Poly Auction Hong Kong | 20th Century & Contemporary Art Sale in association with Phillips

Page 1

20th Century & Contemporary Art đ’ ąéĄ˘đą…Šđ’Šƒđ§•ˇđ?…ľđľĄ 𜼾ㄤ𡥠𡞅

Š YOSHITOMO NARA

Evening Sale and Art & Design Day Sale Hong Kong / 3 & 4 December 2020

© YAYOI KUSAMA

©YAYOI KUSAMA

Follow Us on WeChat

Phillips Digital Download Phillips App

饄𚤰đ–€´đľĄ đ ”‡đ˜ €đ§‘“đŠ–…đ—–

Lot 13

Browse and bid anywhere, anytime. đ¸˜‚đ??Ąńƒ?‰đ ? 𼠾đˇ™?đ’Šƒđ° łđ™…‘đ™ˆŠă…ˇńŁ€ą

Follow Us on Social Media ńƒ„„đŁœ–đ˜¤Śđ?™‘ 13 LIU WEI Purple Air IV-4 Estimate HK$1,600,000 - 3,000,000

@PhillipsAuction @PhillipsWatches @PhillipsJewels

*Some phones may require a separate application to support QR codes.

Place Advance Bid

20th Century & Contemporary Art Department

Head of Department Isaure de Viel Castel +852 2318 2011 isauredevielcastel@phillips.com Senior Specialist, Asia Lihua Tung +852 2318 2052 lihuatung@phillips.com Head of Evening Sale Charlotte Raybaud +852 2318 2026 charlotteraybaud@phillips.com Head of Day Sale Danielle So +852 2318 2027 danielleso@phillips.com Head of Online Sales, Hong Kong Delissa Putri Handoko +852 2318 2013 delissahandoko@phillips.com Senior Administrator, Cataloguer Marian Ang +852 2318 2024 marianang@phillips.com Administrator Katy Li +852 2318 2025 katyli@phillips.com Cataloguer, Administrator Anastasia Salnikow +852 2318 2014 anastasiasalnikow@phillips.com

Design Department

đ™ˆŠđš‚‚ń€¤„ń‚Ľ– ń€¤„ń‚Ľ–餔đ°?¤ ä”…Ö˜ç€? KUCWTGFGXKGNECUVGN"RJKNNKRU EQO 𣠢𒠰𚀾𤄨𖅠𕌕 ćž Ó?ဘ NKJWCVWPI"RJKNNKRU EQO

Head of Europe Domenico Raimondo draimondo@phillips.com Senior Specialist Sofia Sayn-Wittgenstein ssayn-wittgenstein@phillips.com Head of Sale

đ ž•ń‚Ś‚đ™ˆŠđš‚‚é¤”đ°?¤ ᥧč?š EJCTNQVVGTC[DCWF"RJKNNKRU EQO

Madalena Horta e Costa mhortaecosta@phillips.com

đ ˜–ń‚Ś‚đ™ˆŠđš‚‚é¤”đ°?¤ चđ??Śä†” FCPKGNNGUQ"RJKNNKRU EQO đą”°đ™ˆŠé¤”đ°?¤ Ö…ă‘—⼠FGNKUUCJCPFQMQ"RJKNNKRU EQO ń…?‚đąˆĽđśĽ¤đ Œ™đ’œ‚ 𓙜ń Ľƒđą™‰ń€€€ 䆀⼠ဘ OCTKCPCPI"RJKNNKRU EQO 𜼤đ Œ™đ’œ‚ â€˜ĺŒ˘ÇŠ MCV[NK"RJKNNKRU EQO

Nicola Krohman nkrohman@phillips.com

𓙜ń Ľƒđą™‰ń€€€ 𜼤đ Œ™đ’œ‚ 䌓!ল CPCUVCUKCUCNPKMQY"RJKNNKRU EQO

Senior Cataloguer

Cataloguer Caroline Pedote cpedote@phillips.com Senior Administrator Antonia King antonia.king@phillips.com

20th Century & Contemporary Art Evening Sale and Art & Design Day Sale đ’ ąéĄ˘đą…Šđ’Šƒđ§•ˇđ?…ľđľĄ 𜼾

đ Ž”ń‚Ą¨đ˜ —đ¸˘‚đ’…„đľ•’đśœĄđ‘ĄŁđˇ˜śđˇ•™đ ˆ ń‚Ą¨đ˜ —𸢂 Hong Kong / 3 & 4 December 2020

Auction & Viewing Location JW Marriott Hotel Hong Kong 88 Queensway, Admiralty, Hong Kong Auction Evening Sale: Thursday, 3 December, 7pm (lots 1–32) Day Sale: Friday, 4 December, 11am (lots 101–250) Please register to bid online, absentee or by phone. Viewing 26 November–3 December Thursday–Thursday 10am–7pm Sale Designation When sending in written bids or making enquiries please refer to these sales as HK010320 or 20th Century & Contemporary Art Evening Sale, or HK010420 or 20th Century & Contemporary Art & Design Day Sale. Absentee and Telephone Bids tel +852 2318 2029 fax +852 2318 2010 bidshongkong@phillips.com

đ™ˆŠđš‚‚đ’Šƒń„‚ˆđ–Š… Đ’â Ľ,9Đżâ•˜ĐŒŃ Ě‡Ň™Ć… Ěś đ™ˆŠđš‚‚ đ ž•ń‚Ś‚đ™ˆŠđš‚‚ń™€— Ĺ­ Ęƒ ĹŤńˆĽ‘ÄŞ0 IJ

Ѹ4ী̜ t đ ˜–ń‚Ś‚đ™ˆŠđš‚‚ń™€— Ĺ­ Ęƒ ĹŤńˆĽ‘Ę0 IJ

Ѹ4ী̜ t ń„‚ˆđ–Š… Ĺ­ Ęƒ χ Ęƒ ĹŤ 8ʿ˗χ8ʿ˗ Ę0 IJχČ?Ę IJ đ™ˆŠđš‚‚ă ?đŠ™”đ’Šƒđą™‰đś„š ćㅖΚÎŒÇšĹ Ç–Ćšă?˘ÎŤ Ďœ СઅѸŐ?ᤣ ŰIJńˆĽ‘É?⼂džČ?Ç?ѸŐ?ী̜Č *- ѸŐ?ÇŠá• Č•ĘˆČ˜áĄ˜áˆŠČ‹?á?Śá”ĽČ?Ç?Ѹ Ő?ńˆĽ?ĹŤÇ?ѸŐ?ী̜Č *- ѸŐ?ÇŠ á• Č•ĘˆČ˜áĄ˜áˆŠČ‹?á?Śá”ĽĹ Ń´Ě&#x;ĹŤÇ?ѸŐ?ńˆĽ? đ”¤‰đ™ •đ° łđ™…‘đ’Šƒńƒ•´đˇŚ’đ° łđ™…‘ Ç–Ćš Ě˜ĹŹ DKFUJQPIMQPI"RJKNNKRU EQO

Executives Edward Dolman

David Norman

Jamie Niven

Chief Executive Officer

Chairman, Americas

Senior Advisor to the CEO

+1 212 940 1241 edolman@phillips.com

+1 212 940 1280 dnorman@phillips.com

+1 917 880 2532 jniven@phillips.com

Cheyenne Westphal

Jonathan Crockett

Hugues Joffre

Global Chairwoman

Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Senior Advisor to the CEO

Š Brigitte Lacombe

+44 20 7318 4044 cwestphal@phillips.com

+44 207 901 7923 hjoffre@phillips.com

+852 2318 2023 jcrockett@phillips.com

Arnold Lehman Senior Advisor to the CEO +1 212 940 1385 alehman@phillips.com

Deputy Chairmen & Chairwomen

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Head of Private Sales

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

+44 20 7318 4063 psumner@phillips.com

Vanessa Hallett

Vivian Pfeiffer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

+32 3257 3026 mhoet@phillips.com

+1 212 940 1239 egoldberg@phillips.com

+44 20 7318 4010 smarich@phillips.com

+1 212 940 1243 vhallett@phillips.com

+1 212 940 1392 vpfeiffer@phillips.com

+44 20 7901 7943 mheiden@phillips.com

Our Team 20th Century & Contemporary Art Hong Kong

Jean-Paul Engelen

Robert Manley

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

Jonathan Crockett

Isaure de Viel Castel

Lihua Tung

Charlotte Raybaud

Danielle So

Delissa Putri Handoko

Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Head of Department

Senior Specialist, Asia

Head of Evening Sale

Head of Day Sale

Head of Online Sales, Hong Kong

+852 2318 2011 isauredevielcastel@phillips.com

+852 2318 2052 lihuatung@phillips.com

+852 2318 2026 craybaud@phillips.com

+852 2318 2027 dso@phillips.com

+852 2318 2013 delissahandoko@phillips.com

+852 2318 2023 jcrockett@phillips.com

Poly auction Modern and Contemporary Art

Chairman Jiang Yingchun Managing Director Alex Chang Chief Financial Officer Robin Lyu Operations Director Mimi Chen Modern and Contemporary Art Jamie Yu Ya-wei Lin June Hsu Joseph Yang Junnan Ma Holly Zhang Dominique Wong +852 2303 9880 cmca@polyauction.com.hk

đ´Ľ°7𥂂餔𗅧 伊ᒂጇ đ”€˜𜼤𴼰7 ˘â?¨ŐŚ 𸼾đ‘Ąłđą Łđ¨ˆś ĺ” Ć’ÎŚ 𼌔ń€–ˆđą Łđ¨ˆś ŕĽƒđĄ„˛đĄ„˛ đŚ˘“đ§•ˇđ?…ľđľĄ 𜼾 â”—đ¤’’ĺœ á™¨áœ´âĄš Рέă…ś ⤉㑲Ő&#x; ᅙ䉡ä?¨ Ë˜á€˜ĺ‘’ օ䤅ŕ§&#x; +852 2303 9880 cmca@polyauction.com.hk

Poly Auction Modern and Contemporary Art Hong Kong

Jamie YU Head of Department +852 2303 9882 jyu@polyauction.com.hk

Ya-Wei LIN

June HSU

Joseph Yang

Junnan Ma

Holly Zhang

Dominique Wong

Director

Specialist

SpecialistÂ

Business Representative

Specialist Trainee

Administrative Assistant

+852 2303 9811 ywlin@polyauction.com.hk

+852 2303 9872 jhsu@polyauction.com.hk

+852 2303 9889 jyang@polyauction.com.hk

+852 2303 9804 jma@polyauction.com.hk

+86 10 6408 3375 hzhang@polyauction.com.hk

+852 2303 9880 dwong@polyauction.com.hk

Evening Sale Lots 1–32

1. Salman Toor

b. 1983

Group Dance signed and dated ‘Salman Toor ’12’ on the reverse oil on linen 119 x 152 cm. (46 7⠄8 x 59 7⠄8 in.) Painted in 2012.

đľœĽđŚ†‡𥠧vđ™ •đŚ†‡ ńˆ ˘Ö¤tጒ㤢ńˆ Ł Đ…Ó´ â€ŤŰ’â€ŹŇ˜ Ĺ­Ç&#x; ĐƒÔšń‘? 5CNOCP 6QQT p ҆ቴ HK$ 380,000-480,000 US$ 48,700-61,500

scan for more on this lot Philllips

Poly auction WeChat

2. Emily Mae Smith

b. 1979

Dust signed and dated ‘Emily M Smith 2019’ on the reverse oil on linen 27.9 x 35.5 cm. (10 7⠄8 x 13 7⠄8 in.) Painted in 2019.

𳼠𰥜đ´’˜vđĄœ‚vđ’?ƒđ–€Ľđ ”‡ ńˆ ˘â˜šâĄ…ńˆ Ł Đ…Ó´ â€ŤŰ’â€ŹŇ˜ Ĺ­Ç&#x; ĐƒÔšń‘? 'OKN[ / 5OKVJ ҆ቴ HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

Poly auction WeChat

3. Titus Kaphar

b. 1976

đŁœ°đŚŠ”đ ”‡vđ’„•đ—„°đŚ†‡

scan for more on this lot Philllips

Well Kept signed and dated ‘Kaphar 10’ on the reverse oil on canvas mounted on panel 213.4 x 137.2 cm. (84 x 54 in.) Executed in 2010.

ńˆ ˘Ě?áŒ˘á˘€ÄŒńˆ Ł Đ…Ó´ Ň†Ň˜ 爔Ç?҂‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? -CRJCT ҆ቴ HK$ 800,000-1,200,000 US$ 103,000-154,000

Poly auction WeChat

Property from a Prominent Private Collection

4. Matthew Wong

1984-2019

ń„ˆšđš‰ŁđŠ‘ĽSđ Œ„đľ ?

đŚœ˛đ?”ľđ?˘‚

scan for more on this lot Philllips

River at Dusk signed, titled and dated ‘“RIVER AT DUSK� Wong 2018 [in Chinese]’ on the reverse oil on canvas 203.2 x 178 cm. (80 x 70 1⠄8 in.) Painted in 2018.

ńˆ ˘ă‘™Ń—Ƽἂńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ńˆ ˘4+8'4 #6 &75-ńˆ Łá’ Č•ńˆĄ‡Ä‚ጂ

҆ቴ HK$ 7,000,000-10,000,000 US$ 897,000-1,280,000

Poly auction WeChat

Š YOSHITOMO NARA

Property of an Important Private Collector

5. Yoshitomo Nara

b. 1959

Hothouse Doll titled “Hot House Doll. (in the white room - III)� on the reverse acrylic on canvas 119.8 x 109.9 cm. (47 1⠄8 x 43 1⠄4 in.) Painted in 1995.

ń ?‚đˇ•–đŠ‘ĽSđ Œ„đľ ?

đ”–?𳤕đ˛?“đ Ąˆ ńˆ ˘Ń˝â€ŤŘ¨â€ŹĆ•ËŽńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ńˆ ˘*QV *QWUG &QNN

KP VJG YJKVG TQQO +++ ńˆ Ł ҆ቴ HK$ 50,000,000-70,000,000 US$ 6,410,000-8,970,000

scan for more on this lot Philllips

Poly auction WeChat

Š YOSHITOMO NARA

Property from a Distinguished Private Collection

*

6. Yoshitomo Nara

b. 1959

Untitled acrylic on wood, in artist’s frame work 286 x 241 cm. (112 5⠄8 x 94 7⠄8 in.) frame 310 x 265 cm. (122 x 104 3⠄8 in.) Painted in 2007.

đ’‚”đšŒ†đŠ‘ĽSđ Œ„đľ ?

đ”–?𳤕đ˛?“đ Ąˆ ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş ҂‍ ذ‏á?Śá”ĽĹ?Ć‹㥧ä‘? Ĺ­Ç&#x; HK$ 24,000,000-36,000,000 US$ 3,080,000-4,620,000

scan for more on this lot Philllips

Poly auction WeChat

Property of an Important European Collector

*

7. Jean-Michel Basquiat

1960-1988

Ancient Scientist signed with the artist’s initials, titled and dated ‘JMB “ANCIENT SCIENTIST� 1984’ on the reverse acrylic, oilstick, Xerox and paper collage on canvas 167.7 x 154 cm. (66 x 60 5⠄8 in.) Executed in 1984.

ń ?‚𡕖𣀀𣠢𦠣đľ ?

𖆑vđ°Ąśđ˘ˆ°vđ—‚„đ ”‡đ”–ˆ ńˆ ˘Öż?á• Ć’Ĺ?ńˆ Ł ‍ؼ‏Ő?Ćş Ѕ҆գ Ç™â€Ľâ…“âˆłáĄ¤ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ,/$ńˆ ˘#0%+'06 5%+'06+56ńˆ Ł ҆ቴ HK$ 50,000,000-70,000,000 US$ 6,410,000-8,970,000

scan for more on this lot Philllips

Poly auction WeChat

Â

*

8. Gerhard Richter

b. 1932

đĄ–ˆă† đŚŠ”Ë™ń ? đ—„˜đŚŠ”

scan for more on this lot Philllips

Abstraktes Bild (682-4) signed, numbered and dated ‘682-4 Richter 1988’ on the reverse; further numbered ‘682-4’ on the stretcher oil on canvas 72.5 x 62.2 cm. (28 1⠄ 2 x 24 1⠄ 2 in.) Executed in 1988.

ńˆ ˘Ö‰Ő˛Ň† Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? 4KEJVGT

҆ቴ Ăƒä‘? HK$ 20,000,000-30,000,000 US$ 2,560,000-3,850,000

Poly auction WeChat

Š YAYOI KUSAMA

*

9. Yayoi Kusama

b. 1929

đ´?šń‚Ś‚đ—œ đ§‘€

scan for more on this lot Philllips

INFINITY-NETS (QRTWE)

ńˆ ˘ĆƒŐƒČƒ 3469' ńˆ Ł

signed, titled and dated ‘Yayoi Kusama 2007 “INFINITY-NETS QRTWE�’ on the reverse acrylic on canvas 194 x 259 cm. (76 3⠄8 x 101 7⠄8 in.) Painted in 2007, this work is accompanied by a registration card issued by the Yayoi Kusama studio.

‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?ᔜÇ?ăœ‘Ĺ€ Ę•Ç&#x;‍ب‏Ƽቡʌ‍ńˆĽ?؏‏ ĐƒÔšń‘? ;C[QK -WUCOC ńˆ ˘+0(+0+6; 0'65 3469'ńˆ Ł

҆ቴ HK$ 15,000,000-20,000,000 US$ 1,920,000-2,560,000

Poly auction WeChat

Š YAYOI KUSAMA

10. Yayoi Kusama

b. 1929

đ´?šń‚Ś‚đ—œ đ§‘€

scan for more on this lot Philllips

Fruits [EPSOB] signed, titled and dated ‘“EPSOB FRUITS� YAYOI KUSAMA 2011’ on the reverse acrylic on canvas 112 x 145.5 cm. (44 1⠄8 x 57 1⠄4 in.) Painted in 2011, this work is accompanied by a registration card issued by the Yayoi Kusama Studio.

ńˆ ˘ÇŒĆ° ='251$?ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?ᔜÇ?ăœ‘Ĺ€Ę• Ç&#x;‍ب‏Ƽቡʌ‍ńˆĽ?؏‏ ĐƒÔšń‘? '251$ (47+65 ;#;1+ -75#/# ҆ቴ HK$ 7,000,000-12,000,000 US$ 897,000-1,540,000

Poly auction WeChat

Đ–

11. Zhou Chunya

b. 1955

The Flower in a Vase signed and dated ‘93 Zhou Chunya [in Chinese]’ lower right oil on canvas 99 x 79.2 cm. (38 7⠄8 x 31 1⠄8 in.) Painted in 1993.

ăƒ°đ œĄđ´‚ ńˆ ˘Ó‹É’ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? Ě áŒ‡ä†‡ ἕĪ HK$ 3,500,000-5,000,000 US$ 449,000-641,000

scan for more on this lot Philllips

Poly auction WeChat

Property of a Distinguished Private Asian Collector

Đ–

12. Zhang Xiaogang

b. 1958

Fairy Tale signed ‘Zhang Xiao Gang [in Chinese and Pinyin]’ lower left oil on canvas 91 x 73 cm. (35 7⠄8 x 28 3⠄4 in.) Painted in 1985.

đ’‚”đšŒ† 𣠢đŠ‘ĽSđ Œ„đľ ?

𗙗𠌂𑙥 ńˆ ˘ĚżĘšă‚˜á•™ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ˘⼚Ç“ <JCPI :KCQ )CPI

áœĽÄŞ HK$ 6,500,000-8,500,000 US$ 833,000-1,090,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important European Collection

Đ–

13. Liu Wei

b. 1972

ń ?‚𡕖𣀀𣠢đŠ‘ĽSđ Œ„đľ ?

đ‘?„ń„€—

scan for more on this lot Philllips

Purple Air IV-4 signed and dated ‘Liu Wei [in Chinese and Pinyin] 2007’ on the reverse oil on canvas 300 x 180 cm. (118 1⠄8 x 70 7⠄8 in.) Painted in 2007.

ńˆ ˘âŚ?Ǐ˗lj Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ♚𲅥 .KW 9GK ҆ቴ HK$ 1,600,000-3,000,000 US$ 205,000-385,000

Poly auction WeChat

Property from a Prominent European Collection

Đ–

14. Yue Minjun

b. 1962

Untitled signed and dated ‘Yue Minjun [in Chinese] 96.’ lower left oil on canvas 139 x 107 cm. (54 3⠄4 x 42 1⠄8 in.) Painted in 1996.

ń„ˆšđš‰ŁđŁ€€𣠢đŠ‘ĽSđ Œ„đľ ?

đ–‘ đ ? ă ° ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ĺ€ ટă”’ áœĽÄŞ HK$ 2,000,000-3,000,000 US$ 256,000-385,000

scan for more on this lot Philllips

Poly auction WeChat

Property from a Prominent Asian Collection

15. KAWS

b. 1974

񄈹𹉣 𣠢𩑥S𠌄𵠐

,"84

scan for more on this lot Philllips

UNTITLED signed and dated ‘KAWS..15’ on the reverse acrylic on canvas 213.9 x 183.2 cm. (84 x 72 in.) Painted in 2015.

񈠢ƃʛ񈠣 ‫إ‬Սƺ ҆Ҙ ŭǟ ЃԹ񑝠-#95 ҆ቴ HK$ 3,800,000-5,500,000 US$ 487,000-705,000

Poly auction WeChat

16. Bernard Frize

b. 1949

Wir signed and dated ‘2018 Bernard FRIZE’ on the overlap; further titled “Wir� on the stretcher acrylic and resin on canvas 250.2 x 215.2 cm. (98 1⠄ 2 x 84 3⠄4 in.) Executed in 2018.

𸼰đŚ†‡đą†—Ë™đ—––ń ? đ´Œ… ńˆ ˘9KTńˆ Ł ‍ؼ‏Ő?Ćş ₙ⼔ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš $GTPCTF (4+<'

Ň†Ň˜Ë”Őš ńˆ ˘9KTńˆ Ł Ăƒä‘? HK$ 1,000,000-2,000,000 US$ 128,000-256,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important French Collection

17. Michael Craig-Martin

b. 1941

REAL signed and dated ‘Michael Craig Martin 2009’ on the reverse acrylic on aluminium 199.8 x 199.8 cm. (78 5⠄8 x 78 5⠄8 in.) Painted in 2009.

ń ?‚đˇ•–đŁš đ“™ đŠ‘ĽSđ Œ„đľ ?

đ°Ąśń…?‚vđ‘ˆ¤ńƒ•ŚđĄ–ˆvń„ §â™¨ ńˆ ˘ĹŹÇŽńˆ Ł ‍ؼ‏Ő?Ćş 割‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? /KEJCGN %TCKI /CTVKP

҆ቴ HK$ 600,000-800,000 US$ 76,900-103,000

scan for more on this lot Philllips

Poly auction WeChat

18. KAWS

b. 1974

UNTITLED signed and dated ‘KAWS..17’ on the reverse acrylic on canvas diameter 213 cm. (83 in.) Painted in 2017.

,"84 񈠢ƃʛ񈠣 ‫إ‬Սƺ ҆Ҙ ŭǟ ЃԹ񑝠-#95 ҆ቴ HK$ 3,000,000-5,000,000 US$ 385,000-641,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important Southeast Asian Collection

19. Christine Ay Tjoe

b. 1973

ń ?‚đˇ•–đĄ‰ đ’‚˜ đŠ‘ĽSđ Œ„đľ ?

đ‘ˆ¤đˇˆŠđąŽ•đŁ‘“v𳼠đŚĄ‡

scan for more on this lot Philllips

When Black and Red Could Hardly be a Circle signed and dated ‘Christine 13’ lower right; further signed, titled and dated ‘ay tjoe Christine “When Black and Red Could hardly be a Circle� 2013’ on the reverse oil on canvas 202 x 173 cm. (79 1⠄ 2 x 68 1⠄8 in.) Painted in 2013.

ńˆ ˘Č‹Đ‘ȇγÿĹ—ĹŞâ‚…ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? %JTKUVKPG ἕĪ C[ VLQG %JTKUVKPGńˆ ˘9JGP $NCEM CPF 4GF %QWNF JCTFN[ DG C %KTENGńˆ Ł ҆ቴ HK$ 4,000,000-6,000,000 US$ 513,000-769,000

Poly auction WeChat

Property of a Distinguished Private Asian Collector

20. Zao Wou-Ki

1920-2013

12.2.69 signed ‘Wou-Ki [in Chinese] ZAO.’ lower right; further signed, titled and dated ‘ZAO WOU-KI “12.2.69.â€?’ on the reverse oil on canvas 81 x 68 cm. (31 7â „8 x 26 3â „4 in.) Painted in 1969, this work is to be accompanied by a certificate of authenticity issued by the Fondation Zao Wou-Ki. This work will be referenced in the archive of the Fondation Zao Wou-Ki and will be included in the artist’s forthcoming catalogue raisonnĂŠ prepared by Françoise Marquet and Yann Hendgen. (Information provided by Fondation Zao Wou-Ki.)

đ’‚”đšŒ† 𣠢đŠ‘ĽSđ Œ„đľ ?

đšŒ°đĽ˜‚đ˘„° ńˆ ˘ ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠ ŕŞ?ä‘ĄĆƒáŒŁá”˛Ě‡ÄšǨए ĹŁĆĽĚ?Ő˝ÎŒńˆĽ?ˤÇ&#x;7 Äšá‰ˇĘŚÄ‡ä‘ĄĆƒáŒŁ á”˛Ě‡ÄšÇŠâĄˆă•€ńˆĽ‘ŐŠ Ę´áŠ?Ç?ć‚™ă śâŒˆä…„ç ś á…™ä ¤áˆŠŕŞ°ç śĺˆ§á•ŚÖ­ ă?‰ŃĽŕ§€čœ˛Ä€ńˆ ˘ä‘ĄĆƒ áŒŁÇ&#x;7ীŭ‍ńˆ Ł×žâ€Ź ńˆĽ? ń‘?‚ŃťŐśĎ?ä‘ĄĆƒáŒŁá”˛Ě‡ Äš\≂ńˆĽ?ń‘?ƒ ĐƒÔšń‘? ĆƒáŒŁ <#1 ἕĪ <#1 917 -+ńˆ ˘ ńˆ Ł ҆ቴ HK$ 6,500,000-8,500,000 US$ 833,000-1,090,000

scan for more on this lot Philllips

Poly auction WeChat

Property from a Distinguished Asian Collection

*

21. Zao Wou-Ki

1920-2013

14.06.73 signed ‘Wou-Ki [in Chinese] ZAO.’ lower centre; further signed, titled and dated ‘ZAO WOU-KI “14.6.73â€?’ on the reverse oil on canvas 99.5 x 81.2 cm. (39 1â „8 x 31 7â „8 in.) Painted in 1973, this work is accompanied by a certificate of authenticity issued by the Fondation Zao Wou-Ki. This work will be referenced in the archive of the Fondation Zao Wou-Ki and will be included in the artist’s forthcoming catalogue raisonnĂŠ prepared by Françoise Marquet and Yann Hendgen. (Information provided by Fondation Zao Wou-Ki.)

𣠢đŠ‘ĽS𦠣đľ ?

đšŒ°đĽ˜‚đ˘„° ńˆ ˘ ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?ä‘ĄĆƒáŒŁá”˛Ě‡ÄšǨएţ ĆĽĚ?Ő˝ÎŒńˆĽ?ˤÇ&#x;7 Äšá‰ˇĘŚÄ‡ä‘ĄĆƒáŒŁ á”˛Ě‡ÄšÇŠâĄˆă•€ńˆĽ‘ŐŠ Ę´áŠ?Ç?ć‚™ă śâŒˆä…„ç ś á…™ä ¤áˆŠŕŞ°ç śĺˆ§á•ŚÖ­ ă?‰ŃĽŕ§€čœ˛Ä€ńˆ ˘ä‘Ą ĆƒáŒŁÇ&#x;7ীŭ‍ńˆ Ł×žâ€Ź ńˆĽ? ń‘?‚ŃťŐśĎ?ä‘ĄĆƒáŒŁá”˛ ̇Ě\≂ńˆĽ?ń‘?ƒ ĐƒÔš ĆƒáŒŁ <#1 ÄĄÄŞ <#1 917 -+ńˆ ˘ ńˆ Ł ҆ቴ HK$ 10,000,000-16,000,000 US$ 1,280,000-2,050,000

scan for more on this lot Philllips

Poly auction WeChat

Property from a Distinguished French Collection

*

22. Chu Teh-Chun

1920-2014

Composition No. 65 signed ‘CHU TEH-CHUN [in Chinese and Pinyin]’ lower left; further signed, titled, and dated ‘CHU TEH-CHUN [in Pinyin and Chinese] 1960’ “No.65.â€?’ on the reverse oil on canvas 145.4 x 89.2 cm. (57 1â „4 x 35 1â „8 in.) Painted in 1960, this work is accompanied by a certificate of authenticity signed by the artist’s wife, Chu Ching-Chao dated 13 March 2019. This work will be included in the artist’s forthcoming catalogue raisonnĂŠ on the work of Chu Teh-Chun, being prepared by Fondation Chu Teh-Chun. (Information provided by Fondation Chu Teh-Chun and Mrs Chu Ching-Chao.)

ń„ˆšđš‰ŁđŁš đ“™ đ Œ„đľ ?

𥅣𗢆𲎒 ńˆ ˘ŕŞ”Ę? Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?Ď?ä”´á•Śá”ąŕŚŠĹ”ä?ˆŐ˘ĺ†•Ć•Ő‚Ç? Ĺ­ Ęƒ ōǨâ€ŤŰ â€ŹäŚ€ĆĽĚ?Ő˝ÎŒńˆĽ?ˤÇ&#x;~ƝʴáŠ?Ç?䔴ᕌᔹᔲ̇ Äš ă?‰ŃĽŕ§€čœ˛Ä€ńˆ 䔴ᕌᔹÇ&#x;7ীŭ‍ńˆĽ?ńˆ Ą×žâ€Ź ń‘?‚ŃťŐśĎ?ä”´á•Ś á”ąá”˛Ě‡ÄšáˆŠä?ˆŐ˘ĺ†•Ć•Ő‚\≂ńˆĽ?ń‘?ƒ ĐƒÔšń‘? 䔴ᕌᔹ %*7 6'* %*70 áœĽÄŞ ń‘?Ą %*7 6'* %*70 䔴ᕌᔹ p ńˆ ˘0Q ńˆ Ł ҆ቴ HK$ 15,000,000-20,000,000 US$ 1,920,000-2,560,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important Asian Collection

23. Chu Teh-Chun

1920-2014

Le 30 mars 1981 signed ‘CHU TEH-CHUN [in Chinese and Pinyin]’ lower right; further signed, titled and dated ‘CHU TEH-CHUN [in Pinyin and Chinese] “le 30 Mars 1981â€?’ on the reverse oil on canvas 160.5 x 80.3 cm. (63 1â „4 x 31 5â „8 in.) Painted in 1981, this work is to be accompanied by a certificate of authenticity signed by the artist’s wife, Chu Ching-Chao. This work will be included in the artist’s forthcoming catalogue raisonnĂŠ on the work of Chu Teh-Chun, being prepared by Fondation Chu Teh-Chun. (Information provided by Fondation Chu Teh-Chun and Mrs Chu Ching Chao.)

ń ?‚𡕖 𣠢đŠ‘ĽSđ Œ„đľ ?

𥅣𗢆𲎒 ńˆ ˘ Ĺ­ Ęƒ ĹŤńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠ~ŕŞ?Ď?ä”´á•Śá”ąŕŚŠĹ”ä?ˆŐ˘ĺ†•Ć•Ő‚Ǩâ€ŤŰ â€ŹäŚ€ĆĽ Ě?Ő˝ÎŒńˆĽ?ˤÇ&#x;~ƝʴáŠ?Ç?䔴ᕌᔹᔲ̇Ě ă?‰ŃĽŕ§€čœ˛Ä€ ńˆ 䔴ᕌᔹÇ&#x;7ীŭ‍ńˆ Ą×žâ€Ź ńˆĽ? ń‘?‚ŃťŐśĎ?ä”´á•Śá”ąá”˛Ě‡ÄšáˆŠä?ˆŐ˘ĺ†• Ć•Ő‚\≂ńˆĽ?ń‘?ƒ ĐƒÔšń‘? 䔴ᕌᔹ %*7 6'* %*70 ἕĪ %*7 6'* %*70 䔴ᕌᔹńˆ ˘NG /CTU ńˆ Ł ҆ቴ HK$ 5,500,000-7,500,000 US$ 705,000-962,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important American Collection

24. Lalan

ń ?‚𡕖đ˛?“đ“™ đŠ‘ĽSđ Œ„đľ ?

1921-1995

đ¸?”đ °đś€Š

Efter Regnen (After the Rain)

ńˆ ˘ÎźĹˇńˆ Ł

signed and dated ‘Lalan 68’ on the reverse; further titled ‘“Efter Regnen�’ on the stretcher oil on canvas 81 x 100 cm. (31 7⠄8 x 39 3⠄8 in.) Painted in 1968.

Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? .CNCP ҆ቴ ńˆ ˘'HVGT 4GIPGPńˆ Ł

Ăƒä‘?

scan for more on this lot Philllips

HK$ 750,000-1,000,000 US$ 96,200-128,000

Poly auction WeChat

Property of a Distinguished Private Asian Collector

25. Cai Guo-Qiang

b. 1957

Two Wandering Tigers signed, titled and dated ‘“Two Wandering Tigers� [in Chinese] Cai Guo-Qiang [in Chinese and Pinyin] 2005’ lower left gunpowder and ink on paper 200 x 300 cm. (78 3⠄4 x 118 1⠄8 in.) Executed in 2005.

đ’‚”đšŒ† 𣠢đŠ‘ĽSđ Œ„đľ ?

đľ?†đ“™ 𗙥 ńˆ ˘Č•㠵ƫǺথńˆ Ł Ζឆᚔᜰ ÇŒă‰‡ â…“Ç• Ĺ­Ç&#x; ĐƒÔš ńˆ ˘Č•ŮƫǺথńˆ ŁäŒ— %CK )WQ 3KCPI áœĽÄŞ HK$ 3,500,000-4,500,000 US$ 449,000-577,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important Private Collection

26. Li Chen

b. 1963

Peony incised with the artist’s name, seal and number ‘Li Chen [in Pinyin] 3/8’ on the reverse; further incised with the date ‘2013’ lower right side bronze 72.5 x 67 x 63 cm. (28 1⁄ 2 x 26 3⁄8 x 24 3⁄4 in.) Executed in 2013, this work is number 3 from an edition of 8 and is accompanied by a certificate of authenticity issued by Asia Art Center, Taipei.

񁍂𷕖𩑥S𠌄𵠐

𡈑𨌱 񈠢䜁べ񈠣 䐆㝕 ŭǟ񈥑դĈ ̈񈥑ˤĦlj ̈񈥑 թઐ᜴िᝦᔥġķƥ̝սΌ񈥐 ЃԹ ᝦᔥŝ顐‥Ăਭ .K %JGP ቴˌ ᥕĪ㐵˔ HK$ 1,000,000-2,000,000 US$ 128,000-256,000

scan for more on this lot Philllips

Poly auction WeChat

27. Banksy

b. 1974

Monkey Detonator spray paint on card 90.8 x 90.8 cm. (35 3â „4 x 35 3â „4 in.) Executed in 2002, this work is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡ ńˆ ˘ăĽ‚Ĺ”â?˛ĎŻńˆ Ł ૦ä ˜ ‍⅓؏‏ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?2GUV %QPVTQN Ę•Ç&#x;‍ب‏ƼĚ?Ő˝ÎŒńˆĽ? HK$ 3,800,000-4,800,000 US$ 487,000-615,000

scan for more on this lot Philllips

Poly auction WeChat

28. On Kawara

1933-2014

NOV.25, 1989 signed ‘On Kawara’ on the reverse Liquitex on canvas and handmade cardboard box with newspaper clippings from the New York Daily News canvas 33.5 x 43.5 cm. (13 1⠄4 x 17 1⠄8 in.) box 34.6 x 44.6 x 5 cm. (13 5⠄8 x 17 1⠄ 2 x 1 7⠄8 in.) Executed in 1989.

đŁ˜°đ’ˆ?đ¤?ł ńˆ ˘ Ĺ­ Ęƒ ĹŤńˆ Ł Їĝč‍ؼ‏Ő?Ćşâ ˛Őś Ň†Ň˜ńˆ ăž˜â€Ť×šâ€ŹĹŤÎŁńˆ Ą â˜•ÎŁ á?Śá”ĽĹ?Ģ‍â?ąŘŽâ€Ź Ĺ­Ç&#x; ĐƒÔšń‘? 1P -CYCTC ҆ቴ HK$ 2,600,000-3,500,000 US$ 333,000-449,000

scan for more on this lot Philllips

Poly auction WeChat

29. Lucas Arruda

b. 1983

Untitled signed and dated ‘LUCAS ARRUDA 2013’ on the reverse oil on canvas 50 x 60 cm. (19 5⠄8 x 23 5⠄8 in.) Painted in 2013.

𨉆𒄕𠔇vńƒˆŚń…™‘ń€˜– ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? .7%#5 #447&# ҆ቴ HK$ 1,500,000-2,500,000 US$ 192,000-321,000

scan for more on this lot Philllips

Poly auction WeChat

30. Tomoo Gokita

b. 1969

¤đĄ…’đ§‘Śđ Ąˆđ”•–

Trust Us

ńˆ ˘NĆąÄ Äľńˆ Ł

signed, titled and dated ‘“TRUST US� Tomoo Gokita 2016’ on the reverse acrylic and gouache on canvas 194 x 259 cm. (76 3⠄8 x 101 7⠄8 in.) Painted in 2016.

‍ؼ‏Ő?Ćş ÇŒá‰ľ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ńˆ ˘64756 75ńˆ Ł 6QOQQ )QMKVC ń‘?‚҆ቴń‘?ƒ HK$ 2,000,000-3,000,000 US$ 256,000-385,000

scan for more on this lot Philllips

Poly auction WeChat

Property from an Important Southeast Asian Collection

31. Fernando Botero

b. 1932

The Beach signed and dated ‘BOTERO 03’ lower right oil on canvas 121.5 x 99.9 cm. (47 7⠄8 x 39 3⠄8 in.) Painted in 2003.

ń ?‚đˇ•–đĄ‰ đ’‚˜ đŠ‘ĽSđ Œ„đľ ?

đš€“đŚ†‡đ’‚˜đ””—vđ’„„đŚŠ”đ˛Œľ ńˆ ˘Ę„ă”?ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? $16'41 ἕĪ HK$ 2,400,000-3,200,000 US$ 308,000-410,000

scan for more on this lot Philllips

Poly auction WeChat

© 2017 MADSAKI / KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED.

32. MADSAKI

b. 1974

DANCE 2 signed and dated ‘Madsaki 2017’ on the reverse acrylic paint, aerosol on canvas 259.7 x 390.1 cm. (102 1⁄4 x 153 5⁄8 in.) Executed in 2017.

."%4",* 񈠢ᦒ㤢 ̶񈠣 ‫إ‬Սƺ ૦䁘 ҆Ҙ ŭǟ ЃԹ񑝠/CFUCMK ҆ቴ HK$ 2,000,000-3,000,000 US$ 256,000-385,000

scan for more on this lot Philllips

Poly auction WeChat

Art & Design Day Sale Lots 101–250

Property from a Prominent Private Collection

101. Matthew Wong

1984-2019

102. Jonathan Chapline

b. 1987

One Fine Day

Untitled

signed, titled and dated '"ONE FINE DAY" Wong 2017 [in Chinese]' on the reverse acrylic on canvas 60.9 x 50.8 cm. (23 7â „8 x 20 in.) Painted in 2017.

signed and dated ‘CHAPLINE 18’ on the reverse acrylic and vinyl paint on panel 180 x 203.5 cm. (46 1⠄ 2 x 80 1⠄8 in.) Painted in 2018.

đ“€¸đą†—đĄ˘ˆńŁ€´đĄ‘†đ ¨đĄŒ¤

ń„ˆšđš‰ŁđŠ‘ĽSđ Œ„đľ ?

đŚœ˛đ?”ľđ?˘‚ ńˆ ˘ĹżÄŒÄ€Ä‚Ä?ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ńˆ ˘10' (+0' &#;ńˆ Łá’ Č•ńˆĄ‡Ä‚Ö‚ ҆ቴ

ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş ä‰¤ć˜ˇâ €Őś ҂‍ ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? %*#2.+0' ń‘?‚҆ቴń‘?ƒ HK$ 300,000-500,000 US$ 38,500-64,100

HK$ 500,000-700,000 US$ 64,100-89,700

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Prominent European Collection

103. Stanley Whitney

b. 1946

104. Harold Ancart

b. 1980

Bootylicious

Untitled

signed, titled and dated ‘“Bootylicious� Jan. 2007 Stanley Whitney’ on the reverse oil on canvas 183.5 x 183.5 cm. (72 1⠄4 x 72 1⠄4 in.) Painted in January 2007.

oil stick and pencil on canvas, mounted on wood, artist’s frame 61 x 51 cm. (24 x 20 1⠄8 in.) Executed in 2018.

ă† đ˛Œľđ—˘†vđ•¤‚đ’„•đŚŠ”

ń„ˆšđš‰ŁđŁ€€𣠢đŠ‘ĽSđ Œ„đľ ?

𠔇đ“ž?đ‘–ˆvđ˜?ąđŚŠ”đ–‰ƒ ńˆ ˘ŕŚ˛ÉĄÄťáŠ–ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­ ĘƒÇ&#x; ĐƒÔš ńˆ ˘$QQV[NKEKQWUńˆ Ł,CP 5VCPNG[ 9JKVPG[ ҆ቴ

ńˆ ˘ĆƒĘ›ńˆ Ł Ѕ҆գ 㠜ᥴ Ň†Ň˜ 爔Ç?҂‍ ذ‏á?Śá”ĽĹ?Ę…Ě’ä‘? Ĺ­Ç&#x; HK$ 600,000-800,000 US$ 76,900-103,000

HK$ 1,700,000-2,500,000 US$ 218,000-321,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

105. Matthew Wong

1984-2019

106. Genieve Figgis

b. 1972

Odyssey

Wedding Party

signed, titled and dated ‘“ODYSSEY� Wong 2015 [in Chinese]’ on the reverse acrylic on paper 50.5 x 40.5 cm. (19 7⠄8 x 15 7⠄8 in.) Painted in 2015.

signed and dated ‘Genieve Figgis 2019’ on the reverse acrylic on canvas 100 x 150 cm. (39 3⠄8 x 59 in.) Painted in 2019.

𦠣đ–‰ƒđą”˜vđ´œŠă —đ ”‡

đŚœ˛đ?”ľđ?˘‚ ńˆ ˘ŕŚżá•Śâ€Ťńˆ ŁŘšâ€Ź ‍ؼ‏Ő?Ćş â…“Ç• Ĺ­Ç&#x; ĐƒÔš ńˆ ˘1&;55';ńˆ Łá’ Č•ńˆĄ‡Ä‚Í… ҆ቴ

HK$ 550,000-850,000 US$ 70,500-109,000

HK$ 80,000-120,000 US$ 10,300-15,400

scan for more on this lot Philllips

ńˆ ˘Ó°Íƒ্ťńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? )GPKGXG (KIIKU ҆ቴ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

107. Derek Fordjour

b. 1974

108. Tala Madani

b. 1981

Untitled

Braided Beard

signed and dated ‘FORDJOUR ’15’ on the reverse oil and acrylic on wood panel 157.7 x 101.3 cm. (62 1⠄8 x 39 7⠄8 in.) Executed in 2015.

signed with the artist’s initials and dated ‘TM 07’ on the reverse oil on canvas 40 x 30 cm. (15 3⠄4 x 11 3⠄4 in.) Painted in 2007.

𗢆ńƒ•Śđ‘ˆ¤vđŠ?§đ—˘†đ“€¸ ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ ‍ؼ‏Ő?Ćş ҂‍ذ‏ Ĺ­Ç&#x; ĐƒÔš (14&,174 p ҆ቴ HK$ 400,000-500,000 US$ 51,300-64,100

HK$ 50,000-70,000 US$ 6,400-9,000

scan for more on this lot Philllips

đŁœ°đ´˜łË™ń„ §ń€˜–đ–‰ƒ ńˆ ˘ĺ¤—äž˜Ĺ”ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš 6/ ҆ቴ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2015 MR./KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

109. Eddie Martinez

b. 1977

110. Mr.

Ghost Fish signed ‘MARTINEZ’ lower right; further signed, inscribed and dated ‘“BAD WAR� E. MARTINEZ 2009 E. MARTINEZ’ on the reverse oil, acrylic, spray paint and collaged canvas on canvas (over painting Bad War, 2009) 152.4 x 182.9 cm. (60 x 72 in.) Executed in 2011.

b. 1969

Untitled signed and dated ‘Mr. 2015’ lower right edge acrylic on canvas 180 x 162 cm. (70 7⠄8 x 63 3⠄4 in.) Executed in 2015.

.S

𳼠ń€?€ńŁ€´ń„ §đŁ‘“đ–‰ƒđ´Œ¨ ńˆ ˘á¤łĘśńˆ Ł Đ…Ó´ ‍ؼ‏Ő?Ćş ૦ä ˜ âˆłáĄ¤Ň†Ň˜ Ň†Ň˜ ҆Ç&#x;㥧‍؎‏Ç? Ĺ­ Ę…Ç&#x;ńˆ ˘Ížŕ¸śńˆ ŁĆĽÄ˜ Ĺ­Ç&#x; ĐƒÔš /#46+0'< ἕĪ ńˆ ˘$#& 9#4ńˆ Ł' /#46+0'< ' /#46+0'< ҆ቴ

ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš /T ἕĪ˔՚ HK$ 2,000,000-3,000,000 US$ 256,000-385,000

HK$ 1,800,000-2,800,000 US$ 231,000-359,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

111. Genieve Figgis

b. 1972

112. Eddie Martinez

b. 1977

Behind the curtain

Untitled

signed and dated ‘Genieve Figgis 2015’ on the reverse acrylic on panel 40 x 60 cm. (15 3⠄4 x 23 5⠄8 in.) Painted in 2015.

signed and dated ‘MARTINEZ. 17’ on the reverse acrylic, ink, oil and enamel on cardboard mounted on wood panel 25.1 x 20.1 cm. (9 7⠄8 x 7 7⠄8 in.) Executed in 2017.

𦠣đ–‰ƒđą”˜vđ´œŠă —đ ”‡ ńˆ ˘â†—šńˆ Ł ‍ؼ‏Ő?Ćş ҂‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? )GPKGXG (KIIKU ҆ቴ HK$ 200,000-400,000 US$ 25,600-51,300

HK$ 70,000-90,000 US$ 9,000-11,500

scan for more on this lot Philllips

𳼠ń€?€vń„ §đŁ‘“đ–‰ƒđ´Œ¨ ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş ÇŒă‰‡ Đ…Ó´ ä’?ä ˜ ‍ â…“ŘŹâ€Źçˆ”Ç?҂‍ذ‏ Ĺ­Ç&#x; ĐƒÔš /#46+0'< ҆ቴ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

113. Ye Linghan

Đ–

b. 1985

114. Huang Yuxing

b. 1975

LUCY-L-001

Sunrise

signed and dated ‘Ye Linghan 2018’ on the reverse acrylic on canvas 100 x 100 cm. (39 3⠄8 x 39 3⠄8 in.) Painted in 2018.

signed and dated ‘H. Yuxing 2014’ on the reverse; further signed and dated ‘Huang. Yuxing 2014’ on the edge acrylic on canvas 20 x 30 cm. (7 7⠄8 x 11 3⠄4 in.) Painted in 2014.

đ´¤?𑑄𼂕 ńˆ ˘.7%; . ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ;G .KPIJCP ҆ቴ HK$ 35,000-55,000 US$ 4,500-7,100

ń†Ś–𕢗𳙹 ńˆ ˘ĹŤĹ›ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? * ;WZKPI ҆ቴ *WCPI ;WZKPI

˔՚ HK$ 26,000-70,000 US$ 3,300-9,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

115. He Xiangyu

b. 1986

116. Chris Huen Sin Kan

b. 1991

Untitled

Mui Mui, Balltsz and Haze

signed and dated ‘He Xiang yu 2018’ on the reverse pencil and acrylic on canvas 110.2 x 80 cm. (43 3⠄8 x 31 1⠄ 2 in.) Executed in 2018.

signed and dated ‘C. Huen 2016 T.K.T’ lower right edge oil on canvas 200.7 x 160 cm. (78 3⠄4 x 62 7⠄8 in.) Painted in 2016.

đ??‚𲒅𕢗

�㊼𑢕

ńˆ ˘ĆƒĘ›ńˆ Ł 㠜ᥴ ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš *G :KCPI [W ҆ቴ HK$ 180,000-300,000 US$ 23,100-38,500

HK$ 220,000-320,000 US$ 28,200-41,000

scan for more on this lot Philllips

ńˆ ˘Ó§Ó§ $CNNVU\ ȇ *C\Gńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš % *WGP 6 - 6 ἕĪ˔՚

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

117. Chris Huen Sin Kan

b. 1991

118. Dexter Dalwood

b. 1960

MuiMui

Heaven

signed and dated ‘C. Huen 2016’ lower right edge oil on canvas 119.5 x 159.5 cm. (47 1⠄4 x 62 7⠄8 in.) Painted in 2016.

signed and dated ‘Dexter Dalwood 2012’ on the reverse; further titled and dated ‘“Heaven� 2012’ on the stretcher oil on canvas 100 x 92 cm. (39 3⠄8 x 36 1⠄4 in.) Painted in 2012.

đŠ?…㊼𑢕 ńˆ ˘Ó§Ó§ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš % *WGP ἕĪ˔՚ HK$ 150,000-250,000 US$ 19,200-32,100

đ—˘†đ‘ˆ¤đ ”‡đŚŠ”vń€˜–đ?ˆšđ—˘† ńˆ ˘Ä?₇ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? &GZVGT &CNYQQF ҆ቴ ńˆ ˘*GCXGPńˆ Ł ń‘?‚Ăƒä‘?ń‘?ƒ HK$ 120,000-180,000 US$ 15,400-23,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

119 Tomoo Gokita

b. 1969

120. Yukimasa Ida

b. 1990

Misty Down

Miko

acrylic gouache on paper 41 x 31.7 cm. (16 1â „8 x 12 1â „ 2 in.) Executed in 2007.

signed, titled and dated ‘Yukimasa Ida [in Japanese] Y Ida “Miko� 10/15 2017 Y Ida’ on the reverse oil on canvas 117 x 117 cm. (46 1⠄8 x 46 1⠄8 in.) Painted on 15 October 2017.

¤đĄ…’đ§‘Śđ Ąˆđ”•– ńˆ ˘âŚ?ä˜ ÇŒÇ†ńˆ Ł ‍ؼ‏Ő?Ćş ÇŒá‰ľ â…“Ç• Ĺ­Ç&#x; HK$ 80,000-120,000 US$ 10,300-15,400

Ă?𧑌𗊑𠙡 ńˆ ˘/KMQńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­ Ęƒ ĹŤÇ&#x; ĐƒÔšń‘? ă?€â?Ą{ă?“ ; +FCńˆ ˘/KMQńˆ Ł ; +FC

҆ቴ HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

121. Tomoo Gokita

b. 1969

Đ–

122. Mao Yan

b. 1968

Living Together

Dou

signed, titled and dated ‘“LIVING TOGETHER� Tomoo Gokita 2018’ on the reverse acrylic and gouache on canvas 130.2 x 130.2 cm. (51 1⠄4 x 51 1⠄4 in.) Painted in 2018.

signed with the artist’s initials and dated ‘MY 2013’ lower right oil on canvas 35.5 x 28 cm. (13 7⠄8 x 11 in.) Painted in 2013, this work is accompanied by a certificate of authenticity signed by the artist.

¤đĄ…’đ§‘Śđ Ąˆđ”•– ńˆ ˘ÇœŐĄńˆ Ł ‍ؼ‏Ő?Ćş ÇŒá‰ľ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ńˆ ˘.+8+0) 61)'6*'4ńˆ Ł6QOQQ )QMKVC

҆ቴ

đŁŠ—đĽ˜ą ńˆ ˘ć’„ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?á?Śá”ĽĹ?Ǩâ€ŤŰ â€ŹĹŁĆĽĚ?Ő˝ÎŒńˆĽ? ĐƒÔšń‘? /; ἕĪ

HK$ 1,200,000-2,200,000 US$ 154,000-282,000

HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot

scan for more on this lot

Philllips

Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

123. Chen Fei

b. 1983

Two works: (i) Mutant Series - Die Blechtrommel; (ii) Killers Series - Taxi Driver (i) signed and titled ‘“Mutant Series - Die Blechtrommel� Chen Fei [in Chinese]’ on the reverse (ii) signed and titled ‘“Killers Series - Taxi Driver� Chen Fei [in Chinese]’ on the reverse acrylic on canvas (i) 30.4 x 20.4 cm. (11 7⠄8 x 8 in.) (ii) 25 x 25 cm. (9 7⠄8 x 9 7⠄8 in.) Painted in 2010, each work is accompanied by a certificate of authenticity issued by Schoeni Art Gallery.

ńƒŒ‡ń„?ƒ ƨɍÇ&#x;4ń‘? K ńˆ ˘â„ĄÂ‚Í áž?ѹ༼ńˆ Ł

KK ńˆ ˘â€ŤÚŻâ€ŹÄ‰Í ś㉔Ǫѣƭńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ƲɍÇ&#x;4“ŕŞ?ÉšŕĽŒŇ†äœšĆĽĚ?Ő˝ÎŒńˆĽ?

K ĐƒÔšń‘? ńˆ ˘â„ĄÂ‚Í áž?ѹ༼ńˆ ŁŕĽƒÂť ҆ቴ

KK ĐƒÔšń‘? ńˆ ˘â€ŤÚŻâ€ŹÄ‰Í Ĺ›ă‰”ÇŞŃŁĆ­ŕĽƒÂť ҆ቴ HK$ 70,000-120,000 US$ 9,000-15,400

124. Chen Ke

b. 1978

I see you and I see myself signed, titled and dated ‘“I see you and I see myself� Ke [in Chinese] 2016’ on the mirror; further signed, titled and dated ‘“I see you and I see myself� [in Chinese] Chen Ke [Pinyin] 2016’ on the underside oil on wood box with mirror 23 x 35 x 8 cm. (9 x 13 3⠄4 x 3 1⠄8 in.) Executed in 2016.

ńƒŒ‡đ’Œš ńˆ ˘Ä Ä&#x;ȑĆģÄ&#x;Č‘Ä Ä˘Ĺšńˆ Ł Đ…Ó´ Ň‚â • â„ Ĺ” Ĺ­Ç&#x; ĐƒÔš ńˆ ˘Ä Ä&#x;ȑĆ ÄŁÄ&#x;Č‘Ä Ä˘Ĺšńˆ ŁÄť â„ Çš ńˆ ˘Ä Ä&#x;ȑĆ ÄŁÄ&#x;Č‘Ä Ä˘Ĺšńˆ ŁŕĽƒÄť %JGP -G

Ç&#x;4ĐŞËŒ HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

Đ–

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

125. Chen Ke

Đ–

b. 1978

126. Song Yige

b. 1980

Breaker

Out of Control

signed and dated ‘Ke [in Chinese] 2010’ lower right; further signed and titled ‘“Breaker� [in Chinese] Chen Ke [in Pinyin and Chinese] 2010’ on the reverse oil on canvas 50 x 50 cm. (19 5⠄8 x 19 5⠄8 in.) Painted in 2010.

signed and dated ‘Song Yige [in Chinese and Pinyin] 2011’ lower right oil on canvas 128 x 153 cm. (50 3⠄8 x 60 1⠄4 in.) Painted in 2011.

𕤆đ š?đĄ–ˆ

ńƒŒ‡đ’Œš ńˆ ˘áœ°Ě§ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? Äť ἕĪ ńˆ ˘áœ°Ě§ńˆ ŁŕĽƒÄť %JGP -G

҆ቴ

ńˆ ˘Â?–ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? äŒ“Â‘Ďœ 5QPI ;KIG ἕĪ HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ– Đ–

127. Wang Yin

128. Qiu Xiaofei

b. 1977

Two works: (i-ii)The Disappearance of Time

b. 1964

Flowers signed and dated ‘Wang Yin [in Chinese] 2006’ on the reverse oil on canvas 36 x 54 cm. (14 1⠄8 x 21 1⠄4 in.) Painted in 2006.

(i) signed and titled ‘“The disappearance of time [in Chinese]� 1 Qiu Xiaofei [in Chinese and Pinyin]’ on the reverse (ii) signed and titled ‘“The disappearance of time [in Chinese]� 2 Qiu Xiaofei [in Chinese and Pinyin]’ on the reverse oil on canvas (i) 35 x 22 cm. (13 3⠄4 x 8 5⠄8 in.) (ii) 40 x 40 cm. (15 3⠄4 x 15 3⠄4 in.)

đŚœ˛ń„ ńˆ ˘É’ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? á’ ÍĄ ҆ቴ

Ăšđ Ś‚ń„?ƒ ƨɍÇ&#x;4 K KK ńˆ ˘ĎĽÂ?Ä€IJÇ?ńˆ Ł Đ…Ó´ Ň†Ň˜

K ĐƒÔš ńˆ ˘ĎĽÂ?Ä€IJÇ?ńˆ Ł ă?ŁâĽšÂ— 3KW :KCQHGK ҆ቴ

KK ĐƒÔš ńˆ ˘ĎĽÂ?Ä€IJÇ?ńˆ Ł ă?ŁâĽšÂ— 3KW :KCQHGK ҆ቴ

HK$ 100,000-150,000 US$ 12,800-19,200

HK$ 120,000-180,000 US$ 15,400-23,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Prominent European Collection Đ–

129. Liu Wei

130.

b. 1972

Harold Ancart

b. 1980

Landscape

Untitled

signed and dated ‘Liu Wei [in Chinese] 2010’ on the reverse oil on canvas 180 x 221 cm. (70 7⠄8 x 87 in.) Painted in 2010.

oil stick on paper, artist’s frame 175 x 118.9 cm. (68 7⠄8 x 46 3⠄4 in.) Executed in 2012.

ń„ˆšđš‰ŁđŁ€€𣠢đŠ‘ĽSđ Œ„đľ ?

ă† đ˛Œľđ—˘†vđ•¤‚đ’„•đŚŠ”

đ‘?„ń„€—

ńˆ ˘ĆƒĘ›ńˆ Ł Ѕ҆գ â…“Ç• á?Śá”ĽĹ?҆ä‘? Ĺ­Ç&#x; HK$ 1,200,000-1,800,000 US$ 154,000-231,000

ńˆ ˘ÉŁŐ˘ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ♚𲅥 ҆ቴ HK$ 550,000-750,000 US$ 70,500-96,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

131. Huang Yuxing

b. 1975

132. Neil Beloufa

b. 1985

River | Big Red Whirlpools

Secured Wall

signed and dated ‘Huang Yuxing 2014’ lower left acrylic on canvas 189.5 x 150.2 cm. (74 5⠄8 x 59 1⠄8 in.) Painted in 2014.

expanding foam, pigment and metal 70 x 45 x 3 cm. (27 1â „ 2 x 17 3â „4 x 1 1â „8 in.) Executed in 2015, this work is accompanied by a certificate of authenticity issued by Mendes Wood DM.

񆌖𕢗𳙹

đ–‰ƒđŚ†‡v𸼰ń…™‘đŁš

ńˆ ˘áĽ‚™ ^ ęĀγɥÄ€ć˜´ĺˆ•ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš *WCPI ;WZKPI ń‘?‚áœĽÄŞń‘?ƒ HK$ 550,000-750,000 US$ 70,500-96,200

scan for more on this lot Philllips

ńˆ ˘ăœˆੰĀ♆ńˆ Ł ĺ•ˆä‰†áĄ„đ Œ˛ â ˛Őś ̇× Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?/GPFGU 9QQF &/Ň†äœšĆĽĚ?Ő˝ÎŒńˆĽ? HK$ 50,000-70,000 US$ 6,400-9,000

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

133. Zhao Zhao

134. Miya Ando

b. 1982

b. 1978

Sky No.22

Kumo (Cloud) Oct. 3.3.4

signed and dated ‘Zhao Zhao [in Chinese] 2013’ on the reverse oil on canvas 149.5 x 149.5 cm. (58 7⠄8 x 58 7⠄8 in.) Painted in 2013.

signed, titled and dated ‘Miya [in Kanji] Miya Ando 2018 “Kumo (Cloud) 3.3.4�’ on the reverse ink on aluminum composite 91.4 x 91.4 cm. (35 7⠄8 x 35 7⠄8 in.) Executed in 2018.

đšŒ°đšŒ°

𕤂𾥗�𔔥

ńˆ ˘Ä?ž Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ä‘Ąä‘Ą ҆ቴ

ńˆ ˘Ó¸ ĘˆĘƒ ńˆ Ł ÇŒă‰‡ 割‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? ſ¢ /K[C #PFQ ńˆ ˘-WOQ %NQWF ńˆ Ł

҆ቴ

HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 100,000-200,000 US$ 12,800-25,600

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

135. Zhan Wang

b. 1962

136. Marc Quinn

b. 1964

Artificial Rock No. 54

Mirror 2

incised with the artist’s signature, partial title, number and date “54# Zhan Wang [in Chinese] 2003 2/4� on the reverse stainless steel 224 x 84 x 57 cm. (88 1⠄4 x 33 1⠄8 x 22 1⠄ 2 in.) Executed in 2003, this work is number 2 from an edition of 4.

signed, inscribed and dated ‘ Marc Q 2011 “Mirror 2�’ on the reverse oil on canvas 135 x 216 cm. (53 1⠄8 x 85 in.) Painted in 2011.

ń„ §đ‘ˆ¤vđ”–™đ“–ˆ 𖊅𥄌 ńˆ ˘á…¤Â¤á Ěśńˆ Ł Äƒáťąă Ł Ĺ­Ç&#x;ńˆĽ‘Ő¤Äˆ ĚˆńˆĽ‘ˤÇ&#x;4Člj ĚˆńˆĽ? ĐƒÔšń‘? á?ŁÂŞ á‰´Çš

ńˆ ˘â„ Ĺ” Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? /CTE 3 ńˆ ˘/KTTQT ńˆ Ł ҆ቴ HK$ 350,000-450,000 US$ 44,900-57,700

HK$ 900,000-1,500,000 US$ 115,000-192,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from an Important Private European Collection Đ–

137. Liu Ye

Đ–

b. 1964

138. Fang Lijun

b. 1963

Untitled

1997, No.8

signed and dated ‘97 Ye [in Chinese] liu ye’ lower left oil and acrylic on canvas 120 x 140 cm. (47 1⠄4 x 55 1⠄8 in.) Painted in 1997, this work is accompanied by a certificate of authenticity signed by the artist.

signed, titled and dated ‘“1997 No.8� Fang Lijun [in Chinese]’ on the reverse oil on canvas 150 x 110 cm. (59 x 43 1⠄4 in.) Painted in 1997.

đ‘?„ń ?ƒ

ń ?‚𡕖𣀀𣠢đŠ‘ĽSđ Œ„đľ ?

ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?á?Śá”ĽĹ?Ǩâ€ŤŰ â€ŹĹŁĆĽĚ?Ő˝ÎŒńˆĽ? ĐƒÔšń‘? ∅ NKW [G áœĽÄŞ HK$ 5,000,000-7,000,000 US$ 641,000-897,000

𠔨đ‘?¸ń ’˜ ńˆ ˘ Ĺ­ Ěśńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš ńˆ ˘ 0Q ńˆ ŁĆśĆşćĽ• ҆ቴ HK$ 700,000-1,000,000 US$ 89,700-128,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Prominent European Collection Đ–

139. Fang Lijun

Đ–

b. 1963

140. Yue Minjun

b. 1962

20.6.2002

Two works: Contemporary Terracotta Warriors No.5

signed and dated ‘2002.6.20 Fang Lijun [in Chinese]’ on the reverse oil on canvas 270 x 120 cm. (106 1⠄4 x 47 1⠄4 in.) Painted in 2002.

each signed, numbered and dated ‘yue minjun 5 17/25; 18/25 2003’ on the reverse respectively acrylic on fibreglass and reinforced plastic with iron base each 187 x 92 x 42 cm. (73 5⠄8 x 36 1⠄4 x 16 1⠄ 2 in.) Executed in 2003, these two works are number 17 and 18 from a set of 25 and will be accompanied by a certificate of authenticity signed by the artist.

ń„ˆšđš‰ŁđŁ€€𣠢đŠ‘ĽSđ Œ„đľ ?

𠔨đ‘?¸ń ’˜ ńˆ ˘ Ĺ­ Ęƒ ĹŤńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? Ɯƺ漕 ҆ቴ HK$ 800,000-1,200,000 US$ 103,000-154,000

đ–‘ đ ? ă ° ƨɍÇ&#x;4 ńˆ ˘ĆŒĂ?⑉ᅙ慴 Ěśńˆ Ł ‍ؼ‏Ő?Ćş 㔕㑨ă?¨Î­ Ë‘²ă?¨Î­ă‘’Őś áž?Ç? Ĺ­Ç&#x;ńˆĽ‘ˤ‍ع‏ă?•ă‘’Ő¤Äˆ ÉŤńˆĽ‘ˤČlj ȇlj ÉŤńˆĽ‘ ŐŠ ŕŞ?á?Śá”ĽĹ?Ǩâ€ŤŰ â€ŹĹŁĆĽĚ?Ő˝ÎŒńˆĽ? ĐƒÔš [WG OKPLWP Ʋɍቴǚ HK$ 550,000-750,000 US$ 70,500-96,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

141. Danh Vo

Đ–

b. 1975

142. Zhang Enli

b. 1965

Whisky & Soda

Balls

gold leaf on cardboard box Whisky (assembled) 41.6 x 28.6 x 29 cm. (16 3â „8 x 11 1â „4 x 11 3â „8 in.) Soda (assembled) 41.6 x 23.2 x 29 cm. (16 3â „8 x 9 1â „8 x 11 3â „8 in.) Executed in 2013.

signed and dated ‘2011 Enli [in Chinese]’ lower left; further signed, titled and dated ‘“Balls� 2011 Zhang Enli [in Chinese]’ on the reverse oil on canvas 240 x 100 cm. (94 1⠄ 2 x 39 3⠄8 in.) Painted in 2011.

đ?Ą 餒

đ—™—đ˜…¨đ‘–ˆ

ńˆ ˘â ľŐ‚⠆ȇἊÇŒńˆ Ł ̇᝗ 爔Ç?â…“â?ą Ĺ­Ç&#x; HK$ 1,000,000-1,500,000 US$ 128,000-192,000

scan for more on this lot Philllips

ńˆ ˘á€ˇä??ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ŕ§&#x;Âźń‘?‚áœĽÄŞń‘?ƒ ń‘?Ą ńˆ ˘á€ˇä??ńˆ Ł ˘ŕ§&#x;Âźń‘?‚҆ቴń‘?ƒ HK$ 500,000-700,000 US$ 64,100-89,700

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

143. Zhang Enli

Đ–

b. 1965

144. Yuan Yuan

b. 1973

The Nylon Rope

Cottage

signed and dated ‘2014 Enli [in Chinese]’ lower right oil on canvas 100.5 x 100.5 cm. (39 3⠄8 x 39 3⠄8 in.) Painted in 2014.

signed, titled and dated ‘“Cottage� Yuan Yuan [in Chinese] 2012 Y.Yuan’ on the reverse oil on canvas 150 x 200 cm. (59 x 78 3⠄4 in.) Painted in 2012.

đ—™—đ˜…¨đ‘–ˆ

𡠕񀙇

ńˆ ˘áœ”ᔡ䔣ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ŕ§&#x;Âź ἕĪ

ńˆ ˘ŕ§‹Ç?Ȏ䌅ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? ńˆ ˘%QVVCIGńˆ ŁĺĄ™Ă… ; ;WCP ҆ቴ

HK$ 250,000-450,000 US$ 32,100-57,700

HK$ 450,000-650,000 US$ 57,700-83,300

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

145. Finn Juhl

1912-1989

Pair of easy chairs, model no. FJ 45 teak, fabric, leather each 83.5 x 67.5 x 74 cm. (32 7â „8 x 26 5â „8 x 29 1â „8 in.) Designed 1945. Executed by master cabinetmaker Niels Vodder, Copenhagen, Denmark. Underside of each impressed CABINETMAKER NIELS VODDER/ COPENHAGEN DENMARK/DESIGN FINN JUHL.

146. Antony Gormley

b. 1950

Border Model incised with the number and date on the base of the foot Douglas fir 36 x 6 x 9.8 cm. (14 1â „8 x 2 3â „8 x 3 7â „8 in.) Executed in 2012.

đ´ €ńŁ€´đŠ‰ŁđŚ†‡ ńˆ ˘ä„ˇĆ‹ŕšŠÄ‚ĹĄ Ő?Ěś(, ńˆ Ł 㔇⢒䒄҂ Ň˜Őś Ńąă€˜ ˤÇ&#x;7Ç? Ĺ­Ń´Ě&#x;ńˆĽ‘ŐŠĎ?ă šâ?ąŐžÇ•Ă´Ö­Ň‚ĺš†ÇŠĚƒáœ” Ů?á˜°ç ść‚™á•Śâ€ŤŘŽâ€ŹŇœńˆĽ? ĐƒÔšń‘? %#$+0'6/#-'4 0+'.5 81&&'4 %12'0*#)'0 &'0/#4- &'5+)0 (+00 ,7*.

‼Ç?ĐŞËŒ HK$ 250,000-350,000 US$ 32,100-44,900

scan for more on this lot Philllips

đ•¤‚đĄ‰ đ–‰ƒńŁ€´đ´Ľ‘𔥹ńƒ•Ś ńˆ ˘Ë”ʆ٣Ő?ńˆ Ł É’â˜¨â€ŤŘ&#x;‏ Ĺ­Ç&#x; ĐƒÔš Ő‹Ç?ĐŞËŒ HK$ 400,000-600,000 US$ 51,300-76,900

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

147. Izumi Kato

148. Izumi Kato

b. 1969

b. 1969

Untitled

Untitled

signed and dated ‘2017 KATO [in English and Kanji]’ on the reverse wood, acrylic and soft vinyl 150 x 44 x 30 cm. (59 x 17 3⠄8 x 11 3⠄4 in.) Executed in 2017.

signed and dated ‘2012 KATO [in English and Kanji]’ on the reverse oil on canvas 194 x 130 cm. (76 3⠄8 x 51 1⠄8 in.) Painted in 2012.

𑞄𾥗𣙢

𑞄𾥗𣙢

ńˆ ˘ĆƒĘ›ńˆ Ł Ň‚Çş ‍ؼ‏Ő?Ćş á˘„ä‰¤ć˜ˇá”˛ Ĺ­Ç&#x; ĐƒÔš -#61 ⢖ ቴǚ HK$ 500,000-700,000 US$ 64,100-89,700

HK$ 550,000-750,000 US$ 70,500-96,200

scan for more on this lot Philllips

ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš -#61 ⢖ń‘?‚҆ቴń‘?ƒ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

149. Izumi Kato

150. Izumi Kato

b. 1969

b. 1969

Untitled

Untitled

signed and dated ‘KATO [in English and Kanji] 2008’ on the reverse oil on canvas 194 x 130.3 cm. (76 3⠄8 x 51 1⠄4 in.) Painted in 2008.

signed and dated ‘2016 KATO [in English and Kanji]’ on the reverse soft vinyl, urethane foam, wood 126 x 35 x 30 cm. (49 5⠄8 x 13 3⠄4 x 11 3⠄4 in.) Executed in 2016.

𑞄𾥗𣙢

𑞄𾥗𣙢

ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔš -#61 ⢖ ń‘?‚҆ቴń‘?ƒ

HK$ 90,000-150,000 US$ 11,500-19,200

HK$ 400,000-600,000 US$ 51,300-76,900

scan for more on this lot Philllips

ńˆ ˘ĆƒĘ›ńˆ Ł á˘„ä‰¤ć˜ˇá”˛ â‰¤ĺœĽá¸’áĄ„ä?“ Ň‚Çş Ĺ­Ç&#x; ĐƒÔšń‘? -#61 ⢖ ቴǚ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

151. Finn Juhl

1912-1989

Pair of easy chairs, model no. FJ 53 teak, leather, brass taller 74.5 x 72.5 x 76 cm. (29 3â „8 x 28 1â „ 2 x 29 7â „8 in.) Designed 1953. Executed by master cabinetmaker Niels Vodder, Copenhagen, Denmark. Underside of one impressed CABINETMAKER/COPENHAGEN DENMARK/DESIGN FINN JUHL.

đ´ €Ë™đŠ‰ŁđŚ†‡

b. 1984

Free Thinker signed and dated ‘Sperling ‘16’ on the reverse acrylic on canvas and plywood 76.5 x 90.5 cm. (30 1⠄8 x 35 5⠄8 in.) Executed in 2016.

đ“€¸đ—„˜ńŁ€´đ ”‡đ’„„đĄŒ¤

ńˆ ˘ä„ˇĆ‹ŕšŠÄ‚ĹĄ Ő?Ěś(, ńˆ Ł 㔇⢒䒄҂ Ńąă€˜ ä?† ˤÇ&#x;7Ç? Ĺ­Ń´Ě&#x;ńˆĽ‘ŐŠĎ?ă šâ?ąŐžÇ•Ă´Ö­Ň‚ĺš†ÇŠĚƒáœ” Ů?ᘰń‘?ˆć‚™á•Śâ€ŤŘŽâ€ŹŇœńˆĽ? ĐƒÔšń‘? %#$+0'6/#-'4 %12'0*#)'0 &'0/#4- &'5+)0 (+00 ,7*. ‼Ç?ĐŞËŒ HK$ 150,000-250,000 US$ 19,200-32,100

scan for more on this lot Philllips

152. Josh Sperling

ńˆ ˘Ä˘Ď?ÎĽÄžĹ?ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ ă‘…ʸ‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? 5RGTNKPIo ń‘?‚҆ቴń‘?ƒ HK$ 250,000-350,000 US$ 32,100-44,900

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2018 TAKASHI MURAKAMI/KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

153. Virgil Abloh &

154. Javier Calleja

Takashi Murakami

b. 1980 and b. 1962

“OUR SPOT 1â€? signed and dated ‘“VIRGILâ€? Š 2018 Takashi 2018’ on the overlap acrylic on canvas mounted on aluminium frame 100 x 100 cm. (39 3â „8 x 39 3â „8 in.) Executed in 2018.

b. 1971

No More Stories signed, titled and dated ‘Javier Calleja “NO MORE STORIES� 2019’ on the overlap acrylic on canvas, artist’s frame 130 x 162 cm. (51 1⠄8 x 63 3⠄4 in.) Painted in 2019.

ă† đą”˜đŚ†‡vđ’„•đ‘•˘ă† đĄˆ–éĄƒńƒ?…đł™Šđą”˜ă —đŚ†‡vńƒˆŚđ?Š…đ™ˆ¤đš‰Ł ńˆ ˘q174 5216 rńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ 爔Ç?割҆ä‘? Ĺ­Ç&#x; ĐƒÔšń‘? q8+4)+.rĂ&#x; 6CMCUJK Ň†Ň˜Ë”Őš HK$ 800,000-1,200,000 US$ 103,000-154,000

scan for more on this lot Philllips

ńˆ ˘ÇžÄŁĹŠÄˆŃ‚Ć‚ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ á?Śá”ĽĹ?҆ä‘? Ĺ­Ç&#x; ĐƒÔšń‘? ,CXKGT %CNNGLCńˆ ˘01 /14' 5614+'5ńˆ Ł

Ň†Ň˜Ë”Őš HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

155. Javier Calleja

b. 1971

∑

156. Ico Parisi

1916-1996

Who’s Speaking?

Set of eight dining chairs

signed, titled and dated ‘“WHO’S SPEAKING?� 2018 Javier Calleja’ on the reverse watercolour and graphite on paper 100 x 70 cm. (39 3⠄8 x 27 1⠄ 2 in.) Executed in 2018.

each 89 x 46.5 x 54 cm. (35 x 18 1â „4 x 21 1â „4 in.) walnut and mahogany Produced circa 1955. Manufactured by Ariberto Colombo, CantĂš, Italy.

đ?ˆľđŠ’ˆvđ—„°ń ? 𡕑

ă† đą”˜đŚ†‡v𒄕𑕢ㆠńˆ ˘ĂĽÄ‡ĺƚ!ńˆ Ł njӴ 㠜ᥴ â…“Ç• Ĺ­Ç&#x; ĐƒÔšń‘? ńˆ ˘9*1p5 52'#-+0)!ńˆ Ł ,CXKGT %CNNGLC ń‘?‚҆ቴń‘?ƒ

HK$ 50,000-70,000 US$ 6,400-9,000

HK$ 200,000-400,000 US$ 25,600-51,300

scan for more on this lot Philllips

ç‚”â‰šăœ¤éˆ‡đ•Šˆç‚• đ?œĽđ”…’ đ”…’đ?˘€đ”˘˜ă…„ é–…đ–‰šđ’Ś…đ‘€˜đ ˆ„ ă…°đ•€?đ•š˜ç‰˛ĎŹđ•‘łđ‘Ľłé˜Ľđ‘¤“đ‘™?ग$ULEHUWR &RORPERđ•€?đ•š˜ç ľ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2014 MR./KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

157. Izumi Kato

158. Mr.

b. 1969

b. 1969

Untitled

Saturday Onions

signed and dated ‘2010 KATO [in English and Kanji]’ on the reverse oil on linen 45.5 x 53 cm. (17 7⠄8 x 20 7⠄8 in.) Painted in 2010.

signed and dated ‘Mr. 2014’ lower right acrylic and watercolour on paper 38.1 x 29.3 cm. (15 x 11 1⠄ 2 in.) Executed in 2014.

.S

𑞄𾥗𣙢 ńˆ ˘ĆƒĘ›ńˆ Ł Đ…Ó´ â€ŤŰ’â€ŹŇ˜ Ĺ­Ç&#x; ĐƒÔš -#61 ⢖ ҆ቴ

HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 120,000-220,000 US$ 15,400-28,200

scan for more on this lot Philllips

ńˆ ˘8ĘżáŒ•áŚ•⤾ńˆ Ł ‍ؼ‏Ő?Ćş njӴ â…“Ç• Ĺ­Ç&#x; ĐƒÔš /T ń‘?‚ἕĪń‘?ƒ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2014 MR./KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

159. Mr.

160. Ayako Rokkaku

b. 1969

b. 1982

Barefoot Season

Untitled

signed and dated ‘Mr. 2014’ lower left acrylic and watercolour on paper 38.1 x 29.3 cm. (15 x 11 1⠄ 2 in.) Executed in 2014.

signed and dated ‘2018 Ayako Rokkaku [in Japanese]’ on the reverse acrylic on cardboard 72.5 x 69.8 cm. (28 1⠄ 2 x 27 1⠄ 2 in.) Painted in 2018.

.S

𑊉𡙜�𕞅

ńˆ ˘ä€łâ€Ť×˜â€ŹŐ…·ńˆ Ł ‍ؼ‏Ő?Ćş njӴ â…“Ç• Ĺ­Ç&#x; ĐƒÔš /T ń‘?‚áœĽÄŞń‘?ƒ

ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş ⅓‍ذ‏ Ĺ­Ç&#x; ĐƒÔšń‘? áŒ•ÔłÓ´Ĺ” ĹŤÇŠ ҆ቴ

HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 150,000-250,000 US$ 19,200-32,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2010 MR./KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

161. Ayako Rokkaku

b. 1982

162. Mr.

b. 1969

Untitled

Bright Days

signed and dated ‘2016 Ayako Rokkaku [in Japanese]’ lower right acrylic on canvas 60.2 x 90.3 cm. (23 3⠄4 x 35 1⠄ 2 in.) Painted in 2016.

signed and dated ‘Mr. 2010’ lower left watercolour and pencil on paper 33.8 x 25 cm. (13 1⠄4 x 9 7⠄8 in.) Executed in 2010.

.S

𑊉𡙜đ—?“đ•ž… ńˆ ˘ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? áŒ•ÔłÓ´Ĺ” ĹŤÇŠ ἕĪ

HK$ 70,000-90,000 US$ 9,000-11,500

HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

ńˆ ˘Ç†Đ°Ä€ĹŤĹ”ńˆ Ł njӴ 㠜ᥴ â…“Ç• Ĺ­Ç&#x; ĐƒÔšń‘? /T áœĽÄŞ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š YOSHITOMO NARA

Š YOSHITOMO NARA

163. Yoshitomo Nara

b. 1959

164. Yoshitomo Nara

b. 1959

I’m Ready to Go Anywhere, I’m Ready to Fade Away

Christ No. 1

hand-painted ceramic plate 83 x 83 x 7 cm. (32 5â „8 x 32 5â „8 x 2 3â „4 in.) Executed in 2007.

acrylic and colour pencil on board 36 x 44.8 cm. (14 1â „8 x 17 5â „8 in.) Executed in 1987.

đ”–?𳤕đ˛?“đ Ąˆ

đ”–?𳤕đ˛?“đ Ąˆ

ńˆ ˘Ä Ó‚ŃĽÄŒÄ‘Ĺ…ĂśĚœĹžĆśńˆĽ‘ģĝŗϼÂ?ÄƒČ‘ńˆ Ł Ć‹㥧ä’?Öˇ Ĺ­Ç&#x;

ńˆ ˘á”˛äŠ Ěśńˆ Ł ‍ؼ‏Ő?Ćş Ӵɥ㠜ᥴ ҂‍ذ‏ Ĺ­Ç&#x;

HK$ 1,600,000-2,600,000 US$ 205,000-333,000

HK$ 350,000-550,000 US$ 44,900-70,500

scan for more on this lot

scan for more on this lot

Philllips

Poly auction WeChat

Philllips

Poly auction WeChat

Š YAYOI KUSAMA

165. Yayoi Kusama

b. 1929

The Burial Day in Flower Garden signed and dated ‘Yayoi Kusama 1978’ upper left; further signed, titled and dated ‘1978 Yayoi Kusama [in English and Kanji] “The Burial Day in Flower Garden [in Kanji]�’ on the reverse enamel and ink on paperboard 27.2 x 24.2 cm. (10 3⠄4 x 9 1⠄ 2 in.) Executed in 1978, this work is accompanied by a registration card issued by the Yayoi Kusama studio.

đ´?šń‚Ś‚đ—œ đ§‘€ ńˆ ˘É’ÔźÄ€ăŒ™ä —ĹŤńˆ Ł ä’?ä ˜ ÇŒă‰‡ ⅓‍ذ‏ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?ᔜÇ?ăœ‘Ĺ€Ę•Ç&#x;‍ب‏Ƽቡʌ‍ńˆĽ?؏‏ ĐƒÔšń‘? ;C[QK -WUCOC áœĽÄ˜ ;C[QK -WUCOC ᔜÇ?ăœ‘Ĺ€ńˆ ˘É’ÔźÄ€ăŒ™ä —ĹŤńˆ Ł ҆ቴ

166. Chiharu Shiota

b. 1972

State of Being (Spiral) red thread and metal frame 56 x 60 x 69 cm. (22 x 23 5â „8 x 27 1â „8 in.) Executed in 2017.

ń† Ąđ§‘Śđ’ ´đ œĄ ńˆ ˘Ĺ€áŒ˘Ä€áĽ€á„„ ä‘Łă’™ ńˆ Ł γß áž?†ŭÇ&#x;

HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 150,000-250,000 US$ 19,200-32,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š YAYOI KUSAMA

Property from an Important Private Japanese Collection

167. Chiharu Shiota

b. 1972

168. Yayoi Kusama

b. 1929

State of Being (Shoes)

Untitled

signed ‘Chiharu Shiota’ on the lower left inner frame on the reverse metal frame, shoes, thread 30 x 30 x 30 cm. (11 3⠄4 x 11 3⠄4 x 11 3⠄4 in.) Executed in 2019, this work is accompanied by a certificate of authenticity issued by Galerie Templon.

signed and dated ‘KUSAMA 70’ lower left; further signed and dated ‘Yayoi Kusama 1970’ on the reverse marker pen on canvas 53 x 45.5 cm. (20 7⠄8 x 17 7⠄8 in.) Executed in 1970, this work is accompanied by a registration card issued by the Yayoi Kusama studio.

ń† Ąđ§‘Śđ’ ´đ œĄ

ń ?‚đˇ•–đ ˜–đĄ…—đŠ‘ĽSđ Œ„đľ ?

ńˆ ˘Ĺ€áŒ˘Ä€áĽ€á„„ Ó&#x; ńˆ Ł áž?†Ó&#x; γß Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ? 6GORNQP Ň†äœšĆĽĚ?Ő˝ÎŒńˆĽ? ĐƒÔšń‘? %JKJCTW 5JKQVC á‰´ÇšáœĽÄŞĆś!ä‘?Ę HK$ 220,000-420,000 US$ 28,200-53,800

HK$ 1,200,000-2,200,000 US$ 154,000-282,000

scan for more on this lot Philllips

đ´?šń‚Ś‚đ—œ đ§‘€ ńˆ ˘ĆƒĘ›ńˆ Ł â€ŤŰ â€Źá€—ᥴ Ň†Ň˜ Ĺ­Ç&#x;ńˆĽ‘ŐŠŕŞ?ᔜÇ?ăœ‘Ĺ€Ę•Ç&#x;‍ب‏Ƽቡʌ‍ńˆĽ?؏‏ ĐƒÔšń‘? -75#/# ń‘?‚áœĽÄŞń‘?ƒ ń‘?Ą;C[QK -WUCOC ń‘?‚҆ቴń‘?ƒ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

169. Richard Pettibone

b. 1938

170. Richard Pettibone

b. 1938

Frank Stella, Saskatoon, 1968

Frank Stella, Untitled

signed, titled and dated ‘“Frank Stella, Saskatoon, 1968� Richard Pettibone, 1978’ on the overlap acrylic and graphite on shaped canvas, in artist’s frame 16.5 x 31.8 cm. (6 1⠄ 2 x 12 1⠄ 2 in.) Executed in 1978.

signed and dated ‘Richard Pettibone 1972’ on the overlap acrylic on canvas, in artist’s frame 15.3 x 15.3 cm. (6 x 6 in.) Executed in 1972.

đŚ¤†đĄ‘†đ—˘†vđ??´đľ †đ?Š…đ˜…¨

đŚ¤†đĄ‘†đ—˘†vđ??´đľ †đ?Š…đ˜…¨ ńˆ ˘ć‚™â Ő? 5CUMCVQQP ńˆ Ł ‍ؼ‏Ő?Ćş á ㉇ ĹŞÖœŇ†Ň˜ á?Śá”ĽĹ?҆ä‘? Ĺ­Ç&#x; ĐƒÔš ńˆ ˘ć‚™â Ő?ńˆĽ‘5CUMCVQQPńˆĽ‘ ńˆ Ł4KEJCTF 2GVVKDQPGńˆĽ‘ Ň†Ň˜Ë”Őš

ńˆ ˘ć‚™â Ő? ĆƒĘ›ńˆ Ł ‍ؼ‏Ő?Ćş Ň†Ň˜ á?Śá”ĽĹ?҆ä‘? Ĺ­Ç&#x; ĐƒÔš 4KEJCTF 2GVVKDQPG Ň†Ň˜Ë”Őš HK$ 300,000-500,000 US$ 38,500-64,100

HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

171. Venini

172. Gio Ponti

Standard lamp, model no. 502 Torchon glass, brass, fabric shade 186 cm. (73 1â „4 in.) high Designed circa 1942. Produced by Venini & C., Murano, Italy.

1891-1979

Pair of wingback armchairs, designed for the Hotel Royal, Naples fabric, ebonised wood each 100.5 x 71.5 x 78.5 cm. (39 5â „8 x 28 1â „8 x 30 7â „8 in.) Produced circa 1956. Manufactured by Dassi, Milan, Italy. Together with a certificate of expertise from the Gio Ponti Archives.

7&/*/* ńˆ ˘Ň”Ĺžâ – Ő?Ěś ńˆ Ł 6QTEJQP㔕㑨 Ö…ä?† Ň˜Î˜â –ä„¨ ˤÇ&#x;4Ç? Ĺ­Ń´Ě&#x;ńˆĽ‘Ď?â€Ť×Ľâ€ŹÄ™Âźĺˆ†Ó˜â”Ł8GPKPK % Č“ŃŁâ€ŤŘŽâ€ŹŇœńˆĽ?

㠗𔙉v𾉡𾠆 ńˆ ˘ÄŚĹŚÄƒă”´á˜°â™–Ĺ?ĐŒŃ Ń´Ě&#x;‍ἀاâ€ŹĎŁá‰´ä„ˇĆ‹ŕšŠÄ‚ĹĄńˆ Ł Ň˜Őś â Ň‚ ˤÇ&#x;4‍ך‏Ç? Ĺ­Ď?Ç‹Ä™ÂźĐœâ &CUUK â€ŤŘŽâ€ŹŇœńˆĽ‘ŐŠŕŞ? âœˇŕŚżç śä–‡ĺ‚„ÇŠâĄˆă•€ĆĽĚ?Ő˝ÎŒńˆĽ?

HK$ 80,000-120,000 US$ 10,300-15,400 HK$ 70,000-90,000 US$ 9,000-11,500

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property of an Important Private International Collector This lot is sold with no reserve

173. Paola Pivi

174. Jean-Michel Othoniel

b. 1964

b. 1971

Collier rouge Mama no more diapers, please urethane, plastic, feathers 121.9 x 158.8 x 99.1 cm. (47 7â „8 x 62 1â „2 x 39 in.) Executed in 2013.

Murano glass, steel 105 x 40 x 20 cm. (41 3â „8 x 15 3â „4 x 7 7â „8 in.) Executed in 2010.

đ¸˜‚vđ°Ąśđ˘Ś‚đŚ†‡vđ”™‰đ™ •đ–‰ƒđŚ†‡

ń ?‚𡕖𓙠ńƒŽ…đŠ‘ĽSđ Œ„đľ ?đ•Ś•

ç‚”đ‘€™đ“•ƒđ ?Łđ˜ ç‚• ă…ˆđ‘ ľđ•¤łé…Ľđ’€™ đ˜™‰ ㅰ𖉚

đŁœ†đ™ˆ¤vđ—ž…đľ˜¸ ç‚”⼨⼨ç‰˛đ•žˆé†‰đ•‰’đ•™šđ‘ˆ„đ””˛ă…¸é†?đ’ •ç‚• 𑔠螙𥢗┳𒠙 𓼲𒠙 đ•”’ă ł ㅰ𖉚

HK$ 220,000-320,000 US$ 28,200-41,000

HK$ 500,000-700,000 • US$ 64,100-89,700

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

175. KAWS and Estudio Campana

176. KAWS

b. 1974

KAWS: MONSTER

UNTITLED

signed and numbered ‘XXXX #17/25 + XAP’ on a label affixed to the underside plush toys, bronze 89 x 130 x 102 cm. (35 x 51 x 40 in.) Executed in 2019, this work is number 17 from an edition of 25 plus 3 artist’s proofs.

signed and dated ‘KAWS..13’ on the reverse acrylic on canvas diameter 102 cm. (40 in.) Painted in 2013.

,"84 ,"84 𳙊 &TUVEJP $BNQBOB ç‚”.$:6 đ?•†đ”•Ąç‚• đ‘ˆ†ă łđ”?˘đ‘”… đ˜?š ㅰ𖉚牲đ?”?đ•’€ 襒𑠸 襒𓢇𔠆𑄒𕖗𖉚襒牲閅晹éž? 襒 đ‘œ?𖄕犆;;;; ;$3 â˜ťé†“

HK$ 800,000-1,200,000 US$ 103,000-154,000

scan for more on this lot Philllips

ç‚”ć?€đ ”¨ç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆.$:6 ⅚茑

HK$ 1,500,000-2,500,000 US$ 192,000-321,000

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Š 2017 MADSAKI/KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

177. KAWS

178. MADSAKI

b. 1974

b. 1974

UNTITLED (MBFS4)

Untitled from Marilyn Monroe 3

signed and dated ‘KAWS.. 15’ on the reverse acrylic on canvas 152.4 x 101.6 cm. (60 x 40 in.) Painted in 2015.

signed and dated ‘Madsaki 2017’ on the reverse acrylic and aerosol on canvas 91.5 x 92 cm. (36 x 36 1⠄4 in.) Executed in 2017.

,"84

."%4",*

ç‚”ć?€đ ”¨ 0%)6 ç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆.$:6 ⅚茑

ç‚”ć?€đ ”¨ 㞄莆𢠨đ“”•ç śâš’đ’ˆ¤ 𔂒炕 â˜´đ‘™ľđ’€˜ âˆ†đ“€§ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆0DGVDNL 牨⅚茑牊

HK$ 1,800,000-2,500,000 US$ 231,000-321,000

HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot

scan for more on this lot

Philllips

Poly auction WeChat

Philllips

Poly auction WeChat

Š 2018 MADSAKI/KAIKAI KIKI CO., LTD. ALL RIGHTS RESERVED

179. MADSAKI

180. KAWS

b. 1974

b. 1974

Untitled

UNTITLED

signed and dated ‘Madsaki 2018’ on the overlap acrylic and aerosol on canvas 120.2 x 120.2 cm. (47 3⠄8 x 47 3⠄8 in.) Executed in 2018.

signed and dated ‘KAWS.. 2000’ on the reverse acrylic on canvas 41 x 41 cm. (16 x 16 in.) Painted in 2000.

."%4",*

,"84

ç‚”ć?€đ ”¨ç‚• â˜´đ‘™ľđ’€˜ âˆ†đ“€§ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆0DGVDNL â…šé†?đ—š…đ‘?™

HK$ 550,000-650,000 US$ 70,500-83,300

HK$ 480,000-680,000 US$ 61,500-87,200

scan for more on this lot Philllips

ç‚”ć?€đ ”¨ç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆.$:6 ⅚茑

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

181. KAWS

182. Mr Doodle

b. 1974

b. 1994

UNTITLED (ORIGINAL FAKE SERIES)

Doodlings

signed and dated ‘KAWS..02’ on the reverse acrylic on canvas, plastic packaging package 25.5 x 19 cm. (10 x 7 1⠄2 in.) canvas 15 x 12.5 cm. (5 7⠄8 x 4 7⠄8 in.) Executed in 2002.

signed ‘MR DOODLE!’ on the reverse acrylic on canvas, in 20 parts each 15.2 x 15.2 cm. (5 7⠄8 x 5 7⠄8 in.) overall 77 x 62 cm. (30 3⠄8 x 24 3⠄8 in.) Painted in 2019.

,"84

.S %PPEMF

ç‚”ć?€đ ”¨ 25,*,1$/ )$.( 𔚓đ’ ç‚• â˜´đ‘™ľđ’€˜ â…šé†? 𓼲𒠙襴𔌑 ㅰ𖉚 đ‘œ?𖄕犆.$:6 ⅚茑

HK$ 350,000-450,000 US$ 44,900-57,700

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

炔┳đ˘?…ç‚• â˜´đ‘™ľđ’€˜ â…šé†? đ?”? đ‘…–

ㅰ𖉚 đ‘œ?𖄕犆05 '22'/( ⅚茑

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

183. Lee Dongi

184. Invader

b. 1967

b. 1969

Smoking (black)

LA_80

signed, titled and dated ‘“Smoking (black)� 2006 Dongi Lee [in English, Hanja and Korean] DL. 0622-97’ on the reverse acrylic on canvas 90.2 x 90.2 cm. (35.5 x 35.5 in.) Painted in 2006.

inscribed with the artist’s signature and title ‘“LA_80� Invader’ on the reverse ceramic tiles on perspex panel and laminated ID card 31.7 x 19.9 cm. (12 1⠄2 x 7 7⠄8 in.) Executed in 2018.

đĄˆ‘đĄ‰ đšŠ

*OWBEFS

炔ⓑ枇 đ??€đ“•ƒ ç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆 ç‚”6PRNLQJ EODFN ç‚• 'RQJL /HH đ‘¤€ĺ ƒđ“ ‚ đ‘¤€ĺ ƒđ“ ‚ đ ŒŁđ””˜ '/ ⅚茑

HK$ 80,000-150,000 US$ 10,300-19,200

HK$ 50,000-70,000 US$ 6,400-9,000

scan for more on this lot Philllips

炔𒉹𓕠错 𔂒炕 閃├ 𕒀啖酼𒀙襑 đ–…„đ–?Śđ–„•â€Ťđ‘™€Ů€â€Ź ㅰ𖉚 đ‘œ?𖄕犆 ç‚”/$B ç‚•,QYDGHU đ•?łđ ˆ„𖉚𒌅茑醓

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

185. Banksy

186. Banksy

b. 1974

b. 1974

Girl with Balloon

Welcome to Hell

numbered ‘438/600’ with publisher’s blindstamp lower right screenprint in colours on wove paper 60.7 x 45.5 cm. (23 7⠄8 x 17 7⠄8 in.) Published by Pictures on Walls, London in 2004, this work is number 438 from an edition of 600, and is accompanied by a certificate of authenticity issued by Pest Control.

numbered ‘133/175’ with publisher’s blindstamp lower left screenprint in colours on wove paper image 39 x 18 cm. (15 3⠄8 x 7 1⠄8 in.) sheet 49.7 x 35 cm. (19 5⠄8 x 13 3⠄4 in.) Published by Pictures on Walls, London in 2005, this work is number 133 from an unsigned edition of 175 (there was also a signed edition of 75), and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡ 炔处㎲𒞆đ?š„ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅𖉚晹éž? 襒犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ•’‚đ”œ†

HK$ 500,000-700,000 US$ 64,100-89,700

𦡩đ‘ˆ¤đ ”‡ 炔垂𕑅ᅼé?Ąâ˜źč…Šç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ–‰ľđ”œ†

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

187. Banksy

188. Banksy

b. 1974

b. 1974

Because I’m Worthless

Love Rat

numbered ‘139/175’ with publisher’s blindstamp lower left screenprint in colours on wove paper image 39.2 x 18.2 cm. (15 3⠄8 x 7 1⠄8 in.) sheet 49.8 x 34.9 cm. (19 5⠄8 x 13 3⠄4 in.) Published by Pictures on Walls, London in 2004, this work is number 139 from an unsigned edition of 175 (there was also a signed edition of 150), and is accompanied by a certificate of authenticity issued by Pest Control.

numbered ‘267/600’ with publisher’s blindstamp lower left screenprint in colours on wove paper image 34.8 x 30.3 cm. (13 3⠄4 x 11 7⠄8 in.) sheet 48.8 x 34.4 cm. (19 1⠄4 x 13 1⠄2 in.) Published by Pictures on Walls, London in 2004, this work is from number 267 from an unsigned edition of 600 (there was also a signed edition of 150), and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡

𦡩đ‘ˆ¤đ ”‡

ç‚”đ•Œ¤ć™ąđ””˛đ•‰Šđ””˜é†‰đ–€Łç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸3LFWXUHV RQ :DOOVđ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚襒牲 閅晹éž? 襒牨閅đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒牊 犇Ϗđ?Œą3HVW &RQWUROđ?’–𖉚 đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 ç‰¨â“žčĄ’đ“˜ƒâ˜´đ•?łç‰Š ç‰¨đ–‰ľđ”œ†ç‰Š HK$ 100,000-150,000 US$ 12,800-19,200

HK$ 120,000-180,000 US$ 15,400-23,100

scan for more on this lot Philllips

炔𑥊𓠅é?¨ăŚ—ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒牨閅đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒牊 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ–‰ľđ”œ†

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

189. Banksy

190. Banksy

b. 1974

b. 1974

Laugh Now

Monkey Queen

numbered ‘279/600’ lower right screenprint in colours on wove paper 69.2 x 49.3 cm. (27 1⠄4 x 19 3⠄8 in.) Published by Pictures on Walls, London in 2003, this work is number 279 from an unsigned edition of 600 (there was also a signed edition of 150), and is accompanied by a certificate of authenticity issued by Pest Control.

numbered ‘179/750’ lower right screenprint in colours on wove paper image 48.3 x 33.5 cm. (19 x 13 1⠄4 in.) sheet 49 x 34 cm. (19 1⠄4 x 13 3⠄8 in.) Published by Pictures on Walls, London in 2003, this work is number 179 from an unsigned edition of 600 (there was also a signed edition of 150), and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡ ç‚”đ”Ą¨đ•š€č•¸đ”œ†ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 đ•’‚đ”œ†

HK$ 120,000-180,000 US$ 15,400-23,100

ç‚”đ??Ąđ–‰ƒđ?¤”đ??Ľç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 đ•’‚đ”œ†

HK$ 60,000-80,000 US$ 7,700-10,300

scan for more on this lot Philllips

𦡩đ‘ˆ¤đ ”‡

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

191. Banksy

192. Banksy

b. 1974

b. 1974

Pulp Fiction

Napalm

numbered ‘525/600’ with publisher’s blindstamp lower right screenprint in colours on wove paper image 41.8 x 63 cm. (16 1⠄2 x 24 3⠄4 in.) sheet 47.8 x 69 cm. (18 7⠄8 x 27 1⠄8 in.) Published by Pictures on Walls, London in 2004, this work is number 525 from an unsigned edition of 600 (there was also a signed edition of 150), and is accompanied by a certificate of authenticity issued by Pest Control.

signed ‘BANKSY’ lower right; numbered ‘129/150’ lower left screenprint in colours on wove paper image 37.5 x 58.7 cm. (14 3⠄4 x 23 1⠄8 in.) sheet 50.2 x 70.2 cm. (19 3⠄4 x 27 5⠄8 in.) Published by Pictures on Walls, London in 2005, this work is number 129 from an edition of 150, and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡

𦡩đ‘ˆ¤đ ”‡ ç‚”đ??€đ“•ƒđ–ˆ•đ‘?“đ’‚?ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ•’‚đ”œ†

ç‚”ă†ƒđ?”śđ“ “đ•‘ˇăœšç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆%$1.6< đ•’‚đ”œ† đ–‰ľđ”œ†

HK$ 150,000-250,000 US$ 19,200-32,100

HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

193. Banksy

194. Banksy

b. 1974

b. 1974

I fought the law

CND

numbered ‘422/500’ with publisher’s blindstamp lower left screenprint in colours on wove paper image 66 x 66.1 cm. (25 7⠄8 x 26 in.) sheet 69.7 x 69.7 cm. (27 1⠄2 x 27 1⠄2 in.) Published by Pictures on Walls, London in 2004, this work is number 422 from an unsigned edition of 500 (there was also a signed edition of 150 and 8 artist’s proofs), and is accompanied by a certificate of authenticity issued by Pest Control.

numbered ‘57/350’ with publisher’s blindstamp lower right screenprint in colours on wove paper image 53.6 x 38.4 cm. (21 1⠄8 x 15 1⠄8 in.) sheet 69.7 x 49.8 cm. (27 1⠄2 x 19 5⠄8 in.) Published by Pictures on Walls, London in 2005, this work is number 57 from an unsigned edition of 350 (there was also a signed edition of 350), and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡

𦡩đ‘ˆ¤đ ”‡

ç‚”đ””˛ă†„đ‘™—đ—™‡Ă–đ’‰ƒç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒𑠸 襒𓢇𔠆𑄒𕖗𖉚襒 犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ–‰ľđ”œ†

HK$ 60,000-80,000 US$ 7,700-10,300

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

炔醗đ?œĽđ—™…áœ‰đ—„ đ“Ž…ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ•’‚đ”œ†

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

195. Banksy

196. Banksy

b. 1974

b. 1974

Flying Copper

Happy Chopper

numbered ‘397/600’ with publisher’s blindstamp lower right screenprint in colours on wove paper 98.5 x 69 cm. (38 3⠄4 x 27 1⠄8 in.) Published by Pictures on Walls, London in 2003, this work is number 397 from an edition of 600, and is accompanied by a certificate of authenticity issued by Pest Control.

signed, dated and numbered ‘BANKSY 03 50/750’ lower right screenprint in colours on wove paper image 67 x 47 cm. (26 3⠄8 x 18 1⠄2 in.) sheet 69.6 x 49.6 cm. (27 3⠄8 x 19 1⠄2 in.) Published by Pictures on Walls, London in 2003, this work is number 50 from an edition of 750 and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡ ç‚”đ œ’đ”¤?đ‘‘—éˆ¸ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ•’‚đ”œ†

HK$ 100,000-150,000 US$ 12,800-19,200

HK$ 250,000-350,000 US$ 32,100-44,900

scan for more on this lot Philllips

𦡩đ‘ˆ¤đ ”‡ ç‚”đ‘œˆĺ’ đ–€™đ“˜Ľĺ•–ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆%$1.6< ç‰¨đ•’‚đ”œ†ç‰Š

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

197. Banksy

198. Banksy

b. 1974

b. 1974

Trolleys (colour)

Donuts Chocolate

signed ‘BANKSY’ lower right; numbered ‘89/750’ lower left screenprint in colours on wove paper image 49.2 x 69 cm. (19 3⠄8 x 27 1⠄8 in.) sheet 56.5 x 76.1 cm. (22 1⠄4 x 29 7⠄8 in.) Published by Pictures on Walls, London in 2007, this work is number 89 from an edition of 750, and is accompanied by a certificate of authenticity issued by Pest Control.

signed and numbered ‘BANKSY 061/299’ lower left screenprint in colours on wove paper

Published by Pictures on Walls, London in 2009, this work is number 61 from an edition of 299, and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡

𦡩đ‘ˆ¤đ ”‡ ç‚”đ“?śđ”Œ°đ—„—ç‰¨éˆ„đ“•ƒç‰Šç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆%$1.6< đ•’‚đ”œ† đ–‰ľđ”œ†

HK$ 200,000-300,000 US$ 25,600-38,500

ç‚”ăŽ‰đ‘™ľđ’€˜đ”†‚đ”†‚đ“?ˆç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆%$1.6< đ–‰ľđ”œ†

HK$ 150,000-200,000 US$ 19,200-25,600

scan for more on this lot Philllips

image 34 x 58.5 cm. (13 3â „8 x 23 in.) sheet 55.8 x 75.8 cm. (21 7â „8 x 29 7â „8 in.)

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

199. Banksy

200. Banksy

b. 1974

b. 1974

Choose Your Weapon - Lemon

No Ball Games (Green)

signed ‘BANKSY’ lower right; numbered ‘17/25’ lower left screenprint in colours on wove paper image 60 x 60 cm. (23 5⠄8 x 23 5⠄8 in.) sheet 70 x 70 cm. (27 1⠄2 x 27 1⠄2 in.) Published by Pictures on Walls, London in 2010, this work is number 17 from an edition of 25, and is accompanied by a certificate of authenticity issued by Pest Control.

signed ‘BANKSY’ lower right; numbered ‘88/250’ with publisher’s blindstamp lower left screenprint in colours on wove paper

𦡩đ‘ˆ¤đ ”‡ 炔𗙳䖉ㅊé?¨đ”•?đ“ ‰ ĺ˜°ă‚’𢥤ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅𖉚晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?đ–„• %$1.6< đ•’‚đ”œ† đ–‰ľđ”œ†

HK$ 300,000-400,000 US$ 38,500-51,300

Published by Pictures on Walls, London in 2009, this work is number 88 from an edition of 250 and is accompanied by a certificate of authenticity issued by Pest Control.

𦡩đ‘ˆ¤đ ”‡ ç‚”弢𕒀㎲𖕖 đ‘?”đ“•ƒ ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒牲閅晹éž? 襒犇 ĎŹđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆%$1.6< đ•’‚đ”œ† â“žčĄ’đ“˜ƒâ˜´đ•?ł đ–‰ľđ”œ†

HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

image 61.1 x 64.1 cm. (24 x 25 1â „4 in.) sheet 67 x 69.8 cm. (26 3â „8 x 27 1â „ 2 in.)

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Private Collection, Copenhagen ∑

201. Banksy

202. Ole Wanscher

1903-1985

Extendable dining table and set of four chairs

b. 1974

Morons numbered ‘412/500’ with publisher’s blindstamp lower left screenprint in colours on Arches 88 paper image 50.8 x 70.8 cm. (20 x 277⠄8 in.) sheet 56.5 x 75.8 cm. (221⠄4 x 297⠄8 in.) Published by Pictures on Walls, London in 2006, this work is number 412 from an unsigned edition of 500 (there was also a signed edition of 150), accompanied by a certificate of authenticity issued by Pest Control.

Brazilian rosewood-veneered wood, Brazilian rosewood, leather, pine dining table 73.5 x 99.6 x 100 cm. (28 7â „8 x 39 1â „4 x 39 3â „8 in.) each chair 86.5 x 50 x 53 cm. (34 x 19 5â „8 x 20 7â „8 in.) Designed 1956-1962. Executed by master cabinetmaker A.J. Iversen, Copenhagen, Denmark. Underside of table and each chair with manufacturer’s label printed Snedkermester/A. J. Iversen/ København.

đ’œ‰đĄ…—ă† đĄ–ƒđŠ‘ĽSđ Œ„đľ ?

𦡩đ‘ˆ¤đ ”‡

𔙉�ټ𴥅�

炔𕉊đ“?¨đ“•“đ–‰ƒç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” đ‘€¸âŒŞ 𕑳ӎ鼸 3LFWXUHV RQ :DOOV đ ˆ„ ㅰⓞ襒牲đ?”?đ•’€ 襒ć?€đ“˘‡đ” †đ‘„’đ?š€đ“ ‚ 襒牲閅晹éž? 襒 é–…đ”?˜đ—š€đ•’€ 襒𓢇𔠆𑄒đ?š€đ“ ‚襒 犇Ϗđ?Œą 3HVW &RQWURO đ?’–𖉚đ“?˛đ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆 â“žčĄ’đ“˜ƒâ˜´đ•?ł đ–‰ľđ”œ†

HK$ 100,000-150,000 US$ 12,800-19,200 scan for more on this lot Philllips

ç‚”đ‘™łđ•„ƒđ“˜ˆéˆ‡đ–ˆ¤đ‘ ¸đ“Ľˆăœ¤đ‘™ŁčŚ‘đ•Šˆç‚• ≝𔕊đ??€𢥤𔄢ㅄđ ?ƒă‚ŽčĄ‘ ≝𔕊đ??€𢥤𔄢ㅄ ㊌đ?Ž đ“Ľ“ă…„ é–…đ–‰šđ’Ś…đ ˆ„ ă…°đ••‚đ•?‘ç‰˛ĎŹđ•‘łéœśđ˘Ą€đ??łâŒŞđ?–†đ?Ž‘ă…„đ‘‰ąăƒƒă•—$ - čž”đ?Œ‡đ“•…đ•€?đ•š˜ç ľ đ‘œ?𖄕犆6QHGNHUPHVWHU $ - ,YHUVHQ .¢EHQKDYQ牨đ•?łđ ˆ„éˆ‡đ–ˆ¤đ‘ ¸ă‚‡ăœ¤ đ•Šˆđ–‰ƒâ˜ťé†“ĺ” đ? ‰

HK$ 60,000-80,000 US$ 7,700-10,300

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Private Collection, Copenhagen ∑

203. Ole Wanscher

1903-1985

Property from a Private Collection, Copenhagen ∑

204. Ole Wanscher

1903-1985

Small cabinet

Low table

Brazilian rosewood-veneered wood, Brazilian rosewood, mahogany, brass 86.8 x 80 x 31 cm. (34 1â „8 x 31 1â „2 x 12 1â „4 in.) Designed circa 1954. Executed by master cabinetmaker A.J. Iversen, Copenhagen, Denmark. Reverse with manufacturer’s label printed Snedkermester/A. J. Iversen/København.

Brazilian rosewood-veneered wood, Brazilian rosewood 51.8 x 95.5 x 48.5 cm. (20 3â „8 x 37 5â „8 x 19 1â „8 in.) Designed 1957. Executed by master cabinetmaker A.J. Iversen, Copenhagen, Denmark. Underside with manufacturer’s label printed Snedkermester/A. J. Iversen/København.

đ’œ‰đĄ…—ă† đĄ–ƒđŠ‘ĽSđ Œ„đľ ?

đ’œ‰đĄ…—ă† đĄ–ƒđŠ‘ĽSđ Œ„đľ ?

𔙉�ټ𴥅�

𔙉�ټ𴥅�

ç‚”×‚đ”•Ąĺ™ ç‚• ≝𔕊đ??€𢥤𔄢ㅄđ ?ƒă‚ŽčĄ‘ ≝𔕊đ??€𢥤𔄢ㅄ đ‘€™đ?˘€đ”˘˜ă…„ đ˜?š é–…đ–‰šđ’Ś…đ‘€˜đ ˆ„ ă…°đ••‚đ•?‘ç‰˛ĎŹđ•‘łéœśđ˘Ą€đ??łâŒŞđ?–†đ?Ž‘ă…„đ‘‰ąăƒƒă•—$ - čž”đ?Œ‡đ“•…đ•€?đ•š˜ç ľ đ‘œ?𖄕犆6QHGNHUPHVWHU $ - ,YHUVHQ .¢EHQKDYQ đ•?łđ ˆ„đ–‰šđ’Ś…â˜ťé†“ĺ” đ? ‰

HK$ 35,000-45,000 US$ 4,500-5,800

HK$ 30,000-50,000 US$ 3,800-6,400

scan for more on this lot Philllips

ç‚”đ‘™ˇăš‰čž“đ–ˆ¤ç‚• ≝𔕊đ??€𢥤𔄢ㅄđ ?ƒă‚ŽčĄ‘ ≝𔕊đ??€𢥤𔄢ㅄ é–…đ–‰šđ’Ś…đ ˆ„ ă…°đ••‚đ•?‘ç‰˛ĎŹđ•‘łéœśđ˘Ą€đ??łâŒŞđ?–†đ?Ž‘ă…„đ‘‰ąăƒƒă•—$ - čž”đ?Œ‡đ“•…đ•€?đ•š˜ç ľ đ‘œ?𖄕犆6QHGNHUPHVWHU $ - ,YHUVHQ .¢EHQKDYQ đ•?łđ ˆ„đ–‰šđ’Ś…â˜ťé†“ĺ” đ? ‰

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

205. Maria Taniguchi

b. 1981

206. Richard Lin

1933-2011

Untitled

Painting

acrylic on canvas 228.5 x 113 cm. (89 7â „8 x 44 1â „2 in.) Painted in 2014.

signed and dated ‘LIN 1964’ on the reverse; further signed and dated ‘RICHARD LIN 1964’ on the stretcher oil and aluminium on canvas 127 x 76 cm. (50 x 29 7⠄8 in.) Executed in 1964.

𸞠〥𧂀ń†˘‰ ç‚”ć?€đ ”¨ç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚

đĄŒ¤đ”‘Ąđ•˘— ç‚”đ‘œšâ…šç‚• đ•‘ˇéˆ„ đ˜–‘ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆/,1 牨⅚茑牊 5,&+$5' /,1 ‍ đ‘œ”פ‏

HK$ 160,000-260,000 US$ 20,500-33,300

HK$ 1,400,000-2,500,000 US$ 179,000-321,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

207. Richard Lin

1933-2011

208. Richard Lin

1933-2011

Sun Moon Series

Flow-2

signed and dated ‘Lin Showyu 1958’ on the overlap oil on canvas 50 x 40 cm. (19 5⠄8 x 15 3⠄4 in.) Painted in 1958.

signed and dated ‘Linshow yu 1959’ lower right oil on paper 50.8 x 63.5 cm. (20 x 25 in.) Painted in 1959.

đĄŒ¤đ”‘Ąđ•˘—

đĄŒ¤đ”‘Ąđ•˘— 炔𓎕𕙖𔚓đ’ ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆/LQ 6KRZ\X â…šé†?đ—š…đ‘?™

HK$ 100,000-250,000 US$ 12,800-32,100

HK$ 200,000-400,000 US$ 25,600-51,300

scan for more on this lot Philllips

炔𒂙 ç‚• đ•‘ˇéˆ„ đ‘€¸âŒŞ ㅰ𖉚 đ‘œ?𖄕犆/LQVKRZ \X ç‰¨đ•’‚đ”œ†ç‰Š

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from the Cecile Tang Shu Shuen Collection Đ–

209. Liu Kuo-Sung

b. 1932

210. Hsiao Chin

b. 1935

Moon’s Metamorphosis

Flying Dragon

signed, dated and stamped with the artist’s seal ‘Liu Kuo-Sung 1971 [in Chinese]’ lower right ink and colour on paper 100 x 72.5 cm. (39 3⠄8 x 28 1⠄2 in.) Executed in 1971.

titled ‘“Flying Dragon [in Chinese]�’ lower left; further signed, dated and stamped with the artist’s seal ‘Hsiao [in Pinyin] Chin 1983 [in Chinese]’ lower right ink on cloth 133 x 232 cm. (52 3⠄8 x 91 3⠄8 in.) Painted in 1983.

đ‘?„𓙠𥊠炔𕙖𖀖𔉡𖅣炕 𓤌ㄹ đ••‚đ“•ƒ đ‘€¸âŒŞ ㅰ𖉚 đ‘œ?đ–„•çŠ†á™ ŕ¤Œđ“Ľ“ đ•‰Šđ‘‘šđ“€Ľđ•‰Šç‰¨đ•’‚đ”œ†ç‰Š

đ’?šđĄ Ąđ§„˛đ Œ„đľ ?

𾖠𑢕 ç‚”đ œ’đŁ€’ç‚• 𓤌ㄹ é†? ㅰ𖉚 đ‘œ?đ–„• ç‚”đ œ’đŁ€’ç‚• đ–‰ľđ”œ† +VLDR ㎚ 𕉊𑑚≚đ“?ľ đ•’‚đ”œ†

HK$ 600,000-800,000 US$ 76,900-103,000

HK$ 400,000-600,000 US$ 51,300-76,900 scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

211. Hsiao Chin

212. Takeo Yamaguchi

b. 1935

1902-1983

Quest

Ki

titled ‘“Quest [in Chinese]�’ lower left; further signed and dated ‘Hsiao [in Pinyin] Chin [in Chinese] 62’ lower right; further signed and dated ‘HSIAO CHIN [in Pinyin and Chinese] 1962’ on the stretcher acrylic on canvas 60 x 70 cm. (23 5⠄8 x 27 1⠄2 in.) Painted in 1962.

signed, titled and dated ‘“Ki� November 1968 Takeo Yamaguchi [in Kanji]’ on the reverse oil on board 53.1 x 45.5 cm. (20 7⠄8 x 17 7⠄8 in.) Painted in November 1968, this work is accompanied by a certificate of authenticity signed by Takeo Yamaguchi Artwork Registration Association.

𾖠𑢕

đ–Œąă€Ąń‚Ľ„𧑳

炔𕠰đ“?Šç‚• â˜´đ‘™ľđ’€˜ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆 炔𕠰đ“?Šç‚• đ–‰ľđ”œ†ç‰Š +VLDR ㎚ đ•’‚đ”œ† +6,$2 &+,1 đ“œˆăŽš ç‰¨â€Ťđ‘œ”פ‏牊 HK$ 65,000-100,000 US$ 8,300-12,800

HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot Philllips

ç‚”đ˜„‚ç‚• 𕑡⅚ ㅄ襑 ă…° 𕙖𖉚牲Ϗđ?Œąđ“•Ąđ‘š?𙔊ㅖ𖉚𒌅é?ąđ˜™—đ”’—ἣäŚ‚đ ‘°čœąđ–€– đ•œ§đ–„€äĽśç ľ đ‘œ?𖄕犆 ç‚”đ˜„‚ç‚•đ•‰Šđ‘‘šđ’„ â‰šă…°đ“œśđ•‰Šđ•™– đ“•Ąđ‘š?𙔊ㅖ ⅚茑

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from an Important Private French Collection

214. Chu Teh-Chun

1920-2014

Serin

213. Tadaaki Kuwayama

b. 1932

Untitled signed and dated ‘Tadaaki Kuwayama ‘68’ on the reverse acrylic on canvas with chrome strip 226 x 86.3 cm. (88 7⠄8 x 33 7⠄8 in.) Executed in 1968.

ń ?‚đˇ•–đŁš đ“™ đŠ‘ĽSđ Œ„đľ ?

𥅣𗢆𲎒

đĄ˜Śđ–Œąđ—Ľ?𠚀 ç‚”ć?€đ ”¨ç‚• â˜´đ‘™ľđ’€˜ đ˜?Šă•Ľ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆7DGDDNL .XZD\DPD炆 ⅚茑

HK$ 450,000-650,000 US$ 57,700-83,300

ç‚”6HULQç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚牲Ϗđ?Œąđ•‘łđ– ¸é?Śđ“?¨đ“€¤đ–‰ƒ餾đ‘‘˜đ•ĄĄđ’ž†đ“?“𔀠đ?š€đ“ ‚đ–€–輾đ–„€äĽśç ľ 牨𖔂𒠙𕑳𖠸 é?Śđ“?¨đ?ĽĄđ‘Œ˛äŚ‚đ‘ ¸é¤ľđ‘‘˜đ•ĄĄđ’ž†đ“?“đ”…§đ?” ç ľç‰Š đ‘œ?đ–„• đ– ¸é?Śđ“?¨ &+8 7(+ &+81 đ•’‚đ”œ† ç‚”6HULQç‚•&+8 7(+ &+81 đ– ¸é?Śđ“?¨ ⅚茑

HK$ 3,000,000-5,000,000 US$ 385,000-641,000

scan for more on this lot Philllips

signed and dated ‘CHU TEH-CHUN [in Chinese and Pinyin] 90’ lower right; further signed, titled and dated ‘“Serin� CHU TEHCHUN [in Pinyin and Chinese] 1990’ on the reverse oil on canvas 162 x 130 cm. (63 3⠄4 x 51 1⠄8 in.) Painted in 1990, this work is accompanied by a certificate of authenticity signed by the artist’s wife, Chu Ching-Chao. (Information provided by Fondation Chu Teh-Chun and Mrs Chu Ching-Chao.)

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from an Important Private European Collection

215. Georges Mathieu

1921-2012

Property from an Important Private European Collection

216. Georges Mathieu

1921-2012

Aveux Obscurs

Calvaire Vain

signed ‘Mathieu’ lower left; further titled “Aveux Obscursâ€? on the stretcher alkyd on canvas 97.5 x 130.7 cm. (38 3â „8 x 51 1â „2 in.) Executed in 1989-1990, this work is accompanied by a certificate of authenticity GM80033 issued by the ComitĂŠ Georges Mathieu.

signed ‘Mathieu’ lower right; further titled “CALVAIRE VAINâ€? on the stretcher oil on canvas 100 x 81 cm. (39 3â „8 x 31 7â „8 in.) Painted in 1987-1991, this work is accompanied by a certificate of authenticity issued by the ComitĂŠ Georges Mathieu.

ń ?‚𡕖𣀀𣠢đŠ‘ĽSđ Œ„đľ ?

ń ?‚𡕖𣀀𣠢đŠ‘ĽSđ Œ„đľ ?

đ“€¸đŁ™ƒŮĽń„ §đ?–ˆ

đ“€¸đŁ™ƒŮĽń„ §đ?–ˆ 炔𙤤đ?¤´é?¨đ–‰„⊅炕 ╢𓼡 â…šé†? ㅰ𖉚牲Ϗđ?Œąâ‚‚đ– ˆç śđĄ •đ”¤¤đ”’—ἣäŚ‚đ”€ čœąđ–€–輾đ–„€伜 đ‘?¤đ”‚’ *0 ç ľ đ‘œ?𖄕犆0DWKLHX牨⅚茑牊 ç‚” $YHX[ 2EVFXUVç‚• ç‰¨â€Ťđ‘œ”פ‏牊 HK$ 1,200,000-2,200,000 US$ 154,000-282,000 scan for more on this lot Philllips

ç‚”đ”ŒĄáœ–é?¨đ’–‡đ™Ľ”ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚牲Ϗđ?Œąâ‚‚đ– ˆç śđĄ •đ”¤¤đ”’—ἣäŚ‚đ”€ čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆0DWKLHX牨⅚茑牊 ç‚”&$/9$,5( 9$,1ç‚• ç‰¨â€Ťđ‘œ”פ‏牊 HK$ 650,000-850,000 US$ 83,300-109,000

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

217. LĂŠonard-Tsuguharu Foujita

1886-1968

218. Fernando Botero

b. 1932

Portrait de Kiki

Donna Sdraiata

signed and dated ‘Tsuguharu [in Kanji] Foujita 1925’ centre right oil on canvas 32.5 x 23.7 cm. (12 3⠄4 x 9 3⠄8 in.) Painted in 1925, this work is accompanied by a certificate of authenticity issued by Sylvie Buisson.

incised with the artist’s signature and number ‘Botero 4/6’ on the base bronze 30 x 53 x 28 cm. (11 3⠄4 x 20 7⠄8 x 9 in.) Executed in 2001, this work is number 4 from an edition of 6.

đš€“đŚ†‡đ’‚˜đ””—vđ’„„đŚŠ”đ˛Œľ

đľĄ—đ§‘Śđ“„¸đŁ™ƒ ç‚”đ™Œ™đ™Œ™đ”ĄŚđ”?“ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚牲Ϗđ?Œą6\OYLH %XLVVRQđ”€ čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?đ–„•çŠ†đ“Ľ‡đ– ˆ )RXMLWD đ•’‚đ– ?

HK$ 1,200,000-1,800,000 US$ 154,000-231,000

scan for more on this lot Philllips

ç‚”đ”…ƒđ–‚?é?¨đ’ž†đ“Ž…ç‚• đ˜?šé “ ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? 襒 ç ľ đ‘œ?đ–„• %RWHUR đ•?łđ ˆ„â˜ťé†“

HK$ 1,800,000-2,800,000 US$ 231,000-359,000

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from a Private Copenhagen Collection ∑

219. Paolo Buffa

1903-1970

220. Frits Henningsen

1889-1965

Rare sideboard

Pair of armchairs

Brazilian rosewood-veneered wood, Brazilian rosewood, sapele-veneered wood, sapele, brass 99 x 160 x 53 cm. (38 7â „8 x 62 7â „8 x 20 7â „8 in.) Produced 1930s. Possibly manufactured by Serafino Arrighi, CantĂš, Italy. Together with a certificate of expertise from the Paolo Buffa Archive.

mahogany, cane, leather each 86.5 x 59 x 67 cm. (34 x 23 1â „4 x 26 3â „8 in.) Designed 1931. Executed by master cabinetmaker Frits Henningsen, Copenhagen, Denmark. Underside of one impressed 1898.

đ’œ‰đĄ…—ă† đĄ–ƒđŠ‘ĽSđ Œ„đľ ?

đ?•Łđ˛Œľv𗄆đŁš

đ—––ń ? đ´Œ¨v+đ–‚”đĄ˘ˆ

ç‚”đ?š™đ•’€đ—š…đ–ˆ¤ç‚• ≝𔕊đ??€𢥤𔄢ㅄđ ?ƒă‚ŽčĄ‘ ≝𔕊đ??€𢥤𔄢ㅄ đ“•‘é€’đ’€˜ă…„đ ?ƒă‚ŽčĄ‘ đ“•‘é€’đ’€˜ă…„ 𢥤đ˜?š é–…đ–‰šđ’Ś…đ ˆ„ ă…°Ăşđ•€?đ–‰šç‰˛đ‘™łă…˘đ•‘łđ‘Ľłé˜Ľđ‘¤“đ‘™?ग 6HUDĂ QR $UULJKLđ•€?đ•š˜ç‰˛ĎŹđ?ŒąčĽľđ‘Ľˆç śé†?Ă–đ””˜â€˜าđ–€–輾đ–„€äĽśç ľ HK$ 30,000-50,000 US$ 3,800-6,400

scan for more on this lot Philllips

ç‚”đ?†˜đ“?śđ•Šˆđ•‰Šă†„ç‚• đ‘€™đ?˘€đ”˘˜ă…„ đ”…™ĺˆ— ㊌đ?Ž é–…đ–‰šđ’Ś…đ ˆ„ ă…°đ••‚đ•?‘ç‰˛ĎŹđ•‘łéœśđ˘Ą€đ??łâŒŞđ?–†đ?Ž‘ă…„đ‘‰ąăƒƒă•—đ?Œ‡đ‘¤ đ’Ľ™ç śđ??†ă… đ“•…đ•€?đ•š˜ç ľ đ‘œ?𖄕犆 đ•?łđ ˆ„â˜ťé†“

HK$ 30,000-50,000 US$ 3,800-6,400

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from the Liu Kang Family

221. Liu Kang

Property from the Liu Kang Family

222. Chen Wen Hsi

1911-2004

1906 - 1991

Street Scene (Cheng Hoon Teng Temple, Malacca)

A Pair of Gibbons

signed and dated ‘Kang [in Chinese] 54’ lower left oil on canvas 120 x 70 cm. (47 1⠄4 x 27 1⠄2 in.) Painted in 1954.

signed, inscribed and stamped with the artist’s seal ‘A Gift to Brother Kang, Wen Hsi [in Chinese]’ upper left; further stamped with another artist’s seal lower right ink and colour on paper, hanging scroll paper 95 x 46 cm. (37 3⠄8 x 18 1⠄8 in.) hanging scroll 200 x 58 cm. (78 3⠄4 x 22 7⠄8 in.)

đ‘?„đ™…”đ•Ś•đ–Œ˘đ Œ„đľ ? đ‘?„đ™…”đ•Ś•đ–Œ˘đ Œ„đľ ?

đ‘?„đ™…” ç‚”đ‘Œ†đ‘‘˜ 𥠕𒄠𑄗㎠𙼼𔊖 ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚 đ‘œ?đ–„• đ‘™— ç‰¨đ–‰ľđ”œ†ç‰Š

ńƒŒ‡đ ?´đ—„˜ 炔𕉊ㆄ𙔊逹𕙠炕 éˆ„ă„ą đ‘€¸âŒŞ ä?°đ—‰– đ‘œ?𖄕犆𑙗𔤖ㄆ𙔊𑊖𕤅 đ””˜đ”™ľ đ˜ˆŠđ•?ł đ””˜đ”™ľđ–€Śâ…š 𖉾𓕚 đ–‰„ăœŚé†‰đ”™´ đ•’‚đ”œ†

HK$ 280,000-480,000 US$ 35,900-61,500

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Property from the Liu Kang Family

223. Chen Wen Hsi

1906 - 1991

Chickens and Sparrows Amongst Flowers

signed, inscribed and stamped with the artist’s seal ‘Brother Kang’s Golden Wedding Anniversary, Wen Hsi [in Chinese]’ upper right; further stamped with another artist’s seal lower left ink and colour on paper, hanging scroll paper 69 x 63 cm. (27 1⠄8 x 24 3⠄4 in.) hanging scroll 200 x 69 cm. (78 3⠄4 x 27 1⠄8 in.) Executed in 1987.

224. Fernando Amorsolo

1892-1972

Harvesting Rice signed and dated ‘F. Amorsolo 1955’ lower right oil on canvas 61.5 x 86.6 cm. (24 1⠄4 x 34 1⠄8 in.) Painted in 1955.

ńƒˆŚđ´•šđą‰ƒđ˛Œľ đ‘?„đ™…”đ•Ś•đ–Œ˘đ Œ„đľ ?

ńƒŒ‡đ ?´đ—„˜ ç‚”ŮŹČ‡â€ŤŰ’â€ŹäŒ…á”ąÇ?ɒ䥒ĥ炕 éˆ„ă„ą đ‘€¸âŒŞ ä?°đ—‰– ㅰ𖉚 đ‘œ?đ–„•çŠ†đ‘™—đ”¤–ă„†đ™”Šđ‘Œ˛đ?Ľ… đ””˜đ”™ľ đ˜ˆŠđ•?ł đ™ž†đ””˜đ”™ľŕ¤—ç‰¨đ•’‚đ“•šç‰ŠçŠ‡đ•‰Šđ”¤™â…šđĄ…‰ç‰¨đ–‰ľđ”œ†ç‰Š

ç‚”đ“?ľđ?Ž€é?˘đ’‘‡ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚 đ‘œ?đ–„• ) $PRUVROR đ•’‚đ”œ†

HK$ 250,000-350,000 US$ 32,100-44,900

HK$ 100,000-150,000 US$ 12,800-19,200

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

225. Zao Wou-Ki

1920-2013

226. Zao Wou-Ki

1920-2013

Untitled

Untitled

signed and dated ‘Wou-Ki [in Chinese] ZAO 85’ lower right watercolour on paper 57 x 38 cm. (22 1⠄2 x 14 7⠄8 in.) Executed in 1985, this work is accompanied by a certificate of authenticity issued by the Fondation Zao Wou-Ki.

signed and dated ‘Wou-Ki [in Chinese] ZAO 70’ lower right; further numbered and dated ‘no. 2-70 1970’ on the reverse watercolour and gouache on paper 21 x 21 cm. (8 1⠄4 x 8 1⠄4 in.) Executed in 1970, this work is accompanied by a certificate of authenticity issued by the Fondation Zao Wou-Ki.

đšŒ°đĽ˜‚đ˘„° ç‚”ć?€đ ”¨ç‚• đ“¤Śéˆ„ đ‘€¸âŒŞ ㅰ𖉚牲Ϗđ?Œąđ–œ˘ć?€ĺ?¸đ?ĽĄđ‘Œ˛äŚ‚𔀠đ?š€čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆ć?€ĺ?¸ =$2 đ•’‚đ”œ†

HK$ 620,000-820,000 US$ 79,500-105,000

ç‚”ć?€đ ”¨ç‚• đ“¤Śéˆ„ 𓤌` đ‘€¸âŒŞ ㅰ𖉚牲Ϗđ?Œąđ–œ˘ć?€ĺ?¸đ?ĽĄđ‘Œ˛äŚ‚𔀠đ?š€čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆ć?€ĺ?¸ =$2 đ•’‚đ”œ† QR ⅚茑

HK$ 350,000-550,000 US$ 44,900-70,500

scan for more on this lot Philllips

đšŒ°đĽ˜‚đ˘„°

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

227. Sanyu

228. Sanyu

1901-1966

1901-1966

Femme assise dessinant

Les Poèmes de T’ao Tsien

signed ‘Yu [in Chinese] SANYU’ lower right ink on paper 45 x 28 cm. (17 3⠄4 x 11 in.)

signed ‘yu [in Chinese]’ along bottom edge a set of three etchings in an editioned book each etching 19.3 x 14.8 cm. (7 5⠄8 x 5 7⠄8 in.) book 33 x 25.5 x 1.2 cm. (13 x 10 x 1⠄2 in.) Executed in 1930, this work is number 181 from an edition of 306.

đ—††đŚœ° 炔𖉚⅚é?¨đ–Š€đ–ˆľđ’ž†đ–‰ƒç‚• 𓤌ㄹ đ‘€¸âŒŞ đ‘œ?đ–„• đ•”“ 6$1<8 đ•’‚đ”œ†

đ—††đŚœ° ç‚”đ”…•ćŽ•đ•˜€đ—™łç‚• 襒⅚伜‍ 𑙜đ”?Śđ?š”פ‏襒⅚ 𕉊𔅗đ?”?đ“?ľđ‘…–

ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? 襒 ç ľ đ‘œ?𖄕犆𕔓 đ ˆ„đ”œ†đ—š…đ‘?™

HK$ 200,000-300,000 US$ 25,600-38,500

HK$ 40,000-70,000 US$ 5,100-9,000

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

229. Zao Wou-Ki

1920-2013

230. Chu Teh-Chun

1920-2014

Stèle No.4 (Stone No.4)

Modèle F26 (Model F26)

signed ‘Wou-ki [in Chinese] ZAO’ lower right; further signed, numbered, incised with the fabricator’s name, date and number ‘Wou-ki [in Chinese] ZAO LA TUILERIE 89250 TREIGNY 2007 04/08 04’ on the reverse colour glazed ceramic sculpture 27.5 x 40.5 cm. (10 7⠄8 x 15 7⠄8 in.) Executed in 2007, this work is number 4 from an edition of 8, and is accompanied by a certificate of authenticity issued by the Fondation Zao Wou-Ki.

signed and dated ‘Happiness Chu Teh-Chun [in Chinese] 2005’ on the reverse; further titled, stamped with the fabricator’s name and numbered ‘F26 1/8 LA TUILERIE 89250 TREIGNY’ on the underside colour glazed ceramic sculpture 57 x 39.5 x 17.6 cm. (22 1⠄2 x 15 1⠄2 x 6 7⠄8 in.) Executed in 2005, this work is number 1 from an edition of 8.

𥅣𗢆𲎒

đšŒ°đĽ˜‚đ˘„° ç‚”đ“œˇčŚ† 𔂒炕 đ•’„ă‚Ž đ”…•é–ƒ é “đ“Ľ˛ ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? 襒牲Ϗđ?Œąđ–œ˘ć?€ĺ?¸đ?ĽĄđ‘Œ˛äŚ‚đ”€ čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆ć?€ĺ?¸ =$2 đ•’‚đ”œ† ć?€ĺ?¸ =$2 /$ 78,/(5,( 75(,*1< đ‘™śđ ˆ„čŚ‘ă‚Ž

HK$ 80,000-120,000 US$ 10,300-15,400

HK$ 80,000-120,000 US$ 10,300-15,400 scan for more on this lot Philllips

炔ㄊ𔤇 ) ç‚• đ•’„ă‚Ž đ”…•é–ƒ é “đ“Ľ˛ ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? 襒 ç ľ đ‘œ?đ–„•çŠ†ĺ’ đ– ¸é?Śđ“?¨ 茑ゎ ) /$ 78,/(5,( 75(,*1< â˜ťé†“

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

231 . Natee Utarit

b. 1970

232. Natee Utarit

b. 1970

Innocence is Overrated

Dead Duck Principle

signed, inscribed and dated ‘Natee Utarit. 12 Optimism is Ridiculous’ on the reverse oil on linen 170 x 120 cm. (66 7⠄8 x 47 1⠄4 in.) Executed in 2012, this work is accompanied by a certificate of authenticity issued by Art Seasons Gallery.

signed, titled and dated ‘Natee Utarit. 15 optimism is Ridiculous, “Dead duck Principle�’ on the reverse oil on canvas 39.5 x 49.7 cm. (15 1⠄2 x 19 5⠄8 in.) Painted in 2015.

𹆗𔂉vđ–ˆ…đ”…łđ§ – 𹆗𔂉vđ–ˆ…đ”…łđ§ – ç‚”đ”…¸đ•˘‚âŒ§đ??Ľđ?”¤đ’ •ç‚• đ•‘ˇéˆ„ 𒉾é†? ㅰ𖉚牲Ϗđ?Œąđ‘‚’đ?’‰â…šđ‘Ą˘đ”€ đ?š€čœąđ–€–輾đ–„€äĽśç ľ đ‘œ?𖄕犆1DWHH 8WDULW 2SWLPLVP LV 5LGLFXORXV ⅚茑

HK$ 80,000-120,000 US$ 10,300-15,400

HK$ 500,000-700,000 US$ 64,100-89,700

scan for more on this lot Philllips

炔𓼄đ˘?śđ•˜ľŮ?ç‚• đ•‘ˇéˆ„ â…šé†? ㅰ𖉚 đ‘œ?𖄕犆1DWHH 8WDULW RSWLPLVP LV 5LGLFXORXV ç‚”'HDG GXFN 3ULQFLSOHç‚• ⅚茑

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

233. Anne Kagioka Rigoulet

b. 1987

234. Arin Dwihartanto Sunaryo

b. 1978

Reflection h-7

Luluhlantah

signed, titled and dated ‘“Reflection h-7� Anne Kagioka 2016’ on the reverse oil and mixed media on panel 112 x 145.5 cm. (44 1⠄8 x 57 1⠄4 in.) Executed in 2016.

each signed and dated ‘Arin Dwihartanto Sunaryo DwiSunaryo ARIN 2012’ on the reverse pigmented resin and volcanic ash mounted on wooden panel, triptych 90 x 270 x 5 cm. (35 3⠄8 x 106 1⠄4 x 1 7⠄8 in.) Executed in 2012.

ń‚…Łđ–?Ąđ•¤‚đ” ?vń ? 〢đ´?š ç‚”â˜?đ•‘ˆ K ç‚• đ•‘ˇéˆ„ đ‘??đ?œŠă‚…醘 ㅄ襑 ㅰ𖉚 đ‘œ?đ–„• ç‚”5HĂ‚HFWLRQ K ç‚•$QQH .DJLRND ⅚茑

HK$ 80,000-120,000 US$ 10,300-15,400

𳼠đĄŒ¤vń€?€đą”˜ă† đ“ž?đ™ •v𾼀𹆗ń ? 𔙉 ç‚”/XOXKODQWDKç‚• đ–‚?đ“•ƒĺ”Śđ–€” đ?Ľ’đ“•Ąđ?¤˘ ㅄ襑 đ“?ľđ’†‰đ–‰š

ㅰ𖉚 đ‘œ?𖄕犆$ULQ 'ZLKDUWDQWR 6XQDU\R 'ZL6XQDU\R $5,1 ょ𑅖⅚茑

HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

235. Zheng Guogu

b. 1970

236. Lee Kit

b. 1978

Sewing for Another Two Thousand Years No. 28

Always

signed, titled and dated ‘“Sewing for Another Two Thousand Years No. 28� [in Chinese] Zheng Guogu [in Chinese and Pinyin] 2006’ on the reverse embroidery on felt 200 x 320 cm. (78 3⠄4 x 125 7⠄8 in.) Executed in 2006.

acrylic, emulsion, inkjet print on cardboard 31.5 x 35 x 3.5 cm. (12 5â „8 x 13 5â „8 x 1 1â „8 in.) Executed in 2011.

ń €¤đ“™ đ¸ž ç‚”đ•™šđ‘œ°â€Ťđ“…™׼‏ㅰ𖀖 đ“œśâ‰šç‚• é–†đ‘œ°ă łĺ˘’ ㅰ𖉚 đ‘œ?𖄕犆 炔𕙚𔤹‍𓅙׼‏ㅰ𖀖 đ“œśâ‰šç‚•đ—˘ƒŕ¤Œđ?”˛ =KHQJ *XRJX ă…° ⅚茑

đĄˆ‘đ?˘‚ 炔𕑤𗙗炕 â˜´đ‘™ľđ’€˜ đ“?•đ’•…𓀧 éˆ„đ“•ƒâˆ†ă„ą 𑀸襑 ㅰ𖉚 HK$ 40,000-60,000 US$ 5,100-7,700

HK$ 120,000-180,000 US$ 15,400-23,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

237. Cui Jie

238. Hsieh Tehching

b. 1983

b. 1950

Untitled #2

Tehching Hsieh 1978 - 1999

signed and dated ‘Cui Jie 2015’ on the reverse unique digital print and masking tape redactions on book pages (suite of 7) each 23.5 x 17.5 cm. (9 1⠄4 x 6 7⠄8 in.) Executed in 2015.

signed, numbered and dated ‘29/36 Tehching Hsieh 2013’ along the bottom edge posters and statements mounted on boards, in 6 parts statement 27.9 x 21.6 cm. (107⠄8 x 81⠄2 in.) poster 42.5 x 27.9 cm. (163⠄4 x 107⠄8 in.) board 53.3 x 63.5 cm. (207⠄8 x 25 in.) Executed in 1978-1999, this work is number 29 from an edition of 36.

đ–™„đŁ?‘ ç‚”ć?€đ ”¨ 𔂒炕 čˆ€čĄ’äœ™đ””‰đ—Œ â“ž 𑀸𒕅㕼 đ’Ś‚đ–’‘đ ˆ„伜đ ?™đ“•š 𕉊𔅗đ?”? đ‘…–

ㅰ𖉚 đ‘œ?𖄕犆&XL -LH ⅚茑

HK$ 30,000-50,000 US$ 3,800-6,400

đ¸?”đ—˘†đ˜™„ 炔𕼣é?Śä ¨ ă…°ç‚• 𖉚𒌅đ?š…┠𑠸𒆑タ đĄ† đ ˆ„čĄ‘đ“•š đ?”? đ‘…–

ㅰ牲đ?”?đ•’€ 襒牲閅晹éž? čĄ’ç ľ đ‘œ?đ–„• 7HKFKLQJ +VLHK đ ˆ„đ”œ†đ—š…đ‘?™

HK$ 300,000-500,000 US$ 38,500-64,100

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

This lot is sold with no reserve

239. Ikki Miyake

b. 1973

240. KAWS

b. 1974

No. 19 Suashi Kotoba ‘‘Perfume’’, for Chanel

Ten works: NO REPLY

wood sculpture, acrylic, cardboard and light box 157 x 46 x 58 cm. (61 3â „4 x 18 1â „8 x 22 7â „8 in.) Executed in 2007.

each signed, dated and numbered ‘15/100 KAWS.. 15’ lower left and lower right respectively screenprint each 88.9 x 58.4 cm. (35 x 23 in.) Executed in 2015, these works are number 15 from an edition of 100, and are accompanied by their original blue fabric-covered portfolio with embossed title.

饂𕢓♧𢒖 ç‚”đ”œšă…”â€Ťđ”‚’đ‘‘šđ“œś đ“¤Śđ”œš×–â€Źç‚• ă…„é “ â˜´đ‘™ľđ’€˜ 𑀸襑 楲đ”?€ ㅰ𖉚

,"84

HK$ 50,000-70,000 • US$ 6,400-9,000

đ“œśđ‘…–đ–‰šđ’Ś… ç‚”弢đ?¤¨đ?Œ ç‚• đ‘ˆ•đ‘?°čĄ’â…š ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? 襒牲Ϗđ?Œąđ•˜ľđ“??đ“Ąśđ“•ƒé†? 𖔡𑑓𔌑đ?œ°ç‰˛đ?œ°đ“•šđ•’€đ“˘‡đ” †đ‘„’đ‘ ¸đ–‰šđ’Ś…ăƒƒ<☴đ•?łç ľ đ‘œ?𖄕犆 .$:6 ă‚‡đ‘…–đ–‰ľđ‘ ¸đ•’‚đ”œ†

HK$ 400,000-600,000 US$ 51,300-76,900

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

241. Michael Lau

b. 1970

242. Michael Lau

b. 1970

Honest (Package – Change Series 03)

Thinking (What? We: Want! Series)

signed ‘Michael Lau’ lower right acrylic on canvas 152 x 152.5 cm. (59 7⠄8 x 60 in.) Painted in 2018.

signed and numbered ‘8/9 Michael Lau’ on the reverse of the stand polyurethane sculpture and cement stand sculpture 40 x 23 x 23 cm. (15 3⠄4 x 9 x 9 in.) stand 13 x 13 x 13 cm. (5 1⠄8 x 5 1⠄8 x 5 1⠄8 in.) Executed in 2019, this work is number 8 from an edition of 9.

đ‘?„𗕆đ ?´ 炔℗ǎńˆ Ł 2CEMCIG %JCPIG ኉Ç&#x;7 ‍ؼ‏Ő?Ćş Ň†Ň˜ Ĺ­Ç&#x; ĐƒÔšń‘? /KEJCGN .CW ἕĪ HK$ 160,000-240,000 US$ 20,500-30,800

đ‘?„𗕆đ ?´ ńˆ ˘á?´ÎĽńˆ Ł 9JCV! 9G 9CPVâ ኉Ç&#x;7 â‰¤ĺœĽá¸’ áˆĄă…¨Ç? ă?•ă‘’ Ĺ­Ç&#x;ńˆĽ‘Ő¤Äˆ ĚˆńˆĽ‘ˤČlj ĚˆńˆĽ? ĐƒÔšń‘? /KEJCGN .CW ĐŞÇ?ቴǚ HK$ 55,000-85,000 US$ 7,100-10,900

scan for more on this lot Philllips

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

Đ–

244. KAWS x Dior Two works: Dior BFF Plush (i) (Black); (ii) (Pink)

Š YOSHITOMO NARA

243. Yoshitomo Nara

b. 1959

Sleepless Night (Sitting) mixed media 28.7 x 10.4 x 15.2 cm. (111â „ 4 x 41â „8 x 57â „8 in.) Executed in 2007, this work is number 265 from an edition of 300, and is accompanied by a wooden certificate of authenticity signed by the artist and published by How2work, Hong Kong, all contained in the original veneer-covered wood box.

đ”–?𳤕đ˛?“đ Ąˆ ç‚”đ“œŠă‚§đ•‰§ç‰¨đ–Š€đ–ˆľç‰Šç‚• đ‘??đ?œŠă‚…醘 ㅰ𖉚牲đ?”?đ•’€ 襒牲閅𖉚晹éž? 襒牲Ϗđ?Œąđ“˘‡đ” †đ‘„’ đ?š€đ“ ‚đ’œ’+RZ ZRUNⓞ襒é?¨ă…„𖔡輾𖄀伜ç‰˛đ‘ ¸đ•˜ľđ”Ś‘ă…„đ”?€ç ľ HK$ 200,000-400,000 US$ 25,600-51,300

,"84 Y ń€?€đ”™† ‍ 𒌅𖉚𑅖׼‏炔é?šŕŞŚ %)) đ‘ˆ†ă łđ”?˘ăˆ€ç‚• L đ??€đ“•ƒ 犇 LL `đ“•ƒ

𑔠𥢗𑞂đ‘?Ś ă łđ‘ˆ† L ㅰ𖉚牲đ?”?đ•’€ 襒牲đ?Ž‰ć™ąéž? 襒犇Ϗđ?Œąđ•˜ľđ”Ś‘☴ đ‘™ľđ’€˜đ?œ°đ‘ ¸čĽľđ–„€đ‘™€ç ľ LL ㅰ𖉚牲đ?”?đ•’€ 襒牲đ?Ž‰ć™ąéž? 襒犇Ϗđ?Œąđ•˜ľđ”Ś‘☴ đ‘™ľđ’€˜đ?œ°đ‘ ¸čĽľđ–„€đ‘™€ç ľ đ‘œ?đ–„• .$:6 ょ𑅖đ”?˘ăˆ€â˜ťé†“ L LL ょ𑅖đ”?˘ăˆ€đ–‰ľđ“?śĺ” đ? ‰

HK$ 120,000-220,000 US$ 15,400-28,200

scan for more on this lot Philllips

embroidered with the artist’s name ‘KAWS..’ on the underside of each plush; further embroidered with the edition number (i) ‘294/500’ and (ii) ‘243/500’ on a fabric label affixed to each figure’s left hand polyester plush each plush 47 x 18 x 10 cm. (181⠄2 x 71⠄8 x 37⠄8 in.) each acrylic display case 55 x 30 x 24.5 cm. (215⠄8 x 11 3⠄4 x 95⠄8 in.) (i) Executed in 2019, this work is number 294 from an edition of 500 and is accompanied by an authenticity card in its original acrylic display case and sleeve. (ii) Executed in 2019, this work is number 243 from an edition of 500 and is accompanied by an authenticity card in its original acrylic display case and sleeve.

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

245. Yoshitomo Nara

b. 1959

246. Yayoi Kusama

b. 1929

WOW Project Beach Towel

Dancing Pumpkin YBL

printed with the artist’s signature, inscribed and dated ‘WORKS ON WHATEVER ARTWORK BY YOSHITOMO NARA, 2010’ on the label digital print on cotton towel 153 x 177 cm. (60 1⠄4 x 69 5⠄8 in.) Executed in 2010, this work is from an unnumbered limited edition.

signed, titled, numbered and dated ‘103/120 “Dancing Pumpkin [in Japanese] YBL� 2004 Yayoi Kusama’ along bottom edge screenprint image 39.5 x 56.3 cm. (15 1⠄2 x 22 1⠄8 in.) frame 64.6 x 79.5 cm. (25 3⠄8 x 31 1⠄4 in.) Executed in 2004, this work is number 103 from an edition of 120.

đ”–?𳤕đ˛?“đ Ąˆ ç‚”:2: đ?š…ć˜‡é˜Ľđ•˜Łđ‘ŒŠç‚• äœ™đ””‰đ•?łđ“¤” ă‚Śđ–”ˇđ•˜Łđ‘ŒŠ ㅰ𖉚牲閅𖉚晹ć?€čĄ’é–ˆäœ™đ”œ´đ’ ƒčĄ’ç ľ đ‘œ?đ–„• :25.6 21 :+$7(9(5 $57:25. %< <26+,7202 1$5$ ĺ” đ? ‰đ“•š

HK$ 8,000-12,000 US$ 1,000-1,500

ç‚”đ”†?𔕔ㅕđ?”š <%/ç‚• đ‘ˆ•đ‘?°đ•?łđ“¤” ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? čĄ’ç ľ đ‘œ?𖄕犆 ç‚”đ”†?𔕔ㅕđ?”š đ“Ž•đ””˜ <%/ç‚• <D\RL .XVDPD đ”œ†Âąđ—š…đ‘?™

HK$ 200,000-300,000 US$ 25,600-38,500

scan for more on this lot Philllips

đ´?šń‚Ś‚đ—œ đ§‘€

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

247. Jonas Wood

b. 1977

248. David Hockney

b. 1937

Green Pattern Rug

Dandelions

hand-knotted silk 274.3 x 274.3 cm. (108 x 108 in.) Executed in 2018, this work is number 18 of an edition of 30 plus 3 artist’s proofs, and is accompanied by a certificate of authenticity signed by the artist.

signed, numbered and dated ‘11/25 David Hockney 11’ along bottom edge iPad drawing printed on paper 94 x 71 cm. (37 x 27 7⠄8 in.) Executed in 2011, this work is number 11 from an edition of 25.

𓀸𹆗𠔇vđ?ˆšđ—˘†

𔕄𜌆vńƒ˜‘đ‘ˆ¤đ–‰ƒ

ç‚”đ‘?”đ“•ƒŕ¤—â‰Śâ˜źđ”„¨ç‚• đ“?śđ?’–đ‘?¤đ‘˜Ł đ‘ˆ•đ‘?– ㅰ𖉚牲đ?”?đ•’€ 襒𑠸 襒𓢇𔠆𑄒𕖗𖉚襒牲閅晹éž? 襒牲Ϗđ?Œąđ“˘‡đ” †đ‘„’𔀠đ?š€čœąđ–€–輾đ–„€äĽśç ľ HK$ 120,000-220,000 US$ 15,400-28,200

scan for more on this lot Philllips

炔𓀑đ?”ƒđ•?´ç‚• L3DGđ‘œšâ…šđ•?łđ“¤” đ‘€¸âŒŞ ㅰ𖉚牲đ?”?đ•’€ 襒牲閅晹éž? čĄ’ç ľ đ‘œ?đ–„• 'DYLG +RFNQH\ 炇 đ”œ†Âąđ—š…đ‘?™

HK$ 200,000-400,000 US$ 25,600-51,300

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

249. After Jean-Michel Basquiat

1960-1988

250. After Jean-Michel Basquiat

1960-1988

Undiscovered Genius

Dog Leg Study

screenprint in colours, on Somerset Satin paper, the full sheet. 55.9 x 76.2 cm. (22 x 30 in.) Executed in 2019, this work is number 21 from an edition of 50 plus 20 artist’s proofs, plus 5 printer’s proofs and 1 BAT proof. This screenprint bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of Jean-Michel Basquiat on the reverse as well as the stamps of the Estate of Jean-Michel Basquiat and Flatiron Editions, published by Flatiron Editions, 2019.

screenprint in colours, on Somerset Satin paper, the full sheet. 55.9 x 76.2 cm. (22 x 30 in.) Executed in 2019, this work is number 21 from an edition of 50 plus 20 artist’s proofs, plus 5 printer’s proofs and 1 BAT proof. This screenprint bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of Jean-Michel Basquiat on the reverse as well as the stamps of the Estate of Jean-Michel Basquiat and Flatiron Editions, published by Flatiron Editions, 2019.

ń€Ž?ńƒ?‰đ“œ„ 𖆑vđ°Ąśđ˘ˆ°vđ—‚„đ ”‡đ”–ˆ ç‚”đ””‚âŒ§čœąâ ľé?¨đ”…¸é†™ç‚• éˆ„đ“•ƒđ‘ˆ•đ‘?°čĄ’â…š đ“Ś™đĄ •đ–•–đ”…˜đ‘?”ゎ𑀸 đ“?“đ™•ˆ ㅰ𖉚牲閅𖉚đ?”?đ•’€ 襒牲閅晹éž? 襒牲𒂉𕒀 襒𓢇 đ” †đ‘„’čĄ’ç ´ 襒đ•?łÂżčĄ’đ?œ§ čĄ’đ•–—đ–‰ščĄ’ç ľđ•‘łđ–‰šđ’Ś…čŚ‘ă‚Žđ‘”…â‰ťđ“¤ˇđ“€˛ Ќ𗙾蔨đ?•’𑢙䌂𖀖đ?•’𑢙𓎅 /LVDQH %DVTXLDW đ‘ ¸ -HDQLQH +HULYHDX[ đ?š€ăƒƒç‰˛đ?œ§đ—™ľč”¨đ?•’𑢙䌂𑠸 )ODWLURQ â“žčĄ’đ“˜ƒđ–€– đ˜Ž”đ•?łç‰˛đ•‘ł)ODWLURQ â“žčĄ’đ“˜ƒđ ˆ„ ă…°â“žčĄ’ç ľ

HK$ 100,000-200,000 US$ 12,800-25,600

HK$ 100,000-200,000 US$ 12,800-25,600

scan for more on this lot Philllips

ń€Ž?ńƒ?‰đ“œ„ 𖆑vđ°Ąśđ˘ˆ°vđ—‚„đ ”‡đ”–ˆ ç‚”đ?”•đ”Œ˛ 𒀠𖉚 ç‚• éˆ„đ“•ƒđ‘ˆ•đ‘?°čĄ’â…š đ“Ś™đĄ •đ–•–đ”…˜đ‘?”ゎ𑀸 đ“?“đ™•ˆ ㅰ𖉚牲閅𖉚đ?”?đ•’€ 襒牲閅晹éž? 襒牲𒂉𕒀 襒𓢇 đ” †đ‘„’čĄ’ç ´ 襒đ•?łÂżčĄ’đ?œ§ čĄ’đ•–—đ–‰ščĄ’ç ľđ•‘łđ–‰šđ’Ś…čŚ‘ă‚Žđ‘”…â‰ťđ“¤ˇđ“€˛ Ќ𗙾蔨đ?•’𑢙䌂𖀖đ?•’𑢙𓎅 /LVDQH %DVTXLDW đ‘ ¸ -HDQLQH +HULYHDX[ đ?š€ăƒƒç‰˛đ?œ§đ—™ľč”¨đ?•’𑢙䌂𑠸 )ODWLURQ â“žčĄ’đ“˜ƒđ–€– đ˜Ž”đ•?łç‰˛đ•‘ł)ODWLURQ â“žčĄ’đ“˜ƒđ ˆ„ ă…°â“žčĄ’ç ľ

scan for more on this lot Poly auction WeChat

Philllips

Poly auction WeChat

MATTHEW WONG’S ONE FINE DAY COPYRIGHT © 2017 MONITA K.Y. CHENG

Sale Information Auction & Viewing Location JW Marriott Hotel Hong Kong 88 Queensway, Admiralty, Hong Kong Auction Evening Sale: Thursday, 3 December, 7pm (lots 1–32) Day Sale: Friday, 4 December, 11am (lots 101–250) Please register to bid online, absentee or by phone. Viewing 26 November–3 December Thursday–Thursday 10am–7pm Sale Designation When sending in written bids or making enquiries please refer to these sales as HK010320 or 20th Century & Contemporary Art Evening Sale, or HK010420 or 20th Century & Contemporary Art & Design Day Sale. Absentee and Telephone Bids tel +852 2318 2029 fax +852 2318 2010 bidshongkong@phillips.com

Head of Department Isaure de Viel Castel +852 2318 2011 isauredevielcastel@phillips.com Senior Specialist, Asia Lihua Tung +852 2318 2052 lihuatung@phillips.com Head of Evening Sale Charlotte Raybaud +852 2318 2026 charlotteraybaud@phillips.com Head of Day Sale Danielle So +852 2318 2027 danielleso@phillips.com Head of Online Sales, Hong Kong Delissa Putri Handoko +852 2318 2013 delissahandoko@phillips.com Senior Administrator, Cataloguer Marian Ang +852 2318 2024 marianang@phillips.com Administrator Katy Li +852 2318 2025 katyli@phillips.com Cataloguer, Administrator Anastasia Salnikow +852 2318 2014 anastasiasalnikow@phillips.com

Auctioneer Jonathan Crockett Photographers Alan Shaffer Alessandro Zambianchi Alex Braun Arnold Lee Barrett Langlinais Carol Winkel Charlie Sheldon Etta Kwok Huang Wei Lin Yu Shyang Michiel Elsevier Stokmans Peter Lee Samara Ash Sang Tae Kim Studio S Special Thanks Celine Liu Laura McKeown Maximilian Baur Xing Zhao Zoe Chiu Catalogues catalogues@phillips.com HKD400/$50/€35/50CHF +852 2318 2000 Client Accounting clientaccountslondon@phillips.com +852 2318 2000 Client Services 14/F St. George's Building 2 Ice House Street Central Hong Kong +852 2318 2000 Shipping Christine Cheung +852 2318 2017 christinecheung@phillips.com

Front Covers Lot 5, Yoshitomo Nara, Hothouse Doll, 1995

Back Covers Lot 4, Matthew Wong, River at Dusk, 2018

© Yoshitomo Nara

Matthew Wong’s River at Dusk Copyright © 2018 Monita K.Y. Cheng

Lot 7, Jean-Michel Basquiat, Ancient Scientist, 1984

Lot 6, Yoshitomo Nara, Untitled, 2007 (detail)

© The Estate of Jean-Michel Basquiat/ ADAGP, Paris/ARS, New York 2020

© Yoshitomo Nara

Phillips 20th Century & Contemporary Art New York Scott Nussbaum

Takako Nagasawa

Rachel Adler Rosan

Kevie Yang

Amanda Lo Iacono

John McCord

Head of Department

International Specialist

Head of Appraisals

Senior Specialist

Head of Auctions

Head of Day Sale, Morning

+1 212 940 1354 snussbaum@phillips.com

+1 212 940 1353 tnagasawa@phillips.com

+1 212 940 1333 radlerrosan@phillips.com

+1 212 940 1254 kyang@phillips.com

+1 212 940 1278 aloiacono@phillips.com

+1 212 940 1261 jmccord@phillips.com

Rebekah Bowling

Katherine Lukacher

Jeannette van Campenhout

Annie Dolan

Patrizia Koenig

Carolyn Mayer

Head of Day Sale, Afternoon

Head of Online Sales

Head of Latin American Art

Associate Head of Day Sales

Associate Specialist

Cataloguer

+1 212 940 1250 rbowling@phillips.com

+1 212 940 1215 klukacher@phillips.com

+1 212 940 1391 jvancampenhout@phillips.com

+1 212 940 1288 adolan@phillips.com

+1 212 940 1279 pkoenig@phillips.com

+1 212 940 1206 cmayer@phillips.com

Avery Semjen

Brittany Jones

Cataloguer

Researcher/Writer

+1 212 940 1207 asemjen@phillips.com

+1 212 940 1255 bjones@phillips.com

Matt Langton

Henry Highley

Rosanna WidĂŠn

Kate Bryan

Senior Specialist

Senior Specialist

Senior Specialist

Head of Evening Sale

+44 20 7318 4074 mlangton@phillips.com

+44 20 7318 4061 hhighley@phillips.com

+44 20 7318 4060 rwiden@phillips.com

+44 20 7318 4050 kbryan@phillips.com

London Olivia Thornton Head of 20th Century & Contemporary Art, Europe

Nathalie Zaquin-Boulakia Senior International Specialist

+44 20 7318 4099 othornton@phillips.com

+44 20 7901 7931 nzaquin-boulakia@phillips.com

Tamila Kerimova

Simon Tovey

Charlotte Gibbs

Louise Simpson

Kathy Lin

Olivia Taylor

Head of Day Sale

Head of New Now Sale

Head of Online Sales, London

Cataloguer

Cataloguer

Cataloguer

+44 20 7318 4065 tkerimova@phillips.com

+44 20 7318 4084 stovey@phillips.com

+44 20 7901 7993 cgibbs@phillips.com

+44 20 7901 7911 lsimpson@phillips.com

+44 20 7318 4093 klin@phillips.com

+44 20 7318 4082 otaylor@phillips.com

Judith Lamb

Clara Krzentowski

Maria Vittoria Raiola

Cataloguer

Researcher/Writer

Researcher

+44 20 7901 7995 jlamb@phillips.com

+44 20 7318 4064 ckrzentowski@phillips.com

+44 20 7901 2927 mvraiola@phillips.com

Phillips International Specialists & Regional Directors Asia Kyoko Hattori

Jane Yoon

Yeonah Lim

Wenjia Zhang

Alicia Zhang

Yolanda Zeng

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, China

Associate Regional Representative, Shanghai

Associate Regional Representative, Shanghai

+86 139 1828 6589 aliciazhang@phillips.com

+86 132 6290 0120 yolandazeng@phillips.com

+81 90 2245 6678 khattori@phillips.com

+82 10 7389 7714 jyy@phillips.com

+82 2 797 8001 ylim@phillips.com

+86 13911651725 wenjiazhang@phillips.com

Cindy Yen

Meiling Lee

Christine Fernando

Sandy Ma

Vivi Yip

Rika Dila

General Manager, Taiwan

International Specialist, Taiwan

Senior Consultant, Thailand

+886 908 876 669 mlee@phillips.com

International Specialist, South East Asia

Senior Consultant, Indonesia

+886 2 2758 5505 cyen@phillips.com

Associate Regional Representative, Singapore +65 9128 6277 christinefernando@phillips.com

+852 2318 2025 sma@phillips.com

+62 8111 220 824 viviyip@phillips.com

+66 81 818 6878 rdila@phillips.com

Americas Cândida SodrÊ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, Miami

+55 21 999 817 442 csodre@phillips.com

+1 773 230 9192 cehlers@phillips.com

+1 310 922 2841 lauren.peterson@phillips.com

+1 917 657 7193 mdekoning@phillips.com

+1 323 383 3266 bkoh@phillips.com

+1 917 583 4983 vgarcia@phillips.com

Cecilia Laffan

Maura Smith

Silvia Coxe Waltner

Sophia Kinell

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

Regional Representative, San Francisco

+52 1 55 5413 9468 claffan@phillips.com

+1 508 642 2579 maurasmith@phillips.com

+1 206 604 6695 scwaltner@phillips.com

+1 650 799 7931 sophia.kinell@phillips.com

Laurence Calmels

Clara Rivollet

Laurence Barret-Cavy

Elie Massaoutis

Thibault Stockmann

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

Head of Design, France, Senior International Specialist

Dr. Nathalie Monbaron

+33 153 71 77 89 lbarret-cavy@phillips.com

+33 7 86 34 53 15 emassaoutis@phillips.com

International Specialist, 20th Century & Contemporary Art, France

Europe

+33 1 53 71 77 87 lcalmels@phillips.com

+33 6 42 09 97 39 crivollet@phillips.com

+33 601 888 749 tstockmann@phillips.com

Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Dr. Alice Trier

Tobias Sirtl

Carolina Lanfranchi

Margherita Solaini

Maura Marvao

Kalista Fenina

Specialist, 20th Century & Contemporary Art, Germany

Specialist, 20th Century & Contemporary Art, Germany

Associate Specialist, 20th Century & Contemporary Art, Italy

+49 151 4192 6447 tsirtl@phillips.com

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

+49 173 25 111 69 atrier@phillips.com

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

Kirsten MacDonald

Lori Spector

Regional Director, Scandinavia

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Zurich

+45 2010 2111 kmacdonald@phillips.com

+39 338 924 1720 clanfranchi@phillips.com

+39 340 369 5226 msolaini@phillips.com

+41 76 259 30 39 lspector@phillips.com

Our team is comprised of experts from auction houses, museums, galleries and other leading arts institutions. In addition to auctions in our New York, London, Hong Kong and Geneva salerooms, Phillips holds private sales and curated selling exhibitions across all of our categories around the world. Our range of services includes appraisals for private clients, advisors, attorneys and other key fiduciaries, and our dedicated Trusts, Estates & Valuations team provides complimentary reviews of collections.

+351 917 564 427 mmarvao@phillips.com

+7 905 741 15 15 kfenina@phillips.com

Phillips Business Development

Americas Vivian Pfeiffer Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeiffer@phillips.com

Client Advisory

Asia

Middle East & South Asia

Iori Endo

Yassaman Ali

Senior Client Advisor

Client Advisory Director

+44 20 7318 4039 iendo@phillips.com

+44 20 7318 4056 yali@phillips.com

Americas Philae Knight Client Advisory Director +1 212 940 1313 pknight@phillips.com

Europe Giulia Campaner Mendes Client Advisor +44 20 7318 4058 gcampaner@phillips.com

Laurent Taevernier Client Liaison Coordinator +32 32 573026 ltaevernier@phillips.com

Trusts, Estates & Valuations

Americas Jennifer Jones

Laura Wenger

Senior Vice President, Director of Trusts, Estates & Valuations

Associate Vice President Account Manager Trusts, Estates & Valuations

+1 212 940 1272 jjones@phillips.com

+1 212 940 1302 lwenger@phillips.com

Poly Auction Worldwide Offices

Asia Poly Auction Hong Kong Limited Suites 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong

Ě? Đ’⠼ѸŐ?ÄˆŐƒČ“ŃŁ ̇ҙƅ ̜ƖֿЗ*Ä‚Ç? Ö› +852 23039899 +852 23039888 (fax) sale@polyauction.com.hk

+852 2303 9899 +852 2303 9888 (fax) sale@polyauction.com.hk

Poly Auction Macau Limited

Ě? ă•ŚÉ&#x;ѸŐ?ÄˆŐƒČ“ŃŁ

Alameda Dr. Carlos D’Assumpção n°s 336, Centro Comercial Cheng Feng 16 Andar G, Macau Contact Person: Miu Cheang

ă•ŚÉ&#x;äŒ“â•™Ĺ€Đ—* Ěś â„—â„˛áŠ„Ë ÄĄÄˇ Ö›)Ç? áŒ€ŕĽŠÄ‰ ă?‘≢䄗

+853 2875 1013 +853 2875 1014 (fax)

Poly Auction International (Xiamen) Co Ltd 86-3, Bailuzhou East Road, Xiamen Contact Person: Feibai Zheng

Ě? ă„‘É&#x; Ĺ™á˜¤Ń¸Ő? ÄˆŐƒČ“ŃŁ ă„‘É&#x;̤ 煴ि

Ěś

+86 592 220 9995 +86 592 532 0009 (fax)

+86 0592 5069988 +86 0592 5320009 (Fax) sale@polyauction.com.hk

Poly Auction International (Shandong) Co Ltd

Ě? Ĺ™á˜¤Ń¸Ő? ÄˆŐƒČ“ŃŁ

+86 536 8392111 +86 536 8392009 (fax)

¤ ἑ整䕑̤ç?§ÇŠŇžá?ĽC ‍ ى‏ ̜їʞ Î?̤Đ—* ĚśÖ› Ö›

+853 2875 1013 +853 2875 1014 (fax)

+86 0536 8392111 +86 0536 8392009 (Fax)

Poly Auction Hong Kong Limited Taiwan Office

Ě? Đ’⠼ѸŐ?ÄˆŐƒČ“ŃŁ Ń„â„´ ĚŒ

Poly Yiwu Art Development Co Ltd

Ě? ‍׼‏⠥á?Śá”ĽĹŁá?Ł ÄˆŐƒČ“ŃŁ

10/F, No. 6, Lane 39, Section 2, Zhongshan North Road, Zhongzheng District, Taipei City 100, Taiwan Contact Person: Jasmine Chang

фဤ̤ĥ¤Ҟĥ¤á€¤ Č•ŃŒ 䢀 Ěś Ö› áŒ€ŕĽŠÄ‰ Ë˜é€€ŕŤ‡

2/F, Poly Art+, Zone D, Binwang 158 Cultural Creativity Park, 158 Bin Wang Road, Yiwu Shi, Jinhua Shi, Zhejiang 322000 Contact Person: Hui Huang

㥒ռἑ‍׼‏â ̤╸ᒠ̜NJՆ ԟȕҞ&Ç?Ě?Cá?Śá”Ľ Č•áš’

+886 2 2581 3855 +886 2 2522 2595 (fax) taipei@polyauction.com.hk

Poly Auction Shanghai Office Ě? ѸŐ?Ä˜Ę„ ĚŒ Room 391, Yan’an Hotel, 1111 Yan’an Middle Road, Jing’an District, Shanghai, 200040 Contact Person: Zhang Jin

+886 2 2581 3855 +886 2 2522 2595 (fax) taipei@polyauction.com.hk

Ě? ѸŐ? Ä˜Ę„ ĚŒ ♘!ÄĄ Ěśâ™˜!ĎŽŃ â€Ť ب‏ áŒ€ŕĽŠÄ‰ Ë˜ć˜‡ +86 21 5178 0360 +86 21 5178 0361 (Fax) shanghai@polyauction.com

+86 21 5178 0360 +86 21 5178 0361 (fax) shanghai@polyauction.com

Americas Poly Auction New York Office Room 707, 7th Floor, Bar Building 36 West 44th Street, New York NY 10036 Contact Person: Kenny Wong +1 212 273 0822 nyc@polyauction.com

Ě? ѸŐ?ăž˜â€ŤĚŒ ך‏ Bar Building, 36 West 44th Street, New York áŒ€ŕĽŠÄ‰ Kenny Wong +1 212 273 0822 nyc@polyauction.com

+86 0579 83556111 +86 0579 83556111 (Fax) sale@polyauction.com.hk

+86 579 835 56111 +86 579 835 56111 (fax)

Poly Auction Japan Office

Ě? ѸŐ?ĹŤÇ• ĚŒ

12-4-601, Duplex Ginza 2/12, ChĹŤĹ?, Tokyo, JapanŐż104-0061 Contact Person: Haruko Kazami

ҡÄ?ÄĄăŠ?ҞᢙÇ? ⌀1 &WRNGZ ᢙÇ? áŒ€ŕĽŠÄ‰ ÉŁČ‘á śĹ”

+81 3 6278 8011 +81 3 6278 8012 (fax)

+81 3 6278 8011 +81 3 6278 8012 (Fax)

20th Century & Contemporary Art

Enquiries Amanda Lo Iacono Head of Auctions aloiacono@phillips.com +1 212 940 1278

George Condo Transparent Female Forms acrylic, chalk and pastel on linen 78 x 113 7⁄8 in. (198.1 x 289.2 cm) Executed in 2009. © 2020 George Condo/Artists Rights Society (ARS), New York

phillips.com

Evening Sale New York / 7 December

Hong Kong Guide for Prospective Buyers Buying at Auction The following pages are designed to offer you information on how to buy at the auctions being held by Phillips in association with Poly Auctions (“we”, “us”, “our”) (the “Auctions”). Staff from Phillips and Poly will be happy to assist you. Conditions of Sale The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the Auctions. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips’ and, Poly’s respective sellers and buyers and describe the terms upon which property is bought at the Auctions. Please be advised that Phillips and Poly generally act as agent for their respective sellers. Bidders should also read the Important Notices immediately following this Guide for Prospective Buyers. Buyer’s Premium Phillips and Poly will charge successful bidders a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 26% of the hammer price up to and including HK$5,000,000, 21% of the portion of the hammer price above HK$5,000,000 up to and including HK$50,000,000 and 14.5% of the portion of the hammer price above HK$50,000,000. The purchase price payable for any lot is the sum of the hammer price plus the buyer’s premium plus applicable tax and charges.

cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all dimensions of the property set out in the catalogue entry are approximate. Condition of Lots Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry (including those accessed via QR Codes appearing in the catalogue) does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, we may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding. Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, we accept no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer. Pre-Auction Viewing

1 Prior to Auction Catalogue Subscriptions If you would like to purchase a catalogue for this auction, please contact us at Phillips +852 23182000, +41 22 317 8181, +44 20 7318 4010 or +1 212 940 1240 / Poly [+852 2303 9899] Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Where ‘Estimate upon Request’ appears, please contact the specialist department for further information. It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes.

Pre-auction viewings are open to the public and free of charge. Our specialists are available to give advice and condition reports at viewings or by appointment. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

Catalogue Entries We may print in the catalogue entry the history of ownership of the property, as well as the exhibition history and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive and in some

Symbol Key The following key explains the symbols you may see inside this catalogue. O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases either Phillips or Poly has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or Poly alone or by either of them jointly with a third party. x Third Party Guarantee Where Phillips or Poly has agreed to a minimum price guarantee they respectively assume the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips or Poly may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. In this way the third party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. If there are competing bidders third party guarantors may also bid above any written bid. In return for underwriting or sharing this risk Phillips or Poly as the case may be, will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the third party guarantor is the successful bidder they will be required to pay the full hammer price and buyer’s premium and will not be otherwise compensated.

Deposit

Disclosure of financial interest by third parties

If you wish to bid on a lot, including lots designated with the symbol * (a “Premium Lot”), we may require you to pay a deposit of HK$2,000,000 or such higher amount as either Phillips or Poly in their sole discretion deem appropriate and to provide such financial references, guarantees and/ or other security as Phillips or Poly may require in their sole discretion as security for the bid.

Phillips and Poly require third party guarantors to disclose their financial interest in the lot to anyone whom they are advising. If you are contemplating bidding on a lot which is the subject of a third party guarantee and you are being advised by someone or if you have asked someone to bid on your behalf you should always ask them to confirm whether or not they have a financial interest in the lot.

Pre-Sale Estimates in US Dollars and Euros Although the sale is conducted in Hong Kong dollars, the pre-sale estimates in the auction catalogues may also be printed in US dollars and/or euros. Since the exchange rate is that at the time of catalogue production and not at the date of auction, you should treat estimates in US dollars or euros as a guide only.

bidder on any Lots and do not owe Phillips, Poly or any of our affiliated companies any debt, the deposit will be refunded to you by wire transfer (in the same currency in which you paid the deposit) or credit card refund, as the case may be, the refund will be processed within seven days after the date of the auction.

For Premium Lots, we will also require you to complete the Premium Lot pre-registration prior to the date of the auction at which the Premium Lot will be offered for sale. Upon our receipt of the deposit and a completed pre-registration form, we will provide you with a numbered Premium Lot paddle for identification purposes. The auctioneer will usually only accept bids on Premium Lots made with the Premium Lot paddle or by its registered bidder. This applies to saleroom, telephone and absentee bids. Payment of deposits may be made by wire transfer or credit card acceptable to Phillips or Poly for the prospective purchase. If you are not the successful

Δ Property in which Phillips or Poly has an Ownership Interest Lots with this symbol indicate that Phillips or Poly owns the lot in whole or in part or that either of them has an economic interest in the lot equivalent to an ownership interest.

•

No Reserve Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips or Poly and their respective sellers and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

Ж Property subject to US Import Tariffs Lots with this symbol indicate that the Property may be subject to additional tariffs upon importation into the United States of America. See paragraph 12 of the Conditions of Sale.

∑ Endangered Species Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the Conditions of Sale. * Premium Lots Lots with this symbol carry a low pre-sale estimate of HK$8,000,000 or more and are referred to by Phillips and Poly as Premium Lots. Prospective buyers who wish to bid on Premium Lots must complete the pre-registration form and pay the Premium Lot deposit, as described more fully in this Paragraph 1 of the Guide for Prospective Buyers. ▼ Restricted Importation Lots with this symbol may be subject to importation restriction in the US. Please refer to the Important Notices which appear in this catalogue immediately following this Guide for Prospective Buyers. 2 Bidding in the Sale Single Registration To participate in the auction, you will need to register with either Phillips or Poly. A single registration with either Phillips or Poly is sufficient. Please do not register with both auction houses. This could result in duplicate bids and lead to bidding errors. Bidding at Auction Bids may be executed during the auction in person by paddle, by telephone, online or prior to the sale in writing by absentee bid. Proof of identity in the form of government-issued identification will be required, as well as an original signature. We may also require that you furnish us with a bank reference. Bidding in Person To bid in person, you will need to register for the auction at either the Phillips or Poly registration desks at the auction venue and collect a paddle before the auction begins. A single registration with either Phillips or Poly is sufficient. You should not register with both auction houses as this could result in duplicate bids and lead to bidding errors. New clients are encouraged to register at least 48 hours in advance of the auction to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips or Poly staff member (depending on which auction house you registered with) immediately. At the end of the auction, please return your paddle to the registration desk from where you collected it.

Bidding by Telephone If you cannot attend the auction, you may bid live on the telephone with one of Phillips’ or Poly’s multilingual staff members. This service must be arranged at least 24 hours in advance of the auction via either Phillips or Poly and is available for lots whose low pre-sale estimate is at least HK$8,000. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium, which we can execute on your behalf in the event we are unable to reach you by telephone during the auction. To arrange a telephone bid please contact the Hong Kong bids department: Phillips at +852 2318 2029 / Poly at [+852 2303 9899]. Online Bidding

Absentee Bids If you are unable to attend the auction in person and cannot participate by telephone, we will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the auction . In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the Auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment..

HK$5,000 to HK$10,000 HK$10,000 to HK$20,000 HK$20,000 to HK$30,000 HK$30,000 to HK$50,000 HK$5,000, HK$8,000

HK$500,000 to HK$1,000,000 Above HK$1,000,000

by HK$5,000s by HK$10,000s by HK$20,000s by HK$20,000, 50,000, 80,000 (i.e., HK$320,000, HK$350,000, HK$380,000) by HK$50,000s at the auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her own discretion. 3 The Auction

If you cannot attend the auction in person, you may bid online using Phillips’ online live bidding platform available at www.phillips.com or using the Poly bidding platform available on the Poly Hong Kong App or WeChat account. Phillips’ digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run Phillips’ bidding platform on Safari will need to install Adobe Flash Player. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then preregister by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid departments. Please note that corporate firewalls may cause difficulties for online bidders.

HK$1,000 to HK$2,000 HK$2,000 to HK$3,000 HK$3,000 to HK$5,000

HK$50,000 to HK$100,000 HK$100,000 to HK$200,000 HK$200,000 to HK$300,000 HK$300,000 to HK$500,000

by HK$100s by HK$200s by HK$200, 500, 800 (i.e., HK$4,200, HK$4,500, HK$4,800) by HK$500s by HK$1,000s by HK$2,000s by HK$2,000,

As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement. Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive and Responsive Bidding; No Reserve Lots The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. 4 After the Auction Payment Buyers are required to pay for purchases immediately following the auction unless other arrangements have been agreed with Phillips or Poly in writing in advance of the sale. Payment must be made in Hong Kong dollars by wire transfer, as noted in Paragraph 6 of the Conditions of Sale. Cash and cheques are not accepted. Credit Cards As a courtesy to clients, Phillips and Poly accept payment by credit card up to HK$1,000,000 per auction. For details on credit card payment please contact Phillips’ Client Services department at +852 2318 2000 or Poly at [+852 2303 9899].

Important Notices Collection It is our policy to request proof of identity on collection of a lot. A lot will be released to the buyer or the buyer’s authorized representative when we have received full and cleared payment and we are not owed any other amount by the buyer. After the auction, all lots will be stored externally, please call Phillips or Poly’s shipping department to arrange collection. We will levy removal, interest, storage and handling charges on uncollected lots. Loss or Damage Buyers are reminded that we accept liability for loss or damage to lots for a maximum of seven days following the auction. Transport and Shipping As a free service for buyers, Phillips and Poly will wrap purchased lots for hand carry only. We do not provide packing, handling or shipping services directly. However, we will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips or Poly. Please refer to Paragraph 7 of the Conditions of Sale for more information. Export and Import Licences Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from Hong Kong or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required documentation. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US.

With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on our cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species.

Premium Lots Any prospective buyer interested in any Premium Lot, which is marked in the catalogue with the symbol *, must complete Premium Lot pre-registration and make a deposit of HK$2,000,000 or such higher amount as Phillips or Poly shall require in order to bid on a Premium Lot. For details, please contact Phillips’ Client Services Department at+852 2318 2000 or Poly Client Services Department at[+852 2303 9867 or +852 2303 9862.

Hong Kong Conditions of Sale The Conditions of Sale and Authorship Warranty set out below govern the relationship between (i) bidders and buyers, and (ii) Phillips Auctioneers Limited registered in Hong Kong under number 1603703 (“Phillips”) and Poly Auctions Hong Kong Limited registered in Hong Kong under number 1817961 (“Poly”) (together and/or separately “we”, “our”, “us”) and (iii) sellers. All prospective buyers should read these Conditions of Sale, the Important Notices immediately following the Guide for Prospective Buyers and the Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms in other places in this catalogue, including the Guide for Prospective Buyers and Important Notices (c) supplements to this catalogue including information accessed via QR Codes appearing in this catalogue, and (d) other written material posted by Phillips and Poly in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips, Poly and the seller contract with the buyer. 2 Phillips or Poly as Agent Phillips or Poly (as the case may be)act as agent for the sellers of Lots in the auction, unless otherwise indicated in this catalogue or at the time of auction. Phillips acts as agent for sellers who have consigned their Lots to Phillips for inclusion in the auction. Poly acts as agent for sellers who have consigned their Lots to Poly for inclusion in the auction. Buyers of Lots consigned to Phillips will enter into a contract of sale with the seller of the Lot, for whom Phillips acts as agent. Buyers of Lots consigned to Poly will enter into a contract of sale with the seller of the Lot, for whom Poly acts as agent. On occasion, Phillips or Poly may own a lot directly, in which case they will act in a principal capacity as a consignor, or a company affiliated with Phillips or Poly (as the case may be) may own a lot, in which case they will act as agent for that company, or Phillips or Poly or an affiliated company (as the case may be) may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips or Poly in relation to each lot is partially dependent on information provided to us by the seller, and Phillips and Poly are not able to and do not carry out exhaustive due diligence on each lot. Prospective buyers

acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports (including those accessed via QR Codes appearing in this catalogue) as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale is available for inspection by prospective buyers prior to the auction. We accept bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, we may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptionsand condition reports (including those accessed via QR Codes appearing in this catalogue) may make reference to particular imperfections of a lot, but bidders should note thatlots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report (including information accessed via QR Codes appearing in this catalogue), commentary or valuation, is not a representation of fact but rather a statement of opinion held by us . Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by us at our absolute discretion. Neither Phillips, Poly nor any of our respective affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) We have absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as we require. Bidders may register either with Phillips or Poly. (b) As a convenience to bidders who cannot attend the auction in person, we may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the ‘Absentee Bid Form’, a copy of which is printed in this catalogue or otherwise available from Phillips or Poly. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium. The auctioneer will not accept an instruction to execute an

absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the ‘Telephone Bid Form’, a copy of which is printed in this catalogue or otherwise available from Phillips or Poly. Telephone bidding is available for lots whose low pre-sale estimate is at least HK$8,000. We reserve the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation. (d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available at www.phillips.com or using the Poly bidding platform available on the Poly Hong Kong App or WeChat account. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’ or Poly’s bid department in our sole discretion. As noted in Paragraph 3 above, we encourage online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Phillips’ Online Bidding Platforms Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are final and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’ bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal, state or other antitrust law.

(g) Arranging absentee, telephone and online bids is a free service provided by Phillips and Poly to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve, which is the confidential minimum selling price agreed by Phillips or Poly (as the case may be) with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. We shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips or Poly provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low presale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in Hong Kong dollars and payment is due in Hong Kong dollars. For the benefit of international clients, pre-sale estimates in the auction catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in US dollars or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but we accept no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’, ‘returned to owner’ or ‘bought-in’.

(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction. 6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium and any applicable sales tax (the ‘Purchase Price’). The buyer’s premium is 26% of the hammer price up to and including HK$5,000,000, 21% of the portion of the hammer price above HK$5,000,000 up to and including HK$50,000,000 and 14.5% of the portion of the hammer price above HK$50,000,000. (b) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in Hong Kong dollars by wire transfer in accordance with the bank transfer details provided on the invoice for purchased lots. (c) As a courtesy to clients, we will accept American Express, Visa, MasterCard and China Union Pay to pay for invoices of HK$1,000,000 or less per auction. China Union Pay is accepted for in-person transactions only. (d) Title in a purchased lot will not pass until we have received the Purchase Price for that lot in cleared funds. We are not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price. 7 Collection of Property (a) We will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or Poly respectively or any of their affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including providing information and documentation we require to satisfy our customer due diligence and verification checks for Know Your Customer compliance purposes and completing any anti- money laundering , anti-terrorism financing and sanctions checks. As soon as a buyer has satisfied all of the above conditions, he or she should contact us Phillips +852 2318 2000 or Poly at +852 2303 9899 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. After the auction, all lots will be stored externally, please call our shipping departments (Phillips on +852 2318 2000 or Poly on +852 2303 9899 ) prior to arranging collection. We will levy removal, interest, storage and handling charges on uncollected lots. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from (i) the date of collection or (ii) seven days after the auction, whichever is the earlier. Until risk passes, we will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property.

(c) As a courtesy to clients, we will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether or not recommended by us , in order to facilitate the packing, handling, insurance and shipping of property bought at the auction. Any such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Property is collected by the buyer at the point it is released in the sale location by Phillips or Poly (as the case may be) to the buyer or to a third-party shipper acting for the buyer. The buyer is responsible for paying any import duties and local taxes payable to import the Property to its final destination. (d) We will require presentation of government-issued identification prior to release of a lot to the buyer or the buyer’s authorized representative. 8 Failure to Collect Purchases (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of the auction, the buyer will incur a late collection fee of HK$80 per day for each uncollected lot. We will not release purchased lots to the buyer until all such charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips or Poly (as the case may be), upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’ or Poly’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or Poly (as the case may be) or their respective affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies for Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the auction, we may in our sole discretion exercise one or more of the following remedies: (i) store the lot at our premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips or Poly (as the case may be) and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and apply the proceeds to the amount owed to Phillips or Poly (as the case may be) or any of their respective affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set at our reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s

premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our affiliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take such other action as we deem necessary or appropriate. (b) The buyer irrevocably authorizes Phillips or Poly (as the case may be) to exercise a lien over the buyer’s property which is in their possession upon notification by any affiliated companies or Phillips or Poly that the buyer is in default of payment. We will notify the buyer of any such lien. The buyer also irrevocably authorizes Phillips or Poly (as the case may be), upon notification by any of their respective affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in the possession of Phillips or Poly (as the case may be), by actual or constructive delivery to Phillips or Poly’s respective affiliated companies as security for the payment of any outstanding amount due. We will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge. (c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips or Poly (as the case may be), to instruct any of their affiliated companies in possession of the buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips or Poly (as the case may be), to hold the property on our behalf as security for the payment of the Purchase Price and any other amount due and, no earlier than 30 days from the date of written notice to the buyer, to sell the property in such manner and for such consideration as can reasonably be obtained on a forced sale basis and to apply the proceeds to any amount owed to us or any of affiliated companies of Phillips or Poly (as the case may be), after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon. 10 Rescission We shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party. Upon notice of our election to rescind the sale, the buyer will promptly return the lot to us, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 14 below, the refund shall constitute the sole remedy and recourse of the buyer against us and the seller with respect to such rescinded sale. 11 Export, Import And Endangered Species Licences and Permits Before bidding for any property, prospective buyers are advised to make their own enquiries as to whether a licence is required to export a lot from Hong Kong or to import it into another country. Prospective buyers are advised that some countries prohibit the import

of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis of continent of origin and confirmation the object is more than 100 years old. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the item qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object containing endangered species into the US may not rely on our cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licences or permits. Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, we have marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 12. US Imports Customs Tariffs Buyers intending to import property into the United States of America should note that US Customs may charge an additional import duty upon the importation of (i) products manufactured or created in mainland China and (ii) printed materials (including photographs, prints, lithographs, books and designs) printed in the UK or Germany. We will mark with a symbol lots which may be subject to additional US import tariffs, where this is known to us. Please note, however, that any such markings are done by us only as a convenience to bidders. We do not accept liability for errors including failing to mark lots accurately or for the absence of any marking. Export, Import, Sales and/or Use Taxes Buyers should note that they are responsible for all charges, duties and taxes related to the exportation and importation of lots shipped by them or shipped on their behalf, including any applicable Sales and/or Use Taxes which may be due on importing the property to the United States. Please contact the department organising the auction for further details.

13 Personal Data You acknowledge and understand the following: If you register to bid via Phillips, Phillips will process your personal data (including potentially special category data) in accordance with Phillips’ Privacy Policy as published at https://www.phillips.com or available by emailing dataprotection@ phillips.com. If you register to bid via Poly, Poly will process your personal data (including potentially special category data) in accordance with our Privacy Policy as published at https:// www.polyauction.com.hk/en/privacy-policy/ or available by emailing info@ polyauction.com.hk. (c) Our sale and exhibition venues may be subject to CCTV video surveillance and recording and your communications with Phillips and Poly, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded. Where we record such information we will process it in accordance with our respective Privacy Policies. 14 Limitation of Liability (a) Phillips shall have no liability to you in respect of lots consigned to the auction by Poly and Poly shall have no liability to you in respect of lots consigned to the auction by Phillips. (b) Subject to sub-paragraph (f) below, the total liability of Phillips, Poly, our respective affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (c) Except as otherwise provided in this Paragraph 14, none of Phillips or Poly, or any of their respective affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or Poly or any of their respective affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or Poly or any of their respective affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (d) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips, Poly and their respective affiliated companies and the seller to the fullest extent permitted by law. (e) Subject to sub-paragraph (f) below, none of Phillips, Poly or any of their respective affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (b) above, whether such loss or damage is characterised as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (f) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips, Poly or any of their respective affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions.

15 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips and Poly relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and Poly and such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips, Poly and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 16 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and the Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips and Poly shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips or Poly (as the case may be). (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part. (e) If there is any inconsistency or conflict between the English text of the Conditions of Sale, Guide for Prospective Buyers and/or Important Notices and their Chinese translations, the English text will prevail. 17 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with Hong Kong law. (b) For the benefit of Phillips and Poly, all bidders and sellers agree that the courts of Hong Kong are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips and Poly shall retain the right to bring proceedings in any court other than the courts of Hong Kong.

(c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by Hong Kong law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips or Poly. Authorship Warranty We warrant the authorship of property in this auction catalogue described in headings in BOLD or CAPITALIZED type for a period of five years from the date of sale, subject to the exclusions and limitations set forth in this Authorship Warranty, in paragraph 14 of the Condition of Sale and in the Important Notices set out in this catalogue immediately following the Guide for Prospective Buyers. If the Lot was consigned by Poly to the auction, this Authorship Warranty is provided by Poly and if the Lot was consigned by Phillips to the auction, this Authorship Warranty is provided by Phillips. (a) We give this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue (including descriptions accessed via QR Codes appearing in this catalogue) states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot; or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, we reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by us . We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If we agree to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us.

(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified us in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to us in Hong Kong in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. We have discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, Poly any of their respective affiliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, Poly or any of their affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

Please return this form in person, by email or fax at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying to bid as an individual or on behalf of a company.

14/F St. George’s Building, 2 Ice House Street, Central, Hong Kong

• PRIVATE PURCHASES Proof of identity in the form of government-issued identification and recent proof of address will be required. • COMPANY PURCHASES If you are buying under a business entity, we require a copy of government-issued identification (such as the certificate of incorporation) as well as proof of owners (including ultimate beneficial owners) and directors to verify the status of the company.

Please select the type of bid you wish to make with this form (please select one): Paddle Number

In-person Absentee Bidding Telephone Bidding

• If you cannot attend the sale, we can execute bids confidentially on your behalf. • Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 26% of the hammer price up to and including HK$5,000,000, 21% of the portion of the hammer price above HK$5,000,000 up to and including HK$50,000,000 and 14.5% of the portion of the hammer price above HK$50,000,000.

Please indicate in what capacity you will be bidding (please select one):

As a private individual On behalf of a company Sale Title Title

Sale Number First Name

Company (if applicable)

• CONDITIONS OF SALE All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Sale Date

• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers. • For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specified, if less than 50% of the low estimate.

Surname Account Number

• Your bid must be submitted in the currency of the sale and may be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

Address

• If we receive identical bids, the first bid received will take precedence.

Phone

Mobile

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

Email

Fax

• Please submit your bids to the Phillips’ or Poly’s Bid Departments in person, by email( / or by fax at least 24 hours before the sale:

City

State/Country

Post Code

Phone number to call at the time of sale (for Phone Bidding only)

• Phillips Bid Department: email: bidshongkong@phillips.com / fax: +852 2318 2010

1.

• Poly Bid Department: email: cs@polyauction.com.hk / fax: +852 2303 9888

2.

You will receive confirmation by email within one business day.

Language to be used (for Phone Bidding only)

To reach the Bid Department by phone, please call • Phillips Bid Department: Tel: +852 2318 2029.

Please complete the following section for telephone and absentee bids only Lot number In Consecutive Order

Brief description

Maximum bid price in HK$* Absentee Bids Only

• Poly Bid Department: Tel: +852 2303 9867 / +852 23039862 • Payment for lots can be made by credit card (up to HK$1,000,000 per auction) or by wire transfer. • Lots cannot be collected until full payment has cleared and all charges have been paid. • By signing this Bid Form and delivering it to either Phillips or Poly, you acknowledge and understand that Phillips or Poly may process your personal data (including potentially special category data in accordance with their respective privacy policies as published at www.phillips.com and polyauction.com.hk or available by emailing dataprotection@phillips.com and info@polyauction.com.hk. • Our premises and sale and exhibition venues may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. Phillips and Poly may process that information in accordance with our respective Privacy Policies.

Yes please to Phillips Communications: Please tick this box to receive emails about upcoming sales, exhibitions, and special events offered by members of the Phillips group, as referenced in Phillips’ Privacy Policy available on its website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.

* Excluding Buyer’s Premium Signature

Date

By ticking this box, you confirm your registration/bid(s) as above and accept the Conditions of Sale of Phillips in association with Poly as stated in the catalogue and on Phillips’ and Poly’s websites

Yes please to Poly Communications: Please tick this box to receive emails about upcoming sales, exhibitions, and special events offered by members of the Poly Auctions group, as referenced in Poly’s Privacy Policy available on its website at www.polyauction.com.hk, where you may also update your email preferences or unsubscribe at any time.

𤎕𹀈𕦕𙌠𗖒 𙈩𹂂𦢓𔄗𹄡𹀈 𐅹顄𙌠𗖒𡂒𑞖񃀈顄 𷜓𔜐𐍂𓜄𖀴𵡁𠔇𳙩𐕣𑖈𙈩𹂂 񣅕𐕣𑖈񣅖 ざ 𩙔񣅕𘤦𐙑񣅖 𑊕ず𳙴񀆁𨂈𲠂ざ𙈩𹂂𡂂 񣅕 𙈩𹂂𡂂񣅖 顃𹄡𹀈𙈩ㅷ񣀳𘤦 𐙑𨂈𲠣𒜂𖅙𰁙𸂇𥐈𘉳𡂘𑡳񣀱 𢄒𑡳𷕸𕤷 𙈩𹂂𡂂餧𡖃𠄡𓙶񁥃𡅕𣈕𙀆𹤰餹𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𲘄񀖈𐍔񣀱 𰁳𙅑𲖑𸅴𑡳𗤇𱉧񃀱𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𐅹 𷜓𘤦𐙑ぐ𳘈𨂈𨂈 𹂂𕦕𒊃𹀈𕦕餹񂦂𨂈𣚁𗠐񃄄𐔢񙀘𐅹𒊃𠔲𙈩𹂂𡂂顃𹄡𹀈餹𡝁𢥥񣀱 𖀴𵡁𠔇𒊃𐕣𑖈𓜄♧𳝕𘌥𣙑顄𥐈ぐ𳘈𨂈𹂂𕦕餹𐅵𦤆P񣀱𰁳𙅑𲖑 𐂀𘠀𱉧񃀱𑕢𒄹𠔲𡅗𤎕𹀈𕦕𙌠𗖒𗠓𨂈񁍂𷕖񀑦デ񣀱 𹀈𕦕𠊓𐅠餹񁅆񁍈 𖀴𵡁𠔇𒊃𐕣𑖈𡂂𙌦𣉰𐈅𙈩ㅷ𘤥]𑁸ぢ𰁳𙅑𘤥𑞂𲖑𠌄《𐍦񁍈𘤲 𹀈𕦕𠊓𐅠餹񁅆񁍈񣀱𹀈𕦕𘠀𠊓𐅠񁅆񁍈𹀓𦜧𥐈񙀗𙈩𹂂ㅷ𘤥]𑁸񄞑 𤈰𗉒5,000,000 𑈑餹26%񣀳𑞄񀕖𤈰𗉒5,000,000 𑈑𐅹顃𳘧𤈰 𗉒50,000,000𑈑񀤄𐈖餹21%񙀘𑞄񀕖𤈰𗉒50,000,000𑈑餹񄕉 𢥥𨂈14.5%𷞅𰎙񣀱 𹀈𕦕񄁷𖈤𣉰𐈅𙈩ㅷ𠊓𐅠𑌂𘤥]𑁸񣀰𹀈𕦕𠊓𐅠餹񁅆񁍈𒊃𐈒𐍂񀙲 𧑓餹𩕳񄁴𒊃𹀓𧑓񣀱 1 𙈩𹂂𑙁 𷝴𹄡𓙶񁥃 𔜐𢥁𹄡𹀈𠜳𢤖𙈩𹂂𓙶񁥃񣀳𸅴𳘰񃕴 852 2318 2000, 41 22317 8181, 44 20 73184010 𘤲 1 212 940 1240 𲠂𱍤𖀴𵡁𠔇𘤲𳘰 񃕴 852 2303 9899𲠂𱍤𐕣𑖈񣀱 𙈩𹂂𑙁𐊆𑁸 𙈩𹂂𑙁𐊆𑁸𧑓𘑉𥐈𙙇𐑖𙌠𗖒!𤎕𹀈𕦕񣀱𘤦𐙑𸁐𥐈𐈒𐍂 饂𠔲񅍂 𳘧𐌲𐊆𑁸𰒅𓙤餹񂦂𨂈𰁳𙅑𑁸𨂒𡂒𘤥𑞂𢕥𡂂񣀱𥙅𲘄񣀳𙈩ㅷ𐂀𡂒𒌹 𳂙𓜄𐌲𠔲𘤲񅍂𠔲𙈩𹂂𑙁𐊆𑁸𙈩𑔠񣀱𔜐𢥁𖅩𢐸𩈐𥐈չ𐊆𑁸𗠂𷥡պ 餹𙈩𹂂ㅷ 𷜓𡁕𔔗񣀳𸅴𳙩𖅠𕦕񀤄񂥖𲠂𱤙񣀱𧑧𠔲𐊆𑁸𒌹!𐖈𠌐񣀳 𓖈𣀷񃀈𒌹𠔲𳘆񀊄𙈩𹂂𑙁𲠂𱍤𘤦𐙑񣀱𙈩𹂂𑙁𐊆𑁸颃顆𑥇𙉷𹀈𕦕𠊓 𐅠餹񁅆񁍈𘤲𑌂6񀙲𧑓𩕳񄁴񣀱 𙈩𹂂𑙁𐊆𑁸𐅹𲍓𑈑𒊃𣀀𑈑𥐈𓁂𐌩 𙈩𹂂𡂂𖅙𐅹𤈰𑈑𥐈𰁳𙅑𸦆𗉒񣀳𐌘𹤰𠔲𙈩𹂂𓙶񁥃𑉳𨂈𙈩𹂂𑙁𐊆𑁸 񃊁𐅹𤈰𑈑𥐈𓁂𐌩𔔇񣀳𐂀𘤲𡂂𧑓𲍓𑈑𒊃𘤲𣀀𑈑񣀱𧑧𠔲𓙶񁥃颓𨂈𸦆 𗉒𑈧𙙰𦜧𠜳𡖃𠄡𓙶񁥃𐅠𒄹𠝠𲘄񃞈𙈩𹂂𧕷𠘖𨂈𑈧𙙰𦜧𲘄𷝴񣀳𓖈𣀷 𲍓𑈑𘤲𣀀𑈑𨂈𙈩𹂂𑙁𐊆𑁸𒌱𐑖𒉰𲖈𧑓񣀱 𓙶񁥃𱙉𑕢 𘤦𐙑𘤲𡂂𓜄𓙶񁥃𑉳𑕆𒄹𡂒񃄄𙈩ㅷ餹𑔠𶄘𒊃񀖗𗞕𖊅𷙐񣀰𗖒񀍖𠔲 𵡁𶥵𑕆𦉱餹𱅩񁥃񣀱𑄳𰐤𘤦𐙑𐅹𖄀𘕦𨂈𘕠𗍴񀔦𶥤𱙉𑕢񣀳𐌘𙈩𹂂ㅷ 𨂈𑔠𶄘񣀰𖊅𷙐𒊃𠐴𦜄𘤲𡅔𳂙𷦖𨈲񙀘𒊃𓜄𡐓S𘌥𣙑顄𘤦𐙑𘤲𡂂𡂒 𘑉𓜔顆𙜃񃚑𦉱餔𹞄𐈖񣀱𸅴𣜖𘑉𙀆𡂒񃌇񀍖𠔲𓙶񁥃𑉳𙈩𹂂ㅷ餹񁍄 𗍴𓝇𥐈𱅷𠐈񣀱 𙈩𹂂ㅷ餹𦎖𣙑 𘤦𐙑餹𓙶񁥃 𑥇𙉷𗡀𓙶񁥃𨂈QR[𱔘𨦆𙕸𑉩񄁨񃞙𙀆𹤰𨂈𹀵𠑦

𒌱𡂂𓜄𔔗𐈅𓡇𐍔ㅷ 𐐱𔜐𒄹𑘈ㅷ 𨂈𙙆񀍖颓𙙇𑖖𦎖𣙑±𕥂񣀱𐌘 𷦔S𦎖𣙑𹀵𠑦颃顆𰈸𠔲𦎖𣙑餹𕤈𠎘𸄐𠚀񣀱𡅔𡂒𙙇𒊃𣀷𰈸𦎖𣙑 𹀵𠑦𐂀顆𷀅𩈐𙈩ㅷ񡦇𥘂𲆖񃌖𘤲𧁁𧙶񣀱ㅷ𦎖𔄓デ餧𘤦𐙑𥐈𠔨𐔓 𹀈𕦕𙙇𐑖𨂈♧񄁴𡂘𑡳񣀱𘤦𐙑𨂈𖅠𕦕𐅹𦉱ㅷ𐊆𑁸𨉳𘠀𨂈𠔨𗖁𷤷 𐊆𒊃𠁃𖄄ㅷ𦎖𔄓デ񣀱񃒘𥙅𘤦𐙑𐅹𨌱𸂇𒊃𸐒𘕦𨂈𘕠𗍴𠁃𖄄ㅷ𦎖 𔄓デ񣀳𘍰𘤦𐙑𨂈𲠣𒜂颃񃞈𖅠𢄒𐖈𗡘𲖑𘤲𱑠𔀢𷠇餹𰐤𦤆P񣀱𠌦 𘤦𐙑𗕆𸔦𙀆𡂒𤎕𹀈𕦕𘠀𷘣𳘆𙈩𹂂𑙁𖊅𷙐颃𷘣𳘈𢚆𡑆𙈩ㅷ񙀘𧑧 𠔲𙀆𡂒ㅷ𦉱𓝇𠔲𥘂𷈠𡘅顄𑔠㈒񣀳񃊁𦊔𑖁𷢅𠚀𓜄ㅷ𦎖𔄓デ顃񣀱 𔜐𙈩ㅷ𑔠㈒𠝠𡂒𷈠𡘅񣀳𘤦𐙑𖅙顆𡂂𖈤𡘅𡍰𐈒𐍂𦎖𣙑𙄗𠄈𐈒𐍂 𸦓𐈒񣀱𔜐𘤦𐙑㈒𑔠𨂈𙈩ㅷ𣖁𡂒𷈠𡘅񣀳𘤦𐙑𢎙𘑉𥐈𹀈𕦕𙖄𵜖𖅠 𢄒𨂈𷈠𡘅𡂘𑡳񣀱

𙈩𹂂𑙁񄂈𖊅 𙈩𹂂𑙁񄂈𖊅餧𑈩𹀓颃𖅩𔔇𑊇񂥰񣀳𘤦𐙑𨂈𖅠𕦕𒌹𠔲񄂈𖊅𘤲񄂈𱅷 𠝠𙙇𐑖𘑉𷕳𒊃ㅷ𦎖𔄓デ񣀱񃕴𕞅𒊃𢕥𡝸𘁡𙈩ㅷ𙀆𡂒𗆃𡂒񃕴𕞅𒊃 𘤲𢕥𡝸𘁡𳂙餹𙈩ㅷ𓝇𒌱𐑖𐅹𑌂𷈠񄒇𑁸𐜩𑔠㈒񣀳颃顆𐅵𷀅𒌹񀖈 𐍔񣀱𔜐𡂒𦊔𑖁񀖈𐍔顃𨂈𧑓񀑉񣀳𑌂񃕴𕞅𱅢𱎓𗤇񄁷𱑠𸁐𒌹񃕴𕞅𙄘 𶥵P𒜂𢚆𤈤𒊃񀑦񀖗𙔧𢡴𐐐𧑓񣀱 񃕴𕞅𒊃𢕥𡝸𘁡𙈩ㅷ 𙀆𡂒𗆃𡂒񃕴𕞅𒊃𘤲𢕥𡝸𘁡𳂙餹𙈩ㅷ𓝇𒌱𐑖𐅹𑌂𷈠񄒇𑁸𐜩𑔠 ㈒񣀳颃顆𐅵𷀅𒌹񀖈𐍔񣀱𔜐𡂒𦊔𑖁񀖈𐍔顃𨂈𧑓񀑉񣀳𑌂񃕴𕞅𱅢𱎓𗤇 񄁷𱑠𸁐𒌹񃕴𕞅𙄘𶥵P𒜂𢚆𤈤𒊃񀑦񀖗𙔧𢡴𐐐𧑓񣀱 𐕣𸑆񁍈 𔜐𢥁𰁳𙅑𢐸𡂒 𷠗𶄹餹𙈩𹂂ㅷ 񅍂񄆅𙈩𹂂ㅷ 񣀳𘤦𐙑𘤲𷕖𣑖񃀈 顄]𐅠𤈰𗉒2,000,000𑈑𘤲𑌂6𧑧𖀴𵡁𠔇𘤲𐕣𑖈𣕅𕤷餹𡁕𔕄 񁍈񄆅𨂈𐕣𸑆񁍈𒊃𐈒𐍂𸥵𑡳𦎖𣙑𸑆𠚀񣀳𠄈𐕣𒊃 𘤲𑌂6𧑧𖀴𵡁 𠔇𘤲𐕣𑖈𒌹񡦇𢡴񁂈𘌥𣕅𕤷𷕖𣑖𨂈𙆖𙈃𐍔𥐈𒉰𑞄𰁳𙅑𨂈𐕣񃎇񣀱 𘤦𐙑𐂀𡂂𷕖𣑖񃀈顄𠔲𷦔񅍂񄆅𙈩𹂂ㅷ𙈩𹂂𠘖𑙁𕤈𘤥񅍂񄆅𙈩𹂂ㅷ 񄂈𑈙𨁶𷠗񣀱𧕷𘤦𐙑𨦃𸁐𠌄𑖖𐕣𸑆񁍈𒊃𗂂𔈓𔞑餹񄂈𑈙𨁶𷠗𷀅𡖈 𗠓񣀳񃀈顄𖅙𦚅𨁸񅍂񄆅𙈩𹂂ㅷ𰁳𙅑𦈔𐅹𹀵𸑹𑖁񣀱𙈩𹂂𕤳♧𳝕𒌱 𙕸「𐅹񅍂񄆅𙈩𹂂ㅷ𰁳𙅑𦈔𘤲𑌂𨁶𷠗𰁳𙅑P𔐸𐍔𑔠餹𰁳𙅑񣀱𣀷 𐂀񀙲𧑓𠔲𙈩𹂂𦢓𔄗񣀰񃕴𷦒𒊃𡁡񃞙𰁳𙅑񣀱񃀈顄𒌹𐅹񃕴𒀩𘤲𖀴𵡁 𠔇𘤲𐕣𑖈𒌹𙕸「餹𐕲𧑓𒄕𱤵𐅠𐕣𸑆񁍈񣀱𔜐񃀈顄𡅔𡂒𘤥𑞂𰁳𙅑 񅍂񄆅𙈩𹂂ㅷ񣀳𠔲𖀴𵡁𠔇𘤲𐕣𑖈𘤲𘤦𐙑𐈒𐍂񃈳𖌢𑊇𒍒𐂀𥘂𐈒𐍂 𢤓𢥥񣀳𐕣𸑆񁍈𖅙𐅹񃕴𒀩 𳙩񃀈顄𱤵𐅠𐕣𸑆񁍈𠝠𨉳ず餹𸦆𗉒 𘤲 𐕲𧑓𒄕񀎘񀝅񣀳𷖉饂𐙀𑖁𘌥𗝂񣀳𘤦𐙑𖅙𕤂𙕂𠔲𙈩𹂂𠘖𡄳𗠓7𔕈𑉳 𕤂𙕂񀎘񀝅𐕣𸑆񁍈񣀱 𰅨𶄹𓙶𐐱 𓙶񁥃𑉳𙙇񀍖𡂒񃄄𐅹顄𰅨𶄹餹𘑉𘁄 O 𐕣𸑆񄁴𨉗 𙈩𹂂ㅷ𢐸𡂒O𰅨𶄹𐅵𷀅𗂂𦚅𙄗𠄈𐕣𸑆𡁵𐌲𑔠㈒𑁸񣀱𓜄𣀷𘌥𣙑 顄񣀳顆𸈀𙈩𹂂𱌩𡌱𔜐𐍂񣀳𷦔𹂂𕦕񀤸𒌹𠌄《♧𰈲𧑧𖀴𵡁𠔇𘤲𐕣 𑖈𐕣𸑆𨂈𡁵𐌲񁍈񄆅𢥥񄁴񣀱𷦔𐕣𸑆𒌹𧑧𖀴𵡁𠔇𘤲𐕣𑖈𦙨𳘈𙙇𐑖 𘤲𧑧6𐙑ぐ𳘈𳙩𰆃顂𠔨𑊕ず𙙇𐑖񣀱 ኔ 𰆃顂𠔨𐕣𸑆 𓜄𖀴𵡁𠔇𘤲𐕣𑖈ず𘑉𙙇𐑖𡁵𐌲𑔠㈒𑁸𐕣𸑆𠝠񣀳𐔓𙄗𠄈𙈩𹂂ㅷ 顆𷄤𹂂𑔠𘤲𐅹𐌲𠔲𡁵𐌲𑔠㈒𑁸𐕣𸑆𨂈𑁸𡖈𹂂𑔠𙀆𣥉𒊃𨂈𸥵 𠌙񄌄񃐔񣀱𧑧𠔲𒌹𣥉𒊃񇑄𔕄񁍈񄆅񣀳𖀴𵡁𠔇𘤲𐕣𑖈𒌹񀜑𠂅𳙩𰆃顂 𠔨𑕁𠄈𡂒񃄄𨂈𸥵𠌙񄌄񃐔񣀱𰆃顂𠔨𡂂𓜄𙈩𹂂񀔦𶥤𑙁𙄗𸊃𑕁𠄈 𡂒񃄄񄌄񃐔񣀳񀑦𗆆𠜳𐅹𡁡񃞙𗝂𗖁𰁳𙅑񣀳𑕢𠚀顆𸈀𡂒や𑌂6𰁳𙅑 񀤸𡂂𐅹♧𐙀𒂕𸔦񁍈񄆅𹀈𑉩𙈩𹂂ㅷ񣀱𓜄𣀷𘌥𣙑顄񣀳𰆃顂𠔨𠄈𐕣 P񄁷𙄗𠄈𰁳𙅑𡅔𳂙񀘖𑖖𡁵𐌲𑔠㈒𑁸𐕣𸑆𨂈񄌄񃐔񣀱𴅠𑔠𦢓𑌂 6𰁳𙅑񣀳𰆃顂𠔨𠄈𐕣PÝ𒌹𐅹񅍂𠔲𐈒𐍂𡁡񃞙𑔠𑁸𰁳𙅑񣀱𥐈𙙰 《𰆃顂𠔨𙄗𐕣𘤲𑕁𠄈𡂒񃄄񄌄񃐔񣀳𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄 𕤷 񀑦𗆆𡂂ぢ𰆃顂𠔨𠊓𐅠𷈘𑅅񁍈񣀱𷦔𷈘𑅅񁍈𒌹𥐈♧𓘱𕤷𹀓𧑓 𘤲𙈩𹂂ㅷ𘤥]𑁸𨂈♧𕤷𣊂𐐱񣀱𴅠𷦔𰆃顂𠔨𠄈𐕣P𰁳𙅑𘤥𑞂񣀳 𑌂𗤇񄁷𱤵𐅠𙈩𹂂ㅷ𨂈𘤥]𑁸ㄤ𹀈𕦕𠊓𐅠餹񁅆񁍈񣀳𲘄顆𡂂𦚅𗠨 𐈒𐍂𷈘𑅅񣀱 𰆃顂𠔨𸥵𠌙𢡴𨆖𨂈𙅸񃚑 𖀴𵡁𠔇𒊃𐕣𑖈𷕸𕤷𰆃顂𠔨𠄈𐕣Pぢ𙕸「𑌂𗕆𸔦𨂈𐈒𐍂P𔐸𙅸 񃚑𑌂𖅩𙈩𹂂ㅷ𨂈𸥵𠌙𢡴𨆖񣀱𴅠𘉳𲖈𘘦𰁳𙅑𣥉𒊃𰆃顂𠔨𐕣𸑆𨂈 𙈩𹂂ㅷ𒊃𣀵𓜄𙕸「6P𨂈𗕆𸔦񣀳𘤲𴅠𘉳𗂂𷕖𣑖6P𐅵𷀅𘉳𰁳 𙅑񣀳𘉳𗤇񄁷𷕖𣑖6𐙑𨦃𕤷𑌂𠜳や𖅩𙈩𹂂ㅷ𡂒𸥵𠌙𢡴𨆖񣀱 Δ 𖀴𵡁𠔇𘤲𐕣𑖈𠁳𡂒𢄒𢡴𢡴𨆖餹𙈩𹂂ㅷ 𙈩𹂂ㅷ𢐸𡂒Δ𰅨𶄹𐅵𷀅𖀴𵡁𠔇𘤲𐕣𑖈𠁳𡂒𷦔𙈩𹂂ㅷ餹񡦇񀤄𘤲 񀤄𑕁𢄒𢡴񣀳𘤲𘤦𐙑𑌂颓♧𠔨𓜄𙈩𹂂ㅷ颓𠁳𡂒𨉳𰈸𠔲𢄒𢡴𢡴𨆖 餹𱑠𤦄𑖈𨆖񣀱

𥘂𗍅𑁸 •񃊁񃞈𢐸𡂒˙𰅨𶄹񣀳や𑘳𙀆𡂒𡅗𓙶񁥃𑉳𙀆𹤰餹𙈩𹂂ㅷ𓝇𡂒𗍅𑁸񣀱 𗍅𑁸𠜳𧑧𖀴𵡁𠔇𘤲𐕣𑖈ㄤ𑌂𰈸ぐ𳘈𨂈𹂂𕦕𑊕ず𷝴𩦒願𢕥𖀥餹 𑁸𡖈񣀱𙈩𹂂ㅷ顆𡂂𐅹𐌲𠔲𷦔𑁸㈒𑔠񣀱𣉰𐈅𙈩𹂂ㅷ𨂈𗍅𑁸♧𳝕 𐅹𐌲𐊆𑁸餹♧𕤷𣊂𐐱𐐡𕤷񣀳颃願顆𡂂񅍂𠔲𙈩𹂂𑙁𐌲𐊆𑁸񣀱 Ж 񄁷𱤵𐅠𲍓𓙠񀔦〡񃄄𩕳𨂈𙈩𹂂ㅷ 𢐸𡂒񀑣𐙀𰅨𶄹𨂈𙈩𹂂ㅷ𓜄񀔦〡𲍓𓙠𠝠𒌹𳂙񃖂𷕖񄆅𔔇𱤵𐅠񃄄 𩕳񣀱𸅴𒉰񃀱շ𢄒𑡳𷕸𕤷ո𰆃12𣈕񣀱 ̶ 𥂄𒅁𦉱𩙇 𢐸𡂒𣀷𰅨𶄹𨂈𙈩𹂂ㅷ𷀅𩈐𓜄𱙉𑕢𓙶񁥃𠝠𷦔𙈩𹂂ㅷ𗂂𨦃𕤷わ𡂒 𥂄𒅁𘤲𑌂6「𐕣𸕀񁍃𧑀𑡧𦉱𦉱𩙇颃𒌹𳂙「𑖖𖈤𡂒񃄄𑔠〡𘤲𑉩 〡餹񃉑𑘆𒊃𒌹𳂙񃖂𷕖𑔠〡𒊃𑉩〡𷡦𒌹𸑆񣀱𷦖𘌥𸅴𒉰񃀱𤎕𹀈𕦕 𙌠𗖒𰆃4𣈕𒊃𢄒𑡳𷕸𕤷𰆃11𣈕񣀱 񅍂񄆅𙈩𹂂ㅷ 𢐸𡂒𣀷𰅨𶄹𨂈𙈩𹂂ㅷ𑌂𙈩𹂂𑙁𐌲𐊆𑁸𥐈𤈰𗉒8𨂀𴡅𘤲𐅹顃𓝇 𷄤𖀴𵡁𠔇𒊃𐕣𑖈𑕢𥐈񅍂񄆅𙈩𹂂ㅷ񣀱𔜐𢥁𰁳𙅑񅍂񄆅𙈩𹂂ㅷ񣀳𤎕 𹀈𕦕𗤇񄁷𔈓𔞑񄂈𑈙𨁶𷠗𷀅𡖈𒊃𱤵𐅠񅍂񄆅𙈩𹂂ㅷ𐕣𸑆񁍈񣀳𷦖𘌥 𸅴𒉰񃀱𤎕𹀈𕦕𙌠𗖒𰆃1𣈕񣀱 Ӟ 񃉑𑘆񀔦〡 𢐸𡂒𣀷𰅨𶄹𨂈𙈩𹂂ㅷ𘤲「𲍓𓙠𑉩〡񃉑𑘆񣀱𷦖𘌥𸅴𒉰񃀱𑕢𒄹𠔲 𣀷𤎕𹀈𕦕𙌠𗖒𗠓𨂈񁍂𷕖񀑦デ񣀱 2 𙈩𹂂𰁳𙅑 𓁂♧𨁶𷠗 𔜐𢥁𒉰𳙩𙈩𹂂񣀳񃀈顄񃖂𷕖𑈙ぢ𖀴𵡁𠔇𘤲𐕣𑖈𨁶𷠗񣀱񃀈顄𒌱񃖂 ぢ𖀴𵡁𠔇𘤲𐕣𑖈𐈒𐍂♧𠔨𨁶𷠗𒅄𒌹񣀳𸅴𑤷ず𠝠ぢ𑉷񂦂𙈩𹂂𶥤 𨁶𷠗񣀳񀑣𘤲𡂂𖅲𳘰񃔅񁍂𙅑𢐸𐅹𳘰𰁳𙅑񂀧𸂖񣀱 𠔲𙈩𹂂𡂂顃𰁳𙅑 𰁳𙅑𒌹𠔲𙈩𹂂𡂂顃𧑧𐙀P𷘣𳘆𳙴𰁳𙅑𦈔񀔦𶥤񣀳𐂀𒌹񀐶񀖗񃕴 𷦒񣀰𱔰顃񀔦𶥤𰁳𙅑𘤲𓜄𙈩𹂂𑙁𐅹𡁡񃞙𗝂𗖁𒉰𑞄񣀱𸅴𙙇𐑖𠌙𗍘 𨁸𑔠𨂈𹞄𐈖𸑆𠚀𠐴𐈅𒊃𒈐𡂒𰝐そ񣀱𘤦𐙑𘤲񃖂𷕖񃀈顄𙙇𐑖񁚃 𶥤𸑆𠚀񣀱 𷘣𹞄𰁳𙅑 𷘣𹞄𰁳𙅑餹P𔐸񄁷𠔲𙈩𹂂𡂂񂥰𔢅𑙁ぢ𖀴𵡁𠔇𘤲𐕣𑖈𷡠𠔲𙈩 𹂂𔄗𓜔𨂈𨁶𷠗𶄘𨁶𷠗𒊃񄄂《𰁳𙅑𦈔񣀱𸅴𣜖𘑉񣀳񃀈顄𒌱񃖂ぢ𖀴 𵡁𠔇𘤲𐕣𑖈𐈒𐍂♧𠔨𨁶𷠗𒅄𒌹񣀳𲘄顆𘠀ず𠝠ぢ𑉷񂦂𙈩𹂂𶥤𨁸 𷠗񣀳や𑘳񀑣𘤲𡂂𖅲𳘰񃔅񁍂𙅑𢐸𐅹𳘰𰁳𙅑񂀧𸂖񣀱 𘤦𐙑𗕆𸔦𠔐𕥒𘦅𠔲𙈩𹂂𳙴𶥤𑙁𳘧𖅷48𖅳𠝠񀆁𦤆𨁶𷠗񣀳𐅹𐔓𡂒 𑈕𹍨𠝠񂦂𶄘𦤆񃀈顄餹𹀵𠑦񣀱𙀆𡂒㈒𑔠餹𙈩𹂂ㅷ𨁸𩊗𙆀񄄵P𓝇 𥐈𨁶𷠗𰁳𙅑𦈔餹P𔐸𒊃𑌂𓜔𓜵񣀳颃顆𗠨񀁐𸘂𳘧6P𒊃𑌂6𓜔 𓜵񣀱𸅴𑤷񀜗𔕙𰁳𙅑𦈔񣀳𔜐𡂒񀜗𔕙𸅴𩦒𒅄񀑦𨙨𖀴𵡁𠔇𘤲𐕣𑖈𨂈 𲠣𒜂 𷖉饂𘉳𨁶𷠗𨂈𙈩𹂂𶥤𲘄𕤷 񣀱𙈩𹂂𕤈𱌩𠝠񣀳𸅴𖅙𰁳𙅑𦈔] 𓖄𐍡《𗠨𰁳𙅑𦈔𨂈𨁶𷠗𶄘񣀱 񃕴𷦒𰁳𙅑 𔜐񃀈顄𡅔𳂙𑔠𗅧𙈩𹂂𡂂񣀳𘉳𒌹񀐶񀖗񃕴𷦒𳙩𖀴𵡁𠔇𘤲𐕣𑖈񀑦𠦂 𔔗𓙠𸂃𷝰餹𲠣𒜂񀔦𶥤𖂒𠝠𰁳𙅑񣀱𣀷𡂘𑡳񄁷𠔲𙈩𹂂𡂂񂥰𔢅𑙁𳘧 𖅷24𖅳𠝠񀐶񀖗𖀴𵡁𠔇𘤲𐕣𑖈𕤂𙕂񣀳𒊃𒌱񀙲𧑓𠔲𙈩𹂂𑙁𐌲𐊆𑁸 𥐈𤈰𗉒8,000𑈑𐅹顃餹𙈩ㅷ񣀱񃕴𷦒𰁳𙅑𖅙𒌹𷄤񁥃񄁁񣀱𐅹񃕴𷦒 𰁳𙅑𒅄𐅵𷀅񃀈顄ず𘑉𑌂𖅩𷦒𖅙𷄤񁥃񄁁񣀱𘤦𐙑𗕆𸔦񃀈顄𷀅𠚀𡁵 񅍂𰁳𙅑𑁸 顆𑥇𙉷𹀈𕦕𠊓𐅠餹񁅆񁍈 𐅹𐔓𘤦𐙑𓜄𥘂𣚁𠔲𙈩𹂂𡂂 񀔦𶥤𑌂񂦂𐅹񃕴𷦒𲠂𱍤񃀈顄𠝠𐅵𘉳𰁳𙅑񣀱𔜐𢥁𕤂𙕂񃕴𷦒𰁳𙅑񣀳 𸅴𳘰񃕴𖀴𵡁𠔇𙅑𢐸񀤄 852 2318 2029𘤲𐕣𑖈𙅑𢐸񀤄 852 2303 9899񣀱

𱔰顃𰁳𙅑 𔜐񃀈顄𡅔𳂙𷘣𳘈𑔠𗅧𙈩𹂂𡂂񣀳𘉳𒌹񀐶񀖗𖀴𵡁𠔇𠔲𱔰𰀖www. phillips.com𑉳𨂈𖂒𠝠𰁳𙅑𗊂𒍁𘤲𐕣𑖈𠔲𑌂𘠀𧑓𩖅𗖁𘤲𗡱 𐕲𘦅〡𨂈𰁳𙅑𗊂𒍁񀔦𶥤𱔰顃𰁳𙅑񣀱𴅠񃀈顄𢥁𐐐𧑓𖀴𵡁𠔇𨂈 𖂒𠝠𰁳𙅑𗊂𒍁񣀳𸅴𐐐𧑓Google Chrome񣀰Firefox񣀰Opera𒊃 Internet Explorer񣀱񃀈顄𔜐𢥁𐅹Safari񀖈𶥤𖀴𵡁𠔇𱔰顃𙈩𹂂 𗊂𒍁񃖂𑈙𶥤𕤂𷈠Adobe Flash Player񣀱𠔲𱔰𰀖𑉳𙌦չ𙈩𹂂պ񣀰 չ𖂒𠝠𙈩𹂂պ 𥙅𗠓չ𖂒𠝠𰁳𙅑𨁶𷠗պ𐅹𐍔񄂈𑈙𨁶𷠗񣀱𰆃♧𢤖𨁶 𷠗𠝠񃖂𑈙𗕆𩦒𗅷𘦅񣀳𣀷𗠓𒌱񃖂𨁶𷠗𐙀𑖁𙈩𹂂𒅄𒌹񣀱񃀈顄񄁷𠔲 𙈩𹂂𑙁𳘧𖅷24𖅳𠝠𐍔𱔰顃񄂈𑈙𨁶𷠗𐅹𐔓𘤦𐙑𨂈𙅑𢐸񀤄𨦃𸁐񣀱 𸅴𣜖𘑉𱔰顃𰁳𙅑𲖑𘤲𡂂𓖈𐈥𢄒񃈈𥉉𦈀𲘄𡅔𳂙𰁳𙅑񣀱 𡁡񃞙𰁳𙅑 𔜐񃀈顄𡅔𳂙𷘣𹞄𑔠𗅧𙈩𹂂𡂂𒊃𒉰𳙩񃕴𷦒𰁳𙅑񣀳𘤦𐙑𢎙𘑉𐅵𷀅 񃀈顄񀔦𶥤𡁡񃞙𰁳𙅑񣀱𡅗𓙶񁥃𡅕񃈳𡂒𰁳𙅑𷀅𡖈񣀱𣀷𡂘𑡳餧𑈩𹀓 颃願𐕣𖀥񣀱𙅑𢐸𑁸𗤇񄁷𠜳𐅹𙈩𹂂𡂂𧕷𓜔𨂈𸦆𗉒𥐈𓁂𐌩񣀱𘤦𐙑 餹𲠣𒜂𖅙𒉰𲖈𗍅𑁸𒊃𑌂)𰁳𙅑𑁸񣀳𨈲𑝸𐅹𡁵𐌲𑁸񀔦𶥤𰁳𙅑񣀱 𸅴𢐸𠚀𡁵񅍂𰁳𙅑𑁸 顆𑥇𙉷𹀈𕦕𠊓𐅠餹񁅆񁍈 񣀱𥘂񃉑𑁸𰁳𙅑𢐸 𖅙顆𦚅𙕸𱆗񣀱𙀆𡂒𡁡񃞙𰁳𙅑񄁷𠔲𙈩𹂂24𖅳𠝠𑙁𠌄𑖖񣀱𐙥𘤦 𐙑𖈤ず♧񄁴𙈩𹂂ㅷ𠌄𑖖𨉳ず餹𰁳𑁸񣀳𑘳𡁵𑈙𠌄𑖖餹𰁳𑁸𡂂𦚅 𑅣𑈙񀆁𦤆񣀱 𰁳𙅑𑁸񀙃𔌂𗈄𗍴 𰁳𙅑♧𳝕𧑧𐌲𠔲𡁵𐌲𐊆𑁸񂥰𔢅񣀳񀑦𗆆𣉰𢤖𒥴𑁸餹񀙃𔌂𗈄𗍴𡁵 񅍂𥐈10%񣀳𙈩𹂂𕤳𐂀𒌹𠔲𙈩𹂂𠝠𳘈𶥤𣕅𕤷𡁕𠌐𣉰𢤖𒥴𑁸𔌂𑞄 餹񄆅𗍴񣀱𡁡񃞙𰁳𙅑𑁸𴅠𳙩顄𑕢餹񀙃𔌂𗈄𗍴顆♧𳘰񣀳𖅙𷄤𸅉𐌲 𳘧顄♧𐙀𒥴𑁸𗈄𗍴񣀱 𰁳𙅑𑁸 1,000 2,000𤈰𑈑 2,000 3,000𤈰𑈑 3,000 5,000𤈰𑈑 5,000 10,000𤈰𑈑 10,000 20,000𤈰𑈑 20,000 30,000𤈰𑈑 30,000 50,000𤈰𑈑 50,000 100,000𤈰𑈑 100,000 200,000𤈰𑈑 200,000 300,000𤈰𑈑 300,000 500,000𤈰𑈑 500,000 1,000,000𤈰𑈑 1,000,000𤈰𑈑𘤲𐅹顃

𣉰𢤖𒥴𑁸餹񀙃𔌂񁍈񄆅 100𤈰𑈑 200𤈰𑈑 200, 500, 800 𤈰𑈑 𐐱 4,200, 4,500, 4,800𤈰𑈑

500𤈰𑈑 1,000𤈰𑈑 2,000𤈰𑈑 2,000, 5,000, 8,000𤈰𑈑 𐐱 32,000, 35,000, 38,000𤈰𑈑

5,000𤈰𑈑 10,000𤈰𑈑 20,000𤈰𑈑 20,000, 50,000, 80,000𤈰𑈑 𐐱 320,000, 350,000, 380,000𤈰𑈑

50,000𤈰𑈑 𙈩𹂂𕤳𳘈𶥤𣕅𕤷

𓜄𙈩𹂂𠝠𙈩𹂂𕤳𒌹񁂈𘌥𡁕𠌐𣉰𢤖𔌂𑞄餹񄆅𗍴񣀱 3 𙈩𹂂 𔜐顃𙀆񀍖񣀳𙈩𹂂𡂂「𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𙀆𷕸񃉑񣀳𙀆𡂒𤎕𹀈 𕦕𘠀9𱉧񃀱𸕡񣀱𷦔𰈸𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𒌹𱑠𓜄𙈩𹂂𡂂𔄗𗙗 𹀔񀑦デ𘤲𧑧𙈩𹂂𕤳𐍔𑔠𑊇𐌡餹𠔨𗖁񀔦𶥤𐖈𠌐񣀱 𡂒𑖈𕦇񃄄𐔢𨂈ぐ𠔨𑊇𐌡 𓜄𡐓S𘌥𣙑顄𖅩𙈩𹂂ㅷ𡂒𨉨𙕸𘤲񂦂𙕸𑖈𕦇񃄄𐔢𨂈♧𠔨𒌹𳂙𖅩 𙈩𹂂ㅷ𐍔𑔠𰁳𙅑񣀳𔜐𑔠㈒𙈩𹂂ㅷ餹񀜗𧑄餹「𨆖P𘤲𔀘𶥤𲖑񙀘 𙈩𹂂ㅷ餹𲠂𢡴𑊕𡂒P𘤲𙙇𐑖𘤲𒉰𳙩𐕣𸑆𨂈♧𠔨񣀳𘤦𐙑𖅙𡂂𠔲 𙈩𹂂𗔲𑉳𑊇𐌡𡂒𑖈𕦇񃄄𐔢𨂈ぐ𠔨𒌹𳂙𖅩𙈩𹂂ㅷ𐍔𑔠𰁳𙅑񣀱 𙕸񀒔𙅑𢐸𒊃𰁳𙅑񙀘𥘂𗍅𑁸𙈩𹂂ㅷ 𙈩𹂂𕤳𒌹𐅵𷀅𹂂𕦕𥐈𐈒𐍂𙈩𹂂ㅷ𒌳𰆃♧〡𑁸𐅹񂥰𔢅𰁳𙅑񣀱𙈩

𹂂𕤳𡁕𒌹𐅵𷀅𹂂𕦕𐅹𙕸񀒔𙅑𢐸𘤲𰁳𙅑餹𠔨𗖁񣀳𖈤𙈩𹂂ㅷ𐍔𑔠 𰁳𙅑𨉨𳘧񀘖𑖖𗍅𑁸񣀱𖈤顆𷡠𗍅𑁸𨂈𙈩𹂂ㅷ񣀳񃊁񃞈𗂂𡂒𰁳𙅑񣀳 や𑘳𙈩𹂂𕤳♧𳝕𡂂𐅹𙈩ㅷ𨂈𙈩𹂂𑙁𐌲𐊆𑁸𨂈50%񂥰𔢅𙈩𹂂񣀱 𴅠𓜄𣀷𑁸𡖈顄颃𥘂𙅑𢐸񣀳𙈩𹂂𕤳𡂂𳘈𶥤𠑷񁂈𖅙𑁸𡖈顄񃉆𱥔𱦉 𙈩𹂂񣀳𨉨𳘧𡂒𕥒𘦅񂥰𔢅𰁳𙅑񣀳𥙅𗠓𑌲𧑧𷦔𙅑𢐸𑁸ぢ顃𱥔𱦉𙈩 𹂂𓜄𣖁𡂒𡁕񅍂𒌳𑁸𨂈𘌥𣙑顄񣀳𐅹𡁡񃞙𙅑𢐸𰁳𙅑𥘂𗍅𑁸𙈩𹂂ㅷ 𡂂𐅹𙈩𹂂𑙁𐌲𐊆𑁸𔕄𱅷50%𘤥U񣀱𐌘𴅠𷦔𙅑𢐸𑁸𐌲𠔲𙈩𹂂𑙁 𐌲𐊆𑁸𨂈50%񣀳𑘳𐅹𷦔𙅑𢐸𑁸𘤥U񣀱𔜐𡌱𥘂𗍅𑁸𙈩𹂂ㅷ𣖁𡂒 𐈒𐍂𒌳𑁸񣀳𙈩𹂂𕤳𡂂𳘈𶥤𣕅𕤷𷦔𙈩𹂂ㅷ𥐈𣡉𙈩񣀱 4 𙈩𹂂𗠓 𐅠𢥥 񃊁񃞈𳙩𖀴𵡁𠔇𘤲𐕣𑖈𠔲𙈩𹂂𑙁𗂂񀘖𘤥𡁡񃞙𕤂𙕂񣀳や𑘳𹀈𕦕񄁷 𠔲𙈩𹂂𗠓𒅄𠝠𐅹𤈰𑈑𐅠𢥥񣀱񃀈顄𒌹𐑠𥝅𢄒𑡳𷕸𕤷𰆃6𣈕𙀆񀍖 𐅹񃕴𒀩𠔨𗖁𐅠𢥥񣀱𦢓񁍈𒊃𠊓𩊗𘄲顆𙕸𱆗񣀱 𐕲𧑓𒄕 𥐈𠔨𐔓𕥒𘦅𖀴𵡁𠔇𒊃𐕣𑖈𒌹𙕸「𐅹𐕲𧑓𒄕𠊓𐅠顆𔔗𠔲𤈰𗉒 100𴡅𑈑𨂈𐅠𢥥񣀱𔜐𢥁^𷜓𡁕𔔗𐅹𐕲𧑓𒄕𐅠𢥥𷦖𘌥񣀳𸅴𲠂𱍤𖀴 𵡁𠔇 852 2318 2000𘤲𐕣𑖈 852 2303 9899񣀱 𙙇《 𙙇《𙈩𹂂ㅷ𠝠𸅴𑔠𩈐𹞄𐈖𸑆𠚀񣀱𘤦𐙑𠌄𑖖񡦇𠐈𱌩𤅢餹𸦆𢥥 𒊃𨦃𸁐𹀈𕦕𓜄𘤦𐙑𒊃𑌂񃈳𖌢𑊇𒍒𣖁𡂒𢤓𢥥𗠓񣀳𡂂𖅙𙈩𹂂ㅷU !𹀈𕦕𘤲𹀈𕦕𙔧𢡴餹𐅵𷀅񣀱𙈩𹂂𗠓𙀆𡂒𙈩ㅷ𡂂𷄤𑆁𕠀𓜄𔔇񣀱 𔜐𢥁𙙇《𙈩ㅷ񣀳𥝐𸅴𳙩𖀴𵡁𠔇𘤲𐕣𑖈𨂈񀖈񀀘񀤄𲠂𱍤𕤂𙕂𙙇 《񣀱𡅔𳂙𙙇《𨂈𙈩ㅷ𓝇𡂂𷄤𠌄《𡂒񃄄񀁐𩕗񣀳𑖈𘅸񣀳𑆁𕠀𰈸𨉳 񃄄𹀓𧑓񣀱 𙝐𔕙𘤲𙝐𔐕 𹀈𕦕𸅴𣜖𘑉𘤦𐙑𖅩𙈩𹂂ㅷ𙝐𔕙𘤲𙝐𔐕餹𸦓𐈒𡄳񃉑𡁵𔔗𥐈𙈩 𹂂𗠓♬𔕈񣀱 񀖈񀀘𒊃𐅠񀖈 𐍔𥐈♧񄁴!𹀈𕦕𨂈𑈩𹀓𡂘𑡳񣀳𖀴𵡁𠔇𒊃𐕣𑖈𒌱𒌹𑥇𷈠𙈩ㅷ𐍔 𙀵𙙇𧑓񣀱𘤦𐙑颃顆𡂂𨉨𙕸𙙇𐑖𑥇𷈠񣀰𶄘𦤆𒊃𐅠񀖈𡂘𑡳񣀱𐌘𘤦 𐙑𒌹𐑠𠄡񃀈顄餹𙌠𩈐𳙩𐅠񀖈𐅵𦤆𒂕𸅉𐅹𐔣𘤥񃀈顄𠔲𖀴𵡁𠔇 𘤲𐕣𑖈𹄡𹀈𸦆𦉱餹𑥇𷈠񣀰𶄘𦤆𒊃𐅠񀖈񣀱𷦖𘌥𸅴𒉰񃀱𢄒𑡳𷕸𕤷 𰆃7𣈕񣀱 𑔠〡𒊃𑉩〡𷡦𒌹𸑆 𓜄𰁳𙅑𐈒𐍂𙈩𹂂ㅷ𑙁񣀳𘤦𐙑𗕆𸔦𤎕𹀈𕦕𖅩𙈩𹂂ㅷ𑈙𐍔𦙨𩦒𸅉 𡑆𐅹𨦃𕤷𠜳や񃖂𷕖𐅹𷡦𒌹𸑆𑔠〡񄞕𤈰𘤲񀔦𑉩𑌂)𓙠𕦕񣀱𹀈𕦕 񄁷񀜂𕢙𙀆𡂒𑉩〡𒊃𑔠〡餹𣚁𗠐𒊃𘠀《𗠨𡂒񃄄𨂈𑔠〡𘤲𑉩〡𷡦 𒌹𸑆񣀱顆𦚅𨁸𐈒𐍂𙀆񃖂餹𷡦𒌹𸑆𘤲𔀘𥝅颃顆𢊑𘤥《𣥇𹀈𹂂𘤲 𗔸񀚔𱤵𐅠񡦇𠐈𸦆𢥥餹𑈕𑕁𦤆𧑧񣀱 𥂄𒅁𦉱𩙇 𧑧𡥕𦉱𘤲𑡧𦉱𡈔𠑦𔜐𦠗𧁉񣀰񆂅񅘠񣀰𸡡𦉆񣀰񅠨񅈤񣀰𗂄𷕑𦝸𧂓𡅒񣀰 𦌆𦉑𷙶𘤲𦞐𧀇𣈩񣀳顆𸈀𑌂𗊃𐈖񣀰𨂀𑕁𣊂𦜧𘤲𑁸𐜩񣀳𓝇𒌹𳂙񄁷𧑩 񄄂𷡦𒌹𸑆𘤲𸑆𡁡𠔨𒌹𑉩〡𳘧𲍓𓙠𘤲𑌂)𣀀𨈩𐅹𑉳𘤲𔔇𨂈𓙠 𕦕񣀱𸅴𣜖𘑉𳂙《𗠨𑔠〡𷡦𒌹𸑆𘤲𸑆𡁡颃顆𳂙𨦃𐕣𒌹𓜄〥♧𓙠 𕦕《𗠨񀔦〡𷡦𒌹𸑆𘤲𸑆𡁡񣀳𒊆餹𐂀𥙅񣀱𘤦𐙑𗕆𸔦𤎕𹀈𕦕𓜄𰁳 𙅑𑙁ぢ𨉳񃄄𠌙𗍘𡑆𡖁𡂒񃄄񁍃𧑀𑡧𡥕𦉱񀔦〡餹𷕸𕤷𗠓𑌲𒉰𳙩 𰁳𙅑񣀱𹀈𕦕񄁷𸥴顃𙀆𡂒𸦓𐈒《𗠨𐈒𐍂𙀆񃖂𑔠〡𘤲񀔦〡𷡦𒌹𸑆 𘤲𸑆𡁡񣀳𐅹𒊃𐈒𐍂𑌂)𙀆񃖂𠐴𐈅񣀱𸅴𣜖𘑉𲍓𓙠𩍁𣀴𑉩〡𐈒𐍂 わ𡂒񃞈𣠢𸡡𦉆𨂈𧑄ㅷ񣀱 𣠢𸡡𨂈𸡡𦉆𒌹𷄤񀔦〡𑖖𲍓𓙠񣀳𲘄𷦔 񀔦〡𗤇񄁷񃈳𡂒𦙨𩦒𩒈𕡤𑕁𡌒𔄓デ𐅹𸑆𠚀𡂒񃄄𦉱ㅷ𨂈𹊁𤎆𓜔 𒊃𨦃𸁐𦉱ㅷ𨂈𗊃𡄳𗂂𹌀񀖗♧𨂀𗊃񣀱𘤦𐙑𓜄񁞈㈒𐈒𐍂𵠐ㅷ𑙁񣀳 𓝇𥘂𖅩𵠐ㅷ񀔦𶥤𩒈𕡤𑕁𡌒񣀳𙀆𐅹𥘂𣚁𨦃𸁐𨉳񃄄𵠐ㅷ𨂈𸡡𦉆𠜳 𐐡𳘈 𣠢𒊃񃞈𣠢񣀱𹀈𕦕𑒅𹄡𹀈𡂒񃄄𵠐ㅷ颃𷞅𧕗𖅙𡂒񃄄𵠐ㅷ񀔦 〡𲍓𓙠񣀳𗤇񄁷𙄗𠄈񄌄񃐔颃𸥴𸦓𠊓𐅠𐈒𐍂𩒈𕡤𑕁𡌒𔄓デ𘤲𑌂) 𔄓デ𨂈𹀓𧑓񣀱

𡂒񃄄𐈒𐍂わ𡂒𸡡𦉆𐅹𔔇𨂈𥂄𒅁𦉱𩙇𵠐ㅷ񣀳񀔦〡𲖑񄁷𙙇𐑖𸑆𠚀 𠐴𐈅񂖖𕤷𦉱𩙇𒊃𵠐ㅷ餹𗊃𡄳𐅹񄈹𩈐𷦔𵠐ㅷ𥐈〢𴥰񣀱𹀈𕦕񄁷񀔦 𶥤𦙨𩦒𷤷𐊆𐅹𸁐𸑆𵠐ㅷ顃餹𥂄𒅁𦉱𩙇𦉱𠑦𒊃𸁐𸑆𵠐ㅷ餹𗊃 𡄳𥐈顆𖅷𠔲♧𨂀𗊃񣀱𔜐𢥁𷞅𑜲𑉩〡𵠐ㅷ𑖖𲍓𓙠𨂈𤎕𹀈𕦕顆𘠀 𐑠񃞔𘤦𐙑𱙉𑕢𠔲𓙶񁥃𑉳𵠐ㅷ顃𨂈𥂄𒅁𦉱𩙇𦉱𠑦𘤲𵠐ㅷ餹𗊃 𡄳𒊃𗤇񄁷𸉐𷥡𑌄𡂒𖅠𢄒𹀵𡖈𨂈𦙨𩦒񂖖𕤷𲖑𗠓𑌲𒉰𳙩𰁳𙅑񣀱 𸅴𣜖𘑉𘤦𐙑𥐈𠔨𐔓𕥒𘦅𲘄𓜄わ𡂒𒌹𳂙「𰐤𑘆𡥕𦉱𘤲𑡧𦉱𦉱𠑦 𨂈𙈩𹂂ㅷ顃񃈳𑞄𢐸𷠗񣀳𐌘񃈳𑞄𢐸𷠗𠝠𔜐𡂒𐈒𐍂񂀧𸂖𘤲񀜗𤘘񣀳 𘤦𐙑𘄲顆𙄗𠄈𐈒𐍂𸦓𐈒񣀱

񁍂𷕖񀑦デ 񅍂񄆅𙈩𹂂ㅷ 𙀆𡂒𤎕𹀈𕦕𔜐𢥁𰁳𙅑𐈒𐍂񅍂񄆅𙈩𹂂ㅷ 𢐸𡂒 𷠗𶄹餹𙈩𹂂ㅷ

𗤇񄁷𕤈𘤥񅍂񄆅𙈩𹂂ㅷ񄂈𑈙𨁶𷠗𒊃U𐅠𤈰𗉒2,000,000𑈑𘤲 𑌂)𧑧𖀴𵡁𠔇𘤲𐕣𑖈𣕅𕤷餹𡁕𔕄񁍈񄆅𨂈𐕣𸑆񁍈񣀱𷦖𘌥𸅴𲠂𱍤 𖀴𵡁𠔇餹𕥒𘦅𡂘𑡳񀤄 852 2318 2000𘤲𐕣𑖈餹𕥒𘦅𡂘𑡳񀤄

852 2303 9867 𘤲 852 2303 9862񣀱

𢄒𑡳𷕸𕤷 𤎕𰁳𙅑𲖑𳙩𹀈𕦕𐅹𒊃𖀴𵡁𠔇𙈩𹂂𡂒񃉑𑊇𒍒 顄𩙔񣅕𖀴𵡁𠔇񣅖 𒊃 𐕣𑖈񄞕𤈰𙈩𹂂𡂒񃉑𑊇𒍒 顄𩙔񣅕𐕣𑖈񣅖 ざ𩙔񣅕𘤦𐙑񣅖 𳙩𹂂𕦕 𨂈񃄄𐔢「顄񃞙񃄔񀍖餹𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𙀆𷕸񃉑񣀱𙀆𡂒𤎕𹀈 𕦕񄁷𠔲𒉰𳙩𰁳𙅑𑙁𖅳𗤅𱉧񃀱𢄒𑡳𷕸𕤷񣀳𠔲𤎕𹀈𕦕𙌠𗖒𗠓𨂈񁍂 𷕖񀑦デ𒊃𴥁𐍔𐕣𸑆񣀱 1 𗌶𷝰 𓙶񁥃𑉳𙀆𑕢𙈩𹂂ㅷ餹񁞈㈒𒊃㈒𑔠𓝇𡖃𠄡 a 𢄒𑡳𷕸𕤷𒊃𴥁𐍔 𐕣𸑆 b 𓙶񁥃𑌂)𓜔𠔨𙀆𹤰餹𐈒𐍂񃈳𑞄񀑦𨙨𡝁𢥥񣀳𑥇𙉷𤎕𹀈 𕦕𙌠𗖒𒊃񁍂𷕖񀑦デ񙀘 c 𷈘𑈕𡅗𓙶񁥃񣀰𑥇𙉷QRd𱔘𨦆𙕸𑉩񄁨 񃞙𙀆𹤰𨂈𹀵𠑦񙀘𐅹𒊃 d 𑌂)𖀴𵡁𠔇𒊃𐕣𑖈𗙗𹀔𠔲𙈩𹂂𗔲𑉳餹 𡁡񃞙𹀵𠑦񣀳𘤲𧑧𙈩𹂂𕤳𠔲𙈩𹂂𑙁𐍔𑔠𑊇𐌡餹𠔨𗖁񀔦𶥤𐖈𠌐񣀱 񀐶񀖗𠔲𙈩𹂂颓𰁳𙅑񣀳顆𸈀𐅹𷘣𹞄񣀳𱑠𐅵𦤆P񣀳𐅹𡁡񃞙𰁳𙅑񣀳𐅹 񃕴𷦒𘤲𑌂)𠔨𗖁𰁳𙅑񣀳𰁳𙅑𲖑ㄤ𹀈𕦕𓝇ず𘑉𙕸「颃񀜂𕢙𱑠𠌐 𸖂𘤲𷈘𑈕𨂈𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆񣀱𷦔t𱑠𠌐𸖂𘤲𷈘𑈕𨂈𢄒 𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𑥇𙉷𖀴𵡁𠔇񣀰𐕣𑖈𒊃𹂂𕦕𳙩𹀈𕦕ざ𱅷𘤥 𩦒餹𡝁𢥥񣀱 2 𖀴𵡁𠔇𘤲𐕣𑖈𐍔𥐈𐅵𦤆P 񃊁񃞈𠔲𡅗𓙶񁥃颓𘤲𠔲𙈩𹂂𠝠〥𡂒𸄐𠚀񣀳や𑘳𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𐍔𥐈𹂂𕦕𨂈𐅵𦤆P񣀱𖀴𵡁𠔇𠜳𔤉𷠕𙈩𹂂ㅷ! 𖀴𵡁𠔇𐅹𑕢𑉩𠜳𢤖𙈩𹂂𨂈𹂂𕦕𨂈𐅵𦤆P񣀱𐕣𑖈𠜳𔤉𷠕𙈩𹂂ㅷ !𐕣𑖈𐅹𑕢𑉩𠜳𢤖𙈩𹂂𨂈𹂂𕦕𨂈𐅵𦤆P񣀱𔤉𷠕!𖀴𵡁𠔇𨂈𙈩 𹂂ㅷ𨂈𹀈𕦕𡂂𳙩𡂒񃄄𙈩𹂂ㅷ𨂈𹂂𕦕𷝴𩦒𹀈𹂂ざ𱅷񣀳𲘄𖀴𵡁𠔇 𖅙𐍔𥐈𨉳񃄄𹂂𕦕𨂈𐅵𦤆P񣀱𔤉𷠕!𐕣𑖈𨂈𙈩𹂂ㅷ𨂈𹀈𕦕𡂂𳙩 𡂒񃄄𙈩𹂂ㅷ𨂈𹂂𕦕𷝴𩦒𹀈𹂂ざ𱅷񣀳𲘄𐕣𑖈𖅙𐍔𥐈𨉳񃄄𹂂𕦕𨂈 𐅵𦤆P񣀱 𓜄𐙀𑖁𘌥𣙑顄 𖀴𵡁𠔇𘤲𐕣𑖈𒌹𳂙𠁳𡂒𙈩𹂂ㅷ񣀳𓜄𷦔𘌥𣙑顄𐅹𔤉𷠕P餹𹞄𐈖 𐍔𥐈𹂂𕦕𶥤± 𘤲𖀴𵡁𠔇𘤲𐕣𑖈𨂈񃈳𖌢𑊇𒍒 𷖉饂𘌥𣙑𲘄𕤷 𒌹 𳂙𠁳𡂒𙈩𹂂ㅷ񣀳𓜄𷦔𘌥𣙑顄𑘳𐍔𥐈𷦔𑊇𒍒𨂈𐅵𦤆P񣀳𘤲𖀴𵡁 𠔇𘤲𐕣𑖈𘤲𐈒♧餹񃈳𖌢𑊇𒍒 𷖉饂𘌥𣙑𲘄𕤷 𒌹𳂙𐅹𙆖𙈃𐥒𢡴 P𘤲𑌂)𹞄𐈖𠁳𡂒𙈩𹂂ㅷ餹𣚁𗠐񣀰𖂒𨆖𘤲𸥵𑡳𑖈𨆖񣀱 3 𓙶񁥃𸄐𠚀𒊃𙈩𹂂ㅷ𦎖𣙑 𙈩𹂂ㅷ𓝇「𴥁𐍔𐕣𸑆𙀆񃉑𑘆𑔠㈒񣀳𔜐𓙶񁥃𙀆񀍖 񃊁񃞈𷦔𸄐𠚀𔜐 顃񃞙𰆃1𣈕𙀆񀍖𷄤𐖈𠌐𘤲𷈘𑈕 𒊃𐑠𠄡𐅹顄𔀣𩄰񃌇񀍖𙈩𹂂ㅷ𠔲 𙈩𹂂𠝠𨂈𦎖𣙑񣀱 a 𖀴𵡁𠔇𘤲𐕣𑖈𖅩ぐ𙈩𹂂ㅷ餹𸁐𸑹񀤄𐈖𐑠𹄉𹂂𕦕ぢ𑌂𙙇𐑖 餹𹀵𠑦񣀳願𖀴𵡁𠔇𘤲𐕣𑖈𥘂𣚁𒊃顆𡂂𖈤ぐ𙈩𹂂ㅷ񀔦𶥤񡦇񃞙𨈲 𲠣𖄀𡑆񣀱𤎕𹀈𕦕𨙨𘈙𣀷±񣀳颃𙄗𠄈񀔦𶥤𢚆𡑆𒊃𢚆񅄙餹𸦓𐈒񣀳𐅹 𐐐𤖑𘑉𗞅𰈸𒌹𳂙𘑸𳙱𹍅餹𙈩𹂂ㅷ񣀱𑄳𰐤𔜐𑙁𙀆񀍖񣀳𖀴𵡁𠔇𘤲 𐕣𑖈𓜄𓙶񁥃𙙆񀍖𘤲ㅷ𦎖𔄓デ𐍔𑔠餹𠚀𩈐𲠑𠚀񣀳𘠀𐅹𡂒񃄄𙈩𹂂 颓𡂒񃄄𙈩𹂂ㅷ餹𙈩𹂂𕤳𹞄𐈖𨉳𰅨餹ざ𦤆𖄀𘕦𘕠𗍴𐍔𑔠 𐅹𒊃 𔀣𠔲 I 𹂂𕦕ぢ𑌂𙙇𐑖餹𹀵𠑦 II 𕡤𶥵𒊃𙄘𶥵𨙨𸑹 𒊃 III 𨉳񃄄 𖅠𕦕𠠨񀖔𙕸𱆗餹𘑉𷕳𐍔𑔠餹𠚀𩈐𲠑𠚀񣀳𓜄ぐ𘌥𣙑顄𘠀𐅹ざ𦤆 𖄀𘕦𘕠𗍴𐍔𑔠𠚀𩈐񣀱 b 𙙇ツ𙈩𹂂𠝠𑔠㈒餹ぐ𙈩𹂂ㅷ𠔲𙈩𹂂𑙁𒌹𐑖𤎕𹀈𕦕𢚆𡑆񣀱𓜄 𰁳𙅑P 񂖖𠔲𡂒񃄄𙈩𹂂ㅷ餹𘁡𹂔𒊃𑁸𐜩𒊃𰁳𙅑P餹𖅠𢄒𨙨𸑹 𲘄𖌢ざ񀙲𲖑񣀳𐅹𒊃𐅵𷀅𗞅𰈸餹𦙨𩦒𖅠𕦕 𗂂𧕷𐍔𓜄𙅑𢐸𑙁񡦇񃞙 𢚆񅄙𙈩𹂂ㅷ񣀳颃𤖑𘑉𙈩𹂂ㅷ餹𦎖𣙑𒊃𑌂𙙆񀍖餹𤎕𨦃𘁡񣀳𘤦𐙑 𡂂𙕸「𰁳𙅑P𖅩𙈩𹂂ㅷ餹𙅑𢐸񣀱 c 𤎕𹀈𕦕𨦃𸁐𨎂𔔗𙈩𹂂ㅷ𗊃𐅵餩񀙇𒊃𩙇񄈑𦊔𣄖񣀳𘑉𒕆𙈩𹂂ㅷ 颃񃞈𕤈𔚘𥘂𲆖񣀱𥐈𠔨𐔓𤎕𹀈𕦕񣀳𘤦𐙑𘤲𡂂𤎕𐤀𒊃𙙇𐑖ㅷ𦎖𔄓 デ𐅹𠔨𐔓𤎕𹀈𕦕𢚆𡑆𙈩𹂂ㅷ𧑓񣀱𓙶񁥃𙙆񀍖𒊃ㅷ𦎖𔄓デ 𑥇𙉷𗡀 𓙶񁥃𨂈QRd𱔘𨦆𙕸𑉩񄁨񃞙𙀆𹤰𨂈𹀵𠑦 𓜄𴅠𗊁𘌥𣙑顄𒌹𧑓𐍔 𙈩𹂂ㅷ𡐓t𧁁𧙶餹𒉰𲖈񣀳𐌘𰁳𙅑P𘠀𣜖𘑉񣀳𙈩𹂂ㅷ𒌹𳂙𕠀𓜄 𑌂)𓜄𓙶񁥃𘤲ㅷ𦎖𔄓デ𑉳颃𥘂𠚀𨦃ツ𷖉𑔠餹𧁁𧙶񣀱𙀆𡂒񁍄𗍴

𨂒𥐈𱅷𠐈񣀱𷜓𸄐𒌱𐑖񂖖𕤷𧑓񀑉񣀳𖅙顆𳂙𧕷𐍔𥐈𙈩𹂂ㅷ𖈹𖄲餹 𱀰𨦃񁍄𗍴𘤲𨌱𖂒𦎖𣙑餹񡦇񀤄𹀵𠑦񣀱 d 𙙇𐑖!𤎕𹀈𕦕𡂒񃄄𐈒𐍂𙈩𹂂ㅷ餹𹀵𠑦𑥇𙉷𐈒𐍂𙈩𹂂𑙁񄂈𤈤 𥘂𸈀𥐈𡁡񃞙𘤲〡񀍖 𒊃𑥇𙉷𐈒𐍂𓙶񁥃𙀆𹤰餹𹀵𠑦񣀰𷕸𑘳𒊃𑌂) 𔄓デ 𑥇𙉷𗡀𓙶񁥃𨂈QRd𱔘𨦆𙕸𑉩񄁨񃞙𙀆𹤰𨂈𹀵𠑦 񣀰𷤷𸈀𘤲 𐊆𐜩񣀳𷦔𰈸𹀵𠑦颃񃞈±𖂒餹񃌇񀍖񣀳𲘄𠜳𘤦𐙑𙀆𙌒𡂒餹𘑉𷕳餹𲠑 𠚀񣀳𠌦顆𘠀𐑠𹄉𐈒𐍂𙈩𹂂𑙁񄂈𤈤𐍔𥐈𙈩𹂂ㅷ㈒𑁸𘤲𑁸𐜩餹񄂈 𤈤񣀳願𷦔𰈸𹀵𠑦𒌹𧑧𘤦𐙑顆𠝠񡦇𢡴񁂈𘌥𣕅𕤷𐖈𠌐񣀱𘤦𐙑𒊃𘤦𐙑 𨂈񃈳𖌢𑊇𒍒𨂒顆𡂂𥐈𐈒𐍂𙈩ㅷ𙈩𹂂𑙁𐊆𑁸𳙩𠔲𙈩𹂂𘤲񀁐㈒𙀆 񀘖餹𖂒񃎅𑁸񁦙餹񂦂𨂈𗁶𹐩𸥴顃𐈒𐍂𸦓𐈒񣀱 4 𙈩𹂂𡂂顃𰁳𙅑𑔠𑁸 a 𘤦𐙑𒌹񡦇𢡴񁂈𘌥𣕅𕤷𙉁𱌸񀔦𑉩𙈩𹂂𔄗𓜔𘤲𒉰𳙩𙈩𹂂񣀱𙀆𡂒 𰁳𙅑𲖑񃖂𠔲𰁳𙅑𑙁𨁶𷠗𰁳𙅑𦈔񣀳颃𙙇𐑖𘤦𐙑𙀆񃖂𹀵𠑦𒊃𒉰𲖈񣀱 𰁳𙅑𲖑𒌹ぢ𨁶𷠗𖀴𵡁𠔇𘤲𐕣𑖈𨁶𷠗񣀱 b 𥐈𠔨𐔓𡅔𳂙𷘣𹞄𑔠𗅧𙈩𹂂𨂈𰁳𙅑𲖑񣀳𘤦𐙑𘤲𡖃𠄡𰁳𙅑𲖑 餹𙌠𩈐𐅵𑌂񀔦𶥤𡁡񃞙𰁳𙅑񣀱𡁡񃞙𰁳𙅑𲖑񄁷񀙃U񣅖𡁡񃞙𰁳𙅑𷀅 𡖈񣅖񣀳𣀷𷀅𡖈𑕢𒄹𠔲𓙶񁥃𡅕񀤄𘤲𒌹ぢ𖀴𵡁𠔇𘤲𐕣𑖈𱉃《񣀱𙅑 𢐸𑁸𗤇񄁷𠜳𐅹𙈩𹂂𡂂𧕷𓜔𨂈𸦆𗉒𥐈𓁂𐌩񣀱𰁳𙅑𲖑񃖂𤅢𢁷𢐸𠚀 𡁵񅍂餹𙅑𢐸𑁸 顆𑥇𙉷𹀈𕦕𠊓𐅠餹񁅆񁍈 񣀱𙈩𹂂𕤳𖅙顆𡂂𙕸「 𐈒𐍂𣖁𡂒𢐸𠚀𡁵񅍂𙅑𢐸𑁸餹𡁡񃞙𰁳𙅑񣀱𘤦𐙑餹P𒜂𖅙𒉰𲖈𗍅 𑁸𒊃𑌂)𰁳𙅑𑁸񣀳𨈲𑝸𐅹𡁵𐌲𑁸񀔦𶥤𰁳𙅑񣀱𙀆𡂒𡁡񃞙𰁳𙅑񄁷 𠔲𙈩𹂂𑙁24𖅳𠝠𠌄𑖖񣀱𐙥𘤦𐙑𖈤ず♧񄁴𙈩𹂂ㅷ𠌄𑖖𨉳ず餹𰁳 𑁸񣀳𑘳𡁵𑈙𠌄𑖖餹𰁳𑁸𡂂𦚅𑅣𑈙񀆁𦤆񣀱 c 񃕴𷦒𰁳𙅑𲖑񄁷񀙃U񣅕񃕴𷦒𰁳𙅑𷀅𡖈񣅖 񣀳𣀷𷀅𡖈𑕢𒄹𠔲𓙶񁥃 𡅕񀤄𘤲𒌹ぢ𖀴𵡁𠔇𘤲𐕣𑖈𱉃《񣀱񃕴𷦒𰁳𙅑𒌱񀙲𧑓𠔲𙈩𹂂𑙁𐌲 𐊆𑁸𡁵𖅷񀘖𤈰𗉒8000𑈑餹𙈩ㅷ񣀱𘤦𐙑𐕣𧔦𷕖𣑖񃕴𷦒𰁳𙅑𲖑 𐅹𐥈𨌱𘤲𑌂)𠔨𗖁𑄳𗥨𠔲𙈩𹂂𕤳𙕸「𑌂𰁳𙅑𗠓𐅹𡁡񃞙𨦃𸁐𘤥 𑞂𰁳𙅑餹𢡴𑖈񣀱񃕴𷦒𰁳𙅑𖅙𒌹𷄤񁥃񄁁񣀱𐅹񃕴𷦒𰁳𙅑𒅄𐅵𷀅񃀈 顄ず𘑉𑌂𖅩𷦒𖅙𷄤񁥃񄁁񣀱 d 𰁳𙅑𲖑𒌹񀐶񀖗𖀴𵡁𠔇𠔲𱔰𰀖𑉳www.phillips.com𨂈𖂒𠝠 𰁳𙅑𗊂𒍁𘤲񀐶񀖗𐕣𑖈𠔲𑌂𘠀𧑓𩖅𗖁𘤲𗡱𐕲𘦅〡𨂈𰁳𙅑𗊂𒍁񀔦 𶥤𱔰顃𰁳𙅑񣀱𰁳𙅑𲖑񄁷𠔲𙈩𹂂𑙁𳘧𖅷24𖅳𠝠𐍔𱔰顃񄂈𑈙𨁶 𷠗񣀱𱔰顃𰁳𙅑񄁷𗠨𖀴𵡁𠔇𘤲𐕣𑖈𙅑𢐸񀤄𷡦𒌹񣀳𲘄𑌂𰈸𙅑𢐸񀤄 𡂒񁂈𘌥𢡴񣀱𔜐顃񀍖𰆃3𣈕񣀳𘤦𐙑𗕆𸔦𱔰顃𰁳𙅑𲖑𠔲𙈩𹂂𑙁𢚆 𷖉𡂒𳙱𹍅𰁳𙅑餹𙈩𹂂ㅷ񣀳𒊃𒌹𷕖𣑖𱉃《ㅷ𦎖𔄓デ񣀱 𖀴𵡁𠔇𨂈𱔰顃𰁳𙅑𗊂𒍁 𙈩𹂂颓𰁳𙅑񀒀𗍴𘤲𡂂𗠆񀉔񀒀񣀱𥐈𨦃𐕣𱔰顃𰁳𙅑𲖑𳙩𦢓𔄗𘤲 񃕴𷦒𰁳𙅑𲖑𰁳𙅑𠝠顆𶄘𠔲𑞈𑢒񣀳񀐶񀖗𖀴𵡁𠔇𱔰顃𰁳𙅑𗊂𒍁𰁳 𙅑𥐈𓁂♧𣀹񅄶񀖗𩖅񣀱񀐶񀖗𙌦顄񃕴𳌓𖉵𗈨顃𨂈𰁳𙅑񂅣񣀳𰁳𙅑𲖑 𒅄񀙃U♧𙅑𢐸𑁸񣀱𱔰顃𰁳𙅑𲖑𨦃𸁐𒊃ず𘑉񀙃U餹𙅑𢐸𑁸𥐈 𗂂𨦃𖂒𒊃𐈒𐍂𘌥𣙑顄𘤲顆𳂙𐖈𠌐𘤲񀎘𓖄񣀱𠔲𙈩𹂂񀔦𶥤颓𠝠񣀳 𧕷𡂒񃞈𱔰顃𙅑𢐸𑔠𦢓𠝠񣀳𷦔t𙅑𢐸𡂂𠔲𱔰顃𰁳𙅑𲖑𨂈񃕴𳌓𖉵 𗈨顃񄈹𩈐𥐈񣅕𦢓𔄗񣅖𙅑𢐸񣀱񣅕𦢓𔄗񣅖𙅑𢐸𑥇𙉷𙈩𹂂𕤳𥐈𐕣񃎇𗍅 𑁸𨂈𙅑𢐸񣀱𐙥𖈤ず♧񄁴𙈩𹂂ㅷ𠌄𑖖𱔰顃𰁳𙅑𲖑𒊃♧񣅕𦢓𔄗񣅖 𘤲񣅕񃕴𷦒񣅖𰁳𙅑𲖑𨉳ず餹𰁳𑁸񣀳𑘳𙈩𹂂𕤳𡂒𢡴𳘈𶥤𣕅𕤷񣅕𦢓 𔄗񣅖𙅑𢐸𡂂𦚅𑅣𑈙񀆁𦤆񣀱𥐈𠔨𐔓𱔰顃𰁳𙅑𲖑𰁳𙅑񣀳顄♧𒥴𑁸 񄈹𩈐𠔲𙅑𢐸񂅣顃񣀳𱔰顃𰁳𙅑𲖑餹𰁳𙅑𑁸񀙃𔌂𗈄𗍴𘤲𡂂𳙩𙈩𹂂 𕤳𖂒񃎅顃顄♧𒥴𑁸𡂒𙀆顆ず񣀱𓖈𙈩𹂂𕤳𓜄𐈒𐍂𠝠𐙨𒌹𳘈𶥤𣕅 𕤷𘤲𡂂𐝣񃔦𖀴𵡁𠔇餹𢐸𤎕񀙃𔌂𗈄𗍴񣀳𐌘𱔰顃𰁳𙅑𲖑𘤲𒌱𒌹𐅹 𕤈𠎘餹顄♧𒥴𑁸𙅑𢐸񣀱𖀴𵡁𠔇餹𢐸𤎕𰁳𙅑𑁸񀙃𔌂𗈄𗍴𹤰𠔲𤎕 𹀈𕦕𙌠𗖒񣀱 e 顆𸈀𐅹𷘣𹞄񣀰𡁡񃞙𰁳𙅑񣀰񃕴𷦒𰁳𙅑𘤲𱔰顃𠔨𗖁𰁳𙅑񣀳𧕷𰁳 𙅑𠝠𒅄𐅵𷀅𰁳𙅑𲖑𙕸「𙄗𠄈𱤵𐅠𹄡𹀈𑁸𒊃𙀆𡂒𑌂)񀙲𧑓𹀓𧑓 餹𸦓𐈒񣀳𷦖𘌥𔜐𐅹顄𰆃6 a 𣈕𙀆񀍖񣀱

f 顆𸈀𐅹𷘣𹞄񣀰𡁡񃞙𰁳𙅑񣀰񃕴𷦒𰁳𙅑𘤲𱔰顃𠔨𗖁𒉰𳙩𰁳𙅑񣀳 𒅄𐅵𷀅ぐ𤎕𹀈𕦕𐅵𷀅𒊃𐕣𸑆𑌂𘤲𑌂𐅵𦤆P餹𙅑𢐸𓝇顆𠜳𐈒𐍂 餂񀑦𘤲𑌂)𒊆𰁳𦅠𒂕𸔦𨂈𧑄𧑀𒊃𳙩𲠂񀠆𒊆𐕲𐈒𣚁𐐱♧𳘰񣀱 g 𡁡񃞙𒊃񃕴𷦒𰁳𙅑𠜳𘤦𐙑𙙇𐑖!𤎕𹀈𕦕餹𑈩𹀓𡂘𑡳񣀳𘤦𐙑 𖅙𨈲ざ𦤆𑞙𑝸𐅵𑌂𰁳𙅑񣀱񃊁^𠌦𘑉𥁔𲠣𨂈𘌥𣙑𔔇񣀳𘤦𐙑顆𡂂 𖅩𓖈𡅔𳂙𔀘𶥤𡁡񃞙𘤲񃕴𷦒𰁳𙅑񣀳𘤲𓜄𧕷颓𑔠𦢓餹𐈒𐍂𔕙𸂖𘤲 񀜗𤘘𸥴𐈒𐍂𸦓𐈒񣀱 5 𙈩𹂂𷕸𕤷 a 񃊁񃞈𢐸𡂒˙𰅨𶄹񣀳や𑘳𙀆𡂒𙈩𹂂ㅷ𓝇𡂒𗍅𑁸񃉑𑘆񣀳𗍅𑁸𠜳 ♧𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𳙩𹂂𕦕񀘖𘤥𒂕𸔦𨂈𐕣𖀥𡁵 𐌲𑔠㈒𑁸񣀱𷦔𗍅𑁸顆𡂂񅍂𠔲𙈩𹂂𑙁𐌲𐊆𑁸񣀱 b 𙈩𹂂𕤳𒌹񃐉𠝠񁂈𘌥𣕅𕤷𙉁𱌸𘤲𙕸「𐈒𐍂𰁳𙅑񣀳𙦈𓖄𐈒𐍂 𙈩𹂂ㅷ񣀳񁍂𠔐𑔠㈒𙈩𹂂ㅷ 𑥇𙉷𓜄𴢆𢊔𗠓 񣀳𐅹𒊃𔜐񀕸𑔠񂀧𘤲𦅠 𸔦𠝠𙕨《𑌂𸁐𥐈𠜳ざ񀙲餹𑌂)𶥤𑡧񣀱𘤦𐙑顆𡂂𥐈𙈩𹂂𕤳餹𶥤 𑡧𙄗𠄈𐈒𐍂𸦓𐈒񣀱𔜐𓜄𙈩𹂂𗠓𡂒𐈒𐍂𦅠𸔦񣀳𖅙𡂂𐅹𘤦𐙑𨂈𙈩 𹂂𱅩񁥃𥐈𨦃񂚐񣀱𙈩𹂂𕤳𘤲𡂂𙕸「𖀴𵡁𠔇𘤲𐕣𑖈餹񃈳𖌢𑊇𒍒𰁳 𙅑𲖑𓜄顆𨙨񀘓𷦔𙈩𹂂ㅷ餹𗍅𑁸𨂈𘌥𣙑顄餹𰁳𙅑񣀱 c 𙈩𹂂𕤳𡂂𐅹𑌂𸁐𥐈ざ񀙲餹𒥴𑁸񂥰𔢅𒊃𱥔𱦉𙈩𹂂񣀱𥐈𐕣񃎇𙀆 𡂒𙈩𹂂ㅷ𨂈𗍅𑁸񣀳𙈩𹂂𕤳𓜄顆♧𕤷𷀅𩈐𨂈𘌥𣙑顄񣀳𒌹𐅵𷀅𹂂 𕦕𐅹𙕸񀒔𙅑𢐸𘤲𰁳𙅑餹𠔨𗖁𖈤𙈩𹂂ㅷ𐍔𑔠𰁳𙅑𨉨𳘧񀘖𑖖𗍅 𑁸񣀱𖈤顆𷡠𗍅𑁸𨂈𙈩𹂂ㅷ񣀳񃊁񃞈𗂂𡂒𰁳𙅑񣀳や𑘳𙈩𹂂𕤳♧𳝕𡂂 𐅹𙈩𹂂ㅷ𨂈𙈩𹂂𑙁𐌲𐊆𑁸𨂈50%񂥰𔢅𙈩𹂂񣀱𴅠𓜄𣀷𑁸𡖈顄颃 𥘂𙅑𢐸񣀳𙈩𹂂𕤳𡂂𳘈𶥤𠑷񁂈𖅙𑁸𡖈顄񃉆𱥔𱦉𙈩𹂂񣀳𨉨𳘧𡂒𕥒 𘦅񂥰𔢅𰁳𙅑񣀳𥙅𗠓𑌲𧑧𷦔𙅑𢐸𑁸ぢ顃𱥔𱦉𙈩𹂂񣀱𓜄𣖁𡂒𡁕񅍂 𒌳𑁸𨂈𘌥𣙑顄񣀳𐅹𡁡񃞙𙅑𢐸𰁳𙅑𥘂𗍅𑁸𙈩𹂂ㅷ𡂂𐅹𙈩𹂂𑙁𐌲 𐊆𑁸𔕄𱅷50%𘤥U񣀱𐌘𴅠𷦔𙅑𢐸𑁸𐌲𠔲𙈩𹂂𑙁𐌲𐊆𑁸𨂈 50%񣀳𑘳𐅹𷦔𙅑𢐸𑁸𘤥U񣀱𔜐𡌱𥘂𗍅𑁸𙈩𹂂ㅷ𣖁𡂒𐈒𐍂𒌳𑁸񣀳 𙈩𹂂𕤳𡂂𳘈𶥤𣕅𕤷𷦔𙈩𹂂ㅷ𥐈𣡉𙈩񣀱 d 𡅗𙈩𹂂𡂂𐅹𤈰𑈑񀔦𶥤𙈩𹂂𒊃񄁷𐅹𤈰𑈑𱤵𢥥񣀱𥐈𠔨𐔓𣤣𔔇 𕥒P񣀳𓙶񁥃𑉳餹𙈩𹂂𑙁𐊆𑁸𘤲𡂂𧑓𲍓𑈑𒊃𘤲𣀀𑈑񣀳𒊃𡂂𒊆𠜐 𔕄𢅖𑈧𙙰𦜧񣀱𓖈𣀷񣀳𲍓𑈑𘤲𣀀𑈑𨂈𐊆𑁸𒌱𐑖𒉰𲖈𧑓񣀱𥐈𠔨𐔓 𰁳𙅑𲖑񣀳𘤦𐙑𠔲𙈩𹂂𡂂顃𘤲𐐐𧑓𸦆𗉒𑈧𙙰񄈹𩈐𡊂񣀳𐌘𘤦𐙑顆 𡂂𥐈𐈒𐍂𸦆𗉒𑈧𙙰𷞅𰎙𑔠𦢓񂀧𸂖𙄗𠄈𐈒𐍂𸦓𐈒񣀱 e 𓜄𙈩𹂂𕤳餹񁂈𘌥顄񣀳𑌂𑔠𑁸𡁵񅍂願𷄤𙈩𹂂𕤳𙕸「𨂈𰁳𙅑𲖑 𖅙𥐈𹀈𕦕񣀳顄𢊔𑘳񄈹𩈐𡁵񅍂𰁳𙅑𑁸餹𷄤𙕸「񣀳𐂀𷀅𩈐𹂂𕦕𳙩 𹀈𕦕餹񂦂𨂈𙈩𹂂ざ𱅷餹𷝴𩦒񣀱𙈩𹂂ㅷ餹񄌄񃐔𒊃𸦓𐈒𖅙𔜐𹤰𠔲 𐅹顄𰆃7𣈕񀁐𩕗𑖖𹀈𕦕񣀱 f 𔜐𙈩𹂂ㅷ𣖁𡂒㈒𑔠񣀳𙈩𹂂𕤳𡂂𕥔𐌡𷦔𙈩𹂂ㅷ𥐈񣅕𣡉𙈩񣅖񣀳 񣅕𠀢𓖄񣅖 񣀳 񣅕񀐁𓖄𹂂𕦕񣅖 񣀱 g 𐈒𐍂𠔲𙈩𹂂𡂂𗠓𨂈𙈩ㅷ𹀈𹂂𓝇「𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣𸑆𙀆 񃉑𑘆񣀳𔜐ず𙈩ㅷ𠔲𙈩𹂂𡂂颓𑔠㈒񣀱 6 𹄡𹀈𑁸𒊃𐅠𢥥 a 𹀈𕦕ず𘑉𠊓𐅠𘤦𐙑𣉰𐈅𙈩𹂂ㅷ餹𘤥U𑁸񣀳𹀈𕦕𘠀𠊓𐅠 𘤦𐙑񁅆񁍈𒊃𙀆𡂒񀙲𧑓𩕳񄁴𒊃𹀓𧑓񣀱𹀈𕦕𘠀𠊓𐅠񁅆񁍈𹀓𦜧 𥐈񙀗𙈩𹂂ㅷ𘤥U𑁸񄞑𤈰𗉒5,000,000𑈑餹26%񣀳𑞄񀕖𤈰𗉒 5,000,000𑈑𐅹顃𳘧𤈰𗉒50,000,000𑈑񀤄𐈖餹21%񙀘𑞄񀕖 𤈰𗉒50,000,000𑈑餹񄕉𢥥𨂈14.5%𷞅𰎙񣀱𘤦𐙑𐕣𧔦𧑓񁅆񁍈𠊓 𐅠 𱊂𐍦񁍈!♧𐙀𘤲𔔗𐙀𒂕𑞖𙈩ㅷ𠔲𙈩𹂂𡂂颓㈒𑔠𨂈𰆃顂 𠔨餹𢡴𑖈񣀱 b 񃊁񃞈〥𡂒𒂕𸔦񣀳や𑘳𹀈𕦕񄁷𠔲𙈩𹂂𗠓𩦒𒅄𱤵𢥥񣀳𳙩𡂒𐈒𐍂 𘑉𓙶𦚅𗠨𷦔𙈩𹂂𑔠〡𘤲񀔦〡𷡦𒌹𸑆𘤲𑌂)𔀘𥝅𥘂񃄄񣀱𐅠𢥥񄁷 𧑧𨁸𩊗𙆀񄄵P񣀳𐅹𤈰𑈑𒊃𙌦𥝅𨁸𩊗顃餹𷦖𱉧񁚃𶥤𹀵𠑦𐅹񃕴𒀩 𠔨𗖁𠊓𐅠񣀱

c 𥐈𠔨𐔓𕥒𘦅񣀳𘤦𐙑𖅙𙕸「𐅹𲍓𓙠񀖈񀑦𒄕񣀳Visa𒊃𴡅 񀘖𒄕 𱤵𐅠𡁵𔔗𤈰𗉒100𴡅𑈑餹𨁸𩊗񣀱 d 𙀆𹄡𙈩𹂂ㅷ餹𠁳𡂒𢡴𖅙𠔲𘤦𐙑񡦇𠐈𠌄《𗠓𠔨𒌹񀁐𩕗񣀱𘤦 𐙑𢅖𥘂𸦓𐈒𖅙𙈩𹂂ㅷU𱍳𹀈𕦕𨉨𳘧𙈩𹂂ㅷ餹𠁳𡂒𢡴𗂂񀁐𩕗񣀳 願𗂂𦚅𙙇𐑖񀙲𧕷𨦃𸁐𲘄𙙇𠘡U𐅠顆𡂂𗝧񄁤𠁳𡂒𢡴餹񀁐𩕗𘤲𹀈 𕦕𠊓𐅠𹀈𑉩𑁸餹𥘂𡝁𐈅𸦓𐈒񣀱 7 𙙇《𙈩𹂂ㅷ a 𘤦𐙑𨉨𳘧𨦃𸁐񡦇𠐈𠌄《𒊃𹀈𕦕𠔲𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ 𳘈餹񃈳𖌢𑊇𒍒𣖁𡂒𢤓𢥥񣀳𑥇𙉷𐈒𐍂𡖃𠄡𐅹顄𰆃8 a 𣈕𙀆񀍖񃖂 𱤵餹𐈒𐍂𹀓𧑓 𒊃𘤦𐙑𤖑𘑉𹀈𕦕𙀆񃖂𑌂\𡝁𢥥 𑥇𙉷𙙇𐑖𘤦 𐙑񃖂𷕖𨂈𹀵𠑦𒊃𠐴𐈅𐅹𤖑𹍨𕥒𘦅𨈲𲠣𖄀𡑆𒊃𑕁𑖁𸑹𑖁𰈸񣅕𸁐 𸑹𐍡𨂈𕥒𘦅񣅖𨂈ざ𷕸𷕖𣑖𒊃𕤈𘤥𒊆𣞀񇀥񁦙𘤲𒊆𘄤𘀵餔𲎙餹𸥵 𑡳𖄀𡑆𗠓񣀳𙀸𡂂𖅙𙈩𹂂ㅷUy𹀈𕦕񣀱𧕷𹀈𕦕𕤈񡦇𤖑𹍨顃񀍖𡝁 𐈅񣀳\ 𔚈𒌹𲠂𱍤𖀴𵡁𠔇 񃕴𷦒񙀗 852 2318 2000 𘤲𐕣𑖈 񃕴 𷦒񙀗 852 2303 9899 𕤂𙕂𙙇𑔠𗂂𹄡𹀈𨂈𙈩𹂂ㅷ񣀱 b 𹀈𕦕񄁷𠔲𙈩𹂂𗠓7𔕈𑉳𕤂𙕂𙙇《𙈩𹂂ㅷ񣀱𙈩𹂂𗠓𙀆𡂒𙈩 ㅷ𡂂𷄤𑆁𕠀𓜄𔔇񣀱𔜐𢥁𙙇《𙈩ㅷ񣀳𥝐𸅴𳙩𘤦𐙑𨂈񀖈񀀘񀤄񃕴𷦒 𲠂𱍤񣀳 𖀴𵡁𠔇񙀗 852 2318 2000𘤲𐕣𑖈񙀗 852 2303 9899񣀱 𡅔𳂙𙙇《𨂈𙈩ㅷ𓝇𡂂𷄤𠌄《𡂒񃄄񀁐𩕗񣀳𑖈𘅸񣀳𑆁𕠀𰈸𨉳񃄄𹀓 𧑓񣀱𗂂𹀈餹𙈩𹂂ㅷ餹񄌄񃐔񣀳𑥇𙉷𙅑𐕣𸦓𐈒𧑧𹀈𕦕𙄗𠄈񣀳𧑧 I 񄄂《 𘤲 II 𙈩𹂂𡂂𗠓7𔕈񣀳𐅹𹤡𠘡𠘖𡄳𥐈𤎕񣀱𨉨𑖖񄌄񃐔񀁐𩕗񣀳 𘤦𐙑𖅙𖈤𙈩𹂂ㅷ餹𐈒𐍂𙝐𔕙𘤲𙝐𣈸ぢ𹀈𕦕𠊓𐅠𹁸𑅅񣀳𘍰𐅹𙀆 𐅠餹𹀈𑉩𑁸𥐈𡁵񅍂񃉑񄆅񣀳颃「𘤦𐙑♧𳝕𙝐𔕙𘤲𙝐𣈸𙈩𹂂ㅷ𕤂 𙕂𙀆񃉑𑘆񣀱 c 𥐈𠔨𐔓𕥒𘦅񣀳𘤦𐙑𒌹𓜄顆〥𠌄𹀓顄񣀳𑥇𷈠𙈩𹂂ㅷ𐍔𙀵𙙇 𧑓񣀱𘤦𐙑颃顆𡂂𙙇𐑖𑥇𷈠񣀰𶄘𦤆񣀰𐕣񃐔𒊃𐅠񀖈𡂘𑡳񣀱𘤦𐙑𒌹𐑠 𠄡𹀈𕦕餹𙌠𩈐𳙩𐅠񀖈𐅵𦤆 顆𸈀𠜳や𧑧𘤦𐙑𙀆𗕆𸔦 𒂕𸅉𒊃𐔣 𘤥񃀈顄𠔲𘤦𐙑𹄡𹀈𸦆𦉱餹𑥇𷈠񣀰𶄘𦤆񣀰𐕣񃐔𒊃𐅠񀖈𠔲𘤦𐙑𙀆 𹄡𨂈𙈩𹂂ㅷ񣀱𹀈𕦕񄁷𙄗𠄈𙀆𡂒𐈒𐍂𙌠𩈐餹񄌄񃐔𒊃𸦓𐈒񣀳𘤦𐙑 𖅙顆𡂂𸥴𸦓𘤲𙄗𠄈𑌂\𨂈𑥇𷈠𒜂𘤲񀖈񀐁𒜂餹𶥤𥐈𒊃񀜗𤘘𗖒 𳘰𨂈𐈒𐍂𸦓𐈒񣀱𧕷𹀈𕦕𘤲𐅵𷀅𹀈𕦕𨂈𰆃顂𠔨񀖈񀐁²𔐸𓜄𖀴𵡁 𠔇𘤲𐕣𑖈𙕸𠌄𙈩𹂂ㅷ𠝠񣀳𒅄𐅵𷀅𙈩𹂂ㅷ𗂂𷄤𹀈𕦕𙙇《񣀱𹀈𕦕 񄁷𸥴𸦓𠊓𐅠𐈒𐍂񀔦〡񃄄𩕳ㄤ𙈩𹂂ㅷ𓖈񀔦〡𑖖𡁵𱌁𨉗𨂈𓜔𙀆񄁷 𐅠𨂈𧕷𓜔𩕳񄁴񣀱 d 𘤦𐙑𓜄𖅙𙈩𹂂ㅷUy𹀈𕦕𘤲𹀈𕦕餹𙔧𢡴𠔲𐅵𷀅𑙁񣀳𷕖𣑖 𑔠𩈐𠌙𗍘𨁸𑔠餹𹞄𐈖𸑆𠚀񣀱 8 𡅔𙙇《𙈩ㅷ a 𐙥𹀈𕦕𠊓𐅠񡦇𠐈𐌘𡅔𡂒𠔲𙈩𹂂𡂂𗠓30𔕈𑉳𙙇《𙈩𹂂ㅷ񣀳 𹀈𕦕𖅙𡂂𷄤𠌄《񀕖𡄳𙙇《𹀓𧑓񣀱𡅔𙙇《𨂈𙈩ㅷ𹀓𧑓𥐈𣉰𔕈 𤈰𗉒80𑈑񣀱𘤦𐙑𓜄񡦇𠐈𠌄𑖖𷦔S𹀓𧑓𗠓𠔨𡂂𖅙𙈩𹂂ㅷUy 𹀈𕦕񣀱 b 𐙥𗂂𱤵𐅠𙈩ㅷ񣀳𐌘𡅔𠔲𙈩𹂂𡂂𗠓6𐙀𡂐𑉳𙙇《𷦔𙈩ㅷ񣀳𑘳 𹀈𕦕𙔧𢡴𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𱑠񀑦𨙨𗠓 𕤂𙕂𐅹𙈩 𹂂𘤲𩑥²𑔠㈒𐅹񁍂㈒𷦔𦉱ㅷ񣀳𲘄𐊆𑁸𒊃𗍅𑁸𖅙𧑧𖀴𵡁𠔇𘤲𐕣 𑖈񁂈𘌥𣕅𕤷񣀱񃊁񃞈𹀈𕦕𓜄𷦔𙈩𹂂𡂂𗠓𑉷𗊃𑉳𠌄《𷦔𑔠㈒餹𙀆 𗠨𢥥񄁴𙁰񃊁𕠀𐘷𹀓𒊃𐈒𐍂𑌂\𹀈𕦕𢤓𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥 𣙑𲘄𕤷 𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒餹𙀆𡂒𹀓𧑓񣀳や𑘳𷦔𰈲𢥥񄁴 𖅙𷄤𣖁𠌄񣀱 9 𢤓𱤵𢥥餹𷈘𑅅𠔨𣚁 a 𓜄顆𗝧񄁤𹂂𕦕𒌹𳂙𠁳𡂒餹𐈒𐍂𢡴𑖈餹𘌥𣙑顄񣀳𐙥𹀈𕦕𓜄𡅔 񄂈𑈙𒂕𕤷餹𘌥𣙑顄𡅔𳂙𓜄𙈩𹂂𡂂𗠓7𔕈𑉳𘈙𠐈𱤵𐅠𙈩𹂂ㅷ𹄡 𑉩𑁸񣀳𘤦𐙑𒌹񡦇𢡴𣕅𕤷𶥤𐐐𐅹顄♧񄁴𘤲𔔗񄁴𷈘𠍅𠔨𣚁 i 𖅙 𙈩𹂂ㅷ𸦘𕠀𓜄𘤦𐙑𨂈𶄘𙀆𘤲𑌂\𓜔𠔨񣀳񄌄񃐔𒊃𹀓𧑓𕤈񡦇𧑧𹀈 𕦕𙄗𠄈 ii 《𣥇𷦔𙈩𹂂ㅷ餹񁞈㈒񣀳𐕣𧔦𹄡𑉩𑁸𐈒𐍂񀤄𑕁𱤵𢥥 𐍔𥐈񀘠𱅷񁍈 iii 𙉁𱌸𹀈𕦕𡅔𐐡𐍔𑔠餹𰁳𙅑𘤲𐐐𑌂𖈤𡅔𐐡餹

𰁳𙅑񄁷𠊓𐅠𐕣𸑆񁍈 iv 𠌄《𧑧𑖖𡄳𠘖𳘧𘈙𠐈𠌄《𹀈𑉩𑁸𧕷𠘖 𡄳񂦂𙌦𣉰𗊃12%餹𑖈𦜧𷞅𰎙餹𑖈𘅸 v 𖅩𹀈𕦕𧑧𖀴𵡁𠔇𘤲𐕣 𑖈 𷖉饂𘌥𣙑𲘄𕤷 𙀆𰐤𡂒餹𐈒𐍂𦉱ㅷ𶥤𐐐𧔦𲊖𢡴𒊃𙌠𩈐𖀴𵡁 𠔇𘤲𐕣𑖈餹񃈳𖌢𑊇𒍒𖅩𑌂𰐤𡂒𹀈𕦕餹𐈒𐍂𦉱ㅷ𶥤𐐐𧔦𲊖𢡴񣀱 𓜄𨙨𡂂𹀈𕦕𗠓񣀳颃𓜄𨁸𑔠𷦔񀑦𨙨餹30𔕈𗠓𒌹𕤂𙕂𑔠㈒𷦔𦉱 ㅷ񣀳𐅹𒊃𖅙𙀆𗠨𢥥񄁴𧑓𐅹𠊓𐅠𱌩𢤓𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄 𕤷 𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𙁰񃊁𢐸𤎕𹂂𕦕𐍦񁍈񣀳𙀆𡂒𑌂\𡂒񃄄 𹀓𧑓𒊃𐈒𐍂񀙲𧑓𩕳񄁴 vi 𐅹𙈩𹂂𘤲𩑥²𑔠㈒񁍂㈒𷦔𙈩𹂂ㅷ񣀳 𲘄𐊆𑁸𒊃𗍅𑁸𖅙𧑧𘤦𐙑ざ𦤆𓜔񁂈𘌥𣕅𕤷񣀱𐙥𷦔񁍂㈒餹𑁸𡖈𐌲 𠔲𷦔𙈩𹂂ㅷ餹𘤥U𑁸𒊃𹀈𕦕𘠀𠊓𙌒餹񁅆񁍈񣀳𹀈𕦕𖅙-񄁷𙄗𠄈 𷦔𗁶񄆅񣀳񀒔ず𷦔񁍂㈒𧑄𧑀餹𙀆𡂒𹀓𧑓񣀱 vii 𖊅񂥰𣚁𗠐𷡲𷠳񣀳𐅹 𠌄𓖄𷦔𙈩𹂂ㅷ餹𘤥U𑁸𒊃𹀈𕦕𘠀𠊓𙌒餹񁅆񁍈񣀳񀒔ず𑖈𘅸𒊃𷦔 𷡲𷠳餹𹀓𧑓 viii 𐅹𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𘤲𑌂𰈸ぐ 𳘈餹񃈳𖌢𑊇𒍒𱌩𢤓𹀈𕦕餹𐈒𐍂񁍈񄆅𙆖𣥇𹀈𕦕𖈤𙈩𹂂ㅷ𱌩𢤓𘤦 𐙑餹𐈒𐍂񁍈񄆅 ix ぢ𹂂𕦕񀐶񃚑𹀈𕦕餹そ𩙔𒊃𓜔𓜵񣀳𐐐𹂂𕦕𒌹 𖊅񂥰𣚁𗠐𷡲𷠳񣀳𐅹𠌄𓖄𢤓𢥥𒊃𧑩𱉃𣚁𗠐𹀓𧑓 𘤲 x 𙕨《𘤦𐙑 𸁐𥐈񀙲𧕷𒊃񃖂𷕖餹𐈒𐍂𶥤𑡧񣀱

𨂈𨂈𑔠〡񣀳𑉩〡𒊃𥂄𒅁𦉱𩙇𨂈𷡦𒌹𸑆𒊃𔀘𥝅񣀱顆𦚅𨁸𘤲𗔸񀚔 𦚅𨁸𐈒𐍂𙀆񃖂餹𷡦𒌹𸑆𘤲𔀘𥝅颃񃞈《𣥇񁞈㈒𘤲𗔸񀚔𱤵𐅠񡦇 𠐈𸦆𢥥餹𑈕𑕁𦤆𧑧񣀱𸅴𣜖𘑉𘤦𐙑𥐈𠔨𐔓𕥒𘦅𲘄𓜄わ𡂒𒌹𳂙「 𰐤𑘆𡥕𦉱𘤲𑡧𦉱𦉱𠑦𨂈𙈩𹂂ㅷ顃񃈳𑞄𢐸𷠗񣀳𐌘񃈳𑞄𢐸𷠗𠝠𔜐 𡂒𐈒𐍂񂀧𸂖𘤲񀜗𤘘񣀳𘤦𐙑𘄲顆𙄗𠄈𐈒𐍂𸦓𐈒񣀱

b 𓜄𠌄𑖖𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒񀑦𨙨𹀈𕦕𡅔 𳂙𐅠𢥥𗠓񣀳𒅄𹀈𕦕顆𒌹𠀢񁞈𙔧𢡴𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄 𕤷 𖅩𹀈𕦕𙀆𰐤𡂒餹𐈒𐍂𦉱ㅷ𶥤𐐐𧔦𲊖𢡴񣀱𘤦𐙑𡂂񀑦𨙨𹀈𕦕 𡂒񃄄𶥤𐐐𧔦𲊖𢡴񣀱𓜄𠌄𑖖𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𘤲𑌂 𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒񀑦𨙨𹀈𕦕𡅔𳂙𐅠𢥥𗠓񣀳𹀈𕦕𐂀顆𒌹𠀢񁞈𙔧 𢡴𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𙆖𙈃𹀈𕦕𷄤𰐤𡂒𨂈𦉱ㅷ𐅹𠊓 𙌒𐈒𐍂𢤓𢥥񣀱𔜐𹀈𕦕餹𦉱ㅷ𷄤񀐁𗞕𡂒񃄄𑊇𒍒񀔦𶥤𙆖𙈃񣀳𘤦𐙑 𖅙𡂂デ𨙨𹀈𕦕񣀱

𑔠〡񣀰񀔦〡񣀰񁞈㈒𒊃 𘤲𐐐𧑓𩕳 𹀈𕦕𗤇񄁷𣜖𘑉񣀳\𐙑𡂒𸦓𐈒𥐈𙀆𐅠񀖈𘤲𧑧𘤦𐙑𐅵𑌂𐅠񀖈𨂈 𙈩𹂂ㅷ𠊓𐅠𙀆𡂒𳙩𑔠〡𒊃񀔦〡𨉳񃄄𨂈𹀓𧑓񣀰񃄄𩕳𳙩𩕳𢥥񣀳𑥇 𙉷𐈒𐍂𓖈񀔦〡𙈩𹂂ㅷ𑖖𲍓𓙠𲘄𒌹𳂙𧑄𧑀𨂈񀙲𧑓񁞈㈒𒊃 𘤲𐐐 𧑓𩕳񣀱

c 𔜐𹀈𕦕𡅔𳂙𱤵𐅠𢥥񄁴񣀳𹀈𕦕顆𒌹𠀢񁞈𗂂𙔧𢡴𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𙌠𩈐𑌂񃈳𖌢𑊇𒍒𖅙𹀈𕦕𷄤𰐤𡂒𨂈𦉱ㅷ𐅹𹀈𕦕 𐅵𦤆²餹𹞄𐈖Uy𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𙌠𕤷𨂈𰆃顂 𠔨𐍔𹄡𑉩𑁸𒊃𐈒𐍂𑌂\𢤓𢥥餹𑌅𧕷𘤲𙆖𙈃񣀱𣀷񄁴𕤂𙕂𖅙𠔲𐅹 𡁡񃞙񀑦𨙨𹀈𕦕𗠓顆𖅷𠔲30𔕈񀔦𶥤񣀳𑔠㈒𦉱ㅷ𐅹𙀆𦚅𗠨𨂈𑔠㈒ 񁍈񄆅 𙁰񃊁𑔠㈒餹𢐸𤎕𹂂𕦕𐍦񁍈𒊃𑌂\𡂒񃄄𹀓𧑓𒊃𐈒𐍂񀙲𧑓 𩕳񄁴 𠊓𐅠𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 𘤲𑌂񃈳𖌢𑊇𒍒񣀱 10 𣕅𕤷𠀢񁞈 𘤦𐙑𡂒𢡴𠀢񁞈𙈩𹂂𒊃𣖁𡂒𲎙𑡳񀑦𨙨𹀈𕦕񣀳𔜐𘤦𐙑𡂒𦤆𧑧𨉳𐕲 𹂂𕦕𳙩𴥁𐍔𐕣𸑆餹񂦂𣥉𒊃񀘠𱅷𘤲𡂒𰆃顂𠔨𢥁𐅹顆𳤕𘑉𓙶𱉃 𑅅񣀱𧕷𘤦𐙑𣕅𕤷𠀢񁞈𙈩𹂂𒊃񀑦𨙨𹀈𕦕𗠓񣀳𹀈𕦕𘠀𑄳𗥨𖅙𙈩𹂂 ㅷ񀎘𓖄𱍳𘤦𐙑񣀳𲘄𘤦𐙑𡂂񀎘񀝅𘤦𐙑𙀆𠌄𨂈𹄡𑉩𑁸񣀱𔜐𐅹顄𰆃 14𣈕𙀆񀍖񣀳񀎘񀝅𢥥񄁴𘠀𥐈𹀈𕦕㈔♧𨂈𷈘𑅅𒊃ぢ𘤦𐙑𳙩𹂂𕦕𖅩 𙀵𣈕𠀢񁞈𙈩𹂂𨂈񀎐𱉃񣀱 11 𑔠〡񣀳𑉩〡𒊃𥂄𒅁𦉱𩙇𷡦𒌹𸑆𒊃𔀘𥝅 𓜄𰁳𙅑𐈒𐍂𙈩𹂂ㅷ𑙁񣀳𤎕𹀈𕦕𘠀𖅩𙈩𹂂ㅷ𑈙𐍔𦙨𩦒𸅉𡑆𐅹𨦃 𕤷𠜳や񃖂𷕖𐅹𷡦𒌹𸑆𑔠〡񄞕𤈰𘤲񀔦𑉩𑌂\𓙠𕦕񣀱𤎕𹀈𕦕𘠀𣜖 𘑉𡐓S𓙠𕦕𩍁𣀴𑉩〡わ𡂒𧑧𡥕𦉱𘤲𑡧𦉱𡈔𠑦𔜐𦠗𧁉񣀰񆂅񅘠񣀰 𸡡𦉆񣀰񅠨񅈤񣀰𗂄𷕑𦝸𧂓𡅒񣀰𦌆𦉑𷙶𘤲𦞐𧀇𣈩𨂈𦉱ㅷ񣀳顆𸈀𑌂𗊃 𐈖񣀰𨂀𑕁𣊂𦜧𘤲𑁸𐜩񣀱ず𢑘񣀳𓜄𰁳𙅑𐈒𐍂𙈩𹂂ㅷ𑙁񣀳𤎕𹀈𕦕𔜐 𢥁𖅙𹄡𗠨餹𙈩𹂂ㅷ𑔠〡𐂀𘠀𡑆𡖁颃å𷜓𡂒񃄄𓙠𕦕餹𑔠〡𒊃 𑉩〡񃉑𑘆񣀱𸅴𣜖𘑉𲍓𓙠𩍁𣀴𑉩〡𐈒𐍂わ𡂒񃞈𣠢𸡡𦉆𨂈𧑄ㅷ񣀱 𣠢𸡡𨂈𸡡𦉆𒌹𷄤񀔦〡𑖖𲍓𓙠񣀳𲘄𷦔񀔦〡𗤇񄁷񃈳𡂒𦙨𩦒𩒈𕡤 𑕁𡌒𔄓デ𐅹𸑆𠚀𡂒񃄄𦉱ㅷ𨂈𹊁𤎆𓜔𒊃𨦃𸁐𦉱ㅷ𨂈𗊃𡄳𗂂𹌀 񀖗♧𨂀𗊃񣀱 𡂒񃄄𐈒𐍂わ𡂒𸡡𦉆𐅹𔔇𨂈𥂄𒅁𦉱𩙇𵠐ㅷ񣀳񀔦〡𲖑񄁷𙙇𐑖𸑆𠚀 𠐴𐈅񂖖𕤷𦉱𩙇𒊃𵠐ㅷ餹𗊃𡄳𐅹񄈹𩈐𷦔𵠐ㅷ𥐈〢𴥰񣀱𹀈𕦕񄁷񀔦 𶥤𦙨𩦒𷤷𐊆𐅹𸁐𸑆𵠐ㅷ顃餹𥂄𒅁𦉱𩙇𦉱𠑦𒊃𸁐𸑆𵠐ㅷ餹𗊃 𡄳𥐈顆𖅷𠔲♧𨂀𗊃񣀱𔜐𢥁𷞅𧕗𑉩〡𵠐ㅷ𑖖𲍓𓙠𨂈𤎕𹀈𕦕顆𘠀 𐑠񃞔𘤦𐙑𱙉𑕢𠔲𓙶񁥃 .𵠐ㅷ顃𨂈𥂄𒅁𦉱𩙇𦉱𠑦𘤲𵠐ㅷ餹𗊃𡄳 𒊃𗤇񄁷𸉐𷥡𑌄𡂒𖅠𢄒𹀵𡖈𨂈𦙨𩦒񂖖𕤷𲖑𗠓𑌲𒉰𳙩𰁳𙅑񣀱 𹀈𕦕񄁷𙄗𠄈𸦓𐈒𒊃񀜂𕢙𙀆𡂒𑉩〡𒊃𑔠〡餹𣚁𐐱𒊃𘠀《𗠨𙀆񃖂

12. 𲍓𓙠񀔦〡 𣤣񃄄񃄄𩕳 𡂒𘑉𙄴𙈩𹂂ㅷ񀔦〡𲍓𓙠𨂈𹀈𕦕𗤇񄁷𣜖𘑉񣀳𲍓𓙠𣤣񃄄𒌹𳂙𓜄񀔦 〡 i 𓜄颓𓙠𔕄񃌙𷊂񀒄𘤲𑜐𐍔𨂈𧑄ㅷ𒊃 ii 𠔲𴆆𓙠𘤲𗢆𓙠𒄹𷊂 𨂈𒄹𑘈𡈔𠑦񘦙𑥇𙉷𨉳𦈂񣀰𒄹𑘈ㅷ񣀰𗊂𦈅𒄹𑘈񣀰𡁡𰞇𒊃𷡠𷞅񙀀𠝠 𗢂𠌄񄆅𔔇𨂈񀔦〡𩕳񣀱 𓜄𘤦𐙑𨙨𘌥顄񣀳𘤦𐙑𖅙𓜄񃖂𷕖񄆅𔔇𱤵𐅠𲍓𓙠񀔦〡񃄄𩕳𨂈𙈩𹂂 ㅷ顃𢐸𩈐𰅨𶄹񣀱𥙅𲘄񣀳𸅴𣜖𘑉񙀗𘤦𐙑𢐸𩈐񀑣S𰅨𶄹𒌱𠜳𥐈å𠔨 𐔓𤎕𹀈𕦕񣀱𘤦𐙑𢅖顆𖈤𐈒𐍂񂀧𸂖𸥴𸦓񣀳𑥇𙉷𡅔𳂙𤎕𨦃𢐸𩈐𙈩 𹂂ㅷ𘤲𡅔𡂒𐍔𑔠𐈒𐍂𢐸𩈐񣀱

13 𹀵𠑦𐕣񃎇 񃀈顄ず𘑉颃å𷜓𐅹顄ぐ񄁴񙀗 a 𴅠𐍡񀐶񀖗𖀴𵡁𠔇𨁶𷠗𰁳𙅑񣀳𖀴𵡁𠔇𡂂𡖃𠄡𩑥񃐥𠌙𰉨񃐉𠝠 𶄘𦤆𐍡𨂈𐙀²𹀵𠑦񘦙𑥇𙉷𒌹𳂙𷄤𣁩𱆗𥐈𠍁𘑸𘁡𐙀²𹀵𠑦񙀀񣀱 𖀴𵡁𠔇𨂈𩑥񃐥𠌙𰉨𑕆𹤰𠔲www.phillips.com񣀳𘤲𒌹񃕴񀤧𳘧 dataprotection@phillips.com 𱉃《𑚖𡅗񣀱𴅠𐍡񀐶񀖗𐕣𑖈𨁶 𷠗𰁳𙅑񣀳𐕣𑖈𡂂𡖃𠄡𩑥񃐥𠌙𰉨񃐉𠝠𶄘𦤆𐍡𨂈𐙀²𹀵𠑦񘦙𑥇𙉷 𒌹𳂙𷄤𣁩𱆗𥐈𠍁𘑸𘁡𐙀²𹀵𠑦񙀀񣀱𐕣𑖈𨂈𨂈𩑥񃐥𠌙𰉨𑕆𹤰𠔲 https www.polyauction.com.hk en privacy policy 𘤲𒌹 񃕴񀤧𳘧info@polyauction.com.hk𱉃《𑚖𡅗񣀱 b 𘤦𐙑𒌹𳂙𡂂𖅩𑌂𦉱𢄒񣀰񁞈㈒𒊃𖊅𷙐𰒅𓙤𑉳񀔦𶥤񁥃𗝧𨈶𙖂񣀳 񃀈顄𳙩𖀴𵡁𠔇𒊃𐕣𑖈餹񂦂𨂈𤐈񀑦𑥇𙉷񃕴𷦒ㄤ𱔰顃𖅩𷦒񘦙𔜐񃕴 𷦒ㄤ𱔰顃𰁳𙅑񙀀𐂀𡂂𷄤𷠗񁥃񣀱𘤦𐙑𖅙𡖃𠄡ぐ𳘈𨂈𩑥񃐥𠌙𰉨𷠗 񁥃ㄤ𶄘𦤆𣀷𰈸𹀵𠑦񣀱 14 𣚁𗠐𸦓𐈒񃉑𑘆 a 𐈒𐍂𡂒񃄄𔤉𷠕y𐕣𑖈𐅹𑕢𑉩𠜳𢤖𙈩𹂂𨂈𙈩𹂂ㅷ񣀳𖀴𵡁𠔇顆 𖅩񃀈顄𸥴顃𐈒𐍂𸦓𐈒񙀘𲘄𐈒𐍂𡂒񃄄𔤉𷠕y𖀴𵡁𠔇𐅹𑕢𑉩𠜳𢤖 𙈩𹂂𨂈𙈩𹂂ㅷ񣀳𐕣𑖈顆𖅩񃀈顄𸥴顃𐈒𐍂𸦓𐈒񣀱 b 𡖃𠄡𐅹顄 f 𣈕񣀳𖀴𵡁𠔇񣀰𐕣𑖈𒊃𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒餹𙀆 𡂒𣚁𗠐𸦓𐈒𒊃𹂂𕦕𳙩𹀈𕦕𓜄𙈩𹂂ㅷ񁞈㈒񃄄𐔢餧「𹀈𕦕𖂒񃎅𙀆 𐅠𨂈𹄡𑉩𑁸񃉑𑘆񣀱 c 񃊁񃞈𓜄𣀷𰆃14𣈕𙀆𙙇𒊃񣀳𖀴𵡁𠔇񣀳𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳 𖌢𑊇𒍒𘤲𹂂𕦕𓝇𥘂񄁷 I 𸥴顃𐈒𐍂񂀧𸂖𘤲񀜗𤘘餹𸦓𐈒񣀳顆𸈀𠜳 𐅹〡񀍖𘤲𡁡񃞙񣀳𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𙙇𐑖y 𤎕𹀈𕦕餹𹀵𷞉𘤲 II 𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𓜄 𡂒񃄄𠔲𙈩𹂂𶥤𥐈𘤲𖅩𐈒𐍂𑌂\𡂒񃄄𙈩𹂂ㅷ񁞈㈒𓖈𶄘𦤆𘤲񀜗 𤘘񣀳顆𸈀𧘓𘀀𘤲𑌂\𒈐𓖈𲘄𖅩𐈒𐍂𰁳𙅑𲖑𙄗𠄈񣀱 d 񃊁𴥁𐍔𐕣𸑆𐅹𔔇𨂈𐕣𸑆񣀳𠚀𩈐𘤲𠢓𩈐񣀳𑥇𙉷ㅷ𹂔𤖑𘑉ㄤ񀙲 𧑓𘁡𐕣𸑆񣀳𓝇𷄤𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𘤲𹂂𕦕 𓜄𣚁𗠐𑈈𷡦𨂈𡁵𔕄𰒅𓙤𑉳𙀆𙕂񃊁񣀱 e 𡖃𠄡𐅹顄 e 𣈕񣀳𖀴𵡁𠔇𘤲𐕣𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𘤲𹂂 𕦕𓝇𥘂񄁷𖅩𠔲顃𣈕 a 𙙇𒊃𹀈𕦕񃊁񀎘𢥥𔔇餹𐈒𐍂𙝐𔕙𘤲𙝐𕦇 𸥴𸦓񣀱顆𸈀𷦔𙝐𔕙𘤲𙝐𕦇𥐈𨉨𙕸񣀳񂦂𙕸񣀳𦊔𑖁񣀳񃈳𗆃𨂈𘤲𗠓

𡌱񣀳𘤲𓜄𣚁𗠐𑈈𷡦𨂈𡁵𔕄𰒅𓙤𑉳𧑓𐅹𠊓𙌒𹄡𑉩𑁸餹𑖈𘅸񣀱 f 𓜄𢄒𑡳𷕸𕤷𣖁𡂒𷕸𰐤𨂈𘠀𷄤𷖉𥐈𙕂񃊁𘤲񃉑𑘆𖀴𵡁𠔇𘤲𐕣 𑖈𘤲𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒𖅩𹀈𕦕𸥴顃𓖈𘤦𐙑餹𧘓𘀀𖅩𣁸𐁱𘤲 「𐥔𙀆񀒄𘤥𨂈𐈒𐍂𢥖𷤧𘤲𶄩𐝆񃌇񀍖𨂈𸦓𐈒񣀱 15 𦈅𢡴 𙀆𡂒𧑧𖀴𵡁𠔇𒊃𐕣𑖈𘤲𥐈𖀴𵡁𠔇𒊃𐕣𑖈𓜄𓙶񁥃颓𳙩𙈩𹂂ㅷ𡂒 񃄄餹𷊂𐍔𨂈♧𑕃𗝧𸡡񣀳𓙶𢐸𳙩𡁡񃞙𡈔𠑦餹𦈅𢡴񣀳𥘂𸈀𐍂𠝠𓝇 𖌢𖀴𵡁𠔇𒊃𐕣𑖈𸥵𧑄񣀱𡅔𱑠𘤦𐙑`𑈙𡁡񃞙ず𘑉񣀳𹀈𕦕𘤲𐈒𐍂 P𓝇顆𗠨𐐐𧑓񣀱𖀴𵡁𠔇񣀰𐕣𑖈𒊃𹂂𕦕𓝇𣖁𡂒񃌇񀍖𘤲𐕣𸑆𹀈𕦕 𖈤𙅑𗠨𨂈𙈩𹂂ㅷ《𗠨𐈒𐍂𙈩𹂂ㅷ𘤲𑌂)𷊙𷊂𨂈𢡴𑖈񣀱 16 ♧𳝕𹀵𠑦 a 𷦔𣀷𢄒𑡳𷕸𕤷 𠔲顃񀍖𰆃1𣈕𙀆𠌐𸖂𘤲𷈘𑈕 𒊃𐕣𸑆񀒄𘤥ぐ 𠔨𖅩U𠚐餹񄂈𡄳𒊃《𐅵𙀆𡂒餹𑙁𒊃𧕷𠝠𨂈𡁡񃞙񣀳〡񄄵𘤲𠢓𩈐 餹𦤆𷜓񣀳𸄐𠚀ㄤ𒂕𸔦񣀱 b 𱍳!𖀴𵡁𠔇𒊃𐕣𑖈餹񀑦𨙨𘠀𐅹𡁡񃞙𗝂𗖁𨁸𑔠񣀳𷢅𠚀𙈩𹂂餹 𸥴𸦓񀤄񂥖𒊃񁞈㈒𓙶񁥃񂥰𰁢𙌠𕤷餹𒉰𲖈𶄹𨦆񣀱𱍳!𘤦𐙑𕥒𘦅餹 񀑦𨙨𘠀𐅹𗞅𰈸𣀵𗖁񀑦𨙨𖀴𵡁𠔇𘤲𐕣𑖈 𷖉饂𘌥𣙑𲘄𕤷 餹𡁵𠔐 𓜔𓜵𥐈𠌄𐈅𓜔𓜵񣀱 c 𡅔𱑠𘤦𐙑𡁡񃞙ず𘑉𑙁񣀳𐈒𐍂𹀈𕦕顆𗠨񀁐𸘂𷦔𰈸𢄒𑡳𷕸𕤷񣀳 𐌘𖅩𹀈𕦕餹𱥔𙄗P񣀳𙄗𐅠P𒊃񀜗𧑄𔀘𶥤P𑌄𡂒𱅷𡈴𑝸񣀱 d 𐙥𓖈𐈒𐍂𦤆𧑧𥘂𣚁𔀘𶥤𷦔𰈸𢄒𑡳𷕸𕤷餹𐈒𐍂𡝁𠐴񣀳𑘳񄕉顄 𡝁𠐴𘠀-𥙅𑌄𡂒𒁱𹍨𠌰𑝸𒊃𐍔𧑓񣀱𐈒𐍂♧𠔨𶥤𐐐񣀳𘤲𣖁𡂒𗔸 񀚔𶥤𐐐񣀳𓜄𷦔𰈸𢄒𑡳𷕸𕤷𐈒𐍂𢡴𑖈𘤲𷈘𠍅𒌹𐍔𑈩񃊁𘤲񁍀𠌘񡦇 񀤄𘤲񀤄𑕁񣀱 e 𡅗𢄒𑡳𷕸𕤷𒊃𐕣𸑆񣀳𤎕𹀈𕦕𙌠𗖒𒊃񁍂𷕖񀑦デ񣀳𔜐𡂒𐈒𐍂𷦇 񁍀顃𨂈𒡹񄆃񣀳♧𢅖𐅹𴆆𠐴𦈅𡅗𥐈𤎕񣀱 17 𣚁𐐱𒊃𒍒𣚁𢡴 a 𷦔𰈸𢄒𑡳𷕸𕤷𒊃𐕣𸑆餹𢡴𑖈𒊃𲎙𑡳񣀳𒊃𑌂𡂒񃄄𘤲񀙲𧑓餹𙀆 𡂒`𕥂񄁷「񄞕𤈰𣚁𗠐𷕸𰐤颃𙌦𑌂𷦇񁍀񣀱 b 𖈤𖀴𵡁𠔇𒊃𐕣𑖈餹𑖈𨆖𲘄𷝰񣀳𙀆𡂒𰁳𙅑𲖑𒊃𹂂𕦕ず𘑉񄞕𤈰 𣚁񃉸𠁳𡂒𖅠𡂒𒍒𣚁𢡴񣀳𸅉𷜓𙀆𡂒𓖈𳙩𷦔𰈸𢄒𑡳𷕸𕤷𒊃𴥁𐍔𐕣 𸑆𡂒񃄄𘤲񀙲𧑓餹𙀆𡂒`𕥂𘤲U𠚐餹ぐ𠔨񃞙𲘄𧑄𧑀餹𱈨𦅠񣀱ぐ 𠔨𓝇ず𘑉𖀴𵡁𠔇𒊃𐕣𑖈𖅙𐕣𧔦𢡴𑖈𓜄񄞕𤈰𣚁񃉸𐅹𔔇餹𐈒𐍂𣚁 񃉸𙙇𑔠𷡲𷠳񣀱 c 𙀆𡂒𰁳𙅑𲖑𒊃𹂂𕦕顆𒌹𠀢𓖄ず𘑉񀐶񀖗𐥈𨌱񣀳𷘣𹞄񣀳񀤧𖀡𘤲 񄞕𤈰𣚁𐐱񣀳񀐁񀘖𓜔񇁐餹𣚁𐐱𘤲𙙇𑔠𷡲𷠳餹𒍒𣚁𢡴𒁰餹𣚁𐐱𑈈 𷡦餹𑌂)𠔨𗖁񣀳𖅙𡂒񃄄𐈒𐍂𣚁񃉸𷡲𷠳餹𣚁𗠐𩖅𗌶𠐴𐈅𘤲𐈒𐍂 𑌂)𠐴𐈅񀐁𨁸𳘧𹀈𕦕𘤲𹂂𕦕𨙨𡂂𖀴𵡁𠔇𘤲𐕣𑖈餹𡁵𠔐𓜔𓜵񣀱

𴥁𐍔𐕣𸑆 𘤦𐙑𐕣𸑆𓜄𙈩𹂂𠘖𹊁𨂈5𗊃𡄳񂦂𥐈𓙶񁥃𑉳𧑓𰥑񅌱𘤲𔕄𢄵𢐸񄆃 餹𦉱ㅷ𐕣𸑆^𴥁𐍔𢡴񣀱𐕣𸑆「𡅗𢄒𑡳𷕸𕤷𨂈𰆃14𣈕𒊃𡅗𓙶񁥃 𙀆𹤰𡅕𤎕𹀈𕦕𙌠𗖒𗠓𨂈񁍂𷕖񀑦デ𙀆𙕂񃊁𒊃񃉑𑘆񣀱𴅠𡂒񃄄𙈩𹂂 ㅷ𧑧𐕣𑖈「𔤉𷠕𐅹𑕢𑉩𠜳𢤖𙈩𹂂񣀳𴥁𐍔𐕣𸑆𖅙𧑧𐕣𑖈𐍔𑔠񙀘 𴅠𡂒񃄄𙈩𹂂ㅷ𧑧𖀴𵡁𠔇「𔤉𷠕𐅹𑕢𑉩𠜳𢤖𙈩𹂂񣀳𴥁𐍔𐕣𸑆𖅙 𧑧𖀴𵡁𠔇𐍔𑔠񣀱 a 𘤦𐙑𖅩𐈒𐍂𙈩𹂂ㅷ𒌱𱍳!𒈐𐐡𱅩񁥃餹𹀈𕦕 𒅄𨁶𷠗𘤥𑞂𙈩 𹂂餹𰁳𙅑P 𐕣𸑆𴥁𐍔𢡴񣀱𣀷𐕣𸑆𴥁𐍔𢡴颃顆𐌁𗔸𳘧 i 𦉱ㅷ 𑌂𗠓𨂈𠁳𡂒P񣀳𑥇𙉷𹀈𕦕𘤲𠌄𐈅P𐅹𩐦𦉱𗝂𗖁𧑧𒈐𐐡𹀈𕦕񣀳𗠓 𐅵񣀳𱥔𙄗P񣀳「𨆖P𒊃𙌠𕤷P񀐁𑔠 ii 𓙶񁥃𑉳𖅩𦉱ㅷ𨂈𙙆

񀍖 𑥇𙉷𗡀𓙶񁥃𨂈QR[𱔘𨦆𙕸𑉩𨂈񄁨񃞙𙀆𹤰𨂈𙙆񀍖 𳙩𦉱ㅷ 𴥁𐍔𡂒𘑉𷕳顃𨂈𨙈𨊅 iii 𘤦𐙑𠔲𙈩𹂂𠘖𣁩𱆗𴥁𐍔𳙩𖅠𕦕񣀳𕡤 𲖑𘤲𑌂)𖅠𕦕𠠨񀖔𙕸𱆗餹𘑉𷕳♧𳘰 iv 𳂙𣀵𨦃𓜔񂖙𕤷𙈩𹂂 ㅷ𨂈𩒈𕡤񂖙𕤷𠔨𣚁𓜄𓙶񁥃𱙉𒄹餹顆𥐈♧𳝕𙀆𙕸「񣀳𘤲𓜄𓙶񁥃 𹤰𨁶𠝠񣀳𣀷𠔨𣚁񀖗𐈖𠙗𹀄𘤲顆𖂒񃎅𘤲𒌹𳂙𙝐𔐕𙈩𹂂ㅷ𨂈𘌥𣙑 𘤲 v 𴅠𡖃𠄡𙈩𹂂ㅷ𠔲𓙶񁥃餹𢐸񄆃񣀳𷦔𙈩𹂂ㅷ颃𥘂񁍂𔕄𓀳𔕙 𐈒𐍂𑁸𐜩񣀱 b 𔜐𢥁𓖈𴥁𐍔𐕣𸑆𲘄𱉃𑅅񣀳𘤦𐙑𐕣𧔦𑌂𢡴𑖈񣀳𐍔𥐈𠀢񁞈𙈩𹂂 餹𡝁𐈅񣀳𒊃𷕖𣑖𹀈𕦕𙙇𐑖𑉷そ𥐈𘤦𐙑𒊃𹀈𕦕񃔅𠔨𙕸𱆗餹𦊔𩦒 𒊃𶥤𑉳𸁐𒌹𖅠𕦕餹𔄓デ񣀳𹀓𧑓𧑧𹀈𕦕𙄗𠄈񣀱𘤦𐙑𥘂񄁷「𹀈𕦕 𑔠𩈐餹𐈒𐍂𔄓デ𙀆𷕸񃉑񣀳颃𐕣𧔦𢡴𑖈𖅦𣑖񄆅𔔇餹𖅠𕦕𘑉𷕳񣀳 𹀓𧑓𧑧𘤦𐙑𳘈𶥤𙄗𠄈񣀱𐙥𘤦𐙑𣕅𕤷𡖃𠄡𡅗𐕣𸑆《𣥇𹀈𹂂񣀳𘤦 𐙑𘤲𡂂𖅙𱑠񃔅𠔨𖄀𙄅餹𦙨𩦒𖅠𕦕𔄓デ𙀆񃖂餹ざ𦤆𹀓𧑓񀎘񀝅 !𹀈𕦕񣀱 c 「顃񀍖 a 𙀆𸄐𠚀񣀳𹀈𕦕𘤲𒌹𖈤𴥁𐍔𐕣𸑆𓜄𐅹顄𘌥𣙑顄𙙇𑔠 𐌁𱉃 I 𹀈𕦕𓜄𠌄𑖖𐈒𐍂𖅲𳘰𹀈𕦕𹂔𧘖𙈩𹂂ㅷ餹𨌱𐡅餹𹀵𠑦𗠓 3𐙀𡂐𑉳𐅹𡁡񃞙񀑦𨙨𘤦𐙑 , 𷢅𠚀𹄡𹀈𷦔𙈩𹂂ㅷ𨂈𙈩𹂂𱙉𶄹񣀳𓙶 񁥃𑉳𙈩𹂂ㅷ𱙉𶄹𒊃𷄤𸁐𥐈𠜳𳒖ㅷ𨂈𦤆𧑧𒊃 II 𖅙𦎖𣙑𳙩񁞈㈒! 𹀈𕦕𧕷𠘖𨉳ず񣀳颃𳂙񀁐𩕗𑌂𔞑㊥𙀆𡂒𢡴願𳘈񁞈㈒𠘖𡄳𗠓颃𥘂 𑔠𦢓𐈒𐍂𰆃顂𠔨𧑩𱉃餹𦉱ㅷ񀎘񀝅!𘤦𐙑񄞕𤈰𨂈𶄘𙀆񣀱𘤦𐙑𡂒 𢡴𑈩𒉗𐈒𐍂𐅹顃 c 𖅳𣈕𘤲 b 𖅳𣈕𙀆𸄐𠚀餹𷕖𣑖񣀱 d 𹀈𕦕𠚀𨁹𒊃ず𘑉𖅩񀘠𒊆𴥁𐍔𐕣𸑆餹𦙨𡂒𷈘𑅅𥐈𠀢񁞈񁞈㈒ 𒊃񀎘񀝅𒈐𐐡𙀆𐅠餹𹄡𑉩𑁸񣀱񀎘񀝅𢥥񄁴𘠀𥐈𹀈𕦕㈔♧𒊃《𐅵𑌂 )𣚁𗠐𗝂𗖁𨂈𷈘𑅅𒊃ぢ𖀴𵡁𠔇񣀰𐕣𑖈𒊃𑌂𰈸ぐ𳘈餹񃈳𖌢𑊇𒍒 𳙩𹂂𕦕𖅩𠀢񁞈𙈩𹂂𨂈񀎐𱉃񣀱񀑣𐂀𐅵𷀅𖀴𵡁𠔇񣀰𐕣𑖈𒊃𑌂𰈸ぐ 𳘈餹񃈳𖌢𑊇𒍒𘤲𹂂𕦕𓝇𥘂񄁷𖅩𣀷𴥁𐍔𐕣𸑆餹𷈘𑅅񀎘𢥥𔔇餹𐈒 𐍂𙝐𔕙𘤲𙝐𕦇𸥴𸦓񣀱顆𸈀𷦔𙝐𔕙𘤲𙝐𕦇𥐈𨉨𙕸񣀳񂦂𙕸񣀳𦊔𑖁񣀳 񃈳𗆃𨂈𘤲𗠓𡌱񣀳𘤲𥐈𒈐𡂒𹄡𑉩𑁸𠊓𐅠𑖈𘅸񣀱

• 𐅹𐙀 そ𲎙𹄡𹀈 𸅴𙙇𐑖𠌙𗍘𨁸𑔠𨂈𹞄𐈖𸑆𠚀𠐴𐈅𒊃𡁵񀊄3𐙀𡂐𨂈𐌴𓜵𸑆𠚀񣀱 • 𐅹𑊇𒍒そ𲎙𹄡𹀈 𔜐񃀈顄𐅹㉂𢄒𖂒񅌱そ𲎙𹄡𹀈񣀳𸅴𙙇𐑖𧑧𠌙𗍘𨁸𑔠𨂈𑊇𒍒𸑆𠚀𠐴𐈅 𔜐𑊇 𒍒𷢅𑌩𸑆𡁡 餹𑚖𡅗𒊃𠁳𡂒 𑥇𙉷𡁵𱌁𖂒𨆖𠁳𡂒 𒊃𴥰±𨂈𸑆𠚀𠐴𐈅񣀳 𐅹𡖁𖂒𡂒񃄄𑊇𒍒񣀱 • 𢄒𑡳𷕸𕤷 𙀆𡂒𙅑𢐸𨂈𶄘𦤆𒊃𔀘𶥤񣀰𒊃𙀆𡂒𙈩ㅷ𨂈𘤥]𒊃𹄡𹀈𓝇𙌦𥝅𓙶񁥃𙀆𹤰餹

𸅴𔈓𔞑𣀷𷀅𡖈颃𠔲𙈩𹂂𠘖𑙁24𖅳𠝠𷘣𹞄񣀰𘤲񀐶񀖗񃕴񀤧𘤲𐥈𨌱]𓖄񣀱 𠎇𸅴𱉧񃀱𷀅𡖈𒍄𑕢񄁷𨙨񣀳颃񀜑𠂅񃀈顄𢥁𐅹𐙀 そ𲎙𘤲𑊇𒍒そ𲎙𒉰𳙩𠜳𢤖𰁳𙅑񣀱

𢄒𑡳𷕸𕤷𔀘𶥤񣀱𸅴𠔲𒉰𳙩𰁳𙅑𑙁𱉧񃀱𢄒𑡳𷕸𕤷񣀳颃𱉧񃀱𰆃4𣈕餹𑉳𖀂񣀱 • 𔜐񃀈顄𡅔𳂙𑔠𗅧𙈩𹂂𡂂񣀳𘤦𐙑𢎙𘑉𐅵𷀅񃀈顄񀔦𶥤𐕣𖀥𨂈𡁡񃞙𰁳𙅑񣀱

𸅴񀜑𠂅𣀷𷀅𡖈餹𰁳𙅑𠔨𗖁 񀜑♧񄁴 񙀗

• 𘤦𐙑𡂂𙌦𣉰𐈅𙈩ㅷ𘤥]𑁸ぢ𘤥𑞂𰁳𙅑𲖑𠌄《𐍦񁍈𘤲𹀈𕦕𠊓𐅠餹񁅆񁍈񣀱 𹀈𕦕𘠀𠊓𐅠𡅗𑊇𒍒񁅆񁍈񣀳񁅆񁍈𹀓𦜧𥐈񙀗𙈩ㅷ𘤥]𑁸񄞑𤈰𗉒5,000,000𑈑

𦢓𔄗𰁳𙅑 𡁡񃞙𰁳𙅑 񃕴𷦒𰁳𙅑

𰁳𙅑𦈔𶄹𨦆

• չ𹄡𹀈պ𘤲𥘂񃉑𑁸𰁳𙅑𢐸𖅙顆𦚅𙕸𱆗񣀱񃀈顄𒌹𠔲𙈩ㅷ𱙉𶄹餹񂦂𐅹չ𘤲պ𕞘 𐍔𑉷𲖑 𘤲𴅠𗊁 颓𠂅♧𰁳𙅑񣀱

𸅴񀜑𠂅񃀈顄𠜳𢤖𰁳𙅑そ𲎙 񀜑♧񄁴 񙀗

• 𔜐𢥁񀔦𶥤𡁡񃞙𰁳𙅑񣀳𸅴𑕢𠚀𣉰𐈅𙈩ㅷ餹𡁵񅍂񃉑𑁸 𹀈𕦕񁅆񁍈顆𷞅𓜄𑉳 񣀱 𙈩𹂂𕤳𖅙𒉰𲖈𗍅𑁸𒊃𑌂)𰁳𙅑𑁸񣀳𨈲𑝸𐅹𡁵𐌲𑁸񀔦𶥤𰁳𙅑񣀱𓜄𣖁𡂒𡁕

𐅹𐙀 そ𲎙 𐅹𑊇𒍒そ𲎙

񅍂𑁸𨂈𘌥𣙑顄񣀳𖅩顆𷡠𗍅𑁸𨂈𙈩𹂂ㅷ𙀆𙙇]𨂈顆𓜄𔄗𙅑𢐸񣀳𡂂𐅹㈒𑙁 𐌲𐊆𑁸𔕄𱅷50%𘤥]񣀳𐌘𠜳𴅠𷦔𙅑𢐸𑁸𐌲𠔲㈒𑙁𐌲𐊆𑁸𨂈50%񣀳𑘳𐅹

𙈩𹂂そ𩙔 𩙔𸊕

餹26%񣀳𑞄񀕖𤈰𗉒 5,000,000𑈑𐅹顃𳘧𤈰𗉒50,000,000𑈑񀤄𐈖餹 21%񙀘𑞄񀕖𤈰𗉒50,000,000𑈑餹񄕉𢥥𨂈14.5%𷞅𰎙񣀱

𙈩𹂂𱙉𶄹 そ𕞘

𑊇𒍒そ𩙔 𔜐񀙲𧑓

𙈩𹂂𠘖𡄳

𷦔𙅑𢐸𑁸𘤥]񣀱 • 𙅑𢐸𑁸𗤇񄁷𐅹𙈩𹂂𧕷𓜔𨂈𸦆𗉒𥐈𓁂𐌩񣀳𒊃𘤲𡂂𷄤𸅉𐌲𳘧𡁵𙕸񀊄𙈩𹂂𕤳 𒥴𑁸񀙃𔌂𗈄𗍴餹𰁳𙅑񁍈񄆅񣀱

𔤆𣍸

• 𔜐𘤦𐙑𖈤ず♧񄁴𙈩𹂂ㅷ𠌄𑖖𨉳ず𰁳𑁸餹𔤉𷠕񣀳𑘳𡁵𑈙𠌄𑖖餹𔤉𷠕𦚅

𕥒𘦅𶄹𨦆

𑅣𑈙񀆁𦤆񣀱 • 𡁡񃞙𒊃񃕴𷦒𰁳𙅑𠜳𘤦𐙑𙙇𐑖)𤎕𹀈𕦕餹𑈩𹀓𡂘𑡳񣀳𘤦𐙑𖅙𨈲ざ𦤆𑞙𑝸

𓜔𓜵

𐅵𑌂𰁳𙅑񣀱񃊁 𠌦𘑉𥁔𲠣𨂈𘌥𣙑𔔇񣀳𘤦𐙑顆𡂂𖅩𓖈𡅔𳂙𔀘𶥤𡁡񃞙𘤲񃕴𷦒 𰁳𙅑񣀳𘤲𓜄𧕷颓𑔠𦢓餹𐈒𐍂𸂖𔕙𘤲񀜗𤘘𸥴𐈒𐍂𸦓𐈒񣀱񃕴𷦒𰁳𙅑𲖑𗤇񄁷𐅹 𓥅𗄅

𓙠𕦕

𑔥𐈅𘤲𐥈𨌱𑄳𗥨𨦃𸁐𙅑𢐸𦚅񀆁𦤆񣀱񃕴𷦒𰁳𙅑𖅩𷦒񀖗𩖅𘤲𡂂𷄤񁥃񄁁񣀱 • 𸅴𖅙𔈓𔞑餹𰁳𙅑𷀅𡖈𠔲𙈩𹂂𠘖𑙁𳘧𖅷24𖅳𠝠񃕴񀤧𘤲𐥈𨌱]𓖄𖀴𵡁𠔇𘤲

񀤧𱙉 񃕴𷦒

𙀵𙙇񃕴𷦒

񃕴񀤧𓜔𓜵

𐥈𨌱

𐕣𑖈𨂈𙅑𢐸񀤄񣀱 𖀴𵡁𠔇𙅑𢐸񀤄񙀗 񃕴񀤧 bidshongkong@phillips.com

𠔲𙈩𹂂𠝠𲠂𱍤񃀈顄𨂈񃕴𷦒𶄹𨦆 𒌱𐑖񃕴𷦒𰁳𙅑𧑓

1.

𐥈𨌱 852 2318 2010

𐕣𑖈𙅑𢐸񀤄񙀗 񃕴񀤧 cs@polyauction.com.hk

𐥈𨌱 852 2303 9888

񃀈顄𖅙𠔲1𐙀𗁤𐍔𔕈𑉳𐅹񃕴񀤧𠔨𗖁𠌄𑖖𨦃𸁐񣀱𔜐𢥁𐅹񃕴𷦒𲠂𱍤𙅑𢐸񀤄񣀳

2.

𸅴𳘰񃕴

𙀆𧑓𸂃𷝰 𒌱𐑖񃕴𷦒𰁳𙅑𧑓

𖀴𵡁𠔇𙅑𢐸񀤄񙀗 񃕴𷦒 852 2318 2029

𐅹顄񀤄𐈖𒌱񀙲𧑓𠔲񃕴𷦒𒊃𡁡񃞙𰁳𙅑 𙈩ㅷ𱙉𶄹 𙈩ㅷ𰚔𷕖𠌷񀍖

𤈰𗉒𡁵񅍂𰁳𙅑𑁸

񄁵𗌶

𡁵񅍂𰁳𙅑𑁸𒌱񀙲𧑓𠔲𡁡񃞙𰁳𙅑𘤲 񃕴𷦒𰁳𙅑颓𑔠𦢓𦊔𣄖𘌥𣙑

𐕣𑖈𙅑𢐸񀤄񙀗 񃕴𷦒 852 2303 9867 852 2303 9862񣀱 • 񃀈顄𒌹𐐐𧑓𐕲𧑓𒄕 𣉰𔄗𙈩𹂂顃񃉑𥐈𤈰𗉒1,000,000𑈑 𘤲𐅹񃕴𒀩𠔨𗖁 𐅠𢥥񣀱 • 𙈩ㅷ񃖂𠔲𡅗𑊇𒍒𠌄𑖖񡦇𠐈𱌩𤅢餹𢥥𗠓𠔨𳂙𙙇《񣀱 • 񃀈顄𰝐𲌁𡅗𰁳𙅑𷀅𡖈颃]𓖄𖀴𵡁𠔇𘤲𐕣𑖈񣀳𒅄𷀅𩈐񃀈顄 𷜓颃ず𘑉 𖀴𵡁𠔇𘤲𐕣𑖈𖅙𐑠𠄡𘤦𐙑ぐ𳘈𨂈𩑥񃐥𠌙𰉨𶄘𦤆𐍡𨂈𐙀 𹀵𠑦񣀳𑥇𙉷 չ𠍁𘑸𘁡𹀵𠑦պ񣀱𩑥񃐥𠌙𰉨𑕆𹤰𠔲www.phillips.com𒊃 www. polyauction.com.hk𘤲𒌹񃕴񀤧𳘧 dataprotection@phillips.com 𘤲info@polyauction.com.hk𱉃《𑚖𡅗񣀱 • 𓜄𘤦𐙑𨂈𶄘𙀆𰒅𓙤񣀰𙈩𹂂𡂂𔄗𒊃𖊅𷙐𔄗𓜔𑉳𒌹𳂙񀔦𶥤񁥃𑀁𨈶𙖂񣀱񃕴𷦒 𖅩𷦒𔜐񃕴𷦒𰁳𙅑𐂀𡂒𒌹𳂙𷄤񁥃񄁁񣀳𖀴𵡁𠔇𒊃𐕣𑖈𡂂𡖃𠄡ぐ𳘈𨂈񃐥𩑥 𠌙𰉨𶄘𦤆𷦔𹀵𠑦񣀱

* 𹀈𕦕񁅆񁍈顆𷞅𓜄𑉳

𰝐𲌁

𠘖𡄳

R 𸅴𠔲𠔨𡖈𑉳𑜲顃񣅖 񣅖 𶄹񣀳𨦃𸁐񃀈顄𐅹顃𨁶𷠗 𰁳𙅑颃ず𘑉𙕸「𖀴𵡁𠔇𒊃𐕣𑖈𹤰𠔲𓙶񁥃𒊃𑌂𰈸𱔰𰀖𑉳餹𢄒𑡳𷕸𕤷񣀱

R 𔜐𢥁𷝴񃀱𖀴𵡁𠔇񃑨𓚀𘤥𒜂𑊇𒍒𠘖𗠓𳙴𶥤𨂈񁞈㈒񣀰𖊅𷙐𒊃𦊔𑖁𣠸𑡧𨂈񃕴񀤧񀑦𷞉񣀳𸅴𓜄𠔨𡖈 𙁇𑤶񣀱𡖃𠄡𑕆𹤰𠔲𖀴𵡁𠔇𱔰𰀖www.phillips.com 𨂈𩑥񃐥𠌙𰉨񣀳񃀈顄𒌹񃐉𠝠𡁕𠌐𘤲《𣥇𷝴񃀱񣀱 R 𔜐𢥁𷝴񃀱𐕣𑖈𒊃𑌂񃑨𓚀𘤥𒜂𑊇𒍒𠘖𗠓𳙴𶥤𨂈񁞈㈒񣀰𖊅𷙐𒊃𦊔𑖁𣠸𑡧𨂈񃕴񀤧񀑦𷞉񣀳𸅴𓜄𠔨 𡖈𙁇𑤶񣀱𡖃𠄡𑕆𹤰𠔲𐕣𑖈𱔰𰀖www.polyauction.com.hk𨂈𩑥񃐥𠌙𰉨񣀳񃀈顄𒌹񃐉𠝠𡁕𠌐𘤲 《𣥇𷝴񃀱񣀱

Index Evening Sale Arruda, Lucas 29

𨉆𒄕𠔇vńƒˆŚń…™‘ń€˜– 29

Ay Tjoe, Christine 19

đ‘ˆ¤đˇˆŠđąŽ•đŁ‘“v𳼠đŚĄ‡ 19

Banksy 27

𦡩đ‘ˆ¤đ ”‡ 27

Basquiat, Jean-Michel 7

𖆑vđ°Ąśđ˘ˆ°vđ—‚„đ ”‡đ”–ˆ 7

Botero, Fernando 31

đš€“đŚ†‡đ’‚˜đ””—vđ’„„đŚŠ”đ˛Œľ 31

Cai, Guo-Qiang 25

�𓙠𗙥 25

Chu, Teh-Chun 22, 23

𥅣𗢆𲎒 22, 23

Craig-Martin, Michael 17

đ°Ąśń…?‚vđ‘ˆ¤ńƒ•ŚđĄ–ˆvń„ §â™¨ 17

Frize, Bernard 16

𸼰đŚ†‡đą†—Ë™đ—––ń ? đ´Œ… 16

Gokita, Tomoo 30

$đĄ…’đ§‘Śđ Ąˆđ”•– 30

Kaphar, Titus 3

đŁœ°đŚŠ”đ ”‡vđ’„•đ—„°đŚ†‡ 3

Kawara, On 28

đŁ˜°đ’ˆ?đ¤?ł 28

KAWS 15, 18

,"84 15, 18

Kusama, Yayoi 9, 10

đ´?šń‚Ś‚đ—œ đ§‘€ 9, 10

Lalan 24

đ¸?”đ °đś€Š 24

Li, Chen 26

đĄˆ‘đ¨Œą 26

Liu, Wei 13

đ‘?„ń„€— 13

MADSAKI 32

."%4",* 32

Nara, Yoshitomo 5, 6

đ”–?𳤕đ˛?“đ Ąˆ 5, 6

Richter, Gerhard 8

đĄ–ˆă† đŚŠ”Ë™ń ? đ—„˜đŚŠ” 8

Smith, Emily Mae 2

𳼠𰥜đ´’˜vđĄœ‚vđ’?ƒđ–€Ľđ ”‡ 2

Toor, Salman 1

đľœĽđŚ†‡𥠧vđ™ •đŚ†‡ 1

Wong, Matthew 4

đŚœ˛đ?”ľđ?˘‚ 4

Yue, Minjun 14

đ–‘ đ ? ă ° 14

Zao, Wou-Ki 20, 21

đšŒ°đĽ˜‚đ˘„° 20, 21

Zhang, Xiaogang 12

𗙗𠌂𑙥 12

Zhou, Chunya

ăƒ°đ œĄđ´‚ 11

11

Index Day Sale

Abloh, Virgil and Murakami, Takashi 153

Juhl, Finn 145, 151

After Jean-Michel Basquiat 249, 250

Sanyu 227, 228 Shiota, Chiharu 166, 167

Amorsolo, Fernando 224

Kato, Izumi 147, 148, 149,150,157

Song, Yige 126

Ancart, Harold 104, 130

KAWS 176, 177, 180, 181, 240

Sperling, Josh 152

Ando, Miya 134

KAWS and Estudio Campana 175

Sunaryo, Arin Dwihartanto 234

KAWS x Dior 244 Banksy 185, 186,187,188,189,190,191,192,193,194,195,

Kusama, Yayoi 165, 168, 246

196,197,198,199,200,201

Kuwayama, Tadaaki 213

Beloufa, Neil 132 Botero, Fernando 218 Buffa, Paolo 219

Taniguchi, Maria 205

Utarit, Natee 231, 232 Lau, Michael 241, 242 Lee, Dongi 183

VENINI 171

Lee, Kit 236

Vo, Danh 141

Calleja, Javier 154, 155

Lin, Richard 206, 207, 208

Chapline, Jonathan 102

Liu, Kang 221

Wang, Yin 127

Chen, Fei 123

Liu, Kuo-Sung 209

Wanscher, Ole 202, 203, 204

Chen, Ke 124, 125

Liu, Wei 129

Whitney, Stanley 103

Chen, Wen Hsi 222, 223

Liu, Ye 137

Wong, Matthew 101, 105

Chu, Teh-Chun 214, 230 Cui, Jie 237

Wood, Jonas 247 Madani, Tala 108 MADSAKI 178, 179

Yamaguchi, Takeo 212

Mao, Yan 122

Ye, Linghan 113

Martinez, Eddie 109, 112

Yuan, Yuan 144

Fang, Lijun 138, 139

Mathieu, Georges 215, 216

Yue, Minjun 140

Figgis, Genieve 106, 111

Miyake, Ikki 239

Fordjour, Derek 107

Mr Doodle 182

Zao, Wou-Ki 225, 226, 229

Foujita, Léonard-Tsuguharu 217

Mr. 110, 158, 159, 162

Zhan, Wang 135

Dalwood, Dexter 118

Zhang, Enli 142, 143 Gokita, Tomoo 119, 121

Nara, Yoshitomo 163, 164, 243, 245

Gormley, Antony 146

Zheng, Guogu Othoniel, Jean-Michel 174

He, Xiangyu 115 Henningsen, Frits 220

Parisi, Ico 156

Hockney, David 248

Pettibone, Richard 169, 170

Hsiao, Chin 210, 211

Pivi, Paola 173

Hsieh, Tehching 238

Ponti, Gio 172

Huang, Yuxing 114, 131 Huen, Chris Sin Kan 116, 117

Qiu, Xiaofei 128 Quinn, Marc 136

Ida, Yukimasa 120 Invader 184

Zhao, Zhao 133

Rigoulet, Anne Kagioka 233 Rokkaku, Ayako 160, 161

235

𡈖顃񃍅𳙩𱔘し𦆇v񃈦𐊅𙈤𹉣 153

𴁀˙𩉣𦆇 145, 151

𗆆𦜰 227, 228

񀎐񃐉𓜄 𖆑v𰡶𢈰v𗂄𠔇𔖈 249, 250

񆠡𧑦𒁴𠜡 166, 167

񃈦𴕹𱉃𲌵 224

𑞄𵡗𣙢 147, 148, 149,150,157

𕤆𠚐𡖈 126

ㆁ𲌵𗢆v𕤂𒄕𦊔 104, 130

,"84 176, 177, 180, 181, 240

𓀸𗄘˙𠔇𒄄𡌤 152

𕤂𵡗𲍓𔔡 134

,"84 𳙩 &TUVEJP $BNQBOB 175

𳥁𡌤v񀍀𱔘ㆁ𓞐𙁕v𵥀𱆗񁍁𔙉 234

,"84 Y 񀍀𔙆 244

𦡩𑈤𠔇 185, 186,187,188,189,190,191,192,193,194,195,

𴍹񂦂𗜁𧑀 165, 168, 246

𸞁〡𧂀񆢉 205

196,197,198,199,200,201

𡘦𖌱𗥐𠚀 213

𖉃𦆇v𸥰񅙑𣚁 132

𱆗𔂉v𖈅𔅳𧁖 231, 232

𹀓𦆇𒂘𔔗˙𒄄𦊔𲌵 218

𑝄𗕆𠐴 241, 242

𐕣𲌵v𗄆𣚁 219

𡈑𡉠𹊁 183

7&/*/* 171

𡈑𐢂 236

𐡠餒 141

ㆁ𱔘𦆇v𒄕𑕢ㆁ 154, 155

𡌤𔑡𕢗 206, 207, 208

𓀸𱆗𡢈v𡑆𠠨𡌤 102

𑝄𙅔 221

𦜲񄁁 127

񃌇񄐃 123

𑝄𓙠𡊁 209

𔙉𴝹˙𴡅𔒐 202, 203, 204

񃌇𒌹 124, 125

𑝄񄀗 129

𠔇𓞐𑖈v𘍱𦊔𖉃 103

񃌇𠐴𗄘 222, 223

𑝄񁍃 137

𦜲𐔵𐢂 101, 105

𡅣𗢆𲎒 214, 230

𓀸𱆗𠔇˙𐈹𗢆 247

𖙄𣝑 237

𣜰𴘳˙񄠧񀘖𖉃 108

."%4",* 178, 179

𖌱〡񂥄𧑳 212

𗢆𑈤𠔇𦊔v񀘖𐈹𗢆 118

𣊗𥘱 122

𴤐𑑄𥂕 113

𳥁񀍀˙񄠧𣑓𖉃𴌨 109, 112

𷁕񀙇 144

𠔨𑝸񁒘 138, 139

𓀸𣙃˙񄠧𐖈 215, 216

𖑠𠍁ば 140

𦠣𖉃𱔘v𴜩し𠔇 106, 111

顂𕢓♧𢒖 239

𗢆񃕦𑈤v𩍧𗢆𓀸 107

.S %PPEMF 182

𹌰𥘂𢄰 225, 226, 229

𵡗𧑦𓄸𣙃 217

.S 110, 158, 159, 162

𖊅𡄦 135

𗙗𘅨𑖈 142, 143

$𡅒𧑦𠡈𔕖 119, 121

𔖐𳤕𲍓𠡈 163, 164, 243, 245

𹌰𹌰 133

𕤂𡉠𖉃v𴥑𔡱񃕦 146

񁀤𓙠𸞁

𸘂v𰡶𢦂𦆇v𔙉𙁕𖉃𦆇 174

𐍂𲒅𕢗 115

𗖖񁍁𴌨vo𖂔𡢈 220

𐈵𩒈v𗄰񁍁𷕑 156

𔕄𶦆v񃘑𑈤𖉃 248

𦤆𡑆𗢆v𐍴𵁆𐊅𘅨 169, 170

𵖁𑢕 210, 211

𣜆𙈤v𗞅𵘸 173

𸍔𗢆𘙄 238

し𔙉v𵉷𵁆 172

񆦖𕢗𳙱 114, 131

𩐅㊥𑢕 116, 117

>𠦂񄐃 128

񄠧𑈤v𔖙𓖈 136

z𧑦𗊑𠙷 120

*OWBEFS 184

񂅣𖐡𕤂𔠐v񁍁〢𴝹 233

𑊉𷙶𗝓𕞅 160, 161

235

© COMITÉ GEORGES MATHIEU / ADAGP, PARIS – SACK, SEOUL, 2020

phillips.com MATTHEW WONG’S RIVER AT DUSK COPYRIGHT © 2018 MONITA K.Y. CHENG

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.