Eduardo Paolozzi
Set no 1 from the edition of 50 The only set with every print signed goldmark
A key moment in British art.
‘...iconographically it was an ultimate statement.’ Rosemary Miles, 1977
1. Evadne In Green Dimension
45 screenprint & lithograph collages, 1972 Set no 1 from the edition of 50 The only set with every print signed by Paolozzi
Eduardo Paolozzi
‘All human experience is one big collage .. .‘
A technical and visionary masterpiece, Eduardo Paolozzi’s Bunk suspended time, freezing moments that invite us into a visual world from another generation. In the early summer of 1952 Paolozzi presented a groundbreaking lecture to the Independent Group of artists. Projecting collages made from magazine clippings, newspaper shreds, commercial copy, and pin-up postcards onto a large screen, he spoke at length about their artistic value. In a single presentation, he had changed the face of 20th century art forever: the notion of ‘Pop Art’ was born. Whether the title of the suite came from Henry Ford’s pronouncement that History is more or less bunk remains unknown. Regardless, Paolozzi’s collages, produced in post-war Paris throughout the late 1940s, put forward a definitive statement in British art: that the graphics of ad agencies contributed more to the art world than anything produced by contemporary artists. Abandoning the collages soon after his seminal presentation, Paolozzi only rediscovered them some 20 years later as he prepared for a retrospective show. Frank Whitford describes in the 1972 portfolio how prescient the suite then seemed: Already in 1952 it was all there: science fiction, sex, technology, the movies, mass advertising, comics, packaging… The ephemeral had been raised to the level of art; the underrated, undervalued
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and misunderstood had been proposed as the key to an understanding of contemporary culture… 47 of the collages were chosen by Paolozzi to be replicated in an edition of 150 prints, 50 of which would be produced as specials, signed and numbered by the artist (as illustrated here). The facsimile method was not just complex; it made for a subversive statement in and of itself. Elements of the original collage were reproduced by lithography and screenprinting. These printed pieces were then torn, folded, and creased by hand to mimic the scraps before being pasted onto sheets, making identical ‘impressions’ of the original collage. The process was both effective and absurd, as Paolozzi expert Rosemary Miles later wrote: The ‘original’ was of course unique, but made up of mass produced articles. It was then ‘mass produced’ itself but by an exceptionally skilled craftsman… Technically, this was a highly sophisticated, paradoxical comment on production and mass production; iconographically it was an ultimate statement. In its combinations of milk-skinned poster girls and science fiction androids, Bunk offered a rich cultural tapestry from everyday images; and in its exacting method of reproduction, it immortalized not just the time from which each element originated, but the creative act of the collage itself. An artistic, historical, and anthropological landmark, Bunk now stands as a powerful human document, and one of the most influential aesthetic projects of the 20th century.
10. Meet The People
3. Fun Helped Them Fight
2. Will Man Outgrow The Earth
21a. North Dakota's Lone Sky Scraper
9. Was This Metal Monster Master Or Slave contact us on 01572 821424
40. Write Dept P-I For Beautiful Full Colour Catalog
15. Real Gold
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17. Has Jazz A Future?
26. Never Leave Well Enough Alone
27. No One's Sure How Good It Is
19. Electric Arms And Hands Also Shaving Love Is Better Than Ever
34. Mother Goose Goes Hollywood
23. New Life For Old Radios
42. What A Treat For A Nickel!
39. Poor Eleanor Knows Them By Heart
13. You'll Soon Be Congratulating Yourself
18. Vogue Gorilla With Miss Harper
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45. Trigger Assembly Removal
4. The Ultimate Planet
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35. Shots From Peep Show
7. Take-Off
30. A New Brand Of Brilliance
43. Yours Till The Boys Come Home
31. Hi-Ho
41. Folks Always Invite Me For The Holidays
12. Refreshing And Delicious
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21b. Will Alien Powers Invade The Earth
8a. Hazards Include Dust, Hailstones And Bullets. 8b. Survival
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29. Merry Xmas With T-I Space Suits
24. 2000 Horses And Turbo-powered
16. Fantastic Weapons Contrived
20. It's Daring It's Audacious
32. You Can't Beat The Real Thing
25. I Was A Rich Man's Plaything
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22. Wind Tunnel Test
11. Improved Beans
44. Headlines From Horrors Ville
37. A Funny Thing Happened On The Way To The Airport
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38. The Dynamics Of Biology
33. It's A Psychological Fact Pleasure Helps Your Disposition
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6. Sack-O-Sauce
36. Lessons Of Last Time
14. Goering With Wings
28. Man Holds The Key
5. See Them? A Baby's Life Is Not All Sunshine
1 2 3 4 5
Evadne In Green Dimension Will Man Outgrow The Earth Fun Helped Them Fight The Ultimate Planet See Them? A Baby's Life Is Not All Sunshine
Lithograph Screenprint Lithograph Lithograph Screenprint
39 32 37 25 38
x x x x x
26 cm 24 26 39 28
6 7 8a 8b 9
Sack-O-Sauce Take-Off Hazards Include Dust, Hailstones And Bullets. Survival Was This Metal Monster Master Or Slave
Lithograph Screenprint, lithograph & collage Lithograph Lithograph Screenprint
36 33 28 28 36
x x x x x
27 24 19 19 24
10 11 12 13 14
Meet The People Improved Beans Refreshing And Delicious You'll Soon Be Congratulating Yourself Goering With Wings
Screenprint, lithograph & collage Lithograph Lithograph Lithograph Lithograph
35 26 38 35 34
x x x x x
26 37 28 26 26
15 16 17 18 19
Real Gold Fantastic Weapons Contrived Has Jazz A Future? Vogue Gorilla With Miss Harper Electric Arms And Hands Also Shaving Love Is Better Than Ever
Screenprint Lithograph Screenprint & lithograph Lithograph Screenprint & lithograph
32 35 26 31 33
x x x x x
24 26 39 24 23
It's Daring It's Audacious North Dakota's Lone Sky Scraper Will Alien Powers Invade The Earth Wind Tunnel Test New Life For Old Radios
Lithograph Lithograph Screenprint Screenprint & lithograph Lithograph
32 41 19 26 32
x x x x x
24 28 15 38 24
24 25 26 27 28
2000 Horses And Turbo-powered I Was A Rich Man's Plaything Never Leave Well Enough Alone No One's Sure How Good It Is Man Holds The Key
Screenprint Screenprint & collage Lithograph Screenprint & lithograph Screenprint
41 36 27 34 34
x x x x x
28 24 37 23 23
29 30 31 32 33
Merry Xmas With T-I Space Suits A New Brand Of Brilliance Hi-Ho You Can't Beat The Real Thing It's A Psychological Fact Pleasure Helps Your Disposition
Lithograph Lithograph Screenprint, lithograph & collage Screenprint Lithograph
36 41 29 35 37
x x x x x
23 29 26 25 26
34 35 36 37 38
Mother Goose Goes Hollywood Shots From Peep Show Lessons Of Last Time A Funny Thing Happened On The Way To The Airport The Dynamics Of Biology
Screenprint Screenprint Screenprint & lithograph Lithograph Lithograph
36 29 36 29 40
x x x x x
26 24 27 39 28
39 40 41 42 43
Poor Eleanor Knows Them By Heart Write Dept P-I For Beautiful Full Colour Catalog Folks Always Invite Me For The Holidays What A Treat For A Nickel! Yours Till The Boys Come Home
Lithograph Screenprint Screenprint Screenprint Screenprint
32 33 33 36 41
x x x x x
24 24 24 29 26
44 45
Headlines From Horrors Ville Trigger Assembly Removal
Lithograph Screenprint & lithograph
26 x 39 25 x 38
20 21a 21b 22 23
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A key moment in British art.
‘...iconographically it was an ultimate statement.’ Rosemary Miles, 1977
Eduardo Paolozzi goldmark
ORANGE STREET UPPINGHAM LE15 9SQ 01572 821424 view online at goldmarkart.com
October 2016