PORTO ACADEMY 2022 SUMMER SCHOOL FAUP
MOORECLANCY
Clancy Moore group photo, FAUP 2022.
02 Group Photo 04 Index 05 Brief 06 Translations 08 Taxonomy 23 Drawing Office 30 Poché 32 O’ Clock 33 Encounters 37 Poché (Instalation) 45 O’ Clock (Instalation) 47 Encounters (Instalation) CLANCY MOORE INDEX
is shaped by their own history in space. In this workshop we are interested in this knowledge - its form, its acquisition and its application. This knowledge is embodied in a different form in each architect, and always occurs in relation to others. Architecture is a social thing - depending on others for its initiation and its realisation.
At the end, the spaces are gone, and each practice makes a representation to communicate their work to the wider Thecommunity.outputis
the conversation that ran all week. A place to make common cause between teachers and students - to share insights about practice, construction and our lives.
CLANCY MOORE
Architecture lives in imagination and the lives of those close to it. This is not a contradiction.
On the second day they are given a site in FAUP and 200sqm metres of scaffolding mesh. They are asked to make a translation of their found space. The material and the site are where they can test, adjust, discover limits. They are also given a design office. They are allowed to draw here - to design, to abstract and reflect. They cannot draw on site, and they cannot bring the material to the design office. The day oscillates between aspiration and contingency.
EachBRIEFarchitect
On the first day the students are taken to a site in Porto. They are to pick a space which the collective agrees is compelling. They are to measure it using only their bodies.
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To begin our students are assigned to 3 groups of 9. The workshop then runs in three two-day blocks.
In these three places - memory, design office and site we seek to create in microcosm of the architects life. The participants develop group behaviours, they reflect on things that are working, there are frustrations. They are asked to reflect on how they can engender a group conversation, one which leads onward. There are difficulties.
The material is unruly, it misbehaves. The participants get to know one another - to recognise and empathise with each others position, and way of acting. The memories they are seeking to translate don’t accord with the realities on site. Each time they do this 2 day exercise the aspirations develop, the techniques refine. Each group is becoming a practice, with its internal conversations woven with the set constraints. They develop techniques, sensibilities, an emerging Inlanguage.theend they make spaces which they hold up with their bodies. The architects, holding their design in space can never experience it - ultimately architecture is for others.
LukasLorenzoAnna-MarieSalimMarwanMengtingClaraYunSpreckleyMengLiWangQuinnZhangDavidZhouAfifiAfifiMarioPalladinoAntoniaHaffnerYimingZhouReinisCelminsRubenUmarMaškovAgnieszkaKepaShonaQuigleyZoePapadopoulosLucFerryFabianSteinbergerShuaiLanBlancaBosshardGrigoriyGusevUribeSanmiguelAnikaKnezevicAgataRussoJonathanBruegmann
CLANCY TRANSLATIONSMOORE
Marta Bellini Stella Sattler Alexander Gabisov Adam Richard
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Individual, Non-additiveIndividual, Non-additive CLANCY TAXONOMYMOORE
09 Collective, AdditiveCollective, Additive
CLANCY TAXONOMYMOORE Collective, AdditiveIndividual, Additive
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Chloe hand Anna-Marie head Mendy foot Agata arm AnikaMario leg Stella height
CLANCY TAXONOMYMOORE Dimensional system
MGDCAKSTXY
Toni shoulders Alex cross Yiming hands up shoulders handheighthead foothands up height leghands up shoulders handheight leghead foothands up height leghands up foot height leghands up shoulders handheight leghead foothands up A Glimpse the Tree Sculptural Appropriation Growth in the Tree
Through
13 Hand in Gap
CLANCY TAXONOMYMOORE Bodies as Reflection Collective Measuring Bodies in Light
15 Reaching the Height of Light
CLANCY TAXONOMYMOORE Bodies Within the Wall Two Directions Bodies as Light A Moment in Light
17 Hands & Angle Reaching the Height of Light
CLANCY MOORE MEASURE IN MOTION. AN ARM (IN MOTION) TAXONOMY
19 TOOL 1. ARMS
CLANCY TAXONOMYMOORE TOOL 2. FEET
21 TOOL 3. HEIGHT
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23 DRAWING OFFICE
CLANCY DRAWINGMOOREOFFICE
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CLANCY DRAWINGMOOREOFFICE Intersection & Point of Tension overlaid over Siza’s plan Line of the installation vearing off Lines 1 Ground 2 theSectionInstallationRampthroughinstallation View of the installation Section through the installation Section through the installation Tension or no tension?
27 Bouça Social Housing Estate Parque Municipal da Quinta da Conceiçao
CLANCY DRAWINGMOOREOFFICE
29
CLANCY MOORE POCHÉ
Architectural Space: Adjoining rooms enclosed in thewall. An ambiguous space without a clear program.
Architectural Plan: Areas of an architectural plan orsection that are filled in, often by cross-hatching orsolid black, to show wall thicknesses, floor thicknesses and all other solid areas that intersect the plane of the section cut.
31 Axonometry POCHÉ
CLANCY MOORE O’ CLOCK Plan Installation plan diagram Audience and choreography mapping
33 ENCOUNTERS Plan
CLANCY ENCOUNTERSMOORE Section
35 Perspective ENCOUNTERS
CLANCY ENCOUNTERSMOORE Perspective
37 POCHÉ
SPACEBODYMESH
Point of Tension
CLANCY MOORE POCHÉ
39 Private Moment POCHÉ
CLANCY MOORE POCHÉ Lightwell
41 POCHÉ Light Passage
CLANCY MOORE Light Ceiling POCHÉ
43 Intrusion POCHÉ
CLANCY MOORE Body as a Column POCHÉ
45 O’ CLOCK
CLANCY MOORE O’ CLOCK
SPACEBODYMESH
47 ENCOUNTERS
CLANCY ENCOUNTERSMOORE
49 ENCOUNTERS
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51 ENCOUNTERS
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53 ENCOUNTERS Fragments
isolamentos minerais Organization & Production Co-Organization Support SponsorsMain Sponsor Partners Media Partners ADAM RICHARD SPRECKLEY AGATA ZOEYUNYIMINGSTELLASHUAISHONASALIMREINISPEDROMENGTINGMENGMARWANMARTAMARIOLUKASLUCLORENZOGRIGORIYFABIANDAVIDCOLMCLARACAROLINABLANCAANTÓNIOANTONIAANDREWANNA-MARIEANIKAALEXANDERAGNIESZKARUSSOKEPAGABISOVKNEZEVICMAŠKOVCLANCYHAFFNERMESQUITABOSSHARDGOMESQUINNMOOREZHOUSTEINBERGERGUSEVURIBESANMIGUELFERRYJONATHANBRUEGMANNPALLADINOBELLINIAFIFIAFIFILIZHANGSTATTMILLERCELMINSRUBENUMARQUIGLEYLANSATTLERZHOUWANGPAPADOPOULOSCLANCYMOORE