Asphyxia

Panayiotis KOKORAS Asphyxia Bb Cl, A. Sax, Perc I, Perc II, Vln, Vla

2017

Â

Panayiotis KOKORAS Asphyxia for Clarinet Bb, Alto Sax, Percussion I, Percussion II, Violin and Viola

Commissioned by Onassis Cultural Center for ARTéfacts Ensemble

Duration 10’ 30 minutes

Denton, Texas © 2017 All Rights Reserved

Â

4 Hummingbird Trap 4 q = 78 !

Clarinet in B b

¬

Asphyxia tip flutter reed blow an angled norrow soft air stream the upper lip (cupid's bow) should barely toutch the mouthpiece tip lower lip barely touchs the tip of the reed as it moves up and down

6 4"

Panayiotis Kokoras

1

Ó

fluttering

Ó

p pos

hummingbird hovering

Alto Sax

Percussion I

"

Percussion II

paper roll circular pulse

!

!

!

!

pulsive

•••••••••••••

............

".

Œ

chuffed

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●

pulsive

mz

!

Viola

!

!

!

4 4

2

chuffed

•••••●●●●●●●●●●● ●●●●●●●●●●●●

3

! ¬.

Π"

"

●●●●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●

!

tip flutter reed

!

!

blow an angled norrow soft air stream the upper lip (cupid's bow) should barely toutch the mouthpiece tip lower lip barely touchs the tip of the reed as it moves up and down

release gradually Front f Key

fluttering

Slate Pot rattling roll

"

Œ

Ó

p

!

hummingbird hovering pos hold the rod with your fist 4" from its bottom and 110º angle

hardwood round dowel

"

"

chuffed

noisy ●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●● •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

p pos

"

..................... pulsive

"

!

Vln.

# L

circular notehead indicates open string

ringing pulse

bow softly and slowly

•••

p pos

"

hold the roll in the middle with 100º angle and move circularly

chuffed

pulsive

p pos

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●

! a gliss tone should be produced as the bow moves to xST

"

I

Ó

let ring

●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●

Vla.

"

!

B b Cl.

Perc. II

slow down the speed of the rotation

Violin

4

Perc. I

!

hold the roll in the middle with 110º angle and move circularly

p

A. Sx.

!

! "

Ó.

ringing

©2017 Panayiotis Kokoras, All Rights Reserved

2

!

7

7 4!

tip flutter reed

B b Cl.

fluttering

4 4

4

Œ

"

5

Œ

"

p pos

hummingbird hovering

"

A. Sx.

"

¬

close f key close register key

tip flutter reed release gradually Front f Key

fluttering

p

hummingbird hovering

"

Perc. I

"

!

Perc. II

to produce higher partials, touch the roll with the other hand close to its tip and push gently

!

pulsive

"

!.

saturated

!

........

pulsive

•••••••

œ

w

●●● ●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●● ●● ●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●

"

Vln.

·#

slow bow

Ó

diamond notehead, touch the string

bow softly from SP to ST

touch like harmonic and gliss from xHigh to the low end

I

chuffed ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●

p pos

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

"

Vla.

10 B b Cl.

6 4

¬

Œ

"

tip flutter reed close keys as notated

!

"

4.

4!

6

"

Œ

p

hummingbird hovering

!

tip clack roll

!

corner clap roll

Ó

A. Sx.

Ó

tip flutter reed

Œ

!!! !!! !!! !!! !! ! !!! !!! !!! !!! !!!.!!!. !!!. !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! !!! key tap

"

pppppppp p f 10

10

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

10

10

flapping

Perc. I

!.

hold the rod with your fist 4" from its bottom and 110º angle

rattling

●●●●●●●●●●●

Perc. II

!

rattling roll

!

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

noisy

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●

Vln.

"

Œ

!

!

pos

!.

................•••••••••• • • • . . f

!

..........•••••••••••••••••..........

pulsive

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ● ●●●●●●●●●●●●●●●●●●●●●●●

"

•

Œ

chuffed ●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●

"

s !!!!!!!!!!!!!!!!!! ‰ move the bow vertical to the string

Vla.

"

"

IV

333333333333333333333

f

fluttering

Œ

lower lip touches slightly the tip of the reed

13

¬

6

!

B b Cl.

tip flutter reed

p !

A. Sx.

5 4"

"

tip flutter reed

tip clack roll

fluttering hummingbird hovering pos

"

Ó

fluttering

mz

".

corner clap roll

p

,

"

hummingbird hovering

!

Perc. I

Perc. II

striker

".

Œ

p

"

rotate the striker softly and slowly on the periferi of the slate-pot

roto yelp

"

saturated

f

·#.

Vln.

bow softly from SP to ST

pulsive

~resonant~

Œ

".

·#

Œ

bow softly from SP to ST

touch like harmonic and gliss from xHigh to the low end

IV

p pos

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

p pos

Ó

................ •••••••••••••••••••••••••••••••

·

touch like harmonic and gliss from xHigh to the low end

I

‰

"

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●●

Œ

"

"

raspy

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

# L

!

Vla.

circular notehead indicates open string

a gliss tone should be produced as the bow moves to xST

bow softly and slowly

ringing pulse

"

"

I

p pos

ringing

4 16 4"

7

Œ

B b Cl.

Ó

F

3 4"

mouthpiece tip clap shake

" " " " " " " " " " " " " blow a norrow air stream towards the mouthpiece's tip opening and shake it back forth between your lips

4 "4

5

5

splatter slap

clack sound

pppppp f

8

increase the lower lip pressure against the reed and the air pressure towards the end

" J

‰

".

œ œœ œœœ œœœ œœœ œœœ .. œ œœ œœœ ... .

A. Sx.

!

Perc. I

Perc. II

" œœœ œœœ J

tip clack roll

‰

"

tip flutter reed

Œ

key tap

10

ppp x

hold the reed open with the lower jaw teeth and blow

10

10

pppppppppp p f

f

$

!

air sound

" œœœ œœœ œ œ

morph the noise by playing silently the keys

Œ

Œ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

flapping

p

ggggggggggggg

m

˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙˙ 55 ˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5˙5 ˙5˙5˙5˙5˙5

right hand keys remain closed 10

morph the noise by playing silently the keys

ppp x x air sound

ggggggggggggg

pos hold firmly the striker close to the tip

kee kee gliss

mz

and very slowly move vertical to the slate-pot with extra pressure

f

squeaky

".

"""

hold the tube in the middle and move your arm (like you open

" """""""""

gobble shake the keydoor) the bottom contact area opeing should altenrate

‰

••••••••••••••••••••••••••••

333333333333333333 f

p pos

·.

.

Œ

Vln.

squeaky

""""""""""""""""

IV circular notehead

indicates open string

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

33333333333333333 3 3

"

Œ

Œ

s

#

mz ringing pulse

I

p

ringing

L

bow softly and slowly

a gliss tone should be produced as the bow moves to xST

,

"

hold the tube 1-2inch from the bottom with 50 degrees angle and

circular pulse stab on the cymbal producing a squeaky, saturated, harmonic sound

squeaky

move the bow vertical to the string

fluttering

Vla.

f

mm

mz

hold the reed open with the lower jaw teeth and blow

œœœœœœœœ

Ó

oing

ggggggggggggggggggggggggggggggggggg

flapping

"

oing reed press

‰

pulsive

••••••••••••••••••••••••••••••••••••

ß circular notehead ˘# indicates open string % ‰ ‰

"

move the bow vertical to the II & II strings

II III

II

f

 """""""""""""""""""

squeal tweet pos

mz

3333333333333333333333333 fluttering

3

4

19

5 4!

!

œœœœœœœœœœ œ œœ ‰ œ œ œ

B b Cl.

pppp p x x x x !

œœœœœ œ œ œ œ œ œœ

A. Sx.

‰

ppp x x x

!

!

9

!

Œ

F B4

p

gggggggggggggggggggggg

!

stretch the lower lip and press against the reed's heart

harmonic node

tone

Ó

!

Œ

B4 F#4

Œ

!

harmonic node

ΠA4

tone

gggggggggggggg

!

Ó.

"

p pos

fluttering

ggggggggggggggggg

!

Perc. I

!.

! !.

!

Perc. II

••••••••••

.......



"

!

slow bow

,# L

!.

bow softly and slowly

ringing pulse

!

a gliss tone should be produced as the bow moves to xST

!

I

II

333333333333333

Vla.

"

L.V.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

‰

f

"

Ó

!

saturated

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ‰

!

p

saturated

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

Ó.

# ·

Œ

Œ

ringing

touch the string and gliss as notated a strong ringing pulse should be produced

square notehead, hold down the string

!.

¬

I

f

hammer ringing pulse pos

22 B b Cl.

10

!.

Ó

!.

harmonic node

Ó

B4

tip clack roll

!.

!.

!

Perc. I

Vln.

!

squeaky

˙

!!

Œ

# ·

Ó

..........

pulsive

saturated

!

‰ .. !

f

>¿ !

pot hit

L.V.

!

‰

!

squeaky

ß f stab

!

hammer ringing pulse

Vla.

!

#

Œ

I

hold down the string and gliss as notated a strong ringing pulse should be produced

¬

hammer ringing pulse

f pos

tone

!

hit the surface with the striker and continue the squeaky gliss

kee kee gliss

f

I

f

mz

"

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

touch the string and gliss as notated a strong ringing pulse should be produced

oing

harmonic node

Œ

!

!

Ó.

Perc. II

f pos

mz

$

‰

E

!.

B4

tip flutter reed

A. Sx.

kee kee gliss

11

clack roll oing reed press

F

A4

mz

4 4!

increase the lower lip pressure against the reed and the air pressure towards the end

F

!

tip flutter reed

!

saturated

25 B b Cl.

!.

!

roll 12 clack oing reed press

!

‰

A4

‰

!

Perc. I

‰

Vln.

‚

I

distorted groan

˘ !

L.V.

‰

cccccccccccccccccc

cccccc

‰

!. æ

Œ

Bb4

˘ !

Œ

˘ !

7:6

˘ !

L.V.

move the slide lower as indicated

the notes in the slide area indicate the slide position

˘ !

5:8

$ f pos #

IV

f pos %̆ fast bow %̆ $ s  ‰   ‰.

II III

˘ !

˘ !

%̆ $  ‰

˘ !

%̆



‰.

j œ

!.

gliss

xxxx

mz

! !.

R

roto kee kee rotate the striker slowly with pressure

ß f %̆  $ ‰

on the periferi of the slate-pot

squeaky

f

‡ stab

f

gggggggggggggggggggggggggggggggggggg

fluttering squeal saturated pos

harmonics squeaky saturated

Œ

Ó

%

‚ $ ‰

Πbark

cc

f pos

¬. æ

Œ

%

#

‚ $ ‚

cc

! ‰. r

ccccccc

harmonic flutter tongue

%

‚

f pos

! rr

‰

ccccccccccccccccccc

% Œ

¬

I

slow bow

f pos

hammer ringing pulse

! æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

C5 gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

f

!

!

xxxxxxxxxxxx !

!. !

!

!

Œ

!

% ·.

touch the string and gliss as notated a strong ringing pulse should be produced

!

I hammer ringing pulse

f

!

!

!

,

!

cluck purr

●●●●●●

!

!

"

Vln.

Vla.

$

f kee kee gliss cluck ˘ $ ! $ ‡ ‰

˘ !

˘ !

C5 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

squeal tweet

fast bow

‚

˘ œ

5

! .harmonic flutter tongue æ

tweet

hold the tube 1-2inch from the bottom with 50 degrees angle and stab on the cymbal producing a squeaky, saturated, harmonic sound

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggg !!!!!! !!!!!!!!!!!!!!!!

!

Œ

squeaky stab

cccc

28

‰

Slide Whistle

˘ !

f ˘ !

cccccccc cccccccc cccccccccc cccccccccc cccccccccccc

!.

Vla.

Perc. II

‰

!

staccato loud, sharp, and shot clucks with the striker

cluck

!.

!

!

"

! #

Perc. I

8:6

f pos

Ó

!.

Perc. II

A. Sx.

‰

"

A. Sx.

B b Cl.

!

extend lower jaw to slightly touched the tip of the reed as it vibrates while flutter tonguing

13

!

6

31

B b Cl.

!. æ

œ æ

! æ

air only, continue flutter-tonguing

#

... !!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!! Bb4 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggg ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg air sound

flutter tongue

Œ

!

A. Sx.

! æ

Perc. I

!

‰

p

" !.

!

!

!

●●●●●●●●

●●

!

!

hold firmly the striker close to the cob, slowly and steadily pull the peg across the scratchplate toward

purr you in a half-circle with extra pressure

Ó

●●●●●●●●

Perc. II

!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

xx ‰

!. æ

! æ

●●●●●●●●

! ‰.

‰

Ó

!

purr

●●●● ●●●

●● ●●● ●●●● ●●●●●

!

chuffed

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

–

Vln.

p

square notehead, hold down the string

!

Œ

Ó $ L

#

!

Vla.

#

IV

!

‰

14

#

B b Cl.

close A key close register key

p pos

Alto Saxophone

#

A. Sx.

Œ

raspy pulsive

p

Pseudo-relaxation 34

slow bow

¬.

¬

tip flutter reed

fluttering

!. p pos

w

tip flutter reed

fluttering

Perc. I

!. ●●●●●●●●●●●●●●●●●

Perc. II

Œ ●●●●●●●●●●●●●●●●

#

!

hardwood round dowel

••••••••••••••••••••••••••••••••••••

p

●●●●●●●●

!

!.

!

p pos

hold the rod with your fist 4"

rattling roll from its bottom and 110º angle

Œ

●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

Ó L

Vla.

% Œ



bow softly and slowly

ringing pulse

!

a gliss tone should be produced as the bow moves to xST

!

I

p

ringing

!

$ L

slow bow

IV

p

raspy pulsive

œ

37

¬

Œ

B b Cl.

p pos

œ

Œ

A. Sx.

!

J

‰

¬

Ó

soft clap reed rolling

!

!.

#

!.

7

tip flutter reed

p pos

!

!

tip flutter reed

p pos

!

Perc. I

¬

15

tip flutter reed

Ó !.

!

‰

.............

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

! ! ‰.

R

# ‰.

.....

hold the roll in the middle with

!

Perc. II

circular pulse 110º angle and move circularly

!

!

pulsive

............

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

p pos

!.

!

Vln.

L

Œ

Vla.

" s

‰

Œ

¬

40

tip flutter reed

tip clack roll

3 4

Π!

Perc. I

••

‰

p pos

...

‰

release gradually the keys

••••

Œ

!

••

œ

‰

6 4œ

œ

tip clack roll

tip clack roll

p

$

‰

sniffing

mm m mm mm mm mmm mmmm mmmmmm mm

s

s

‰

Œ

s

‰

%

f pos

IV sniffing

f pos

cccc ccc cmm ccccm mmmm cccc mm mm mm

Œ

kee gliss , kee f

s

%

f

! # ‰ fi

mmmm m mmm mmm m m m mmmm

f pos

very fast flat bowing medium pressure right after muffle the string with left hand

fi‰

!

!

p

33333333333333333333

very fast flat bowing medium pressure right after muffle the string with left hand

I

!

p pos

rattling roll

••••••••••••••••••••••••••••••••

gobble shake

●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

‰

‰ ..

!.

corner clap roll

!!!!!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! !

$ ! # fi ‰

!

J

‰

move the holding point close to the tip to produce the kee kee sound

!

!

heart roll

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Ó

mz

s

! p

f

mz

....................................

%

‰

oing reed press

F

!.

# !J

f pos

!

Perc. II

L

raspy pulsive

˙.

corner clap roll

!

$

L

Πmz

A. Sx.

Œ

slow bow

16

B b Cl.

!.

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

IV

p

Vla.

chuffed

Œ

Ó

s

%

circular friction

saturated

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●

p

sound gesture streched

! ‰. fi

...........

Ó

% # s.

mm

mm m mm mmm mmmm mmmm mmm mm mm mm

mm mmmm mmmm mmmm mm

f pos

". # s

fi f pos

‰

cccccccccc ccc mmmmmmmmm

% s

! f pos

fi

cccccc cccccccc mmmmmmmmmmmmm cc

‰

‰

% s

cccccccc mmmmmmm

8

Eagle's Nest

4 43 4 !

B b Cl.

!

!

‰

!.

harmonic node

!.

Perc. I

p pos

! " ‰

...

Œ

Perc. II

! !harmonic node

‰

!

‰.

hold loosly 2" from tip the striker ●● ● on flat potthen, drop and drag it ●● ●●

fi

Vla.

Œ

‰

Œ

f pos

3 4¬

46

!.

B b Cl.

Perc. I

F

‰

!!! !!! !!! !!! ‰ !

œ

f pos

p

!.

‰

˘ ¿

pot hit

yelp

•

!

mz

short friction gestures; tube doesn't

! ! ! ! ! ! ! ! !

grunt get off the cymbal as it returns back

‚$!#$!!# !!!!!!!!!!!!!!!!‚

Ó.

‚

33333333333333333333 groan tremolo

mz

don't take the bow off the string #$# !! ! ! !!!!!! !!!!!!!!!! !!!!!!!!!!

10

10

$̄ # $̄ # tremolo s ! ! ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ !

don't take the bow off the string

Ó

IV

33333333333333333333333333333 r r r r f 5

ppppppppp f

f

œ œ œ œ œ œ œ œ œ œ 5

!!! !!! !!! !! !!! !!! !!! !!! ! ! !!! !!! !!! !!! !!! !!! !!! !!! !!! ! !!! !!! !!! !!! !!! !!! !!! !!! !!! ! !!! !!! !

key taps

! œ

pppppppppp 10

!.

Œ

harmonic node

F Bb4

p

G4

w

corner clap roll

tip clack roll

10

flapping

fluttering

mz

cluck

! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! gobble shake

sawing

!!!!!!!!!!!!!!!!!!!!!!

flapping

f

12

Œ

L.V.

saturated

●●●● ●●●●●●●●●●●●●●●●●●●●

gggggggggggggggggggggggggggggggggggggggggggggggggg

"

circular friction

ringing pulse

10

clack roll pulse

10

10

flapping

sound gesture streched

$

5

5

ppppp

hold the striker 2-3 inches from the tip and move your arm (like you open the keydoor) the tip should always have contact with the surface 6 12 12 roto yelp

mouthpiece tip clap shake

> >

!! !! !! !! !! !! !! !! !!!! !! !! !! !! !! !! !! !! ! !!!!!!!! !!!!!!!!!

10

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

tip clack roll

! ! ! ! !

key taps

groan tremolo

f pos

pos

!

!

flapping

splatter slap

12

mz

>! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! short friction gestures; tube doesn't get off the cymbal as it returns back

%

33 33 33 3 3 33 33 3 3 3 3 3 3

f

stab grunt pos

!

!.

s

Œ

cccccccccccc

ringing groan

!

!

!

gobble shake 6

!

‰

!¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! !¯ ! " ‰ .

!

‰

‚

!

!

·

mz

$̄ #̄ $̄ ! ! ! !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ !¯ 

!

Vla.

III

sniffing

f pos

333333333333333333333333333

cc ccccccccccc cc mmmmmmmmmmmm

groan tremolo

p

slow bow

!!!!!!

!

circular friction

●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●● ●● ●● ●● ●● ●

II

·

mz

‚ saturated

# s

!

E string fades out and bow only on A string

·

f

kk

sound gesture streched

cccccccccc

f pos

!

ringing pulse

I

!!!!!!!!!!!!!!!!!!!!

h

kkkkkkkkkkkkkkkkkk

# I

10

tremolo

" s fi

h

5

pppppppp

f

f pos

10

Perc. II

Vln.

œ.

corner clap roll

f

Œ

#

4 " 4!

tip clack roll

corner clap roll

h

! ‰ !!!!!!!!!!!!!!!! ! ! ! ! ! ! !

ccccccc cccccccc mmmmmmmm mmmm

ccccc ccc mmmmmmm

h

clack roll pulse

clack roll

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

f

I

‰

h

gobble shake

!

s

h

33333333333333333

slow bow

p

f pos

h

kkkkkkkkkkkk

II mm m mmm m mm

h

! ". ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!!

6

mz

pos

5

!!! !!! !!! !!! !! ! !!! !!! !!! !!! !!!. .!!!. !!! !!! !!! !!! !!! !!! !!! !!! key tap

gobble shake

yelp roll

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

> >slap5 tap h h h h

Œ

Ó

groan

!

L.

flapping pos

clack roll

f pos

! " ‰ fi

pppppppppp f

mz

striker

Œ

5

press against reed and gradually release lower lip

E4

f

A. Sx.

5

splatter slap

A. Sx.

p

tip clack roll

ggggggggggggggggggggggggggggggggggggggggggggggg

B4

clack roll

corner clap roll

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ¬. blow a norrow air stream towards the mouthpiece's tip opening and shake it back forth between your lips

"

F

222222222222222222222222

mouthpiece tip clap shake

‚

rrrrrrrr rrrrrrr p

#

" ‚ I

cccc

!

xxxxxx

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saturated

17

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ‰ mouthpiece tip clap shake

49 B b Cl.

5

F

œ

5

pppppppp

gggggggggggggggggggggggggggggggggggggggggggggg

flapping

œ

f

œ

œ

p pos

cluck

12

>! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

!

sound gesture streched

3333 3 3 3 3 3 3 3

f pos " # tremolo

!

!! ! !!!!! $

Œ

3333333 f

Vla.

!

!

!

!

col legno tratto ringing pulse

!

p pos

!

!

!

!

!

!!

18

!! !!

!!

!!

!!

slap oing, heart reed

mz

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

start with slap and move from loose lower lip and increased pressure against the reed at the heart of the reed

f

slap tip and tremolo open/close keys tap

change the RH keys to raise the tapping pitch

h h h h h h h h h h h h h h h h !! !! !! !! ! !!!!!!! !! !! !! !! !! .!!. !!. !! ! !! !! !! !! !! !! !! !! !! ! !!

5

!!!! > > >10

5

v v ● ●● ●● ● ● ●● ●

h

h

ppp ppp fppppp pos

!!!

10

splatter slap

gobble shake

!!!!!!!!!!!!!!!!!

12

!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! sound gesture streched

# +!

# +!

# +!

# +!

# !+

# +!

# +!

# !+

# +!

# +!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!

!

!

!

!

!

!

!

v v ● ●● ●● ●●●●●●

v ● ●●●●●v ●●● ●● ●●

# ‚ ‚

‰.

v ● ● ● ●●v ●● ●● ● ●●●● ●v ●v ●

arco

f

LH xhi touch, bow xSP stop at frog with force

‚

‰

III

!

reversed fx

!

3333 3 3 3 3 3 3 3

f pos square notehead, hold down the string " #" # arco – ! !! !!!!!!! !!!!!!! !!! ! ! ! !

!!!

!!!

!!!

!!!

slap tip

!

!

! !

!

!

! !

!

!

!

!

yelp

the striker remains on the surface as it returns back

mz

!

!

!

!

!

duck tremolo

‰

‰

!

! !

allow high freq resonate

!

!

!

!

f pos

heart reed

!

J

p pos

‰

!

!

C#3

groan

breathy

! !

!

xxxxx squeaky

grunt

Vla.

!

gggggggggggggggggggg

cluck

12

kkkkkkkkkkkkk k k f pos

I

f pos ! ! ‰.

clap

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! ! ! ! ! ! ! ! ! !

12

Vln.

v ●●●●●v ●●●●● ●

! Œ

●● ●●●●

mz

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!! !!! !!! !!! !!! !!! !!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!

Perc. II

!

!

f pos

gradual sound streching oing pos

key taps

Perc. I

!.

!

5:1

slap tip

A. Sx.

!

!

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

Œ

B b Cl.

!.

roto yelp

flopping

!! !! !! !! !!

4 4

!

!

$

clack

●●

mz

# # # # # # # # # # # # # # # # # # # # # # +! +! +! +! +! +! +! +! +! !+ +! +! +! +! !+ !+ +! !+ +! !+ !+ !+

IV

!.

tip clack roll

c cccccccccccc mmmmmmmmmmmmm cccc

sharp upbow at frog and LH tapping

f pos

52

#

œ

w

tip flutter reed

chuffed

s !

œ

fluttering

stab grunt

‰.

œ

9

oing

fppppppppp

short friction gestures; tube doesn't get off the cymbal as it returns back

Vln.

œ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

kkkkkkkkk k k k

Perc. II

œ

j ! ! slap tap ! ‰ key taps !! !!! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! !! !! !! !! !! !! !! !! !! ! Œ ! !! !!!!!!!!! !!!!!!!!! !!!!!!!!! !!!!!!!!!

10 10 10 > 10 > 5 splatter > > slap clank

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! ! ! ! ! ! ! ! ! ! ! ! !

12

Perc. I

œ

pressure against the reed at the heart of the reedwithout chaning position

right hand keys remain closed

A. Sx.

5 4œ

oing, heart reed start with loose lower lip and increase

!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!

! !!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!

3333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333

f pos diamond notehead, touch the string " #" ‚ ! ! !!! !!!!!!!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !!!!!!!!!!!!!!!!!!!!!!!!!

II

squeaky tremolo

!!! !

3333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333333

10

55

!

B b Cl.

slap tip

!

losen slghlty the lower lip pressure against the reed to produce a half step bend downwards

heart reed

!

A. Sx.

! " ‰

!.

"

groan

p

gggggggggggg

breathy

Perc. I

!

! !

Perc. II

!

!

!

ccc

raspy squeaky

!

!

ggggggggggggg

!

!

ccc

!

!!! ! ! !

Vla.

58

!

Œ

!

3

!

!

!

!

3

!

ccccccccc

œ

!

! " ‰

Œ

! !

!

!

!

yelp

!

!

#. #.

R

R

R

3

!

. !

. !

. !

mm

mmm

mmm

3

. !

. !

mmm

m m

3

. !

grunt mm

!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! !

ccccccccccc

. !

. !

3

. !

. !

. !

. !

. !

. !

. !

. !

mm

mm

mm

mmm

mmm

mmmm

mmmmm

3

sound gesture streched mm

!

mmm

!

mmm

!

!

!

mm

mmm

m m

!

!

mm

!

!

!

3333333rrrrrrrrrrrrrrrrrrrrrrrr 3333333 rrrrrrrrrrrrrrrrrrrrrrrrrrr rrrrrrrrrrrrrrrrrrrrrrrrrrrr 19

B b Cl.

!

!

‰

!

Œ

!.

" ‰

!

!

! !.

! ‰

20

harmonic node

bleat

"

%

G#3

‰

!

! ‰

! !.

" ‰

!

!

‰

‰

!.

!

"

"

A. Sx. mz

F3

"!

Perc. I

Perc. II

.

E4

!.

!

" ‰ !

!

!

p

# !

# !

$

!

cluck

!

# !

the bow remains on the string for upbow

$

# !

!

! !

cccccccccccccccccc

ccccccccccccccccc

!

!

circular friction

!

!

!

!

!

!

!

!

!

!

cccccccccccc

!

ccccccccccccccc

!

touch the cymbal to muffle resonance

ccccccccccccc

$

# !

!

$

# !

Vln.

!

!.

groan

! mz

Vla.

" !

ccccccccccccccccc

cccccccccc

!.

!

!

press the tube at the right angle to get more squeaky sounds

cccccccc

‰

!

squeaky

R

333

cluck

!

cccc

ccc

‰

Œ

ggggggggggggggggggggggggg

! ! "

!

#. #.

Vln.

! " ‰

!

gggggggggggggggggg

! !

ccc

‰

‰

!

cccccccccccccccccccccccccc

!

rrrrrrrrrrrrrr rrrrrrrrrrrrr rrrrrrrrrrrrrr

Œ

ccccccccccccccccccccccccc

# slow bow s IV groan pulsive

mz

!

$

!

61 B b Cl.

!

J

harmonic node heart reed

!

!

21

‰

!

Œ

!

‰

!

! gggggg

bleat

!

yelp

!

" ! !.

R

!

‰

Œ

gliss

Perc. II

!

" !.

‰

!

E3

E3

‰

A. Sx.

Perc. I

" ! !

bleat

E3

‰

‰

!

!

!

" ‰

! !.

! ‰

!

!

Œ

cluck

!

‰

!

!

!

!

!

!

!

!

!

!

!

!

●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

pulsive

square notehead, hold down the string

‰

Vln.

‰

Ó

# –

slow bow

!

!.

mmmmmmmmmmmmmmm

Œ

Vla.

!

I ringing

mz

$

% s

Ó

# % #% #% ! ! ! !

IV grunt c

ccc

!

Œ

B b Cl.

!

22

‰

Œ

f

!

" !.

Œ

A. Sx.

Perc. I

!

!

Extinguisher Deer Call

‰

Œ

Perc. II

! ‰.

yelp

œ

moaning

o

!

!

!

!

%

!

E4

p

bleat

!

!

F3

! w

! " ‰

Ó

$

wrap the lower end of the extinguisher with you fingers and close the opening gradually creating a filtering effect

ï

% % –. % !

!

#

–. " ‰ # % !

Ó

‰.

IV

cc

cc

cc

ccc

ccc

ccc

œ

œ

o

‰

Œ

‰

œ

o

moaning

mz

slow bow

– !

moan

!

rr r rr r rrrrrr B2

mmmmmmmmmmmm

!.

Vla.

c

E3

E3

don't slide all the way up

6

!

p

˙

! " –.

!

heart reed

slideup the extinguisher's slide keep nmuted the lower opening

mz

Vln.

mz

!

Ó

moaning

ggggggggggg

!

!

c

c

mz

Requiem for a Dream

64

!

!

p

noisy

‰

ggggggggg ggg

ggggg

" " !.

11

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm ccc mmmmmmmmmm mmmmm

Œ

mmmmmmmmmmmm

mmmmmm mmmmmmmmmmmmmmmmmmmmm mmmmmm mmmmmmmmmmmm

# ‰

IV

–

mmmmm

mz

slow bow

moan

!.

mmmmmm ccccc ccccccccc mmmmmmmmmmmm ccccccccc mmmmmm ccccccccc mmmmmm ccccccccc mmmmmm ccccccccc mmmmmmmmmmmm

mz

12

67

!

B b Cl.

!

!

Œ

!

E3

!

‰

Œ

A. Sx.

‰

Œ

!

bleat

heart reed

!

!

moaning E3

!

roto yelp

"

Perc. I

p

slideup the extinguisher's slide keep nmuted the lower opening

Perc. II

w

ï

w

‰

!

!

Œ

œ

o

‰

‰

œ

moaning

œ

ï

œ

$ Vln.

!

rrrrr mmmmmmmmm

Vla.

mmmmmmmmm

mmmmmmmmm

Ó

‰

m

!

# – !.

IV

moan r r rrrrr B2 r r r rmzr r r r r

mmmmmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmmmmmmmm

$

!

!

mmmmmmmmmmmmmmmmmmmmm

Ó

‰

IV

ccccccccccccccccccccccccccccccccccccc ccccccmm mmmmmm cccccc mmmmmm cccccc mmmmmm cccccc mmmmmm mmmmmm cccccccccccc mmmmmm cccccc cccccc mmmmmmmmmmmm mmmmmm cccccccccccccccccc

–

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

slow bow

moan

!.

LH gliss and hold down the string (square notehead)

cc mmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmm cccccc mmmmmmmmmm

mz

70

!

B b Cl.

apply less pressure against the reed to pitchbend a semitone down

!

!

Ó

bleat

E3

!

!

‰

A. Sx.

Œ

‰

!

!.

!

heart reed

moaning mmm mmmmmmmmm

Perc. I

Perc. II

!

!

Œ

!

move the slide slightly higher this time

o

!.

!

!.

! %

Vln.

!

rr rrrrrrr

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Vla.

!

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E3

Œ

# –.

IV

‰

!.

!

‰

˙.

moaning

ï

Œ

o

slow bow

!

!

LH gliss and hold down the string (square notehead)

rrrr r r r rmz

r r rrrrr

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mmmmmmmmmmmmmmm

!

Œ

!

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$

slow bow

cccccccc

Œ

‰

IV

– cccc

73

!.

!

B b Cl.

,

corner clap roll

!

‰

Ó

A. Sx.

!

!

E

F

p pos

!.

heart reed

13

upper lip grips the mouthpiece corner/tip so that the reed hits the lip as it rolls

!

soft clap reed rolling

!

moaning F3

E3

!

Perc. I

!

!

Perc. II

‰

‰

!

! f

!.

move the slide slightly higher this time

Œ

!

Vln.

!

IV

rr rrrrrrr

mmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmm

Ó.

ï̇

Œ

Lion's Roar

.

moan

!

slow bow

moan

p

mmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmm

!.

!

Vla.

".

L

Œ

‰

!

!

!

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mz

76

23

Rapid's Hole

!

!

!

!

‰

‰

" slow bow R

IV saturated groan

cc cc cc

c

!

B b Cl.

Ó

A. Sx.

heart reed

!

moaning F3

Perc. I

Ó. hold the string softly and pull slowly from base to the edge

Perc. II

! !

‰

slow soft

! ! !

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o #

slow gliss

!

!

!

!

Vln. ccccccccccccccccccccccccccccccccc

ccccccccccc

!

Vla.

!

Ó

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p

14

!.

79

B b Cl.

F

! ‰ ..

corner roll

24

‰

Ó

E

!

!

upper lip grips the mouthpiece corner/tip so that the reed hits the lip as it rolls

!

E

F

soft clap reed rolling

!.

# !.

Œ

A. Sx.

Perc. II

Vln.

slow gliss

! ! !

99999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999999 !

ï

Œ

Œ

Ó " L

Œ

IV

# !. ï

close the tube by wraping your hands around the tube’s end creating a chamber

!.

! !

!

slow bow

o $

moan cccccccccccccccccccccccccccccccccccccccccc

!

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!

!

ccccccccccccccccccccccccccccccccc

82

!

G3

p Vla.

!.

moan

D#3

Perc. I

p pos

heart reed

ccccccccccccccccccccccccccccccccc

7 4!

cc cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

4 4!

!.

B b Cl.

F

!.

25

the upper lip grips the tip, the lower lip slightly touches the

corner extreme tip roll reed, blow a norrow air streem (like blowing on hot coffee)

‰

E

fast roll breathy

p

grunt

ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!

!

Ó

A. Sx.

Perc. I

Perc. II

!.

!

!ï

‰

corner roll

Bb

9999999999999999999999999999999999999999999999999999999999999999999999

!

!.

!

D#3

!

! !

grip extreme tip pulse roll

wï

clack roll breathy

p

!!!!!!!!!!! !!!! !!!!!!!!!!!!!!!! mmmmmmmmmmmmm

Ó

!.

!

# ‰

!!!! !!!! !!!!!!!!!!!!!!!!!!! mmmmmmmmmmmmm

!

m m

! !

‰.

!!!! !!!! !!!!!!!!!!!!!!!!!!!! mmmmmmmmmmmm

!!!!! !!!! !!!!!!!!!!!!!!!!! mmmmmmmmmmm

hold the string softly and pull slowly from base to the edge

slow soft

!

!

99999999999999999999999999999999999999999999999999999999999999 p pos , . . start . .each .grunt. using. diaphragm . . . . . . . . . . . . . . . . . ï! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

!o !.

. # # !

m

grunt

!.

!

!

‰

Vln. ccc ccc ccc

!

ccc cccccccccccccccccccccccccccccccccccccccccccccc

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!.

Vla.

s

‰

" slow bow !

‰

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

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s

"

!

‰

s

"

!

‰

s

"

!

IV ccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc cccccc

breathy groan

!!!!

mmmmmmmmmmmmm

mz

!!!!

mmmmmmmmmmmmmm

!!!!

mmmmmmmmmmmmm

!!!!

mmmmmmmmmmmmmm

B b Cl.

F

26

the upper lip grips the tip, the lower lip slightly touches the reed, blow norrow air streem pulses

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

85

E

mm

mm

mm

!

mm

‰

mm

mm

!.

mm

mm

mm

mm

mm

mm

mm

mm

mm

mm

corner roll

mm

mm

mm

!

Œ

F

E

soft clap reed rolling

p pos

mm

!

A. Sx.

!

clack breathy

p pos

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!

!!!!! mmm ! !

pull softly, slowly from base to ~2" range

!.

! ‰ 9999999999999999999999999999999999999999999999999999999999999999999999999999999999999

Perc. I

. . . . . . . . . . . . . . . . . . . . Œ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !o !ï ! ! !

Perc. II

" L

‰ Vln.

IV

!.

groan

o

moan

! !

s

"

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

!

‰

s

"

!

" ,

s

‰

!!!!

!

88 B b Cl.

F

!!!!

!!!! mmmmmmmmmmmmmmmmmm

mmmmmmmmmmmmmmmmmmm

!

$

!

!

!

A. Sx.

6

tip clack roll

!

!

grunt mm

mm m

m

m

m

mm

m

m

m

mm

m

m

m

mm

m

m

!

corner clap roll

‰ ..

f pos ,!

m

tip clack roll

Πincrease air and lower lip pressure against the reed as you slide the lower lip inner

oing reed press

clack

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Perc. II

mmmmmmmmm

mmmmmmmmm

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . !ñ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !o ! ! ! ! ‰ grunt !

f pos

!ï

groan

f

!

Vla.

! mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

p

." . ! !

. !

f pos

striker

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".

squeaky

!!!!!!!!!

Slate Pot

Vln.

s

‰

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

mmmmmmmmm

mmmmmmmmmm

!

!

Bb

ccccccccccccccccccccccccccccccccccccccccccccccccccccccc ! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !

Perc. I

cccccc

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

grip extreme tip pulse roll

Œ

E

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

! ! ! ! ! ! ! !4! ! ! ! ! ! ! ! ! ! !

27

ï

!

Vla.

mmmmmmmmmmmmmmmm

mmmmmm

o

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

! ‰.

mmmmmmmmmmmm

mmmmmmmmmmmm

mmmmmmmmmmmm

!

slow bow

# !. ! # ! k k kkkkk kk kkkkk kk d d ddd ddd kk

!

k k kk p ddd

ï

˙

‰

!

!

moan

mz

‰

15

!

corner roll

. !

. !

. !

. !

. !

. !

. !

. !

. !

. !

. !

. !

. !

grunt

" ! groan

mz

. . . . ! o ! ! ! ! ‰ grunt bow slowly on open >" . string with some pressure $ s ! # # r ‚ I !!!!!!!!!!

ccccc c cccccc

ringing abrasive

f pos

! ‰

$ R

!

mmm

‰

reversed fx

kk f pos mmmmm

16

4 Straightjacket Farm 91 4 -! !. !. !. !. slap tip heart roll

Ó

B b Cl.

Œ

Œ

mm

mm

mm

mm

-!

Œ

mm

mm

Vln.

12

mm

" !.

12

mm

mm

cluck

12

!! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! ! !! !

Vla.

mm

!.

mm

kkkkkkkkkk f 10 # $ # $10 R R ! ! !!!!!!!!!!!!!!! Œ

94

mm

mm

3

mm

mm

mm

mm

mm

mm

mm

Œ

!. "

! !

‰.

oing

!.

‰

mm

cluck

kee kee gliss

"

!.

mm

mm

mm

Ó

mm

mm

mm

mm

"

groan

3

Œ

3

!ñ

!

groan

‚ !

" Œ

‰ m mm mmmm

f !.

grunt cluck

mm

call

mm mmmmm

mm

mm

mm

! " !

mmmmmm m m m

m

. " !

mm

mm m

m

mm

!

m

mmmm

˘ " !

ï

! !o

# # # $

‚. !. !. ‚

‰.

mm

" ‰

‰.

Œ

mm

! ‰

mmmm

kee kee gliss

Ó

! ‰. # #

!. !. !. !. !. " ‰

mm

‰

!

mm

mm

3

‰

mm

mm

mm

mm

‚.

mm

mm

mm

mm

mm

˘ ˘ ˘ ˘ ˘ ˘ ‰ ! ! ! ! ! œ̆ !

3

" ‚. !. !.

Œ

mm

mm

3

3

mm

mm

mm

m m

!ï

‰

o!

ï

.

$

!. !. !. !. !. !. ‰

Œ

mm

‰

Œ

mm

mm

mm

mm

Œ

mm

˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘ ˘ ! ! ! ! ! ! ! ! ! apply more pressure

‰

Œ

3

p

mm

3

mm

m

m

m

m

3

mm

mm

mm

mm

short tongued attacks

!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !. grunt

$

" ‚

p pos

# #

!.

" !. !. !. !. !. !. !. !. !. !. !. !. m mm mmm

f !

"

mm

mm

" Œ

‚ " < !. !. !. !. !. !. !. !. ‰

! !.

‰.

Œ

mm

!. !. !. !. !. ‚ .

grunt

mm

! !. !. !. !. !. !. !.

grunt cluck

# #

‰.

!

J

!. !. !. !.

grunt

mm

# #

$

‰.

mm

m mmmm mmm m

cluck

mz

!. " ‚

‚. !. !. !. !.

!. !. !. !. !. !. !. !. !. !.

! !

Œ

˘ ˘ ˘ ˘ " ‰ ! ! ! ! ‰

!ñ . !. !. !. !. !. !. !. !. !. ‰

$

# # #

‚ ‰

m mmmm mmmmm

grunt

Ó

mm mm

!

mm

m mmmm mm

‚

‰.

A. Sx. mm

‰

mm

mz

" !. !. !. !. !. !. !. !. !. !.

mmmmm m m m

mm

3

3

mz

‚

‰

mm

˘ ˘ ˘ ˘ ! ! ! ! !

grunt cluck

m mmmm mm

$

IV

!

Vla.

!. ! .

cluck

mm

Vln.

!. !. !. !. !. !. !. !.

˘ ˘ ˘ ˘ ˘ ˘ " ! ! ! ! ! ! Œ

groan

groan tremollo

Perc. II

Œ

mm

Œ

kee kee gliss

!. !. !. !. !. !. !. !. !. !. !. !.

mm

mm

m m

kkkkkkkk f

Perc. I

mm

slap tip heart roll

!

kkkkkkkkkkkkdddd p f pos f wrap your hands around the tube’s end creating a hand ocarina purr chamber & lift the 4 fingers on one hand up & down . . . . . . . . . . . . . .

12 12 " ! !. " !o!ï!o!ï!o!!!!!!!!!!!!! ‰ . !ñ ! ! ! ! ! ! ! ! ! ! ! ! ! !ï !ñ ï o groan t purr grunt kkkkkk mz f pos #$# $ # # # # " " 10 5 10 !. ‚ ‚ ! ! ! !!!!!!!!!!!!!!!!!!!!‚ ‚ !. ‚. !. !. !. !. !. !. !. !. !. !. groan tremolo

B b Cl.

mm

!. !. !. !.

mm

mz

gobble shake12

mm

soft slap tip heart roll

call

Perc. II

! oing

mmmm mm m

Perc. I

!. !. !. !. !. !. ‰

grunt

mz

A. Sx.

!. !. !.

$

‰.

‚ ‚ groan

mz

‚ ‰

# # #

‚. !. !. !. !. grunt

3 97 4 !

28

". ‰

".

B b Cl.

" " R

elephant call

F

‰

4 4 " "

leave a tiny gap between lower lip and reed, and blow a burst of air change reed pressure as indicated

"

"

Perc. I

Perc. II

mmm

˘ "

˘ "

3

m

m

m

˘ "

3

m

mmm

m

f pos

‰

! "

‰

˘cluck "‰

".

kee kee gliss

m

f

Œ

" kee kee gliss

Vla.

‰

". ". ". ". ". ". ". !

sniffing

" !‰

"

‰

B b Cl.

29

"

‰

singing line

growl Y YY YY distorted

Y YY Y elephant call play sing

"

" " " " " " "

"

Bb

A. Sx.

slap tip

v v v Y YYYY Y Y Y distorted v

Perc. I

Perc. II

f pos ".

" "

‚

gg

g g g

‰

s

#

‚"

bow on open string touch high next to bow area and release

I !!!!!!!!!! dino call mmmmmmmmmmmm !!!!!

‰

Vla. !!!!! mmmmmm

gg

g ggg

#

s

bow on open string touch high next to bow area and release

‚"

#

‚ <

3

‰

"

#

IV

f

grunt

gg

".

f pos

" J

"

cluck

3

g g g

f pos

‚

g gg

gg

Œ

f pos

p

,

"

‰

. " ".

play sing

3

Y Y Y Y Y Y Y Y

. "

" "

"

3

"

"ï

moan

p pos

Œ

w

o

‚ <

‚ <

‚ <

‚ <

‚ <

gg

gg

gg

gg

gg

gg

gg

gg

gg

"

‰

Ó

3

#

s IV

‚

‰

dino call !!!!!! mmmmmmm

f pos

!!!!!!

"

Œ

‰

elephant call play sing

"

play sing

f pos

" " " "

"

f pos

f

"

Œ

slap tip

Bb

vvvv YYYYYY YYYYYY v bellow B2+ distorted singing line

"

"

3

"

3

p

" J "

3

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Œ

‰.

Π#

s IV

‚

‰

f pos

gg

moan

"

f

I dino call

!!!!!!

!!!

‚"

‰

!!!!! dino call ! mmmmmm ! ! ! !mmmmmm

!!!!!

f bow on open string touch high #s " next to bow area and release ‚ ! ‚. ‰

" J

g gg

"ñ

Ó.

growl vvv YYYY vv pos

"

o

‚ <

3

g

growl Y Y v

g g g

"ï

g

YYYY YYYY

"

3

g gg

gg

‚ <

3

Y Y Y Y Y Y

"

g

‚ <

30

"

"

"

3

‚ <

f pos

" " ".

"

‰

IV

‰

Œ

Bb

!!!!!!!!!!! mmmmmmmmmmmmm !!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

A2

‰

grunt

‚"

kee gliss , kee ". " "

"

3

‰

squeaky

. . 5. . . . . . . Œ " " " " " " " " "ñ Œ

g ggg

gg

·

dino call

bleat

"

Œ

3

" J

ringing

Œ

"

kee kee gliss

"

"

groan

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

f

heart reed

mz

‰

f pos

Vln.

p

singing line

g ggg

"

Y Y Y Y Y

harmonic node

the tip should have contact with the surface as it returns to its initial postition

p pos bow slowly on muted # string with pressure

f pos

> play sing . ! " " "

‰.

Œ

"

grunt

‰

‰

"

E

F

f f short tongued attacks . . . . . . . . 5. . . . . . . . . . . Π" " " " " " " " " " " " " " " " " " "

cccccc ccc ccccccccc mmmmmmmmmmmmmm m

100

"

cluck

3

groan

fast bow

elephant call play sing

kkk kk k

f

gggg gggg

‰

f pos

Y distorted v v Y Y v Y G#3+ v singing lineYY pos

bleat

mz

‚ $ s

! "

G#2

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

f

".

bow slowly on muted string with some pressure

·

I

p

growl

"

‰

Œ

17

play sing

YYYYY YYYYY distorted

heart reed

f

‰

"

play sing

F singing line

mz

hand ocarina purr bark . . . .

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#

Vln.

˘ "

!

E

" ! " " trill the G key ~~~~~~~~~~~~~~~

f pos

! ".

moaning F2

distorted Y Y Y Y Y Y

YY YY YY F4 Y

˘ "

".

shoulder roll

elephant call

Bb

A. Sx.

! " F

Y Y Y C5 Y

f pos

! " "

!

play sing

"

!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmm

" Ó

f pos

!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Œ

# !s . ‰.

‚

IV

dino call mmm !!!

f pos

!!!!!

18

‰

! " ‰

103

B b Cl.

!.

!

!.

!

" !

31

E

F

Y Y

" ‰

v Y v Y v Y v Yv Y v

3

g gg

gg

!

3

g g g

g gg

,

ñ !ï

˙o

Perc. II

!

!

‰

g

!

●●●●

g

overblow while closed and allow distorted sound

p f pos # " s.

●●●●

●●●

●●●

●●●

●●●

!!!!!!!!!!!!

‚!

!!!!!!!!!!! mmmmmmmmmmmmmm !

" !.

106

! " ‰

!

‰

F

dino call

s

Bb

f pos

‰

Y Y

f pos

singing line

‰

!

!

!

!

Œ

Œ

!

!

J

!

,

ñ !ï

j

!o

!

!

!

!

‰

! !

ï

!.

‚!

!!!!!

! Œ

f pos

o

f

sheep bleat

!!!!!!!!!!!

Œ

Donkey Brutalism

shoulder

!

!

play sing

v Y Y v Y v Y

‰.

Bb

!

shoulder reed play sing

!.

moaning Y YYYYYYYYYYYY vvvvvvvvv Y v v

kkkkkkkkkk

stronger press of leather to string

slow

Ó

‰

singing line

!

!

Œ

!ï

!

!

"

f pos

Ó

stretched bray

!

abrasive mmmmmmmmmmmmmm v v pos

f

squeacky

o

j !ï

‰

!o

abrasive mmmmmmmmmmmmmmmmmmmmmmm vvvvv pos

f bow slowly on open # . string with some pressure

o

Œ

%

I

ringing

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!

Vla.

‰

" Œ

#

s.

cccc mm mm ccc cc mmcc mm cc mm mm ccc mcmmmmmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmm

!!!!!!!!!

f pos

abrasive

! ‚

IV dino call

groan

f pos

#

!

I

!!!!!!!!!!! !

$. s

ñ

‰

!.

‰

!

f pos

!

harmonic node

Ó.

Vln.

s

‰

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abrasive mmmmmmmmmmmmmmmm vvv

f pos

f

moaning

gggggggggggggggggggggggggggggg

slideup the extinguisher's slide keep nmuted the lower opening

ï

!

!!!!

reed roll heart reed

‰

Ybellow v YY distorted Yv G4+ v Y singing line

f pos

!

!!!!! mmmmmmmmmmmm !!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!

f pos

elephant call play sing

Bb

!

!!!!!!!!!!!!!!!!!

!

!

‚!

‚

dino call

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!

like donkey bray

Œ

! ‰

IV

F

!

!

!!!!!!!!!! dino call mmmmmmmmmmmm

#

E

shoulder reed play sing

stretch tthe string, pull push from base to ~2" range

!

!

o

!!!!!!!!!!!!!!!!!!!!!!!

!.

Œ

v v v v v Y Y Y Y Y Yv Y Y Y Y vsinging line F2+ distorted bellow pos

!!!!!!!!!!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmmmmmmmmmm

Œ

!

Bb

gggggggggggggggggggggggggggggggggggggggg

abrasive YYY mmmmmmmmmmmmmmmmm v v v

!

‰

f pos

!

!

f

elephant call shoulder reed play sing

mz

!ï

! ‚

‚

v vvvvvvv YYYYYYYYYY YYYYYYYYYY Y Y bellow distorted v E2+

Perc. II

Œ

bray

● ●●●

Y v YYYYYYYYYYY vvvvvvvv Y v Y v v Y YY v Y Y v

Perc. I

Lion's Roar

YYY mmmmmmmmmmmmmmmm v vv

!!!!!!!!!!!!

!!!!

! Œ

Vla.

A. Sx.

kk

!

Œ

Y v Y v Y v Y Y Y v bellow F2+ pos

Ó.

"

o !. abrasive

" !. purr

‰

●●●●

f f

kk

‰

I

Vln.

B b Cl.

! ‰

3

Y v YYYYYY vvvv Y v Y v YY Yv v YY v Y

singing line

Y Y

Perc. I

!

J

purr

‰

!

play sing

F

moaning

! ! ! ! ! ! ! play sing!

Œ

A. Sx.

!

!.

elephant call

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! f

"

central roll

F

Y Y v v Yv v Y Y v v

longer reed sound

! ! !

J J

" !

F

YYYYY vvvv

!

‰

!

‰

!

mmmmmm !!!!! !!!!!!!!!! !!!!!!!

f pos

‰

$ s

#j

! "s

fast bow

LH mutes the vibrating strings

‚! .

IV

.. k.k f pos

reversed fx

m mm mm mm mm mm cc mm cc mm ccc cccm mmmmmm

‚

‰

Œ

dino call !!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmm !!!!!!!!!!!!!!!! !!!!!!

f pos

109

!

B b Cl.

Bb

A. Sx.

!

!

‰

‰

!

!

Œ

F

!

E

F

!

˙

!

kkkkkkkkkkkkkkkkkkkkkkkkk

!

!

!

! o ‰

‰

Œ!

" ‚

stretched bray

"

!

!

# o

‰

Vln.

I

ringing

#

R

‚

‰

" !

# !‚

" ! ‰

# ! !‚ $

" ! ! $ ‰

f pos

# ‚!

‰

mmmmmmmmmmmm

mmmmmm

f pos

mmmmmm

Œ

F

‚

dino call

# ‰ !!!!!!!!!!!!!!!!

" allowing the rattle of the string on the fingerboard # ! ! !

– – J hold down the string and bow with pressure

●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●●

mmmmmm

E

abrasive

!!!!!!!!!!!!!!!! mmmmmmmmmmmmmmmmmmm

rattling groan

˙.

play sing

!

f pos

!

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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!!!!!!

!ï

mmmmmmmmmmmmmmmmmmmmmmmmmmmmm vvvvvvv YYYYYYYYY

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

B b Cl.

moaning distorted v Y YY v YYYYYYYYYYYYYYY v vv Y vvvvvvvvv v

singing line

abrasive mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvv

!#

Vla.

!

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f pos

‰

shoulder reed play sing

!

kkkkkkkkkkkkk

!ï

Œ

ï

!

112

‰

!

moaning

,

!

!

!

YY YYYYYYYYYYYYYY Y vv v v vvvvvvvvv Y v v Y

mmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmm

Perc. II

!

shoulder reed play sing

singing line

Y v Y

Perc. I

‰.

‰

19

shoulder

!

distorted vvvvvvvvvvvvvvvvvvv YYYYYYYYYYYYYYYYYYYYYYYYYYY YYYYYYYYYYYYYYYYYYYYYYYYYYY

A. Sx.

Bb

$

Œ

!.

shoulder reed play sing

!

singing line

!

!.

Œ

moaning distorted

Perc. I

!

keep the tthe string stretched push fast/light to the base

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gggggggggggg !!!!!!! !!!!!!! !!!!!!! mmmmmmmmmm gggggggggggg !!!!!!!mmmmmmmmmm mmmmmmmmmm !!!!!!!!!!!!!! mmmmmmmmmm ! mmmmmmmmmm m

Perc. II

o!

!

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvv

Vln.

Œ

" . string with some pressure

o

I

bow slowly on open

!#

YYYYYYYY vvvvvv v Y kkkkkkkkkkk Y kY k k v

!

!

xx

squeacky

moaning distorted

singing line

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!.

shoulder reed play sing

$ !. ï

!

!.

o

abrasive mmmmmmmmmmmmmmmmmmmmmmm vvvvv

f pos

"

$

$ !. ñ

!.

!

!

f

o

mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm vvvvvvvvvv vvvvvvvvvv abrasive pos

ringing

‰

Ó

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!

Vla.

–

f pos

abrasive

"

! ¬

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●●

‰

" !

– J

!

–

! ¬

#

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●● ●●●● ●●● ●●● ●●● ●●● ●●● ●●●● rattling

20

115

B b Cl.

5 4

!

E

F

4 Dr. Guillotin

,4

!

!

slap and move from loose lower lip and increase air and lip pressure against the reed

! !

‰.

elephant call

F

YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvvvvvvvv YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY

!

w

Bb

A. Sx.

! ‰. slap

Perc. I

!

!

‰

Vln.

" !. ñ

" Œ

!. #

R

I

!

!.

!

abrasive mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm YYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvv

f pos

bow slowly on open string with some pressure

!.

$

#

!

"

Bb

Œ

mm mm m

f

saturated roll

˘ ¿ " ‰

f pos

%

Vla.

# ! ¬

#

!

–

R

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

Ó

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

32

!

B b Cl.

keep loose the lower lip and gradually increase pressure against the reed

!.

roll

!.

harmonic node

!

!

‚

‰

!.

fast bow

"

ccccc ccccc ccccc mmmmmmmmmmmmmmmm

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

118

fast bow

ccccc ccccc ccccc mmmmmmmmmmmmmmmm

abrasive

$ !

–

f pos

‚

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

f pos

Œ

secco

Ó

ringing

Œ

F4 vv

#

!

roll

! !

"

slap pos

secco

!!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmmmmmm mmmmmmmmmm !!!!!!!!!!! m mmmmmmmmmmmmmmmmmmmm !!!!!!!!!!! !!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmm !!!!!!!!!!! mmmmmmmmmm !!!! mmmmmmmmmm mmmmmmmmmmmmmmmm

Perc. II

‰

pos Snare Bass Drum

‰

Œ

elephant call shoulder central

f ˘ ¿ " ‰

YYYYYYYYYYYYYYYYYYYYYYYYYYYYYY vvvvvvvvvvvvvvvvv vvvv kkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk

!

f pos

! " ‰

œ

vv

Y Y Y mY Y Y m m saturated m slap

f ‰

Œ

Œ

‰

Œ

Œ

33

!

roll

moaning G4

A. Sx.

Bb

! " ‰

f

oing, heart reed

!

Perc. I

secco

f pos

Bird Water Whistle

Perc. II

Œ

‰ Vln.

‰

v

roll

˘ ¿ " ‰

Œ

‰

!.

elephant call

!.

roll

!.

harmonic node

bleat

F4

highest tone

xxxxxxx

r

very high whistling tones

ï

!.

close hole

open hole

slap clack roll

! ‰. o ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ dtweets d

LH RH

# ‚

C#6

very high sine tone no tweets

treat pitch flexibly

·.

$

·

#

$

LH RH

f # ‚

·.

II

f

high harmonic tone

‚ " ‰

vvv reversed fx f pos ccccc

mmmmcccc mmm

$

·

#

$

‚ " ‰

vvv reversed fx f pos ccccccccc mm mm mm m

! "

Œ

Œ

Œ

Œ

f pos f

ï

!

overblow at 20° angle close hole

x

f

$ ‚.

# " " ‚.

vvv v reversed fx

cccc mm mm cccc mm m

Œ

Slide Whistle ˘ ! ¿ " J highest tone secco

Œ

II

‰

slap clack roll

Snare Bass Drum

Ó

xxxxxxx

f

high harmonic tone

Vla.

! "

change the angle to 0°, reduce air pressure to allow tweeting

!

overblow at 45° angle

II

‰

"

w

Slide Whistle

f

" !

fast bow

II saturated

f # " ‚.

fast bow

II

f

saturated

121 B b Cl.

!.

5 4

!

harmonic node

‰

tip clack roll

34

! . harmonic node

Ó

bleat B4

mz

!.

,

harmonic node

E4

Perc. II

!.

xxx

Œ

˘ ¿ "‰

Snare Bass Drum

secco

very high whistling tones

!

!

open hole

x x high harmonic tone no tweets

change the angle to 0°, reduce air pressure to allow tweeting

! ! ‰. o ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

f pos

#

‚.

"

Vla. ccccccccc

overblow at 45° angle

"Œ

Œ

!. ® ‰

Œ

$

f

Œ

Œ

ï

36

very high sine tone no tweets

‚

œ

the notes in the slide area indicate the slide position

$

Œ

33333333333333333333333333

% " ‚ ·

3333333333333333333333333333333333

4 4

‚ æ

tremolo

‚ æ

push the slide all the way up to produce a whistling tone

tweets

·. æ

‰

squeal tremolo

Slide Whistle

!.

! o open hole ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

x x

· æ f

change the angle to 0°, reduce air pressure to allow tweeting close hole

very high harmonic tone

II

!.

gliss

III

f

!

xxxxr

!.

f

#

·

reversed fx

B b Cl.

$

II

·

124

Œ

œ.

œ

Œ

% " ‚.

Vln.

Œ

f pos !

Slide Whistle

slow tweet

‚ ‰.

" ‰

slap clack roll

Ó

tweets

#

·.

Œ

21

f

$

‰

slap clack roll

roll

Perc. I

! "

35

F

moaning G4

A. Sx.

6 4!

f

#

f

tweet

x ‰

‰

" "

>‚%

f pos ‚ ‚%

squeaky

high harmonic tone

37

w

w

xxxxxxx xxxxxxxx

howling wind very high whistling tones

p

Slide Whistle

$

A. Sx.

Perc. I

blow softly with some variation

!

!.

!

x x x xr gliss

f

Vln.

‰

xxxxxx xxxxxx howling wind very high whistling tones

p

"

change the angle gradually and reduce air pressure

!

f $

Œ

II

·. æ

‚ æ

#

‰

‚

% ‚

‚

Vla. ccccccccccccccccccccc

‰

‰

f >%‚

squeaky

f pos

· æ

·

·

cccccc

cccc

x x x · æ

3333333333333333333333333333333333333333333333333333333333333333333333333 tremolo

·

$

$

! >tweets

$

Perc. II

‚

tweet

w

˙.

Œ

squeaky

f

p

very high harmonic tone

#

p pos

22

127

B b Cl.

A. Sx.

w

w

˙

xxxxxxxxxx xxxxxxxxxx w

w

Œ

w

Slate Pot

w

!

s

!

striker

$. f

3

$.

cluck

$.

short, staccato single wrist move

$.

Œ

xxx xxx xxx xx Œ ·

II

#‚ " ‰

#‚ " ‰

33

33

f

tweet

‰

#‚ "

3

333

Œ

‰.

Ó

p pos ‚#

Œ

> œ %

articulate like you pronounce "choo"

$.

w

whistle tone

Vln.

Œ

xxxxxxxxxxxx xxxxxxxxxxx

Perc. I

Perc. II

38

‰

Ó

‰

#‚ ‰

‰

3

tweets

mz

#‚ %

·

·

Vla.

Straightjacket Cage

130

39

!

B b Cl.

A. Sx.

Perc. II

w

˙

xxxxxx xxxxx

Œ Ó

s

Perc. I

!

$.

3

‰

cluck

$.

Œ

f

Œ

‰.

$.

r $ $ ●●●●●

purr

> œ ‰.

> œ % ‰

Œ

!

Ó

!

hold firmly the striker close to the tip and very slowly move vertical to the slate-pot with extra pressure

$.

Œ

●●●●●

●●●

●●●●

% ●●●

purr

> > œ % œ % ‰

f

!

●

> œ

$

>3 $ ‰

Œ

Œ

‰

> œ %

tweets

!

Vln.

· Vla.

Ó. ·

" ‚

tremolo between open II string and touch beyond fingerboard ># ‚s ‚s ‚s ‚s ‚s ‚ s ‚ s ‚ s ‚ s · 10

II mmm mm mmm mmmm mm mmmmmm

f pos

" ‚

‰

xx

tremolo tweet

$

tremolo between open II string ># and touch beyond fingerboard ‚s ‚s ‚s ‚s ‚s ‚s ‚s ‚‚ 5

II mmmm mm m m mmmm mmmm mm

f pos

tremolo tweet

10

$

p pos

x

press lower lip at the heart area and touch teeth at the tip of the reed while blowing 3 3

teeth tweet

40

133

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Clarinet Bb

!

B b Cl.

p w

A. Sx.

xxxx x x x

Ó.

squeaky

c

c

c

c

c

3

c

c

c

Alto Saxophone Instead of teeth, stretch and press the lower lip against the heart of the reed to promote higher hamronics

"

‰

"

Œ

purr

Perc. II

Œ tremolo between open II string and touch beyond fingerboard >% ‚ s ‚ s ‚ s ‚ s ‚ s ‚ s ‚.

$ ‚ Vln.

10

II

f pos $ ‚.

tremolo tweets

Vla.

B b Cl.

F

tremollo tweets

f pos

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3

‰

E

c

c

A. Sx.

mmm m mmmmmmm mm mmmmm

3

Œ

c

c

c

c

c

"

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‰

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".

3

".

●●●●●●●●●●●

purr

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#

c

c

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‰

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c

c

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c

c

c

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‰

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●●●●●●●●●●●●●

"

% $ $ ‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚"""""""""""""""" """"""""

3

‰

‰

> œ

#

purr

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Œ

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●●●●●●●●●●●●●●●

purr

cluck

> > œ # œ # Œ

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Œ

10

II

136

!

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tremolo between open II string >% and touch beyond fingerboard ‚ s ‚ s ‚ s ‚ s ‚ s ‚ s ‚.

x

c

> œ

‰.

Œ

...

x xr~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p

mmm m mmmmmmm mm mmmmm

"

"

Œ

purr

Ó

c

3

F4

●●●●●●●●●●●

●●●●●●●●●●●●●●

c

"

mz

s

Perc. I

" ‰.

c

press the lower lip against the heart of the reed, touch with the teeth and sweep towards the tip area

tweet

very high whistling tones

"

c

3

3

3

tweet

!

‰

#

x

% $ $ ‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚‚"""""""" """"""""""""""""

Œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p

".^ "^ ^. ^. ".^ "^ "^. "^. "^ "^ "^. "^. "^. "^. "^. "^. ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ . . . . ‰ 3

3

Œ

Œ

...

‰

3

3

3

F

c

"

c

"

c

c

c

Œ

‰

# " "

‰

!

!

c

c

"

c

"

c

‰.

c

c

c

".

!

"^. "^. "^. ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

3

c

c

c

c

3

Œ

c

".

# Œ

c

c

# # ".

!

!

!

F4

j ". ‰ cluck

3

".

‰

#

".

" # ‰

‰

●●●●●●●●●●●●●●

●●●●●●●●●●●●●●●

purr

Perc. II

Œ

‰

œ

> œ # ‰ f

Œ

purr

œ

> œ # ‰

cluck purr

> > œ # œ # ‰

Œ

".

# Œ

●●●●●●●●●●●●●

> œ œ.

".

‰

" cluck purr

cluck

œ # ‰

‰

> œ œ œ

> œ #

...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ """""""""""""""""""""""""""""""" """"""""

Vla.

" "

f

"""""""""""""""""""""""""""""""" """""""" Vln.

#

s

s

Perc. I

Œ

3

...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~

23

24

!.^ !.^ !.^ !^. !.^ !.^ !.^ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

B b Cl.

F

E

Ó

c

c

c

c

c

41

‰

‰

Œ

c

c

!-꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ !-꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ^ ^ -!^ -!^ -!^ ‰

3

3

3

139

c

c

c

c

c

Œ

Ó

!

!

mz

‰

A. Sx.

!

!

" ‰

!

" ‰

!

!

Perc. I

!

!

Œ

‰

●●●●●●●●●●●●

!

! ‰.

Ó

‰

!

! " ‰

Perc. II

> " œ œ

●●●●●●●●●

> œ œ ‰

!

! " ‰

> > œ " œ " ‰

‰

!.

! ●●●●●●

cluck purr

> œ " ‰

‰

> > œ œ " ‰

3

‰

> > œ. œ ‰.

‰

> œ

...

...

F

5 !꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ !^ !^ !^ !^ 4 ^! ^

42

Ó

Ó

-

‰

Œ

c

‰

c

!.

Œ

"

!

‰ - ‰

c

c

!

3

3

-

!

! " ‰

hit the slate-pot at the center with the tip of the strike

Œ

! ! ! ! !

Œ

●●●●

" ‰

!

- ‰ ‰ ‰

c

c

!

‰

teeth sustain , !꞊^꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ! !

3

! !

!

• • • • •

•

f > > œ . " " " œŒ

woodpecker drumming

> " œ

"

!.

!.

●●●●●●●●●

" "

!.

Œ

‰

!

extend lower jaw to slightly touched the tip of the reed as

while flutter tonguing !æ ꞊꞊꞊it꞊꞊꞊vibrates ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊tongue harmonic꞊꞊flutter " Œ

!.

!

‰

tone

‚

Ó

Vln.

x x

p

Œ

ä " ‚ ‰

‰

ä " ‚

II tweet

mz

!!!!!!!!!!!!!!!!!!!!!!!!!!!!‚ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

!

x

,# ‚

"

Œ $ ä‚

,# ‚

mz

!.

!

$ ä‚

# ä‚

0° angle

!

- - - - - -

articulate like you pronounce "choo"

f

‰

‰

# ‚

Œ $ ä ‚

ä# ‚

II

rr r r r

gggggg

tweet

gg g g

ggggggggggggggggg

rrr

gggggggggggggggg

, !

!

-

0° angle

-

tweets

" ‰

#s

! ccccccc

ringing

ä$ ‚ # ‚ ‚‚‚

$ ‚ ‚ " ‰

r ~~~~~ rr

gggggg

yelp crow

!

~~~~~ # " ‚

!

20° angle

p f # " ‚‚‚‚‰

‰

fluttering

Œ

●●●●●●●●●●

tweets

‚#

Œ

!

breathy

!!!!!!! ggggggggggg

cluck purr

!

tip clack roll

x x x

Œ

purr 20° angle

harmonic node

c squeaky

●●●●●●●●

cluck purr

no tweets

Vla.

"

●●●●●●●●●

F4

Perc. II

Œ

!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

142

Perc. I

" ‰

cluck purr

> œ " ‰

Œ

" ‰

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Vla.

A. Sx.

!.

"

purr

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!

B b Cl.

!

!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!

Vln.

!

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

purr

Œ

!

ggggggggggg

# ‚

ä$ ‚# ‚ r

ggggggggg

145

4 4!

43

" ‰

B b Cl.

f pos

Œ

Ó

#

!æ .

Œ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggg

fluttering

f

ggg

!æ.

!꞊æ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊‰

harmonic flutter tongue

A. Sx.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggg

fluttering

! " ‰

Perc. I

G4

f pos

Vln.

!æ

‰

fluttering

Œ

p

G4

rotate the striker softly and slowly on the periferi of the slate-pot

!

raspy

!æ

!æ.

harmonic flutter tongue

! " ‰

Œ

!

Œ

꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

p

#

Ó

!

!

raspy

#

Œ

II

!æ

B b Cl.

Œ

‰

44

!æ

A. Sx.

!æ

Ó

Πharmonic flutter tongue

mz

!꞊æ꞊꞊.꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

!

Perc. II

Œ

gggggg

gggggg

gggggg

tweets

!

Vln.

x

Œ

% · Vla.

II

xx p

whistling

Œ

Œ

œ ‰.

Œ

gggggg

$ ‚

II

0° angle

œ

gggggg

tweets

mz

!

x

r tweet r r p % ‚ !. ‰

Œ

"

!æ

!æ.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggg

Œ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggggg

F4

purr

purr

!

Ó

rr

mz

Œ

Œ

xxxx

$ ‚ !

‰.

II

‰

œ.

0° angle

tweets

gggggg gggggg gggggg gg

gggggg

‚%.

!

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

●●●●●●●

‰

squeal

. " !

!

cluck

! gggggg

Œ

" !.

! " ‰

purr

gggggg

‰

!æ .

fluttering

●●●●●●●

mz 0° angle

‰

!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggg

cluck

!

!æ

!æ

" ‰

" !.

#

!æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggg

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggg

Perc. I

whistling

#

!æ

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggg

raspy

xxx

#

harmonic flutter tongue

!

·.

p #

! p

#

f pos

148

‰

‰

roto yelp

cccc

Vla.

Ó

roto yelp

Ó

Œ

saturated C5

squeal

roto yelp

! ‰.

squeal

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

squeal

!

m mmm

Perc. II

25

extend lower jaw to slightly touched the tip of the reed as it vibrates while flutter tonguing

harmonic flutter tongue

% ‚

x x

"

mz

Œ

p

!.

xxxx

26

151

B b Cl.

!

‰

!æ

!æ

‰

!æ

!æ

!æ

Œ

‰

press the lower lip against the heart of the reed, touch with the teeth and sweep towards the tip area

!æ.

!æ

!

$

‰

!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggg

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ggggggggggggggggggggggggggggggggggggggggggggggg

!!!!!!!! gggggggg

Rooni the Pig

teeth tweet

!æ

!æ

harmonic flutter tongue

꞊꞊꞊꞊꞊꞊꞊꞊꞊!꞊æ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊

A. Sx. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!! gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

!

Œ

!

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

purr

Perc. II

Vln.

Vla.

!

Ó

II

!

Œ

! !

Perc. II

Vln.

Œ

p

yelp

$

$

!

!

!

Œ

!

!

!

!

! $ ‰

!.

$

!

!

!

!

!

‰

II

!

!

!

!

œ

gggggggggggggggg

p

‰

x

Œ

•

rrBb4

# ‚

!

x

‰

‰

! !

!. !.

‰

!

!

! p

!

!

!

!

‰

!.

‰

Œ

$

yelp

œ

0° angle

p

# ‚.

Ó

III

‚.

•

call

rrBb4

F4

!

mz

Œ

‰

!

$

!

>¿

‰.

!.

Œ

!

Œ

!

!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !

‰

!

!

!

!

>¿ $ ‰

!

!

‰

!

!

! p

pot hit

Ó

!

!

!

!

!

!

!

!

$ Œ

yelp tweet

articulate like you pronounce "choo" > œ $ ‰ Ó

Œ

f

tweet

# ‚

‚ ‚. ‰

$ ‚

‰

•

rrBb4

F4

Œ

!

yelp tweet

gggggg

‚. ‰

F4

‰

p

!

‚

purr

œ

!

! $ ‰

p

#

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

0° angle

!

xx

Œ

!

# the Bb4 finger touches the string and lifts up # . ‚. $ ‚ ‚. ‚ ‰ Œ mz

!

!

xxxx

!

!

!

!

‰

!

! !.

!. !. !

pot hit

•

‰

!

!

" ‚

Œ

!

$

gggggggggggg gggggggggggg gggggggggggg ggggg

Œ

!

>¿ $ ‰

gggggggggggggggg

r rBb4

!

‰

mz

III

# ‚

$

rr

!

!

hit the slate-pot at the center with the tip of the strike

$ ! !

‰

‚#.

!. !. !. !. !. !. !. !. !. !. !

increase pressure of sriker on the surface as it moves to the edge

‰

!

Œ

!

!. !. !. !. !. !. !. !. !. !.

F4

Vla.

$ ‰

gggggggggggggggg

Œ ‰

0° angle

Œ

!

‚

!

! ‰.

purr

‰

!

!

B3

xxxx

!

!

#

‰

A. Sx.

Perc. I

$

!

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

p

!

!

!

‰

Œ œ

xxx p

!

‰

‰

blow softly

" ‚ !

x

B b Cl.

‰

!

gggggggggggg gggggggggggg gggg gggg gg

‰.

154

‰

! !

squeal G4

fluttering

mz

cluck

# ‚

x

#

‚

‚. $ •

rrBb4

F4

!

‰.

# ‚

Œ

F4

‰

$ s˘

I bend F click

f

•

rrrBb4 the change from ferrule to hair will produce a "click" sound. use the bow angled not flat

ferrule click

Œ

‚ ‚. ‰

Œ

Œ

!

157 B b Cl.

!

" ‰

!. !.

A. Sx.

!

!

Œ

‰

!

" " !

p

!

> œ " ‰

Œ

!

tweet

F4

‰

ferrule click

rBb4

r

!

!

●●●●●●●●●●●●●●●●

!

!

!

!

!

!

!

yelp

!

‰

!

# ‚

‰

‚ ‚.

# ‚ ‚ . ‚.

‰

•

•

rr

‰

‰

‰

Œ

Œ

!. !. !. !. !. !. !. !. !. !. !. . !

!. !. !. !. !. !. !. ! ! !

!

!

!

‰

!

Œ

!

!

!

>¿ " " !.

!

!

!

!

>¿

‰

!

!

!

!

Œ

pot hit

$

‰

% –

Œ

slow bow

‰

Œ

!

!

!

"

!

!

!

!. !

!

!

‰

!

!

" ‰

Œ

F F

‰

slow bow

I

p

‚˘ " ‰

ringing groan

Œ

˘s ˘s

‰

Œ

F

3

click

F F

upper lip wraps the tip of the mouthpiece, lower lip leaves a small opening for the reed to clap

œ

w

corner clap roll

roll

p

!

Œ

!

3

Œ

! !

"

!

˘‚ ˘‚

45

.

!

click

‰

I

!

% –

square notehead, hold down the string

–

ringing groan

" ˘s ‰

4 4 ! !

Œ

!

> œ " Œ

F

!

"

!

!. !. !. !. !. !. !. !. !.

yelp

f

r r

!

3

!

!.

pot hit

‰

! !

"

!

!. !

>¿

‰

!

Ó

!

" !.

p

purr

mz

!

!

! " !

F F click

Œ

!

"

27

tweet

˘‚ ˘‚ ‰

Œ

6 160 4

!

"

ferrule click

F

A. Sx.

!

Ó

•

!

Vla.

B b Cl.

!

tweet

•

˘s

!

!

cluck

# # . . ‚ ‚ ‚ " ‚ ‚ ‚ " ‰

‰

!

> œ " Œ

‰

f

Vln.

"

‰

! !.

!. !. !. !. !. !. !. !. !. !. !. !. !. !.

!

!

" !.

!

" ‰

!

!

Œ

!

!

!

‰

!

!

yelp

Perc. II

‰

‰

!

!

Perc. I

"

!.

"

! !

‰

! !

!

!

‰

!.

"

!

Œ

!

"

!

!

gggggggggggggg

Perc. I

" !

!

‰

!

‰

!

! !

‰

Œ

gobble shake

!!!! ! " ‰

‰

f

$

Perc. II

Cymbal

Πpaper roll

Ó $

$ !.

Œ

circular friction

chuffed

p

cccccccccccccc ●● ●● ●● ●● ●● ●● ●● ● ●● ● ●● ●● ●● ●● ●● ●●●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

Vln.

–

‰

˘s ˘s ‰ Vla.

3

F F

Œ

‰

% –.

I

Œ

‰.

s I

# ! " ‰ fi

sniffing

very fast flat bowing medium pressure right after muffle the string with left hand

Œ

Ó

I

m

m mmm m m mmm

f pos

% s

‰

!

slow bow

groan slow bow on the ferrule area "grainy" sound

ferrule scratch

Œ

$

$

Œ

Ó

ringing

I

¿

f

˘s

ferrule click ferrule scratch

vvvvvvvvvvvvvvvvvvvvF

screatchy

f

click

¿

vvvvvvvvvvvv

bend

Œ

screatchy

28

˙

163

!.

A. Sx. !

!

" ‰

"

!

‰

‰

!

!.

!.

!.

3

!

!

!

mz

!.

!. !

Water Whistle

Ó.

Perc. I

!

Œ

B b Cl.

Unreasonable Complaints

teeth tweet

3

!

!

ñ

0° angle

"

!

!.

˙

Ó

!

˙

corner clap roll

p pos roll

!.

!.

!

" Œ

!

Œ

!

!.

! p

place the index a the bottom of the labium to reduce the tone

!

C4

stretch and press the lower lip against the central of the reed then, realease gradually

Œ

bleat

$

tweets

p

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

!

Perc. II

!

.....................

pulsive

chuffed

!

Œ

Vln.

!.

I

p

" Œ

‰

ringing groan

Œ

Vla.

# " –

slow bow

¬

ferrule scratch

I

ferrule click ferrule scratch

˘s

¿

I

vvvvvvvvvvv

¿

click

‰

Œ

vvvvvvvvvvvvvv

Œ

ferrule scratch

‰

Ó

Perc. II

ñ

stretch and press the lower lip against the central of the reed then, realease gradually

!.

! p

C4

Vla.

ferrule click

‰

˘‚ Ó click

teeth tweet

"

! !

!

screatchy

vvvvvvvvvvv

‰

! !.

tweets

p

....... "

pulsive

Œ

¬

Œ

Œ

Œ s˘

ferrule click

F click

‰

bend

!

!

E3

! ! !

!

!

harmonic node

!

Ó.

!.

¿

s˘

ferrule scratch

!

gggggggggggggggggggggggggggggggggggggggggggggggg

# –.

!

I

‰

Œ

F

! ! !

!

‰

Œ

Ó

‰

Œ

!

chuffed

!.

ñ

‰

click

Œ

bend

Ó

p

!

0° angle

ferrule click

!

bleat

stretch and press the lower lip against the central of the reed then, realease gradually

C4

tweets

p

gggggggggggggggggggggggggggggggggggg

ggggggggggggggggggggg

!

circular friction

p

●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

¿.

vvvvvvvvvvvvvvvvvF

46

B b Cl.

Perc. I

slow bow

screatchy

˙

!

# ¬

ringing groan

˙

A. Sx.

chuffed

harmonics

Ó

screatchy F bend screatchy

166

...............

cccccccccccccccc ●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●●●●●●●●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●ccccccccccccccccccccccccccccccccc ●●●●●●●

harmonics

slow bow

!

p

●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●● ●● ●● ●● ●●●●●●●●

# –

circular friction

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

‰

‰

# " – ¬

˘ " s

Œ

bend F click

Œ

Œ

‰

Œ

!

‰

mz

s˘ F click

# ¬

! bend

‚˘ " ‰

!

Œ

‰

F click

˘‚ ‰ !

3

F

œ

169 B b Cl.

upper lip grips the mouthpiece corner/tip, lower lip leaves a small opening for the reed to clap

Œ

corner clap roll

˙

˙

29

˙

œ

!

!.

!

Ó.

!

Œ

roll

p pos

Ó

hummingbird hovering

!.

!

‰

A. Sx.

Perc. I

!

Ó.

Ó

ñ

Perc. II

!

Œ

tweets

p

gggggggggggggggggggggggggggg

Ó

D#3

p pos

!.

0° angle

ñ

0° angle

gggggggggg

gggggggggggg

gggggggg

!.

!

circular friction

‰

Œ

chuffed

p

●●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

" ¬.

Œ

Vla.

ferrule scratch

Ó

˘s

ferrule click

¿

vvvvvvvvvvvvvvvvvvvvvvvvF screatchy

ferrule click

Ó

bend

œ

A. Sx.

Perc. I

Ó

Œ

‰

Ó

p pos

!

˙

p

Perc. II

‰

!

chuffed

!.

>L

¿

ferrule scratch

Ó

bend

vvvvvvvvvvvvvvvvvvvvvvvv

Vln.

Ó

‰

47

˙

˙

!.

!

0° angle

Ó

‰

$

!

ñ

place the index a the bottom of the labium to reduce the tone

!.

Œ

more air less tone

tweets

p

gggggggggggggggggggggggggggg

ggggggggggggggggggggg

!

‰

Π
ferrule click

ferrule scratch

Vla.

ferrule click

bend F click

screatchy

Ó.

circular friction

‰

#

s˘

D#3

p

!

I

groan

!

˘‚ # Œ

vvvvvvvvvvvF

screatchy

click

" –

!

! p

ferrule click

click F

¿

Œ

ferrule scratch

!

˘‚ # ‰

‰

Œ

#

ferrule click !

˘‚ # Œ

vvvvvvvvvvvF

screatchy

click

gggggggggggggggggggg

!

Ó

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●

!

‰

Œ

" slow bow # – ¬

hummingbird hovering

tweets

gggggggggggggggggggggggggggg

!

roll

p pos

!

corner clap roll

! p

F click

click

172 B b Cl.

‰

Ó mz

" –

circular friction

chuffed

p

●●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●

" ¬.

Œ ˘s

‰ bend

F click

Œ

‰

>s F click

bend

30

˙

175

B b Cl.

Œ

Œ

w

corner clap roll

p pos

p

hold the reed open with the lower jaw teeth and blow

"

!

tip flutter reed

roll hummingbird hovering pos

hummingbird hovering

!

A. Sx.

Ó.

F

roll

œ

gradually close the keys

gggggggggggggggggggggggggggggggggggggggggggggggg

f

air

Perc. I

Ó.

0° angle

"

ñ

place the index a the bottom of the labium to reduce the tone

"

"

more air less tone

p

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg ggg ggg

Perc. II

"

"

gg

" pulsive

● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

Vln.

"

‰

Œ

Œ

# –

"

Ó ˘s

ferrule click !

Vla.

˘ $ ‚ ‰

Œ

F

178

$

Ó

click

# ¬.

F

w

˙.

w

œ

$ bend

!

Œ

Ó

click

Œ

!

Perc. I

Œ

0° angle

"

air

".

ñ

gggggggggggggggggggggggggggggggg

"

place the index a the bottom of the labium to reduce the tone

no tone

F

gradually close the keys

gggggggggggggggggggggggggggggggggggggggg

ggggggg

F

!

˘‚

!

hold the reed open with the lower jaw teeth and blow

"

Œ

gggggggggggggggggggggggggggg

3

click

Bb gggggggggggggggggggggggggggg

˘‚ ‰

Œ

Ó

B b Cl.

A. Sx.

Œ

p

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. II

"

"

"

noisy cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●

#L

slow bow

"

Vln.

p !

Vla.

$ ˘‚ ‰ F

˘s .

F

$ bend

click

L Ó

I

" slow bow bow on the twist wrap below the bridge

L.

zzz z z

p

screatchy

Œ

181 B b Cl.

Mediteranean Siesta

!.

no tone

!

hold the reed open with the lower jaw teeth and blow

Œ

F gggggggggggggggggggggggggggggggggggggggggggggggggggg

air

œ

Œ

Bb

A. Sx.

air

!.

!

Perc. I

gggggggggggg

air

˙

gggggggggggggggggggggggggggggggggggggggggggg

ggggggggggggg

45° angle

release index from the area below labium

!

Ó

!

œ

o

close the head hole, a deep tone will be produced

p pos

#

Ó

ggggggggggggggggggggggggggggggggggggggggg

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. II

!

Œ

ggggggggggggggggggggggggggggggggg

w

!

Œ

Ó

31

blow very soft

œ

coo tone

tremollo

œ

œ

open and close the head hole to produce a tremollo sound

kkkkkk

Ó

#

cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc

"

!

Vln.

Œ

Œ

II

‰

‚

" on the bridge

on the bridge

·

‚

Œ

II

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

L I

Ó

Vla.

B b Cl.

L

L

gggggg

p pos

breathy (no tone)

z z z z z z z z

p 184

slow bow bow on the twist wrap below the bridge

p pos

‚

‰

Œ

screatchy

!

48

!

#

F gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

air

A. Sx.

" ‚

‰

·.

·

‚

p pos

Œ

Ó

II

‰

air

p

gggggggggggggggggggggggggggggg

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

ȯ

.

Perc. II

breathy (no tone)

close the head hole, a deep tone will be produced

p pos

œ

œ!

œ

kkkkkkkkkkk tremollo

coo tone

Œ

! voiceless![foo]

‰

!

sssss...

‰

!

Ó

ȯ

p pos

!

coo tone

˙

kkkkkkkk tremollo

air

p pos

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Vln.

"

·.

·

Œ

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

breathy (no tone)

L Vla.

!

fffff...

Ó

!

‚

‰ II

on the bridge

·

gggggggggggggggggg

p pos

breathy (no tone)

Ó

z

p pos

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

air sound

32

!.

49

187

B b Cl.

Œ

F

w

˙

Ó

E gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg g

air

!

A. Sx.

"

"

"

"

ggggggggggggggggggggggggggggggggggggggggggggggggg

Perc. I

!œ

œ

kkkkkk

‰

Ó !

Perc. II

Ó

"

gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Vln.

·

·

!

!

·

ggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

! Œ

Vla. gggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg

Ó

Â