Panayiotis KOKORAS Viper Snake for two percussionists and electronics
2020
Panayiotis Kokoras Viper Snake
for percussion, percussion and electronics
Percussion list: Ratchet modified Daxophone DIY with Bowstick designed by the composer
Duration 8’ minutes
Denton, Texas © 2020 All Rights Reserved
Performance Notes General - The notation doesn’t imply the sound produced. The score works as a manual for the performer in order to produce and manipulate the sounds required. - Timbre techniques are to be understood as ideal indications and may thus in practice be treated flexibly and creatively. - The change from one sound type to another should not be executed at one instance (unless indicated) but a ‘transformation time’ should allow the sound to be shaped. This transformation time is important and creative expression tool and should be considered throughout the piece. - Emphasis should be given on the right and rich productions of the variable sound possibilities rather than to exact and precise execution of the passages that anyway are not particularly demanding. - The virtuosity required for the piece may be called ‘La Virtuosite du Son’ for the musician has the duty to make sound and not to play sounds. - The structure and the ideas of the piece can be revealed only if the sound possibilities treated with meticulous precision and accuracy.
Notation
STAFF - RATCHET STAFF: the ratchet staff is divided in 4 main sections the paddle at the bottom, the handle in the middle, the gear wheel at the top. The length of the stretched note-head indicates duration and the thickness the amount of pressure of the bow-stick on the wheel or elsewhere, the thicker the more pressure the thinner the less pressure. Each sound is described with a keyword e.g. “kick start tip” in the example above and a descriptive symbol, in addition text notes in a box may provide further information. The bow-stick indicates its two side with solid black for the smooth side and dashed line for the grooved side. - SOUND STAFF: The lower section of the staff provides a visualization of the sound to be produced. The vertical axis represents frequency and the horizontal axis time. Generally, the coloring/density represents loudness, black for the loud to white for quite sounds. The patterns displayed in this section provide an arbitrary visualization of the sound to be produced such as high/low, bright/dull, ordered/chaotic, coherent/erratic, smooth/coarse, soft/raspy, tonal/noisy, etc. In addition, a number of onomatopoetic and/or echomimetic words and expressions aiming to represent or imitate a sound or its context such as aggressive, peaceful, mournful cry of pain, mental and physical suffering, sorrow or pleasure. - DAXOPHONE STAFF: the daxophone staff is divided in 4 main section the bottom space for the area between the mounting point and the hole of the daxophone’s tongue , the rectangular hole, the curved corner to the nose, the nose at the top and, the tip just above the staff. The length of the stretched note-head indicates duration and the thickness the amount of pressure of the bow-stick on the wheel or elsewhere, the thicker the more pressure the thinner the less pressure. Each sound is described with a keyword e.g. “kick start pull” in the example above and a descriptive symbol, in addition text notes in a box may provide further information. The bow-stick indicates its two side with solid black for the smooth side and dashed line for the grooved side.
Performance Notes - Sound Lexicon examples is Besides the in-score descriptions of the performance notes a complete catalogue of detailed audio/video provided upon request by the composer. This is in order to give to the performer a better insight on how to produce each particular sound, which is so crucial for the piece. For detailed performance notes, please refer to the online video demonstrations. Below you will find an index of the audio/video performance notes by measure numbers: Video Performance Notes for Ratchet
Video Performance Notes for Daxophone
Electronics FIXED ELECTRONICS The Spectrogram below displays the frequency on the vertical axis and the time on the horizontal axis. Moreover, the colorings of grey indicate frequency loudness (from black for loud frequencies to white for silence). It works as visual representation of the tape part in order to guide/ help the performer to follow it easier and more accurately. The spectrogram aims to make it easier to discern individual musically meaningful features. At the left top corner of every staff there is a timestamp of the prerecorded material.
CLICK TRACK • •
•
Download the tape part and the click track so that you can create your DAW project. The stereo electronic part and the amplified sax should be projected from the speakers system. The click track file should be assigned to a separate output send to the performer's earbuds on stage.
AMPLIFICATION For the right projection of the sound details the use of amplification should be applied. It is recommended that both instruments are amplified using a piezo transducer (contact microphone) and condenser microphones.
Daxophone microphone placement Ratchet microphone placement
• Mixer/ Audio Interface with 4 to 6 inputs • 2 or more loudspeakers with subwoofer • Compressor/ Limiter (optional) To intensify the soft sounds and keep untouched the loud sounds without clipping some compression should be applied. This is something that most of the digital mixers have. Also, it is possible by a variety of software plug-ins. NOTE: It is part of the aesthetic of the piece to create a superficial amplification, which results to the loss of the neutrality of the classical known instrumental sound. It is a microscopic point of view.
REVERBERATION (optional) Refer to audio reverb reference file (ViperSnake_reverb-reference.wav) A simple Hall Grand Chamber Type reverb (preferable algorithmic). The numbers below are indicative and depended on the actual performance space and reverberation unit. - Mix: 15% wet, 85% dry - Reverb time: ~1” - Pre-delay: 0 - High Cut: 5500 Hz - Decay: 1.5”
A Barcus Berry 4000 Planar Wave Pickup System and a Neumann KM185 have been used for the daxospone amplification
A Barcus Berry 4000 Planar Wave Pickup System and Neumann KM 185 Stereo Set have been used for the rathet amplification
Instrument Modification and Preperation Ratchet Modification The Trophy Ratchet Effect (pics below) is recommended for the modification but most of ratchets will do with the appropriate modification.
<https://www.musiciansfriend.com/drums-percussion/trophy-ratchet-effect> Please follow the step by step video instructions to modify the ratchet contact the composer to receive a private link to access the video
Modified ratchet is mounted on table which works as a resonator, bowstick and daxslide
Paddle extended at the bottom of ratchet, the gear handle screw has been loosened for easier rotation
Daxophone construction To make the Daxophone tongue a small wooden board should be used averaging: 330 mm (12-inch, 22 cm) in length 27.94 mm (1.1-inch, 2.794 cm) in width 5 mm (0.19685-inch, 0.5 cm) in depth
Paint stir stick from a local hardware store could match the above dimensions
Daxophone tongue design; a pdf file is available to print and draw on top of the wooden board Click on the links below to learn more about Daxophone and its history and construction <https://en.wikipedia.org/wiki/Daxophone> | <http://www.daxo.de/download/DaxInfo.pdf.zip> For commercial Daxophone makes click on the links below: <http://samuelburt.com/daxophones/> | <http://dfiction.com/store/> Please follow the step by step video instructions to make the daxophone tongue contact the composer to receive a private link to access the video
C-clamp mounting on a desk of Dax-tongue
Grooved and flat sides of bowstick
Daxslide or a common guitar slide
Bowstick construction To make the bowstick a small wooden board should be used averaging:
330 mm (12-inch, 22 cm) in length 27.94 mm (1.1-inch, 2.794 cm) in width 5 mm (0.19685-inch, 0.5 cm) in depth Please follow the step by step video instructions to make the bowstick contact the composer to receive a private link to access the video
bowstick design of grooved side, and profile
4 Habitat Tree Cycle 4 ∑
Ratchet
Viper Snake 3 4
q = 84
Panayiotis Kokoras
snarl saw
≥ ≤
∑
Sound
up/downbow at the frog with the flat side angled to the padle
‰.
C c C c C cC c C c
0≥
snarl saw
∑
Daxophone Sound
≤
hold the tip of the daxophone up/downbow, groove side, angled
>
‰
Œ
Œ
C c C cC c C c C c C c C cc
precount 4/4 click
Electronics
padle growl saw
hiss trem 4 Rtch Snd
4 4≥≤
≥ ≤
short light trem with flat tip on the padle hold the handle to avoid wheel movment
cccccc g g g g g g
‰
Ó
>
bow with flat side at the tip of the padle
Œ
Dax
up/downbow, groove side, angled
Œ
≥ ≤
Œ
Œ
C cccccccccccc C C C C C
trun the angled bow to vertical downbow with more energy at the begining of the gesture
ä≥
kick start pull
‰
x xxxxx x C cC cCcC c c C cC c cz ggg
C cC cCcC cCcCc c
Snd
Œ
‰.
≥ ≤
C C C cC c cC c cc c cc c
hiss trem
≥ ≤
hiss trem
Ó
x
0:10 Elec
7
3 4
∑
Rtch Snd
Dax Snd
padle growl gliss
padle growl saw
≥ ≤
≥
bow with flat side at the tip of the padle
4 4
angled bow from frog to tip of the bowstick on the tip of the padle with
Ccccccccccc C C C C C C cccc cc ccccccccccc cc cc cc cc
≥ ≤
hiss trem
≥ ä
≥≤
hiss trem
kick start pull
mz x xxxxxxx x C
cccccccccccccc C C C C C C ccccc ccczzzz c x
x
‰
p
10
cccccccccc
c cccccc
c
trem on the tognue corner with flat bowstick; and slide from low to high 10
10
10
‰
Œ
whoop hoot > > > > >10 > >
slide l ll ll ll
l l g g gc cc gcc ll g cc g l g l g g g g g cc g g cc g g cc g gcc g gcc g gcc cc g gcc g l lll
l lll
0:18 Elec
© 2020 Panayiotis Kokoras, All Rights Reserved
2
wheel growl saw
≥ ≤
10 Rtch Snd
groove side bowing on the wheel teeth
‰
3 wheel growl saw 4≥ ≤
Œ
Dax
hiss trem
≈ ‰
Œ
Ó
≥≤
∑
l ggg
Snd
∑
!! !! !! ! !c ! !! cccccccccccc cc c c c cc c cc c ! c c !!
cccccccccccc C C C C C cc cc cc cc cc
>
6
6
6
≈ ‰.
2 4
trem with groove side bowstick at the handle, non grooved area
c cc g c g c gcg g c g c g cgc
0:25 Elec
13 Rtch
4 4
ä≥
‰
Œ
Dax Snd
≥ ä
bow the groove side on the wheels teeth
Œ
x xxxxxxx x
Snd
wheel growl saw
kick start pull
x
groove side bowing on the wheel teeth
≥ ≤
x
≥≤
hiss trem trem with groove side bowstick
kick start pull
Œ
x xxxxg c cxxgx x
x
zzz gg
3 4
‰
x xxxxx x x C C C C C C C C C C cc cccccc cc cc cccccc cc cccccc cc c c c cc cc ccccc cc cc gg zg C zz ccgg
gggg zz z gg cccgg
ä≥
kick start pull
Ó
at the handle, non grooved area
Œ
c cg cg cg cg cg g g cg c
x
≥≤
hiss trem
Œ
ccc g g g ccc g g gccc g g
0:32 Elec
16
Œ
Rtch
‰
Œ
bow/press bowstick on the wheel and release gradually while rotating clockwise
Œ
x x xxxxxxx x x x
Snd
‰
ä≥
kick start pull
x xxxxxxx x
‰
c czz ggzz gg g
Snd
c c g g
0:40
x
x
‰
≈
≥
x
x
x
≥ ä
4 Fire Starter 4
x x xxxxxxx x x x
Œ
Ó
g
gggg zz cczzzzgg
g
cczzzzzzgggg
Dax
Elec
ä≥
kick start pull
kick start pull
x
x
x
kick start pull
ä
bow at the handle area, and cotninue to the grooved area
x xxxxx x x gggg cczz gg zg
Œ
Œ
≥≤
hiss trem
∑
‰.
g c
19 Rtch Snd
Dax
tip clack
place the bowstick tip on the teeth, rotate once with fast de-cceleration
5 4ä
kick start tip
≈‰
x xxxxxxx x
Œ
≈‰
x xxxxxxx x
zzzzggg c c x
ä
4 4
‰.
cz z zggg
x
x
Ó
‰
Ó
C ccc C C c c cc c
xxxxxxxxx
≥œ̆
kick start pull
‰
≥ ≤
on the wheel teeth
cccccccc
Œ
Œ
x xx d xxx
‰
Œ
Œ
ä≥ œ
Œ
≤
x xx d xxxxx
x xx xxx d
xxx x
Snd
‰
short bow with force and pressure at the frog with the flat bowstick side on the nose corner
≥œ̆
Œ
x
wheel growl saw groove side bowing
rotate the wheel and click bowstick tip on the teeth
xxx x
xxx x
x
rattling sweep
. dddddddddd
wwww
0:47 Elec
swipe the bowstick
tip guiro tip off the teeth
>≈
22 Rtch Snd
place the bowstick tip on the teeth, rotate once with fast de-cceleration
ä
Œ
ccccc ccccc c c C C cc C C C c c cc c c cc
rotate the wheel and click bowstick tip on the teeth
≈ ‰
x xxxxxxx x
≈
Œ
x
handle swing
≈ .
Œ
xxxx xx x x zzc gggg
czzzzggg x
tip clack
tip clack
kick start tip
Œ
xxxxxxx
ccccczzzzzz ww
≠
kick start jete
Œ
Dax Snd
Œ
Œ
∑
Œ
Œ
rattling sweep
>≥
‰
≤
x xx d
ddddd
xxx x
www x
0:56 Elec
25 Rtch
0> zw
Snd
≈
>
≈
‰
wz
ww zzzzz
kick start tip
5 4ä
‰
xxx xxxxx x
xxx x
tap swing
tip clack
r
clang rotate
clang swing
cc
press the bowstick tip on the theeth and rotate the thicker the line the more pressure
4 4 `
tap the handle with you finger and let it swing freely
! ! ! ! ! ! ! x
xxxxxxxxxxxxxxxxxxxxxxxxxxxx
cc
≠
cc
‰
Dax Snd
ww
1:05 Elec
Ó
increase pressure and speed, quick release and thumping
‰
] z
Ó
Œ
cc yyyyyyyyyyyyyyyyyy e e e e e e e e
cc
rattling sweep
≤
!
Œ
∑
3
kick start tip
4 28
3 4
place the bowstick tip on the teeth, rotate once with fast de-cceleration
∑
Rtch
4 4ä
>
J
j
‰
czzz zz zzzzzzzzzz x
x
ww
Snd
≠
0 ä≥
∑
Dax
ä
J
x xxxxxxx x
kick start tip
handle swing
>
j
ä
‰
x
x
node slap
tip clack
J
≈
x xxxxxxxxxxxxxx xx x
czzzzzz zzzzzzzzzz
czzzzzzzzz x
ww
x xxxxxxx x
kick start tip
handle swing
≠
≠
kick start pull rapid deceleration bowing, hold the tip of the tongue
‰
!
x xxxxx x x
Ó
∑
x cczggggg zz ggg
Snd
x x
x
1:14 Elec
place the bowstick tip on the teeth, rotate once with fast de-cceleration
31
∑
Rtch
ä kick start tip
‰
Œ
Œ
6 4
‰
Œ
xxxxx x x xx xx gggg gggg ggg cc zzzzzz
Snd
ä≥
Dax
≥ ä ä≤
kick start pull
‰
Œ
Œ
x xxxxx x x xx x x cc ggggg z gg
Snd
ä
use "rotate clank" to also prepare the next sound
rotate clank
‰.
‰
x xxxxx cc zzzzz
tip clack
x x
rotate clank
‰ xxxxx
zzzz
‰ xx
kick start tip
∑
Ó
xxxx
x x xx xxx xx x x x czz c gggggggggggg zzz c
1:22 Elec
tip clack
ä
34 Rtch Snd
x xxxxx
cc
‰ xx
‰
x xxxxx
cc
‰ xx
∑
Dax
ä
‰
x xxxxx
cc
4 4
‰
xxxx xx x xx x x x x x x x x x x xx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy cc
xx
≥ ä ä≤ xxxxxxxxxxxxxx x x x x xxxx x cc cczzzzz
Snd
Œ x
x
gggggggggggggggggggg
1:32 Elec
‰
ä
∑
x
x
corner groove
.
37 Rtch Snd
≥.
Œ x
x
x
yyyyyyy
x
x
corner groove
frog tap
≤
‰.
5
. . . . .
. . . . . .
!! ! ! ! ! ! ! !! !
x
tap/place the bowstick on the tongue
∑
≥ .
‰.
!
downbow/pull the groovy bow side
clack groove at the side of the tongue,
bowstick tap Dax
down bowstick angled, only the groved side conrer touches the handle
move left hand slide as indicated
Snd
gggggggggggg
∑
ggggggg
1:42 Elec
rotate clank
. . .
40
! ! !
.
.
!
.
!
!
.
!
.
.
!
.
!
.
!
Œ
!
Rtch
˘ ≥
handle groove hit the handle at the bowstick frog, proceed with bowing on the handle
Ó
!
Snd
e
Œ
Dax
≈
Snd
≤ .
clack groove
‰
‰.
gggggggggggg ggggg
≤
clack groove
‰.
ggggggggggggggg
‰.
≤
clack groove
>
‰.
Œ
gggggggggg
ggg
1:51 Elec
Wooden Pin Archeology ≥
43
‰
Snd
zzz
≈
Snd
≤ .
≥
‰.
≤
≥
≤
Ó
≠
≠
≠
clack groove
gggggg
1:59
≤
xx xx xx yyyyyyyyyyyy yyyyyyyyyyyy yyyyyyyyyyyy
≠
Dax
Elec
Ó
ww
Rtch
≥
down bowstick on the handle flat while rotating, up bow with corner stick
∑
slightly angled downbow/pull at the side of the tongue to produce a tone gliss in addition to the clack sound; move left hand slide as indicated
Ó
≥
≤
xx yyyyyyyyyyyyy
≠
≤
groan clack
z
ggggggggggggggg gg
6
≥
46
streching
≥
≤
≥
≤
≥
≤
≥
≤
≥
≤
Rtch Snd
xx xx xx xx xx y yyyyy yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy yyy
≠
≠
‰
Dax
‰
≥
≠
≠
gggg gggg ggg
≤
groan clack
Œ
Œ
‰
‰
‰
z z gggggggg z gggggg gggggg
Snd
≠
groan clack
.
z ggggggggggggggggggggggggg
2:08 Elec
≤
≥
≤
49
≥
≤
≥
Rtch Snd
xx xx xx yyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy
≠
Œ
Dax
≥
‰
Snd
≠
≠
‰
z z z
gggggggggggg
gggggggggggg
slightly angled downbow/pull at the tip of the tongue to produce a rattling clack sound; move left hand slide as indicated
≤ .
Œ
z z z
gggggggggggggggggg
ggggggggggg
Œ
≥
tip clack
ggggggg
2:16 Elec
≥
52
handle groove
hit the handle at the frog of the bowstick and continue to flat groove
bowing on the handle, it sounds like an ascending sequence of plops
4≥ 4!
3 4
handle groove
Rtch Snd
xx y yy
≠
yyyyyyyyyyyyyyyyyyyyyyyyyyyy
‰
Dax Snd
ggggggggg zzz zzz ggg gggzzz gggggg
2:25 Elec
Œ
yyyyyyyyyyyyyyyyyyyyyyyyyyyy
∑
≥
tip clack
!
ggggggggggggggggggggzzzzzzz gggggggggggggg
55
Ó
Rtch
Œ
‰
Snd
!
≥
handle groove
‰
gggggggggggggggggggg
‰
Dax
!
Œ
Snd
≥
tip clack
.
g
≤
zzzzzzzzzzz
‰
gggggggggggg
Œ
gggggggggggggggggggggggggggggg
ggggg
gggggggggggggggggggg
7
ggggg
∑
ggggggggg
2:33 Elec
Faux Boutique Champagne frog tap 58
Œ
Rtch
!
Snd
≥
≥
Ó
!
.≥
Snd
! !
!
!! ! ! ! ! ! ! ! ! ! ! zzzzzzzzzzzzzz zzzzzzzzzzzz
!
Œ
side; gradually downbow/pull the stick and allow the wheel to rotate
!
gggggg gggggggggggggggggggggggggggggg
Dax
fingertip tapping fingertip tapping on the tip of groovy
ƒ
handle groove
‰
Œ
∑
ggggggggggggggggggggggggggggggggggggggg
zzz zzz zzz zz
2:41 Elec
61
Œ
Rtch Snd
f f
f
f
zzzzzzz
bowstick tap
Dax Snd
!
Ó
!
!
! ! zz ! zz ! zz !zz!zzzz ! zz !zzzz zz ! zz ! zzzz
zzzzzzz
hold firmly and softly hit flat the frog of bowstick on the tongue nose; slide from low to high
! ! ! ! ! ! ! ! ! ! ! !
!
!
!
!
! ! ggg ! ! ! ! ! ! ! ggg ! !ggg gggggggggggggggggg ! ggg !ggg ! ggg ! ! ! ! ggg ggg gggggg
2:50 Elec
‰
≥
zip rotate
ƒfingertip tapping
f
f
zz zz zz z
Œ
≤
push/upbow the bowstick attached on the wheel allowing it to rotate
∑
8
)thumb pluck ≥
zip rotate
64
‰
Rtch Snd
!
!
!
!
! !
!
! zzzzzzzzzzzzz zzz
!
!
!
‰
‰.
!
Œ
≤ .
pluck the tip of the bowstick with your thumb while rolling over the wheel
!
z ! zz! ! zz ! zz !zzzz zz ! zz ! zzzz
zzzzzz zzzzzz
∑
Dax
Œ
≤
groan clack
∑
z z zggggggggggg
Snd
gggggggggggggggggg
2:58 Elec
67
Ó
Rtch Snd
!
! ! ! ! ! ! zzz !z ! zzz zzzz zzz !zz! zzzzzz
≥
press the bowstick on the gear wheel, rotate counterclockwise and downbow/ pull from handle to tip of the stick
hissing whistle
vvvvvvvv
y y xxxxxxxxxxxxxxxxxxxxxxxx
z
bowstick tap
Œ
Dax Snd
!
!
!
!
!
! !
≤
! ! ! ! ! ! ! ! !
!
!
!
zzzzzzzzzzz
≤
Ó
zip rotate
gggggggggggggggggggggggggggggggggggg ggg
whine rattle
z z zgg z zgg z gg gg gg gg
3:07 Elec
Slithering Bugle Calls 70
Œ
Rtch Snd
Dax yy
z z zzzzzz ggggggggggggggg 3:16
Elec
z vvvvv vvvvvv
yyy xxxxxxxxxxxxxxxxxxxxxxxxxx
zzzzzzzzzzzzz slightly angled bow (flat side) to produce a rattling singing sound; move left hand slide as indicated
Snd
≥
hissing whistle
‰
≥
≤
zip rotate
zzzzzzzzzzzzzzzzzzzz ggggggg zz
whine rattle
y y z z z
ggggggggggggggggggggggggg ggggggggggggggggggg
Œ
≥
whine rattle
yy z gggggggggggggg
73
Œ
Rtch Snd
9
≤
‰
zip rotate
.
Œ ggggggggg
gggggggggg zzzzzzzzzzzzzzzzzzzzzzzz zzzz
gg gg gg g
≥
Œ
Dax
yyy
z
Snd
∑
hole clack
.
‰
DDDDD ! ! ! ! DDDDDDDD ! ! !DDDDDDDD ! ! ! ! ! DDDDDDDD
ggggggggggggggggggggggggg gggggg
3:24 Elec
76
≥
Œ
Rtch
groove downbow at the side of tongue
padle pulse
. z z " " " " " "
Snd
∑
Ó "
z " " " " "
"
" dddddddddddddddddddddddddd yyyyyyy
‰
Œ
Dax
≤
hole snarl
upbow the flat side in the tongue hole
.
Œ
Œ
Œ
cccccccccccc
Snd
ccccccccc vvvvvvvv vvvvv
≥
hole clack
DDD ! DDD ! DDD ! ! DD !
3:33 Elec
≥
79 Rtch
Ó
yyyyyy
.
Dax
! ! DDDDD ! ! ! !DDDDD ! ! ! DDDDD ! ! ! DDD
3:41 Elec
Œ
z z " z " " " " " " " " " " " " " " dddddddddddddddddddddddddd
Snd
Snd
padle pulse
‰
Œ
≤
Œ
≥
padle pulse
. z z " " " " " " " " ddddddddddddddd
hole snarl
. ccccccccc
cccccc vvvvvvccc vvvvv
Ó
10 82
‰
Rtch Snd
z
! ! ! ! ! ! ! ddddddddddd
≥
‰
Dax Snd
.
Œ
Ó
padle pulse
≥
‰
!
.
‰
z z
! ! ! ! ! ! ! !! ! ! ! ! ! ! ! ddddddddddddddddddddddddd yyyyyy
hole clack
‰
Œ
‰
hole snarl
≤
.
ccccccccccccc
" " " " DDDD " " "DDDD " " " DDDD " " DDDD " "DDDD DDDD "DDDD " " DDDD " "
vvvvvvvvv
3:50 Elec
swift tongue friction 85
≥
Ó
Rtch Snd
‰.
Ó.
∑
l d dddd DDDDDDD l cccccc
.
Dax Snd
downbow/pull the flat side of bowstick 45 angle, on the edge of tongue
Œ
cc cc cc cc
hole snarl
≥
Ó
cc
c vvvvvvv
e
Œ
≤
swift hiss
gggggg
gggggggggg gggggggggg ggggg vvv vvv vvv
C C cccc
e
3:58 Elec
88
‰
Rtch Snd
≥
swift tongue friction
‰.
Ó
‰.
Dax Snd
l 33 CCCC l
4:07
≈ Œ
.
Œ
l c cc l cD D D
l ddd DDDDDDDDDD cccccc l
upbow the flat side at the corner of nose base, no tone with sharp end
Elec
≥
≥
Œ
≈ .
Œ
l c DDcD ccl
swift hiss
Ó
Œ
‰
≤
swift hiss
l C3 C l
‰.
Œ
Œ
‰
≤
upbow the flat side swipping angled from base to the corner of tongue
l 33 CCCC l
≈ Œ
≥
91 Rtch
‰
Snd
≈ Œ
.
Chocolate Drops 1Carolina index snap ˘ ˘ ˘ o ≥ ! ! ‰ ! ‰.
zip rotate
pluck the bowstick corner tip with the index the longer the bowstick the lower the sound
l c l l cDD c cD cc
≤
≈
‰.
Œ
to change the "index snap" sound from low to high pull the bow to shorten the length from wheel to tip
4
‰.
∑
Dax
˘frog; use the slide ˘ to adjust ˘ pitch ˘ !
!
!
!
Œ
˘
!
4
4
4 4
‰
!
4
Œ
ggggg w c l v 4 l
Œ
slide off
Snd
!
ggggg c
4
≥
˘
hissing whistle
tip pluck pluck on the tongue's tip with bowstick's
˘
1 o hissing whistle
v
w
w
w 4
zzzz
hold stop the handle and pull the bowstick flat side on the wheel
Ó
5
4:16 Elec
index snap
zip rotate
1 94
˘
∑
Rtch
w 4 4
Snd
≥
˘j
tip pluck
Dax Snd
Ó
x x x x x xxxx x x
≤
x
‰
Œ ˘
Œ
!
4
x
˘
≈
!
Œ
˘
Œ
!
w
4
˘
˘
˘
!
!
4
4
4
5
tip pluck
!
!
˘
index snap
≤
‰
w
4
zzzz
cc z zz zz z
5
index snap
kick start pull
J
!
≈
!
zip rotate
˘
‰
≈ ‰
!
w
4
zzzz
clack groove moan
‰
≈
≈
>≥
.
>
tip pluck
≈
y y gg l gg gg
!
5
4:24 Elec
index snap
97 Rtch
o
≈
≥.
Œ
Œ
‰
≈
l g v ggg
Snd
≥
Dax Snd
Elec
Œ
‰
≤
gg
4:33
Œ
‰
Œ
‰
˘
tip pluck
4
˘
˘
˘
4
4
4
!
!
!
˘
≈
!
Œ
Ó
w
4 !
gg
˘ ≈! w
v clack groove
Ó
‰
1
4 clack groove
Œ
>
≤
tip pluck
!
≈ Œ
4
gg gg
clack groove
≈
≤ >
!
≈ ‰
4
g gg
swift hiss
gg gg c c
11
12
zip rotate
index snap
100
‰.
Œ
Rtch
1
˘
˘
Œ
!
!
≈
≈ ‰
Ó
≈
c g g
Snd
≈ ≈! ‰
w
4 >
≤
≈
w
4 4 clack groove
Dax
˘
!
w
w 4
Snd
˘
1
≥
˘˘
≈ ‰.
‰.
!!
w
≤
‰.
!
w 44
zzzz
w
4
1
˘
‰
‰
!
≈ ≈
w
4
zzzz
Ó
Œ
>
≤
‰
g ggggg
gg
5z
‰.
!
≥
≈
zzzz
clack groove moan
clack groove tip pluck
tip pluck
!
˘
Œ
Œ
≈
>≤
≥
!
gg
gg
5z
g
4:41 Elec
zip rotate
5 103 4 Rtch
index snap
˘
Œ
‰.
!
w
Snd
4 !
Dax
J
.
free ratation
‰
Œ
4≥ 4
Ó.
‰
˘≤ .
≈!
Œ
4
clack groove
≈Œ
handle groove
zip rotate
≤
‰
˘
‰
!
˘
˘
˘
˘
˘
4
4
4
4
4
tip pluck
!
!
4
4
gg ggg
5 z
˘
Œ
e
yyyy
yg g gg
Œ
zzzz zzzz
˘tip pluck
Snd
≥
pull the bowstick on the wheel and let the while to rotate/swing freely
!
!
!
trem on the long sides in the tonguehole; move the stick from tip to frog
hole trem
Ó
!
c c
wwwwwwwwww
w
4:50 Elec
Spinal Washboard Patterns
growl sweep
bowstick trem hit bowstick left-right the handle
≤o
sides while moving from frog to tip
106
!.!!!!!!!!!!!!!!!!
Œ
Rtch
æ
Ó
Snd
æ
Dax
sim...
cc cc
wwwwwwwwwwww
4:59 Elec
Œ
‰
Œ
‰
hole clack
hole trem
≤
‰ cccc
] wwwwwwwwwwww
w www
≤
R
hanlde trem hold the handle and swing left and right off its axes
0
!!!!!!!!!!!!!!! ‰
e e e e e e e e e x e e x x xxxxxxxxxxxxxxxx
zzzzz
hole clack
Snd
‰
o≥
hole trem sim...
æ
æJ
.
≥r
cccc
]
‰.
wwwwwwwwwwwwwww wwww
]
hole clack
hole clack
‰
≤j
www
bowstick trem 109
‰.
Œ
Rtch
æ æ
!!!!!!!!!!!!!!!
Snd
‰.
æ.
æ
sim...
æ
≥
≤
‰.
≈ Œ
Œ
.
!!!!!!!!!!!!!!!!
c v c ]wwwwwwwwwwwww 5 z
]
o ≥
‰.
e e e e e e e e e e eeee x xxxxxxxxxxxxxxxx x x
hole clack
trem from frog to tip, slide from base to tip, snap the slide on the tip
‰
‰.
0
zzzzzz
e
Dax Snd
≤o ≈ .
13
hanlde trem
growl sweep
æ
≤
hole trem
.
sim...
æ
]
æ
.
æ
ww
www w ww w w
˘ ≥
hole trem sim...
]
≤
‰.
≈ Œ
] 5 z
ww
ww
5:08 Elec
growl sweep
tip clack growl sweep rotate
≥.
112 Rtch
≈
≥ .
‰.
Œ
x xx xx
Snd
≈
≥
‰
Ó
x xxx xxx
‰.
zzz
zzz
tip clack
≥
Œ
z
zzz
zzz
z
‰
Œ
hole clack
w ]
≥
]
≥
‰
≤ ≈ ‰
.
æ
æ
.
≥
≈ Œ
wwwwwwwwww www wwww
]5 z
]
www
wwwww w w
≥
hole trem
]
]
‰.
Dax Snd
≤
.
≈
≥ ]
press bowstick against the tongue to stop
ww 5 ]5 z z
www
5:16 Elec
padle growl
growl sweep
6 115 4 Rtch
‰
Ó
Snd
≤
≤
≈ .
Snd
≥
Œ
Ó
≥
clack groove
≈Œ
]w ] 5 ww z
www
5:25 Elec
≤
4 4
≈
≤
.
y y
]
wwww
‰
Œ
each time slide a bit higher
aim the bostick with the tip inwards to generate high pitch tones
‰.
bow flat side on the tip till the bowstick slides off the padle
3 l c C c
zzzzzzz zzzz
]
Dax
o
≈
≤
.
‰.
!
yy
]
wwwww
Ó
≥
≈ .
‰.
c C 3 l c C c cc
‰
ccc
≤
≈ !.
‰.
z ] wwwww
‰
≥
Œ
33 C l c cC
≤
.
z w w w w w]
≈Œ
14 118
∑
Rtch
∑
∑
Snd
≤
Œ
Dax
.
≈ Œ
‰
‰
Œ
≤
Œ
.
whine rattle
z z z
z z wwwwwwwwww
z z wwwwwwwwww
Snd
≤
3333 CCC ccccC zzz
zzzz zzzzzzzzzzzz
5:35 Elec
Capuccino Chatter 121
∑
Rtch
˘ ≥
Ó
∑
handle groove
Snd
≈ ‰
Dax Snd
‰.
Ó
≤
.
≈ Œ
≤
Œ
CCC CC z z z
3
z ccccccccccc cccccccc z yyyyyyyyyy yyy
CCCCCC
zz
‰.
!
yyyyyyyyyyyyyyyyyyy
5:44 Elec
‰
124 Rtch
Œ
5 4
≈!
‰.
Œ
e
Snd
˘ ≥
4 4 . ‰
!
e
padle squeak
Œ
‰
‰ y y cccc
Œ
Dax
≤
! c cccccccccc ccccccz z yyyyyyyyy yyy
Snd
5:52 Elec
˘ ≥.
handle groove
≈‰
Œ
‰
≈
≤
tweet slide
.
y y c ccccc c CCC
≈Œ
≈
≤
.
Ó
≤
‰
y y
y
C CC
CC
Œ
padle squeak pulse 127
Ó
Rtch
≤
≈
Snd
r
≈
z
CC
≤ Dax
≥ ≤ ≤ ≤ ≤ ≤
.
C g CC
l
l
‰.
l
Ó
‰.
4 4
Ó
≤
Œ
z CCCCC
CC
≤
Œ
≤
r r
CCCCC
whoop hoot
l
Snd
5 4
≤
‰
≤ ≤ ≤ ≤
≤
‰.
≤
-
tweet slide
whoop hoot
‰
15
padle squeak pulse
Œ
Œ
Ó
l
qgqgqgqgqg
ll
C
CC
y
qqqgqg
C g gg
l
yC C CC
l
6:01 Elec
Emperor's Revenge padle squeak pulse
5 130 4 Rtch
≤
Œ
Snd
‰
z z
‰.
Œ
≥≤ ≤ ≤ ≤ ≤ ≤ ≤ ≤ ≤
.
≤
tweet slide
‰.
Œ
l l
l
l
l
‰
Œ
y
g g qgqgqq g gqg qgqq l
tip clack downbow/pull and slide the bowstick on
6 4.
the wheelteeth until the tip is clicking on the teeth while rotating counterclockwise
Œ
z z vvv vv zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
whoop hoot
l
Snd
hissing whistle
xxxxxxxx x x x x x x x x x x x
CCCCCCCCCCC
≤
≥
l
ccc
C C
CC g
≤
r
Dax
.
3 4
x
x
x
x
whoop hoot trem
rattling groan
Œ
Œ
q qqqqqqq l l l l l ll l
DDD D DCC c c c c c c c c gggggggggggggggggggg
6:11 Elec
padle squeak pulse
5 ≤+ 133 4
Rtch
‰
Snd
z
r y
‰.
‰.
Œ
‰
≤
whoop hoot
≤≤ ≤ ≤ ≤ ≤ ≤ ≤ ≤
≤
g g q qqqq q qcgq c c ccc c c ll
Cg g g g g g g C
6:21
l
l
l
l
hissing whistle
≥
.
tip clack
.
Œ
z z vvvv vv zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz xxxxxxx x x x x x x x x x x x x x x
CCCCCC C
Snd
Elec
o
6 4
l
l
l
l
Œ
Œ
≤
r
Dax
0
hold and release the padle while bowing
ccc
D DC
whoop hoot trem whoop hoot trem
Œ
qqq qcqcqcqcq c c c c ll lll lll
≈
≤
whoop hoot trem
cc
x
x
x
x
rattling groan
‰ Œ l l ll ll ll l l
qcqcqqq qcqq c cc qcq c c
D DC
ccc
‰
16
4 136 4
Rtch
Ó
Œ
‰
≈
Snd
≈
Œ
≤
rotate counterclockwise, and pull from handle to tip of hte stick
‰
.
z vv vz vvvvv
zz vvvvvvvvvv v yyyyyyyyyyyyyyyyyyyyyyyyyyyy
‰
cccc
Snd
≥
yyyyyyyyyyyyyyyyyyyyyy
whoop hoot trem
r
Dax
≤
hissing whistle press the stick on the gear wheel,
cccc r r
ccc
ccc
≤
Œ
whoop hoot trem
ccc
r r r c r c r c c rDDccc ccc ccc cccccc cDD c Dc c cD ccc DDc D D D D D DD D
cccccc
C C
C CCC CC
cc cc c
DDDD
D
c c c c
D D DDDD
6:33 Elec
growl sweep
Jet Kiwi Desolation 139 Rtch
5 4
∑
Œ
6 4.
.
≥
tip to click on the gear wheel teeth
Œ
CCCC
c c cc c
‰
xxxxxxxxxxxxxx
zzzzzzzzzzzzzzzzzzzzzz
≤
yodeling gliss
.
Œ
Ó
q q qq
whining rattling
Ó
!
D D D ggggggg DDDDDDDDDD cccc
cc
D D D D DD
.
r
Ó.
Dax
≤
tip clack
vvvvvvvv
! ! ! ! ! !!!!!!!!!!! ! ! ! ! ! yyyyyyyyyyyyyyyyyyyyyyyyyyy
Snd
Snd
tip clack rotate, stop moving the stick at the
e
cc cc cc cc c c c c
cc
6:41 Elec
growl sweep 142
‰ ‰
Rtch Snd
! !! ! ! v zzzzzzzz
Œ
Dax Snd
≤
Œ
xx
xxxxxx xxxxxx v v v v zzzz zzzzzz
zz
≤
Œ D
D D D
q q q qq
DDD DDD
ggggggggggggg
6:53 Elec
4≥ 4
DDDDD
≈
‰
≤
≈‰
≤3
‰ Œ
≤
v
e
DD
D
whining rattling
!
cccccccccccccc
Œ
≤
yy
zzzzzzzzzzzzzz
zz zzzzzzzz
‰.
Œ
v vvvvv z
vvvv
xxxxxx xxxxxx
≤
.
‰
Ó
whining bow
hissing whistle
6 ≥ 4
Œ
Œ
145 Rtch
17
hissing whistle
5≥ 4 .
z z vvvv v v v v zzzzzzzzzzzzzzzzzzzz
Snd
Œ
Œ
≤
yodeling gliss
Œ
Ó
yodeling gliss
Ó q q q
D D D D DD D D D D D ggggggggggggggggggggggggggg
zip rotate
zzzzzzzzzzzzzzzzzzzzzz
zzzzzzzzzzzzzzzzz
q q q q q q q
Snd
≤
zip rotate
r
‰
Dax
r
≤
‰
4≤ 4.
ccccc ccc
DD D DDDDD DDDD DD DD gggggggggggggggggggggggggggg
7:05 Elec
o 148
Ó
Rtch
‰
Snd r
≤
hissing whistle
≥
‰.
zv l vv ] v gggggggggggg
‰
‰.
≤j
‰
Œ
vvv
vvvv
3
.
‰
≤
Œ
vvv
DDD ccccc DD DD ggggggggggggggggggg
Ó.
zzzzzzzzzzz
yodeling whine
yodeling whine
Dax Snd
Œ
≥
whine rattle
Ó
e
DDD ccccc DD DD ggggggggggggggggggg
yyyyyyyyyyyyy
7:14 Elec
≥
151 Rtch
.
xx x x x x x x x
r
≤j
3
yodeling whine
Œ vvv
Snd
DD ccccc DD DD gggggggggggggggggg
7:23 Elec
tip clack
z z vvvvvv v zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
Snd
Dax
Wala Wetlands
hissing whistle
‰
6 4
Ó
∑
x
≤
Œ
vvvv
DD cccccc DDD D ggggggggggggggggggg
Œ
≤ vv cccccc DDDDD
ggggggggggggggg
Ó
18 154
4 4
∑
Rtch
∑
∑
Snd r
r
Ó
Dax
yodeling rattle
Ó
-- -- -- -- -- -- -- --
Snd
Œ
yodeling rattle
-- -- -- -- -- --
zzzzzzzzzzzzzzzzzzzzz
zzzzzzzzzzzzzzzzzzzzzzzzzzzzz
7:33 Elec
157
∑
Rtch
5 4
∑
∑
Snd r
Dax
-- --
Snd
Œ
Ó
Œ
≤ -
yodeling whine ratlle
-
-
-
-
-
-
-
-
-
-
- - - - - - - cccccccc
Ó
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
zzzzzzz
7:41 Elec
160
4 4
Rtch
∑
∑
∑
∑
∑
∑
∑
∑
Snd
Dax Snd
7:51 Elec