Asphyxia by Panayiotis Kokoras

Panayiotis KOKORAS Asphyxia Bb Cl, A. Sax, Perc I, Perc II, Vln, Vla

2017

Panayiotis KOKORAS Asphyxia for Clarinet Bb, Alto Sax, Percussion I, Percussion II, Violin and Viola

Commissioned by Onassis Cultural Center for ARTéfacts Ensemble

Duration 10’ 30 minutes

4 Hummingbird Trap 4 q = 78 !

Clarinet in B b

Asphyxia tip flutter reed blow an angled norrow soft air stream the upper lip (cupid's bow) should barely toutch the mouthpiece tip lower lip barely touchs the tip of the reed as it moves up and down

6 4"

Panayiotis Kokoras

fluttering

p pos

hummingbird hovering

Alto Sax

Percussion I

Percussion II

paper roll circular pulse

pulsive

•••••••••••••

............

chuffed

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●

pulsive

Viola

4 4

chuffed

•••••●●●●●●●●●●● ●●●●●●●●●●●●

! ¬.

Œ "

●●●●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●

tip flutter reed

blow an angled norrow soft air stream the upper lip (cupid's bow) should barely toutch the mouthpiece tip lower lip barely touchs the tip of the reed as it moves up and down

release gradually Front f Key

fluttering

Slate Pot rattling roll

hummingbird hovering pos hold the rod with your fist 4" from its bottom and 110º angle

hardwood round dowel

chuffed

noisy ●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●● •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

p pos

..................... pulsive

Vln.

# L

circular notehead indicates open string

ringing pulse

bow softly and slowly

•••

p pos

hold the roll in the middle with 100º angle and move circularly

chuffed

pulsive

p pos

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●

! a gliss tone should be produced as the bow moves to xST

let ring

●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●

Vla.

B b Cl.

Perc. II

slow down the speed of the rotation

Violin

Perc. I

hold the roll in the middle with 110º angle and move circularly

A. Sx.

! "

Ó.

ringing

7 4!

tip flutter reed

B b Cl.

fluttering

4 4

p pos

hummingbird hovering

A. Sx.

close f key close register key

tip flutter reed release gradually Front f Key

fluttering

hummingbird hovering

Perc. I

Perc. II

to produce higher partials, touch the roll with the other hand close to its tip and push gently

pulsive

saturated

........

pulsive

•••••••

Vln.

·#

slow bow

diamond notehead, touch the string

bow softly from SP to ST

touch like harmonic and gliss from xHigh to the low end

chuffed ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●

p pos

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

Vla.

10 B b Cl.

6 4

tip flutter reed close keys as notated

4. 4!

hummingbird hovering

tip clack roll

corner clap roll

A. Sx.

tip flutter reed

!!! !!! !!! !!! !! ! !!! !!! !!! !!! !!!.!!!. !!!. !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! key tap

pppppppp p f 10

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

flapping

Perc. I

hold the rod with your fist 4" from its bottom and 110º angle

rattling

●●●●●●●●●●●

Perc. II

rattling roll

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

noisy

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●

Vln.

pos

................•••••••••• • • • . . f

..........•••••••••••••••••..........

pulsive

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ● ●●●●●●●●●●●●●●●●●●●●●●●

•

chuffed ●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●

s !!!!!!!!!!!!!!!!!! ‰ move the bow vertical to the string

Vla.

333333333333333333333

fluttering

lower lip touches slightly the tip of the reed

B b Cl.

tip flutter reed

p !

A. Sx.

5 4"

tip flutter reed

tip clack roll

fluttering hummingbird hovering pos

fluttering

corner clap roll

hummingbird hovering

Perc. I

Perc. II

striker

rotate the striker softly and slowly on the periferi of the slate-pot

roto yelp

saturated

·#.

Vln.

bow softly from SP to ST

pulsive

~resonant~

·#

bow softly from SP to ST

touch like harmonic and gliss from xHigh to the low end

p pos

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

p pos

................ •••••••••••••••••••••••••••••••

touch like harmonic and gliss from xHigh to the low end

‰

raspy

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

# L

Vla.

circular notehead indicates open string

a gliss tone should be produced as the bow moves to xST

bow softly and slowly

ringing pulse

p pos

ringing

4 16 4"

B b Cl.

3 4"

mouthpiece tip clap shake

" " " " " " " " " " " " " blow a norrow air stream towards the mouthpiece's tip opening and shake it back forth between your lips

4 "4

splatter slap

clack sound

pppppp f

increase the lower lip pressure against the reed and the air pressure towards the end

" J

‰

œ œœ œœœ œœœ œœœ œœœ .. œ œœ œœœ ... .

A. Sx.

Perc. I

Perc. II

" œœœ œœœ J

tip clack roll

‰

tip flutter reed

key tap

ppp x

hold the reed open with the lower jaw teeth and blow

pppppppppp p f

air sound

" œœœ œœœ œ œ

morph the noise by playing silently the keys

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

flapping

ggggggggggggg

˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5 ˙5˙5˙5˙5˙5

right hand keys remain closed 10

morph the noise by playing silently the keys

ppp x x air sound

ggggggggggggg

pos hold firmly the striker close to the tip

kee kee gliss

and very slowly move vertical to the slate-pot with extra pressure

squeaky

"""

hold the tube in the middle and move your arm (like you open

" """""""""

gobble shake the keydoor) the bottom contact area opeing should altenrate

‰

••••••••••••••••••••••••••••

333333333333333333 f

p pos

·.

.

Vln.

squeaky

""""""""""""""""

IV circular notehead

indicates open string

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

33333333333333333 3 3

mz ringing pulse

ringing

bow softly and slowly

a gliss tone should be produced as the bow moves to xST

hold the tube 1-2inch from the bottom with 50 degrees angle and

circular pulse stab on the cymbal producing a squeaky, saturated, harmonic sound

squeaky

move the bow vertical to the string

fluttering

Vla.

hold the reed open with the lower jaw teeth and blow

œœœœœœœœ

oing

ggggggggggggggggggggggggggggggggggg

flapping

oing reed press

‰

pulsive

••••••••••••••••••••••••••••••••••••

ß circular notehead ˘# indicates open string % ‰ ‰

move the bow vertical to the II & II strings

II III

 """""""""""""""""""

squeal tweet pos

3333333333333333333333333 fluttering

5 4!

œœœœœœœœœœ œ œœ ‰ œ œ œ

B b Cl.

pppp p x x x x !

œœœœœ œ œ œ œ œ œœ

A. Sx.

‰

ppp x x x

F B4

gggggggggggggggggggggg

stretch the lower lip and press against the reed's heart

harmonic node

tone

B4 F#4

harmonic node

Œ A4

tone

gggggggggggggg

Ó.

p pos

fluttering

ggggggggggggggggg

Perc. I

! !.

Perc. II

••••••••••

.......



slow bow

,# L

bow softly and slowly

ringing pulse

a gliss tone should be produced as the bow moves to xST

333333333333333

Vla.

L.V.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

‰

saturated

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ‰

saturated

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

Ó.

# ·

ringing

touch the string and gliss as notated a strong ringing pulse should be produced

square notehead, hold down the string

hammer ringing pulse pos

22 B b Cl.

harmonic node

tip clack roll

Perc. I

Vln.

squeaky

# ·

..........

pulsive

saturated

‰ .. !

>¿ !

pot hit

L.V.

‰

squeaky

ß f stab

hammer ringing pulse

Vla.

hold down the string and gliss as notated a strong ringing pulse should be produced

hammer ringing pulse

f pos

tone

hit the surface with the striker and continue the squeaky gliss

kee kee gliss

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

touch the string and gliss as notated a strong ringing pulse should be produced

oing

harmonic node

Ó.

Perc. II

f pos

‰

tip flutter reed

A. Sx.

kee kee gliss

clack roll oing reed press

4 4!

increase the lower lip pressure against the reed and the air pressure towards the end

tip flutter reed

saturated

25 B b Cl.

roll 12 clack oing reed press

‰

Perc. I

‰

Vln.

‚

distorted groan

˘ !

L.V.

‰

cccccccccccccccccc

cccccc

‰

!. æ

Bb4

˘ !

7:6

˘ !

L.V.

move the slide lower as indicated

the notes in the slide area indicate the slide position

˘ !

5:8

$ f pos #

f pos %̆ fast bow %̆ $ s  ‰   ‰. II III

˘ !

%̆ $  ‰

˘ !

%̆



‰.

j œ

gliss

xxxx

! !. R

roto kee kee rotate the striker slowly with pressure

ß f %̆  $ ‰

on the periferi of the slate-pot

squeaky

‡ stab

gggggggggggggggggggggggggggggggggggg

fluttering squeal saturated pos

harmonics squeaky saturated

‚ $ ‰

Œ bark

f pos

¬. æ

‚ $ ‚

! ‰. r

ccccccc

harmonic flutter tongue

‚

f pos

! rr

‰

ccccccccccccccccccc

% Œ

slow bow

f pos

hammer ringing pulse

! æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! C5 gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

xxxxxxxxxxxx !

!. !

% ·.

touch the string and gliss as notated a strong ringing pulse should be produced

I hammer ringing pulse

cluck purr

●●●●●●

Vln.

Vla.

f kee kee gliss cluck ˘ $ ! $ ‡ ‰

˘ !

C5 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

squeal tweet

fast bow

‚

˘ œ

! .harmonic flutter tongue æ

hold the tube 1-2inch from the bottom with 50 degrees angle and stab on the cymbal producing a squeaky, saturated, harmonic sound

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggg !!!!!! !!!!!!!!!!!!!!!!

squeaky stab

cccc

‰

Slide Whistle

˘ !

f ˘ !

cccccccc cccccccc cccccccccc cccccccccc cccccccccccc

Vla.

Perc. II

‰

staccato loud, sharp, and shot clucks with the striker

cluck

! #

Perc. I

8:6

f pos

Perc. II

A. Sx.

‰

A. Sx.

B b Cl.

extend lower jaw to slightly touched the tip of the reed as it vibrates while flutter tonguing

B b Cl.

!. æ

œ æ

! æ

air only, continue flutter-tonguing

... !!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!! Bb4 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg air sound

flutter tongue

A. Sx.

! æ

Perc. I

‰

" !.

●●●●●●●●

●●

hold firmly the striker close to the cob, slowly and steadily pull the peg across the scratchplate toward

purr you in a half-circle with extra pressure

●●●●●●●●

Perc. II

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

xx ‰

!. æ

! æ

●●●●●●●●

! ‰.

‰

purr

●●●● ●●●

●● ●●● ●●●● ●●●●●

chuffed

–

Vln.

square notehead, hold down the string

Ó $ L

Vla.

‰

B b Cl.

close A key close register key

p pos

Alto Saxophone

A. Sx.

raspy pulsive

Pseudo-relaxation 34

slow bow

¬.

tip flutter reed

fluttering

!. p pos

tip flutter reed

fluttering

Perc. I

!. ●●●●●●●●●●●●●●●●●

Perc. II

Œ ●●●●●●●●●●●●●●●●

hardwood round dowel

••••••••••••••••••••••••••••••••••••

●●●●●●●●

p pos

hold the rod with your fist 4"

rattling roll from its bottom and 110º angle

●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

Ó L

Vla.

% Œ



bow softly and slowly

ringing pulse

a gliss tone should be produced as the bow moves to xST

ringing

$ L

slow bow

raspy pulsive

B b Cl.

p pos

A. Sx.

! J

‰

soft clap reed rolling

tip flutter reed

p pos

tip flutter reed

p pos

Perc. I

tip flutter reed

Ó !.

‰

.............

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

! ! ‰. R

# ‰.

.....

hold the roll in the middle with

Perc. II

circular pulse 110º angle and move circularly

pulsive

............

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

p pos

Vln.

Vla.

" s

‰

tip flutter reed

tip clack roll

3 4

Œ !

Perc. I

••

‰

p pos

...

‰

release gradually the keys

••••

! ••

‰

6 4œ

tip clack roll

‰

sniffing

mm m mm mm mm mmm mmmm mmmmmm mm

‰

f pos

IV sniffing

f pos

cccc ccc cmm ccccm mmmm cccc mm mm mm

kee gliss , kee f

! # ‰ ﬁ

mmmm m mmm mmm m m m mmmm

f pos

very fast flat bowing medium pressure right after muffle the string with left hand

ﬁ‰

33333333333333333333

very fast flat bowing medium pressure right after muffle the string with left hand

p pos

rattling roll

••••••••••••••••••••••••••••••••

gobble shake

●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

‰

‰ ..

corner clap roll

!!!!!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! !

$ ! # ﬁ ‰

! J

‰

move the holding point close to the tip to produce the kee kee sound

heart roll

222222222222222222222222222222222222222222222222222222222222222222222222222

! p

....................................

‰

oing reed press

# !J

f pos

Perc. II

raspy pulsive

˙.

corner clap roll

Œ mz

A. Sx.

slow bow

B b Cl.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vla.

chuffed

circular friction

saturated

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●

sound gesture streched

! ‰. ﬁ

...........

% # s.

mm m mm mmm mmmm mmmm mmm mm mm mm

mm mmmm mmmm mmmm mm

f pos

". # s

ﬁ f pos

‰

cccccccccc ccc mmmmmmmmm

% s

! f pos

ﬁ

cccccc cccccccc mmmmmmmmmmmmm cc

‰

% s

cccccccc mmmmmmm

Eagle's Nest

4 43 4 !

B b Cl.

‰

harmonic node

Perc. I

p pos

! " ‰

...

Perc. II

! !harmonic node

‰

‰.

hold loosly 2" from tip the striker ●● ● on flat potthen, drop and drag it ●● ●●

ﬁ

Vla.

‰

f pos

3 4¬

B b Cl.

Perc. I

‰

!!! !!! !!! !!! ‰ !

f pos

‰

˘ ¿

pot hit

yelp

•

short friction gestures; tube doesn't

! ! ! ! ! ! ! ! !

grunt get off the cymbal as it returns back

‚$!#$!!# !!!!!!!!!!!!!!!!‚

Ó.

‚

33333333333333333333 groan tremolo

don't take the bow off the string #$# !! ! ! !!!!!! !!!!!!!!!! !!!!!!!!!! 10

$̄ # $̄ # tremolo s ! ! ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ !

don't take the bow off the string

33333333333333333333333333333 r r r r f 5

ppppppppp f

œ œ œ œ œ œ œ œ œ œ 5

!!! !!! !!! !! !!! !!! !!! !!! ! ! !!! !!! !!! !!! !!! !!! !!! !!! !!! ! !!! !!! !!! !!! !!! !!! !!! !!! !!! ! !!! !!! !

key taps

! œ

pppppppppp 10

harmonic node

F Bb4

corner clap roll

tip clack roll

flapping

fluttering

cluck

! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! gobble shake

sawing

!!!!!!!!!!!!!!!!!!!!!!

flapping

L.V.

saturated

●●●● ●●●●●●●●●●●●●●●●●●●●

gggggggggggggggggggggggggggggggggggggggggggggggggg

circular friction

ringing pulse

clack roll pulse

flapping

sound gesture streched

ppppp

hold the striker 2-3 inches from the tip and move your arm (like you open the keydoor) the tip should always have contact with the surface 6 12 12 roto yelp

mouthpiece tip clap shake

> >

!! !! !! !! !! !! !! !! !!!! !! !! !! !! !! !! !! !! ! !!!!!!!! !!!!!!!!!

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

tip clack roll

! ! ! ! !

key taps

groan tremolo

f pos

pos

flapping

splatter slap

>! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! short friction gestures; tube doesn't get off the cymbal as it returns back

33 33 33 3 3 33 33 3 3 3 3 3 3

stab grunt pos

cccccccccccc

ringing groan

gobble shake 6

‰

!¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! " ‰ .

‰

‚

$̄ #̄ $̄ ! ! ! !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ 

Vla.

III

sniffing

f pos

333333333333333333333333333

cc ccccccccccc cc mmmmmmmmmmmm

groan tremolo

slow bow

!!!!!!

circular friction

●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●● ●● ●● ●● ●● ●

‚ saturated

# s

E string fades out and bow only on A string

sound gesture streched

cccccccccc

f pos

ringing pulse

!!!!!!!!!!!!!!!!!!!!

kkkkkkkkkkkkkkkkkk

# I

tremolo

" s ﬁ

pppppppp

f pos

Perc. II

Vln.

œ.

corner clap roll

4 " 4!

tip clack roll

corner clap roll

! ‰ !!!!!!!!!!!!!!!! ! ! ! ! ! ! !

ccccccc cccccccc mmmmmmmm mmmm

ccccc ccc mmmmmmm

clack roll pulse

clack roll

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

‰

gobble shake

33333333333333333

slow bow

f pos

kkkkkkkkkkkk

II mm m mmm m mm

! ". ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!! 6

pos

!!! !!! !!! !!! !! ! !!! !!! !!! !!! !!!. .!!!. !!! !!! !!! !!! !!! !!! !!! !!! key tap

gobble shake

yelp roll

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

> >slap5 tap h h h h

groan

! L.

flapping pos

clack roll

f pos

! " ‰ ﬁ

pppppppppp f

striker

press against reed and gradually release lower lip

A. Sx.

splatter slap

A. Sx.

tip clack roll

ggggggggggggggggggggggggggggggggggggggggggggggg

clack roll

corner clap roll

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ¬. blow a norrow air stream towards the mouthpiece's tip opening and shake it back forth between your lips

222222222222222222222222

mouthpiece tip clap shake

‚

rrrrrrrr rrrrrrr p

" ‚ I

cccc

xxxxxx

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

saturated

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ‰ mouthpiece tip clap shake

49 B b Cl.

pppppppp

gggggggggggggggggggggggggggggggggggggggggggggg

flapping

p pos

cluck

>! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

sound gesture streched

3333 3 3 3 3 3 3 3

f pos " # tremolo

!! ! !!!!! $

3333333 f

Vla.

col legno tratto ringing pulse

p pos

!! !!

slap oing, heart reed

start with slap and move from loose lower lip and increased pressure against the reed at the heart of the reed

slap tip and tremolo open/close keys tap

change the RH keys to raise the tapping pitch

h h h h h h h h h h h h h h h h !! !! !! !! ! !!!!!!! !! !! !! !! !! .!!. !!. !! ! !! !! !! !! !! !! !! !! !! ! !! 5

!!!! > > >10

v v ● ●● ●● ● ● ●● ●

ppp ppp fppppp pos

!!!

splatter slap

gobble shake

!!!!!!!!!!!!!!!!!

!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! sound gesture streched

# +!

# !+

# +!

# !+

# +!

v v ● ●● ●● ●●●●●●

v ● ●●●●●v ●●● ●● ●●

# ‚ ‚

‰.

v ● ● ● ●●v ●● ●● ● ●●●● ●v ●v ●

arco

LH xhi touch, bow xSP stop at frog with force

‚

‰

III

reversed fx

3333 3 3 3 3 3 3 3

f pos square notehead, hold down the string " #" # arco – ! !! !!!!!!! !!!!!!! !!! ! ! ! !

!!!

slap tip

! !

yelp

the striker remains on the surface as it returns back

duck tremolo

‰

! !

allow high freq resonate

f pos

heart reed

p pos

‰

C#3

groan

breathy

! !

xxxxx squeaky

grunt

Vla.

gggggggggggggggggggg

cluck

kkkkkkkkkkkkk k k f pos

f pos ! ! ‰.

clap

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! ! ! ! ! ! ! ! ! ! 12

Vln.

v ●●●●●v ●●●●● ●

! Œ

●● ●●●●

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!! !!! !!! !!! !!! !!! !!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!

Perc. II

f pos

gradual sound streching oing pos

key taps

Perc. I

5:1

slap tip

A. Sx.

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

B b Cl.

roto yelp

flopping

!! !! !! !! !!

4 4

clack

●●

# # # # # # # # # # # # # # # # # # # # # # +! +! +! +! +! +! +! +! +! !+ +! +! +! +! !+ !+ +! !+ +! !+ !+ !+

tip clack roll

c cccccccccccc mmmmmmmmmmmmm cccc

sharp upbow at frog and LH tapping

f pos

tip flutter reed

chuffed

s !

fluttering

stab grunt

‰.

oing

fppppppppp

short friction gestures; tube doesn't get off the cymbal as it returns back

Vln.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

kkkkkkkkk k k k

Perc. II

j ! ! slap tap ! ‰ key taps !! !!! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! Œ ! !! !!!!!!!!! !!!!!!!!! !!!!!!!!! !!!!!!!!! 10 10 10 > 10 > 5 splatter > > slap clank

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! ! ! ! ! ! ! ! ! ! ! ! ! 12

Perc. I

pressure against the reed at the heart of the reedwithout chaning position

right hand keys remain closed

A. Sx.

5 4œ

oing, heart reed start with loose lower lip and increase

!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!

! !!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!

3333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333

f pos diamond notehead, touch the string " #" ‚ ! ! !!! !!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!!!!!!!!! II

squeaky tremolo

!!! !

3333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333

B b Cl.

slap tip

losen slghlty the lower lip pressure against the reed to produce a half step bend downwards

heart reed

A. Sx.

! " ‰

groan

gggggggggggg

breathy

Perc. I

! !

Perc. II

ccc

raspy squeaky

ggggggggggggg

ccc

!!! ! ! !

Vla.

ccccccccc

! " ‰

! !

yelp

#. #.

. !

mmm

. !

mmm

m m

. !

grunt mm

!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! !

ccccccccccc

. !

mmm

mmmm

mmmmm

sound gesture streched mm

mmm

m m

3333333rrrrrrrrrrrrrrrrrrrrrrrr 3333333 rrrrrrrrrrrrrrrrrrrrrrrrrrr rrrrrrrrrrrrrrrrrrrrrrrrrrrr 19

B b Cl.

‰

" ‰

! !.

! ‰

harmonic node

bleat

G#3

‰

! ‰

! !.

" ‰

‰

A. Sx. mz

Perc. I

Perc. II

" ‰ !

# !

cluck

# !

the bow remains on the string for upbow

# !

! !

cccccccccccccccccc

ccccccccccccccccc

circular friction

cccccccccccc

ccccccccccccccc

touch the cymbal to muffle resonance

ccccccccccccc

# !

Vln.

groan

! mz

Vla.

" !

ccccccccccccccccc

cccccccccc

press the tube at the right angle to get more squeaky sounds

cccccccc

‰

squeaky

333

cluck

cccc

ccc

‰

ggggggggggggggggggggggggg

! ! "

#. #. Vln.

! " ‰

gggggggggggggggggg

! !

ccc

‰

cccccccccccccccccccccccccc

rrrrrrrrrrrrrr rrrrrrrrrrrrr rrrrrrrrrrrrrr

ccccccccccccccccccccccccc

# slow bow s IV groan pulsive

61 B b Cl.

! J

harmonic node heart reed

‰

! gggggg

bleat

yelp

" ! !. R

‰

gliss

Perc. II

" !.

‰

! E3

‰

A. Sx.

Perc. I

" ! !

bleat

‰

" ‰

! !.

! ‰

cluck

‰

●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

pulsive

square notehead, hold down the string

‰

Vln.

‰

# –

slow bow

mmmmmmmmmmmmmmm

Vla.

I ringing

% s

# % #% #% ! ! ! !

IV grunt c

ccc

B b Cl.

‰

" !.

A. Sx.

Perc. I

Extinguisher Deer Call

‰

Perc. II

! ‰.

yelp

moaning

bleat

! w

! " ‰

wrap the lower end of the extinguisher with you fingers and close the opening gradually creating a filtering effect

% % –. % !

–. " ‰ # % !

‰.

ccc

‰

moaning

slow bow

– !

moan

rr r rr r rrrrrr B2

mmmmmmmmmmmm

Vla.

don't slide all the way up

! " –.

heart reed

slideup the extinguisher's slide keep nmuted the lower opening

Vln.

moaning

ggggggggggg

Requiem for a Dream

noisy

‰

ggggggggg ggg

ggggg

" " !.

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm ccc mmmmmmmmmm mmmmm

mmmmmmmmmmmm

mmmmmm mmmmmmmmmmmmmmmmmmmmm mmmmmm mmmmmmmmmmmm

# ‰

–

mmmmm

slow bow

moan

mmmmmm ccccc ccccccccc mmmmmmmmmmmm ccccccccc mmmmmm ccccccccc mmmmmm ccccccccc mmmmmm ccccccccc mmmmmmmmmmmm

B b Cl.

! E3

‰

A. Sx.

‰

bleat

heart reed

moaning E3

roto yelp

Perc. I

slideup the extinguisher's slide keep nmuted the lower opening

Perc. II

‰

moaning

$ Vln.

rrrrr mmmmmmmmm

Vla.

mmmmmmmmm

‰

# – !.

moan r r rrrrr B2 r r r rmzr r r r r

mmmmmmmmmmmmmmmmmmmmm

‰

ccccccccccccccccccccccccccccccccccccc ccccccmm mmmmmm cccccc mmmmmm cccccc mmmmmm cccccc mmmmmm mmmmmm cccccccccccc mmmmmm cccccc cccccc mmmmmmmmmmmm mmmmmm cccccccccccccccccc

–

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

slow bow

moan

LH gliss and hold down the string (square notehead)

cc mmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmmmmmmm

B b Cl.

apply less pressure against the reed to pitchbend a semitone down

bleat

‰

A. Sx.

‰

heart reed

moaning mmm mmmmmmmmm

Perc. I

Perc. II

move the slide slightly higher this time

! %

Vln.

rr rrrrrrr

mmmmmmmmmmmmmmmmmmmmmmmmm

Vla.

mmmmmmmmmmmmmmm

# –. IV

‰

˙.

moaning

slow bow

LH gliss and hold down the string (square notehead)

rrrr r r r rmz

r r rrrrr

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmm

ccccccccccccccccccccccccccccccccccccc c mmmmmmmmmmmmmmmmmmmmmmmmmmmm cccccccccccccccccc mm ccc mmm ccc ccc mmm cccccccccccccccccc mmm cccccc cccmmm mmm ccc cccccccccccccccccc ccc mmm ccc mmm ccc cccccccccccccccccc mmm ccc mmm

slow bow

cccccccc

‰

– cccc

B b Cl.

corner clap roll

‰

A. Sx.

p pos

heart reed

upper lip grips the mouthpiece corner/tip so that the reed hits the lip as it rolls

soft clap reed rolling

moaning F3

Perc. I

Perc. II

‰

! f

move the slide slightly higher this time

Vln.

rr rrrrrrr

mmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmm

Ó.

ï̇

Lion's Roar

moan

slow bow

moan

mmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmm

Vla.

". L

‰

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc cccccccccccccc mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm ccccccccccccccc cccccccccccccccccc ccccccccccccccc cccccccccccccccccc cccccccccccc cccccccccccccccccc

Rapid's Hole

‰

" slow bow R

IV saturated groan

cc cc cc

B b Cl.

A. Sx.

heart reed

moaning F3

Perc. I

Ó. hold the string softly and pull slowly from base to the edge

Perc. II

! !

‰

slow soft

! ! ! 99999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999 p pos

o #

slow gliss

Vln. ccccccccccccccccccccccccccccccccc

ccccccccccc

! Vla.

ccccccccccccccccccccccccccccccccc ccccccccccccccccccccccccccccccccccccccccccccccccccc cccccccccccccccccccccccc ccccccccccccccccc

B b Cl.

! ‰ ..

corner roll

‰

upper lip grips the mouthpiece corner/tip so that the reed hits the lip as it rolls

soft clap reed rolling

# !.

A. Sx.

Perc. II

Vln.

slow gliss

! ! ! 99999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999 !

Ó " L

# !. ï

close the tube by wraping your hands around the tube’s end creating a chamber

! !

slow bow

o $

moan cccccccccccccccccccccccccccccccccccccccccc

ccccccccccccccccccccccccccccccc

cccccccccccccccccccccccccccccccccccccccccc

ccccccccccccccccccccccccccccccccc

p Vla.

moan

D#3

Perc. I

p pos

heart reed

ccccccccccccccccccccccccccccccccc

7 4!

cc cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

4 4!

B b Cl.

the upper lip grips the tip, the lower lip slightly touches the

corner extreme tip roll reed, blow a norrow air streem (like blowing on hot coffee)

‰

fast roll breathy

grunt

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

A. Sx.

Perc. I

Perc. II

!ï

‰

corner roll

9999999999999999999999999999999999999999999999999999999999999999999999

D#3

! !

grip extreme tip pulse roll

wï

clack roll breathy

!!!!!!!!!!! !!!! !!!!!!!!!!!!!!!! mmmmmmmmmmmmm

# ‰

!!!! !!!! !!!!!!!!!!!!!!!!!!! mmmmmmmmmmmmm

m m

! !

‰.

!!!! !!!! !!!!!!!!!!!!!!!!!!!! mmmmmmmmmmmm

!!!!! !!!! !!!!!!!!!!!!!!!!! mmmmmmmmmmm

hold the string softly and pull slowly from base to the edge

slow soft

! 99999999999999999999999999999999999999999999999999999999999999 p pos , . . start . .each .grunt. using. diaphragm . . . . . . . . . . . . . . . . . ï! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

!o !.

. # # !

grunt

‰

Vln. ccc ccc ccc

ccc cccccccccccccccccccccccccccccccccccccccccccccc

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

Vla.

‰

" slow bow !

‰

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

cccccc

‰

IV ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc cccccc

breathy groan

!!!!

mmmmmmmmmmmmm

!!!!

mmmmmmmmmmmmmm

!!!!

mmmmmmmmmmmmm

!!!!

mmmmmmmmmmmmmm

B b Cl.

the upper lip grips the tip, the lower lip slightly touches the reed, blow norrow air streem pulses

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

‰

corner roll

soft clap reed rolling

p pos

A. Sx.

clack breathy

p pos

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!! mmm ! !

pull softly, slowly from base to ~2" range

! ‰ 9999999999999999999999999999999999999999999999999999999999999999999999999999999999999

Perc. I

. . . . . . . . . . . . . . . . . . . . Œ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !o !ï ! ! !

Perc. II

" L

‰ Vln.

groan

moan

! !

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

‰

" ,

‰

!!!!

88 B b Cl.

!!!!

!!!! mmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmmmmmm

A. Sx.

tip clack roll

grunt mm

mm m

corner clap roll

‰ ..

f pos ,!

tip clack roll

Œ increase air and lower lip pressure against the reed as you slide the lower lip inner

oing reed press

clack

!. # ! # !. Ó. ! # ! ! # ! ! ! # ! !. k kkkkkkkkkkkkkkkkkkkkk k kk k kkd k kk kkkkk k k k kk k k kk kkd k ddddddddddddddddd k dk ddd kk d d k dk d k dk m mmmm

Perc. II

mmmmmmmmm

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . !ñ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !o ! ! ! ! ‰ grunt !

f pos

!ï

groan

Vla.

! mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

." . ! !

. !

f pos

striker

ccccccccccccccccccccmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm cccccccccccccccccccccccccccccccccccccccccccccccc cccccccccccccccccccccccccccccccc

squeaky

!!!!!!!!!

Slate Pot

Vln.

‰

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmm

mmmmmmmmmm

ccccccccccccccccccccccccccccccccccccccccccccccccccccccc ! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !

Perc. I

cccccc

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

grip extreme tip pulse roll

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

! ! ! ! ! ! ! !4! ! ! ! ! ! ! ! ! ! !

Vla.

mmmmmmmmmmmmmmmm

mmmmmm

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

! ‰.

mmmmmmmmmmmm

slow bow

# !. ! # ! k k kkkkk kk kkkkk kk d d ddd ddd kk

k k kk p ddd

‰

moan

‰

corner roll

. !

grunt

" ! groan

. . . . ! o ! ! ! ! ‰ grunt bow slowly on open >" . string with some pressure $ s ! # # r ‚ I !!!!!!!!!!

ccccc c cccccc

ringing abrasive

f pos

! ‰

$ R

mmm

‰

reversed fx

kk f pos mmmmm

4 Straightjacket Farm 91 4 -! !. !. !. !. slap tip heart roll

B b Cl.

Vln.

" !.

cluck

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! !

Vla.

kkkkkkkkkk f 10 # $ # $10 R R ! ! !!!!!!!!!!!!!!! Œ

!. "

! !

‰.

oing

‰

cluck

kee kee gliss

groan

!ñ

groan

‚ !

" Œ

‰ m mm mmmm

f !.

grunt cluck

call

mm mmmmm

! " !

mmmmmm m m m

. " !

mm m

mmmm

˘ " !

! !o

# # # $

‚. !. !. ‚

‰.

" ‰

‰.

! ‰

mmmm

kee kee gliss

! ‰. # #

!. !. !. !. !. " ‰

‰

‚.

˘ ˘ ˘ ˘ ˘ ˘ ‰ ! ! ! ! ! œ̆ ! 3

" ‚. !. !.

m m

!ï

‰

!. !. !. !. !. !. ‰

‰

˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘ ! ! ! ! ! ! ! ! ! apply more pressure

‰

short tongued attacks

!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !. grunt

" ‚

p pos

# #

" !. !. !. !. !. !. !. !. !. !. !. !. m mm mmm

f !

" Œ

‚ " < !. !. !. !. !. !. !. !. ‰

! !.

‰.

!. !. !. !. !. ‚ .

grunt

! !. !. !. !. !. !. !.

grunt cluck

# #

‰.

! J

!. !. !. !.

grunt

# #

‰.

m mmmm mmm m

cluck

!. " ‚

‚. !. !. !. !.

!. !. !. !. !. !. !. !. !. !.

! !

˘ ˘ ˘ ˘ " ‰ ! ! ! ! ‰

!ñ . !. !. !. !. !. !. !. !. !. ‰

# # #

‚ ‰

m mmmm mmmmm

grunt

mm mm

m mmmm mm

‚

‰.

A. Sx. mm

‰

" !. !. !. !. !. !. !. !. !. !.

mmmmm m m m

‚

‰

˘ ˘ ˘ ˘ ! ! ! ! !

grunt cluck

m mmmm mm

Vla.

!. ! .

cluck

Vln.

!. !. !. !. !. !. !. !.

˘ ˘ ˘ ˘ ˘ ˘ " ! ! ! ! ! ! Œ

groan

groan tremollo

Perc. II

kee kee gliss

!. !. !. !. !. !. !. !. !. !. !. !.

m m

kkkkkkkk f

Perc. I

slap tip heart roll

kkkkkkkkkkkkdddd p f pos f wrap your hands around the tube’s end creating a hand ocarina purr chamber & lift the 4 fingers on one hand up & down . . . . . . . . . . . . . . 12 12 " ! !. " !o!ï!o!ï!o!!!!!!!!!!!!! ‰ . !ñ ! ! ! ! ! ! ! ! ! ! ! ! ! !ï !ñ ï o groan t purr grunt kkkkkk mz f pos #$# $ # # # # " " 10 5 10 !. ‚ ‚ ! ! ! !!!!!!!!!!!!!!!!!!!!‚ ‚ !. ‚. !. !. !. !. !. !. !. !. !. !. groan tremolo

B b Cl.

!. !. !. !.

gobble shake12

soft slap tip heart roll

call

Perc. II

! oing

mmmm mm m

Perc. I

!. !. !. !. !. !. ‰

grunt

A. Sx.

!. !. !.

‰.

‚ ‚ groan

‚ ‰

# # #

‚. !. !. !. !. grunt

3 97 4 !

". ‰

B b Cl.

" " R

elephant call

‰

4 4 " "

leave a tiny gap between lower lip and reed, and blow a burst of air change reed pressure as indicated

Perc. I

Perc. II

mmm

˘ "

mmm

f pos

‰

! "

‰

˘cluck "‰

kee kee gliss

" kee kee gliss

Vla.

‰

". ". ". ". ". ". ". !

sniffing

" !‰

‰

B b Cl.

‰

singing line

growl Y YY YY distorted

Y YY Y elephant call play sing

" " " " " " "

A. Sx.

slap tip

v v v Y YYYY Y Y Y distorted v

Perc. I

Perc. II

f pos ".

" "

‚

g g g

‰

‚"

bow on open string touch high next to bow area and release

I !!!!!!!!!! dino call mmmmmmmmmmmm !!!!!

‰

Vla. !!!!! mmmmmm

g ggg

bow on open string touch high next to bow area and release

‚"

‚ <

‰

grunt

f pos

" J

cluck

g g g

f pos

‚

g gg

f pos

‰

. " ".

play sing

Y Y Y Y Y Y Y Y

. "

" "

"ï

moan

p pos

‚ <

‰

s IV

‚

‰

dino call !!!!!! mmmmmmm

f pos

!!!!!!

‰

elephant call play sing

play sing

f pos

" " " "

f pos

slap tip

vvvv YYYYYY YYYYYY v bellow B2+ distorted singing line

" J "

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

‰.

Œ #

s IV

‚

‰

f pos

moan

I dino call

!!!!!!

!!!

‚"

‰

!!!!! dino call ! mmmmmm ! ! ! !mmmmmm

!!!!!

f bow on open string touch high #s " next to bow area and release ‚ ! ‚. ‰

" J

g gg

"ñ

Ó.

growl vvv YYYY vv pos

‚ <

growl Y Y v

g g g

"ï

YYYY YYYY

g gg

‚ <

Y Y Y Y Y Y

‚ <

f pos

" " ".

‰

!!!!!!!!!!! mmmmmmmmmmmmm !!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

‰

grunt

‚"

kee gliss , kee ". " "

‰

squeaky

. . 5. . . . . . . Œ " " " " " " " " "ñ Œ

g ggg

dino call

bleat

" J

ringing

kee kee gliss

groan

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

heart reed

‰

f pos

Vln.

singing line

g ggg

Y Y Y Y Y

harmonic node

the tip should have contact with the surface as it returns to its initial postition

p pos bow slowly on muted # string with pressure

f pos

> play sing . ! " " "

‰.

grunt

‰

f f short tongued attacks . . . . . . . . 5. . . . . . . . . . . Œ " " " " " " " " " " " " " " " " " " "

cccccc ccc ccccccccc mmmmmmmmmmmmmm m

100

cluck

groan

fast bow

elephant call play sing

kkk kk k

gggg gggg

‰

f pos

Y distorted v v Y Y v Y G#3+ v singing lineYY pos

bleat

‚ $ s

! "

G#2

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

bow slowly on muted string with some pressure

growl

‰

play sing

YYYYY YYYYY distorted

heart reed

‰

play sing

F singing line

hand ocarina purr bark . . . . 12 12 ! ‰ . " " " " "ï o "o"ï"o"ï"o"""""""""" "ï. "o ® growl purr Y Y Y Y Yv YY v v v v vv kkkkkk f pos

Vln.

˘ "

" ! " " trill the G key ~~~~~~~~~~~~~~~

f pos

! ".

moaning F2

distorted Y Y Y Y Y Y

YY YY YY F4 Y

˘ "

shoulder roll

elephant call

A. Sx.

! " F

Y Y Y C5 Y

f pos

! " "

play sing

!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmm

" Ó

f pos

!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

# !s . ‰.

‚

dino call mmm !!!

f pos

!!!!!

‰

! " ‰

103

B b Cl.

" !

Y Y

" ‰

v Y v Y v Y v Yv Y v

g gg

g g g

g gg

ñ !ï

˙o

Perc. II

‰

●●●●

overblow while closed and allow distorted sound

p f pos # " s.

●●●●

●●●

!!!!!!!!!!!!

‚!

!!!!!!!!!!! mmmmmmmmmmmmmm !

" !.

106

! " ‰

‰

dino call

f pos

‰

Y Y

f pos

singing line

‰

! J

ñ !ï

‰

! !

‚!

!!!!!

! Œ

f pos

sheep bleat

!!!!!!!!!!!

Donkey Brutalism

shoulder

play sing

v Y Y v Y v Y

‰.

shoulder reed play sing

moaning Y YYYYYYYYYYYY vvvvvvvvv Y v v

kkkkkkkkkk

stronger press of leather to string

slow

‰

singing line

!ï

f pos

stretched bray

abrasive mmmmmmmmmmmmmm v v pos

squeacky

j !ï

‰

abrasive mmmmmmmmmmmmmmmmmmmmmmm vvvvv pos

f bow slowly on open # . string with some pressure

ringing

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Vla.

‰

" Œ

cccc mm mm ccc cc mmcc mm cc mm mm ccc mcmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmm

!!!!!!!!!

f pos

abrasive

! ‚

IV dino call

groan

f pos

!!!!!!!!!!! !

$. s

‰

f pos

harmonic node

Ó.

Vln.

‰

mmmmmmmmmmm mmmmmmmmmm gggggggg mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

abrasive mmmmmmmmmmmmmmmm vvv

f pos

moaning

gggggggggggggggggggggggggggggg

slideup the extinguisher's slide keep nmuted the lower opening

!!!!

reed roll heart reed

‰

Ybellow v YY distorted Yv G4+ v Y singing line

f pos

!!!!! mmmmmmmmmmmm !!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!

f pos

elephant call play sing

!!!!!!!!!!!!!!!!!

‚!

‚

dino call

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

like donkey bray

! ‰

!!!!!!!!!! dino call mmmmmmmmmmmm

shoulder reed play sing

stretch tthe string, pull push from base to ~2" range

!!!!!!!!!!!!!!!!!!!!!!!

v v v v v Y Y Y Y Y Yv Y Y Y Y vsinging line F2+ distorted bellow pos

!!!!!!!!!!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmmmmmmmmmm

gggggggggggggggggggggggggggggggggggggggg

abrasive YYY mmmmmmmmmmmmmmmmm v v v

‰

f pos

elephant call shoulder reed play sing

!ï

! ‚

‚

v vvvvvvv YYYYYYYYYY YYYYYYYYYY Y Y bellow distorted v E2+

Perc. II

bray

● ●●●

Y v YYYYYYYYYYY vvvvvvvv Y v Y v v Y YY v Y Y v

Perc. I

Lion's Roar

YYY mmmmmmmmmmmmmmmm v vv

!!!!!!!!!!!!

!!!!

! Œ

Vla.

A. Sx.

Y v Y v Y v Y Y Y v bellow F2+ pos

Ó.

o !. abrasive

" !. purr

‰

●●●●

f f

‰

Vln.

B b Cl.

! ‰

Y v YYYYYY vvvv Y v Y v YY Yv v YY v Y

singing line

Y Y

Perc. I

! J

purr

‰

play sing

moaning

! ! ! ! ! ! ! play sing!

A. Sx.

elephant call

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! f

central roll

Y Y v v Yv v Y Y v v

longer reed sound

! ! ! J J

" !

YYYYY vvvv

‰

mmmmmm !!!!! !!!!!!!!!! !!!!!!!

f pos

‰

$ s

! "s

fast bow

LH mutes the vibrating strings

‚! .

.. k.k f pos

reversed fx

m mm mm mm mm mm cc mm cc mm ccc cccm mmmmmm

‚

‰

dino call !!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmm !!!!!!!!!!!!!!!! !!!!!!

f pos

109

B b Cl.

A. Sx.

‰

kkkkkkkkkkkkkkkkkkkkkkkkk

! o ‰

‰

Œ!

" ‚

stretched bray

# o

‰

Vln.

ringing

‚

‰

" !

# !‚

" ! ‰

# ! !‚ $

" ! ! $ ‰

f pos

# ‚!

‰

mmmmmmmmmmmm

mmmmmm

f pos

mmmmmm

‚

dino call

# ‰ !!!!!!!!!!!!!!!!

" allowing the rattle of the string on the fingerboard # ! ! ! – – ¬ J hold down the string and bow with pressure

●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●●

mmmmmm

abrasive

!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmm

rattling groan

˙.

play sing

f pos

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

vvvvv vvv!!!!!!!!!vvv !!!!!!!!vvv donkey braying !!!!!!!!!!!

!!!!!!

!ï

mmmmmmmmmmmmmmmmmmmmmmmmmmmmm vvvvvvv YYYYYYYYY

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

B b Cl.

moaning distorted v Y YY v YYYYYYYYYYYYYYY v vv Y vvvvvvvvv v

singing line

abrasive mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvv

Vla.

mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm !!!!!!!!!!!!!!! mmmmmmmmmmmmmmm !!!!!!!!!!!!!!! mmmmmmmmmmmmmmm !!!!!!! mmmmmmmmmmmmmmm mmmm

f pos

‰

shoulder reed play sing

kkkkkkkkkkkkk

!ï

112

‰

moaning

YY YYYYYYYYYYYYYY Y vv v v vvvvvvvvv Y v v Y

mmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmm

Perc. II

shoulder reed play sing

singing line

Y v Y

Perc. I

‰.

‰

shoulder

distorted vvvvvvvvvvvvvvvvvvv YYYYYYYYYYYYYYYYYYYYYYYYYYY YYYYYYYYYYYYYYYYYYYYYYYYYYY

A. Sx.

shoulder reed play sing

singing line

moaning distorted

Perc. I

keep the tthe string stretched push fast/light to the base

mmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmm gggmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmm mmmmmmmmmmmm mmmmmmmmm stretched bray

gggggggggggg !!!!!!! !!!!!!! !!!!!!! mmmmmmmmmm gggggggggggg !!!!!!!mmmmmmmmmm mmmmmmmmmm !!!!!!!!!!!!!! mmmmmmmmmm ! mmmmmmmmmm m

Perc. II

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvv

Vln.

" . string with some pressure

bow slowly on open

YYYYYYYY vvvvvv v Y kkkkkkkkkkk Y kY k k v

squeacky

moaning distorted

singing line

v v v Y Y YY YYYYYYYYYYYYYYYYYYYY kkkkk vvvvvvvvvv vvvv v Y kkkkkkkkkkkkkkkkkkkkkkkkkk Y kY k k v

shoulder reed play sing

$ !. ï

abrasive mmmmmmmmmmmmmmmmmmmmmmm vvvvv

f pos

$ !. ñ

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm vvvvvvvvvv vvvvvvvvvv abrasive pos

ringing

‰

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

! Vla.

–

f pos

abrasive

! ¬

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●●

‰

" ! – J

! –

! ¬

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●● rattling

115

B b Cl.

5 4

! E

4 Dr. Guillotin

slap and move from loose lower lip and increase air and lip pressure against the reed

! !

‰.

elephant call

YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvvvvvvvv YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY

A. Sx.

! ‰. slap

Perc. I

‰

Vln.

" !. ñ

" Œ

!. #

abrasive mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvv

f pos

bow slowly on open string with some pressure

mm mm m

saturated roll

˘ ¿ " ‰

f pos

Vla.

# ! ¬

! –

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

B b Cl.

keep loose the lower lip and gradually increase pressure against the reed

roll

harmonic node

‚

‰

fast bow

ccccc ccccc ccccc mmmmmmmmmmmmmmmm

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

118

fast bow

ccccc ccccc ccccc mmmmmmmmmmmmmmmm

abrasive

$ ! –

f pos

‚

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

f pos

secco

ringing

F4 vv

roll

! !

slap pos

secco

!!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmmmmmm mmmmmmmmmm !!!!!!!!!!! m mmmmmmmmmmmmmmmmmmmm !!!!!!!!!!! !!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmm !!!! mmmmmmmmmm mmmmmmmmmmmmmmmm

Perc. II

‰

pos Snare Bass Drum

‰

elephant call shoulder central

f ˘ ¿ " ‰

YYYYYYYYYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvv vvvv kkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk

f pos

! " ‰

Y Y Y mY Y Y m m saturated m slap

f ‰

‰

roll

moaning G4

A. Sx.

! " ‰

oing, heart reed

Perc. I

secco

f pos

Bird Water Whistle

Perc. II

‰ Vln.

‰

roll

˘ ¿ " ‰

‰

elephant call

roll

harmonic node

bleat

highest tone

xxxxxxx

very high whistling tones

close hole

open hole

slap clack roll

! ‰. o ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ dtweets d

LH RH

# ‚

C#6

very high sine tone no tweets

treat pitch flexibly

·.

LH RH

f # ‚

·.

high harmonic tone

‚ " ‰

vvv reversed fx f pos ccccc

mmmmcccc mmm

‚ " ‰

vvv reversed fx f pos ccccccccc mm mm mm m

! "

f pos f

overblow at 20° angle close hole

$ ‚.

# " " ‚.

vvv v reversed fx

cccc mm mm cccc mm m

Slide Whistle ˘ ! ¿ " J highest tone secco

‰

slap clack roll

Snare Bass Drum

xxxxxxx

high harmonic tone

Vla.

! "

change the angle to 0°, reduce air pressure to allow tweeting

overblow at 45° angle

‰

Slide Whistle

" !

fast bow

II saturated

f # " ‚.

fast bow

saturated

121 B b Cl.

5 4

harmonic node

‰

tip clack roll

! . harmonic node

bleat B4

harmonic node

Perc. II

xxx

˘ ¿ "‰

Snare Bass Drum

secco

very high whistling tones

open hole

x x high harmonic tone no tweets

change the angle to 0°, reduce air pressure to allow tweeting

! ! ‰. o ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

f pos

‚.

Vla. ccccccccc

overblow at 45° angle

"Œ

!. ® ‰

very high sine tone no tweets

‚

the notes in the slide area indicate the slide position

33333333333333333333333333

% " ‚ ·

3333333333333333333333333333333333

4 4

‚ æ

tremolo

‚ æ

push the slide all the way up to produce a whistling tone

tweets

·. æ

‰

squeal tremolo

Slide Whistle

! o open hole ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

x x

· æ f

change the angle to 0°, reduce air pressure to allow tweeting close hole

very high harmonic tone

gliss

III

xxxxr

reversed fx

B b Cl.

124

œ.

% " ‚.

Vln.

f pos !

Slide Whistle

slow tweet

‚ ‰.

" ‰

slap clack roll

tweets

·.

‰

slap clack roll

roll

Perc. I

! "

moaning G4

A. Sx.

6 4!

x ‰

‰

" "

>‚%

f pos ‚ ‚%

squeaky

high harmonic tone

xxxxxxx xxxxxxxx

howling wind very high whistling tones

Slide Whistle

A. Sx.

Perc. I

blow softly with some variation

x x x xr gliss

Vln.

‰

xxxxxx xxxxxx howling wind very high whistling tones

change the angle gradually and reduce air pressure

f $

·. æ

‚ æ

‰

‚

% ‚

‚

Vla. ccccccccccccccccccccc

‰

f >%‚

squeaky

f pos

· æ

cccccc

cccc

x x x · æ

3333333333333333333333333333333333333333333333333333333333333333333333333 tremolo

! >tweets

Perc. II

‚

˙.

squeaky

very high harmonic tone

p pos

127

B b Cl.

A. Sx.

xxxxxxxxxx xxxxxxxxxx w

Slate Pot

striker

$. f

cluck

short, staccato single wrist move

xxx xxx xxx xx Œ ·

#‚ " ‰

‰

#‚ "

333

‰.

p pos ‚#

> œ %

articulate like you pronounce "choo"

whistle tone

Vln.

xxxxxxxxxxxx xxxxxxxxxxx

Perc. I

Perc. II

‰

#‚ ‰

‰

tweets

#‚ %

Vla.

Straightjacket Cage

130

B b Cl.

A. Sx.

Perc. II

xxxxxx xxxxx

Œ Ó

Perc. I

‰

cluck

‰.

r $ $ ●●●●●

purr

> œ ‰.

> œ % ‰

hold firmly the striker close to the tip and very slowly move vertical to the slate-pot with extra pressure

●●●●●

●●●

●●●●

% ●●●

purr

> > œ % œ % ‰

●

> œ

>3 $ ‰

‰

> œ %

tweets

Vln.

· Vla.

Ó. ·

" ‚

tremolo between open II string and touch beyond fingerboard ># ‚s ‚s ‚s ‚s ‚s ‚ s ‚ s ‚ s ‚ s · 10

II mmm mm mmm mmmm mm mmmmmm

f pos

" ‚

‰

tremolo tweet

tremolo between open II string ># and touch beyond fingerboard ‚s ‚s ‚s ‚s ‚s ‚s ‚s ‚‚ 5

II mmmm mm m m mmmm mmmm mm

f pos

tremolo tweet

p pos

press lower lip at the heart area and touch teeth at the tip of the reed while blowing 3 3

teeth tweet

133

"^. "^. "^. "^. ".^ "^. "^. ".^ ".^ "^. ".^ ".^ ".^ "^. ".^ ".^ "^. ".^ ".^ ".^ ‰ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ‰ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ‰ ‰ 3

Clarinet Bb

B b Cl.

p w

A. Sx.

xxxx x x x

Ó.

squeaky

Alto Saxophone Instead of teeth, stretch and press the lower lip against the heart of the reed to promote higher hamronics

‰

purr

Perc. II

Œ tremolo between open II string and touch beyond fingerboard >% ‚ s ‚ s ‚ s ‚ s ‚ s ‚ s ‚.

$ ‚ Vln.

f pos $ ‚.

tremolo tweets

Vla.

B b Cl.

tremollo tweets

f pos

".^ "^. "^. ".^ "^. "^. ".^ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ‰ 3

‰

A. Sx.

mmm m mmmmmmm mm mmmmm

‰

●●●●●●●●●●●

purr

‰

" # ‰

‰

●●●●●●●●●●●●●

% $ $ ‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚"""""""""""""""" """"""""

‰

> œ

purr

> œ # ‰

●●●●●●●●●●●●●●●

purr

cluck

> > œ # œ # Œ

136

> œ # ‰

tremolo between open II string >% and touch beyond fingerboard ‚ s ‚ s ‚ s ‚ s ‚ s ‚ s ‚.

> œ

‰.

...

x xr~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p

mmm m mmmmmmm mm mmmmm

purr

●●●●●●●●●●●

●●●●●●●●●●●●●●

Perc. I

" ‰.

press the lower lip against the heart of the reed, touch with the teeth and sweep towards the tip area

very high whistling tones

‰

% $ $ ‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚"""""""" """"""""""""""""

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p

".^ "^ ^. ^. ".^ "^ "^. "^. "^ "^ "^. "^. "^. "^. "^. "^. ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ . . . . ‰ 3

...

‰

# " "

‰

‰.

"^. "^. "^. ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

# Œ

# # ".

j ". ‰ cluck

‰

" # ‰

‰

●●●●●●●●●●●●●●

●●●●●●●●●●●●●●●

purr

Perc. II

‰

> œ # ‰ f

purr

> œ # ‰

cluck purr

> > œ # œ # ‰

# Œ

●●●●●●●●●●●●●

> œ œ.

‰

" cluck purr

cluck

œ # ‰

‰

> œ œ œ

> œ #

...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ """""""""""""""""""""""""""""""" """"""""

Vla.

" "

"""""""""""""""""""""""""""""""" """""""" Vln.

Perc. I

...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~

!.^ !.^ !.^ !^. !.^ !.^ !.^ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

B b Cl.

‰

!-꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ !-꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ^ ^ -!^ -!^ -!^ ‰

139

‰

A. Sx.

" ‰

Perc. I

‰

●●●●●●●●●●●●

! ‰.

‰

! " ‰

Perc. II

> " œ œ

●●●●●●●●●

> œ œ ‰

! " ‰

> > œ " œ " ‰

‰

! ●●●●●●

cluck purr

> œ " ‰

‰

> > œ œ " ‰

‰

> > œ. œ ‰.

‰

> œ

...

5 !꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ !^ !^ !^ !^ 4 ^! ^

‰

‰ - ‰

! " ‰

hit the slate-pot at the center with the tip of the strike

! ! ! ! !

●●●●

" ‰

- ‰ ‰ ‰

‰

teeth sustain , !꞊^꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ! !

! !

• • • • •

•

f > > œ . " " " œŒ

woodpecker drumming

> " œ

●●●●●●●●●

" "

‰

extend lower jaw to slightly touched the tip of the reed as

while flutter tonguing !æ ꞊꞊꞊it꞊꞊꞊vibrates ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊tongue harmonic꞊꞊flutter " Œ

‰

tone

‚

Vln.

x x

ä " ‚ ‰

‰

ä " ‚

II tweet

!!!!!!!!!!!!!!!!!!!!!!!!!!!!‚ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

,# ‚

Œ $ ä‚

,# ‚

$ ä‚

# ä‚

0° angle

- - - - - -

articulate like you pronounce "choo"

‰

# ‚

Œ $ ä ‚

ä# ‚

rr r r r

gggggg

gg g g

ggggggggggggggggg

rrr

gggggggggggggggg

, !

0° angle

tweets

" ‰

! ccccccc

ringing

ä$ ‚ # ‚ ‚‚‚

$ ‚ ‚ " ‰

r ~~~~~ rr

gggggg

yelp crow

~~~~~ # " ‚

20° angle

p f # " ‚‚‚‚‰

‰

fluttering

●●●●●●●●●●

tweets

‚#

breathy

!!!!!!! ggggggggggg

cluck purr

tip clack roll

x x x

purr 20° angle

harmonic node

c squeaky

●●●●●●●●

cluck purr

no tweets

Vla.

●●●●●●●●●

Perc. II

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

142

Perc. I

" ‰

cluck purr

> œ " ‰

" ‰

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Vla.

A. Sx.

purr

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!

B b Cl.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!! Vln.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

purr

ggggggggggg

# ‚

ä$ ‚# ‚ r

ggggggggg

145

4 4!

" ‰

B b Cl.

f pos

!æ .

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggg

fluttering

ggg

!æ.

!꞊æ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊‰

harmonic flutter tongue

A. Sx.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggg

fluttering

! " ‰

Perc. I

f pos

Vln.

!æ

‰

fluttering

rotate the striker softly and slowly on the periferi of the slate-pot

raspy

!æ

!æ.

harmonic flutter tongue

! " ‰

꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

raspy

!æ

B b Cl.

‰

!æ

A. Sx.

!æ

Œ harmonic flutter tongue

!꞊æ꞊꞊.꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

Perc. II

gggggg

tweets

! Vln.

% · Vla.

xx p

whistling

œ ‰.

gggggg

$ ‚

0° angle

gggggg

tweets

r tweet r r p % ‚ !. ‰

!æ

!æ.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggg

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggggg

purr

xxxx

$ ‚ !

‰. II

‰

œ.

0° angle

tweets

gggggg gggggg gggggg gg

gggggg

‚%.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

●●●●●●●

‰

squeal

. " !

cluck

! gggggg

" !.

! " ‰

purr

gggggg

‰

!æ .

fluttering

●●●●●●●

mz 0° angle

‰

!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggg

cluck

!æ

" ‰

" !.

!æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggg

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggg

Perc. I

whistling

!æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggg

raspy

xxx

harmonic flutter tongue

·.

p #

! p

f pos

148

‰

roto yelp

cccc

Vla.

roto yelp

saturated C5

squeal

roto yelp

! ‰.

squeal

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

squeal

m mmm

Perc. II

extend lower jaw to slightly touched the tip of the reed as it vibrates while flutter tonguing

harmonic flutter tongue

% ‚

x x

xxxx

151

B b Cl.

‰

!æ

‰

!æ

‰

press the lower lip against the heart of the reed, touch with the teeth and sweep towards the tip area

!æ.

!æ

‰

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggg

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggggggggg

!!!!!!!! gggggggg

Rooni the Pig

teeth tweet

!æ

harmonic flutter tongue

꞊꞊꞊꞊꞊꞊꞊꞊꞊!꞊æ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

A. Sx. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

purr

Perc. II

Vln.

Vla.

! !

Perc. II

Vln.

yelp

! $ ‰

‰

gggggggggggggggg

‰

•

rrBb4

# ‚

‰

! !

!. !.

‰

! p

‰

yelp

0° angle

# ‚.

III

‚. •

call

rrBb4

‰

>¿

‰.

!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !

‰

>¿ $ ‰

‰

! p

pot hit

$ Œ

yelp tweet

articulate like you pronounce "choo" > œ $ ‰ Ó

# ‚

‚ ‚. ‰

$ ‚

‰

•

rrBb4

yelp tweet

gggggg

‚. ‰

‰

‚

purr

! $ ‰

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

0° angle

# the Bb4 finger touches the string and lifts up # . ‚. $ ‚ ‚. ‚ ‰ Œ mz

xxxx

‰

! !.

!. !. !

pot hit

•

‰

" ‚

gggggggggggg gggggggggggg gggggggggggg ggggg

>¿ $ ‰

gggggggggggggggg

r rBb4

‰

III

# ‚

hit the slate-pot at the center with the tip of the strike

$ ! !

‰

‚#.

!. !. !. !. !. !. !. !. !. !. !

increase pressure of sriker on the surface as it moves to the edge

‰

!. !. !. !. !. !. !. !. !. !.

Vla.

$ ‰

gggggggggggggggg

Œ ‰

0° angle

‚

! ‰.

purr

‰

xxxx

‰

A. Sx.

Perc. I

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

‰

Œ œ

xxx p

‰

blow softly

" ‚ !

B b Cl.

‰

gggggggggggg gggggggggggg gggg gggg gg

‰.

154

‰

! !

squeal G4

fluttering

cluck

# ‚

‚

‚. $ •

rrBb4

‰.

# ‚

‰

$ s˘

I bend F click

•

rrrBb4 the change from ferrule to hair will produce a "click" sound. use the bow angled not flat

ferrule click

‚ ‚. ‰

157 B b Cl.

" ‰

!. !.

A. Sx.

‰

" " !

> œ " ‰

‰

ferrule click

rBb4

●●●●●●●●●●●●●●●●

yelp

‰

# ‚

‰

‚ ‚.

# ‚ ‚ . ‚.

‰

•

‰

!. !. !. !. !. !. !. !. !. !. !. . !

!. !. !. !. !. !. !. ! ! !

‰

>¿ " " !.

>¿

‰

pot hit

‰

% –

slow bow

‰

!. !

‰

" ‰

F F

‰

slow bow

‚˘ " ‰

ringing groan

˘s ˘s

‰

click

F F

upper lip wraps the tip of the mouthpiece, lower lip leaves a small opening for the reed to clap

corner clap roll

roll

! !

˘‚ ˘‚

click

‰

% –

square notehead, hold down the string

–

ringing groan

" ˘s ‰

4 4 ! !

> œ " Œ

!. !. !. !. !. !. !. !. !.

yelp

r r

pot hit

‰

! !

!. !

>¿

‰

" !.

purr

! " !

F F click

˘‚ ˘‚ ‰

6 160 4

ferrule click

A. Sx.

•

Vla.

B b Cl.

•

˘s

cluck

# # . . ‚ ‚ ‚ " ‚ ‚ ‚ " ‰

‰

> œ " Œ

‰

Vln.

‰

! !.

!. !. !. !. !. !. !. !. !. !. !. !. !. !.

" !.

" ‰

‰

yelp

Perc. II

‰

Perc. I

! !

‰

! !

‰

gggggggggggggg

Perc. I

" !

‰

! !

‰

gobble shake

!!!! ! " ‰

‰

Perc. II

Cymbal

Œ paper roll

Ó $

$ !.

circular friction

chuffed

cccccccccccccc ●● ●● ●● ●● ●● ●● ●● ● ●● ● ●● ●● ●● ●● ●● ●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

Vln.

–

‰

˘s ˘s ‰ Vla.

F F

‰

% –. I

‰.

s I

# ! " ‰ ﬁ

sniffing

very fast flat bowing medium pressure right after muffle the string with left hand

m mmm m m mmm

f pos

% s

‰

slow bow

groan slow bow on the ferrule area "grainy" sound

ferrule scratch

ringing

˘s

ferrule click ferrule scratch

vvvvvvvvvvvvvvvvvvvvF

screatchy

click

vvvvvvvvvvvv

bend

screatchy

163

!. A. Sx. !

" ‰

‰

!. !

Water Whistle

Ó.

Perc. I

B b Cl.

Unreasonable Complaints

teeth tweet

0° angle

corner clap roll

p pos roll

" Œ

! p

place the index a the bottom of the labium to reduce the tone

stretch and press the lower lip against the central of the reed then, realease gradually

bleat

tweets

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. II

.....................

pulsive

chuffed

Vln.

" Œ

‰

ringing groan

Vla.

# " –

slow bow

ferrule scratch

ferrule click ferrule scratch

˘s

vvvvvvvvvvv

click

‰

vvvvvvvvvvvvvv

ferrule scratch

‰

Perc. II

stretch and press the lower lip against the central of the reed then, realease gradually

! p

Vla.

ferrule click

‰

˘‚ Ó click

teeth tweet

! !

screatchy

vvvvvvvvvvv

‰

! !.

tweets

....... "

pulsive

Œ s˘

ferrule click

F click

‰

bend

! ! !

harmonic node

Ó.

s˘

ferrule scratch

gggggggggggggggggggggggggggggggggggggggggggggggg

# –.

‰

! ! !

‰

chuffed

‰

click

bend

0° angle

ferrule click

bleat

stretch and press the lower lip against the central of the reed then, realease gradually

tweets

gggggggggggggggggggggggggggggggggggg

ggggggggggggggggggggg

circular friction

●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

¿.

vvvvvvvvvvvvvvvvvF

B b Cl.

Perc. I

slow bow

screatchy

# ¬

ringing groan

A. Sx.

chuffed

harmonics

screatchy F bend screatchy

166

...............

cccccccccccccccc ●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●ccccccccccccccccccccccccccccccccc ●●●●●●●

harmonics

slow bow

●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●●●●●●●●

# –

circular friction

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

‰

# " – ¬

˘ " s

bend F click

‰

s˘ F click

# ¬

! bend

‚˘ " ‰

‰

F click

˘‚ ‰ !

169 B b Cl.

upper lip grips the mouthpiece corner/tip, lower lip leaves a small opening for the reed to clap

corner clap roll

Ó.

roll

p pos

hummingbird hovering

‰

A. Sx.

Perc. I

Ó.

Perc. II

tweets

gggggggggggggggggggggggggggg

D#3

p pos

0° angle

gggggggggg

gggggggggggg

gggggggg

circular friction

‰

chuffed

Vln.

" ¬.

Vla.

ferrule scratch

˘s

ferrule click

vvvvvvvvvvvvvvvvvvvvvvvvF screatchy

ferrule click

bend

A. Sx.

Perc. I

‰

p pos

Perc. II

‰

chuffed

ferrule scratch

bend

vvvvvvvvvvvvvvvvvvvvvvvv

Vln.

‰

0° angle

‰

place the index a the bottom of the labium to reduce the tone

more air less tone

tweets

gggggggggggggggggggggggggggg

ggggggggggggggggggggg

‰

Œ ¿

ferrule click

ferrule scratch

Vla.

ferrule click

bend F click

screatchy

Ó.

circular friction

‰

s˘

D#3

groan

˘‚ # Œ

vvvvvvvvvvvF

screatchy

click

" –

! p

ferrule click

click F

ferrule scratch

˘‚ # ‰

‰

ferrule click !

˘‚ # Œ

vvvvvvvvvvvF

screatchy

click

gggggggggggggggggggg

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

‰

" slow bow # – ¬

hummingbird hovering

tweets

gggggggggggggggggggggggggggg

roll

p pos

corner clap roll

! p

F click

click

172 B b Cl.

‰

Ó mz

" –

circular friction

chuffed

●●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●

" ¬.

Œ ˘s

‰ bend

F click

‰

>s F click

bend

175

B b Cl.

corner clap roll

p pos

hold the reed open with the lower jaw teeth and blow

tip flutter reed

roll hummingbird hovering pos

hummingbird hovering

A. Sx.

Ó.

roll

gradually close the keys

gggggggggggggggggggggggggggggggggggggggggggggggg

air

Perc. I

Ó.

0° angle

place the index a the bottom of the labium to reduce the tone

more air less tone

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggg ggg

Perc. II

" pulsive

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

‰

# –

Ó ˘s

ferrule click !

Vla.

˘ $ ‚ ‰

178

click

# ¬.

˙.

$ bend

click

Perc. I

0° angle

air

gggggggggggggggggggggggggggggggg

place the index a the bottom of the labium to reduce the tone

no tone

gradually close the keys

gggggggggggggggggggggggggggggggggggggggg

ggggggg

˘‚

hold the reed open with the lower jaw teeth and blow

gggggggggggggggggggggggggggg

click

Bb gggggggggggggggggggggggggggg

˘‚ ‰

B b Cl.

A. Sx.

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. II

noisy cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●

slow bow

Vln.

p !

Vla.

$ ˘‚ ‰ F

˘s . F

$ bend

click

L Ó

" slow bow bow on the twist wrap below the bridge

zzz z z

screatchy

181 B b Cl.

Mediteranean Siesta

no tone

hold the reed open with the lower jaw teeth and blow

F gggggggggggggggggggggggggggggggggggggggggggggggggggg

air

A. Sx.

air

Perc. I

gggggggggggg

air

gggggggggggggggggggggggggggggggggggggggggggg

ggggggggggggg

45° angle

release index from the area below labium

close the head hole, a deep tone will be produced

p pos

ggggggggggggggggggggggggggggggggggggggggg

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. II

ggggggggggggggggggggggggggggggggg

blow very soft

coo tone

tremollo

open and close the head hole to produce a tremollo sound

kkkkkk

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

Vln.

‰

‚

" on the bridge

on the bridge

‚

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

L I

Vla.

B b Cl.

gggggg

p pos

breathy (no tone)

z z z z z z z z

p 184

slow bow bow on the twist wrap below the bridge

p pos

‚

‰

screatchy

F gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

air

A. Sx.

" ‚

‰

·.

‚

p pos

‰

air

gggggggggggggggggggggggggggggg

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

ȯ

Perc. II

breathy (no tone)

close the head hole, a deep tone will be produced

p pos

œ!

kkkkkkkkkkk tremollo

coo tone

! voiceless![foo]

‰

sssss...

‰

ȯ

p pos

coo tone

kkkkkkkk tremollo

air

p pos

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Vln.

·.

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

breathy (no tone)

L Vla.

fffff...

‚

‰ II

on the bridge

gggggggggggggggggg

p pos

breathy (no tone)

p pos

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

air sound

187

B b Cl.

E gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg g

air

! A. Sx.

ggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

!œ

kkkkkk

‰

Ó !

Perc. II

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Vln.

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

! Œ

Vla. gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg