VALERIE THORNTON
ETCHINGS GOLDMARK
2010
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VALERIE THORNTON
Valerie Thornton was born in London where she studied art at the Regent Street Polytechnic School of Art for four years. During that period, 1950-53, she visited a photographic exhibition in Charing Cross showing old church buildings and almost immediately knew that she had discovered a consuming passion and subject for her art or, as she later succinctly stated, buildings have been my language. In short Thornton subsequently developed into one of Britain’s finest post-war etchers, particularly in her depictions of architectural subjects and Sir John Rothenstein later said, …in her hands, the etched plate has an almost sculpted presence. As a student Thornton also saw Stanley William Hayter’s film about the avantgarde etching being done at his Atelier
17 workshop in Paris and in 1954 she went to study printmaking with him. The same year she also acquired her first etching press and this medium remained her favoured method of printmaking. In 1955 Thornton spent time studying and drawing in Italy and thereafter made many trips to work in Europe. Around that time Thornton also exhibited with the Regent Street Group in London and held her first solo show at The Minories, Colchester in 1960. She later exhibited regularly in London and the provinces and also in America where she lived and worked on two occasions. During the 1970s she made many etchings of East Anglian churches which demonstrated her particular concern with the textures of building materials,
such as stone, flint or brick, and the way in which they have weathered over many centuries. Another favourite subject was Romanesque architecture and she depicted many churches in France, Italy and Spain but in the latter part of her career she perhaps favoured figurative carvings. She became a Fellow of the Royal Society of Painter-Etchers in 1966 and was a founder member of the Printmakers’ Council. Her work is highly regarded, being found in many public collections including, in this country, the British Museum, the Tate Gallery, the Victoria & Albert Museum and the Fitzwilliam Museum, Cambridge and abroad at the Museum of Modern Art, New York, the Boston Museum of Fine Art and the Biblioteque Nationale, Paris.
GOLDMARK GALLERY UPPINGHAM RUTLAND LE15 9SQ 01572 821424 Open Monday to Saturday 9.30 - 5.30, Sunday 2.30 - 5.30 and Bank Holidays www.goldmarkart.com info@goldmarkart.com
St Davids, £750
1971, artist’s proof, signed, 40.2 x 52.5 cm
Queen's College Oxford, £550
c1980, artist’s proof, signed, 39.7 x 52.5 cm
Caporciano, Italy, £500
1987, ed 50, signed, 26.5 x 36.5 cm
Leiston, £750
1973, ed 50, signed, 40 x 62.5 cm
front cover:
Cley, £750
1975, ed 70, signed, 40 x 61.5 cm
To order phone 01572 821424 Prices include frame, vat and uk delivery Visit valeriethornton.com
Aibar, Spain, £750
1985, ed 70, signed, 45 x 65 cm
Norwich, £700
1985, ed 70, signed, 57.5 x 35.5 cm
www.valeriethornton.com St. Armand de Coly, £550 1972, ed 50, signed, 62 x 40 cm
Fermignano, £675
1988, artist’s proof, signed, 37.5 x 52.5 cm
Untitled, £375
c1975, ed 50, signed, 52 x 40 cm
Hill Village, Navarre, Spain, £690 1977, ed 150, signed, 29.5 x 46.9 cm
Besse, £700
c1975, artist’s proof, signed, 59.5 x 35.5 cm
To order phone 01572 821424 Prices include frame, vat and uk delivery Visit valeriethornton.com
Casseres, £350
1979, ed 50, signed, 67 x 47 cm
Sangüesa, Spain, £650
1982, ed 60, signed, 64.9 x 41.7 cm
www.valeriethornton.com Churchill College Cambridge, £500 1973, ed 70, signed, 34 x 53 cm
Amboise, ÂŁ750
1973, ed 150, signed, 39.8 x 58 cm
GOLDMARK GALLERY, UPPINGHAM, RUTLAND, LE15 9SQ, 01572 821424 Open Monday to Saturday 9.30 - 5.30, Sunday 2.30 - 5.30 and Bank Holidays www.goldmarkart.com info@goldmarkart.com