Booth is another of history’s lone gunmen; the fact that simultaneous attempts were made on the lives of the vice president and secretary of state, and the subsequent trial of eight conspirators, tends to get left out of the textbooks. it’s an equally fascinating part of the story, but one in which robert redford unfortunately stresses parallels to more recent events; redford insists on scoring points against George W. Bush rather than crafting a measured story. —S.B. (Ritz East)

hanna|Aif Hanna were called Harold, no one would give a shit. if rogue asset Erik (Eric Bana) raised a scrappy son, not a fragile, lethal daughter, as his spy/assassin scion, it’d be viewed as a negligible action romp. But Hanna (the incredible Saoirse ronan) is no boy. She’s a towheaded 16-year-old menace, and she’ll cut your throat. Joe Wright’s fourth feature serves up Bildungsroman tropes in a most peculiar fashion, posing the question: How fast does a little girl come of age when she’s being tracked by professional hit men? While Wright tends to spread on his metaphors thick, his urbane eye is the enamel lacquered over the riskiest, most original major release of this young year. —Drew Lazor (UA Riverview) hoP|D Here’s a not-high-enough concept: a bunny, EB (russell Brand), and a human, Fred, (James marsden) have the same issue — a desperate desire for their fathers’ approval. EB disappoints his father, the Easter Bunny, because he wants no part of the family business and instead wants to be a rock drummer. Fred earns his dad’s scorn because he’s a slacker with no apparent aspira-


InsIdIous|B-

Catherine Deneuve, her late-career regality in full blossom, plays Suzanne pujol, the wife of a despotic factory owner who is thrust into the limelight when his striking employees kidnap their boss. instantly at sea, she turns to an old lover: maurice (Gérard Depardieu), a corpulent communist with whom she enjoyed a brief but passionate afternoon in the forest. Potiche works both sides of the aisle, cueing its serious developments with a piercing synthesizer sting. —S.A. (Ritz Five)

Jane eyre|B

rIo the MovIe

austere and downcast, this Jane Eyre keeps us starkly distant from the heroine’s inner workings. Jane is faced with a sense of mortality and separation, an unshakable wintry cast that colors all. mia Wasikowska would seem an odd choice for the famously “plain and obscure” Jane, but she captures the character’s self-image, coming alive when challenged in a way that utterly justifies mr. rochester’s attraction. in the unforgiving light, the tragic lovers allow themselves only brief grasps at happiness, doled out in slow measures, as if neither is willing to admit that such a drastic change is even possible, let alone desirable. —S.B. (Ritz Five)

A haiku: CGi birds with creepy mouths and dead doll eyes have dumb adventures. (Not reviewed) (Pearl, UA 69th St., UA Riverview)

PoM Wonderful Presents: the Greatest MovIe ever sold|C+ With his documentary on the preva-

it’s been 10 years since the last round of Ghostface killings, and “celebrity victim” Sidney prescott (Neve Campbell) returns to the scene of the crimes, her old hometown, as the author of a new self-help book. as a new round of killings begins, she meets up with old friends and a new generation raised simultaneously on the legacy of the actual murders and their cinematic counterparts. Wes Craven occasionally scores, but it is in essence another slasher film. —S.B. (Pearl, UA 69th St., UA Riverview)

tyler Perry’s Madea’s BIG haPPy faMIly A haiku: anybody else think grandma resembles a well-built transvestite? (Not reviewed) (Pearl, UA 69th St., UA Riverview)

Water for elePhants|C robert pattinson’s smolder knows no bounds — it charms not only tween girls but pachyderms, as well. in Francis lawrence’s adaptation of Sara Gruen’s bestseller, the volume and spectacle are cranked to blockbuster levels. The romantically gritty depiction of running away with the circus is full of colorful roustabouts, amorous coochie girls and kind-hearted freaks, but like the big top itself is ultimately full of nothing but empty spectacle. —S.B. (UA Riverview)

✚ rePertory fIlM the Balcony 1003 Arch St., 215-922-6888, thetroc. com. The Big Lebowski (1998, U.S., 117 min.): “Fuck it, Dude. let’s go bowling.” mon., may 2, 8 p.m., $3.

MuGshots coffeehouse and cafe 2100 Fairmount Ave., 267-514-7145, mugshotscoffeehouse.com. Where the Red Fern Grows (1974, U.S., 97 min.): a heart-tugging tale about a boy and his hounds. Seriously, bring Kleenex. Fri., april 29, 7 p.m., free.

secret cIneMa Moore College of Art and Design, 1916 Race St., 215-742-4224, thesecretcinema.com. top Secret: Films you Weren’t Supposed to See: a collection of long-forgotten reels from the ’40s, ’50s and ’60s that covertly contain confidential information from the government, military and big business. Shady. Fri., april 29, 8 p.m., $8.

P h i l a d e l P h i a C i t y Pa P e r | a p r i l 2 8 - m a y 4 , 2 0 1 1 | C i t y Pa P e r . n e t |

of Gods and Men|Cinspired by the disappearance of several French Cistercian monks from an algerian monastery in 1996, Xavier Beauvois’ Of Gods and Men combines lite formalism and tendentious topicality in the story of a monastic order that clashes with islamic terrorists in an unnamed arab country. although they seem to be the only Christians around, the monks coexist peacefully with the locals. michael lonsdale’s leonine brother doles out medical care and free shoes; others help illiterate villagers fill out visa applications. But signs of unrest mount. The film mistakes volume for weight, assuming that if a scene goes on long enough, viewers will get the sense it’s important. Despite its subject matter, the film has a scant feeling for spirituality. —S.A. (Ritz at the Bourse)

scre4M|C+

WIn WIn|BCindy (melanie lynskey) doesn’t win in Tom mcCarthy’s third film. She’s relegated to playing the villain — the drug-addled, tight-jeans-wearing daughter who wants her father leo’s money so badly that she’s essentially willing to give up her teenage son, Kyle. By that time, Kyle (alex Shaffer) has stumbled into a better situation anyway, living with his new wrestling coach, mike (paul Giamatti), who’s going through a midlife crisis. While this movie celebrates the baby steps mike finds possible in re-evaluating his life, it doesn’t allow Cindy any subtlety. She’s cruel and selfish and ugly. —C.F. (Ritz Five)

the agenda | food | classifieds

PotIche|B+

[ movie shorts ]

a&e

immediately after patrick Wilson and rose Byrne move into a new house with their three young children, strange occurrences begin — books dumped off shelves, packing boxes mysteriously relocated to the attic — culminating in their son slipping into a sudden coma. While lifting ideas from plenty of his predecessors (Poltergeist, The Amityville Horror), James Wan at least comes up with an answer for the question of why they don’t just leave the house. What Insidious doesn’t share with Wan’s franchisespawning debut, Saw, is novelty: He may have built a better scare-delivering mousetrap, but it’s still just a piece of cheese and a trigger. —S.B. (Pearl, UA 69th St., UA Riverview)

lence of product placement, morgan Spurlock attempts not only to have his cake and eat it, but to get someone else to pick up the check. The Greatest Movie Ever Sold was purportedly financed entirely through brand integration; the process of nailing down who pays to have what shown and how is not only the movie’s hook but its substance. —S.A. (Ritz East)

the naked city | feature

tions at all. in the end, Hop strains even to get from plot point to point, leaving no energy for jokes. —C.F. (UA 69th St., UA Riverview)

Wooden shoe 704 South St., 215-413-0999, woodenshoebooks.com. Not Just A Game: Power, Politics & American Sports (2010, U.S., 65 min.): an

exposé on the intermingling of politicians and some of america’s favorite pastimes. Sun., may 1, 7 p.m., free.

More on:

citypaper.net CheCk out more r e p e r t o r y f i l m l i s t i n g s at C i t y pa p e r . n e t / r e p f i l m .

[ in with the new ]

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agenda

the

lisTings@ciTypaper.neT | aPril 28 - May 4

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the agenda

[ just about the sweetest feeling ]

CAT PEOPLE: Portland’s AgesAndAges play Kung Fu Necktie tonight.

The Agenda is our selective guide to what’s going on in the city this week. For comprehensive event listings, visit citypaper.net/listings.

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iF yOU Want tO Be liSted:

Submit information by mail (City Paper Listings, 123 Chestnut St., Third Floor, Philadelphia, PA 19106) or e-mail (listings@ citypaper.net) to Josh Middleton. Details of the event — date, time, address of venue, telephone number and admission price — should be included. Incomplete submissions will not be considered, and listings information will not be accepted over the phone.

Thursday

4.28

Importance of Being Earnest is a great introduction to this new company specializing in classics. Oscar Wilde’s “trivial comedy for serious people,” as he called it, is as quippy, witty and springtime-airy today as it was in 1895. Director alex Burns reimagines the play in london’s swinging ’60s, which should boost the naughty fun. moreover, Quintessence’s cast features Barrymore award-winner Janis Dardaris, best known for drama but always glowing in comedy, as imperious lady Bracknell. What’s not to love? —Mark Cofta Through May 22, $30, Quintessence Theatre Group at Sedgwick Theater, 7137 Germantown Ave., 877-238-5596, quintessencetheatre.org.

[ theater ]

The ImporTance of BeIng earnesT if you haven’t been to Germantown yet for Quintessence Theatre Group’s first fourplay season at the revitalized Sedgwick Theater, The

music-loving city can muster. End-of-the-season programming makes this easy, as chief conductor Charles Dutoit begins an epic march through a month of masterpieces, beginning this week with a pair of Stravinsky beauties, Apollon musagète and his hypnotic operatic setting of Oedipus Rex. Big guns close things out: an excerpt from Holst’s The Planets, the Beethoven Ninth Symphony, and the massive and magnificent Damnation of Faust by Berlioz. Want to support the orchestra? Go and hear it. —Peter Burwasser Thu. and Sat., April 28 and 30, 8 p.m.; Fri., April 29, 2 p.m.; $20-$130, Kimmel Center, 300 S. Broad St., 215-893-1999, philorch.org.

[ classical ]

phIladelphIa orchesTra in these strange, scary days, our great orchestra — having just declared bankruptcy — needs all the support this

[ rock/pop/folk ]

laKe/ agesandages Harmony (the musical kind) is just about the sweetest sound there is — sort of like how

harmony (the spiritual kind) is just about the sweetest feeling — perhaps for the extra-musical reason that, unlike almost anything else you might happen to hear on a recording nowadays, it’s tangibly the result of a group of people interacting within a space. it’s all there in the title of Giving and Receiving, the Olympia-based indie-pop collective laKE’s third album for K records; a breezy, languid opus casting the group (who started out as a Fleetwood mac cover band) as the spiritual children of dreamy California vocal soft-poppers the mamas and the papas. and it’s all over Alright You Restless, the massively infectious debut of portland septet agesandages, which balances folksy acoustic pop with rootsy country and gospel inflections, and Tim perry’s Jack White-ish warble with heavenly heaps of whole-group harmonies. —K. ross hoffman Thu., April 28, 8 p.m., $7, with Royal Shoals, Kung Fu Necktie, 1250 N. Front St., 215-291-4919, kungfunecktie.com.

[ dance ]

Friday

4.29 [ jazz ]

greg maTThews QuarTeT With full-time jazz stages in the city down to a meager one, local musicians have shouldered the responsibility for creating playing opportunities. The latest to enter the fray is guitarist Greg matthews, who this weekend launches a new weekly series at South philly’s little Bar. Taking over the former Vesuvio, the bar has been transformed into an intimate performance space. The series kicks off Friday with, naturally, matthews’ own quartet, as well as a set by the Wade Dean Enspiration. —Shaun Brady Fri., April 29, 8 and 10 p.m., Little Bar, 736 S. Eighth St., facebook.com/littlebarphilly.

le dada Va gaga dans 2011 There’s a pew dance in annemarie mulgrew and Dancers’ Le Dada Va Gaga Dans 2011, and it has nothing to do with the charitable foundation — the dance takes place on a real pew in the sanctuary of the rotunda. The cast, plus plenty of video projections, will dart all about this once-grandiose cathedral in a piFa panoply of movement, images, vignettes and incongruous interactions (the score includes parisian songs and “uncategorized sounds”). parts of Le Dada Va Gaga are whimsical and others odd (including the show’s official start time). We’re dealing with Dada here, folks — be prepared for an adventure. —deni Kasrel Fri.-Sat., April 29-30, 7:11 p.m.; Sun., May 1, 3:11 p.m. (arrive 11 minutes early for a pre-show outside presentation, weather permitting); $15, Rotunda, 4014 Walnut St., 215-546PIFA, pifa.org.


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33


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[ rock/pop/psych ]

OF MONTREAL Of Montreal describes its exuberant, turbulent, idiomatically id-riddled new EP, thecontrollersphere (Polyvinyl), as “a folk album,” but, um, we’d like to know what exactly they’re smoking (no, really), or at least meet some of these freakishly fruity “folk” to whom they refer. Unlike, say, Beck, another erstwhile ersatz Prince-ling/Bowiewannabe who once promised to “defy the logic of all sex(x) laws,” and then plummeted KATIE BELL MOORE

a&e | feature | the naked city the agenda classifieds | food

$2 TACOS EVERY SUNDAY

4.30 POWER ANIMAL Doing Northeast Philadelphia proud since 2008, Power Animal uses all manner of ramshackle instrumentation (xylophone, banjo, melodica) to craft music that’s both heady and whimsical. Last year’s People Songs full-length, and this year’s Exorcism EP, have undeniable audio collage leanings, but with stronger song-legs than that Panda Bear guy. Their show at Danger Danger is a benefit for the Fishtown-based after-school program Rock to the Future. —John Vettese

partS and labor

Moon woMen, The perFecTIonIsTs sun 5/1 DownsTaIrs: 1sT sunDaY- hoT Jazz Brunch wITh DJ coreY Duncan FroM 11a-3p Mon 5/2 DownsTaIrs: 1sT MonDaY- DJ BearBaIT spIns hIs hearT ouT FroM 8p-MIDnIghT Tue 5/3 DownsTaIrs: 1sT TuesDaY- soul 45’s wITh DJ roYal T anD FrIenDs spInnIng FroM 10p-2a weD 5/4

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Corner of frankford & Girard. fishtown. www.johnnybrendas.Com

back down to Earth as a somber, sad-sack troubadour, Kevin Barnes and the rest of this Athens, Ga., ensemble, keep right on flying and defying, gleefully floating, as he once sang, safely in his own orbit. Of course, that was the same song in which he claimed he’d “never go mental” — chalk another one up to the False Priesthood. —K. Ross Hoffman Fri., April 29, 9 p.m., $25, with Painted Palms, TLA, 334 South St., 215-9221011, livenation.com.

queerbait Josh Middleton on the LGBTQ scene

[ rock/pop ]

DownsTaIrs: happY hour- punkrockreggae! wITh MaggY ThuMp anD evIl v FroM 5-10p saT 4/30 r5 presenTs:

[ the agenda ]

SATURDAY

Sat., April 30, 9 p.m., $7 donation, with Algernon Cadwallader, Danger Danger Gallery, 5013 Baltimore Ave., dangerdangergallery.com.

[ craft fest ]

CRAFTY BALBOA: APRIL SHOWERS May flowers are on the way — and so, too, are enough spring holidays and gatherings to make your head explode. Instead of heading zombielike to Babies R Us for your friend’s shower, or sending your mom some sappy

➤ RIDE HARD: A BENEFIT TO END AIDS With summer peeping its head around the corner, most of us rev up our physical activity in hopes of flattening our tummies and toning those under-arm flaps. But local gay marketing director David Bishop, who’s been in the heat of triathlon training since January, isn’t in it for looks. In June, the 31-year-old is heading west to represent Philly in AIDS/LifeCycle’s 545-mile ride from San Francisco to Los Angeles. His ambition? To raise $3,000 to benefit nonprofits that provide research and support services to people living with HIV/AIDS. He chose to take his philanthropic pursuits to California because there are no AIDS-charity cycling events in Philadelphia. But he says the raised monies will eventually trickle down to local agencies like Philadelphia FIGHT and Action AIDS. “It’s about shared learning,” he says. “Large organizations focus on things to push community knowledge forward that can then be replicated on local levels.” This ride also affords him the opportunity to cruise alongside the people who’ll benefit from the funds — he says a significant number of the riders are positive. As a marketing rep for a local pharm company, Bishop says this experience will afford him the opportunity to bring a firsthand viewpoint back to his boardroom in an attempt to more accurately portray HIV patients in the public eye. “Philadelphia is so heavily pharmaceutical, but [companies] rarely go out to understand who their customers are.” To raise the necessary funds, Bishop has organized a performance-filled soiree led by New Hope drag legend Vanessa Stone, who’s coming out of retirement solely to lend her talents to the cause. You don’t want to miss that. Fri., May 6, 7 p.m., $10 donation, Q Lounge, 1234 Locust St., 215-732-1800, tofightHIV.org/goto/DBishop. (joshua.middleton@citypaper.net) Have an upcoming LGBTQ event? Give it here. E-mail listings@citypaper.net.


the naked city | feature | a&e

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the agenda food | classifieds

djnights

tix and info: 215.928.0978 . www.tinangel.com 20 south 2nd street, phila

COMING UP: Teddy Thompson 5/20, Francis Dunnery 5/21, Chris Pureka 6/1 FRI 4/29 8:00 Album Release Party

Geron Hoy

Lucy Kaplansky SAT 5/7 7:30

Neil Innes

Antigone Rising Carley Tanchon FRI 5/6 10:30

The White Buffalo Brian Seymour

WED 5/11 8:30

Steve Poltz Justin Trawick

THU 5/12 8:30 WXPN Welcomes

FRI 5/13 7:30 WXPN Welcomes

FRI 5/13 10:30

SAT 5/14 7:30

Michael McDermott Peter Bradley Adams

The David Mayfield Parade

Danielia Cotton Laura Shay Angela Sheik

Specializing in all things German: food, service, music and, of course, beer.

Flight Night & New German Cooking Specials Every Thursday

Official Union sponsor Bus from Brauhaus to all home games

Liters for Litters Every Saturday in May 50% of all draft beer sales will go to PAWS

The Fleeting Ends WED 5/18 8:00

Fred Eaglesmith

THU 5/19 8:00 CD Release Party!

Michele Karmin

5/26 - Beer dinner with Schneider & Sohn

Danny Bell

Check website for details 718 South Street . 267-909-8814 . www.brauhausschmitz.com Voted “Best New Bar� by Philly Beer Scene Magazine

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FRI 5/6 7:30

SAT 4/30 7:30


a&e | feature | the naked city the agenda classifieds | food

~MONDAY~ WING NIGHT... $0.35 Wings $2 Yuenglings ALL DAY! $3 Smithwicks and $2 Wells 9-11 ~TUESDAY~ $5 Burgers $3 Victory Pints ALL DAY! $2 Well Drinks 9-11pm, $5 Layered Pints 9pm-11pm Manayunk’s Best Pub Quiz Starts @ 9pm ~WEDNESDAY~ $6 Beer Infused Mussel Bowls $2 Blue Moonsand $2 U-Call its10-12 pm $3 Rotating Craft Beer Pints (ALL DAY) ~THURSDAY~ ½ Price Drinks (All Drinks) 9-11 ½ Price Irish Craic Nachos $2 Miller Lite ALL DAY ~FRIDAY~ New Friday Happy Hour $1 High Life and $3 Jameson and Ginger from 6-8 What’s in the Box Promotion 7- 10. Buy an Irish Pint and win. $3 Coors Lights ALL DAY! Live Band – 11:11 ~SATURDAY~ Two DJ’s @ 10pm $3 Bud Lights all day $5 Hot Roast Beef Sandwiches

Sat, April 30th, 9pm $5 The Electric Nubians and Y-Di! Tues, May 3rd 8pm, No Cover SMILE.New Record Party w/ Wil H & Steady Eddie and Friends-spinning,BLUES & RHYTHM,ROCK & ROLL, PSYCH,GARAGE,SURF & SOUL Drink Specials 8-11pm Sat, May 7th, 9pm $5 Bulldozer & More TBA Every Tuesday, 8pm King of the Hill Pool Tournament Wed Nite Open Mic ‘Original Music’ 9pm w/ Dave Robins or Abe the Rockstarr Happy Hour Mondays-Fridays 5-7pm $2.50 Kenzinger Pints & More! Beer of the Month Abita’s Purple Haze FREE WI-FI

~SUNDAY~ Skillet Brunch until 3 pm. $3 Bud light pints ALL DAY $ 3 Stella Pints & $4 Guinness Pints 9-11p.m

card for lack of better ideas, prove your gift-giving prowess at Crafty Balboa: Spring Showers. Held in conjunction with Passyunk Ave.’s Flavors of the Avenue, this festival gathers some of Philly’s quirkiest, cleverest crafters. Among the goods: Rogue Theory’s punchy tech cases, lovingly diagrammed tea towels by Girls Can Tell, tees for your way-cool dad from Duke & Winston, and even multiple variations on Hipster Bingo — which, trust us, makes for a much better baby shower game than “name what brown food is in this diaper.” —Carolyn Huckabay Sat., April 30, 11 a.m.-5 p.m., Passyunk Fountain, Tasker Street and Passyunk Avenue, craftybalboa.com.

[ dj nights ]

CARNIVAL With a sick array of decorations, lighting, enhanced sound, live art, fire performers and more assorted bells and whistles, ROC Philly and Bangarang will pack three rooms of music with a costume carnival twist on Saturday. This is a full-featured party atmosphere with a first-

28

THU

36 | P H I L A D E L P H I A C I T Y PA P E R |

A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T

GUNS GARCIA & lADY PROWl. $3

THURSDAY 4/28 10pm - Triumph Trance-Fusion Jam feat. ROGUE CHIMP & SYNTH CIRCUS 9pm - Trivia w/ Emily & Rachel - upstairs at the b-bar $3 beers!

29

FRI

MICHAEl JACKSON, MADONNA, PRINCE. $5 ED BlAMMO PRESENTS

SAT

30

1

SUN

SUNDAY 5/1 8PM Open Mic hosted by Dani Mari MONDAY 5/2 8PM Open Jam hosted by Tony Catastrophe WEDNESDAY 5/4 Special Jazz Night 7pm till Close

KEVIN C & “STEADY” EDDIE AUSTIN DOllAR DRINKS TIll 11 NO COVER MON

2

TIGERBEATS INDIE DANCE PARTY, NO COVER

3

TUE

Makeout Club POP PUNK AND EMO DJ DEEJAY & XXXTINA NO COVER

4

WED

215.625.0855 117 Chestnut St.Philadelphia, PA triumphbrewing.com facebook.com/triumpholdcity

80’S DANCE PARTY. NO COVER

MONDAY

5.02 [ rock/pop ]

NEW MOTELS Since reopening its 125-yearold upstairs dining space, North Star Bar has booked an admirable queue of local acts to go acoustic for a free Mondayevening show up there. This installment of the Victorian Dining Room Series presents a double curiosity — seeing this apparently ornate room, and catching the boisterous power-

PBR

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[ the agenda ]

“Spies, Traitors and Saboteurs” exhibit showcases the real-life stories of security and deception throughout America’s history, and to celebrate, the museum’s hosting a spy-tastic cocktail

Sat., April 30, 9 p.m.-4 a.m., Arts Garage, 1533 Ridge Ave., 215-7652702, theartsgarage.com.

EVERYDAY 5-7PM. FREE PIZZA $2 BEER OF THE WEEK $2 WELL DRINKS

SATURDAY 4/30 10PM SEGWAY w/ Speakerbot

pop hooks of Jenkintown’s New Motels without their loud amps and slammin’ drums. Mark my

—Gair “DJ Dev 79” Marking

(!009 (/52

INDIE ClUB FREAKOUT DRAGON KING (lIVE!) SNITCHFORK (lIVE DJ SET) FREE BEFORE 11, $5 AFTER

FRIDAY 4/29 10PM BOX OF RAIN, BAM!

./7 /. 4!0

BROOKLYN SUMMER ALE PRISM RED ZONE LONG TRAIL DOUBLE IPA DOCK STREET WIT

rate lineup of excellent local and out-of-town talent, including Wattie Green, Deep C and Dave Mass. And it’s all going down just up the street from the carnival street fair on the Avenue of the Arts, so get dressed up and get ya ass over there.

words: They will find a way to make it blistering, classy surroundings or not. —John Vettese Mon., May 2, 8 p.m., free, with The Suitcases, North Star Bar, 2639 Poplar St., 215-787-0488, northstarbar.com.

TUESDAY

5.03 [ exhibit/party ]

SHAKEN, NOT STIRRED Talk about a view to kill: The National Constitution Center’s

party. Pop culture’s most lustedafter fictional spy provides inspiration for the evening (which comes complete with a complimentary spy-tini): James Bond fans can earn bragging rights playing 007 trivia while a big screen projects classic Bond films. If the one-drink world is not enough, the exhibit — and the cash bar — will be open late. —Emily Apisa Tue., May 3, 6-8 p.m., $35, National Constitution Center, 525 Arch St., 215409-6700, constitutioncenter.org.


5.04 [ rock/pop/folk ]

—John Vettese Wed., May 4, 8 p.m., $10, with Paper Cat and Communipaw, Johnny Brenda’s, 1201 N. Frankford Ave., 877-435-9849, johnnybrendas.com.

HAPPY HOUR MON – FRI 5-7

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THURSDAY HOOKAH HIP-HOP NIGHT BRING IN THIS AD FOR A FREE HOOKAH* 10-1

THURSDAY 4/28 MO $$ NO PROBLEMS

FRIDAY HIP-HOP & HOUSE

FRIDAY 4/29 MIGHTY PRES... THE GODFATHER

SATURDAY WORLD MUSIC

JAMES BROWN TRIBUTE!

SUNDAY GREEK / MEDITTERANEAN NIGHT Free Belly Dancing lessons 9:30 – 10:30 pm

SATURDAY 4/30 DJ DEEJAY

MONDAY LAID BACK HOUSE TUESDAY OLD SKOOL HIP-HOP old-time string band in the Big Apple. You can catch traces of those folkish roots in the gentle acoustic sensibilities of The Empty Side, last year’s debut EP. On the new full-length The Amanicans, the Kegs step fully and fearlessly into the world

More on:

citypaper.net FOR COMPREHENSIVE EVENT LISTINGS, VISIT C I T Y PA P E R . N E T / L I S T I N G S .

Open everyday 5p-2a Kitchen Open All Night Happy Hour Everyday 5p-7p

THURSDAY

up Therapy Bar

SAVE THE DATE!

ITALIAN MARKET FESTIVAL MAY 14th & 15th!

FRiDAY

Hip Hop on the Main Floor House Music on The Roof

SATURDAY

House Music on the Main Floor Hip Hop on The Roof

SUNDAY

House Music on the Main Floor Q102 on The Roof

MONDAY

Latin Night/Free Lessons On the Main Floor Mixed Music on The Roof

TUESDAY

Hip Hop on the Main Floor w/Strength Dance Competition/ Pole Dancing Oldies Music on The Roof

WEDNESDAY

DOWNSTAIRS

ON The CORNeR Of

9Th & ChRISTIAN

215.238.0379

WEDNESDAY HOUSE MUSIC 1/2 Price Drinks with Student ID 10-1

NEW MONDAY NIGHT PARTY!

116 S. 18th Street 215.568.3050 www.byblosphilly.com

WEDNESDAY 5/4 SESSION

*restrictions apply

MONDAY 5/2 “4 THE PPL�

SOLOMONIC SOUND ITAL SOUND, RASCUL INT’L

Fri. 4/29 - Back

To The Eighties Show w/ Rubix Kube 9 p.m. $10. 21+

Sat. 4/30 - Someone

Still Loves You Boris Yeltsin w/ Koo Koo Kanga Roo, The Canon Logic 9 p.m. $10 adv/$12 d.o.s. All Ages Tues. 5/3 - Fat Tuesdays featuring Brass Heaven with NOLA food & drink specials! 7 p.m. $8. 21+ Wed. 5/4 - “RAP TV� A Hip Hop Monthly feat. Philadelphia Slick w/ Sound Barrier Experience 9 p.m. $5. 21+ Fri. 5/6 - Zach Deputy w/ StereoZoo 9 p.m. $10 adv/ $13 d.o.s. 21+

Continuation of Center City Sips 5p-7p Hip Hop on the Roof & Main Floor

Sat. 5/7 - Indobox w/ Kinetix, Somata 9 p.m. $7 adv/ $10 d.o.s. All Ages

116 S.18 th Street 215-568-1020

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DJs LEE JONES & DIRTY GUEST DJ VENUS 7

HAPPY HOUR PROMO Monday – Friday 5pm – 7pm $6 Svedka Cocktails $6 House Wines $6 Champagne Cocktails $3 Domestics $5 Food Menu Chicken Dumplings Chicken Spring Rolls Calamari Spicy Tuna Maki California Maki

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37

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Gro

Wired 96.5 on the Main Floor House Music on The Roof Thursday Birthday - bottle of champagne and cake on the house!

DJs DAZ-I-KUE & KARL INJEX

food | classifieds

Before they moved to Philadelphia and became The Powder Kegs, singer-guitarist Ryan Dieringer, drummer Sam McDougle and bassist Dan Maroti were a somewhat successful

of pulsing cosmopolitan pop. Tightly wound harmonies and thumping floor tom hits navigate our way through a world of late-light romances, youthful kicks and the mid-20s existential crash. Expanded into a four-piece, The Powder Kegs kick off their national tour and release the vinyl edition of The Amanicans at Johnny Brenda’s on Wednesday.

the agenda

THE POWDER KEGS

[ the agenda ]

the naked city | feature | a&e

WEDNESDAY


a&e | feature | the naked city the agenda classifieds | food A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T

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foodanddrink

portioncontrol By Adam Erace

food

the old college try

the naked city | feature | a&e | the agenda

f&d

classifieds

Kitchen At Penn | 4529 Springfield Ave., 717-7448154, kitchenatpenn.com. Open Sat.-Thu., 6-10 p.m. Soups, sandwiches, pasta, entrées, desserts, $3-$12.

➤Behind the unassuming façade at 4529

FRIED PRIDE: The “Full English” breakfast at Haddonfield’s British Chip Shop. Blood pudding, though a traditional accompaniment, is offered as an optional add-on. JEssiCa KourKounis

[ proper vittles ]

fully loaded An eating tour through Philly’s traditional English and Irish breakfasts. By Drew Lazor

A

citypaper.net

>>> continued on page 40

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s much as I would like to claim that my recent artery-berating tour of U.K.-style breakfast plates is a clever tie-in to William and Kate’s impending nuptials, the flabby truth is that I become easily fixated by food I see in movies. It came to me during a screening of The Trip, the BBC series/ soon-to-be feature film where Steve Coogan and Rob Brydon tool around the north of England, dining out and messing with each other. Mixed More on: in among the dueling impressions of Woody Allen and Michael Caine, there’s a scene where the twosome’s sitting outside a spot called The Angel Inn, knifing into a spread of eggs, bacon, sausage, black pudding, tomato and mushroom. “This is just really glorious,” Coogan says to Brydon. “It’s a sunny day in England with a fried breakfast. It doesn’t get much better.” I immediately felt motivated to capture such glory myself, locally, by trying as many of these fried breakfasts — the source code for America’s typical morning meal — as I could in one week. While there is no universally referenced methodology, there are elements that must be in place for something to be called a “Full English,” “Full Irish,” “Full Fry” or “Fry-Up.” (There’s no official distinguishing characteristic between English and Irish.) “The

eggs, the sausage, the bacon and some form of bread or toast is mandatory,” says Sam Jacobson, chef of Lansdowne’s Sycamore and a native Londoner. “The rest all depends on region and taste.” Baked beans, blood pudding, ’shrooms, soda bread, hash browns … like butter-coated snowflakes, no two fry-ups are the same. The Eggs. A Full English or Full Irish has got to have eggs, fried sunny or over-easy. (Scrambled wouldn’t look right.) At Rittenhouse’s Bards (2013 Walnut St.), I requested my eggs poached and they came out perfect, their yolks exploding with the graze of a fork and running canary-yellow tributaries around tender bangers and crunchy discs of black and white pudding. At Fado (1500 Locust St.), my eggs came fried together in the dead middle of the plate, the orbiting puddings, sausagmore food and es and back bacon sodium-laden members drink coverage of a huevo-centric breakfast universe. at c i t y p a p e r . n e t / The Beans. It’s not every day that m e a lt i c k e t. you hear a chef proclaim the superiority of beans in a can. “Heinz Baked Beans. It has to be Heinz,” says Robert Aikens of The Dandelion (124 S. 18th St.), a native of Norwich on England’s east coast, who does a Full English for brunch. It’s a sentiment echoed by Ed Strojan of Haddonfield’s British Chip Shop (146 Kings Highway E). These white beans, which come in an inoffensive tomato sauce, are typically applied in a spirited glop, cascading over the rest of your food like fire ants. At Fishtown’s Ida Mae’s Bruncherie (2302 E. Norris St.), however, the beans (actually not Heinz here) came in a dainty ramekin, much to the amusement of my breakfast mate, Jacobson. “I’ve never seen that before,” he said, turning the dish on its head and

P h i l a d E l P h i a C i T y Pa P E r | A p R I L 2 8 - M A y 4 , 2 0 1 1 | C i T y Pa P E r . n E T |

Springfield Ave., a commercial kitchen is chugging away. The main clue is the cigar puffs of smoke from the exhaust fan mounted to the side of the building like bolts in Frankenstein’s neck. This is the headquarters of Kitchen at Penn, a class paper spun off into a bona fide business by UPenn senior Nate Adler. Soon, Adler will earn his dual degree in management and political science, just as KaP’s lease expires; when the takeout/delivery operation reopens next semester, it’ll feed Ivy underclassmen from a new location. That’s if it reopens at all — though judging by the dozens of Gmailed orders fluttering around on the metal worktable like white 8-by-11 pennants, there’s a serious demand for KaP’s style of home cooking. It was all hands on deck the night I stepped in, a happy-go-lucky crew of helpers bebopping around this fortress of stainless steel and stacked soup cups like Animaniacs. Wearing the expression of a half-bemused, half-agitated baby sitter, chef Jordan Miller worked the stove in relative silence, intermittently calling out for ingredients. “Need a baguette,” and a coed in Penn sweatpants passed over a roll that Miller promptly sliced and flat-top-toasted for my “West Philly Banh Mi,” filled with meatballs glazed in sweet chili sauce. Because Kitchen at Penn’s philosophy, according to Adler, is “Michael Pollan-esque,” the Creekstone Farms beef for the meatballs is grass-fed and the veggies are local. Biscuits and buns are baked on premises. But what would the edible ethics authority say about the bottled lemon juice I watched being squirted over my crackle-skinned chicken? Or the “garlic confit” (aka jarred, chopped garlic) tossed with snappy string beans? Despite the un-Pollan twinge here and there, Kitchen at Penn is doing a lot of things right. From its pasta to its ricotta, the heavenly vegetarian lasagna is entirely housemade. Meat loaf shines with honeybarbecue lacquer. Mac ’n’ cheese made with local cheddar and Gouda is as gooey as mom’s. Order by phone or online with Google Checkout, and don’t forget a cup of Miller’s cloudlike banana pudding. Like Kitchen at Penn’s current location (and its plans for the fall 2011 semester), the recipe is top-secret. (adam.erace@citypaper.net)


the agenda | a&e | feature | the naked city food classifieds

Fully Loaded MIDDLE EASTERN & LEBANESE CUISINE SINCE 1986

Mediterranean Cuisine .Open 7 days a week Hummus, Kibeh, Kabob, Grape Leaves, Falafel, and Seafood specialty 616 S. 2nd Street 215.925.4950 www.cedarsrestaurant.com

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215-627-6711

40 | P H I L A D E L P H I A C I T Y PA P E R |

[ the week in eats ]

[ food & drink ]

<<< continued from page 39

Join us for Mother’s Day Brunch Buffet Sunday May 8th › 10 am – 3pm (last seating at 3pm)

$30 per person $15 children 3-12

Seating in the Grand Ballroom of the Radisson Plaza-Warwick Hotel Large Parties Welcome

Reservations available on line or by calling 215-790-7758

220 S. 17th St. (215) 790-1799 tavern17restaurant.com

Like butter-coated snowflakes, no two fry-ups are the same. dumping its contents everywhere without missing a beat. The Veg. With a meal this meat-centric, it almost seems like a joke to include vegetables, but wedges of grilled tomato (yeah, yeah, tomato’s a fruit) appeared in all seven breakfasts I tried. Nearly as ubiquitous: grilled mushrooms, either sliced and fried buttons (Ida Mae’s, Fado, British Chip Shop) or, in the Dandelion’s case, crisped-up portobello cap. The Bread. At Ida Mae’s, Mary Kate McCaughey makes her own soda bread, combining flour, buttermilk, salt, sugar and baking soda before puffing up slices on a flat-top. At Fado, you get a triangular wedge of starchy Irish potato bread; at Drexel Hill’s Hibernia Deli & Coffee Shop (3711 Garrett Road), we were treated to fresh soda breads, both with and without raisins, perfect for soaking up the tasty sop that materializes when Heinz sauce joins runny yolk. Jonathan Adams at Pub & Kitchen (1946 Lombard St.), who runs a Full English full-time in the winter and as a special in warmer months, has been known to grill pumpernickel or country white bread and then slather it in bone marrow butter. The Bacon. Unlike American “streaky bacon,� sliced from pork belly, the leaner fry-up staple back bacon is cut from the loin, with a small ribbon of fat. At Bards, back bacon comes branded with grill marks; at Hibernia, British Chip Shop and Upper Darby’s Irish Coffee Shop (8443 West Chester Pike), it’s pressed on a flat-top to a crisp. Exception to the rule: The Dandelion’s Aikens includes two rashers of smoky Nueske streaky bacon in his Full English. “Though it’s more traditional,� the chef says of back bacon, “it gets a little dry.� The Sausage. At both Bards and Fado, you bang with serious pork bangers, inch-thick sausages imported from the Emerald Isle. Herb-heavy Cumberland sausage is the link of choice at Dandelion, while American-style breakfast sausages rule the platter at British Chip Shop. Most fry-ups feature a pair of sausages; at both Hibernia and Irish Coffee Shop, however, they mercifully offer a “small� Irish breakfast option that’s half the portion of the full, a lone sausage holding court. It’s still way too much food. The Puddings. White pudding, common in a Full Irish, is not so different from scrapple, a blend of pork, herbs, spices and cereal — think toothy oats instead of cornmeal — sliced into coins and fried. Then there’s black pudding — same basic ingredients as white, plus blood. “I’ve made it for two years, and my stomach still knots up when I add the blood in,� says Pub & Kitchen’s Adams, whose black pudding calls for three cups of LaFrieda meats’ pasteurized pig’s blood. Needless to say, it sketches some people the F out. British Chip Shop’s Strojan deliberately leaves it off, offering the option to add it on for a small fee. Everything Else. You’ll often find a bottle of A1-esque HP Sauce (another Heinz product), which goes great with bangers and back bacon. Both Irish Coffee Shop and Hibernia cook grilled potatoes, either with or without onions. And at British Chip Shop, they offer bottles of Irn-Bru, a peculiar Scottish soft drink that’s a reputed hangover cure. Unfortunately, it does not work on foodbased hangovers. (drew.lazor@citypaper.net)

WHAT’S COOKING

Celebrate 99 Years with Snockey’s Sat.-Tue., April

30-May 3, 11:30 a.m.-11 p.m., 99 cents-$19.12 ➤ South Philly’s Snockey’s is turning 99 this year, and they’re celebrating with some undeniably special specials. Starting this weekend they’ll shuck a selection of raw oysters for 99 cents a piece, along with 99-cent clams, and lobster specials priced at $19.12, in honor of their opening year. There will be discount bloodies, draft beers and oyster shooters, too. Snockey’s, 1020 S. Second St., 215-339-9578, snockeys.com. Vegan Tasting Menu at Meritage Tue., May 3, 5 p.m.,

$35 ➤ Meritage will again present a Tuesday-only tasting menu geared toward vegans. The fixed-price meal features four courses, including dessert. Highlights of this coming Tuesday’s tasting include roasted baby beets with grapefruit and rhubarb; a creamy-yet-vegan risotto with Swiss chard, favas and purÊed spring onions; and a crispy chickpea cake with smoky tomato chutney, olive tapenade and purÊed herbs. Meritage, 500 S. 20th St., 215-985-1922, meritagephiladelphia.com. Campo Debuts at Le VirtÚ Thu., May 5, 6-10 p.m., $45

➤ Le VirtÚ opens its outdoor dining space, Campo, next Thursday, and will host a gathering to celebrate. The highlight of the evening will be a whole roasted suckling pig, accompanied by other savory snacks, like housemade sausage, grilled calamari and shrimp, bruschetta and grilled veggies. To wash it all down, select beers from local breweries, as well as a complimentary wine tasting. Le VirtÚ, 1927 E. Passyunk Ave., 215-271-5626, levirtu.com. Flavors of the Avenue Sat., April 30, noon-5 p.m., $30-

$50 ➤ For its fifth year, the Flavors of the Avenue event will stretch out between Morris and Dickinson, with a plethora of local dining destinations offering samples. Participating restaurants include Fond, Izumi, Green Eggs and Salt & Pepper, among others. Thirty-dollar general admission tickets include wine and beer, while VIP $50 access includes signature cocktails and special menu samples. Also check out the Crafty Balboa craft market in front of the Passyunk Fountain (see p. 34), surrounded by a free street festival with live music. East Passyunk Avenue between Dickinson and Morris streets, 215-336-1455, visiteastpassyunk.com. —Laurel Rose Purdy


feedingfrenzy

ticket gracetavern.com

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classifieds

from the

food

ADRIAN PELLICCIA

By Drew Lazor

the naked city | feature | a&e | the agenda

[ food & drink ]

North Indian Cuisine Clay Oven Cooking

➤ NOW SEATING Big Eyes Sushi | New in the space that was Ro-Zu is

Big Eyes, a sushi outfit from partners Sugi Wijaya, Kura Wan and Lai Chau Wong. The operation is focusing on value with its extensive menu. Dinner specials consisting of a roll plus miso soup or house salad top out at $6; the priciest specialty roll (the “King of Dragon,� with kani, avocado, cucumber, masago, eel and shrimp) will set you back just $14. The 30-seat BYOB serves lunch and dinner daily. 700 Bainbridge St., 267-639-3485.

Eat or drink anything good this weekend? We want to hear about it!

• Discount For college stuDents • • We Do cAtering For All occAsions • • coMPetitiVelY PriceD • luncH $8.95 • • Dinner BuFFet $11.95 •

citypaper.net/notes

NOW SERVING BEER

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(Not valid with any other discount EXPIRATION DATE 5/5/11)

P H I L A D E L P H I A C I T Y PA P E R | A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T |

Do You Like It Raw?

that Mark Coates (formerly of Bebe’s and Fergie’s) is teaming up with Carmen Cappello and Chris Martino (Wishing Well) to roll out The Smoke Truck in the coming weeks. Coates is outfitting a vehicle with equipment to get it ready to serve Philly ’cue fanatics pulled pork, ribs, brisket, sweet tea and other Southern-style goodies. No official word yet on operating hours or location(s), but we’ll keep you posted. twitter.com/thesmoketruck.

Got A Tip? Please send restaurant news to drew.lazor@citypaper.net

10% off

No coupons or promotions

The Smoke Truck | Thank the hickory-kissed gods

You should go out to eat tonight, April 28 — it’s Dining Out for Life, and more than 200 local restaurants will donate one-third of their earnings this evening to HIV and AIDS research. Peruse a full list of participants at diningoutforlife.com/philadelphia.

With this coupon

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in the Reading Terminal and Flying Monkey Deuce on Locust before selling off both, is back in the game. She’s signed to run Wedge + Fig, a retail spot and BYO taking over Old City Cheese. W+F, which Torpie and owners Kirk Nelson and Lisa Ruff hope to have running by June 3, will operate as a cheese shop and light-fare lunch stop (panini, salads, soups) during the day. At night, Torpie will roll out cheese boards specifically designed to be paired with BYO’d wines and beers. 160 N. Third St.

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food | the agenda | a&e | feature | the naked city

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Commercial • Residential

ARS will get you the help you need‌now.

215-744-1582

Center City Office NOW OPEN! Two Penn Center, Suite 200 Philadelphia

All Products Non-Toxic • Pet & Kid Friendly Fully Insured

Accessible Recovery Services

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/.9:2?¡@ 6?<; 215/954/8992 . Rbalmer@arbill.com

To advertise, call Chris at 215-825-2486.

The Law Offices of Debra D. Rainey

The Compassionate Lawyer CRIMINAL LAW FAMILY LAW IMMIGRATION LAW EMPLOYMENT LAW GENERAL PRACTICE BUSINESS LAW

One Penn Center 1617 JFK Blvd., Suite 1010 Philadelphia PA, 19103

215-972-8700 www.DebraRaineyLaw.com

Offices in Philadelphia and Southampton. Serving Philadelphia, Bucks, Montgomery, Chester and Delaware Counties.

CRIMINAL LAW PERSONAL INJURY EMPLOYMENT LAW Call Attorney

Derek Steenson 877- 466- 3937

407 S. 10th St. Philadelphia, PA 19107

FREE CONSULTATION

51

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Flower Boxes Window Guards Railings

BILL COLLECTORS FROM CALLING & HARASSING YOU & RECEIVE UP TO $1,000. NO ATTORNEY’S FEES/COST TO YOU. BW Consumer Lawyers Attorneys Blitshtein & Weiss

215-364-4900

Let Me Be Your Matchmaker! 27 Years Experience • Personal Attention • Reasonable

To advertise, call Chris at 215-825-2486.

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P H I L A D E L P H I A C I T Y PA P E R | A P R I L 2 8 - M A Y 4 , 2 0 1 1 | C I T Y PA P E R . N E T |

ATTENTION!

R U TIRED OF INTERNET DATING?

Sweet Beginnings Introduction Service 215-949-0370

classifieds

TRUCK DRIVERS WANTED! 2011 PAY RAISE! UP TO $.52 PER MILE! HOME WEEKENDS! EXCELLENT BENEFITS! NEW EQUIPMENT! HEARTLAND EXPRESS 1800-441-4953 www.heartlandexpress.com

NYS LAND ONE TIME SALE 10ac-Salmon River Area$19,995. 7ac w/New Cabin$29,995. 5 ac-Hickory Ridge$12,995. 97ac Surrounding State Forest-$119,995. 7acTrout Stream-$29,995. 14acSouthern Tier-$24,995. 5ac on Big River-$39,995. 7ac-Little Falls-$19,995. Over 100 new properties offered! Terms or cash discounts! Call Christmas & Associates 800-229-7843. Or visit www.LandandCamps. com.

Heated Pools, Efficiency/Motel units refrigerator, elevator. Color Brochure/Specials 609-5224075 DEPT. 104 www.florentinemotel.com.

the naked city | feature | a&e | the agenda | food

Purchase. WE ARE BUSY! 800-877-3928 www.drive4ats.com


food | the agenda | a&e | feature | the naked city classifieds

TO OUR READERS

Books -Trains -Magazines -Toys Dolls - Model Kits 610-689-8476

Advertisements are the property of Philadelphia Media Network and/or its advertisers and are subject to contracts between them. The classified listings and individual advertisements are subject to the copyright in this edition owned by PMN and/or to copyright interests owned by its advertisers and/or PMN. Reproduction, display, transmission or distribution of the listings or individual advertisements in any format without express permission of PMN and/or its advertisers is prohibited.

Laptops Net Ready, MS Office, Wireless 20. )#.'3

BED: Brand New Queen Pillowtop #442'33 !'4 7 7#22 / 1-#34+% F7+/ 1% +/) 5-- 3'4 '.029 (0#.3 #6- '- #6- : :

Arcade video games pinball machine, shuffle bowl alley Trade for new carpeting tntquality@aol.com 215-783-0823

Bedroom Set brand new queen 5 pc esp. brown $489. Del Avail : :

TO OUR ADVERTISERS

CABINETS Glazed maple, brand new, /'6'2 +/34#--'& 30-+& 700& &06'4#+- 207/ .0-&+/) #/ #&& 02 35$42#%4 40 (+4 ,+4 034 !'-- : :

SOFA, LOVE SEAT, MICROFIBER chocolate Can del. $550 : :

POOL TABLE Gorgeous 8’ solid wood 1" 3-#4' -4*2 1%,43 &'% -')3 #%%'33 62 53'& !'-- : :

Center City Phila Sat. 4/23 8a - 2p ! 54%*+/30/ !4 *3'*-& (+-+/) %#$ %*+/# 25) .02' : : +/(0

By placing an advertisement, you agree that the advertisement as it appears will become the property of Philadelphia Media Network and you assign to PMN all ownership interest, under the Copyright Act of otherwise, in the advertisement as it appears in the newspaper. Unless notified to the contrary by PMN, you are granted a license to place the same ad in the media. Delinquent accounts are subject to reasonable collection charges.

merchandise market Playboys 1959-Pres. Comp. from ’91 06'2 " : 8 :

BRAZILIAN FLOORING

$'#54+(5- 3 3( :

BD MATTRESS Luxury Firm w/box 312 /) 2#/& '7 5''/ %034 3'-- +/) %034 3'-- : :

BDRM SET: Solid Cherry Sleigh Bed, 2'33'2 +2202 *'34 +4' !4#/&3 +)* 5#-+49 /' .0/4* 0-& 534 3'-- 034 #3, : :

BED A brand new Queen pillow top mat42'33 3'4 7 7#22 5-- +/) '.029 0#. : :

Sectional ’L’ shaped with matching 0440.0/ %0-02 #6- : :

Hot Tub Brand new 7’ Never hooked up! Fully loaded w/factory warr. & cover Cost $4000. Ask $1950. : :

$$ Cellphones - Cash Paid, All Types $$ F'84 02 #--? : :

BUYING EAGLES SBL’s HA F : A! D

CALL 215-669-1924K EAGLES(4) Season tix, 1st Rw, End Zone, /4+2' 3'#30/ : :

WANTED: EAGLES SBL’S True Eagles fan, Call 610-586-6981

33&45 Records Higher $ Really Paid

Conshohocken PA Sat 7a-12p/Sun 7a-12 240 W 4th Ave, 19428 -'%4 52/ #$9 '#2 +,' E#%,3 !124) '#2 5%* 02';

* * Bob 610-532-9408 *

NE Phila 2046 Beyer Ave. 4/23, 8a-3p. Garage/House Contents Sale, Vintage furn & many hsehld items 215.962.9412

* * * 215-200-0902 * * *

Piano - Antique Steinway Upright Black /')04+#$-' : :

33+45 Records Absolute Higher $

Antique & Collectable Buyer, Coins, Gold, Costume Jewelry, Military, Toy Cars, Dolls, Trains, Barbie Cleanouts Will Travel

Ronnie, 267.825.8525

52 | P h i l a d e l P h i a C i t y Pa P e r |

A p r i l 2 8 - M A y 4 , 2 0 1 1 | C i t y Pa P e r . n e t

everything pets

RAGDOLL PEDIGREES, papers, 3*043 702.'& #-- (267) 372-4245 Siamese Kittens Great Easter Treat, !'#- C+-#% -5' D4 : :

American Pit Bull pups, ADBA Razors '&)' #(( $-00&-+/'3 6'4 %*,& 3*043 702.'& :

Cairn Terrier pups, ACA, vet checked, ('.#-'3 .#-'3 CANE CORSO pups, 6 M, 5 F, 11 wks, 1#2'/43 0/ 3+4' : : Cavalier King Charles Spaniels Puppies, Retired Adults & Rescues $900-$1500, 215-538-2179 CHIHUAHUA Puppies - CKC, 3F, merle, 2'#&9 $0

:

*+*5#*5# 1513 #-' '.#-' : COLLIES pups & adults, Exc quality, AKC, blue, tri & sable (856)825-4856 Doberman Pups: Superior Sizes Avail. #&2,&0$'2.#/3 %0. : :

C ! GCC #-'

.0/4*3 /04 /'54'2'& : : English Bulldog Pup 9 week, F, reg, shots, vet chkd, $2200. 610.287.9680 English Bulldog Pups ACA, health cert, (#.+-9 2#+3'& -043 02 72+/,-'3 7'-- 30%+#-: +K'& 2'#&9 /07 : :

English Bulldog pups, AKC, vet checked, 3*043 702.'& %#-- (02 1+%=3 &'-+6'29 #6#+-#$-' : German Shepherd, AKC, 2 yr F, $700 .0 $-, 4#/ : Goldendoodles, Labradoodles, Bernedoodles: Designer pups, health guar. $500-$1500. 484-678-6696 GOLDEN RETRIEVER PUPPIES female, AKC 610-857-0165 GOLDEN RETRIEVER PUPS - AKC, (#4*'2 D'// +1 )2#/&1#2'/43 A %'24 %* 1'& *-4* )5#2 2'#&9 : : HAVANESE PUPPIES: AKC,home raised : : 777 /0#*3-+44-'#2, %0. JACKAPOO, designer pups,great per30/: #-+4+'3 *'#-4* )5#2 : :

LAB pups AKC, parents on prem, shots, 702.'& 2'#&9 40 )0 : : LAB Pups: AKC, Yellow, s/w, dew claws, E'#&9 04*'2=3 #9 : : ACF D D513 #34'2 )+(43 3 7 #-' '.#-'3 : : Miniature Goldendoodle Puppies - 2 .#-'3 .0/4*3 0-& #12+%04 6'4 %*'%,'& 702.'& 3*043 : :

Olde English Bulldog Puppies: Pure bred, A6#+- (02 +/(0 %#-- B0' : : D+4$5-- .0 : .0 .034-9 7*+4' (02 #&014+0/ 3.#-- ('' : : PIT BULL PUPS - Red Nose Blue Fawn, ! H 51 : : Poodle A !4 D00&-' D511+'3 *#.1+0/ -00&-+/'3 777 0*- #.+-9 D00&-'3 %0. : : Poodles: Standard, Home Raised, .5-+41-' %0-023 7,3 : : 02 : : Pug 6wks akc cert. 5 bys $350-2 gls !*43 &7.& 6'4 %*,& PUGGLE PUPPIES: adorable, fawn colors, )2'#4 7+4* ,+&3 .#-'3 '#%* (': .#-' 3*043 702.'& 6'4 %*'%,'& E'#&9 '2/6+--' : Rottweiler Puppies, AKC reg, shots & 702.'& ('.#-'3 #6#+-#$-' : : Schipperke pups, 1M, 1F, AKC, vaccs & &'702.+/) 51 40 &#4' .+%20:%*+11'& 9'#2 *'#-4* )5#2#/4'' :

SCHNOODLE pups, ICA, vet checked, ('.#-'3 .#-'3 ! FJG D513 &07/ I02,+'100 D513 E'#&9 /07 : :

SHORKIE-TZU PUPS (designer) 7 1#1'23 34#24+/) #4 (+/#/%+/) #6#+- #-- (02 &'4#+-3 3'8 %0-02 '4% : : St. Bernard Pups $500 Akc 1st shots %#-- 40/+ :

Cameras, Clocks, Toys, Radios, Dolls, Porcelain, Magazines, Military I Buy Anything Old..Except People! Call Al 215-698-0787

West Highland Terrier pups, white, ACA, *'#-4* %'24 3*043 : : YORKIE Pup, 1 M, shots & papers, the %54'34 '6'2 #&02#$-'

YORKIE PUPPIES: home raised, AKC reg. !4#24+/) #4 : :

Yorkie pups, AKC, very small, papers, 6'4 %*'%,'& : : Yorkie pups, home raised, ACA, vet %*'%,'& *'#-4*9 : YORKSHIRE TERRIERS:AKC, vet checked, *'#-4* %*#243 51 : :

Coins, Currency, Gold, Toys,

Trains, Hummels, Sports Cards. Call the Local Higher Buyer, 7 Dys/Wk

Dr. Sonnheim, 856-981-3397

Coins, MACHINIST TOOLS, Militaria, !702&3 H#4%*'3 B'7'-29 : : JUNK CARS WANTED G1 40 (02 B5/, #23 : : Lionel/Am Flyer/Trains/Hot Whls $$$$ Aurora TJet/AFX Toy Cars 215-396-1903 SAXOPHONES & WWII Uniforms, Swords & related items 609.581.8290

jobs COMPANION DES POS, 20 yrs exp. caring (02 '-&'2-9 2'(3 2'-+#$-' '/4-'.#/ 7 F25%, '3+2'3 H02, 06+/) B5/, E'.06#- : : Handyman Specialist looking for work. 923 '81 D*+-# '- 0 : : HOME Companion desires a position, F DF '81 2'(3 %#2 484-250-9987 If you need tutoring for any subject 610-464-9292 slowly give # 3times

apartment marketplace

Locust at Broad Lux studio Condo $950 +/%- 54+- )9. A 7+(+ & 7

2938 Girard Ave 1Br/1Ba $650 ,+4%*'/ -+6+/) 200. #-- : : LOST: Bichon Poodle w/ clipped tail, 7*+4' #-' 3*024 *#+2 15((9 *'#& '#2 &2013 $-#%, '9' 9'#23 0-& -$3 3+-6'2 %0--#2 /0 4#)3 REWARD! : :

1100 S 58th St. Studio, 1br & 2br apts /'7-9 2'/06 -+% <

267-767-6959 55xx Larchwood 2BR $650+utils

34 (- ,9& 3402#)' 31#%' : : 4* !12+/)(+'-& ((+%+'/%9 >'-'% /7-9 2'/06 7 7 .534 3'' 64xx Lindbergh Blvd 1br/1ba $675+elec '7 #4: / +4%* *&7& (-23 /+%' /'+)*: $02*00& .06':+/ : 6607 Guyer Ave 1 BR $540 /& (-002 %-'#/ CE 31#%+053 $#4*200. #-- '-'%42+% 54+-+4+'3 :

67th & Paschall 2 BR $750 31#%+053 +..#%5-#4' !*'+-#

13XX N. 60TH ST. NICE, CLEAN, 2ND FLR 1BR APT. $550+. 215-878-1160 1424-28 N 53rd 3br $750+

.0 3'% 34 (- %2'&+4 %,

4* +2#2& "+%

E (2'' 54+-3 .0 .6 +/ !%044? 4533 Baltimore . 2 rooms $750 utils +/%-5&'& 2'/06#4'& 62nd & Market St. nice 2Br Apt /'#2 42#/3102#4+0/ : Parkside Area 1-5br units $700-$1700 /'7-9 2'/06#4'& *#2&700& (-0023 /'7 #11-+#/%'3 !'%4+0/ 0, : :

W. Phila 2, 3, & 4 br apts Avail Now

34 0 E'/4 !1'%+#- 02

2xx N. 52nd St 1br 2 /'7 - 42#/31 !'% 0,

4714 Warrington Ave 2br $625 6'29 31#%+053 /'7-9 2'/06 : :

Powelton Village 1br $640 to $700> 54+ 34 /& (-2 )& 42/31 .0 #&6 )& %2'&+4 /') 0 25)3 !.0,+/) : :

6xx N. 2nd St. Comm. Studio $950 *&7& (-23 7 & ,+4%*'/ : :

20xx N. 62nd lrg 1BR/1BA $650+ elec /+%' $-0%, 34 -#34 3'% : 4* +2#2& $2 (20. $2 (20. >54+-3 : :

65xx W. Girard 2BR $750+ 3'% &'1 7 7 %214 #-- #11-=3

Queens Village 2 BR/1 BA $1050 util inc /'7 2'.0& %2& %*, /0 1'43

OVERBROOK 1 BR $550 2 BR $675, 1200( 0( +/%0.' #/& .0/4*3 40 .06' +/ : : Various 1 & 2 BR Apts $725-$850 777 1'25401201'24+'3 %0.

Lost: Pit Bull, M, 4/9 (Harveson & 2#/,: (02& 207/ 7*+4' (#%' : :

Lost: Toy Yorkie, M (brown/gold/blk), = #8= $'-0/)3 40 #54+34+% %*+-& D5) 4#/ .+33+/) -'(4 '9' E'7#2&

22nd & Washington 1 BR Effic $650 A-- /'7 #-- : : 2706 Wharton St. 1Br $625/mo /& (-2 34 -#34 3'% 7 ,+4

13th & Spruce Studio $950+elec *+)* (-002 &002.#/ #6#+-#$-' -#4' .#9 : : 30&'33'9@*04.#+- %0.

22xx Kater St. lg bi-lvl, 1 BR+ den, 35//9 /'7 #-- #..'/ PACK & HORSE SALE Sat, April 23, 11am, Mountain Springs Arena, Shartlesville, PA. 610-823-3545

apartment marketplace


RENOVATED Apts: WEST OAK LANE Clean, Quiet, Upgraded 267-888-8030 Balwynne Park 2 BR $850+ W/D, C/A, W/W, Garage. 484-351-8633

56xx Arlington 2 BR $650+ utils Renovated, updated kitchen, appliances, near transportation, Call 718-930-7388

1, 2, 3, 4 Bedroom FURNISHED APTS LAUNDRY - PARKING 215-223-7000

16xx Susquehana 1 BR From $500 hardwood floors, HVAC, 215-844-1103

53xx N. Broad 1Br furn, full kit, AC, 2 TVs, etc. 267.496.6448

221 E. Robat 1 Large br $600+utils 1st & 2nd flr, close to trans 215-456-0972

2xx Widener Effic. $525, utils incl furnished, bsmnt storage, 484-540-0443 5149 N Camac St 2br $785 DR, yd, porch, bsmt, 3 Lrg BR bi level apt $885. Beautiful newly renov apts, must see, 1mo rent, 2mo sec (215)424-5780 5851 N. Camac 1 BR $650+ utils new renov, 267.271.6601 or 215.416.2757

63xx Morton St 1br $625+utils lrg 2nd flr apt, 1st, last, sec 215.432.5047

3xx Green Ln Huge bi-level 3br/2ba $1200. tile, w/d, off st prkg 215.554.4450

6621 Blakemore St 2br $700+utils Newly renovated, bi-level, spiral stairs, hardwood floors. Call 215-843-8387 71xx Devon St. 1 BR/1 BA $750 + elec, lndry avl, avl now, 484-557-2369 8139 Williams Ave 2BR $800/mth + Util Recently renovated. Call Roger 267-496-6323 Wadsworth & Cheltenham area 1br/1ba LR, kitch, 1st flr, Call 215-233-1410

Collingdale 1br $650+ut 2br $750+ut balcony, w/d hkup in unit 610-622-4425 DARBY 2BR $690+utils newly renov, hwd flr kit (484)494-0587 Glenolden lg 1 BR $600 incl heat & water, 2nd floor, off St. parking, EIK, Must See! 610-636-4808

Ambler 2BR $1,075 2nd & 3rd flr, W/D, no pets/smoking, off st. parking, close to transp. 215-542-1201 K of P 3br/2ba $1,550+ hw flrs, great loc., W/D. 610-329-5543

Broad & Somerville clean, furn, newly decorated, near transp. 215-455-7488 E Mt Airy: 1 rm w/prvt bath $155/wk,& 2 rms w/ prvt bath $225/wk, 919-451-5497 Frankford, furn, no drugs, near El, room in apt, $85/wk+ $250 sec. 215-526-1455

Frankford, Near El: Luxury rooms, fully furnished, kitchen use, no drugs w/d incl, $100/wk+ 1 wk security, 267-981-4472 Germantown Area : NICE, Cozy Rooms Private entry, no drugs (215)548.6083 Hunting Park: Fully Furn Luxury Rms. Free utils/cable, Avail now, 267-331-5382 KENSINGTON, Clean Furnished Rms, No drugs $300-$400, Call (856) 465-6807. N. Phila furnished room avail. mature adults with income, 215-384-4828 N Phila Furn, Priv Ent $75 & up, SSI & Vets ok, nr trans. Avl Immed. 215-763-5565 N. Phila Rooms for rent $85-$100/week plus 1 month sec. Call 215-669-0912 Pt. Richmond Frankford/Tioga vic. $360 mo, $450 move in., SSI ok, 215-313-3562 Richmond-Rm use of kit nr transp $100 wk Retiree/SSI ok lv msg 215-634-1139 S. Phila, $500/mo. furn’d, full kit & BA, 1st week free! incls utils, 267-600-2887 SW, N, W Move-in Special! $60-$115/wk room sharing avail, SSI ok (215)220-8877 SW Phila furn rooms, $100/wk. (267)595-7398 or (302)465-9975 University City Newly remod rooms, $375/mo, $400 move-in. 267-591-6058 W. Oaklane & N. Phila: furn & unfurn, $85-$115/wk, avl immed, 215-275-9174 W. Phila: Rms $90/wk & Efficiency, Near trans, 267-902-6748, 267-582-4175 W Phila, use of living rm, dining rm, kit, w/d, avail now! $90 & up (267)334-8294

homes for rent 11XX SO. 22ND ST lg 3br, new paint/ crpt/kit, lge bsmt $925+ 267-645-9421 17xx Watkins St. 2br $800 backyard, bsmt, mod. kitch 267.738.8473 4th & Tasker 3 BR $1000, Sec 8 appr new renov, hardwood, w/d, 215-525-4245 Grey’s Ferry Area 2 BR $650 newly renovated, 1st/last & 1 month security, Call (215)549-2701

16xx W Venango 4br $825+utils security deposit. 215-554-7652

5028 Tacoma St. 2BR/1BA $690 UTIL HOUSE LR, DR, KIT, SM YARD, & W/D HOOK-UP. 215-432-7959. AVAIL IMM. 5521 Bloyd st. 2br $725+utils renovated, $2175 move in, 215-962-4277

31xx Hartville St. 3br/1ba $650+utils nice size house, new paint 215-327-2292

48XX MULBERRY lge 3br, new paint/ crpt, refrig, yd, $825+. 267-645-9421

52xx Burton 3 BR $800+ utils furnished basement. Also : 60xx Loretto, 3 BR, $850+ utils, 215-725-7079 89xx Dewees 3br/2.5ba $1400+utils hdwd flrs, garage, 2 mo sec 215.888.3010 ROCKLAND & B ST row hse, 3BR, 2 full ba, no sect 8 $850+all utils 267-312-7100

13th & York, 15th & Clearfield, 50th & Westminister, 61st & Girard215.726.1811 1545 S. 30th St. furn, fridge, no kitchen, $125/wk, $375 move in. (215)781-8049 22nd & Hunting Park, renov, lrg rm, furn $85-$95 wk 2nd week free! 215.960.1600 22XX S. 9TH ST. Fully furn’d rooms all utils inc $200week 215-545-5464 29th & Lehigh, newly renov, shared kitch & bath, $100-$115wk 267.816.3058 29th & Ridge $100-$140/wk. furn, new renov, proof of income req 267-702-7914 33rd & Ridge Ave $100-$125 Wk Lg renov furn rms nr Fairmount Park & bus depot. 215-317-2708

21xx Gould St. 2 BR frnt prch & bk yd, Sec 8 ok. 215.356.2434

39xx Baring St., quiet, lg, renov, furn, kitch , a/c, $450/mo. & up (215)713.0271 41st & Parrish, $500/mo, Kitchen, cable. No drugs. 267-591-1494 52ND & LOCUST - Lovely, nice furnished room. Reasonable & private. 215.747.2359 55th/Thompson furn rm $110 wk frig micro priv ent $200 sec 215-572-8833 60xx Vine St, $110/week, 2 week security, cable tv, Please Call Gee 267.767.4496 All Areas: $125/wk, No Credit Check, Move in Today, 267-499-6847 Brewery Town/Temple U Area: Luxury rms, furnished, utils incl., 267.240.2474 Broad & Hunting Pk:Lg furn rm,w/w, newly renov,$100/wk,must see, 215.552.5200

Cobbs Creek, 3 br, $900+ (rent to own) 7xx S 59th,yd,shed,Sec8 ok 484.540.0443

21xx S 60th St. 4br/1ba frnt prch & bk yd, Sec 8 ok 215-356-2434

Norristown: Spruce & Markley 1br $700 LR, DR, kitchen, backyard (267)259-8449

resorts/rent

65xx Gesner St. 3 BR $725 close to trans, Sec 8 ok, 267-738-0834 65xx S. Linmore 3br/1ba $750+util $2250 move in, Mitch 215-365-4567

Brier Crest: 5 BR, sleeps 12. Saw Creek, 3br/2ba, slps 8, cntrl a/c. Wknds & Wks, 5/30, 6/12 (Race), 7/4, 609-587-9493 Locust Lakes 5 BR/2 BA week or wkend close 2 lake610.469.0952

Cobbs Creek 3Br $850+utils beautifully renov, sec 8 ok. 215-681-9674

$200 & Up For Junk Cars Call 215-722-2111

$ CASH FOR JUNK CARS $ $100-$400. CALL 267-241-3041

Junk Cars wanted $250 & up. 24/7 removal, Free Gift Card. 267-377-3088

HD Electroglide 2007 $16,000 8,000 miles, lots of extras, 215-338-2928 HD Super Sport 1200, ’01: pearl white, good cond., gar kpt, $5900, 610.446.4244 Triumph Daytona 955i ’04 $5,000 Black, 4400 mi, 215-630-6466

Cadillac Catera 2001 $4950 lux economy, sunrf, orig. mi., future classic, sacrifice good home, 215-922-2165 CADILLAC Seville STS 1998 $3950 lo miles,fully loaded,vry cln 610-955-8997 FORD Expedition 1997 $4800 158K mi, blue, good cond. 215-820-1789 FORD Explorer 4x4 2500 1996 $2500 very dependable, good mileage, looks good, runs great, Call 215-820-3135 Ford Taurus GL Wagon 1988 $995 all pwr, 75k, insp, runs ex 215-620-9383 FORD Taurus SE 2000 asking $2,150 loaded, clean, low miles, 215-518-8808 GEO Metro LSI convertible 1991 $1500 5 speed, a/c, 3 cyl, 45 mpg 215-620-9383 Honda Accord 2002 $3700 4dr, auto, 185k miles, (610)203-9345 LINCOLN Continental 2002 $4975 luxury, 4 door w/roadster roof, sunroof, original miles, superb cond, not exaggerated, quick private sale. 215-928-9632 Mazda Protege 1993 $1000 runs gd, just insp, 123k 484-557-8380 Plymouth Acclaim 1993 $1800 ONLY 77k original, insp, (215)920-0929 Saab 900S Conv 1992 $2600 grt sound sys, nw top/tires, 215.370.6331 Saab 93 Convertible 1999 $2650 turbo, automatic, leather, 267-592-0448 TOYOTA CAMRY 1995 $1800 obo 221K,V6,runs great,new ins. 610.348.1202 Toyota Corolla (Prizm) 1997 $1995 auto, 4cyl, 33mpg, runs new215.620.9383

323i 2000 $5900/obo 156k, blk, loaded, ex cond (610)585.0510

CTS 2004 $7995/obo exc cond, lthr, ac, 104K mi 856-979-4815

Impala LT 2007 $7200 burgundy, loaded V6, clean 267.592.0448

Corvette Commemorative Ed. ’04 $27k Lemans blue, 30k, auto, glass top, 2 tone lthr int., serious offers only 609.518.1004

MUSTANG LX 5.0 Convertible ’93 $9000 all orig., 42k, 5 spd, garaged, near mint cond, serious inquiries only 215.675.1770 THUNDERBIRD 2002 $18,900 red w/ white hard, black soft, 36k miles, excellent shape, garaged, 215-394-5151

PILOT EX-L 2005 $17,500/obo 4WD, 38K, 1 owner. (856)354-3223

60th & Arch 3 BR/1 BA $750/mo. 1st, last & 1 mo security, newly reonvated, very clean, large kitchen (215)820-3969

Olds Tordnado 1970 $2000/bo Chevy Caprice 1979 $1250/bo Not running, Need work, (215)947-2692

low cost cars & trucks

automotive

14xx N. Felton St 3br/1ba newly renovated, sec 8 ok 610-497-2700

52xx Cedar Ave 4BR $875+utils 3 months move-in. Call 215-248-0547

Fiero GT 1988 $10,000 auto, 28K mi. Also Fiero Indy Pace Car, 1984, $9500,auto, 3100 mi, 717.587.8122

Yamaha V Star Silverado 1100 ’05: 7500 mi, like new,gar kpt, $5500 856.304.0155

60th & Chester Vic. 3 BR $625+utils 1st/last/1 mo sec. 610-277-8217 65xx Dorel St 3br/1ba $850 conv to trans, section 8 ok 610-842-6909

V70 Station Wagon 2001 $6950 Luxury 4 door w/sunroof, original miles, superb condition 215-627-1814

Brookhaven 2BR/1.5BA $1200 Cambridge Square Twnhse 215.353.1919

CTS 2003 $9000 fully loaded, 97k mi, auto, 267-334-8242 1368 S. Paxton 3br/1ba $775 Must See, 267.912.5942 or 215.727.7330

V70 Station Wagon 2001 $6950 Luxury 4 door with sunroof, original miles, superb condition, 215-627-1814

CLK 55 AMG 2003 $26,675 Only 23k miles, garage kept, 1 owner, service records available, (610)220-3311

Spider GTS Convertible 2003 $6990 1 owner, 61k, exc cond (215)880-3475

53

1400 67th Ave. Efficiency $495+elec $1485 move in, kitch & ba,267.975.7161 66th & N Park Ave 2br/1ba $925+utils near trans & schools, 1 month rent, 1 month security & refs req’d 215.686.0676 68th Ave & 15th St. 2 BR $700+ elec/gas, Move-in ready! 267-251-7523 68xx N. Broad 1 BR $675+ utils 1st floor, spacious, hardwood floors, new kitchen. MUST SEE! Call 215-549-1454 E. Oaklane, 66th Ave 1 BR $575 ground floor apt, 215-651-3333

Conshohocken 4BR/1.5BA $1600 MUST SEE. Lg. Private deck, custom Kit, additional loft, gas FP. C/A, laundry rm, cul-de-sac. Walk to train. 610-457-0911

TC 2007 $9000 55,000 miles, silver, 215-888-3703

Chevy 1998 Cheyenne Silverado 1500 Lux. Step Side Bed, 4WD, a/c, full pwr, senior citizen will sac substantially less than book value, $5985, 215-629-0630 CHEVY Silverado LT3 2500 ’06 $23,500 4x4, Diesel, Allison 6 spd trans, crew cab, 6.5 ft bed, 10 way power, leather heated seats, BOSE XM, chrome trim, 125K hwy mi., garage kept, metallic silver, immaculate. Call (302)898-8755

P h i l a d e l P h i a C i t y Pa P e r | A p r i l 2 8 - M A y 4 , 2 0 1 1 | C i t y Pa P e r . n e t |

1BR & 2BR Apts $695-$835 spacious, great loc., upgraded, heat incl, PHA vouchers accepted 215-966-9371 2123 Spencer Efficiency $450+elec private entrance, Call 267-338-9649 236 W WALNUT LN effic/1br fr $540 SPECIALS AVAILABLE! HISTORIC APTS Close to transp. 215-849-7260 5220 Wayne Ave. Studio & 1 BR newly renov, Lic# 507568, 267.767.6959 601 Church Lane lg 2 BR apt nr LaSalle Univ, 267.767.6959 lic#494336

12456 Knights Rd. 2BR/1BA $825 Garage, W/D, New Carpet, New Kitchen. Call 215-586-4640 301 W Byberry 2br/2 full ba condo $998 open flr plan, patio w/ storage, lg bkyd, w/d, d/w,pool,tennis court, 973.876.9645 48xx LONGSHORE AVE 1BR/1BA $575 Newly renovated w/new appl. Move In $1725. (609)792-2359 600 Anchor St. 1 BR $550/mo Call 267-918-2766 62xx Trotter St. 2br $775 spacious, lndry in unit, 2nd fl 215.327.1789 Bustleton & Tomlinson 2BR $650-$750 +utils, W/D, pets ok. Call 267-338-6696 Cottman Ave Vic 2BR $695+utils 2nd flr, w/w carpet. Call 267-251-5675 Fox Chase 1br $700 ht/hot water incl 1st floor, w/d, near train 215-901-6934 PHILMONT HEIGHTS 2 BR, 2 flr $750 new kitch, w/w & paint, gar, 267.467.1596 Rhawn & Blvd 2BR/1BA $750 c/a & ht, w/d, d/w, w/w, (267)972-8411

$1050

classifieds

23xx N 17th St 2br $565+elec 1st flr, 1 mo rent, 1 mo sec. 215-681-6967 31st & C. B. Moore vic lg 2BR $600+utils very spacious backyard, 1st/last/1 month security. Call 267-407-9926 Allegheney Ave. 1 BR Loft $900+utils s/s appl’s, security, prkg lot 215.320.5527

16xx Allengrove St. lg Studio $625/mo 2nd flr, BR/LR, dining/kitch,215-514-0653 33xx Frankford Ave 1br 2nd flr, call for appt. (609)440-8633 4645 Penn St. 1BR $675 newly renov. Gas & water inc. 215-781-8072 4700 Frankford 1br $560 incl heat & water, nr transp, 215-947-8036 4840 Oxford Ave Studio, 1br & 2br apts Ldry,24/7 cam 267.767.6959 lic# 214340

OVERBROOK PARK 3BR Call: 215-909-4118

the naked city | feature | a&e | the agenda | food

apartment marketplace

SPYDER Convertible 2007 $14,700 Only 25k miles, auto, 4cyl 215-588-5995


food | the agenda | a&e | feature | the naked city classifieds

.

LC SL

E FIX… E l BL Al DA es it

Heating & Air Conditioning Plumbing-ElectricalR o Framing Windows & DoorsFO all D F A eC General Construction & Restorations

On

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Wayne’s World

A BETTER WAY TO MOVE

24 Hr. 215-669-3415 LAST MINUTE JOBS ALWAYS AVAILABLE

gently moving your earthly possessions

215.670.9535

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A p r i l 2 8 - M A y 4 , 2 0 1 1 | C i t y Pa P e r . n e t

-RADIATORS FILLED & BLED-

390 S. Woodbourne Road. Langhorne, PA 19047

Piano Specialist! Great Rates!

54 | P h i l a d e l P h i a C i t y Pa P e r |

PLUMBING & HEATING •BATHROOMS •SEWER LINES •WATER SERVICES •House Heater & Water Tanks Repaired & Installed •24 Hour Emergency Service •Free Estimates •Senior Citizen Discount •Licensed & Insured •No Job Too Small

Office: 267-324-3633

Cell: 215-240-2041

STATE OF SOUTH CAROLINA COUNTY OF COLLETON IN THE FAMILY COURT OF THE FOURTEENTH JUDICIAL CIRCUIT DOCKET NO.: 11-DR— SUMMONS EVA DRAYTON BEST, Plaintiffs, vs. GRACE KELLY, ALEX BROWN, and JOHN DOE, Defendant TO: Grace Kelly, Alex Brown, and John Doe, Defendant abovenamed: YOU ARE HEREBY SUMMONED and required to answer the Complaint in this action, a copy of which is herewith served upon you, and to serve a copy of your Answer to the Complaint upon the subscriber at GIST LAW FIRM, PO Box30007, Columbia, South Carolina 29230, within thirty (30) days after the service hereof, exclusive of the day of such service. If you fail to answer the Complaint within that time, the Plaintiff shall apply to the Court for a judgment by default against you for the relief demanded in the Complaint. GIST LAW FIRM DEANDREA GIST BENJAMIN P.O. Box 30007 Columbia, SC 29230 (803) 771-8007 Columbia, South Carolina YOU WILL PLEASE TAKE NOTICE THAT A HEARING HAD BEEN SET IN THE ABOVE CAPTIONED MATTER ON: HEARING DATE: MAY 3, 2011 TIME: 3:30 pm You are hereby notified to be present at Colleton County Family Court. 101 Hampton Street in Walterboro, S.C, at the time noted above. TIME ALLOTTED: 30 MINUTES TYPE OF HEARING: TEMPORARY RELIEF

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billboard [ C I T Y PA P E R ]

A P R I L 2 8 - M AY 4 , 2 0 1 1 CALL 215-735-8444

ALL NUDE UPSCALE GENTLEMEN’S CLUB

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SPRING TUNE UP SPECIAL $35 plus tax VOLPE CYCLES

HOOKAH BAR/RESTAURANT HIDDEN CAFE 328 SOUTH STREET (215) 413-2486

115 S. 22nd Street 8am-9pm Mon-Fri, 9am-6pm Sat-Sun May not be combined with other offers. Visit www.volpecycles.com for details.

You’re Not A Tech Head....

Business coaching

can help you make decisions with more clarity, achieve your goals more quickly, and do so with less stress. Free half-hour consultation – 215 806 8319

Building Blocks to Total Fitness 1075 Albany Ave. A.C. Nj 609-340-0252 www.atlanticcityallure.com Efn ?`i`e^ ;XeZ\ij :Xcc +/+$)*0$----

12 Years of experience. Offering personal fitness training, nutrition counseling, and flexibility training. Specialize in osteoporosis, injuries, special needs. In home or at 12th Street Gym. Infokol@aol.com

SCHOOL OF ROCK FREE TRIAL LESSON! 267-639-4007 I BUY RECORDS, CD’S, DVD’S

½ PRICED DRAFTS WEEKDAYS 5-7PM

17 Rotating Drafts Close to 200 Bottles

www.devilsdenphilly.com www.facebook.com/devilsdenphilly www.twitter.com/devilsdenphilly

DANCERS WANTED

Executives, Etc. Massage Services, Etc.

Quality Company. Quality Time. YOUR Location, 24:7 Cash & Credit Cards Accepted Call Now: 215-969-4759 edenlove.friendlynow.com

THIS WEEKEND 4.29 - 5.1.11 FRIDAY:

MIGHTY

PRESENTS:

JAMES BROWN TRIBUTE PARTY

FRANKINSTIEN BIKE WORX 215-893-0415 1529 SPRUCE STREET BREAK AWAY FROM BOUTIQUE PRICES AND SERVICE! Flexible hours, will train, no experience necessary, excellent pay, safe/secure environment. Call (609) 707-6075

SILK CITY DINER • LOUNGE THE GODFATHER

TOP PRICES PAID. No collection too small or large! We buy everything! Call Jon at 215-805-8001 or e-mail dingo15@hotmail.com

MAKE US AN OFFER WE CAN’T REFUSE SALE!

but you’d like to make life easier with the help of technology. Don’t know where to start? Whether you own a small business, or just need some advice for home, Guidewire can help. Let Guidewire assist you in finding the perfect technology oriented solution you need today. wayne@guidewireservices.com

SATURDAY:

DJ DEEJAY SUNDAY:

SUNDAE NITE DJs LEE JONES & DIRTY Open every day 4pm - 2am Sat & Sun Brunch 10am - 4pm 5th & Spring Garden www.silkcityphilly.com

Private Yoga Sessions

Ideal for beginners looking for individual attention email for more information sascat3@gmail.com

STUDY GUITAR W/ THE BEST All Styles All Levels. Former Berklee faculty member. Masters Degree with 25 yrs. teaching experience. 215.831.8640 www.davidjoel.net

R&B Fridays at the New Palladium

Live R&B Bands: 5/13: Expressions of Soul 5/27: The Temptations Review Featuring Dennis Edwards R&B Acts looking for bookings call now: 215-222-7127 Also needed 2 Female Background Singers & Dancers Call for Immediate Auditions: 215-222-7127

RoadHouse Radio

Tune in Tuesdays 103.3 FM from 1-4pm www.WPRB.com

FAST FORWARD

Jamie Moffett Media Design & Production Motion picture, promotionals, music videos http://jamiemoffett.com

SEMEN DONORS NEEDED

Healthy, College Educated Men 18-39 ~ $150/Sample WWW.123DONATE.COM

May Day Spring Thaw Out Cruise-In!

Pre 1975 Cars/Trucks/ Bikes, Swap Meet Roadhouse Radio DJ’s, Speedwells, Coffin Fly & more Sunday May 1st, 10am-4pm @ McTullio’s Pub in Tristate Mall, Naamans Rd, Claymont De (Exit 6 off I-95 on Pa/De border) Info: www.hotrodhoedown.com 215-962-0636

CORSETS & CLUBWEAR

12 designers - 200+ steel boned corsets in stock size S-8XL Men’s leather - kilts - costumes PASSIONAL Boutique 704 S. 5th St. Noon-10PM 7 days www.passionalboutique.com

RECLAIMED TIMBER BENCHES ON STEEL LEGS

Designed by local architect. Hand made with an elegant emphasis on detail to connections & materiality. Great for dining rooms, kitchens, the foot of the bed or your garden. For inquires & literature, call 215.923.1115

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