Fernanda Ponte selected architectural projects 2013-24
FERNANDA PONTE Architect
INFO Vancouver, BC - Canada Fortaleza, Ceará - Brazil ponteferda@gmail.com +1 (672) 855-2108 /fernandaponte
PROJECT MANAGEMENT • SCRUM TEAMWORK • PLANNING • MENTORING BIM • DESIGN • CONSTRUCTION
LANGUAGES
EXPERIENCE JDa - JOHNSTON DAVIDSON ARCHITECTURE Vancouver, Canada
10/2023-present
Intern Architect, currently working on projects of complex public buildings, with a particular focus on protective services, education and healthcare, as well as feasibility studies and master site plans. • Integrated Project Delivery (IPD) model: • BIM Management and production.
MESURA Barcelona, Spain
09/2022-09/2023
Architect and BIM Coordinator and development of BIM standards of the technical team. Experience working with BIM teams, basic to executive. • Interdisciplinary project coordination; • Collaboration with the project team to find technological and design solutions, optimising the quality of the project and speed of work; • Recompilation and analysis of model data; • Communicating project progress to the client on a regular basis and coordinating project requirements with the BIM team and third parties (structures, facilities).
Portuguese
RBTA - RICARDO BOFILL TALLER DE ARQUITECTURA
English
Barcelona, Spain
Spanish
Architect and BIM Modeler on international large-scale Middle East projects. Experience working on the design teams, executive projects, constructive detailing and parameterization of families in REVIT software and its coordination in the office. • Project development from Schematic Design to Detail Design; • Multidisciplinary teams & group work; • Weekly coordination meetings with consultants and suppliers to define strategies of development of the project.
Catalan French
HABILITIES Revit Architecture Navisworks AutoCAD Dynamo ArchiCAD Rhino Grasshopper Adobe Illustrator Adobe InDesign Adobe Photoshop Office Package Flixo DesignBuilder
PUBLICATIONS ORG.ÂNICA: FAMILY FARMING CENTER OF MARANGUAPE Graduation final project
F59, MUCH MORE THAN A CYCLEPATH Publication at ‘Fietsen en de gezondestad’, an universitary dutch magazine
09/2020-07/2022
THE CT ENGINEERING GROUP - AEC Barcelona, Spain
02/2020-08/2020
Development of projects in the field of energy efficiency of buildings and facades, as well as production of technical drawings. Management and delegation of internal tasks in the company. • Document Controler; • Construction detailing; • Façade reports.
NASSER HISSA ASSOCIATE ARCHITECTS Fortaleza, Brazil
01/2017-12/2018
Design of large scale architectural and urbanistic projects, in the residential and comercial fields, using BIM Modeller programs
EDUCATION MASTER BIM AND INTEGRATED DESIGN UB - University of Barcelona
10/2020 - 10/2021
POSTGRADUATE COURSE OF BIOCLIMATIC ARCHITECTURE AND CERTIFICATIONS: LEED, BREEAM, PASSIVHAUS AND CTE UPC - Polytechnic University of Catalunya
03/2019 - 09/2019
MASTER OF ARCHITECTURE, BUILDING AND PLANNING TU/e - Eindhoven University of Technology
08/2015 - 08/2016
Interuniversity exchange with a scholarship of CNPq for the educational program SwB - Science without Boarders
GRADUATION PROGRAM OF ARCHITECTURE AND URBANISM portfolium linkedin issuu
UFC - Federal University of Ceará
08/2012 - 12/2018
01/
Diriyah Digital Art Museum
02/
03/
Royal Arts Complex
04/
Museum of Civilizations
05/
Outdoor Theatre
05/
Visual Arts College
06/
org.ânica
“F59, much more than a cycle path”
01 / Diriyah Digital Art Museum Diriyah North, Riyadh - Saudi Arabia MESURA Barcelona, Spain
The Digital Tales of an Analogue treasure; a unique, distinct and genuine immersive experience through the newest and most growing art. This statement is the driver of all design decisions. Starting with the bold statement that this is not a Najdi container of a modern exhibition; this is a seamsless tale of a contemporary story using the most genuine vernacular grammar. A building that could only happen here makes this experience unrepeatable. The Museum treasures a state-of-art exhibition, but it is the opposite of a fortress for intellectuals. Porose and opened to the neighborhood, a sequence of outdoor shadowed spaces brings you to the inside for an immersive visit.
The indoor-foyer itself is located in a way that it allows you to access in a direct way (probably for repeating visitors or those arriving from the parking) and a more poetic walk-in through an outdoor promenade through an external plaza-foyer, for those months when the climate allows a more slow-pathed approach. The rotating exhibition spaces are located below the street level but in a very confortable ‘new ground level’ from the outer foyer plaza. Thisd level change works both for a more intimate and immersive entrance but also to avoid a height that would compromise the museum fir in the hood.
Besides the exhibition spaces, the program wants to ensure a great level of engagement with the community. The piece of the building across the street-passage performs as a Hub for new talent. Workshops and studio spaces
allow for the emerging talents to flourish. And the relation of the workspaces with the Café and an inner outdoor venue permits thinking about more related to this ‘starting artists’.
02 / Royal Arts Complex King Salman Park, Riyadh - Saudi Arabia RBTA - Ricardo Bofill Taller de Arquitectura Barcelona, Spain
The project for the Royal Arts Complex rises out of a general strategy to combine and intensify art-related experiences within the framework of the overall KSP plan. Integrating different park typologies, extraordinary art pieces, and iconic buildings, the proposed masterplan creates a holistic and integrated development for Riyadh. King Salman Park will become one of the biggest urban parks in the world, and it will become a central new heart for Riyadh. The park will offer diverse experiences and programs for all people, and for this, KSP organizes several hierarchies of open spaces.
Under this umbrella, the Royal Arts Complex pushes further the idea of space diversity, while still binding them at multiple scales, from the building courtyards to the metropolitan scale. The volumetric structure of the competition aimed to articulate a fundamentally low profile with a remarkable monumentality. To further enhance this overall balance, during this phase, the project has evolved to maintain its spatial clarity while developing even further the iconicity of its main points.
The Museum of Civilizations -cantilevering to the park, and in tandem with the contiguous amphitheater- is designed to create a highly active node that welcomes visitors from the loop to the art complex. During this concept phase, the museum building has grown to top 110m over the ground to become more present all across KSP and the streetscape of the Royal Arts Complex. Parallel to this, the welcoming node articulation has been further developed to better-incorporate the loop’s transport and infrastructural requirements.
The multiple buildings and elements of the project carefully articulate the subtleties of a horizontal skyline. Deeply rooted in geometry, the design expands out of the interplay of varied forms and shapes. With this in mind, the different buildings have been provided with systematic solutions that still allow playful interaction while grounding them into feasibility and constructability. On the west end of the project, an urban gate allows the visitors to visually-comprehend the RAC in its full development. As the heart of the complex, the National Theater gives a representative center to the new
art district in the center. The Royal and VVIP arrival and user experience have been further-developed both at the masterplan and the architecture scale, adding a more unique experience to these visitor realms. Beyond these development highlights, a set of transversal design processes have been embedded in the project evolution. In tandem with the mentioned ad hoc changes, the evolution processes, described on the following page, constitute a double-direction matrix of development, spanning from the singular to the general and from the systemic to the elemental.
03 / Museum of Civilizations King Salman Park, Riyadh - Saudi Arabia RBTA - Ricardo Bofill Taller de Arquitectura Barcelona, Spain
The Museum of Civilizations will be the new, flagship cultural destination for Riyadh, exhibiting an innovative, world class itinerary of exhibitions focused on civilizations. Central to the theme will be the Arabian civilization(s) bringing new Images to light for national and international audiences set within a striking building that fuses both modern and traditional architectural values. The collection of the RAC Museum of Civilization will include works of art and artists from Saudi Arabia and the Arab world as well as works from Western and Eastern civilizations connected to the Arab world that span from ancient to modern-contemporary times. The Museum is positioned at the east end of the RAC complex and
General: Height/Floors: Use Occupancy: 3
9082 sqm exhibition 110m/B1+GF+MZ+6F ,736
BUA:
38,772 sqm
General Dimension:
100 x 125 m
Grid:
9
x9m
is the only building to be located inside the Loop and therefore holds special significance within the wider park development. A plaza is created between the museum and the outdoor theater with the Loop running through its center. The inherent identity of the museum articulates the arrival to the RAC from the Loop and its geometry and
scale drives the treatment of the surrounding public space which is expansive and open. The museum sits on a natural landscaped promontory elevated above the surrounding landscape and is accessible from King Salman Park via a ceremonial staircase located on the central axis of the museum arriving to the ground floor level at the edge of the reflective pool.
The building sits at the beginning and the end of the journey through the RAC, whether arriving from the Loop at the east end or the highway at the west end, encompassing the academies, the National Theater and central plaza, the sculpture park, studios, galleries and landscaped streets and squares. In the pre-concept stage, the building was increased from 66m to 110m and the geometry of the section was simultaneously adjusted with aim of projecting the tip of the building more dramatically from the
base. This change was resolved by applying a prefect isosceles triangle to the section, relating the building to natural forms through pure geometry and creating an elegant volume and profile. The volume was further refined through the design process to define the proportion of the building in plan, resulting in a proportional relationship of 4 to 1 between the base of the building and the very top. This rationalization of the building was tested in terms of program and found to produce the most proportionally elegant overall volume.
PLAN GEOMETRY RESULTING VOLUME
Infraestructural shell
SECTION GEOMETRY
RIDGE DETAIL
GENERAL SECTION
Exhibition platform
04 / Outdoor Theatre King Salman Park, Riyadh - Saudi Arabia RBTA - Ricardo Bofill Taller de Arquitectura Barcelona, Spain
From 2015 to 2018, I participated in projects carried out in the city of Fortaleza, in Brazil, with a residential, commercial and hotel production focus, in Brazil and in other countries, such as Portugal and Cape Verde. Projects are carried out at the Basic Project level, where AutoCAD and CorelDRAW tools are used for the initial evaluation of the client, then detailed at the Legal Project level, with an initial launch of the structure and compatibility in Revit, and the Executive Project, with a more detailed detail, from the construction specifications to the technical plans of all the plants. Projects carried out in AutoCAD, Revit Architecture and CorelDRAW.
N MAKKAH S 05
10
20
M
N MAKKAH S 05
10 M
20
64.5m
26.5m 57.0m
100.0m 27.0m 12.0m
10.8m
3.0m
SECTION GEOMETRY
FLOOR PLAN GEOMETRY
3D KEY
TRIANGLE RECESSED 40 mm AS PER MODULATION. REFER TO KSP-RBT-P1-RAC-CD-H2A1-DWG-ARC-30-2501 FOR ROOF MODULATION
10 SKYLIGHTS
40
STIFFENERS SPANNING IN BETWEEN SUPPORTING FRAMES PANELS WITH PERIMETER FOLDS. 80 mm DEPTH PERIMETER STIFFENER TOGGLE FLUSH CONNECTION TO AVOID WATER AND SAND PONDING 50
LAMINATED GLASS HS+HS WITH SGP INTERLAYER ON CARRIER FREAME
SECONDARY DRAINAGE GUTTER PREFABRICATED TRIANGULAR ALUMINIUM FRAME WITH CORNER CLEATS
EQ
GAP BETWEEN STANDING SEAM AND SKYLIGHTS FOR ACCOMMODATION OF MOVEMENT
A RY IMA PR
50
150 mm UPSTAND AROUND SKYLIGHTS
S ND
R DA ON EC
YS
NE ZO RE TU UC TR
CONNECTION TO STANDING SEAM SOLID DARK GREEN PPC ALUMINIUM HONEYCOMB PANEL
EQ
80 370
102
50
67
Y AR IM PR
120
50 mm CORRUGATED SHEET 20 mm CEMENT BOARD WATER MEMBRANE VARIES
50 mm INSULATION OVERLAPPED AND WELDED PERIMETER SKYLIGH SHEETING PERIMETER SUPPORT TO ALL SKYLIGHTS
ADJUSTABLE FIXING OF PREFABRICATED ALUMINIUM FRAME TO SECONDARY STRUCTURE
Canopy Detail - Opaque Triangle 1 : 10
TRIANGLE RECESSED 200 mm AS PER SOFFIT MODULATION. LIGHTING PROJECTORS WILL BE ACCOMMODATED IN THIS ZONE. REFER TO LIGHTING SPECIALIST FOR LIGHTING LAYOUT AND REFER TO KSP-RBT-P1-RAC-CD-H2A1-DWG-ARC-30-2506 FOR SOFFIT MODULATION
FOLDED ALUMINIUM PANEL TRIANGLE VOID FOR SKYLIGHT
YA AR IM PR
ND
SE
Y AR ND CO
CT RU ST
E UR
30 mm MINERAL WOOL INSULATION FOR ACOUSTIC COMFORT PERFORATED DARK GREEN PPC ALUMINIUM PANEL
Canopy Detail - Skylight Triangle 1 : 10
NE ZO
D AN
A ND CO SE
RY
E UR CT RU ST
NE ZO
LEGEND
Canopy Detail - Opaque Triangle 1 : 10
3D KEY
TRIANGLE RECESSED 200 mm AS PER SOFFIT MODULATION. LIGHTING PROJECTORS WILL BE ACCOMMODATED IN THIS ZONE. REFER TO LIGHTING SPECIALIST FOR LIGHTING LAYOUT AND REFER TO KSP-RBT-P1-RAC-CD-H2A1-DWG-ARC-30-2506 FOR SOFFIT MODULATION
PACK
EQ
FOLDED ALUMINIUM PANEL AT EDGES
50
PERIMETER STIFFENER ALUMINIUM FASCIA AT ALL EDGES
1050
EQ
PMO
PARSONS King Salman Park Saudi Arabian Pa Tamkeen Tower, Fahad Road Nort Riyadh, KSA
ALUMINIUM FLASHING FIXING BRACKETS PERIMETER SUPPORT TO ALL EDGES
63
138
LANDSCAPE
RICARDO BOFI TALLER DE AR
50 mm CORRUGATED SHEET
50
& TYPSA
THEATER CONSUL
THEATRE PRO
4 Apollo Studios London, NW5 2S
Canopy Detail - Skylight Triangle PHASE
U TR
UR CT
Canopy Detail - Typical Edge Detail
80
YS
0 20
A
R DA ON EC
Canopy Detail - Opaque Triangle
EQ
0 12
P
Y AR RIM
S ND
E ON EZ
NUMBER
A2-60
Scale Bar 1/10
50
0.1
0
0.1
0.2
0.3
0.4
FORMAT
0.5 m
A0
Y AR IM PR
D AN
Y AR ND CO SE
CT RU ST
E UR
NE ZO EQ
50
LEGEND
Canopy Detail - Typical Edge Detail 1 : 10
5.90
623.90
IN SITU POLISHED CONCRETE
5.90
623.90
5.53
2021/11/29
01 00
RAC project delivery 3C - Construction Documents
RBTA
RBTA
RBTA
2021/09/16
Revised document - RAC project BL-01 delivery 3B - Design Development
RBTA
RBTA
2021/09/16
Additional documents - RAC project delivery 3B - Design Development
RBTA
RBTA
RBTA GAP FOR LIGHT INTEGRATION
00
2021/08/16
RAC project delivery 3B - Design Development
RBTA
RBTA
RBTA
00
2021/06/24
Tender B - Based in Stage 2B - Schematic Design
RBTA
RBTA
RBTA
00
2021/06/14
RAC project delivery 3A - Design Development
RBTA
RBTA BL-01
RBTA
00
2021/04/12
RAC project delivery 2B - Schematic Design
RBTA
RBTA
00
2021/03/15
BALUSTRADE Tender documentation stage - Based in Stage 2A - Schematic Design
RBTA
RBTA
RBTA
5.15
2021/02/15
RAC project delivery 2A - Schematic Design
RBTA
RBTA
00
2020/12/14
RAC project delivery 1B - Concept Design
RBTA
RBTA
RBTA
2020/09/28
RAC project delivery 1A - Concept Design
RBTA
RBTA
RBTA
DATE
DESCRIPTION
DESIGNED BY
Natural red sto filling to reach
Refer to "61-40
EP-03 Green Guatem
"Reinforced co type TBC. Hidd recirculation.
RBTA
00 Nº
4.78
GLASS
EP-02 Red Stone gra
RBTA
IN SITU POLISHED CONCRETE RBTA
00
5.53
5.15
00
CHECKED BY
EP-04 White colored
White coloured
EF-04 Water based t
APPROVED BY
4.78 4.40
* Refer to "61-4 build-up layers
4.03
4.40
01
KEYPLAN
3.65 4.03
LIGHTING
3.28
CODE 3.65
PRO26-UW LL17 - WR
° .32 91
01
LL39 - GR
3.28
PRO04 - SFE
r 10.80
1800
01 r 12.60
1800
.40 r 14
1800
0
1800
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1800
.00 r 18 0 9.8
1800
0
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01
PRO05 - SFE 620.90
Seating Bowl
SEC_SEATING BOWL
1 : 150
2.90
SEC_STAIR_02
1 : 75
1 : 20
1100
3D KEY
00
2021/11/29
01
2021/09/16
00
2021/09/16
00
2021/08/16
00
2021/06/24
00
2021/06/14
00
2021/04/12
00
2021/03/15
00
2021/02/15
00
2020/12/14
00
2020/09/28
Nº
BL-01
ROYAL ARTS COMPLEX
630
RECESSED "U" PROFILE EF-04 LL39-GR
268
30
1555
45
1500
P21_A2_A_L1 623.90
121
7
r 35
DATE
KEYPLAN
0.07
589
375
PACKAGE 2.1 - MUSEUM OF CIVILIZATIONS AND OUTDOOR THEATRE OUTDOOR THEATRE PMO
SEC_SEATING BOWL_DETAIL 01
PARSONS King Salman Park, Saudi Arabian Parsons Ltd, Tamkeen Tower, Floor 22, Fahad Road North, Riyadh, KSA
1 : 10
CLIENT
DESIGN ARCHITECT
ARCHITECT OF RECORD
ENGINEERING
KSPF 7666 Amr Aldhamry St, Assafart Riyadh 12512-3166, Diplomatic Quarters, Saudi Arabia
BOFILL ARQUITECTURA S.L Av. Industria 14, 08960, Sant Just Desvern, Barcelona, Spain T : +34 93 499 99 00
TYPSA
TYPSA
Calle Gomera 9, San Sebastián de los Reyes, 28703, Madrid, Spain
Calle Gomera 9, San Sebastián de los Reyes, 28703, Madrid, Spain BURO HAPPOLD
EF-04
LANDSCAPE
LIGHTING
WATER BASED CONCRETE SIGNAGE SEALER ON LIGHT GREY IN SITU
RICARDO BOFILL TALLER DE ARQUITECTURA
8'18
SIGNES
& TYPSA
34 Rue de Citeaux, 75012, Paris, France
Av. del Carrilet 243, 08907, L'Hospitalet, Barcelona, Spain.
THEATER CONSULTANT
KITCHEN & LAUNDRY
COST CONSULTANT
ACOUSTIC CONSULTANT
THEATRE PROJECTS
TYPSA
GLEEDS
PEUTZ
4 Apollo Studios, Charlton Kings Road, London, NW5 2SW.
Calle Gomera 9, San Sebastián de los Reyes, 28703, Madrid, Spain TRICON (subconsultant) 27-43 Eastern Road, Romford, Essex RM1 3NH, UK
Office 412, Emarat Atrium Building, Dubai. PO Box 53346
10 B Rue des Messageries, 75010, Paris, France
CONCRETE
ART CONSULTANT
BL-01
JEROME SANS
DRAINAGE MAT
PACKA
DR-01 ADHESIVE MORTAR
SHADOW GAP
PARSONS King Salman Park, Saudi Arabian Parso Tamkeen Tower, Flo Fahad Road North, Riyadh, KSA
PHASE
630 418
PMO
185 266
50 3030
Canopy Detail - Skylight Triangle
P21_A2_A_GF 620.90
80
30 50 30
350
50
19.70°
LL17-GR
110
30
30
10
30
PRO26-UW
Stage 3C - Construction Documents
Canopy Detail - Opaque Triangle Canopy Detail - Typical Edge Detail
NUMBER
LANDSCAPE
RICARDO BOFILL TALLER DE ARQU & TYPSA
TITLE
THEATER CONSULTA
THEATRE PROJE
H2A2_60_OUTDOOR THEATRE DETAILS
A2-60-4010
Scale Bar 1/10 0.1
SEC_STAIR_DETAIL 02 Copy 1 1 : 10
0
0.1
0.2
0.3
0.4
0.5 m
4 Apollo Studios, Ch London, NW5 2SW
CANOPY DETAILS
PHASE
FORMAT
SCALE
EDITION DATE
INTITIAL DATE
REVISION Nº
A0
1:10
2021/11/29
2020/06/01
00
NUMBER
SEC_STAIR_DETAIL 02 1 : 10
Scale Bar 1/10 KSP-RBT-P1-RAC-CD-H2A2-DWG-ARC-A2-60-4010-00 0.1
0
0.1
0.2
0.3
N 0.4
0.5 m
MECCA
A2-60-4 FORMAT
A0
05 / Visual Arts College King Salman Park, Riyadh - Saudi Arabia RBTA - Ricardo Bofill Taller de Arquitectura Barcelona, Spain
The Visual Art Academy is in the middle of the academic complex. This academy provides two types of spaces: more rigid and highly specific spaces for academic activities related to visual arts, such as laboratories, classrooms, fab labs stone wood and metal works, photography studios and workshops. It also provides common areas for the whole complex such as restaurant, library, shop exhibi-
tion spaces and general academies administration area needed for the successful operation of the academic building cluster. The central position of these spaces makes them accessible by the other academies. They are considered as a meeting point, that promotes social interac-
tion among the visitors, students and teachers. The relationship between the spaces and the outside is enhanced through the vertical openings of the façade allowing views onto the gardens and to the central axis. Painted walls in a natural colours palette and polished concrete floors predominate in the interior space. Acoustical materials in the walls finished with stucco will add warmth and good acoustic conditioning and glazed internal walls will ensure privacy while maintaining spatial continuity of these common central spaces.
Stucco Wall WF-3.1
F01
Polish Concrete Floor FL-2.1
Carpet Floor FL.-4.1
F02 Stucco Wall WF-3.1
Painted Ceiling CF-1.2
F03 Restaurant - Furniture DEFINITION F01 F02 F03 - Custom Benches, KEIM 9010, RGB(165,115,103) Polish Concrete Floor FL-2.1
Acoustic Fabric Panels DE-3.2
Restaurant - MATERIAL DEFINITION
Bookshelves Computer Area
Reading Room Tables
Reception Desk
Bookshelves
Level 1
Ground Floor
BUA
Traditional Visual Arts College Standard Public Space Back of House (BOH)
6.841 m2 971 m2
N MAKKAH
S 02
5
50 M
100
06 / org.ânica [https://bit.ly/2rzYlFv]
The org.ânica, a project elaborated in a final graduation work, is being developed in the center of Maranguape, Ceará. It is supported by studies on family agriculture focused on the state of Ceará and the cities near the capital of Ceará, linking a theoretical basis focused on the local economy of the city and the creation of an architectural equipment for the appreciation of the city center, heritage rescue and creation of a new free space from the use of an urban void. The equipment has a free market space, market, popular restaurant and gastronomy school, working together with the municipal schools of Maranhão, seeking to expand market opportunities and enable a professionalization of local students. The search for the creation of an environment of mixed use, both for public space and for commercial and private use, where the fluidity and permeability of public spaces is a fundamental point, characterize the creation of the organic. The free access of the public and an accessible market program on the ground floor are also important for the creation of a space for permanence, leisure and contemplation, both the construction of the station and the view of the land to the mountains. The rebalancing of the levels according to the road and the railway station itself on the ground appears as a means of volumetric contextualization of the station, in addition to taking advantage of the heights for the market environment, in which the elevation is put to good use. The connections established between the land under study and its surroundings allow the use of two access roads and the connection with the bus station, where there is a large flow of pedestrians and a point of commercial relevance. The balance of determinants for the design of a place with diverse economic and social functions also comes as a result. The functioning of all equipment is correlated, thus ensuring an economic exchange, encouraging the consumption of their own products and the use of asism services as a balanced maintenance of them.
View from the Maranguape bus station to the small business pavilion.
brises para controle de insolação e possíveis chuvas
blocos wc’s lanchonetes e bares
fluxo rodoviária pequenos comércios espaços de permanência
+11,30
+5,10
exposição
+0,80 +0,00
corte aa 0
1
5m
2
+11,30
vista plataforma
+5,10
café
wc
+0,80
exposição
+0,00
corte bb
0
GSEducationalVersion
1
2
5m
.03 .03 .03
1.86
cobertura metálica termoacústica (telha sanduíche) pintada na cor aço corten
.10 .10 .10
brise de madeira MDF com perfil 3x15cm
esquadria fixa de vidro em perfil de arco ogival
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1.00
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3.59
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janela basculante de folhas de vidro temperado incolor com espessura de 8mm
Detail of the first floor’s section of the railway station restoration project, where the placement of wood brises in such a way as to reduce solar radiation in the building tower, and a sheet of tilting windows allow air exchange and natural ventilation.
0 10 20
50
100cm
27,51
23,94
i
6,20
15
14
49,81
20
16
g 15,20
h
15,75
5 9
13
f
11
12 12
12 12
i
1,70
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19,89 2,50
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1,00
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3,83
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2,81
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N 0
2
5
10
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1
bicicletário
6
mercadinho
11
wc’s masc./fem./pne
16
frigorífico
21
lavagem de pratos
26
wc’s PNE
2
estacionamento
7
box carnes
12
box padrão
17
despensa seca
22
box comércio
27
exposição
lanchonetes/bares
3
carga e descarga
8
preparo carnes
13
adm/caixa
18
pré-preparo
23
4
vestiários/copa
9
área de mesas
14
pré-higienização
19
cocção
24
hortinha
5
DML
10
lojinhas
15
triagem
20
distribuição
25
café
GSEducationalVersion GSEducationalVersion
CIRCULAÇÃO
corte cc 1:500
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92,23
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8
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51,18
primeiro pavimento (+3,00)
N 0
1
área de mesas
2
box restaurante
7
sala de espera
3
wc’s PNE
6 8
sala de aula
4
biblioteca
9
salão multiuso
5
administração
2
5
10
20m
secretaria
GSEducationalVersion
+6,75 +6,00
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ÁREA DE MESAS
0
2
5
10
20m
07 / “F59, much more than a cycle path” https://bit.ly/2rwOf8t, page 48
Type 2, typology with separate motorway and bicycle paths, where the road speed is higher.
The publication, carried out in the Dutch university magazine ‘Fietsen en de gezondestad’ in the year 2015/16, during the studies at TU/e - Technological University of Eindhoven. It was held jointly with Marianna Fujii and Nathalie Snels. F59, a bicycle path in the Netherlands that connects three local villages, from ‘S-Hertogenbosch to Rosmalen and ending in Oss, also passing through two more small villages, Nuland and Geffen. In that year, the Dutch government showed interest in reformulating its route, where they aimed to make greater use of it by the villagers and better connect it to the railway stations. Our work consisted of a field assessment of the current state of the cycle path, the possible routes and the negotiation with the representatives of the local prefecture about the possibilities.
Versão anterior
Versão ideal Viabilidade
Viabilidade
Conectividade
Eficiência
Conectividade
Eficiência
Beleza
Beleza
Cenário proposto
Cenário existente Tipologias
2
Já construído
100%
50% (?)
Rota total
20.6km
Grande parte já construído
3
Baixa conexão com as vilas existentes
Maior interesse de ciclistas profissionais
20.5km
Velocidade média alta
Construção em curso
Ciclovia simples: sem pontos de interesse
Larga gama de usos: ciclistas profissionais e usuários das vilas
Boa conexão entre as vilas
Velocidade média baixa
Pontos de interesse pelo caminho
Economicamente interessante para os comércios locais
Tipologias do cenário proposto Tipo 1
Tipo 2
Tipo 3
Initially, the state of use of the cycle track as it was was of a structure already widely used, but with the area of proximity to the train tracks quite empty and careless. Thinking about a better connection of the three villages, it was proposed a bicycle path that had its route connecting also the three centers of each village, in order to improve the bicycle path and not only focus on the final destination. Thus, the application of two route possibilities should be preserved, meeting all local demands. OSS WEST
OSS
ROSMALEN ‘S-HERTOGENBOSCH OOST
‘S-HERTOGENBOSCH
Three types of bicycle path design were proposed, represented at the side, to meet the needs of each projected scenario: exclusive bicycle lanes, twin lanes to car lanes and shared use lanes, located in the center of the villages. GEFFEN
NULAND
A59 A59
Beleza
CENÁRIO FERROVIÁRIO
A
‘S-HERTOGENBOSCH
‘S-HERTOGENBOSCH OOST
Cenário existente
ROSMALEN
2
NULAND GEFFEN
100%
OSS WEST B
20.6km
OSS
CENÁRIO MUNICIPAL
‘S-HERTOGENBOSCH
‘S-HERTOGENBOSCH OOST
Grande parte já construído
Baixa conexão com vilas existentes
ROSMALEN
NULAND GEFFEN
OSS WEST
CICLOVIA VIA/ESTRADA
OSS
ROTA CICLOVIÁRIA ÀS VILAS
Maior interesse de ciclistas profissionais
CENÁRIO LOCAL
Tipologias do cenário propo Tipo 1
‘S-HERTOGENBOSCH
‘S-HERTOGENBOSCH OOST
ROSMALEN
VIA LOCAL
NULAND
TREM CICLOVIA VIA/ESTRADA
GEFFEN
OSS WEST
SCENARIO 3
ESTÁDIO DE FUTEBOL
CYCLE PATH
PARQUE
ROAD/HIGHWAY
OSS
FOOTBALL STADIUM PARK
FAZENDA INDÚSTRIA
PRIVATE FARM INDUSTRY
ROTA VIÁRIA ÀS VILAS
ROUTING: CARS TO VILLAGE
‘S-HERTOGENBOSCH OOST
‘S-HERTOGENBOSCH
Beleza
a
Cenário proposto Tipologias
3
Já construído
50% (?)
Rota total
m as
20.5km
Velocidade média alta
Construção em curso
Ciclovia simples: sem pontos de interesse
Larga gama de usos: ciclistas profissionais e usuários das vilas
Boa conexão entre as vilas
Velocidade média baixa
Pontos de interesse pelo caminho
Economicamente interessante para os comércios locais
Type 3, typology of the interiors of the villages, with medium low speed and sharing of road with local automobiles.
osto Tipo 2
Tipo 3
OSS WEST
ROSMALEN
GEFFEN NULAND
A59 A59
OSS
ponteferda@gmail.com +1 (672) 855 2108