Edmonton Rock Music Festival 2015 Program by PostVue Publishing

A MESSAGE FROM THE PRESIDENT

ately, 3D printing is all

music education. These kids

the rage. With a large

learn to express themselves

enough printer, you can

creatively and safely through

print a car, a house or maybe

music, while gaining important

a guitar. But you still can’t re-

life skills: focus, concentration

place live experiences.

and collaboration.

You can print the car, but you

Collaboration is also a driving

won’t feel the wind through your

force behind this festival.

hair cruising with the windows

Many thanks go to our generous

down. And a printed guitar can’t

sponsors and to all of our dedi-

clone the musical genius that

cated volunteers who help pull

makes it sing. To inspire crowds

together and support this event.

to raise their lighters in a sea

Their contributions behind the

of small flames, you need the

scenes help ensure a spectacu-

excitement of live, spontaneous

lar live experience, so take a

shared moments—that’s what

moment to give them a smile

rock ‘n’ roll is all about.

and show your appreciation.

The Rock and Roll Society of

Above all, a big thanks goes to

Edmonton is excited to share

each of you, our fans. Rock and

magical music and memorable

Roll lives on because you keep

moments with each of you at

coming out to support live mu-

our fifth-annual Edmonton Rock

sic. That energy can’t be cloned,

Music Festival. And what better

so thank you for being here,

way to do that than with some

supporting live music and the

of the biggest and best acts in

work we do in the community,

classic rock?

and for keeping the spirit of

When people get together to

rock ‘n’ roll alive in Edmonton.

make and enjoy music, great

Enjoy the festival, and rock on!

things happen. That’s the idea behind our Centre for Arts and Music (CAM), a program we operate through our non-profit society. CAM creates positive change in the lives of innercity and at-risk youth through

Sincerely, Donna Semeniuk - President The Rock and Roll Society of Edmonton

EDMONTON ROCK MUSIC FESTIVAL 2015

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EDMONTON ROCK MUSIC FESTIVAL 2015

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EDMONTON ROCK MUSIC FESTIVAL 2015

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SPONSORS

EDMONTON ROCK MUSIC FESTIVAL 2015

mong the loyal and hardworking festival volunteers The Rock and Roll Society of Edmonton is proud to have members of The Veteran Paratroopers Motorcyle Club as part of our security team again this year. This community minded club

has raised thousands of dollars for The Stollery Children’s Hospital, Kids With Cancer, and Wounded Warriors. “As Warriors of our Great Nation, we all feel the need to continue to give to our Country and each Commando does its own fund raising for their Charity of Choice. Although we operate as a true Motorcycle Club, we are 100% above board and law abiding. Our Club is made up of Canada’s elite Airborne from the Canadian Airborne Regiment and Current Jump Company’s from the PPCLI, Royal Canadian Regiment, and the Royal 22nd Regiment.”… Kevin Lloyd, Prairie Chapter President

IS PROUD TO HAVE BEEN INCLUDED IN THE PRODUCTION OF THIS PROGRAM Publisher & Project Manager - Andy Cookson Creative & Design - Charlie Biddiscombe Proﬁle Writer - Jasmine Salazar Sales Representatives - Joanne Layh, James Jarvis, Kristin Ashmore © 2015 Postvue Publishing All Rights Reserved, Reproduction in whole or in part is prohibited without the written consent of the publisher. To have your guide or promotional product produced, contact Andy at andy@vueweekly.com or 780.426.1996 Postvue Publishing #200, 11230 119 St. Edmonton, AB. • T5G 2X3 Ph: 780.426.1996

EDMONTON ROCK MUSIC FESTIVAL 2015

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EDMONTON ROCK MUSIC FESTIVAL 2015

PAT BENATAR & NEIL GIRALDO

here’s no denying it: Pat Benatar is a rock ‘n’ roll legend— and rightfully so, with hits like

“Love is a Battlefield,” “We Belong,” “All Fired Up,” “Sex As A Weapon” and “Hit Me With Your Best Shot.” We had the chance to talk to her and Neil via email about their upcoming per-

Sat, August 15

formance at Rock Fest.

8:30pm

Rock Music Festival: What’s the songwriting dynamic like for you and Neil? How has that changed over the years? Pat Benatar: The songwriting process for us is basically the same, albeit not as frequent. When we were young, we had so few distractions. Now life is so

them to hear. There are many songs

esting for yourself onstage?

full, which is great for inspiring ideas,

that are truly beautiful that [don’t]

PB: Travelling gets old, living in hotels

not so good for implementing them.

get the attention they deserve. We

gets old, soundcheck gets old—per-

Spyder and I have always begun writ-

resurrect them and introduce them to

formance never gets old. Every audi-

ing a song together, but the moment

the audience again. They seem to re-

ence is different in subtle ways; the

the song forms, we separate; we go

ally enjoy that, and we are definitely

synergy between us is different every

off to finish our parts alone and come

happy to be playing songs that would

night. Performance is a musical con-

back together to blend those ideas.

otherwise be forgotten.

versation, [and] it’s always different

and fresh. I know that sounds crazy,

RMF:What inspires your writing lately?

RMF: You performed in Edmonton

but it’s true. Music is a living thing, it

PB: Songwriting never stops. Inspira-

last year at the River Cree Resort

changes constantly [and] unpredict-

tion is everywhere: it’s basically com-

and Casino, and this year you’ll be

ability is built in.

mentary on everyday living. Nothing is

performing in an outdoor setting. In

more interesting than humans. We’re

terms of acoustics, what is your pre-

RMF: Without revealing too much,

so complex and so simple at the same

ferred venue setting? Why?

what can Edmontonians expect for

time. We never run out of ideas.

PB: There are pros and cons to both

your Rock Fest performance?

settings. Of course, performing out-

PB: There are no secrets anymore. The

RMF: How do you select which songs

doors, on a beautiful night with the

Internet has made sure of that! We’ll

to play for a performance? What’s your

moon and stars and a cool breeze—

be playing many of the “Holy 14,” as

favourite song to perform?

that’s hard to beat!

well as some obscure songs that per-

PB: When choosing songs for the

haps the audience [hasn’t] heard for

set, we try to blend the ones the fans

RMF: Having performed for so many

awhile. This tour is a blend of music

want to hear and the ones we want

years, how do you keep things inter-

and backstory. It’s nothing but fun!

EDMONTON ROCK MUSIC FESTIVAL 2015

PUNCH DRUNK CABARET

ailing from Dustbowl, Alberta, Punch Drunk Cabaret mixes the genres

of rockabilly, outlaw country, and steampunk swing together—three genres that the band members weren’t sure could amalgamate let alone sit well with audiences. “We didn’t know if anybody would even like our music. We weren’t even sure if those three styles of music even really fit together,” Bandmeister Randy B, frontman to Punch Drunk Cabaret, says over the telephone. “We go to much expense to de-

It took the band six months of au-

scribe those three genres,” he con-

Friday, August 14

ditions to find the right guy, which

tinues. “You know, the thing about

5:15 pm

took long due to festival and show

the band is that we mix it up. I

bookings. “Robin quit on a fairly

think that’s one of the real draws

Terry Sawbones Grant (bass) and

short notice. It was the start of last

to the band—we don’t just play

Capt. Sean E. Watts (drums)—that

summer. We had shows booked,”

one style. I think that is what really

make the Dustbowl-based group a

Randy explains. “So, we kind of

helped us get these great festival

fan favourite at festivals as diverse

just hired people to come in and

dates. When they hire PDC, they

as roots, country, blues and rock.

play. We never stopped working.”

know that we’re going to appeal to

For Randy, the group is “stronger

“When you lose a member—a

quite a broad range of music fans.”

than ever” as a result of drummer

founding member—you know,

Part of Punch Drunk Cabaret’s

Capt. Sean E. Watts joining the

you want to make sure your band

appeal comes from a high-energy

group who intensifies the live show

is better than it was before. We

performance (which Randy notes

by playing the drums stand-up style.

didn’t want to take a step back-

is achieved by a 50/50 equation

Capt. Sean E. Watts joined Punch

wards at all. [But we] really didn’t

involving the band and audience),

Drunk Cabaret in January 2015 af-

want to feel like [we were] replac-

vaudeville outfits and theatrical

ter founding member and drummer

ing someone either. [We] want to

stage names—the trio includes

Reverend Robin Eklund quit to be

feel like [we] are moving forward.”

Bandmeister Randy B (vocals),

with family.

EDMONTON ROCK MUSIC FESTIVAL 2015

THE STAMPEDERS

three-man lineup of Rich Dodson

It’s those klondikers. Everything

Internet for rejuvenating the group.

(guitar, vocals), Ronnie King (bass,

in Calgary is stampede: Stampede

“It has allowed us to revive and

vocals) and Kim Berly (drums,

Motors, Stampede this. We were

reinvigorate the Stampeders,” he

vocals) that’s widely known to Ca-

just young, silly kids who said,

says. “The original run of the band

nadians—as well as the hits they’ve

‘Sure, I don’t care. Whatever it

was about 13 years and having got

produced together, including

takes to get going and get out of

back together in 1992, we’re doing

“Sweet City Woman” (1971) and

here. Let’s go!”

now 16 years, so longer than the

“Wild Eyes” (1972).

The Stampeders were originally

first time. We got two big runs, and

Before 1965, the group played

based in Calgary, but the band

we’re really enjoying this run.”

as the Rebounds, but the band’s

didn’t spend a lot of time there

In addition, new technologies and

manager suggested changing

since the guys left for Toronto

the Internet has made touring

the name.

soon after forming. However, the

much easier for the Stampeders.

“Our manager had an investor,”

band’s country-rock sound and

“It’s so simple now. In the ‘70s,

Dodson says with a laugh. “You

matching cowboy-hat-and-boots

we had two five-tonne trucks, 10

know, one of those deals. And, I

outfits were considered novelty

roadies carrying around sound

guess somebody was going to get

among Toronto’s urban landscape.

[equipment] and lights,” Dodson

a big chunk of money if we took

“We were a real oddity down

says. “It just a huge undertaking

that name, because we were doing

here,” Dodson says. “It was

to go out and do a tour. Whereas

a country-rock thing.

very R&B, Detroit-, New York-

now, everything is provided. We

“Our manager said, think of it

influenced. It was different for us

just show up with our guitars,

globally ... It’s actually [a] pretty

hearing R&B bands and [that] big

sticks, picks, carry-on bags [and]

cool name. You know, Stampeders.

Detroit influence.”

we’re on the stage.”

EDMONTON ROCK MUSIC FESTIVAL 2015

uring its 15-year run, there

Fri, August 14

The group disbanded in 1979, but

were various lineups of the

6:45 pm

got back together in 1992. Dodson

Stampeders, but it’s the

credits new technologies and the

SWEET

ou know the hits: “Ballroom Blitz”—The song’s been featured in count-

Fri, August 14 8:30 pm

less movies and TV shows,

cals), forming what’s considered Sweet’s classic lineup. After the deaths of Connolly and Tucker, the band underwent

including Wayne’s World and

ing members Brian Connolly

several lineup changes. But Priest

Daddy Day Care—”Little Willy,”

(lead vocals) and Mick Tucker

and Scott continue to keep the

“Hellraiser,” “Teenage Rampage”

(drums, vocals) left another rock

Sweet spirit alive—albeit through

and “Love Is Like Oxygen.” But

band called Wainwright’s Gentle-

their own respective versions of

how well do you know the band

men to form the glam-rock group.

the band. Priest’s iteration takes

behind it?

They recruited Steve Priest (bass)

prominence in the United States

Sweet began in 1970 after found-

and later Andy Scott (guitar, vo-

and Scott’s resides in the UK.

EDMONTON ROCK MUSIC FESTIVAL 2015

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EDMONTON ROCK MUSIC FESTIVAL 2015

THE STEPHANIE HARPE EXPERIENCE

Sat, August 15

12:00pm (Noon)

t 18, Stephanie Harpe was discovered by Canadian blues-rock musician Jeff Healey, who she remained close friends with up until

his death in 2008. The two would talk on the phone once a month, relishing on new songs, experiences, family and spouses. Harpe’s friendship with Healey began after meeting in the now-defunct bar Thunderdome (Union Hall’s current space) in Edmonton. “We ended up singing a song together on his tour bus. We chose an Amanda Marshall song [“Let It Rain”],” Harpe recalls. “He helped discover Amanda Marshall, so we talked about that.” Stephanie Harpe Experience—Harpe (lead vocals), Sean “Blues Puppy” Riquelme (lead guitar), Rob Newhook (bass), John Rawlo (drums) and Bryan Scharf (drums)—will be heading to the studio at the end of the summer to record a new album with Canadian producer Barry Allen. “We’re going to the studio with him. It’s official. We’re all really excited,” she says. “He’s done so much. He’s an Edmonton rock-music legend. “I think what he’ll add to our record is quality, a great balance of emotion, music and flow, and professionalism.” The album is currently untitled since its in the early stages and the group just got word that Allen will be working with them. However, Harpe says this album will avoid spliced-up recordings and focus on live recording instead. One thing is for certain, Harpe will continue to keep Healey’s memory alive, thanks in part to Blues Puppy’s guitar playing. “[Blues Puppy] reminds me a lot of him,” she says. “[Healey] has a big influence on me. He told me all these wonderful stories, the ins and outs of the business, advised me and encouraged me. He believed in what I did.”

EDMONTON ROCK MUSIC FESTIVAL 2015

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THE JOINT CHIEFS Sat, August 15 1:20pm

f you’re from Edmonton, then you might already be familiar with the Joint Chiefs—the fellas have been playing the local bar and festival circuit

since 1991. If you haven’t seen the Joint Chiefs perform, then you’re in for a treat. The band lives by a mantra that involves keeping audiences entertained from start to finish. How does the group do that? By playing the songs you already know the lyrics to. The Joint Chiefs have been dubbed a cover band and play an eclectic mix of popular songs encompassing classic rock, soul, blues, pop and R&B. The Joint Chiefs have seen seven lineup changes throughout the years, and many local musicians will do guest performances in the band. “As bandleader I have changed the songlist and the direction of the band over the years to keep it fresh and exciting,” frontman Andrew White says. “Change and evolution are always good, even in a cover band. [It] keeps the fans engaged, knowing they will always get quality music from us.” The current lineup includes White (vocals), Ralph Pretz (vocals, guitar), Jeff Bartlett (vocals, bass), Stefan Kijek (vocals, keys) and Dean Pierno (vocals, drums).

EDMONTON ROCK MUSIC FESTIVAL 2015

BARRACUDA

Sat, August 15

t first glance, it is easy

2:45pm

to mistake Barracuda for Heart. But let’s get the

10 minutes before we went on stage. He burst in with his gui-

Heart thing was in the ‘70s. It

tar and was like, ‘When do I get

facts straight: Barracuda is not

was a decade later. It was also

up?,’” Caruk recalls. “He was

Heart, though they make for a

because of him that I met every-

prepared to go on stage with us.

hell of a good stand-in. Hailed as

one from Heart. [Barry’s] kind of

We invited him [on] towards the

the essential Heart tribute band,

my fairy godmother.”

end of the night and did like four

Barracuda (named after the

Barracuda have the technicalities

or five songs.”

group’s iconic single from Little

of Heart’s unmistakable music

But Barracuda is more than just

Queen, released in 1977) share

style down pat. Caruk, Barra-

a cover band. It’s a tribute to

more than a Vancouver origin

cuda’s Ann Wilson, has a four-oc-

Heart’s history, writing, arrang-

with the 1970s rock band.

tave vocal range along with flute

ing, musicianship and most im-

“We have the same booking

and guitar skills that provide an

portantly, female empowerment.

agent!” Donna Caruk, Barracuda’s

authentic Heart sound. Her band-

For Caruk, Heart represents fe-

leading lady, says over the phone.

mate Brenda Kasmir not only

male power and showing people

“There was a guy named Barry

resembles Nancy Wilson, but she

that women can kick butt, too.

Samuels. When Heart first started

also provides vocals, mandolin

“I’ve been wanting to do this for

out, he pretty much kept bread

and guitar to the mix—mirroring

10 years, but I didn’t think any-

and butter on their table. He

the guitar skills of Nancy.

one would want to be in a band

booked them wherever, keeping

What’s more, original Heart

with two girls. You know, people

them from starving to death. He

member Roger Fischer endorses

would say, ‘Girls don’t rock,’

also booked me in the early days

the band, and he has performed

which is total crap,” Caruk says

in the clubs around Vancouver,

with Barracuda five times.

with a laugh. “When they see us,

which was in the ‘80s. And, the

“He burst into the back room

they kind of eat their words.”

EDMONTON ROCK MUSIC FESTIVAL 2015

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EDMONTON ROCK MUSIC FESTIVAL 2015

RIK EMMETT

“M

y image that was projected [was] more of a

Sat, August 15

guitar hero—and, yeah,

4:30pm

he sings,” Rik Emmett recalls over the phone from his home in Mississauga,

ON. “When I went out on my own, I felt like I was trying to strike the balance between [guitar and songwriting] and make it so that people could understand that [I’m] more of a singer-songwriter kind of guy.” Emmett is talking about his 10-year run as guitarist and vocalist in Canadian rock ‘n’ roll group Triumph, which he left in 1988 to pursue a solo career. Triumph, which was active from 1975 to 1992, gained traction in North America with songs like “Lay It On The Line,” “Magic Power” and “Fight the Good Fight,” earning the trio 10 gold albums and four platinum albums in Canada and the United States. In the group, Emmett earned a reputation for his deft and versatile guitar playing. But Emmett had a craving for songwriting, which he was unable to fully pursue as the responsibility was shared among the group. “I always felt like that songwriting was the most important part of it. I wanted to make the transition; I wanted people to perceive me a singer-songwriter,” Emmett says. Leaving the group wasn’t without its tribulations, though. Emmett had to learn the ropes of being a solo musician after years of being dependent on two other members. “My band sort of functioned as a security blanket, in a way. You have these other guys who can cover the territory,” he says. “That was the big thing—making the switch from being kind of like a junior partner in Triumph to then becoming a boss of my own benevolent dictatorship.

“The responsibility becomes a lot bigger,” he continues. “You get certain kinds of freedom and luxury of choices, but you feel the weight and burden of them. I felt the weight of having to do every single interview. Doing interviews all day long is horrible on your throat.” Emmett is currently working on a steady stream of creative work, which will be released as each project is completed. The project is on hold as of now—Emmett is juggling the tasks of touring, moving houses and family weddings—but should resume his work sometime in the fall. The project will feature some new songs, live performance videos (with the help of his son) and an album.

EDMONTON ROCK MUSIC FESTIVAL 2015

KENNY SHIELDS & STREETHEART

inter is a season we Edmontonians know all too well. It’s also one that

Sat, August 15 6:15pm

Canadian rock band Streetheart can

to put on the best show time and time again. “Everyone that comes to a show will know every song that we play,”

relate to, thanks to its home city of

erybody sits around and plays music

Neill says.

Winnipeg.

[throughout] the winter and goes

Now in its second run—the group

In fact, Streetheart guitarist Jeff

out to play in the summertime.”

disbanded in 1984 due to manage-

Neill credits the city’s cold winters

Though Winnipeg helped shape

ment’s inability to get exposure in

for shaping Streetheart into the

Streetheart—rounded out by Ken-

the United States—Streetheart is as

band it is today.

ny Shields (vocals), Tim Sutton

good as its ever been. It’s possibly

“Everybody sort of jokingly puts

(drums), Daryl Gutheil (keyboards)

even better—that’s what Neill thinks,

it down to the fact that it’s so cold

and Jake Jacobs (bass)—the band

at least.

and winters are so long that guys

helped shape Canada’s rock ‘n’ roll

“Well, we were 30 years younger,”

have nothing better to do except sit

scene through popular tracks such

Neill says with a laugh. “We caused

in a basement and practice and play

as “Action,” “Under My Thumb” (a

a lot more trouble than we do now.

and write music,” Neill says from his

Rolling Stones cover), “What Kind

The craziness of youth is gone, but

home office in Vancouver.

of Love Is This” and “Tin Soldier” (a

that’s replaced with a bit of experi-

“The truth is that it gets so cold in

Small Faces cover).

ence. And I think there’s a quality

Winnipeg during the wintertime,

Streetheart’s expansive song cata-

about how we play now, which I

nobody wants to go outside, so ev-

logue enables the band members

think our fans [can] appreciate.”

EDMONTON ROCK MUSIC FESTIVAL 2015

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2015-2016

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