MODERN AND CONTEMPORARY ART
現當代藝術
HONG KONG 12 JULY 2020 香港 2020 年 7 月 12 日
MODERN AND CONTEMPORARY ART
現當代藝術
HONG KONG 12 JULY 2020 香港 2020 年 7 月 12 日
LOT 133 局部 DETAIL
LOT 153 局部 DETAIL
LOT 134 局部 DETAIL
LOT 122 局部 DETAIL
LOT 151
LOT 165
保利香港 拍賣日程
POLY AUCTION (HONG KONG) SALES CALENDAR
瑰麗典雅：珠寶、鐘錶及手袋尚品專場
MAGNIFICENT JEWELS, WATCHES AND HANDBAGS
2020 年 7 月 8 日 星期三
WEDNESDAY, 8 JUL 2020
編號：HKS2620 下午 1:00
SALE: HKS2620 1:00 PM
東方留韻之珍藏陳年茶葉及白酒
RARE PU’ER TEA AND CHINESE SPIRIT
2020 年 7 月 9 日 星期四
THURSDAY, 9 JUL 2020
編號：HKS1620-2 上午 10:30
SALE: HKS1620-2 10:30 AM
佳釀醇香之珍稀紅酒及威士忌
FINE WINE AND WHISKY
2020 年 7 月 9 日 星期四
THURSDAY, 9 JUL 2020
編號：HKS1620-1 下午 2:00
SALE: HKS1620-1 2:00 PM
現當代藝術專場
MODERN AND CONTEMPORARY ART
2020 年 7 月 12 日 星期日
SUNDAY, 12 JUL 2020
編號：HKS1020-1 下午 3:00
SALE: HKS1020-1 3:00 PM
ARTitude
ARTITUDE
2020 年 7 月 12 日 星期日
SUNDAY, 12 JUL 2020
編號：HKS1020-2 順延
SALE: HKS1020-2 POSTPONE
預 先 登 記 P R E - R E G I ST R AT I O N
若閣下是首次參與競投，同時未獲得保利香港拍賣有限公司認可的註冊客戶推薦，保證金為港幣 500,000 元。如閣下 打算競投高估價拍賣品（在圖錄內及 / 或電子圖錄內標有〇符號之拍賣品），保證金為港幣 1,000,000 元。保利香港 拍賣有絕對權力隨時調整高估價拍賣品之保證金及 / 或手續 , 而不需要另行通知◦在閣下競投前 , 本公司亦有絕對權力 向閣下要求提供任何有關閣下的財務證明。本公司有絕對權力拒絕任何人之競投登記而不需給予任何解釋◦
If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lot”(i.e., a lot marked with 〇 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lot” can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.
LOT 145 局部 DETAIL
預展及拍賣地點
保利香港藝術空間 香港金鐘金鐘道 88 號太古廣場 1 期 7 樓 701-708 室 電話：+852 2303 9899 傳真：+852 2303 9888 預展
6 月 23 日至 7 月 8 日 * 上午 10:00 至下午 8:00 拍賣
7 月 8 日至 7 月 12 日 *
* 各專場預展及拍賣時間有所不同，請參閱拍 賣時間表以瞭解詳細日程。 Preview and Auction Venue Poly Gallery Hong Kong Suites 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong Tel: +852 2303 9899 Fax: +852 2303 9888 Preview
23 June to 8 July * 10:00 am – 8:00 pm Auction
8 July to 12 July * * Previews and auctions are available on s p e c i f i e d d a y s o n l y. P l e a s e r e f e r t o t h e auction schedule for details.
LOT 132 局部 DETAIL
MODERN AND CONTEMPORARY ART
現當代藝術
拍賣
2020 年 7 月 12 日 星期日
下午 3:00（拍品 Lots 101-200 & 801-891） 拍賣編號：HKS1020-1& HKS1020-2 AUCTION
Sunday, 12 July 2020
3:00 pm (Lots 101-200 & 801-891)
Sale Number: HKS1020-1& HKS1020-2
專�及服務�� SPECIALISTS AND SERVICES ENQUIRIES
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現當代���專� MODERN AND CONTEMPORARY ART SPECIALISTS
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SPECIALIST 專家
SPECIALIST 專家
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YA-WEI LIN 林��
JUNE HSU ���
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LOT 121 局部 DETAIL
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珠��尚品
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CHAIRMAN OF POLY AUCTION (HONG KONG) LTD.
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LOT 123 局部 DETAIL
MODERN AND CONTEMPORARY ART
現當代藝術
目 錄
CONTENTS 2 拍品 Property for Sale 159 索引 Index
160 重要通告及目錄編列方法之說明 Important Notices and Explanation of Cataloguing Practice 163 業務規則 Condition of Business
173 競投登記須知 Important Notice about Bidding Registration 174 財務付款須知 Important Notice about Payment 175 競投登記表格 Bidding Registration Form 177 委託競投表格 Absentee Bid Registration 179 裝運委託 Shipping Instructions
101
102
DANIEL ARSHAM ( A M E R I CA N , B . 1 9 8 0) X POKÉMON Eroded Pikachu
DANIEL ARSHAM ( A M E R I CA N , B . 1 9 8 0) X POKÉMON Blue Crystalized Pikachu
丹尼爾．阿沙姆 X 寶可夢 被侵蝕的皮卡丘
丹尼爾．阿沙姆 X 寶可夢 藍色水晶皮卡丘
Executed in 2020 resin and aluminium oxide sculpture edition: 383/500 21.5 x 14.5 x 34 cm. (8 1/4 x 5 1/2 x 13 1/4 in.)
Executed in 2020 resin and aluminium oxide sculpture edition: 311/500 22 x 15.5 x 35.5 cm. (8 3/4 x 6 x 14 in.)
2020 年作 樹脂 氧化鋁 雕塑 版數：383/500
2020 年作 樹脂 氧化鋁 雕塑 版數：311/500
HK$ 15,000 - 25,000
HK$ 18,000 - 28,000
US$ 1,900 - 3,200
US$ 2,300 - 3,600
2
POLY AUCTION HONG KONG
104 103 MOE NAKAMURA ( JA PA N ES E , B . 1 9 8 8) Waiting for You 中村萌 等待你 Executed in 2016 polystone sculpture edition: 13/100 15 x 15 x 18.5 cm. (6 x 6 x 7 1/4 in.) signed, inscribed and dated 'MOE. ©MOE NAKAMURA 2016 ©GALLERY TSUBAKI 2016 ©MONSTER TAIPEI 2016 PRODUCED BY HOW2WORK Moe 2016.10.10' (bottom)
MOE NAKAMURA ( JA PA N ES E , B . 1 9 8 8) Bambooshka; & First Star 中村萌 母子筍；及一等星 Executed in 2018 a set of two polystone sculptures; & polystone sculpture edition: 33/160; & 33/160 Bambooshka: Yellow: 11 x 10 x 15 (4 1/2 x 4 x 6 in.); & Green: 15.5 x 15 x 21 cm. (6 x 6 x 8 1/4 in.); First Star: 14.3 x 14.3 x 6.3 cm. (5 1/2 x 5 1/2 x 2 1/4 in.) Bambooshka: signed, inscribed and dated 'MOE. ©MOE NAKAMURA 2018 ©GALLERY TSUBAKI 2018 ©MONSTER TAIPEI 2018 Produced by HOW2WORK' (bottom of each)
This work is to be sold with a certificate of authenticity signed by the artist.
These works are to be sold with certificates of authenticity signed by the artist.
2016 年作 寶麗石粉樹脂 雕塑 版數：13/100 款識：©MOE NAKAMURA 2016©GALLERY TSUBAKI 2016©MONSTER TAIPEI 2016 PRODUCED BY HOW2WORK Moe 2016.10.10（底部）
2018 年作 寶麗石粉樹脂 雕塑（一組共兩件）；及寶麗石粉樹脂 雕塑 版數：33/160；及33/160 款識：《母子筍》：MOE. ©MOE NAKAMURA 2018 ©GALLERY TSUBAKI 2018 ©MONSTER TAIPEI 2018 Produced by HOW2WORK （每件底部）
附藝術家親簽之原作保證書
附藝術家親簽之原作保證書
HK$ 28,000 - 38,000
HK$ 35,000 - 55,000
US$ 3,600 - 4,900
US$ 4,500 - 7,100 MODERN AND CONTEMPORARY ART
3
106 105 MOE NAKAMURA ( JA PA N ES E , B . 1 9 8 8) Grow M 中村萌 樹人 Executed in 2017 polystone sculpture edition: 75/130 26 x 14.5 x 21.5 cm. (10 1/4 x 5 1/2 x 8 1/4 in.) This work is to be sold with a certificate of authenticity signed by the artist.
MOE NAKAMURA ( JA PA N ES E , B . 1 9 8 8) Loop Loop 中村萌 圈圈 Executed in 2015 polystone sculpture edition: 6/130 13 x 10 x 19.5 cm. (5 x 4 x 7 3/4 in.) signed, inscribed and dated 'MOE. ©MOE NAKAMURA 2015 ©GALLERY TSUBAKI 2015 ©MONSTER TAIPEI 2015 PRODUCED BY HOW2WORK' (bottom) This work is to be sold with a certificate of authenticity signed by the artist.
2017 年作 寶麗石粉樹脂 雕塑 版數：75/130
2015 年作 寶麗石粉樹脂 雕塑 版數：6/130 款識：MOE. ©MOE NAKAMURA 2015 ©GALLERY TSUBAKI 2015 ©MONSTER TAIPEI 2015 PRODUCED BY HOW2WORK（底部）
附藝術家親簽之原作保證書
附藝術家親簽之原作保證書
HK$ 28,000 - 38,000
HK$ 28,000 - 38,000
US$ 3,600 - 4,900
US$ 3,600 - 4,900
4
POLY AUCTION HONG KONG
107 MOE NAKAMURA ( JA PA N ES E , B . 1 9 8 8) Mr. Fuji 中村萌 富士山先生 Executed in 2014 polystone sculpture edition: 70/100 12 x 14.5 x 18.5 cm. (4 3/4 x 7 1/2 x 7 1/4 in.) editioned, signed, inscribed and dated '70/100 MOE . ©MOE NAKAMURA 2014 ©GALLERY TSUBAKI 2014 ©MONSTER TAIPEI 2014 Produced by how 2work Moe' (bottom)
108 LIU YE (C H I N ES E , B . 1 9 6 4) Crying over Mondrian 劉野 為蒙德里安哭泣
Executed in 2000 screenprint edition: H.C. 3/5 78 x 54 cm. (30 3/4 x 21 1/4 in.) editioned, signed and dated 'H.C 3/5 Liu Ye 2000'; signed in Chinese (bottom)
This work is to be sold with a certificate of authenticity signed by the artist.
PROVENANCE
2014 年作 寶麗石粉樹脂 雕塑 版數：70/100 款識：70/100 MOE . ©MOE NAKAMURA 2014 ©GALLERY TSUBAKI 2014 ©MONSTER TAIPEI 2014 Produced by how 2work Moe（底部）
2000 年作 絲網 版畫 版數：藝術家試版 3/5 款識：H.C 3/5 Liu Ye 野2000（底部）
附藝術家親簽之原作保證書
荷蘭 私人收藏
HK$ 28,000 - 38,000
HK$ 40,000 - 80,000
US$ 3,600 - 4,900
US$ 5,100 - 10,300
Private Collection, Netherlands
來源
MODERN AND CONTEMPORARY ART
5
109 LIU YE (C H I N ES E , B . 1 9 6 4) Chorus 劉野 合唱團 Executed in 2001 silkscreen on canvas edition: 56/100 54.3 x 70 cm. (21 1/2 x 27 1/2 in.) editioned, signed and dated '56/100 liuye 2001'; signed in Chinese (bottom) PROVENANCE
Private Collection, Netherlands LITERATURE
Liu Ye: Red Yellow Blue, Schoeni Art Gallery, Hong Kong, China, 2004 (illustrated, p. 44).
HK$ 40,000 - 80,000 US$ 5,100 - 10,300 6
POLY AUCTION HONG KONG
2001 年作 絹印 畫布 版數：56/100 款識：56/100 liuye 野 2001（底部） 來源
荷蘭 私人收藏 出版
《劉野：紅、黃、藍》少勵畫廊 香港 中國 2004 年（圖版，第44頁）
110 BANKSY ( B R I T I S H , B . 1 975 ) Morons (Sepia) 班克斯 傻瓜（褐色） Executed in 2007 screenprint edition: 222/300 50.5 x 70.5 cm. (20 x 27 3/4 in.) editioned, signed and dated '222/300 BANKSY 07' (bottom)
2007 年作 絲網 版畫 版數：222/300 款識：222/300 BANKSY 07（底部） 附Pest Control Office開立之原作保證書
This work is to be sold with a certificate of authenticity issued by Pest Control Office.
HK$ 60,000 - 100,000 US$ 7,700 - 12,800 MODERN AND CONTEMPORARY ART
7
111 KAWS ( A M E R I CA N , B . 1 974) Untitled (KAWS X Brooklyn Museum) KAWS 無題（KAWS X 布魯克林博物館） Executed in 2019 screenprint 20 cm. (7 3/4 in.) in diameter signed and dated 'KAWS.. 19' (lower centre) This unique work is part of a limited series of screenprint given to the donors of the Brooklyn Museum in its 2019 Family Party fundraiser.
HK$ 50,000 - 80,000 US$ 6,400 - 10,300 8
POLY AUCTION HONG KONG
2019 年作 絲網 版畫 款識：KAWS.. 19（中下） 此獨版作品隸屬一系列限量絲網印刷作品，提供 給2019年布魯克林博物館家庭聚會項目籌集基 金的捐贈者
112 KEITH HARING ( A M E R I CA N , 1 9 5 8 -1 9 9 0) Untitled (L. PG. 33) 基斯．哈林 無題（L. PG. 33）
Executed in 1983 screenprint edition: 60/100 107 x 127 cm. (42 1/4 x 50 in.) editioned, signed and dated '60/100 K.haring '83' (lower right) PROVENANCE
1983 年作 絲網 版畫 版數：60/100 款識：60/100 K.haring '83（右下） 來源
蘇富比 紐約 2015年11月24日 編號227 現藏者購自上述拍賣
Sotheby’s New York, 24 November 2015, Lot 227 Acquired from the above sale by the present owner
HK$ 220,000 - 320,000 US$ 28,200 - 41,000 MODERN AND CONTEMPORARY ART
9
113 YAYOI KUSAMA ( JA PA N ES E , B . 1 92 9) Mt. Fuji 草間彌生 富士
Executed in 1983 screenprint edition: 24/75 48 x 59.3 cm. (18 3/4 x 23 1/4 in.) editioned, signed and dated '24/75 yayoi kusama 1983'; titled in Japanese (bottom)
1983 年作 絲網 版畫 版數：24/75 款識：24/75 富士 yayoi kusama 1983（底部） 來源
PROVENANCE
日本 私人收藏 亞洲 私人收藏
Private Collection, Japan Private Collection, Asia
出版
LITERATURE
All Prints of Kusama Yayoi, Abe Publishing LTD., Tokyo, Japan, 2005 (illustrated, plate 24, p. 98). Yayoi Kusama Prints 1979-2017, Abe Publishing LTD., Tokyo, Japan, 2017 (illustrated, plate 24, p. 24).
HK$ 120,000 - 180,000 US$ 15,400 - 23,100 10
POLY AUCTION HONG KONG
《草間彌生全版畫集》阿部出版株式會社 東京 日本 2005年（圖版，第24圖，第98頁） 《草間彌生全版畫1979-2017》阿部出版株式會 社 東京 日本 2017年（圖版，第24圖，第24頁）
114 YAYOI KUSAMA ( JA PA N ES E , B . 1 92 9) Ferns 草間彌生 蕨
Painted in 1991 ink on paper 26.3 x 23.6 cm. (10 1/4 x 9 in.) one seal of the artist
1991 年作 水墨 紙本 鈐印：彌生
PROVENANCE
日本 私人收藏 亞洲 私人收藏
Private Collection, Japan Private Collection, Asia
來源
附藝術家工作室所開立之原作註冊卡
This work is to be sold with an artwork registration card issued by the artist studio.
HK$ 140,000 - 200,000 US$ 17,900 - 25,600 MODERN AND CONTEMPORARY ART
11
115 YAYOI KUSAMA ( JA PA N ES E , B . 1 92 9) Hat 草間彌生 帽子 Executed in 1988 Cast in 1994 bronze sculpture edition: 6/30 12 x 24 x 26 cm. (4 3/4 x 9 1/2 x 10 1/4 in.) dated, signed, editioned and stamped with the foundry mark '1988 YAYOI KUSAMA 6/30 '94' (bottom) PROVENANCE
Whitestone Gallery, Hong Kong, China (accompanied with sales receipt) Acquired from the above gallery by the present owner
HK$ 120,000 - 200,000 US$ 15,400 - 25,600 12
POLY AUCTION HONG KONG
1988 年作 1994 鑄銅 銅雕 雕塑 版數：6/30 款識：1988 YAYOI KUSAMA 6/30 '94；及鑄造 廠標誌（底部） 來源
中國 香港 白石畫廊（提供購買證明） 現藏者購自上述畫廊
116 YAYOI KUSAMA ( JA PA N ES E , B . 1 92 9) Pumpkin 草間彌生 南瓜 Executed in 1995 bronze sculpture edition: prototype 7.3 x 7.5 x 6 cm. (2 3/4 x 3 x 2 1/4 in.) signed and dated 'KUSAMA '95' (bottom)
1995 年作 銅雕 雕塑 版數：藝術家試作原件 款識：KUSAMA '95（底部）
PROVENANCE
日本 東京 Sakurado 畫廊 亞洲 私人收藏
Sakurado Fine Arts, Tokyo, Japan Private Collection, Asia This work is to be sold with a certificate of authenticity issued by Sakurado Fine Arts, Tokyo, Japan. This work has been confirmed by Mr. Shuro Kasai that it is in fact the prototype by Yayoi Kusama.
來源
附日本 東京 Sakurado畫廊開立之原作保證書 此作品已經笠井秀郎先生確認為草間彌生試作原件
HK$ 100,000 - 150,000 US$ 12,800 - 19,200
MODERN AND CONTEMPORARY ART
13
117 CHUANG CHE (C H I N ES E , B . 1 9 3 4) Untitled 莊喆 無題 Executed in 1971 oil and collage on canvas 86.5 x 122 cm. (34 x 48 in.) signed in Chinese; dated '1971' (lower centre) PROVENANCE
Private Collection, Asia 1971 年作 油彩 拼貼 畫布 款識：莊 1971（中下） 來源
亞洲 私人收藏
HK$ 120,000 - 180,000 US$ 15,400 - 23,100
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MODERN AND CONTEMPORARY ART
15
118 SHIY DE-JINN (CHINESE, XI DEJIN, 1923-1981) Guanyin Mountain 席德進 觀音山景 Painted in 1980 ink and colour on paper 92.5 x 174.5 cm. (36 1/2 x 68 3/4 in.) signed in Chinese (lower left) three seals of the artist PROVENANCE
Collection of former Director of the Shiy De-Jinn Foundation (acquired directly from the artist) Ravenel Taipei, 7 December 2014, Lot 226 Acquired from the above sale by the present owner 1980 年作 水墨 設色 紙本 款識：席德進（左下） 鈐印：席德進印、席氏書畫、及四川南部縣人 來源
席德進基金會前董事收藏（直接得自於藝術家） 羅芙奧 台北 2014年12月7日 編號226 現藏者購自上述拍賣
HK$ 500,000 - 800,000 US$ 64,100 - 102,600
16
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MODERN AND CONTEMPORARY ART
17
119 YU CHENGYAO (C H I N ES E , 1 8 9 8 -1 9 9 3) Qingzhang Mountain 余承堯 青嶂 ink and colour on paper 40.5 x 72 cm. (16 x 28 1/4 in.) inscribed and signed in Chinese (upper right) one seal of the artist
水墨 設色 紙本 款識：青嶂若夢 余承堯作（右上） 鈐印：余承堯印
LITERATURE
《余承堯百歲回顧展：山居歲月不知長》台灣省 立美術館 台中 台灣 1999年（圖版，第148頁） 《閩台三傑 余承堯·沈耀初·鄭善禧書畫集》 國立歷史博物館 台北 台灣 2013年（圖版，第 106-107頁）
Retrospective Exhibition of Yu Chengyao's Works, Taiwan Province Museum of Art, Taichung, Taiwan, 1999 (illustrated, p. 148). Three Masters of Art Calligraphy and Paintings by Yu Chen-yao, Shen Yao-chu, and Zhen Shan-xi, National Museum of History, Taipei, Taiwan, 2013 (illustrated, pp. 106-107).
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 18
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出版
120 WALASSE TING (CHINESE-AMERICAN, DING XIONGQUAN, 1929-2010) Beauties and Parrots 丁雄泉 美人與鸚鵡 acrylic on paper 87.4 x 82 cm. (34 1/2 x 32 1/4 in.) one seal of the artist
壓克力 紙本 鈐印：採花大盜
PROVENANCE
荷蘭 私人收藏
來源
Private Collection, Netherlands
HK$ 60,000 - 120,000 US$ 7,700 - 15,400 MODERN AND CONTEMPORARY ART
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121 HSIAO JU-SUNG (C H I N ES E , 1 92 2-1 9 92) Green Shade 蕭如松 綠蔭 Painted in 1981 eastern gouache on paper 80 x 60.5 cm. (31 1/2 x 23 3/4 in.) signed in Chinese (lower right); inscribed and signed in Chinese; inscribed '25p' (on the reverse) one painted seal of the artist PROVENANCE
Private Collection, Asia LITERATURE
Taiwan Fine Arts Series 24, Artists Publishing Co., Taipei, Taiwan, 2004 (illustrated, p. 171).
HK$ 450,000 - 550,000 US$ 57,700 - 70,500
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1981 年作 膠彩 紙本 款識：如松（右下）；少女 省展 25p 蕭如松（畫背） 藝術家手繪鈐印：J.S 來源
亞洲 私人收藏 出版
《台灣美術全集24》藝術家出版社 台北 台灣 2004年（圖版， 第171頁）
MODERN AND CONTEMPORARY ART
21
羅爾純 LUO ERCHUN
作為中國二十世紀最重要油畫大師之一，羅爾純
羅爾純對色彩的運用同時也是主觀化的，色彩為
常被稱為隱士般的油畫大家，16歲考入蘇州美專
表達情感所用。《夏日》裡感情的力量，正正體
學藝，師從顏文樑，為他打下了深厚的塑形技法
現於其色彩筆觸的嫻熟使用上，不同於西方傳統
基礎。90年代，羅爾純受邀至訪問法國並享有居
印象派柔美恬靜的色彩表達，《夏日》中少女之
留權，而後，羅爾純便長期於中國與歐洲之間往
活潑可愛及青春活力，讓人想起強調力度的梵高
返，對東西方藝術進行持續長久的探究及思考，
作品中大膽而強有力的色彩與情感表達。羅爾純
西方現當代藝術在其晚期作品中的影響可見一斑。
作品色調與筆觸不僅受到西方後印象派影響，而
《夏日》(Lot 122) 描繪一位充滿朝氣、身穿色 彩鮮艷跳躍的清涼夏季裙子的少女，背景的白色 及淺黃筆觸給觀眾一種平鋪式的塗抹感，人物的
《短髮女子》 中國 香港 私人收藏 Lady with Short Hair , Private Collection, Hong Kong, China
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更來自與其鄉土出身及傳統文化之浸潤，中國黃 色紅色遼闊的大地給予了藝術家生命與情感，其 作品中色彩的深度與力度也由此而生。
構型及立體感以色彩的筆觸構建，藝術家使用厚
不同於羅爾純筆下常出現的鄉村婦人，據可考究文
重且粗獷的筆觸落於少女的裙擺上，肌膚上，筆
獻，《夏日》中描繪的短髮少女曾四次出現於羅爾
觸看似隨意，卻可見藝術家對色彩及明暗處理爐
純作品中，據說為與藝術家私交甚好的著名劉姓
火純青的運用。背景中用平塗手法以淺黃及白上
香港女演員，而其中一張同樣短髮女子的作品更為
色，與少女裙上厚實濃重筆觸的黃、綠、藍、紅
中國美術館館藏。上拍作品《夏日》相較中國美術
等形成強烈對比，從而使得畫面主體少女更為突
館館藏作品及私人收藏作品，色彩更為明亮奔放，
出。同時，藝術家大膽地將黃綠筆觸加入少女肌
更添狂野氣息。在羅爾純留存於世的作品中，《夏
膚的描繪中，與肌膚顏色的對比使得人物的表達
日》不僅體現了藝術家對色彩情感表達的絕妙技
更為活潑靈動，正與徐悲鴻先生提倡之「寧髒勿
法，更為其創作生涯中別具意義的精美佳作。
淨，寧拙勿巧」繪畫理論不謀而合。
羅爾純的作品都從不被動地描摹對象，他總是訴
The works by Luo Erchun never passively portray a subject.
諸於主觀性的表達，以色彩之「眼」捕捉生命之
Instead, he always resorts to subjective expressions that
「魂」，在大刀闊斧中畫出「我」對形象的感受。
capture the "soul" of life through the "eye" of colour. Boldly,
在這個意義上，他的藝術接近於表現主義，充滿了
he paints his feelings towards the image of "self". In this
創造的激情，充滿了繪畫性的美感。使我們面對他 的作品時，能夠充分領略筆觸、色彩、線條這些繪 畫因素以及飽滿的形象所給予我們的喜悅。 —賈方舟
sense, his art lies close to expressionism, filled with creative passion and the beauty of painting. When viewing his works, we can fully appreciate the joy that he gains through the elements that construct a picture, such as brushwork, colours, and lines, as well as the painting as a whole. - Jia Fangzhou composition of the main figure and its three-dimensional form builds up with various styles of brushstrokes. The brushwork falls heavily and coarsely onto the dress but casually across the skin, demonstrating the artist’s mastery in the application of colour, light and shading. The light yellow hue and flat white coating in the background provides a clean contrast to the thickly-layered multi-coloured brush trails of yellow, green, blue and red on the dress, making the centered female form even more prominent. Furthermore, the artist added yellow and green patches onto the young woman’s skin to offset her skin tone, enlivening the character’s expression, which coincidentally aligns with one principle of painting advocated by Xu Beihong, “Better dirty than clean, better clumsy than clever.” Subjectively, Luo employs colours in a distinctive manner to express emotions. The emotional power in Summer is reflected in the skillful use of colours and brushwork, which differs from the graceful and tranquil expression of colours in traditional Western Impressionism. The energy and liveliness of the young lady in Summer recall the works of van Gogh, which emphasized strong and bold colours as well as projected emotions. The colours and brushstrokes of Luo's art are not only influenced by Western Post-Impressionism but also grew out of his rustic origins and immersion in traditional culture. The expansive land of yellow and red in China gave birth to both the life and passion of the artist, as well as his sense of artistic depth and intensity of colouration.
As one of China’s most notable oil painting artists of the 20th century, Luo Erchun is often referred to as the hermit master of oil painting. Admitted to Suzhou Art Academy at the age of 16, Luo studied under Yan Wenliang, laying a solid foundation for his technique in shapes and forms. In the 1990s, Luo was invited to visit France, where he obtained residency. Over the course of a long period afterwards, he traveled back and forth between China and Europe, all the while exploring and contemplating Eastern and Western art. The influence of contemporary Western art is evident in his later works. Summer (Lot 122) depicts a young lady full of life in a sleeveless summer dress with vibrant colours. The background consists of white and yellow brushstrokes resembling some type of flat-surface smears, while the
Unlike the rural women who make frequent appearances in Luo's art, the lady with short hair in Summer has appeared four times on Luo's canvas according to available literature. She was rumored to be a famous Hong Kong actress surnamed Liu, who was a good friend of the artist. One of the short-haired young woman's portraits is now in the collection of the National Art Museum of China. Comparing to the work collected by the National Art Museum of China, and the one owned by the Hong Kong actress Liu, the brushes on Summer tend to be more bright and bold, giving a sense of brute to the image. Among the artworks of Luo Erchun that remain in the world, Summer not only showcases the artist’s brilliant and colourful expressions of emotions, but it is also a beautiful and meaningful painting that conveys his creative endeavors.
亨利．馬蒂斯《紅色的馬德拉斯 頭巾》1907年作 美國 費城 巴恩斯 基金會藏 Henri Matisse, The Red Madras Headdress , 1907, Collection of Barnes Foundation, Philadelphia, USA
MODERN AND CONTEMPORARY ART
23
122 LUO ERCHUN (C H I N ES E , 1 9 3 0 -20 1 5 ) Summer 羅爾純 夏日 Painted in 2007 oil on canvas 100 x 150 cm. (39 1/4 x 59 in.) signed in Chinese (lower right) LITERATURE
Return to Pavillion of Surging Waves-Luo Erchun Art Works Collection, Hebei Education Publishing House, Shijiazhuang, China, 2012 (illustrated, p. 176). This work is to be sold with a certificate of authenticity issued by Baiyaxuan Art & Cultural Institutions, Beijing, China. 2007 年作 油彩 畫布 款識：爾純（右下） 出版
《回歸滄浪—羅爾純作品集》河北教育出版社 石家莊 中國 2012年 （圖版，第176頁） 附中國 北京 百雅軒文化藝術機構開立之原作保證書
HK$ 900,000 - 1,200,000 US$ 115,400 - 153,800
羅爾純《女演員》2009年作 中國 北京 中國美術館藏 Luo Erchun, Actress , 2009, Collection of National Art Museum of China, Beijing, China
24
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MODERN AND CONTEMPORARY ART
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123 HSIA YAN (C H I N ES E , X I A YA N G , B . 1 9 32) KTV 夏陽 KTV Painted in 1993 acrylic on canvas 158.3 x 204.3 cm. (62 1/4 x 80 1/2 in.) signed in Chinese; dated '93' (lower left); titled, signed, dated and inscribed 'KTV HSIA, YANG 1993 158 cm x 204 cm'; signed and inscribed in Chinese (on the reverse) EXHIBITED
Taiwan, Taipei, Taipei Fine Arts Museum, 1996 Taipei Biennial: The Quest For Identity, 13 July, 1996. LITERATURE
Yan Hsia: Continuation and Rejuvenation, A Retrospective of His Work from 1954 to 1994, Taipei Fine Arts Museum, Taipei, Taiwan, 1994 (illustrated, p. 101). 1993 年作 壓克力 畫布 款識：夏陽93（左下）；KTV 夏陽 HSIA, YANG 1993 壓克力/布 158 cm x 204 cm（畫背） 展覽
1996年7月13日「1996雙年展：台灣藝術主體性」台北市立美術館 台北 台灣 出版
《夏陽，1954-1994：創作四十年回顧展》台北市立美術館 台北 台灣 1994年（圖版，第101頁）
HK$ 600,000 - 800,000 US$ 76,900 - 102,600
1996年，Lot 123 於台北市立美術館展出實景 Installation view of Lot 123 at the Taipei Fine Arts Museum, 1996
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MODERN AND CONTEMPORARY ART
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124 HSIAO CHIN (C H I N ES E , X I AO Q I N , B . 1 9 3 5 ) Spring Thunder 蕭勤 春雷 Painted in 1985 acrylic on canvas 184 x 229 cm. (72 1/2 x 90 1/4 in.) titled, signed and dated in Chinese; signed 'Hsiao' (lower centre) PROVENANCE
Private Collection, Europe Private Collection, Asia
HK$ 500,000 - 700,000 US$ 64,100 - 89,700 28
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1985 年作 壓克力 畫布 款識：春雷 Hsiao 勤 一九八五（中下） 來源
歐洲 私人收藏 亞洲 私人收藏
125 HSIAO CHIN (C H I N ES E , X I AO Q I N , B . 1 9 3 5 ) The Eternal Garden-14 蕭勤 永久的花園-14 Painted in 1992 acrylic on paper, laid on cardboard 45.6 x 73.9 cm. (17 3/4 x 28 3/4 in.) titled 'un giardino eterno 14' (lower centre)
1992 年作 壓克力 紙本 裱於紙板 款識：un giardino eterno 14（中下）
PROVENANCE
義大利 米蘭 私人收藏
Private Collection, Milan, Italy LITERATURE
Hsiao Chin, Dimensions Art Center, Taipei, Taiwan, 1996 (illustrated, p. 261).
來源
出版
《蕭勤》帝門藝術中心 台北 台灣 1996年 （圖版，第261頁）
HK$ 60,000 - 120,000 US$ 7,700 - 15,400 MODERN AND CONTEMPORARY ART
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126 HSIAO CHIN (C H I N ES E , X I AO Q I N , B . 1 9 3 5 ) VQ-122 蕭勤 VQ-122 Painted in 1960 oil on canvas 199 x 140 cm. (78 1/4 x 55 in.) signed and dated 'HSIAO 1960'; signed, dated and inscribed in Chinese (lower right); signed, titled, inscribed and dated 'HSIAO CHIN "VQ-122" (A Miette) 1960'; signed in Chinese (on the reverse) PROVENANCE
Private Collection, Milan, Italy
HK$ 500,000 - 800,000 US$ 64,100 - 102,600
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1960 年作 油彩 畫布 款識：HSIAO勤 九廿六 為蜜光而作 1960（右下）；HSIAO CHIN "VQ-122" (A Miette) 1960 蕭勤（畫背） 來源
義大利 米蘭 私人收藏
MODERN AND CONTEMPORARY ART
31
127 HSUEH PAO-SHIA (C H I N ES E , B . 1 9 5 6) Records of Floating Life 薛保瑕 浮生錄 Executed in 1996 acrylic, fish lures and nets on canvas 102 x 153 cm. (40 1/4 x 60 1/4 in.) signed, titled and inscribed in Chinese; signed, dated, titled and inscribed 'Ava Hsueh 1996 "Records of Floating Life" 101.6 x 152.4, 40" x 60'" (on the reverse) LITERATURE
Flowing Reality: 2011 Absrtact Art of Ava Hsueh, Culture and Arts Foundation of Taiwan Academy of Fine Arts, Taipei, Taiwan, 2011 (illustrated, p. 120). 1996 年作 壓克力 魚餌 網 畫布 款識：薛保瑕 Ava Hsueh "浮生錄" 1996 "Records of Floating Life" 101.6 x 152.4 公分，40" x 60" 英吋（畫背） 出版
《流動現實─2011薛保瑕抽象藝術展》台灣美術院文化藝術基金會 台北 台灣 2011年（圖版，第120頁）
HK$ 180,000 - 280,000 US$ 23,100 - 35,900
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MODERN AND CONTEMPORARY ART
33
128 YEH SHIH-CHIANG (C H I N ES E , Y E S H I - Q I A N G , 1 926 -20 1 2) Celosia Cristata 葉世強 雞冠花 Painted in 2001 oil on canvas 46 x 33 cm. (18 x 13 in.) signed in Chinese (lower right); titled in Chinese; dated and inscribed '01 45 x 33 cm' (on the reverse) PROVENANCE
Private Collection, Asia LITERATURE
My Art World, Licence Art Gallery, Taipei, Taiwan, 2007 (illustrated, p. 174).
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 34
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2001 年作 油彩 畫布 款識：世強（右下）；01年「雞冠花」45 x 33 cm （畫背） 來源
亞洲 私人收藏 出版
《我的藝術世界》東門美術館 台北 台灣 2007年 （圖版，第174頁）
129 YEH SHIH-CHIANG (C H I N ES E , Y E S H I - Q I A N G , 1 926 -20 1 2) Reed (Yellow Reed) 葉世強 蘆葦（黃葦） Painted in 2002 oil on canvas 41 x 53 cm. (16 1/4 x 20 3/4 in.) signed in Chinese (lower left); titled in Chinese; dated and inscribed '02 53 x 41 cm' (on the reverse) PROVENANCE
Private Collection, Asia LITERATURE
2002 年作 油彩 畫布 款識：世強（左下）；油 02年「蘆葦」53 x 41 cm （畫背） 來源
亞洲 私人收藏 出版
《我的藝術世界》東門美術館 台北 台灣 2007年 （圖版，第196頁）
My Art World, Licence Art Gallery, Taipei, Taiwan, 2007 (illustrated, p. 196).
HK$ 100,000 - 150,000 US$ 12,800 - 19,200 MODERN AND CONTEMPORARY ART
35
130 CHIU YA-TSAI (C H I N ES E , Q I U YACA I , 1 9 4 9 -20 1 3) Artist 邱亞才 藝術家 Painted in 1992 oil on canvas 80 x 65 cm. (31 1/2 x 25 1/2 in.) dated '92'; signed in Chinese (lower right)
1992 年作 油彩 畫布 款識：92 邱亞才（右下）
PROVENANCE
中誠拍賣 台北 2014年12月21日 編號29 現藏者購自上述拍賣
Zhong Cheng Auction Taipei, 21 December 2014, Lot 29 Acquired from the above sale by the present owner LITERATURE
Chiu Ya-Tsai, Royal Lin Art Center, Taipei, Taiwan, 1992 (illustrated, p. 118).
HK$ 100,000 - 160,000 US$ 12,800 - 20,500
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來源
出版
《邱亞才》官林藝術出版社 台北 台灣 1992年（圖版，第118頁）
MODERN AND CONTEMPORARY ART
37
131 JU MING (C H I N ES E , Z H U M I N G , B . 1 9 3 8) Taichi Series 朱銘 太極系列 Executed in 1995 bronze sculpture edition: A.P. 1/10 24 x 18 x 41 cm. (9 1/2 x 6 1/2 x 16 in.) signed and inscribed in Chinese; editioned and dated '1/10, 95' (bottom)
1995 年作 銅雕 雕塑 版數：藝術家自留版 1/10 款識：朱銘 自 1/10, 95（底部） 來源
PROVENANCE
Zhong Cheng Auction Taipei, 9 December 2007, Lot 63 Acquired from the above sale by the present owner This work is to be sold with a certificate of authenticity signed by the artist and issued by Giotto Art Center, Taipei, Taiwan.
HK$ 250,000 - 350,000 US$ 32,100 - 44,900
Lot 131 另一角度 alternative view
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中誠拍賣 台北 2007年12月9日 編號63 現藏者購自上述拍賣 附台灣 台北 古優特國際股份有限公司開立之藝術家親簽原作保證書
MODERN AND CONTEMPORARY ART
39
132 GEORGES MATHIEU ( F R E N C H , 1 92 1 -20 1 2) Composition 喬治．馬修 構圖 Painted in 1964 gouache on cardboard 43 x 36.3 cm. (17 x 14 1/4 in.) signed and dated 'Mathieu 64' (lower right); signed 'G.M.' (on the reverse)
1964 年作 水粉 紙板 款識：Mathieu 64（右下）；G.M.（畫背） 來源
法國 巴黎 私人收藏（藝術家直接贈予現藏家）
PROVENANCE
Private Collection, Paris, France (gifted directly by the artist to the present owner) The authenticity of the artwork has been confirmed by Mr. Jean Marie Cusinberche.
HK$ 120,000 - 180,000 US$ 15,400 - 23,100
Lot 132 作品背部 rear view
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此作品已經 Jean Marie Cusinberche 先生確認
MODERN AND CONTEMPORARY ART
41
偉恩．第伯 WAYNE THIEBAUD
大多數物品都是實際生活中的片段。比如說，我會
Most of the objects are fragments of actual experience. For
真的想起麵包房的櫃檯，那裡點燈的方式，餡餅擺
instance, I would really think of the bakery counter, of the
放的位置，但我只要當中一個片段。當我在餐廳工
way the counter was lit, where the pies were placed, but I
作時，我記得看到過一排排餡餅，或是一罐餡餅，
wanted just a piece of the experience. From when I worked
其中一塊掉了出來，另外一塊則放在一旁。這些斷 斷續續的片段場景對我來說總是充滿詩意。 —偉恩•第伯
in restaurants, I can remember seeing rows of pies, or a tin of pie with one piece out of it and one pie sitting beside it. Those little vedute in fragmented circumstances were always poetic to me. - Wayne Thiebaud
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1.
2.
50年代末60年代初偉恩．第伯以色彩繽紛的甜點櫥窗
In the late 1950s and early 1960s, Wayne Thiebaud began describing the state of prosperity in a consumerism society via colourful dessert arrangements inside a bakery display window. He would observe the beauty of ordinary objects in everyday life and present them using a quiet and pleasing visual rhythm. In a world with an increasingly self-absorbed sense of materialism, his art became known as “the most delicious pop art”, bringing a sense of tranquility and timeliness that relieved the hustle and bustle experienced by city dwellers.
成列物件，對消費主義中社會富足的狀況進行描繪， 他觀察日常生活平凡之物的美感，以安靜且愉悅的畫 面節奏，在日益浮華的物質生活中，讓人領略安寧且 雋永，撫慰都市人庸碌的喧囂，被稱為「最美味的波 普藝術」。 1991年創作的《櫃檯女職員》(Lot 133)，浸潤於鵝 黃色夾帶湖水藍的色調中，呼應著麵包店明亮且輕鬆 的氛圍，畫面中心以舞台聚光感處理女主角複雜的光 影佈局，不單僅表現臉龐與髮髻受光面細微的變化， 同時技巧性地運用臉頰下方與手臂未端陰影朔造人物 型體，刻意凸顯女主角的單獨存在，也闡明此作不單 僅是靜物的表現，而更一步藉此強調人物與空間的互 動。《櫃檯女職員》畫面中朦朧的甜點擺設，既是偉 恩．第伯個人記憶中的場景追溯，更誘發所有觀者對 自身日常的省思與思考，緩慢且溫暖的敘說懷舊情 懷，偉恩·第伯將原本平凡無奇的街景，幻化為成對 色彩與光線的細緻的探索，畫面中運用甜點店代表愉 快的象徵，引導觀者進入他所打造的富饒安樂情境 中，從而與之精神發生共鳴。
Created in 1991, Counter Lady (Lot 133) is immersed in hues of mild yellow with shades of lake blue, corresponding to the brightly lit and relaxed atmosphere of the bakery. The female figure spotlighted center stage is accompanied by complex layers of shadows that not only reveal subtle changes across the lit-surfaces of her face and hair bun, but also skillfully crafts her bodily dimensions via the shadows under her cheeks and bottom of her arms. It is a deliberate attempt to highlight her solitary existence in the picture. The effect explicates that the artwork is not just a still-life drawing, but that it showcases the interaction between the main character and the space. The arrangement of hazy-looking desserts in Counter Lady is part of Wayne Thiebaud’s treasured personal recollections that also acts to induce viewers to ponder on their own daily routines, and warmly and leisurely chronicling a remembrance of their past. Wayne Thiebaud transforms an originally mundane street scene into a delicate exploration of colours and light. The bakery shop in the painting symbolizes happiness and generates a spiritual resonance with onlookers by leading them into the landscape of abundance and harmony created by the artist. 1. 偉恩．第伯《甜點盤》19921994年作 美國 舊金山 舊金山現 代藝術博物館藏 Wayne Thiebaud, Dessert Tray , 1992-1994, Collection of San Francisco Museum of Modern Art, San Francisco, USA 2. 偉恩．第伯《接待員》1988年作 Wayne Thiebaud, Receptionist , 1988
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133 WAYNE THIEBAUD ( A M E R I CA N , B . 1 920) Counter Lady 偉恩．第伯 櫃檯女職員 Executed in 1991 colour monotype on paper 24.5 x 31.5 cm. (9 3/4 x 12 1/2 in.) signed and dated 'Thiebaud 1991' (lower right) PROVENANCE
Paul Thiebaud Gallery, San Francisco, USA Dranoff Fine Art, New York, USA Sotheby's New York, 10 May 2012, Lot 202 Acquired from the above sale by the present owner 1991 年作 單版 版畫 款識：Thiebaud 1991（右下） 來源
美國 舊金山 保羅．第伯畫廊 美國 紐約 德雷弗美術 蘇富比 紐約 2012年5月10日 編號202 現藏者購自上述拍賣
HK$ 800,000 - 1,500,000 US$ 102,500 - 192,300
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MODERN AND CONTEMPORARY ART
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134 LÉONARD TSUGUHARU FOUJITA ( JA PA N ES E- F R E N C H , 1 8 8 6 -1 9 6 8) Portrait d'Odile Kammerer 藤田嗣治 奧迪爾．卡梅赫肖像 Painted in 1931 watercolour on paper 40.5 x 30.8 cm. (15 3/4 x 11 3/4 in.) signed in Japanese; signed, inscribed and dated 'Foujita Rio de Janeiro 1931' (middle left)
1931 年作 水彩 紙本 款識：嗣治 Foujita Rio de Janeiro 1931（左中） 來源
PROVENANCE
歐洲 私人收藏 亞洲 私人收藏
Private Collection, Europe Private Collection, Asia
出版
LITERATURE
Léonard Tsuguharu Foujita Vol. II, ACR Edition, Paris, France, 2001 (illustrated, p. 308). This work is to be sold with a certificate of authenticity issued by Tokyo Bitjisu Club, Tokyo, Japan.
HK$ 380,000 - 580,000 US$ 48,700 - 74,400
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《藤田嗣治全集—第二冊》ACR 出版社 巴黎 法國 2001年 （圖版，第308頁） 附日本 東京 東京美術俱樂部鑑定委員會開立之原作保證書
MODERN AND CONTEMPORARY ART
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藤田嗣治 LÉONARD TSUGUHARU FOUJITA
48
二十世紀初巴黎的文化藝術正處於蓬勃發展階
成了「巴黎畫派」百家爭鳴之盛況。當時在眾多
段，世界各地藝術家蜂擁而至，來到這代表著當
藝術家之中，藤田嗣治這位來自神秘東方的日本
時先鋒藝術文化中心的城市。西班牙的畢卡索、
藝術家，成為了其中最耀眼最受認可的亞洲藝術
義大利的莫迪里亞尼、俄羅斯的夏加爾等等，形
家。他將日本傳統繪畫精緻而蜿蜒的線條及東方
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變，孩童代表著的純潔善美與希冀正是藝術家 在此人生階段渴望需要的。 藤田嗣治與妻子於1959年接受洗禮，不僅代表 身份上歸入法籍，更表明藝術家對文化思想上對 西方天主教的皈依。此次上拍作品《繫紅色蝴蝶 結的小女孩》(Lot 135) 創作於1961年，畫面中 肖像線條的勾勒可見藤田一如既往細膩的筆觸， 肖像面容的描繪手法明顯可見西方宗教繪畫對 人物面容處理的影響，孩童的臉龐飽滿可愛，齊 平的劉海造型俊俏別緻，金棕色的髮絲在藝術家 精密的筆觸處理之下顯得越發光澤柔順。二十世 紀著名藝術評論家羅伯特．雷曾評論道，「所有 這些小女孩都有著如絲綢般光滑的前額。他們的 神情是嚴肅的，張大的瞳孔看似空洞地注視著， 卻又猶如一潭深不可測的井水，蕩漾著無法言說 的智慧，讓我們觀者不禁想要低下眼神躲開這些 來自孩童的銳利注視眼神。」女孩身上的綠色格 紋與鮮艷明亮的紅色蝴蝶結產生鮮明對比，使得 畫面色調愈加歡快。細細端詳畫面背景的白色顏 料，實則也充滿藝術家筆觸光影的漸變處理，層 次細緻豐富。《繫紅色蝴蝶結的小女孩》作品可 見藝術家嫻熟的以冷暖色調塑形的技法，結合了 如早期描繪裸女時灰色色度漸變的背景，完整呈 現了藤田嗣治從早期至晚期藝術創作技法的遞嬗 的留白空間美學融入油畫創作，再以浮世繪「暈
菲利普．利皮《聖母子榮登聖座 與天使》約1440年作 美國 紐約 大都會藝術博物館藏 Filippo Lippi, Madonna and Child Enthroned with Two Angels , c. 1440, Collection of The Metropolitan Museum of Art, New York, USA
與轉變。
色」之技法，於描繪人物肌膚時，創造出清淡細
《奧迪爾．卡梅赫肖像》(Lot 134) 為藤田嗣治
膩的柔和光影效果，從而表現人物肌膚的光澤柔
三十年代對女性肖像描繪的代表作，畫面淋漓盡
美質感及立體感，初到巴黎的藤田嗣治因而在展
致地展現了藝術家在此時期以日本精細的工筆畫
覽中取得巨大成功，如此獨特的創作語言讓他在
筆觸融入到西方肖像繪畫的特色，人物髮絲精細
大師輩出的「巴黎畫派」中出類拔萃，奠定其重
到微毫，流暢精密而富有蓬鬆感，少女的膚色與
要的國際藝壇地位。
紙張背景的米白融為一體，膚色與紙張背景相 融，這種獨特的創作手法可追溯至日本美學意識
五十年代的藤田嗣治經歷了拉丁美洲的遊歷，
的核心之一「間」。「間」以「留白」「靜止」
重回日本及戰亂等十餘年的漂泊生活，最終得
的形式呈現，化作作品的韻味。藝術家再以擦拭
以重返巴黎，開啟其第二階段的巴黎創作生
般肌理的淺灰製造出人物的肌理立體感，也在肖
涯。此時，藤田的作品與早期有明顯轉變，在
像輪廓線之外描繪出一層淡雅的光圈效果，同樣
保留纖細柔美的人物肖像線條同時，色彩構圖
也是藝術家二三十年代肖像繪畫的一大特徵。藤
上運用更趨於成熟豐富。在創作題材上，也從
田嗣治的作品見證了其將日本傳統繪畫的技法及
裸女這一主要題材轉向對孩童的描繪，也許因
傳統美學概念融入強調光影明暗對比的西方繪
為此時處於晚年的藤田嗣治未有子嗣，抑或經
畫，實為二十世紀的藝術殿堂不可磨滅的一抹
歷戰亂而回到法國的藝術家心境上有了巨大改
「和洋相融」的濃墨重彩。
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In the early 20th century, Paris served as the unrivaled centre of arts and culture. The city's artistic and cultural prosperity drew artists from all over the world, including Pablo Picasso from Spain, Amedeo Modigliani from Italy, and Marc Chagall from Russia, and eventually forming "Ecole de Paris" (the School of Paris) as a collective. Among these artists, Japan-born painter Tsuguharu Foujita, carrying an enigmatic vibe from the East, was the most renowned Asian artist back then. In addition to the delicate, meandering lines rooted in traditional Japanese paintings and oriental concept of leaving empty space incorporated into oil paintings, Foujita applied the Sfumato technique in Ukiyo-e to create subtle light and shadows, thereby presenting the soft, ingenious gracefulness and three-dimensional structure of the human skin. Such a unique artistic language contributed to the huge success of his exhibition despite having just arrived in Paris. Specifically, Foujita distinguished himself among all the exceptionally
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talented artists of "Ecole de Paris" and occupied a significant place in the international art scene. Foujita returned to Japan after his trip to Latin America in the 1950s, during which the outbreak of war subjected him to more than ten years of wandering. Eventually, Foujita managed to revisit France, where he began his second Parisian period in pursuit of an artistic career. At the time, a new stylistic preoccupation differing substantially from his earlier works began to pervade. While retaining the delicate, thin, and smooth lines often observed in his portrait works, Foujita perfected and enriched the colour composition of his craft. In terms of changes in the subject matter, he switched from painting female nudes to children, which was likely due to the lack of offspring at an old age or the considerable mind transformation from having gone through war and returning to France. The purity, kindness, and hope reflected in children are exactly what Foujita desires during that period of his life.
為了面對這戰爭的時代，我總是選擇溫和 的，甚至是孩童般的題材。 —藤田嗣治
In times of war, I tend to choose light-hearted, even child-like subjects. - Léonard Tsuguharu Foujita
喜多川歌麿《扇屋內花扇圖》約 1793-1794年作 美國 紐約 大都會 藝術博物館藏 Kitagawa Utamaro, The Courtesan Hana ōgi of the Ōgiya Brothel in Yoshiwara , c. 1793-1794, Collection of The Metropolitan Museum of Art, New York, USA
Tsuguharu Foujita and his wife were baptized in 1959, which signified their acceptance in thought and culture by obtaining French nationality as well as converting to Catholicism. Girl with a Red Bowknot (Lot 135) to be auctioned was created in 1961. Foujita's signature technique of exquisite brushstrokes on the painting are displayed in the subject's outline. The subject's face was painted in a manner that resonates with the treatment of the human face in western religious paintings, where children are often portrayed to have a chubby, adorable facial profile, flat bangs, and perfectly sculpted facial features. The artist's precise brushwork emphasizes the silkiness and shine of the children's golden brown hair. Robert Rey, an influential art critic in the 20th century once commented, "all of the little girls painted by the artist have a forehead smooth as silk and a serious expression on their face. The dilated pupils of the girls may constitute a blank stare while expressing indecipherable wisdom like an immeasurably deep well. Viewers are prompted to lower their eyes to avoid the gaze of these children." The green tartan pattern contrasting strongly with the bright red bowknot inject cheerful colours into the painting. The artist demonstrated his virtuosity by painting the background white, using gradient shades to express light and shadows, thereby providing more depths and details. Featuring the gray gradient background in his earlier works of female nudes, Girl with a Red Bowknot elucidates the artist's draughtsmanship in exploiting warm and cold tones for expression as well as comprehensively showcase the evolution and
transformation of Foujita's creative technique from early to late periods of his artistic career. As a representative work of Foujita from the 1930s, Portrait d'Odile Kammerer (Lot 134) is a female portrait featuring the artist's brilliance in weaving Gongbi, a meticulous brush technique rooted in Japanese art, into western portrait paintings during that period. Meticulously executed fine lines were used to detail each hair of the subject, which exudes smoothness, precision, and fluffiness. The convergence of skin complexion and the canvas—in this case, the lady's skin tone blending into the beige-coloured background—is a unique creative technique demonstrating Ma, the space between two structural parts, which is a core tenet of Japanese aesthetic consciousness. Ma is manifested in the form of blank space or stillness to instill Eastern vibes in artworks. The artist then created dimensions and skin texture of the subject by adding subtle shading. Another major feature of the artist's portrait paintings in between the 1920s and 1930s is the radiance of the subject heightened by the slim border left around the portrait outline in an echo of a Renaissance halo. People appreciating his works can witness the integration of traditional Japanese painting techniques and aesthetics with the chiaroscuro in western paintings. Such a combination of oriental and western style stands for an indelible movement that defined the art in the 20th century.
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135 LÉONARD TSUGUHARU FOUJITA ( JA PA N ES E- F R E N C H , 1 8 8 6 -1 9 6 8) Girl with a Red Bowknot 藤田嗣治 繫紅色蝴蝶結的小女孩 Painted in 1961 oil on canvas 24 x 19 cm. (9 1/2 x 7 1/2 in.) signed and dated 'L.Foujita 61' (lower centre); signed and dated 'LEONARD Foujita MARS 1961' (on the reverse) PROVENANCE
Private Collection, France (acquired directly from the artist) Sotheby's Paris, 24 March 2017, Lot 31 Acquired from the above sale by the present owner This work will be included in the artist's forthcoming catalogue raisonné prepared by Sylvie Buisson.
HK$ 1,600,000 - 2,400,000 US$ 205,100 - 307,700
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1961 年作 油彩 畫布 款識：L.Foujita 61（中下）；LEONARD Foujita MARS 1961（畫背） 來源
法國 私人收藏（直接得自於藝術家） 蘇富比 巴黎 2017年3月24日 編號31 現藏者購自上述拍賣 此作將收錄於由希薇．布伊森正籌備編纂的《藤田嗣治作品編年集》
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137 SANYU (C H I N ES E , C H A N G Y U , 1 8 9 5 -1 9 6 6) Lady with Necklace 常玉 戴項鏈的女子 ink on paper 44.7 x 28.8 cm. (17 1/2 x 11 1/4 in.) LITERATURE
Sanyu Catalogue Raisonné: Drawings and Watercolors, The Li Ching Cultural and Educational Foundation, Taipei, Taiwan, 2014 (USB flash drive, illustrated, plate D4110). 水墨 紙本 出版
《常玉素描與水彩全集》財團法人立青文教基金會 台北 台灣 2014 年（隨身碟方式附錄，圖版，第 D4110 圖）
Lot 136
HK$ 150,000 - 250,000 US$ 19,200 - 32,100
136 LÉONARD TSUGUHARU FOUJITA (JAPANESEFRENCH, 1886-1968) Portrait of Noêl Nouet 藤田嗣治 Noêl Nouet肖像 Painted in 1930 pen on paper 19 x 14 cm. (7 1/2 x 5 1/2 in.) signed in Japanese; signed and dated 'Foujita 1930' (lower left) PROVENANCE
Former Collection of the Noêl Nouet Family Etienne Jonquet Paris, 15 June 2017, Lot 50 Private Collection, Asia 1930 年作 鋼筆 紙本 款識：嗣治 Foujita 1930（左下） 來源
138 SANYU (C H I N ES E , C H A N G Y U , 1 8 9 5 -1 9 6 6) Nude 常玉 裸女 ink and charcoal on paper 44 x 26.5 cm. (17 1/4 x 10 1/2 in.) signed in Chinese; signed 'SANYU' (lower left) PROVENANCE
Printmakers Art Gallery, Taipei, Taiwan Acquired from the above gallery by the present owner 水墨 炭筆 紙本 款識：玉 SANYU（左下）
Noêl Nouet 家屬舊藏 Etienne Jonquet 巴黎 2017年6月15日 編號50 亞洲 私人收藏
來源
HK$ 20,000 - 50,000
HK$ 100,000 - 150,000
US$ 2,600 - 6,400
US$ 12,800 - 19,200
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台灣 台北 版畫家畫廊 現藏者購自上述畫廊
Lot 137
Lot 138
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林壽宇 RICHARD LIN
艾格尼絲．馬丁《樹》1964年作 美國 紐約 現代藝術博物館藏 Agnes Martin, The Tree , 1964, Collection of The Museum of Modern Art, New York, USA
1960年代林壽宇以「白色」系列在國際藝壇聲
其作品添加不同色彩。大自然的色彩如紅、黃甚
名鵲起，成為第一位受邀參加德國卡塞爾文件展
至綠，清新點綴於極簡的畫布之上。處於轉折期
的華人藝術家，更與法蘭西斯．培根同時代表英
的《第一個早晨》正呈現出此關鍵性的特色，畫
國參加匹茲堡雙年展，他的創作成就不僅受到國
面中兩個大小不一的正方形於中央並置，底部分
際間的高度認同，林壽宇作品中所傳遞的傳統東
別為金屬鋁條或纖細色段，長度的錯落恰好呼應
方思想與理性思考，更在極簡主義正方興未艾
了其上正方形的面積，左側鋁條的體積與量感和
時，深化了其風格與內涵的深度與廣度，無怪
平塗色塊間的對應，以及右側灰色與紅色線段和
乎胡安．米羅拜訪林壽宇工作室後說：「在白
橫條所組成的正方形之間的排列，在林壽宇的悉
色的世界中，無人能比的上你。」此次上拍的
心安排中達到了完美的平衡狀態。如他在訪談中
《七》(Lot 139) 與《第一個早晨》(Lot 140) 為
所提到的：「靜止不動對我來說是非常重要的。
其「白色」系列的代表作品，充分展現出藝術家
我至今仍然認為繪畫是我的宗教表達方式。就我
在1960年代晚期至1970年代間的不同探索與細
而言，繪畫必須是神聖的。它是我的祭壇聖物，
膩轉變。
是人類之手不許觸碰的。也因此，一切的動勢姿
《七》創作於1968年，深刻地反映了林壽宇過 去求學階段時所學關於西方現代建築的幾何空間 概念，白色背景之上的數個白色橫向方塊相疊， 隨著透明度與明度的變化，白色顯得既虛無又實 在。在正方形的構圖中水平橫置的色塊互為依
態都已消失。」《第一個早晨》以最為精確的方 式排列組合，所有的形式元素由此得到最大的發 揮與釋放，藝術家屏除與消弭了外在與自身的動 態與情緒，觀眾在極度的平靜中一如歷經宗教儀 式的洗禮純粹而直觀的感受作品。
存，牽一髮而動全身，畫面中央的金屬橫條彷彿
林壽宇曾提及自己的創作理念具有濃厚的老莊思
於無聲處聽驚雷，就此打破白色世界的寧靜安
想，若以「天地萬物生於有，有生於無」的論述
詳，純粹的單色調中因而產生了強烈的戲劇性與
來解讀「白色」系列，其作品中的白色實非無形
張力。金屬媒材的出現並不僅是林壽宇對於相異
虛寂，藝術家的理性構築乃成為了宇宙萬物最基
材質與物質性的探討，立體的鋁條更突破了平面
本的法則與構成，從《七》以平面繪畫對於二度
繪畫的空間形式與概念，他雖將創作中的形式元
與三度空間的探討，至《第一個早晨》中色塊、
素降至最低限，卻實現了從二度至三度空間的轉
線段與金屬細條的平衡架構，在在皆為林壽宇之
換與構成，《七》因而跨越了過往的繪畫視覺經
體會與感悟，凝練為種種形式元素的組構，至廣
驗，呈現多重空間組構與變化的嶄新可能性。
大亦至精微，以白色回歸一切萬物的本源，其創 作不僅是藝術家剖析與歸納的實踐，觀者更經由
1970年代立體現成物逐漸消失於林壽宇的畫面 之中，取而代之除了較為複雜的色階，也因為前
他的作品體會與感知其陳述背後的哲學思考。
一年一家人搬遷至倫敦郊區，與大自然生活使為
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57
Lot 139
During the 1960s, Richard Lin rose to fame in the international art world with his White series. He was the first Chinese artist to be invited to the Kassel Documenta in Germany. He also represented Britain in attending the Pittsburgh Biennial alongside Francis Bacon. Not only did Lin's artistic achievements gain wide international recognition, but his works also conveyed traditional Eastern ideas and a line of sensible thinking, enriching the depth and breadth of the style and connotation of Minimalism during its rise. It is no wonder Joan Miro commented, "In the world of white, you are without equal," when he visited Lin at his studio. Featured in this auction are Seven (Lot 139) and The First Morning (Lot 140)-representative works of the White series that fully demonstrate the artist's diverse explorations and delicate transformations between the late 1960s and 1970s. Created in 1968, Seven is the result of in-depth reflection on the geometric spatial concepts that Lin learned from Western contemporary architecture as a student. Several white, horizontal rectangles overlap across the white background. With changing levels of transparency and brightness, the whiteness appears empty yet filling. In the square composition, the horizontally laid-out colour blocks rely on each other in a cascading manner. The metal strip in the centre of the image breaks the serene calmness in the world of white like a struck of thunder in silence, producing a powerful sense of drama and tension in the simple
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monotone. The appearance of metal media is not only limited to Lin's experimentation with heterogeneous materials and materiality. The aluminum strip further breaks through the graphic painting's spatial forms and concepts with its stereoscopic features. While Lin minimized the formal elements in this piece of creation, he successfully completed the transformation and composition from two to three-dimensional space. As a result, Seven transcends across the visual experiences of previous paintings and demonstrates brand new possibilities in multiple spatial composition and transformation. When it comes to 1970s, three-dimensional ready-made forms had gradually disappeared on Lin's canvas, and were replaced by more complex colour blocks. The year before, Lin's family had moved to the suburb of London, the experience of residing in the nature was probably the main reason why colours start to appear in Lin's works. Natural colours such as red, yellow, and even green refreshed his minimalist-style canvas. The First Morning is a piece of work that displays such critical characteristics during the transition period. The two squares of varying sizes in the centre are respectively composed of aluminum strip and slim colour blocks at the bottom. The uneven length precisely echoes the square area above. Under Lin's careful arrangement, the correspondence between the aluminum strip and colour coated blocks' volume and quantification on the left and the array of squares composed of gray, red
lines and strips on the right achieve a perfect balance. As Lin spoke in an interview, "Stillness is very important to me. Right now, I still perceive painting as my outlet of religious expression. To me, painting must be sacred; it is my relic on the altar that cannot be touched by human hands. That is why there are no visible movements or postures." The First Morning is arranged in the most precise combination that allows all the formal elements to be fully unleashed. The artist removed and eliminated all external and internal movements and emotions, presenting the audience with pure and intuitive feelings in utmost peace like the experience of a religious ceremony. Lin once mentioned that his creative concepts contain a strong sense of Lao Zhuang philosophy. In interpreting the White series from the perspective that "all things in the world are produced by being, and being is produced by non-being," the whiteness in Lin's work is not about intangible solitude. The artist's sensible construction becomes the most fundamental principles and composition in the universe. From exploring two and three-dimensional spaces in the planar painting Seven to balancing structures like colour blocks, lines, and metal strips in The First Morning, Lin organized his experiences and inspirations into different formal elements on both macroscopic and microscopic levels. By returning to whiteness, the origin of everything, Lin's works not only bring the artist's analysis and generalization into life, but also serve as a medium for the audience to experience and feel the underlying philosophical thinking.
卡濟米爾．馬列維奇《精神的至 上主義》1919年作 荷蘭 阿姆斯 特丹 阿姆斯特丹市立博物館藏 Kazimir Malevich, Suprematism of the Spirit , 1919, Collection of the Stedelijk Museum Amsterdam, Amsterdam, Netherlands
139 RICHARD LIN (C H I N ES E- B R I T I S H , L I N S H OW-Y U , 1 93 3 -20 1 1 ) Seven 林壽宇 七 Executed in 1968 oil and aluminium on canvas 63 x 64 cm. (24 3/4 x 25 1/4 in.) titled, signed, inscribed and dated '"seven" Richard Lin 25" x 25" 1968' (on the reverse) PROVENANCE
Marlborough Gallery, London, UK Galleria Marlborough, Rome, Italy Private Collection, Europe Sotheby's Hong Kong, 3 April 2017, Lot 5058 Acquired from the above sale by the present owner
1968 年作 油彩 鋁 畫布 款識："seven" Richard Lin 25" x 25" 1968（畫背） 來源
英國 倫敦 瑪勃洛畫廊 義大利 羅馬 瑪勃洛畫廊 歐洲 私人收藏 蘇富比 香港 2017年4月3日 編號5058 現藏者購自上述拍賣
HK$ 1,200,000 - 2,000,000 US$ 153,800 - 256,400
林壽宇不但在形式與符號中吸納了西方所偏重的「意識」與 「觀念」，而且更始終堅持東方所偏持的「玄念」與「意 境」。這在人類創作精神全面統合的表現上，應是更接近理想 與值得重視的。 —詩人羅門
Richard Lin not only absorbed the West's emphasis on "consciousness" and "concept" in his forms and symbols, but also always strictly adhered to the "implications" and "moods" favoured in the East. In the full performance of the creative spirit of humankind, this comes close to an ideal that is worthy of attention. - Poet Roman
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MODERN AND CONTEMPORARY ART
61
140 RICHARD LIN (C H I N ES E- B R I T I S H , L I N S H OW-Y U , 1 93 3 -20 1 1 ) The First Morning 林壽宇 第一個早晨 Executed in 1971 oil and aluminium on canvas 64 x 64 cm. (25 1/4 x 25 1/4 in.) signed 'RICHARD LIN' (on the reverse); signed, titled, dated and inscribed 'RICHARD LIN' "THE FIRST MORNING" 1971 25" x 25" OIL/ALUMINIUM/ CANVAS’ (on the stretcher) PROVENANCE
Acquired directly from the artist by the present owner
1971 年作 油彩 鋁 畫布 款識：RICHARD LIN（畫背）；RICHARD LIN "THE FIRST MORNING" 1971 25" x 25" OIL/ALUMINIUM/CANVAS（畫背內框） 來源
現藏者直接得自於藝術家 展覽
EXHIBITED
2010年5月15日-9月26日 「一即一切：林壽宇50年創作展」高雄 市立美術館 高雄 台灣
Taiwan, Kaohsiung, Kaohsiung Museum of Fine Arts, One is Everything: 50 Years of Work by Richard Lin, 15 May-26 September, 2010.
出版
LITERATURE
One is Everything: 50 Years of Work by Richard Lin, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan, 2010 (illustrated, p. 189).
HK$ 1,400,000 - 2,000,000 US$ 179,500 - 256,400
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《一即一切：林壽宇50年創作展》高雄市立美術館 高雄 台灣 2010年 （圖版，第189頁）
MODERN AND CONTEMPORARY ART
63
141 KISHIO SUGA ( JA PA N ES E , B . 1 9 4 4) Untitled 菅木志雄 無題 Executed in 1981 tonoko (ground stone) on wood board 60 x 90 cm. (23 1/2 x 35 1/2 in.) signed and dated 'Kishio Suga 1981' (on the reverse) PROVENANCE
Christie's London, 11 October 2016, Lot 81 Acquired from the above sale by the present owner
HK$ 150,000 - 200,000 US$ 19,200 - 25,600 64
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1981 年作 石粉 木板 款識：Kishio Suga 1981（畫背） 來源
佳士得 倫敦 2016年10月11日 編號81 現藏者購自上述拍賣
142 NOBUO SEKINE ( JA PA N ES E , 1 9 42-20 1 9) G8-138 Ancient Seed 關根伸夫 G8-138 古代的種子 Executed in 1989 gold leaf and mixed media on paper 44.5 x 37.1 cm. (17 1/2 x 14 1/2 in.) titled, signed and dated 'G8-138 N SEKINE 89'; titled in Japanese (on the reverse) PROVENANCE
1989 年作 金箔 綜合媒材 紙本 款識：G8-138 古代の種N SEKINE 89（畫背） 來源
每日拍賣 東京 2017年9月9日 編號1060 現藏者購自上述拍賣
Mainichi Auction Tokyo, 9 Sepember 2017, Lot 1060 Acquired from the above sale by the present owner
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 MODERN AND CONTEMPORARY ART
65
143 TSONG PU (C H I N ES E , B . 1 9 47 ) Sand 莊普 沙 Executed in 1989 acrylic and bamboo on canvas 200.5 x 58 cm. (79 x 22 3/4 in.) dated '1989 9.'; signed and titled in Chinese (on the reverse); dated '1989. 9'; signed in Chinese (on the stretcher)
1989 年作 壓克力 竹子 畫布 款識：1989 莊普 9.（沙）（畫背）；1989. 9 莊普（畫背內框） 來源
亞洲 私人收藏
PROVENANCE
Private Collection, Asia
HK$ 120,000 - 220,000 US$ 15,400 - 28,200
我在一九八〇年代以來的幾何繪畫，便具有自身的解釋性，也 具有與冷僻純粹的現代主義沒有的溫度，它可以是歷史的、情 緒的或是不同於中心性的其它視角形態。 —莊普
My geometric paintings from the 1980s embody a self-explanatory quality as well as a sense of warmth that pure, cold Modernism simply does not carry. They can be viewed using a historical, sensational, or other form of perspective different from centricity. - Tsong Pu
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MODERN AND CONTEMPORARY ART
67
144 LENG JUN (C H I N ES E , B . 1 9 6 3) Tool Series 冷軍 工具系列 Painted in 2000 oil on canvas 25.6 x 20.8 cm. (10 x 8 1/4 in.) signed in Chinese; dated '2000.7' (lower right); signed in Chinese; inscribed '2011.9.8' (on the stretcher) PROVENANCE
Xiling Yinshe Auction Hangzhou, 15 December 2018, Lot 767 Acquired from the above sale by the present owner
HK$ 400,000 - 600,000 US$ 51,300 - 76,900
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2000 年作 油彩 畫布 款識：冷軍 2000.7（右下）；冷軍 2011.9.8（畫背內框） 來源
西泠印社拍賣 杭州 2018年12月15日 編號767 現藏者購自上述拍賣
MODERN AND CONTEMPORARY ART
69
145 LIANG ZHI-QING (C H I N ES E , L I A N G GAU K W I , B . 1 9 6 4) Magenta Lily 梁至青（梁高魁） 洋紅葵百合 Painted in 2012 oil on canvas 193.5 x 130 cm. (76 1/4 x 51 1/4 in.) dated '2012'; signed in Chinese (lower left)
2012 年作 油彩 畫布 款識：2012至青（左下）
PROVENANCE
台灣 台北 非畫廊 現藏者購自上述畫廊
Beyond Gallery, Taipei, Taiwan Acquired from the above gallery by the present owner
來源
展覽
EXHIBITED
2012年3月31日-5月5日「花 形色」非畫廊 台北 台灣
Taiwan, Taipei, Beyond Gallery, Flowers-Delicately and Realistically Depicting Their Patterns and Colours, 31 March-5 May, 2012.
出版
LITERATURE
Essence over Ten Centuries, Beyond Gallery, Taipei, Taiwan, 2012 (illustrated, p. 38). Artco Magazine, Volume 4, 2012, Art & Collection Group, Taipei, Taiwan, 2012 (illustrated, cover).
HK$ 500,000 - 750,000 US$ 64,100 - 96,200
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《千年之華》非畫廊 台北 台灣 2012年（圖版 第38頁） 《典藏．今藝術》2012年第四期 典藏雜誌社 台北 台灣 2012年 （圖版，封面）
MODERN AND CONTEMPORARY ART
71
146 LIANG ZHI-QING (C H I N ES E , L I A N G GAU K W I , B . 1 9 6 4) Take a Walk No. 36 梁至青（梁高魁） 隨行 No. 36 Painted in 2009 acrylic on canvas 190.5 x 149 cm. (75 x 58 3/4 in.) dated ‘2009’; signed in Chinese (lower right)
2009 年作 壓克力 畫布 款識：2009青（左下）
PROVENANCE
亞洲 私人收藏
Private Collection, Asia EXHIBITED
Taiwan, Miaoli, Jin-Zhi Gallery, Take a Walk, 14 February-3 May, 2009. China, Beijing, G-Dot Art Space, Text of the Other Book, 10 September-10 October, 2010. LITERATURE
Take a Walk-Zhi Qing Liang’s Abstract 2006-2009, Jin-Zhi Gallery, Miaoli, Taiwan, 2009 (illustrated, p. 30).
HK$ 200,000 - 250,000 US$ 25,600 - 32,100
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來源
展覽
2009年2月14日-5月3日「隨·行」金枝藝術 苗栗 台灣 2010年9月10日至10月10日「另一本書」貴點藝術空間 北京 中國 出版
《隨行 梁至青抽象2006-2009》金枝藝術 苗栗 台灣 2009年 （圖版，第30頁）
MODERN AND CONTEMPORARY ART
73
147 YANG CHIHUNG (C H I N ES E , YA N G S H I H O N G , B . 1 9 47 ) Cool Fragrance 楊識宏 冷香 Painted in 2014 oil on canvas 97 x 128 cm. (38 1/4 x 50 in.) signed, titled and dated 'Chihung Yang Cool Fragrance @2014' (on the reverse)
HK$ 220,000 - 300,000 US$ 28,200 - 38,500 74
POLY AUCTION HONG KONG
2014 年作 油彩 畫布 款識：Chihung Yang Cool Frangrance @2014 (畫背)
2.
1.
148 ZAO WOU-KI (C H I N ES E- F R E N C H , Z H AO WU J I , 1 920 -20 1 3) Composition I (Canto Pisan); & Sans titre 趙無極 構圖一（Canto Pisan）；及無題 Executed in 1972; & 1994 two etchings edition: 4/50; & E.A. 9/15 40.5 x 25.5 cm. (16 x 10 in.); & 51 x 40 cm. (20 x 15 3/4 in.) 1. Composition I (Canto Pisan): editioned and signed '4/50 ZAO'; signed in Chinese (bottom) 2. Sans titre: editioned, inscribed and signed' E.A.9/15 pour Patricia de Beauvois, ma chère Ton ami ZAO'; signed in Chinese (bottom) LITERATURE
1. Zao Wou-Ki Les estampes 1937-1974, Arts et Métiers Graphiques, Paris, France, 1975 (alternate edition illustrated in black and white, plate 219, p. 122). Zao Wou-Ki: The Graphic Work, A Catalogue Raisonné 1937-1995, Edition Heede & Moestrup, Copenhagen, Denmark, 1995 (alternate editionillustrated, plate 218, p. 130). 2. Zao Wou-Ki: The Graphic Work, A Catalogue Raisonné 1937-1995, Edition Heede & Moestrup, Copenhagen, Denmark, 1995 (alternate edition illustrated, plate 378, p. 205).
1972；及 1994 年作 蝕刻 版畫（共兩件） 版數：4/50；及藝術家試版 9/15 款識： 1.《構圖一（Canto Pisan）》：4/50 無極ZAO （底部） 2.《無題》：E.A. 9/15 pour Patricia de Beauvois, ma chère Ton ami 無極ZAO（底部） 出版
1.《趙無極版畫集 1937-1974》Arts et Métiers Graphiques 巴黎 法國 1975年（黑白圖版為另 一版數，第219圖，第122頁) 《趙無極版畫集 1937-1995》Edition Heede &Moestrup 哥本哈根 丹麥 1994年（圖版為另一 版數，第218圖，第130頁） 2.《趙無極版畫集 1937-1995》Edition Heede & Moestrup 哥本哈根 丹麥 1994年 (圖版為另一 版數，第378圖，第205頁)
HK$ 50,000 - 80,000 US$ 6,400 - 10,300 MODERN AND CONTEMPORARY ART
75
1.
2.
149 ZAO WOU-KI (C H I N ES E- F R E N C H , Z H AO WU J I , 1 920 -20 1 3) Champs Abandonnés; & Sans titre 趙無極 被遺棄之地；及無題 Executed in 1954; & 1958 etching; & lithograph edition: 5/95; & 86/150 1. 30.8 x 48.5 cm. (11 3/4 x 18 3/4 in.); & 2. 46.7 x 42.5 cm. (18 1/4 x 16 1/2 in.) 1. Champs Abandonnés: editioned, signed and dated '5/95 ZAO 54'; signed in Chinese (bottom) 2. Sans titre: editioned, signed and dated '86/150 ZAO 58'; signed in Chinese (bottom) LITERATURE
1. Zao Wou-Ki Les estampes 1937-1974, Arts et Metiers Graphiques, Paris, France, 1975 (alternate edition illustrated in black and white, plate 93, p. 57). Zao Wou-Ki: The Graphic Work, A Catalogue Raisonné 1937-1995, Edition Heede & Moestrup, Copenhagen, Denmark, 1995 (alternate edition illustrated, plate 90, p. 62). 2. Zao Wou-Ki Les estampes 1937-1974, Arts et Metiers Graphiques, Paris, France, 1975 (alternate edition illustrated, plate 118, p. 71). Zao Wou-Ki: The Graphic Work, A Catalogue Raisonné 1937-1995, Edition Heede & Moestrup, Copenhagen, Denmark, 1995 (alternate edition illustrated, plate 117, p. 76).
HK$ 50,000 - 80,000 US$ 6,400 - 10,300 76
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1954；及 1958 年作 蝕刻 版畫；及石版 版畫 版數：5/95；及86/150 款識： 1.《被遺棄之地》：5/95 無極 ZAO 54（底部） 2.《無題》：86/150 無極 ZAO 58（底部） 出版
1.《趙無極版畫集1937-1974》Arts et Metiers Graphiques 巴黎 法國 1975年（黑白圖版為另一版數，第93圖，第57頁） 《趙無極版畫集1937-1995》Edition Heede & Moestrup 哥本哈根 丹麥 1995年（圖版為另一版數，第90圖，第62頁） 2.《趙無極版畫集1937-1974》Arts et Metiers Graphiques 巴黎 法 國 1975年（圖版為另一版數，第118圖，第71頁） 《趙無極版畫集1937-1995》Edition Heede & Moestrup 哥本哈根 丹麥 1995年（圖版為另一版數，第117圖，第76頁）
150 PAN YU-LIN (C H I N ES E , PA N Y U L I A N G , 1 8 9 5 -1 97 7 ) Nu au chat 潘玉良 抱貓女人體 Executed in 1943 lithograph edition: E.A. 31 x 48 cm. (12 1/4 x 18 3/4 in.) signed in Chinese; dated '43' (upper right); editioned and signed 'e.a Pan Yu Lin' (bottom) one seal of the artist PROVENANCE
1943 年作 石版 版畫 版數：藝術家試版 款識：潘玉良 43（右上）；e.a Pan Yu Lin（底部） 鈐印：玉良 來源
Tajan 巴黎 2019年6月10日 編號18 現藏者購自上述拍賣
Tajan Paris, 10 June 2019, Lot 18 Acquired from the above sale by the present owner
HK$ 40,000 - 80,000 US$ 5,100 - 10,300 MODERN AND CONTEMPORARY ART
77
151 LI CHEN (C H I N ES E , B . 1 9 6 3) On Cloud Mountains 李真 清涼山 Executed in 2003 bronze sculpture edition: 2/8 41 x 31 x 72 cm. (16 1/4 x 12 1/4 x 28 1/4 in.) signed, editioned and dated "Li Chen 2/8 2003" (lower back) one carved seal of the artist
2003 年作 銅雕 雕塑 版數：2/8 款識：Li Chen 2/8 2003（下背） 藝術家手刻鈐印：李真
PROVENANCE
羅芙奧 台北 2012年6月3日 編號132 現藏者購自上述拍賣
Ravenel Taipei, 3 June 2012, Lot 132 Acquired from the above sale by the present owner LITERATURE
Li Chen 1992-2002 Sculpture, Asia Art Center, Taipei, Taiwan, 2004 (illustrated, pp. 93-94). Li Chen: Energy of Emptiness 2007 Solo Exhibition at 52nd International Art Exhibition-La Biennale di Venezia, Asia Art Centre Co. Ltd., Taipei, Taiwan, 2007 (alternate sized version and edition illustrated, pp. 154-157 & 219). Li Chen: In Search of Spiritual Space 2008 Solo Exhibition at National Art Museum of China, Asia Art Centre Co. Ltd., Taipei, Taiwan, 2008 (alternate sized version and edition illustrated, pp. 88-93 & 197). This work is to be sold with a certificate of authenticity issued by Asia Art Center, Taipei, Taiwan.
HK$ 700,000 - 1,200,000 US$ 89,700 - 153,800
Lot 151 另一角度（局部） alternative view (detail)
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來源
出版
《李真雕塑》亞洲藝術中心 台北 台灣 2004年（圖版，第93-94頁） 《李真—虛空中的能量：第52屆威尼斯雙年展》亞洲藝術中心 台北 台灣 2007年（圖版為另一尺寸、版數，第154-157及219頁） 《李真—尋找精神的空間：中國美術館個展》亞洲藝術中心 台北 台灣 2008年（圖版為另一尺寸、版數，第88-93及197頁） 附台灣 台北 亞洲藝術中心開立之原作保證書
MODERN AND CONTEMPORARY ART
79
152 QIN QI (C H I N ES E , B . 1 975 ) Her 2 秦琦 她 2 Painted circa 2003 oil on canvas 170.5 x 190.5 cm. (67 1/4 x 75 in.) PROVENANCE
約 2003 年作 油彩 畫布 來源
Private Collection, Asia
亞洲 私人收藏
EXHIBITED
展覽
China, Beijing, Beijing Art Now Gallery, Pool-Qin Qi Solo Exhibition, 2-21 December, 2005.
HK$ 220,000 - 320,000 US$ 28,200 - 41,000
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2005年12月2-21日「永池-秦琦個展」北京現在畫廊 北京 中國
MODERN AND CONTEMPORARY ART
81
陳飛 CHEN FEI 每件作品的名字對我來說都特別重要。 但是他傳達的信息有時可能跟畫面中所 表現的內容是相佐的，要麼是起一個引 導的作用，要麼是起個誤導的作用。 ─陳飛
陳飛畢業於北京電影學院，在電影專業之餘亦對 動漫有著濃烈的興趣，進而影響了他的創作構圖 和題材。《壞叔叔─獻給安東尼奧尼．米開朗基 羅》(Lot 153) 的畫面和作品名源自於義大利導演 米開朗基羅．安東尼奧尼所執導的電影《春光乍 現》，是陳飛對電影大師的致敬，並是其以電影 為主題的代表作之一。《春光乍現》內容講述一 名玩世不恭的攝影師湯瑪斯，在某次意外中讓他 開始挖掘照片背後的真實性。而其中有一經典畫 面是攝影師跨坐於躺在地上的模特兒身上，模特 兒看似十分享受地擺出各種撩人姿勢，陳飛擷取 此畫面，作為其創作根基。 陳飛在多數作品中時常引用日常生活以及能夠引 起人們共鳴的物件和場景，卻總能保有自身的獨 特語彙。《壞叔叔─獻給安東尼奧尼．米開朗基 羅》僅保留了電影構圖，去掉當時電影中特有的 流行文化元素，改將自己和女友置入畫面，利 用傳統工筆技法，以黑色線條勾勒出人物輪廓， 並將精緻、色彩飽和的紋身細膩的添加在自己半 裸的上身。據他表示，對於大時代下缺乏極端刺 激的人們，將被其作品所傳達的趣味性而產生更 深層的思辨，將暴力與性的相關內容融入畫面之 際，同時也挑戰了大眾的審美尺度，較原劇增添 了些許力度與狂野。 綜觀陳飛的作品，是對於美術史的重新審視；是 一種透過理解、揉和以及梳理後的個人映射。他 的作品畫面乍看雖異色而大膽，卻充滿著含蓄以 及其內斂的情感，觀看者得以在咫尺間放大每一 處細節解讀，也就此回應電影中，每個人對真實 意義的不同理解。
The title of each artwork holds significant meaning to me. However, the message delivered by the title may be different from the depicted scene. A title can either serve as a guide or a misleading source. - Chen Fei
Chen Fei graduated from Beijing Film Academy and in addition to his profession in film, he also holds a great passion for animation, which in turn has influenced the composition and theme of his artworks. The film Blow-Up, directed by Italian film director Michelangelo Antonioni, is the inspiration for the title and the scene portrayed in Bad Uncle - Tribute to Michelangelo Antonioni (Lot 153), which serves as a dedication to the film master as well as an iconic film-themed artwork by Chen Fei. Blow-Up describes how a cynical photographer named Thomas embarks on a journey to discover the truth behind the photos from a particular incident. One of the iconic scenes from the film is the photographer straddling and leaning over a model lying on the ground. The model, who seems to enjoy being photographed, is striking various sensual poses. Chen Fei created Bad Uncle - Tribute to Michelangelo Antonioni on the basis of this particular scene.
米開朗基羅．安東尼奧尼《春光 乍現》電影海報 1966年 Movie poster of Blow-Up by Michelangelo Antonioni, 1966
In most of his works, Chen Fei portrays everyday subject matters and selects themes that are relatable to people, while still retaining his unique artistic language. In Bad Uncle - Tribute to Michelangelo Antonioni, Chen Fei removed distinctive elements of popular culture and retained only the composition from the film scene.
Subsequently, Chen Fei replaced the photographer and the model with himself and his girlfriend, respectively. Gongbi, a Chinese realistic painting technique, was used to outline the two subjects in black. In addition, Chen Fei added exquisite tattoos with vibrant colours to the seminude upper body of the subject, representing himself in the artwork. He asserted that because people lack extreme stimuli in this magnificent era, they are likely to be amused by this artwork and develop in-depth speculations. By integrating violence and sex into this artwork and adding a sense of strength and wildness to the scene from the original film, the artist challenges the public's aesthetic standards. A comprehensive view of Chen Fei's artworks allows for a re-examination of the art history. Through understanding, combining, and organizing, the artist's ideas are reflected in his artworks. Appearing as peculiar and bold, Chen Fei's artworks convey much subtlety and introverted emotions. Viewers closely appreciating his artworks can interpret every detail of the zoomed-in truth, which resonates with the idea delivered by the aforementioned film-everyone interprets the meaning of truth differently.
MODERN AND CONTEMPORARY ART
83
153 CHEN FEI (C H I N ES E , B . 1 972) Bad Uncle - Tribute to Michelangelo Antonioni 陳飛 壞叔叔—獻給安東尼奧尼．米開朗基羅 Painted in 2010 acrylic on canvas 200 x 150 cm. (78 3/4 x 59 in.) titled, inscribed and signed in Chinese; inscribed and dated '200 x 150 cm 2010' (on the reverse)
2010 年作 壓克力 畫布 款識：壞叔叔－獻給安東尼奧尼．米開朗基羅 布面丙烯 200 x 150 cm 陳飛 2010（畫背）
PROVENANCE
中國 香港 少勵畫廊 佳士得 香港 2015年5月31日 編號113 現藏者購自上述拍賣
Schoeni Art Gallery, Hong Kong, China Christie's Hong Kong, 31 May 2015, Lot 113 Acquired from the above sale by the present owner
來源
展覽
EXHIBITED
2010年9月3日-10月2日「壞品味︰陳飛」少勵畫廊 香港 中國
China, Hong Kong, Schoeni Art Gallery, Bad Taste: Chen Fei, 3 September-2 October, 2010.
出版
LITERATURE
Bad Taste: Chen Fei, Schoeni Art Gallery, Hong Kong, China, 2010 (illustrated, p. 41).
HK$ 1,000,000 - 1,500,000 US$ 128,200 - 192,300
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《壞品味︰陳飛》少勵畫廊 香港 中國 2010年（圖版，第41頁）
MODERN AND CONTEMPORARY ART
85
154 ZHANG ENLI (C H I N ES E , B . 1 9 6 5 ) Dartboard 張恩利 標靶 Painted in 2005 oil on masonite, mounted on aluminium installation 42.3 cm. (16 3/4 in.) in diameter signed in Chinese; dated '05' (lower centre)
2005 年作 油彩 纖維板 裱於鋁 裝置 款識：恩利 05（中下）
PROVENANCE
歐洲 私人收藏 (直接得自於藝術家) 亞洲 私人收藏
Private Collection, Europe (acquired directly from the artist) Private Collection, Asia
HK$ 120,000 - 180,000 US$ 15,400 - 23,100
Lot 154 作品背面 rear view
86
POLY AUCTION HONG KONG
來源
MODERN AND CONTEMPORARY ART
87
155 YOSHITOMO NARA ( JA PA N ES E , B . 1 9 5 9) Untitled (Who Snatched the Babies) 奈良美智 無題（誰搶走了寶寶們） Painted in 2001-2002 pen and coloured pencil on paper 29 x 20.5 cm. (11 1/2 x 8 in.)
2001-2002 年作 鋼筆 彩色鉛筆 紙本
PROVENANCE
美國 紐約 Marianne Boesky畫廊 富藝斯 紐約 2015年3月4日 編號146 現藏者購自上述拍賣
Marianne Boesky Gallery, New York, USA Phillips New York, 4 March 2015, Lot 146 Acquired from the above sale by the present owner EXHIBITED
France, Chatou, Centre National de l’Estampe et de l’Art Imprimé, Who Snatched the Babies?, 2 June-20 September, 2002. USA, Cleveland, Museum of Contemporary Art Cleveland, Nothing Ever Happens, 12 September, 2003-4 January, 2004; USA, Philadelphia, Institute of Contemporary Art, University of Pennsylvania, 24 January-4 April, 2004; USA, San Jose, San Jose Museum of Art, 24 July-24 October, 2004; USA, St. Louis, Contemporary Art Museum St. Louis, 3 December, 2004-26 February, 2005; USA, Honolulu, Contemporary Museum, 25 March-22 May, 2005. LITERATURE
Yoshitomo Nara: The Complete Works Volume 2-Works on Paper, Bijutsu Shuppan Sha, Tokyo, Japan, 2011 (illustrated, plate D-2002-074, p. 185).
HK$ 200,000 - 300,000 US$ 25,600 - 38,500
88
POLY AUCTION HONG KONG
來源
展覽
2002年6月2日-9月20日「誰搶走了寶寶們？」國立版畫與印刷藝術 中心 沙圖 法國 2003年9月12日-2004年1月4日「什麼都沒發生」克利夫蘭當代美術 館 克利夫蘭 美國；2004年1月24日-4月4日 賓州大學當代藝術中心 費城 美國；2004年7月24日-10月24日 聖荷西藝術博物館 聖荷西 美 國；2004年12月3日-2005年2月26日 聖路易當代美術館 聖路易 美 國；2005年3月25日-5月22日 當代博物館 檀香山 美國 出版
《奈良美智：作品全集 第2卷—紙本作品》美術出版社 東京 日本 2011年（圖版，第D-2002-074圖，第185頁）
MODERN AND CONTEMPORARY ART
89
156 YOSHITOMO NARA ( JA PA N ES E , B . 1 9 5 9) Untitled 奈良美智 無題 Painted in 1995 pen and coloured pencil on paper 23 x 33.5 cm. (9 x 13 1/4 in.) signed in Japanese; dated ''95' (lower left) PROVENANCE
Mainichi Auction Tokyo, 5 November 2011, Lot 238 Private Collection, Asia LITERATURE
Yoshitomo Nara: The Complete Works Volume 2-Works on Paper, Bijutsu Shuppan Sha, Tokyo, Japan, 2011 (illustrated, plate D-1995-084, p. 82). 1995 年作 鋼筆 彩色鉛筆 紙本 款識：なら'95（左下） 來源
每日拍賣 東京 2011年11月5日 編號238 亞洲 私人收藏 出版
《奈良美智：作品全集 第2卷—紙本作品》美術出版社 東京 日本 2011年（圖版，第D-1995-084圖，第82頁）
HK$ 380,000 - 580,000 US$ 48,700 - 74,400
90
POLY AUCTION HONG KONG
MODERN AND CONTEMPORARY ART
91
157 YOSHITOMO NARA ( JA PA N ES E , B . 1 9 5 9) Cosmic Girls (Eyes Opened; & Eyes Closed) 奈良美智 宇宙女孩（睜眼；及閉眼） Executed in 2008 a set of two offset prints edition of 500 each: 69 x 49 cm. (27 1/4 x 19 1/4 in.) inscribed '©YOSHITOMO NARA. Courtesy Stephen Friedman Gallery, London. BALTIC Centre for Contemporary Art 14th June-26th October' (bottom of each)
2008 年作 膠印 版畫（一組共兩件） 總版數：500 款識：©YOSHITOMO NARA. Courtesy Stephen Friedman Gallery, London. BALTIC Centre for Contemporary Art 14th June-26th October（每件 底部）
PROVENANCE
英國 蓋茨黑德 巴爾提克當代藝術中心 現藏者購自上述機構
Baltic Centre for Contemporary Art, Gateshead, UK Acquired from the above institution by the present owner LITERATURE
Yoshitomo Nara: The Complete Works Volume 1– Paintings, Sculptures, Editions, Photographs, Bijutsu Shuppan Sha, Tokyo, Japan, 2011 (illustrated, p. 309).
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 92
POLY AUCTION HONG KONG
來源
出版
《奈良美智：作品全集 第1卷─繪畫，雕塑，版 畫，攝影作品》株式會社美術出版社 東京 日本 2011年（圖版，第309頁）
158 AYAKO ROKKAKU ( JA PA N ES E , B . 1 9 82) Untitled 六角彩子 無題 Painted in 2006 acrylic on canvas 162 x 130 cm. (63 3/4 x 51 1/4 in.) dated '2006'; signed in Japanese (on the reverse)
2006 年作 壓克力 畫布 款識：2006 ロッカクアヤコ（畫背）
PROVENANCE
亞洲 私人收藏
來源
Private Collection, Asia
HK$ 100,000 - 150,000 US$ 12,800 - 19,200 MODERN AND CONTEMPORARY ART
93
159 AYAKO ROKKAKU ( JA PA N ES E , B . 1 9 82) Untitled 六角彩子 無題 Painted in 2006 acrylic on cardboard 110 x 80 cm. (43 1/4 x 31 1/2 in.) dated '2006'; signed in Japanese (on the reverse)
2006 年作 壓克力 紙板 款識：2006 ロッカクアヤコ（畫背）
PROVENANCE
親和拍賣 澳門 2008年11月28日 編號413 現藏者購自上述拍賣
Shinwa Auction Macau, 28 November 2008, Lot 413 Acquired from the above sale by the present owner
HK$ 180,000 - 260,000 US$ 23,100 - 33,300
94
POLY AUCTION HONG KONG
來源
MODERN AND CONTEMPORARY ART
95
160 AYAKO ROKKAKU ( JA PA N ES E , B . 1 9 82) A Cow in the Bath 六角彩子 浴牛圖 Painted in 2008 acrylic on canvas 130.5 x 162.2 cm. (51 1/2 x 63 3/4 in.) dated '2008'; signed in Japanese (on the reverse) PROVENANCE
Gallery Beniya, Tokyo, Japan Shinwa Auction Tokyo, 31 October 2009, Lot 47 Acquired from the above sale by the present owner 2008 年作 壓克力 畫布 款識：2008 ロッカクアヤコ（畫背） 來源
日本 東京 Beniya畫廊 親和拍賣 東京 2009年10月31日 編號47 現藏者購自上述拍賣
HK$ 600,000 - 800,000 US$ 76,900 - 102,600
96
POLY AUCTION HONG KONG
MODERN AND CONTEMPORARY ART
97
161 AYAKO ROKKAKU ( JA PA N ES E , B . 1 9 82) Cigarette 六角彩子 香煙 Painted in 2008 acrylic on cardboard 63 x 72 cm. (24 3/4 x 28 1/4 in) dated '2008'; signed in Japanese (on the reverse)
2008 年作 壓克力 紙板 款識：2008 ロッカクアヤコ（畫背）
PROVENANCE
親和拍賣 東京 2009年10月31日 編號47 日本馬雷特 東京 2011年7月22日 編號152 亞洲 私人收藏
Shinwa Auction Tokyo, 31 October 2009, Lot 47 Mallet Japan Tokyo, 22 July 2011, Lot 152 Private Collection, Asia
HK$ 150,000 - 200,000 US$ 19,200 - 25,600 98
POLY AUCTION HONG KONG
來源
162 MADSAKI ( JA PA N ES E , B . 1 974) No Image Available MADSAKI 無可用圖像 Executed in 2012 acrylic on panel 83 x 60 cm. (32 1/2 x 23 1/2 in.) signed and dated 'madsaki 2012' (on the reverse)
2012 年作 壓克力 木板 款識：madsaki 2012（畫背）
HK$ 180,000 - 280,000 US$ 23,100 - 35,900 MODERN AND CONTEMPORARY ART
99
163 KAWS ( A M E R I CA N , B . 1 974) Companion (Brown) KAWS 同伴（棕） Executed in 2007 vinyl sculpture edition:44/100 57 x 35 x 125 cm. (22 1/2 x 13 3/4 x 49 1/4 in.) signed and dated 'KAWS..07' (underside of right foot); stamped 'MEDICOM TOY 2007 MADE IN CHINA' (underside of left foot) This work is to be sold with a certificate of authenticity issued by Medicom Toy.
HK$ 600,000 - 800,000 US$ 76,900 - 102,600
Lot 163 另一角度 alternative view
100
POLY AUCTION HONG KONG
2007 年作 乙烯基 雕塑 版數：44/100 款識：KAWS..07（右腳底部）；MEDICOM TOY 2007 MADE IN CHINA（左腳底部） 附Medicom Toy開立之原作保證書
MODERN AND CONTEMPORARY ART
101
164 KAWS ( A M E R I CA N , B . 1 974) Companion (Grey) KAWS 同伴（灰） Executed in 2007 vinyl sculpture edition:19/100 57 x 35 x 125 cm. (22 1/2 x 13 3/4 x 49 1/4 in.) signed and dated 'KAWS..07' (underside of right foot); stamped 'MEDICOM TOY 2007 MADE IN CHINA' (underside of left foot) This work is to be sold with a certificate of authenticity issued by Medicom Toy.
HK$ 600,000 - 800,000 US$ 76,900 - 102,600
Lot 164 另一角度 alternative view
102
POLY AUCTION HONG KONG
2007 年作 乙烯基 雕塑 版數：19/100 款識：KAWS..07（右腳底部）；MEDICOM TOY 2007 MADE IN CHINA（左腳底部） 附Medicom Toy開立之原作保證書
MODERN AND CONTEMPORARY ART
103
165 KAWS ( A M E R I CA N , B . 1 974) Companion (Black) KAWS 同伴（黑） Executed in 2007 vinyl sculpture edition:47/100 57 x 35 x 125 cm. (22 1/2 x 13 3/4 x 49 1/4 in.) signed and dated 'KAWS..07' (underside of right foot); stamped 'MEDICOM TOY 2007 MADE IN CHINA' (underside of left foot) This work is to be sold with a certificate of authenticity issued by Medicom Toy.
HK$ 600,000 - 800,000 US$ 76,900 - 102,600
Lot 165 另一角度 alternative view
104
POLY AUCTION HONG KONG
2007 年作 乙烯基 雕塑 版數：47/100 款識：KAWS..07（右腳底部）；MEDICOM TOY 2007 MADE IN CHINA（左腳底部） 附Medicom Toy開立之原作保證書
MODERN AND CONTEMPORARY ART
105
166 MARIA TANIGUCHI ( F I L I P I N O, B . 1 9 8 1 ) Untitled 谷口瑪利亞 無題 Painted in 2016 acrylic on paper 82.5 x 55.8 cm. (32 1/2 x 22 in.)
2016 年作 壓克力 紙本
PROVENANCE
日本 東京 Taka Ishii 畫廊 亞洲 私人收藏
Taka Ishii Gallery, Tokyo, Japan Private Collection, Asia
HK$ 50,000 - 80,000 US$ 6,400 - 10,300 106
POLY AUCTION HONG KONG
來源
167 MASARU SHICHINOHE ( JA PA N ES E , B . 1 9 5 9) A Pirate Kid 七戶優 海盜孩童 Painted in 2003 oil on board 30 cm. (11 3/4 in.) in diameter titled in Japanese; dated and signed '2003.3.3 masaru shichinohe' (on the reverse)
2003 年作 油彩 木板 款識：海賊キッド 2003.3.3 masaru shichinohe （畫背）
PROVENANCE
日本 東京 Aoki畫廊 現藏者購自上述畫廊
Aoki Gallery, Tokyo, Japan Acquired from the above gallery by the present owner
來源
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 MODERN AND CONTEMPORARY ART
107
168 MR. ( JA PA N ES E , B . 1 9 6 9) Yamashina MR. 來到山科的女孩 Painted in 2002 acrylic on canvas, mounted on board 52 x 36.5 cm. (20 1/2 x 14 1/4 in.) titled, dated and signed 'YAMASHINA 2002. 1 Mr.'; dated in Japanese (on the reverse) PROVENANCE
United Asian Auctioneers Hong Kong, 19 May 2012, Lot 16 Acquired from the above sale by the present owner
HK$ 120,000 - 180,000 US$ 15,400 - 23,100
108
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2002 年作 壓克力 畫布 裱於木板 款識：YAMASHINA 2002. 1月 Mr.（畫背） 來源
亞洲聯合拍賣會 香港 2012年5月19日 編號16 現藏者購自上述拍賣
MODERN AND CONTEMPORARY ART
109
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169 NIPPON ANIMATION Chibi Maruko Chan 日本動畫 櫻桃小丸子 five acrylic on cels 1. 22.5 x 26 cm. (8 3/4 x 10 1/4 in.); 2. 22 x 26 cm. (8 3/4 x 10 1/4 in.); 3. 18.5 x 24.5 cm. (7 1/4 x 9 3/4 in.); 4. 22 x 26 cm. (8 3/4 x 10 1/4 in.); & 5. 22.5 x 26 cm. (8 3/4 x 10 1/4 in.) These works are to be sold with six coloured pencil sketches.
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 110
POLY AUCTION HONG KONG
壓克力 賽璐珞片（共五件） 附六件彩色鉛筆草圖
170 TOEI ANIMATION Dragon Ball 東映動畫 七龍珠 壓克力 賽璐珞片（共二十件）
twenty acrylic on cels each: 21 x 25 cm. (8 1/4 x 9 3/4 in.)
附八件彩色鉛筆草圖
These works are to be sold with eight coloured pencil sketches.
HK$ 200,000 - 300,000 US$ 25,600 - 38,500 MODERN AND CONTEMPORARY ART
111
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171 TOEI ANIMATION Slam Dunk 東映動畫 灌籃高手 six acrylic on cels 1. 20.8 x 28.8 cm. (8 1/4 x 11 1/4 in.); 2. 19.8 x 25.3 cm. (7 3/4 x 10 in.); 3. 22.3 x 25.4 cm. (8 3/4 x 10 in.); 4. 21.8 x 40.3 cm. (8 1/2 x 15 3/4 in.); 5. 20.4 x 25.4 cm. (8 x 10 in.); & 6. 22.6 x 26.4 cm. (9 x 10 1/2 in.) These works are to be sold with four coloured pencil sketches.
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 112
POLY AUCTION HONG KONG
壓克力 賽璐珞片（共六件） 附四件彩色鉛筆草圖
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172 OLM Pokémon OLM 寶可夢 five acrylic on cels 1. 20.5 x 25.5 cm. (8 x 10 in.); 2. 21.3 x 25.5 cm. (8 1/2 x 10 in.); 3. 22 x 26 cm. (8 3/4 x 10 1/4 in.); 4. 18 x 25 cm. (7 x 9 3/4 in.); & 5. 20.5 x 25.5 cm. (8 x 10 in.)
壓克力 賽璐珞片（共五件） 附兩件彩色鉛筆草圖
These works are to be sold with two coloured pencil sketches.
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 MODERN AND CONTEMPORARY ART
113
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173 SHIN-EI ANIMATION Doraemon 新銳動畫 哆啦A夢 five acrylic on cels 1. 22 x 26 cm. (8 3/4 x 10 1/4 in.); 2. 19 x 25 cm. (7 1/2 x 9 3/4 in.); 3. 22 x 26 cm. (8 3/4 x 10 1/4 in.); 4. 22 x 26 cm. (8 3/4 x 10 1/4 in.); & 5. 22 x 25 cm. (8 3/4 x 9 3/4 in.) These works are to be sold with four coloured pencil sketches.
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 114
POLY AUCTION HONG KONG
壓克力 賽璐珞片（共五件） 附四件彩色鉛筆草圖
174 SHIN-EI ANIMATION Doraemon 新銳動畫 哆啦A夢 壓克力 賽璐珞片
acrylic on cel 22 x 26 cm. (8 3/4 x 10 1/4 in.)
附三件彩色鉛筆草圖
This work is to be sold with three coloured pencil sketches.
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 MODERN AND CONTEMPORARY ART
115
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175 TEZUKA PRODUCTIONS Astro Boy 手塚製作公司 小飛俠阿童木 six acrylic on cels 1. 19.5 x 31 cm. (7 ¾ x 12 ¼ in.); 2. 20.5 x 26 cm. (8 x 10 ¼ in.); 3. 21.5 x 33 cm. (8 ½ x 13 in.); 4. 21.5 x 24 cm. (8 ½ x 9 ½ in.); 5. 20.5 x 25 cm. (8 x 9 ¾ in.); & 6. 22.5 x 25.5 cm. (8 ¾ x 10 in.) These works are to be sold with five coloured pencil sketches.
HK$ 80,000 - 120,000 US$ 10,300 - 15,400 116
POLY AUCTION HONG KONG
壓克力 賽璐珞片（共六件） 附五件彩色鉛筆草圖
176 TEZUKA PRODUCTIONS Astro Boy 手塚製作公司 小飛俠阿童木 壓克力 賽璐珞片
acrylic on cel 16.5 x 28 cm. (6 1/2 x 11 in.)
附兩件彩色鉛筆草圖
This work is to be sold with two coloured pencil sketches.
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 MODERN AND CONTEMPORARY ART
117
177 TAKUMI KAMA ( JA PA N ES E , B . 1 9 8 5 ) Rock Eagle Owl's Drawer 釜匠 岩雕鴞的抽屜 Painted in 2018 acrylic on canvas, mounted on board 116.5 x 91 cm. (45 3/4 x 35 3/4 in.) titled, signed and dated in Japanese; titled, signed and dated 'Rock Eagle Owl's drawer Takumi Kama 2018 6' (lower centre); titled and signed in Japanese; dated ‘2018.6’ (on the stretcher) one painted seal of the artist
HK$ 60,000 - 100,000 US$ 7,700 - 12,800 118
POLY AUCTION HONG KONG
2018 年作 壓克力 畫布 裱於木板 款識：ミナミワシミミズクの引 き出しR o c k Eagle Owl's drawer Takumi Kama 釜匠 2018年 6月（中下）；ミナミワシミミズクの引き出し 2018.6 釜匠（畫背內框） 藝術家手繪鈐印：匠
178 DANH VŌ ( V I E T N A M ES E- DA N I S H , B . 1 975 ) Ma Ti Long 傅丹 馬蹄籠 Executed in 2016 bamboo sculpture edition of 128 17 x 17 x 33 cm. (6 3/4 x 6 3/4 x 13 in.) inscribed in Chinese (bottom)
2016 年作 竹子 雕塑 總版數：128 款識：陳坤（底部）
PROVENANCE
亞洲 私人收藏
來源
Private Collection, Asia
HK$ 50,000 - 80,000 US$ 6,400 - 10,300 MODERN AND CONTEMPORARY ART
119
179 TOMÁS SARACENO ( A RG E N T I N E A N , B . 1 973) Cloud Interior D 托馬斯．薩拉切諾 雲之內D Executed in 2012 plywood and elastic rope sculpture edition: 11/20 66 x 69 x 55.5 cm. (26 x 27 1/4 x 21 3/4 in.)
2012 年作 膠合板 彈性繩 雕塑 版數：11/20
PROVENANCE
美國 紐約 Tanya Bonakdar 畫廊 亞洲 私人收藏
Tanya Bonakdar Gallery, New York, USA Private Collection, Asia
HK$ 80,000 - 120,000 US$ 10,300 - 15,400
Lot 179 另一角度 alternative view
120
POLY AUCTION HONG KONG
來源
MODERN AND CONTEMPORARY ART
121
180 WANG KEPING (C H I N ES E , B . 1 9 4 9) Fruit Mûr 王克平 成熟的水果 Executed in 1999 maple sculpture 30 x 21 x 43.3 cm. (11 3/4 x 8 1/4 x 17 in.) signed in Chinese; signed ‘K’ (lower back)
1999 年作 楓木 雕塑 款識：王K（下背）
PROVENANCE
美國 紐約 私人收藏
Private Collection, New York, USA LITERATURE
Wang Keping: Xing Pin, De Tilly-Blaru, Hong Kong, China, 2001 (illustrated, p. 58).
HK$ 100,000 - 150,000 US$ 12,800 - 19,200 122
POLY AUCTION HONG KONG
來源
出版
《王克平：性品》De Tilly-Blaru 香港 中國 2001年 （圖版，第58頁）
181 WANG JINSONG (C H I N ES E , B . 1 9 6 3) Parents 王勁松 雙親 Executed in 1998 chromogenic print edition: 6/30 57.4 x 62.4 cm. (22 1/2 x 24 1/2 in.) titled in Chinese; titled and dated ''PARENTS' 1998' (lower left); signed in Chinese; signed and editioned 'WANG JINSONG c 6/30' (lower right) PROVENANCE
Private Collection, New York, USA LITERATURE
Blooming of Art Criticism: Away from National Ideology, Artist Publishing Co., Taipei, Taiwan, 2010 (alternate edition illustrated, p. 434).
HK$ 8,000 - 12,000 US$ 1,000 - 1,500
1998 年作 彩色照片 版數：6/30 款識：《雙親》'PARENTS' 1998（左下）；王 勁松 WANG JINSONG c 6/30（右下） 來源
美國 紐約 私人收藏 出版
《藝見的鳴放—從國家意識形態中出走》藝術家 出版社 台北 台灣 2010年（圖版為另一版數，第 434頁）
此為無底價拍品 SOLD WITHOUT RESERVE
MODERN AND CONTEMPORARY ART
123
182 GU WENDA (C H I N ES E , B . 1 9 5 5 ) Mythos of Lost Dynasties H Series #25 谷文達 遺失的王朝H系列二十五號 ink on paper 96 x 59.5 cm. (37 3/4 x 23 1/4 in.) inscribed ‘H25’; signed in Chinese (lower right) two seals of the artist
水墨 紙本 款識：H25 文達（右下） 藝術家鈐印
PROVENANCE
美國 紐約 私人收藏
Private Collection, New York, USA
HK$ 40,000 - 60,000 US$ 5,100 - 7,700 124
POLY AUCTION HONG KONG
來源
183 QIU ZHIJIE (C H I N ES E , B . 1 9 6 9) Poem by Su Shi 邱志傑 蘇軾詩 Painted in 2000-2004 ink on paper 66.6 x 66.6 cm. (26 x 26 in.) inscribed in Chinese four seals of the artist
2000-2004 年作 水墨 紙本 款識：紅波翻屋春風起，先生默坐春風里。浮雲 眼纈散雲霞，無數心花發桃李。 鈐印：吾喪我、形而上、邱志杰印、玄黃
PROVENANCE
來源
Private Collection, New York, USA
美國 紐約 私人收藏
HK$ 20,000 - 40,000 US$ 2,600 - 5,100 MODERN AND CONTEMPORARY ART
125
184 YUE MINJUN (C H I N ES E , B . 1 9 62) Smile-ism No. 20; Smile-ism No. 10; & Smile-ism No. 3 岳敏君 微笑主義 No. 20；微笑主義 No. 10；及微笑主義 No.3 Executed in 2006 three lithographs edition: 42/45; 42/45; & 42/45 110 x 89.9 cm. (43 1/4 x 35 1/4 in.); 101 x 89.8 cm. (39 3/4 x 35 1/4 in.); & 101 x 89.8 cm. (39 3/4 x 35 1/4 in.) 1. Smile-ism No. 20: editioned and signed '42/45 yueminjun' (bottom) 2. Smile-ism No. 10: editioned and signed '42/45 yueminjun' (bottom) 3. Smile-ism No. 3: editioned and signed '42/45 yueminjun' (bottom) PROVENANCE
Private Collection, New York, USA
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 126
POLY AUCTION HONG KONG
2006 年作 石版 版畫（共三件） 版數：42/45；42/45；及42/45 款識： 1.《微笑主義 No. 20》：42/45 yueminjun（底部） 2.《微笑主義 No.10》：42/45 yueminjun（底部） 3.《微笑主義 No.3》：42/45 yueminjun（底部） 來源
美國 紐約 私人收藏
185 TAKASHI MURAKAMI ( JA PA N ES E , B . 1 9 62) On an Endless Journey on a Time Machine with the Author Fujiko F. Fujio; & Many Things Await Beyond Anywhere Door (Dokodemo Door) 村上隆 和藤子．F．不二雄在時光機上的漫長旅行；及許多驚喜正在任意 門後等著 Executed in 2019 two screenprints edition: 187/300; & 279/300 each: 50 x 50 cm. (19 3/4 x 19 3/4 in.) 1. On an Endless Journey on a Time Machine with the Author Fujiko F. Fujio: signed in Japanese; signed, dated and editioned 'Murakami 2019 187/300' (bottom) 2. Many Things Await Beyond Anywhere Door (Dokodemo Door): signed in Japanese; signed, dated and editioned 'Murakami 2019 279/300' (bottom)
2019 年作 絲網 版畫（共兩件） 版數：187/300；及279/300 款識： 1.《和藤子．F．不二雄在時光機上的漫長 旅行》：藤子．F．不二雄 Murakami 2019 187/300（底部） 2.《許多驚喜正在任意門後等著》：藤子．F． 不二雄 Murakami 2019 279/300（底部）
HK$ 30,000 - 50,000 US$ 3,800 - 6,400 MODERN AND CONTEMPORARY ART
127
186 HAJIME SORAYAMA ( JA PA N ES E , B . 1 9 47 ) A Touch of Mercury 空山基 水星之觸 Executed in 2018 titanium plated porcelain sculpture edition: A.P. 7/10 7.2 x 6 x 31 cm. (2 3/4 x 2 1/4 x 12 1/4 in.) signed, dated and editioned 'SORAYAMA © 2018 AP 07' (bottom) This work is to be sold with a certificate of authenticity signed by the artist and issued by CASE STUDYO.
HK$ 40,000 - 80,000 US$ 5,100 - 10,300 128
POLY AUCTION HONG KONG
2018 年作 鍍鈦 瓷 雕塑 版數：藝術家試版 7/10 款識：SORAYAMA © 2018 AP 07（底部） 附由CASE STUDYO開立之藝術家親簽原作保證書
187 HAJIME SORAYAMA ( JA PA N ES E , B . 1 9 47 ) Robot Surf 空山基 衝浪機器人 Executed in 2018 alloy and mixed media sculpture edition: 158/500 40 x 54.7 x 46.5 cm. (15 3/4 x 21 1/2 x 18 1/4 in.) dated and signed '© 2018 SORAYAMA' (back)
2018 年作 合金 綜合媒材 雕塑 版數：158/500 款識：© 2018 SORAYAMA（背部）
HK$ 40,000 - 60,000 US$ 5,100 - 7,700 MODERN AND CONTEMPORARY ART
129
188
189
JAVIER CALLEJA (S PA N I S H , B . 1 97 1 ) Missing the Blue Sky
MR. DOODLE ( B R I T I S H , B . 1 9 9 4) The Doodler
哈維爾．卡勒加 想念藍天
塗鴉先生 塗鴉人
Executed in 2018 fiberglass, metal and mixed media sculpture edition: 34/200 16.2 x 16 x 22.3 cm. (6 1/2 x 6 1/4 x 8 3/4 in.) inscribed and signed 'APPORTFOLIO by javier celleja' (bottom)
Executed in 2019 resin sculpture edition: 49/250 34 x 14.3 x 15.1 cm. (14 1/4 x 5 1/2 x 6 in.) signed and dated 'MR DOODLE!2019' (bottom)
This work is to be sold with a certificate of authenticity signed by the artist and issued by APPORTFOLIO.
This work is to be sold with a certificate of authenticity signed by the artist and issued by FLEXXLEX.
2018 年作 玻璃纖維 金屬 綜合媒材 雕塑 版數：34/200 款識：APPORTFOLIO by javier celleja（底部）
2019 年作 樹脂 雕塑 版數：49/250 款識：MR DOODLE!2019（底部）
附由APPORTFOLIO開立之藝術家親簽原作保證書
附由FLEXXLEX開立之藝術家親簽原作保證書
HK$ 10,000 - 20,000
HK$ 10,000 - 20,000
US$ 1,300 - 2,600
US$ 1,300 - 2,600
130
POLY AUCTION HONG KONG
B.
A.
190 TAKASHI MURAKAMI ( JA PA N ES E , B . 1 9 62) MURAKAMI X COMPLEXCON DOBTOPUS BY BAIT X SWITCH (A; & B) 村上隆 MURAKAMI X COMPLEXCON DOBTOPUS BY BAIT X SWITCH（A；及B） Executed in 2017 two vinyl sculptures A: edition of 400; & B: edition of 800 35.5 x 28.5 x 26.5 cm. (13 3/4 x 11 x 10 1/4 in.); & 29 x 22 x 25.5 cm. (11 1/2 x 8 1/2 x 9 1/4 in.) signed and dated 'Takashi 2017-2018' (lower back)
191 TAKASHI MURAKAMI ( JA PA N ES E , B . 1 9 62) MURAKAMI X COMPLEXCON MR. DOB 村上隆 MURAKAMI X COMPLEXCON MR. DOB Executed in 2016 two vinyl sculptures Gold: edition of 250; & Original: edition of 750 each: 28.5 x 19.5 x 23 cm. (11 1/4 x 7 3/4 x 9 in.) signed and dated 'Takashi 2016-2017' (lower back)
2017 年作 乙烯基 雕塑（共兩件） A：總版數：400；及B：總版數：800 款識：Takashi 2017-2018（下背）
2016 年作 乙烯基 雕塑（共兩件） 黃金：總版數：250；及 標準：總版數：750 款識：Takashi 2016-2017（下背）
HK$ 20,000 - 40,000
HK$ 20,000 - 40,000
US$ 2,600 - 5,100
US$ 2,600 - 5,100 MODERN AND CONTEMPORARY ART
131
Lot 192
193 BANKSY ( B R I T I S H , B . 1 975 ) Flying Balloons Girl (White; Original Ver.; & Red Balloons Ver.) 班克斯 氣球女孩（白；原版；及紅色氣球版）
Lot 193
192 KAWS ( A M E R I CA N , B . 1 974) Companion (Red; Red (Dissected); Grey; Grey (Dissected); Black; Black (Dissected); Brown; & Brown (Dissected) KAWS 同伴（紅；紅（解剖）；灰；灰（解 剖）；黑；黑（解剖）；棕；及棕（解剖）
Executed in 2018; 2018; & 2019 three polystone sculptures edition: 66/396; 83/100; & 126/300 14.8 x 19 x 54.2 cm. (5 1/2 x 7 1/2 x 21 1/4 in.) White: inscribed and dated '©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA' (bottom) Original Ver.: inscribed and dated '©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA' (bottom) Red Balloons Ver.: inscribed and dated '©MMXV Full Colour Black Ltd. MEDICOM TOY 2019 CHINA' (bottom)
2016 年作 乙烯基（共八件）
2018；2018；及 2019 年作 寶麗石粉樹脂 雕塑（共三件） 版數：66/396；83/100；及126/300 款識： 《白》：©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA（底部） 《原版》：©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA（底部） 《紅色氣球版》：©MMXV Full Colour Black Ltd. MEDICOM TOY 2019 CHINA（底部）
HK$ 25,000 - 40,000
HK$ 30,000 - 50,000
US$ 3,200 - 5,100
US$ 3,800 - 6,400
Executed in 2016 eight vinyl multiples each: 12.7 x 7.6 x 27.9 cm. (5 x 3 x 11 in.)
132
POLY AUCTION HONG KONG
194 BANKSY ( B R I T I S H , B . 1 975 ) Monkey Sign (White; & Drip Ver.) 班克斯 掛牌的猴子（白；及水滴版） Executed in 2019 two polystone multiples each: 19 x 14.5 x 34 cm. (7 1/2 x 5 1/2 x 13 1/4 in.) 2019 年作 寶麗石粉樹脂（共兩件）
HK$ 15,000 - 25,000 US$ 1,900 - 3,200
195 BANKSY ( B R I T I S H , B . 1 975 ) Bomb Hugger (Original Color; & White) 班克斯 炸彈女孩（原色；及白） Executed in 2017 two resin multiples each: 15.2 x 15.2 x 39 cm. (6 x 6 x 15 1/4 in.) 2017 年作 樹脂（共兩件）
HK$ 15,000 - 25,000 US$ 1,900 - 3,200
MODERN AND CONTEMPORARY ART
133
196 BANKSY ( B R I T I S H , B . 1 975 ) Bucket on Head (White; & Original Ver.) 班克斯 水桶天使（白；及原版） Executed in 2017 two polystone multiples each: 26 x 12.5 x 38.5 cm. (10 1/4 x 4 3/4 x 15 in.) 2017 年作 寶麗石粉樹脂（共兩件）
HK$ 15,000 - 25,000 US$ 1,900 - 3,200
197 BANKSY ( B R I T I S H , B . 1 975 ) Suicide Man (White; & STONE sculpture Ver.) 班克斯 自殺大衛像（白；及石雕版） Executed in 2017 two polystone multiples each: 21 x 21 x 42.5 cm. (8 1/4 x 8 1/4 x 16 1/4 in.) 2017 年作 寶麗石粉樹脂（共兩件）
HK$ 15,000 - 25,000 US$ 1,900 - 3,200
134
POLY AUCTION HONG KONG
198 BANKSY ( B R I T I S H , B . 1 975 ) Flying Balloons Girl (White) 班克斯 氣球女孩（白） Executed in 2018 polystone sculpture edition: 256/396 15 x 19.5 x 55.5 cm. (6 x 7 1/2 x 21 1/2 in.) inscribed and dated '©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA' (bottom) 2018 年作 寶麗石粉樹脂 雕塑 版數：256/396 款識：©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA（底部）
HK$ 10,000 - 20,000 US$ 1,300 - 2,600
199 BANKSY ( B R I T I S H , B . 1 975 ) Flying Balloons Girl (Original Ver.) 班克斯 氣球女孩（原版） Executed in 2018 polystone sculpture edition: 51/100 15 x 18.5 x 54 cm. (6 x 7 x 21 1/4 in.) inscribed and dated '©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA' (bottom)
Lot 198
Lot 199
2018 年作 寶麗石粉樹脂 雕塑 版數：51/100 款識：©MMXV Full Colour Black Ltd. MEDICOM TOY 2018 CHINA（底部）
HK$ 10,000 - 20,000 US$ 1,300 - 2,600
200 BANKSY ( B R I T I S H , B . 1 975 ) Flower Bomber (Red Ver.; Black Gesso Ver.; & Gesso Ver.) 班克斯 擲花者（紅版；黑色Gesso版；及Gesso版） Executed in 2020; 2019; & 2019 three polystone multiples each: 33 x 12 x 39.5 cm. (13 x 4 3/4 x 15 1/4 in.) 2020；2019；及 2019 年作 寶麗石粉樹脂（共三件）
HK$ 30,000 - 60,000
Lot 200
US$ 3,800 - 7,700 MODERN AND CONTEMPORARY ART
135
ARTitude Lot 801-891
801
802
MADSAKI (JAPANESE, B. 1974)
MADSAKI (JAPANESE, B. 1974)
Dora Maar au Chat 2_P MADSAKI 多拉與小貓２_P
Mona Lisa 3P (Inspired by Leonardo da Vinci) MADSAKI 蒙娜麗莎3P（靈感自達芬奇）
Executed in 2020 offset print edition: 154/300 82.3 x 61.5 cm. (32 1/2 x 24 1/4 in.)
Executed in 2019 offset print edition: 119/300 80 x 54.2 cm. (31 1/2 x 21 1/4 in.)
2020 年作 膠印 版畫 版數：154/300
2019 年作 膠印 版畫 版數：119/300
HK$ 8,500 - 12,000
HK$ 8,500 - 12,000
803
804
805
MADSAKI (JAPANESE, B. 1974)
MADSAKI (JAPANESE, B. 1974)
MADSAKI (JAPANESE, B. 1974)
像）II（靈感自大衛．霍克尼）_P
MADSAKI 龍爭虎鬥 II（靈感自羅伯特．高 洛斯）_P
Executed in 2020 offset print edition: 53/300 56 x 80 cm. (22 x 31 1/2 in.)
Executed in 2020 offset print edition: 146/300 70 x 70 cm. (27 1/2 x 27 1/2 in.)
2020 年作 膠印 版畫 版數：53/300
2020 年作 膠印 版畫 版數：146/300
HK$ 8,500 - 12,000
HK$ 8,500 - 12,000
Portrait of an Artist (Pool with Two Figures) II (Inspired by David Hockney) _P MADSAKI 藝術家肖像（游泳池與兩個人
136
POLY AUCTION HONG KONG
Enter the Dragon II (Inspired by Robert Clouse) _P
Untitled_P1 MADSAKI 無題_P1 Executed in 2020 archival pigment print edition: 61/100 45 cm. (17 3/4 in.) in diameter 2020 年作 數位版畫 版數：61/100
HK$ 14,000 - 25,000
ARTitude Lot 801-891
806
807
MADSAKI (JAPANESE, B. 1974)
MADSAKI (JAPANESE, B. 1974)
Executed in 2020 archival pigment print edition: 38/100 45 cm. (17 3/4 in.) in diameter
Executed in 2020 archival pigment print edition: 38/100 45 cm. (17 3/4 in.) in diameter
2020 年作 數位版畫 版數：38/100
2020 年作 數位版畫 版數：38/100
HK$ 14,000 - 25,000
HK$ 14,000 - 25,000
Untitled_P2 MADSAKI 無題_P2
Untitled_P3 MADSAKI 無題_P3
808 MR. (JAPANESE, B. 1969) X PHARRELL WILLIAMS (AMERICAN, B. 1973) Following a Call to Action MR. X 菲瑞．威廉斯 跟隨著號令行動起來 Executed in 2019 six screenprints edition of 60 each: 68 cm. (26 3/4 in.) in diameter 2019 年作 絲網 版畫（共六件） 總版數：60
HK$ 80,000 - 120,000
MODERN AND CONTEMPORARY ART
137
ARTitude Lot 801-891
809
810
TAKASHI MURAKAMI (JAPANESE, B. 1962)
TAKASHI MURAKAMI (JAPANESE, B. 1962)
Doraemon in the Field of Flowers; Mr. Fujiko F. Fujio and Doraemon Are in the Field of Flowers; & Doraemon's Daily Life 村上隆 哆啦A夢在花叢中；藤子．F．不二雄先
生與哆啦A夢在花叢中；及哆啦A夢的日常生活 Executed in 2019 three screenprints edition: 118/300; 134/300; & 121/300 each: 56 x 49 cm. (22 x 19 1/4 in.) 2019 年作 絲網 版畫（共三件） 版數：118/300；134/300；及121/300
HK$ 40,000 - 60,000
Panda Cubs Panda; Pandas Panda Cubs Pandas; & Panda Cubs Panda Cubs 村上隆 熊貓寶寶與熊貓；熊貓與熊貓寶 寶與熊貓；及熊貓寶寶與熊貓寶寶 Executed in 2019 three offset prints edition: 147/300; 94/300; & 103/300 each: 50 x 50 cm. (19 1/2 x 19 1/2 in.)
2019 年作 膠印 版畫（共三件） 版數：147/300；94/300；及103/300
HK$ 10,000 - 20,000
811
812
TAKASHI MURAKAMI (JAPANESE, B. 1962)
TAKASHI MURAKAMI (JAPANESE, B. 1962)
Cherry blossoms bloom. Kaikai Kiki. 村上隆 櫻花盛開。 Kaikai Kiki。 Executed in 2020 screenprint edition: 93/100 37 x 37 cm. (14 1/2 x 14 1/2 in.) 2020 年作 絲網 版畫 版數：93/100
HK$ 20,000 - 40,000 138
POLY AUCTION HONG KONG
We Are the Square Jocular Clan 村上隆 我們滑稽一族 Executed in 2018 a set of ten offset prints edition: 172/300; 170/300; 173/300; 169/300; 172/300; 195/300; 223/300; 221/300; 173/300; & 169/300 each: 50 cm. (19 1/2 in.) in diameter 2018年作 膠印 版畫（一組共十件） 版數：172/300；170/300；173/300；169/300；172/300；195/300； 223/300； 221/300；173/300；及169/300
HK$ 35,000 - 55,000
ARTitude Lot 801-891
813
814
YOSHITOMO NARA (JAPANESE, B. 1959)
MR. DOODLE (BRITISH, B. 1994)
奈良美智 宇宙女孩（睜眼；及閉眼）
橘色魚；粉紅鳥；及藍色機器人
Executed in 2008 a set of two offset prints edition of 500 each: 69 x 49 cm. (27 1/4 x 19 1/4 in.)
Executed in 2019 three screenprints edition: 19/100; 55/100; & 74/100 each: 35 x 35 cm. (13 3/4 x 13 3/4 in.)
2008 年作 膠印 版畫（一組共兩件） 總版數：500
2019 年作 絲網 版畫（共三件） 版數：19/100；55/100；及74/100
HK$ 20,000 - 40,000
HK$ 6,000 - 8,000
Cosmic Girls (Eyes Opened; & Eyes Closed)
Orange Fish; Pink Bird; & Blue Robot 塗鴉先生
815
816
817
MR. DOODLE (BRITISH, B. 1994)
DANIEL ARSHAM (AMERICAN, B. 1980) X POKÉMON
DANIEL ARSHAM (AMERICAN, B. 1980)
The Doodler 塗鴉先生 塗鴉人
Executed in 2019 resin sculpture edition: 57/250 15 x 17.5 x 35 cm. (6 x 6 1/4 x 13 3/4 in.) 2019 年作 樹脂 雕塑 版數：57/250
HK$ 10,000 - 20,000
Er o d e d Pi ka c h u 丹 尼 爾 ． 阿 沙 姆 X POKÉMON 被侵蝕的比卡丘
Cracked Bear (Blue) 丹尼爾．阿沙姆 破裂熊（藍）
Executed in 2020 resin and aluminium oxide sculpture edition: 352/500 22 x 15.5 x 35.5 cm. (8 3/4 x 6 x 14 in.)
Executed in 2018 fabric, plaster and pigment sculpture edition: 89/500 23 x 23 x 25.5 cm. (9 x 9 x 10 in.)
2020 年作 樹脂 氧化鋁 雕塑 版數：352/500
2018 年作 布料 石膏 顏料 雕塑 版數：89/500
HK$ 15,000 - 30,000
HK$ 8,500 - 12,000 MODERN AND CONTEMPORARY ART
139
ARTitude Lot 801-891
818
819
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
Executed in 2019 fabric, plaster and pigment sculpture edition: 174/500 21 x 20 x 23.5 cm. (8 1/4 x 4 3/4 x 9 1/4 in.)
Executed in 2018 opaque white resin sculpture edition: 293/500 26.5 x 29.5 x 32.3 cm. (10 1/2 x 11 1/2 x 12 3/4 in.)
2019 年作 布料 石膏 顏料 雕塑 版數：174/500
2018 年作 不透明白色樹脂 雕塑 版數：293/500
HK$ 8,500 - 12,000
HK$ 10,000 - 20,000
Cracked Bear (Pink) 丹尼爾．阿沙姆 破裂熊（粉紅）
Hollow Figure 丹尼爾．阿沙姆 空心人
820
821
822
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
沙漏（藍）
Executed in 2019 glass, resin and sand sculpture edition: 71/500 12.5 x 12.5 x 24.5 cm. (5 x 5 x 9 3/4 in.)
Sand Circle (Blue) 丹尼爾．阿沙姆 Executed in 2017 wood, sand and glass sculpture edition: 420/500 25.5 x 6 x 26 cm. (9 3/4 x 2 1/4 x 10 1/4 in.) 2017年作 木 沙 玻璃 雕塑 版數：420/500
HK$ 7,000 - 10,000 140
POLY AUCTION HONG KONG
Hourglass II 丹尼爾．阿沙姆 時間漏斗 II
2019年作 玻璃 樹脂 沙 雕塑 版數：71/500
HK$ 10,000 - 20,000
Future Relic 02-35mm Camera 丹尼爾．阿沙姆 未來遺跡02-35毫米照相機 Executed in 2014 plaster and crashed glass sculpture edition: 97/500 14.5 x 15 x 9 cm. (5 1/4 x 6 x 3 1/2 in.) 2014 年作 石膏 碎玻璃 雕塑 版數：97/500
HK$ 8,000 - 12,000
ARTitude Lot 801-891
823
824
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
未來遺跡04-磁帶
Executed in 2016 plaster and crashed glass sculpture edition: 278/500 20 x 23 x 12.5 cm. (7 3/4 x 9 x 5 in.)
Future Relic 04-Cassette Tape 丹尼爾．阿沙姆 Executed in 2015 plaster and crashed glass sculpture edition: 455/500 10.3 x 6.5 x 1.3 cm. (4 x 2 1/2 x 1/2 in.)
Future Relic 05-Telephone 丹尼爾．阿沙姆 未來遺跡05-電話機
2016 年作 石膏 碎玻璃 雕塑 版數：278/500
2015 年作 石膏 碎玻璃 雕塑 版數：455/500
HK$ 8,000 - 12,000
HK$ 4,500 - 5,500
825
826
827
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
未來遺跡09-鍵盤樂器
未來遺跡08-收音機
未來遺跡03-時鐘
Future Relic 09-Keyboard 丹尼爾．阿沙姆
Future Relic 08-Radio 丹尼爾．阿沙姆
Future Relic 03-Clock 丹尼爾．阿沙姆
Executed in 2018 plaster and crashed glass sculpture edition: 151/500 66.2 x 23 x 8.5 cm. (26 x 9 x 3 1/4 in.)
Executed in 2017 plaster and crashed glass sculpture edition: 316/500 43.5 x 13 x 22 cm. (17 1/4 x 5 x 8 3/4 in.)
Executed in 2015 plaster and crashed glass sculpture edition: 341/500 13 x 14 x 6.5 cm. (5 x 5 1/2 x 2 1/2 in.)
2018 年作 石膏 碎玻璃 雕塑 版數：151/500
2017 年作 石膏 碎玻璃 雕塑 版數：316/500
2015 年作 石膏 碎玻璃 雕塑 版數：341/500
HK$ 10,000 - 16,000
HK$ 10,000 - 16,000
HK$ 8,000 - 12,000 MODERN AND CONTEMPORARY ART
141
ARTitude Lot 801-891
828
829
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
Future Relic 06-Polaroid 丹尼爾．阿沙姆 未來遺跡06-寶麗來 Executed in 2016 plaster and crashed glass sculpture edition: 389/500 12.5 x 14 x 13.5 cm. (5 x 5 1/2 x 5 1/4 in.)
Future Relic 07-Cassette Player 丹尼爾．阿沙姆 未來遺跡07-磁帶播放器
Executed in 2017 plaster and crashed glass sculpture edition: 438/500 16 x 15.2 x 14.5 cm. (6 x 6 x 5 1/4 in.)
2016 年作 石膏 碎玻璃 雕塑 版數：389/500
2017 年作 石膏 碎玻璃 雕塑 版數：438/500
HK$ 8,000 - 12,000
HK$ 6,000 - 7,000
830
831
832
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980)
丹尼爾．阿沙姆 未來遺跡01-移動電話
Executed in 2017 plaster sculpture edition of 50 10.5 x 10.5 x 3.5 cm. (4 1/4 x 4 1/4 x 1 1/2 in.)
丹尼爾．阿沙姆 虛構的非小說：考古學
Future Relic 01-Mobile Phone
Executed in 2013 plaster and crashed glass sculpture edition: 126/500 4.5 x 6.2 x 29 cm. (1 3/4 x 2 1/2 x 11 1/2 in.) 2013 年作 石膏 碎玻璃 雕塑 版數：126/500
HK$ 9,000 - 15,000 142
POLY AUCTION HONG KONG
Adidas 丹尼爾．阿沙姆 阿迪達斯
2017 年作 石膏 雕塑 總版數：50
HK$ 2,000 - 6,000
Fictional Non Fiction: Archeology Executed in 2019 plaster and crushed glass sculpture edition: 189/500 20.6 x 13.5 x 3 cm. (8 x 5 1/4 x 1 1/4 in.) 2019 年作 石膏 碎玻璃 雕塑 版數：189/500
HK$ 8,000 - 16,000
ARTitude Lot 801-891
833
834
DANIEL ARSHAM (AMERICAN, B. 1980)
DANIEL ARSHAM (AMERICAN, B. 1980) X RIMOWA
遺跡002-遊戲機
Executed in 2019 mixed media sculpture edition: 031/500 Suitcase: 45 x 42 x 13 cm. (17 3/4 x 16 ½ x 5 in.) Sculpture: 31 x 22 x 8 cm. (12 ¼ x 8 ½ x 3 in.)
Crystal Relic 002-Game Console 丹尼爾．阿沙姆 Executed in 2020 resin sculpture edition: 298/500 9 x 13 x 15 cm. (3 1/2 x 5 x 6 in.) 2020 年作 樹脂 雕塑 版數：298/500
Eroded Attaché 丹尼爾．阿沙姆 X RIMOWA 侵蝕行李箱
2019 年作 綜合媒材 雕塑 版數：031/500
HK$ 8,000 - 15,000
HK$ 28,000 - 48,000
835
836
DANIEL ARSHAM (AMERICAN, B. 1980) X DIOR
DANIEL ARSHAM (AMERICAN, B. 1980)
Executed in 2020 plaster sculpture edition of 100 23 x 15 x 4.5 cm. (9 x 6 x 1 3/4 in.)
遺跡001-紐約洋基帽
Jewelry Box 丹尼爾．阿沙姆 X 迪奧 首飾盒
2020 年作 石膏 雕塑 總版數：100
HK$ 28,000 - 38,000
Crystal Relic 001-New York Yankees Hat 丹尼爾．阿沙姆 Executed in 2019 resin sculpture edition: 219/500 31 x 20 x 13 cm. (12 1/4 x 7 3/4 x 5 in.) 2019 年作 樹脂 雕塑 版數：219/500
HK$ 9,000 - 16,000 MODERN AND CONTEMPORARY ART
143
ARTitude Lot 801-891
837 KAWS (AMERICAN, B. 1974) X DIOR
BFF DIOR PLUSH (Black; & Pink) KAWS X 迪奧 最好的朋友迪奧毛絨公仔（黑色；及粉色） Executed in 2019 two plush multiples Black: edition: 24/500; & Pink: edition: 337/500 each: 25 x 12 x 46 cm. (10 x 4 3/4 x 18 in.) 2019 年作 毛絨公仔（共兩件） 黑色：版數：24/500；及粉色：版數：337/500
HK$ 160,000 - 220,000
838 JEFF KOONS (AMERICAN, B. 1955)
Ballon Rabbit (Red) 傑夫．昆斯 氣球兔（紅色） Executed in 2017 porcelain with high-gloss glazing sculpture edition: 251/999 14 x 20 x 29 cm. (5 1/2 x 7 3/4 x 11 1/2 in.) 2017 年作 瓷 釉彩 雕塑 版數：251/999
HK$ 130,000 - 180,000
144
POLY AUCTION HONG KONG
ARTitude Lot 801-891
839
840
PHILIP GUSTON (AMERICAN, 1913-1980)
PHILIP GUSTON (AMERICAN, 1913-1980)
Executed in 1980 lithograph edition: 18/50 76.5 x 102.5 cm. (30 x 40 1/4 in.)
Executed in 1980 lithograph edition: 38/50 83 x 108.5 cm. (32 3/4 x 42 3/4 in.)
1980 年作 石版 版畫 版數：18/50
1980 年作 石版 版畫 版數：38/50
HK$ 60,000 - 80,000
HK$ 38,000 - 58,000
Curtain 菲利普．古斯頓 簾幕
Elements 菲利普．古斯頓 元素
Lot 841 另一角度
alternative view
841
842
TAKESADA MATSUTANI (JAPANESE, B. 1937)
YAYOI KUSAMA (JAPANESE, B. 1929)
Executed in 1995 polyvinyl acetate adhesive and graphite pencil on book 18 x 11.5 x 6 cm. (7 x 4 1/2 x 2 1/4 in.)
Executed in 1983 screenprint edition: 70/100 45 x 52.5 cm. (17 3/4 x 20 3/4 in.)
Book Object 松谷武判 書本
1995年作 聚醋酸乙烯膠黏劑 石墨素描筆 書本
HK$ 35,000 - 50,000
Hat 草間彌生 帽子
1983年作 絲網 版畫 版數：70/100
HK$ 90,000 - 150,000 MODERN AND CONTEMPORARY ART
145
ARTitude Lot 801-891
843
844
YAYOI KUSAMA (JAPANESE, B. 1929)
YAYOI KUSAMA (JAPANESE, B. 1929)
Naoshima Red Pumpkin 草間彌生 直島紅色南瓜 Executed in 2019 resin multiple 13.5 x 13.5 x 8.5 cm. (5 1/4 x 5 1/4 x 3 1/4 in.)
Pumpkin; Pumpkin (Yellow/Black); & Pumpkin (White/Red) 草間彌生 南瓜；南瓜（黃 / 黑）；及南瓜（白 / 紅） Executed in 2002; 2016; & 2016 ceramic sculpture; resin multiple; & resin multiple Pumpkin : edition: 31/130 7.3 x 7.3 x 8.8 cm. (3 x 3 x 3 1/2 in.); 8.5 x 8.5 x 9 cm. (3 1/4 x 3 1/4 x 3 1/2 in.); & 8.5 x 8.5 x 9 cm. (3 1/4 x 3 1/4 x 3 1/2 in.)
2019 年作 樹脂
HK$ 8,000 - 12,000
2002；2016；及2016 年作 陶瓷 雕塑；樹脂；及樹脂 《南瓜》：版數：31/130
HK$ 25,000 - 35,000
845
846
847
FELIPE PANTONE (ARGENTINEAN, B. 1986) X CONFIGURABLE ART
SUPREME
YOICHI
Subtractive Variability Circular Side Table 費利佩．潘通 X Configurable Art 變色邊桌 Executed in 2019 UV paint on PMMA metal ball bearings sculpture edition: 5/30 45 x 45 x 36 cm. (17 3/4 x 17 3/4 x 14 1/4 in.) 2019 年作 壓克力UV塗層 金屬球軸承 雕塑 版數：5/30
HK$ 20,000 - 40,000 146
POLY AUCTION HONG KONG
Director’s Chair (Red); Director’s Chair (Black); & Numark PT01 SUPREME 導演椅（紅）；導演椅（黑）； 及黑機唱盤機PT01 Executed in 2019; 2019; & 2020 88.5 x 43.5 x 57.5 cm. (343/4 x 17 x 221/2 in.); 88.5 x 43.5 x 57.5 cm. (34 3/4 x 17 x 22 1/2 in.); & 30.5 x 30.5 x 10 cm. (12 x 12 x 4 in.) 2019；2019；及2020 年作
HK$ 6,000 - 12,000
Yoichi 20-1987 余市 余市20年-1987 20 Years Old Single Malt Distilled 1987 ABV 55% 700ml 1 bt 1 of 2000 bts 20年 單一麥芽 1987 年入桶 全球限量2000瓶
HK$ 30,000 - 40,000
ARTitude Lot 801-891
848
849
KARUIZAWA
CHICHIBU
Karuizawa-Geisha #864; Karuizawa-Geisha #2380; & Karuizawa-Geisha #2219 輕井澤 輕井澤-藝伎#864；輕井澤藝伎#2380；及輕井澤-藝伎#2219 Distilled 1999; Bottled 2017 ABV 57.3% 700ml 1bt; ABV 59.7% 700ml 1bt; & ABV 59.8% 700ml 1bt 1 of 440 bts; 1 of 436 bts; & 1 of 468 bts 1999 年入桶；2017 年裝瓶 全球限量440瓶；全球限量436瓶；及全球限量468瓶
HK$ 45,000 - 55,000
Chichibu 2013-Fifty Two Seats of Happiness #2601 秩父 秩父2013年-52席的至福#2601 Oloroso Spanish Oak Hogshead Distilled 2013; Bottled 2017 Cask Number 2601 ABV 43.8% 700 ml 1bt 1 of 295 bts 雪莉豬頭桶 2013 年入桶；2017 年裝瓶 桶號 2601 全球限量295瓶
HK$ 13,000 - 20,000
850 KARUIZAWA
Karuizawa 1968-Taipei 2012 Whisky Live 輕井澤 輕井澤1968-台北2012威士忌Live Sherry Butt Distilled 1968 ABV 63.6% 700ml 1 bt 1 of 168 bts 雪莉桶 1968 年入桶 全球限量168瓶
HK$ 140,000 - 180,000
MODERN AND CONTEMPORARY ART
147
ARTitude Lot 801-891
851
852
853
Blended Malt Scotch Whisky 17 - Chichibu Whisky Matsuri; & Blended Malt Scotch Whisky 25 - Chichibu Whisky Matsuri
YAMAZAKI
YAMAZAKI
蘇格蘭調和威士忌17年-秩父祭；及蘇格蘭調 和威士忌25年-秩父祭 Sherry Butt; & Hogshead Distilled 2001; Bottled 2018; & Distilled 1993; Bottled 2018 Cask number 36; & Cask number 475 ABV 46.2% 700ml 1 bt; & ABV 54.3% 700ml 1 bt 1 of 612 bts; & 1 of 346 bts 2001 年入桶； 2018 年裝瓶；及1993 年入桶； 2018 年裝瓶 桶號36；及桶號475 雪莉桶；及豬頭桶 全球限量612瓶；及全球限量346瓶
Yamazaki 1992-The Owner’s Cask #2S70180
Yamazaki 1993-The Owner’s Cask #3Q70349
山崎 山崎1992年-私人藏桶#2S70180
山崎 山崎1993年-私人藏桶#3Q70349
Hogshead Distilled 1992; Bottled 2006 Cask number 2S70180 ABV 58% 700ml 1 bt 1 of 188 bts
Hogshead Distilled 1993; Bottled 2007 Cask number 3Q70349 ABV 53% 700ml 1 bt 1 of 158 bts
豬頭桶 1992 年入桶；2006 年裝瓶 桶號 2S70180 全球限量188瓶
豬頭桶 1993 年入桶； 2007 年裝瓶 桶號3Q70349 全球限量158瓶
HK$ 23,000 - 28,000
HK$ 22,000 - 28,000
HK$ 7,000 - 10,000
854
855
AFTER KEITH HARING (AMERICAN, 1958-1990)
AFTER KEITH HARING (AMERICAN, 1958-1990)
Keith Haring Sesame Street Breakdancers Animation Cel
Keith Haring Sesame Street Breakdancers Animation Cel
後 基斯．哈林 基斯．哈林芝麻街霹靂舞者動畫
後 基斯．哈林 基斯．哈林芝麻街霹靂舞者動畫
Executed in 1987 four marker on cels each: 28 x 32 cm. (11 x 12 1/2 in.)
Executed in 1987 four marker on cels each: 28 x 32 cm. (11 x 12 1/2 in.)
These works are to be sold with four coloured pencil sketches.
1987 年作 馬克筆 賽璐珞片（共四件）
1987 年作 馬克筆 賽璐珞片（共四件） 附四件鉛筆草圖
HK$ 4,000 - 8,000 148
POLY AUCTION HONG KONG
HK$ 4,000 - 8,000
856 AFTER KEITH HARING (AMERICAN, 1958-1990)
Keith Haring Sesame Street Breakdancers Animation Cel 後 基斯．哈林 基斯．哈林芝麻街霹靂舞者動畫 Executed in 1987 four marker on cels each: 28 x 32 cm. (11 x 12 1/2 in.) 1987 年作 馬克筆 賽璐珞片（共四件）
HK$ 4,000 - 8,000
ARTitude Lot 801-891
857
858
859
KENNY SCHARF (AMERICAN, B. 1958) LEE JAFFE (AMERICAN, B. 1950) X Grammy 肯尼．沙爾夫 葛萊美 JEAN-MICHEL BASQUIAT (AMERICAN, 1960-1988) Executed in 1997 lithograph edition: 26/250 91.4 x 73.6 cm. (36 x 29 in.) 1997 年作 石版 版畫 版數：26/250
HK$ 5,000 - 10,000
Untitled 李．謝斐及尚．米榭．巴斯基亞 無題
Executed in 1983; 1983; 1984; & 1984 a set of four chromogenic prints edition: 30/90; 32/90; 32/90; & 32/90 Untitled: 30.5 x 20.3 cm. (12 x 8 in.); 20.6 x 33 cm. (8.5 x 13 in.); 20.6 x 33 cm. (8.5 x 13 in.); & 28 x 25.4 cm. (11 x 10 in.) 1983；1983；1984；及1984 年作 彩色相片（一組共四件） 版數：30/90；32/90；32/90；及32/90
LIU YE (CHINESE, B. 1964) Chorus 劉野 合唱團
Executed in 2001 silkscreen on canvas edition: A. P. 14/15 54.3 x 70 cm. (21 1/2 x 27 1/2 in.) 2001年作 絹印 畫布 版數：藝術家試版 14/15
HK$ 38,000 - 58,000
HK$ 30,000 - 50,000
860
861
LIU YE (CHINESE, B. 1964)
LIU YE (CHINESE, B. 1964)
Executed in 2001 screenprint edition of 50 80.5 x 61 cm. (31 3/4 x 24 in.)
Executed in 2008 screenprint edition: 60/99 101 x 76 cm. (39 3/4 x 30 in.)
2001年作 絲網 版畫 總版數：50
2008 年作 絲網 版畫 版數：60/99
HK$ 20,000 - 40,000
HK$ 40,000 - 60,000
Girl with Mondrian 劉野 女孩與蒙德里安
Olympic Girl 劉野 奧林匹克女孩
MODERN AND CONTEMPORARY ART
149
ARTitude Lot 801-891
862 YUE MINJUN (CHINESE, B. 1962)
Snatched Ecstasy 岳敏君 被剝奪的陶醉 Executed in 2008 a set of twenty lithographs edition: V/CXXX portfolio: 121 x 80 x 6 cm. (47 1/2 x 31 1/2 x 2 1/4 in.) 2008 年作 石版 版畫（一組共二十件） 版數：V/CXXX
HK$ 155,000 - 350,000
863 YUE MINJUN (CHINESE, B. 1962) Surplus Value 岳敏君 剩餘價值
Executed in 2019 two bronze and wood sculptures edition: 22/75; & 22/75 each: 18 x 16 x 20.5 cm. (7 x 6 1/4 x 8 in.) 2019 年作 銅 木 雕塑（共兩件） 版數：22/75；及22/75
HK$ 180,000 - 350,000
150
POLY AUCTION HONG KONG
ARTitude Lot 801-891
864 WANG GUANGYI (CHINESE, B. 1957)
Great Criticism Series: WTO; Great Criticism Series: Coca Cola (Green); & Gillette 王廣義 大批判系列：WTO；大批判系列：可 口可樂（綠）；及吉列
865
Executed in 2006; 2007; & 2008 three lithographs edition: 145/199; 181/199; & 145/199 81.2 x 76.2 cm. (31 3/4 x 30 in.); 88.9 x 78.7 cm. (35 x 40 in.); & 68.5 x 38.1 cm. (27 x 15 in.)
QIU JIONGJIONG (CHINESE, B. 1977)
Monk HanShan 邱炯炯 寒山拾得的寒山 Painted in 2018 acrylic on canvas 100 x 75 cm. (39 1/4 x 29 1/2 in.)
2006；2007；及2008 年作 石版 版畫（共三件） 版數：145/199；181/199；及145/199
2018 年作 壓克力 畫布
HK$ 15,000 - 25,000
HK$ 50,000 - 100,000
866
867
868
QIU JIONGJIONG (CHINESE, B. 1977)
YAN CONG (CHINESE, B. 1983)
YAN CONG (CHINESE, B. 1983)
童不惑6號
Painted in 2016 acrylic on canvas 60 x 50 cm. (23 1/2 x 19 3/4 in.)
Me in the Small Garden 煙囪 龜背竹後
Unperplexed Dick Kids No.6 邱炯炯 屌 Painted in 2018 ink and colour on paper 35 x 34 cm. (13 3/4 x 13 1/2 in.) 2018 年作 水墨 設色 紙本
HK$ 10,000 - 20,000
Cozy Home 煙囪 舒適的家
2016 年作 壓克力 畫布
HK$ 15,000 - 30,000
Self-portrait behind a Monstera Leaf; & 的我；及小院裡的我 Painted in 2018; & 2018 two acrylic on canvas 23 x 17 cm. (9 x 6 3/4 in.); & 23 x 17 cm. (9 x 6 3/4 in.) 2018；及2018 年作 壓克力 畫布（共兩件）
HK$ 10,000 - 20,000 MODERN AND CONTEMPORARY ART
151
ARTitude Lot 801-891
869
870
KONG LINGNAN (CHINESE, B. 1983)
JIANG ZHI (CHINESE, B. 1971)
Painted in 2014 oil on canvas 90 x 120 cm. (35 1/2 x 47 in.)
Executed in 2014 archival inkjet print edition: 1/6 106 x 80 cm. (41 3/4 x 31 1/2 in.)
Island 2 孔令楠 島 2
2014 年作 油彩 畫布
HK$ 40,000 - 60,000
Love Letters NO.15 蔣志 情書之十五
2014 年作 數位版畫 版數：1/6
HK$ 30,000 - 60,000
871
872
CAI GUO-QIANG (CHINESE, B. 1957)
HONG HAO (CHINESE, B. 1965)
Executed in 2004 two gunpowder on books each: 25.6 x 30.6 x 2.3 cm. (10 x 12 x 1 in.)
Executed in 2004 colour photograph edition: 20/25 59.6 x 109.2 cm. (23 1/2 x 43 in.)
Man, Eagle and Eye 蔡國強 人類、老鷹與天空之眼
2004 年作 火藥爆破 書（共兩件）
HK$ 10,000 - 20,000
The Long March in Panjiayuan B 洪浩 潘家園的長征B
2004 年作 彩色照片 版數：20/25
HK$ 10,000 - 20,000 152
POLY AUCTION HONG KONG
ARTitude Lot 801-891 * Lot 873-876 拍賣收益將撥款「中華國際扶倪協會」作慈善用途 PROPERTY SOLD TO BENEFIT THE CHUNGHUA CHILDREN'S AID INTERNATIONAL
873 HUANG BENRUI (CHINESE, B. 1959)
I Brought You Sun 黃本蕊 我給你帶了太陽來 Painted in 2009 acrylic on canvas 51 x 40.5 cm. (13 x 16 in.) 2009 年作 壓克力 畫布
HK$ 50,000 - 100,000
874
875
876
HUANG BENRUI (CHINESE, B. 1959)
HUANG BENRUI (CHINESE, B. 1959)
HIROYUKI MATSUURA (JAPANESE, B. 1964)
It Tooks Me 2 Hours to Find a Pair of New Shoes and Look What I Have Picked. It's Just a Habit So Hard to Break. 黃本 蕊 花了我兩小時挑一雙新鞋，你看我挑了
什麼，真是舊習難改。 Executed in 2012 print edition: 5/50 55.5 x 46 cm. (21 3/4 x 18 in.) 2012 年作 版畫 版數：5/50
HK$ 6,000 - 12,000
I Am Guilty of Painting the Whole World Crying 黃本蕊 我的塗鴉，把全世界都畫哭了！ Executed in 2012 print edition: 27/50 64.8 x 53.3 cm. (25 1/2 x 21 in.) 2012 年作 版畫 版數：27/50
HK$ 6,000 - 12,000
Akatsuki - Murasaki Gatana 松浦浩之 曉-紫刀圖 Executed in 2009 woodblock print edition: 42/88 35 x 24.2 cm. (13 3/4 x 9 1/2 in.) 2009 年作 木刻 版畫 版數：42/88
HK$ 8,000 - 12,000
MODERN AND CONTEMPORARY ART
153
ARTitude Lot 801-891
877
878
SHINTARO MIYAKE (JAPANESE, B. 1970)
MOE NAKAMURA (JAPANESE, B. 1988)
Executed in 2002; 2001; 2001; & 2002 four coloured pen and graphite pencil on cardboard, laid on wooden board 32.5 x 20 cm. (12 3/4 x 7 3/4 in.); 26 x 22 x 0.7 cm. (10 1/4 x 8 1/2 x 1/4 in.); 16.5 x 37.5 x 0.7 cm. (6 1/2 x 14 3/4 x 1/4 in.); & 30 x 6.5 cm. (11 3/4 x 2 1/2 in.)
Executed in 2017 polystone sculpture edition: 60/130 26 x 14.5 x 21.5 cm. (10 1/4 x 5 1/2 x 8 1/4 in.)
2002；2001；2001；及2002 年作 彩色筆 炭鉛筆 紙板 裱於木板（共四件）
2017 年作 寶麗石粉樹脂 雕塑 版數：60/130
Miss Sweet 三宅信太郎 甜心小姐
HK$ 15,000 - 30,000
Grow M 中村萌 樹人
HK$ 28,000 - 38,000
879
880
TOEI ANIMATION
TOEI ANIMATION
acrylic on cel 21.5 x 25.5 cm. (8 1/2 x 10 in.)
acrylic on cel 22 x 25.6 cm. (8 1/2 x 10 in.)
壓克力 賽璐珞片
壓克力 賽璐珞片
HK$ 25,000 - 55,000
HK$ 25,000 - 35,000
Slam Dunk 東映動畫 灌籃高手
154
POLY AUCTION HONG KONG
Sailor Moon 東映動畫 美少女戰士
ARTitude Lot 801-891
881
882
NIPPON ANIMATION
TOEI ANIMATION
acrylic on cel 22 x 27 cm. (8 1/2 x 10 1/2 in.)
acrylic on cel; & coloured pencil on paper 22 x 25.6 cm. (8 1/2 x 10 in.); & 22.1 x 25.6 cm. (8 1/2 x 10 in.)
壓克力 賽璐珞片
壓克力 賽璐珞片；及彩色鉛筆 紙本
HK$ 25,000 - 35,000
HK$ 25,000 - 35,000
883
884
TOEI ANIMATION
OLM
acrylic on cel; & coloured pencil on paper 19 x 25.6 cm. (7 1/2 x 10 in.); & 19 x 25.6 cm. (7 1/2 x 10 in.)
acrylic on cel; & coloured pencil on paper 22 x 25.6 cm. (8 1/2 x 10 in.); & 21.7 x 25.6 cm. (8 1/2 x 10 1/2 in.)
壓克力 賽璐珞片；及彩色鉛筆 紙本
壓克力 賽璐珞片；及彩色鉛筆 紙本
HK$ 25,000 - 35,000
HK$ 25,000 - 35,000
Chibi Maruko Chan 日本動畫 櫻桃小丸子
Mazinger Z 東映動畫 魔神Z
Dragon Ball 東映動畫 七龍珠
Pokémon OLM 寶可夢
MODERN AND CONTEMPORARY ART
155
ARTitude Lot 801-891
885 SHIN-EI ANIMATION
Doraemon 新銳動畫 哆啦A夢 acrylic on cel 22 x 25.6 cm. (8 1/2 x 10 in.) 壓克力 賽璐珞片
HK$ 25,000 - 35,000
A.
B.
886
887
TAKASHI MURAKAMI (JAPANESE, B. 1962)
YOSHITOMO NARA (JAPANESE, B. 1959)
MURAKAMI X COMPLEXCON DOBTOPUS BY BAIT X SWITCH (A; & B) 村上隆 MURAKAMI X COMPLEXCON DOBTOPUS BY BAIT X
SWITCH（A；及B） Executed in 2017 two vinyl multiple sculptures A: edition of 400; & B: edition of 800 35.5 x 28.5 x 26.5 cm. (13 3/4 x 11 x 10 1/4 in.); & 29 x 22 x 25.5 cm. (11 1/2 x 8 1/2 x 9 1/4 in.) 2017 年作 乙烯基 雕塑（共兩件） A：總版數：400；及B：總版數：800
HK$ 20,000 - 40,000 156
POLY AUCTION HONG KONG
Gummi Girl (Malone; Ringocco; Soran-chan; Orangerie; & Midori-chan) 奈良美智 軟糖女孩 Executed in 2006 five plastic candy boxes each: 16 x 16 x 7 cm. (6 1/4 x 6 1/4 x 2 3/4 in.) 2006 年作 塑膠 糖果盒（共五件）
HK$ 3,500 - 8,000
ARTitude Lot 801-891
888
889
BANKSY (BRITISH, B. 1975)
BANKSY (BRITISH, B. 1975)
班克斯 氣球女孩（紅色氣球版）
班克斯 氣球女孩（白）
Executed in 2019 polystone sculpture edition: 213/300 15 x 18 x 55.5 cm. (6 x 7 x 21 1/4 in.)
Executed in 2018 polystone sculpture edition: 12/396 14.8 x 19 x 54.2 cm. (5 1/2 x 7 1/2 x 21 1/4 in.)
2019 年作 寶麗石粉樹脂 雕塑 版數：213/300
2018 年作 寶麗石粉樹脂 雕塑 版數：12/396
HK$ 15,000 - 25,000
HK$ 8,000 - 15,000
890
891
BANKSY (BRITISH, B. 1975)
BANKSY (BRITISH, B. 1975)
Executed in 2018 polystone multiple 34 x 9.5 x 39 cm. (13 1/2 x 3 1/2 x 15 1/4 in.)
Executed in 2017 polystone multiple 34 x 9.5 x 39 cm. (13 1/2 x 3 1/2 x 15 1/4 in.)
2018 年作 寶麗石粉樹脂
2017 年作 寶麗石粉樹脂
HK$ 10,000 - 20,000
HK$ 8,000 - 15,000
Flying Balloons Girl (Red Balloons Ver.)
Flower Bomber (Concrete Ver.) 班克斯 擲花者（水泥版）
Flying Balloons Girl (White)
Flower Bomber (White) 班克斯 擲花者（白）
END OF SALE MODERN AND CONTEMPORARY ART
157
LOT 179
INDEX OF ARTISTS AFTER KEITH HARING 後 基斯．哈林 AYAKO ROKKAKU 六角彩子 BANKSY 班克斯
854,855,856 158,159,160,161 110,193,194,195,196,197, 198,199,200,888,889,890, 891 CAI GUO-QIANG 蔡國強 871 CHEN FEI 陳飛 153 CHICHIBU 秩父 849,851 CHIU YA-TSAI 邱亞才 130 CHUANG CHE 莊喆 117 DANH VŌ 傅丹 178 DANIEL ARSHAM 丹尼爾．阿沙姆 817,818,819,820,821,822, 823,824,825,826,827,828, 829,830,831,832,833,836 DANIEL ARSHAM x POKÉMON 丹尼爾．阿沙姆 X 寶可夢 101,102,816 DANIEL ARSHAM x DIOR 丹尼爾．阿沙姆 X 迪奧
835 DANIEL ARSHAM x RIMOWA 丹尼爾．阿沙姆 X RIMOWA 834 FELIPE PANTONE X CONFIGURABLE ART 費利佩．潘通 X CONFIGURABLE ART 845 GEORGES MATHIEU 喬治．馬修 132 GU WENDA 谷文達 182 HAJIME SORAYAMA 空山基 186,187 HIROYUKI MATSUURA 松浦浩之 876 HONG HAO 洪浩 872 HSIA YAN 夏陽 123 HSIAO CHIN 蕭勤 124,125,126 HSIAO JU-SUNG 蕭如松 121 HSUEH PAO-SHIA 薛保瑕 127 HUANG BENRUI 黃本蕊 873,874,875 JAVIER CALLEJA 哈維爾．卡勒加 188 JEFF KOONS 傑夫．昆斯 838 JIANG ZHI 蔣志 870 JU MING 朱銘 131 KARUIZAWA 輕井澤 848,850 KAWS KAWS 111,163,164,165,192 KAWS X DIOR KAWS X 迪奧 837 KEITH HARING 基斯．哈林 112 KENNY SCHARF 肯尼．沙爾夫 857 KISHIO SUGA 菅木志雄 141 KONG LINGNAN 孔令楠 869 LEE JAFFE X JEAN-MICHEL BASQUIAT 李．謝斐及尚．米榭．巴斯基亞 858 LENG JUN 冷軍 144 LÉONARD TSUGUHARU FOUJITA 藤田嗣治 134,135,136 LI CHEN 李真 151
LIANG ZHI-QING LIU YE LUO ERCHUN MADSAKI
梁至青（梁高魁） 劉野 羅爾純 MADSAKI
145,146 108,109,859,860,861 122 162,801,802,803,804,805, 806,807 MARIA TANIGUCHI 谷口瑪利亞 166 MASARU SHICHINOHE 七戶優 167 MOE NAKAMURA 中村萌 103,104,105,106,107,878 MR. MR. 168 MR. X PHARRELL WILLIAMS MR.X 菲瑞·威廉斯 808 MR. DOODLE 塗鴉先生 189,814,815 NIPPON ANIMATION 日本動畫 169,881 NOBUO SEKINE 關根伸夫 142 OLM OLM 172,884 PAN YU-LIN 潘玉良 150 PHILIP GUSTON 菲利普．古斯頓 839,840 QIN QI 秦琦 152 QIU JIONGJIONG 邱炯炯 865,866 QIU ZHIJIE 邱志傑 183 RICHARD LIN 林壽宇 139,140 SANYU 常玉 137,138 SHIN-EI ANIMATION 新銳動畫 173,174,885 SHINTARO MIYAKE 三宅信太郎 877 SHIY DE-JINN 席德進 118 SUPREME SUPREME 846 TAKASHI MURAKAMI 村上隆 185,190,191,809,810,811, 812,886 TAKESADA MATSUTANI 松谷武判 841 TAKUMI KAMA 釜匠 177 TEZUKA PRODUCTIONS 手塚製作公司 175,176 TOEI ANIMATION 東映動畫 170,171,879,880,882,883 TOMÁS SARACENO 托馬斯．薩拉切諾 179 TSONG PU 莊普 143 WALASSE TING 丁雄泉 120 WANG GUANGYI 王廣義 864 WANG JINSONG 王勁松 181 WANG KEPING 王克平 180 WAYNE THIEBAUD 偉恩．第伯 133 YAMAZAKI 山崎 852,853 YAN CONG 煙囪 867,868 YANG CHIHUNG 楊識宏 147 YAYOI KUSAM 草間彌生 113,114,115,116,842,843 844 YEH SHIH-CHIANG 葉世強 128,129 YOICHI 余市 847 YOSHITOMO NARA 奈良美智 155,156,157,813,887 YU CHENGYAO 余承堯 119 YUE MINJUN 岳敏君 184,862,863 ZAO WOU-KI 趙無極 148,149 ZHANG ENLI 張恩利 154
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ELECTRICAL APPLIANCES AND MECHANICAL MERCHANDISES All electrical appliances and mechanical merchandises are sold on anâ&#x20AC;&#x153;as isâ&#x20AC;?basis, and should not be assumed that they operate. Before putting into any use, electrical appliances must be inspected and approved by qualiďŹ ed electric technicians.
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JEWELRY, WATCHES AND HANDBAGS Description of the conditions of Jewelry Lot(s) usually contained in the catalog, however, absence of a description does not imply that the Lot(s) is free from defects or imperfection or beautification process. Beautification processes of colored gemstones such as heat enhancement, oiling or irradiation etc, have been generally accepted by the international jewelry markets. If Poly Auction (Hong Kong) has obtained gemological reports from internationally recognized gemological laboratories for the Lot(s), all known important facts and conditions of the Lot(s) have contained in the catalog, our company assumes no responsibility for accuracy of the reports. It may not be feasible for Poly Auction (Hong Kong) to obtain laboratory report for all Lot(s), the estimates are based on all known information at the moment. Bidders must inspect conditions of the Lot(s) by themselves before the auction, any dissent about conditions of the Lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay payment. If bidders request designated laboratory report for any Lot(s), such request should be raised out 14 workings days before the auction and at own cost. Bidders should also aware that Lot(s) containing jadeite or gemstones originating from Burma may not allowed to be imported into the U.S., this will not constitute a ground for rescission or cancellation of a sale or any delay payment. Lot(s) of clocks and watches in the catalog will be sold at current status (i.e. as is), bidders should personally inspect conditions of the Lot(s) before the auction. Descriptions of the Lot(s) in catalog are for reference only, absence of a description does not imply that the Lot(s) is in good condition, free from defects or restorations. Descriptions only reflect subjective opinions of experts of Poly Auction (Hong Kong), it is not a statement of facts, nor a complete record of all repairs, component replacements or restorations. Poly Auction (Hong Kong) makes no guarantee on operation, water-resistance, authenticity and originality of individual parts (including watchstrap) of the Lot(s). In addition, bidders should aware the import restrictions of the U.S. concerning luxury watches. Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in any way (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal. Condition reports and grade are provided free of charge as a convenience to our buyers and are for guidance only. They are not an alternative for examining a lot in person or taking your own professional advice from Specialists. Bidders must inspect conditions of the lot(s) by themselves before the auction. Any dissent about conditions of the lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay in payment. The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage,
restoration, repair and wear tear. The grading of watches is based on the general condition, quality, technical and historical interest, age and rarity of each timepiece. Lots are sold â&#x20AC;&#x153;as is,â&#x20AC;? in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. The buyers acknowledge and agree that any sale is entirely the buyersâ&#x20AC;&#x2122; decision, and the buyers have not relied upon any representation or other information (whether oral or written) by Poly Auction (Hong Kong) or by the seller. Condition Grades of Watches Grading 1: As new. The timepiece appears with neither signs of use nor ownership over time. The movement is in working order when cataloguing. Grading 1.5: In excellent condition. The timepiece appears with extremely slight signs of ownership over time. It may exhibit very slight hairline scratches on the case but no obvious signs of use. The movement is in working order when cataloguing. Grading 2: In very good condition. The timepiece appears with slight signs of use over time. It may exhibit slight scratches on the case. The movement is in working order when cataloguing. Grading 2.5: In good condition. The timepiece appears with obvious signs of use and scratches on the case. The movement is in working order when cataloguing. Grading 3: In fair condition. The timepiece appears with very obvious signs of use and scratches/defects. Maintenance may be required. For more details, please refer to the Condition Report for each lot. Condition Grades of Handbags Grading 1: As new. Appears never to have been used. It exhibits no signs of wear. Grading 1.5: In mint condition; virtually new and unused with very minor signs of ownership over time. Grading 2: In pristine condition. To the untrained eye, it may appear brand new. There may be a slight condition note, but overall the piece is in excellent condition. Grading 3: In excellent condition. This is a piece that has seldom been used and shows little to no wear. There may be small condition issues to note overall the piece is in excellent condition. Grading 4: In very good condition. This piece may show signs of light wear. It is in very good condition but the corners may show signs of light scuffing, the base may show light scratches, and the hardware may exhibit light marks. Grading 5: In good condition. This piece shows significant wear. There are condition issues that will be noted in the condition report. Grading 6: In fair condition. This piece shows significant w e ar an d / o r d a m a g e . I t m ay re q u i re re p a i r o r refurbishment in order to be used. Condition issues will be noted in the condition report.
é&#x2026;&#x2019;éĄ&#x17E;ĺ?&#x160;č&#x152;śč&#x2018;&#x2030; ¡åÂ&#x2021;lmÂ&#x2030;no Ă&#x2122; Â&#x160;Â&#x2039;KĂ&#x201E;Ă&#x20AC; ÂťÂ&#x2019; ÂąpÂ&#x192;Â&#x201E;Â&#x2014;ø´Â&#x192;Â&#x201E;Ă Ă?Â&#x2122;q" Ă&#x2122;¢Â&#x192;Â&#x201E;Â&#x2014;´d Â&#x161;Â&#x2022; Â&#x192;Â&#x201E; r Â&#x192;Â&#x201E;Â&#x2014;Â&#x;ÂŚÂ&#x153;Â&#x17E;NÂ?Â&#x192;Â&#x201E; Ă&#x2122;Â?* Â&#x201A;Ă&#x2122;>Â&#x201A;6ϤÂ&#x2019;Â&#x192;Â&#x201E;Â&#x2014;Â&#x192;Â&#x201E;ps ; Ă&#x2122;¨¯à Ă&#x2030;ŠÂ&#x2019;ÂŻ ÂŞpÂŤÂŹ ÂŤÂŽ;ÂŁ Ă&#x2122;Â?Â&#x192;Â&#x201E; ¯°Â&#x2039; Â&#x152; Îï¢ÿ~Âą J!=tÂ&#x201E; ¢ÿ~ ( rĂ&#x2018;ĂŽÂ&#x2014; ) uO Â&#x2019; Ă&#x2019;7KÂ&#x17E;N Ă&#x2122;Â?6Ă&#x2013;Â&#x2030;>vÂ&#x2019;*)ĂŤÂŻ Ă&#x20AC; Ă&#x2122;* wÂ&#x201A;xyÂ&#x201A;zĂ&#x160;vÂ&#x201A;l ¤Ă´ 9A BCÂ&#x2019;äR ¢
ALCOHOL AND TEA The descriptions about the auction of alcohol and tea are being stated in the catalogue. Our company reminds bidders to learn more about the auctioned products before bidding. Bidder's participation in bidding at auction is deemed as the bidder's approval and acceptance of the package, quality and status of the auctioned items. Any different opinion formed by the bidders after successful bidding, will not constitute a valid reason to withdraw or cancel the bid and delay payment for the auctioned item. Buyers should cautiously inspect the auctioned item during collection. Upon acknowledging receipt of the auctioned item by the buyer (or his agent), the buyer confirms that he or she has accepted the state and quality including but not limited to any defect or flaw on, e.g. the packaging, labels, level of wear and tear, cork, etc., of the auctioned items without any objection.
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LANGUAGE The Chinese version of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Important Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the saleroom as well as the descriptions of the Properties in this catalogue of our company shall be binding and the English version is for reference only.
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COPYRIGHT ďŹ&#x201D;e copyright of this catalogue belongs to our company. Without the written permission of our company, no parts of this catalogue shall be reproduced in any ways or used in any other ways.
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Â? ÂÂ&#x20AC;Â&#x201A; Â&#x201A; GĂ&#x201E;Ă?(Â?45Â&#x201A; Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;Â&#x2021;Â&#x2C6;Â&#x201A;Â&#x160; Â&#x2039;Â&#x152;Â&#x2021;Â&#x2C6;Â&#x2030;Â&#x17D;Ă&#x20AC; Â&#x201A;ĂŻ Ă&#x20AC; ÂşÂ&#x161; Šª¹²Â?Â? r Â&#x152;Â&#x201A; ]Â&#x201A; Â&#x2C6;Â&#x201A;Ă&#x2019;¤²] " ĂŻ Â&#x2018;!¢ RIGHT OF INTERPRETATION ďŹ&#x201D;e right of interpretation in respect of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Impor tant Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the sales room, shall be exercised by our company.
GĂ&#x201E;Ă?(Â?45 EXPLANATION OF CATALOGUING PRACTICE
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POLY AUCTION (HONG KONG) INTEREST, IN PROPERTY CONSIGNED FOR AUCTION From time to time, Poly Auction (Hong Kong) may oďŹ&#x20AC;er a lot which it owns in whole or in part. Such property is identiďŹ ed in the catalogue with the symbol Î&#x201D; next to the lot number. On occasion, Poly Auction (Hong Kong) has a direct ďŹ nancial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue by the symbol â&#x2013;Ą next to the lot number. ďŹ&#x201D;is symbol will be used both in cases where Poly Auction (Hong Kong) holds the financial interest on its own, and in cases where Poly Auction (Hong Kong) hasfinanced all or a part of such interest through a third party. Such third parties generally beneďŹ t ďŹ nancially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. ďŹ&#x201D;e ďŹ nancing oďŹ&#x20AC;ered by a third party may be in the form of an irrevocable bid provided by that third party. Where Poly Auction (Hong Kong) has an ownership or ďŹ nancial interest in every lot in the catalogue, Poly Auction (Hong Kong) will not designate each lot with a symbol, but will state its interest at the front of the catalogue.
ć&#x2030;&#x20AC;ć&#x153;&#x2030;é&#x2021;?庌ç&#x161;&#x2020;ç&#x201A;şç´&#x201E;ć&#x2022;¸ĺ?&#x160;ç&#x2039;&#x20AC;ćł ĺ ąĺ&#x2018;&#x160;
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ALL MEASUREMENTS ARE APPROXIMATES AND CONDITION REPORTS ďŹ&#x201D;e condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear tear. Condition reports and grades are provided free of charge as convenience to our buyers and are for guidance only. ďŹ&#x201D;ey oďŹ&#x20AC;er our honest opinion but they may not refer to all faults, restoration, alteration or adaptation. ďŹ&#x201D;ey are not an alternative to examinming a lot in person or taking your own professional advice. Lots are sold "as is," in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. For more details, please refer to the Condition Report for each lot.
ć&#x153;Źç&#x203A;Žé&#x152;&#x201E;ć&#x17D;Ąç&#x201D;¨äš&#x2039;貨嚣ĺ&#x2026;&#x152;ć?&#x203A;ç&#x17D;&#x2021;
7.8 Â? =1 Â?
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CATALOGUE EXCHANGE RATE HK$7.8 = US$1 ďŹ&#x201D;e rate of exchange was established at the latest practical date prior to the printing of the catalogue and may therefore have changed by the time of the sale. Bidders should bear in mind that estimates are prepared well in advance of the sale and are not deďŹ nitive. ďŹ&#x201D;ey are subject to revision.
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EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures Terms used in this catalogue have the meanings ascribed to them below. Please note that all statements in this catalogue as to authorship are made subject to the provisions of the Conditions of Business and Limited Warranty. Buyers are advised to inspect the property themselves. Written condition reports are usually available on request. * Name(s) or Recognised Designation of an Artist without any QualiďŹ cation In Poly Auction (Hong Kong)'s opinion a work by the artist. * â&#x20AC;&#x153;Attributed to ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion probably a work by the artist in whole or in part. * â&#x20AC;&#x153;Studio of ...â&#x20AC;?/ â&#x20AC;&#x153;Workshop of ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. * â&#x20AC;&#x153;Circle of ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion a work of the period of the artist and showing his inďŹ&#x201A;uence. * â&#x20AC;&#x153;Follower of ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but not necessarily by a pupil. * â&#x20AC;&#x153;Manner of ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but of a later date. * â&#x20AC;&#x153;After ...â&#x20AC;? In Poly Auction (Hong Kong) 's qualiďŹ ed opinion a copy (of any date) of a work of theartist. * â&#x20AC;&#x153;Signed ...â&#x20AC;?/â&#x20AC;&#x153;Dated ...â&#x20AC;?/â&#x20AC;&#x153;Inscribed ...â&#x20AC;?
In Poly Auction (Hong Kong) 's qualiďŹ ed opinion the work has been signed/dated/inscribed by the artist. * â&#x20AC;&#x153;With signature ...â&#x20AC;?/ â&#x20AC;&#x153;With inscription...â&#x20AC;?/ In Poly Auction (Hong Kong) 's qualified opinion the signature/inscription appears to be by a hand other than that of the artist. * â&#x20AC;&#x153;With date ...â&#x20AC;? In Poly Auction (Hong Kong)'s qualiďŹ ed opinion the date on the item was not executed on that date. * ďŹ&#x201D;is term and its deďŹ nition in this Explanation of Cataloguing Practice are a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Poly Auction (Hong Kong) and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the Limited Warranty shall not be available with respect to lots described using this term.
第一章 總則 第一條
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第二十二條 出售所得款項淨額支付
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第二十四條 賣家稅項
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第六十六條 免除責任
第六十四條 鑒定權
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第四章 其他
第七十條 語言文本
第六十二條 資料採集 、錄影
第六十七條 通知
第六十八條 可分割性
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CONDITION OF BUSINESS
Unless otherwise stated, Poly Auction (Hong Kong) Limited acts as the Seller's agent. ﬔe closing agreement for sale of a Lot shall be a contract between the Seller and the Buyer. ﬔese Conditions of Business and all other terms, conditions and notices contained in the catalogue, announced by the Auctioneer or provided at the saleroom shall constitute the provisions agreed among the Seller, the Buyer and/or Poly Auction (Hong Kong) Limited as auction agent.
queries or authentication related to the Lot at the request of the Buyer or any additional costs and legal expenses to bring claims against a defaulting Buyer; (14)“Reserve” means the confidential minimum selling price for the Lot that the Seller has confirmed with the Company; (15)“Estimate” means the estimated selling price of a Lot written in the catalogue or other descriptive materials, excluding the Buyer's Commission; (16)“Storage Fee” means the storage fee payable by the Buyer to the Company according to these Conditions of Business. In these Conditions of Business, where the context requires, words denoting the singular shall include the plural and vice versa.
ARTICLE 2 DEFINITIONS AND INTERPRETATION
ARTICLE 3 SCOPE OF APPLICATION
In these Conditions of Business, the following terms shall have the meanings set forth below: (1)“Company” means Poly Auction (Hong Kong) Limited; (2)“Seller” means any natural person, legal person or other organization that consigns a Lot(s) within the scope of these Conditions of Business to the Company for auction. In these Conditions of Business, a Seller shall include any of its agents unless as otherwise specified herein or required in a particular context; (3)“Bidder” means any person, company, body corporate or other organization who or which considers, carries out or attempts to bid in anyway. In these Conditions of Business, a Bidder shall include any of its agents unless as otherwise specified herein or required in a particular context; (4)“Buyer” means the Bidder whose bid or offer for a Lot is recognized by an Auctioneer as the highest bid for that Lot in an auction held by the Company, including the principal on behalf of which such Bidder acts; (5)“Buyer's Commission” means any commission that a Buyer shall pay to the Company calculated at the rate specified herein of the Hammer Price for the Lot that such Buyer purchases; (6)“Lot” means any item consigned by a Seller to the Company for auction and so auctioned in any auction, in particular, any item numbered in any catalogue with certain description; (7)“Auction Date” means the date on which an auction is formally held, as announced by the Company in its public notice. In case of any discrepancy between the actual date and the announced date of an auction, the actual date shall prevail; (8)“Sale Date” means, in an auction held by the Company, the date on which the auctioneer concludes a contract for sale between a Seller and a Buyer by way of hammer striking or any other customary manner publicly confirming the sale; (9)“Auctioneer” means any person designated by the Company to moderate a particular auction; (10)“Hammer Price” means the price for a Lot at which the Auctioneer decides to sell the Lot by striking the hammer or the agreed sale price in the post-auction sale; (11)“Proceeds of Sale” means the net amount due to the Seller, being the Hammer Price less the Buyer's Commission, all expenses and other amounts payable to the Company by the Seller; (12)“Purchase Price” means the total amount payable by the Buyer for his/her/its purchase for each Lot, including the Hammer Price, the Buyer's Commission, other Buyer's Expenses and all Buyer's Expenses arising from its failure to perform its obligations; (13)“Buyer's Expenses” means costs and expenses in relation to sale of the Lot by the Company, including but not limited to insurance policies, packing, moving, storage, custody for the Lot, any expenses of testing, investigation,
All parties participating in any auctions organized by the Company, including the Seller, the Bidder, the Buyer and all other related parties (including but not limited to the agents of the Seller, the Bidder and the Buyer) shall be deemed to accept in full and bound by these Conditions of Business, and shall comply with them in such auctions, enjoy the rights and perform the obligations provided herein. Any Bidder who bids in an auction organized by the Company, whether in person or by authorizing an agent to bid on his/ her/its behalf, whether by raising the paddle, by absentee bids, by phone or by any other means, shall be deemed to have accepted these Conditions of Business in full. Any dispute among the parties to auctions organized by the Company shall be settled in accordance with these Conditions of Business.
CHAPTER I GENERAL RULES ARTICLE 1 POLY AUCTION (HONG KONG) LIMITED AS AGENT
ARTICLE 4 SPECIAL NOTICE Bidders and Buyers participating in any auctions organized by the Company shall carefully read and be abided by these Conditions of Business; Bidders and Buyers shall read the provisions limiting the Company's liabilities and disclaimers contained in these Conditions of Business carefully. Bidders and/or their agents have the responsibilities to review the original Lot in person, and bear legal liabilities for their acts of bidding the Lot. Upon the Auctioneer confirms the Bidder's bid by striking his/her hammer or in any other manner publicly indicating confirmation of the purchase in any auctions organized by the Company, the contract for sale regarding the Lot shall immediately enter into force and the Bidder shall become the Buyer of the Lot. ﬔe Company, the Seller and the Buyer shall acknowledge the sale of the Lot and its closing, enjoy the rights and assume the obligations provided by applicable laws and/or these Conditions of Business. Any party that fails to perform obligations shall bear its/his/her corresponding legal liabilities. ﬔe Company may amend these Conditions of Business for a particular auction by posting announcements at the auction site or making an announcement at such auction through an Auctioneer.
CHAPTER II THE SELLER ARTICLE 5 CONSIGNMENT PROCEDURE When arranging for the consignment of the Seller's Lot to the Company for auction: (1) The Seller must present a valid identity document with photo issued by the government (e.g. resident identity card or passport) if the Seller is a natural person and sign a consignment auction contract with the Company; (2) A valid certificate of incorporation, proof of shareholding, or a legal authorization document shall be required if the Seller is a legal entity or any other organization, which shall
sign a consignment auction contract with the Company. (3) When the Seller signs a consignment auction contract with the Company, the Company shall be automatically authorized to make pictures, illustrations, catalogues, or other video images of the Lot.
ARTICLE 6 THE SELLER'S AGENT When arranging for the consignment of the Lot to the Company for auction, the Seller's agent shall submit to the Company the relevant authorization certificates including: (1) A valid identity document if such agent is a natural person; (2) A valid certificate of incorporation and proof of share holding if such agent is a legal person or any other organization; and (3) A power of attorney duly executed. The Company has the right to examine the aforesaid documents in a lawful manner.
ARTICLE 7 THE SELLER'S WARRANTIES The Seller hereby makes irrevocable warranties to the Company and the Buyer with respect to the Lot it consigns to the Company for auction as follows: (1) The Seller has absolute ownership or legal right to dispose of the Lot. ﬔe auction of the Lot will not prejudice any legal interest (including copyright interest) of any third party, and will not violate the provisions of relevant laws and regulations; (2) The Seller has, to the best of its knowledge, made full, complete and accurate disclosure and description to the Company with respect to the origin and any flaw of the Lot and notified the Company in writing, without any concealment or fabrication; If the Lot is liquors or teas, the Assignee should truly disclose the defects or flaws about, including but not limit to the packaging, labels, level of wear and tear, corks, etc. (3) If the Lot being consigned shall be imported into Hong Kong, the Seller shall guarantee the compliance with the laws of its origin, and ensure the completion of the export and import procedures and notify the Company in writing; and (4) The Assignee must ensure that the auctioned items do not contravene any laws of Hong Kong (including the Public Health and Municipal Services Ordinance, the Food Safety Ordinance and the Protection of Endangered Species of Animals and Plants Ordinance the Endangered Species of Wild Animals and Plants), ensure and disclose to our Company that it has any license or qualification registration to possess, disposal or sale of the auctioned item required by the laws of Hong Kong. ﬔe Assignee should ensure that if they require our Company to make an additional license or permit to the relevant departments for the auction, display, disposal or possession of the auctioned items, they should notify us in written notice not less than two months prior to the auction. (5) ﬔe Seller shall guarantee that the Lot is authentic. In so doing, the Seller guarantees: (a) ﬔe Lot is not a counterfeit or forgery of: i. ﬔe work of any artist, author or manufacturer, if the Lot is described by the Seller as the work of that artist, author or manufacturer; ii. A work created or produced within a particular time frame or culture, if the Lot is described by the Seller as a work created or produced during that time frame or culture; iii. A work of a particular origin or source, if the Lot is described by the Seller as a work of that origin or source; or iv. A work created or crafted or refined or restored through a
particular process or manner, if the Lot is described by the Seller as a work created through that process or manner. (b) In the case of jewellery and timepieces, in addition to 5(a) above, the Lot is crafted in the manner as described by the Seller, out of the particular materials as described by the Seller, and had underwent no restoration processes other than those stated by the Seller; and (c) In the case of gemstones, in addition to 5(a) above, the Lot had undergone no beautification processes other than those specified by the Seller. If the Seller violates any of the above warranties, the Seller shall fully indemnify all losses, costs and expenses suffered by the Company and/or the Buyer.
and all losses caused by the suspension of auction; (3) ﬔe Company has an objection to the explanation of the Seller or the accuracy of the Seller's warranty mentioned in Article 7 hereof; (4) Any evidence proves the Seller has violated or will violate any provisions of these Conditions of Business; (5) For any other reason, the Company believes that the auction of such Lot shall be suspended; or (6) Whichever situation causes such suspension, if the Company is aware of any ownership or other dispute in relation to the Lot being consigned for auction, the Company shall have the right to refuse to return such Lot until the dispute is settled.
wear, inherent flaws, internal or potential defects, change of substance itself, self-combustion, self-heating, oxidation, corrosion, leakage, rat-bite, worm-bite, change in the atmosphere (climate or air temperature), change in humidity or temperature, or other gradual changes or caused by force majeure such as earthquake, tsunami, war, hostile action, armed conflict, terrorism, coup, strike and social riot, or nuclear radiation or radioactive pollution as well as the damage or destruction of book frames, glass, drawers, bottom pads, trestles, mountings, insert pages, scroll heads or other similar accessories caused by any reason are not within the scope of insurance coverage. ﬔe aforesaid risks should be borne by the Seller.
ARTICLE 8 RESERVE
ARTICLE 12 THE SELLER'S WITHDRAWAL OF LOT
ARTICLE 18 INSURANCE INDEMNITY
Unless otherwise agreed upon by the Company and the Seller, all Lots are offered subject to a Reserve. ﬔe Reserve shall be determined by the Seller and the Company in writing through consultation, and no modification of the Reserve shall be made without the prior consent of the other party after it is determined by both parties. Following the bidding failure of the Lot authorized by the Seller, the Auctioneer shall have the right to sell such Lot at the Reserve after such auction and the Seller must pay the Commission to the Auctioneer. In no circumstance shall the Company bear any liability for failure to sell the Lot at the Reserve at the auction held by the Company.
The Seller may withdraw the Lot at any time prior to the Auction Date by issuing a written notice to the Company. In the case that the Lot has been listed in the catalogue or other public materials and they have begun to be printed at the time of the withdrawal of the Lot, the Seller shall pay an amount equal to 20% of the Reserve of the Lot and all other expenses. In the case that the catalogue or other public materials have not been printed, the Seller shall pay an amount equal to 10% of the Reserve of the Lot and all other expenses. Any dispute or claim arising out of the Seller's withdrawal of the Lot shall be borne by the Seller and has nothing to do with the Company.
Any damage or destruction of the Lot caused by incidents or disasters covered by the insurance purchased by the Company for the Lot shall be handled in accordance with the laws of Hong Kong on insurance. The Company shall pay insurance indemnities after deducting the Company's expenses (other than the Commission) to the Seller after the Company obtains such indemnities from the insurance company.
ARTICLE 9 THE COMPANY'S DISCRETION
ARTICLE 13 AUTOMATIC INSURANCE
The Company may decide the following matters at its absolute discretion: (1) Explanation and/or appraisal of any aspect of any Lot through the catalogue of the Lot and/or news media and/or other carriers; (2) Whether to consult any expert or not; (3) ﬔe illustration of the Lot in the catalogue, the exhibition of the Lot and other forms of publicizing the Lot, the arrangement in the promotional activities as well as the standards of payable expenses; (4) Suitability of a Lot for auction by the Company; (5) Other matters such as the date of auction, the place of auction, the conditions of auction and the manner of auction.
Unless otherwise instructed by the Seller in writing, all Lots will be automatically covered under the insurance policies purchased by the Company after the Seller enters into the consignment auction contract with the Company and delivers the Lots to the Company. ﬔe insured amount shall be based on the Reserve agreed by the Seller and the Company in the consignment auction contract (if there is no Reserve, it shall be the agreed insured amount of the Lot; if the Reserve is adjusted, it shall be the original Reserve of the Lot). ﬔe insured amount is only applicable to insurance and claim for compensation, is not the Company's warranty or guarantee for the value of the Lot, and does not mean that the Lot can be sold for an amount equal to the insured amount through any auction by the Company.
ARTICLE 10 LOT NOT AUCTIONED
ARTICLE 14 INSURANCE PREMIUM
After the Seller has signed the consignment auction contract with and delivered the Lot to the Company, if for any reason the Company believes that the Lot is not suitable for auction by the Company, the Seller shall collect the Lot within thirty days from the issuance date of the Company's notice (fees for packaging and transportation shall be at the Seller's own expense). The consignment auction contract between the Seller and the Company will terminate on the date when the Seller collects the Lot. If during the above-mentioned period the Seller fails to collect the Lot, the consignment auction contract will automatically terminate upon the expiration of such period. If within seven days after the termination of the consignment auction contract the Seller does not collect the Lot, the Company shall have the right to charge the Storage Fee, insurance fees and other reasonable expenses, and to dispose of the Lot in a way the Company deems proper. ﬔe Seller is responsible for the collection of, if any, the amount obtained from the disposal after deducting all the fees and expenses incurred by the Company.
If the Lot is sold, the insurance premium payable by the Seller shall be 1% of the Hammer Price unless otherwise agreed by the Seller and the Company. If the Lot is not sold, the Seller shall as well pay the insurance premium at 1% of the Reserve.
ARTICLE 11 SUSPENSION OF AUCTION The Company has the right to suspend the auction of any Lot at any time before the actual auction in any one of the following situations: (1) The Company has an objection to the ownership or authenticity of the Lot; (2) Any third party has an objection to the ownership or authenticity of the Lot and can provide relevant evidence materials as to the basis of such objection, pays a security pursuant to the Company's requirements and is willing to take the corresponding liabilities for the legal consequences
ARTICLE 15 INSURANCE PERIOD If the Lot is sold in the auction, the insurance period shall terminate at the earlier of the seventh day after the Sale Date (including the Sale Date) and the date when the Buyer collects the Lot. If the Lot is not sold in the auction, the insurance period shall terminate upon the expiry of thirty days after the Company issues the notice on the collection of the Lot.
ARTICLE 16 INSURANCE BY THE SELLER In the event that the Seller notifies the Company in writing not to insure the Lot, it shall undertake all the risks and the following liabilities at any time (unless otherwise ruled by an arbitration institution): (1) To compensate for any claim or action brought by any other parties against the Company with respect to the damage or destruction of the Lot; (2) To compensate the Company and/or any other parties for all losses suffered and all expenses incurred because of the damage or destruction of the Lot caused by any reason; and (3) To notify the compensation related provisions herein to any insurer of the Lot.
ARTICLE 17 INSURANCE DISCLAIMER The damage or destruction of the Lot caused by natural
ARTICLE 19 BIDDING PROHIBITION ﬔe Seller shall not bid for the Lot consigned to the Company by himself/herself/itself for auction, or authorize any other person to bid on his/her/its behalf. Only the Company has the right to bid on behalf of the Seller at a price not more than the Reserve. The Seller shall bear all legal liabilities and compensate for all losses caused to the Company if the Seller violates this Article.
ARTICLE 20 COMMISSION AND EXPENSES Unless otherwise agreed upon by the Seller and the Company, the Seller shall authorize the Company to deduct 10% of the Hammer Price as Commission and at the same time deduct other expenses. Despite the fact that the Company is the Seller's agent, the Seller agrees that the Company may collect the Commission and other expenses from the Buyer in accordance with the provisions in Article 49 hereof.
ARTICLE 21 SERVICE FEE FOR UNSOLD LOT In case the Lot is not sold because the bidding price is lower than the Reserve, the Seller shall authorize the Company to charge the Seller a service fee for unsuccessful auction and other expenses.
ARTICLE 22 PAYMENT OF PROCEEDS OF SALE Where the Buyer effects full payment of the Purchase Price to the Company in accordance with the provisions in Article 49 hereof, the Company shall pay the Proceeds of Sale to the Seller thirty-five days after the Sale Date in Hong Kong dollars.
ARTICLE 23 DEFERRED PAYMENT Where the Company does not receive the full payment of the Purchase Price from the Buyer upon the expiry of the payment period under Article 51 hereof, the Company will pay the Proceeds of Sale to the Seller within seven working days after receipt of full payment of the Purchase Price from the Buyer.
ARTICLE 24 SELLER TAXES ﬔe Seller shall pay taxes to the government for the Proceeds of Sale obtained. If the Company has the obligation to withhold and pay taxes according to the provisions of the relevant laws, the Company will follow the provisions of the laws. The Seller shall assist in handling all the formalities and bear the corresponding taxes and expenses.
ARTICLE 25 ASSISTANCE IN THE COLLECTION OF OUTSTANDING PAYMENT ﬔe Seller shall, at the time of its consignment of the Lot to the Company for auction, be deemed to have authorized the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller. Where the Buyer
fails to fully pay the Purchase Price within seven days after the Sale Date (including the Sale Date), the Company shall have the right to demand the Commission and other Buyer's Expenses according to the provisions of Article 58 hereof. In addition, the Company shall as well have the right to take appropriate actions (including but not limited to resorting to legal proceedings) to assist the Seller in collecting such outstanding payment from the Buyer where it is deemed by the Company to be practicable. ﬔe above provision does not exclude the Seller's right to demand in person or authorize any third party to demand the outstanding payment from the Buyer and does not obligate the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller under any circumstance. ﬔis Company shall not bear the corresponding liability for the Seller because of the Buyer's failure to pay the Purchase Price under any circumstance.
ARTICLE 26 THE COMPANY'S DISCRETION The Company shall have the right to accept the Seller's authorization (at the Seller's expenses) and may determine the following matters as the case may be: (1) To agree on special conditions of the payment of the Purchase Price; (2) To remove, store and insure the sold Lot; (3) To settle claims brought by the Buyer or the Seller in accordance with the relevant articles hereof; and (4) To take other necessary measures to collect the outstanding payment owed by the Buyer to the Seller.
ARTICLE 27 UNSOLD LOT In the event that the Lot is not sold, the Company may choose any one of the following actions: (1) Private sale after the auction The Company may re-negotiate with the Seller on the revised Reserve and sell the Lot in private sale, and pay the Seller the Proceeds of Sales adjusted based on the revised Reserve. (2) Re-auction ﬔe Company may re-auction the Lot. ﬔe Commission and expenses scale set out in the previous consignment auction contract remains applicable. (3) Collection of the Lot ﬔe Seller shall take back the Lot within 30 days upon receipt of the Company's notice on collection (fees for packaging and transportation shall be paid by the Seller) and pay the Company the service fee for unsuccessful auction and other expenses. ﬔe Company shall, upon expiration of such time limit, be entitled to charge the Storage Fee, insurance fees and other reasonable expenses, and to sell the Lot through public auction or other means of sale according to the conditions the Company deems appropriate. The Company shall also be entitled to deduct the service fee for unsuccessful auction and other expenses payable by the Seller in the first auction as well as all expenses for re-sale of the Lot by auction from the Proceeds of Sale before paying the remaining amount to the Seller.
ARTICLE 28 RISK ASSUMPTION ﬔe Seller shall assume liability for all risks and expenses that occur after the time limit prescribed herein if the Seller fails to take back the Lot not auctioned or the unsold Lot within such the time limit. ﬔe Seller shall assume liability for all risks and expenses of the Lot not auctioned or the unsold Lot at the earlier of the thirtieth day after the Company issues a notice on collection of the Lot to the Seller (including the notice date) and the time when the Seller collects the Lot in accordance with these Conditions of Business. Where the Seller requests Company to assist it in the return of the Lot within the time limit provided herein and the Company so agrees, the Seller shall assume liability for all risks and expenses that occur after the Lot leaves the place designated by the Company. Unless the Seller specifically gives an indication and pays insurance premium in advance, the Company has no obligation to insure the Lot for any period after its departure from the place designated by the Company. Where the Seller requests
the Company to assist it in returning the Lot by means of post, express delivery or other third-party transportation, the Company shall be deemed to have returned the Lot and the Seller shall be deemed to have collected the Lot upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices.
be responsible for any breach of the Conditions of Business by the Seller. 4. Without affecting Article 30 (2) of these rules, any claim for compensation that the Bidder makes to the Company or the Seller shall be limited to the Hammer Price and the Buyer's Commission of the Lot. Under no circumstances shall the Company and the Seller bear any consequential losses incurred by the Buyer.
CHAPTER III THE BIDDER AND THE BUYER ARTICLE 29 RESPONSIBILITIES OF THE BIDDER AND THE COMPANY IN RESPECT OF THE LOT 1. ﬔe Company's perception of all Lots partly relies on the information provided by the Seller, the Company is unable and will not carry out comprehensive inspection of all Lots. Bidders are aware of this and bear the responsibilities of inspecting and testing the original Lots so that Bidders will be satisfied with those Lots in which they may be interested. 2. All Lots for sale by the Company are available for viewing by Bidders. By bidding, Bidders and/or their agents are deemed to have carried out thorough examination of the Lots, and are deemed to be satisfied with the conditions of the Lots and the accuracy of their description. 3. Bidders acknowledge that various Lots are dated long time ago and of special categories, implying that the Lots are not perfect and not free from defects. All Lots are sold on an“as is” basis at the time of the auction (whether or not Bidders attend the auction). Condition reports may be provided when during the viewing period. Under certain circumstances, catalogue descriptions and condition reports may be used for reference about certain defects of the Lots. Nevertheless, Bidders should pay attention that the Lots may have other defects not clearly stated in the catalogue descriptions and condition reports. 4. Regarding the information about the Lot provided to Bidders, including any forecast information (written or verbal), catalogues and other reports, commentaries or estimated values, such information are not statement of facts, but rather are statements of the opinion that the Company holds. Such information can be altered at the sole discretion of the Company from time to time. 5. ﬔe Company or the Seller has not made any declaration or warranty as to whether any Lot is subject to any copyright or whether the Buyer has bought the copyright of any Lot. 6. In accordance with the matters contained in Article 29 (1) to 29 (5) of the Conditions of Business and the special exemption contained in Article 30 of the Conditions of Business, the descriptions in the catalogue and in the condition reports are written in a reasonably prudent manner (and such should be in line with those terms of the Conditions of Business regarding the Company serving as Auction Agent) based on (1) the information provided by the Seller to the Company; (2) academic and technical knowledge (if any); and (3) generally accepted opinions of the relevant experts.
ARTICLE 30 THE COMPANY'S EXEMPTION AND RESTRICTION OF RESPONSIBILITIES TO THE BUYER 1. If the Company considers the Lot as forgery, it shall return the Hammer Price and Buyer's Commission to the Buyer. 2. Subject to the matters contained in Article 29 of the Conditions of Business and the rules in Article 30 (1) and 30 (5) of the Conditions of Business, the Company shall not: (1) be responsible for any errors or omissions in the information provided by the Company to the Bidder verbally or in writing, no matter whether this is caused by negligence or other reasons, with the exception of provision contained in Article 29 (6) of the Conditions of Business; (2) make any guarantee or warranty to the Bidder, excluding any implied warranty and rules other than the expressed warranty that the Seller has entrusted the Company to make to the Buyer (with the exception of those responsibilities that cannot be discharged according to the stipulations of laws); (3) be accountable to any Bidder for any actions or omissions of the Company regarding the auction or the sale of any Lot (no matter whether this is caused by negligence or other reasons). 3. Unless the Company owns the Lot to be sold, it shall not
ARTICLE 31 CATALOGUE AND OTHER EXPLANATION OF THE LOT ﬔe Company shall prepare a catalogue of the Lot to briefly introduce the conditions of the Lot with words and/or pictures to facilitate the Bidder and Seller to participate in the auction held by the Company. ﬔe words and Estimate in the catalogue of the Lot, pictures, other images as well as public materials are only references for the Bidder and may be revised before auction. The Company provides no guarantee for the authenticity, value, tone, quality or flawlessness of the Lot.
ARTICLE 32 UNCERTAINTY OF CATALOGUE Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in anyway (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal.
ARTICLE 33 RESERVE AND ESTIMATE Unless otherwise indicated, all Lots are offered subject to a Reserve. Normally, the Reserve is not higher than the lowest Estimate announced before the auction or published before the auction by the Company. If a Reserve has not been set for a Lot, unless there has already been bidding, the Auctioneer, in his or her discretion, may determine the starting price, but this shall not be higher than the lowest Estimate of the Lot before the auction. Under no circumstances shall the Company bear any liability when the bids for a Lot do not reach the Reserve. If the bids are lower than the Reserve, the Auctioneer, in his or her discretion, may sell the Lot at a price lower than the Reserve. However under such circumstances, the amount that the Company shall pay the Seller shall be the amount that the Seller would receive as if the Lot was sold at the Reserve. The Estimate is estimated at an earlier time before the Auction Date, it is not a confirmed selling price, and is not legally binding. Estimates cannot be used as a forecast of the Hammer Price of the Lot, and the Company has the right to revise from time to time the Estimate already made.
ARTICLE 34 BIDDERS' INSPECTION RESPONSIBILITY The Bidder and/or his/her/its agents shall have the responsibility to learn about the actual conditions of the Lot and shall be legally liable for his/her/its bid for a certain Lot. ﬔe Company strongly advises the Bidders to personally inspect the original Lot they intend to bid for before the Auction Date by authentication or other means. Bidders shall judge by themselves whether Lot complies with the descriptions in the Company's catalogue of the Lot and other images and public materials, rather than relying on the catalogue, images and public materials to make decisions.
ARTICLE 35 REGISTRATION OF BIDDERS If the Bidder is a natural person, before the Auction Date, he/ she shall fill in and sign the registration documents with an identity document with photo issued by the government (such as resident identity card or passport), and provide proof of the current address (e.g. utility bill or bank statement); if the
Bidder is a company or other organization, before the Auction Date, it shall fill in and sign the registration documents and collect a paddle with its valid certificate of incorporation and proof of shareholding and legitimate authorization document. ﬔe Company may request the Bidder to present proof of bank details or other proof of financial conditions for payment purposes.
ARTICLE 36 PADDLE The Company can announce before the Auction Date the conditions and procedures of arranging paddle for the Bidder according to different auction conditions and auction methods etc., including but not limited to the qualification and conditions for the Bidder to arrange a paddle. The Company solemnly reminds that a paddle is the only proof for the Bidder to participate in the auction at the venue. ﬔe Bidder shall keep it properly and shall not lend it to others to use it. If it is lost, it shall immediately handle the loss report formalities in a written form recognized by the Company. No matter if the person holding a paddle has been appointed by the Bidder or not, his or her bidding acts at auction are considered as having been made by the registered person himself, and the Bidder shall bear the legal responsibilities for the acts of the former, unless the Bidder himself has already submitted a written report to the Company regarding the loss paddle.
ARTICLE 37 AUCTION DEPOSIT When a Bidder participates in an auction of the Company, he/she shall first pay the auction deposit before collecting the paddle. The amount of the auction deposit will be announced by the Company before the Auction Date, and the Company has the right to waive the auction deposit. If the Bidder fails to buy the Lot and he does not owe the Company any sum, then that auction deposit shall be returned to the Bidder in full without interest within 14 working days after the end of the auction. If the Bidder succeeds in buying a Lot, the auction deposit shall automatically be converted to the payment of the Purchase Price of the Lot.
ARTICLE 38 DISCRETION OF THE COMPANY The Company has the right to forbid anyone from participating in the auction organized by the Company or entering the auction site, or taking pictures or shooting videos at the auction site at its discretion.
ARTICLE 39 HANDLING OF ABNORMAL EVENTS If any abnormal event occurs at the auction site, the Company has the right to take emergency actions. If any dispute arises at the auction site, the Company has right to mediate and settle it.
ARTICLE 40 CONFIRMATION OF BUYER'S IDENTITY ﬔe Bidder must take good care of his/her/its paddle and be cautious not to lose it. ﬔe Bidder shall not lend his/her/its paddle to others, or the Bidder shall assume all legal liability for others' act of bidding for the Lot using his/her/its paddle.
ARTICLE 41 ABSENTEE BIDS Bidders shall attend the auction in person. If a Bidder or its agent cannot attend in person, it can appoint the Company in writing for the Company to bid on its behalf. ﬔe Company has the discretion to accept or not accept the above appointment. Any Bidder who has appointed the Company to bid shall handle the appointment formalities within the period stipulated (no later than three business days), and produce a completed Absentee Bid Order to the Company, and at the same time pay the auction deposit according to the Conditions of Business. If the Bidder who has appointed the Company to bid needs to cancel the absentee bid, it shall notify the Company no later than 24 hours before the Auction Date.
ARTICLE 42 AUCTION RESULTS OF ABSENTEE BID If a Bidder who has appointed the Company to bid, the auction results and the related legal responsibilities shall be
borne by the Bidder. If the Bidder indicates in the Absentee Bid Order that it bids by instant communication methods such as telephone, it shall fill in the instant communication method accurately and keep the instant communication instrument properly, during the period in which the Company is appointed to bid, the Bidder shall use that instant communication instrument itself. Where the instant communication instrument is lost or it cannot be within control, the Bidder shall immediately use a written form recognized by the Company to change the instant communication method filled in the Absentee Bid Order. During the period the Company is appointed to bid, it shall make appropriate efforts to contact the Bidder, the bidding information transmitted by that instant communication instrument (whether or not it is transmitted by the Bidder personally or the Bidder's agent) shall be considered as transmitted by the Bidder itself, and the Bidder shall bear legal responsibilities for the actions taken by it. Unless the Buyer itself has changed the instant communication method filled in the Absentee Bid Order by a written method recognized by the Company. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded. Nevertheless, under no circumstances shall the Company be responsible for any unsuccessful contact or errors or omissions in the bidding process using that instant communication instrument.
ARTICLE 43 DISCLAIMER OF ABSENTEE BID Since absentee bid is a free service of transmitting bidding information that the Company provides to the Bidder, the Company and its employees shall not bear any responsibilities for unsuccessful bidding or any errors, omissions, negligence, fault or inability to bid on its behalf during the bidding process.
ARTICLE 44 FIRST-COME-FIRST-SERVE PRINCIPLE FOR ABSENTEE BID If two or more Bidders appointing the Company to bid on their behalf have bid the same price for the same Lot and eventually that Lot is sold at that Hammer Price, then the one who first submitted to the Company shall be the Buyer of that Lot.
ARTICLE 45 DISCRETION OF THE AUCTIONEER The Auctioneer has the right at his absolute and sole discretion in the following matters: 1. Refusal or acceptance of any bid; 2. Carrying out the auction in such a manner as he may decide; 3. Withdrawal of any Lot, dividing it for auction separately, combining any two or more Lots for auction; 4. If there are errors or disputes, no matter if they occur during or after the auction, he shall have the right to decide the successful Bidder, whether or not to continue the auction, to cancel the auction or place the Lot under dispute for auction again; 5. ﬔe Auctioneer may open and carry out the bidding at a level with bidding increments that he considers suitable, and has the right to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other Bidders; 6. Adoption of other actions that he considers as appropriate.
ARTICLE 46 NO RESERVE For those Lots without a Reserve, unless there has already been bidding, otherwise the Auctioneer, under his own discretion, may decide the starting price. If there is no bidding at such a price, the Auctioneer will, at his own discretion, lower the price and continue the auction until a Bidder starts to bid, then he will continue the auction at that price and then continue up from that amount.
ARTICLE 47 IMAGE DISPLAY BOARD AND CURRENCY CONVERSION BOARD To facilitate Bidders, the Company may use image projector
or other forms of display boards in the auction. ﬔe contents shown are for reference only. It is possible that there are differences in the information such as the amount, reference number of the Lot, images of the Lot or reference foreign currency etc. shown in the image projector or other forms of display boards and the Company shall not bear any responsibilities for any losses caused by such differences.
ARTICLE 48 SUCCESSFUL BID The fact that the Auctioneer confirms the highest bid of a Bidder by striking his/her hammer or in any other manner of publicly confirming the sale shall indicate the conclusion of a sales contract for the Lot between the Bidder and the Seller.
ARTICLE 49 COMMISSION AND EXPENSES After the Bidder has succeeded in bidding, it will become the Buyer of that Lot. A buyer’s premium will be added to the Hammer Price and is payable by the buyer as part of the total purchase price. The buyer’s premium is 18% of the hammer price of each lot and at the same time other Buyer’s Expenses, and recognizes that the Company can charge the Seller the commission and other Seller expenses according to provisions of the Consignment Agreement.
ARTICLE 50 TAXES All the monies that the Buyer pays to the Company are net amounts, which shall not include any tax on goods, tax on services or other value added tax (whether levied by Hong Kong or other regions). If there is any tax applicable to the Buyer, the Buyer shall bear it itself according to the provisions of the relevant laws currently in force.
ARTICLE 51 PAYMENT TIME After the Lot is successfully sold in an auction, unless otherwise agreed, regardless of any stipulations of the export, import or other permits of the Lot, the Buyer shall fully pay the Purchase Price within 7 days after the Sale Date (including the Sale Date), and collect the Lot. If packing, moving costs, and insurance expenses, expenses related to export are involved, the Buyer shall pay them altogether.
ARTICLE 52 PAYMENT CURRENCY All monies shall be paid in Hong Kong dollars. If the Buyer pays in another currency other than Hong Kong dollars, it shall convert it at the exchange rate agreed between the Buyer and the Company or at the exchange rate of Hong Kong dollars and that currency type on the previous working day announced by such bank as selected by the Company. All bank handling fees, commission and charges incurred by the Company for converting the foreign currency paid by the Buyer into Hong Kong dollars shall be borne by the Buyer.
ARTICLE 53 TRANSFER OF OWNERSHIP Even if the Company has delivered the Lot to the Buyer, the Buyer has not yet obtained the ownership of the Lot. This shall pass onto the Buyer only when the Buyer has fully paid the Purchase Price and all monies that the Buyer owes the Company.
ARTICLE 54 TRANSFER OF RISKS After the bidding has succeeded, the risks ofthe Lot shall be borne by the Buyer itself after the occurrence of one of the following events (whichever earlier): 1. ﬔe Buyer has collected the Lot; or 2. ﬔe Buyer has fully paid the Purchase Price for the Lot to the Company; or 3. ﬔe expiry of seven days after the Sale Date (including the Sale Date).
ARTICLE 55 COLLECTION OF THE LOT Risk and responsibility for the lot passes to the Buyer at the expiration of thirty calendar days from the Sale Date (including the Sale Date). or on collection by the Buyer, if earlier. After thirty calendar days, all expenses incurred, including but not limited to storage, moving, insurance will be for the account of the Buyer. Although the Company
shall use reasonable efforts to take care of purchased Lot and suggest handlers, packers or carriers, the company is not responsibleto any person to whom we have made are commendation for the acts or omissions of the third party concerned.
ARTICLE 56 PACKING, HANDLING AND MOVING If the employees of the Company pack and handle the Lot bought on behalf of the Buyer according to the latter's requirements, this is considered as a service provided by the Company to the Buyer and the Company has the discretion to decide whether to provide this service, if any losses arise therefrom, the Buyer shall bear them itself. Under no circumstances shall the Company be responsible for any damage of the glass or picture frame, box, backing sheet, frame case, mounting, inserts, rolling rod or similar auxiliary objects caused by any reasons. Where the Buyer requests the Company to assist it in collecting the purchased Lot (the packaging, mailing and transportation expenses shall be paid by the Buyer) by means of post, express delivery or transportation, the Company shall be deemed to have delivered the Lot and the Buyer shall be deemed to have collected such Lot according to the normal procedure upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices. The risks arising from this process shall be borne by the Buyer. Unless Buyer gives a clear indication and pays insurance premium, no insurance is provided in the process of mailing, express delivery or transportation generally. The Company shall undertake no liability for any error, omission, damage or destruction caused by the packaging company and post, express delivery and transportation entities or companies designated by the Buyer or recommended by the Company to the Buyer.
ARTICLE 57 IMPORT, EXPORT LICENSES AND PERMIT ﬔe Buyer shall be responsible for obtaining any import and export licenses, permit for endangered animals or other aspects related to the Lot. Failure or delay in obtaining any permits required shall not be deemed as a reason for cancelling the purchase or delaying in paying the Purchase Price. The Company shall not bear any responsibilities for the failure to properly fill in or submit the required import or export documents. If the Buyer requests the Company to apply for the import and export licenses on its behalf, the Company has the right to charge service fees for this service. However, the Company does not warrant that the import or export license will be issued. The Company and the Seller has not made declaration or warranty in respect of whether or not any Lot is subject to import and export restrictions or any embargo.
ARTICLE 58 REMEDIES FOR NON-PAYMENT If the Buyer fails to make full payment according to the provisions of the Conditions of Business or any payment arrangements agreed with the Company, the Company has the right to adopt one or more of the following measures: 1. After the Lot is sold, if the Buyer fails to pay the Purchase Price within 7 days from the Sale Date (including the Sale Date), the auction deposit paid at the time of bidding registration shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; if the Buyer has bought a few Lots with the same paddle, after the Lots are sold, if the Buyer has not paid the Purchase Price of any of the Lots within the time stipulated, then the entire auction deposit shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; 2. If the Buyer fails to pay the Purchase Prices in full to the Company within 7 days from the Sale Date (including the Sale Date), the Company has the right to appoint a third party organization to collect the entire or part of the Purchase Prices that the Buyer owes;
3. If the Buyer fails to pay the Purchase Price in full within 7 days from the Sale Date (including the Sale Date), the Company has the right to charge interest at 0.03% per day on the unpaid portion starting from the 8th day after the Sale Date until the day on which the Buyer has fully paid the monies, with the exception that the Buyer has otherwise agreed with the Company; 4. The Buyer shall bear the risks and expenses of taking out an insurance policy, moving and storing the Lot in the Company or other places; 5. To sue the Buyer or apply to Arbitration Agency for mediation, demand for compensation for all the losses due to the breach of contract by the Buyer including but not limited to economic loss, legal expenses, default penalty and pass due interest caused by the delay in payment or refusal to make payments by the Buyer; 6. To retain that or any other Lot that the same Buyer has bought via the Company, and any other properties or rights to property of the Buyer that the Company holds for any reasons, all the expenses and/or risks incurred during the retention period shall be borne by the Buyer. If the Buyer fails to perform all its duties concerned within the period specified by the Company, the Company has the right to issue a lien notice tothe Buyer and dispose of the items under lien if the Buyer has not yet fully paid all outstanding amounts within 30 days after the issue of that notice. if the items under lien are insufficient to offset all the monies payable by the Buyer to the Company, the Company has the right to claim them; 7. The Company has sole discretion to cancel the sale or agree that the Consignor can cancel the deal, and reserve the right to claim all the losses suffered by the Company due to the cancellation of that deal; 8. ﬔe Company can place the Lot for auction again or sell it by other means according to the provisions of the Conditions of Business with the consent of the Seller, and the Company reserves the right to decide the Estimate and Reserve. ﬔe original Buyer shall pay the commission and other Buyer's Expenses and the Seller in the first auction, and it shall bear all the costs of the second auction or the sale of the Lotby other means. If the price obtained from the second auction or the sale of the Lot by other means is lower than the original auction sum, the original Buyer shall pay the shortfall; 9. To offset any monies related to the Lot that the Buyer owes the Company by any sums that the Company owes the Buyer in any other transactions; 10. ﬔe Company can decide to use any monies paid by the Buyer to repay any sums that the Buyer owes the Company in any other transactions; 11. To reject any bids made by the Buyer or its agent at future auctions, or to obtain auction deposit before accepting any bids; 12. To disclose the information of the Buyer to the Seller, so that the Seller can start a law suit to recover the outstanding amount, or claim damages and claim legal fees for breach of contract by the Buyer.
ARTICLE 59 REMEDIES FOR DELAY IN COLLECTING THE LOT If the Buyer fails to collect the purchased Lot 7 days after the Sale Date (including the Sale Date), the Company has the right to adopt one or more of the measures below: 1. All costs (including but not limited to the storage fee calculated and charged according to the provisions of the Bidder Registration Order starting from the 31st day from the Sale Date (including the Sale Date) and/or risks for the taking out of an insurance policy and/or storing the Lot in the Company or other places shall be borne by the Buyer. Only after the Buyer has paid the full amount of the Purchase Price, it can collect the Lot (packing and moving costs, insurance expenses, expenses related to export shall be at the Buyer's expense); 2. ﬔe Buyer shall bear all the risks and expenses incurred after the deadline as stated in the Conditions of Business if it cannot collect the Lot concerned within that deadline. If the Buyer has not yet collected the Lot within 30 days from the
Sale Date (including the Sale Date), after notifying the Buyer, the Company has the right to sell that Lot in a public auction or by a method and with methods and conditions that it considers suitable. Any proceeds after the deduction of all the losses, expenses (packing & moving costs, insurance costs, expenses related to export, Storage Fee, and notarial expenses etc.) incurred by the Company from the disposal shall be taken back by the Buyer; such balance is noninterest-bearing. If the Buyer fails to take the proceeds back two years after the Sale Date, the balance shall be deposited to a Hong Kong court by the Company after deducting the relevant expenses (including legal fees).
ARTICLE 60 LIMITED WARRANTY 1. ﬔe Company provides general warranty to the Buyer: If the Lot sold by the Company is later found to be a counterfeit, the Company will cancel that deal according to the terms of the Conditions of Business, and will return to the Buyer in the currency of the original deal the Hammer Price together with the Buyer's Commission that the Buyer has paid to the Company for the Lot. In this regard, based on the reasonable opinion of the Company, counterfeits refer to frauds in various aspects such as the source, place of origin, date, production year, duration, culture or sources etc. of the article, and the correct description of the above points have not been recorded in the contents of the catalogue (any special terminologies are taken into consideration). Any damage and/or any type of restored item and/or repaired items (including repaintingor painting on top of it) of the Lot shall not be considered as counterfeit. Please pay attention that if any of the following situations happens, this warranty shall not apply; The contents of the catalogue are based on generally accepted opinion of academics and specialists on the selling date, or contradictions in opinions are shown in the contents of the catalogue; or On the selling date, the only method of proving the Lot is a counterfeit is not a method which can be used in general; which is recognized; which is extremely high price; the usage of such method is impractical; or this method may have caused damage to the Lot or may (according to the reasonable opinion of the Company) have already caused the Lot to lose value; or If the Lot has not lost any material value from the description of the Lot. 2. ﬔe deadline in this warranty is 5 years fromthe Auction Date concerned, these benefits are exclusively enjoyed by the Buyer, and shall not be transferred to any third party. In order to make claims based on this warranty, the Buyer shall:-(1) notify the Company in writing within one month after the receipt of any information which leads the Buyer to doubt the authenticity or attributes of the Lot, specifying the reference number of the Lot, date on which the Lot is purchased and reasons for which it is considered as counterfeit; (2) return the Lot to the Company in the same conditions as it was on the date of sale, and the proper ownership of it is transferrable, plus there are no claims from any third party after the Sale Date. 3. Regarding Southeastern Asian modern and contemporary art, Chinese painting and Chinese calligraphy and Chinese ink painting, although at present the academic sector does not permit the making of definitive statements, the Company reserves the discretion to cancel those deals of Lots which are proved to be counterfeit southeastern Asian modern and contemporary arts, Chinese painting and Chinese calligraphy and Chinese ink paintings within one year after the Auction Date based on this warranty. Paid sums shall be returned to the Buyer according to this term, however the Buyer shall provide evidences (based on the methods provided forin clause 2 and 4 of this article) to prove that the Lot is counterfeit within one year from the Auction Date; 4. ﬔe Company can, at its discretion, decide to waive any of the above provisions. ﬔe Company has the right to demand from the Buyer two independent specialist reports which are recognized by the specialist sector concerned and which are accepted by the Company and the Buyer at the expense of
the Buyer. ﬔe Company shall not be subject to any report presented by the Buyer, and retains the right to seek additional expert opinion at the expense of the Company. 5. This limited warranty does not apply to auction categories, such as, jewellery, watches, designer handbags, alcohol, tea and other food and beverage items, etc.
ARTICLE 61 SPECIAL CATEGORIES 1. Statements about the status of jewellery items in the auctions are usually set out in the catalogue. However, it does not imply that the auctioned item has no defects, flaws or has not enhanced beautification after processing. (1) Coloured gems (such as rubies, sapphires, emeralds and various coloured gems) may enhance beautification after processing or improved in appearance, including heat-treated, oiling and radiation. ﬔese common practises have been approved by the international jewellery industries. However, the hardness of the treated stones may be reduced and / or need special maintenance in the future. (2) Our Company will not apply appraisal report from professional organisations for each piece of jewellery item in the auction. If an auctioned item has obtained the appraisal report from an internationally recognised gem laboratory, the Company will specify it in the auction catalogue. Due to the difference in methods and techniques used in different laboratories, there may be different views as to whether a gemstone has been treated, degree of treat or permanently treated. Our Company will not be responsible for the accuracy of the appraisal report issued by each laboratory. (3) If you would like to request an appraisal report by a specific laboratory, please submit the request at least 14 working days before the auction date, the Company will apply for appraisal report on behalf of you, and the corresponding appraisal costs will borne by you. (4) ﬔe valuation of an item of jewellery item in the auction is made based on all information being known at the time the item being auctioned, bidders should review the auctioned item or make a detailed understanding of the auctioned item before the auction. Once you have placed a bid, it is deemed that you have accepted all the current status of the auctioned items. (5) Our Company reminds bidders that precious stones or emerald originating from Myanmar may be banned in certain countries. 2. Watches and Timepieces Auctioned items (1) Our Company has stated that the current status of a watch and timepieces auctioned items being known on the auction catalogue, and is for bidder's reference only. Due to the fact that most timepieces have been repaired and maintained during the previous period being used, we do not guarantee that any parts and components of any watch are original, and it is possible that no pendulum, clock hammers or keys are for available for sale. (2) Watches and timepieces generally have a very sophisticated mechanical manufacture that may require general warranty service, battery replacement or further repair works, and these will be all at the buyer's disposal. Our Company does not guarantee that any auction of watches is in good working condition. Unless mentioned in the catalogue, otherwise we do not provide a certificate. (3) Most watches have been opened to check the movement of the models and their quality, so with a waterproof case may not contain waterproof function, our Company recommends that you to ask a professional watch maker to check before use.
CHAPTER IV MISCELLANEOUS ARTICLE 62 OBTAINING INFORMATION, VIDEO-TAKING In connection with the operation of the auction business of the Company, the Company may make audio recording, video recording of any auction process, and need to
collect personal information from the Bidder or ask for the information of the Bidder from third parties (such as asking for credit review from banks). Such information will be handled and kept confidential by the Company. However the information concerned may be provided to the Company, its divisions, affiliates and subsidiaries in order to assist the Company to provide comprehensive services to Bidders, carry out client analysis, or in order to provide services that meet the requirements of the Bidder. For the sake of the interest of the Bidder, the Company may also provide some personal information of the Bidder to third party service providers (such as cargo liners or storage houses). By participating in the auction of the Company, the Bidder agrees to all previously stated disclosure. If the Bidder would like to obtain or amend his personal information, please contact the customer service department.
ARTICLE 67 NOTICE
ARTICLE 63 CONFIDENTIALITY
ARTICLE 68 SEVERABILITY
The Company shall be obligated to keep confidentiality for the Seller, the Bidder and the Buyer and protect the legitimate rights of the Seller, the Bidder, the Buyer as well as the Company according to these Conditions of Business and the laws of Hong Kong. With below exceptions: 1.To any related parties as the Company considers appropriate with the obligations to maintain the confidentiality of the information extended; 2.To whom information is requested to be disclosed by any court, jurisdiction, governmental, banking, taxation or other regulatory authority, or by any applicable law or regulation; 3.Being agreed by relevant seller, bidder or buyer.
If any terms or parts of the Conditions are confirmed as void, illegal or cannot be executed, other terms or parts of the Conditions are still valid, the parties concerned shall abid by and execute them.
ARTICLE 64 AUTHENTICATION RIGHT The Company may authenticate the Lot if necessary. In case of any discrepancy between the authentication conclusion and the conditions of the Lot in the consignment auction contract, the Company shall have the right to request modification or rescission of the consignment auction contract.
ARTICLE 65 COPYRIGHT The Seller authorizes the Company to produce photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot that it has appointed the Company to place for auction, the Company is entitled to the above photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot, and has the right to use them. Without prior written consent of the Company, the Buyer and anyone shall not use them. ﬔe Company and the Seller have not made any statement and warranty as to whether the Lot is restricted by copyright or if the Buyer has obtained any copyright of the Lot.
ﬔe Bidder and the Buyer shall inform the Company their permanent and effective correspondent address and contact methods in the bidding registration documents or by other methods recognized by the Company. If there are changes, they shall inform the Company in writing immediately. The notices mentioned in the Conditions of Business only refer to written notices sent by letter or fax formats. A notice shall be deemed as served at the following moment: 1. If it is served by hand, when it reaches the address of the party concerned; 2. If it is sent by post, then it is the seventh day after it is posted; 3. If it is sent by fax, then it is the moment the outgoing fax transmission is confirmed by the fax machine.
ARTICLE 69 LAWS AND JURISDICTION The Conditions of Business and the related matters, transactions, any disputes caused by or in connection with the participation in the auction activities of the Company pursuant to the Conditions of Business shall be subject to Hong Kong laws and shall be interpreted by Hong Kong laws. The Company and the Buyer and the Bidder shall submit to the exclusive jurisdiction of Hong Kong courts. Adjudication(s) promulgated by Hong Kong courts on any disputes arising from the Conditions of Business and related matters can be enforced in People's Republic of China.
ARTICLE 70 LANGUAGE The Chinese version of the Conditions of Business shall be the standard texts; the English version is for reference only. Should there be any discrepancy between the English version and Chinese version, the Chinese version shall prevail.
ARTICLE 71 OWNERSHIP OF THE COPYRIGHT OF THE CONDITIONS The Conditions of Business is prepared and revised by the Company, the copyright concerned belongs to the Company. Without the prior written approval of the Company, no one shall use any methods or means to use the Conditions of Business to obtain business benefits, and shall not make duplication, of any parts of the Conditions of Business.
ARTICLE 66 EXEMPTION FROM LIABILITY
ARTICLE 72 APPLICABLE PERIOD
Being an agent of the Seller, the Company shall assume no liability for any breach of contract by the Seller or the Buyer. In case of the breach of contract by the Seller or the Buyer, the Company shall have the right to decide to disclose the other party's name and address to the Seller or the Buyer at its own discretion so that the damaged party may receive compensation for damages through legal proceedings. However, prior to the Company's disclosure of such materials to the Seller or the Buyer, the Company shall take the reasonable steps to notify the party whose materials are to be disclosed. Buyers and sellers have to bear liabilities arisen from transactions including but not limited to, economic, legal, tax and settlement and other related responsibilities, and have to ensure transactions not relate to money laundering or other illegal benefit transfers. Any receive or payment instruction must be clear and direct, the Company shall assume no liability for losses arisen from account stolen, misappropriation of funds and other unforeseen circumstances resulting from mismanagement of sellers or buyers.
The Conditions of Business is only applicable for this auction. The Company may update the Conditions of Business from time to time, when the Bidder and the Buyer participate in another auction, the then applicable Conditions of Business shall prevail.
ARTICLE 73 RIGHT OF INTERPRETATION ﬔe right of interpretation of these Rules shall belong to the Company.
Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;Â&#x2021;Â&#x2C6; IMPORTANT NOTICE ABOUT BIDDING REGISTRATION
â&#x20AC;&#x201D;Â&#x201A;Âś Â&#x2022; Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;JÂ&#x2021;ÂŁÂ&#x161;Â&#x192;Â&#x201E;Ă&#x201D;Â&#x2026;Â&#x2020;Ă&#x2019;ÂÂ&#x153;¹² ¡óĂ&#x192;T5²]Â&#x2019; ¡ T{Â&#x2019; ĂŽÂ&#x2026;Â&#x2020;ðó¢ I. When you register to bid in an auction, you must fill in the Bidding Registration Form, with all relevant documents as follow, and pay a deposit in order to complete the registration. Ă&#x17D;Â&#x201A;Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;JÂ&#x2021;¹²Â?²] : 1. ÂśÂ&#x2014;$ Ă&#x2014;Ă&#x161;Â? Â&#x2021;Ă&#x17E; ĂłĂ&#x192;T5²] ( ¸Ă&#x;Ă ĂłĂ&#x192; TÂ&#x2030; / ĂĄÂ&#x2021; )Â&#x2019;Â&#x2030;dJ¤¼T5 ( ¸óĂ&#x192;T5²]3 " 7 )Â&#x2019;¸ ½¢Â?ÂŚÂľÂ&#x2030; / §Â&#x2018;Â&#x20AC;¨¾¢ 2. }|$ |Â?Â&#x2026;Â&#x2020;TÂ&#x2030;äüT5²]¢ 3. Ă&#x2018;ĂŽÂ&#x2014;$Ă&#x2018;ĂŽÂ&#x2014;Â? Â&#x2021;Ă&#x17E; ĂłĂ&#x192;T5²] , Ă&#x2018;ĂŽÂ&#x2014;Â?Ă&#x2018; Ă&#x2019;Â?Â&#x192;Â&#x201E;Â&#x2014;Âł / Â?T5²] , Â&#x2030;ÂŁÂ&#x2014;Âł / uĂ&#x2014; ĂŚ v4 ¢%!Ă&#x17D;Ă&#x2030; , ÂŻÂ&#x17E;NĂçĂ?Â&#x2039; Â&#x152; - Ă&#x20AC;ÂÂĽ ¢½Ă&#x20AC;Ă&#x2018;ĂŽÂ&#x2014;¢¸œ Ă&#x2018;Ă&#x2019; Â&#x2014;Â&#x2022; Â&#x192;Â&#x201E;Â&#x2019; Ă&#x2020;Â&#x17E;N Â&#x2014;Â?Â&#x2039;Â&#x152;¢ 4. Ă´}| Â&#x2030;3´$# zÂ&#x2DC; psÂ&#x192;Â&#x201E; Ă&#x2122; }|Â&#x2019; ĂŞ; 0Âś Ú¹²§Â&#x2018;Ă&#x2014;Ă&#x161; Â?Â&#x;½T5¢Â&#x; "Â&#x2021;Â&#x2022; Â&#x192;Â&#x201E; Ă´}|Ă&#x20AC; ºà wZ 3 œ¡Â?¸à ÎÂ&#x2026;Â&#x2020;Â&#x2019; P ! J{Ă&#x203A;ĂŽÂ&#x2026;Â&#x2020;ž¿¢ II. Documents that must be provided when completing the bidding paddle registration: (1) Individuals: photo identity i.e. national identity card and/ or passport; proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. (2) Corporate clients: a certificate of incorporation and oďŹ&#x192;cial documents listing directors and shareholders. (3) Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, copy of identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. (4) New clients and those clients who have not bidden successfully from Beijing Poly Intemational Auction Co., Ltd., must provide credit proof issued by banks, and must complete the registration at least three business days before the auction so that there will be enough time to process the registration. çÂ&#x201A;Ă&#x2014;Âś ĂĄ"Â&#x2021;Â&#x2022; Â&#x192;Â&#x201E;Â&#x2019;ĂJ3 Â&#x;ÂŚ ĂŁ}|,Ă?Â&#x2019; T{ Â? 500,000 Â?¢ ¸œ Ăź?Â&#x192;Â&#x201E;Ă&#x17E;ÂŚĂ&#x; Ă&#x2122; ( ´ èÂ&#x2030; / ~ èx 0EFÂ? Ă&#x2122; )Â&#x2019; T{ Â? 1,000,000 Â?¢ ĂŞ; Â&#x2014;JĂŠĂ&#x2019;Ă&#x17E;ÂŚĂ&#x; Ă&#x2122;Â? T{ Â&#x2030; / Ă°Ăł , Ž¯° ÂąÂ&#x2018; Â&#x2C6;¢´œ Â&#x192;Â&#x201E;Ă , ĂŞ; 0Âś Ú¹²+š ¡œ Â&#x160; T5¢
ĂŞ; °ê+šÂ&#x2014;Â?Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;Ž¯°¾Â&#x17E;+š " ¢ III. If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a â&#x20AC;&#x153;Premium Lotâ&#x20AC;?(i.e., a lot marked with 0 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for â&#x20AC;&#x153;Premium Lotâ&#x20AC;? can be changed at any time at Poly Auction(Hong Kong)â&#x20AC;&#x2122;s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at itsâ&#x20AC;&#x2122; sole discretion.
Ă´Â&#x201A;Â? T{Â?Â&#x2021; Ă&#x2021; Â&#x;ÂŚ Â?Â&#x;½1 / §¸1 Â?Â&#x2039;Â&#x152; ( Âś Â?Â&#x2021;Ă&#x192;:!½þÂ&#x2030; Â&#x;½1 / §¸1 )¢¸œ 3ĂĽÂ&#x201E; +š Ă&#x2122; , Ă&#x2021;Ăť*´ ¨Ă&#x2018; &ôœ¡Â?ÂèJÂŹÂś KÂ&#x2039; T{ ( ÂŻ*M ( )¢¸œ p Ăż~Â&#x2019; Ă&#x2021;ÂŁ T{Â? }Â&#x2039; Ă&#x2122;Ă&#x201A;ĂżĂ&#x;Â&#x152; Â&#x152; T¢+šHÂ&#x2030;JÂ&#x152; Â?Ă&#x2022;¼šĂ&#x160;@ ´½Â&#x2019;Ă&#x2021;ĂŻÂś .-¢ IV. All deposits must be paid in HK dollars by telegraphic transfer, credit card acceptable to Poly Auction (Hong Kong) Limited and/or Union Pay Card under your name. If you are not successful in any bid,the deposit (without interest) will be returned to you by any method as determined by Poly Auction (Hong Kong ) Limited within 14 days after the end of the auction. If you successfully bid for any lot(s), Poly Auction (Hong Kong) Limited may use the deposit to offset any amount of purchase price of the lot(s) that bought by you. Any losses or expenses from foreign currency conversion involved in the refund will be borne by you. ~Â&#x201A; ĂšÂ&#x192;Â&#x201E;Â&#x2014;¹²Â&#x160; 6Ă&#x2013;T5Â&#x201A;- Â&#x201A;Ă Â&#x152;T5Â&#x2019; ÂŚ ĂšÂ&#x192;Â&#x201E;Â&#x2014; r Ă&#x2030;Â&#x192;Â&#x201E; Ă&#x2122;Âą ²r ¢ Ă&#x152;ĂŠQÂ&#x192;Â&#x201E;Â&#x2014;ž{Hš ¢ V. Poly Auction (Hong Kong) Limited has the right to demand the Bidder to provide any proof of financial conditions, guarantee, proof of bank deposit and/or any other necessary documents that our company can demand, at its absolute discretion, and/or asking the Bidder to provide any other collateral for the Lot(s) that the latter intends to bid. Our company reserves the right to investigate the sources of funds of the Bidder. \Â&#x201A; ĂŞ; °ê+šÂ&#x2014;Â?Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;Ž¯°¾Â&#x17E; +š" ¢ VI. Please be aware that Poly Auction (Hong Kong) Limited can refuse any bidding registration without any explanation at itsâ&#x20AC;&#x2122; sole discreation.
Â&#x160;Â Â&#x2039;Â&#x152;Â&#x2021;Â&#x2C6; IMPORTANT NOTICE ABOUT PAYMENT
%Â&#x201A; pÂĽ Â&#x2019;Ăż~ø}Â&#x2039;^_Ă&#x; Â&#x2030; ø|{¢ pÂĽÂ ( MpÂĽÂ ) '"ÂèÂ&#x2019;Ăż~ø0 Â&#x2039; Ă&#x201A;Ăż Ă&#x;Â&#x152;Â&#x153;Âą Ă&#x2122; , !Ăż~23Ă&#x2021; Ă&#x2122;Ă&#x161;§ , Â&#x153;° Œü° Ă&#x161;§ uÂŚT , Ă&#x20AC;% Â&#x152; ¢½¢ I. In addition to the Hammer Price, the Buyer agrees to pay the applicable commission in respect of such Hammer Price. Payment must be made within 7 calendar days (including the day of Sale) from the day of sale. ďŹ&#x201D;is applies even if the Buyer wishes to export the lot and export license is (or may be) required. Ă&#x17D;Â&#x201A;: pÂĽÂ ( MpÂĽÂ ) à ç&%Â'Â&#x2019;Ăż~Â&#x2021;
Â&#x2021; Âş3 t Ă&#x2122;}Â&#x2039;Ă&#x2026;Ă´Â&#x2019;\]\Â&#x20AC; Â?Â?MÂ?¢Ă&#x2026;ĂÂŻ %ÂśÂ&#x20AC;Ă°Â&#x2019; Â&#x2021; Â&#x2039;Ă&#x2019;Â&#x20AC;Ă&#x2026;Ă´¢Ă&#x2026;Ă´¯*)r ½y´½Â&#x2019;¸ ÂĄÂ&#x201A;* Â&#x2026; Ă&#x201E;´Â&#x2019; r ½y´½Ă&#x2021;º¹Â&#x2018;O ¢ II. Where Lot(s) is(are) not collected within 30 calendar days (including the day of sale) from the day of sale, the Buyer must pay the monthly storage fee of HK$800 per lot starting from the 31st day. For storage less than one month, one whole monthâ&#x20AC;&#x2122;s storage fee will be charged. All other additional expenses such as insurance, packing and/or transportation costs will be charged separately. çÂ&#x201A; Â&#x17E;N W}Â&#x2039;Â&#x152;Ă?ÂŞ$ é&#x203A;ťĺ&#x152;Ż Â&#x2039;Â&#x152;Ă?ÂŞ Ă&#x2030; Ă&#x2021; Ă?ÂŞ Â&#x17E;rL
§Â&#x2018;ÂŚ|¢!Ă&#x2021;Ă&#x2021;Â&#x152;Âł7Â&#x2022; ĂĂľ Â&#x2C6;Â&#x2030;Â&#x2030;Â&#x192;Â&#x201E;Ă&#x201D;F Ă&#x2014;4F5% 'ÂĽÂ&#x17E;§Â&#x2018;¢ |Â&#x2018;$ ÂťuĂ&#x2021;6§Â&#x2018; |Â&#x2030;$ F5$004-848-360475-838 OÂ&#x152;§Â&#x2018;Ă&#x2018;F : HSBCHKHHHKH §Â&#x2018;Ă&#x2018;5 : 004 |Â&#x2018;$ÂĽ §Â&#x2018;äĂ&#x192; Â&#x2018; |Â&#x2030;$ F5$027-536-9-311-5318 OÂ&#x152;§Â&#x2018;Ă&#x2018;F : COMMHKHH §Â&#x2018;Ă&#x2018;5 : 027 俥ç&#x201D;¨ĺ?Ą / é&#x160;&#x20AC;č Żĺ?Ą Ăż~¸ Â&#x;ÂŚÂ?Â&#x;½1 Â&#x2030; / §¸1Ă?ÂŞ}Â&#x2039;Ă&#x201A;ĂżĂ&#x;Â&#x152;Â&#x2019;Â&#x20AC; °.- IĂ&#x20AC;Â&#x2039;Â&#x152;{½¯~Ă&#x20AC; 2.5% Â?Â&#x2018; ´½¢ Â&#x17E;NÂ&#x;½1Â&#x2039;Â&#x152; Â?Âť Â? 1,000,000 Â? ( \%Â&#x161; )¢¸ÿ~ ¨1Â&#x2014;¯´Â&#x161;Ă?ÂŞ Â&#x;½1}Â&#x2039; Â&#x152;Â&#x2019;}|Â?Â&#x2021;ÂŁÂ&#x161;â&#x20AC;? Â&#x;½1Â&#x2039;Â&#x152;ĂŚ vâ&#x20AC;? Â&#x2019; Â&#x153; èĂ&#x161; (852 23039888 ) / Â&#x2026; (cs@polyauction. com.hk ) Â&#x2026;GĂ?ª½ Â&#x160;ÂĽÂ&#x2019; Â&#x2021;N ¡ Â&#x152;¤Ă&#x2018;¢ ć&#x201D;ŻçĽ¨
Â&#x17E;NÂśÂ&#x2014;}4 }4Â&#x2019;ĂŤ !Ă&#x152;Ă&#x2030;Ăż~Â&#x2021;Ă&#x20AC;}4.Â? Ă?ÂŚÂą Ă&#x2122;¢ ÂŻ Â&#x17E; N 7 Â&#x2018; } 4 Â&#x2039;
Â&#x152;¢ ç?žé&#x2021;&#x2018; / é&#x160;&#x20AC;čĄ&#x152;ć&#x153;ŹçĽ¨ ¸ d{ §Â&#x2018; 4 Â&#x2039;Â&#x152;TÂ&#x2019;Â&#x20AC;ÂŚ P Âą Ă&#x2122;¢Â&#x2122; 8ÂŻÂ&#x17E;N %Ă&#x201D; ~Â&#x2021;Â&#x2039;Â&#x152;Šª½d{}Â&#x2039; Ă? Â? 80,000 Â? äĂ&#x;Ă yÂ?Â? Â&#x152;TÂ&#x2019; 0}Â&#x2039;d{ Ăż~ Ă´}| Ă&#x161;ĂłĂ&#x192;T5²]Â&#x201A; )¤¼T5Â&#x2030;d{HšT5¢ III. Our company accepts the following types of payment: TELEGRAPHIC TRANSFER Payment should preferably be made by telegraphic transfer directly to our companyâ&#x20AC;&#x2122;s account. Please include your name and paddle number or invoice number with your instructions to the bank. Bank: The Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004 Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027 CREDIT CARD/UNIONPAY CARD Our company accepts payments by credit cards and/ or Union Pay which is acceptable to Poly Auction (Hong Ko n g ) u p t o H K $ 1 , 0 0 0 , 0 0 0 p e r auction sale. The Buyer have to bear the administrative charge which is not more than 2.5% of the paid amount. If buyer pay by credit card but not in person, client have to ďŹ ll in the â&#x20AC;&#x153;Credit Card Authoirsation Formâ&#x20AC;? and send back by fax (852 23039888)/ email (cs@polyauction.com.hk) or mail to our oďŹ&#x192;ce address (subject to conditions). CHEQUE Our company accepts personal and company cheques, but please be reminded that the purchases will not be released until such cheques have been cleared. Travelerâ&#x20AC;&#x2122;s cheques are not accepted. CASH / CASHIER ORDER If payment is made by cash or cashier order, the purchases will be released immediately. However, our company does not accept sums exceeding HK$80,000 (or its equivalent in other currencies) in cash in a single or multiple payments. Our company requests any new clients or purchasers preferring to make a cash payment to provide proof of identity and proof of the permanent address. We reserve the right to seek identiďŹ cation of the source of funds received.
Ă´Â&#x201A;Â? Ă&#x;Â&#x152;ø Â?}Â&#x2039;¢¸ÿ~ Â? y r Â?}Â&#x2039;Â&#x2019;ø[Ăż ~
¤¼ Ă&#x2021;Ă&#x;Ă&#x160;? [Â&#x2021;
ºÂ?§Â&#x2018;Ă&#x20AC;Ăż~Â&#x2039;Â&#x152;ÂĂ %Âś ¡Â? Â? ÂŁ Â? Ă&#x2021;Ă&#x;Ă&#x160; ?Â&#x2019;Â&#x153; Â?Ă&#x2014;Ă&#x161;Â?Âľ ÂťÂ?Ă&#x201E; Â?Ă&#x2021; ù¢ÿ~:Â&#x2018;.-Â?}Â&#x2039;Â? ÂŁ}yÂ?Â?Ă&#x2022;p Â?Â? ĂžÂ?Â? § Â&#x2018;ðó´Â&#x201A;|{Â&#x2030; / r ´½¢ IV. If the payment made in a currency other than Hong Kong Dollars, we shall charge the Buyer for any currency costs incurred. This will include bank charges, commissions for converting the currency. The exchange rate of Hong Kong Dollars and that currency will be the rate quoted by such bank as selected by the company, in Hong Kong on the date of payment. ~Â&#x201A; Ă&#x2021;0Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;Ă&#x2019;ÂÂť Â&#x2C6; Â&#x2030;Â&#x2030;Â&#x160;ÂĽĂ&#x2014;Ă&#x161; Ă&#x161; Ă&#x2122; ÂŚÂľÂ&#x2019;ä Â&#x2026;Â&#x2020; Â&#x2C6;Â&#x2030;Â&#x2030;Â&#x160;ÂĽÂŻ Ă&#x201D;¢ V. Our company will issue an invoice of sold lot (s) based on the name and address which is (are) on the Bidding Registration Form and the registered name and address should not be changed and/ or amended. \Â&#x201A; ÂŻÂ&#x17E;NÂŁĂż~y +šà ç Ă? Â&#x2039; Â&#x152;¢ Ă&#x20AC; T  ¼ ¢ ½ Ă&#x20AC; Ă&#x2018; ĂŽ Â&#x2014;¢¸Ă&#x2018;ĂŽÂ&#x2014;Ă&#x2018;Ă&#x2019; Â&#x2014;Â&#x2022; Â&#x192;Â&#x201E;Â&#x2019;Ă&#x2020; Â&#x17E;N Â&#x2014; Â&#x2039;Â&#x152;¢£Â&#x17E;NĂż~Â&#x2039;Â&#x152; yÂ&#x2019; Ă&#x152;°Or HšÂ&#x2039;Â&#x152; ¢ VI. Our company does not accept payment from any third party other than the Buyer. This applies to agent as well. If the agent participates in the auction on behalf of any others, we only accept payment from the principal. Except payment from the Buyer directly, our company reserves the right to reject payments from other sources.
保 利 香 港 拍 賣 有 限 公 司 (“ 保 利 香 港 拍 賣 ”)
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Suite 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong {Á{ÁB 88 FCD+ 1 N 7 E 701-708 T: + 852 2303 9899 F: + 852 2303 9888 E: cs@polyauction.com.hk W: www.polyauction.com.hk
POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)
BIDDING REGISTRATION FORM Paddle No. Client No. Personal Account
Company Account
Name
Company Name
ID / Passport No.
Business Registration No.
Authorized Person : ___________________________________
ID/Passport No. : ______________________ Telephone: _________________________
Address City
Country
Postal Code
Telephone
Fax
Auction Category:
□ Modern and Contemporary Art □ Fine Modern Chinese Paintings and Calligraphy □ Classical Chinese Paintings and Calligraphy □ Chinese Contemporary Ink Paintings
Have you registered to bid at Poly International Auction Co. Ltd. before?
□ Chinese Ceramics and Works of Art □ Jewels □ Watches □ Bag & Hype □ Yes
□ Tea □ Chinese Spirit □ Whisky & Cognac □ Other
□ No
Please attach a copy of your ID Card/Passport and proof of current address (e.g. utility bill and bank statement) for identification purpose. I hereby confirm my intention and application to bid in the above auction. I agree to deliver to Poly Auction (Hong Kong) such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) may in its absolute discretion for my bid. I agree that Poly Auction (Hong Kong) has no obligation to accept this registration application and that Poly Auction (Hong Kong)’s decision in this regard shall be final. I shall not assume Poly Auction (Hong Kong)’s acceptance of my registration application unless I have received a written confirmation from Poly Auction (Hong Kong) to that effect or a bidding paddle. Please note that the auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. ﬔe auctioneer may further bid on behalf of the seller up to the amount of the reserve, by placing responsive or consecutive bids for a lot. In connection with the management and operation of our business and the marketing and supply of Poly Auction (Hong Kong) services, or as required by law, we may ask clients to provide personal information about themselves and/or obtain information about clients from any third parties (e.g. credit information). Poly Auction (Hong Kong) will not use and/or process my personal information for any other purpose without the client’s express consent. In order to fulfill the services that clients have requested, Poly Auction (Hong Kong) may disclose certain information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within Hong Kong. It is Poly Auction (Hong Kong)’s policy to require that any such third parties respect the privacy and confidentiality of my information and provide the same level of protection for my information as provided within Hong Kong, whether or not they are located in a country that offers equivalent legal protection of personal information. By signing this Registration Form I agree to such disclosure. By signing below, I agree to be bound by the Conditions of Business and all the important notices as printed in the catalogue. If Poly Auction (Hong Kong) so requests, I agree to provide proof of identity and permanent address. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission and related charges of buyer within 7 calendar days (including the day of sale).
□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly's group □ I do not wish to receive the settlement advice by email
SIGNATURE
DATE
If you plan to attend the sale and bid on a lot, please fill out this form and fax it to (852) 2303 9888 or mail to the following address in either case to reach POLY AUCTION (HONG KONG) no later than 3 working days prior to the day of sale:
FOR OFFICE USE ONLY
□ Wire Transfer Handled by
□ Cashier Order
□ Cheque
□ Credit Cards (VISA, MASTER, CUP, A E)
Approved by
□ Others Date / Time
Suite 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong {Á{ÁB 88 FCD+ 1 N 7 E 701-708 T: +852 2303 9899 F: +852 2303 9888 E:cs@polyauction.com.hk W: www.polyauction.com.hk
ID/PP : □ Provided
□ ERP
保 利 香 港 拍 賣 有 限 公 司 (“ 保 利 香 港 拍 賣 ”)
委託競投表格
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個人競投
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POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)
ABSENTEE BID REGISTRATION
Paddle No.:
Mail or Fax to: Poly Auction (Hong Kong) Limited Address: 701-708, 7/F, One Pacific Place 88 Queensway, Admiralty Hong Kong Phone: (852) 2303 9899 Fax: (852) 2303 9888
Personal Account
Company Account
Name
Company Name
Bank: ﬔe Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004
Address
Client No.
Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027
This Absentee bid registration must be sent to the customer service department at least three business days before the Auction Day. Poly Auction (Hong Kong) will confirm receipt of your Absentee Bid Registration by fax or recorded phone message etc. If you have not received definite reply within one working day, please send in the form again.
□ WRITTEN BIDS Bidding will be conducted at the lowest possible price. If appropriate, your absentee bids will be roughly adjusted to the bidding increment of the Auctioneer as close as possible. “Buy” or unlimited bids will not be accepted and we do not accept “plus one” bids. Please place bids in the same order as in the catalogue. If Poly Auction (Hong Kong) receives two or more absentee bids at the same bidding price, and during the Auction, such bidding prices are the highest bids for that Lot, then that Lot will belong to the Bidder whose absentee bid reaches Poly Auction (Hong Kong) first. ﬔe Auctioneer can execute absentee bids directly on the Auction stage.
□ TELEPHONE BIDS Please indicate clearly the instant communication methods and instruments that you can be contacted during the auction period, we will phone you before the bidding of the Lot that you intend to bid for, the bidding information transmit by that instant communication instruments (whether or not it is transmitted by you personally) shall be considered as transmitted by you, and you shall bear all liability and responsibility (including but not limit legal liability and responsibility) for the actions taken by it. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded.
Sale No.
Lot No.
_________________________________
Business Registration No.
ID / Passport No.
City
Country
Postal Code
Tel #1
Tel #2
Fax
Preferred language
☐Authorization for Absentee Bid Registration: Name of Agent ID / Passport No.
Tel:
IMPORTANT REMINDER: • Poly Auction (Hong Kong) does not accept any payment from any third parties (agent inclusive), nor cash in excess of HK$80,000 (or its equivalent in other currencies), and that the invoice details cannot be changed and/or amended after the end of the Auction. • Please provide certified true copies of the following documents: o Individuals: photo identity i.e. national identity card and/or passport, proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. o Corporate clients: a certificate of incorporation and official documents listing directors and shareholders. o Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. • Poly Auction (Hong Kong) only accepts Absentee Bid Registration Form in this written format. I hereby apply for and appoint Poly Auction (Hong Kong) to conduct bidding for the Property(ies) listed in this Absentee bid registration, and agree to the following terms: 1. I undertake that I have carefully read and accept the Conditions of Business, Important Notices, Important Notices about Bidding Registration and Important Notices about Payment of Poly Auction (Hong Kong) published in the catalogue, and agree to be bound by all the terms of the above mentioned provisions. 2. ﬔe disclaimer of absentee bid of the Conditions of Business of Poly Auction (Hong Kong) is indisputable, I shall not seek to establish the relevant responsibilities of Poly Auction (Hong Kong) and its staff for unsuccessful bidding or their inability to bid on my behalf regardless such is caused by negligence or other reasons. 3. I shall present this Absentee Bid Registration to Poly Auction (Hong Kong) at least three business days before the Auction Day, and complete the bidding registration according to the conditions and procedures announced by Poly Auction (Hong Kong). If Poly Auction (Hong Kong) has not received the amount corresponding to the Auction deposit that I have paid or Poly Auction (Hong Kong) has not verified and confirmed it within the period stipulated, this form shall be void. 4. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission equivalent to 18% of the hammer price of each lot and any Buyer's expenses within 7 calendar days (including the day of sale).
Highest Bid (excluding commission) for written bid / Emergency bid (excluding commission) for phone bid #
Lot Description
HKD HKD HKD HKD HKD #important Note: If Poly HK staff is unable to contact you during the auction, the bid will be placed in accoedance with you listed emergency bid price
□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly’s group □ I do not wish to receive the settlement advice by email Signature: FOR OFFICE USE ONLY Deposit payment: □ Wire Transfer Handled by
Date:
□ Cashier Order
□ Cheque Approved by
□ Credit Cards (VISA, MASTER, CUP, AE)
ID/PP: Date / Time
□ Provided
□ ERP
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SHIPPING INSTRUCTIONS SHIPPING INFORMATION Please complete this Form and we shall arrange for the dispatch of all your purchases through one of our nominated shipping agents, at your expense. Poly Auction (Hong Kong) is not responsible for any damage and/or loss of the purchases and/or the packing (i.e frames, glasses) from any packing and/or transportation. It should be the buyerâ&#x20AC;&#x2122;s responsibility to obtain any necessary licenses and/or permits, and all the duties, and/or taxes which may occur. For advice on shipping your purchases please call Poly Auction (Hong Kong)'s Warehouse and Logistics Department on (852) 2303 9899.
Please complete this section and delete where applicable
SALE DETAIL Sale #
Lot #
Methods of Dispatch
Registered post/Air fright/Commercial Courier
Invoice#
Delivery Address
(Please cross out as appropriate)
CHARGES
Telephone
Fax
I do/do not require a quotation before the shipment is processed.
INSURANCE IN TRANSIT Please arrange/do not arrange transit insurance. All purchases will be insured at the aggregate price unless otherwise speciďŹ ed. Please note that Poly Auction (Hong Kong) is not responsible for any insurance charge which may occur from transit.
Invoice Address if different from above
Telephone
Fax
POSTAL CONSIGNMENTS ONLY Please do not remove frames. (Glass will be discarded). Please remove frames and glass. NB: items valued in excess of HK$10,000 or weighing more than 2kg cannot be sent by Post.
Special instructions:
Signature
Y/N
Date
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中国拍卖行业概念股——保利文化 (3636·HK)
總 經 理：王
蔚
党支部副书记：江 林
副總經理：陳零初
副總經理：祖世龍
財務總監：郭建巍
副總經理：董
振
各子公司及聯絡人等
主要業務聯系方式：
保利香港拍賣有限公司
中國古董珍玩部
联系电话：(86-10) 64083366
地址：金钟道88号太古广场一座7楼
总经理：李移舟
高级业务经理：胡志明 乔亚宁 陈媛媛
电话：852-23039899
E-mail: gd@polyauction.com
业务经理：刘晓洋 王 浩
科技古董部及资产拍卖部
银行业务查询：
传真：852-23039888
征集微信号：polygudong
王 辉 帅恩泽
高级业务经理：蓝 晨
佟 璐：(86-10) 64083065
瓷器、佛像、工艺品、明清紫砂
联系电话： (86-10) 64083371
E-mail: zc@polyauction.com
陶 蕊：(86-10) 64083080
高级业务经理：李嘉伟 翟昊天 麻 正
业务助理：许 登
联系电话：(86-10) 64083046
朱雅楠：(86-10) 64083153
地址：澳门宋玉生广场336号
邹德馨 赵胤轩
联系电话：(86-10) 64083363/3380
诚丰商业中心16楼G座
业务经理：徐 雯
珠寶鐘表尚品部·保利珠寶沙龍
电话：+853 2875 1013
客戶服務部
业务助理：杨圆通
中國古代書畫部
代总经理：唐利伟
主任：安 蓓 ( 兼 )
联系电话：(86-10) 64083090
代总经理：范长江
E-mail:zb@polyauction.com
E-mail: vipservice@polyauction.com
E-mail: gdsh@polyauction.com
业务助理：冯成龙 张 周
项目经理：吴 婷 王俊淳
Email: sale@polyauction.com.hk
保利澳門拍賣有限公司
传真：+853 2875 1014
保利(山東)國際拍賣有限公司
E-mail: sh@polyauction.com
业务经理：王春华 联系电话：(86-10) 64083014
张 璐：(86-10) 64083010 税票查询： 盖乐乐：(86-10) 64083112
胡志明 姜 珂
玉器、漆器、珐琅器、织绣
联系电话：(86-10) 64083316
于杨芳鑫
孟 超 张 政
地址：山东省潍坊市奎文区胜利东街
高级业务经理：付滢蓉 李 莹
高级业务经理：王 健
联系电话：(86-10) 64083392
项目助理：史 纪 周 建 陈 威
5051号阳光100城市广场
业务经理：许 昂
业务经理：任 星 孟兆波 赵绍华
联系电话：(86-10) 64083090
孟雪松 李修燕
研究院
联系电话：(86-10) 64083314/3315
主任：霍文才
8号楼7楼 电话：0536-8392111 传真：0536-8392009
古琴、家具、当代文房
联系电话：(86-10) 64083034
E-mail: yjy@polyauction.com
保利(廈門)國際拍賣有限公司
高级业务经理：郑 阳
中國當代水墨部
高级业务经理：章之浩 徐向龙
陈 珊
业务助理：孟雅琪
紫砂及現代工藝品部
业务经理：唐花玲 郭 玉
E-mail: zhy@polyauction.com
总经理：安 蓓
柴诗轶 董宇鑫
联系电话：(86-10) 64083090
E-mail: ddsh@polyauction.com
联系电话：(86-10) 64083050
地址：厦门市白鹭洲东路86-3号 电话：0592-5069988 传真：0592-5320009
高级业务经理：王建伟 肖明芳 陈 京
保利義烏藝術發展有限公司
国石、现当代艺术陶瓷
陈零初 李 屾 黄 慧
业务联系人：廖海岚
地址：浙江省义乌市宾王路158号文创 园二区D座保利艺术+二层
联系电话：(86-10) 64083029
电话：0579-83556111 传真：0579-83556111
铜镜 业务经理：张毅博
保利拍卖上海地區聯絡人 张 瑾 曹欢欢 地址：延安中路1111号延安饭店391室
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保利拍賣臺灣地區聯絡人
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风见治子 地址：东京都中央区银座2丁目12-4
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拍品结算：
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业务助理：郗海娜 王 威
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E-mail: market@polyauction.com 项目经理：赵 京 高树丰 项目助理：汪毅青 张婧雅 杨宝敬 刘 允 联系电话：(86-10) 64083373
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物管部
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主任：程 相 E-mail: chengxiang@polyauction.com 项目经理：王 榕 胡 郡 联系电话：(86-10) 64083085
LOT 167
LOT 147 局部 DETAIL
LOT 126 局部 DETAIL
LOT 156 局部 DETAIL
KARUIZAWA Karuizawa 1968-Taipei 2012 Whisky Live 輕井澤 輕井澤1968-台北2012威士忌Live
YUE MINJUN Snatched Ecstasy 岳敏君 被剝奪的陶醉
JEFF KOONS Ballon Rabbit (Red) 傑夫．昆斯 氣球兔（紅色
KAWS X DIOR BFF DIOR PLUSH (Black; & Pink) KAWS X 迪奧 最好的朋友迪奧毛絨公仔 （黑色；及粉色）
MR. X PHARRELL WILLIAMS Following a Call to Action MR. X 菲瑞．威廉斯
YUE MINJUN
跟隨著號令行動起來
岳敏君 剩餘價值
Surplus Value
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