January/February 2017 by Professional Skaters Association

JANUARY/ FEBRUARY

2017

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It is the life of the crystal, the architect of the flake, the fire of the frost, the soul of the sunbeam. This crisp winter air is full of it. ~John Burroughs, "Winter Sunshine"

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JANUARY/ FEBRUARY 2017

28 | Ida Tateoka

COLUMNS 2

Over the Edge

President’s Message

Ratings

SafeSport

| Jimmie Santee | Christine Fowler-Binder

| Tom Hickey | U.S. Figure Skating

Sport Science

Education

Real Life Coaching

Legal Ease

| Heidi Thibert

| Carol Rossignol | Bob Mock

| David Shulman

FEATURES 16

Guiding Skaters into Judging

Kick-starting Your Coaching Career

Nationwide Seminars Update

Get to Know the Professional Skaters Foundation

U.S. Figure Skating: Pattern Dance Testing Clarification

2017 PSA Conference | Nashville, TN

Hockey Skating Committee

FTC Settlement Statement

What Does Merissa Horkoﬀ/Belle Say?

| Terri Milner Tarquini | Kent McDill

| Terri Milner Tarquini

DEPARTMENTS 7 37 38

Good luck to coaches and skaters participating in the 2017 U.S. Figure Skating Championships!

Rating Exams Passed Obituary New Members PSA Calendar of Events Elizabeth Thornton | Editor/Advertising Carol Rossignol | Contributing Editor Amanda Taylor | Art Director

Issue No 1 #ISSN-574770 |

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» COVER - Chateau Frontenac Quebec skating rink, kids on ice | Courtesy U.S. Figure Skating Museum & Hall of Fame

PS MAGAZINE

OVER THE EDGE Jimmie Santee, MPD, MG

The Forgotten Art of Coaching Etiquette

PSA OFFICERS President First Vice President Second Vice President Third Vice President Treasurer Past President PSA BOARD OF GOVERNORS West Mid-West

“Perhaps one of your great writers could cover the guest coaching policies that many rinks employ in a future issue of the magazine? Read on: This afternoon I check in on the freestyle and noticed an adult in shoes on the ice that I don’t know coaching two skaters that I have never seen before and then the coach proceeds to step into the scorekeeper’s box to play their music! I did not receive an email from anyone, including the coach, or that team inquiring about our guest coaching policies nor did the team pay for the freestyle before they stepped on the ice! The Supervisor on Duty hauled the coach into my office and I informed him of our policies, which is always uncomfortable. Am I missing something? Is there any rink anywhere that I could get away with doing that? Thank you.”

East Members at Large

Committee on Professional Standards Ratings Chair Seminar Chair ISI Rep to PSA U.S. Figure Skating Rep to PSA PSA Rep to U.S. Figure Skating Executive Director Legal Counsel

-David George, posted August 7, 2016, Facebook page of Professional Skaters Association

Unfortunately, David George describes a scenario that I often hear about. Guest coaches who blow into a rink, overlook proper procedures or even good manners. To quote Martin Luther King, “Nothing in the world is more dangerous than sincere ignorance and conscientious stupidity.” All rinks should have a guest coach policy and in this modern day of the internet, there should be no excuse for a guest coach not to be proactive. Contact information for skating directors and arena management are at your fingertips. A quick internet search of “guest coaching policy figure skating” gave me 194 results. One link brought me to the guest coaching policy of the Broadmoor World Arena Ice Hall. The Ice Hall requires 30 day written request and requires PSA membership and a minimum of the Basic Accreditation rating exam. They require U.S. Figure Skating membership, CER Category A completion, and liability insurance. The St. Louis Skating Club requires the same and before taking the ice must check in with the ice monitor, sign a guest coach waiver form, and pay $10 fee per session. They are limited to three sessions per season before being required to join the club. The Flemington Ice Arena’s policy includes the following, “Our objective is to create a safe, productive environment for all of our skaters and guests. We realize that incidents will occur and will not tolerate less than courtesy and respect.” Perfect!

Guest Coaching Etiquette • Call ahead—call or email the director, visit the website. Know the requirements ahead of time. • Carry your PSA membership card • Carry your U.S. Figure Skating Coach Compliance Card. You can print it off the U.S. Figure Skating website Members Only page at the coach’s compliance tab. • Check in when you arrive. Hand in your insurance certificate naming the arena as an additional insured. Ask about policies regarding the playing of music and harness use. • If there is a pro fee, pay it before teaching • Make sure that ice time is paid by your skater before taking to the ice • Ensure that you and your skaters know the arena rules • Be prompt in exiting the ice at the end of a session • Clean up after yourself—do not leave tissues, water bottles, or trash behind • Be courteous and professional

JANUARY/ FEBRUARY 2017

COMMITTEE CHAIRMEN Awards Coaches Hall of Fame Education Seminars State Workshops Apprentice Program Area Representatives Hockey Skating PS Magazine Sport Science Endorsements Executive Executive Nominating Finance Ethics and Legal Nominating Professional Standards PSA Rep to ISI Ratings Special Olympics FCC

Christine Fowler-Binder Alex Chang Rebecca Stump Tim Covington Carol Murphy Angela Riviello Phillip Mills Todd Sand Teri Klindworth Hooper Patrick O'Neil Tim Covington Robyn Petroskey-Poe Cindy Sullivan Jason Dilworth Carey Tinkelenberg Robbie Kaine Tom Hickey Don Corbiell Scott McCoy Ben Miller-Reisman Kelley Morris Adair Jimmie Santee David Shulman Tim Covington Angie Riviello Rebecca Stump Don Corbiell TBD Rebecca Stump Gloria Masterson Leous Paul Paprocki Bob Mock Heidi Thibert Jamie Santee Christine Fowler-Binder Angie Riviello Carol Murphy David Shulman Angie Riviello Robbie Kaine Gerry Lane Tom Hickey TBD Carol Rossignol

PSA AREA REPRESENTATIVES Area Area Area Area Area Area Area Area Area

1 2 3 4 5 6 7 8 9

Martha Harding Anne Marie Filosa Lee Cabell Tim Covington Angela Roesch-Davis Kevin Curtis Liz Egetoe Melanie Bolhuis Lisa Bardonaro-Reibly

Area Area Area Area Area Area Area Area

10 11 12 13 14 15 16 17

Stacie Kuglin Brigitte Carlson-Roquet Sharon Brilliantine Tracey Seliga-O’Brien Lisa Mizonick Don Corbiell Josselyn Baumgartner Gloria Leous

DISCLAIMER: Written by Guest Contributor | PSA regularly receives articles from guest contributors. The opinions and views expressed by these contributors are not necessarily those of PSA. By publishing these articles, PSA does not make any endorsements or statements of support of the author or their contribution, either explicit or implicit. THE PROFESSIONAL SKATER Magazine Mission: To bring to our readers the best information from the most knowledgeable sources. To select and generate the information free from the influence of bias. And to provide needed information quickly, accurately and efficiently. The views expressed in THE PROFESSIONAL SKATER Magazine and products are not necessarily those of the Professional Skaters Association. The Professional Skater, a newsletter of the Professional Skaters Association, Inc., is published bimonthly, six times a year, as the official publication of the PSA, 3006 Allegro Park SW, Rochester, MN 55902. 507.281.5122, Fax 507.281.5491, Emai: office@skatepsa.com © 2016 by Professional Skaters Association, all rights reserved. Subscription price is $19.95 per year, Canadian $29.00 and foreign $45.00/year, U.S. Funds. ISSN-574770. Second-class Postage Paid at Rochester, MN 55901 and additional mailing offices. POSTMASTER send address changes to The Professional Skater, 3006 Allegro Park SW, Rochester, MN 55902. Printed in the USA.

The Joy of Coaching

Happy New Year, friends!

Do you copy? Is your email address on file up-to-do date? If not, please be sure to update the address your PSA account is linked to so that you won’t miss out on any communications. Sign on to www.skatepsa.com today!

“The Joy of Coaching is about you and who you are as a coach today. It is about your coaching heritage, your skating DNA and where you sit in the coaching family tree.” ~ Bob Mock, PSA President 1994-1999

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PS MAGAZINE

PRESIDENT’S MESSAGE Christine Fowler-Binder, MPD, MG

Looking Forward A

big THANK YOU goes out to all of the PSA board members who volunteered their time and energy to attend the fall PSA Board of Governors meeting in Nashville, Tennessee. Our organization could not operate without you! The fall board meeting was held in Nashville to allow the board members to test out the venue for the 2017 PSA Conference in May. Needless to say, the property—Franklin Marriott Cool Springs—is modern and beautiful. The hotel rooms are updated and spacious. The Ford Ice Arena is state-of-the-art and we are proud to announce that Scott Hamilton will be our honorary chair this year! Our members will be happy to know that there was a lot accomplished over the weekend. The executive committee met for six hours on Friday evening and on Saturday the full board had an eight hour day. It is always great to have everyone in the same room, sharing ideas, discussing issues, and creating solutions together. During these meetings, Executive Director Jimmie Santee, Treasurer Carol Murphy, and I gave detailed reports of business over the last six months. New action items were addressed, goals were made, and deadlines were set. Vice Presidents Alex Chang, Rebecca Stump, and Tim Covington gave his/her overview of their committees and the work they have been doing. Ratings Committee Chair Tom Hickey, Seminars Committee Chair Don Corbiell, and the chair of the Committee on Professional Standards Robbie Kaine were all present and gave detailed reports on their work and their plans for the next six months. PS Foundation President Carol Murphy shared that PS Foundation is planning the U.S. Open Professional Figure Skating Championships again

this year at the beginning of the 2017 PSA Conference. The Board members Kelley Morris Adair, PS Foundation Christine Fowler-Binder, Robin Petroskeyhelps coaches in Poe, and Ben Miller-Reisman take a break from the meeting to snap a photo. need of financial help during crisis and is a remarkable part of PSA. Reports were given by Mitch Moyer from U.S. Figure Skating and by Scott McCoy from ISI. All three organizations are working together to provide the best quality education to coaches. It was the first board meeting for many new board members. I was so impressed by the enthusiasm and the new ideas they brought to the group. The energy and creativity in the board room was motivating and I look forward to seeing the dreams become a reality over the next few months. If any of you have ever considered working on a committee or running for the board, I highly recommend getting involved. A list of committee chairs can be found in the front of the magazine. Reach out and see how you can become part of the process. In closing, my first board meeting as president was enlightening. I am honored to serve as president and work alongside these coaches and board members every day and for the next three years.

[ appreciation corner ] Dear PSA, I wanted to take this opportunity to write and thank you for the many years of help and support in securing my Master Rating and the journey to become an examiner. The process of preparing for and experiencing the rating process is one of the greatest learning tools for our profession. There are many at PSA who devote their time and efforts to create and enhance the opportunities available to the coaches. I am so grateful to have started this educational journey and look forward to continued rating achievements. Again, I am extremely grateful for all that you have done and continue to do. It has changed my life on the ice and helped me to become a more confident and organized coach. Sincerely, John T. Mucko

JANUARY/ FEBRUARY 2017

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RATINGS Tom Hickey, MG, MPD

PART II

Important IJS Updates A

gain, there are no IJS updates, but I hope the catchy title grabbed your attention and I promise it will be the last time. Before you delve into this article, I want to follow-up from my article in the last issue of PS Magazine. You will recall I noted Kimberly Berry—I was inspired by a successful examination and how it was accomplished. It’s All in the Day to Day | By Kimberly Berry, MPD, RD

My journey began 16 years ago in a town in Oklahoma. That is where I took my first stab at being a Program Director. I took a job at a rink that was encased by a metal building with a single sheet of ice that wasn’t regulation size, had no budget, and was dominated by hockey. I had the task of building a program from the ground up, and to call that a challenge was an understatement. I had my ups and downs, successes and failures, and it was through these challenges that I learned to run a program, build a business, and manage people. It was this job that ultimately propelled me to where I am now—running a thriving program in a beautiful facility in Denver with a Master Program Director rating added to my credentials. Two years ago I made the decision to pursue my ratings in the program director track. It started with passing my registered and certified ratings at a nationwide seminar and ended with attaining not only my senior, but my Master Program Director rating at conference in May 2016. The months—dare I say years—leading up to the exams were filled with questions, nerves, stress, and at the end, the realization that everything I had been doing as a program director had prepared me for this exam. Every question that I so diligently reviewed and rehearsed was a product of my day-to-day work at the rink. The answers I sought were forged during the easiest of days when my program couldn’t have run any smoother and during the hardest days when everything went wrong. I learned through experience and learned by leaning on the people around me: others that were masters of their craft in the ice industry. My preparation had been simple; I examined what I did day in and day out. It was in the brief moments when I did head counts on sessions, explained policies to new clientele, ran numbers and retention rates, developed long and short term strategies for growth; it was in the customer service,

JANUARY/ FEBRUARY 2017

the creation of my yearly budget, and the staff meetings I held. My preparation was all around me and what I didn’t know, I learned. It was the job of program director itself that had prepared me to walk into a conference room and simply explain what I do every day with ease and confidence. And following the exam, it was the realization that the exam itself had fanned the flame and passion for the job that was beginning to dwindle. I walked out of the exam room charged with energy and the knowledge that I had become the master of my craft in the ice industry. I returned to my program with a renewed sense of what I was capable of and the responsibility I had now been charged with. Looking back I now get it…it doesn’t matter what discipline you choose to attain a rating in, the preparation is the same. The answers are all in front you. The answers you give on a rating exam are more than just regurgitating someone else’s answers. They are the knowledge you have gained by doing the job you do as a coach, choreographer, or director. They are there in your best teaching moments and your worst, when you can’t think straight and when you have clarity. Take a moment to really look at your craft, what you do and why. Lean on others who have knowledge in the discipline you are pursuing and never be afraid to ask for help. Stand your ground with confidence when you are challenged because at the end of the day you are prepared. Why? Because your preparation was all in the day to day.

Recently Passed

RATING EXAMS

Congra

coachuelastions !

Congratulations to the following coaches who passed the Basic Accreditation (BA) written rating exam in the PSA E-learning Academy:

Congratulations to the following candidates who passed a rating exam:

PSA E-Learning Academy

Laura Baker RM, RG Ashley Deavers RFS, RD Angela Dodge RPD Joy Elder CF Anna Eppers RM Cherie Farrington RC Inesa Lin RM Michelle Martineau RD, CD Tatum Neustadt RG Whitney Overchuk CM

Hyaat Aldahwi Kristen Chapman Trista DeMuth Margaret Detwiler Claire Godfrey Ashlee Hidde Polly Joralemon

Ann Kane Shannon Lamaster Lacey Merrell Faith Neenan Abigail Rink Lisa Semanko Sarah Smith

Congratulations to the following coaches who received a PSA Foundations of Coaching certificate at Oklahoma City, OK, on September 18, 2016: Shiva Baradaran Melia Callahan Kailyn Cecil Angela Conley Crystal Conley Deborah Conteh Katherine De Angelis Rikki Eichler Dyani Gibson Elizabeth Glaser Ciana Higgs Jessica Hudson Matthew Hudson Jazlyn Huynh Alanna Jones

Lauren Keely Roman Koudriavtsev Makenzie Krocak Emma McLellan Jared McManus Chelsea Mendenhall Frank J. Parker Arisa Pistulka Carmon Scott Sara Sharp Brooke Siepierski Nicole Stackhouse Auburn Thompson Sarah Yousey

Chicago, IL | October 28-30, 2016 Dmytri Overchuk RFS, RD David Redlin SFS Bethany Shinn RM, RG Elizabeth Treu RFS, CFS, RM Paula Trujillo CPD, SPD Jessica Ward RM Karissa Williams CG Kathy Wolff-Baradakov SG, RD Nicole Zawojski SC

Congratulations to the following master-rated coaches! Konstantin Baradakov MFS Amy Forbes MPD Carrie Greene MM Kristen Hemstreet MPD Lauren Hunt MPD

Michelle Lauerman MFS Melinda Mowdy MG Anita Saxena MG Jill Smith MM Ashley Wyatt MC

Congratulations to the following coach and her master-rated mentor for completing the PSA Aprentice Program: Apprentice: Vikki Dalquist

Level & Discipline: Level 3 Synchronized Skating

Mentor(s): Vicki Korn, MS, MG, MPD

Are you looking for additional PSA credits? Do you have an idea for a seminar or education event in your area? Good news! The PSA is now offering an exciting new opportunity to broaden our outreach for educational credits and coaching seminars. We are looking for educational partners and events that we can put a stamp of approval on and endorse. We recognize that you are always looking for ways to obtain PSA educational credits. This new venture will help us partner with educational events in your area for PSA credit. Event coordinators will be responsible for finding speakers and setting their agenda, which will be reviewed by PSA as part of the endorsement application. PSA will help with marketing and promotion of endorsed events. If you have an idea for an event or are interested in an endorsement, please contact Carol Rossignol at crossignol@skatepsa.com or visit skatepsa.com for more information.

PS MAGAZINE

SAFESPORT

The New U.S. Center For SafeSport B y Pat S t. P e t e r , J . D .

n 2012, the U.S. Olympic Committee created the SafeSport program to improve athlete safety across the 47 Olympic Sport National Governing Bodies (“NGB”). As an NGB, U.S. Figure Skating adopted and implemented the SafeSport program initiatives to the extent they were not already part of U.S. Figure Skating’s bylaws, rules and policies. As an extension of the SafeSport program, the U.S. Olympic Committee has established the U.S. Center for SafeSport (“the Center”) which will be launched in 2017. The Center is an independent nonprofit organization located in Denver and its purpose is to enable every athlete to thrive by fostering a national sport culture of respect and safety, on and off the playing field. The Center will have two main functions—the Education and Outreach Office and the Response and Resolution Office. Following is a summary of the services the Center will provide and how it will affect U.S. Figure Skating and its members. Through the Education and Outreach office, the Center will provide national education programs and materials focused on raising awareness of the types of abuse that can happen in and through sports and ways such abuse can be prevented. Educational opportunities will be offered to coaches, athletes, parents, staff, and volunteers of U.S. Figure Skating and the other NGBs through the SafeSport Learning Center. In addition to education programs, the Center, through the Response and Resolution Office, will have the exclusive authority to investigate and resolve all alleged SafeSport Code violations involving sexual misconduct and to recommend disciplinary action over “Covered Individuals” affiliated with any of the 47 Olympic Sport NGBs who the Center determines committed a SafeSport Code violation. “Covered Individuals” are persons (1) within the disciplinary jurisdiction of an NGB; (2) persons the NGB or the USOC authorizes, approves or appoints to a position of authority over athletes or who will have frequent contact with athletes; and (3) persons identified by the NGB as being within the Center’s jurisdiction. As an NGB, U.S. Figure Skating has agreed to adhere to the U.S. Center for SafeSport’s jurisdiction, policies and procedures, including the SafeSport Code. The SafeSport Code outlines what constitutes prohibited conduct and

JANUARY/ FEBRUARY 2017

will be used by the Center in determining whether or not a SafeSport violation has occurred. The types of sexual misconduct over which the Center has exclusive authority include sexual harassment; non-consensual sexual contact; non-consensual sexual acts; sexual contact or acts involving minors; sexual exploitation; romantic or sexual relationships involving an imbalance of power; and criminal activity involving sexual acts or contact. It is important to note that there is no statute of limitations on possible violations of the SafeSport Code and, further, that an alleged violation need not have occurred in the context of sport for the Center to have authority to investigate and resolve it. With the establishment of the Center, U.S. Figure Skating, its members and member clubs are required (1) to report to the Center all allegations involving sexual abuse or sexual misconduct, including prohibited conduct that is reasonably related to an alleged SafeSport Code violation involving sexualized behavior; (2) to delegate authority to the Center for investigation, resolution, issuance of interim suspensions and any other discipline or other sanctions (including a permanent ban from eligibility) in all matters that are subject to the jurisdiction of the Center; and (3) to enforce all such discipline or sanctions issued by the Center after final disposition of a complaint investigated and resolved through the Center’s process and procedures. At U.S. Figure Skating’s (or any other NGB’s) request, the Center may also investigate and resolve alleged SafeSport Code violations that are non-sexual in nature. However, whether the Center will accept a particular matter that is non-sexual in nature for investigation and resolution is within the Center’s complete discretion.

Mandatory Reporting Obligations for SafeSport Code Violations Under U.S. Figure Skating Rule GR 1.03, it is mandatory for all U.S. Figure Skating members to report immediately to U.S. Figure Skating and to local law enforcement or a public child welfare agency any observed or suspected form of sexual abuse. A member’s failure to report observed or suspected sexual abuse constitutes a violation of GR 1.03 and the member is subject to discipline. It is important to note that the establishment of the Center does not change U.S. Figure Skating’s mandatory reporting obligation that

Shellie Pfohl Named U.S. Center for SafeSport CEO | Pfohl to Lead Nonprofit to Ensure Athlete Well-Being On and Off the Field DENVER, CO--(Marketwired - November 02, 2016) The U.S. Center for SafeSport (SafeSport), the first national nonprofit dedicated to preserving the safety and well-being of athletes, today announced Shellie Pfohl as its Chief Executive Officer (CEO). SafeSport's hope is for every athlete to be safe, supported and strengthened on and off the field. The Center will work collaboratively with sports organizations to ensure a culture of safety through awareness, best practices, education and training. Pfohl joins SafeSport following a successful

tenure as Executive Director of the President's Council on Fitness, Sports and Nutrition, appointed by President Barack Obama in 2010. Under Pfohl's leadership, the Council played a significant role in advancing First Lady Michelle Obama's Let's Move! initiative to end childhood obesity within a generation. She also directed the Council's programs to engage, educate and empower all Americans to live a healthy, active lifestyle. Pfohl championed the modernization of the longstanding and outdated President's Challenge

all U.S. Figure Skating members have under GR 1.03. With the establishment of the Center, the only change is that a report of observed or suspected SafeSport Code violation related to or accompanying sexual misconduct can now be made directly to the Center as well as to U.S. Figure Skating. U.S. Figure Skating has distributed instructions to all members and posted on www.usfigureskating.org/ safesport how a SafeSport Code violation can be reported to the Center. The Center will, to the extent possible, maintain the privacy of all individuals involved in the investigation and resolution of alleged SafeSport Code violations. The Center will also permit anonymous reporting. However, if the only information the Center has is an anonymous report, it may limit the Center’s ability to investigate and respond to a complaint. PSA members who are not U.S. Figure Skating members are encouraged to report to the Center any observed or suspected violation of the SafeSport Code involving sexual misconduct as defined in the Code.

Investigation and Resolution of Complaints by the Center The Center’s procedures for investigating and resolving a reported SafeSport Code violation are generally as follows: After the Center receives a report of an alleged violation, the Center will determine whether it has jurisdiction over the alleged misconduct and whether the person who engaged in it is a “Covered Individual.” If jurisdiction is determined to exist, the Center will then conduct an investigation, the extent of which will be determined by the nature of the reported misconduct and whether the Responding Party declines to contest the matter. In the situation where the Responding Party does not contest the matter, the Center may impose appropriate sanctions without any further investigation. In matters where the Center decides to move directly to a full investigation, the Center will conduct an investigation to determine whether, based upon a preponderance of the evidence, a SafeSport violation has occurred. Notice will be

Youth Fitness Test and launched the Presidential Youth Fitness Program. She also spearheaded the revitalization of I Can Do It, You Can Do It!, a health promotion program that partners with schools and communities to ensure equal opportunities for people with disabilities to be active and eat healthy. Prior to her role at the President's Council, Pfohl served as Senior Vice President at a fitness technology company and was the founder and executive director of Be Active North Carolina.

provided to both the Reporting Party and the Responding Party that the Center is conducting an investigation and each party will be given the opportunity to present supporting evidence and identify potential witnesses to the Center’s investigator. If, after reviewing all of the evidence that has been provided, the Center’s investigator determines that a SafeSport Code violation has occurred, the Center’s investigator will prepare a report and may recommend sanctions against the Responding Party. The recommended sanctions will be reasonable and proportionate to the SafeSport Code violation that the investigator found was committed and could range from a warning to a lifetime ban or other restrictions on the Responding Party’s eligibility. In deciding what the appropriate discipline should be, the Center will consider various factors including, but not limited to, the seriousness of the SafeSport Code violation; the ages of the individuals involved; and whether the Responding Party poses an ongoing threat to others. Sanctions recommended by the Center will also include education to insure that minor misconduct does not escalate in the future into more serious misconduct. The investigator’s report will then be provided to both the Reporting and Responding Parties for their comment. After the Center receives the parties’ comments to the investigator’s report, the Center’s director of investigations will consider the investigator’s report, the arguments submitted by the parties regarding the investigator’s report, and any new information produced by the parties before a final determination is made. The director’s final determination will then be provided in writing to both parties. Upon their receipt of the director’s final determination, the parties will have 10 days to request an arbitration to appeal the Center’s decision. Either party may challenge the Center’s finding and/or any recommended discipline. The decision of the AAA will be final and binding on the parties.

Enforcement of Discipline by U.S. Figure Skating Once the Center’s investigation and resolution process is final, and any requested arbitration is final, U.S. Figure continued on page 15

PS MAGAZINE

SPORT SCIENCE Heidi Thibert, MFS, MM, MC

Move Well to Skate Well:

Introducing the U.S. Figure Skating High Performance Movement Screen B y L i n ds a y S l at e r

ovement assessments are used frequently in physical therapy clinics, athletic training rooms, and strength and conditioning gyms to identify movement patterns that are associated with increased risk of injury. These patterns, often referred to as faulty movement patterns, can change the way the ankle, knee, hip, or spine contribute to stabilizing the movement and may lead to changes in joint loading all the way up the kinetic chain. For example, decreased dorsiflexion at the ankle leads to increased medial knee displacement [1], which has been associated with increased lower extremity injury risk as well as common injuries in figure skating, such as patellofemoral pain [2]. The purpose of the movement screen designed by the United States Figure Skating High Performance Department, called the High Performance Movement Screen, is to assess movement patterns in figure skaters to identify and treat mechanics that may prohibit optimal performance. Figure skaters have the highest risk of overuse injury in the lower extremity as well as an elevated risk of concussion [3, 4] and the tests included in the high performance movement screen are valid and reliable tests to assess mobility and stability in the lower extremity as well as baseline test for concussion. These tests include the y-balance test, single leg squat, rotary stability, shoulder mobility, hip mobility, and the balance error scoring system. It is important to note that the goal of the movement screen is not to predict injury. Rather, the goal is to minimize risk of injury and maximize performance.

A note to coaches from Heidi DeLio Thibert, PSA Coaching Development Director/ PSA Sports Science Chair The High Performance Movement Screen (HPMS) was piloted with the International Selection Pool (ISP) athletes in 2016. It will be available at U.S. Figure Skating S.T.A.R.S. Combines in 2017 with a limited number of slots and an additional cost for the test. Watch for details on dates and locations of 2017 S.T.A.R.S. Combines.

Y-Balance Test The y-balance test assesses ankle mobility in three reach directions: anterior (reaching directly in front), posteromedial (reaching behind and to the inside of the foot), and

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posterolateral (reaching behind and to the outside of the foot). Asymmetrical performance on these tests has been associated with an elevated risk of injury [5, 6]. Even as little as a four centimeter difference between the right and left leg has been associated with close to three times greater likelihood of lower extremity injury. Most importantly, figure skaters are notorious for having weak ankles. These weak ankles are hypothesized to be a function of wearing stiff skating boots. Rather than addressing ankle joint weakness, skaters often focus on purchasing stiffer boots and tying the skate tighter, forcing a casting effect on the ankle. Testing ankle mobility will help identify athletes who are relying too heavily on boot stiffness and may benefit from ankle strengthening and mobility programs.

Single Leg Squat Single Leg Squat The squat is one of the most commonly used assessments to visually examine lower extremity alignment during movement. This movement requires proper mobility and stability at the ankle, knee, hip, and trunk for optimal performance. The single leg squat translates directly to figure skating movements, from stroking to jump landings. Good performance on the single leg squat has been associated with greater hip strength [7, 8] and ankle range of motion. Without proper hip strength to keep the knee in line with the toes, the knee collapses medially (toward the midline). This medial collapse, referred to as knee valgus, increases risk of anterior knee pain. This is particularly concerning given the number of jumps single skaters complete during each practice. If a skater lands with suboptimal mechanics,

Single Leg

Posterolateral

Posteromedial

Double Leg

Tandem

touch. The goal is to keep the trunk stationary during the movement. If the skater cannot perform this movement bilaterally, then it is performed diagonally with the opposite hand and leg being lifted off the ground. This movement pattern has direct correlation to movements in figure skating and helps identify skaters who lack coordination and/or stability in the transverse plane. Increases rotary stability will increase jump performance.

Hip and Shoulder Mobility

the high forces are distributed improperly and may increase risk of low back injury or stress fracture. Testing single leg movement pattern will help identify skaters who have improper mechanics due to lack of hip strength.

Rotary Stability Abdominal strength and stability are important to execute every single movement in figure skating. Optimal function of the “core” muscles, which encompasses hip, abdominal, pelvis, and spine musculature, enhances trunk stability and muscle coordination and is thought to reduce risk of injury. Furthermore, individuals tend to increase abdominal activation when fatigued, relying on core endurance to maintain posture and stability[9]. This is particularly important considering skaters are loading the second half of programs with jumping passes to maximize points under the IJS system, when fatigue is likely a factor. Therefore, testing abdominal strength in the transverse plane (rotation) is most important for figure skating. The rotary stability movement pattern tests the coordination and stability in the rotational plane, which requires contribution of the pelvis, abdominals, shoulders, and spine. The test requires the skater to be in quadruped (on the hands and knees) on the floor with the spine in a neutral position (parallel to the floor). The skater then flexes the shoulder and extends the same side hip and knee about 6-12 inches. The skater brings the elbow and knee towards the body enough for them

Demanding positions, such as the Biellmann spin, require flexibility in the hips, spine, and shoulders to safely execute the movement. There is currently no way to evaluate whether skaters are prepared to complete such a demanding move. The goal of these simple tests is to identify skaters who have tight hip flexors and lack shoulder mobility to work on mobility before introducing complex movement patterns. Testing shoulder mobility is also important for pair skaters and ice dancers who are expected to complete demanding lifts. Although our male skaters are incredibly strong, lack of mobility can be detrimental to performance and may inhibit strength gains. Lack of mobility in the shoulders may also result in increased spine musculature involvement and may explain the increased rate of low back injuries in male pair skaters [4]. With just a few simple tests that take less than a minute to complete, we can identify skaters who need to increase hip flexor or shoulder mobility to safely execute high-level skating movements.

Balance Error Scoring System (BESS) One of the hottest topics in sports medicine is concussion management. Concussions have become commonplace in athletic environments and sadly, these injuries are not foreign to figure skaters. A concussion is not something to take lightly and does require changes to training plans and even learning. Many high schools have a “return to learn” plan in conjunction with a return to play progression to make sure an athlete’s recovery is handled carefully. Too continued on page 15 PS MAGAZINE

EDUCATION Carol Rossignol, MD, MS, MG, MPD, MFF

Your Body Speaks The importance of watching your athlete’s body language By K e v i n Cot ta m

| p h o t o s b y v i ck i l u y

uring the Rio Olympics, coverage from CBC in Canada featured Clara Hughes, an Olympic gold medallist speed skater. She was speaking about Andre de Grasse performance’s in the 100 metres against Usain Bolt, and she said, “I could see it in his eyes.” She was referring to the ‘In the Zone’ state his body language was communicating. Another broadcaster said of the Canadian tennis player Eugenia Bouchard, “When she came out onto the court, her body language was reading heavy, head down, lacked energy.” She lost her match to Angelique Kerber whose body was expressing lightness, strength, confidence. I got very curious and excited that they were speaking about the power of listening to body language. Have you ever consciously thought about this? What is being said here? They are speaking about how your body speaks. One of the most important things you can do as a coach is to intentionally get curious about your athletes’ body language. Watch and sense their bodies in practice, off-ice, preparation for competition, warm-up and during the competition. Get curious and tune in!

Non Verbal Communication Figure skating, all sports, and dance are about non-verbal communication. That means there are no words that are being spoken to explain what is being communicated, as you well know. Whenever you are not speaking with your mouth, your body is. In fact, Albert Mehrabian, psychologist, is well known for his controversial studies on verbal and non-verbal communication, which says that 55% of our communication is non-verbal (body), 38% is the variance of your voice and 7% are the words you use. Many people dispute these percentages yet some researchers have said body language could go up to as much as 80% of our communication. Regardless, the body accounts for a lot of our communication. Why is this important to you as a figure skating coach or a judge or official or anyone? The reason is that the body language teaches you what might be going on with your athletes in their mind, or a way to improve technique or how nervous they are or if they are off centre and more.

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Centre of the Body Skaters, like dancers, like all human beings, need to be centered in their physical bodies. This centering is dictated from your brain to your nerves and muscles. Through practice you begin to find your centre and balance is achieved. Use the example of a beginning skater: they have problems with balance and learning the skills. They fall, get up, fall, get up until not only the skill is successful, the body is then centered and balanced. Eventually this becomes natural. Their bodies are speaking. The centre is located approximately a couple of fingers just below the navel. This supports the idea of keeping strong abdominals that can give great support to your centre. From that centre we move more efficiently, effectively and seamlessly. I was sitting with a friend of mine watching Rafael Nadal once and he was making some poor shots and was losing. I asked her to watch his body. She said, “what do

you mean?” I instructed her to look at his centre—it had raised up around his mid-chest and he was moving slightly out of balance. He didn’t look out of balance; however, just a slight move off centre of such a honed athlete can result in winning or losing a shot or a game—or in skating it can be the difference between landing a jump or not. Of course, there are many factors that might result in a missed jump or element, however centering plays a key vital factor. Just think, when you watch your athletes, if they move their centre upwards to your mid-chest or shoulders even, they have now thrown themselves slightly off balance and they become a bit top heavy, so to speak. This happens often when people are nervous. Their centre rises, the breath shortens, and the mind constricts. Of course, very professional skaters can possibly ‘save’ the jump or mistake due to their rapid muscle reactions. As a coach this is the place you get curious and explore. I suggest the following to you when you are watching your athletes: 1. Watch their bodies with open curiosity 2. Look to see if they are centered 3. Ask them open questions that start with what, where, and how (i.e. How did that feel? Where did you feel that great jump in your body? What did it feel like? Where were your shoulders in the air?) 4. Help them to sense their physical body more deeply and encourage them to speak about it 5. Help them to find their centres by moving deep

into knees when they are skating (when skaters get nervous they rise out of the knees and hence the centre can be thrown off ) 6. Help and teach them to breath from deep in their belly Tip: Belly Breathing is a yogic breathing technique that takes you deep into your centre and helps you to stabilize, balance, stay calm, and focus

The Spoken Word Reflects in your Body Language Words also resonate in the body. In an interview with Patrick Chan at Skate Canada in October, he spoke about the ‘fear’ he had around the quad Salchow. He had fallen on it during his long program. I instantly thought if he is speaking about the fear of this, what are the possibilities of him landing this? Probably pretty slim, because the words we put into your mind can play out in your body language. If I was his coach, who probably wasn’t around during the interview, I would get curious and explore deeper by questioning him on his use of words. The words you use to speak outwardly or even internally reflect through your body and come out as body language in different ways. You have all heard about the benefits of using positive affirmations and the benefits. That is often why athletes use visualization and work with sports psychologists. The possibility of landing a jump or any element is diminished when your internal or external language is negative. Research has shown that these negativities then settle into our limbic brain (emotions), the reptilian brain (fight or flight), and other parts of the brain and moves into our unconscious, which then can be a default mechanism. If we keep using a word such as fear, it can become a self-

PS MAGAZINE

fulfilling prophecy. Therefore, read the body language of your athlete, listen to the words they use, then get curious and ask them open questions. Listen to their words and help them process those words by following a questioning pattern such as, 1. What do you feel went wrong/right with that jump? 2. Where do you feel that in your body? 3. What happens when you feel fear/ can’t/not possible? 4. What is another word that you want to say that will help you be successful in this jump, spin, lift, edge, etc.? 5. How do you want to be when you are in the top of that lift or jump? 6. How would that feel? 7. What would that do for you? Reading body language is a practice, and remember it is not 100%. Therefore, do not assume anything; get curious and explore by asking questions. If you can, spend time looking at the whole body and the whole ‘being’ of your athletes. Hone your already very honed skill of reading the communication you sense from the body language. You will find many answers that can assist them in their development and competitions as well as in life in general. The most important things about body language for you as a

MAY 30 – JUNE 2

coach are to be aware of the following: 1. Use your senses (sight, hearing, touch, taste, smell, feeling, intuition) 2. Get curious 3. Ask open questions 4. Listen deeply in many ways (i.e. ears, body, feeling, eyes, energy) 5. Help them focus on breathing and centering 6. Help them to listen more profoundly to their body on all their technique 7. Listen to their spoken language for negative words and help them to shift their language, if it is negative 8. Repeat words back to them they have used (ex. Can’t – what is it that you can’t do? What is that you can do?) 9. Listen and observe the energy of their spoken language and their bodies 10. Hone your deep sense of awareness Kevin Cottam, ACC, BSc, lives globally as a global executive coach, speaker, and trainer who works in the private and public sectors. He spent the majority of his life choreographing for national, world, and Olympic Champions, as well as directing large scale productions for Holiday on Ice and the 1988 Olympic Closing Ceremonies. www.kevincottam.com

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SPORT SCIENCE

continued from page 11

often, figure skaters acquire an undiagnosed concussion or it is difficult for coaches and sports medicine providers to decide when to return a skater back to full training after a concussion because figure skaters do not currently complete baseline concussion testing. The Balance Error Scoring System (BESS) is a cost-effective and easy way to quantify balance. The BESS test includes three different stances (double leg, single leg, and tandem stance) on two different surfaces (firm and foam) with eyes closed. Each trial lasts 20 seconds and the tester counts the number of errors which include lifting the hands off the hips, opening the eyes, stumbling, moving out of position, lifting the forefoot or the heel, and remaining out of position for more than five seconds [10]. Athletes demonstrate balance problems on this test immediately after concussion with balance deficits usually resolving within seven days [11]. This test serves as the easiest way to baseline test as many figure skaters as possible for evidence-based decision-making to return to skating after concussion.

SAFESPORT continued from page 9

Skating will enforce the discipline, if any, that has been imposed against the Responding Party. In conclusion, with the establishment of the Center, the objectives of the SafeSport program will be greatly enhanced and it will strengthen national prevention efforts to stop abuse in sport. The PSA has been a leader in the SafeSport program initiatives and coaches will continue to play a critical role in creating a safe and supportive environment for all athletes. SafeSport is not a one-time program—the challenges to maintaining a safe and supportive environment are constant and broad education, awareness and diligence are keys to the success of the SafeSport program. Patricia St. Peter is currently an ISU Council Member and served as President of U.S. Figure Skating from 2009-2014, the time during which U.S. Figure Skating adopted and implemented the SafeSport program. Pat is a National Singles & Pairs Judge and National Referee, and also was a figure skating coach for 12 years in the Minneapolis-St. Paul area.

REFERENCES [1] Padua DA, Bell DR, Clark MA. Neuromuscular characteristics of individuals displaying excessive medial knee displacement. J Athl Train. 2012;47:525-36. [2] Herrington L. Knee valgus angle during single leg squat and landing in patellofemoral pain patients and controls. The Knee. 2014;21:514-7. [3] Fortin JD, Roberts D. Competitive figure skating injuries. Pain Physician. 2003;6:313-8. [4] Dubravcic-Simunjak S, Pecina M, Kuipers H, Moran J, Haspl M. The incidence of injuries in elite junior figure skaters. Am J Sports Med. 2003;31:511-7. [5] Smith CA, Chimera NJ, Warren M. Association of y balance test reach asymmetry and injury in division I athletes. Med Sci Sport Exer. 2015;47:136-41. [6] Pilsky PJ, Rauh MJ, Kaminski TW, Underwood FB. Star excursion balance test as a predictor of lower extremity injury in high school basketball players. J Orthop Sports Phys Ther. 206;36:911-9. [7] Crossley KM, Zhang W-J, Schache AG, Bryant A, Cowan SM. Performance on the single-leg squat task indicates hip abductor muscle function. Am J Sports Med. 2011;39:866-73. [8] Claiborne TL, Armstrong CW, Gandhi V, Pincivero DM. Relationship between hip and knee strength and knee valgus during a single leg squat. J Appl Biomech. 2006;22:41-50. [9] Chang M, Slater LV, Corbett RO, Hart JM, Hertel J. Muscle activation patterns of the lumbo-pelvic-hip complex during walking gait before and after exercise. Gait & Posture. 2016;IN PRESS. [10] Guskiewicz KM. Balance assessment in the management of sport-related concussion. Clin Sports Med. 2011;30:89-102. [11] McCrea M, Guskiewicz KM, Marshall SW, Barr W, Randolph C, Cantu RC, et al. Acute effects and recovery time following concussion in collegiate football players: the NCAA Concussion Study. JAMA. 203;290:2556-63.

Recipient of the 2016 PSA/ U.S. Figure Skating Pieter Kollen Sport Science Coaching Award, Lindsay Slater is presently working with U.S. Figure Skating on future implementations of athlete screening and testing both with S.T.A.R.S. and International Selection Pool (ISP) athletes to help identify injury risks and imbalances. She is currently pursuing her doctorate in Sports Medicine at University of Virginia, where she is also the head coach of the collegiate figure skating team and coaching youth athletes in the DC area.

PSA TREASURER’S REPORT C a r o L m u r P h y, S D , S G , S S , r F S I am pleased to report that we ended our Fiscal year 2015-2016 strong, with our best results since FY 2009-2010. Revenues for FY 2016 were $1,689k, versus $1,557k last year, an increase of $132k from last year or by 8.5%. We saw stronger revenue from conference fees, e-learning, endorsements, and ratings. Expenses were $1,601k, versus $1,594k last year, increasing by $7k. Conference expenses were slightly higher, while goods expense, board expense, legal, and building expense were all lower than last year. Operating income was a net profit of $88k versus a net loss last year of ($36k), an increase of $124k. Non-operating income (dividends and unrealized gain) was ($3k), versus $12k last year, decreasing by $15k from last year resulting in a positive change of net assets before income taxes of $77k versus ($32k) last year, an improvement of $109k.

Membership was 5819 at the end of June 2016. Our investments decreased by $1k from $535k to $534k at the end of June, due to market conditions. Our investment account did perform a bit better over the summer, and did exceed $554k in August. Total assets at the end of June were $2,919k, which is comprised of cash and investments $1,232k, property & equipment $1,593k, and receivables, inventory, and prepaids $94k. Total Liabilities were $631k, which is comprised of deferred membership revenue $477k, accounts payable $35k, accrued payables $71k, line of credit payable $20k, and other $28k. Our net worth or total capital increased from $2,211k to $2,288k, an increase of $77k. Carol Murphy, PSA Treasurer

PS MAGAZINE

Judging GUIDING SKATERS INTO

By Terri Milner Tarquini

ow can you alleviate the judging squeeze that is affecting many parts of the country? Shop local. “We must have the help of the clubs in identifying potential judges,” said Laurie Johnson, national vice chair for judge’s education and training. “The judging community is getting older and we’ll definitely keep losing judges. We have to do something at the local level to get the next generation involved. Without judges, we have no sport.” No sport. Let that sink in for a minute. That’s what happens to a sport that is not run by a stop watch or a measuring stick when there are no officials to assign points or award tests. “Coaching is not for everyone and it is imperative that coaches look at their skaters and attempt to see who might be good at judging,” said Johnson, who is a 23-year judge

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with national and international appointments in singles and pairs, as well as a technical panel official and sectional vice chair for the Pacific coast. “There is a whole other avenue of continuing a career in skating that doesn’t involve competing or coaching.” It’s an alternative avenue that Johnson has really been going after. In her home state of Utah, Johnson organized a statewide seminar and, at the conclusion of the two-and-a-half days of learning, she registered 10 new trial judges. “All of the clubs in Utah are struggling,” Johnson said. “We have a lot of older judges and a lot of test sessions and they just can’t be everywhere all of the time. Increasing the judging pool will help all of the clubs in the area.” U.S. Figure Skating is a national organization, with one office for all of its membership, but it’s at the local level that judging

“The perfect candidate is entering or is close to entering their next phase of skating... They are done or almost done with

talent can be spotted, as coaches have a finger on their rink’s pulse. “The perfect candidate is entering their testing and competitive career. They are almost out or is close to entering their next phase of high school or are just beginning college. They should of skating,” Johnson said. “They are done or almost done with their testing be ethical and fair-minded and they have to have a love and competitive career. They are almost out of high school or are just beginof the sport—absolutely have to have it.” ning college. They should be ethical and fair-minded and they have to have a love of the sport—absolutely have to have it.” “You do have to be able to put in the time,” Newcomer said. Being a people person can also cer“It is volunteer, but you need to be prepared and committed tainly come in handy for a future official. and be willing to commit to knowing the rules and the scoring “It’s important to have a good rapport with people,” said system. The U.S. Figure Skating board has put together a task Juliet Newcomer, director of technical services for U.S. Figforce to look at and analyze the trial process. It’s important we ure Skating. “You will get questions from parents and coaches get more judges without compromising quality.” and skaters and you need to be able to answer calmly and That is where the somewhat newer idea of “fast-tracking” positively. It’s also important to be able to communicate to comes in, a process which, ultimately, has to do with a skater’s other judges and listen and learn from them. Judging can be personal achievements. a real team environment.” “Judges come from so many different backgrounds; you don’t When a skater is at a crossroads on their skating journey, have to necessarily have been a national champion,” Johnson judging can be an alternative that they can explore, while keepsaid. “We can teach anyone how to judge with enough time and ing their other options open. dedication. But, if you have higher skating experience, there are Full-time college students, with approval by the U.S. Figure faster options.” Skating judge’s committee, can judge and coach at the same time. For the standard track, no qualifications are needed. For the Following school, a coach can also trial judge, or a judge with an accelerated track, a prospective singles/pairs judge needs to have appointment can continue to coach but only skaters with no U.S. passed the intermediate, novice or junior freestyle or pairs test or Figure Skating tests through a learn to skate program. adult gold freestyle or pairs test. For advanced track, a skater has “Judging provides a different perspective on the sport from to have passed the senior free skate or pairs test or competed at coaching,” Newcomer said. “With coaching, you have your hand the novice, junior or senior level at sectionals in singles or pairs in the one-on-one, day-to-day improvement. With judging, you or competed at the adult championship master’s level in singles still have an impact on the skaters, but you don’t have the same or pairs. For the select track, the requirement is having compressures as being a coach. Plus, it’s the best seat in the house if peted at the U.S. Championships in novice, junior or senior in you like watching skating.” singles or pairs. Similar tracks exist for dance and synchronized Often, time is pointed to as the biggest hurdle to an interjudges as well. ested skater pursuing judging.

PS MAGAZINE

Simply, the more advanced a skater’s personal tests or competitions, the faster the trial process has the potential to be. “U.S. Figure Skating has worked really hard to encourage skaters to take a look at judging,” Johnson said. “Often, skaters only think about the paycheck that comes with coaching, but the sport is changing and keeping up on all of the changes takes a lot more time and effort than ever before. There is a whole other avenue of being an official and it is now possible for college-aged skaters to teach learn to skate, go to college and still trail judge. It’s not until you have a student that is ready to begin testing that you need to decide between coaching and judging.” Often, a simple word from a coach or a judge can go a long way in piquing the interest of a prospective judge. “It needs to be a collaborative effort where the coaches and judges know that this problem is looming and are looking for fresh faces,” Johnson said. “We need to embrace the next generation of officials or where do we go from there? The only way to get this really going is for coaches and judges to identify skaters who would be good candidates and to get them started by hooking them up with a local official.” For a coach who has a skater who might make a solid judging candidate, facilitating a connection between a local official and the skater can be an important first step in the process. From there, it’s important that the officials of today put in the work to continue populating the judging panels of the future.

“We need to embrace the next generation of officials or where do we go from there?

The only way to get this really going is for coaches and judges to identify skaters who would be good candidates and to get them started by hooking them up with a local official.”

JANUARY/ FEBRUARY 2017

“It is the judge’s job to not just monitor them, but to mentor them,” Johnson said. “It’s not enough to just make sure they are staying on track, they need to be there for them.” For coaches and clubs interested in hosting a judge’s seminar, the first step is to contact U.S. Figure Skating for information on resources and instruction and to apply to hold a school. “If we can get the clubs more engaged, it could go a long way in helping to solve the problem,” Newcomer said. “Generating interest in judging will help everyone. Also, the task force is interested in feedback from our members on what might make the process better. We want it to be a positive experience from beginning to end because we want new judges coming in.” As the perception of judges has changed over the years, it has meant closer relationships between the skaters and those who watch them, which can be a real positive for those looking to stay involved in the skating world. “I don’t want kids to see judges as old, mean crabby people,” Johnson said. “I made it my mission to change that perspective and it really fuels what I do. It’s so rewarding to see a skater grow from a pre-preliminary to passing a senior test. So very, very rewarding. I have a skater that I have been judging since Basic Skills and I just got an invitation to her wedding. Judging is such a great way to stay in a sport you love and have a positive effect.”

Kick-starting your coaching career By Kent McDill

he educational requirements from the Professional Skaters Association to be a rated coach are extensive. The first step to a rating, as described at the PSA website skatepsa. com, requires a candidate complete four online courses or attend A PSA educational event just in order to take the Basic Accreditation rating exam, which has only an 80 percent passing rate among all candidates. To take any level oral rating exam, the corresponding level Sport Science & Medicine exam must be completed first. Prerequisites to the Sport Science & Medicine exams include having passed the Basic Accreditation

exam or completed the Foundation of Coaching Course (formerly the Entry Level Coaching Course) and the candidate must have attended a pre-approved event in the previous year. Then a coach can take an oral exam in the discipline of their choice, starting at the registered level, then certified, senior, and master. So, you are officially a PSA-rated coach. Do you want to be a PSA-rated coach again next year? If you do, you must maintain a minimum of 28 education credits over a three-year period through attendance at educational events. The PSA does allow coaches to

count time spent at non-PSA events sponsored by organizations such as U.S. Figure Skating and ISI. The PSA website has an education tab on the home page that offers eight different educational opportunities, from nationwide seminars to its highly acclaimed Apprenticeship Program, in which coaches learn from more experienced coaches on all aspects of the coaching profession. With all of the educational requirements that come with achieving and maintaining ratings in the PSA, finding more time and money to attend additional educational events can be daunting. But some coaches do it, out of the love of skating and the knowledge that there is no such thing as too much knowledge. Phillip Bagnall of Huntsville, Ala., is one such coach. The 25-year-old Bagnall is former skater who wanted to find a profession that would allow him to have a great deal of interaction with others, and to provide those people with outlets for personal expression and success. Becoming a skating coach proved to be his method of fulfilling his own promise. “In 2011, I went to my first conference in Dallas for the PSA/ ISI Conferences and Trade Show,’’ Bagnall said. “I was encouraged to do so by my rink. After I went there, I was so enamored by it all. There was so much knowledge! It kick-started my career.” Bagnall, who is currently a Certified Group Instructor and a Registered Dance Instructor at the Huntsville Ice Complex, has been continued on page 20 PS MAGAZINE

continued from page 19

Nationwide Seminars Update By Don Corbiell

t PSA, one of our main goals has always been to provide quality education with the end result of training better and more successful skaters, thereby improving the overall quality of our sport. Successful happy skaters = successful happy sport = successful happy coaches! Although it is a daunting task, we are trying to make things better for all three…the skaters, the sport, and our coaches. When PSA asked me at the Conference in Las Vegas if I would step in to become the Seminars Chair, of course I said, “Sure, no problem. It’s a new adventure!” When you step into the world of assisting in the running of an organized sport like figure skating, the scope of the programs offered and what must be done is staggering! And I’m really only talking about what the PSA does…you can’t imagine what U.S. Figure Skating, ISI, and the USOC are doing as well. It’s no wonder that we have liaisons to these other entities to attend their meetings and try to make sure we are all on the same page. So with that in mind, and with the intention of trying to update the structure of our seminars, I selected a committee and we have hit the ground running. Keep your eyes peeled for a survey coming out very soon, if you haven’t already received it. Please, please, please take a few minutes to fill it out! You may receive the survey more than once through various outlets. If you’ve filled it out once, no need to do it again. I firmly believe that different coaches in different areas of the country need different information for different level skaters at different times of the year. We are trying to collect some data to

determine how we can supply the necessary information to the right location at the right time of year for the most people. Don’t be surprised if you receive a phone call from me or someone on the committee to talk to you about seminars and coaching! There are different areas of the country that we want to reach out to and get some feedback. We might be calling to ask if you would host one based on our feedback from the survey. By the conference in Nashville, TN next May, we should have the seminars set, the cities and hosts decided, and a new system in place. Another focus for us right now is to work with U.S. Figure Skating and try to get the judges involved in the process again. Some of the best seminars we had were when the new moves rolled out and the rooms were packed with people talking after the presentations! Then, when the changes in the moves came out, the same thing happened. Getting the information out to not only the coaches, but the judges, at the same time is essential. We are all so excited and can’t wait to get this going. I have to keep reminding myself (and others), too much too quickly can be overwhelming…we’ll get there! We have a ton of exciting ideas from some really great people who have been in the trenches for a long time. We are trying to keep an open door policy. We want to talk to you and hear from you. We would love to hear about your ideas and how we might incorporate them into a seminar in your area. Bringing it all together, I hope to come up with a new way of making sure everyone gets what they need!

JANUARY/ FEBRUARY 2017

LEFT: Phillip grabs a photo in front of the Mirage while in Las Vegas for the 2016 conference. RIGHT: Phillip

attended his first conference in 2011 in Dallas and hit the ice with some of the PSA staff.

to five annual conference and trade shows (with his travel plans set for the next one), 10 different regional coaching events, and a Ratings Prep course. He recently had his first student attend a regional non-qualifying event, and he stayed after it was over to attend a judge’s school class. “I describe it as coach’s college,’’ Bagnall said. “I tell my students when I am leaving ‘I am going to coach’s school’. It is in-depth, constantly being upgraded, and you get to find out things that work and things that don’t. “I go with an open mind,’’ Bagnall said. “I go with the broad view, thinking ‘what can I bring back from this?’ There is so much benefit to going because of the number of coaches in attendance who have been coaching for so long and have so much experience and knowledge.” Bagnall noted that the continuing education, both required and voluntary, provides one positive result which is not seen in other sports with less attention to continuing education. “They keep coaches from settling and falling into the old routine,’’ he said. “It can be a repetitious cycle. The PSA keeps it new and fresh and keeps me passionate about what I am doing.” Bagnall added an aside to the conversation about education, crediting the PSA for welcoming newcomers to the coach’s rank. When he attended his first conference five years ago, he received a surprise invitation to join a few PSA board members for dinner, “and I was only 18!” “The education has pushed me as a professional,’’ he said. “The passing of knowledge has made me so much more professional It has helped me streamline and polish my delivery. There is such a sense of accomplishment. I know I could walk into any facility and show my credentials and say ‘I would like to coach at your rink’ and I don’t think there would be an issue.”

Sam Rudden Keeps his mental edge even when the blades come off

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Professional Skaters Foundation

A Community that Cares • A C

2016–2017 Oﬃcers, Board Members and Trustees PRESIDENT VICE PRESIDENT TREASURER SECRETARY

Carol Murphy Kelley Morris-Adair Scott McCoy Gerry Lane

A MESSAGE FROM THE PRESIDENT DISCUSSING OUR MISSION: The PS Foundation was formed to expand educational opportunities for coaches through various scholarships providing them the opportunity to attend one of our various educational programs. In addition, the Foundation, through the Skater's Fund, assists coaches who need financial help due to illness, injury, disability, or financial distress. Our Building Fund supports the only building in the world dedicated to professional skaters and allows us to continue to upgrade our gallery and office. We are “A Community that Cares”

BOARD MEMBER

Paul Wylie Doug Mattis Carol Rossignol Tim Covington TRUSTEE

Richard Dwyer Cindy Geltz Tara Hillstrand Lane Robbie Kaine Wayne Seybold Kim Seybold The Professional Skaters Foundation (PSF) was founded to expand the educational opportunities of PSA members through a 501(c)(3) non-profit, charitable foundation. The PSF offers two scholarship programs, The Walter and Irene Muehlbronner Scholarship and The Don Laws Apprentice Scholarship. The Walter and Irene Muehlbronner Scholarship is available to PSA members for attendance at PSA education programs such as Ratings Prep, Nationwide Seminars, State Workshops or the International Conference. Scholarships are intended for the reimbursement of associated fees to attend PSA education programs. Up to four scholarships are awarded annually up to $1,000 each. More information can be found on our website and the application deadline is January 1. Four of our members were awarded the Muehlbronnor Scholarship in 2016. Two recipients were able to attend conference and pass a rating exam. Another recipient was able to attend a Ratings Prep, conference and also passed a master rating. Congratulations to all! The Don Laws Apprentice Scholarship, offers three merit based apprentice scholarships, each intended for the reimbursement of direct expenses incurred for attending the PSA Apprentice Development Program at Shattuck-St. Mary’s in Minnesota. Direct expenses include travel to the program site, lodging, and meals. Awards are based on dedication to coaching, sound character, and ethical practices. Additional information can also be found on our website, www. skatepsa.com and the application deadline to apply is April 1.

Skaters' Fund – Donation Levels: • • • • •

Platinum Diamond Gold Silver Bronze

$10,000+ $5,000+ $1,000+ $500+ $100+

Recognition opportunities for donors

JANUARY/ FEBRUARY 2017

[ profile ]

I always believe I am never done learning to make sure I am the best professional I can be for each one of my students, tending to their individual needs as they continue to grow and develop. Thanks to the Irene Muehlbronner Scholarship through the PS Foundation, I received funding necessary to deepen my knowledge and credentials by attending the PSA Conference in Las Vegas this past May. I knew I wanted to do oral ratings in choreography for quite some time, but the cost of attending the conferences a plane ride away seemed daunting. I could not afford such a business expense at the time, transitioning from coaching in New York City to Seattle, so the scholarship was the only way I be able to attend the conference. I am unbelievably grateful to have been a part of the conference, to hear the speakers, attend the on- and off-ice workshops, and finally take the first two choreography exams I had been hoping to take for so long. The conference truly inspired me, and I left ready to bring my new experiences and knowledge home to my students. I truly would not have been able to partake in this experience without the help of the PS Foundation. I am more confident as a technical coach and choreographer, and the PSA ratings exams have certainly furthered my career in terms of advertising and credibility. I sincerely cannot say enough for the Irene Muehlbronner Scholarship, which has made so much possible for me. Thank you. Anne H. Goldberg, D.M.A., CF, CC

The Skaters' Fund The Skaters' Fund assists all coaches and performing skaters who need financial assistance due to sickness, disability, financial distress or age. The Skaters' Fund was founded by Charles Fetter in 1998 and has awarded over $130,000 in assistance to over 50 recipients since its inception. The Skaters' Fund helps coaches and performing skaters who fall upon hard times due to injury, illness, disability, age or natural disaster. During these difficult moments, the Fund is a place to turn to help, a safety net in our industry. It is the only such resource in the field of skating and is unique to the United States.

The Skaters' Fund was formally turned over to the PS Foundation at a ceremony at the 2015 Conference and Trade Show by his widow, Sandy Fetter. The Skaters' Fund has paid out $8,220 in 2016 to help several coaches facing dire financial distress as well as a coach who fell while teaching resulting in a fracture requiring surgery, and another coach that also fell while teaching resulting in a fracture. Health emergencies can be devastating for coaches who are often independent contractors. It is the mission of the Skaters' Fund to help those who are in an

Community that Cares • A Community that Cares [ profile ]

The 2016 U.S. Open Professional Figure Skating Championships holds a special place in my heart, as it was a pivotal point in my career as a professional skater. I was one of more than 25 competitors among freeskaters, ice dancers, adagio, pair skaters, comedy, and specialty artistic group acts, who all united together for this unique venue. Since my competitive days, I have spent the time in between studying piano and modern dance, becoming a piano performer instructor, and working in theatre, teaching ice dance, and performing. I was at a point in my skating life where I was quite literally dreaming of skating and performing again at an artistic and athletic level beyond anything I had ever imagined. I was elated and excited after reading about the event on Facebook. This was what I been looking for. I made a huge decision to return to my first love and passion—free skating! Together with Olympian ice dancer Sinead Kerr, we choreographed a program to a medley of Pearl Jam, whose music I have always found personally meaningful and inspirational. I savored every moment of the competition training experience, emerging myself into an intensive off and on ice regime of exercise and nutrition. In addition, I began working on jumps and spins with fellow coach Christopher Wan. My competitive dream came full circle when I also had the opportunity to work with World and Olympic coach Diane Agle, one of my former instructors from childhood. After numerous visits to Lake Placid and working tirelessly to “refine my lines”, hone skills and enhance the choreography of the program, I was ready. Diane accompanied me as my coach, along with close friend and Learn to Skate Director Laura Klinger, who played an incredible role in my life and helping on my run to the open. The U.S. Open was revived by PSA as a platform for performing professionals and artists to come together to celebrate each other. There are no “final results” posted, but rather four awards given: best skating technique, most innovative, break out performance, and grand master champion. Everyone competes in the same group. The criteria are simply performance value. I savored every moment of this magical, artistic, and bonding experience. While this may have been a competition (after all there were judges), it had no feeling of a competition against others, but rather a celebration and bonding experience with my fellow competitors that I will treasure the most. We all share a true passion for this beautiful art form called figure skating and strive to attain our personal best and that’s what I think the U.S Open is all about! Competing at the Open was such an exciting experience, there is no doubt in my mind that I hope to do it again, by hook or crook! I’m already hatching plans for a return to the U.S. Open in next year in Nashville. When I skate, it’s not just for myself but for all my fellow skating friends, some alive and some not with us today. We’re celebrating our beautiful sport TOGETHER and loving every second of it both on the ice and off. I’ll forever be appreciative of my coaches, friends, loved ones, and the PSA. David Lipowitz

emergency situation. Luckily, some of those who have health insurance and a family support system can make it through on their own. But for those who do not, the Skaters' Fund provides a crucial safety net. Your contributions are more important today than ever. Please consider donating this year. Every dollar makes a difference to our coaches. Without you, our fellow coaches, we cannot continue to help those in need. You may even want to give in honor or in memory of your favorite skating mentor. But whatever you do, please give generously.

Thanks to 2016 Skaters' Fund Contributors

Proceeds from the U.S. Open Professional Figure Skating Championships benefit the Professional Skaters Foundation. Please consider supporting the PS Foundation by sponsoring this fun competition!

Support the PS Foundation through one of our programs; Skaters' Fund, Walter & Irene Muehlbronner Scholarship, Don Laws Apprentice Scholarship, or the Building Fund. Donations can be made via our website, skatepsa.com or checks can be mailed, payable to the PS Foundation, (be sure to indicate the specific program you wish to support) Remember to include your email address on the check.

PSA Attn: PS Foundation 3006 Allegro Park SW Rochester, MN 55902

Platinum Patrons $10,000+ Lisa McGraw Figure Skating Foundation Gold Patrons $1,000+ Figure Skating Foundation Bronze Patrons $100+ Richard Dwyer

PS MAGAZINE

[ U.S. Figure Skating Clarification ]

Pattern Dance Testing – Partnered and Solo Tracks With the creation of the Solo Dance Series a few years ago, the number of solo dance tests passed per year has more than doubled between 2010 and 2015. As skaters decide how they want to participate in ice dance now and possibly in the future, we have a few reminders for coaches.

For skaters who are competing: The partnered pattern dance tests were the original pattern dance tests and still remain the only pattern dance tests that can qualify a skater to compete in partnered events in sectional and U.S. Championships. Either the partnered pattern dance tests or the solo pattern dance tests can qualify a skater to compete in the Solo Dance Series. What this means for coaches: Regardless of how long you have been coaching dance, please be sure you double check the rules each season. Don’t assume you know the rule even if it hasn’t changed for 15 years. Any rule can change in any given season—look it up and be sure! If you are starting a skater on the solo track, make sure they are aware that those tests will not count toward partnered tests or for the test requirements for partnered dance events in qualifying competitions should they want to compete with a partner in the future. And, if they start a pattern dance test level (preliminary, pre-bronze, bronze, etc.) on one track (partnered or solo), please make sure they complete it on the same track. The tracks cannot “mix”, and no exceptions are made for this. U.S. Figure Skating thanks you in advance for helping our skaters understand the rules to prevent missing test prerequisite error(s) on skaters’ test records.

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Put A NEW SPIN on your skating career Team up with world-class skaters in a show that warms hearts around the world! Feld Entertainment ® is seeking male and female skaters for U.S. and International tours of Disney On Ice. It is your opportunity to truly shine. Please send a skating resume, photos, a current video (3 – 6 min.) and all contact info to: Judy Thomas, Talent Director and Production Coordinator, Feld Entertainment 2001 U.S. Highway 301. Palmetto, FL 34221 USA

©Disney

For skaters who are testing: There are two different tracks for pattern dance testing— partnered and solo. The solo pattern dance track tests are a separate series of tests and are not related to dance tests skated with a partner. Therefore, the passing of a lower level solo dance track test does not qualify the candidate to take the next higher level partnered pattern dance test (Rule TR 40.05). This means that if a skater has passed some solo pattern dance tests and wants to switch to the partnered pattern dance tests, they will have to begin the partnered pattern dance track tests at the lowest level (preliminary). If a skater has passed some partnered pattern dance track tests and wants to switch to the solo pattern dance track tests, that skater may begin testing the solo pattern dance track tests at the next level above their highest completed partnered pattern dance track test or they may start testing at the lowest level (Rule TR 44.01). For example, if a skater has passed the partnered pre-silver pattern dance track tests, they may start their solo pattern dance track tests at the silver level or the preliminary level. To complete a partnered pattern dance test level, all tests within the level must be taken and passed as partnered pattern dance tests. To complete a solo pattern dance test level, all tests within the level must be taken and passed as solo pattern dance track tests. Solos within a partnered pattern dance test (silver and above) do not count toward completion of solo pattern dance track tests (Rule TR 41.02).

Phone: (941) 721-1234 Email: jthomas@feldinc.com

SSM Featured Guest Coaches

• Tom Zakrajsek | Olympic & World Coach / PSA Master Rated / PSA Coach of the Year • Caryn Kadavy | World Medalist & Olympic Competitor / National & International Coach • Surya Bonaly | 2-time Olympian & 3-time World Silver Medalist / 9-time French Champion / 5-time European Champion • Judy Blumberg | 2-time Olympic Competitor / 3-time World bronze medalist / 5-time U.S. Ice Dance Champion

APPLICATIONS AVAILABLE FOR

The Don Laws Apprentice Scholarship Presented by the Professional Skaters Foundation in cooperation with Shattuck St. Mary’s

• Aidas Reklys | World Competitor & 7 Times Lithuanian Champion / National & International Coach • Jacqueline Brenner | National & International Coach / PSA Mater Rated / PSA Developmental Coach of the Year • Diane Miller | National & International Coach / PSA Mater Rated / PSA Sports Science Award Recipient

SSM Featured Guest Resident Coaches • Tom Hickey | SSM Director / National & International Coach / PSA Master Rated / PSA V Ranking • Jimmie Santee | National & International Coach / PSA Executive Director / U.S. Novice & Jr. Champion / PSA Master Rated • Peter Biver | U.S. National Coach / Pole Harness, Pair Ice Dance & Singles Specialist / USFS Gold Medalist • Carey Tinkelenberg | USFS Double Gold Medalist / PSA Master-Rated Coach / PSA Board of Governors

Mr. Laws, a former U.S. Junior Mens Champion, U.S. Junior Dance Champion and World Team member, was the coach of 1984 Olympic gold medalist, Scott Hamilton, and three-time U.S. champion. Michael Weiss. He was inducted into the U.S. Figure Skating Hall of Fame both as a skater and a coach in 2001. A Past President of the PSA, he was also a Lifetime Achievement Honorary Member of the PSA.

Scholarship Description In memory Don Laws, the Trustees of the Professional Skaters Foundation are proud to announce the Don Laws Apprentice Scholarship. PSF is offering three, merit-based apprentice scholarships, each intended for the reimbursement of direct expenses incurred for attending the PSA Apprentice development program at Shattuck-St. Mary’s in Faribault, MN. Direct expenses include travel to the program site, lodging, and meals. Awards are based on dedication to coaching, sound character and ethical practices. The program focuses on development of coaching skills by allowing the apprentice to shadow Master rated coaches over the course of six days. Apprentices will have the opportunity to have one on one time with each mentor as well as sit in on lessons. • Scholarship 1– June 4–10, 2017 • Scholarship 2– June 11–17, 2017 • Scholarship 3 – June 18–24, 2017

Eligibility To be eligible for this scholarship, you must: • Be a full member in good standing of the Professional Skaters Association for at least one year • Hold a Registered or higher rating in any discipline • Hold a Ranking of Level II or higher • Proof of liability insurance • CER Category A completion for the current season

• Race, religion, color, creed, sex and ethnic background are not considered in the selection of recipients.

Scholarship Application Package Contents To apply for the Don Laws Apprentice Scholarship, complete the application package, including: • A completed Don Laws Apprentice Scholarship Application • A 500 word essay regarding your coaching philosophy and goals • A letter of recommendation from peer coach • A letter of recommendation from a client • A letter of recommendation from an officer of your home club

Submission of Scholarship Application The completed Don Laws Apprentice Scholarship application package must be submitted, no later than April 1 to: Professional Skaters Foundation, 3006 Allegro Park SW, Rochester, Minnesota 55902

About the Professional Skaters Foundation The Professional Skaters Foundation (PSF) was founded to expand the educational opportunities of PSA members through a 501 (C)(3) non-profit, charitable foundation. The Trustees of the PSF have developed a scholarship program for its members through a selection process based on established guidelines and criteria. Your student could win 1, 2, or 3 weeks with the “Great Camp Giveaway Essay Contest”. Details @www.S-SM.org

PS MAGAZINE

May 24-27

2017

REGISTRATION DEADLINES Early Bird February 1 • $425 Advanced April 15 • $525 Standard after April 15 • $625

For your planning pleasure... Ratings May 22-23

U.S. Open Professional Skating Championships May 23

Ratings Prep Preview May 24

oin us as we go country and set the stage in Nashville, Tennessee for the 2017 PSA Conference & Trade Show.

Featuring the top experts and coaches in figure skating—including Christy Krall, Diane Miller, Jackie Brenner, Adam Blake, and Doug Haw—this is the premier figure skating coach-focused event in the world and our speakers are the best in our sport. As the official coaching arm of U.S. Figure Skating and the Ice Skating Institute, PSA is proud to bring so many coaches and experts to the same place. Our community of coaches (from introductory to elite), sport scientists, psychologists, and nutritionists along with IJS technical panel experts provide the unique opportunity to learn, connect, and build long lasting relationships. All of this is taking place May 24–27, 2017, with Scott Hamilton as our honorary chair for the event.

This Event Is For You Our attendee coaches are professional coaches, program directors, learn to skate instructors, and choreographers interested in keeping up with the best practices and newest innovations in our sport. You will learn so much from the presenters on the stage, demonstrators on the ice, and even more in one-on-one conversations with speakers and fellow coaches. PSA brings you together with others who are working to better themselves and their skaters.

Location. Location. Location ! Educational sessions will take place at the Franklin Marriott Cool Springs hotel with on-ice sessions at the Ford Ice Center, home to the Scott Hamilton Skating Academy. Fly in early or stay late to explore and experience all Nashville has to oﬀer. With reasonable prices, world-class arts and music inspiration, and history to take in, this conference will be just the right amount of education and vacation.

Take Note The Early Bird Registration deadline is February 1, 2017. Would you like to attend the conference with your colleagues? PSA is oﬀering a group discount rate of $395 per registrant if your group includes at least four coaches. You can ﬁnd all the details at www. skatepsa.com. We look forward to seeing you in Nashville, Tennessee. Don’t forget your country garb!

President’s Reception May 24

Awards Dinner May 26

JANUARY/ FEBRUARY 2017

Find your coaching rhythm

in music city

Join PSA and Honorary Chair Scott Hamilton in Nashville !

Five reasons you can’t afford to miss this event Strengthen your skills. No matter your skill level, you will learn new techniques, methodologies, and tools at the PSA Conference & Trade Show in all disciplines – singles, pairs, dance, synchronized skating, theatre on ice, hockey, choreography, and program director.

Stay relevant. Our sport is constantly changing and new approaches to old ideas emerge every day. The PSA conference will help keep you informed of the newest programs and latest IJS requirements. Make valuable connections. The PSA Conference & Trade Show is a great venue to learn what others in our sport are doing with their skaters and how they are doing it—through both the educational sessions and our social oﬀerings. You can network with the best coaches in America for coaching, sport scientists, business, and planning. Witness the top coaches and choreographers be recognized for their achievements at the PSA Awards Dinner.

Be Inspired. With an impressive line up of presenters such as Christy Krall and Mie Hamada— and Honorary chairman Scott Hamilton—you can't help but feel energized.

More details at www.skatepsa.com

Special Pre Conference Sessions. will be oﬀered on Wednesday morning prior to the start of conference. New this year, we are oﬀering a preview of what a Ratings Prep training session is like. Spend two and half hours experiencing PSA’s best educational program for free with your conference registration.

veisat i Tr t con

Congratulations to Lomi Christiansen, the winner of our Trivia Contestt! Lomi will receive a FREE registration to the 2017 Conference.

Thanks to everyone who participated and be sure to take advantage of our early bird rate by February 1, 2017.

PS MAGAZINE

[ Profile ] Ida Tateoka at the Steiner Ice Sheet November 23, 2006 The Salt Lake Tribune

Ida watches a young skater

Ida with partner Kent Weigle The Salt Lake Tribune

Ida Tateoka By Terri Milner Tarquini

y all accounts, Ida Tateoka was a quiet force. As testament, the national, world and Olympic judge had a lot of accomplishments under her skating belt when she died on October 16, 2016, at the age of 92. “She was very quiet and unassuming, but very, very strong,” said Linda Leaver, a world judge for singles, pairs and dance and a world controller for dance from Utah. “She started encouraging me to judge while I was still in high school around 1969 or 1970. At the time, I was mostly non-committal, but I knew she

JANUARY/ FEBRUARY 2017

wouldn’t take no for an answer. She was nice, but she had a way of keeping at you. That’s how she got things done.” Born on December 12, 1923, Tateoka grew up mostly in Los Angeles before moving with her family to Springville, Utah, where she went on to earn her nursing degree from the University of Utah, working at St. Marks and Cottonwood Hospitals, and marrying Matt Tateoka in 1953. It was in California that Tateoka first discovered a passion that would dominate the rest of her life and, in a multitude of ways, have an influence on figure skating as a whole and Utah figure skating in particular. Skating at Hygeia Iceland in Sugarhouse, Utah, an outdoor rink with ice only from October to April, Tateoka was

| The Salt Lake Tribune

one of the inaugural members of the Utah Figure Skating Club. “She was always shepherding skaters from the basic skills program into the Utah Figure Skating Club,” Leaver said. “She wanted skating in Utah to grow. She just loved the sport.” And grow it she did. Starting judging in 1953, Tateoka was the first U.S. Figure Skating Association judge from Utah. Representing Utah in 1995 in Budapest, Hungary, when the announcement was made that Salt Lake City would host the 2002 Winter Games, she had a historic role in the winter Olympics coming to her state. “Three nationals were hosted here and that never would have happened without her,” Leaver said. “She would judge anything and she did so much work through the Utah Figure Skating Club—she was president and test chair for who knows how long and she held probably every other role it was possible to have.” During her lengthy career as an official, Tateoka judged the 1984 Winter Games in Sarajevo, Yugoslavia, awarding marks to American Scott Hamilton and East Germany’s Katarina Witt as they won Olympic gold medals in men’s and ladies singles. In addition, she officiated two world championships, four junior world championships, 18 international competitions, 13 U.S. national championships and three Special Olympic International Games, judging the programs of Michelle Kwan, Kristy Yamaguchi, Brian Boitano, Peggy Flemming, Dorothy Hamill, Tara Lipinski and Sarah Hughes, as well as countless others. “She mentored at least six national judges in singles, pairs or dance and

A young Ida on the ice in Los Angeles circa 1938 Photo courtesy Rebecca Oniki

three international judges,” Leaver said. “She would encourage skaters who were competing and testing; she would take coaches under her wing. I remember once I asked her for any advice she had for me as I became a judge. She said, ‘You know skating. Just always be honest.’ She was so very ethical.” While the list of those she judged reads like a who’s who of skating’s elite, Tateoka’s dedication extended to all levels and she knew the grassroots was where it all begins.

“I would usually ask judges to come in and critique my figures before I took a test session,” said Laurie Johnson, a 23-year judge with national and international appointments in singles and pairs, as well as a technical panel official and sectional vice chair for the Pacific coast “Five o’clock, six o’clock in the morning, she was always there in her skating sweaters with her Utah Figure Skating Club jacket on. No matter what time, she never turned me down. And I will never forget those skating sweaters she wore.” A lifelong skater, Tateoka was still taking dance lessons well into her 80s, but it would seem that the education she provided for others extended far beyond her living years. “She was always very supportive and provided feedback,” Johnson said. “If I had a bad free skate, she’d pull me aside and give me a pep talk. She was never too stern and always very informative. It was a very calming feeling when I would look up and see her on my panel.” It would seem that Tateoka’s influence reached all corners of Utah skating and beyond—a legacy that is

actively being kept alive. “I think she’d want the next generation of judges being brought up and mentored,” said Johnson, national vice chair for judge’s education and training “She was so passionate about it, she even recruited parents from the stands that she thought could be good officials— and some of those are regional-level judges now. She believed in giving back to the sport. She always got the job done without ever causing a ruckus. I hope I can be as effective as she was in guiding skaters and officials through the ranks.” A pioneer as a judge, the lives she touched cannot be measured. “She was such a huge part of my life; I certainly would not be judging if not for her,” Leaver said. “She did so much for so many and had a hand in so many people’s paths all over the world. Around here, she was kind of like Cher; she didn’t need a last name. You heard the name ‘Ida’ and you knew who was being talked about. She was quiet, but she got the job done. She would do everything she could for the sport. She was just a very special lady.”

PS MAGAZINE

[ Hockey ]

The Hockey Skating Committee shoots and scores By PauL PaProCKi, mG, mPD, Sm, rFS

he Hockey Skating Committee is excited to announce that, for the first time, it will be offering the Hockey Skating IV course at the PSA Conference in Nashville in May 2017. This course marks the completion of the Hockey Skating Committeeâ&#x20AC;&#x2122;s original goal of offering four levels. The progression of these courses trains a professional skating coach, with no experience working with hockey players, to build their skills into an elite hockey skating coach. For the professional skating coaches who are unfamiliar with the hockey accreditation program, Hockey Skating I introduces hockey terms, basics of the game, the difference between coaching figure skaters and hockey players, fundamental skating skills for hockey players, and traffic patterns. Hockey skating II covers customizing private lessons, offensive and defensive play, working with groups or teams, training a goalie,

proper skate fitting, and numerous drills. Hockey Skating III instructs coaches how to train elite hockey players, explains confusing rules of the game, develops power skating theory, and presents advanced drills. Hockey Skating IV outlines a business model for those coaches who want to run their own hockey skating schools. It explores time management skills needed by an elite coach, and reviews the progression of skating skills. Over the past several years, the Hockey Skating II and III courses were offered at the annual conference, while Hockey Skating I was an online course. With the addition of Hockey Skating IV, Hockey Skating II will be added as an online course this December. There is often confusion about the Hockey Skating courses held at Conference. Everyone is welcome to attend all classroom sessions and the on-ice presentation, even if the Hockey Skating I and II courses have

not been completed. Extra registration for the course is only required if the attendee wants the manual and plans to take the exam to complete a level. Professional skating coaches who have passed Hockey Skating I and II are eligible to test the Hockey Skating III course. Conference attendees may test both the Hockey Skating III and IV levels. It is highly recommended that anyone wanting to complete either Hockey III or IV, or both, pay for the courses before the conference to allow time for the manuals to be mailed in advance. The Hockey Skating Committee is comprised of six people: Donna Helgenberg, Tara Hillstrand-Lane, Karen Howland-Jones, Jordan Mann, Paul Paprocki, and Barb Yackel. The Hockey Committee is looking forward to seeing you in Nashville!

The 2017-18 Categor CER yA Program & B sa now ope re n!

CONTINUING EDUCATION REQUIREMENTS

A new year... A new start... A new CER program to put in your cart! CER ET 203 - Coaching Relationships and

CER RU 300 - Injury Prevention

Prepaid by PSA until July 1, 2017

Authors: Gerry Lane and Patrick O'Neil

Author: Peter Zapalo

The objective of CER ET 203 is for coaches to understand the importance of the coach/parent relationship as well as the relationship between the coach and athlete. Included in the course content are ways of establishing strong business practices and strong communication skills that will help ensure a long lasting and enjoyable career. CER ET 203 offers constructive ideas, strategies and philosophies on how coaches can work with parents and athletes effectively to build long lasting, successful relationships.

In CER RU 300, injuries commonly seen in developmental figure skaters will be discussed in detail. Recommendations on how to find appropriate treatment with qualified care providers, information about drug testing and supplement use, and the essential parts of designing a return to play plan for the injured athlete and other topics are included.

Strategies for Dealing with Parents

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and Return to Play

www.skatepsa.com

MEMBER UPDATE

The Professional Skaters Association is required by the FTC Settlement Statement to publish the FTC Settlement Statement and press release on or as close as possible to the first and second anniversary dates of the first publication in the Professional Skater Magazine and In The Loop publications, or any successor publication.

February 1, 2015 Dear Member: As you may know, the Federal Trade Commission (“FTC”) conducted an investigation concerning the provision in PSA’s Code of Ethics that stated: No member shall in any case solicit pupils of another member, directly or indirectly, or through third parties. The FTC alleges that this provision in the Code of Ethics violates the Federal Trade Commission Act because it unnecessarily restricts members of PSA from competing for pupils, thereby depriving pupils of the benefits of competition among skating coaches. The FTC also alleges that PSA guidelines stating it is unethical for members to give free lessons is an illegal restriction on price competition. To end the investigation expeditiously and to avoid disruption to its core functions, PSA voluntarily agreed, without admitting any violation of the law, to the entry of a Consent Agreement and a Decision and Order by the Federal Trade Commission. As a result, PSA will eliminate the above provision from its Code of Ethics and other organizational documents and implement an antitrust compliance program. In general, the FTC has prohibited PSA from maintaining bylaws, code of ethics, operational policies, or membership requirements that restrict members from soliciting students

and engaging in price competition. The Decision and Order also prohibits PSA from (1) encouraging other organizations to adopt policies or practices that would violate the Decision and Order if PSA adopted such policies and (2) enforcing or investigating violations of the code of ethics of other organizations that would violate the Decision and Order if enforced or investigated by PSA on its behalf. PSA is also prohibited from adopting policies or practices that restrict or attempts to restrict non-members from talking to, convincing, or requiring students or parents of such students to switch from one coach to another. The Decision and Order does not prohibit PSA from adopting and enforcing Codes of Ethics or similar documents that govern the conduct of members with respect to representations that PSA reasonably believes would be false or deceptive within the meaning of Section 5 of the Federal Trade Commission Act. A copy of the Decision and Order is enclosed. It is also available on the Federal Trade Commission website at www.FTC.gov, and through the PSA web site. Respectfully submitted, The Professional Skaters Association

FTC Approves Final Orders Requiring Trade Associations to Eliminate Rules that Restrict Competition March 3, 2015

ollowing a public comment period, the Federal Trade Commission has approved final orders settling charges in two separate cases alleging that the bylaws of the trade associations restrained competition. Under the order for the Professional Lighting and Sign Management Companies of America, Inc. (“PLASMA”), the trade association is required to stop restricting the geographic service area of its members, interfering with the ability of members to independently set prices, or impeding members from soliciting work from customers of other members. The order also requires the association to revise

its bylaws, publicize its settlement with the FTC, and implement an antitrust compliance program. The Professional Skaters Association order requires the association to stop restraining its members from soliciting work and competing on the basis of price, change its Code of Ethics, publicize its settlement with the FTC, and implement an antitrust compliance program. The Commission votes approving the final orders for PLASMA and the Professional Skaters Association were both 5-0. (PLASMA, FTC File No. 141-0088; the staff contact is Barbara Blank, Bureau of Competition, 202-326-

2523; Professional Skaters Association, FTC File No. 131–0168, the staff contact is Karen A. Mills, Bureau of Competition, 202-326-2052) The FTC’s Bureau of Competition works with the Bureau of Economics to investigate alleged anticompetitive business practices and, when appropriate, recommends that the Commission take law enforcement action. To inform the Bureau about particular business practices, call 202-326-3300, send an e-mail to antitrust@ftc.gov, or write to the Office of Policy and Coordination, Bureau of Competition, Federal Trade Commission, 600 Pennsylvania Ave., Room CC-5422, Washington, DC 20580. To learn more about the Bureau of Competition, read Competition Counts. Like the FTC on Facebook, follow us on Twitter, and subscribe to press releases for the latest FTC news and resources.

PS MAGAZINE

What Does Merissa Horkoff/ Belle Say? By day, she’s Merissa Horkoﬀ. But in the spotlight’s illumination, she is the brave, book-loving and kind-hearted Belle from Beauty and the Beast. Originally from Calgary, Horkoff competed at the junior competitive level in Canada and was a member of the Alberta Junior Development team. Taking her skates on the road straight out of high school, Horkoff joined Disney On Ice and has skated in multiple productions since. Currently on the “Follow Your Heart” tour that opened in September, Horkoff is doing just that—pursuing her love of skating and portraying a character she finds to be a very comfortable fit. Inquisitive, intelligent, and independent, the character of Belle spearheaded a generation of selfreliant and strong-willed film heroines, changing the notion that a Disney princess only has romantic stars in her eyes, but is also made of tougher stuff. One of Disney’s most iconic characters, Belle was the only animated heroine nominated for the Greatest Heroes in Film ranking by the American Film Institute. Now in her 10th year with Disney On Ice, Horkoff has continued to follow her heart by being a part of the magic that brings beloved characters to children and adults all over the world.

What drew you to skating initially? My mom skated when she was young so she put my sister and me in skating lessons when I was three. We both fell in love with it.

When did you have your ﬁrst inkling that you might give the shows a try? I was 18 and it was my senior year in high school. I think that is such a transitional year and I was trying to figure out what I should do next. I had been accepted into engineering school at the University of Calgary, but I just kept going back to how hard I had worked at skating and how much I had trained and I wasn’t quite ready to give that up. My mom had a friend who had been Tinkerbell with Disney On Ice so my mom was the one who suggested I look up how to apply. I asked my coaches and that’s when I found out that they had actually toured with Disney On Ice, so they helped me with some performance things and they knew what casting directors look for in an audition video. Next thing you know, I was hired to be in the “High School Musical” production.

What about show skating appeals to you? It’s interesting… I’m 27 years old and I’m still learning new tricks. Every year is so different and there are always new and

JANUARY/ FEBRUARY 2017

different people surrounding you who inspire you in new and different ways. Also, I trained as a singles skater, but have learned pairs skating. I think there’s real happiness in continuing to grow and move forward in your profession.

What do you think you bring to the table as a skater that makes you a good show performer? I love to skate. I work really hard and do a ton of extra ice sessions all of the time. I am just so happy to be out there. Technically, it’s my job, but I never feel like it’s work.

What do you value most about being a part of such a big deal, with such a rich history, as Disney On Ice? I can’t put into words what it’s like bringing Disney characters to little kids in their hometowns. Some children will never get to go to Disney World or Disneyland, but they can go to their local arena. We bring those characters to life for them. Seeing the reactions on their faces means the world to me.

What do you think are some things skatingwise that skater should possess to do show skating? You really need a presence on the ice. When I am performing, I think about

By Terri Milner Tarquini

taking up as much space as possible— moving my arms and legs with huge movements so I can fill the arena. I need to project to the audience members in the very top row. As far as skills, there is a wide range of abilities in any show, but, depending on what roles you want to skate, there should be a solid base of jumps and spins and moves in the field. A spectacular spiral or spread eagle is good and, if you’ve got a butterfly spin or some other show-type move, that’s a great thing to have in your pocket. But you don’t necessarily have to be a jumper to skate for Disney On Ice—many ice dancers make absolutely beautiful adagio pairs skaters. And synchro skaters have an ensemble background so skating in precision numbers as a unit comes easily for them. I would encourage skaters from all disciplines to apply.

How about personality-wise? I have grown so much while skating with Disney. I was actually very shy when I first applied and was so scared to leave home. Disney On Ice brought me out of my shell; when I step on the ice, I can become someone else. Just about any personality can work because you become your character to such a large degree. Plus, every tour is such an interesting group of skaters. They really do become your family.

Obviously the character of Belle from Beauty and the Beast is very well-known to legions of children as well as adults. Who is Belle to you? What is she like and how do you become that character? Belle comes very naturally to me. We both like to read and she’s very caring and compassionate. She is curious and inquisitive about her surroundings and she’s very hopeful. She sees a different side of people, even in the Beast. She knows deep down that he is not so bad. She sees the good in people.

What is your favorite thing about being a part of a traveling ice show? The travel is great. I’ve toured all over Europe and South America and Asia. I have such good memories of all of those

places and such great pictures—really, really good times seeing and learning about different cultures. I’ve been doing mostly U.S. tours lately and that has been really cool too. For instance, being from Canada, I had never heard of Hershey, Pennsylvania. I went to the chocolate factory—it was so much fun! Wherever the show is going, there is never a dull moment. We pick up and leave and we’re in a new city every week and it’s like a fresh start all of the time.

What are some challenges? Being away from family. My husband was an electrician for Disney so we toured together for over five years, but he got a good job opportunity in New Jersey, so he’s there and I’m still touring. I’ve gotten involved with a lot of East Coast shows, though, so we manage it pretty well.

How do you deal with the diﬃculties of being separated from family and friends? Technology has made it so much easier. When I first started, I had a flip phone with barely any minutes. Such a huge difference from then to now. There’s facetime and I can communicate with family pretty much all day long no matter where I am.

Any tips for living out of a suitcase? Don’t bring too much with you. It’s so easy to fall into the “what if I need this” trap. But, truthfully, if you need it, you can usually get it no matter where you

are. Travel itself can be challenging, but you have to have fun with it. I used to bring so many things I never wore or used. I had to learn: Life is a lot easier if you pack lighter.

What’s your favorite place you’ve visited and why? That’s changed as I’ve grown. In the past, when I was traveling overseas, it was Italy for sure. I loved the architecture and the food. Just Europe in general—they walk everywhere and I just loved being there. Now, I’d say it’s the New York City area. When I’m there, I can perform and stay at home.

Was it hard for you to come in as a singles skater and learn how to be a part of a large ensemble? It really was, especially since my first production was “High School Musical.” We had the choreographers from the movie come in and teach us all of the numbers from the movie. I had a little dance background, but it was really challenging. At the time, I was very overwhelmed, but, looking back, it was fun and just so cool.

What is your favorite move to perform? Spirals. Definitely.

What is your dream role? I feel like I have it right now. I so relate to the character of Belle and I get to do singles and pairs. It is a dream!

What does the future hold for you? After this, I’d love to stay involved with skating, as a coach and in the health and fitness field. I’d like to work with athletes specifically because of my background and get into oﬀ-ice training and how to balance a healthy lifestyle. Moving forward, it would be great to get into injury prevention and treatment. For now, I’ll keep skating with Disney for at least the next couple of years for sure, while “Follow Your Heart” is in the states. When it’s time to stop performing it will be a hard decision to make.

Any last thoughts about being a show skater? Looking back at the young girl who was thinking about going to engineering school, I’m so glad I took this path instead. I have learned so much about myself and have learned how to be comfortable in front of huge audiences and I have traveled the world and figured out how to get all around all of these diﬀerent places. I have learned a lot about me and what I’m interested in for my future. I’m so thankful I took the time to find myself. I just love the “Follow Your Heart” show—it is one of my favorites that I have been a part of. I love the girl power message it has and I love that the Disney princesses are inspirational and that young girls can look at to them for their strength and passion. The Orlando opening was amazing! It was so great to hear the response of the crowd. I’m so proud of this show.

PS MAGAZINE

REAL LIFE COACHING Bob Mock, MDFD, SG

And the Coaches Sound Off! I

n the Sept/Oct 2016 issue of PS Magazine under “Survival in the Real World,” we discussed the 21st century skater/parent profile. Needless to say, the response was monumental with e-mails and calls from across the United States. It was apparent that a nerve was hit within the coaching community. Nick Perna, a longtime coach from the Washington DC metro area, responded with the following...

Bob, I absolutely LOVED your article in the latest issue of PSA magazine! As usual, you were spot on in your observations and sentiments. A challenge we face in the Washington, DC metro area is the affluent, transient, over-achiever and undercommitted student! Here is an example of a typical conversation: "We'd like Jenny to go to the National Championships in skating, Carnegie Hall in piano, and Harvard for business. How many minutes of lessons will she need per week? Oh...and we can only do Mondays and Thursdays." And they say this with a straight face. -Nick Perna The profile of many of today’s skaters and parents seems to be to give the minimum amount of effort and expect maximum return and results! Is that a result of changes in our sport, or are we reflecting a wider trend culturally? Several coaches, including John Kauffman of Central Pennsylvania, called in to agree that they were swamped with many advanced placement and honors students who were maintaining a 4.25 GPA. Most were totally over extended with too many activities. The coaches as a group were longing for some average students to train! A coach from the Boston area said “With the advent of the International Judging System, the ISU has increased the technical demands on coaches, but the majority of the skaters and their parents haven’t adjusted well to the time, financial, and training commitments. The pool of high end skaters has shrunk significantly making it hard to remain coaching at that level and survive financially as a coach.” What seems be apparent is that there is a national trend of very over-committed children attempting to add skating to their long list of activities and not realizing the incredible

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demands of our sport beyond the recreational levels. We are definitely seeing a strong nationwide issue with skaters who have high aspirations and a low level of commitment. I would like to hear from coaches that have ideas on how to reverse this trend. Are there ways to turn this negative into a positive? We would love to hear about innovative ideas on how to buck the trend. Next month’s hot topic: cell phone usage by skating coaches during lessons! You are always welcome to e-mail your comments to MBobMock@aol.com or call 412.780.6637.

FRIDAY, APRIL 21, 2017 8 A.M.-4:50 P.M.

Education Forum for Juvenile Novice Singles Coaches - $99.00 (includes lunch) A classroom workshop focused on the Technical Elements Score

SATURDAY - SUNDAY, APRIL 22-23, 2017 8 A.M.-6 P.M. (both days) Coaches Track at the U.S. Figure Skating Program Components Camp - $129.00 (includes lunches) Education through a series of classroom lectures, observation of athletes, and panel discussions.

DISCOUNT

PACKAGE FOR BOTH PROGRAMS - $199 (includes lunches all three days) All registrations are considered final. Deadline to register for all programs: March 1, 2017

IJS EDUCATIONAL FORUM FOR JUVENILENOVICE COACHES – FRIDAY, APRIL 21 The IJS EDUCATIONAL FORUM is the one-day classroom session held at the OBM Arena, targeting coaches working with juvenile – novice level singles athletes. There will be two tracks: IJS Fundamentals Track and the IJS Expanded Track. The scope and content will include correct IJS Terminology, strategies for transitioning athletes from the 6.0 judging system to IJS, the Total Score calculation, and understanding how each part is evaluated. Sessions will be classroom discussions and one on-ice session involving watching athlete demonstrators. Coaches may choose to bring their skates and stand on the ice, or to observe from the penalty boxes. Registration will take place from 7:30am – 7:50am, on Friday morning, in the atrium / lobby of the Holiday Inn. Coaches who are staying for the Coaches Track at Program Components Camp may register for both programs at this time.

COACHES’ TRACK AT PROGRAM COMPONENTS CAMP – SATURDAY & SUNDAY, APRIL 22-23 The primary objective of the coaches’ track at the National Program Components Camp is for coaches to acquire a complete understand the Program Components Score. Through sessions with faculty, coaches with learn strategies to develop athletes in this area. In advance, please read the criteria and details of the PCS before attending camp. This will enable coaches to use the weekend to enhance their coaching knowledge without having to learn about the PCS from scratch. While observing the on-ice sessions, coaches will be able to observe how the faculty is interacting with the athletes, and how the athletes are learning. The classes are designed to give athletes skills to be able to perform better in the PCS area, and to show them how they can have fun practicing this part of their skating. As observers, coaches should leave with ideas on how to create classes and lesson plans to develop this part of skating for their athletes at home, especially in a group lesson format creating a huge cost savings for athletes. Coaches will get to observe a range of levels, and the entire faculty for on-ice sessions.

For more information, visit www.skatepsa.com

LEGAL EASE David Shulman, MFF, MP

Expungement: Now you see it, now you don't T

he magic of expungement. Author J. K. Rowling shows the similarity between the use of the Cloak of Invisibility, and securing a finding and order granting the expungement of a file. Expungement is the term used describing the result of the court sealing all court records for a party, thus making the file invisible. Generally, the procedure involves the request of a party to have his or her file closed and to have that closed file not open unless by a special proceeding. The closed file is then sealed, along with all writings and references "Expungement is the that the file ever existed. In the case of a query to PSA, the caller would term used describing be told no record of any action claim the result of the court or discipline appears. The PSA has that a procedure should sealing all court records determined be in place to permit a member, for a party, thus making under limited situation, to file an application requesting a closing and the file invisible. " sealing of records of grievance(s), which had been filed, creating a record available to public search and view. If successful, a motion for expungement removes all of such record from public view. The result of a search for a past record would show no past record and no present record including reference to any request to expunge. The record has been sealed so it cannot be viewed by the general public. It remains unclear whether or not a record that is a case involving sexual misconduct can be closed. All states have laws that sexual occurrences in cases cannot be removed from the public record. By law it is made public. The PSA is moving forward to have rules in place with instruction on preparing and filing application to expunge a past record. There is difficulty in drafting such rules...what is the specific goal of this kind of rule? Must persons who have had minor infractions committed and had admonitions or even public admonitions follow them forever? What if the grievance they carry on their record was a violation that under present rules of practice is no longer prohibited? How do you handle a person who has committed multiplicity of infractions? Do you permit people who have committed prohibited acts to apply a second or third time?

JANUARY/ FEBRUARY 2017

Suppose a member is convicted of some criminal act. The conviction would be of the type and severity that would cause the member to be removed from the PSA. Suppose further that the member completes probation and that the member is of good behavior for the next several years. Do you wish to have the member permitted to apply for reinstatement to the PSA? In an action for expungement of the record, there can be no guarantee that expungement will take place. Here are a few more basic things to consider: • The length of time since the problem occurred to the time the member requests expungement • Examine the member’s complete background record including any criminal record • Member’s record of employment and community involvement • Recommendations of any of the persons who were harmed by the member • Any recommendations of current member to have the member requesting expungement not have that relief granted If the relief of expungement is to have any meaning, there must be substantive questions asked on forms submitted by the person requesting expungement. Fees may be charged. The decision on granting or denying expungement will likely be discretionary, decided by the Grievance Committee. The standard proof in all proceedings would be proof by evidence that is clear and convincing. The Federal Trade Commission decision order spurred a change in the PSA Code of Ethics of the rule disallowing solicitation. However, prior thereto, some grievances had been filed and decided. The Burden of Proof to establish that expungement is a proper finding rests with the applicant. Having a disciplinary record vanish is an extraordinary proceeding. If what the member shows on their record as having been a prohibited act when committed is no longer considered “bad practice”, is it right to have that record interfering forever? This is a stay-tuned issue.

OBITUARY George Crha | April 25, 1938 – October 30, 2016 George Crha passed away October 30, 2016 in Victoria, BC, Canada at the age of 78. George was a professional figure skating coach with 48 years of international experience, coaching in Canada since 1967. He coached at the Racquet Club of Victoria and the Minto Club in Ottawa from 1972. Georgie’s Edge provided exclusive services, including mounting blades and skate sharpening for many world and Olympic medalists (Don Jackson, Toller Cranston, Elizabeth Manley, Petr Barna, Gordeeva & Grinkov, Philippe Candeloro, and Yuka Sato). His knowledge in skating equipment, his special cross grind technique, and skill in skate sharpening was recognized by many top world and legendary coaches like Gus Lussi, Hans Gershwiler and Carlo Fassi. Jef Billings | 1946 – 2016 Jef Billings, costume designer and creator, died September 27, 2016 at the age of 70. He was regarded as one of the most important designers in figure skating. Jef designed made costumes for Kristi Yamaguchi. "Whether it was something comedic and fun, or elegant and glamorous, you put a Jef Billings on and it made you feel special on the ice." Jef designed for Stars on Ice, Scott Hamilton and Friends, Peggy Fleming’s Evening on Ice show, and Dorothy Hamill’s costumes for the first Stars on Ice tour in 1986. Among the many skaters posting tributes to Billings on social media were Kaitlyn Weaver & Andrew Poje, Adam Rippon, Christopher Dean, Ashley Wagner, Javier Fernández, Maia Shibutani and Alex Shibutani, Yuka Sato, Madison Chock, Jeremy Abbott, Michael Weiss, Ryan Bradley, Polina Edmunds and Miki Ando. Stephanie Capece Sciandra | 1979 – 2016 Stephanie "Stevie" Capece Sciandra moved on into the spiritual world to establish a new skating rink. She passed away on Oct. 29, 2016. Figure skating was her life's passion and as a coach, she influenced many lives. "Stevie," as she was well known, was born on Sept. 15, 1979. She was a graduate of Hanover Area. She continued her education at LCCC, receiving her Associate Degree and then her Bachelor of Arts Degree from the University of the Arts, Philadelphia, in Photography. She pursued her passion for skating as a USFSA coach at (Igloo) Olympic Training Center, Mount Laurel, N.J. Upon her return to Northeastern Pennsylvania, she was a coach for the Diamond City Figure Skating Club that is affiliated with the local Wilkes-Barre/ Scranton Penguins. Stevie choreographed many intermission exhibitions for the Pens with the figure skating club. Lawrence Demmy M.B.E. | 1931 – 2016 It is with much sadness that we inform you of the death of Mr. Lawrence Demmy, ISU Honorary Vice President. Mr. Demmy passed away on December 9, 2016 at the age of 85. He was World Dance Champion with partner, Jean Westwood, for four consecutive years; he was chair of the ISU Ice Dance Technical Committee for 15 years; and he was elected to the ISU Council from 1984 -1998. In 1998 he became an ISU Honorary Vice President.

PS MAGAZINE

New

MEMBERS NEW MEMBER SPONSOR

Welcome coac hes! NEW MEMBER SPONSOR

Christopher Alberts

Ikaika Young

Julia Pelletier

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Kelsey Biittner

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Serena Pratt

Stacey Isenberg

Sophie Botto

Brittnay Anderson

Bonnie Raad

Daniel Raad

Alison Maki

Colleen Royal

Patti Gottwein-Britton

Emily Buckeridge Olivia Carlisle

Kaitlin Haney

Jessica Schilling

Cecelia Wisner

Marissa Carnahan

Sharon Smith

Lissette Schum

Cindy Kim

Anna Charney

Julie Cardinale

Isobel Schwob

Darlene Lewis

Shoritah Ching

Arlene McSorley

Ruby Seavey

Tara Modlin

Liam Cowper

Linda Cowper

Max Settlage

Dalilah Sappenfield

Annette Cruz

Cathryn Schwab

Joseph Davino

Cody Sherman

Ryan Van Natten

Lawrence Marvaldi

Brittany Soeder

Sally Tasca

Kaitlyn Doan

Janet Champion

Austin St. Pierre

Laura Gayton

Isabella Dresen

Lauren McLarty

Alexandria Stephan

Dawn Ahlers

Marie-France Dubreuil Brielle Freda Alexis Gagnon

Patrice Lauzon

Claire Tensa Melissa Towner

Amy Montalbano

Dawn Piepenbrink-McCosh

Nicola Trippick

Jonathon O'Dougherty

Bobby Martin

Carla Villavicencio

Katherine Haupt

Heidi Sowards

Scott Wenner

Lauren Lampiasi Joseph Lynch

Amanda Kunze-McHale Bobby Martin Kristie Lynch

Katherine McCall

Sara Buck-LaLonde

Jordan McCreary

Gregory Maddalone

Hannah Meneely

Brigid LaMear

Miranda Micallef

Laura Sienkowski

John Morea Kristen Morgala

Susan Hamel-Bottari

Lori Zimmerman

Richard Gauthier

Helen Kash

Jennifer Pelletier

Lawrence Marvaldi Carol Rossignol

Amy Mossman

Kristin Gallas

Selah Murphy

Kim Ryan Lewis

Ryan O'Donnell

Mark Poole

Aspen Ono

Tami Mickle

JANUARY/ FEBRUARY 2017

Robyn Wise Caroline Zubieta

Janet Champion Yaroslava Nechaeva Sally Saul Jannika Lilja

Do you know coaches who are new to the profession? Help them get a head start on their coaching career, and encourage them to join PSA! Visit www.skatepsa.com or contact Elizabeth at ethornton@skatepsa.com to learn more about PSA membership opportunities.

PRO FESSIONAL SKATERS ASSOC IATION

EXCELLENCE ON ICE Ames Figure Skating Club

Ice Center at the Promenade

Panthers Ice Den

Apex Center Ice Arena

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Ice Den Scottsdale

Rochester FSC

Cincinnati Skating School

Jacksonville Ice and Sportsplex

Skate Frederick Ice Sports

East Alton Skating Academy

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Edge Skating School/Ice Arena

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Germain Arena

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The Greensboro Ice House

Palm Beach Skate Zone

Ames, IA

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Cincinnati, OH East Alton, IL Littleton, CO Estero, FL

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World Arena Ice Hall Colorado Springs, CO

BENEFITS

Register now and receive national and international recognition as a progressive training facility dedicated to excellence in coaching both on and oﬀ-ice. As a registered facility you will receive an ‘Excellence On Ice’ shield to be displayed in the arena, international recognition in PS Magazine, and access to a resource coordinator in the PSA oﬃce—all at no cost!

Top Skaters – Training With Champion Cords! Sheila Thelen PRESIDENT

Champion Cords PRESIDENT Champion Skating Harness

Thank you to Coach Page Lipe – for using Champion Cords with all of her students! Here’s a link to Alex doing a Triple Flip – with Champion Cords (moving video is always great)! www.youtube.com/watch?v=83sdKGnqEvs

Good luck to all the skaters & coaches at Nationals this year! Congratulations!! Champion Cords are endorsed by the PSA! Order yours at www.ChampionCords.com • www.ChampionSkatingHarness.com • www.SkatePSA.com PS MAGAZINE

CALENDAR

EVENTS

JANUARY Date: Location: Event: Contact: Credits:

January 17-18 Area 11 Kansas City, MO Oral Rating Site at the 2017 U.S. Figure Skating Championships PSA Office 507-281-5122 or byackel@skatepsa.com 1 PSA credit per oral exam taken

Deadline:

December 19, 2016

Date: Event: Location: Presenters: Credits:

January 7, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm Dearborn Ice Skating Center, Dearborn, MI Kim Berry and Patrick O’Neil 5 Pre-approved credits

Date: Event: Location: Presenters: Credits:

January 8, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm ICE Arena (Mt. Pleasant FSC), Mt. Pleasant, MI Kim Berry and Patrick O’Neil 5 Pre-approved credits

Date: Event: Location: Presenters: Credits:

January 15, 2017 Learn to Skate USA Instructor Workshop 9:30am-2:00pm Ford Ice Center, Antioch, TN Jason Dilworth and Lisa Musmanno Blue 5 Pre-approved credits

FEBRUARY Date: Event: Location: Presenters: Credits:

February 4, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm Ice Den Scottsdale, Scottsdale, AZ Kim Berry, Michelle Lauerman, Carey Tinkelenberg 5 Pre-approved credits

Date: Event: Location: Presenters: Credits:

February 18, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm Germain Arena, Estero, FL Lisa Musmanno Blue and Carey Tinkelenberg 5 Pre-approved credits

CLASSIFIEDS

MARCH Date: Event: Location: Presenters: Credits:

March 4, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm Idaho Ice World, Boise, Idaho Jason Dilworth, Carey Tinkelenberg and Michelle Lauerman (maybe) 5 Pre-approved credits

Date: Event: Location: Presenters: Credits:

March 11, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm Edge Ice Arena, Littleton, CO Michelle Lauerman, Carey Tinkelenberg and Kim Berry 5 Pre-approved credits

JANUARY/ FEBRUARY 2017

ADVERTISE WITH US! Let the skating community know about your upcoming event, product, service, or job opportunity by advertising with the PSA! We offer many different advertising options at affordable rates. For more information, go to our website at skatepsa.com and click on "About Us" and then "Advertise.".

Please visit www.skatepsa.com for the complete Calendar of Events MARCH Date: Event: Location: Contact: Credits:

March 15-16, 2017 Area 16 PSA Oral Rating Site [Wed 8am – 8pm; Thurs 8am – 12 noon] Holiday Inn San Antonio North Stone Oak, 19280 Redland Rd, San Antonio TX Phone 210-298-8820 [PSA rate $109 + tax Hotel cutoff date February 22, 2017] PSA Office 507-281-5122 or byackel@skatepsa.com 1 PSA credit per oral exam taken

Deadline:

January 30, 2017

Date: Event: Location:

Contact: Credits:

March 16-18, 2017 Area 16 PSA Ratings Prep [Thursday noon to Saturday noon] Holiday Inn San Antonio North Stone Oak, 19280 Redland Rd, San Antonio TX Phone 210-298-8820 [PSA rate $109 + tax Hotel cutoff date February 22, 2017] Rink - Ice & Golf Center at Northwood – Hotel supplying transport to/from the rink PSA Office 507-281-5122 or byackel@skatepsa.com 28 PSA credits for Prep

Deadline:

February 15, 2017

Date: Event: Location: Presenters: Credits:

March 18, 2017 Learn to Skate USA Instructor Workshop 1:30-6:00pm KCIC, Shawnee, KS Michelle Lauerman and Jason Dilworth 5 Pre-approved credits

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Make this the year to

INVEST IN YOURSELF Begin the New Year right by making the decision to invest in yourself. The PSA is dedicated to helping coaches become the most knowledgeable, confident, and effective coach they can be. Education is an asset to your profession and necessary for the continual growth of the sport. Expand your knowledge wtih PSA!