Poly Auction Hong Kong | Autumn Auctions 2020 | Important Chinese Ceramics and Works of Art

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Important Chinese Ceramics and Works of Art

重要中国古董珍玩 Hong Kong 2 December 2020 香港

2020 年 12 月 2 日


Lot 926



保�香� 拍賣日�

POLY AUCTION (HONG KONG) SALES CALENDAR

�月�香 — ��佳�專場

RARE PU'ER TEA, CHINESE SPIRIT AND WHISKY

2020 年 12 月 2 日 星期三

WEDNESDAY, 2 DECEMBER 2020

���HKF1620 上午 10:30

SALE: HKF1620 10:30AM

國風 ‧ 大�(貳)

IMPERIAL AFFECTION, PART II

2020 年 12 月 2 日 星期三

WEDNESDAY, 2 DECEMBER 2020

���HKF3320-2 下午 2:00

SALE: HKF3320-2 2:00PM

�潤星暉����、十面靈���暨

LUSTROUS AURA: SELECTED QING IMPERIAL PORCELAINS FROM THE FONTHILL, TEN-VIEWS

���HKF3320-3

SALE: HKF3320-3

���家�盛���

2020 年 12 月 2 日 星期三 顺�

LINGBI ROCK RETREAT AND WESTERN COLLECTION WEDNESDAY, 2 DECEMBER 2020 POSTPONE

重�中國古董�玩

IMPORTANT CHINESE CERAMICS AND WORKS OF ART

2020 年 12 月 2 日 星期三

WEDNESDAY, 2 DECEMBER 2020

���HKF3320-1 顺�

SALE: HKF3320-1 POSTPONE

尚品手��潮玩專場

NOBLE HANDBAGS & HYPE COLLECTIBLES

2020 年 12 月 2 日 星期三

WEDNESDAY, 2 DECEMBER 2020

���HKF2620 下午 4:30

SALE: HKF2620 4:30PM

保利香港、�門��拍賣

POLY AUCTION HONG KONG AND MACAU JOINT AUCTIONS

2020 年 12 月 8 日 星期二

TUESDAY, 8 DECEMBER 2020

���JA2011PM 下午 3:00

SALE: JA2011PM 3:00PM

預 先 � � P R E - R E G I ST R AT I O N

若�下是首���競投,同時未�得保�香�拍賣有��司�可的�冊����,保��為�� 500,000 元。��下 打算競投�估價拍賣品(在���� / 或電����標有〇符�之拍賣品),保��為�� 1,000,000 元。保�香� 拍賣有���力�時���估價拍賣品之保��� / 或手� , 而不需��行�知◦在�下競投前 , ��司�有���力 向�下��提供任何有��下的財��明。��司有���力��任何�之競投登記而不需�予任何�釋◦

If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lot”(i.e., a lot marked with 〇 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lot” can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.


LOT 909


保�香�秋�拍賣� 預�

Preview

上午 10:00 �下午 8:00

10:00 am ‒ 8:00 pm

11 月 29 日� 12 月 1 日 香�君�酒�

香������ 1 �

29 November to 1 December Grand Hyatt Hong Kong

1 Harbour Road, Wan Chai, Hong Kong

拍賣

Auctions

香�君�酒�

Grand Hyatt Hong Kong

12 月 2 日

香������ 1 �

2 December 1 Harbour Road, Wan Chai, Hong Kong

保�香�、�門��拍賣� 預�

Preview

上午 10:00 �下午 7:00

10:00 am – 7:00 pm

11 月 26 日� 12 月 2 日 * 12 月 3 日� 12 月 7 日

上午 10:00 �下午 8:00 保�香����間

香������ 88 �

�古�場 1 期 7 � 701-708 � * ��拍賣品自 11 月 29 日� 12 月 2 日在香� 君�酒��� 拍賣

12 月 8 日

保�香����間

香������ 88 �

�古�場 1 期 7 � 701-708 �

26 November to 2 December* 3 December to 7 December 10:00 am – 8:00 pm Poly Gallery Hong Kong Suites 701-708, 7/F, One Pacific Place 88 Queensway, Admiralty, Hong Kong *Some artpieces will be exhibited at Grand Hyatt Hong Kong from 29 November to 2 December Auctions 8 December Poly Gallery Hong Kong Suites 701-708, 7/F, One Pacific Place 88 Queensway, Admiralty, Hong Kong

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時間��瞭���日�。


IMPORTANT CHINESE CERAMICS AND WORKS OF ART

重要中國古董珍玩

拍賣

2020 年 12 月 2 日 星期三 顺延(拍品 901-996)

拍賣編號:HKF3320-1 AUCTION

WEDNESDAY, 2 DECEMBER 2020 Postpone (Lots 901-996)

Sale Number: HKF3320-1


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LOT 910


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LOT 969


IMPORTANT CHINESE CERAMICS AND WORKS OF ART

重要中國古董珍玩 目 錄

CONTENTS

6 專家及服務查詢 Specialists and Services Enquiries

12 拍品 Property for Sale

184 重要通告及目錄編列方法之說明 Important Notices and Explanation of Cataloguing Practice 187 業務規則 Condition of Business

197 競投登記須知 Important Notice about Bidding Registration 198 財務付款須知 Important Notice about Payment 199 競投登記表格 Bidding Registration Form 201 委託競投表格 Absentee Bid Registration 203 裝運委託 Shipping Instructions


901 清雍正  爐鈞釉長方花盆 款識:「大清雍正年製」 來源 台灣私人收藏 清宮花盆式樣豐富,材質多樣,尤以康雍乾三朝製作為盛,參考清宮 陳設檔和宮廷繪畫作品可知,不同材質的花盆使用功能不一,存在明 確的分工。金銀、玉石、銅胎琺瑯等花盆均為殿堂室內陳設器,承托 相應的瓊樹玉花等人工盆景。瓷質花盆則是實用器皿,主要供後寢生 活區與京郊各處皇家園林使用。瓷質花盆也有室內與戶外之別,室內 者需要盆奩相配套使用,以尺幅小巧者居多,而戶外養植少用盆托, 大小均有。 長方盆,胎體厚重,平底下設二圓形滲水孔,四梯形足。釉色中藍與 紅二色,在垂流中變化萬千,交融呈一體。釉中諸色渾融交錯,迷離 迤邐,妙不可言。清代《南窯筆記》載:「爐鈞一種,乃爐中所燒, 顏色流淌中有紅點者為佳,青點次之」,本品即為筆記所載之有紅點 者,俗謂「高粱紅」。 見一例爐鈞釉長方盆,與本品可相比擬,現藏國立故宮博物院,刊於 《瓶盆風華:明清花器特展》,台北,2014年,頁62,編號I-16。類 似器形之例,亦見於清代畫作之上,見一例現藏國立故宮博物院,清 雍正進士鄒一桂(1686-1772)畫<花卉軸>,刊於前書,頁203。 H 7.5cm W 27cm

HK$ 250,000 - 350,000 US$ 32,000 - 45,000 A ROBIN'S-EGG GLAZED RECTANGULAR JARDINIÈRE YONGZHENG PERIOD, 1723-1735 PROVENANCE

A Taiwanese private collection

© 台北故宮博物院藏品 清雍正 爐鈞釉長方花盆

© 台北故宮博物院藏品 清 鄒一桂 花卉 軸



902 清乾隆  茶葉末釉葵口花盆 款識:「大清乾隆年製」 來源 倫敦佳士得,1999年11月16日,編號230 拍品為乾隆時期作品,海棠形,下呈如意足,造型典雅飽滿。通體滿 施茶葉末釉,釉面溫潤,釉色中摻雜深褐色斑點,似茶葉細末遍灑其 中,呈色肅穆沈著,盤口處釉薄微露胎骨,韻味獨具。本品造型優 美,葵口線條流暢,釉色肥潤,鐵骨質感,獨具匠心。 清康雍乾之際,在清帝倡導下,仿古之風盛行一時。景德鎮御窯廠在 唐英的帶領下,以古窯、古器為摹本,進行創新,使景德鎮御窯廠的 生產進入新的鼎盛時期。茶葉末釉,即為一類。茶葉末釉,舊稱廠官 釉,系唐英仿唐、宋瓷器釉色而創新的單色釉品種,因其「黃雜綠 色,嬌嬈而不俗,艷於花,美如玉,範為瓶,最養目」,而受到乾隆 皇帝喜愛、重視。 H 9cm W 22.5cm

HK$ 350,000 - 450,000 US$ 45,000 - 58,000 A TEA-DUST GLAZED LOBED JARDINIÈRE QIANLONG PERIOD, 1736-1795 PROVENANCE

Christie's London, 16 November 1999, lot 230

倫敦佳士得,1999年11月16日,編號230

© 台北故宮博物院藏品 傳宋人 萬年青 軸(局部)



903 清乾隆-嘉慶  藍料粉彩描金皮球花雙獸耳四足洗 來源 倫敦蘇富比,2008年11月5日,編號213 本品形制特別,盆敞口,斜直腹,盆外壁口沿施一周礬紅 描金回紋,口沿下方置一對環形凸雕描金獸首為耳,下承 四矮獸足,形制相類,首尾呼應。腹部及四足均施天藍色 地軋道,襯以粉彩團花紋(皮球花紋),花團錦簇,設色 典雅,疏密有致,嫻靜素雅。盆內壁滿施松石綠釉,上以 綠釉繪飾各飾花草紋。底施天藍色釉,光素。 皮球花紋清代比較流行,雍正、乾隆兩朝的皮球花精細活 潑。這件皮球花罐的造型和粉彩花紋十分細膩,製作上追 求輕巧別致,是十分難得的精品。皮球花又稱為小團花, 是一種不規則的呈放射狀或旋轉式圓形紋樣。皮球花通常 多個聚在一起,疏密有致,其基本圖案,是圓圈內作旋回 雲紋或放射式分裂花紋,這種紋樣在明清時期多運用於織 繡和瓷器等方面。參考一件粉彩紫藍地皮球花圖多穆壺, 與本品整體風格及工藝相近,均以天藍地軋道上飾皮球花 紋,有可能為同一批工匠燒製,售於香港蘇富比,2008年4 月11日,編號3034。類似工藝亦見於國立故宮博物院洋彩

© 台北故宮博物院藏 乾隆八年磁胎洋彩轉旋葫蘆瓶

瓷收藏,錄於廖寶秀,《華麗彩瓷:乾隆洋彩》, 台北,2008年,圖版23及76。另見清嘉慶粉彩描金 皮毬花紋多穆壺一例,售於香港蘇富比,1985年5月 21日,編號168。 D 40.5cm

HK$ 50,000 - 80,000 US$ 7,000 - 11,000 A FA M I L L E - R O S E L AV E N D E R - G R O U N D SGRAFFIATO 'FLOWER BROCADE' JARDINIÈRE QIANLONG-JIAQING PERIOD PROVENANCE

Sotheby's London, 5 November 2008, lot 213

清嘉慶 粉彩描金皮球花紋多穆壺 香港蘇富比,1985年5月21日,編號168



乾隆皇帝長達六十年的統治,是中國封建社會政 治、經濟、文化諸方面經過漫長積澱之後的集大成 的時代,是清王朝的鼎盛時期。景德鎮官窯瓷器的 燒造也隨之蓬勃發展,從《清宮內務府造辦處》的 乾隆記事檔中可以看出乾隆皇帝直接干預制瓷事 宜,更是委任督陶官唐英督理窯業,使得乾隆時期 的官窯瓷器不僅在藝術方面有了更高的發展,更是 在陶瓷工藝技術上位居清代之首。 本品為乾隆時期仿傚掐絲珐琅所製之創新瓷器品 種。器形借鑒商代青銅簋、春秋耳杯,漢代活環柄 杯,軋道取材於掐絲琺瑯的卷草紋,飾以清代流常 見的皮球花紋,集懷古及創新於一器之上,為唐英 督導下所燒製的御窯珍品。

洗心 interior

乾隆官窯粉彩器便可視為皇帝本人藝術品位的反 映,乾隆時期的粉彩瓷器一改雍正時期靈秀典雅的 風格,而傾向追求製作工藝精細,紋飾華麗繁縟。 不僅在造型方面趨於多樣化,在設色用彩等裝飾工 藝上更有獨特的表現。乾隆皇帝嗜古成痴,景德鎮 御窯廠大量仿燒前朝名窯器物,仿古之風盛行,除 大量仿燒前朝名窯外,也盛行仿各種手工藝品,燒 造品種之豐富,裝飾之華麗,令人贊嘆,無一不體 現出乾隆時期高超的制瓷技藝,堪稱巧奪天工。邵 蟄民撰《增補古今瓷器源流考》中評論有:「清瓷 彩色至乾隆而極,其彩釉之仿他物者亦以乾隆為最 多最精。如仿綠松石、花崗石及象牙、珊瑚者,亦 足與真物相抗衡。」此件粉彩洗即為一件以粉彩工 藝製成仿銅胎掐絲琺瑯器的成功之作。



904 清康熙  青花菊花詩文花神杯 款識:「大清康熙年製」 來源 美國新英格蘭私人收藏 花神杯是康熙年間御窯廠燒製的成套時令酒具,根據我國傳統花朝節 的傳說,選取百花中代表農歷十二月份的月令花卉繪製而成。每套共 有十二隻,代表著不同的月份,每月均配以一種月令花卉,其旁各題 五言、七言唐詩佳句,末鈐「賞」字篆文印,素來被譽為康熙朝瓷器 珍品。《陶雅》有贊:「康熙十二月花卉酒杯,一杯一花,有青花、 有五彩,質地甚薄,銖兩自輕。……若欲湊合十二月之花,誠戛戛乎 其難。青花價值,且亦不甚相懸也。」
 主題紋飾為九月花神菊花,彩蝶翩翩,菊花鮮艷。畫面清新動人,層 次暈染豐富。所用題詞為「千載白衣酒,一生青女香」,選自《全唐 詩》羅隱之《菊》。此杯胎體輕薄,器型精巧絕倫,造型規整優美, 杯薄如紙,胎骨輕盈細薄,青花發色明快,繪畫工藝嫻熟,素雅脫 俗,不愧為康熙時期青花瓷器中頗具代表性的玲瓏小品。故宮博物院 藏一例清康熙青花菊花詩文花神杯,可茲參考。我司曾售一例菊花詩 紋花神杯,保利香港,2019年10月7日,編號3019,可作參考。 D 6.7cm

HK$ 200,000 - 400,000 US$ 26,000 - 52,000 A BLUE AND WHITE 'CHRYSANTHEMUM' 'MONTH' CUP KANGXI PERIOD, 1662-1722 PROVENANCE

An New England private collection, USA

另一面 another view

© 故宮博物院藏 清康熙 青花菊花詩文花神杯



905 清雍正  青花折枝團花紋蓮子碗 款識:「大清雍正年製」 來源 1. 香港私人收藏 2. 香港佳士得,2017年11月29日,編號3008 碗直口,弧腹,高圈足,外壁繪四組青花團花花卉紋,碗心雙圈內飾 一個團花紋,裡外紋飾相呼應。口沿、圈足飾青花線。碗底青花書 「大清雍正年製」六字三行楷書款。本碗胎釉精良,溫潤似玉,青花 淡雅清逸,極具成窯品格。所繪團花,舒展自如,筆觸細膩,與原作 無異。 成窯青花冠絕千古,成就中國美學之典範,後世對此推崇不已,由仰 慕而後摹造,佳作迭出,其中成就最著者當推雍正皇帝。此品青花發 色淡雅,繪工細膩,仿成化青花作品味道十足,其品味脫俗超群,審 美要求近乎苛刻,即位以來一直不懈努力推動與指導御窯廠摹製成 窯,故其所仿最精,形神俱佳,本品正是此番摹古情懷的最佳詮釋。 同類的團花紋碗,亦見臥足器形,參考倫敦佳士得,2004年11月9 日,編號160;香港蘇富比,2010年10月8日,編號2774。 D 11.4cm

HK$ 850,000 - 1,200,000 US$ 109,000 - 154,000 A BLUE AND WHITE 'FLORAL MEDALLION' BOWL YONGZHENG PERIOD, 1723-1735 PROVENANCE

1. A Hong Kong private collection 2. Christie's Hong Kong, 29 November 2017, lot 3008



906 清雍正  檸檬黃釉杯 款識:「大清雍正年製」 來源 香港蘇富比,2016年4月6日,編號3603 本品直口,深弧腹,短圈足,杯形小巧俊秀,顯曲線流動 之趣。內壁施白釉,外壁檸檬黃釉,純淨嬌嫩,明麗奪 目,晶瑩透亮,與整器的輕盈靈透相得益彰。底部施白 釉,堅細勻淨,青花署「大清雍正年製」六字雙行楷書 款,字體清秀工整,神韻雅致俱存。 檸檬黃釉是以氧化銻為主要呈色劑的低溫色釉,比傳統的 黃釉較為鮮明亮黃,釉面更加勻淨柔,厚潤而不透明,由 於釉色與檸檬的色澤相似,故有「檸檬黃」之稱。而且黃 釉與宮廷有密切聯繫,傳統以鐵為呈色劑的黃釉器,只限 祭祀儀式作為禮器所用;而雍正年間瓷匠所創的檸檬黃釉 瓷則可供宮廷各場合運用,閑來把玩,賞心悅目,正如雍 正十三年唐英撰《陶成紀事碑》所載,「歲例供禦」瓷器 的五十七種彩、釉,其中「西洋黃色器皿」所指便是檸檬 黃釉瓷器,每年燒制以供宮廷所用。 檸檬黃釉器,形簡而色單,但燒製不易,胎體、釉汁、爐 火必需臻善精熟,方見成品,但有微瑕,則前功盡棄。清 時,單色釉品種以雍正朝為最,而檸檬黃釉則以雍正御窯 為最首,連乾隆時期的瓷匠亦以雍正檸檬黃釉器作為燒製 的藍本,參考乾隆朝清宮內務府造辦處《記事檔》載錄: 「乾隆三年元月二十五日,太監高玉交首領薩木哈、催總 白世秀……洋黃三寸碟、洋黃裡外收小三寸盤……傳旨交 與燒造瓷器處唐英,照樣燒造送來」。

一對相似例,為 Eli Lilly 伉儷舊藏,售於紐約蘇富比1996年 6月3日,編號334。另一例曾展於鴻禧美術館,《中華文物 集粹 : 清翫雅集收藏展 II》,台北,1998年,編號44,售於 倫敦蘇富比1997年11月4日,編號1375。一對為仇焱之舊 藏,售於倫敦蘇富比1980年11月25日,編號101。另一對 為 W.F. van Heukelom 舊藏,售於倫敦蘇富比2014年11月 5日,編號51。徐展堂靜觀堂亦藏一例,售於香港佳士得, 1996年11月3日,編號558,今入藏香港達文堂雅蓄,著 錄於林業強著,《瓷緣:達文堂藏瓷》下冊,香港,2019 年,編號87。 D 9.7cm

HK$ 1,700,000 - 2,200,000 US$ 218,000 - 281,000 A LEMON-YELLOW GLAZED CUP YONGZHENG PERIOD, 1723-1735 PROVENANCE

Sotheby's Hong Kong, 6 April 2016, lot 3603



907 清乾隆  粉彩白地軋道礬紅海水龍紋蓋碗 款識:「大清乾隆年製」 碗敞口,弧腹,高圈足微內斂,外壁於白彩上以軋道工藝裝飾洶湧的 海水波濤紋,其上繪礬紅彩雲龍戲珠圖案,二龍神采奕奕地奔走於火 焰間,繪工細膩而嫺熟,毫無猶豫隨意之筆,於細節處彰顯御窯風 範。內壁施白釉,碗底及蓋鈕以青花落「大清乾隆年製」六字三行篆 書款。 軋道工藝是乾隆朝著名督陶官唐英創製的一種瓷器裝飾技法,即在色 地上以尖狀工具剔劃出花卉圖案,再於其上作各種裝飾。此技法做工 繁瑣,極耗人力物力,向為乾隆朝官窯器的精細之作。本品釉色純 美,外壁紅白二色對比鮮明,具有強烈的藝術效果。繪工、刻工均無 可挑剔,並飾以繁縟的軋道工藝,其華貴的宮廷氣息撲面而來。如此 色彩豔麗、紋樣繁複的精細之作,當甚為乾隆帝所喜。

© 故宮博物院藏 清嘉慶 粉彩白地軋道礬紅雲龍紋杯

此類宮廷茶具在乾隆朝御用瓷器中享有尊貴地位,其精緻與華麗亦前 所未有。見二近例,北京故宮博物院收藏,錄於《故宮珍藏康雍乾瓷 器圖錄》,紫禁城出版社、兩木出版社,1989年,頁332,圖13; Henry J. Bernheim 夫人珍藏,後入藏美國大都會博物館,售於紐約 佳士得,2016年9月15日,編號967。 同類工藝之例,尚可見於玫茵堂收藏,載於《玫茵堂中國陶瓷》, 康蕊君,倫敦,1994-2010年,卷4,編號1761,後售於北京保利, 2017年12月18日,編號5032;南京博物院藏品,出版於《宮廷珍 藏:中國清代官窯瓷器》,南京博物院、上海文化出版社,2003年, 頁276。亦有內施白釉、口沿描金,並繪明式龍紋杯之例,如臺北故 宮博物院藏品,《清康雍乾名瓷》,臺北故宮博物院,1991年,頁 154,圖版128。 D 11cm

HK$ 600,000 - 800,000 US$ 77,000 - 103,000 A WHITE-GROUND IRON-RED 'DRAGON' BOWL AND COVER QIANLONG PERIOD, 1736-1795

© 美國紐約大都會博物館藏 清乾隆 粉彩白地軋道礬紅海水龍鳳紋蓋碗



908 清乾隆  珊瑚紅地洋彩夔鳳穿花紋長方盆奩一套 來源 歐洲私人收藏 盆、托均呈長方形,平底,下承四如意足,造型精巧規整,內壁滿施 松石綠釉,口沿及圈足飾有描金弦紋,外壁通體以珊瑚紅地洋彩裝 飾,最為特殊之處在於腹部每面皆以粉彩繪變體夔鳳紋,較為少見。 夔鳳口銜蓮花,香草形尾巴勾起如意環,與寶磬緊密連接,寓意「吉 慶如意」。整器紋飾線條流暢,所施彩料鮮艷絢麗,繪畫精細嚴謹, 充滿富麗華貴氣息,為乾隆御窯之洋彩佳作。 於紅彩色地之上繪畫粉彩、琺瑯彩、五彩或洋彩的瓷器在清宮中屬極 為名貴的品種。「洋彩」應指其來源可溯至西洋繪畫。運用西方繪畫 中的明暗法,以亮點並調合白彩繪花瓣、葉片之亮處。洋彩能燒出如 此明暗效果,也使整體紋飾更加立體逼真,而折枝洋花紋之構圖亦屬 西式風格。此外,亮黃彩地極為珍罕,較常見於清宮傳教士創之北京 畫琺瑯器。劉良佑曾指出,黃彩乃清代金屬胎畫琺瑯器之首要用色。 這類洋彩器之燒造,需同時具備高強造瓷技術,及精准控制,因此燒 成數目極少。 參考南京博物院收藏一近例,錄於《宮廷珍藏-中國清代官窯瓷 器》,上海,2003年,頁259,為本品提供重要參考。 H 3.3cm H 8.5cm with stand

HK$ 600,000 - 1,000,000 US$ 77,000 - 128,000 A CORAL-GROUND YANGCAI 'PHOENIX' JARDINIÈRE AND STAND QIANLONG PERIOD, 1736-1795 PROVENANCE

A European private collection

© 南京博物院藏 清乾隆  珊瑚紅地洋彩夔鳳穿花紋長方盆奩一套



909 清嘉慶  胭脂紅地粉彩纏枝西番蓮紋多孔折沿盤 款識:「大清嘉慶年製」 來源 1. 香港蘇富比,1986年11月19日,編號268 2. 台灣寒舍舊藏 盤折沿,淺弧腹,圈足外撇。內外均以胭脂紅釉為地,盤心飾幾何鑽 形,內壁環飾四組纏枝蓮花紋幾何燈籠紋飾。四組紋飾環環相扣,形 成一幅構圖清晰、精緻細膩的圖案。折沿處於紅地上鏤雕48個大小一 致的圓孔,並以描金雙繩紋相繫,絲絲入扣。圓孔上下間飾三葉草及 花卉紋,用筆工細,設色妍麗。盤外壁與盤心飾紋相呼應,同為四周 纏枝蓮花紋及燈籠紋飾。足牆施松石綠地,環飾一周花葉紋,足處輔 以一圈礬紅描金卷雲紋。盤底施松石綠釉,中心以礬紅書「大清嘉慶 年製」六字三行篆書款。 D 39cm

HK$ 1,800,000 - 2,800,000 US$ 230,000 - 358,000 A RUBY-ENAMEL FAMILLE ROSE FRETWORKED FLORAL DISH JIAQING PERIOD, 1796-1820 PROVENANCE

1. Sotheby's Hong Kong, 19 November 1986, lot 268 2. My Humble House Art Gallery, Taipei

香港蘇富比,1986年11月19日,編號268



© 中國國家博物館藏 清嘉慶 胭脂紅地粉彩纏枝西番蓮紋多孔折沿盤

此盤工藝精湛絕倫,無一不體現出嘉慶時期高超的製瓷技藝,彰顯御窯風 範,觀之濃郁的宮廷氣息撲面而來,妙不可言。臺北故宮博物院藏有一個僅 見的乾隆款鏤雕折沿盤,該器施以白釉,尺寸較本品小,整體紋飾偏向於嘉 慶年間作品風格。本盤甚有可能燒製於乾隆晚期至嘉慶早期,特意製作予皇 帝的祝壽禮物。 鏤雕工藝的盤子不為多見,翻閱各大公私收藏機構,有幾個館藏著錄不同色 地裝飾的例子。參考一個同為胭脂紅地之例,中國國家博物館收藏一例,錄 於《中國國家博物館館藏文物研究叢書.瓷器卷.清代》,2006年,上海 古藉出版社,編號131;一例售於紐約蘇富比,1992年6月3日,編號257。 徐展堂舊藏一松石綠盤,後捐贈予香港文化博物館。另一仇焱之舊藏松石綠 釉例,售於香港蘇富比,2002年10月30日,編號258。一紫地之例售於佳士 得紐約,1989年6月2日,編號218。臺北故宮博物院藏一黃地之例,著錄於 《中國歷代陶瓷鑒賞.5.清官窯及民窯》,頁217。我司曾售一例,美國收 藏家大衛斯(Samuel C. Davis)家族收藏,2019年4月3日,編號3018。



910 清嘉慶  灑藍釉描金夔鳳穿花紋直頸瓶 款識:「大清嘉慶年製」 來源 1. 倫敦蘇富比,1973年7月24日,編號429 2. 紐約蘇富比,2011年9月14日,編號212 瓶直口,長頭,豐肩,漸下而收,圈足。紋飾雍容華麗,通體以灑藍 釉為地,施以描金紋飾。口沿繪如意雲紋一周,頸部上方繪變形體 「壽」字,腹部交叉對稱間隔繪纏枝蓮紋,夾迭著圈曲柔婉的枝葉, 構圖嚴謹,佈局緊湊,繪畫精細,並用深淺不同的金彩描繪,增加層 次的效果,纏枝蓮紋之間以拐子龍紋標誌裝飾,並且與枝葉間排列有 序,分佈得體,其中間繪數隻夔鳳,相得益彩,足部飾仰蓮紋、回紋 一周;整體雖裝飾華麗,卻毫無繁密之感。灑藍深沉凝重,金彩絢麗 奪目。底落礬紅彩書「大清嘉慶年製」六字三行篆書款。 H 29.8cm

HK$ 800,000 - 1,500,000 US$ 103,000 - 192,000 A COBALT BLUE-GROUND WITH GILT LOTUS DECORATIONS BOTTLE VASE JIAQING PERIOD, 1796-1820 PROVENANCE

1. Sotheby's London, 24 July 1973, lot 429 2. Sotheby's New York, 14 September 2011, lot 212

倫敦蘇富比,1973年7月24日,編號429



藍地金彩是景德鎮的傳統彩瓷品種,盛於清朝,乾隆時期內府檔案稱之為「洋 彩金花霽青」,尺寸小者多放於多寶格櫃中,為帝王欣賞把玩之用,本器即為 一例。本品甚有可能受前朝啟發燒製而成,見一組清宮舊藏,乾隆年款的灑藍 釉描金器物,現存北京故宮博物院,錄於故宮博物院藏文物珍品全集─顏色 釉,香港,1999年,編號75、76、86及94;《清代瓷器賞鑑》,錢振宗著, 1994年,頁120,編號149。翻閱世界各地同類工藝收藏中,本瓶為嘉慶年款同 類型者的上盛之作,霽藍釉發色極佳,呈現出藍寶石色澤,映托著以華美金彩 精繪的蕃蓮壽紋,構圖流麗多姿。本品極有可能為嘉慶時期的早年作品,仍帶 有前朝遺風,工藝之中作見乾隆一朝瓷器般無與倫比的華美與尊貴,極盡皇家 氣度。 嘉慶灑藍釉描金器物例,一件清宮舊藏清嘉慶灑藍地描金蝴蝶勾蓮紋瓶,現存 北京故宮博物院,同為洋彩金花霽青,頸部「壽字」之寫法,與腹部正中央蓮 紋的描繪之法,與本件極似,底與本件一同落嘉慶六字礬紅款;清宮舊藏亦見 一件清道光霽藍釉描金勾蓮紋戟耳瓶,錄於《故宮博物院藏文物珍品大系.雜 釉彩.素三彩》 , 上海,2009年,頁226,編號183。主體紋飾與本品可相比 擬。見Alfred Morrison及放山居舊藏一對瓶子,數次上拍,最後一次售於保利 廈門,2018年1月8日,編號936;另見一例售於香港佳士得,2014年11月26 日,編號3280;及香港蘇富比,2007年4月8日,編號510。

© 故宮博物院藏 清乾隆 霽藍釉描金勾蓮紋瓶

© 故宮博物院藏 清道光 霽藍釉描金勾蓮紋戟耳瓶





911 清乾隆  粉彩纏枝西番蓮紋天球瓶 款識:「大清乾隆年製」 來源 香港蘇富比,1993年10月27日,編號263 出版 《嘉德二十年精品錄—陶瓷卷》,故宮出版社,2014年, 頁231-237,圖120 H 50.8cm

HK$ 12,000,000 - 18,000,000 US$ 1,533,000 - 2,299,000

出版於《嘉德二十年精品錄—陶瓷卷》,故宮出版社,2014 年,頁231-237,圖120

A RARE FAMILLE ROSE ‘LOTUS SCROLL’ BOTTLE VASE, TIANQIUPING QIANLONG PERIOD, 1736-1795 PROVENANCE

Sotheby's Hong Kong, 27 October 1993, lot 263 LITERATURE

China Guardian Twenty Years Fine Record: Important Chinese Ceramics , Beijing: The Forbidden City Publishing House, 2014, p. 231-237, pl. 120 香港蘇富比,1993年10月27日,編號263

本品為乾隆一朝極為珍罕的重要御制彩瓷,造型恢宏大 氣,於端莊敦實之中透出秀逸之美。其彩繪裝飾頗具特 色,口沿繪如意雲頭紋吊飾長短相間的瓔珞紋,頸部裝 飾一圈類似蕉葉的蟬紋,源自青銅器,清宮謂之為「蟬 紋」,肩部繪八組黃地雲肩,分別內繪兩類纏枝花卉相間 裝飾。腹部上下留白,中間繪三組銀蓮花與西番蓮交替裝 飾,其花卉枝蔓舒捲自如,設色淡雅清新,尤其在瑩白色 地映襯下更見麗質非凡。底部中心留空書寫「大清乾隆年 制」青花篆款,筆法精湛,神韻甚佳。

洋彩的繪畫設色妍麗繁縟,有別於傳統技法,更需要畫工 高超的繪畫功底與豐富的經驗。唐英在乾隆八年奉諭編撰 完成的《陶冶圖冊》第十七編「圓琢洋採」中曾作如此評 述:「圓琢白器,五採繪畫,摹仿西洋,故曰洋採。須素 習繪事高手,將各種顏料研細調和,以白瓷片繪染燒試, 必熟諳顏料、火候之性,始可由粗及細,熟中生巧,總以 眼明、心細、手准為佳。所用顏料與法琅色同,其調色之 法有三:一用芸香油,一用膠水,一用清水。蓋油色便於 渲染,膠水所調便於搨抹,而清水之色則便於堆填也。」

本品為乾隆官窯粉彩器之中堪稱別緻的洋彩佳器,諸彩絢 麗濃妍,繪畫細緻規整,工藝精湛絕倫。紋飾與顏料運用 技法諸多方面凸顯出典型洋彩之特徵:一是繪畫技法摹仿 西洋光影畫法,注重枝葉的明暗表現和花朵花瓣的立體層 次;二是頸部和腹部多處使用洋彩特有的圓狀光點裝飾。 彩繪呈現明顯的琺瑯彩效果,富於西方裝飾韻味,體現出 歐洲巴洛克裝飾風格對中國美學的影響。

洋彩的主要特徵就是「摹仿西洋」,對繪畫者的要求非常 嚴格,必須具有過硬的技術根基方可,並且需要對彩繪效 果反復做試燒檢驗,把握著色彩變化、搭配的奧妙之處, 強調指出洋彩與瓷胎畫琺瑯均使用相同的顏料。在「圓琢 洋採」配對的圖畫中,見有一中年工匠正在聚精會神地染 繪洋彩,桌上擺放三個碗,勺子在其中,應是盛裝前述芸 香油、膠水、清水三種調劑,另見多瓣調色盤上有紅綠諸 彩,該畫具體地記錄了當年洋彩瓷器繪制的工作場景,這 是迄今為止關於洋彩瓷器製作僅見的一份圖像資料,異常 可貴。

洋彩正是十八世紀清宮與西洋文化交流互動而產生的藝術 珍品,它是雍乾時期清宮對運用西洋繪畫技法描繪的彩瓷 的正式名稱,乾隆朝《活計檔》、《陳設檔》多作「磁胎 洋彩」,原配木匣上也皆刻上「洋彩」品名。「洋彩」名 稱最早出現於雍正十三年(1735年)唐英所撰之《陶務述 略碑記》:「洋彩器皿,本朝新仿西洋法琅畫法,人物、 山水、花卉、翎毛,無不精細入微。」該碑據實記載,憑 此表明清宮洋彩至少在雍正晚期已被珠山御窯廠成功燒 制。



「天球瓶」始作於明初永樂、宣德時期,受外域器物影響 深刻。以「蘇麻泥青」渲染,或畫纏枝,或繪雲龍,色調 幽艷,氣勢奪人。曇花一現後,有明一代再不見此類器 物,直至康熙晚期才恢復燒造。雍乾時期「天球瓶」比例 勻稱得當,在陳設瓶、尊類的器物中脫穎而出,頗得帝王 歡心,加之文化繁盛,工藝超凡,造就了或氣勢磅礡,或 嬌羞婉約的官窯佳品。乾隆一朝,可見各式釉彩、紋飾作 例,然而類同此件拍品之粉彩蕃蓮紋天球瓶,鳳毛麟角, 現知僅有兩例。 天球瓶因其體格較大,造型穩健,適合宮廷陳設,更適合 匠人畫師繪畫。因其造型高級,天球瓶無論何種繪畫創作 皆為經典。乾隆一朝天球瓶紋飾為常見的主要有粉彩九桃 天球瓶、青花釉里紅海水雲龍紋天球瓶等。清乾隆粉彩九 桃天球瓶時有見到,可比玫茵堂舊藏清乾隆粉彩九桃天球 瓶,著錄於康蕊君,《玫茵堂中國陶瓷》,倫敦,19942010年,卷4,編號1756,後以9026萬港元售於香港蘇富 比2011年10月5日,編號0015;清乾隆青花釉裡紅海水雲 龍紋天球瓶,可見保利香港2019年10月7日,編號3324, 以5664萬港元售出;其他題材天球瓶作品又見清乾隆鬥彩 加粉彩暗八仙纏枝蓮紋天球瓶,售於香港佳士得2018年5月 30日,編號8888,以1.306億港元成交。本件粉彩纏枝西蕃 蓮天球瓶,題材少見,帶有濃郁的西洋巴洛克風格,十分 少見。 十八世紀中西文化交流的標誌正是體現為清代宮廷文化對 西洋元素的吸納和運用。其中乾隆皇帝興趣廣泛,對西洋

清乾隆鬥彩加粉彩暗八仙纏枝 蓮紋天球瓶,香港佳士得2018 年5月30日,編號8888

文化的借鑒和推廣更在康雍二帝之上,他頗為推崇西洋裝 飾形成富麗堂皇之效果,因此登基之初即命傳教士設計並 建造了圓明園當中的西洋樓建築群,成為中西文化交融的 一處時代標誌,在宮廷工藝品的設計與製作上,乾隆皇帝 的喜好致使西洋元素廣泛運用,臻於極致,也讓西方為之 驚嘆不絕,其中洋彩瓷器的成熟與流行,使得西洋技法與 西洋題材在清宮瓷器上得到完美結合,品格不凡,鑄就了 中國陶瓷史上一段洋溢西洋氣息的佚麗篇章。 檢閱公私收藏數據,乾隆一朝未見與本品相同之器,其在 裝飾風格和表現技法方面均有別於常見御瓷之面貌,展現 高級官窯的新姿採。其特點有二:一、本品以白釉為色 地,縱觀乾隆時期彩瓷色地,斑斕多彩,當中以白釉色地 最為罕見,故白釉色地者一向聲價不菲。比較當今所見白 釉色地者,其彩料必當妍美於其餘色地者,可見白地彩瓷 品質非凡。二、本品紋飾一改乾隆彩瓷雍容繁縟的面貌, 紋飾之間留白較多,層次過渡非常清晰,頓生一股清新雅 麗之氣,亦為乾隆御瓷少有之個例。其設計或曾借鑒雍正 朝白地琺瑯彩花卉紋碗的裝飾,該類碗外壁上下留白中間 彩繪百花不露地圖,既獲百花璀璨,又不落俗套,頗見清 雅之氣,構思巧妙,實物見香港蘇富比1991年秋拍第253號 拍品。 本品屬於此番西風東漸之下的重要見證者,其氣韻婉約雅 致,清新復見華貴,溫和蘊含富麗,沈穩亦不失和諧,極 盡考究之能事,尤顯雍容高雅、賞心悅目,當屬乾隆御制 彩瓷之翹楚。

清乾隆青花釉里紅海水雲龍紋天 球瓶 保利香港2019年10月7日, 編號3324

清乾隆粉彩九桃天球瓶 瑞 士玫茵堂舊藏





912 清中期  金地粉彩海水螭龍紋橄欖瓶 款識:「雍正年製」 來源 1990年代購自香港 本品尊貴秀挺,裝飾雍容華麗,通體施金彩為地,肩部飾海浪紋,頸 部與腹部周身君繪螭龍穿雲紋。螭龍肢體翻卷,靈動曼妙,頗見柔美 之姿。祥雲流動飄逸,遍布其間。其主題鮮明,寄寓美好富貴之意。 繪畫細緻工整,工藝精湛絕倫,金彩勻淨厚潤,至為可愛,金彩璀璨 輝煌,諸彩絢麗濃妍。近足處飾海浪紋,足內圈繪金彩,內有藍料彩 方框「雍正年製」楷書款。本品尊貴典雅,金彩妍美多姿,彰顯出無 與倫比的藝術魅力,珍罕程度備受世人推崇。 本品珍稀罕見,同類者目前僅見一例,與本品或原為一對,工藝、 款字應出自同一工匠,先後售於紐約蘇富比,1975年2月20日,編號 292,及倫敦蘇富比,2012年11月7日,編號101。 H 16.6cm

HK$ 900,000 - 1,200,000 US$ 115,000 - 154,000 A RARE GOLD-GROUND FAMILLE-ROSE 'DRAGON' VASE MID QING DYNASTY, 18TH CENTURY PROVENANCE

Acquired in Hong Kong in 1990

另一面 another view

倫敦蘇富比,2012年11月7日, 編號101



913 清乾隆  仿官釉穿帶琮式瓶 款識:「大清乾隆年製」 來源 日本久志卓真收藏(根據題簽) 琮式瓶圓口,方身,直腹,圈足,口與足大小相若,因形似玉琮而得 名「琮式瓶」。 其外壁竪線裝飾為穿帶紋,橫線裝飾為八卦紋,故 又稱為「八卦瓶」。瓶身一側上方有兩組對稱的象鼻穿眼,穿眼內緣 的積釉在出窯後曾予打磨修整,以確保通暢,這兩組象鼻穿眼和圈足 兩側的孔洞,應為穿綁綬帶固定之用。通體施仿哥釉,質地厚腴明 潤。整器古樸清麗,溫婉爾雅、風韻雋永,若置於案頭,可解思古之 幽情,為書齋之雅器。 瓶身以八卦紋和穿帶紋裝飾,同類可見北京故宮博物院藏「清乾隆 爐鈞釉琮式瓶」,亦可比較保利香2012年首拍編號778「乾隆 仿汝釉 鏤空穿帶琮式瓶」。此拍品的包裝之內,有日本上世紀最具權威之陶 瓷鑒定專家久志卓真先生的題跋,稱此物為清代仿宋汝或官窯的青瓷 官窯上品,實為此件器物增色。 久志卓真(1898-1974),為日本陶瓷界重要人物,他不僅收藏了大 批重要的中國瓷器,而且著書立說,出版有《支那的陶瓷》、《世界 陶瓷全集10》、《清代陶瓷》、《明初陶磁圖鑒》等多部重要著作。 H 29.3cm

HK$ 1,800,000 - 2,500,000 US$ 230,000 - 320,000 A GUAN-TYPE VASE, CONG QIANLONG PERIOD, 1736-1795 PROVENANCE

Takushin Kushi collection, according to the inscription



914 清乾隆  茶葉末釉小鳩耳尊 款識:「大清乾隆年製」 來源 日本私人藏家舊藏 本品器型仿漢銅壺造型,直口微敞,溜肩鼓腹,圈足外撇,頸部凸起 弦紋一道,肩部貼飾鳩耳銜環,鳩首造型古樸,雙環扁平。尊內外壁 通施茶葉末釉,釉色滋潤失透,青色中閃爍黃黑斑點,燦若晨星,典 雅高貴,耳環起稜處微露胎骨,足際塗有褐色護胎釉,底心模印「大 清乾隆年製」六字三行篆書款,附有清代配硬木底座。

鳩耳尊器形 創燒於雍正時期,原形類似宋代王黼《博古圖錄考證》中著錄「周高 克尊」。乾隆一朝,國力強盛,國君推崇提倡,摹古之風更盛,造辦 處所轄各種器皿作坊及景德鎮御窯廠紛紛將古代銅器原型,作為器形 的藍本,瓷、玉、銅、琺瑯器等工藝品種,均有臨古銅器的佳作。 H 16cm

HK$ 2,000,000 - 2,800,000 US$ 256,000 - 358,000 A TEA-DUST GLAZED HU-FORM VASE WITH HANDLES QIANLONG PERIOD, 1736-1795 PROVENANCE

A Japanese private collection

清乾隆 茶葉末釉鳩耳尊 © 北京保利,2014年12月3日,編號5725



本品為乾隆鳩耳尊形制中體型小者較為罕見,高16cm; 傳世與館藏實例中多見此種仿官釉、仿汝釉、茶葉末釉等 等,均高30cm以上。上海文物商店藏有一例,為乾隆時期 此種鳩耳尊之較大型之類,高48cm,可見《清代瓷器賞 鑒》上海科學技術出版社,頁148,圖186。此種較小一型 一例於香港蘇富比2006年4月10日售出,編號1523。一件 青花黃彩暗刻雲龍戲珠紋鳩耳尊,售於紐約蘇富比2013年3 月21日,編號1183,亦為高19.7cm之小尺寸者。 乾隆一朝,國力強盛,摹古之風更盛,此件乾隆茶葉末釉 鳩耳尊是景德鎮御窯廠仿制古代銅器的典型作品,是一件 少見的乾隆宮廷陳設重器。

本品為乾隆鳩耳尊形制中體 型小者,較為罕見。傳世與館藏實例中多見此種仿官釉、 仿汝釉、茶葉末釉等等,均高30cm以上。上海文物商店藏 有一例,為乾隆時期此種鳩耳尊之較大型之類,高48cm, 參見《清代瓷器賞鑒》上海科學技術出版社,頁148,圖 186。此種較小型一例見於香港蘇富比2006年4月10日售 出,編號 1523。




熙朝傳古


915 清康熙  白釉暗刻夔鳳紋太白尊 款識:「大清康熙年製」 來源 香港重要藏家收藏 本品尊小口微撇,短頸,圓肩,豐底內凹。口、頸、肩比例協調,通 體施白釉。外壁凸飾三組團螭紋,與豇豆紅釉暗刻的裝飾技法不同, 顯得更為清晰立體,底書青花「大清康熙年製」楷書款。 此式白釉太白尊較豇豆紅品種更為罕見,其淺浮雕團螭紋亦與豇豆紅 釉例子之暗刻紋飾相異。
故宮博物院,清宮舊藏一例白釉太白尊, 錄於《故宮博物院藏文物珍品大系—顏色釉》,1999年,頁122, 圖111。上海博物館藏一相似例,見《康熙瓷圖錄》,香港,1998 年,圖版228。再一例為里埃斯科舊藏,載於 Edgar E. Bluett,《The Riesco Collection of Old Chinese Pottery and Porcelain》,倫敦, 1951年,圖版61。Yale Kneeland 夫人收藏一例,曾借展予紐黑文耶 魯大學美術館,1994年6月1日售於紐約蘇富比,編號371。香港陳玉 階先生舊藏一例,售於香港佳士得,2013年5月29日,編號1906。 H 9cm

HK$ 650,000 - 950,000 US$ 84,000 - 122,000 A WHITE-GLAZED 'PHOENIX MEDALLION' BEEHIVE WATERPOT, TAIBAIZUN KANGXI PERIOD, 1662-1722 PROVENANCE

An important Hong Kong collection

© 故宮博物院藏 清康熙  白釉暗刻夔鳳紋太白尊



916 清康熙  豇豆紅釉太白尊 款識:「大清康熙年製」 來源 香港重要藏家收藏 展覽及出版 《文房聚珎—名家收藏文房清供展》,京都市立美術館,2017年,編 號65 本品侈口小巧,外翻如唇,口部留白呈燈草邊;短頸溜肩,鼓腹呈半 球形。底部淺圈足修整圓潤,胎質潤白堅致,以青花書「大清康熙年 製」六字三行楷書款。此尊呈色半由天成,豇豆紅釉勻淨細膩,嬌艷 欲滴,色澤豔麗,釉質肥潤,令觀者可於人世間品味造化之功、自然 之美,誠乃康熙御窯之傑作,觀之令人猶覺淡恬文靜,賞心悅目,不 忍釋手。整器神韻獨到,皆為後世摹仿所不及,細細把玩,令人尋味 不已,是為文房清玩之雋品。雙肩豐滿,使得造型更加圓潤,更添意 趣。 「太白尊」因形似唐代詩人李太白飲酒的酒罈而得名。豇豆紅是康熙 朝特有的釉色,非常名貴。外壁銅紅釉分若干次吹釉而成,燒制難度 比郎窯紅更高,所以產量很少,多為文房用具,供皇帝內廷賞用。康 熙以後,豇豆紅釉燒制技藝失傳。《陶雅》言:「太白尊惟康窯有 之,各色俱備,惟紅獨多」,《飲流齋說瓷》亦載:「此等尊無巨大 者,通體不過數寸耳,以豇豆紅色或帶蘋果綠、蘋果青色為多,腹有 三團螭暗花,乃淺凹雕也,除康窯外歷朝甚罕仿製,故價值之昂等於 拱璧。 故宮博物院藏康熙豇豆紅太白尊,載於《故宮博物院藏清代御窯瓷 器》卷一上冊,頁292、293,圖版106。藏於上海博物館之例,刊 於汪慶正編,《上海博物館藏康熙瓷圖錄》,香港,1998年,圖 版206。又一例,原屬大維德爵士雅蓄,現存倫敦大英博物館,錄 於 Margaret Medley,《Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art》,倫敦,1989年,圖版 580。還有一例,略小,為紐約大都會藝術博物館藏,見 Suzanne G. Valenstein,《A Handbook of Chinese Ceramics》,紐約, 1989年,圖版234。美國貝萊爾收藏一例,曾著錄於1925年紐約出版 《The J. Insley Blair Collection of Chinese Porcelain》(貝萊爾藏中 國瓷器),圖版IV,編號110。 H 8.7cm

HK$ 650,000 - 950,000 US$ 84,000 - 122,000 A PEACHBLOOM-GLAZED BEEHIVE WATERPOT, TAIBAIZUN KANGXI PERIOD, 1662-1722 PROVENANCE

An important Hong Kong collection EXHIBITED AND LITERATURE

Precious Treasures. Bunbo Shiho - Fine Scholar's Objects, Kyoto City Museum of Art , 2017, no.65

出版於《文房聚珎—名家收藏文房清供展》,京都 市立美術館,2017年,編號65



917 清康熙  豇豆紅「桃花片」印泥盒 款識:「大清康熙年製」 此件盒為扁圓狀,子母口,印盒器型飽滿,造形小巧玲瓏,胎體厚 重,釉質瑩潤自然,桃花紅中泛出些許綠苔,所謂「滿身苔點,泛於 桃花春浪間」淡雅宜人。底施白釉,落「大清康熙年製」六字三行青 花楷書款。 《飲流齋說瓷》評述「豇紅之所以可貴者,瑩潤無比,居若鮮若黯之 間,妙在難以形容也」。豇豆紅燒成難度極大,故只由官窯少量生 產,僅供宮廷使用。目前所見典型康熙豇豆紅釉器僅有太白尊、鏜鑼 洗、柳葉瓶等八個品種,印盒為其中較為少見的一種。 本品造型秀雅,胎釉品種卓絕,保存完好,其綠色苔點面積比尋常所 見者更多,可歸為「桃花片」品種,此為本品最為難能可貴之處。此 種為康熙御窯經典文房用品,可見上海博物館館收藏,著錄於《上 海博物館藏康熙瓷圖錄》,1998年,頁321,圖207。中國國家博物 館亦館藏一例,出版於《中國國家博物館館藏文物研究叢書.瓷器 卷(清代)》,2007年,頁44,圖27。參考一例售於香港佳士得, 2013年5月29日售出,編號2101,以港幣360萬成交;美國大都會博 物館亦有同類收藏,售於紐約佳士得,2016年9月15日,編號917。 D 7.1cm

HK$ 600,000 - 800,000 US$ 77,000 - 103,000 A PEACHBLOOM-GLAZED SEAL PASTE BOX AND COVER KANGXI PERIOD, 1662-1722

© 台北故宮博物院藏 清康熙 豇豆紅釉印泥盒



918 清康熙  天藍釉蘋果尊 款識:「大清康熙年製」 來源 1. 香港蘇富比,2003年10月26日,編號64 2. 香港蘇富比,2013年10月8日,編號3117 3. 香港重要藏家收藏 展覽及出版 《文房聚珎—名家收藏文房清供展》,京都市立美術館,2017年,編 號64 本品口沿內凹,圓弧腹,下承矮圈足,圈足修旋利落,胎質緊致且細 膩潔白,造型圓潤,曲線優美簡潔。外壁通體施天藍釉,淡雅勻淨猶 如碧空之色,顯示了康熙御窯燒造的超高水準。外底心以青花書「大 清康熙年製」楷書款,筆觸緊湊有力,為康熙晚期標準官窯款識。本 品造型精緻典雅,特別是其釉水,純淨空靈,釉面光潔無瑕,宛如蒼 穹,實為巧奪天工之物。蘋果尊系尊式之一,因其外形似蘋果而得 名,實際是一種蘋果形水盂,為康熙年間典型器之一。此類蘋果尊應 是宮廷書齋文房用具,燒造量極少,康熙以後鮮有製作。

出版於《文房聚珎——名家收藏文房清供展》,京都市立美 術館,2017年,編號64

天藍釉是康熙時期初創的釉色,是以氧化鈷為呈色劑在高溫中燒成, 但其與霽藍釉不同,氧化鈷含量極低,因此燒造出的藍色,淡雅勻 淨,猶如碧空之色,因此得名「天藍釉」。天藍釉以清三代的燒造最 負盛名,後朝雖有燒造,但質量已經大不如前。康熙天藍釉蘋果尊傳 世稀少,同類器可參考上海博物館、瑞士鮑爾基金會及瑞士玫茵堂收 藏的三例。 H 6.6cm

HK$ 650,000 - 850,000 US$ 84,000 - 109,000 A RARE 'CLAIRE-DE-LUNE' GLAZED 'APPLE' JAR, PINGGUOZUN KANGXI PERIOD, 1662-1722 PROVENANCE

1. Sotheby's Hong Kong, 26 October 2003, lot 64 2. Sotheby's Hong Kong, 8 October 2013, lot 3117 3. An important Hong Kong collection EXHIBITED AND LITERATURE

Precious Treasures. Bunbo Shiho - Fine Scholar's Objects, Kyoto City Museum of Art , 2017, no.64

香港蘇富比,2003年10月26日,編號64



919 清康熙  五彩釉裡紅花卉紋蘋果尊 款識:「大清康熙年製」 來源 台灣私人收藏 此式水丞是康熙朝創新的文房用具之一,因形似蘋果,故稱「蘋果 尊」。陳瀏《陶雅》有:「蘋果尊於蘋果綠之外,又有天青、釉里紅 兩種,皆珍玩也」。清宮點查報告中將此類蘋果尊命名為「白地紅花 小口花插」,可見其亦可四時插花,作文房花器。 清宮檔案可見相同、相類器物的記載,例:乾隆五十七年六月初一 日立《壽意瓷器》:「乾隆五十三年正月初一日,收晶瞻交:…… 白地紅花水盛一件(紫檀座,嘉慶四年六月十四日交造辦處裝百什 件)。」嘉慶二十一年《金玉銅磁古玩百什件等細數實在清冊》: 「十月三十日止,除用實存金玉銅磁古玩等細數開列於後,計開 實在:……紅花白地磁水盛一件(隨玻璃匙,口徑一寸七分,有 磕)……」光緒二年三月初二日立《庫收瓷器帳》:「……白地紅 花水盛一件(玉匙紫檀座)……」《故宮物品點查報告》:「養心 殿:……呂字七〇,白地紅花小口花插一個……」 本品造型獨特,器身飽滿,小巧怡人,畫工細緻簡雅,為康熙朝文 房名品。上海博物館藏有相同作品,參見《上海博物館藏康熙瓷圖 錄》,上海博物館編,兩木出版社,1998年,頁125,圖85。日內 瓦鮑爾收藏,錄於John Ayers,《Chinese Ceramics in the Baur Collection》,卷2,日內瓦,1999年,圖版A539。此外,亦見於仇 炎之舊藏,參見香港蘇富比,1981年5月19日,「太倉仇氏抗希齋曾 藏珍品圖錄·第三輯各式珍玩」專場,編號539。 H 8.6cm

HK$ 500,000 - 800,000 US$ 64,000 - 103,000 AN ENAMELED WUCAI COPPER-RED-DECORATED WATER POT KANGXI PERIOD, 1662-1722 PROVENANCE

A Taiwanese private collection

© 日內瓦鮑爾藏品 清康熙 五彩釉裡紅花卉紋蘋果尊



920 明永樂  銅鎏金金剛手菩薩 款識:「大明永樂年施」 來源 A. J. Speelman,倫敦 金剛手菩薩,梵文Vajrapani ,意為持金剛者,乃釋迦牟尼佛眷屬之 八大菩薩之一,然於金剛乘教法中,多呈忿怒相,亦稱密跡金剛或密 主,乃釋迦牟尼佛教法、經典之護法。本尊菩薩坐像法相寧靜安詳, 殊異於常見忿怒相造型。 H 21cm

HK$ 4,800,000 - 6,800,000 US$ 614,000 - 869,000 A GILT-BRONZE FIGURE OF VAJRAPANI YONGLE PERIOD, 1403-1424 PROVENANCE

A. J. Speelman, London

Berti Aschmann 舊藏 © 雷特伯格博物館藏品

© 臺北鴻禧美術館藏品



背面 Back view

本尊金剛手菩薩坐像束髮高髻,頭戴五葉寶冠,雙肩垂落兩束餘髮,髮絲間紺青餘跡 依稀可見。身披瓔珞,帛帶繞肩而垂,如絲綢般流暢;其右手上舉,手持金剛杵,此 為金剛手菩薩之標準特徵,左手置前胸,拇指抵中指;菩薩下身著裙,結迦趺坐於束 腰蓮座,正面中央以楷書鏨刻「大明永樂年施」六字,結體清晰雋秀。蓮花瓣修長飽 滿,瓣尖上翹,上下邊緣飾以連珠紋,封底鏨刻十字金剛杵,垛口殘餘硃砂之赤色。 整體造型圓融飽滿,典雅端莊,肢體細節精湛,呈經典永樂時期漢藏交融之宮廷造型 風格。 烏爾裡希.馮.施羅德曾記錄西藏寺院收藏五十四尊永樂年施造像,錄於專著《西藏 佛教雕塑》,香港,2001年,卷2,頁1237-91,多存於西藏布達拉宮。元代朝廷與 西藏關係密切,崇藏傳佛教。永樂皇帝在位之時,朝廷對西藏政要及寺院恩遇有加, 大賜國禮,使此類珍品傳入西藏並得以善存。 存世永樂時期金剛手坐像甚罕,拉薩布達拉宮藏兩件近類永樂鎏金金剛手菩薩造 像,載於烏爾裡希.馮.施羅德,前述出處,頁1256-7,圖版346A-C。參考 Berti Aschmann 收藏一像,現藏雷特伯格博物館,刊錄於 Helmut Uhlig,《On the Path to Enlightenment: The Berti Aschmann Foundation of Tibetan Art at the Museum Rietberg》,蘇黎世,1995年,頁106-7,圖版59,另有一尊宣德例錄於《金銅佛造 像圖錄》,鴻禧美術館,臺北,1993年,編號65。



921 明中期  掐絲琺瑯穿花摩羯紋蓋盒 來源 A. J. Speelman,倫敦 此件明中期銅胎掐絲琺瑯花卉蓋盒,子母口,周身採用掐絲琺瑯工藝描繪纏枝花 卉紋,口沿、邊棱以及底面露銅胎,銅質潔淨,色澤明亮。蓋面及器壁面以藍色 釉為地,蓋面飾一穿花摩羯龍紋,填以深藍色琺瑯釉為地,騰飛於雲海間,獸口 大張,口含一枝蓮花,下垂瓔珞,呈吞雲吐霧之勢,其身滿布鱗片,雙翼展於兩 側,長尾高揚於身後,末端捲曲,填以紅、黃、藍、白、黑、綠色琺瑯,豔麗而 充滿祥瑞之氣。蓋壁飾折枝五瓣小花,盒壁飾秋菊,花卉鮮妍飽滿,葉脈蜷曲動 人,琺瑯釉顏色明潤,瑩亮潤澤,光鮮亮麗。 此器蓋面紋飾長嘴,雙翅展揚,長尾卷曲之造型亦與佛教中之摩羯,即魚龍相 關。摩羯為佛教中的一種神魚,龍首魚身,亦為印度神話中的河水之精,生命之 本,可創造一切,也可融化萬物。大藏經《一切經音義》卷四十云:「摩羯者, 梵語也。海中大魚,吞噬一切。」有吉祥、辟邪之寓;由此可見,印度的摩羯與 中國的龍、鳳、麒麟一樣均屬憑想像集中數種動物為一體的紋飾。這種紋飾大約 出現於西元三世紀中葉,西元四世紀傳入中國。《洛陽迦藍記》記載有如來作摩 羯大魚,從河而出,十二年以肉濟人處,起塔為記,故以摩羯為飾表達了人們希 望借此得到佛祖的恩惠和保護。 佛教傳入中國後,魚龍形象逐漸與傳統龍紋相結合,文獻中稱相類之紋樣為魑 龍、夔龍、龍穿花者皆有,又因明中期帝王受早期崇信藏傳佛教之緣故,明宣 德、成化時期御用器物上多見此裝飾,可參考現存國立故宮博物院明成化天字款 斗彩夔龍蓋罐,夔龍口銜蓮花,展開雙翅。長尾后揚,與本例造型一致,錄於 《成化瓷器特展圖錄》,臺北,2003年,頁127,圖版113;另一例清宮舊藏明 成化青花夔龍紋盤,外壁繪穿花夔龍,與本例相近,而盤內壁則繪十字金剛杵紋 飾,亦說明此種紋飾與藏傳佛教之關係,錄於《故宮博物院藏文物珍品全集.青 花釉里紅》,香港,2009年,頁9,圖7;龍口垂落之瓔珞造型,尤其常見於明早 期宮廷佛教造像之菩薩裝飾,亦可參考一例明早期青花瓔珞紋大蓋罐,圖載《景 德鎮出土明宣德官窯瓷器》,臺北,1999年,頁11,圖版1-3。

明成化 天字款斗彩夔龍蓋罐 © 台北故宮博物院藏

紐約佳士得,2014年9月18日,編號606

存世作品中,以摩羯魚紋為飾的掐絲琺琅比較少見,極為高級。可參見紐約佳士 得2014年9月18日,編號606,明銅胎掐絲琺琅摩迦羅紋鋪首尊,263萬美金成 交,其兩者紋飾相似,大氣莊嚴,深具皇室御用風範,亦帶有佛教風格。 D 11.5cm

HK$ 800,000 - 1,200,000 US$ 103,000 - 154,000 A CLOISONNE ENAMEL 'MAKARA' CIRCULAR BOX AND COVER MID MING DYNASTY, 15TH-16TH CENTURY PROVENANCE

A. J. Speelman, London

蓋面 Cover



922 明早期  掐絲琺瑯番蓮紋缽 款識:「大明景泰年製」 來源 A. J. Speelman,倫敦 本品斂口豐肩,腹部斜收,平底,體量適中。缽銅質精實,外壁以藍色琺瑯釉為 地,外壁以單線勾勒,掐絲飾一圈共六朵纏枝蓮花,蓮瓣及花蕊填以紅、黃、 綠、藍、白等多種色料,纏枝在蓮花間卷繞,枝葉亦填以不同色琺瑯料,稱以掐 絲之金屬光澤,與藍地為底,色彩明亮而華麗,流露皇家風範。其構圖疏朗自 然,留白得當,造型細膩,工致硬朗而柔美有加,在濃淡相抹中獨顯特色。外壁 底部飾一圈多彩蓮瓣紋,內壁施飽滿鎏金,光澤耀目,外底右側垂直鏨刻「大明 景泰年製」六字年款,結體秀麗端莊,實為明代掐絲琺瑯中的佳作,應為宮廷造 辦處之佳制。 「缽」字是佛門盛貯器的音譯,自佛教傳入中國後,僧人多用之。明永宣之際, 皇家崇信佛教,特別是藏傳佛教。大批藏地僧侶紛紛入京朝貢。自宣德時期,景 德鎮御窯廠燒製的瓷缽,斂圓口,弧形深壁,外壁常繪有雲龍、纏枝蓮等。清宮 舊藏一例明早期青花蓮花缽,其裝飾風格與本件非常接近,現存於國立故宮博 物院,館藏編號(故-瓷-017816-N000000000);另可參考Pierre Uldry收藏一 例掐絲琺瑯瓶,其裝飾方式與本例類似,綠於《Chinese Cloisonne - The Pierre Uldry Collection》,1989年,紐約亞洲協會,圖版9。 H 7.2cm

HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 A CLOISONNE ENAMEL AND GILT-BRONZE ALMS BOWL EARLY MING DYNASTY, 14TH - 15TH CENTURY PROVENANCE

A. J. Speelman, London

參考Pierre Uldry收藏 ©《Chinese Cloisonne - The Pierre Uldry Collection》,1989年,紐約亞洲協會,圖版9



923 清乾隆  銅胎掐絲琺瑯鳧鳥尊 來源 1. 倫敦佳士得,2000年11月15日,編號101 2. Chinese Porcelain Company,紐約,2004年 3. 覺是軒,倫敦 4. 香港蘇富比,2009年4月8日,編號1664 此器以鳧鳥馱一只花觚為型,尊喇叭口,鼓腹,足端外撇,卷尾立 式,以纏枝花卉為主要紋飾。扁口,鳳羽,卷尾,神化的形象,背部 開一圓口,裝連一尊,通體以藍色琺瑯釉為地,不同部位飾以不同的 細節顏色裝飾,尊座、口部,眉眼以及雙爪鎏金,氣韻非凡。此類器 型均仿三代彝器而作,源於祭祀祖先的典禮中,盛酒以供神祇享用。 而至清代,已失其原有實用,作為陳設,置於廳堂。類似之作尚見天 雞尊、雙羊尊、犧尊等各種造型。清宮舊藏一例掐絲琺瑯鳧尊,造型 為鳧背負橢圓形尊,可茲參考。 H 34.3cm

HK$ 400,000 - 600,000 US$ 52,000 - 77,000

© 故宮博物院藏品 清宮舊藏 掐絲琺瑯鳧尊

A FINE AND RARE CLOISONNE ENAMEL AND GILT-BRONZE DUCK VESSEL QIANLONG PERIOD, 1736-1795 PROVENANCE

1. Christie's London, 15 November 2000, lot 101 2. Chinese Porcelain Company, New York, 2004 3. Priestley & Ferraro Chinese Art, London 4. Sotheby's Hong Kong, 8 April 2009, lot 1664

局部 details



924 清乾隆  銅胎掐絲琺瑯「六合同春」鹿鶴魚藻紋大缸 來源 1. 美國私人收藏 2. 紐約蘇富比,1992年12月1至2日,編號167 3. 文德爾伉儷收藏 4. 香港佳士得,2012年5月30日,編號3910 5. 倫敦蘇富比,2018年11月7日,編號35 6. J. J. Lally,紐約 展覽 1. 1973至1992年間借展於美國佐治亞州High博物館 2. 2007至2012年間借展於美國佛羅里達州棕櫚灘諾頓美術館 D 62cm

HK$ 1,200,000 - 1,800,000 US$ 154,000 - 230,000 A RARE AND LARGE CLOISONNE ENAMEL 'FISH' BASIN QIANLONG PERIOD, 1736-1795 PROVENANCE

1. An American private collection 2. Sotheby's New York, 1 and 2 December 1992, lot 167 3. Collection of The Mandel 4. Christie's Hong Kong, 30 May 2012, lot 3910 5. Sotheby's London, 7 November 2018, lot 35 6. J. J. Lally, New York EXHIBITED

1. High Museum, Atlanta, Georgia, on loan and exhibited 1973-1992 2. Norton Museum of Art, Palm Beach, Florida, on loan and exhibited 2007-2012



缸以銅為胎,圓筒形,唇口,斜腹,平底。口沿飾一圈銅鎏金迴紋, 器表內外均施琺瑯彩繪工藝,外壁以深淺藍釉為地,飾以鶴鹿同春 圖,鹿群奔馳於青蔥草地,仙鶴或穿飛祥雲間或棲息松樹,桃樹張結 果實,深山處飛瀑流泉,畫面並點飾佛手果、石榴、梅花、木蘭花。 缸內飾魚藻紋,缸心飾一條大紅鯉魚,內壁有鯉魚、鯰魚等四周繞 遊,水波中另見魚蝦、蟹貝、水草等生物出沒。底掐絲冰梅紋。「六 合同春」意在頒揚春滿乾坤、萬物滋潤,寓意吉祥,充滿喜慶氣氛, 為清代較為常見的祝壽圖案。 比較一例,出自Pierre Uldry收藏,曾展於《Chinesisches Cloisonné. Die Sammlung Pierre Uldry》,Rietberg Museum,蘇黎世,1985 年,編號322;另比兩例,售於巴黎佳士得,其一出自Juan Jose Amezaga et Maria Dolores Feijoo收藏,售於2007年12月7日,編 號38,另一例售於2015年6月9日,編號58;香港佳士得亦曾售一 例,售於2018年5月30日,編號3039;再比一例,售於倫敦佳士得, 1994年12月5日,編號258。三藩市亞洲美術博物館亦收藏一例,出 自Avery Brundage收藏,缸身紋飾以白色為主,曾展於《Cloisonné. Chinese Enamels from the Yuan, Ming, and Qing Dynasties》,Bard Graduate Center: Decorative Arts, Design History, Material Culture, 紐約,2011年,編號113;紐約佳士得亦售一例,出自 C. Ruxton and Audrey B. Love收藏,售於2004年10月20日,編號611。



925 清早期  黃花梨梳背玫瑰椅一對 來源 香港私人收藏 此對梳背椅黃花梨為材,借鑒了藤竹傢俱的特點,榫卯嚴謹,剔透輕 盈。圓材搭腦兩端以挖煙袋鍋榫卯連接後腿上截,後腿一木連做。圓 材扶手後端飄肩出榫納入後腿,扶手與鵝脖以煙袋鍋榫相接,鵝脖下 展穿過座面成為腿足。椅背嵌入一個以四根混面作肩棖子結合成的框 架,栽入六根直欞,兩側扶手亦是相似做法,栽入五根直欞。椅盤格 角攢框鑲軟屜,另施兩根混面橫棖出榫納入腿足,中間置兩根矮老, 使兩根橫棖間構成三個長方形。前方腿足間腳踏棖及其它三面的管腳 棖皆為雙混面。 這種椅子因其後背和扶手之內都裝有形似梳齒的直欞,故被稱作「梳 背椅」。清早期十分流行藤竹傢俱,並且有許多其它材質的仿竹傢 俱面世。可參閱王世襄,《明式傢俱研究》圖版卷甲63,三聯書店 (香港)有限公司, 1989年,第40頁;Gustav Ecke,《Chinese Domestic Furniture》,1989年,頁110,圖版88-89;黃定中,《留 餘齋藏明清家具》,三聯書店(香港)有限公司,2009年,頁96-97。 L 57.5cm W 50cm H 88.5cm

HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 A PAIR OF HUANGHUALI ROSE CHAIRS, MEIGUIYI EARLY QING DYNASTY, 17TH CENTURY PROVENANCE

A Hong Kong private collection

清初 黃花梨直欞玫瑰椅成對 黃定中,《留餘齋藏明清家具》,三聯書店(香港)有限公司,2009 年,頁96-97



926 十八世紀  黃花梨馬蹄足大畫桌 來源 1. Chan's Antique and Furniture Co.,紐約,1996年 2. 紐約蘇富比,2017年9月13日,編號157 3. 香港私人收藏 L 212cm W 76.2cm H 88.9cm

HK$ 2,500,000 - 3,000,000 US$ 320,000 - 384,000 A LARGE HUANGHUALI PAINTING TABLE, HUAZHUO 18TH CENTURY PROVENANCE

1. Chan's Antique and Furniture Co., New York, 1996 2. Sotheby's New York, 13 September 2017, lot 157 3. A Hong Kong private collection



畫桌,需讓作畫者舒展自如,皆為大器。同時能體現主人 藝術性的家具,因此主人格外注重其設計製作,以顯示其 高雅的鑒賞力,是古代文人雅士研磨揮毫必不可少的重 器,多放於房間正中位置。 黃花梨材質,體量較大,包漿穩重,形制秀麗挺拔。攢框 裝黃花梨板為之案面,四面平式攢牙板,以矮老分隔,內 飾八角形,直腳內翻馬蹄,無過分雕琢,卻處處經意, 形成疏朗通透效果,觀賞性甚強。類似拍品售於香港蘇 富比,2020年春拍,編號103,以797萬元釋出。此拍 品尺寸大小並不常見,近例可參考Wang Shixiang 著, 《Connoisseurship of Chinese Furniture》,卷2,香港, 1990年,圖版B108; Robert H. Ellsworth著,《Chinese Hardwood Furniture in Hawaiian Collections》,檀香 山,Academy of Arts, 1982年,圖版34;以及Grace Wu Bruce 著,《Ming Furniture Selections from Hong Kong & London Gallery》,2000-2001年冬季,編號6。另外有兩 例分別為2015年10月7日,編號106; 2009年9月16日,編 號19,同樣售於蘇富比。同類拍品亦於1990年6月1日售於 紐約佳士得,編號417。

《紅樓夢版刻圖錄》,頁157



927 明末清初  黃花梨方料大圓角櫃 來源 1. 中國嘉德香港,2012年10月7日,編號373 2. 香港私人收藏 圓角櫃又被稱為「大小頭」,寓意其造型上下大小不一,是中國傳統 傢俱精巧優美的設計之一。此件圓角櫃造工熟練精到,形態挺拔,硬 擠門式以小型的圓角櫃為多,本品高度超過一米八已是鳳毛麟角,而 且兩扇櫃門上的木紋生動流暢,似水中漣漪,堪稱孤例。 本品櫃帽噴出,邊抹混面。四足下舒上斂,向內傾斜,側腳顯著,安 光素牙板。這種設計使得書櫃線條俐落清爽、平衡穩固。櫃門無閂杆 結構,為「硬擠門式」,以格角榫攢邊裝獨板面芯板,選料極精。 櫃身背板為可以拆卸的「扇活」,這種做法頗費工料,工藝考究。 櫃內中段裝兩具帶面葉、吊牌的抽屜,上段有活動屜板一層置於櫃 幫穿帶上。底棖下安素面牙條。櫃門上蓮瓣形面葉、鈕頭、吊牌保存 完好,為此櫃唯一的裝飾,纖巧而精緻。可參閱王世襄,《明式傢俱 研究》文字卷丁22,三聯書店(香港)有限公司,1989年,頁81。 王世襄、袁荃猷,《明式傢俱萃珍》,美國中華藝文基金會,Tenth Union International Inc Chicago,1997年,頁124-126。 L 106cm W 50cm H 185cm

HK$ 4,000,000 - 5,000,000 US$ 511,000 - 639,000 A L A R G E H U A N G H U A L I R O U N D - C O R N E R C A B I N E T, YUANJIAOGUI LATE MING TO EARLY QING DYNASTY, 17TH CENTURY PROVENANCE

1. China Guardian Hong Kong, 7 October 2012, lot 373 2. A Hong Kong private collection

圓角櫃 王正書,《上海博物館集刊:上海潘允征墓 出土的明代家具模型芻議》第七期,上海,1996年





928 明末清初  黃花梨帶屉板小平頭案 來源 香港私人收藏 此案堪稱帶屜板平頭案的經典代表,尺寸不大,長和高皆不足80釐 米,靈巧可人。素牙頭,光素無飾,樸質簡練,平淡耐看。通體選以 黃花梨木為材,材美工良,在案面於四條腿足之間安橫棖,內打槽裝 屜板並形成隔層,其木紋細膩,紋理流暢優美。近例可參考北京保利 拍賣十五周年慶典拍賣會,2020年10月20日,編號6371,黃花梨嵌 癭木帶屜板小平頭案以人民幣230萬成交。 這種有屜板小條案的功能不詳,有言江南地區為小童作書桌之用,又 有言為祭祀之香案,但均無確鑿答案,從其造型和尺度來看,香案、 書桌皆無不可,也有可能是隨意擺設之邊幾,因有屜板可擱置更多物 品,是廳堂、書齋甚便使用者。 L 75cm W 40.5cm H 76.5cm

HK$ 600,000 - 900,000 US$ 77,000 - 115,000 A S M A L L H UA N G H UA L I R E C E S S E D - L EG S I D E TA B L E , PINGTOU'AN LATE MING TO EARLY QING DYNASTY, 17TH CENTURY PROVENANCE

A Hong Kong private collection

明末 黃花梨帶隔層平頭小案 黃定中,《留餘齋藏明清家具》,三聯書店(香港)有限公司,2009年,頁200-201



929 十八世紀  黃花梨高束腰浮雕卷草紋長桌 出版 鄧南威,《雋永姚黃:中國明清黃花梨傢俱》,下卷,北 京,2016年,頁134,編號43 本品尺寸寬大,長度超過二米二,堪稱孤例。實用性強, 皮殼瑩潤,觸感溫潤。黃花梨材質,面芯拼板,冰盤沿線 腳。高束腰,燈草陽綫裝飾假「魚門洞」。肩飾卷草花 葉。牙板中起膛肚,雕卷草花葉紋。透雕扔拐子龍牙角抵 牙腿。方馬蹄腿,灑脱 自然,上部挖雕勾牙角。整體體裁穩 重大氣,雕刻細膩流暢,具乾隆風尚。 L 221.6cm W 56.5cm H 89cm

HK$ 1,800,000 - 2,800,000 US$ 230,000- 358,000 A HUANGHUALI TABLE 18TH CENTURY LITERATURE

Deng Nanwei, Magnificent Yellow: Huang Hua Li Furniture of Ming and Qing Dynasties , vol. 2, Beijing, 2016, p. 134, no. 43

出版於鄧南威,《雋永姚黃:中國明清黃花梨傢俱》,下卷,北 京,2016年,頁134,編號43



930 明晚期  黃花梨壽紋圈椅一對 來源 1. 吉賽爾,比利時,1989 年 2. 巴黎蘇富比,2015年12月16日,編號30 3. 少雪齋,香港 此對圈椅選材精良,造型典雅,紋路精美,色澤透潤。靠背板紋理清 晰漂亮,起伏如層巒疊嶂,上部圓形開光內鏟地浮雕壽字紋。椅圈弧 線舒暢,兩端向外兜轉。鵝脖後移,頗富古意。椅盤下三面安壺門牙 板,曲線圓勁有力,其上卷草紋線條流暢,中間雕出分心花,自然生 動。背面安光素刀牙板。腿足外圓內方,安步步高趕棖。正面腳踏下 又安素牙子。 此對圈椅早於1980年由比利時籍著名文物收藏家和古董商吉賽爾 (Gisèle Croë s)女士所收藏, 2015年於巴黎蘇富比秋拍中釋出, 後由少雪齋入藏。少雪齋於2016年由香港資深藏家所創,齋主具多年 收藏中國古董經驗,近年更大力推動本地藝術發展。 L 65cm W 46 cm H 98cm

HK$ 1,800,000 - 2,500,000 US$ 230,000 - 320,000 A PAIR OF HUANGHUALI HORSESHOE-BACK 'SHOU' ARMCHAIRS LATE MING DYNASTY, 17TH CENTURY PROVENANCE

1. Collection of Gisèle Croës, Brussels, 1989 2. Sotheby's Paris, 16 December 2015, lot 30 3. Collection of Chamber of Young Snow

巴黎蘇富比,2015年12月16日,編號30



931 清中期  紫檀嵌銀絲雕荷塘萬花綬帶鳥蓋盒 來源 森田家族收藏,東京 此件紫檀套盒,子母口,盒身四出菱口,圓角;蓋面隨型開光,深雕 蓮塘花鳥紋飾,畫面中央一束蓮花曲莖向上,生出六枝蓮花,有的掩 映蓮葉內,有的則幾餘蓮蓬,婀娜清麗,生動優雅;中央兩隻雀鳥上 下跳躍,引頸互望,靈動活潑。周圍滿飾菊花、玉蘭、牡丹等各色花 卉,盛放與嫩芽交錯,花葉繁茂,搖曳生姿。蓋壁作海棠形開光,浮 雕一束各色花卉,餘處嵌以銀絲變體夔龍紋為飾,座起淺緣,嵌銀飾 一周回紋,束腰下承四足,足壁飾嵌銀絲蓮葉紋,足正上方飾變體抽 象獸面紋,整器工藝精緻細膩,造型帶有明確的清乾隆時期特色,當 出於乾隆宮廷造辦處之精工細作。 宮廷御用器物均由紫禁城內皇家造辦處承造。上至珍貴玉器、金銀 器、古董擺件的各種座托,下到送奏摺的匣子,甚至放中藥的小盒, 皆由造辦處木匠承做,件件精巧別致。宮廷所作當「料給值,工給 價」,表示器物在用料和審美上的極致追求。正因如此,工匠可全身 心投入創造,發揮出最佳技藝。乾隆時期,除大件傢俱,也新製或 改製了一些小型木質玩物,如百(萬)寶箱、多寶格、什錦架、藥箱 等。即使對這些小件木器的設計、製作和改進,乾隆也都不厭其煩地 做出詳細具體的指示。這一切都源自明清以來皇室、貴族對紫檀的趨 之若騖。乾隆時期百業興旺,國力充實,木質器物用料亦十分奢靡, 紫檀工藝則發展得最為純粹和成熟。國立故宮博物院藏清宮陳設用 紫檀雕花嵌銀木座,其紫檀地上所嵌銀絲仿古圖案,與本件入如出一 轍,藏品編號(故-玉-001504-N000000001)。 W 33cm H15.3cm

HK$ 1,800,000 - 2,800,000 US$ 230,000 - 358,000 A SILVER-INLAID CARVED ROSEWOOD BOX AND COVER MID QING DYNASTY, 18TH CENTURY PROVENANCE

Collection of the Morita Family, Tokyo

© 台北故宮博物院藏品 清宮陳設用紫檀雕花嵌銀木座

清宮舊藏 紫檀鏤雕四足盒



932 明宣德  剔紅牡丹紋蓋盒 款識:「大明宣德年製」

來源 1. 香港蘇富比,2001年10月29日,編號667 2. 保利香港,2017年10月2日,編號3068
 蓋盒通體髹朱漆,素地雕牡丹紋。盒蓋雕牡丹五朵,蓋心一朵牡丹盛 開,花朵碩大,周圍四朵含苞待放,牡丹枝葉繁茂,自然生動,恣意 舒展,與嬌羞的花苞形成鮮明對比。蓋外壁雕菊花、茶花、牡丹、石 榴、秋葵等花卉紋,寓「富貴多子」等吉祥意。盒內及底均髹黑漆。 盒底左側刀刻填金「大明宣德年製」楷書款。此盒漆層肥厚,雕刻、 磨制非常精美,是宣德雕漆的代表例。相似例可參考故宮舊藏宣德 款剔紅蓋盒,見《中國漆器全集·卷五》,福建美術出版社,1995 年,圖46。 另一例參考仇焱之所藏例,收錄於《One Man’s Taste. Treasures from the Lakeside Pavilion》,鮑氏東亞藝術博物館,日 內瓦,1988-89年,編號L11 。另一例與本件尺寸接近的宣德例可參 考香港蘇富比,2013年10月8日,編號3283。 D 10.8cm

HK$ 400,000 - 600,000 US$ 52,000 - 77,000 A CARVED CINNABAR LACQUER 'PEONY' BOX AND COVER XUANDE PERIOD, 1426-1435 PROVENANCE

1. Sotheby's Hong Kong, 29 October 2001, lot 667 2. Poly Aution Hong Kong, 2 October 2017, lot 3068



933 清乾隆  剔紅夔龍紋三足蓋爐 此件剔紅三足鼎爐敞口,束頸,鼓腹,下承三獸足,上置 鈕蓋,立於紫檀座。器形小巧,造型敦實飽滿。通體髹紅 漆,蓋面與爐壁均以回形錦紋作地,上飾以變形卷草夔龍 紋,體現出清代器具製造工藝的仿古特色。收腰部分則 以變形的「壽」字紋裝飾,寓意吉祥。近口沿處設穿花龍 紋,凸顯王氣。器蓋延續了爐身的風格,紋飾層層堆疊, 如花團錦簇,頗費工本。頂部以白玉作鈕,鏤雕鳳鳥展翅 欲飛,玉質瑩潤,雕工精湛。底承三足,作獸首銜環狀, 毛髮絲絲畢現,威嚴霸氣,雕琢細膩,器底以錦紋滿飾, 外圍一圈卷草紋。此爐配紫檀底座,做工一絲不苟。 此器形制穩重大方、頗具古韻,雕漆入刀犀利、筆觸細 膩,紋飾流暢瀟灑、疏密有間,疏朗清秀,且保存完好, 體現清代剔紅工藝的極高水準。剔紅仿古三足鼎較為罕

見,可參考大英博物館藏一剔紅三足鼎,載於《海外遺 珍》,臺北,1987年,圖版164,另參考Derek Clifford 編,《Chinese Carved Lacquer》,倫敦,1992年,圖版 113。 H 23.3cm

HK$ 400,000 - 600,000 US$ 52,000 - 77,000 A CARVED CINNABAR LACQUER 'FORTUNE AND LONGEVITY' DING-STYLE TRIPOD CENSER AND COVER QIANLONG PERIOD, 1736-1795


934 清乾隆  白玉仿古雲雷紋饕餮雙環耳爐 來源 法國私人收藏 此爐以整塊白玉雕琢成器,玉質瑩潤,形制規整,打磨光亮。洗為圓 唇,敞口,底承四隻蝙蝠形足;口沿雕一周回紋,壁腹飾一周仿古夔 龍紋以及圓型紋間隔而飾。口沿兩側一對鏤雕饕餮紋耳,下套活環, 當是典型的清代裝飾元素,耳上淺浮雕獸面紋,頗具青銅器中紋飾之 韻味。此件玉爐線條簡潔,造型大氣,裝飾簡潔古樸,整器打磨光 潤,掏膛工整,採用浮雕、淺刻等多種技法,雕工美輪美奐,難掩其 皇家氣質。以其作為文房清供,於富麗中增添古雅之姿,別有一番韻 味,實乃收藏佳選。

© 台北故宮博物院藏品 清 玉雙喜筆洗

清宮仿古玉器向來有「造化鐘神秀」之譽,由此可見昔日風采。 所配木座古雅美觀,與本品格調穆穆相應。查閱公私收藏,兩 岸故宮皆藏有各類玉爐,可知清宮中玉爐為常用陳設器,見 一例清代玉雙喜筆洗,現藏國立故宮博物院,館藏編號(故玉-000588-N000000000)。 W 28.8cm

HK$ 380,000 - 480,000 US$ 49,000 - 62,000 A PALE WHITE JADE RING-HANDLES BOWL QIANLONG PERIOD, 1736-1795 PROVENANCE

A French private collection

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935 清乾隆  碧玉雕雲龍紋夔鳳耳蓋爐 來源 英國私人收藏 展覽 海外藏家藏歷代中國玉雕藝術展,保利藝術博物館,2011年 本品玉質溫潤細緻,寶光蘊澤,翠韻靜穆。蓋頂為鏤雕踞龍鈕,肩部 以夔龍首為耳,須發捲曲誇張,蓋面與器身浮雕饕餮紋,清晰精緻, 極具立體感,下承三足,氣息古雅端莊。
清高宗乾隆愛玉如痴,興 玉器收集、考據、研究、製造之風,玩玉器於高堂而獨領風騷。於玉 器品味方面,以遷就材質、機巧繁縟、寓意吉祥為俗,以傳襲古典為 雅,如其御題詩所言:「和闐玉來伙,巧制頗紛如。漸欲引之古,庶 其返以初」,本品之出現正是乾隆帝崇尚仿古玉器的最好詮釋,此爐 是仿鑒商周青銅器而製,雕刻上乘,挖膛精細,磨工一絲不苟。紋 飾高古風雅,器形端穆致遠,既有上古之樣,又具時代之風,乃是 乾隆時期所宣導的仿古風之代表作。由此可見,本品之厚重凝潤的玉 料,「師古而不泥古」的器型與紋飾,構思奇巧的設計,精雕細磨的 做工,雍容不凡的氣度,無不昭示著乾隆宮廷仿古玉的恢弘且肅穆的 氣蘊,尤宜在書房、廳堂的幾案上設置。所配錯銀原舊底座,古雅別 緻,玲瓏美觀,一派內務府造辦處雍容華貴之氣息,與本品之格調穆 穆相應。 W 18.5cm

HK$ 800,000 - 1,200,000 US$ 103,000 - 154,000 A CARVED SPINACH-GREEN JADE ‘DRAGON’ CENSER AND COVER QIANLONG PERIOD, 1736-1795 PROVENANCE

An English private colleciton EXHIBITED

The Exhibition of Jade Carvings from Overseas Collections , Poly Art Museum, 2011

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936 清康熙  青花留白雲龍紋大盤 款識:「大清康熙年製」 來源 香港蘇富比,1991年10月29日,編號126 青花逐珠龍紋大盤,瓷胎致細,釉面潔白光潤,繪龍穿梭祥雲,翻騰 江海之上,雙目炯炯,五爪分張,威武雄健,反映康熙帝致力復興官 窯之力,奠定清官瓷風格與品質之高度發展。 翩閱各大公私收藏,康熙年間所製的大尺寸之龍紋盤,多見飾以一 條龍紋於盤心;而如本品者飾以雙龍紋,極為少見。僅見數例,參 考Alfred E. Guntermann (1943-2013)舊藏,售於紐約佳士得,2014 年9月18-19日,編號854;及美國費城Edward Collings Knight, Sr. (1813-1892)舊藏,售於紐約蘇富比,2017年3月15日,編號501。 D 36.5cm

HK$ 750,000 - 950,000 US$ 96,000 - 122,000 A LARGE BLUE AND WHITE 'DRAGON' DISH KANGXI PERIOD, 1662-1722 PROVENANCE

Sotheby's Hong Kong, 29 October 1991, lot 126

香港蘇富比,1991年10月29日,編號126



937 清康熙  青花五彩花蝶紋鈴鐺杯 款識:「大清康熙年製」 來源 香港私人收藏 鈴鐺杯因倒置形似鈴鐺,故得其名,亦稱「金鐘杯」、「仰鐘杯」, 其造型源自明嘉靖仰鐘式杯,自明以來多有燒製,康熙時期的鈴鐺杯 更加修長秀美,是清康熙官窯代表器形之一。 此鈴鐺杯造型小巧靈秀,胎薄若紙,胎質縝密,堅致純淨,細膩似 玉。胎釉緊密,釉質細潤瑩白,青花與五彩互為相映,相得益彰。外 壁滿繪大小蝴蝶飛舞於繁花之間,佈局繁密,繪畫靈動,為清康熙官 窯經典之作,底書「大清康熙年製」六字雙行楷書款。 D 8cm

HK$ 500,000 - 800,000 US$ 64,000 - 103,000 A BLUE AND WHITE WUCAI 'FLORAL BUTTERFLIES' CUP KANGXI PERIOD, 1662-1722 PROVENANCE

A Hong Kong private collection

© 故宮博物院藏 清康熙 青花五彩花蝶紋鈴鐺杯

© 《S. MARCHANT & SON QING MARK AND PERIOD BLUE AND WHITE》,1984 年,圖3



938 清雍正  鬥彩並蒂蓮紋碗 款識:「大清雍正年製」 此碗造型小巧精緻,胎質細膩潤白,剔透無瑕,外壁以鬥彩工藝裝飾 三組並蒂蓮花,碗內底繪一把蓮,整器設色清雅,填彩準確。以礬紅 繪制的並蒂蓮具有陰陽透視效果,華麗富貴。底落「大清雍正年製」 青花楷書款。 此式鬥彩並蒂蓮紋碗為清代官窯經典品種,始燒於雍正時期,歷朝均 有燒造。在《雍正、乾隆官窯督陶大事記》中記載乾隆三年(1738 年)燒造用於飲茶的「五彩並蒂蓮茶碗」,即指此類作品。此對小碗 出自雍正御窯,比後世乾隆、道光作品更為少見,甚是難得。與之類 似可參考《孫瀛洲的陶瓷世界》,故宮博物院編,耿寶昌主編,紫禁 城出版社,2003年,頁216、217,圖版132。 外壁所繪並蒂蓮。蓮花是佛教聖潔之花,象徵清淨智慧,常見於佛教 供奉之中。並蒂蓮花是一枝兩朵的奇花,清代陳元龍《格致鏡原》卷 七二《花類.花異》引《真珠船》:「雙頭蓮,即合歡蓮,一名嘉 蓮,一名同心蓮。」並蒂蓮被古人視為祥瑞之物,常用於象徵夫妻恩 愛、團圓長久。宋代劉敞《三瑞堂》詞云:「甘露被草,朝陽易晞。 池蓮並蒂,及秋變衰。獨有長松連理老益壯,十年百年仍附枝。昔來 一物足為瑞,何況三異俱稱奇。」明代王廷相《姑蘇行》有「不嫌死 作合歡樹,但願生為並蒂蓮。蓮花花開香遠聞,願取縫君夾錦裙。」 D 10cm

HK$ 800,000 - 1,200,000 US$ 103,000 - 154,000 A DOUCAI 'LOTUS SPRAY' BOWL YONGZHENG PERIOD, 1723-1735

碗心細部 detail of the interior



939 清雍正  白釉浮雕梅花紋小碗一對 款識:「雍正年製」 來源 1. Richard Fairfax William Cartwright (1903-1954)收藏 2. 倫敦蘇富比,2011年11月9日,編號 75 碗一對,敞口,深弧腹,圈足。器形規整,胎體輕巧細 膩,通體施甜白釉,光潔瑩潤,明亮照人,精細純淨,溫 潤如玉,給人以甜美淡雅之感。碗外壁釉下暗刻梅花花 紋,線條細膩、流暢,因釉色遮蓋而不明顯,若隱若現。 底以凸印「雍正年製」四字雙行楷書款。 年希堯於雍正四年正月出任內務府造辦處總管,兼理景德 鎮窯務,世稱「年窯」。雍正皇帝對製瓷要求嚴謹,品 位極高,年希堯秉承皇帝旨意,精研細造,成就斐然。 據《景德鎮陶錄》記載:「(年窯)選料奉造,極其精 雅……,琢器多卵色,圓器瑩素如銀,皆兼青彩或描錐暗 花,玲瓏諸巧樣,仿古創新,實其於此。」 據內務府造辦處檔案可知,最早記載年希堯榷陶的史實就 是雍正皇帝令其仿燒永樂白瓷。檔案載:「雍正四年五月 十三日據圓明園來貼內稱太監雅圖交白瓷把杯一件,交年 希堯照樣燒造。欽此。」由此可見,雍正皇帝對白瓷素雅 瑩潔的喜愛尤甚。另外,北京故宮博物院存清宮舊藏「朗 吟閣製」款白釉暗花紋花澆,乃為雍正皇帝於圓明園住所 御用之花器,如此細物依然可以強烈反映雍正皇帝的審美 取向。

此對年窯梅花碗,造型秀雅端莊,釉汁瑩潤似玉,胎質細 薄如紙,幾近脫胎,迎光可透。內壁光素,外壁梅花紋, 梅花或含苞待放,或吐萼含英,風格清麗,氣韻雋逸,彰 顯出雍正御瓷之精巧與秀雅。存世所見雍正御瓷之中白釉 堆暗花器皿,極為稀罕,參考一近例,原為為羅馬Zingone 舊藏,上拍於香港佳士得,2011年6月1日,編號3538。 本品碗底凸印大清雍正年製雙行楷書款,方正有力,此式 寫款頗為罕見,相同款式可見香港蘇富比,2010年4月8 日,編號1926。 D 10cm

HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 A RARE PAIR OF MOULDED WHITE-GLAZED ‘PRUNUS’ BOWLS YONGZHENG PERIOD, 1723-1735 PROVENANCE

1. Collection of Richard Fairfax William Cartwright (1903-1954) 2. Sotheby's London, 9 November 2011, lot 75



940 清乾隆  仿官釉三聯葫蘆瓶 款識:「大清乾隆年製」 來源 1. 傳日本姫路市私人收藏,1950年代入藏 2. 香港佳士得,2008年12月3日,編號2568 3. 香港蘇富比,2016年10月5日,編號3646 本品為三管花插,外形為葫蘆瓶,口分三孔。瓶底足部呈 三瓣花型,底足露胎。通體施仿官釉,釉色凝潤細膩。底 心以青花書「大清乾隆年製」六字三行篆書款。整器釉質 肥腴純厚,溫潤如玉,流暢的造型與靜穆的釉色,盡顯古 雅雋秀之氣。 三連葫蘆瓶,三連弧式圈足,有仿官、仿哥及仿汝等器。 乾隆帝好古,尤喜宋瓷之雅,曾專命景德鎮禦窯廠以其為 範本,製作各種仿宋瓷釉色品種,並有所創新,可謂集仿 古創新於一體。本件拍品即為一例,釉色仿自宋代官釉, 而器型為創新之作,由三個口部獨立、腹部相連、底足一 體的葫蘆瓣組成聯體葫蘆,底部呈三瓣花形。整器釉質肥 腴純厚,溫潤如玉,流暢的造型與靜穆的釉色,盡顯古 雅雋秀之氣。見耿寶昌《明清瓷器鑒定》,香港,1993 年,圖版446,收錄一「天藍釉三孔葫蘆瓶」,為故宮藏 品,器表有明顯開片;瀋陽故宮博物院藏一件與本件作品 相似器,清乾隆粉青釉三孔葫蘆瓶,這件器物是乾隆時期 粉青釉的典型器,為清宮原藏之物。參見《瀋陽故宮博物 院院藏文物精粹》瓷器卷(下),萬卷出版公司,頁66, 圖8;三藩市亞洲藝術博物館藏一相似器,惟沒有明顯開 片,收錄于賀利,《Chinese Ceramics. A New Standard Guide》,倫敦,1996年,圖版521;另有一器,由著名 收藏家鮑爾收藏,載於John Ayers,《Chinese Ceramics in the Baur Collection》,日內瓦,1999年,圖版270。瑞 士玫茵堂收藏一例,錄於康蕊君,《玫茵堂中國陶瓷》, 倫敦,1994-2010年,卷2,編號876;後售於北京保利, 2011年4月7日,編號34,可作參考。

© 台北故宮博物院藏 清乾隆 仿官釉三聯葫蘆瓶

葫蘆在我國栽培歷史源遠流長,《詩經.邶風》云:「匏 有苦葉,濟有涉深」;《幽風》云:「七月食瓜,八月 斷壺」;《小雅》云:「南有木,甘瓠累之」。其中的 「匏」、「壺」、「甘瓠」均指葫蘆。除實用功效外, 葫蘆因其獨有的外型與特性,又被先人賦予了許多美好 寓意:葫蘆,因型似「吉」字,讀音似「福祿」,又多 籽,故自古以來便承載起人們希望吉祥如意、福祿雙全、 多子多孫的美好心願。乾隆時期國力空前強盛,經濟高度 繁榮,祈禱吉祥富足也因此成了當時社會藝術的主流,以 葫蘆為題材的各式宮廷陳設亦應運而生,即為這一時期下 的產物。葫蘆器形象征多產多福,繁葉枝藤及帶斑葫蘆圖 紋,更強調其吉祥寓意。葫蘆之圓潤體態,子核豐富,使 其自然成為多產多子之象徵。細長瓜藤更代表子嗣綿延無 盡,代表子孫萬代。 H 20.3cm

HK$ 800,000 - 1,200,000 US$ 103,000 - 154,000 A GUAN-TYPE TRIPLE-SPOUTED 'DOUBLE-GOURD' VASE QIANLONG PERIOD, 1736-1795 PROVENANCE

1. A Japanese private collection, Himeiji City, acquired in the 1950s, by repute 2. Christie's Hong Kong, 3 December 2008, lot 2568 3. Sotheby's Hong Kong, 5 October 2016, lot 3646



941 清雍正  霽紅釉橄欖瓶 款識:「大清雍正年製」 來源 保利香港,2017年10月2日,編號3027 霽紅釉為明初創燒之高溫釉,以明代永樂、宣德最著名,故也名「宣 燒」或「霽紅」,取其雨過天晴之霞霽之色。由於燒制技術要求高, 加之燒製材料告缺,宣德以後便日漸衰落,直至清康熙重新燒製成 功,雍乾時又重達高峰,以後歷朝均有繼續燒製,但品質終達不到三 代時水準,故清代雍、乾兩朝之祭紅精品當屬極品。清代雍正官窯歷 來即為藏者所重。
 此瓶侈口束頸,溜肩、微鼓腹,斂脛臥足,形似橄欖而得名。通體施 霽紅釉,內及底部施白釉。底書青花雙圈內書「大清雍正年製」。橄 欖瓶為清代時期的典型器,始創於順治朝,康熙有燒造,雍正、乾隆 時最為常見,規格、大小不一樣。此瓶造型雅致特別,造型近乎橄欖 瓶,但欠收束的脛部,體形亦稍扁,或可視為橄欖瓶之變體。此瓶施 釉細潤光亮,造型秀頎,線條流暢優雅。釉色如初凝之鮮血,奪目而 不落艷麗,濃郁而不失潤澤,深沈華美,寶光內蘊,氣韻優雅。 霽紅釉是雍正帝非常喜愛的釉色,為提高其呈色品質多次下旨監督, 甚為關注。《清宮內務府造辦處活計清檔·記事雜錄》載:「雍正七 年八月十七日,郎中海望持出碎霽紅磁片邊五塊。奉旨:此釉水甚 厚,新燒得甚薄,不知是何原故,著伊照此破瓷釉水燒造,欽此。」 故雍正霽紅釉是以宣窯作為最佳的標準,在康熙郎窯基礎上,經過雍 正督辦和年希堯、唐英等的努力下才獲得成功的。清人龔詢詩雲: 「官古窯成重霽紅,最難全美費良工。霜天晴晝精心合,一樣摶燒百 不同。」謂紅釉燒造不僅依靠人工,更賴氣候天成。
此品種存世少 見,可考近例,錄於《機暇清賞:懷海堂藏清代御窯瓷瓶》,香港中 文大學文物館,2007年,頁94,圖6。另見一例,香港蘇富比,2012 年10月9日,編號28。及《故宮博物院珍藏.清代御窯瓷器卷一(下 冊)》,紫禁城出版社,圖版9。 H 21.2cm

HK$ 600,000 - 1,200,000 US$ 77,000 - 154,000 A FINE AND RARE RED-GLAZED OLIVE-SHAPED VASE YONGZHENG PERIOD, 1723-1735 PROVENANCE

Poly Auction Hong Kong, 2 October 2017 lot 3027

© 香港懷海堂藏 清雍正 霽紅釉橄欖瓶



942 清雍正  窯變釉折沿菱口三足洗 款識:「大清雍正年製」 本品式樣古雅,原型應來自故宮博物院藏的宋代鈞窯器。其形為六瓣 菱花式,折沿唇口,下承三雲頭足,外壁釉質呈玫瑰紫色及天藍色, 鮮亮奪目,洗內為月白色,厚潤靜穆,口沿則為諸色交融,虛幻變 化,一器之內,同釉而異彩,此種變化全由窯火而成,故窯變一色雖 曰人工,實賴天成。底釉斑駁,深淺不一,為後世最難摹仿之處,中 央釉下暗刻「大清雍正年製」六字三行篆書款,章法規整。 類似藏品,見於《清世宗文物大展》,國立故宮博物院,1999年, 頁228,圖54。另一例錄於《中國陶瓷全集—清(上)》,汪慶正主 編,2000年,頁211,圖232。
清代窯變釉為雍正時期仿製鈞窯的色 釉品類之一,雍正十三年,唐英在其所寫《陶成紀事》碑文中,記述 了仿清宮所發宋鈞窯器而燒得窯變釉之事:「鈞釉,仿內發舊器梅桂 紫(玫瑰紫)、海棠紅、茄花紫、梅粉青、騾肝馬肺五種,新得新 紫、米色、天藍、窯變四種」。 仿鈞釉創燒於清雍正七年(1729年),為唐英榷陶御窯廠後恢復的 仿古色釉,為求此釉復燒成功,是年三月唐英不惜派廠署幕友吳堯圃 親赴禹縣探求古配方,謂之「此行陶冶賴成功,鐘鼎尊罍關國寶。」 (見《陶人心語》卷一《春暮送吳堯圃之鈞州》),因此窯變釉出現 時間應在雍正七年下半年。 D 24cm

HK$ 300,000 - 500,000 US$ 39,000 - 64,000 A FLAMBÉ-GLAZED BARBED DISH YONGZHENG PERIOD, 1723-1735

interior 洗心

清雍正  仿鈞釉折沿菱口三足洗 © 北京故宮博物院藏



943 明嘉靖  青花荷塘鴛鴦卧足撇口杯 款識:「大明嘉靖年製」 來源 長谷川家族收藏,日本 《古今注》中說鴛鴦為「鳥類,雌雄未嘗相離,人得其 一,則一必思而死,古曰匹鳥」,故古人視鴛鴦為愛情之 象徵。瓷器裝飾中鴛鴦皆成雙成對出現,且多與蓮池荷塘 相配,自宋代起就普遍採用,元、明、清時景德鎮窯更為 多見。
本品碗形小巧可人,為臥足式碗。內心與外壁繪荷 塘鴛鴦紋,荷葉田田,荷花嬌艷,清波環繞,鴛鴦戲游, 神態惟妙惟肖,畫面生機盎然,充滿自然意趣。青花用料 為進口的回青料,發色純正深沈,先勾繪出紋樣輪廓,再 以青色渲染,層次分明,具有典型的嘉萬時代風格。 本品器型小巧,製作規整,畫工細膩,承成化一朝遺風, 精緻小巧可愛。 D 9.1cm

HK$ 50,000 - 80,000 US$ 7,000 - 11,000 A BLUE AND WHITE 'LOTUS POND AND DUCKS' CUP JIAJING PERIOD, 1522-1566 PROVENANCE

Collection of Hasegawa family, Japan

杯心 interior


944 明成化  釉裡紅雲龍紋碗 款識:「大明成化年製」 此碗敞口,弧腹,圓足,碗口沿外側紅釉一 周裝飾,碗外壁釉里紅裝飾雙龍趕珠紋飾, 按時完成底處一周蓮瓣紋。所繪紋飾以鮮麗 的釉里紅繪彩,釉里紅髮色艷紅,非常穩 定。龍紋表現十分生動,叱吒風雲的雄渾氣 魄赫然眼前。底部青花雙圈內落款「大明成 代年製」款。
以釉里紅繪畫雲龍紋裝飾,最 早見於宣德一朝,成化並不多見。 D 17.2cm

無底價 NO RESERVE AN COPPER-RED 'DRAGON' BOWL

944

CHENGHUA PERIOD, 1465-1487

945 明成化  寶石藍釉碗 款識:「大明成化年製」 此碗敞口深腹,圈足,通體施寶石藍釉,口沿處高 溫下釉層熔融垂流映現白色胎骨,形成了一道圓潤 的白邊。足內施白釉。此碗造型規整,釉色純正, 延續宣德一朝的造型及成就,成化一朝此類寶石藍 釉作品並不多見,僅見台北故宮博物院藏成代窯霽 青釉白磬口盤可作參考。 D 18cm

無底價 NO RESERVE 945

A BLUE-GLAZED BOWL CHENGHUA PERIOD, 1465-1487


946 明晚期  掐絲琺瑯八吉祥紋福祿壽盤 來源 A. J. Speelman,倫敦 此盤胎體厚重,銅胎鎏金,敞口,弧腹,矮圈足,平底。盤通體以天 藍色琺瑯釉為地,口沿包金,盤內底飾福祿壽三仙以及松、鶴海水 紋、形象生動,色彩繽紛。盤內壁則裝飾一圈八吉祥紋,外壁飾各色 纏枝蓮花,盤底外中央掐絲填藍色地,飾四色纏枝蓮花。以蓮花進行 裝飾是明代琺瑯器的一種流行裝飾手法。整器掐絲琺瑯色彩較明早期 及元代末期更為鮮亮奪目,裝飾工藝精良,釉色飽滿,富麗堂皇,應 為宮廷陳設品,顯示出皇家氣韻。 同類器可參考故宮收藏明末掐絲琺瑯山水人物紋圓盒,盒蓋面所飾人 物故宮與本例相近,綠於故宮博物院編,《故宮博物院藏品大系.琺 瑯器編1》,圖版157;另例可參考Pierre Uldry收藏一例晚明掐絲琺 瑯盤,其盤壁與本例同為八吉祥圖案;唯人物故事圖描繪較為粗簡, 錄於《Chinese Cloisonne - The Pierre Uldry Collection》,紐約亞洲 協會,1989年,圖版160。

明晚期 掐絲琺瑯盤 Pierre Uldry收藏

D 20.6cm

HK$ 450,000 - 650,000 US$ 58,000 - 84,000 A CLOSIONNE ENAMEL 'THREE DEITIES' AND ‘BAJIXIANG’ DISH LATE MING DYNASTY, 17TH CENTURY PROVENANCE

A. J. Speelman, London

明晚期 掐絲琺瑯山水人物紋圓盒 © 北京故宮博物院收藏


947 清雍正  仿茶晶料剔刻纏枝牡丹紋盞一對 款識:「雍正年製」 來源 1. 長谷川家族收藏,日本 2. 磯野源治郎氏家收藏

HK$ 80,000 - 130,000 US$ 11,000-17,000 A PAIR OF TRANSPARENT 'PEONY' GLASS CUPS YONGZHENG PERIOD, 1723-1735 PROVENANCE

1. Collection of Hasegawa family, Japan 2. An important Japanese collection

本品成對,敞口外撇,仿茶晶之色,配以精細之打磨,表 面閃現出絲綢般的質感,華貴而不俗。碗形端莊雅致,底 刻雙框四字款「雍正年製」楷書,筆力遒勁,拙氣隱見, 為內府料器經典之筆法。此杯色澤柔和,所刻花紋雖淺但 很清晰,為高水平的玻璃作品。碗外壁線刻纏枝牡丹紋, 藤蔓輕盈舒展,佈局疏朗清新。此杯色澤柔和,所刻花紋 雖淺但很清晰,為高水平的玻璃作品。雍正一朝玻璃器製 作更為精進,許多作品不署款,目前故宮博物院典藏清宮 遺留雍正朝刻款玻璃器僅見21件,故署款者頗為珍稀,而 仿茶晶之色為料器當中的名貴之品,為皇家專享,若如本 器之品質者,亦是寥寥可數,殊可珍也。


948 東漢  純金攢珠錘碟螭龍牌一對 此對金帶飾呈長方形,以錘鍱加鏨刻工藝製成。器面凸起螭龍形,龍 身蜿蜒蜷曲,脊柱以尺寸不同之金珠為飾,大小順序漸變;周圍錘鏨 小螭龍若干,盤伏於主龍身旁,焊接金絲勾勒邊緣,其內焊接細小金 粟為飾。螭龍雙眼以及身軀多處圍起圓型或水滴型,其內鑲嵌綠松 石,惟多已不存。飾片邊緣用細如發絲的金絲結成兩道花邊,四角及 每邊稜中央作圓型飾片,餘處內焊菱形細片,其內原鑲寶石,四邊向 內起矮沿,上鉆小孔,系為掛繩而作。大小龍紋製作精細,形象生 動,花絲、珠化、鑲嵌三種裝飾技術集中於同一器物,體現了漢代細 金工藝技術的純熟和工匠豐富的藝術表現力。 金珠鑲嵌工藝可謂文化交流的體現,其最早可追溯至美索不達米亞平 原,公元前2600年的伊拉克南部普阿比王后墓葬中,曾出土一例金 環,由顆金珠焊接而成。隨著歐亞草原遊牧化,這一技術傳至中國西 北邊境,戰國晚期墓葬中陸續發現以金珠飾品,如耳環、耳墜等,為 諸侯國貴族所使用。東漢時期,金珠工藝更加多元化,江蘇邗江甘泉 二號墓出土一例以金片鏤刻以金絲、金粒製作的龍形片飾。河北定縣 43號東漢中山穆王墓葬出圖眾多動物圖案,其上鑲嵌綠松石以及紅寶 石,極其精美(圖一),現藏河北定州市博物館。錄於《走向盛唐— 文化交流與融合》,香港,2005年,頁52,圖版8。

圖一 河北定州市博物館藏

與本例相似題材的例子可見新疆焉耆縣金疙瘩墓地出土漢代八龍金帶 扣,其上除綠松石外,更鑲嵌紅寶石;還可見朝鮮平壤石岩裡(漢代 樂浪郡)M9出土的公元一至二世紀七龍金帶扣、1991年湖南安鄉縣 西晉鎮南將軍劉弘墓出土嵌綠松石螭龍紋金帶扣(圖二)、2002年大 連營城子漢墓出土龍紋金帶扣、2009年安徽壽縣壽春鎮劉延墓出土 的東漢元和二年(公元85年)嵌松石八龍鏤空金帶扣,皆為同時期最 高水準的金珠作品。私人收藏中,可參考一例嵌松石螭龍紋帶扣,由 Eskenazi售出,現藏日本美秀博物館。 L 5.4cm W 7.6cm; 41g 37g

HK$ 1,300,000 - 2,300,000 US$ 167,000 - 294,000 A PAIR OF GOLD ‘DRAGON’ PLAQUES EASTERN HAN DYNASTY, 25-220

圖二 嵌綠松石螭龍紋金帶扣



949 戰國  純金鏤雕螭龍紋帶扣 來源 1. 戴克成,東方青銅器有限公司,巴黎 2. 歐洲重要藏家私人收藏 參考:紐約佳士得,2015年3月15日,編號3189
 此配飾 金 質 , 高 浮雕, 正 面呈 饕 餮 造 型 ,獸 眼 突 出,額部隆起,短鼻,卷牙,飾點狀紋,卷紋。造 型錯落有致,極具幾何美感。《承訓堂藏中國古代 金器》中有所收錄戰國時期類似器,在山西寶雞、 鳳翔等地曾出土春秋時期類似金配飾。 W 7.8cm 64g

HK$ 120,000 - 220,000 US$ 16,000 - 29,000 A GOLD 'CHILONG' BELT BUCKLE WARRING STATES PERIOD, C. 475 - 221 B.C.

949

PROVENANCE

1. Christian Deydier, Oriental Bronzes Ltd., Paris 2. An important European private collection

950 唐早期  金包綠松石嵌松石蓮紋帶扣 來源 1. 戴克成,東方青銅器有限公司,巴黎 2. 歐洲重要藏家私人收藏 此帶扣設計精巧,先以綠松石為地打磨成片狀,再 於其上以兩枝盛開的纏枝蓮鏤空包金裝飾。蓮莖及 枝葉巧妙的包裹松石,再鑲嵌綠松石打磨而成的蓮 瓣,華麗異常;三層效果裝飾,非常稀有。帶扣中 盛開的蓮花,在唐代早期璧畫及佛教造像上皆可見 到,是唐代早期常見的裝飾風格,華麗、寫實、靈 動、絕美中帶有中亞風格。 W 10cm

HK$ 120,000 - 220,000 US$ 16,000 - 29,000 A TURQUOISE-INLAID GOLD AND TURQUOISE MOUNTED 'LOTUS' BELT BUCKLE EARLY TANG DYNASTY, 618-907

PROVENANCE

1. Christian Deydier, Oriental Bronzes Ltd., Paris 2. An important European private collection 950


951 漢  銅鎏金水牛擺件 來源 法國私人收藏 青銅鎏金水牛,體格精銳健碩,呈爭鬥之姿,雙角內勾前屈,脊項高 起,雙目圓鼓,四肢用力,尾貼於身,彎曲向前,充滿爭鬥之勢,通 體鎏金,氣勢威武。漢代滇昆地區多出土動物主題青銅器,如牛、 鹿、魚等,亦有與北方草原文化相關諸如兩獸相爭之主題,如虎噬 鹿、狼豹爭鹿等造型。其中,這一地區器物在表現動物習性以及強弱 上非常精彩,以牛為主題者頗多,代表性的例子可參考1956年雲南 晉寧石寨山出土兩例,一為立牛,另一為三牛杖頭,現藏雲南省博物 館,皆生動地表現牛之動靜兩態,可見戰漢時期滇昆地區工匠的精湛 技藝。 W 11.5cm

HK$ 100,000 - 150,000 US$ 13,000 - 20,000 A GILT-BRONZE FIGURE OF BUFFALO HAN DYNASTY, 246 B.C. - 220 PROVENANCE

A French private collection


952

952

953

唐  銅包銀鏨四靈菱口鏡

唐  銅綬帶鳥雙龍紋鏡

來源:1. Roger Keven,倫敦,2008年 2. 戴克成,東方青銅器有限公司,巴黎 3. 歐洲重要藏家私人收藏

來源:夢蝶軒收藏、香港

展覽及出版:《中國藝術和陶瓷精品和稀有作品——夏季 展覽》,倫敦,Roger Keven,2008年6月,編號10,頁16

953

展覽及出版:潔西嘉·羅森,艾瑪·邦克,《青銅聚 英——中國古代與鄂爾多斯青銅器》,香港,1990年,頁 262,編號182

銅鏡菱口形,圓形鈕,鏡內貼銀鏨打珍珠地四靈紋,四靈 為雀鳥、瑞獸,形態矯健,生動活潑,四周配以枝蔓葉 片。此鏡整體紋飾錯落有致,瑞獸及雀鳥栩栩如生,生動 傳神,動感十足。鏡背的銀殼為白銀捶打之薄片,在模內 打壓成型後,鏨刻局部紋飾,再鑲嵌於鏡背,為盛唐時貴 族所用,製作精美。

圓形,獸鈕。弦紋高圈將鏡背紋飾分為內外兩區,內區紋 飾為高浮雕的兩條飛龍,左右環繞鏡鈕。外區環繞著姿態 各異的綬帶鳥紋飾,飛翔於葡萄葉蔓之間。此面銅鏡紋飾 繁縟富麗,繁簡適宜,外環姿態各異的綬帶鳥,跳躍靈 動;內圈兩條飛龍嬉戲,對比強烈。在傳世唐鏡中,極少 見到如此表現飛龍造型和姿態,工藝塑造之精令人嘆為觀 止,是一件級雖極高的唐鏡。

D 9.8cm

D 10.9cm

HK$ 100,000 - 200,000 US$ 13,000 - 26,000

HK$ 150,000 - 250,000 US$ 20,000 - 32,000

A BRONZE AND SILVER MOUNTED 'FOUR DIVINE ANIMALS' MIRROR

A BRONZE 'LONGEVITY-TAILED BIRD AND DRAGONS' MIRROR TANG DYNASTY, 618-907

TANG DYNASTY, 618-907 PROVENANCE: Mengdiexuan Collection, Hong Kong PROVENANCE:1. Roger Keven, London, 2008

2. Christian Deydier, Oriental Bronzes Ltd., Paris 3. An important European private collection EXHIBITED AND LITERATURE: Roger Keven, Fine and rare Chinese works of art and ceramics – Summer exhibition , June 2008, catalogue no 10, p. 16

EXHIBITED AND LITERATURE: J. Rawson and E. Bunker, Ancient Chinese and Ordos Bronzes, Hong Kong, 1990, p. 262, no. 182


954 東漢  銅僻邪 來源 香港邦瀚斯,2013年11月24日,編號529 可參考數件相類銅瑞獸鎮例,兩例出自Richard C. Bull伉儷收藏,一 件鎏金帶紋飾,斷代漢朝,另一件無紋,底部兩字銘,斷代六朝,售 於紐約蘇富比1983年12月6日,編號分別為59及61。北京故宮博物 院收藏一例,帶紋飾,斷代六朝,圖載於《故宮博物院藏文物珍品全 集·青銅生活器》,香港,2006年,圖版141。 可比較一例,出自Frederick M. Mayer伉儷收藏,曾展於《Mostra d’arte cinese》,威尼斯,1954年,編號160;另一例較本件相似 造型,曾展於《青銅聚英:中國古代與鄂爾多斯青銅器》,香港藝術 館,香港,1990年,編號116。 H 5.5cm

HK$ 1,200,000 - 1,500,000 US$ 154,000 - 192,000 A BRONZE 'BIXIE' PAPERWEIGHT EASTERN HAN DYNASTY, A.D. 25 - 220 PROVENANCE

Bonhams Hong Kong, 24 November 2013, lot 529


955 漢  銅鎏金龍紋案足一對 來源 1. 戴克成,東方青銅器有限公司,巴黎 2. 歐洲重要藏家私人收藏 展覽及出版 《Bestiaire extraordinaire de la Chine ancienne》,戴克 成,東方青銅器有限公司,巴黎,2011年9月6日至24日 H 15.5cm H 16cm

HK$ 900,000 - 1,200,000 US$ 115,000 - 154,000 A PAIR OF GILT-BRONZE 'DRAGON' ORNAMENTS HAN DYNASTY, 246 B.C. - 220 PROVENANCE

1. Christian Deydier, Oriental Bronzes Ltd., Paris 2. An important European private collection EXHIBITED AND LITERATURE

Bestiaire extraordinaire de la Chine ancienne , Galerie Christian Deydier, Paris, 6-24 September 2011

Bestiaire extraordinaire de la Chine ancienne ,戴克成,東方青 銅器有限公司,巴黎,2011年9月6日至24日


此件案台承足原為漆木制案台四足中的兩足,呈V型,立 體雕鑄龍獸相對,龍前磕呈跪姿,雙面合一,面相兇猛, 瞠目抬頭,呲牙裂嘴,頭有犀角般的頂角,鼻頭高聳,雙 耳立挺,耳後兩犄角後楊,自由靈動飄逸,與尾巴動感相 似,似作飛奔狀。身姿曲躬,尾部翹起呈S型,足部粗壯, 尖爪相對,十分有力。通身鎏金,線條流暢,超凡脫俗。 此器設計巧妙,兩側面獸首相對,相抵處徬彿合成一張獸 面,上方邊緣鑲嵌一條三角形飾帶,上有螺旋圈紋。 此類案足可上溯至商代,這種神獸被直接塑造成一首雙身 的造型,將以往這種平面化的紋飾賦予立體感,給人們更 加直觀的視覺震撼。見許傑著<TheDiamond-back Dragon of the LatePeriod>,載於《東方藝術》雜誌1998年第5期, 第304頁,圖5a,第305頁,圖5b及圖6。美國華盛頓弗利 爾美術館收藏的令方彝口沿下亦有這種一首雙身的龍紋。 戰國時間則多以支撐台案,尤其是漆案之功能,因此原或 為四隻。另可參考紐約佳士得上拍一隻錯銀獸紋例,2017 年3月17日 ,編號1009,成交價271,500美元。

另一面 another view



956 東周  青銅錯金銀獸紋案足一對 來源 1. 思源堂收藏,香港 2. 香港邦瀚斯,2013年11月24日,編號465 3. 戴克成,東方青銅器有限公司,巴黎 4. 歐洲重要藏家私人收藏 此案足V型,鏤空雕刻雙獸相對,獸前肢呈跪姿,尾部翹起呈S型, 足部粗壯,尖爪相對,十分有力。通身飾錯金銀,軀乾如鱗片狀層層 鑲嵌,首尾兩處鑲嵌極細銀絲。此器設計巧妙,兩側面獸首相對,相 抵處彷彿合成一張獸面,上方邊緣鑲嵌一條三角形飾帶,上有螺旋圈 紋。 錯金銀工藝自春秋時代興起,戰國時期被廣泛應用。此類案足可 上溯至商代,見許傑著<The Diamond-back Dragon of the Late Period>,載於《東方藝術》雜誌1998年第5期,第304頁,圖5a,第 305頁,圖5b及圖6。而戰國時間則多以支撐台案,尤其是漆案之功 能,因此原或為四隻。日本白鶴美術館收藏一例戰國獸紋器座,為青 銅鎏金例,其造型抽象簡潔;另一例可參考Pierre Uldry舊藏,載於 《中國金銀器》,蘇黎世,雷特伯格博物館,1994年,第23號;以 及Paul Singer藏一例案足,載於《Paul Singer醫生所藏中國古代文 物》,紐約,亞洲協會,1965年,頁99及頁157,第71號。另外,人 型案足可參考一例傳為洛陽金村出土錯金銀獸形器座殘件,現存美國 堪薩斯城納爾遜·阿特金斯藝術博物館;另可參考紐約佳士得上拍一 隻錯銀獸紋例,2017年3月17日 ,編號1009,成交價271,500美元。 H 8cm

HK$ 700,000 - 900,000 US$ 90,000 - 115,000 A PAIR OF GOLD-INLAID BRONZE HARNESS EASTERN ZHOU DYNASTY, 770 - 221 B.C. PROVENANCE

1. Collection of Sze Yuen Tang, Hong Kong 2. Banhams Hong Kong, 24 November 2013, lot 465 3. Christian Deydier, Oriental Bronzes Ltd., Paris 4. An important European private collection

東周 青銅錯金銀獸紋車馬飾 Arhthur M. Sackler 舊藏,售於紐約佳士得,2017 年3月17日,編號1009


957 漢  青銅弦紋三足奩盒

H 22cm

來源 1. Dr. Natanael Wessen 收藏,斯德哥爾摩 2. Eskenazi Ltd.,倫敦 3. Louis de Pagne 收藏,倫敦 4. 倫敦邦翰斯,2005年11月7日,編號255 5. 香港蘇富比,2015年4月5日,編號2924 6. 戴克成,東方青銅器有限公司,巴黎 7. 歐洲重要藏家私人收藏

HK$ 600,000 - 800,000 US$ 77,000 - 103,000

出版 1. Bernhard Karlgren 及 Jan Wirgin,《Chinese Bronzes: The Natanael Wessen Collection》,遠東古物博物館,斯 德哥爾摩,1969年,圖版30及封面 2. 《Ancient Chinese Bronzes and Gilt Bronzes from the Wessen and Other Collections》,Eskenazi Ltd,倫敦, 1980年,編號9 展覽及出版 戴克成,《Ancient Chinese Bronze Vessel, Gilt Bronzes and Early Ceramics》,倫敦,1986年6月11至18日 青銅弦紋樽,圓筒形,兩側有環耳,平底,下承三獸足, 直壁較短,上有蓋,微隆,上飾三臥羊,羊首昂起,中央 飾蒂紋。樽為容酒器,初見於戰國時期,盛行於漢晉。本 件銅樽造型簡潔,唯蓋及足飾獸型,臥羊溫厚乖巧,獸足 生動靈活,器身滿包橄欖綠色皮殼,零散分布藍綠鏽斑。

AN ARCHAIC BRONZE CYLINDRICAL COSMETIC BOX AND COVER HAN DYNASTY, 246 B.C. - 220 PROVENANCE

1. Collection of Dr Natanael Wessen, Stockholm 2. Eskenazi Ltd., London. 3. Louis de Pagne Collection, London. 4. Bonhams London, 7 November 2005, lot 255 5. Sotheby's Hong Kong, 5 April 2015, lot 2924 6. Christian Deydier, Oriental Bronzes Ltd., Paris 7. An important European private collection LITERATURE

1. Bernhard Karlgren and Jan Wirgin, Chinese Bronzes: The Natanael Wessen Collection , Museum of Far Eastern Antiquites, Stockholm, 1969, pl. 30 and cover 2. Ancient Chinese Bronzes and Gilt Bronzes from the Wessen and Other Collections , Eskenazi Ltd., London, 1980, cat. no. 9 EXHIBITE AND LITERATURE

Ancient Chinese Bronze Vessel, Gilt Bronzes and Early Ceramics, Christian Deydier, London, 11-18 June 1986

存世青銅樽數件,以熊型足為多見。可參考1962年山西 右玉大川村出土鳥獸紋樽,現藏山西省博物館。另見二例 鎏金鳥獸紋樽,其蓋皆為鳳型鈕,腹兩側飾兩鋪首耳,分 別藏於中國歷史博物館及揚州市博物館。另可參考一例東 漢早期樽連盤,其通體鎏金,造型與本件皆頗為簡潔,腹 飾弦紋,盤沿刻有「建武廿一年」之銘文,北京故宮博物 院。

展覽及出版於戴克成《Ancient Chinese Bronze Vessel, Gilt Bronzes and Early Ceramics》,倫敦,1986年6月11至18日

出版於Bernhard Karlgren 及 Jan Wirgin,《Chinese Bronzes: The Natanael Wessen Collection》,遠東古 物博物館,斯德哥爾摩,1969年,圖版30及封面



Lot 958,960 商晚期  青銅饕餮紋「母嬣日辛」小型祭器(部分) A set of miniature inscribed ritual vessels, late Shang dynasty (part) 出版

潔西嘉·羅森,艾瑪·邦克,《青銅聚英——中國古代與鄂爾多斯青銅 器》,香港,1990年,頁116,編號29

LITERATURE

J. Rawson and E. Bunker, Ancient Chinese and Ordos Bronzes, Hong Kong, 1990, p. 116, no. 29

958

960

959

958


958

959(參考)

960

959(參考)

958


958 商晚期  青銅饕餮紋「母嬣日辛」觚一對

A PAIR OF ARCHAIC BRONZE WINE VESSELS, GU

銘文:「母嬣日辛」

LATE SHANG DYNASTY, C. 1500 - 1050 B.C.

來源 夢蝶軒,香港

PROVENANCE

展覽 《青銅聚英——中國古代與鄂爾多斯青銅器展覽》,香港 市政局與香港東方陶瓷學會,1990年10月12日-12月2日 出版 潔西嘉·羅森,艾瑪·邦克,《青銅聚英——中國古代與 鄂爾多斯青銅器》,香港,1990年,頁16,編號29a 青銅觚一對,尖唇、侈口、直筒腹、圈足外撇,足底直 緣。腹、足皆有四條稜脊,部位與範線一致。全器滿工, 工分三段。最上段飾四面蕉葉紋,蕉葉紋內密飾雲雷紋, 蕉葉紋基底還飾有一周陰線鳥紋,十分精細。胸部出四 戟,前後飾乳丁目,組成獸面紋,且填以雷紋。圈足亦是 同樣的裝飾。此對花觚尺寸較小,鑄工規矩陣,圈足內壁 鑄有銘文「母嬣日辛」,當為器物所屬者名。 青銅觚從商代早期開始出現,至商晚期器型不斷變細加 高,頸部腹部逐漸收束,兩者直徑趨於一致。裝飾紋樣則 從早期的簡單,到中期的古樸,再到頂峰時期的具像繁 密,至此開始抽像圖案化。 H 19.5cm H 19.8cm

HK$ 500,000 - 800,000 US$ 64,000 - 103,000

The Mengdiexuan Collection, Hong Kong EXHIBITED

Ancient Chinese and Ordos Bronzes , Hong Kong, Hong Kong Museum of Art, 12 October - 2 December 1990 LITERATURE

J. Rawson and E. Bunker, Ancient Chinese and Ordos Bronzes , Hong Kong, 1990, p. 16, no. 29a

1990年香港市政局與香港東方陶瓷學會聯合在香港藝術館 舉辦「青銅聚英——中國古代與鄂爾多斯青器」展覽,曾 展出一組七件帶「母嬣日辛」銘文的青銅器,涵蓋了尊、 角(2件)、觚(2件)、簋、鼎器型。展覽中的一對花 觚即是本對作品。「母嬣日辛」銘文的青銅並不多見,主 要出現在商晚期。日本出光美術館藏有一件同尺寸、同紋 飾、同銘文器,可作參照。



959 商晚期  青銅饕餮紋「母嬣日辛」角 銘文:「母嬣日辛」 來源 1. 日本私人收藏,1920年代入藏 2. 倫敦蘇富比,1986年6月10日, 編號50(其一) 3. 紐約佳士得,2012年3月22日,編號1515 4. 紐約佳士得,2017年3月17日,編號1011 5. 藍理捷,紐約 出版 1. 劉雨、盧岩,《近出殷周金文集錄》第三冊,香港, 2002年,頁366,編號897 2. 劉雨及汪濤,《流散歐美:殷周有銘青銅器集錄》,上 海,2007年,編號297(銘文) 3. 吳鎮烽,《商周青銅器銘文暨圖像集成》,卷17,上 海,2012年,頁190,編號08753(銘文) 檢測報告 H 16.7cm

HK$ 1,400,000 - 2,000,000 US$ 179,000 - 256,000 AN ARCHAIC BRONZE WINE VESSEL, JIAO LATE SHANG DYNASTY, C. 1500 - 1050 B.C. PROVENANCE

1. A Japanese private collection, acquired in the 1920s 2. Sotheby's London, 10 June 1986, lot 50 (part) 3. Christie's New York, 22 March 2012, lot 1515 4. Christie's New York, 17 March 2017, lot 1011 5. J. J. Lally, New York LITERATURE

1. Liu Yu and Lu Yan (eds.), Jin chu Yin Zhou jinwen jilu [Compilation of Recently Discovered Archaic Bronze Inscriptions], vol.3, Beijing, 2002, p. 366, no. 897 2. Wang Tao and Liu Yu, ed., A Selection of Early Chinese Bronzes with Inscriptions from Sotheby's and Christie's Sales, 2007, no. 297 (inscription only) 3. Wu Zhenfeng, ed. Shang Zhou qing tong qi ming wen ji tu xiang ji cheng (Corpus of Inscriptions and Images of Bronzes from the Shang and Zhou Dynasties), 2012, vol. 17, p. 190, no. 08753 (inscription only)

角是飲酒器,《禮記·禮器》:「宗廟之祭,尊者聚觶, 卑者舉角。」鄭玄注:「四升為角。」與其他酒器組合, 據《儀禮·特牲饋食禮》:「實二爵四觶一角一散。」 《考工記·梓人》引《韓詩》雲:「一升曰爵,二升曰 觚,三升曰觶,四升曰角,五升曰散。」依此說,角與爵 之容量為四比一。自宋以來,定爵形器無流而具兩翼若尾 者為角,其容量與爵大致相等,故不是《禮記·禮器》注 和《韓詩》所雲之角,或者是爵之某種變體。 夏代晚期有前後成尾形的陶管流角,盤龍城遺址也出土有 前尾不發達的管流角。最早的青銅角為上海博物館所藏的 夏代晚期的異形管流角,長體分段,杯體下有圓圈,底下 承三足,上口前後皆呈翼狀,前翼與一般的爵不同,頸部 有一斜置的流,與陶器相同。商晚期角發展成熟,延續到 西周早期。 角流、尾一致,俱呈尖尾翼。口沿左右對稱,類緩坡的 「V」字形。頸部收攏,腹部作圓卵貌,一側有半環鋬, 底承三條外撇的錐形足。頸部飾蕉葉紋,流尾下的兩個較 長,其餘較短,內部對稱浮雕兩個獸體變形紋。腹部一面 出扉稜,分別以扉稜和鋬為鼻基,浮雕獸面紋。獸面僅凸 顯眉、目、口、耳,不繪面龐輪廓及獸體其餘部位,滿工 雲雷地紋。其主紋、地紋涇渭分明,與頸、腹風格統一。 流內一面有銘文「母嬣日辛」四字,為簡式祭辭,指此器 受祭祠的對象,是較少的銘文鑄於器內壁而非鋬下之例。 依器型、銘文斷,此件屬典型的商晚期器。 本件青銅角原為一對,最早出現於倫敦蘇富比,1986年6 月10日, 編號50,之後分開。本件後經紐約佳士得兩次 拍賣,亦經紐約藏家藍理捷收藏;角的存世數量遠遠少於 爵,多藏於世界各大知名博物館中,珍罕程度和收藏價值 不言而喻。同類可參考日本出光美術館藏一例,與本件銘 文相同,見《中國の工藝:出光美術館藏品圖錄》,圖 28。 「母嬣日辛」銘文的青銅並不多見,主要出現在商晚期。 1990年香港市政局與香港東方陶瓷淡會聯合舉辦「青銅聚 英——中國古代與鄂爾多斯青器」展覽,曾展出一組七件 帶「母嬣日辛」銘文的青銅器,涵蓋了尊、角(2件)、觚 (2件)、簋、鼎器型。其中一對角造型、尺寸及銘文與本 作品相同,可茲比較。

檢測報告



960 商晚期  青銅饕餮紋「母嬣日辛」尊 銘文:「母嬣日辛」 來源 1. 夢蝶軒,香港 2. 紐約佳士得,2018年3月22日,編號910 展覽 1. 《青銅聚英——中國古代與鄂爾多斯青銅器展覽》,香 港市政局與香港東方陶瓷學會,1990年10月12日-12月2日 2. 《金木水火土:香港文物收藏精品展》,香港藝術館, 香港,2002年-2005年 3. 《華夏第一龍》,香港中文大學文物館,香港,2012年2 月10日-2013年1月27日 出版 潔西嘉·羅森,艾瑪·邦克,《青銅聚英——中國古代與 鄂爾多斯青銅器》,香港,1990年,頁116,編號29C

AN ARCHAIC BRONZE WINE VESSEL, ZUN LATE SHANG DYNASTY, C. 1500 - 1050 B.C. PROVENANCE

1.Mengdiexuan Collection, Hong Kong 2. Christie’s New York, 22 March 2018, lot 910 EXHIBITED

1. Ancient Chinese and Ordos Bronzes , Hong Kong, Hong Kong Museum of Art, 12 October - 2 December 1990 2. Metal, Wood, Water, Fire and Earth: Gems of Antiquities Collections in Hong Kong , Hong Kong Museum of Art, Hong Kong, 2002-2005. 3. The First Dragon China , Hong Kong, Art Museum, Chinese University of Hong Kong, 10 February 2012-27 January 2013 LITERATURE

J. Rawson and E. Bunker, Ancient Chinese and Ordos Bronzes , Hong Kong, 1990, p. 116, no. 29C

H 19.7cm

HK$ 750,000 - 950,000 US$ 96,000 - 122,000

母嬣日辛尊是商代盛酒禮器,為三段式設計的大敞口粗體 尊,鼓腹,高圈足底部微向外侈,圈足下有直沿邊。腹部 上飾有以扉稜做鼻的陰刻外卷角大獸面紋,其上下各飾一 周弦紋。圈足上亦飾有以扉稜做鼻的陰刻外卷角大獸面 紋,相互呼應。獸面作曰字形眼,紋飾清晰生動,可謂匠 心獨具。此器通體厚重,表面光潔,繡色翠綠欲滴,圈足 上紅斑典雅,品相極其完美。

圈足內側鑄有銘文四字:母嬣日辛,「母嬣日辛」是指此 器受祭的對象,母是母親,嬣是母親的姓,日辛是指祭日 或日名為辛。日本東京出光美術館收藏有相同銘文的另外 七件傳世青銅器,分別為一件饕餮紋青銅簋、一件饕餮 紋方尊、一件饕餮紋尊、一件饕餮紋觚、一件夔鳳紋卣、 一件饕餮紋方彝,以及一件饕餮紋角,皆為殷墟時期鑄造 器。詳見出光美術館編:《中國の工芸:出光美術館藏品 圖錄》,東京:平凡社,1989年,拓本15、28、33、34、 48、53a、53b、61。



961 商晚期  青銅饕餮紋爵杯 銘文:「冉」

AN ARCHAIC BRONZE 'TAOTIE' WINE CUP, JUE LATE SHANG DYNASTY, C. 1500 - 1050 B.C.

來源 2002年購自藍理捷,紐約

PROVENANCE

出版 《藝術與拍賣》,紐約,2002年 4月,頁73

LITERATURE

Purchased from J.J. Lally, New York in 2002

Art of Auction, New York, 2002, p.73

H 23.1cm

HK$ 600,000 - 1,000,000 US$ 77,000 - 128,000 本件爵杯體格較大,胎體厚重,爵長流槽,曲口尖尾,二 「亞」字帽形立柱,卵形腹,有三道扉稜,一側設有牛首 半環鋬,三稜椎足外撇。腹飾饕餮紋,以雷紋為地,鋬內 鑄有陰文「冉」字。
多數爵的立柱呈菌形,帽形立柱則相 對罕見,且出現時間較晚。帶有扉稜的爵則多見於商,西 周時基本已不復見。此爵同時具有帽形立柱及扉稜兩個特 徵,相當罕見。可參考一例售於紐約佳士得2013年3月21 日,編號1219。 「冉」是為族氏銘文。已知商周時期冉族青銅器已逾300余 件,是商代勢力強大的氏族,主要出土地點集中在河南的 安陽、洛陽,陝西的長安、寶雞、鳳翔等地區,其餘湖南 寧鄉、湖北荊州、山東臨朐、陝西曲沃、河北靈壽、遼寧 喀左等地也有零星發現,可見冉族活動區域較為廣泛。屬 於冉族時代最早的青銅器主要有兩件:一為日本出光美術 館收藏的冉丁尊(《銘圖》11197),器形為折肩束頸, 口徑略大於肩,與鄭州向陽食品廠出土的尊(H1:3)接 近,時代大體應為二里崗上層末期;另一件為美國西雅圖

出版於《藝術與拍賣》,紐約,2002年 4月,頁73

美術館收藏的冉癸方鼎(《銘圖》421),李學勤先生根據 其紋飾特徵,判斷其時代應為二里崗末期至殷墟早期之間 4。冉族與商王室關係密切。1934年安陽殷墟侯家莊西北崗 M1550大墓殉葬坑中出土有帶有冉族族氏銘文的鼎、爵, 殉葬者頭頂有骨笄一叢,身有佩玉,其地位當是貴族婦 女,身份有可能為商王的『妾』,證明冉族與商王室存在 聯姻關係。西周以降,冉族青銅器在長安、洛陽等地多有 發現,其作為殷商舊族與其他殷遺一樣,或被遷徙,或被 疏散安置在豐鎬周邊、成周洛邑等地,以便控制管理。 同時具有該二特徵的其他例子可參考1934-1935年河南安 陽侯家莊商代後期王陵區所發掘一例,其現藏於台北中 央研究院歷史語言研究所;理察·富勒贈予西雅圖博物 館一例,典藏編號:49.200;及戴潤齋舊藏現藏華盛頓 弗利爾美術館與阿瑟·M·賽克勒美術館一例,典藏編 號:F1954.15。菌形立柱爵,可參考佛利爾美術館與阿 瑟·M·賽克勒美術館所藏商代中期的一件,見典藏編號: S1987.53。

另一面 another view



962 西周  青銅饕餮紋單鋬倗祖父癸甗 銘文:「倗父癸」 出版 吳鎮烽,《商周青銅器銘文暨圖像集成》,卷7,上海,2012年,頁 59,編號3164 侈口尖唇,口沿上立索狀雙耳,甑腹較深,腹壁斜直,近底處斜收與 鬲連鑄。腰部一側甑、鬲聯有一牛首半環形鋬。鬲腹外鼓,分襠,三 柱足。腰內置有銅箅,箅一端有銅環與內腹相連,面上有7個十字形 鏤孔。口沿下飾一周粗線條的環柱角饕餮紋,分成寬窄幾近均等的三 列,軀幹填以雲紋,足、爪皆呈雲紋狀,脊背之上一列填以列刀狀 (俗稱「列旗」)紋,尾部內卷,後又銜接一獸面。鬲部飾三組環柱 角大獸面紋,細部用陰線勾勒。 此甗器形與2012年陝西寶雞石鼓山M3出土的萬甗(M3:6)1(圖 一)相近,石鼓山M3的時代為商末周初,該甗時代也應與之接近。 另外該甗腰際置一鋬,為其斷代提供了某些線索。商周時期的青銅容 器,依器形常制,某些器類是不設鋬的。但也有為了使用方便而需置 單鋬的,這種器物在商代幾乎未見。然而在西周早期集中迸發出來; 除此甗外,甗類還有上海博物館收藏的南單母癸甗(《銘圖》3225) (圖二)、坊間收藏的吞父丁甗(《銘圖》3210)等。同類器型亦 可參考保利香港2019年10月7日,編號3142,商晚/西周早期青銅饕 餮紋山甗。本品曾收錄於《商周青銅器銘文暨圖像集成》,卷七,頁 59,編號3164。

圖一 2012年陝西寶雞石鼓山M3出土的萬甗

H 47cm

HK$ 1,800,000 - 2,500,000 US$ 230,000 - 321,000 AN ARCHAIC BRONZE FOOD VESSEL, YAN WESTERN ZHOU DYNASTY, 1046-771 B.C. LITERATURE

Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng [Compendium of inscriptions and images of bronzes from the Shang and Zhou dynasties], vol. 7, Shanghai, 2012, p. 59, no. 3164

本拍品出版《商周青銅器銘文暨圖像集成》,卷七,頁59,編號3164

圖二 上海博物館藏 南單母癸甗




其他器型設鋬者,豆類如山西博物院收藏的康生豆(《銘圖》6139)(圖 三)、尊類如1976年隨州安居羊子山出土的鄂侯弟季尊2(圖四)、1980 年寶雞竹園溝M4出土的季尊(BZM4:2)3、寶雞石鼓山M1出土的亞共 父 丁尊(M1:1)4(圖五),北京故宮博物院收藏的盩司土幽尊(《銘圖》 11720)等,卣類如上海博物館收藏的鄂侯弟季卣(《銘圖》13202),觶 類如蘇州博物館收藏的父甲觶(《銘圖》10240)、傳世的應公觶(《銘 圖》10269)(圖六)、大英博物館收藏的作寶尊彝觶(《銘圖》10559) 等。 任雪麗先生認為這種特殊的具鋬器物是受甘青地區辛店文化、寺窪文化中的 具鋬陶器影響形成的,是姜戎文化匯入融合的結果,最早由關中寶雞地區發 軔,後沿漢水流傳至湖北一帶5。上述諸器時代皆為西周,時間跨度從周初 到西周中期偏早,可見附加單鋬的特殊器物具有鮮明的商周時代分野。故此 甗的時代定為西周早期偏早,比較適宜。 值得注意的是此甗的紋飾有較為特別之處:這一時期的青銅甗鬲部所飾的大 獸面紋,一般為牛角,此甗為T形環柱角,兩端似雲紋下卷,頗有意味;另 外獸面臣字形目,眼眶內有細密的陰線勾勒,這些都是比較少見的。這件甗 器體厚重,鑄造精良,是不可多得的佳品。

圖三 山西博物院藏 康生豆

內壁鑄有銘文「倗父癸」3字,表示倗族為祭父癸所作此器。倗是族氏銘 文,字形主要分為三種類型:A.;B.;C.,像一人荷朋貝之態,A型人為 側視狀,B型人為正視狀,C型人為行走狀,皆為「倗」一字的不同寫法。 倗族青銅器以A型為最早,傳出於殷墟安陽的有亞倗戈(《銘圖》16331) (圖七),形制為短銎無胡戈,與安陽郭家莊M1出土的戈(M1:6)6相 近,時代應為殷墟三期。倗族(A型)與舟族組合為複合式族名——倗舟 族,形作,已知其家族青銅器有12件,皆為商代晚期器物。商末周初,倗族 分衍出B型和C型兩支,B型在寶雞清江河桑園堡周墓中出土過一件倗父癸簋 7,C型在寶雞竹園溝M4(季墓)出土過一件倗父乙壺(BZM4:8)8。西 周早期倗族在關中地區活動,可見其族被周代統治者分化遷徙,監控管理。 [注解] 1 石鼓山考古隊:《陝西省寶雞市石鼓山西周墓》,《考古與文物》2013 年,第1期。 2  王少泉:《隨縣出土西周青銅單鋬尊》,《江漢考古》1981年第1期。 3  盧連成、胡智生:《寶雞國墓地》,文物出版社,1988年,頁147。 4 同1 5  任雪麗:從寶雞新出亞共尊看西周特殊的具鋬銅器》,《文物世界》 2013年,第2期。 6   中 國 社 會 科 學 院 考 古 研 究 所 : 《 安 陽 殷 墟 郭 家 莊 商 代 墓 葬 —— 1982~1992年考古發掘報告》,中國大百科全書出版社,1998年,頁49。 7  程學華:《寶雞扶風發現西周銅器》,《文物》1959年第11期。 8 同3書,頁153。

圖五 寶雞石鼓山M1出土 亞共父丁尊

圖六 蘇州博物館藏 應公觶

圖四 1976年隨州安居羊子山出土 鄂侯弟季尊


963 北宋  定窯白釉折沿盤 胎質細膩,平底,淺腹斜壁,折沿,器型端莊,雅緻含蓄。通體罩 釉,口沿鑲銅口,器面瑩亮柔潤,色呈牙白悅目脫俗。定窰瓷器盛行 於十至十二世紀,多為日常生活器皿如盌、盤等,最初多留光素或手 工雕刻。 D 17.2cm

HK$ 120,000 - 220,000 US$ 16,000 - 29,000 A DINGYAO WHITE-GLAZED DISH NORTHERN SONG DYNASTY, 960-1126


964 宋  定窯印花龍穿花枝折沿盤 折沿敞口淺盤,平底臥足。盤內模印花紋,盤內壁起稜分隔,內模印 似靈芝般草葉,開光內印穿花螭龍紋,甚有畫意。通體施白釉,釉色 白皙,芒口包銅扣,整體感覺高雅。 此盤紋飾模印清晰,線條流暢,一如宋代金銀器錘碟紋飾和宋代織繡 紋飾。形制可以參考北京故宮博物院所藏的一件定窯印花盤,見商務 印書館,1996年,《兩宋瓷器上》,編號70,;另外一件定窯印花 盤,編號78,紋飾亦為獅子戲球,宋代織繡紋飾上亦多見,是不同藝 術媒介互通的實例。 D 21.5cm

HK$ 350,000 - 450,000 US$ 45,000 - 58,000 A DINGYAO 'DRAGON AND FLOWERS' BASIN SONG DYNASTY, 960-1279


965 宋  定窯外醬釉裡白釉暗刻雙魚紋斗笠碗 來源 香港重要藏家收藏 此撇口小足,器成鬥笠狀,外壁施醬釉,釉色棕中泛紫,內施 白釉,內暗刻魚藻紋,水波蕩漾,水草隨之擺動,草下小魚嬉 戲,一幅歡快場面。碗心所划紋飾常見北宋晚期定窯白釉作品 中。外醬裡白,兩種釉色搭配,外素內刻,兩種工藝表現,十 分少見。 D 13.8cm

HK$ 180,000 - 280,000 US$ 23,000 - 36,000 A DINGYAO BLACK-GLAZED 'FISH' BOWL SONG DYNASTY, 960-1279 碗心 interior

PROVENANCE

An important Hong Kong private collection

965


966 北宋  醬釉瓜蒂鈕蓋碗 碗直口,深腹,圈足。蓋頂置瓜蒂形紐。通體施醬色釉,碗內施白 釉,碗口沿及圈足無釉,鑲銀扣。蓋碗在宋代也是比較流行的一種 儲存茶葉末的茶具,當時不僅在定窯有生產,在北方的耀州窯、磁 州窯、鈞窯以及南方的景德鎮窯等都有生產,以北方為主。 明代曹 昭曾在《格古要論》評價此類醬釉瓷器道:「紫定色紫,有墨定色 黑如漆,土俱白,紫定瓷器其價高於白定。」可見醬釉瓷器稀缺、 珍貴,令世人矚目。與本件蓋碗可做參考者,見於北京故宮博物院 和首都博物館藏品。 D 12cm

HK$ 300,000 - 400,000 US$ 39,000 - 52,000

© 故宮博物院藏 北宋 醬釉蓋碗

A DINGYAO PURPLE-GLAZED BOWL AND COVER NORTHERN SONG DYNASTY, 960-1126

966


967 宋  耀州刻牡丹紋盤 來源 繼遠美術,香港 此盤敞口,薄口微外折,淺弧腹,淺圈足。盤心分內 外兩區,外區兩條陰線分隔,內剔花纏枝水草紋一 周,盤心內剔劃一牡丹花卉,枝葉翻轉,紋飾清晰。 外罩青釉,色青翠如欖,受刀處積釉呈深綠色,得深 濃淡淺之趣。本器即為耀州窯鼎盛時期的代表作品之 一,刻花技法為「半刀泥」,一刀深側刀淺,形成如 同淺浮雕的效果,紋飾立體突出,卻不高於平面。此 小碟端莊秀麗,紋飾刻畫流暢,分層次裝飾,存世僅 見紐約蘇富比2016年9月份3日編號125宋耀州窯青釉 刻花盤可作參考,乃北宋耀州窯代表作中的臻善。 D 18.6cm

HK$ 180,000 - 250,000 US$ 23,000 - 32,000 A YAOZHOU CARVED 'PEONY' DISH SONG DYNASTY, 960-1279 PROVENANCE

K. Y. Fine Art, Hong Kong

967


968 北宋  耀州剔花牡丹紋碗 本品敞口,腹壁斜直,小圈足,形似斗笠,又稱斗笠碗。圈 足削修規整,足底露胎,胎呈灰褐色,胎質堅密。通體施青 釉,釉色青中閃黃。碗外口沿下飾雙弦紋,外壁光素。內底 心一周弦紋下刻牡丹花紋。刀鋒犀利、瀟灑,深淺有致。花 紋清晰,濃淡相間,紋樣微凸。 耀州窯北宋器物盛行飾以刻花紋題材,本品當為耀州窯鼎盛 時期之作,代表了當時最高的刻花青瓷燒造的水準。 D 21.5cm

HK$ 100,000 - 150,000 US$ 13,000 - 20,000 A YAOZHOU 'PEONY' BOWL NORTHERN SONG DYNASTY, 960-1126

968




969 宋  定窯刻鹿銜靈芝紋透雕嬰戲如意形枕 枕面為如意形,枕面內凹,頂面隨型開光,內以陰線剔花作鹿銜靈芝 造型,其前足直立後腿曲膝跪地,回頭仰望,口銜靈芝,神態怡然, 圖案線條簡潔而概括,力道遒勁,筆畫瀟灑。枕面間集各式雜寶,線 條流暢。底面微撇,枕壁鏤雕近底處剔刻覆蓮一周,上壁鏤雕數枝卷 蓮紋,蓮枝猶如卷草紋,穿插自然,蓮瓣刻划寫實,其上托纏枝嬰 童,動態十足,生動活潑。瓷枕內部中空,應為模制。 在定窯瓷枕中,最負盛名當屬孩兒題材瓷枕,這類童子題材瓷枕,多 為婚嫁喜慶所用,祈求子孫滿堂,見《 枕林尋夢:中國歷代陶瓷枕 精品》,上海,2000年,頁262。這一題材在宋代畫家蘇漢臣所繪的 嬰戲圖中經常見到。孩兒題材的定窯瓷枕,最為經典的當屬國立故宮 博物院所藏的北宋定窯白瓷孩兒枕。本件瓷枕枕面剔刻花裝飾在宋金 定窯瓷中十分常見,北方其他窯口也有見到。而瓷枕枕壁的鏤雕、透 雕工藝十分特殊,存世少見。而與本件瓷枕鏤空裝飾有異曲同工之妙 的,當屬十面靈璧山居舊藏,售於我司2019年10月7日,編號3314。 北宋白釉刻劃牡丹紋透雕腰圓枕。

© 台北故宮博物院藏 蘇漢臣《長春百子圖卷》(局部)

瓷枕首現於唐代,後為宋代士人所珍,晚明高濂在《遵生八箋》中指 出「有用磁石為枕……最能明目益睛,至老可讀細書」;又曰:「臞 仙制,用紙三大卷,狀如碗,品字相迭,束縛成枕,頭枕上卷,每卷 綴以朱簽牙牌,下垂,一曰太清天籙,一曰南極壽書,一曰蓬萊仙 籍。用以枕於書窗之下,便作一夢清雅」。可見,瓷枕的質地、工 藝、紋飾十分講究,不僅益於健康,更可養神,其重要性不言而喻。 北宋詩人張耒曾作《謝黃師是惠碧瓷枕》:「鞏人作枕堅且青,故人 贈我消炎蒸。持之入室涼風生,腦寒發冷泥丸驚。」即是說明瓷枕的 質地,硬且如冰,可消炎暑,使人鎮定清涼。 瓷枕為古陶瓷器物中一個重要的品類,可集造型、繪畫、書法乃至文 學於一體的藝術品。就傳世器物來看,宋代的瓷枕南方窯口生產數量 遠少於北方窯口。加之此件瓷枕造型獨特,雕工複雜,做工精細,實 可珍藏。 W 21cm

HK$ 1,600,000 - 2,500,000 US$ 205,000 - 320,000 A CARVED DINGYAO AND RETICULATED 'DEER AND CHILDREN' RUYI -SHAPED PILLOW SONG DYNASTY, 10TH-13TH CENTURY

細部 detail

保利香港,2019年10月7日,編號3314



970 北宋  絞胎豹紋玉壺春瓶 來源 1. Spink & Son Ltd.,倫敦 2. 艾弗瑞.克拉克夫婦(1890-1976年)收藏 3. 美國私人收藏 此器為北宋最為經典的玉壺春瓶造型,敞口、細頸、垂腹、圈足。由 宋人詩句中「玉壺先春」一詞而得名。此瓶造型秀美,製作工整,絞 胎豹紋斑紋與胎體地色渾然一體,絞理細膩又有變化,是一件好工費 時,渾然天成,罕見的絞胎佳器。 本件絞胎豹紋玉壺春瓶傳承有序,來源顯赫,是一件非常少見的博物 館級藏品。與常見的木紋、羽紋絞胎不同,此絞胎紋飾為極為少見的 豹紋,此豹紋紋飾與售於我司2019年4月2日,編號3504,十面靈璧 山居舊藏的宋代吉州窯金錢豹紋梅瓶有異曲同工之妙。 絞胎瓷是唐代陶瓷裝飾工藝新品種,或稱「攪胎」,「絞泥」,是用 白,褐兩色或多色泥料相間揉搓在一起,相互交替糅合、折迭、盤 卷、切刮,經拉坯或模壓成型,再粘貼、鑲嵌、拼接,然後拉坯成 型,燒製而成。由於泥料不同,紋理變化多端,或如木紋,或如鳥 羽,或如行雲流水,最後施以透明釉,極富裝飾趣味。 宋代河南修武當陽峪、寶豐清涼寺和新鄉城關鎮等地燒造絞胎瓷器。 存世絞胎瓷以白口缽居多。似此瓶造型秀美,深合宋代花道審美標 準,是一件級別極高的藝術佳作。 H 20.3cm

HK$ 1,800,000 - 2,800,000 US$ 230,000 - 358,000 A RARE MARBLED POTTERY VASE, YUHUCHUNPING NORTHERN SONG DYNASTY, 960-1126 PROVENANCE

1. Spink & Son Ltd., London 2. Collection of Mr and Mrs Alfred Clark (1890-1976) 3. An American private collection

底部 base

南宋吉州窑豹纹 梅瓶 香港保利,2019年4月2日,編號3504



971 五代或北宋早期  邢窯白釉獸柄小執壺 來源 1. 思源堂收藏,於1980至1990年代購自香港 2. 邦瀚斯倫敦,2017年11月9日,編號14 3. 承寶堂,香港 撇口,束頸,短流,溜肩,肩部一下漸收,平 底,足部微撇,壺身一側作獅形小提梁。通身施 白釉,釉不及底,露出白色胎骨。注壺小巧但精 緻,做工不苟。 H 9cm

HK$ 95,000 - 120,000 US$ 13,000 - 16,000 A XING WHITE-GLAZED EWER FIVE DYNASTIES OR EARLY NORTHERN SONG DYNASTY, 907-1126 PROVENANCE

1. Sze Yuan Tang Collection, purchased in Hong Kong in 1980-1990s 2. Bonhams London, 9 November 2017, lot 14 3. Cheng Bao Tang, Hong Kong

971

972 宋  龍泉窯粉青釉蓮瓣碗 來源 日本私人收藏 外壁雕刻仰蓮瓣,每瓣以雙刀削刻成,使中 央瓣稜高起,罩釉後中稜釉薄,色澤柔和清 雅細膩,質感凝潤如脂。雕者在每兩瓣花瓣 中間再出一同長的花瓣,近足處另有一圈較 短的蓮、蓮瓣淺白瓣稜,有如沈靜初綻的一 朵蓮花。
此碗為龍泉窯成熟期製品,施釉凝 厚,色在粉青、梅子青之間,龍泉窯位在浙 江南部龍泉、麗水一帶,窯場分布廣泛,是 宋至明代舶販海外最眾的瓷窯,也常入貢內 廷。本器為龍泉釉色至柔和者,在龍泉窯里 顏色為上品,尤為難得。 D 17.5cm

972

HK$ 100,000 - 150,000 US$ 13,000 - 20,000 A LONGQUAN CELADON 'LOTUS' BOWL SONG DYNASTY, 960-1279 PROVENANCE

A Japanese private collction


973 宋  白釉盤口梅瓶 此件瓶盤口,腹向下內收,平底。瓶身較長,造型別 緻,健碩挺拔。胎骨灰青,外壁施滿白釉,釉質堅實, 瓷胎燒造堅致,胎體如湖田窯青白瓷般輕薄。這件器物 為典型的北方窯口,但胎體輕薄,造型規整,婷婷玉 立,秀美而端莊,極適合用於室內裝飾。 H29.8cm

HK$ 250,000 - 350,000 US$ 32,000 - 45,000 A WHITE-GLAZED VASE, MEIPING SONG DYNASTY, 960-1279


974 宋  建窯兔毫盞 此件茶盞,施釉肥厚,胎色黛黑。建窯瓷皆仰燒,釉水下垂,由於器壁 斜度不同,成纖細毫紋,毫紋向外放射,極為美觀。建窯兔毫與建窯名 品油滴相類,唯紋式有異。本盞通體施黑釉,在釉面密布銀色條紋,形 似兔毫,排列規整,絲縷分明,異常美觀,並伴有藍光。 古時黑釉茶盞多藏於佛寺,用之奉茶以養身心,茶盌質樸素雅,合適作 為供佛儀典之器。盞沿下一圈微斂,為持用方便而設,胎厚扎實,保茶 汁溫熱而不燙手,釉黑潤亮,托襯宋時點茶擊拂茶水後,所得茶面細 沫,白黑相映,瞬息美哉。點茶法保存於日本茶道傳統,黑釉建盞則與 浙江臨安天目山淵源深遠,天目山以高聳日本古松聞名,乾隆帝南巡亦 曾造訪,天目茶現仍馳名。宋時,日本僧人或許將天目盞與福建產茶一 起帶回本國寺院,傳承至今依舊深受敬仰,數件已定為國寶文物。 宋徽宗趙佶鐘迷茶事,尤賞兔毫,稱其為建盞之最。他在大觀茶論中 說:「盞貴青黑,玉毫條達者上。」指的正是如本品這類兔毫盞,在烏 黑的底色中析出青絲般細紋,絲絲條達,輝若錦鱗,呈斷岸千尺之勢, 灑作般般雲絲,光射處,藍光之色,滿目皆然,當屬上品。 D 12.1cm

HK$ 300,000 - 400,000 US$ 39,000 - 52,000 A JIANYAO 'HARE'S FUR' TEABOWL SONG DYNASTY, 960-1279

側面 side view



975 唐  三彩蓋罐 來源 承寶堂,香港 罐圓唇,外翻,短頸,圓肩,鼓腹下收,平底無圈足。器 施彩釉,有綠、褐、黃三色,三色呈稜形線條,系以筆沾 不同色釉畫線而成,三色相交處在窯火中交融,又呈現黑 色,整罐紋飾三色相交如荷葉般盛開。底部無釉露胎, 胎色米黃,淘洗頗為細密,燒結亦精實。此罐三彩發色鮮 明,器型飽滿,帶原荷葉紋蓋,當屬個中精品。 H 23cm

HK$ 220,000 - 320,000 US$ 28,000 - 41,000 A RARE SANCAI JAR AND COVER TANG DYNASTY, 618-907 PROVENANCE

Cheng Bao Tang, Hong Kong


976 北宋  耀州窯青瓷花口尊 來源 1. 紐約,懷古堂 2. 繼遠美術 展覽及出版 《懷古堂》,2002年春季展銷會,2002年3月18日至4月20 日,頁136,編號57 此器經香港中科熱釋光測試(測試編號2125NK21)證實年份 為北宋

A YAOZHOU CELADON FOLIATE-RIM VASE NORTHERN SONG DYNASTY, 960-1126 PROVENANCE

1. Kaikodo Asian Art, New York 2. K. Y. Fine Art EXHIBITED AND LITERATURE

Kaikodo Journal, Spring 2002 Exhibition & Sale, 18 March - 20 April 2002, p.136, no. 57 The result of C & C Authentication Thermoluminescence test no. 2125NK21 is consistent with the dating of this lot.

H 14.4cm

HK$ 200,000 - 300,000 US$ 26,000 - 39,000 尊鼓腹,長頸微束,六瓣荷葉形花口,與頸內六條凸線出筋對應,沿卷 侈,線條流利自然。頸部向下束收,溜肩鼓腹,高足台鏤空火焰裝飾, 下收喇叭形圈足。施青釉,釉瑩潤如青玉,釉層中可見細密氣泡,器身 彎折處釉色沈積,發色更加濃郁,饒有天成之佳趣。 花口尊是耀州窯獨具特色的一種器形,其祖形可追溯至五代耀州窯一類口 沿無翻折的五尖瓣菱花口尊,素身無紋,見大阪市立東洋陶磁美術館編, 東京1997年出版,《耀州窯:中國中原に華ひらいた名窯》,101頁,編 號133。口沿卷邊的荷葉形花口尊是耀州窯花口尊中最成熟的一個類型, 近似的殘片在陝西黃堡鎮耀州窯址的北宋晚期地層多有發現,見陝西省考 古研究所編,北京1965年出版《陝西銅川耀州窯》,圖版19.3;以及陝 西省考古研究所編及耀州窯博物館編,北京1998年出版,《宋代耀州窯 址》,589頁。參閱《耀州窯》,陜西旅遊出版社,1992年, 一書中窯 址發現一件類似的素身青釉花口尊,可與之比較。

出版於《懷古堂》,2002年春季展銷會,2002年3月18 日至4月20日,頁136

耀州窯素身青釉花口尊 耀州窯窯 址出土,著錄《耀州窯》,陜西 旅遊出版社,1992年


977 清早期  黃花梨大筆筒 來源 承寶堂,香港 此筆筒黃花梨木制,質地細膩,色澤沈靜。平口直 壁,周身光素,以黃花梨特有的自然紋理取勝。整 體簡約雅致,溫潤沈穩,精妙之功,具有較高的收 藏價值。為充分彰顯其木質紋理的精緻,黃花梨常 不飾雕琢,以突出木材紋理的自然美,詩書之氣, 光華自現。再者,明末清初文人崇尚自然,追求樸 實,清初「樸學」漸盛,其學以求實、切理見稱於 世,此一時期的文人學者推崇樸實簡潔之文風,表 現於器物,則不假繁飾,突出天真韻致。 H 18cm

HK$ 80,000 - 100,000 US$ 11,000 - 13,000 A HUANGHUALI BRUSHPOT, BITONG EARLY QING DYNASTY, 17TH CENTURY PROVENANCE

Cheng Bao Tang, Hong Kong 977

978 清早期  銅灑金雙魚耳爐 款識:「種香」 此拍品器口外侈,束頸廣腹,其下微垂,下承矮圈 足,爐身頗有上古遺風,腰部對稱鑄雙耳,外觀呈 魚形,腹部渾圓,屬仿宋代哥窯魚耳爐的造型。銅 爐通體素面無紋飾,顯出銅胎之本色,周身灑金, 金片大小錯落有致,形狀不規則,如雪花飄灑,渾 然天成,頗有文房清趣。底鑄「種香」篆書款,古 意盎然,尚古氣息濃鬱。 W 13.5cm 819g

HK$ 150,000 - 250,000 US$ 20,000 - 32,000 A GILT-SPLASHED BRONZE CENSER EARLY QING DYNASTY, 17TH CENTURY 978


979 西周早期  青銅饕餮紋簋 此簋侈口,頸部微斂,深腹微鼓,高圈足有階;雙獸首耳,耳下有鈎 狀垂珥。頸部、飾列旗脊獸面紋帶,頸部前後增飾浮雕獸首,圈足獸 面紋以短扉稜為鼻。其與寶雞魚國墓地BZM13:21,BZM20:4所出 土兩件簋形制、紋飾基本相近或者相同,另相同紋飾在寶雞魚國墓地 和山東滕州前掌大墓地等地出土其他西周早期銅器上多有裝飾。結合 形制、紋飾綜合判斷,此器當屬於西周早期段。 W 27.3cm

HK$ 400,000 - 600,000 US$ 52,000 - 77,000 AN ARCHAIC BRONZE VESSEL, GUI EARLY WESTERN ZHOU DYNASTY, 1050 - 771 B.C.


980 商晚期  青銅「告田父乙」提梁壺 銘文:「告田父乙」 來源 美國紐約藏家舊藏 《周禮·秋官·掌客》有:「壺四十。」鄭玄注:「壺,酒器也。」 許多青銅壺自帶銘文,如曾伯陭壺銘:「用自作醴壺。」也有自言用 途,殳季良父壺銘:「用盛旨酒。」金文中的「壺」字本為象形,似 兩側有系的大腹容器。青銅壺自商代早期出現,一直延續到東漢甚 至更晚,式樣繁多,種類龐雜。
此件青銅壺為圓體寬長頸鼓腹提梁 式,蓋、頸平面正圓,腹、足轉為扁圓。半球狀隆蓋,上有外侈的 圈鈕。蓋下有內圈,插入壺頸。頸部闊而長,垂鼓腹,下連外撇的高 圈足。頸部對稱兩半環,用以連接彎曲過蓋的提梁。蓋部近緣處有紋 飾帶,上有弦紋一條,下部有兩出脊。以出脊為中線,對稱裝飾長鼻 獸紋。獸首圓目突出,上置環柱角,長鼻前伸,向上復又回卷。身軀 修長,上有排列整齊的鰭,下有足,尾部上翻。頸部亦有紋飾帶,上 下各一排圈紋。兩條竪直出脊,以此為鼻基,作兩環柱角獸面紋,獸 體、獸足皆由雲雷紋構成。圈足作兩道平行弦紋,器身其餘部分光 素。提梁呈交纏的繩索狀,末端兩環對向有一突觸,使提梁在一定幅 度擺動,不致垂落碰撞壺腹,設計巧妙。此壺造型接近上海博物館收 藏的商代晚期小子省壺(《中國青銅器全集四·一五一》)。 壺蓋內和圈足內有銘文「告田父乙」,為簡式祭辭。依器型、紋飾和 銘文,斷為商代晚期器。此器之主人為商末著名的「告田氏」。「告 田」之器屢有發現,如上個世紀20年代在陝西寶雞戴家灣由軍閥黨玉 琨盜掘出土、現藏丹麥哥本哈根博物館,著名的「告田觥」。因此, 此器的發現填補了有關告田氏做器的譜系,更顯珍貴。 H 36.3cm

HK$ 1,200,000 - 2,200,000 US$ 154,000 - 281,000 AN ARCHAIC BRONZE VESSEL AND COVER, HU LATE SHANG DYNASTY, C. 1500 - 1050 B.C. PROVENANCE

An New York important collection



981 商  青銅棱格紋鼎 銘文:「冉」 來源 1. 紐約佳士得,1988年12月1日,編號142 2. Lee Yu Cheung 家族收藏,香港 直口,折沿,雙立耳,微侈,直腹微鼓,圜底,下承三柱足;口沿下 一飾帶,飾變形夔龍紋淺浮雕一周,以扉稜為中軸兩兩相對,共三 組,余處以雷紋填地。腹部以斜雲雷紋圍成方菱形,中央起一乳突, 余處留空,恰成格狀,此紋又稱「百乳雷紋」,多見於商代中、晚期 至西周早期。此對青銅鼎鑄造工藝精緻,輪廓圓潤,兼具厚重的力量 感,表面覆孔雀綠般的斑駁鏽色。 本器器型經典,相似紋飾者較多,然形制多不及本器,可參考1970 年河南安陽孝民屯南1125號墓出土商代晚期乳釘雷紋鼎,現藏於中 國社會科學院考古研究所,載於《中國青銅器全集.卷二》,北京, 1997年,頁18,圖18。另見1985年河南安陽梯家口西三號墓出土商 晚期青銅箙鼎,現藏河南省安陽市文物工作隊,載於同前,圖23。或 見1970年河南安陽孝民屯南1118號墓出土鼎,現藏中國社會科學院 考研研究所,其腹部較直,且頸部飾蟬紋一周,內壁有銘文。1999年 安陽劉家莊北地1046號墓出土圓鼎,形制與本件相近,內有銘文二 字,屬殷墟銅器第四期,著錄於《殷墟新出土青銅器》,2008年,頁 377,圖版203。 H 16.1cm

HK$ 480,000 - 680,000 US$ 62,000 - 87,000 AN ARCHAIC LOZENGE-PATTEREND BRONZE 'RAN' FOOD VESSEL, DING SHANG DYNASTY, C. 1500 - 1050 B.C. PROVENANCE

1. Christie's New York, 1 December 1988, lot 142 2. Collection of Lee Yu Cheung and Family, Hong Kong

紐約佳士得,1988年12月1日,編號142



982 商晚期或西周  青銅龍柄盉 來源 1. 紐約佳士得,1989年12月2日,編號25 2. Lee Yu Cheung 家族收藏,香港 此件青銅盉侈口高頸,下部有四個袋形腹,腹底承以四柱足。腹前有 斜直流,頸與腹後設半環形鋬。頸部前、左、右三面出脊,左右兩面 以出脊為鼻基裝飾環柱角型獸面,前部以出脊對稱兩個小型龍紋。肩 部一周亦裝飾環柱角型獸面紋。蓋、頸、肩三處主紋皆線條較粗,輔 有雲雷紋點綴。流部以陰線裝飾捲雲紋和蕉葉紋,鋬作龍首。 王國維在《說盉》一文述:「盉之為用,在受尊中之酒與玄酒而和之 而注之於爵。或以為盉有三足或四足,兼溫酒之用。」青銅盉在商代 早期已出現,盛行於商代晚期至西周。銘文中自名為盉的器物出現在 西周,同時有銘文將盉與盤並稱,擔任了匜的功能。因此推測,盉很 有可能是盛水用來調和酒濃淡之用。此件為低體分襠四足式,是西周 早期盛行式樣。 H 18.5cm

HK$ 180,000 - 280,000 US$ 23,000 - 36,000 AN ARCHAIC BRONZE WINE VESSEL, HE LATE SHANG OR WESTERN ZHOU DYNASTY , C. 1500 - 771 B.C. PROVENANCE

1. Christie New York, 2 December 1989, lot 25 2. Collection of Lee Yu Cheung and Family, Hong Kong

紐約佳士得,1989年12月2日, 編號25


983 商  青銅饕餮紋卣 銘文:「

父癸」

來源 Lee Yu Cheung 家族收藏,香港 卣為盛酒器,此卣原為扁圓體斜肩寬垂腹縱向提梁式,直 頸,鼓腹下垂,原應有高圈足,通體飾四條稜脊。器頸飾 鳥紋。腹飾牛角形獸面紋,獸目圓睜,牛角翹起,頗為威 武,餘處填以陰刻回紋,為商晚期器型。其腹內有銘三字 「 父癸」,釋為父癸。「 」為商晚期大族族徽,在存 世青銅器中常見。 與本器同銘者已知三例,一例青銅鼎,為羅振玉舊藏,現 存瑞典斯德哥爾摩遠東古物博物館;另見一例青銅觶,見 《總集》6534,《文物》1961年11期5頁圖5,現藏四川博 物院; 另見一例青銅爵,載於《續殷》下31.7,現藏北京 故宮博物院。 H 21.7cm

HK$ 300,000 - 500,000 US$ 39,000 - 64,000

983

AN ARCHAIC BRONZE 'TAOTIE' WINE VESSEL, YOU SHANG DYNASTY, C. 1500 - 1050 B.C. PROVENANCE

Collection of Lee Yu Cheung and Family, Hong Kong

984 戰國  青銅壺 來源 Lee Yu Cheung 家族收藏,香港 此壺侈口束頸,鼓腹,高圈足,頸部、腰部、腹底均作粗 闊的弦線,頸部仿古蕉葉紋,肩部及腹部暗刻雲雷紋,肩 部飾一對銜環鋪首,其上有蓋,蓋面四隻環形鈕。全器古 意穆然,刻工精湛,保存完整。 H 34cm

HK$ 60,000 - 100,000 US$ 8,000 - 13,000 AN ARCHAIC BRONZE JAR, HU WARRING STATES DYNASTY, 475 - 221 B.C. PROVENANCE

Collection of Lee Yu Cheung and Family, Hong Kong 984


985 戰國  玉雕鳳紋觿 來源 1. 戴克成,東方青銅器有限公司,巴黎 2. 歐洲重要藏家私人收藏 作一片狀鳳鳥造型,鳳鳥長翎冠而回首,雙翅微張,長爪 有力,尾羽長卷而華麗。鳳鳥直立於尖錐之上,錐身弧彎 而與鳳尾相得益彰。整體造型精緻美觀、雕琢細膩,為難 得的佩戴裝飾美品。 L 7.5cm

HK$ 90,000 - 120,000 US$ 12,000 - 16,000 AN ARCHAIC JADE 'PHOENIX' ORNAMENT, XI WARRING STATES PERIOD, C. 475 - 221 B.C. PROVENANCE

1. Christian Deydier, Oriental Bronzes Ltd., Paris 2. An important European private collection


986 漢  玉古紋璜 玉料青綠色,器表局部呈黃褐色,形制古樸凝重, 雅觀大方。體扁平,呈弧形,兩面皆淺浮雕谷紋, 排布規整,造型古樸。中部各有一處穿孔,宜於懸 掛佩戴,為戰國古玉之精品。 L 25.5cm

HK$ 100,000 - 200,000 US$ 13,000 - 26,000 AN ARCHAIC JADE 'DRAGON' PENDANT, HUANG HAN DYNASTY, 246 B.C. - 220


987 西漢  玉帶沁雙鳳紋珮 來源 徐展堂收藏,1990年代購自古城藝術品有限公司 玉璧以白玉為之,通體均帶沁色。璧作圓形,中部一穿,肉部分雙面 雕互相纏繞的鳳紋,線條遒勁,鳳身細節以淺線勾勒,給人以充沛的 活力與氣勢之感。 D 9cm

HK$ 600,000 - 700,000 US$ 77,000 - 90,000 AN ARCHAIC JADE 'PHOENIXES' PENDANT WESTERN HAN DYNASTY, 206 B.C. - A.D. 9 PROVENANCE

T. T. Tsui Collection (1940-2010), acquired in 1990s from Castle of Antiquities Co., Ltd.

另一面 another view



Lot 988-Lot 995為香港誦先芬室收藏

988 明  白玉雕螭龍紋雙板耳杯 款識:「永壽」 來源 誦先芬室收藏 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號14 雕成八蓮瓣形,花瓣有脊,形制規矩,線條流暢,打磨精 湛。回紋方耳雕饕餮獸面,足底琢篆書「永壽」款。 「永壽」款廣見於宮廷各式工藝,多用於賀壽禮物。 W 14.6cm

HK$ 150,000 - 250,000 US$ 20,000 - 32,000

A WHITE JADE BRUSH WASHER WITH HANDLES MING DYNASTY, 14TH-17TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 14


Lot 988-Lot 995為香港誦先芬室收藏

989 清乾隆  青白玉雕蓮瓣紋雙環耳蓋爐 款識:「乾隆年製」 來源 誦先芬室收藏 展覽 1. 《千祥雲集—中國吉祥圖案文物 敏求精舍四十五週年紀 念展》,香港藝術館,香港,2005年,編號167 2. 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號19 玉爐為造辦處匠人以痕都斯坦工藝雕琢打磨,爐身及蓋均 雕重疊蓮瓣紋,蓋鈕作花芯。底足呈倒置蓮瓣。耳雕如意 連活環,底刻篆書「乾隆年製」款。蓮紋除有佛教象徵 外,荷(蓮)於「和」同音,寓意和諧。 W 10cm

HK$ 250,000 - 350,000 US$ 32,000 - 45,000

A WHITE JADE CENSER AND COVER QIANLONG PERIOD, 1736-1795 PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

1. Auspicious Emblems: Chinese Cultural Treasures – 45th Anniversary Exhibition of the Min Chiu Society, Hong Kong Museum of Art, Hong Kong, 2005, cat. no. 167 2. Virtuous Treasures: Chinese Jades for the Scholar’s Table, University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 19


Lot 988-Lot 995為香港誦先芬室收藏

990 明  白玉匜形杯 來源 誦先芬室收藏. HK. 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號13 造型仿古代銅匜,形制規整。回紋方耳外翻,高圈足,中 有凸帶。口沿圍回紋一周,腹圍幾何紋闊邊飾。玉色灰白 帶褐沁,是明代常見的玉雕巧色。 W 13.1cm

HK$ 150,000 - 250,000 US$ 20,000 - 32,000 A WHITE JADE POURING VESSEL MING DYNASTY, 14TH-17TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 13 990

991 清晚期  白玉蛙蓮紋洗 來源 誦先芬室收藏 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號68 造型呈荷葉束成錐形,並立圓雕蓮花。口沿微外捲,一蛙 爬於蓮花口沿,生動而有情趣。玉質細膩,打磨圓潤,具 有時代特徵。 W 7.8cm

HK$ 40,000 - 50,000 US$ 6,000 - 7,000 A WHITE JADE BRUSH WASHER WITH FROG AND LOTUS LATE QING DYNASTY, 19TH-20TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 68 991


Lot 988-Lot 995為香港誦先芬室收藏

992 清  白玉蓮魚紋洗 來源 誦先芬室收藏 展覽 1. 《千祥雲集—中國吉祥圖案文物 敏求精舍四十五週年紀 念展》,香港藝術館,香港,2005,編號195 2.《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號65 玉洗如捲束葉形,各面雕魚、蓮藕、蓮蓬、盛蓮,一如河 塘清趣。魚與蓮,寓意連年有餘。荷(蓮)與「和」同 音,魚亦象徵婚姻和諧。 W 9.2cm

HK$ 60,000 - 80,000 US$ 8,000 - 11,000 A WHITE JADE BRUSH WASHER WITH FISH AND LOTUS QING DYNASTY, 17TH-20TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

1. Auspicious Emblems: Chinese Cultural Treasures – 45th Anniversary Exhibition of the Min Chiu Society, Hong Kong Museum of Art, Hong Kong, 2005, cat. no. 195 2. Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 65

992

993 清  白玉牙籤筒 來源 誦先芬室收藏 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號129 筒口漸歛,與筒蓋配合,身及蓋均有穿孔,便於繫繩相 連。筒身淺浮雕山水策騎圖。牙籤筒為清宮常備餐具之 一。此品用料講究,玉質溫潤油膩,為上等材質,所刻紋 飾為滿人習見狩獵圖。 H 10.3cm

HK$ 30,000 - 50,000 US$ 4,000 - 7,000 A WHITE JADE TOOTHPICK CONTAINER QING DYNASTY, 17TH-20TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 129 993


Lot 988-Lot 995為香港誦先芬室收藏

994 清  白玉雕竹燕螭龍帶鉤 來源 誦先芬室收藏 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號125 白玉帶扣淺雕飛鳥投竹圖。帶扣紋飾均左右相向成對,鉤 端雕龍首。單帶鉤自東周時代起作束腰佩飾,材料有金銀 銅等金屬,亦有玉石。後期出現天然物料及陶製作品,成 為官階地位的象徵。 W 12.4cm

HK$ 40,000 - 50,000 US$ 6,000 - 7,000 A WHITE JADE BELT BUCKLE QING DYNASTY, 17TH-20TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED 994

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 125

995 清  碧玉雕螭龍帶鉤 來源 誦先芬室收藏 展覽 《閣有天珍:中國文房玉雕》,香港大學美術博物館,香 港,2007年,編號125 碧玉帶扣透雕盤龍如意紋,間有深綠沁。帶扣紋飾均左右 相向成對,鉤端雕龍首。單帶鉤自東周時代起作束腰佩 飾,材料有金銀銅等金屬,亦有玉石。後期出現天然物料 及陶製作品,成為官階地位的象徵。 W 10.2cm

HK$ 40,000 - 50,000 US$ 6,000 - 7,000 A SPINACH-GREEN JADE BELT BUCKLE QING DYNASTY, 17TH-20TH CENTURY PROVENANCE

Collection of Humphrey K. F. Hui EXHIBITED

Virtuous Treasures: Chinese Jades for the Scholar’s Table , University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2007, cat. no. 125 995


996 清中期  麻姑祝壽格絲畫 來源 香港私人收藏 緙絲有「織中之聖」和「一寸緙絲一寸 金」的美譽。它是一種經彩緯顯現花 紋,形成花紋邊界,具有猶如雕琢縷刻 的效果、且富雙面立體感的絲織工藝 品。由於緙絲的編織方法不同於刺繡和 織錦,而採用「通經斷緯」的織法, (而一般錦的織法皆為通經通緯法)即 用緯線穿通織物的整個幅面,故織造的 作品在圖案與素地接合處微顯高低,呈 現一絲裂痕,猶如鏤刻而成,由此也被 稱為「刻絲」。 麻姑為傳說中的仙女,相貌及地位僅次 於西王母。傳說中三月三日西王母壽 辰,麻姑獻靈芝酒等為其祝壽,是我國 民間傳統的祝壽題材。此件緙絲便以此 為題,畫面中,麻姑右肩抗花鋤,鋤上 置壽桃及靈芝等祥瑞;左手拈靈芝,身 邊侍女捧酒壺追隨麻姑前行。畫面中仙 山福海,壽桃靈芝佈局合理、緙織精 湛,筆墨生動,令人稱奇。 L 75cm W 41.5cm

HK$ 120,000 - 130,000 US$ 16,000 - 17,000 A 'MAGU' KESI MID QING DYNASTY DYNASTY, 18TH CENTURY PROVENANCE

A Hong Kong private collection


IMPORTANT NOTICES

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‡pÂľ •Ä pĂ?ϕ=-¡ Ă—Âť-¡ ĂŽ¨ ( ,+Rt­ ­ðùÂ‚à ­òó‹ô¢ ) þ܇áĂ?ÂŽ ‘Å¢Ă‡§ÂŽ¨n= Ă— -¡/ Â&#x; ‡pÂľ •Ä pĂ?ϕ=šÂ‰Â? þ܇áĂ? ÂŹĂŻ øÚÂ?ُ:/.-Â&#x; ú²¯° 4Ԟ ‡áĂ?ÂŽĂ&#x; ĂŽNýލ ÂŽ °Â‘ŎšãĂ?Ý´ à ù€‚ Ă— "Ă?Þß áĂ?Â?ǧÂ&#x;€‚•ܞ Âż<ÂŒ?O Ă—ÂŽÂ&#x; = Ă— 4Ă” -¡ý ¨nŠª Š= ÂĄ Ă—Â?€‚ Ž‰Š ĂŹĂ­Â&#x; Ă˜ Ă— 4Ă”¤LÞÿþ~ÂśH}­|Âż ĂˆĂ‰­Š ĂŒ­{ŠÂ‡[Ăˆ¢à \ÂŤ ]^_ÂŒÂ&#x;¿ÀáĂ?Ă&#x;` Ă— Ă?Ă´4Ă”­Ă—@­m Âľ?­ >Ă?Ăž­ =ĂšĂ?‡< ;:ÂŤÂŁÂŽ{[ Ă— H º–4Ă”Ă˜ ÂŽ Ăž=ž Ă— 4 ԏ -¡/3 RÂ&#x; ýÞ:ÂœÂ‡ĂŤĂ‡ÂŽ-¡Ă˜ Ă?.Ă&#x;ýÞ -ÂŁÂŽÂŤĂ‹; ýÞ6 , Ăž -¡ÂˆÂ‰ py+*)ÂŹoÂĽÂŚ t (§¨'Â&#x; ¿À× áĂ? áĂ? 1&Ă— Ϙ—¿À4Ԝ.òÂŽ6 3$#Âť ”"!0ÂŽ 1m H 2ŠÂ&#x; áĂ? 1.5&Ă— 34—¿À 356”"!0ÂŽw7 6—Œ89A!ÂŽĂŠ6 3$#Âť!0ÂŽ 1m H 2ŠÂ&#x; áĂ? 2&Ă— QŠÇ—¿À 56#Âť!0ÂŽw7 56A!ÂŽ 1m H 2ŠÂ&#x; áĂ? 2.5&Ă— ÆÇ—¿À 3$#Âť!0ÂŽw7 3 $BC AÂĽÂŽ 1m H 2ŠÂ&#x; áĂ? 3&Ă— D¤â€”¿À QŠ3$ #Âť!0Žš 3$[Ăˆ 9AÂŽ ÂŽ{ŠÂ&#x; ˗ Ă—Ă— 4Ă”#‘Å× ž ĂŽEDĂ—Ă— áĂ? áĂ? 1&ϘÂ&#x;>FGÂŹĂŠ#ËÂ&#x;6 -¡[Ăˆ0YÂ&#x; áĂ? 1.5&HòÂ&#x;IJ1§3$#Âť!0ÂŽĂŠĂľKLM NÂŽ¤§56”"!0Â&#x; áĂ? 2&Ă™žĂšO4ĂŞÂ&#x;²1LĂ‹PQ •J Ă&#x;. ò Â&#x;¤ã¸ 56 4Ă”ĂŒĂ‡Â&#x;RÂŽĂŠSĂ´ÂŤTE 4Ă”UVĂ? Â&#x; áĂ? 3&4Ă”WÆÂ&#x;>F]X#ÂťĂ?(UY6 -¡[ĂˆÂ&#x; ¤ã¸ Xs 4Ă”ĂŒĂ‡Â&#x;RÂŽĂŠSĂ´ÂŤTE 4Ă”WÆÂ&#x; áĂ? 4&4Ă”QŠÆÇÂ&#x;¤ã¸ 56 [ĂˆÂ&#x;4Ă” QŠÆÇÊZg¤ã ab56 Ac!0ÂŽdĂ€¤ã ¸Ă˜b56e!ÂŽÂŤ} Ă–[ ¤ã¸Ă˜bfB!Â&#x;


áĂ? 5&4ÔÆÇÂ&#x; #Âť!0Â&#x;4Ԟ ¸$54 Ă”ĂŒĂ‡Â&#x;RÂ&#x; áĂ? 6&4Ă”D¤Â&#x; $g[ĂˆÂƒ / ĂˆĂ‰Â&#x;#¿¤ã ÂŽ |{Š hòÂ&#x; 4Ԟ ¸$54Ă”ĂŒĂ‡Â&#x;RÂ&#x;

JEWELRY, WATCHES AND HANDBAGS Description of the conditions of Jewelry Lot(s) usually contained in the catalog, however, absence of a description does not imply that the Lot(s) is free from defects or imperfection or beautification process. Beautification processes of colored gemstones such as heat enhancement, oiling or irradiation etc, have been generally accepted by the international jewelry markets. If Poly Auction (Hong Kong) has obtained gemological reports from internationally recognized gemological laboratories for the Lot(s), all known important facts and conditions of the Lot(s) have contained in the catalog, our company assumes no responsibility for accuracy of the reports. It may not be feasible for Poly Auction (Hong Kong) to obtain laboratory report for all Lot(s), the estimates are based on all known information at the moment. Bidders must inspect conditions of the Lot(s) by themselves before the auction, any dissent about conditions of the Lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay payment. If bidders request designated laboratory report for any Lot(s), such request should be raised out 14 workings days before the auction and at own cost. Bidders should also aware that Lot(s) containing jadeite or gemstones originating from Burma may not allowed to be imported into the U.S., this will not constitute a ground for rescission or cancellation of a sale or any delay payment. Lot(s) of clocks and watches in the catalog will be sold at current status (i.e. as is), bidders should personally inspect conditions of the Lot(s) before the auction. Descriptions of the Lot(s) in catalog are for reference only, absence of a description does not imply that the Lot(s) is in good condition, free from defects or restorations. Descriptions only reflect subjective opinions of experts of Poly Auction (Hong Kong), it is not a statement of facts, nor a complete record of all repairs, component replacements or restorations. Poly Auction (Hong Kong) makes no guarantee on operation, water-resistance, authenticity and originality of individual parts (including watchstrap) of the Lot(s). In addition, bidders should aware the import restrictions of the U.S. concerning luxury watches. Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in any way (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal. Condition reports and grade are provided free of charge as a convenience to our buyers and are for guidance only. They are not an alternative for examining a lot in person or taking your own professional advice from Specialists. Bidders must inspect conditions of the lot(s) by themselves before the auction. Any dissent about conditions of the lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay in payment. The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage,

restoration, repair and wear tear. The grading of watches is based on the general condition, quality, technical and historical interest, age and rarity of each timepiece. Lots are sold “as is,� in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. The buyers acknowledge and agree that any sale is entirely the buyers’ decision, and the buyers have not relied upon any representation or other information (whether oral or written) by Poly Auction (Hong Kong) or by the seller. Condition Grades of Watches Grading 1: As new. The timepiece appears with neither signs of use nor ownership over time. The movement is in working order when cataloguing. Grading 1.5: In excellent condition. The timepiece appears with extremely slight signs of ownership over time. It may exhibit very slight hairline scratches on the case but no obvious signs of use. The movement is in working order when cataloguing. Grading 2: In very good condition. The timepiece appears with slight signs of use over time. It may exhibit slight scratches on the case. The movement is in working order when cataloguing. Grading 2.5: In good condition. The timepiece appears with obvious signs of use and scratches on the case. The movement is in working order when cataloguing. Grading 3: In fair condition. The timepiece appears with very obvious signs of use and scratches/defects. Maintenance may be required. For more details, please refer to the Condition Report for each lot. Condition Grades of Handbags Grading 1: As new. Appears never to have been used. It exhibits no signs of wear. Grading 1.5: In mint condition; virtually new and unused with very minor signs of ownership over time. Grading 2: In pristine condition. To the untrained eye, it may appear brand new. There may be a slight condition note, but overall the piece is in excellent condition. Grading 3: In excellent condition. This is a piece that has seldom been used and shows little to no wear. There may be small condition issues to note overall the piece is in excellent condition. Grading 4: In very good condition. This piece may show signs of light wear. It is in very good condition but the corners may show signs of light scuffing, the base may show light scratches, and the hardware may exhibit light marks. Grading 5: In good condition. This piece shows significant wear. There are condition issues that will be noted in the condition report. Grading 6: In fair condition. This piece shows significant w e a r a n d / o r d a m a g e . I t m ay re q u i re re p a i r o r refurbishment in order to be used. Condition issues will be noted in the condition report.

酒饞ĺ?ŠčŒśč‘‰ ÂľĂ&#x;Â…jk‡lm Ă— ˆ‰IĂ‚ž šÂŽ ÂŻn€‚•ܲ€‚¿Ë—o$ Ă—Â&#x;€‚•²b ˜‘ €‚ p €‚•œ¤ÂšÂ›L €‚ Ă—Â?, ­Ă—@­4ê¢ÂŽÂ€Â‚•€‚nq = Ă—ÂŚÂŹĂŤ ǧŽ ¨nŠª Š=ÂĄ Ă—Â?€‚ Ž‰ Š ĂŹĂ­Â&#x;ýÞ¯ H#?r‚ Â&#x;ýÞ ( pĂ?ϕ ) sM ÂŽ Ă?5I›L Ă—Â?4ԇ@tÂŽ,+ĂŠÂŹ ž Ă—, u­vw­xĂˆt­jyš¢Í² 78 9AÂŽâPz Â&#x;

ALCOHOL AND TEA The descriptions about the auction of alcohol and tea are being stated in the catalogue. Our company reminds bidders to learn more about the auctioned products before bidding. Bidder's participation in bidding at auction is deemed as the bidder's approval and acceptance of the package, quality and status of the auctioned items. Any different opinion formed by the bidders after successful bidding, will not constitute a valid reason to withdraw or cancel the bid and delay payment for the auctioned item. Buyers should cautiously inspect the auctioned item during collection. Upon acknowledging receipt of the auctioned item by the buyer (or his agent), the buyer confirms that he or she has accepted the state and quality including but not limited to any defect or flaw on, e.g. the packaging, labels, level of wear and tear, cork, etc., of the auctioned items without any objection.

čŞžč¨€ć–‡ćœŹ

Â?Â?Â? ­ ­ EĂ‚ĂŽ*Â?23­ €‚ƒ„…†­ÂˆÂ?‰Š †‡‹ž ­í ž ¸Â˜ §¨¯°Â? py Š­ [­ †­Ă?Â?¢°[ ‡ Ă—Â?ĂƒÂ‰ÂŽ °° ĂŻÂŽ °° Ă„°Â‘Ă…Â&#x;

LANGUAGE The Chinese version of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Important Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the saleroom as well as the descriptions of the Properties in this catalogue of our company shall be binding and the English version is for reference only.

ç‰ˆćŹŠ

Â&#x;1Â? t(s¤ÂŽÂŹ -¡§¨= -¡Ă€ ‹Œ m ‹Œp y-¡§¨ #ÂťÂ&#x;

COPYRIGHT e copyright of this catalogue belongs to our company. Without the written permission of our company, no parts of this catalogue shall be reproduced in any ways or used in any other ways.

解釋揊

Â?Â?Â? ­ ­ EĂ‚ĂŽ*Â?23­ €‚ƒ„…†­ÂˆÂ?‰Š…†‡‹ž ­í ž ¸Â˜ §¨¯°Â? py Š­ [­ †­Ă?Â?¢°[ $ Ă­ ÂŒ#Â&#x; RIGHT OF INTERPRETATION e right of interpretation in respect of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Impor tant Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the sales room, shall be exercised by our company.


EĂ‚ĂŽ*Â?23 EXPLANATION OF CATALOGUING PRACTICE

äż?ĺˆŠéŚ™港ć‹?賣ĺœ¨ĺ?—委託ć‹?賣ĺ“ 中的揊益

¤ãH¯°p p Ă€ .ÀÚ Â? Ă—Â&#x;¥¢ Ă—² ED Δ DÂŽ °JĂĽÂ&#x; H²L Ă˜ Ă— › ˆ ÂŽ ¤ã,+ Ă˜ Ă?Â? L Ă— @|ÿ‰ •¥¢ Ă—ž p ED â–ĄD °JĂĽÂ&#x; Ă• ² {'R Ă— gĂš ˆ ÂŽ Ă…²{'R Ă— šCDÂŽĂŠĂ…ž ¿À Ă /3p Â&#x;

POLY AUCTION (HONG KONG) INTEREST, IN PROPERTY CONSIGNED FOR AUCTION From time to time, Poly Auction (Hong Kong) may oer a lot which it owns in whole or in part. Such property is identiďŹ ed in the catalogue with the symbol Δ next to the lot number. On occasion, Poly Auction (Hong Kong) has a direct ďŹ nancial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue by the symbol â–Ą next to the lot number. is symbol will be used both in cases where Poly Auction (Hong Kong) holds the financial interest on its own, and in cases where Poly Auction (Hong Kong) hasfinanced all or a part of such interest through a third party. Such third parties generally beneďŹ t ďŹ nancially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. e ďŹ nancing oered by a third party may be in the form of an irrevocable bid provided by that third party. Where Poly Auction (Hong Kong) has an ownership or ďŹ nancial interest in every lot in the catalogue, Poly Auction (Hong Kong) will not designate each lot with a symbol, but will state its interest at the front of the catalogue.

ć‰€ćœ‰é‡?庌皆為約數ĺ?Šç‹€ćł ĺ ąĺ‘Š

Ă˜ Ă— 4Ă”¤LÞÿþ~ÂśH}­|Âż ĂˆĂ‰­ŠĂŒ­{ŠÂ‡[Ăˆ¢à \ÂŤ ]^_ÂŒÂ&#x;ú²¯ ° 4Ԟ ‡áĂ?ÂŽ ĂŽNýÞšÄ Âą ÂťÂ&#x;4Ă” ž ‡áĂ? o Ă˜Âş *ĂŠ5Â? Ă— 7 ­ŠĂŒ çĂ?Ă“Ă”Â&#x;ĂŁ ÂŹĂŁzĂ?í´ Ă ĂąÂ€ ‚ Ă— ´ <ÂŒÂŁ Ă—ßá Ă?Â?ǧÂ&#x; Ă— H “b4â€?Ă˜ â =ž Ă— 4 ԏ -¡/3 RÂ&#x; ˗ Ă—Ă— 4Ă”#‘Å× ž

ALL MEASUREMENTS ARE APPROXIMATES AND CONDITION REPORTS e condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear tear. Condition reports and grades are provided free of charge as convenience to our buyers and are for guidance only. ey oer our honest opinion but they may not refer to all faults, restoration, alteration or adaptation. ey are not an alternative to examinming a lot in person or taking your own professional advice. Lots are sold "as is," in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. For more details, please refer to the Condition Report for each lot.

ćœŹç›ŽéŒ„ćŽĄç”¨äš‹貨嚣ĺ…Œć?›çŽ‡

7.8 Â? =1 Â?

v5 Â?Â?Ă“Â?Ă&#x;` ‰èH Â?Ă“Â? ÂŁÂŽ¤ã G Â?Ă“Â? Ă­ĂĽÂ&#x;€‚Î#ĂŒĂ‡ÂŽ Ă— ¤Ă? Ă&#x;Þ­¿Â€ÂŁÂŽÂšQ'nÂŹ_ÂŽ H¤ã ¸ Ă˜çĂ?Â&#x;

CATALOGUE EXCHANGE RATE HK$7.8 = US$1 e rate of exchange was established at the latest practical date prior to the printing of the catalogue and may therefore have changed by the time of the sale. Bidders should bear in mind that estimates are prepared well in advance of the sale and are not deďŹ nitive. ey are subject to revision.

盎錄硨ĺˆ—ć–šćł•äš‹說ć˜Ž ćœ‰é—œç›¸ç‰‡ ă€ ĺœ–ç•Ť 〠ĺ?°ĺˆˇĺ“ ĺ?Š垎型書畍䚋čŚ?厚

Ă‚Â‚Âƒž „ DžÂ&#x;#ĂŒĂ‡ Âľ Îùà /3 |† Â?Â?Â?Â? Â‡ Š Ă˜Â&#x;ýÞÜà <€pĂ‚ Ă— 4Ԏ ¤" ᯰt(4Ԟ Â&#x; ĂŚ 3?ĂœĂž Â?‡ˆ Âœ¤Âˆ Â? Ă—ÂŽ P [‰œ Ă&#x; ž¥?ĂœĂžÂ? Ă—Â&#x; Š‹œ Ă&#x; _ Â? Ă—ÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ Ă—.Ă€ Ă€ Ă Ă&#x;?ĂœĂžÂ?ÂŽ Â&#x; Š‹_ Â?ÂŽ ‘Œ‡‹_ Â?Âľ ‘Œ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ Ă—²Ă‘?Ăœ ĂžÂ?ÂŽ ‘ Âľ ‘Ă?nÂŽ¤ã²y’“ Ă?nÂ&#x; Š‹_ HLÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ Ă— žĂ‘? ĂœĂž'´HLÂ?ÂŽ Žšâ Ă˜ÂĄ?ĂœĂžÂ?ÂŽ ” Â?Â&#x; Š‹•– _ ”Â?ÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ ׄ Ă‘? ĂœĂžÂ?”Â?ÂŽĂŠ1Â?Ă&#x;ÂĄ?ĂœĂžÂ— Â? Ă—Â&#x; Š‹„ _ ÂŽ ĂŽ*ÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ ׄ Ă‘? ĂœĂžÂ?”Â?ÂŽʞ] HLĂ?nÂ&#x; Š‹_ mĂ—ÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ Ă—Ă&#x;Ă‘?Ăœ Ăž Ă—Â? mĂ— ( -¡ L )Â&#x; Š‹sˆ _ÂŒ­Â‹ L _ÂŒ­Â‹Â˜Â™ _ÂŒ Âą Â?ÂźÂ?Â?ǧœ ÂŽĂ‘ Ă—Ă­Ă‘?Ăœ Ăžsˆâ™š L☂Â&#x; Š‹ _ sˆŒ­Â‹ _ Â?˜‚Œ Âą Â?ÂźÂ?Â?ǧœ Ă‘sˆâ˜‚܏ Ă&#x;Ă‘?ĂœĂž Â&#x; Š‹ _  LÂŒ Âą Â?ÂźÂ?Â?ǧœ ŽšQž¥ LĂ? nÂ&#x; Š ž EĂ‚ĂŽ*Â?23 žÂ‚ƒ‡pÂŁÂ… = ĂŽĂą Ă ÂŤTÂ? Â? 23Â&#x;šÊ ‚ƒÂ?#ŽĂ?êž?r ›œ‡Ă?Ă?Ă?ĂžÂ?ǧŽ ‡ •ž ĂŚ#žÂ‚ƒ‡p ĂƒÂ‰Â? ׇp Îùà Â?Ă˜ ‡¤Âž¢ÂŽÂšÂŹ:/‡›L-¡Â”Â&#x;­Â…Â? .-ÂŽÂŤ ŠŽ ¥ž žÂ‚ƒ ĂƒÂ‰ Ă—Â&#x;

EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures Terms used in this catalogue have the meanings ascribed to them below. Please note that all statements in this catalogue as to authorship are made subject to the provisions of the Conditions of Business and Limited Warranty. Buyers are advised to inspect the property themselves. Written condition reports are usually available on request. * Name(s) or Recognised Designation of an Artist without any QualiďŹ cation In Poly Auction (Hong Kong)'s opinion a work by the artist. * “Attributed to ...â€? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion probably a work by the artist in whole or in part. * “Studio of ...â€?/ “Workshop of ...â€? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. * “Circle of ...â€? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion a work of the period of the artist and showing his inuence. * “Follower of ...â€? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but not necessarily by a pupil. * “Manner of ...â€? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but of a later date. * “After ...â€? In Poly Auction (Hong Kong) 's qualiďŹ ed opinion a copy (of any date) of a work of theartist. * “Signed ...â€?/“Dated ...â€?/“Inscribed ...â€?

In Poly Auction (Hong Kong) 's qualiďŹ ed opinion the work has been signed/dated/inscribed by the artist. * “With signature ...â€?/ “With inscription...â€?/ In Poly Auction (Hong Kong) 's qualified opinion the signature/inscription appears to be by a hand other than that of the artist. * “With date ...â€? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion the date on the item was not executed on that date. * is term and its deďŹ nition in this Explanation of Cataloguing Practice are a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Poly Auction (Hong Kong) and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the Limited Warranty shall not be available with respect to lots described using this term.


第一章 總則 第一條

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第三條 適用範圍

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第四條 特別提示

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第二章 關於賣家 第五條 委託程序

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第六條 賣家之代理人

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CONDITION OF BUSINESS

Unless otherwise stated, Poly Auction (Hong Kong) Limited acts as the Seller's agent. ﬔe closing agreement for sale of a Lot shall be a contract between the Seller and the Buyer. ﬔese Conditions of Business and all other terms, conditions and notices contained in the catalogue, announced by the Auctioneer or provided at the saleroom shall constitute the provisions agreed among the Seller, the Buyer and/or Poly Auction (Hong Kong) Limited as auction agent.

queries or authentication related to the Lot at the request of the Buyer or any additional costs and legal expenses to bring claims against a defaulting Buyer; (14)“Reserve” means the confidential minimum selling price for the Lot that the Seller has confirmed with the Company; (15)“Estimate” means the estimated selling price of a Lot written in the catalogue or other descriptive materials, excluding the Buyer's Commission; (16)“Storage Fee” means the storage fee payable by the Buyer to the Company according to these Conditions of Business. In these Conditions of Business, where the context requires, words denoting the singular shall include the plural and vice versa.

ARTICLE 2 DEFINITIONS AND INTERPRETATION

ARTICLE 3 SCOPE OF APPLICATION

In these Conditions of Business, the following terms shall have the meanings set forth below: (1)“Company” means Poly Auction (Hong Kong) Limited; (2)“Seller” means any natural person, legal person or other organization that consigns a Lot(s) within the scope of these Conditions of Business to the Company for auction. In these Conditions of Business, a Seller shall include any of its agents unless as otherwise specified herein or required in a particular context; (3)“Bidder” means any person, company, body corporate or other organization who or which considers, carries out or attempts to bid in anyway. In these Conditions of Business, a Bidder shall include any of its agents unless as otherwise specified herein or required in a particular context; (4)“Buyer” means the Bidder whose bid or offer for a Lot is recognized by an Auctioneer as the highest bid for that Lot in an auction held by the Company, including the principal on behalf of which such Bidder acts; (5)“Buyer's Commission” means any commission that a Buyer shall pay to the Company calculated at the rate specified herein of the Hammer Price for the Lot that such Buyer purchases; (6)“Lot” means any item consigned by a Seller to the Company for auction and so auctioned in any auction, in particular, any item numbered in any catalogue with certain description; (7)“Auction Date” means the date on which an auction is formally held, as announced by the Company in its public notice. In case of any discrepancy between the actual date and the announced date of an auction, the actual date shall prevail; (8)“Sale Date” means, in an auction held by the Company, the date on which the auctioneer concludes a contract for sale between a Seller and a Buyer by way of hammer striking or any other customary manner publicly confirming the sale; (9)“Auctioneer” means any person designated by the Company to moderate a particular auction; (10)“Hammer Price” means the price for a Lot at which the Auctioneer decides to sell the Lot by striking the hammer or the agreed sale price in the post-auction sale; (11)“Proceeds of Sale” means the net amount due to the Seller, being the Hammer Price less the Buyer's Commission, all expenses and other amounts payable to the Company by the Seller; (12)“Purchase Price” means the total amount payable by the Buyer for his/her/its purchase for each Lot, including the Hammer Price, the Buyer's Commission, other Buyer's Expenses and all Buyer's Expenses arising from its failure to perform its obligations; (13)“Buyer's Expenses” means costs and expenses in relation to sale of the Lot by the Company, including but not limited to insurance policies, packing, moving, storage, custody for the Lot, any expenses of testing, investigation,

All parties participating in any auctions organized by the Company, including the Seller, the Bidder, the Buyer and all other related parties (including but not limited to the agents of the Seller, the Bidder and the Buyer) shall be deemed to accept in full and bound by these Conditions of Business, and shall comply with them in such auctions, enjoy the rights and perform the obligations provided herein. Any Bidder who bids in an auction organized by the Company, whether in person or by authorizing an agent to bid on his/ her/its behalf, whether by raising the paddle, by absentee bids, by phone or by any other means, shall be deemed to have accepted these Conditions of Business in full. Any dispute among the parties to auctions organized by the Company shall be settled in accordance with these Conditions of Business.

CHAPTER I GENERAL RULES ARTICLE 1 POLY AUCTION (HONG KONG) LIMITED AS AGENT

ARTICLE 4 SPECIAL NOTICE Bidders and Buyers participating in any auctions organized by the Company shall carefully read and be abided by these Conditions of Business; Bidders and Buyers shall read the provisions limiting the Company's liabilities and disclaimers contained in these Conditions of Business carefully. Bidders and/or their agents have the responsibilities to review the original Lot in person, and bear legal liabilities for their acts of bidding the Lot. Upon the Auctioneer confirms the Bidder's bid by striking his/her hammer or in any other manner publicly indicating confirmation of the purchase in any auctions organized by the Company, the contract for sale regarding the Lot shall immediately enter into force and the Bidder shall become the Buyer of the Lot. ﬔe Company, the Seller and the Buyer shall acknowledge the sale of the Lot and its closing, enjoy the rights and assume the obligations provided by applicable laws and/or these Conditions of Business. Any party that fails to perform obligations shall bear its/his/her corresponding legal liabilities. ﬔe Company may amend these Conditions of Business for a particular auction by posting announcements at the auction site or making an announcement at such auction through an Auctioneer.

CHAPTER II THE SELLER ARTICLE 5 CONSIGNMENT PROCEDURE When arranging for the consignment of the Seller's Lot to the Company for auction: (1) The Seller must present a valid identity document with photo issued by the government (e.g. resident identity card or passport) if the Seller is a natural person and sign a consignment auction contract with the Company; (2) A valid certificate of incorporation, proof of shareholding, or a legal authorization document shall be required if the Seller is a legal entity or any other organization, which shall

sign a consignment auction contract with the Company. (3) When the Seller signs a consignment auction contract with the Company, the Company shall be automatically authorized to make pictures, illustrations, catalogues, or other video images of the Lot.

ARTICLE 6 THE SELLER'S AGENT When arranging for the consignment of the Lot to the Company for auction, the Seller's agent shall submit to the Company the relevant authorization certificates including: (1) A valid identity document if such agent is a natural person; (2) A valid certificate of incorporation and proof of share holding if such agent is a legal person or any other organization; and (3) A power of attorney duly executed. The Company has the right to examine the aforesaid documents in a lawful manner.

ARTICLE 7 THE SELLER'S WARRANTIES The Seller hereby makes irrevocable warranties to the Company and the Buyer with respect to the Lot it consigns to the Company for auction as follows: (1) The Seller has absolute ownership or legal right to dispose of the Lot. ﬔe auction of the Lot will not prejudice any legal interest (including copyright interest) of any third party, and will not violate the provisions of relevant laws and regulations; (2) The Seller has, to the best of its knowledge, made full, complete and accurate disclosure and description to the Company with respect to the origin and any flaw of the Lot and notified the Company in writing, without any concealment or fabrication; If the Lot is liquors or teas, the Assignee should truly disclose the defects or flaws about, including but not limit to the packaging, labels, level of wear and tear, corks, etc. (3) If the Lot being consigned shall be imported into Hong Kong, the Seller shall guarantee the compliance with the laws of its origin, and ensure the completion of the export and import procedures and notify the Company in writing; and (4) The Assignee must ensure that the auctioned items do not contravene any laws of Hong Kong (including the Public Health and Municipal Services Ordinance, the Food Safety Ordinance and the Protection of Endangered Species of Animals and Plants Ordinance the Endangered Species of Wild Animals and Plants), ensure and disclose to our Company that it has any license or qualification registration to possess, disposal or sale of the auctioned item required by the laws of Hong Kong. ﬔe Assignee should ensure that if they require our Company to make an additional license or permit to the relevant departments for the auction, display, disposal or possession of the auctioned items, they should notify us in written notice not less than two months prior to the auction. (5) ﬔe Seller shall guarantee that the Lot is authentic. In so doing, the Seller guarantees: (a) ﬔe Lot is not a counterfeit or forgery of: i. ﬔe work of any artist, author or manufacturer, if the Lot is described by the Seller as the work of that artist, author or manufacturer; ii. A work created or produced within a particular time frame or culture, if the Lot is described by the Seller as a work created or produced during that time frame or culture; iii. A work of a particular origin or source, if the Lot is described by the Seller as a work of that origin or source; or iv. A work created or crafted or refined or restored through a


particular process or manner, if the Lot is described by the Seller as a work created through that process or manner. (b) In the case of jewellery and timepieces, in addition to 5(a) above, the Lot is crafted in the manner as described by the Seller, out of the particular materials as described by the Seller, and had underwent no restoration processes other than those stated by the Seller; and (c) In the case of gemstones, in addition to 5(a) above, the Lot had undergone no beautification processes other than those specified by the Seller. If the Seller violates any of the above warranties, the Seller shall fully indemnify all losses, costs and expenses suffered by the Company and/or the Buyer.

and all losses caused by the suspension of auction; (3) ﬔe Company has an objection to the explanation of the Seller or the accuracy of the Seller's warranty mentioned in Article 7 hereof; (4) Any evidence proves the Seller has violated or will violate any provisions of these Conditions of Business; (5) For any other reason, the Company believes that the auction of such Lot shall be suspended; or (6) Whichever situation causes such suspension, if the Company is aware of any ownership or other dispute in relation to the Lot being consigned for auction, the Company shall have the right to refuse to return such Lot until the dispute is settled.

wear, inherent flaws, internal or potential defects, change of substance itself, self-combustion, self-heating, oxidation, corrosion, leakage, rat-bite, worm-bite, change in the atmosphere (climate or air temperature), change in humidity or temperature, or other gradual changes or caused by force majeure such as earthquake, tsunami, war, hostile action, armed conflict, terrorism, coup, strike and social riot, or nuclear radiation or radioactive pollution as well as the damage or destruction of book frames, glass, drawers, bottom pads, trestles, mountings, insert pages, scroll heads or other similar accessories caused by any reason are not within the scope of insurance coverage. ﬔe aforesaid risks should be borne by the Seller.

ARTICLE 8 RESERVE

ARTICLE 12 THE SELLER'S WITHDRAWAL OF LOT

ARTICLE 18 INSURANCE INDEMNITY

Unless otherwise agreed upon by the Company and the Seller, all Lots are offered subject to a Reserve. ﬔe Reserve shall be determined by the Seller and the Company in writing through consultation, and no modification of the Reserve shall be made without the prior consent of the other party after it is determined by both parties. Following the bidding failure of the Lot authorized by the Seller, the Auctioneer shall have the right to sell such Lot at the Reserve after such auction and the Seller must pay the Commission to the Auctioneer. In no circumstance shall the Company bear any liability for failure to sell the Lot at the Reserve at the auction held by the Company.

The Seller may withdraw the Lot at any time prior to the Auction Date by issuing a written notice to the Company. In the case that the Lot has been listed in the catalogue or other public materials and they have begun to be printed at the time of the withdrawal of the Lot, the Seller shall pay an amount equal to 20% of the Reserve of the Lot and all other expenses. In the case that the catalogue or other public materials have not been printed, the Seller shall pay an amount equal to 10% of the Reserve of the Lot and all other expenses. Any dispute or claim arising out of the Seller's withdrawal of the Lot shall be borne by the Seller and has nothing to do with the Company.

Any damage or destruction of the Lot caused by incidents or disasters covered by the insurance purchased by the Company for the Lot shall be handled in accordance with the laws of Hong Kong on insurance. The Company shall pay insurance indemnities after deducting the Company's expenses (other than the Commission) to the Seller after the Company obtains such indemnities from the insurance company.

ARTICLE 9 THE COMPANY'S DISCRETION

ARTICLE 13 AUTOMATIC INSURANCE

The Company may decide the following matters at its absolute discretion: (1) Explanation and/or appraisal of any aspect of any Lot through the catalogue of the Lot and/or news media and/or other carriers; (2) Whether to consult any expert or not; (3) ﬔe illustration of the Lot in the catalogue, the exhibition of the Lot and other forms of publicizing the Lot, the arrangement in the promotional activities as well as the standards of payable expenses; (4) Suitability of a Lot for auction by the Company; (5) Other matters such as the date of auction, the place of auction, the conditions of auction and the manner of auction.

Unless otherwise instructed by the Seller in writing, all Lots will be automatically covered under the insurance policies purchased by the Company after the Seller enters into the consignment auction contract with the Company and delivers the Lots to the Company. ﬔe insured amount shall be based on the Reserve agreed by the Seller and the Company in the consignment auction contract (if there is no Reserve, it shall be the agreed insured amount of the Lot; if the Reserve is adjusted, it shall be the original Reserve of the Lot). ﬔe insured amount is only applicable to insurance and claim for compensation, is not the Company's warranty or guarantee for the value of the Lot, and does not mean that the Lot can be sold for an amount equal to the insured amount through any auction by the Company.

ARTICLE 10 LOT NOT AUCTIONED

ARTICLE 14 INSURANCE PREMIUM

After the Seller has signed the consignment auction contract with and delivered the Lot to the Company, if for any reason the Company believes that the Lot is not suitable for auction by the Company, the Seller shall collect the Lot within thirty days from the issuance date of the Company's notice (fees for packaging and transportation shall be at the Seller's own expense). The consignment auction contract between the Seller and the Company will terminate on the date when the Seller collects the Lot. If during the above-mentioned period the Seller fails to collect the Lot, the consignment auction contract will automatically terminate upon the expiration of such period. If within seven days after the termination of the consignment auction contract the Seller does not collect the Lot, the Company shall have the right to charge the Storage Fee, insurance fees and other reasonable expenses, and to dispose of the Lot in a way the Company deems proper. ﬔe Seller is responsible for the collection of, if any, the amount obtained from the disposal after deducting all the fees and expenses incurred by the Company.

If the Lot is sold, the insurance premium payable by the Seller shall be 1% of the Hammer Price unless otherwise agreed by the Seller and the Company. If the Lot is not sold, the Seller shall as well pay the insurance premium at 1% of the Reserve.

ARTICLE 11 SUSPENSION OF AUCTION The Company has the right to suspend the auction of any Lot at any time before the actual auction in any one of the following situations: (1) The Company has an objection to the ownership or authenticity of the Lot; (2) Any third party has an objection to the ownership or authenticity of the Lot and can provide relevant evidence materials as to the basis of such objection, pays a security pursuant to the Company's requirements and is willing to take the corresponding liabilities for the legal consequences

ARTICLE 15 INSURANCE PERIOD If the Lot is sold in the auction, the insurance period shall terminate at the earlier of the seventh day after the Sale Date (including the Sale Date) and the date when the Buyer collects the Lot. If the Lot is not sold in the auction, the insurance period shall terminate upon the expiry of thirty days after the Company issues the notice on the collection of the Lot.

ARTICLE 16 INSURANCE BY THE SELLER In the event that the Seller notifies the Company in writing not to insure the Lot, it shall undertake all the risks and the following liabilities at any time (unless otherwise ruled by an arbitration institution): (1) To compensate for any claim or action brought by any other parties against the Company with respect to the damage or destruction of the Lot; (2) To compensate the Company and/or any other parties for all losses suffered and all expenses incurred because of the damage or destruction of the Lot caused by any reason; and (3) To notify the compensation related provisions herein to any insurer of the Lot.

ARTICLE 17 INSURANCE DISCLAIMER The damage or destruction of the Lot caused by natural

ARTICLE 19 BIDDING PROHIBITION ﬔe Seller shall not bid for the Lot consigned to the Company by himself/herself/itself for auction, or authorize any other person to bid on his/her/its behalf. Only the Company has the right to bid on behalf of the Seller at a price not more than the Reserve. The Seller shall bear all legal liabilities and compensate for all losses caused to the Company if the Seller violates this Article.

ARTICLE 20 COMMISSION AND EXPENSES Unless otherwise agreed upon by the Seller and the Company, the Seller shall authorize the Company to deduct 10% of the Hammer Price as Commission and at the same time deduct other expenses. Despite the fact that the Company is the Seller's agent, the Seller agrees that the Company may collect the Commission and other expenses from the Buyer in accordance with the provisions in Article 49 hereof.

ARTICLE 21 SERVICE FEE FOR UNSOLD LOT In case the Lot is not sold because the bidding price is lower than the Reserve, the Seller shall authorize the Company to charge the Seller a service fee for unsuccessful auction and other expenses.

ARTICLE 22 PAYMENT OF PROCEEDS OF SALE Where the Buyer effects full payment of the Purchase Price to the Company in accordance with the provisions in Article 49 hereof, the Company shall pay the Proceeds of Sale to the Seller thirty-five days after the Sale Date in Hong Kong dollars.

ARTICLE 23 DEFERRED PAYMENT Where the Company does not receive the full payment of the Purchase Price from the Buyer upon the expiry of the payment period under Article 51 hereof, the Company will pay the Proceeds of Sale to the Seller within seven working days after receipt of full payment of the Purchase Price from the Buyer.

ARTICLE 24 SELLER TAXES ﬔe Seller shall pay taxes to the government for the Proceeds of Sale obtained. If the Company has the obligation to withhold and pay taxes according to the provisions of the relevant laws, the Company will follow the provisions of the laws. The Seller shall assist in handling all the formalities and bear the corresponding taxes and expenses.

ARTICLE 25 ASSISTANCE IN THE COLLECTION OF OUTSTANDING PAYMENT ﬔe Seller shall, at the time of its consignment of the Lot to the Company for auction, be deemed to have authorized the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller. Where the Buyer


fails to fully pay the Purchase Price within seven days after the Sale Date (including the Sale Date), the Company shall have the right to demand the Commission and other Buyer's Expenses according to the provisions of Article 58 hereof. In addition, the Company shall as well have the right to take appropriate actions (including but not limited to resorting to legal proceedings) to assist the Seller in collecting such outstanding payment from the Buyer where it is deemed by the Company to be practicable. ﬔe above provision does not exclude the Seller's right to demand in person or authorize any third party to demand the outstanding payment from the Buyer and does not obligate the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller under any circumstance. ﬔis Company shall not bear the corresponding liability for the Seller because of the Buyer's failure to pay the Purchase Price under any circumstance.

ARTICLE 26 THE COMPANY'S DISCRETION The Company shall have the right to accept the Seller's authorization (at the Seller's expenses) and may determine the following matters as the case may be: (1) To agree on special conditions of the payment of the Purchase Price; (2) To remove, store and insure the sold Lot; (3) To settle claims brought by the Buyer or the Seller in accordance with the relevant articles hereof; and (4) To take other necessary measures to collect the outstanding payment owed by the Buyer to the Seller.

ARTICLE 27 UNSOLD LOT In the event that the Lot is not sold, the Company may choose any one of the following actions: (1) Private sale after the auction The Company may re-negotiate with the Seller on the revised Reserve and sell the Lot in private sale, and pay the Seller the Proceeds of Sales adjusted based on the revised Reserve. (2) Re-auction ﬔe Company may re-auction the Lot. ﬔe Commission and expenses scale set out in the previous consignment auction contract remains applicable. (3) Collection of the Lot ﬔe Seller shall take back the Lot within 30 days upon receipt of the Company's notice on collection (fees for packaging and transportation shall be paid by the Seller) and pay the Company the service fee for unsuccessful auction and other expenses. ﬔe Company shall, upon expiration of such time limit, be entitled to charge the Storage Fee, insurance fees and other reasonable expenses, and to sell the Lot through public auction or other means of sale according to the conditions the Company deems appropriate. The Company shall also be entitled to deduct the service fee for unsuccessful auction and other expenses payable by the Seller in the first auction as well as all expenses for re-sale of the Lot by auction from the Proceeds of Sale before paying the remaining amount to the Seller.

ARTICLE 28 RISK ASSUMPTION ﬔe Seller shall assume liability for all risks and expenses that occur after the time limit prescribed herein if the Seller fails to take back the Lot not auctioned or the unsold Lot within such the time limit. ﬔe Seller shall assume liability for all risks and expenses of the Lot not auctioned or the unsold Lot at the earlier of the thirtieth day after the Company issues a notice on collection of the Lot to the Seller (including the notice date) and the time when the Seller collects the Lot in accordance with these Conditions of Business. Where the Seller requests Company to assist it in the return of the Lot within the time limit provided herein and the Company so agrees, the Seller shall assume liability for all risks and expenses that occur after the Lot leaves the place designated by the Company. Unless the Seller specifically gives an indication and pays insurance premium in advance, the Company has no obligation to insure the Lot for any period after its departure from the place designated by the Company. Where the Seller requests

the Company to assist it in returning the Lot by means of post, express delivery or other third-party transportation, the Company shall be deemed to have returned the Lot and the Seller shall be deemed to have collected the Lot upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices.

be responsible for any breach of the Conditions of Business by the Seller. 4. Without affecting Article 30 (2) of these rules, any claim for compensation that the Bidder makes to the Company or the Seller shall be limited to the Hammer Price and the Buyer's Commission of the Lot. Under no circumstances shall the Company and the Seller bear any consequential losses incurred by the Buyer.

CHAPTER III THE BIDDER AND THE BUYER ARTICLE 29 RESPONSIBILITIES OF THE BIDDER AND THE COMPANY IN RESPECT OF THE LOT 1. ﬔe Company's perception of all Lots partly relies on the information provided by the Seller, the Company is unable and will not carry out comprehensive inspection of all Lots. Bidders are aware of this and bear the responsibilities of inspecting and testing the original Lots so that Bidders will be satisfied with those Lots in which they may be interested. 2. All Lots for sale by the Company are available for viewing by Bidders. By bidding, Bidders and/or their agents are deemed to have carried out thorough examination of the Lots, and are deemed to be satisfied with the conditions of the Lots and the accuracy of their description. 3. Bidders acknowledge that various Lots are dated long time ago and of special categories, implying that the Lots are not perfect and not free from defects. All Lots are sold on an“as is” basis at the time of the auction (whether or not Bidders attend the auction). Condition reports may be provided when during the viewing period. Under certain circumstances, catalogue descriptions and condition reports may be used for reference about certain defects of the Lots. Nevertheless, Bidders should pay attention that the Lots may have other defects not clearly stated in the catalogue descriptions and condition reports. 4. Regarding the information about the Lot provided to Bidders, including any forecast information (written or verbal), catalogues and other reports, commentaries or estimated values, such information are not statement of facts, but rather are statements of the opinion that the Company holds. Such information can be altered at the sole discretion of the Company from time to time. 5. ﬔe Company or the Seller has not made any declaration or warranty as to whether any Lot is subject to any copyright or whether the Buyer has bought the copyright of any Lot. 6. In accordance with the matters contained in Article 29 (1) to 29 (5) of the Conditions of Business and the special exemption contained in Article 30 of the Conditions of Business, the descriptions in the catalogue and in the condition reports are written in a reasonably prudent manner (and such should be in line with those terms of the Conditions of Business regarding the Company serving as Auction Agent) based on (1) the information provided by the Seller to the Company; (2) academic and technical knowledge (if any); and (3) generally accepted opinions of the relevant experts.

ARTICLE 30 THE COMPANY'S EXEMPTION AND RESTRICTION OF RESPONSIBILITIES TO THE BUYER 1. If the Company considers the Lot as forgery, it shall return the Hammer Price and Buyer's Commission to the Buyer. 2. Subject to the matters contained in Article 29 of the Conditions of Business and the rules in Article 30 (1) and 30 (5) of the Conditions of Business, the Company shall not: (1) be responsible for any errors or omissions in the information provided by the Company to the Bidder verbally or in writing, no matter whether this is caused by negligence or other reasons, with the exception of provision contained in Article 29 (6) of the Conditions of Business; (2) make any guarantee or warranty to the Bidder, excluding any implied warranty and rules other than the expressed warranty that the Seller has entrusted the Company to make to the Buyer (with the exception of those responsibilities that cannot be discharged according to the stipulations of laws); (3) be accountable to any Bidder for any actions or omissions of the Company regarding the auction or the sale of any Lot (no matter whether this is caused by negligence or other reasons). 3. Unless the Company owns the Lot to be sold, it shall not

ARTICLE 31 CATALOGUE AND OTHER EXPLANATION OF THE LOT ﬔe Company shall prepare a catalogue of the Lot to briefly introduce the conditions of the Lot with words and/or pictures to facilitate the Bidder and Seller to participate in the auction held by the Company. ﬔe words and Estimate in the catalogue of the Lot, pictures, other images as well as public materials are only references for the Bidder and may be revised before auction. The Company provides no guarantee for the authenticity, value, tone, quality or flawlessness of the Lot.

ARTICLE 32 UNCERTAINTY OF CATALOGUE Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in anyway (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal.

ARTICLE 33 RESERVE AND ESTIMATE Unless otherwise indicated, all Lots are offered subject to a Reserve. Normally, the Reserve is not higher than the lowest Estimate announced before the auction or published before the auction by the Company. If a Reserve has not been set for a Lot, unless there has already been bidding, the Auctioneer, in his or her discretion, may determine the starting price, but this shall not be higher than the lowest Estimate of the Lot before the auction. Under no circumstances shall the Company bear any liability when the bids for a Lot do not reach the Reserve. If the bids are lower than the Reserve, the Auctioneer, in his or her discretion, may sell the Lot at a price lower than the Reserve. However under such circumstances, the amount that the Company shall pay the Seller shall be the amount that the Seller would receive as if the Lot was sold at the Reserve. The Estimate is estimated at an earlier time before the Auction Date, it is not a confirmed selling price, and is not legally binding. Estimates cannot be used as a forecast of the Hammer Price of the Lot, and the Company has the right to revise from time to time the Estimate already made.

ARTICLE 34 BIDDERS' INSPECTION RESPONSIBILITY The Bidder and/or his/her/its agents shall have the responsibility to learn about the actual conditions of the Lot and shall be legally liable for his/her/its bid for a certain Lot. ﬔe Company strongly advises the Bidders to personally inspect the original Lot they intend to bid for before the Auction Date by authentication or other means. Bidders shall judge by themselves whether Lot complies with the descriptions in the Company's catalogue of the Lot and other images and public materials, rather than relying on the catalogue, images and public materials to make decisions.

ARTICLE 35 REGISTRATION OF BIDDERS If the Bidder is a natural person, before the Auction Date, he/ she shall fill in and sign the registration documents with an identity document with photo issued by the government (such as resident identity card or passport), and provide proof of the current address (e.g. utility bill or bank statement); if the


Bidder is a company or other organization, before the Auction Date, it shall fill in and sign the registration documents and collect a paddle with its valid certificate of incorporation and proof of shareholding and legitimate authorization document. ﬔe Company may request the Bidder to present proof of bank details or other proof of financial conditions for payment purposes.

ARTICLE 36 PADDLE The Company can announce before the Auction Date the conditions and procedures of arranging paddle for the Bidder according to different auction conditions and auction methods etc., including but not limited to the qualification and conditions for the Bidder to arrange a paddle. The Company solemnly reminds that a paddle is the only proof for the Bidder to participate in the auction at the venue. ﬔe Bidder shall keep it properly and shall not lend it to others to use it. If it is lost, it shall immediately handle the loss report formalities in a written form recognized by the Company. No matter if the person holding a paddle has been appointed by the Bidder or not, his or her bidding acts at auction are considered as having been made by the registered person himself, and the Bidder shall bear the legal responsibilities for the acts of the former, unless the Bidder himself has already submitted a written report to the Company regarding the loss paddle.

ARTICLE 37 AUCTION DEPOSIT When a Bidder participates in an auction of the Company, he/she shall first pay the auction deposit before collecting the paddle. The amount of the auction deposit will be announced by the Company before the Auction Date, and the Company has the right to waive the auction deposit. If the Bidder fails to buy the Lot and he does not owe the Company any sum, then that auction deposit shall be returned to the Bidder in full without interest within 14 working days after the end of the auction. If the Bidder succeeds in buying a Lot, the auction deposit shall automatically be converted to the payment of the Purchase Price of the Lot.

ARTICLE 38 DISCRETION OF THE COMPANY The Company has the right to forbid anyone from participating in the auction organized by the Company or entering the auction site, or taking pictures or shooting videos at the auction site at its discretion.

ARTICLE 39 HANDLING OF ABNORMAL EVENTS If any abnormal event occurs at the auction site, the Company has the right to take emergency actions. If any dispute arises at the auction site, the Company has right to mediate and settle it.

ARTICLE 40 CONFIRMATION OF BUYER'S IDENTITY ﬔe Bidder must take good care of his/her/its paddle and be cautious not to lose it. ﬔe Bidder shall not lend his/her/its paddle to others, or the Bidder shall assume all legal liability for others' act of bidding for the Lot using his/her/its paddle.

ARTICLE 41 ABSENTEE BIDS Bidders shall attend the auction in person. If a Bidder or its agent cannot attend in person, it can appoint the Company in writing for the Company to bid on its behalf. ﬔe Company has the discretion to accept or not accept the above appointment. Any Bidder who has appointed the Company to bid shall handle the appointment formalities within the period stipulated (no later than three business days), and produce a completed Absentee Bid Order to the Company, and at the same time pay the auction deposit according to the Conditions of Business. If the Bidder who has appointed the Company to bid needs to cancel the absentee bid, it shall notify the Company no later than 24 hours before the Auction Date.

ARTICLE 42 AUCTION RESULTS OF ABSENTEE BID If a Bidder who has appointed the Company to bid, the auction results and the related legal responsibilities shall be

borne by the Bidder. If the Bidder indicates in the Absentee Bid Order that it bids by instant communication methods such as telephone, it shall fill in the instant communication method accurately and keep the instant communication instrument properly, during the period in which the Company is appointed to bid, the Bidder shall use that instant communication instrument itself. Where the instant communication instrument is lost or it cannot be within control, the Bidder shall immediately use a written form recognized by the Company to change the instant communication method filled in the Absentee Bid Order. During the period the Company is appointed to bid, it shall make appropriate efforts to contact the Bidder, the bidding information transmitted by that instant communication instrument (whether or not it is transmitted by the Bidder personally or the Bidder's agent) shall be considered as transmitted by the Bidder itself, and the Bidder shall bear legal responsibilities for the actions taken by it. Unless the Buyer itself has changed the instant communication method filled in the Absentee Bid Order by a written method recognized by the Company. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded. Nevertheless, under no circumstances shall the Company be responsible for any unsuccessful contact or errors or omissions in the bidding process using that instant communication instrument.

ARTICLE 43 DISCLAIMER OF ABSENTEE BID Since absentee bid is a free service of transmitting bidding information that the Company provides to the Bidder, the Company and its employees shall not bear any responsibilities for unsuccessful bidding or any errors, omissions, negligence, fault or inability to bid on its behalf during the bidding process.

ARTICLE 44 FIRST-COME-FIRST-SERVE PRINCIPLE FOR ABSENTEE BID If two or more Bidders appointing the Company to bid on their behalf have bid the same price for the same Lot and eventually that Lot is sold at that Hammer Price, then the one who first submitted to the Company shall be the Buyer of that Lot.

ARTICLE 45 DISCRETION OF THE AUCTIONEER The Auctioneer has the right at his absolute and sole discretion in the following matters: 1. Refusal or acceptance of any bid; 2. Carrying out the auction in such a manner as he may decide; 3. Withdrawal of any Lot, dividing it for auction separately, combining any two or more Lots for auction; 4. If there are errors or disputes, no matter if they occur during or after the auction, he shall have the right to decide the successful Bidder, whether or not to continue the auction, to cancel the auction or place the Lot under dispute for auction again; 5. ﬔe Auctioneer may open and carry out the bidding at a level with bidding increments that he considers suitable, and has the right to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other Bidders; 6. Adoption of other actions that he considers as appropriate.

ARTICLE 46 NO RESERVE For those Lots without a Reserve, unless there has already been bidding, otherwise the Auctioneer, under his own discretion, may decide the starting price. If there is no bidding at such a price, the Auctioneer will, at his own discretion, lower the price and continue the auction until a Bidder starts to bid, then he will continue the auction at that price and then continue up from that amount.

ARTICLE 47 IMAGE DISPLAY BOARD AND CURRENCY CONVERSION BOARD To facilitate Bidders, the Company may use image projector

or other forms of display boards in the auction. ﬔe contents shown are for reference only. It is possible that there are differences in the information such as the amount, reference number of the Lot, images of the Lot or reference foreign currency etc. shown in the image projector or other forms of display boards and the Company shall not bear any responsibilities for any losses caused by such differences.

ARTICLE 48 SUCCESSFUL BID The fact that the Auctioneer confirms the highest bid of a Bidder by striking his/her hammer or in any other manner of publicly confirming the sale shall indicate the conclusion of a sales contract for the Lot between the Bidder and the Seller.

ARTICLE 49 COMMISSION AND EXPENSES After the Bidder has succeeded in bidding, it will become the Buyer of that Lot. A buyer’s premium will be added to the Hammer Price and is payable by the buyer as part of the total purchase price. The buyer’s premium is 18% of the hammer price of each lot and at the same time other Buyer’s Expenses, and recognizes that the Company can charge the Seller the commission and other Seller expenses according to provisions of the Consignment Agreement.

ARTICLE 50 TAXES All the monies that the Buyer pays to the Company are net amounts, which shall not include any tax on goods, tax on services or other value added tax (whether levied by Hong Kong or other regions). If there is any tax applicable to the Buyer, the Buyer shall bear it itself according to the provisions of the relevant laws currently in force.

ARTICLE 51 PAYMENT TIME After the Lot is successfully sold in an auction, unless otherwise agreed, regardless of any stipulations of the export, import or other permits of the Lot, the Buyer shall fully pay the Purchase Price within 7 days after the Sale Date (including the Sale Date), and collect the Lot. If packing, moving costs, and insurance expenses, expenses related to export are involved, the Buyer shall pay them altogether.

ARTICLE 52 PAYMENT CURRENCY All monies shall be paid in Hong Kong dollars. If the Buyer pays in another currency other than Hong Kong dollars, it shall convert it at the exchange rate agreed between the Buyer and the Company or at the exchange rate of Hong Kong dollars and that currency type on the previous working day announced by such bank as selected by the Company. All bank handling fees, commission and charges incurred by the Company for converting the foreign currency paid by the Buyer into Hong Kong dollars shall be borne by the Buyer.

ARTICLE 53 TRANSFER OF OWNERSHIP Even if the Company has delivered the Lot to the Buyer, the Buyer has not yet obtained the ownership of the Lot. This shall pass onto the Buyer only when the Buyer has fully paid the Purchase Price and all monies that the Buyer owes the Company.

ARTICLE 54 TRANSFER OF RISKS After the bidding has succeeded, the risks ofthe Lot shall be borne by the Buyer itself after the occurrence of one of the following events (whichever earlier): 1. ﬔe Buyer has collected the Lot; or 2. ﬔe Buyer has fully paid the Purchase Price for the Lot to the Company; or 3. ﬔe expiry of seven days after the Sale Date (including the Sale Date).

ARTICLE 55 COLLECTION OF THE LOT Risk and responsibility for the lot passes to the Buyer at the expiration of thirty calendar days from the Sale Date (including the Sale Date). or on collection by the Buyer, if earlier. After thirty calendar days, all expenses incurred, including but not limited to storage, moving, insurance will be for the account of the Buyer. Although the Company


shall use reasonable efforts to take care of purchased Lot and suggest handlers, packers or carriers, the company is not responsibleto any person to whom we have made are commendation for the acts or omissions of the third party concerned.

ARTICLE 56 PACKING, HANDLING AND MOVING If the employees of the Company pack and handle the Lot bought on behalf of the Buyer according to the latter's requirements, this is considered as a service provided by the Company to the Buyer and the Company has the discretion to decide whether to provide this service, if any losses arise therefrom, the Buyer shall bear them itself. Under no circumstances shall the Company be responsible for any damage of the glass or picture frame, box, backing sheet, frame case, mounting, inserts, rolling rod or similar auxiliary objects caused by any reasons. Where the Buyer requests the Company to assist it in collecting the purchased Lot (the packaging, mailing and transportation expenses shall be paid by the Buyer) by means of post, express delivery or transportation, the Company shall be deemed to have delivered the Lot and the Buyer shall be deemed to have collected such Lot according to the normal procedure upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices. The risks arising from this process shall be borne by the Buyer. Unless Buyer gives a clear indication and pays insurance premium, no insurance is provided in the process of mailing, express delivery or transportation generally. The Company shall undertake no liability for any error, omission, damage or destruction caused by the packaging company and post, express delivery and transportation entities or companies designated by the Buyer or recommended by the Company to the Buyer.

ARTICLE 57 IMPORT, EXPORT LICENSES AND PERMIT ﬔe Buyer shall be responsible for obtaining any import and export licenses, permit for endangered animals or other aspects related to the Lot. Failure or delay in obtaining any permits required shall not be deemed as a reason for cancelling the purchase or delaying in paying the Purchase Price. The Company shall not bear any responsibilities for the failure to properly fill in or submit the required import or export documents. If the Buyer requests the Company to apply for the import and export licenses on its behalf, the Company has the right to charge service fees for this service. However, the Company does not warrant that the import or export license will be issued. The Company and the Seller has not made declaration or warranty in respect of whether or not any Lot is subject to import and export restrictions or any embargo.

ARTICLE 58 REMEDIES FOR NON-PAYMENT If the Buyer fails to make full payment according to the provisions of the Conditions of Business or any payment arrangements agreed with the Company, the Company has the right to adopt one or more of the following measures: 1. After the Lot is sold, if the Buyer fails to pay the Purchase Price within 7 days from the Sale Date (including the Sale Date), the auction deposit paid at the time of bidding registration shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; if the Buyer has bought a few Lots with the same paddle, after the Lots are sold, if the Buyer has not paid the Purchase Price of any of the Lots within the time stipulated, then the entire auction deposit shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; 2. If the Buyer fails to pay the Purchase Prices in full to the Company within 7 days from the Sale Date (including the Sale Date), the Company has the right to appoint a third party organization to collect the entire or part of the Purchase Prices that the Buyer owes;

3. If the Buyer fails to pay the Purchase Price in full within 7 days from the Sale Date (including the Sale Date), the Company has the right to charge interest at 0.03% per day on the unpaid portion starting from the 8th day after the Sale Date until the day on which the Buyer has fully paid the monies, with the exception that the Buyer has otherwise agreed with the Company; 4. The Buyer shall bear the risks and expenses of taking out an insurance policy, moving and storing the Lot in the Company or other places; 5. To sue the Buyer or apply to Arbitration Agency for mediation, demand for compensation for all the losses due to the breach of contract by the Buyer including but not limited to economic loss, legal expenses, default penalty and pass due interest caused by the delay in payment or refusal to make payments by the Buyer; 6. To retain that or any other Lot that the same Buyer has bought via the Company, and any other properties or rights to property of the Buyer that the Company holds for any reasons, all the expenses and/or risks incurred during the retention period shall be borne by the Buyer. If the Buyer fails to perform all its duties concerned within the period specified by the Company, the Company has the right to issue a lien notice tothe Buyer and dispose of the items under lien if the Buyer has not yet fully paid all outstanding amounts within 30 days after the issue of that notice. if the items under lien are insufficient to offset all the monies payable by the Buyer to the Company, the Company has the right to claim them; 7. The Company has sole discretion to cancel the sale or agree that the Consignor can cancel the deal, and reserve the right to claim all the losses suffered by the Company due to the cancellation of that deal; 8. ﬔe Company can place the Lot for auction again or sell it by other means according to the provisions of the Conditions of Business with the consent of the Seller, and the Company reserves the right to decide the Estimate and Reserve. ﬔe original Buyer shall pay the commission and other Buyer's Expenses and the Seller in the first auction, and it shall bear all the costs of the second auction or the sale of the Lotby other means. If the price obtained from the second auction or the sale of the Lot by other means is lower than the original auction sum, the original Buyer shall pay the shortfall; 9. To offset any monies related to the Lot that the Buyer owes the Company by any sums that the Company owes the Buyer in any other transactions; 10. ﬔe Company can decide to use any monies paid by the Buyer to repay any sums that the Buyer owes the Company in any other transactions; 11. To reject any bids made by the Buyer or its agent at future auctions, or to obtain auction deposit before accepting any bids; 12. To disclose the information of the Buyer to the Seller, so that the Seller can start a law suit to recover the outstanding amount, or claim damages and claim legal fees for breach of contract by the Buyer.

ARTICLE 59 REMEDIES FOR DELAY IN COLLECTING THE LOT If the Buyer fails to collect the purchased Lot 7 days after the Sale Date (including the Sale Date), the Company has the right to adopt one or more of the measures below: 1. All costs (including but not limited to the storage fee calculated and charged according to the provisions of the Bidder Registration Order starting from the 31st day from the Sale Date (including the Sale Date) and/or risks for the taking out of an insurance policy and/or storing the Lot in the Company or other places shall be borne by the Buyer. Only after the Buyer has paid the full amount of the Purchase Price, it can collect the Lot (packing and moving costs, insurance expenses, expenses related to export shall be at the Buyer's expense); 2. ﬔe Buyer shall bear all the risks and expenses incurred after the deadline as stated in the Conditions of Business if it cannot collect the Lot concerned within that deadline. If the Buyer has not yet collected the Lot within 30 days from the

Sale Date (including the Sale Date), after notifying the Buyer, the Company has the right to sell that Lot in a public auction or by a method and with methods and conditions that it considers suitable. Any proceeds after the deduction of all the losses, expenses (packing & moving costs, insurance costs, expenses related to export, Storage Fee, and notarial expenses etc.) incurred by the Company from the disposal shall be taken back by the Buyer; such balance is noninterest-bearing. If the Buyer fails to take the proceeds back two years after the Sale Date, the balance shall be deposited to a Hong Kong court by the Company after deducting the relevant expenses (including legal fees).

ARTICLE 60 LIMITED WARRANTY 1. ﬔe Company provides general warranty to the Buyer: If the Lot sold by the Company is later found to be a counterfeit, the Company will cancel that deal according to the terms of the Conditions of Business, and will return to the Buyer in the currency of the original deal the Hammer Price together with the Buyer's Commission that the Buyer has paid to the Company for the Lot. In this regard, based on the reasonable opinion of the Company, counterfeits refer to frauds in various aspects such as the source, place of origin, date, production year, duration, culture or sources etc. of the article, and the correct description of the above points have not been recorded in the contents of the catalogue (any special terminologies are taken into consideration). Any damage and/or any type of restored item and/or repaired items (including repaintingor painting on top of it) of the Lot shall not be considered as counterfeit. Please pay attention that if any of the following situations happens, this warranty shall not apply; The contents of the catalogue are based on generally accepted opinion of academics and specialists on the selling date, or contradictions in opinions are shown in the contents of the catalogue; or On the selling date, the only method of proving the Lot is a counterfeit is not a method which can be used in general; which is recognized; which is extremely high price; the usage of such method is impractical; or this method may have caused damage to the Lot or may (according to the reasonable opinion of the Company) have already caused the Lot to lose value; or If the Lot has not lost any material value from the description of the Lot. 2. ﬔe deadline in this warranty is 5 years fromthe Auction Date concerned, these benefits are exclusively enjoyed by the Buyer, and shall not be transferred to any third party. In order to make claims based on this warranty, the Buyer shall:-(1) notify the Company in writing within one month after the receipt of any information which leads the Buyer to doubt the authenticity or attributes of the Lot, specifying the reference number of the Lot, date on which the Lot is purchased and reasons for which it is considered as counterfeit; (2) return the Lot to the Company in the same conditions as it was on the date of sale, and the proper ownership of it is transferrable, plus there are no claims from any third party after the Sale Date. 3. Regarding Southeastern Asian modern and contemporary art, Chinese painting and Chinese calligraphy and Chinese ink painting, although at present the academic sector does not permit the making of definitive statements, the Company reserves the discretion to cancel those deals of Lots which are proved to be counterfeit southeastern Asian modern and contemporary arts, Chinese painting and Chinese calligraphy and Chinese ink paintings within one year after the Auction Date based on this warranty. Paid sums shall be returned to the Buyer according to this term, however the Buyer shall provide evidences (based on the methods provided forin clause 2 and 4 of this article) to prove that the Lot is counterfeit within one year from the Auction Date; 4. ﬔe Company can, at its discretion, decide to waive any of the above provisions. ﬔe Company has the right to demand from the Buyer two independent specialist reports which are recognized by the specialist sector concerned and which are accepted by the Company and the Buyer at the expense of


the Buyer. ﬔe Company shall not be subject to any report presented by the Buyer, and retains the right to seek additional expert opinion at the expense of the Company. 5. This limited warranty does not apply to auction categories, such as, jewellery, watches, designer handbags, alcohol, tea and other food and beverage items, etc.

ARTICLE 61 SPECIAL CATEGORIES 1. Statements about the status of jewellery items in the auctions are usually set out in the catalogue. However, it does not imply that the auctioned item has no defects, flaws or has not enhanced beautification after processing. (1) Coloured gems (such as rubies, sapphires, emeralds and various coloured gems) may enhance beautification after processing or improved in appearance, including heat-treated, oiling and radiation. ﬔese common practises have been approved by the international jewellery industries. However, the hardness of the treated stones may be reduced and / or need special maintenance in the future. (2) Our Company will not apply appraisal report from professional organisations for each piece of jewellery item in the auction. If an auctioned item has obtained the appraisal report from an internationally recognised gem laboratory, the Company will specify it in the auction catalogue. Due to the difference in methods and techniques used in different laboratories, there may be different views as to whether a gemstone has been treated, degree of treat or permanently treated. Our Company will not be responsible for the accuracy of the appraisal report issued by each laboratory. (3) If you would like to request an appraisal report by a specific laboratory, please submit the request at least 14 working days before the auction date, the Company will apply for appraisal report on behalf of you, and the corresponding appraisal costs will borne by you. (4) ﬔe valuation of an item of jewellery item in the auction is made based on all information being known at the time the item being auctioned, bidders should review the auctioned item or make a detailed understanding of the auctioned item before the auction. Once you have placed a bid, it is deemed that you have accepted all the current status of the auctioned items. (5) Our Company reminds bidders that precious stones or emerald originating from Myanmar may be banned in certain countries. 2. Watches and Timepieces Auctioned items (1) Our Company has stated that the current status of a watch and timepieces auctioned items being known on the auction catalogue, and is for bidder's reference only. Due to the fact that most timepieces have been repaired and maintained during the previous period being used, we do not guarantee that any parts and components of any watch are original, and it is possible that no pendulum, clock hammers or keys are for available for sale. (2) Watches and timepieces generally have a very sophisticated mechanical manufacture that may require general warranty service, battery replacement or further repair works, and these will be all at the buyer's disposal. Our Company does not guarantee that any auction of watches is in good working condition. Unless mentioned in the catalogue, otherwise we do not provide a certificate. (3) Most watches have been opened to check the movement of the models and their quality, so with a waterproof case may not contain waterproof function, our Company recommends that you to ask a professional watch maker to check before use.

CHAPTER IV MISCELLANEOUS ARTICLE 62 OBTAINING INFORMATION, VIDEO-TAKING In connection with the operation of the auction business of the Company, the Company may make audio recording, video recording of any auction process, and need to

collect personal information from the Bidder or ask for the information of the Bidder from third parties (such as asking for credit review from banks). Such information will be handled and kept confidential by the Company. However the information concerned may be provided to the Company, its divisions, affiliates and subsidiaries in order to assist the Company to provide comprehensive services to Bidders, carry out client analysis, or in order to provide services that meet the requirements of the Bidder. For the sake of the interest of the Bidder, the Company may also provide some personal information of the Bidder to third party service providers (such as cargo liners or storage houses). By participating in the auction of the Company, the Bidder agrees to all previously stated disclosure. If the Bidder would like to obtain or amend his personal information, please contact the customer service department.

ARTICLE 67 NOTICE

ARTICLE 63 CONFIDENTIALITY

ARTICLE 68 SEVERABILITY

The Company shall be obligated to keep confidentiality for the Seller, the Bidder and the Buyer and protect the legitimate rights of the Seller, the Bidder, the Buyer as well as the Company according to these Conditions of Business and the laws of Hong Kong. With below exceptions: 1.To any related parties as the Company considers appropriate with the obligations to maintain the confidentiality of the information extended; 2.To whom information is requested to be disclosed by any court, jurisdiction, governmental, banking, taxation or other regulatory authority, or by any applicable law or regulation; 3.Being agreed by relevant seller, bidder or buyer.

If any terms or parts of the Conditions are confirmed as void, illegal or cannot be executed, other terms or parts of the Conditions are still valid, the parties concerned shall abid by and execute them.

ARTICLE 64 AUTHENTICATION RIGHT The Company may authenticate the Lot if necessary. In case of any discrepancy between the authentication conclusion and the conditions of the Lot in the consignment auction contract, the Company shall have the right to request modification or rescission of the consignment auction contract.

ARTICLE 65 COPYRIGHT The Seller authorizes the Company to produce photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot that it has appointed the Company to place for auction, the Company is entitled to the above photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot, and has the right to use them. Without prior written consent of the Company, the Buyer and anyone shall not use them. ﬔe Company and the Seller have not made any statement and warranty as to whether the Lot is restricted by copyright or if the Buyer has obtained any copyright of the Lot.

ﬔe Bidder and the Buyer shall inform the Company their permanent and effective correspondent address and contact methods in the bidding registration documents or by other methods recognized by the Company. If there are changes, they shall inform the Company in writing immediately. The notices mentioned in the Conditions of Business only refer to written notices sent by letter or fax formats. A notice shall be deemed as served at the following moment: 1. If it is served by hand, when it reaches the address of the party concerned; 2. If it is sent by post, then it is the seventh day after it is posted; 3. If it is sent by fax, then it is the moment the outgoing fax transmission is confirmed by the fax machine.

ARTICLE 69 LAWS AND JURISDICTION The Conditions of Business and the related matters, transactions, any disputes caused by or in connection with the participation in the auction activities of the Company pursuant to the Conditions of Business shall be subject to Hong Kong laws and shall be interpreted by Hong Kong laws. The Company and the Buyer and the Bidder shall submit to the exclusive jurisdiction of Hong Kong courts. Adjudication(s) promulgated by Hong Kong courts on any disputes arising from the Conditions of Business and related matters can be enforced in People's Republic of China.

ARTICLE 70 LANGUAGE The Chinese version of the Conditions of Business shall be the standard texts; the English version is for reference only. Should there be any discrepancy between the English version and Chinese version, the Chinese version shall prevail.

ARTICLE 71 OWNERSHIP OF THE COPYRIGHT OF THE CONDITIONS The Conditions of Business is prepared and revised by the Company, the copyright concerned belongs to the Company. Without the prior written approval of the Company, no one shall use any methods or means to use the Conditions of Business to obtain business benefits, and shall not make duplication, of any parts of the Conditions of Business.

ARTICLE 66 EXEMPTION FROM LIABILITY

ARTICLE 72 APPLICABLE PERIOD

Being an agent of the Seller, the Company shall assume no liability for any breach of contract by the Seller or the Buyer. In case of the breach of contract by the Seller or the Buyer, the Company shall have the right to decide to disclose the other party's name and address to the Seller or the Buyer at its own discretion so that the damaged party may receive compensation for damages through legal proceedings. However, prior to the Company's disclosure of such materials to the Seller or the Buyer, the Company shall take the reasonable steps to notify the party whose materials are to be disclosed. Buyers and sellers have to bear liabilities arisen from transactions including but not limited to, economic, legal, tax and settlement and other related responsibilities, and have to ensure transactions not relate to money laundering or other illegal benefit transfers. Any receive or payment instruction must be clear and direct, the Company shall assume no liability for losses arisen from account stolen, misappropriation of funds and other unforeseen circumstances resulting from mismanagement of sellers or buyers.

The Conditions of Business is only applicable for this auction. The Company may update the Conditions of Business from time to time, when the Bidder and the Buyer participate in another auction, the then applicable Conditions of Business shall prevail.

ARTICLE 73 RIGHT OF INTERPRETATION ﬔe right of interpretation of these Rules shall belong to the Company.


€‚ƒ„…† IMPORTANT NOTICE ABOUT BIDDING REGISTRATION

—­´ ‘ €‚ƒ„HÂ…ÂŁÂ™Â€Â‚Ă“ÂƒÂ„Ă?Â?š¯° ¾ùà R3°[ÂŽ Âś R}ÂŽ ĂŹÂƒÂ„ÎòÂ&#x; I. When you register to bid in an auction, you must fill in the Bidding Registration Form, with all relevant documents as follow, and pay a deposit in order to complete the registration. Ă?­Â€Â‚ƒ„HÂ…¯°Â?°[ : 1. ´Â•& Ă–Ă˜ Â†Ă? ùà R3°[ ( œÞĂ&#x;ùà R‡ / à † )Ž‡bH¤¼R3 ( œùà R3°[1 $ 5 )ÂŽÂś ÂťÂ&#x;Â?Ϋ‡ / §ÂŒ­¨´Â&#x; 2. }|& }Â?ƒ„R‡ãäR3°[Â&#x; 3. Ă?ϕ&Ă?ϕ Â†Ă? ùà R3°[ , Ă?ϕ Ă? Ă?Â?€‚•² / Â?R3°[ , ഥ² / sĂ– ĂĽ t2 Â&#x;%#ĂŒĂ‡ , ›LÏÌΉ Š - žÂ?ÂŁ ¥žĂ?ϕÂ&#x;ϫ Ă?Ă?y•‘ €‚Ž ěL •Â?‰ŠÂ&#x; 4. ò}| ‡1²$# x– nq€‚ Ă— }|ÂŽ ĂŠ= "´ ᯰ§ÂŒĂ–Ă˜ Â?žR3Â&#x;Â&#x; "…‘ €‚ ò}|ž ¸¿uX 3 ´¾ œ¿ ĂŹÂƒÂ„ÂŽ N ! H}Ă™ĂŹÂƒÂ„Ÿ½Â&#x; II. Documents that must be provided when completing the bidding paddle registration: (1) Individuals: photo identity i.e. national identity card and/ or passport; proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. (2) Corporate clients: a certificate of incorporation and oďŹƒcial documents listing directors and shareholders. (3) Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, copy of identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. (4) New clients and those clients who have not bidden successfully from Beijing Poly Intemational Auction Co., Ltd., must provide credit proof issued by banks, and must complete the registration at least three business days before the auction so that there will be enough time to process the registration. Ì­Ă•´ Ă&#x;"…‘ €‚ŽÍH1 Âœ¤ â}|-Ă?ÂŽ R} Â? 500,000 Â?Â&#x; ϫ Ăź`Â€Â‚Ăœ¤Ă? Ă— ( ² ̇ / ~ ĂŚv 0CDÂ? Ă— )ÂŽ R} Â? 1,000,000 Â?Â&#x; ĂŠ= –HçĂ?Ăœ¤Ă? Ă—Â? R} ‡ / Îò , ÂŤÂŹÂŽ ÂŻÂŒ †Â&#x;²´ €‚¿ , ĂŠ= "´ ᯰ-¡ ¾´ ˆÂ?R3Â&#x;

ĂŠ= °Ê-¡Â•Â?Â€Â‚ÂƒÂ„ÂŤÂŹÂŽÂłÂ›-¡ $ Â&#x; III. If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lotâ€?(i.e., a lot marked with 0 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lotâ€? can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.

ó­ R}Â?Â… Ç Âœ¤ Â?ž1 / §¸1 Â?‰Š ( ´ Â?Â…Ă <#þˆ ž1 / §¸1 )Â&#x;ϫ 1ã‚ -¡ Ă— , Ă…Ăş+² ¨Ă? 'ó´¾  ÌIª´ I‰ R} ( ÂŹ,K * )Â&#x;ϫ n ýÞÂŽ Ă…ÂĄ R} ÿ‰ Ă—Ă Ă˝Ă?Š Š RÂ&#x;-¡G‡IŠ Â?Ă“¤¸Ăˆ` ²ÂŽĂ…í´ :/Â&#x; IV. All deposits must be paid in HK dollars by telegraphic transfer, credit card acceptable to Poly Auction (Hong Kong) Limited and/or Union Pay Card under your name. If you are not successful in any bid,the deposit (without interest) will be returned to you by any method as determined by Poly Auction (Hong Kong ) Limited within 14 days after the end of the auction. If you successfully bid for any lot(s), Poly Auction (Hong Kong) Limited may use the deposit to offset any amount of purchase price of the lot(s) that bought by you. Any losses or expenses from foreign currency conversion involved in the refund will be borne by you. ÿ­ ဂ•¯°ÂˆÂ?4Ă”R3­/ ­Í ŠR3ÂŽ ¤ ဂ• p ǀ‚ Ă—ÂŻ °py Â&#x; Ă‹çO€‚•Ÿ}F¡ Â&#x; V. Poly Auction (Hong Kong) Limited has the right to demand the Bidder to provide any proof of financial conditions, guarantee, proof of bank deposit and/or any other necessary documents that our company can demand, at its absolute discretion, and/or asking the Bidder to provide any other collateral for the Lot(s) that the latter intends to bid. Our company reserves the right to investigate the sources of funds of the Bidder. [­ ĂŠ= °Ê-¡Â•Â?Â€Â‚ÂƒÂ„ÂŤÂŹÂŽÂłÂ› -¡$ Â&#x; VI. Please be aware that Poly Auction (Hong Kong) Limited can refuse any bidding registration without any explanation at its’ sole discreation.


ˆ�‰Š…† IMPORTANT NOTICE ABOUT PAYMENT

'­ n¤ ÂŽýÞÜÿ‰\]Ă? ‡ Ăś~}Â&#x; n¤ ( Kn¤ ) *# ÌÂŽýÞÜ" ‰ Ă Ă˝ Ă?Šš¯z Ă— , #ýÞ23Ă… Ă—Ă˜ÂĽ , šŽ ¤ãŽ Ă˜ÂĽ s¤R , ž' Š ÂĄÂťÂ&#x; I. In addition to the Hammer Price, the Buyer agrees to pay the applicable commission in respect of such Hammer Price. Payment must be made within 7 calendar days (including the day of Sale) from the day of sale. is applies even if the Buyer wishes to export the lot and export license is (or may be) required. Ă?­< n¤ ( Kn¤ ) ĂŹ ĂŚ'' *ÂŽýÞÂ… Â… ¸1 rz ×ÿ‰ÄͲÂŽ{[{­ Â?Â?LÂ?Â&#x;Ă„ĂŤÂŹ '´­ÎÂŽ Â… ‰Ă?­Ă„ͲÂ&#x;Ă„Ͳ,+p yÂźw²ÂŽÂś Â&#x;­, ƒ Ăƒ²ÂŽ pyÂźw²Ă…¸¯ÂŒMzÂ&#x; II. Where Lot(s) is(are) not collected within 30 calendar days (including the day of sale) from the day of sale, the Buyer must pay the monthly storage fee of HK$800 per lot starting from the 31st day. For storage less than one month, one whole month’s storage fee will be charged. All other additional expenses such as insurance, packing and/or transportation costs will be charged separately. Ì­ ›L Uÿ‰ŠÎ¨& é›ťĺŒŻ ‰ŠÎ¨ Ç Ç ĂŽ¨ ›rK

§ÂŒÂŚ|Â&#x;#ÅNJ¹5• ĂŤĂľ Â‡ÂˆÂ‡Â€Â‚Ă“D Ă–4D5' *¤Â›§ÂŒÂ&#x; |ÂŒ& šuÇ6§ÂŒ |ˆ& D5&004-848-360475-838 MŠ§ÂŒĂ?D : HSBCHKHHHKH §ÂŒĂ?5 : 004 |ÂŒ&¤ §ÂŒĂŁĂ ÂŒ |ˆ& D5&027-536-9-311-5318 MŠ§ÂŒĂ?D : COMMHKHH §ÂŒĂ?5 : 027 俥用ĺ?Ą / éŠ€č Żĺ?Ą ýޜ Âœ¤Â?ž1 ‡ / §¸1ĂŽ¨ÿ‰à ýĂ?ŠŽ Ž:/ GžÂ‰ÂŠ}ŸÞž 2.5% Â?ÂŒ ²Â&#x; ›Lž1‰Š Â?š Â? 1,000,000 Â? ( {'˜ )Â&#x;œýÞ ÂŚ1•²Â˜ĂŽ¨ ž1ÿ‰ ŠŽ}|Â?…£™â€? ž1‰Šü tâ€? ÂŽ š ĂŚĂ˜ (852 23039888 ) / Â… (cs@polyauction. com.hk ) Â…FĂŽ¨½ª ‰¼Ž Â…L Âľ Š£Ă?Â&#x; 支缨

›L´Â•Ăż4 Ăż4ÂŽĂŠ #ËÇýÞÂ…žÿ4:Â? ĂŽ¤¯z Ă—Â&#x; ÂŹ › L 7 ÂŒ Ăż 4 ‰

ŠÂ&#x; ç?žé‡‘ / éŠ€čĄŒćœŹçĽ¨ Âś b} §ÂŒ 4 ‰ŠRÂŽ ¤ P ÂŻz Ă—Â&#x;™ 8›L 'Ă” ޅ‰Š§¨b}ÿ‰ Ă‹ Â? 80,000 Â? Í¢Ă?ĂžwÂ?Â? ŠRÂŽ "ÿ‰b} ýÞ ò}|Mz Ă™ùà R3°[­ +¤¼R3‡b}F¡R3Â&#x; III. Our company accepts the following types of payment: TELEGRAPHIC TRANSFER Payment should preferably be made by telegraphic transfer directly to our company’s account. Please include your name and paddle number or invoice number with your instructions to the bank. Bank: The Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004 Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027 CREDIT CARD/UNIONPAY CARD Our company accepts payments by credit cards and/ or Union Pay which is acceptable to Poly Auction (Hong Ko n g ) u p t o H K $ 1 , 0 0 0 , 0 0 0 p e r auction sale. The Buyer have to bear the administrative charge which is not more than 2.5% of the paid amount. If buyer pay by credit card but not in person, client have to ďŹ ll in the “Credit Card Authoirsation Formâ€? and send back by fax (852 23039888)/ email (cs@polyauction.com.hk) or mail to our oďŹƒce address (subject to conditions). CHEQUE Our company accepts personal and company cheques, but please be reminded that the purchases will not be released until such cheques have been cleared. Traveler’s cheques are not accepted. CASH / CASHIER ORDER If payment is made by cash or cashier order, the purchases will be released immediately. However, our company does not accept sums exceeding HK$80,000 (or its equivalent in other currencies) in cash in a single or multiple payments. Our company requests any new clients or purchasers preferring to make a cash payment to provide proof of identity and proof of the permanent address. We reserve the right to seek identiďŹ cation of the source of funds received.

ó­ Ă?ŠÜ Â?ÿ‰Â&#x;œýÞ Â? w py Â?ÿ‰ŽÜ|Ă˝ Ăž ÂŁÂŁ ÇĂ?ĂŠ` |†

ºÂ?§ÂŒžýÞ‰Š ¿'´ Âľ  Â? ÂĄ Â? ÇĂ?ĂŠ `Žš Ă–Ă˜Â?´ š Ă‚ Â?ÇÂ? ĂŻÂ&#x;ýÞ<ÂŒ:/ ÿ‰Â? ÂĄĂżwÂ?Â?Ă“n Â? ĂźÂ? § ÂŒÎò²­~}‡ / py²Â&#x; IV. If the payment made in a currency other than Hong Kong Dollars, we shall charge the Buyer for any currency costs incurred. This will include bank charges, commissions for converting the currency. The exchange rate of Hong Kong Dollars and that currency will be the rate quoted by such bank as selected by the company, in Hong Kong on the date of payment. ÿ­ Ă…"€‚ƒ„Ă?Â?š ‡ ÂˆÂ‡Â‰ÂĽĂ–Ă˜ Ă˜ Ă— ΫÂŽâ ƒ„ Â‡ÂˆÂ‡Â‰ÂĽÂŹ Ă’ÂŞÂ&#x; V. Our company will issue an invoice of sold lot (s) based on the name and address which is (are) on the Bidding Registration Form and the registered name and address should not be changed and/ or amended. [­ ›L¢ýÞw -¡Ï ĂŚ ĂŽ ‰ ŠÂ&#x; ž R Â? ÂŁ ÂĄ Âť ž Ă? ĂŹ •Â&#x;ÂśĂ?ϕĂ?Ă?y•‘ €‚ŽÄ ›L • ‰ŠÂ&#x;¢Â›LýÞ‰Š wÂŽ Ă‹°MpyF¡Â‰ÂŠ Â&#x; VI. Our company does not accept payment from any third party other than the Buyer. This applies to agent as well. If the agent participates in the auction on behalf of any others, we only accept payment from the principal. Except payment from the Buyer directly, our company reserves the right to reject payments from other sources.


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POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)

BIDDING REGISTRATION FORM Paddle No. Client No. Personal Account

Company Account

Name

Company Name

ID / Passport No.

Business Registration No.

Authorized Person : ___________________________________

ID/Passport No. : ______________________ Telephone: _________________________

Address City

Country

Postal Code

Telephone

Fax

Email

Auction Category:

□ Modern and Contemporary Art □ Fine Modern Chinese Paintings and Calligraphy □ Classical Chinese Paintings and Calligraphy □ Chinese Contemporary Ink Paintings

Have you registered to bid at Poly International Auction Co. Ltd. before?

□ Chinese Ceramics and Works of Art □ Jewels □ Watches □ Bag & Hype □ Yes

□ Tea □ Chinese Spirit □ Whisky & Cognac □ Other

□ No

Please attach a copy of your ID Card/Passport and proof of current address (e.g. utility bill and bank statement) for identification purpose. I hereby confirm my intention and application to bid in the above auction. I agree to deliver to Poly Auction (Hong Kong) such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) may in its absolute discretion for my bid. I agree that Poly Auction (Hong Kong) has no obligation to accept this registration application and that Poly Auction (Hong Kong)’s decision in this regard shall be final. I shall not assume Poly Auction (Hong Kong)’s acceptance of my registration application unless I have received a written confirmation from Poly Auction (Hong Kong) to that effect or a bidding paddle. Please note that the auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. ﬔe auctioneer may further bid on behalf of the seller up to the amount of the reserve, by placing responsive or consecutive bids for a lot. In connection with the management and operation of our business and the marketing and supply of Poly Auction (Hong Kong) services, or as required by law, we may ask clients to provide personal information about themselves and/or obtain information about clients from any third parties (e.g. credit information). Poly Auction (Hong Kong) will not use and/or process my personal information for any other purpose without the client’s express consent. In order to fulfill the services that clients have requested, Poly Auction (Hong Kong) may disclose certain information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within Hong Kong. It is Poly Auction (Hong Kong)’s policy to require that any such third parties respect the privacy and confidentiality of my information and provide the same level of protection for my information as provided within Hong Kong, whether or not they are located in a country that offers equivalent legal protection of personal information. By signing this Registration Form I agree to such disclosure. By signing below, I agree to be bound by the Conditions of Business and all the important notices as printed in the catalogue. If Poly Auction (Hong Kong) so requests, I agree to provide proof of identity and permanent address. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission and related charges of buyer within 7 calendar days (including the day of sale).

□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly's group □ I do not wish to receive the settlement advice by email

SIGNATURE

DATE

If you plan to attend the sale and bid on a lot, please fill out this form and fax it to (852) 2303 9888 or mail to the following address in either case to reach POLY AUCTION (HONG KONG) no later than 3 working days prior to the day of sale:

FOR OFFICE USE ONLY

□ Wire Transfer Handled by

□ Cashier Order

□ Cheque

□ Credit Cards (VISA, MASTER, CUP, A E)

Approved by

□ Others Date / Time

Suite 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong }¿}¿B 88 DCD, 1 L 7 E 701-708 T: +852 2303 9899 F: +852 2303 9888 E:cs@polyauction.com.hk W: www.polyauction.com.hk

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POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)

ABSENTEE BID REGISTRATION

Paddle No.:

Mail or Fax to: Poly Auction (Hong Kong) Limited Address: 701-708, 7/F, One Pacific Place 88 Queensway, Admiralty Hong Kong Phone: (852) 2303 9899 Fax: (852) 2303 9888

Personal Account

Company Account

Name

Company Name

Bank: ﬔe Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004

Address

Client No.

Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027

This Absentee bid registration must be sent to the customer service department at least three business days before the Auction Day. Poly Auction (Hong Kong) will confirm receipt of your Absentee Bid Registration by fax or recorded phone message etc. If you have not received definite reply within one working day, please send in the form again.

□ WRITTEN BIDS Bidding will be conducted at the lowest possible price. If appropriate, your absentee bids will be roughly adjusted to the bidding increment of the Auctioneer as close as possible. “Buy” or unlimited bids will not be accepted and we do not accept “plus one” bids. Please place bids in the same order as in the catalogue. If Poly Auction (Hong Kong) receives two or more absentee bids at the same bidding price, and during the Auction, such bidding prices are the highest bids for that Lot, then that Lot will belong to the Bidder whose absentee bid reaches Poly Auction (Hong Kong) first. ﬔe Auctioneer can execute absentee bids directly on the Auction stage.

□ TELEPHONE BIDS Please indicate clearly the instant communication methods and instruments that you can be contacted during the auction period, we will phone you before the bidding of the Lot that you intend to bid for, the bidding information transmit by that instant communication instruments (whether or not it is transmitted by you personally) shall be considered as transmitted by you, and you shall bear all liability and responsibility (including but not limit legal liability and responsibility) for the actions taken by it. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded.

Sale No.

Lot No.

_________________________________

Business Registration No.

ID / Passport No.

City

Country

Postal Code

Tel #1

Tel #2

Fax

Email

Preferred language

☐Authorization for Absentee Bid Registration: Name of Agent ID / Passport No.

Tel:

IMPORTANT REMINDER: • Poly Auction (Hong Kong) does not accept any payment from any third parties (agent inclusive), nor cash in excess of HK$80,000 (or its equivalent in other currencies), and that the invoice details cannot be changed and/or amended after the end of the Auction. • Please provide certified true copies of the following documents: o Individuals: photo identity i.e. national identity card and/or passport, proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. o Corporate clients: a certificate of incorporation and official documents listing directors and shareholders. o Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. • Poly Auction (Hong Kong) only accepts Absentee Bid Registration Form in this written format. I hereby apply for and appoint Poly Auction (Hong Kong) to conduct bidding for the Property(ies) listed in this Absentee bid registration, and agree to the following terms: 1. I undertake that I have carefully read and accept the Conditions of Business, Important Notices, Important Notices about Bidding Registration and Important Notices about Payment of Poly Auction (Hong Kong) published in the catalogue, and agree to be bound by all the terms of the above mentioned provisions. 2. ﬔe disclaimer of absentee bid of the Conditions of Business of Poly Auction (Hong Kong) is indisputable, I shall not seek to establish the relevant responsibilities of Poly Auction (Hong Kong) and its staff for unsuccessful bidding or their inability to bid on my behalf regardless such is caused by negligence or other reasons. 3. I shall present this Absentee Bid Registration to Poly Auction (Hong Kong) at least three business days before the Auction Day, and complete the bidding registration according to the conditions and procedures announced by Poly Auction (Hong Kong). If Poly Auction (Hong Kong) has not received the amount corresponding to the Auction deposit that I have paid or Poly Auction (Hong Kong) has not verified and confirmed it within the period stipulated, this form shall be void. 4. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission equivalent to 18% of the hammer price of each lot and any Buyer's expenses within 7 calendar days (including the day of sale).

Highest Bid (excluding commission) for written bid / Emergency bid (excluding commission) for phone bid #

Lot Description

HKD HKD HKD HKD HKD #important Note: If Poly HK staff is unable to contact you during the auction, the bid will be placed in accoedance with you listed emergency bid price

□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly’s group □ I do not wish to receive the settlement advice by email Signature: FOR OFFICE USE ONLY Deposit payment: □ Wire Transfer Handled by

Date:

□ Cashier Order

□ Cheque Approved by

□ Credit Cards (VISA, MASTER, CUP, AE)

ID/PP: Date / Time

□ Provided

□ ERP


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SHIPPING INSTRUCTIONS SHIPPING INFORMATION Please complete this Form and we shall arrange for the dispatch of all your purchases through one of our nominated shipping agents, at your expense. Poly Auction (Hong Kong) is not responsible for any damage and/or loss of the purchases and/or the packing (i.e frames, glasses) from any packing and/or transportation. It should be the buyer’s responsibility to obtain any necessary licenses and/or permits, and all the duties, and/or taxes which may occur. For advice on shipping your purchases please call Poly Auction (Hong Kong)'s Warehouse and Logistics Department on (852) 2303 9899.

Please complete this section and delete where applicable

SALE DETAIL Sale #

Lot #

Methods of Dispatch

Registered post/Air fright/Commercial Courier

Invoice#

Delivery Address

(Please cross out as appropriate)

CHARGES

Telephone

Fax

I do/do not require a quotation before the shipment is processed.

INSURANCE IN TRANSIT Please arrange/do not arrange transit insurance. All purchases will be insured at the aggregate price unless otherwise speciďŹ ed. Please note that Poly Auction (Hong Kong) is not responsible for any insurance charge which may occur from transit.

Invoice Address if different from above

Telephone

Fax

POSTAL CONSIGNMENTS ONLY Please do not remove frames. (Glass will be discarded). Please remove frames and glass. NB: items valued in excess of HK$10,000 or weighing more than 2kg cannot be sent by Post.

Special instructions:

Signature

Y/N

Date


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中国拍卖行业概念股——保利文化 (3636·HK) 總經理:王  蔚

副總經理:陳零初

各子公司及聯絡人等 保利香港拍賣有限公司 地址:金钟道88号太古广场一座7楼 电话:852-23039899 传真:852-23039888 Email: sale@polyauction.com.hk

保利澳門拍賣有限公司 地址:澳门宋玉生广场336号       诚丰商业中心16楼G座 电话:+853 2875 1013 传真:+853 2875 1014

保利(山東)國際拍賣有限公司 胡志明  姜  珂 地址:山东省潍坊市奎文区胜利东街       5051号阳光100城市广场       8号楼7楼 电话:0536-8392111 传真:0536-8392009

保利(廈門)國際拍賣有限公司 陈  珊 地址:厦门市白鹭洲东路86-3号 电话:0592-5069988 传真:0592-5320009

保利義烏藝術發展有限公司 陈零初  李  屾  黄  慧 地址:浙江省义乌市宾王路158号文创       园二区D座保利艺术+二层 电话:0579-83556111 传真:0579-83556111

保利拍卖上海地區聯絡人 张  瑾  曹欢欢 地址:延安中路1111号延安饭店391室 电话:86-21- 51780360 传真:86-21- 51780361 E-mail: shanghai@polyauction.com

保利拍賣臺灣地區聯絡人 黄宏任  汪友文 地址:台北市中山区中山北路二段       39巷6号5楼(晶华酒店旁) 电话:886-225224080 传真:886-225222595 E-mail: taiwan@polyauction.com

保利拍賣日本聯絡人 风见治子  地址:东京都中央区银座2丁目12-4       -60 Duplex银座2/12 1040061 电话:81-3-6278-8011 传真:81-3-6278-8012 Email: polyauction2005@gmail.com

保利拍賣北美聯絡人 黄  健  黄  正 地址:Bar Building, 36 West 44th       Street, New York 电话:1-212-273-0822 E-mail: nyc@polyauction.com

副總經理:祖世龍

財務總監:郭建巍

副總經理:董  振

中國古董珍玩藝術總監:李移舟

中國書畫藝術總監:殷華傑









製版印刷:雅昌文化(集團)有限公司 0755-83366138 網上預展:雅昌藝術網(拍賣資訊專業網站) www.artron.net


7TH FLOOR, ONE PACIFIC PLACE, 88 QUEENSWAY, ADMIRALTY, HONG KONG • 香港金鐘金鐘道 88 號太古廣場 1 期 7 樓 • +852 2303 9899


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