P-M

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2015 Aug.

P-M Po-Min, Wang / 王 柏閔

Tamkang University 2012-2016 Architectural Design Works



2016 Winter in Yun-lin, Ci-tong


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Po-Min, Wang

王 柏閔

+886 987 159 569 miltonwang0923@gmail.com

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2014 7-8 AUD + 城市創合 /潘 天壹 2015 7-8 CAWS 強安威勝 /賴 明正

Y 104級 建築系學會 / 會長 104級 學生會 / 新聞部長

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2015 TKU X JWU design workshop 2016 United Student Association camp

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CV

2012 - 2016

Ar c h i t e t u r e D e s i g n P o r t f o l i o


UNDERWORLD

CRACKING LIBRARY

MUSIC HOUSING

COTIDAL LINES

The film "UNDERWORLD" described in a non-human world-view transformed as an organic space made by plaster.

The unique hilly terrain in [san-zhi] is treated as the main design path in the site extending from the mountains to the sea.

It is a dedicated musician rented housing . Residents can meet and trio in many intermediary space.

Over time , a large numbers of vehicle arise , railway systems and people also will escape into the under ground.

2013SPRING

2014SUMMER

2015SPRING

2015WINTER

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Contents

2013AUTUMN

2014WINTER

2015SUMMER

2016SPRING

We wrote a poem about the historical sites . The end of the historical axis is the same sunset.

I tried to use three principles "gaps","compressed","openness" to respond waterways and surrounding urbanization.

A few functions boxes were left . Resident can according to different needs surround the family lines.

Complete with a hydrogen-driven world of the future , new infrastructure, new modes of transportationnew logistics network.

POEM of SITE

RIVERSIDE SETTLEMENTS

FRIENDLY FENCE

HYDROGEN FUTURE

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UNDERWORLD

#.異身之間 2013 SPRING

It's how discusses the non-humanity's organism with the space which places to have how use and to interact together the way. And utilizes oneself regarding the spatial imagination, simulates and creates a new inhuman space. By" Underworld "sends as the topic wants to originate, With role, the scene and the values ponder us to transform the daily-space imagination. 『異 身 之 間』是 探 討 非 人 類 的 生 物 體 如 何 與 身 處 的 空 間 有 怎麼樣的使用與互動方式。並運用自身對於空間的想像力 ,模 擬 與 創 造 一 個 新 的 非 人 空 間。 『決 戰 異 世 界』作 為 題目 的 發 想 來 源,用 其 中 的 角 色、場 景 與 觀 念 去 思 考日常 空 間 轉化後結果。

ADVISER / SHUN-CING, WU

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吳 順卿


I M A G E C O L L A G E

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L S Project. 01 UNDERWORLD / 異身之間

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2013 / Spring

FIANL MODELS

In the upper space, is a small suite room, while in the lower space is a large settlement, vampires gregarious here. The thick walls of the hole between the pipelines are buried, mankind must donate blood through the action, to pay the rent to the vampire in exchange ladder protection provided by a ghost.

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POEM of SITE

#.基地之詩 2013 AUTUMN

Position on the hillside, from the rich history and culture, different architectural forms, as well as complex and diverse brick pavement tree planting , to stimulate the visitors again and again. Characteristics of the site from the base, and then with a variety of case studies. In the hope that through a mission priest hall time, I placed a prayer space to respond characteristics of this base. 位在淡水河畔山坡上的這一塊古蹟帶,從豐富的歷史人文 、不同的建築形式、複雜的磚牆鋪面還有多樣的樹種植披, 一 再 再 的 刺 激 尋 訪 者 的 感 官 。從 分 析 選 址 的 基 地 特 性,再 搭配各種案例研究裡,處裡空間的手法循序漸進的演變出 一個相當現代的建築樣式,希望透過教士會館在當時的一 個使命感,置入一個告解的空間來回應此基地的特性。

ADVISER / DENG-GUEI, YANG

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楊 登貴


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2013 / Autumn

Where they stand in the history of the axis , in view of the above is the same mountain , river and sunset

FIANL MODEL

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CRACKING LIBRARY

#.地景圖書館 2014 SUMMER

San-Jhih street blocks from the development process as well as a center outward cracking phenomenon. The site is in the border zone and I wish to lead the crowd into the sea, First I configurated around the main library and community center, sandwiched between two different vertical path. And with a vocabulary flap, to strengthen cracking imagery. 從三芝發展街廓還有道路系統的過程發想,發現三芝區的 紋理是呈現一個有中心向外裂解的現象。想把位在邊陲地 帶的基地定位為一個把人潮往海引去的催化劑,並藉由基 地 本 身 的 高 程 特 性,去 切 割 出 不 同 的 路 徑 。配 置 左 右 的 主 要有圖書館與社區活動中心,中間夾著兩條不同的垂直路 徑。並且用折板的語彙,去強化裂解的意像。

ADVISER / ZHEN-ZHEN, PANG

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潘 珍貞


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night

daybreak

Lively activities was extend into theplaygroundset by the path. 24

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afternoon

morning

Project. 03 CRACKING LIBRARY / 地景圖書館 14


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2014 / Summer


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S Project. 03 CRACKING LIBRARY / 地景圖書館

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2014 / Summer

Programs naturally occurs at the intersection of dynamic moving line

FIANL MODEL 17


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RIVERSIDE SETTLEMENT

#.河邊聚落 2014 WINTER

I tried to use three principles:''gaps'', ' compressed'', ' openness'' to respond hundreds of years between waterways and surrounding urbanization. After that, I attempted to let the inimate texture for nearby resident back to the new architectral hall. The main path spread from school to the indoor link various of spaces. The splash and interesting activities will naturally occur. 我試圖去用三個不同的原則:「縫隙」、 「壓縮」、 「開放性」去 回應溪流在這幾百年之間水道與周遭都市化的發展。並企 圖去把以前這條溪流對於周遭居民「親切」的生活質感,帶 回來新建築系館的設計。從校園路徑蔓延到室內的主要動 線,串連 著 各 種 屬 性 不 同 的 空 間,各 種 活 潑 有 趣 的 交 流 活 動在此碰撞發生。

ADVISER / MING-HUI, CHEN

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陳 明揮


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Project. 04 RIVERSIDE SETTLEMENT / 河邊流域 20


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2014 / Winter


Project. 04 RIVERSIDE SETTLEMENT / 河邊流域 22


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2014 / Winter


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MUSIC HOUSING

#.音樂之家 2015 SPRING

Design thoughts began from a experience hearding the sound of the piano, and I hope this place as a part renting to music producer base. There are many transitional corridor in the collection house. And after all of the first floor hall open can become open-air bandstand in the facade design also uses the rhythmic curtain wall to enhance the image of the music. 設 計 發 想 取自於 某 天 個 夜 到 臨 沂 街 聽 到 鋼 琴 彈 奏 聲 的 經驗,希望將此地做為一個部分出租給音樂製作人的基地 。在 集 合 住 宅 中 有 許 多 過 渡 的 廊 道,期 待 音 樂 人 彼 此 相 遇 時可以交流甚至重奏。而在一樓的門廳全部敞開後可以成 為露天的演奏台,在立面的設計上也使用了富有韻律的帷 幕牆來加強音樂的意象。

ADVISER / CHUN-LONG, WANG

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王 淳隆


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Project. 05 MUSIC HOUSING / 音樂之家 26


2015 / Spring

Detail design of the rhythm curtain wall

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FRIENDLY FENCE

#.友善的圍牆

#.家的圍牆

2015 SUMMER

Guandu, a suburb of Taipei, is suitable as a low-cost rental housing base. Using the daily behavior of residents as a starting point, and trying to experiment a new form of collective housing, leaving only the service box, such as: "Bathroom", "Kitchen". Resident can rent according to the time change , and to serve as the core of a free box enclosure walls of their own family lines. 關渡這一塊距離台北市半小時的郊區,正適合做為青年出 租住宅的基地。從基地裡觀察到居民的日常行為當作出發 點,試 圖 實 驗 一 個 新 興 集 合 住 宅 形 式,只 留 最 低 機 能 需 求 的服務盒子,如:「浴室」、 「廚房」。承租的租戶可以依時間 的 改 變;家 庭 規 模 的 改 變,並 以 服 務 盒 為 核 心 彈 性 地 圍 圈 屬於自己的家庭圍牆線。

ADVISER / YOSHIO KATO

加藤 義夫

PARTNER / MINOWA HISAKO MORIBAYASHI AYAKO QI-LIANG, TANG XIN, WEI KUAN-CHUNG, CHIU CHIH-HSIN, FAN

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箕輪 久子 森林 綾子 唐 奇靓 魏鑫 邱 冠中 范 芷芯


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You can see the relationship between the service core and the family line on graphic design

Project. 06 FRIENDLY FENCE / 友善的圍牆 30


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2015 / Summer


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COTIDAL LINES

#.地下的等潮線 2015 WINTER

The development of public transport in the area around the station in Taipei, flat rail system is the first to be constructed in. Over time, a large numbers of vehicle arise, rail systems also will escape into the under ground. And so on, High-speed rail, MRT appeared. Under-ground street, underground regional district also let people experience a different urban experience. 在台北車站周邊地區的大眾運輸發展脈絡中,平面鐵路系 統 是 最 先 被 建 構 起 來 的 。隨 著 時 間 的 推 移,平 面 道 路 乘 具 大量出現,鐵路系統也隨之遁入地底之下,高速鐵路、捷運 而後也開始悄悄的在地底走移。試圖透過潮間帶的自然研 究,讓 地 下 街、地 下 區 域 商 圈 也 讓 人 們 有 迥 然 不 同 於 地 表 的都市體驗。

ADVISER / HIDEKI HIRAHARA

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平原 英樹


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晚 間 通 勤 時 段

晨 間

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泥 Soil 沙 Sand 砂岩 Sandstone 礫石 Gravel 火山岩 Volcanic

底岩 Rock

Project. 07 COTIDAL LINES / 地下的等潮線 34


2015 / Winter

在此部分的研究之中,將除去沙的顏色,單純觀察水與地貌之間的關係。由平面上水紋的肌理可 以清楚的看到高潮位與低潮位的差別,甚至是漲與退時動態的記錄過程。

藉由將平面圖形的紋理像素化的過程之中,思考與觀察最簡單純點因大小、透明度、排列方式不 同而創造出以上平面的肌理的結果。結果也可以稍微看出漲與退的速度與量。

In this part of the research after removing the sand, Only observation of the relationship between water and the landscape. Watermark of the plane by the muscle where you can clearly see the difference between high tide and low tide level, Even up with the dynamic process.

By the process of the Pixelation of the plan, rethinking and observating the different size, transparency, arrangement of the pixel points. Results can observate the speed and volume of the rising tide.

沖積層 Alluvium

滯留層

Retention

緩衝層 Buffer

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Project. 07 COTIDAL LINES / 地下的等潮線 36


2015 / Winter

You can see the opening on the long cross section relationship between the structure and the space

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Project. 07 COTIDAL LINES / 地下的等潮線 38


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2015 / Winter


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HYDROGEN FUTURE

#.氫能未來 2016 WINTER

We image a future shortage of energy background , then, the hydrogen will be a very forward-looking alternative energy sources. Hydrogen tower can produce hydrogen but provide a city everyday needs, The energy applied to the network even cover transport and logistics industry. We expect hydrogen settings can be changed future outlook of the city. 我 們 設 想 一 個 能 源 短 缺 的 未 來 背 景,屆 時,氫 能 源 將 是 一 個非常具有前瞻性的替代能源。氫能源塔是一個可以自行 產 生 氫 能 並 可 以 提 供 一 個 城 市日常 所 需 能 源 的 新 基 礎 建 設,能 源 應 用 的 網 絡 甚 至 涵 蓋 到 交 通 與 物 流 運 輸 產 業 。我 們預測氫能源甚至可以改變未來城市的風貌。

ADVISER / LI-WEN, SONG PARTNER / XIN-LUN, LI

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宋 立文

李 馨綸


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wind turbine

H2 O2 delivery

delivery refuel

Open Space

NaOH

City System

O2 Gas compression e-

O2 pem

ELECTROLYSIS

H2

monitor turbine

filter

hydrogenation

solar wind

public space

warehousing waterstorage

Project. 08 HYFROGEN FUTURE / 氫能未來 42


2016 / Spring

Hydrogen tower system combines four-rotor helicopter

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T H A N Y O S M U C

K U O H


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