Porto Academy 2022 :: CLANCY MOORE

Page 1

PORTO ACADEMY 2022 SUMMER SCHOOL FAUP

MOORECLANCY

Clancy Moore group photo, FAUP 2022.

02 Group Photo 04 Index 05 Brief 06 Translations 08 Taxonomy 23 Drawing Office 30 Poché 32 O’ Clock 33 Encounters 37 Poché (Instalation) 45 O’ Clock (Instalation) 47 Encounters (Instalation) CLANCY MOORE INDEX

is shaped by their own history in space. In this workshop we are interested in this knowledge - its form, its acquisition and its application. This knowledge is embodied in a different form in each architect, and always occurs in relation to others. Architecture is a social thing - depending on others for its initiation and its realisation.

At the end, the spaces are gone, and each practice makes a representation to communicate their work to the wider Thecommunity.outputis

the conversation that ran all week. A place to make common cause between teachers and students - to share insights about practice, construction and our lives.

CLANCY MOORE

Architecture lives in imagination and the lives of those close to it. This is not a contradiction.

On the second day they are given a site in FAUP and 200sqm metres of scaffolding mesh. They are asked to make a translation of their found space. The material and the site are where they can test, adjust, discover limits. They are also given a design office. They are allowed to draw here - to design, to abstract and reflect. They cannot draw on site, and they cannot bring the material to the design office. The day oscillates between aspiration and contingency.

EachBRIEFarchitect

On the first day the students are taken to a site in Porto. They are to pick a space which the collective agrees is compelling. They are to measure it using only their bodies.

05

To begin our students are assigned to 3 groups of 9. The workshop then runs in three two-day blocks.

In these three places - memory, design office and site we seek to create in microcosm of the architects life. The participants develop group behaviours, they reflect on things that are working, there are frustrations. They are asked to reflect on how they can engender a group conversation, one which leads onward. There are difficulties.

The material is unruly, it misbehaves. The participants get to know one another - to recognise and empathise with each others position, and way of acting. The memories they are seeking to translate don’t accord with the realities on site. Each time they do this 2 day exercise the aspirations develop, the techniques refine. Each group is becoming a practice, with its internal conversations woven with the set constraints. They develop techniques, sensibilities, an emerging Inlanguage.theend they make spaces which they hold up with their bodies. The architects, holding their design in space can never experience it - ultimately architecture is for others.

LukasLorenzoAnna-MarieSalimMarwanMengtingClaraYunSpreckleyMengLiWangQuinnZhangDavidZhouAfifiAfifiMarioPalladinoAntoniaHaffnerYimingZhouReinisCelminsRubenUmarMaškovAgnieszkaKepaShonaQuigleyZoePapadopoulosLucFerryFabianSteinbergerShuaiLanBlancaBosshardGrigoriyGusevUribeSanmiguelAnikaKnezevicAgataRussoJonathanBruegmann

CLANCY TRANSLATIONSMOORE

Marta Bellini Stella Sattler Alexander Gabisov Adam Richard

07

Individual, Non-additiveIndividual, Non-additive CLANCY TAXONOMYMOORE

09 Collective, AdditiveCollective, Additive

CLANCY TAXONOMYMOORE Collective, AdditiveIndividual, Additive

11

Chloe hand Anna-Marie head Mendy foot Agata arm AnikaMario leg Stella height

CLANCY TAXONOMYMOORE Dimensional system

MGDCAKSTXY

Toni shoulders Alex cross Yiming hands up shoulders handheighthead foothands up height leghands up shoulders handheight leghead foothands up height leghands up foot height leghands up shoulders handheight leghead foothands up A Glimpse the Tree Sculptural Appropriation Growth in the Tree

Through

13 Hand in Gap

CLANCY TAXONOMYMOORE Bodies as Reflection Collective Measuring Bodies in Light

15 Reaching the Height of Light

CLANCY TAXONOMYMOORE Bodies Within the Wall Two Directions Bodies as Light A Moment in Light

17 Hands & Angle Reaching the Height of Light

CLANCY MOORE MEASURE IN MOTION. AN ARM (IN MOTION) TAXONOMY

19 TOOL 1. ARMS

CLANCY TAXONOMYMOORE TOOL 2. FEET

21 TOOL 3. HEIGHT

CLANCY TAXONOMYMOORE

23 DRAWING OFFICE

CLANCY DRAWINGMOOREOFFICE

25

CLANCY DRAWINGMOOREOFFICE Intersection & Point of Tension overlaid over Siza’s plan Line of the installation vearing off Lines 1 Ground 2 theSectionInstallationRampthroughinstallation View of the installation Section through the installation Section through the installation Tension or no tension?

27 Bouça Social Housing Estate Parque Municipal da Quinta da Conceiçao

CLANCY DRAWINGMOOREOFFICE

29

CLANCY MOORE POCHÉ

Architectural Space: Adjoining rooms enclosed in thewall. An ambiguous space without a clear program.

Architectural Plan: Areas of an architectural plan orsection that are filled in, often by cross-hatching orsolid black, to show wall thicknesses, floor thicknesses and all other solid areas that intersect the plane of the section cut.

31 Axonometry POCHÉ

CLANCY MOORE O’ CLOCK Plan Installation plan diagram Audience and choreography mapping

33 ENCOUNTERS Plan

CLANCY ENCOUNTERSMOORE Section

35 Perspective ENCOUNTERS

CLANCY ENCOUNTERSMOORE Perspective

37 POCHÉ

SPACEBODYMESH

Point of Tension

CLANCY MOORE POCHÉ

39 Private Moment POCHÉ

CLANCY MOORE POCHÉ Lightwell

41 POCHÉ Light Passage

CLANCY MOORE Light Ceiling POCHÉ

43 Intrusion POCHÉ

CLANCY MOORE Body as a Column POCHÉ

45 O’ CLOCK

CLANCY MOORE O’ CLOCK

SPACEBODYMESH

47 ENCOUNTERS

CLANCY ENCOUNTERSMOORE

49 ENCOUNTERS

CLANCY ENCOUNTERSMOORE

51 ENCOUNTERS

CLANCY ENCOUNTERSMOORE

53 ENCOUNTERS Fragments

isolamentos minerais Organization & Production Co-Organization Support SponsorsMain Sponsor Partners Media Partners ADAM RICHARD SPRECKLEY AGATA ZOEYUNYIMINGSTELLASHUAISHONASALIMREINISPEDROMENGTINGMENGMARWANMARTAMARIOLUKASLUCLORENZOGRIGORIYFABIANDAVIDCOLMCLARACAROLINABLANCAANTÓNIOANTONIAANDREWANNA-MARIEANIKAALEXANDERAGNIESZKARUSSOKEPAGABISOVKNEZEVICMAŠKOVCLANCYHAFFNERMESQUITABOSSHARDGOMESQUINNMOOREZHOUSTEINBERGERGUSEVURIBESANMIGUELFERRYJONATHANBRUEGMANNPALLADINOBELLINIAFIFIAFIFILIZHANGSTATTMILLERCELMINSRUBENUMARQUIGLEYLANSATTLERZHOUWANGPAPADOPOULOSCLANCYMOORE

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.