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Issue # 2 - June 2010 - £3
<p>Featured</p> <p>//Michel Ayoub, Candice Barrett, Genevieve Boaler, Robin Celebi, Vivi Cheah, Chris Clancy, Emily Cotton, Hannah *HRUJH 1DWDOLH *ULҬLQ /XF\ +DJJLV %DUEDUD +DPLOWRQ &DVH\ Hewson, Annabel Hodgkinson, Rupert Knowlden, Eleanor Major, Ameila Martyn, Ollie McAinsh, Josh McMichael, <u>Stephanie Orlowski</u> -HPLQL 3DQNKDQLD $LOVD 6LQFODLU /HHOD 5R\ /LDP 6PLWK &DPHURQ 7KRPDV S! D KUHI ¯KWWS ZZZ SORJPDJD]LQH FRP¯!
<Josh McMichael, WSA, BA Graphic Arts!
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THE HONEST FACE
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<Candice Barrett, WSA, BA Fashion, Knitwear!
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TRANSMISSION This piece was inspired initially by Glastonbury festivals 'Trash City' from the broken vehicles and machines. This lead me further to look into motor bike gear boxes, and the cogs that intertwine to power the motion of the bike. I looked into different knit techniques to create shapes and patterns to use to replicate in knit form. The main inspiration for the garment shape was from looking into classic biker gear, which is made to protect and be hard wearing. To add contrast to the soft appearance of the fabric, elbow and shoulder pads were added to create a tougher aesthetic. Racked trims were applied to emulate the cog shapes and create details to a simple black jacket. I chose to specialise in menswear as I feel the garments can be of greater detail but still adopting the classic silhouette. Knitwear is something that I have had a passion for since I was young DQG WR EH IXO¿OOLQJ WKLV DW XQL LV D JUHDW experience and is very enjoyable along with the stresses that knitwear brings.
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<Nicola Papadopoulou, Hannah Baker, Josh McMichael, WSA, BA Graphic Arts>
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// PROTEST
FOR SUNSHINE
7KH ÂżUVW VWHS WR FRQVLGHU LQ RUJDQL]LQJ any  protest  is  fuelling  the  crowd  or  your  expected  audience.  My  audience  was  Art  and  Design  students  and  tutors  at  Winchester  School  of  Art;  the  protest  took  place  in  :6$ , JDYH P\VHOI WZR GD\V WR RUJDQL]H the  protest,  then  gave  my  audience  two  days  to  prepare  for  it  and  the  actual  performance  took  place  on  Monday,  21st  of  March  2011. 'XULQJ WKH ÂżUVW WZR GD\V , VSUHDG ZRUGV of  mouth  around  the  school,  declared  my  protest  in  a  seminar  to  my  class  mates  and  WXWRUV GLVWULEXWHG Ă&#x20AC;\HUV KDQJHG SRVWHUV all  over  the  school  and  invited  everyone  to  join  an  event  I  created  on  Facebook  under  the  title  of  â&#x20AC;&#x153;Protest  for  Sunshineâ&#x20AC;?. Â
right  to  have  sunshine.  No  more  silence!!  We  are  calling  everyone  to  unite  for  a  SHDFHIXO SURWHVW DJDLQVW WKLV IUHH]LQJ weather  and  our  legitimate  right  for  sunshine!! Everyone  who  wishes  to  make  his  voice  heard,  join  us  at  the  MA  studios  (West  Side  building)  WSA  at  1  pm.  The  protest  will  take  place  throughout  WSA  from  2  pm  XQWLO SP +DYH \RXU VORJDQV OHDĂ&#x20AC;HWV signs  or  even  actions  with  you  to  express  your  want  your  way.â&#x20AC;?
The  audience  was  asked  to  meet  at  the  studios  for  a  workshop  under  my  supervision.  We  joined  in  as  a  team  and  VWDUWHG FUHDWLQJ RXWÂżWV VLJQV DQG HYHQ actions.   At  2  pm  we  met  in  a  circle,  The  event  had  the  following  description: declared  our  wants   and  started  moving  â&#x20AC;&#x153;This  is  the  day  of  rage  against  England's  through  our  demonstration. cold  weather!!!  We're  only  asking  for  our Â
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MYTH OF ORIGINS Taken  from  a  series  of  images  created  for  a  character  design  brief,  I  illustrated  the  pig  and  turkey  from  the  Edward  Lear  poem  -  The  Owl  and  the  Pussycat: Dearest  Owl, A  new  member  to  our  community  has  brought  a  great  evil  amongst  our  island. The  reverend  atop  the  hill  has  revealed  himself  to  be  an  authoritarian  monster,  he  is  holding  us  all  captive  in  our  own  home. Please  help,  we  all  need  you. Your  friend, Piggy. The  written  content  was  very  rich,  giving  me  valid  character  traits  to  start  with  which  I  developed  through  the  use  of  my  own  underlying  narrative. The  pig  characters  inhabited  the  island  which  soon  became  overrun  ZLWK ÂżHUFH W\UDQQLFDO UXOHV DQG behaviour  from  the  reverend  turkey,  for  example  he  enforced  the  pigs  to  wear  heavy  metal  nose  rings  to  prevent  them  swimming  from  the  island  in  an  attempt  to  escape.   The  nose  rings  consequently  affected  the  posture  of  the  pigs  making  them  top  heavy  and  largely  immobile. 7KH ULJLG PDUN PDNLQJ XVHG UHĂ&#x20AC;HFWV this,  the  way  that  my  scalpel  dictated  the  shape  and  position  of  the  characters  secured  their  anchored  position  on  their  overrun  island. Mark  making  is  something  that  I  have  been  increasingly  conscious  of  over  the  past  year  or  so.   The  medium  and  method  of  application  can  drastically  affect  how  the  same  image  feels  on  a  page,  for  example  graphite  can  be  used  to  create  a  soft  smooth  object  when  applied  gently  and  considerately,  but  by  tightening  your  grip  and  contact  with  the  paper  you  are  able  to  create  quite  a  different  piece,  even  of  the  same  subject. KWWS SORJPDJD]LQH FRP
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THE STAG
This  piece  is  from  a  brief  called  'genius  loci';  to  create  character  designs  inspired  by  the  contents  and  surroundings  of  a  chosen  area.  In  this  case,  this  area  was  Winchesterâ&#x20AC;&#x2122;s   nature  reserve.  Showing  the  dead  overgrown  roots  and  branches Â
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which  spill  onto  the  paths  of  the  reserve  in  winter.  Iâ&#x20AC;&#x2122;m  interested  Particularly  in  black/white  single  line  drawings,  pattern  design  and  t-Âshirt  design.  Aiming  to  start  my  own  t-Âshirt  line  following  my  studies  at  university.
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// COVER
FEATURE This particular garment is a Menswear Autumn/Winter Coat inspired by traditional British menswear mixed with D PRGHUQ IDVKLRQ VW\OH DQG ÂşW , ORRNHG at vintage style menâ&#x20AC;&#x2122;s coats as well as traditional hunting uniform to gain D WZLVW RQ WKH PRGHUQ PDQ , ZDQWHG WR capture British heritage style within a garment, as well as having a modern shape with interesting features that can really appeal to a niche market; WKH IDVKLRQ IRUZDUG 7KH IDEULFV , chose were inspired by a more vintage PHQÂąV DSSDUHO ,W LV PDGH IURP D ZRRO cashmere mix fabric; and each fabric KDV D GLŇŹHUHQW SDWWHUQ IRU GLYHUVLW\ DQG LQWHUHVW , WKLQN ,ÂąP TXLWH DQ unconventional designer, and I feel that this shows in the rather contrasting use RI IDEULF RI WKLV SDUWLFXODU SLHFH 7KLV LV WKH ÂşUVW PHQVZHDU LWHP , KDYH PDGH DQG , ORRN IRUZDUG WR PDNLQJ PRUH I mainly work with Womenswear, however I enjoy being quite versatile within my GHVLJQV , WDNH D ORW RI P\ LQÂťXHQFHV from artists and young designers, DV ZHOO DV IDVKLRQ LOOXVWUDWRUV 0\ practice involves a lot of illustrating, designing, technical pattern cutting as ZHOO DV PDNLQJ 7KH PDLQ LOOXVWUDWRUV , WDNH LQÂťXHQFH IURP DUH $XWXPQ Whitehurst, Laura Laine, Cedric Rivrain DQG 3HWUD 'RINRYD , UHFRPPHQG D ORRN LQWR HDFK RI WKHVH , GHVLJQ WR ÂşW DQ\ EULHI KRZHYHU P\ target market is really the fashion forward young adult My work is very much about the shape and silhouettes of my designs with a contemporary twist; however I want to branch out into DGGLQJ SULQW GHVLJQV WR RXWÂşWV , HQMR\ making to order, as I think deciphering WKH EHVW ÂşW SRVVLEOH LV LPSHUDWLYH , think it is important to add aspects of individual interest and originality to my clothes, and this is where I will FRQWLQXH WR KHDG Stephanie Orlowski, studying BA Fashion 'HVLJQ DW :LQFKHVWHU 6FKRRO RI $UW VR J #VRWRQ DF XN!
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<Jemini Pankhania & Ailsa Sinclair, WSA, BA Graphic Arts!
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// GUERILLA
GAMES Ailsa Sinclair and myself Jemini Pankhania are both level 2 Graphic Arts Students. Ailsa specialises in graphic design and I've specialised in illustration.
Four Days of Preparation. Motion censors covered up, water, food, kettle, pens, lamp, and coffee hidden in the room; we where ready for our game to begin.
Our room 3037 antic arose over late lunch in the canteen, reminiscing our school days. A random conversation about being locked in school or Uni lead us to then roam around the graphics studios looking for security cameras and motion censors. The thought of being locked in Uni had suddenly become a thrilling plan!
8pm Monday evening. We sneaked into room 3037 and hid under the table for two hot, stuffy, hours, waiting for Security to do his checks. This was no doubt the most nerve wracking part. If at this stage we'd got caught, it would all have been over.
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10.01pm the coast was clear. We crept out from under the table, set up our lighting and the drawing begun. The idea behind our line drawings came from the word association game, but with images. We began with the topic 'Hide and Seek' and let out drawings go form there.
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<Amelia Martyn, WSA, BA Fine Art; Printmaking>
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UNTITLED I  am  very  much  interested  in  form  and  composition,  investigating  human  form  and  personal  identity.  Within  my  collages  I  often  manipulate  the  images  in  order  to  provide  a  new  identity  within  the  ¿JXUHV WKHUH LV RIWHQ DQ underlining  sinister  and  humorous  theme  throughout.  I  make  my  collages  by  hand,  , ÂżQG WKH FXW PDUNV DQG tears  add  to  the  depth  of  WKH LPDJHV , DOVR ÂżQG WKDW you  gain  better  results  and  are  able  to  experiment  with  the  composition. Â
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Throughout  studying  as  an  artist  I  have  always  been  fascinated  by  human  form  and  interactions.  This  has  proven  to  be  an  underlining  theme  in  a  lot  of  my  work  over  the  past  2  years.  I  am  currently  working  with  the  idea  of  Colour,  Environment,  human  response  DQG UHĂ&#x20AC;HFWLRQ ZLWK OLJKW Artist  whom  I  am  interested  in  is  the  work  of  Zach  +REEV -RKQ 6WH]DNHU DQG Anthony  McCall.
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<Barbara Hamilton, Ravensbourne , BA Fashion Textiles>
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MALATTIA 0\ SULQWV DUH LQÀXHQFHG KHDYLO\ E\ science. I love the hidden worlds that are all around us, microscopic ZRUOGV ¿OOHG ZLWK SDWWHUQ DQG texture. The project was a commercial brief so it’s a tame version of my aesthetic. My inspirations are a little more dark, I love Gareth Pugh, Hussein Chaliyan and Haider Ackermann to name but a few. The brief was for Peter Jensen, his clothes are quirky and girly. I used Gia Carangi as my muse, she was a supermodel in the 70’s-80's who died of AIDS's as a result of heroin addiction. She was a lesbian and androgynous, this is where my silhouette came from and the print,from a study of diseases related to HIV.
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<Eleanor Major, WSA, BA Printed Textiles!
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NATURAL DISASTER This piece is inspired by natural disasters such as oil spills, hurricanes and earthquakes. I really focused on the patterns and colours formed by oil on water and tried to represent this in my design. I was also
KHDYLO\ LQÀXHQFHG E\ WKH destruction caused by the disasters and have UHÀHFWHG WKLV LQ P\ ZRUN by experimenting with deconstructed fabrics, rock salt and disperse dyes.
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If you’re a student studying an art and design subject, send us your work to get LW IHDWXUHG Send a sample of the work to our email address below and we’ll get back to you DV VRRQ DV SRVVLEOH PDLO#SORJPDJD]LQH FRP _________________________________