Tour Magazine April 2015 by Tour Magazine

STEVIE BOI DIAMOND STRAWBERRY BLACK ROB PLUS

SUPREME’S

TOP 5 DEAD OR ALIVE

ZAYTOVEN SITTING ATOP THE TRAP

APRIL 2015

THEREALTOURMAGAZINE.COM

04.2015

CONTENTS FEATURES 4

DEPARTMENTS 6 RETURN OF THE REAL 14 YOUNG, FLY, & FLEXING 23 Q & A: WITH STEVIE BOI 31 THE MIND MUSCLE CONNECTION

VOLUME 2

REAL PEOPLE DO REAL THINGS

GAS FLOW

TOP 5 DEAD OR ALIVE

INDUSTRY UNDERGROUND: ZAYTOVEN

MIC CHECK

SHINE BRIGHT LIKE A…

HIP HOP FOR SURE

REAL LOVE & HIP HOP

EDITOR'S NOTE

I VOL. 2 NO. 1 EDITOR-IN-CHIEF Thomas “Supreme” Parsons EDITORIAL WEB DESIGNER www.blazonco.com

t is 2015, and with a new year comes new possibilities. For instance, this issue launches Tour Magazine’s Volume 2 “Real People Do Real Things.” However, unlike last year’s Volume 1 “The City Tour,” which focused on a couple of cities/regions in the southern and eastern part of the nation, Volume 2’s cover story will be about powerful individuals within the Hip-Hop community. Accordingly, we are honored to have the “King of Trap” himself—Zaytoven—as the first person to grace our cover. Also, featured in this issue are: fashion designer and celebrity stylist Stevie Boi, reality TV star Diamond Strawberry, Hip-Hop veteran Black Rob, and several of the leading underground Hip-Hop artists from various parts of the country. Plus, I offered my take on Hip-Hop’s infamous Top 5 debate. So, read up and enjoy. Peace.

Thomas “Supreme” Parsons Editor-In-Chief @teparsons3

CONTRIBUTING WRITER Shawn Tucker ART COVER ART GRAPHICS Steven Diaz/Evo Graphics DESIGN & PRODUCTION Picante Creative C I R C U L AT I O N SINGLE COPY SALES Kevin Parsons

PUBLISHED BY TOUR: REAL PEOPLE, PLACES & THINGS MAGAZINE, LLC OWNER Thomas E. Parsons III E-MAIL therealtourmagazine@gmail.com

www.therealtourmagazine.com PRINTED IN THE USA

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There was a time in Hip-Hop

when what artists said (content) and how they said it (lyrical skill) mattered. However, at the moment, Hip-Hop is more hooks and acoustically driven, so much so that virtually anyone can be a rapper. And that isn’t completely bad for the culture. But, with that being said, it’s still refreshing to hear artists exhibit cleverness in their lyrics. For instance, show the artistry in the rap aspect of Hip-Hop. You know, make me hit the rewind button at least once during the course of the song, or at the very least command my attention. JusMula is that type of artist. His latest release, Water & Sour, is dope. It is a complete offering, that is, it’s both lyrically and sonically fulfilling. After you read this article, do yourself a favor and check out Water & Sour on DatPiff. It’s worth it.

Peace. Tell us a little about yourself. For instance, where are you from and how long have you been an emcee? JUSMULA: I’m hailing from Waterbury, Connecticut, by way of Fairmount Projects, and I have been in the music business for nine years—professionally—-15 years total.

Your current release, Water & Sour, is ill. Is this your first full-length project? JUSMULA: This is actually my 6th full-length studio project, but first mixtape without a deejay hosting.

Unlike a lot of new artists, you actually have lyrical skills. Do you think that Hip-Hop is returning to the days when lyrics truly matter? JUSMULA: I can only hope that Hip-Hop would go

in that direction, but I believe that lyrical ability isn’t a trait that is praised by the general audience at the moment. Maybe pressure from artists—female or male—-like myself will help reawaken the Hip-Hop crowds of the golden days.

What are you plans—career wise—for the immediate future? JUSMULA: In these next two quarters, I plan to

expand my brand with JusMula and help make that a household name via projects in place to be released for both quarters. One of them being “Illumination” and the other project is to be de-

GAS FLOW BY THOMAS "SUPREME“ PARSONS

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cided. I assure you, this should solidify my place in Hip-Hop culture and give fans an extensive base on what to expect from a JusMula project.

Before you go, shout out your team and let our readers know where they can go to support your movement. JUSMULA: I want to give a shout to the whole 7Seas (NY) staff, especially Leptune, Kiesha from PR, the young star of the team,Vahhley; also, the home squad RockBizzie (CT), and last but not least,The HitClub (CA). The website is under construction, but for updates you can follow me on Twitter: @Jusmula or IG: @jusmulact.

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NEW RELEASES

RETURN OF THE

BY THOMAS “SUPREME” PARSONS

REAL

ormer Bad Boy Entertainment recording artist and star that gave us hits like Whoa, I Dare You, and I Love You Baby, Black Rob, returns with a dope new album—Genuine Article. The lead single—Welcome To My Life—showcases the tight production and Black Rob’s lyrical dexterity that’s displayed throughout the project. Which is invigorating, considering how many artists are lacking in the latter these days, and have grown dependent upon Auto-Tune and other gimmicks to make music. However, there are no gimmicks here. Black Rob offers classic Hip-Hop, i.e., rhymes and beats. Other notable tracks on Genuine Article are: Where You At (featuring Q. Parker of 112), Fight Back, and Wave Of New York. Overall, Genuine Article is a solid album and a respectable return for Black Rob. The CD will hit stores on April 21. What follows is Black Rob’s take on his new project and things to come.

Peace. It’s been a minute since you’ve released a project. What have you been up to? Black Rob: I just been, you know, laying low and listening to new music. And, just getting my shit ready for whatever, whatever man. You know, when I’m coming, I’m coming.

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What have you been listening to? Black Rob: It’s songs out here that I can get with. You understand? But, it’s certain joints that I can’t get with. And, you know what I mean.

True. You are best known for your work on Bad Boy. How is your relationship with Diddy now that you are with another label? Black Rob: Aw man, it’s beautiful. Everything is beautiful. You know what I’m saying? I can’t complain. The brother reached out to me—and did what he had to do— and put me in a position to make records and to be with somebody that is good to follow behind. So, I appreciate that.

Hip-Hop has changed significantly since the days of Whoa. Let our younger readers know what Black Rob is all about. Black Rob: Black is all about the realness— that’s first and foremost. You know, being real and taking care of business. And just doing shit that’s out of the ordinary. You know what I’m saying? I’ll go make a joint and it’ll have nothing to do with nothing, but the words are going to snatch you.

Your new single, Welcome To My Life, that joint is hot. Tell us about that and your new album Genuine Article. THEREALTOURMAGA ZINE.COM

Black Rob: The single, that joint was done by my man Harley. He’s a young kid from Jersey, who’s been dying to get on. And, I just gave him a chance out of the blue. You know what I mean? The album, Genuine Article, is basically saying that I’m the genuine article. Everything on that album is real. I don’t even know how to rap fake. You know what I’m saying? Like some kids will rap fake, I don’t know how to do that. I always come real, and I always come correct. And I can’t say no more than that. You know what I mean? That’s it.

What other projects do you have in the works for this year? Black Rob: I’ve got a few projects in the making. I’ve got the Puff album—you know— that’s coming out soon. I’m on that joint. Basically, just working on a lot of stuff. I’ve got another album coming out. You should be hearing that in October or September. Basically, I’m just riding. Getting ready to get down with this album release. I’m ready man.

Nowadays, social media is one of the best methods to connect with fans. Which social media outlets are you utilizing, and where can our readers find you? Black Rob: Go on Twitter and Instagram under @therealblackrob, and SoundCloud @blackrobmusic.

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BY THOMAS “SUPREME” PARSONS

Last year, Chris Rock released a movie called Top Five. I haven’t seen it, but I saw a trailer of the movie in which the characters were debating who are the top five emcees of all time. Of course, this was not my first time hearing this topic. People have been debating this subject in barbershops and prison yards for years. But this time, the subject really had me thinking. Names like Jay Z, Biggie, Tupac, Nas, Big Daddy Kane, Kanye West, Eminem, DMX, 50 Cent, Rakim and Snoop Dog instantly went through my mind. And I came to realize that there could not be a factually supported list without a criteria and standards by which to measure the emcees. So, that is where I began. I decided to use a five category grading system. The categories are as follows: 1. Lyrical skill (self-explanatory); 2. Cultural influence (trendsetter); 3. Record sales (multi-platinum status); 4. Music quality (at least one classic album); and 5. Industry dominance (wasn’t in another’s shadow). Based upon these points of comparison, my top five emcees are: Jay Z, Tupac, Notorious BIG, Kanye West, and Eminem. And here’s why: TOUR MAGA ZINE

Personally, I do not even see the need in supporting this statement, because the facts are rather overwhelming. But for the sake of the naysayers, I will. Jay Z’s lyrical prowess is world renown. And his cultural influence is undeniable. He has made Ace of Spades a VIP staple amongst other things. If Jay Z stamps it, it’s hot. Also, with record sales in excess of 50,000,000 albums worldwide as well as at least four classic LPs under his belt (Reasonable Doubt, Vol 2 Hard Knock Life, The Blueprint, and The Black Album), Jay’s dominance is clear. Simply put, he is the greatest of all time, and if he wasn’t with us, it wouldn’t even be up for debate.

Tupac Shakur was a rare exception in Hip-Hop, because he had actually gotten significantly better with time. Most successful Hip-Hop artists come out hot and then their talent and appeal wane over time. In contrast, Tupac was the opposite. The Don Killuminati: The 7 Day Theory is lyrically miles above 2Pacalypse Now, which was released five years earlier. Furthermore, Tupac not only survived, but thrived, in the midst of a battle with arguably the greatest lyricist of all time—The Notorious B.I.G. (Some even say that Tupac was winning.) That alone should serve as a testament to his lyrical ability. What is more, getting tatted up has become the norm in Hip-Hop culture, thanks—in large part—to Tupac. How is that for cultural influence? Tupac has several classic albums (Me Against the World, All Eyez on Me, and The Don Killuminati: The 7 Day Theory) and total album sales of approximately 75,000,000. And his postmortem sales and features are an additional testament of his power.

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As I have previously stated, The Notorious B.I.G., a.k.a. Biggie, is arguably the greatest lyricist of all time. The manner, in which he painted vivid and relatable pictures in his verses, is unparalleled. Also, Biggie popularized the finer things in life, amongst Hip-Hop fans, such as: high-end fashion, luxury cars, and custom jewelry. Biggie only released two albums (Ready to Die and Life After Death)—selling roughly 20,000,000 copies—but both are classics. Lastly, a show of his dominion is that Biggie is probably the only emcee that is on all of his peer’s G.O.A.T. (greatest of all time) list.

Kanye is better known for his production genius than his lyrical skills. And yet, he has held his own, on the mic, along side many of today’s greatest emcees, e.g., Jay Z, Nas, Nikki Manaj, Eminem, Lil Wayne, and Drake to name a few. What is more, when it comes to fashion, he is Hip-Hop’s de facto king. Kanye has been at the forefront of several fashion trends amongst Hip-Hop heads, throughout his career, from backpacks and polo shirts, to the “rocker look” (leather pants and fitted Tees). And his sneakers, the Air Yeezy, Air Yeezy II (Nike), and Yeezy 750 Boost (Adidas) regularly auction for thousands of dollars. Kanye West’s six studio releases have amassed sales in excess of 21,000,000 albums and approximately 66,000,000 digital downloads. Late Registration and My Beautiful Dark Twisted Fantasy, his second and fifth releases respectively, are both classics. Then, there is his 21 Grammy Awards, which is tops between Hip-Hop artists and the 8th most won of all time. Now that’s Hip-Hop domination. TOUR MAGA ZINE

Eminem’s highly touted lyrical expertise has always been his calling card. And his name is regularly in the mix when it comes to debates on who is the best lyricist. However, what may be his biggest contribution to Hip-Hop culture is that he convinced an entire generation of white Americans that they can rap—and rap at a high level. Before Eminem, white rappers were a joke (with the exception of the Beastie Boys and 3rd Bass). Whereas, today we have quite a few respectable white mainstream and underground Hip-Hop artists. In essence, he created a broader Hip-Hop landscape. Let alone, when it comes to record sales, Eminem is the undisputed king. He has sold more albums than any other Hip-Hop artist, with sales totaling an astonishing 172,000,000 worldwide. His first two albums: The Slim Shady LP and The Marshall Mathers LP are considered classics. As a final point, Eminem’s hugely successful concerts are a testament to his influence— grossing approximately $751,000,000.

As I have said, my top five emcees are: Jay Z, Tupac, The Notorious B.I.G., Kanye West, and Eminem. For, these Hip-Hop artists possess the strongest mix of the five qualities that I outlined previously. Nevertheless, this list is merely a representation of my interpretation of the facts as they apply to the standards by which the Hip-Hop artists were judged. Some may weigh these facts differently. Let the debate begin. Who is your top five? 12

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INDIE ARTIST SPOTLIGHT

YOUNG, FLY, & FLEXING D etroit, Michigan. A city known for its financial woes, high unemployment, and rampant crime, has become the perfect breeding ground for the struggle’s music—-Hip-Hop. That being the case, a bevy of new artists have sprung forth from the city. And one of the artists at the forefront of this Hip-Hop explosion is Pablo Skywalkin. The 20-year-old rapper, who grew up listening to hometown legend, Blade Icewood, has become an BY THOMAS underground sensation. Pablo Skywalkin is sell“SUPREME” ing out shows throughout the Midwest and on the PARSONS West Coast. And all of his videos are extremely popular on YouTube, with videos like Flex On Em and Act Like Me getting over a million and 478,000 views respectively. Therefore, what follows is a simple but telling synopsis of the artist and what drives him. Look it over. And when you’re finished, check out his videos. They’re dope!

“I bring my own swag and a different style of rapping.”

Peace. How long have you been rapping, and what material have you released to date? Pablo Skywalkin: I have been rapping a couple of years. My first mixtape was Born Rich, and the second one’s Raised Around Bosses.

What’s the science behind your name? Pablo Skywalkin: I like the name Pablo and Skywalkin came from my favorite mall here—Somerset. Somerset has a skywalk.

I’m going to be honest with you. Until recently, most of what I knew about Detroit’s Hip-Hop scene was based off of what I saw in 8 Mile. What do people need to know about Detroit’s Hip-Hop of today? Pablo Skywalkin: It’s real. And, we have many different styles and stories to tell.

Describe your sound and tell us what it is that you bring to the game. Pablo Skywalkin: Fresh and flexy. I bring my own swag and a different style of rapping. The music is composed of real life experiences: losing my dad to the feds, the death of my cousin, my grinding and flexing.

What are you currently working on? Pablo Skywalkin: My first concert, on the road, was in Oakland, California. The show sold out in less than two weeks. Oakland has continued to show their love and support for me and my music. I’ve had shows in Akron, Ohio, Milwaukee, Wisconsin, Fort Wayne, Indiana, and Modesto and Stockton, California. Born Rich was a huge success. It launched my career. My next single is Mansion Party. But, now I’m working on my movie: Raised Around Bosses, my clothing line: Million Dollar Dreams, and my next mixtape.

How can our readers keep up with you and your music? Pablo Skywalkin: Twitter: pabloskywalkin. Instagram: pabloskywalkin_4L. The website is under construction, but it will be up soon at Pabloskywalkin.com. Shout out to my fans. Love y’all.

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ZAYTOVEN Industry Underground… The Merriam-Webster dictionary defines industry as a group of businesses that provide a particular product or service and underground as in or into a place that is hidden or secret: out of the view of the public. And when applying this phrase to Hip-Hop culture, I define industry underground as individuals who contribute to the music business, but are not widely recognized by the mainstream public. This segment will feature artists and producers that meet this criterion. We are kicking off Volume 2 with the legendary Zaytoven. Few producers in Hip-Hop possess resumes that rival that of Zaytoven’s. The man, whom most consider as the godfather of the trap music sound, has worked with many of today’s stars. Indeed, with hits like “Icy” (Gucci Mane feat. Young Jeezy, and Boo), “Papers” (Usher), and “Versace” (Migos) under his belt, Zaytoven has solidified his place among the pantheon of great producers in Hip-Hop. In fact, the past decade has been an extremely successful

BY THOMAS “SUPREME” PARSONS

period for the super producer. And now that he’s added filmmaking, acting, and Internet radio to his repertoire, there appears to be no limit to the reach of the Zaytoven brand. His movement has all of the trappings of a global takeover of Hip-Hop culture. All in all, we discussed these truths in addition to a few other things, in a recent interview. I found Zaytoven to be quite charismatic and inspiring. I believe that you will too. Peace. For the sake of our readers that may not be familiar with you and your contributions to Hip-Hop, tell us a little about yourself and your achievements. ZAYTOVEN: My name’s Zaytoven. I’m an Atlanta producer. I’ve worked with some of the industries top musical guys—rappers and R&B singers. I had my first big record in 2004. That was “So Icy” with Gucci Mane and Young Jeezy. I been in the game ever since. I’ve had platinum records and a #1 record with Usher. Founded guys like Gucci Mane, OJ Da Juiceman, Migos— and you know—there’s a lot in between since 2004 and now. In many circles, you are considered as the architect of Trap music. What is the driving force behind the Trap sound? ZAYTOVEN: I really think that it’s more so about the guys that I’ve worked with—the guys who I’ve produced. That’s why people really call me almost like the king of trap sound and stuff. Because the guys that I do music for are all mostly trap rappers, like OJ Da Juiceman, Gucci Mane, and guys like that. We kind of created a sound, and these guys talk about trapping and stuff all of the time. So, I think that’s the reason I get the title that I have. You have worked with a lot of artists in both Hip-Hop and R&B. With whom do you have the best creative chemistry?

ZAYTOVEN: Hmm… I would have to say Gucci Mane. You know, we kind of came into the game together. We had a chemistry that was undeniable. And when they refer to Gucci Mane, they talk about me. And when they talk about me, they talk about Gucci Mane. So, I think that would be the guy that I have the most chemistry with. Are there any Hip-Hop artists that you’d like to work with in the future, whom you haven’t had the opportunity to collaborate with? ZAYTOVEN: Not right now. Seems like I’m working with everybody that I pretty much ever wanted to work with. Do you have any advice for aspiring rappers and/ or producers? ZAYTOVEN: Really far as rappers and producers, I always try to encourage them to try to create their own thing—their own sound. And a lot of times producers ask me, “what did you do to get in the game?” I always tell them try to find an artist that they have chemistry with and somebody that’s really serious about making it in the rap game. And support him. Then when that guy makes it in the game—you make it. As a producer, that’s the way I made it in the rap game. I found something special in Gucci Mane, so I stayed working with him real tough. And I knew he had the desire to make it in the game, so I worked with him as much as I needed to. So, when he made it in the game, you know, that also stamped me in the game. And that’s how I became who I am. I read that you have delved into the film industry as well. Will you continue to expand your brand into this market? ZAYTOVEN: That’s what it really was. You know I

been a producer for over 10 years, and I wanted to expand my brand a little bit. I wanted to get my face out, because a lot of people had been hearing the name for so long, but never seen the face. So I decided to do a movie. I had a friend by the name of Al Nuke, he’s the one that wrote and directed the movie. I got with him, and I was like, “well, man let’s do a movie. Let’s do a movie about—sort of like my story of making in this music industry.” And we did it. All I had to do was act like myself because I played Zaytoven in the movie. So, it wasn’t hard for me to do. What is the title of this movie, and where can it be found? ZAYTOVEN: Birds of a Feather. You can get it on Netflix. You can get it from Walmart. You can get it from iTunes—all platforms. What’s next for Zaytoven in 2015 and in the years to come? ZAYTOVEN: Man, just continuing to work. Everything is going digital right now, far as selling movies and music. So, getting my own digital distribution deal is one of the things that I’m working on. I just released my second movie on Christmas, called Finesse, starring all of your favorite rappers, producers, and DJs. I have a book coming out this summer called From A to Zay. It’s more of a manual for producers and artists that are trying to make it in the rap game and want to follow in the footsteps that I used. And of course I’m going to continue to do music man. So I’m working. I’m just going to continue to work. How can we keep up with your movement? ZAYTOVEN: Everything is zaytovenbeatz. That’s on all social media.

BY THOMAS “SUPREME” PARSONS

The MC… Master of ceremonies, Microphone Checker, the one who can move the crowd. To do it—and do it well—is a gift. Sure, there are countless rappers; but every rapper is not a MC. Unfortunately, far too many of our dopest MCs never truly get heard. We are going to try and change that one region at a time.

his segment of Mic Check highlights the lyrical prowess of the midAtlantic states of Delaware and Maryland. Two states that have a

NAME: Semore

Buckz aka Grizzy Da Grinder

FROM: Cambridge, Maryland RELEASES: Success First, Love Later 1 & 2 (mixtapes) SOCIAL NETWORKS: Facebook - Semore Buckz; Instagram - GrizzyDaGrinder; Twitter - GrizzyDaGrinder “I’m the last of that being lyrical and still make a dope song era.”

(Semore Buckz’s music can be found on SoundcCoud, DatPiff, and YouTube.)

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strong Hip-Hop community but lack a notable champion. Representing Delaware is Grip, and holding it down for Maryland is Semore Buckz. Each of the two emcees has unique styles that pay homage to Hip-Hop’s Golden Era lyricists. Grip has the baritone and vivid storytelling ability reminiscent of the Notorious BIG. However, Semore Buckz possesses the wit and delivery similar to that of Big L. And with new projects dropping this year, I expect both emcees to shake up the underground Hip-Hop landscape. These emcees have their eyes on the prize. Get to know them. Who were some of your influences, and what are you currently listening to?

Semore Buckz: My influences

come from none other than the greats, such as: Biggie, Jay Z, Big L, Pac, Nas, Killa Cam, The Lox... You know, the greats: Stack Bundles, Pusha T, Fabolous… Lyrical dudes who I’ve seen make an impact on the game for my generation and that I could relate to. Right now, I’m listening to those same guys. I’ve just added a little Troy Ave,

Chinx Drugz, Vado, Curren$y, and a few other solid guys to the mix.

Grip: I listen, for the most part, to

90’s artists like: BIG, Smoothe Da Hustler, Wu Tang, Mobb Deep, and The Lox; and nowadays, everything—as long as it’s gangsta. Artists in the south like Young Scooter and Rich Homie, YG and O.T. Genasis on the West Coast, Chief Keef and Lil Durk from Chicago, AR-AB and Meek from Philly, and of course Fab and D-Block from NYC. I like what the south is doing. They help each other shine.

NAME:

Grip

FROM: Wilmington, Delaware RELEASES: The God Father Of Delaware (mixtape); GRIP (coming soon) SOCIAL NETWORKS: Facebook - Grip; Instagram - whoisgrip; Twitter - jmgt1970 “I think what makes my music different is that my movies ain’t all special effects and green screen. Feel me?”

(Grip’s music can be found on DatPiff and SoundCloud/jmgt1970.)

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With the rise of social media and increased accessibility of recording technology, the Hip-Hop industry has become more saturated than ever before. What do you think that there is about you and your music that will cause you to stand out from the pack?

Grip: I think what makes my music different is that my movies ain’t all special

effects and green screen. Feel me? I think people miss that Godfather/Casino type shit. My music is real Hip-Hop. I try to give fans that “day in the life” type music. The other thing is that the beat has to inspire me—it has to talk to me. I rap about what I’ve seen and what I’ve lived. Music today is basically a hot beat with a repetitive hook.

Semore Buckz: I’m the last of my generation. I’m the last of that being lyrical and still make a dope song era. While everyone else is following trends, I’m still sticking to what I know, keeping it me, and making it appeal to first time listeners who may not be familiar with what I bring to the table. I touch on uncommon topics and bring a whole different vibe to the game. I’m like a yellow tux at prom [laughs]… Kind of hard to overlook once you’ve noticed me.

What can we expect from you in 2015?

Semore Buckz: This year, I’ve already dropped a lifestyle video to a remix

of “All About The Money” and a video to the lead single “Fuck Chillin, Chase Millions” off of my upcoming project “Success First, Love Later III.” Aside from that, you can expect a lot of new music and move making. This is going to be the year that I shake the game up. I’m more focused than ever, and I got the right team around me.

Grip:

Grip 22

Grizzy

In 2015, be looking for my new self-titled album “GRIP.” It’s going to be a real classic! I’m looking to get picked up for major shows, or a big tour—like an opener opportunity. Any promoters out there interested, can contact my manager, Ron “June” Easley at: j.mgt1970@gmail.com.

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FASHION

Q&A:

STEVIE BOI

The eccentric fashion pioneer and celebrity stylist, Stevie Boi, discusses how his multifaceted background has influenced his unique and flamboyant style. Peace. How old are you and where are you from?

Stevie Boi: I’m 25. And, I am originally

from Augusta, Georgia. Well, I’m not really from anywhere because my parents were in the military, so I kind of lived everywhere. But, I claim Maryland only because I’ve been here for the last—going on—8 years now. Like Maryland is home to me now. How long have you been in the fashion industry and how did you break into it?

Stevie Boi: Going on 5 ½ years now.

Well, before I got into the fashion industry, I was doing the wrong thing, which was skipping school and going to New York City and hanging out in the club scene. That’s how I got to meet a lot of different celebrities, at a very young age, and from there I was able to grow my connections. I met Gaga, Richie Rich, and a lot of different celebrities. Then, in 2009, I decided that I wanted to be a fashion designer. I read about your extensive military background. Can you expound upon that?

Stevie Boi: Both of my parents are

retired from the military after 30 plus

years of service. My mom and dad were in the Army. I got to travel all around the world. That’s how I gained experience with different cultures. And, I used this experience as part of the inspiration of my designs. I worked for the government myself. A lot of people don’t know that. I worked for the Army for almost 4 years. My job was to purchase armory and weapons for the soldiers in Afghanistan. I was also required to test out the weapons. Do you listen to Hip-Hop music?

Stevie Boi: Of course, always. Everyday. Who are some of your favorite artists?

Stevie Boi: Right now, I’m very, very

picky. Especially, when it comes to male Hip-Hop artists, because it’s so many and I feel like it’s so oversaturated that it’s to the point where I just don’t care anymore. But, I love Common. Common is someone who I’ve always listened to. I love Kanye West. Jay Z, Biggie, you know—the normal— everybody’s favorites. Pretty much East Coast artists. Tell us about the Stevie Boi brand, and what’s next for your company?

Stevie Boi: Right now, I am on a world

tour. I’m doing something that designers don’t usually do., because either their too shy or too fucking boring. I’m treating myself like a rapper and taking my brand on tour. So, now I’m showcasing my collection all around the world. My collection is titled CR3AM. It’s an all-white collection. Right now, I’m really breaking so many boundaries. I just worked with Madonna again, and got her situated for a cover of a very big fashion magazine. I styled her for that. I’m getting into acting. I have a reality show that airs every Monday on Dream Nation TV. And I got cast for a really big series on Showtime that comes out in May. I’m very excited about that. Also, I just finished designs for two Marvel Comics movies—for two different superheroes. And I’m working on an illustrated book. I know that you have a significant social media presence. Can you let our readers know where to find you?

Stevie Boi: I just tell people to go to

my website, at www.stevieboi.com, because all of my social media information is there. TOUR MAGA ZINE

Shine Bright Like a…

I was always told to “never judge a book by

its cover.” So, I approached my interview of

Diamond Strawberry, without any preconceived notions. I did not let her exploits on Love & Hip Hop New York unfairly influence my opinion of the budding starlet. For, to do so, would be a disservice to our readers and her fans. Besides, I wanted to know more about the daughter of Major League Baseball Hall of Famer Darryl Strawberry, than what was presented on television. Therefore, I inquired about her interests and passions. And, I discovered a bright and compassionate young woman. Also, as a star of a Hip-Hop centric show, I explored her connection to the genre. Overall, I’d gotten to see a well-rounded Diamond Strawberry; a woman that’s focused and knows what she wants. I have shared excerpts of my aforementioned interview below. Check it out.

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Peace. You are new to the Love & Hip Hop New York (LHHNY) cast, but you’ve become a fan favorite. Was it challenging living out your life with the cameras rolling? Diamond Strawberry: Um, it’s been an adjustment. But, I would just like for people to understand that they’re only seeing 2% of our life, so that’s not really who I am. That’s bits and pieces of what happens on a day-to-day. But yeah, it’s crazy seeing my life played out on TV. Like oh my goodness: I really said that, I really did that, and that really happened to me. It’s crazy. You were modeling before you joined the LHHNY cast. Are you still passionate about modeling now that you’ve become a TV star? Diamond Strawberry: Oh yes, of course. I’m still modeling. I’m never giving up on that, even though I’m with the show. Tour Magazine is an underground Hip-Hop culture publication. So, that’s our primary focus. Do you like Hip-Hop?

Diamond Strawberry: Of course. Who are you listening to right now? Diamond Strawberry: Oh my goodness. Right now, I listen to Dej Loaf and I listen to Roc America of course. Are you familiar with him? No, I’m not. Diamond Strawberry: No? Oh my goodness! You have to download his mixtape. He is awesome! His mixtape is called Americanized. Do you have musical interest as well? Like, is there a Diamond Strawberry rap or R&B album in the works? Diamond Strawberry: [laughs] I’ve gotten a lot of offers. People are trying to get me on their tracks. “Oh, I’ll write something for you. I just want you to rap it and swag it out.” But, I don’t really see that happening. I’m fine modeling and with reality-television. I think that I’ll leave, you know—the music, to the rest of the cast. Now, with regards to your family name, has it been a help or hindrance to your career thus far? Diamond Strawberry: Oh goodness. Um, I would say it’s been a help definitely. That makes people a little more interested in me, but with that I am getting a lot of criticism. But I try my best not to let that get to me.

BY THOMAS “SUPREME” PA R S O N S

Tell us something about yourself that people would be surprised to know. Diamond Strawberry: Okay, something that people should know about Diamond. Well, there are a few things. One, I’m addicted to Red Bull. I must have one a day, or life is just not complete without it. Also, I do read every single comment that people make on my social media pages. I know people say that it’s not a good idea to do it, but I’m just so noisy and I have to see what

people are saying. I read everything, so people please be nice with what you say to me. So, what else can we look forward to coming from you in 2015? Diamond Strawberry: I am going to be taking a bite at acting: a few small roles and maybe a couple of commercials. Of course, modeling, and I have a clothing line in the works. Also, working with my group home that I am the co-founder of. It’s called A Safe Place Youth Center. I just have a lot of things going on right now. So, 2015 is going to be a big year for me. People will be seeing me everywhere. Probably, you know, dabbling in things that people might not expect me to be doing. Your group home is in California? Diamond Strawberry: Yes, Los Angeles. What services does it provide? Diamond Strawberry: I mentor the girls and help them with everyday life skills. Like, get them prepared to be in the real world. That’s what I do. I wish that I could be there more, but I spend most of my time working in New York. So, when I am there, I like to take the girls shopping, have spa days, and bring people into the center to talk to them. So this is a girl’s center? Diamond Strawberry: Yes, we started off with girls. But, we plan to facilitate young men later. But, right now we are focused on young ladies. Before you go, let our readers know how to stay abreast of all things Diamond. Diamond Strawberry: You can follow me on Instagram @diamond_strawberry and Twitter @DStrawberryDuh. I don’t have Facebook or anything else like that, but I am very, very, very active on Twitter and Instagram.

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HIP HOP

FOR SURE 26

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BY THOMAS “SUPREME” PARSONS

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ne of the things that make Hip-Hop so special, is that it knows

no creative limits. Which is why Hip-Hop artists have spent the past few decades successfully infusing genres such as: rock, jazz, reggae, etc. However, in recent times, we are finding fewer and fewer mainstream artists willing to push the creative envelope. Thankfully, Hip-Hop has an underground that is bubbling with raw and fresh talent. Particularly, Los Angeles, California based artist Fosho. Fosho is a charismatic rapper and talented producer. And, his day view release Mali, Molly & Tamale is a masterful blend of his unique sound and dope lyrics. Stand out tracks include: Diamond Souls, Amen Again, and Truth. I spoke to Fosho and he touched on his creative process and musical inspiration. After you read his interview, listen to his music and get to know this promising Hip-Hop artist. In a word, he’s much of what Hip-Hop could be.

Peace. Tell me a little about yourself. Fosho: Well, I was born, in Atlanta, Ga., to African parents. I grew up between Georgia and Cameroon until I moved to Cali permanently when I was 16. Growing up was kind of interesting, especially being exposed to different cultures and different parts of the world from such and early age. I grew up in a Christian family too, so I got to see the love of God and the good of man—in so many ways—in all these places.

When did you launch your rap career, and what inspired you to do so? Fosho: I was always into music. My older brother had a keyboard when I was about 5 so I learned. I played at school, churches, and stuff, so it was an easy transition into music production. Rapping came later on, in like 2013, when I couldn’t find the right rapper for the music I was making. So I guess that inspired me to get on myself. I already had the tools right?

Right. Who did you listen to growing up, and what are you listening to now? Fosho: I listened to a lot of Pac, A Tribe Called Quest, Slick Rick, and Busta Rhymes. I was big on Ludacris at one point. Kanye was my favorite producer/rapper growing up. But it wasn’t only Hip-Hop around me growing up. We had records like ABBA, Enya, Bjork, Portishead, Gorillaz, Bob Marley, and Sean Paul. African legends like Eko Roosevelt, Fela Kuti, and the like. Right now, I’m listening to Voices by Phantogram, Kendrick’s To Pimp a Butterfly, J. Cole’s 2014 Forest Hills Drive, and James Blake’s 200 Press.

Describe your sound for those who are new to your music. Fosho: My sound is Hip-Hop of course, but it is highly influenced by other genres like Trip-Hop, world music, and jazz. In a nutshell, I would say it’s alternative HipHop, derived from integrating aspects of other genres.

Tell us about the projects that you’ve released thus far. Fosho: Early on, I was producing tracks and mixtapes for other underground cats in LA. 2014’s Mali, Molly & Tamale was my first solo project.

What are you currently working on? Fosho: Currently, I’m working on my second solo album TribalPattern and an album with my band LotuSphynx.

Where can our readers go to learn more about you and your music? Fosho: Twitter: @fshotho, Instagram: @foshtho, soundcloud.com/foshotho, and Facebook page: @Fosho. TOUR MAGA ZINE

l a e R

BY THOMAS “SUPREME” PARSONS

Prime time television has been bombarded with “reality” shows supposedly documenting the lives of Hip-Hop couples. Sadly, many of these shows depict the Hip-Hop community in a negative light, which leads some to believe that Hip-Hop artists and their significant others are uncouth. However, in most instances this perception couldn’t be further from the truth. For example, consider the Hip-Hop power-couple of Devon Beck and Yolanda Renee. Devon Beck is a Hip-Hop artist, and Yolanda Renee is a natural hair guru. And, together they’re making the defiant spirit of Hip-Hop culture the family business. Devon pursues the path seldom travelled these days with his music, by shunning drug-infused lyrics in favor of tales of everyday life struggles. While Yolanda helps to redefine our perception of beauty through her natural hair presentations and tutorial vlogs. And yet, they still manage to be actively involved in their two daughter’s lives. In short, this is a tale of Black Love. This feature is just one chapter. Read it and learn what we (man and woman) can be by working together and supporting one another’s dreams. 28

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Peace. Tell our readers a little about yourselves and your crafts.

Yolanda Renee: Hello! I am Yolanda Renee and creator of the et cetera brand. My brand covers it all: fashion, style, beauty, and most importantly—-natural hair; hence, the name et cetera. I’m most known for my YouTube channel, which is currently at over 100K subscribers and 5 million views. The natural hair community goes hard and I go hard for them too. It’s the inspiration behind my brand. From this overwhelming support, I’ve been able to start other projects like my online boutique. Also, I’ve independently published a children’s coloring book and I have travelled all around the U.S. speaking on the natural hair movement. I’m currently on the tour: “Yolanda Renee Takes Your City.” This tour allows me to meet my fans, or curlfriends, as I call them! My brand is very important to me, but I also use the behind the scenes work to inspire my fans. I have a very popular “Building Your Brand” series, on YouTube, where I inspire others to brand themselves. I am also a graphic designer, and my biggest client being Necole “Bitchie” Kane of www.necolebitchie.com! Devon Beck: I’m Devon Beck from Denton, Maryland. I’m a Hip-Hop artist signed to Fully Focused Entertainment. I just released my EP called The Resistance, which was produced by Sam Wiz Cook, and it is doing really well right now. It’s available on iTunes, Amazon, and Google Play. I’ve been promoting this project and shooting a lot of visuals, for each track, with Ryan Cakes Mitchell/Perfect F.O.R.M., to keep it fresh and I’m also working on new material. You always have to stay a step ahead. Other than the music, I’ve been doing motivational speeches at local schools to raise awareness about education and being self-motivated. Yolanda, the defiance of Black women wearing their hair naturally is sort of a kindred spirit to the rebelliousness of early Hip-Hop culture. Why do you think that it is important for African American woman to embrace their natural beauty?

Yolanda Renee: It’s very important when it comes to true self-love. As black women we have been pretty much brainwashed and conditioned to strive for society’s standard of beauty, which is the “European” look. Our parents used relaxers to straighten our kinks, coils, and curls.

They lacked the knowledge to properly care for our hair and were going for that standard of beauty society set for everyone. If you cannot find the beauty in rocking your natural hair, there is a problem. Just like some are very against make-up, “beat face,” or “cake face,” as some call it. I’m sure you’ve seen the before and after pictures of women with tons of make-up on—-making them look flawless—-”beat to the gawds,” or “to the heavens” as they say! [laughs] But when it’s washed away it seems like you are looking at a different person. No, there’s nothing wrong with wearing makeup, but at the same time you have to be happy with what you see in the mirror when it’s washed away. The same thing goes for natural hair. Sure, rock a weave or whatever, but when you take it off, do you love what you see? Like I said, “it’s self-love.” Especially, for those out there that have children...young girls in particular. You have to set an example for them. That’s my motivation—-my daughters: Taylor and Skylar. And that is the core of my brand. I want to inspire my curlfriends to be comfortable rocking their natural hair. With the right information, you can have beautiful natural hair. Devon, one of the things that I found appealing about your music—-other than your lyrical prowess—-is that it is free of many of the clichés that plague the current Hip-Hop scene. Describe your sound, for those who are unfamiliar with your music, and tell us what you hope to contribute to Hip-Hop music.

Devon Beck: Before I started recording The Resistance, I was working towards getting a deal with a major label. At the time, I felt like I was making music that everybody else wanted to hear, as opposed to doing what I wanted to do. With The Resistance, I didn’t chase a sound or the type of music that is particularly popular right now. It’s 100% me. I’ve always gone against the grain musically, creatively, and visually. It’s not that I don’t like other types of music, but it is more about what I want to represent me. What I hope to accomplish with my music is to motivate and inspire others to dream big, no matter where you’re from, your financial status, or your background. It seems as though you two are a Hip-Hop power couple in the making. What do you attribute to your success, and how do you maintain balance between your careers and family?

Yolanda Renee: I’ve always told Devon that we are TOUR MAGA ZINE

a match made in heaven. Though we may not have known it from the beginning. We use to keep our crafts completely separate. Yes, we always had each other’s back, but I had my lane—-he had his. But, organically our careers collided and it can be explosive. We learn from each other. For example, like I stated before: I’m on tour; I’m attending events—-selling my merchandise. I have an online store, a website, YouTube channel, and the list goes on. I’ve been successful at each of these, but at the same time, Devon can use all these elements to his advantage too. I told him, Jay Z doesn’t just make music. He is a brand and has so many things in the works. All the things that I’m doing—-he can too! Go on tour, have a website, an online store, go to events, etc. And we’ve been doing that. My fans are his fans now! Through my success, he’s successful too! My curlfriends go hard and they support all that I do, which includes my family. And guess what, they have boyfriends who love Hip-Hop. [laughs] Whenever we go somewhere, they know Devon just as well as they know me. And the same goes for Beck; he’s constantly spreading the word about me and my movement. So, I attribute our success to our hard work, dedication, and the support we show each other. As far as balance, I’m still working on that. [laughs] It’s hard work having two small children and doing so much. I try to keep them involved. They actually appear on my YouTube channel often, and they are Carol’s Daughter Ambassadors too! But the work has to stop sometimes. We make sure that they are taken care of. We go on mini vacays and step away from it all at times. But it is hard to just stop, especially with us having their future on our minds.

Devon Beck: I think we both understand what’s important and we support each other through everything. Besides, she’s dope and she matches my fly. [laughs] It’s hard because we do spend a lot of time away from each other but we make time for each other. For example, Yolanda is on tour, but we travel together as a 30

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family. And we know it’s important to show our girls the world is a lot bigger than just the Eastern Shore. I support whatever Yolanda does because I believe in her talents that much, and she feels the same way about me. That’s why our relationship has flourished and it works. The reason I feel like I’m successful is because I’ve never given up, and I’ve been an emcee for years. With this newfound popularity I’ve been experiencing, from my latest project, it feels good to be recognized for something you love wholeheartedly. But, I haven’t lost sight of my goals and I understand that there’s a lot more work to be done. I feel like what we are doing can change the way people brand themselves. Not just on the Shore but anywhere.

Yolanda Renee: I would also like to add that although we are kind of showing off in this interview—especially me—-we are so humble. If you check out social media sites or talk to us in the streets, you’d see that we absolutely do not brag about what we do. We just do! We let our work speak for itself. Being humble is a huge part of being successful, in my opinion. What can we expect from the two of you in the future?

Yolanda Renee: Things are real-

ly looking up for myself and my brand, and it’s getting a bit overwhelming. So, I definitely see myself starting a team. Right now I do have a booking agent and tour manager. But I need

more to really grow—-PR, a studio/ office, a production team, an actual store, etc. I also strive to start my own natural hair care line. Other than that, I want to continue to do what I love, but just do it bigger! Better YouTube videos, more events, travel overseas to attend more natural hair events, and the list can go on forever. I never want to stop progressing! Sky’s the limit.

Devon Beck: New music, new visuals, and more features. Performing in different cities. Expanding my brand. I’m starting a new Alcohol Awareness campaign with my Diary Of A Liquor Bottle record. Continue to grow artistically and learn more about the business. Sounds dope. One last question: how can our readers follow your movements?

Yolanda Renee: You can follow me on all social networks as @etcblogmag. Also, check out new videos weekly on my growing YouTube channel, www.youtube.com/ etcblogmag. To see which city I will stop in next, on my tour, visit www. yrtakesyourcity.com! My official website links everything together at www.etcblogmag.com! Devon Beck: You can check out all show dates on www.devonbeck365. com and follow me on IG/Twitter @ devonbeck365. You can also check out my documentary, Never Turning Beck, directed by Ryan “Cakes” Mitchell, on YouTube. THEREALTOURMAGA ZINE.COM

HEALTH

THE MIND MUSCLE CONNECTION W

hat does health and fitness mean to Black America? Unfortunately, not quite as much as it should to the demographic that is affected by it the most. In 2009, according to the American Heart Association, cardiovascular disease caused the death of tens of thousands of Black males and females. Chucky Smiley, a founding member of Mind Muscle Connection (MMC), informed me of this alarming fact, in a recent interview. BY SHAWN TUCKER But unlike most harbingers of bad news, Chucky Smiley and his partners: Darryl Jones, Jaren Mitchell, Justin Pryor, and Karl Reddick, actually have a viable solution. Chucky explained how they “hope to motivate and inspire others to unlock their full potential, so they can not only meet their fitness and wellness goals—but exceed them.” Like most in the health and fitness trade, MMC’s vision to be an industry leader—by specializing in sports training—piggybacks America’s latest crave, and that being health consciousness. Few and far between are the days of “Soul Food Sundays” in the Black community. Many of us are beginning to take an aggressive approach on

reclaiming our health. But, we can still do more. The choice is simple really. Is it going to be watching TV, in the recliner, chowing down on candid yams, Aunt Annie’s dumplings, and ham hocks, or a nutritious meal and Zumba class? But seriously, it’s a matter of deciding to either live a long and vibrant life, or a short one plagued by illness. Think about it. And listen to what else Chucky Smiley has to say about MMC and healthy living. What is MMC, and why was it started? Chucky:Mind Muscle Connection was created by a group of dynamic individuals who share the same lifestyle of health and fitness and who want to provide cutting-edge health concepts that yield proven results through the use of creative and effective fitness programs. How long have you been into physical fitness and a healthy lifestyle? Chucky: I have been into fitness and trying to live a healthy lifestyle for as long as I can remember. I grew up playing basketball and football, and it continued to grow once I joined the military.

What’s your view on health and fitness in the African-American community? Chucky: I believe that the current state of the African-American community, with regard to health and fitness, is improving. Most teenagers and young adults are pretty active and strive to live a healthy lifestyle. However, we need to continue to find a happy balance in order to maintain a healthy lifestyle. Do you have any health tips for the average couch potato? Chucky: The best advice I would give, would be to get up and get moving. By making small changes to your lifestyle, you are essentially improving your overall health and well-being. For example, a low impact workout would be walking or a lite jog. Additionally, researching alternative food solutions and healthier eating habits will also be useful. Let our readers know where they can go to learn more about MMC. Chucky: People can find out more information about us via our website at www.mindmuscleconnection.org.

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