Tour Magazine

CORMEGA JAY MORRISON J PRO D C. CARTER

FEATURING

ST. PETE’S SENSATIONAL EMCEES:

BLOW AND YOUNG TEO

FLORIDA BLACK June 2014

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06.2014

CONTENTS FEATURES 4 FEMME FATALE

DEPARTMENTS 8 MONEY, POWER & RESPECT 12 HIP HOP HONEY

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QUIET MONEY Bad Boys Move In Silence

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22 THE VIRTUOSIC

FLORIDA BLACK

28 HEAT MAKERS

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INDUSTRY UNDERGROUND Cormega

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MIC CHECK

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SMOKED OUT

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SEXY ENOUGH

EDITOR'S NOTE

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VOL. 1 NO. 2 EDITORIAL EDITOR-IN-CHIEF Thomas “Supreme” Parsons CONTRIBUTING WRITER Shawn Tucker WEB DESIGNER www.blazonco.com ART COVER ART SKETCH Farid Nadim COVER ART GRAPHICS Stephanie Laurila DESIGN & PRODUCTION Picante Creative C I R C U L AT I O N SINGLE COPY SALES Kevin Parsons, Dante Hudson PUBLISHED BY TOUR: REAL PEOPLE, PLACES & THINGS MAGAZINE, LLC OWNER Thomas E. Parsons III

hen I think of summer, my mind is stimulated with thoughts of scantly dressed women, days of leisure, and lots of fun with family and friends.

Likewise, most of the music spawned by today’s Hip-Hop culture reflect this attitude as well. And that’s cool. But, HipHop is suppose to be the voice of the people, and most people aren’t spending the summer partying and bullshitting. Many of us are struggling just to make ends meet. Struggling to provide food, clothing, and shelter for ourselves and our families. Although one would think otherwise based upon the images that we see on television, or the music that we hear on the radio.Where’s the social-awareness in our music, our videos, our movies?

Where is today’s Self Destruction, Fight The Power, or Do The Right Thing?

I do not want to sound pessimistic, because I find the boastfulness of contemporary Hip-Hop entertaining. However, I believe that there should be a balance between showboating and activism. There’s a lack of positive and inspirational sounds and imagery in our culture.We need to change that.

Which brings me to the contents of this issue of Tour Magazine. Some of the highlights of Florida Black include: a candid conversation with Queensbridge’s veteran emcee Cormega, an inspiring interview with Jay Morrison, and an artistically liberating tale featuring JproD. As well as, the usual dope features—from some of the nation’s illest underground talent—which our readers have come to expect. Nothing less from the new voice for underground Hip-Hop culture. Peace.

Thomas “Supreme” Parsons Editor-In-Chief @teparsons3

E-MAIL therealtourmagazine@gmail.com

www.therealtourmagazine.com PRINTED IN THE USA

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Fat Trel [left] and Chuck [right]

QUIET MONEY BAD BOYS MOVE IN SILENCE BY THOMAS “SUPREME” PARSONS

“Listen to me, the loudest one in the room,

is the weakest one in the room.” Frank Lucas said that to his younger

A. Young

brother, Huey, in the classic cinematic film, American Gangster. Indeed, I’ve found this statement to be true as well, more often than not. Most powerful individuals are modest and inconspicuous. And, they seem to be more concerned with the fortune than the fame. Similarly, the same can be said of the underground Hip-Hop collective Quiet Money (QM). Quiet Money is discreetly crafting a presence in the rap world.

The QM family has already amassed a substantial song catalog and several quality videos. With promises of even bigger projects on the horizon. These brothers are persistent like one possessed.

I had an opportunity to chop it up with QM’s Chuck and A. Young. And here’s what they had to say about the QM movement and the future. Listen closely.

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Peace. Who is Quiet Money?

And what’s the story behind the name?

Chuck: Quiet Money is myself, artists: Face Money, Scoot, who is incarcerated right now—he’s on his way home though, Tro, one of the creators of QM, DDE, Addie, who is our Engineer, and A. Young, our videographer, who

brings our words to life with his visions!

A. Young: Yeah, I am a U.S. based director, Father, Motivator, Explorer, and creator. I live by positive energy, and I direct, film, and inspire others to be great by using positive energy. I’ve worked with Chuck, Roger Beat, Shy Glizzy, Yo Gotti, Gucci Mane, C-Mack, Fat Trel, Flown, Young Scooter, Jose Guapo, Tim Savage, Freek Dollaz… The list continues to the all the entrepreneurs.

Chuck: The story behind Quiet Money is very deep! It’s so much I could say, but it all started on the east side of Salisbury years ago by Smurf, THEREALTOURMAGA ZINE.COM

came from my next single that I plan on releasing before the tape is complete, which is also titled “The Life I Chose.”

During this mixtape, I’m letting the people who don’t know me, understand where I came from, what I’ve been through, my struggles, and my pain. I plan to have the listeners completely tuned into Chuck and Quiet Money before he or she reaches the middle of the mixtape. I also plan on getting a host with a big name for this project. I can’t say who yet, but I have a few names in mind as of now. So stay tuned!

DDE

Fat Trel, but you have yet to drop a full-length recording.

When can we expect your first CD, and what will it be titled?

Addie

who is incarcerated, Marcellus, rest in peace, and Scoot, who is also incarcerated. It was carried and kept alive by Tro and a few others that I grew up with on the east side. Me, Tro, and Scoot decided to take it to another level using music and letting everyone know where we came from by telling our stories. While keeping Smurf and Marcellus story alive.

You are the face of the brand and the headliner on the roster. You’ve released several singles and videos, most notably “Greats” which features

Chuck: Yes, at this point I am, but in QM we all are equal. Whoever steps up to lead the way, or drop the most material, is more than welcome. My first mixtape titled “The Life I Chose” should be dropping early summer. The videos I’ve released up until this point were from the mixtape “Fan Now Or Groupie Later.” That’s not going to be released now because I feel as if I’m past that stage now. So much has change since I thought of that title, and I no longer feel that way. The title was thought about before I met A. Young, when I was working with DJ Riddlez. It was describing both of us at that point, because he was going to be the host of the mixtape.

And it was giving the listeners a chance to choose which one they were before we reached success.

Tell us more about “The Life I Chose.”

Chuck: It will feature “Greats,” featuring Fat Trel, and “Bringing My City To Life,” featuring Flown. The idea

Will any of the other artists on the Quiet Money roster drop a mixtape in 2014?

Chuck: I’m for sure that DDE will be releasing their first mixtape this year.

They have more than enough material to release it whenever they choose, but it’s all about timing. So stay tuned, and the people will be surprised from how much they have grown in a short period of time. This year, I have so much in store. So many big names I plan on working with. I’m so confident that I will be getting on this year. Meaning the main stream. I work so hard, and plan so far ahead, using the Law Of Attraction, creating what I want and connecting everything with positive energy!

Is there anyone that you’d like to give a shout out?

Chuck: I would like to shout out you Preme, and Tour Magazine, for the support and helping The Shore get noticed, and this opportunity that you gave me. Shout out to the entire QM, everyone who supports me and my dream, and every up-and-coming artists on The Shore. Check me out on Instagram @Chuck_QM. And for bookings, email: yungchuck03@gmail.com, a.youngbooking@gmail.com, awimbro@ gmail.com, ddethehood15@gmail.com.

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BUSINESS

MONEY POWER& RESPECT

Nowadays, many of the poor children—in the United States of America—dream of becoming an entertainer or professional athlete. Long gone are the days of our children boasting about dreams of becoming a teacher, doctor, lawyer, or some other type of noble professional. Likewise, their role models are not of the Martin/Malcolm ilk—men renown for their intelligence. Quite the contrary, they growup emulating stars such as LeBron James, Rick Ross, Chris Brown, etc. (Not to say that there’s anything wrong with this; especially, in the case of LeBron.

I merely made the comparison to highlight the clear shift in focus by our youth.) However, everyone cannot rap or make it happen with a ball. Fortunately, in the U.S., one doesn’t have to do either to be successful. For instance, Jay “Mr. Real Estate” Morrison is a shining example of the classic American success story.

Coming from the pits of prison and a life of drug dealing myself, I love when a person picks one’s self up by his or her “boot straps,” so to speak, and evolves into something greater. Especially, when that person is a Black man and considering all of the stumbling blocks that he faces in life. This is a true story of triumph over tragedy.

Jay Morrison’s rise to Money, Power, and Respect is an inspiration to us all. Lil Kim said it best in the chorus of The Lox’s classic hit single, of the same title as this feature, when she spit: “You’ll see the light. It’s the key to life.” Mr. Real Estate shared some of the light with us in this interview. Listen and learn.

BY THOMAS “SUPREME” PARSONS

Peace. It’s an honor to have you grace the pages of our publication. However, for the sake of our readers that aren’t familiar with you, tell us a little about yourself.

Jay Morrison: I find it very hard to talk about myself. Just because I have been blessed and I want to refrain from rambling about a list of accomplishments, or a bunch of titles that make it seem like I’m being pompous, boastful, or arrogant. With that being said, my name is Jay Morrison also known as “Mr. Real Estate.” I am a successful Real Estate entrepreneur and Real Estate mogul. I am the

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CEO of the Jay Morrison Academy, as well as, the CEO of Young Minds Can— the first ever school uniform collection by an urban fashion label. And, the CEO of Jay Morrison Legacy Partners, which does turnkey investments through real estate for investors who want to make great returns on their money. I’m a real estate coach as well as an active real estate investor, and an expert on real estate for NBC’s “Today Show.” Also, I serve as a guest and featured celebrity realtor on NBC’s “Open House NYC.” So, I do a cluster of things, primarily based around real estate. Aside from being a real estate mogul, I’m a social activist and I’m really passionate about community empowerment and youth empowerment. I started the YMC Movement, which is a national youth empowerment movement through which we promote community empowerment and community determination. So, I guess that tells you a little bit about me. My tagline is: from Poverty and Prison, to Prosperity and Purpose. As you may know, I am a former welfare kid who grew up poor and survived on free lunches at school and food stamps. I dropped out of high school at 16 years old, went back to graduate, and then went to prison afterwards. I did a total of 2 ½ years in 7 different prisons for various drug trafficking, drug possession, and handgun possession crimes. I was a bad kid, so to speak, one of the misguided youth.

But, obviously I have turned it around through God’s grace, and I have come to be viewed as a role model, an inspiration, and a sort of success story. More importantly, I am a God-fearing man and leader for this generation.

The real estate industry has a reputation for being predominately white. Did you face any obstacles upon entering the market?

Jay Morrison: There are 1.2 or 1.3 million realtors in the United States, and 94% of them are white. My first obstacle getting into Real Estate was not my skin color, but that I had felonies, and because of that I had to petition my way into getting a Real Estate license. Real estate isn’t just about being a Realtor,

Mortgage Banker, or some licensed professional. But, the good part I’d like to promote about becoming a real estate investor, wholesaler, house flipper or landlord, is you can make a lot of money in Real Estate regardless of your skin color or your past. I did, however, face some challenges as I went into a more affluent and high-end market in Bergen County, New Jersey.

Now I am listing a 10 million dollar house in Alpine, New Jersey, which is the richest town in all of America and obviously all of New Jersey. There were challenges because there aren’t very many—or any that I know of—African American male realtors who have had success in Alpine, other than myself. It was different penetrating a new market and new culture so to speak, and attracting higher-end clientele while making that clientele comfortable with me being their representative. So there were some obstacles entering that market.

Okay. Now we’d like to tap your business-mind. What are three things that all aspiring entrepreneurs should know?

Jay Morrison: All aspiring entrepreneurs should know that it will not be easy and you will fail at some point, but that it’s not really failure if you keep going. You must have a vision and believe in that vision at all costs, against all odds, and against all “naysayers.” You have to follow through with that vision by making it realistic for yourself. By realistic, I mean that you cannot be 80 years old and play in the NBA. It is highly unlikely that this will happen. It’s unrealistic. If you can be remotely realistic about your goals, have a crazy work ethic, crazy drive, and a will strong enough to succeed, you will not fail at anything.

Aside from that, you have to be keen on branding yourself. You have to sell who you are and what your vision is.

Only you know your vision—others do not—so you cannot expect them to buy into your vision until you have sold it adequately. People will not hop on your bandwagon from the beginning, simply because you show

excitement about a new venture or the opening of a new business or store. It doesn’t work like that; but through a good work ethic and chipping away at a building—brick by brick—and believing in your vision enough to see it through, you will be successful.

Deep. So, what do you have planned for the remainder of 2014?

Jay Morrison: For 2014, I have come to the conclusion that I’m going to focus 90% of my efforts on continuing to build my: Real Estate empire, Jay Morrison Legacy Partners, Jay Morrison Academy, and other informational/educational products or services. Amongst the aforementioned, this year my partner Ash Cash and I will be releasing a 4-5 part book and audio series titled “The Keys to Success,” in which I will teach the keys to making millions through wholesaling, along with how to make millions buying and flipping.

I’m going to put my businesses on autopilot during the remainder of 2014.

My goal is to really get them running fluently so that in 2015, I can not only step out and be the biggest leader, but also become more active in my community work. In order for me to be the most effective with my community work, I need my businesses to be on autopilot and functioning well. I won’t need anybody for anything. I can say and do what I want, on behalf of our community, and really speak the truth.

That’s my goal!

Before you go, let our readers know how to keep up with you and your organization.

Jay Morrison: As far as just letting you know where you can find me, you can find me at www.JayMorrison. net, www.JayMorrisonAcademy.com, www.JayMrRealEstate.com, www.

YoungMindsCan.com. And on social media, which is the easiest, on Instagram and Twitter: @JayMrRealEstate.

You can also follow and “like” the Jay Mr.RealEstate Morrison fan page on Facebook, along with the YouTube channel which is JMTV. Thanks for the interview have a blessed day.

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BY THOMAS "SUPREME“ PARSONS

It’s said that what’s done in the dark always comes to light. And, in the Sunshine State, a glaring light is being shone on the darkness that exists—most notably in the northern region of the state—racism. The injustices that Blacks are subjected to, in the courts and streets of Florida, is tragic and reminiscent of our nation’s dark past.

Jordan Davis

Marrissa Alexander

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or instance, one of the first modern traces of the racial specter, in the state, was revealed to the nation, in the year 2000, when countless black people were denied the right to vote. According to the Washington Post, “statewide, based upon county-level statistical estimates, African American voters were nearly ten times more likely than white voters to have their ballots rejected in Florida” that year.1 And then there is the quandary of the stand-your-ground law, in which its usage as a defense produced an acquittal of George Zimmerman, a white defendant, in the shooting death of 17-year-old Trayvon Martin; but, its rejection as a defense paved the way for the conviction of Marissa Alexander, a black woman, of firing a warning shot at her allegedly abusive husband. (Mrs. Alexander received a 20-year sentence.) Yet, another example is the Jordan Davis case, in which Michael Dunn, a white man, gunned downed the aforementioned 17-year-old black male over an altercation stemming from the volume at which the deceased played his rap music. (Dunn was acquitted of the murder of Jordan Davis, but convicted of several counts of attempted murder for firing ten shots into the vehicle containing several other teens.) However, these are the cases that received national attention. What about the potentially countless other injustices and inconsistences that those of us outside of the state of Florida never hear about? Regardless, it’s evident that it is becoming more and more dangerous to be black in Florida.

In the end, African Americans have made significant strides, with regard to social equality, over the past 50 years, but to be black in Florida is somewhat reminiscent of a darker chapter in our nation’s history. Thus, we still have a ways to go. With this in mind, all Americans must stand together as one against these injustices. Hence, we must unite not only for the benefit of blacks and other minorities, but also for that of our society as a whole. In short, I was born in the 70’s—my children—the 90’s and beyond.

We all know what it is to be black in America, but I pray that we never know what it is to be Florida Black.

Trayvon Martin and Beyonce

“Rights Commission’s Report on Florida Election.” washingtonpost. com. The Washington Post Company, 05 June 2001.Web. 02 March 2014.

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Amateur Models

HIP-HOP MONEY HONEY

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ABM MODELS

y any means necessary… For decades, music has galvanized communities around the world, becoming a language of its own. From its body jerking beats, too its finger-snapping grooves, the sound of music have been the pulse of our nation. Music has forced society to pay attention to a voice most people would have never heard. However, there is one genre that has pressed the envelope, more so than others as of late—particularly in the sex department—Hip-Hop. Since the early 80’s, Hip-Hop has changed the way people act, live, and view their status in society. Thus, in turn becoming a brand in itself, soliciting to anyone that will pay the price for fame. Sex sells in today’s society, and Hip-Hop has found a diamond in the rough; its dimensions are: 36-24-36 and oozing with sex appeal. It seems as though Hip-Hop has convinced a large portion of society that to achieve any level of success, women have to go about it by any means necessary. As

BY SHAWN Lyn Collins sang in her 1972 hit, Think (About It), “we gonna TUCKER use what we got, to get what we want.” Unfortunately, this position has not always been seen in a positive light.

Which brings us to the topic at hand. In Hip-Hop culture, sexy women represent success. They are almost like a rite of passage. The more sexy women that you have in your music video, the more successful of an artist you appear to be. But, it doesn’t stop there. Now, simple art forms of self-expression, such as twerking, have blossomed into lucrative careers for some women. And the same is true of female amateur models/event hosts whose provocative images flood our Instagram timelines. Body-popping movements, stunning looks, and a curvaceous frame have become a much-needed accessory for the video vixen, and have helped to elevate a potentially average career to meteoric status. Hey. Let’s face it, one of the keys to Hip-Hop money, is a hot Hip-Hop honey.

But at what costs? I love the creativity and the self-expression; nonetheless, I am a little weary of the message we are sending our youth. Ladies, I implore you to get your money, just don’t do so at the expense of your dignity.

VENUS MODELS

@abm_models @venusmodels

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Industry Underground… The Merriam-Webster dictionary defines industry as a group of businesses that provide a particular product or service and underground as in or into a place that is hidden or secret: out of the view of the public. And when applying this phrase to Hip-Hop culture, I define industry underground as individuals who contribute to the music business, but are not widely recognized by the mainstream public. This segment will feature artists and producers that meet this criterion. Next up is Cormega. ew in Hip-Hop have managed to retain their musical and philosophical integrity—over the course of their career—the way Cormega has.

Alternatively, what’s even more unique is that he has been able to do so in spite of the economic pressure to act otherwise. The driving force behind his music is love for the culture, rather than record sales. Cormega’s first full-length release, The Realness, was an unappreciated gem that more than made up for what it lacked in production innovation, with matter-of-fact lyrics. And, with his new release, Mega Philosophy, Cormega brings the realness back to Hip-Hop. This became evident after one listen to “Industry,” which is the latest dope single from the project.

In sum, Cormega is of a rare breed amongst current Hip-Hop artists. I was honored to build with the emcee and get a glimpse of Hip-Hop through his eyes. Hence, what follows are his thoughts on Mega Philosophy and today’s HipHop music. Take it in.

Peace. Tell us about your latest project Mega Philosophy.

Cormega: Mega Philosophy might be my

deepest album. As far as socially and consciously, it might be my deepest album. I think it’s a thought-provoking album, and I’m happy with the way it came out. Large Professor really gave me some nice beats, so I’m excited about it.

BY THOMAS “SUPREME” PARSONS

Large Professor produced the entire LP correct?

Cormega: Yes.

Is there a reason why you chose to work exclusively with the legendary producer on this project?

Cormega: I never done an album with just one producer.

I wanted to do that—just for the feel of it. Plus, Large Professor is one of my favorite producers. So, it’s just something that a lot of emcees are—you know—a lot of emcees have been doing it lately. But, I think that it’s a challenge. I think that it’s something that pushes the envelope of creativity. So, that’s why I’m glad I did it.

It seems as though you’re swimming against the current with this LP and forging your own lane. Was that the goal?

Cormega: I just want to be myself. I don’t want to try to be something that I’m not, and I don’t want to try to fit in.

Like, why should I try to fit into something that I was always a part of? I’m not going to let some college-educated culture-vulture, that just sees a profit margin in Hip-Hop, dictate how I make Hip-Hop. And that’s what it is. It’s a bunch of people that see the economic pros as opposed to the cultural pros of it.They don’t care about the skill set.They don’t care about keeping up with tradition.They don’t care about the architect, pioneers, and the legends.

They just care about the profit. So, I didn’t want to fit into that. I wanted to do what I always felt comfortable with and what my fans would appreciate.

Okay. Speaking of tradition, I noticed that you decided to collaborate with a lot of veterans, on this LP, such as: Styles P, Nature, AZ, and Raekwon just to name a few. Is there a reason why you elected to work solely with veterans instead of some of Hip-Hop’s relatively newer artists?

Cormega: I have new singers on the album. All of the singers that are on my album are new. Maya Azucena— she won a Grammy before. But she’s not as on as she should be, because she’s very talented. But the singers on my album are new. Most of those younger artists are not rapping for the right reason. A lot of people do it just to keep themselves hot. I’m not on it like that. Like, I don’t need somebody to keep me hot. I just need my audience to appreciate my music. And if they appreciate the music, then we both win. Cause I want to make music that my listeners enjoy, and I enjoy them enjoying my music. So, I work with artists that I’ve always respected.

I’m not worried about them being new, or worried about them being veterans. It’s about them being people that I respected. Who wouldn’t want to work with a Redman, or a Styles P, or a AZ, or a Nature, or—you know

what I’m saying—Black Rob, or a Raekwon? All these guys hold their own, so that’s why I work with them. I don’t dick-ride. I’m trying to say it in the nicest way possible.

I don’t dick-ride.

I understand. What’s your take on the current state of affairs in Hip-Hop?

Cormega: I can’t really tell you too much about Hip-Hop cause I don’t listen to it. Like, I really couldn’t tell you. I don’t listen to it. I don’t listen to the radio. I don’t watch the little gossip thing that be happening now. Like, oh such-and-such did this, it’s on YouTube. I don’t keep up with it, because it’s a bunch of girl stuff. It’s like they’re turning men into girls. They’re just becoming gossipy, and it’s all about what you got. And it’s too much user promotion. When I say user, I mean they’re people that got drug problems that’s kicking it to you like that’s cool though.

That’s not cool. Being on drugs is not cool. And when I use to hustle, and I used to rap about it, I wasn’t really glorifying it. You know what I’m saying? I told people about the pitfalls of it. There’s dudes that straight up telling you to go out there and do things that they know that they’re not even doing. So, I don’t pay attention to it.

That’s peace. What else do you have planned for 2014?

Cormega: Well, I’ve got another album that I’m working on with another dope producer—that’s one producer.

And, I want to keep that confidential for the time being.

But there’s going to be a lot of remixes. We have a lot of remixes for Mega Philosophy done already. And, I did a lot of features. I’ve been on a lot of features this year—a lot.

So, I’m just working. We planning on touring. We trying to lock-in as many dates as we can, and promoting the album. And you know, I’m just going to stay busy. I’m not going to be inactive anymore.

In this era of reality TV, fans have become accustomed to being able to visually connect with their stars. So, with this in mind, do you plan to release a lot of videos in support of Mega Philosophy?

Cormega: Yes, I have to. Yes, definitely—definitely.

That’s the plan.

One last question before I go. Can you share with our readers how they can get in contact with you via social network sites?

Cormega: @realcormega on Twitter. That’s the only place I’m at. I don’t have Facebook. I don’t have Instagram.

Okay. Just Twitter?

Cormega:Yep.

Alright. I appreciate it. Peace.

Cormega: Peace.

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The MC… Master of ceremonies, Microphone Checker, the one who can move the crowd. To do it—and do it well—is a gift. Sure, there are countless rappers; but every rapper is not a MC. Unfortunately, far too many of our dopest MCs never truly get heard. We are going to try and change that one region at a time.

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his time around, we are in Florida’s Bay Area—St. Petersburg to be specific. St. Petersburg, a.k.a. St. Pete, has a burgeoning Hip-Hop community of artists of varying styles and skill sets. However, two of the more prominent standouts are Blow and Young Teo. Both of these artists are dope. Blow cleverly spits those trap lyrics that has become the South’s signature sound, in recent years, e.g., Young Jeezy, Rick NAME:

Young Teo

FROM: St. Petersburg, Florida RELEASES: FTS Vol. 1 & 2 (mixtapes) SOCIAL NETWORKS: Facebook- Young Teo; Instagram- teomusik727; Twitter- TEOMUSIK727 “…I’ve had a strong passion for Hip-Hop for as long as I can remember.”

(Young Teo’s music can be found on Livemixtapes and YouTube.)

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BY THOMAS “SUPREME” PARSONS Ross, and others. Whereas Young Teo, on the other hand, exhibits more of what I call a southern-soul style, which epitomizes the everyday struggles of life in the hood and resonates within the spirit. After you read this article, familiarize yourself with their music and get to know two artists that are at the forefront of the next generation of Hip-Hop. You won’t be disappointed.

What’s the Hip-Hop scene like in St. Pete?

Young Teo: The Hip-Hop scene in St.

Pete is growing. In my opinion, we have a lot of talent here and in the surrounding areas, just not a lot of unity and exposure as in some of the other cities in America.

Blow: Man, honestly there is a crazy

music scene in St. Pete. All different kinds of artists with their own style. I definitely think that my music and work ethic is opening doors for my city in The Industry everyday. But, I’m definitely in my own lane and carrying the torch.

NAME:

Blow

FROM: St. Petersburg, Florida RELEASES: Been Livin Off Wealth; Summer Of 14 (mixtapes) SOCIAL NETWORKS: Instagram- forgiatoblow; Twitter- ForgiatoBlow “I make music for anyone that likes getting money and that stays on top of their shit.”

(Blow’s music can be found on Datpiff and MyMixtapez.)

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how they built their own brand and how their fans grow with them as their careers take them down different paths.

There are a lot of underground Hip-Hop artists trying to get on. What makes you unique?

Blow: At the end of the day, I’m still an independent artist,

but I move like a major. I have my own style, and I have real core fans that follow my career daily. I’m always working,

What makes me unique is my originality, my flow, delivery, and my movement.

—Young Teo Young Teo, I’ve heard FTS Vol. 2. And one of the things that stood out the most was your passion. How long have you been rapping and what sparked your love for Hip-Hop?

Young Teo: I’ve been taking my music serious since

I was 16—I’m 25 now. My mother was in a rap group before I was born, and one of my uncles was a DJ. So, I’ve had a strong passion for Hip-Hop for as long as I can remember.

Blow, with appearances by French Montana, Young Scooter, and Lil Durk, Been Livin Off Wealth is a dope LP. Your visuals are superior as well. Your movement has that veteran savvy. How long have you been in the game, and who or what are some of your influences?

Blow: I been going hard in The Game for the past

four years---non-stop. I pride myself on my work ethic. My musical influences are Rick Ross, Birdman, and Wiz. I respect how they overcame all the negative attention they received in the early stages of their careers. I can definitely relate to that. I also studied

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...One thing about me, once you meet me or see me on the Internet, you will never forget me.

—Blow

from droppin a new mixtape every three months, to high quality music videos non-stop. One thing about me, once you meet me or see me on the Internet, you will never forget me.

Young Teo: What makes me

unique is my originality, my flow, delivery, and my movement.

Let those who haven’t heard your music know what they can expect.

Young Teo: Those who haven’t

heard my music can expect to hear my story, along with heartfelt lyricism and consistent rhyme schemes.

Blow: I make music for anyone that

likes getting money and that stays on top of their shit. My music tells my life story, but I been surrounded by so many different types of people my whole life. Almost anyone can relate to a few songs off of each project I release.

Is there anything else that you’d like to share about yourself with our readers?

Blow: That at the end of the day

I’m just trying to make this dream into reality.

Young Teo: I want the world

to know that FTS—From The Struggle—10hunnit is the movement! I come from real life struggles, and my music is based on my life experiences. And, I do it for everybody who can relate to any kind of struggles in life. One love and GOD bless.

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INDIE ARTIST SPOTLIGHT

THE

BY THOMAS “SUPREME” PARSONS

VIRTUO Virtuosic [vur-choo-os-ik] means of, pertaining to, or characteristic of a virtuoso1. And,

in Hip-Hop we have come to stereotypically label rappers of this class as “backpackers.”

You know, the type of emcee that seems more concerned with making meaningful music than record sales. However, in this swagged-out era of bossing-up, so-called “backpackers” are few and far between. Which is unfortunate. At Tour Magazine, we believe in Hip-Hop diversity­—ethnic and stylistic diversity. So, I was thrilled when a friend let me hear JproD (pronounced jeopardy) for the first time.

JproD is of a rare breed that is sorely missed in Hip-Hop. Virtuoso [vur-choo-oh-soh]: one skilled in or having a taste for the fine arts; “virtuoso” Merriam-Webster.com Merriam-Webster, 2014.

Web. 30 March 2014.

1

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he kid is different, unafraid, and a risk-taker, all of which are characteristics of the creative. Also, his music is introspective and layered, but anchored in realism. In short, lyrical sustenance for those that have an appetite for more than drugs and violence.

I have only heard a few of JproD’s records; however, I am enthusiastic about his forthcoming release, “Regal.” In the meanwhile, this interview shall serve as a brief introduction of him to the world. So, without further ado, I present… JproD. Peace. Where are you from and how long have you been making music?

JproD: I’m just a 22-year young kid from New England. Born in New Bedford, Massachusetts, and raised in Bristol, Connecticut. Cold as f*ck over here. Nothing to do other than create.

I recorded my first song, in like 2009, on my MacBook Pro built in mic. I was getting ready to graduate from high school. So if you count that song, I have been making music for 5 years.

SIC

Feels like it has been so much longer. I have been so deeply involved in music for so long.

Your debut release is titled “Regal.” Tell us a little about it.

What can we expect?

JproD: “Regal” stands for: Realizing Every Girl/Guy Ain’t Loyal. It is also the model of the car that I have been driving. My car has been the most consistent thing in my life over the past few years. Listening to “Regal” will be like spending a year with me. You will hear what type of person that I am.

You will hear all of the different sides of me. I really dove into my emotions and feelings with this one. I left a lot of myself on those tracks. The project is hosted by JoJo Simmons. The reason being, I feel like so many people sleep on JoJo Simmons and don’t realize the kingdom that he comes from. He never gets discouraged and never cared what the average hater had to say. I can relate. “Regal” will introduce something different. Just listen and relate.

Are there any artists that you’d like to work with?

JproD: I would love to work with Anthony Hamilton. That’d be dope.

I need production from J. Cole.

Need a hook from Mya. On the other side of things, I want to work with The Fray.

What else do you have planned for 2014?

JproD: Going to release “Regal” at some point. Hopefully, I can hop on a tour, or plan my own. I have been so focused on making sure the music sounds the way I want it to. Looking forward to performing though.

Let our readers know where they can find all-things JproD. JproD: Follow me on Twitter @IamJproD. I don’t do Facebook.

Go checkout my SoundCloud page, soundcloud.com/jprod-2. You can also check www.JproDintheRegal. com. The site is getting revamped a.s.a.p.

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The late 1960s is celebrated as a time of artistic spontaneity, rebellion, and self-expression. It was the age of the free spirit or hippie. And yet, many simply associate the term hippie with heavy marijuana use. Indeed, hippies love the “trees,” but there’s more to the movement.

Just ask Smoke Deville. Smoke Deville, the self-proclaimed voice of the hippies, plans to usher in a new era of smoked out acoustic creativity.

BY THOMAS “SUPREME” PARSONS

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On his day view release, “Audio Contraband,” Smoke Deville delivers crisp weed-laced lyrics over dope tracks.

Some of the highlights include: Doobie Ashtray, Posted on the BloCc, French Inhale, and Bust Rounds. Also, the free download of “Audio Contraband” can be found at www.smokedeville9.bandcamp.com/album/audio-contraband.

To put it briefly, Smoke Deville is bringing the heat and adding a refreshing element to the Hip-Hop landscape.

And, he seems quite comfortable in his lane. We linked up recently and discussed “Audio Contraband” and touched on the state of West Coast HipHop. Check it out.

Peace. I’ve listened to your latest release, “Audio Contraband.” It has some of that classic West Coast feel. You know, of “The Chronic” and “All Eyes On Me” ilk. Has the Golden Era of West Coast Hip-Hop inspired your sound?

Smoke Deville: Man, the West Coast

Golden Era played a huge roll in the creation of my sound. From Dr. Dre “2001” to Snoop Dogg “The Last Meal… Even Doggy’s Angels—they had to be my favorite female MC girl group back in the day. I was even able to get Coniyac, from Doggy’s Angels, to do a feature on my mixtape “Audio Contraband,” on a track called “Posted on the BloCc.”

What’s your favorite record on “Audio Contraband?”

Smoke Deville: My favorite record on “Audio Contraband” has to be “Doobie Ashtray,” produced by DJ Mustard, just cause it’s something different. Most of my tracks have a heavy stoner feel to it. This has that, but it’s more upbeat.

You could groove, move, and the bitches can sho twerk to it. With the topic still being around weed—aye, it’s

a dope track overall. Even added a clip of Pac’s verse on the intro and outro of the record.

ing hippie sound. I mean we do got the best weed. I just wanna be the voice for that. Voice of the hippies…

After being relatively quiet for a few years, do you think that the debut of artists like Kendrick Lamar, Schoolboy Q, and YG is signaling a renaissance of West Coast Hip-Hop in the mainstream market, and does this present opportunities for you and other underground artists out west?

Other than your music, what are you listening to right now?

Smoke Deville: I think it strikes

more opportunities now that Kendrick, Schoolboy Q, and YG signed major deals, and are in the public’s eye now.

I mean, the spotlight is fa sho on the West Coast right now. All we’re missing, on the west, is that heavy pot smok-

Smoke Deville: I been listening to a

lot of Curren$y. “The Drive In Theatre” is playing as I’m in this interview right now. Also, Snoop Dogg’s “That’s My Work 2,” Wiz, Nipsey, and Schoolboy Q.

Is there anything else that you’d like to share with our readers?

Smoke Deville: Twitter and Insta-

gram: @Smoke_Deville. Check out my official music videos “I’m So Faded,” “Close Ya Eyes,” and “Why You Here For” on YouTube.

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SEXY ENOUGH BY THOMAS “SUPREME” PARSONS

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e have all heard the phrase “sex sells.”

However, I believe that a more appropriate term is sexy sells. Sexy people are used to peddle everything from cars to clothes. Good looks and a nice body will get you noticed— -particularly in Hip-Hop. And, I’m betting that newcomer Samoné [sa-mo-nay] is sexy enough to make a mark in the rap world.

Samoné is a model by trade. But, with measurements of 36-28-45, she has the body of the prototypical rap vixen. All that remains is for her to deliver lyrically.

Indeed, the multi-talented Virginia native is confident that she has what takes. And after talking to her, one can’t help but believe. I have listened to a track that she’s featured on, and she easily eclipsed her male counterparts.

She has the skills and moxie to be successful in Hip-Hop. See for yourself.

Peace. You are best known for your work in front of the camera. How long have you been modeling?

Samoné: I’ve been modeling since I could walk. Everyday, for me, is a photo-shoot [giggles].

It isn’t often that successful models elect to pursue a rap career. What has fueled your desire to rap?

Samoné: A few years ago, I did some ad-libs for a local artist; I started playing around, in the studio, rapping his lyrics and adding my own lil spice on it. From there, I ended up doing a feature on one of his records and murdered it! Which puts me where I am today.

When will your first single drop, and what can we expect?

Samoné: It will be dropping this summer—June to be exact. You can expect nothing but fiyah [smiles]!

Who are some of your influences in Hip-Hop? Samoné: Females: TLC, Eve, Lil Kim, Foxy, and Trina.

Males: Jay Z, Nas,T.I., Jeezy,Yo Gotti, Kanye, and Ross.

What other projects do you have in the works?

Samoné: I’ll be gracing a few pages of some mags, a few shows, videos, tours…some of everything!

Lastly, how can our readers keep up with the Samoné movement?

Samoné: Follow me on Instagram and Twitter @Itssamonay. For booking call 206-666-9661. I want to thank Tour Magazine for letting me grace a few pages, my manager Carlos, my photographer Virgil, of Delmar Photography, George, and everyone that shows love or shade—I still appreciate you [blows kisses].

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PRODUCERS

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he most important element of a hit record—particularly in Hip-Hop—is the beat.

Sound production can make princes of rappers with pauper-like lyrical skills. It is the beat that hits you first. It’s the beat that resonates in your soul. And, it is the beat makers that gives birth to stars. The producer is the life-blood of Hip-Hop music.

Thus, with this fact in mind, I decided to interview a couple of producers from different

backgrounds. I talked to underground beat maestro Scootie J and veteran Hip-Hop/R&B producer Super D to get a little insight on the production process and some industry dos and don’ts. Check out the contents of our discussion below.

Class is in session.

BY THOMAS “SUPREME” PARSONS

Super D

Peace. The first two questions are for Scootie J. How long have you been providing underground MCs with the heat, and how’d you get your start as a Hip-Hop producer?

Scootie J: I’ve been working, as far as the local scene goes, for like 8 years now.

I started making beats around the age of 13, but I really didn’t learn to produce until I turned like 21 or 22. As a kid, I would think that it would be dope if I could learn how to make beats. And then, years ago, when MTV use to throw the Spring Break parties real heavy, I saw a commercial about a production program called “MTV Music Generator.”

There was a DJ in the commercial named DJ Skribble, who I used to watch on MTV all of the time. And he was like the front man for the program, so I knew it was going to be dope. I had to get it, and ever since then, I’ve been grinding #s4s (Sleeps4Suckas).

So, what does your production process entail, and what inspires you?

Scootie J: My production process is pretty dope really, because before I even start on the beat, I already have it in my head that this shit is going to be dope!

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Usually I work on my melodies first, and then after that everything else works itself out. And I am inspired by FASAR, which is Fashion Art Style Attitude & Respect…plus everyday life.

I love working with my team. They inspire me so much man. Shout out to the fam: Squuadddddd, #Sleeps4Suckas, FASAR Recordings.

Super D, you’ve had some industry success. Tell us about some of your accomplishments, and what can we expect in the next phase of your career?

Super D: Well, I started with a company called F-SAR Entertainment. From there, I formed REDDY ENTERTAINMENT, which became a production company merging with 302 Entertainment—owned by former Major League Baseball player Delino Deshields. We released our first album independently—without any marketing and little to nil promotion—and sold over 10,000 units. I then moved to ATL, and later N-Y, where I worked with various artists such as: No I.D., Rainy Davis of Rainy Songs, Dylan from making the band Season 1, Lil Vicious, and Young Jeezy to name a few.

The next phase for me is putting out artists, doing artist development, and overseeing the progress, production, and promotion of entertainers. My company is available on Google Play, ITunes, and more. Just type in REDDY ENTERTAINMENT and check out the music and artists.

Do you have any advice for aspiring artists and producers concerning the business side of Hip-Hop?

Scootie J

producer, follow your dream, your heart, and never let anyone tell you that you can’t make it in anything that you wanna do. You have to put yourself out there—meaning network as much as you can. And don’t be afraid to take chances with music and sound. Always give 100% in what you are doing and you will do well. Shop your records with major and independent labels, unless you are starting your own. Then you have to figure it out. Just ask questions and try to get the right answers. Also, know how to spend money in places that are necessary.

Fellas, let our readers know where they can learn more about you and keep up with your future projects and releases.

Scootie J: You can learn more about me, really, just by keeping your ear to the streets right now. I have a website in the works. It’s dropping this summer with all of my latest production work and info. For serious inquiries about my production services email me at FasarRecordings@gmail. com. Oh, and follow me on Twitter @s4sScootieJ. Super D: You can find me on Datpiff. com/SuperDRobinson, Reverbnation. com/superdrobinson, Soundcloud. com/superdrobinson, Twitter at reddyboyzSuperD, Instagram at ReddySuperD, and YouTube: ReddyEnt, REDDYBOYZ, SUPER D ROBINSON, Lamar Robinson, RMB, Arsenio Burnz of REDDYENT. Thanks for your time. I appreciate it.

MAKERS Super D: I would say, as an artist and

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Well, another dope issue of Tour Magazine is in the books.

We welcome feedback from our readers; so, contact us at www.therealtourmagazine.com/contact. Also, in between issues, follow us online at www.therealtourmagazine.com and check out our blogs and videos for the latest on underground Hip-Hop culture. The City Tour resumes in 90 days people. Peace.

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