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THE MAGAZINE OF THE COLORADO SYMPHONY

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THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS

6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 27 Berlioz Symphonie Fantastique 33 Community Support 49 Ticketing Options

COMING SOON

Debussy Prelude to the Afternoon of a Faun ~ LaMer

C O L O R A D O SY M P H O N Y.O R G

THE C OLD WA R WAS F OUG HT ON I CE. It’s 1980. Lake Placid. Our boys are up against the reigning champs. It’s not just an underdog story. It’s a story of our country. Of the indomitable spirit we were founded on, the spirit inside us all. Get ready to believe in miracles again at a place that preserves them forever.

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VIRT UAL MU SIC HOU R

Gather online each weekend with your Colorado Symphony as we relive some of the best audio-only classical recordings from our past few seasons! Each Virtual Music Hour includes a special introduction from Colorado Symphony musicians and conductors, followed by the replay of a long-form classical recording and fun activities to dive even further into the music. It's the best way to hear your Colorado Symphony from the comfort of your own home! Stay tuned each week and subscribe to eNotes for the upcoming concert replay! coloradosymphony.org

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HOW YOU CAN HELP

How You Can Help There is no higher priority to our entire Colorado Symphony community than the safety of our guests, musicians, and staff. Due to the public health crisis, we have cancelled all events through May 31 to help assist the efforts in reducing the spread of COVID-19. All staff are working remotely, and our musicians continue to #PlayOn from home as well. During these unprecedented times, the Colorado Symphony is looking to our friends, donors, and patrons to help us weather this storm. Here are some ways you can continue to help us during this uncertain time: 1. Share on Social Media Follow, Friend, Love, Comment, and Share our posts on social media. We continue to #PlayOn â&#x20AC;&#x201D; help us spread the music! 2. Donate Your Tickets The Colorado Symphony is facing a major loss of ticket revenue (a primary source of income) during this unprecedented time. We ask that you consider donating your tickets as a tax-deductible donation rather than requesting a refund. This small gesture will go a long way in ensuring that we will be able to return and produce the performances and educational activities that you love. 3. Make a Donation or Increase Your Giving The Colorado Symphony is daily assessing the real impact we will face as a result of COVID-19. We want you to know that we're here with you through this challenge and we will continue to find creative ways to safely present our music and musicians to you. Your support means more to us now than ever before - by making a donation, you are supporting the staff and musicians that are keeping this music alive. Please consider making a donation today. 4. Subscribe Our 2020/21 Season will continue as planned and subscription packages of all shapes and sizes are available. Become a subscriber or renew your subscription for next season right now! 5. Purchase a Gift Certificate Gift certificates are available in any denomination and can be used to purchase single tickets or subscription packages for the Colorado Symphony. Buy a gift certificate and support your Symphony now â&#x20AC;&#x201D; and come see a concert when we resume performing again. 8

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6. Shop via Amazon Smile When shopping online through Amazon.com, you have the opportunity to support the nonprofits you love. Instead of going to the regular Amazon site, go to smile. amazon.com instead and select the Colorado Symphony Association as your charity. This way, we will receive 0.5% of your purchase, with no extra charge to you! 7. Spread the Word with Community First Foundation Our friends at the Community First Foundation provide several ways for you to support nonprofit organizations like the Colorado Symphony. One way is to set up an individual giving page and ask your networks to join you in supporting the cause you love. Inspiring others to support the Colorado Symphony during these difficult times is the perfect way for us to come together. #PlayOn With your support, in any and all forms, we will #PlayOn. We look forward to the time when your Colorado Symphony can again perform for you at Boettcher Concert Hall!

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COLORADO SYMPHO N Y

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BEN DURRANT

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COLORADO SYMPHONY ORCHESTRA MEMBERS: May, 2019

BRETT MITCHELL

CHRISTOPHER DRAGON

MUSIC DIRECTOR Bill Gossard Chair

DUAIN WOLFE

MARIN ALSOP

CHORUS DIRECTOR

CONDUCTOR LAUREATE

ASSOCIATE CONDUCTOR

VIOLIN

Yumi Hwang-Williams Concertmaster Mary Rossick Kern and Jerome H. Kern Chair

Claude Sim Associate Concertmaster Yi Zhao Assistant Concertmaster – Merle Chambers Chair

Dmitri Pogorelov Fixed 4th Chair/First Paul Primus Principal Second Allegra Wermuth Assistant Principal Second Alessandra Jennings Flanagan Fixed 3rd Chair/Second Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Myroslava Ivanchenko-Bartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslaw Pastusiak Erik Peterson + Megan Prokes * Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan

BERTIE BAIGENT ASSISTANT CONDUCTOR

VIOLA

Basil Vendryes Principal Catherine Beeson Assistant Principal Mary Cowell Fixed 3rd Chair Marsha Holmes Leah Kovach Helen McDermott Summer Rhodes * Kelly Shanafelt Phillip Stevens

CELLO

Judith McIntyre Acting Principal -Fred & Margaret Hoeppner Chair

Susan Rockey Bowles Jennifer Choi Allison Drenkow* Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer

BASS

Steve Metcalf Principal Nicholas Recuber Assistant Principal John Arnesen Susan Cahill James Carroll Jeremy Kincaid Owen Levine

PICCOLO

Julie Duncan Thornton

OBOE

Peter Cooper Principal -Irene & David Abosch Chair

Nicholas Tisherman 2nd/Assistant Principal Jason Lichtenwalter

ENGLISH HORN Jason Lichtenwalter

CLARINET

Jason Shafer Principal Abby Raymond 2nd/Assistant Principal Andrew Stevens

E-FLAT CLARINET Abby Raymond

BASS CLARINET Andrew Stevens

BASSOON

Chad Cognata Principal Tristan Rennie 2nd/Assistant Principal Roger Soren

CONTRABASSOON Roger Soren

HORN

Michael Thornton Principal FLUTE Carolyn Kunicki Brook Ferguson Kolio Plachkov Principal 3rd/Associate Principal Catherine Peterson Matthew Eckenhoff 2nd/Assistant Principal -Patrick Hodge Tom & Noëy Congdon Chair Assistant Julie Duncan Thornton

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TRUMPET

Justin Bartels Principal Philip Hembree 2nd/Assistant Principal Patrick Tillery Associate Principal

TROMBONE

John Sipher Principal Paul Naslund 2nd/Associate Principal Gregory Harper

BASS TROMBONE Gregory Harper

TUBA

Stephen Dombrowski Principal

HARP

Courtney Hershey Bress Principal

TIMPANI

William Hill Principal Steve Hearn Assistant Principal

PERCUSSION John Kinzie Principal

Friend of Colorado Symphony Chair

Steve Hearn Michael Van Wirt

ORCHESTRA LIBRARIAN Joanne Goble Principal

* = One year replacement + = On leave

BOARD OF TRU STEES HONORARY TRUSTEES OFFICERS Jerome H. Kern CEO & Chair Richard Kylberg Vice Chair & Trustee James D. Butler Treasurer & Trustee Susan Bowles Secretary & Ex-officio Trustee

TRUSTEES Anthony T. Accetta Margaret Anderson Dr. Paula P. Bernstein Kai Chin Young Cho Mary Cowell* Sandy Elliott Amy Harmon Courtney Hershey Bress* Diane S. Hill, Ph.D. Margaret Hoeppner* Yumi-Hwang-Williams* Vesna Jevtovic-Todorovic, MD, Ph.D., MBA Bill Johnson Kathleen Johnson, Esq John Kinzie* Richard D. Krugman, MD Steve Metcalf*

Governor Jared Polis Mayor Michael B. Hancock Christopher J. Ott, MD

Bill Myers Diane Nagler Deana M. Perlmutter Nick Recuber* Mike Richardson, Esq. Malik Robinson Julie Rubsam L.T. Sandvik Nick Tisherman* Mike VanWirt* Andra Zeppelin

COLORADO SYMPHONY ASSOCIATE BOARD Kip Wallen, Co-Chair William Kowalski, Co-Chair Allison D’Angiolillo Soley Maria Bogadottir Ryan Cohn Christopher Cole, Esq., Stephanie Costa, Erica Hanger Liz Hartsel Jordan Kleiman Stephanie Richards Nicholas Tisherman Liz Wood

EX OFFICIO TRUSTEES Donna Connolly Arthur Hodges Brett Mitchell Kip Wallen Ginger White Brunetti

EMERITUS TRUSTEES William K. Coors** John Low** Will McFarlane** Dr. Gerald Rainer** Mary Rossick Kern, Ph.D. Lee Yeingst * Colorado Symphony Musician Trustee ** In Memorium

TICKETS BUY AUTHENTIC! Are you buying your tickets via: ■ ■ ■ ■

coloradosymphony.org the Colorado Symphony Mobile app box office, in person at Boettcher Concert Hall phone at 303.623.7876

Get the best deal and support your symphony! Learn more at coloradosymphony.org/Visit/FAQs

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STAF F MARKETING & COMMUNICATIONS LEADERSHIP TEAM Jerome H. Kern Susan Ellis Coreen Miller Parker Owens Anthony Pierce

Chief Executive Officer & Chair of the Board of Trustees Chief Administrative Officer Chief Operating Officer Chief Financial Officer Chief Marketing Officer Chief Artistic Officer

ARTISTIC Anthony Pierce Chief Artistic Officer Dave Aeling Production Stage Manager Aric Christensen Audio Engineer Dante Dunlap Properties Master Lyle Wong Orchestra Librarian Jonathan Groszew Orchestra Personnel Manager Philip Hiester Master Electrician Sam Jaehnig Head Carpenter Mike Pappas New Media Center Julian Pichette Audio Engineer Hitomi Sipher Assistant Orchestra Librarian Julie Strom Assistant Orchestra Personnel Manager Izabel Zambrzycki Artistic General Manager

CONDUCTORS & CHORUS DIRECTION Brett Mitchell Duain Wolfe Christopher Dragon Bertie Baigent Travis Branam Eric Israelson Mary Louise Burke Taylor Martin Barbara Porter

Music Director Chorus Director Colorado Symphony Chorus Resident Conductor Assistant Conductor Assistant Conductor Colorado Symphony Chorus Chorus Manager Associate Conductor Colorado Symphony Chorus Assistant Conductor Colorado Symphony Chorus Assistant Chorus Manager

DEVELOPMENT Adriel Long David Rosen

Donor & Board Relations Coordinator Advancement Database Coordinator

EDUCATION Jesse Martinez

Director of Community Education

FINANCE Coreen Miller Ben Boone Annette Brown

Chief Operating Officer & Chief Financial Officer Senior Finance Manager Staff Accountant

C O L O R A D O SY M P H O N Y.O R G

Parker Owens Chief Marketing Officer Stephanie Derybowski Application Support Manager Nick Dobreff Manager of Publicity and Community Relations Kayla Hayes Digital Media Manager

SALES & PATRON SERVICES Susan Kilburn Amanda Cantu Jeremy Cuebas Rob Warner

Director of Sales & Patron Services Manager of Patron Services Lead Patron Services Associate Lead Patron Services Associate & Concierge

COLORADO SYMPHONY GUILD OFFICERS Donna Connolly Guild President Helen Richards President-Elect Jerry Wolfe Recording Secretary Janet Weisheit Treasurer Patty Goward Assistant Treasurer Carolyn Cho VP of Membership Nancy Lawrence Co-Vice President of Fundraising Mary Neidig Co-Vice President of Fundraising Susan Thomas VP of Information Management Linda Rickard Ackerman VP of Music Education Donna Lynch Corresponding Secretary Kathy Swanson Manager CSG Shop Monica Owen CSG Shop Buyer

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STORIES OF NOTE

A 21 Century Symphony st

By Nick Dobreff When you think of symphonic music, what do you see? What do you hear? Does your mind wander to faded images of legendary composers seen in school textbooks and classrooms? Do you hear a favorite symphony or concerto, perhaps something you associate with a powerful memory or emotion? Or are you instantly transported into the concert hall, immersed in the sights and sounds of the concert going experience? From the 18th century through the early part of the 20th, symphonic music was the predominant musical art form for much of the world, and the concert hall was the worldâ&#x20AC;&#x2122;s conduit. Lacking the modern technology we enjoy today, someone from this period would be lucky to hear a piece more than once in their life. Imagine hearing Beethovenâ&#x20AC;&#x2122;s Ninth Symphony for the first time and never having the opportunity to hear it again? This scarcity generated a voracious appetite for symphonic music, propelling patrons to the concert hall in droves for generations. After the turn of the 20th century, new forms of music began to gain in popularity, including jazz and rock and roll, and later country, hip hop, and electronica. Simultaneously, music also became more accessible to people in their homes, vehicles, and later, in their pockets. This increased volume and accessibility has created more competition than ever for the eyes and ears of music lovers everywhere. So what is the significance of symphonic music in the 21st century, what role will it play moving forward, and how can classical symphonic music stay relevant with the challenges presented by modern society? This is the question every orchestra around the world grapples with, and itâ&#x20AC;&#x2122;s one that the Colorado Symphony is at the forefront of addressing: It begins with reaching larger and more diverse audiences than ever before. One way to accomplish this is by collaborating with musicians outside of the normal classical music sphere. The first notable instance of such a collaboration including the Colorado Symphony occurred in 1992 with a performance alongside The Moody Blues at Red Rocks Park & Amphitheatre. However, such partnerships did not manifest into a targeted campaign until nearly two decades later when, in 2012, the Colorado 16

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Symphony joined GRAMMY®-nominated Indie folkrock group DeVotchKa for a pair of performances at Boettcher Concert Hall and Red Rocks. For the Colorado Symphony, this collaboration was an incredible opportunity to perform with a group of local, world-class musicians while also coming face-to-face with thousands of music lovers who may never have seen a live symphonic orchestra before. And for DeVotchKa, collaborating with the Colorado Symphony added lush new layers to their songs, creating a concert experience that felt familiar and yet completely original. “One of the great things is that we were hoping some of the people who may not normally come down to see the Colorado Symphony, if we were involved they would take a chance and come down to see it and keep coming back when they realized what a treasure we have,” said Nick Urata, lead vocalist for DeVotchKa.

So what is the significance of symphonic music in the 21st century, what role will it play moving forward, and how can classical symphonic music stay relevant with the challenges presented by modern society?

Another memorable collaboration came a few years later when the Colorado Symphony and Chorus performed with The Flaming Lips — the colorful, whimsical, and boundarypushing rockers from Oklahoma City — at Red Rocks, invigorating the band’s seminal album, The Soft Bulletin, in front of a sold-out crowd. The performance was recorded and released as an album in October 2019, following a second sold-out performance of The Soft Bulletin at Boettcher Concert Hall in February of that year. Perhaps these collaborations seemed odd or out of place to some. A professional symphonic orchestra performing with rock artists? But any trepidation soon melted away when met with the enthusiasm and joy these concerts engender from each audience. The overall attendance numbers since 2012 speak to a growing and diversified audience at Colorado Symphony performances. Over the last decade, the Colorado Symphony has gradually increased the size and diversity of its audience while simultaneously lowering the average age of its attendees. Since 2013, the average age of Boettcher Concert Hall patrons has decreased from 69 to 49. When you include SOUNDINGS

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STORIES OF NOTE Red Rocks shows, best estimates would put the average age of a Colorado Symphony concertgoer into the 30’s. “What we do at Red Rocks is we’re giving many audience members their initial exposure to what live symphonic music can be,” said Anthony Pierce, Chief Artistic Officer. “It’s a long process to get anybody to be your fan and it doesn’t happen overnight. We have to chip away at that gradually and it starts with education and outreach in our community. We have the largest and most diverse audience in our history and the numbers prove that. But our greatest challenge as an institution is ensuring there is demand for live symphonic traditional classical music in the future, and that’s what we’re committed to.” This past summer included a number of incredible Red Rocks performances alongside some of music’s biggest names: OneRepublic, Weird Al Yankovic, and actor Jack Black’s comedy rock duo, Tenacious D. These types of performances — the outsidethe-classical-music-box-type shows — are not only delivering vital revenue for this nonprofit orchestra, but also solidifying new audiences, a fundamental step in ensuring the future of symphonic music in Colorado. Since 2012, over 20 artists of all genres have chosen the Colorado Symphony for their inaugural orchestral performance. That includes Elephant Revival, Guster, The Flaming Lips, Paper Bird, Bonobo, Lettuce, Tenacious D, The Moody Blues, Pretty Lights, Mandolin Orange, John Prine, Ingrid Michaelson, OneRepublic, Nathaniel Rateliff,

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Odeza, Amos Lee, Gregory Alan Isakov, Bela Fleck and the Flecktones, DeVotchKa, The Lumineers, and Sarah McLachlan. In that time, the Colorado Symphony has also performed with popular artists like Seal, Hanson, and Josh Groban. “We’ve been working to consciously build a reputation as an orchestra where a non-symphonic artist has their great first experience with an orchestra,” Resident Conductor Christopher Dragon told the Denver Post. “When you find the right formula and connection, it just creates something uniquely beautiful. You can’t recreate that experience anywhere else.” “I think in Colorado and across the country, we’ve made ourselves known as the orchestra that’s doing the most innovative and interesting things,” added Nick Recuber, Assistant Principal Bass for the Colorado Symphony. When considering a collaboration, the Colorado Symphony first assesses what they can bring to the partnership. If adding orchestration doesn’t contribute significantly to the quality of the music, the collaboration isn’t pursued. There are also additional challenges, like creating the proper sound balance so that the orchestra can be heard over the raw power of a rock and roll drum kit or an electric guitar. In today’s evolving symphonic landscape, orchestral programming requires a delicate balance between core classical masterworks and popular collaborations along with other types of programming like the increasingly popular Movie at the Symphony concerts. In order to stay relevant for generations to come, it’s become important to show younger audiences that symphonic music has always been a part of their lives, whether they’re initially aware of it or not. “That’s the magic question that every orchestra faces,” added Pierce. “How does playing a Harry Potter or Star Wars movie keep classical music relevant? What we do with these collaborations is we’re giving younger generations their first exposure to what live symphonic music can be. Once they’ve seen us 2-3 times at Red Rocks with one of these popular artists or watched us perform the score for one of their favorite movies live, then I think they’re much more likely to come see our traditional programming in Boettcher Concert Hall. We’ve got to be doing all of these things to make sure we have a future audience.” “There’s no question we are one of the busiest orchestras in the country right now,” said Pierce to the Denver Business Journal. “We haven’t reduced our volume of classical content or sacrificed our core mission as curators of symphonic music. We’ve

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STORIES OF NOTE just diversified. We are still committed to our core classical content — that’s our greatest priority — but we have to do things that ensure there is a future audience for symphonic music.” As the Colorado Symphony moves into a new decade and grapples with the challenges presented by the COVID-19 pandemic, there exists a renewed sense of mission to debunk the myth that symphonic music is only for those of a certain age, a certain demographic, or a certain socioeconomic status. Through collaborations like these and additional outreach in the community, the orchestra is being heard by more people than ever before and the future of symphonic music has never looked brighter. “What orchestras are doing in their communities is evolving, and I believe we’re ahead of the curve,” said Pierce. “Do we think that every person who came to see Tenacious D will now come to one of our Classics concerts? I doubt it. But do they now think that the Colorado Symphony is the coolest orchestra out there? I think so. And I think they feel a new sense of ownership to the ensemble. We are creating lasting impressions that will have an impact 10, 20, and 50 years into the future.” From the best of the past to the edge of tomorrow, your Colorado Symphony is at the forefront of a symphonic revolution, pursuing groundbreaking concepts that inspire new generations of music lovers while ensuring a bright future for live symphonic music in Colorado.

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STORIES OF NOTE

Colorado Symphony Welcomes Lyle Wong as new Principal Orchestra Librarian Wong follows Joanne Goble who retired after serving in the position since 1988

In February, the Colorado Symphony welcomed Lyle Wong into the fold as the organization’s new Principal Orchestra Librarian. Lyle follows in the distinguished footsteps of Joanne Goble, who retired from the position after serving as the Colorado Symphony's Principal Orchestra Librarian since 1988. Orchestra Librarians are responsible for the care, upkeep, distribution, and research involving all the music that’s performed. They’re responsible for making sure that music reaches the musicians in the best way possible so there’s as little barrier as possible between the musicians playing and the audience listening. They also act as historians within the organization, keeping records of each performance including repertoire, guest artists, and conductors. And when necessary, they’re counted on to fill in as substitutes within the orchestra. Prior to joining the Colorado Symphony, Lyle held several music librarian positions including with the Cincinnati Symphony Orchestra, Music Academy of the West, Orchestra of the Americas, Breckenridge Music Festival, and most recently at the Louisiana Philharmonic Orchestra as their Principal Orchestra Librarian. Lyle has a Bachelor of Music-Clarinet Performance from the University of Michigan and Artist Diploma-Clarinet Performance from the University of Cincinnati College-Conservatory of Music. Q: Tell us about your background in music. Lyle Wong: My background in music is mainly as a clarinetist. I went to school as a clarinet performance major and was educated in a very similar way to my colleagues on stage. My original goal was to play the clarinet for a living, so I went through the audition gauntlet and won a few regional orchestra jobs that include the Delaware 22

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Symphony, Arkansas Symphony, and Opera Cleveland Orchestras. Later, this performance and education background served as my foundation for becoming an orchestral librarian. I previously worked with the Cincinnati Symphony Orchestra, Music Academy of the West, Orchestra of the Americas, and Louisiana Philharmonic Orchestra. In addition to this new post with the Colorado Symphony, I also currently work with Breckenridge Music.

Q: What was your first awareness of the role of an orchestra librarian and how did you choose to pursue it as a career? LW: When I was performing more consistently, I was rather clueless to the role of the orchestra librarian. My first real awareness occurred when I picked up summer work in the music library of the Cincinnati Symphony Orchestra and later when I started working as Cincinnati's Assistant Librarian. The awakening occurred as I worked on recording projects with Erich Kunzel and the Cincinnati Pops Orchestra. I remember the moment exactly â&#x20AC;&#x201D; standing in a line with my librarian colleagues, as Erich listened to music that was just recorded. He would send one of the four librarians out to mark an artistic edit in pencil (sometimes in color pencil for emphasis) and the next librarian would step up to receive the next edit instruction. It was an eye-opening process and really the behind the scenes work that made so many of the iconic Cincinnati Pops recordings. I decided to pursue being a full-time orchestra librarian after working a number of orchestral administrative job and mainly performing with regional orchestras. I wanted something between the stage and the office; and that was the music library. Q: What does an orchestra librarian do that an audience member or fellow musician might not see? LW: Part of the orchestral librarian's job is to make performing music as easy as possible. I want my colleagues to have no sheet music obstacles when creating the music you hear. Meaning that even before my fellow musicians receive sheet music to practice, a many number of things need to happen to create effortless rehearsals and performances. Everything from acquiring licensing to fixing copyist errors and coordinating string bowings. And when done right, this organizational process is planned long before the season, maintained continuously, and happens to every piece of music. SOUNDINGS

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STORIES OF NOTE Q: How does the orchestra librarian interact with publishers, composers, musicians, and conductors? LW: The orchestral librarian interacts with these four groups in different ways, but we can divide them into two groups so I don't get deep into the weeds. Publishers/ composers and musicians/conductors. A composer/copyright holder, they are entitled to various rights and publishers manage the right to distribute their music and issues licensing. I acquire the rights for the Colorado Symphony to legally perform these works in the vision of our conductors and artistic team. This includes the rights to perform the work, rent the sheet music, broadcast and many others, depending on the situation. My interactions with our conductors and musicians are mainly in preparing the physical sheet music and scores. Q: What attracted you to this position with the Colorado Symphony? LW: Besides the wonderful things that the Colorado Symphony is doing, I was attracted to this organization because the position works in an administrative sense, but is considered a musician. I had to audition for my position like everyone else you see on stage. This is not the case with every orchestra and many times the librarian is just considered an administrator. I would say that there are 100-ish orchestral librarians in the United States, but only 20 to 30 with the distinction of musician. Performing full-time never worked out for me, but I love what I do now and to still be recognized as a musician amongst my colleagues means the world to me. The next time you visit the symphony check out the administrative and orchestral rosters - besides our Maestro, I believe the librarian is the only other position listed on both rosters. Q: What excites you most about moving to Colorado? LW: Two things excite me the most about moving to Colorado- the proximity to my family and exploring the outdoors. I was born and raised in Honolulu, Hawaii and almost all of my family still resides there. I moved away for college and have since lived most of my adult life in the Midwest and Southern parts of the United States. As I get older, I would like to be closer to my family and I was recently reminded that I can

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get direct flights to Honolulu. Just the fact that I don't have to take two layovers and round trips can cost less than $1,200 is a game changer! With regards to the outdoors, I came to Colorado for the first time in 2012 as the Stage Manager for the National Repertory Orchestra (Breckenridge) and was immediately drawn to the outdoors. I had not experienced that feeling since I lived in Honolulu and started to miss it when I moved home. So I made it a priority to experience the Colorado outdoors every summer since 2012, whether that meant stopping through on road trips or making it part of my summer work, as I do now with Breckenridge Music. Side note: Outdoor snow activities are new to me, but want to learn. And I am up to seventeen 14ers, currently making my way down the Collegiate Range and looking for others that want to climb the more difficult peaks. QUICK FACTS: Q: Where were you born/raised? A: Honolulu, Hawaii Q: Where did you receive your formal education? A: Bacholor of Music in Performance at the University of Michigan and an Artist Diploma in Performance from the University of Cincinnati. Q: Are there any special teachers whoâ&#x20AC;&#x2122;ve helped you in your career? A: Yes! Teacher and life coach Richie Hawley- former Principal Clarinetist of the Cincinnati Symphony Orchestra and now clarinet professor at Rice University. Q: What are some of your hobbies? A: Hiking, recreating food from my childhood, commuting by bicycle and reading.

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2018/19

BERLIOZ SYMPHONIE FANTASTIQUE COLORADO SYMPHONY BRETT MITCHELL, conductor ORIGINAL PERFORMANCE DATES: Friday, May 10, 2019, at 7:30 p.m. Saturday, May 11, 2019, at 7:30 p.m. Sunday, May 12, 2019, at 1:00 p.m. Boettcher Concert Hall

BERLIOZ Symphonie fantastique, Op. 14 Reveries and Passions: Largo — Allegro agitato e appassionato assai A Ball: Waltz - Allegro non troppo Scene in the Country: Adagio March to the Scaffold: Allegretto non troppo Dream of a Witches’ Sabbath: Larghetto — Allegro

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CLASSICS BIOGRAPHIES BRETT MITCHELL, conductor

PHOTO: ROGER MASTROIANNI

Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra’s Music Director Designate during the 2016/17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018/19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra. Born in Seattle in 1979, Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010. For more information, please visit www.brettmitchellconductor.com

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CLASSICS PROGRAM NOTES HECTOR BERLIOZ (1803-1869): Symphonie fantastique, Op. 14 Hector Berlioz was born on December 11, 1803 in Côte-Saint-André, France and died on March 8, 1869 in Paris. The Symphonie fantastique was composed in 1830 and premiered on December 5, 1830 at the Paris Conservatoire, conducted by François Habeneck. The score calls for two flutes (second doubling piccolo), two oboes, English horn, two clarinets (second doubling E-flat clarinet), four bassoons, four horns, two cornets, two trumpets, three trombones, tenor and bass tubas, two timpani, percussion, two harps, and strings. Duration is about 50 minutes. The piece was last performed on November 20 & 21, 2015, with Andrew Litton on the podium. By 1830, when he turned 27, Hector Berlioz had won the Prix de Rome and gained a certain notoriety among the fickle Parisian public for his perplexingly original compositions. Hector Berlioz was also madly in love. The object of his amorous passion was an English actress of middling ability, one Harriet Smithson, whom the composer first saw when a touring English theatrical company performed Shakespeare in Paris in 1827. During the ensuing three years, this romance was entirely one-sided, since the young composer never met Harriet, but only knew her across the footlights as Juliet and Ophelia. He sent her such frantic love letters that she never responded to any of them, fearful of encouraging a madman. Berlioz, distraught and unable to work or sleep or eat, wandered the countryside around Paris until he dropped from exhaustion and had to be retrieved by friends. Berlioz was still nursing his unrequited love for Harriet in 1830 when, full-blown Romantic that he was, his emotional state served as the germ for a composition based on a musical “Episode from the Life of an Artist,” as he subtitled the Symphonie fantastique. In this work, the artist visualizes his beloved through an opium-induced trance, first in his dreams, then at a ball, in the country, at his execution and, finally, as a participant in a witches’ sabbath. She is represented by a musical theme that appears in each of the five movements, an idée fixe (a term Berlioz borrowed from the just-emerging field of psychology to denote an unhealthy obsession) that is transformed to suit its imaginary musical surroundings. The idée fixe is treated kindly through the first three movements, but after the artist has lost his head for love (literally — the string pizzicati followed by drum rolls and brass fanfares at the very end of the March to the Scaffold graphically represent the fall of the guillotine blade and the ceremony of the formal execution), the idée fixe is transmogrified into a jeering, strident parody of itself in the finale in music that is still original and disturbing almost two centuries after its creation. The sweet-tosour changes in the idée fixe (heard first in the opening movement on unison violins and flute at the beginning of the fast tempo after a slow introduction) reflect Berlioz’s future relationship with his beloved, though, of course, he had no way to know it in 1830. Berlioz did in fact marry his Harriet–Ophelia–Juliet in 1833 (when news of the nuptials drifted back across the channel, one waggish London critic wrote, “We trust this marriage will insure the happiness of an amiable young woman, as well as secure us against her reappearances on the English boards”), but their initial bliss faded quickly, and they were virtually estranged within a decade. Berlioz wrote of the Symphonie fantastique, “PART I: Reveries and Passions. The young musician first recalls that uneasiness of soul he experienced before seeing her whom he loves; then the volcanic love with which she suddenly inspired him, his moments of delirious anguish, of jealous fury, his returns to loving tenderness, and his religious consolations. PART II: A Ball. He sees his beloved at a ball, in the midst of the tumult of a brilliant fête. PART III: Scene in the Country. One summer evening in the country he hears two shepherds playing a ranz-des-vaches SOUNDINGS

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CLASSICS PROGRAM NOTES in alternate dialogue; this pastoral duet, some hopes he has recently conceived, combine to restore calm to his heart; but she appears once more, he is agitated with painful presentiments; if she were to betray him! ... One of the shepherds resumes his artless melody, the other no longer answers him. The sun sets ... the sound of distant thunder ... solitude ... silence ... PART IV: March to the Scaffold. He dreams that he has killed his beloved, that he is condemned to death, and led to execution. The procession advances to a march which is now somber and wild, now brilliant and solemn. At the end, the idée fixe reappears for an instant, like a last love-thought interrupted by the fatal stroke. PART V: Dream of a Witches’ Sabbath. He sees himself at the Witches’ Sabbath, amid ghosts, magicians and monsters of all sorts, who have come together for his obsequies. He hears strange noises, groans, ringing laughter, shrieks. The beloved melody reappears, but it has become an ignoble, trivial and grotesque dance-tune; it is she who comes to the Witches’ Sabbath.... She takes part in the diabolic orgy ... Funeral knells, burlesque parody on the Dies Irae [the ancient ‘Day of Wrath’ chant from the Roman Catholic Requiem Mass for the Dead]. Witches’ Dance. The Witches’ Dance and the Dies Irae together.” ©2019 Dr. Richard E. Rodda

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ENDOWED CHAIRS AND FUNDS The following members of the Symphony family have established special funds to perpetuate the work of the Colorado Symphony for future generations. These endowed funds are gifts from individuals who have loved, believed in, and supported the orchestra. To these individuals, the Colorado Symphony extends endless gratitude. • • • •

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DONORS TO THE SYMPHONY FUND SINCE 2015 This list includes gifts made to the Symphony Fund Endowment Campaign. $10,000,000+ Avenir Foundation, Inc. $5,000,000 to $9,999,999 Colorado Symphony Foundation $1,000,000 to $4,999,999 Anonymous Merle Chambers Fund $500,000 to $999,999 Tom and Noëy Congdon $250,000 to $499,999 The Butler Family Fund Esther R. Liss Living Trust

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CO MMUNITY SUPPO RT Ms. Lauren Zandstra Jon and Kathy Zeschin

Symphony Musician ($500+)

Mr. Edward Allwein Laura Althoff DeAnn Anderson Ms. Maggie Anderson ß Anonymous Ω Bruce Avery Marti Awad ß David H. and Lornel A. Baker Nancy Ball δ Mr. James Balog and Ms. Suzanne Balog Mrs. Judith Bedford and Mr. Joel Bedford Anne and Henry Beer Ω Dr. Douglas Bell and Dr. Michelle Bell Kate Bermingham ¥ Mr. Joe Bertsch ß Mr. Dean Beyer Michael Biere and Patricia Romero Ω Mr. and Mrs. Howard Blaney Ω Ms. Soley M. Bogadottir Mark and Therese Brady Mr. and Mrs. Mark Brennan ß Mr. Briggs and Ms. Kostyashkina Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. John Bruno M. Peyton and Suzanne D. Bucy - Bucy Family Fund ¥ Mr. and Mrs. Robert Bushman Mr. and Mrs. Ronald Butz δ Martha Byers Douglas and Constance Cain Ω Lois M. Calvert δ Rusty and Ellen Campos δ Casey Christensen ß Dr. David and Mrs. Delores Claassen Ω Ms. Toni H. Cohig Catherine Coleman ß Ann Connor ß Paul and Eileen Cooper δ Kerry and Walter Cote Ω Mrs. Barbara Cravitz Mr. and Mrs. Herschel Cravitz Ω Ray and Kathleen Cravy Emma M. Curtis ¥ Hille L. Dais Ms. Ruth Dalrymple Rebecca David ß Anne C. Dillen and Mark Dillen ß Margaret Dong Denis and Kathy Donnelly δ The Dowling Foundation Ω Mr. Ian Dreifaldt ß Mr. and Mrs. Robert L. Drew Ω Gary and Kathryn Dudley Louise and Robert Dudley δ Roger & Carol Dutton Ω Ms. Cate Eckenrode Mr. and Mrs. Steve Edmundson Dave Edwards ß Carol Ehrlich Evan and Kim Ela ¥ Ω Mr. Edward and Mrs. Judith Elgethun Lucy and Dan Ellerhorst Ω Mr. Don Elliott Ms. Lee C. Everding ¥ Mr. Sean Everhart Mr. Bayard Ewing Ω Mr. and Mrs. Mark Ewing Ω Mr. Stephen Fenton ß Dr. and Mrs. Richard A. Fieman δ Ms. Alexandra Fischer Mr. and Mrs. Gregg Flannery Ω Ms. Paula Folkman Ms. Allison Foster ß

C O L O R A D O SY M P H O N Y.O R G

Dr. Lauren Fraser and Ms. Rebecca Coughlin ¥ Joann Freedman Dick and Sigrid Freese δ Ms. JoAnne Friedman Deborah S. Froeb Ω Virginia E. & Robert K. Fuller δ Ms. Lauren Gamba ß Lester and Joan Garrison δ Mike Gaughan and Jeff Julin ß Ω Mr. Michael Gifford and Ms. Jenay Heath Gifford ß The Gilman Family Foundation Ω Mr. Herman Goellnitz ¥ Tamara Golden and Tim Worrall Scott and Roberta Goodall Mr. and Mrs. James B. Grange Ω Ms. Andrea J. Grant Ω Carolyn Green ß Mr. Felton Green and Mrs. Nancy Green Dennis and Eileen Griffin Ω Peter and Yvonne Griffiths Ω Mr. Robert Guerra and Mrs. Mariellen Guerra Ms. Julia Gwaltney Donald Hagengruber Halvorson-Freese 21st Century Fund Charles and Linda Hamlin Ω Ms. Linda E. Hamlin Homer and Treva Hancock Ω Ms. Darlene K. Harmon δ Mr. Frank Harney ß Mr. Billy Harris and Ms. Linda Purcell ¥ Ω Mrs. Joan Hazen Dr. Raymond Henkel Owen and Deborah Herman Melvin and Carolyn Hess δ HHSB Family Fund ¥ Mr. James Hidahl and Mrs. Patricia Hidahl Ω Mrs. Patricia C. Higgins Ms. Carol Hildebrand Dr. Stephen Hindes Ω Mr. and Mrs. Joseph I. Hirsch Mr. and Ms. Arthur Hodges ß Ms. Marjorie W. Hofer Ms. Sally H. Hooper Ruth and George Hopfenbeck δ M. J. Hopkins δ Ms. Sally Hopper Ω Andrew Hornbrook Ω Michael E. Huotari and Jill R. Stewart Ω Yumi Hwang-Williams ∑ ß Ω Mrs. Nancy C. Ives and Mr. M. J. Roddy Nancy C. Ives Mr. and Mrs. Bradley James δ Mr. Tim Jenkins Mr. and Mrs. Cody Jennings ß Mrs. Jill Johnke Mr. Eric E. Johnson Mrs. Kathleen Johnson and Mr. Stephen Vierling Mr. Douglas C. Jones Emily B. Joy Ω Mr. and Mrs. Arthur Judd δ Mr. Jeff Julin ß Betsy Herrick and Milt Kahn ¥ Ω Garrick Keatts ß Dr. Richard and Mrs. Carla Kem Ms. Judy H. Kessenich Mark Kessler Ms. Soraya Khalje ß John and Alicia Kinnamon Mel and Roberta Klein δ Mr. and Mrs. Stanley W. Kleinsteiber δ Eric Krein ¥ Stuart and Janet Kritzer Family Foundation John W. Kure and Cheryl L. Solich δ Mr. John W. Kure Phyllis and James Kurtz-Phelan δ Ms. Nancy Lambertson Sandy and Evan Lasky ∑ ß δ Henny Lasley ß David C. Leger δ Mr. Kenneth B. Leonard Philip R. Levy

Mr. and Mrs. Don Lewis Judy and Dan Lichtin Chui Mei G. Lively and Robert D. Lively Patty Lorie Ω Mr. Greg and Mrs. Julie Lucas ∑ Ms. Marian Lyons Ms. Antoinette MacAluso Mrs. Jean Macferran δ Mr. Mike McPhee Ernie Blake and Sharon Magness Blake Christopher Marchbanks Jean L. Marshall Ω Ms. Susan Martin William J. Martinez & Judith C. Shlay Ms. Tanya R. Mathews ß Steve and Kathy McConahey ∆ Ω Michael E. McGoldrick Ω Ms. Karen M. McGrath Carla E. McKennett Ω Ms. Carla McWilliams Mr. Harold 'Bud' Meadows and Mrs. BJ Meadows Ω Mr. and Mrs. Gerald E. Meltzer Ms. Christine D. Metzger Mr. Stephen Mill Jay and Lois Miller δ Paul & Barb Moe δ Janell Moerer ß Kelvin and Sara Moore Ω Mrs. Cynthia F. Nagel Col. & Mrs. Jeffrey Neely Mrs. Jane Netzorg and Mr. Gordon Netzorg Mr. and Mrs. Andrew Newberry Ω Mr. Timothy W. Nicholas Mr. Randy Oakes and Mrs. Susan Oaks ß Dr. Richard and Mrs. Florence O'Day Ω Larry O'Donnell and Kermit Cain ¥ Dr. Priscilla Zynda-Otsuki and Mr. Steve Otsuki Ω Mary and Art Otten δ Mary Chloe Ourisman ß Mr. Rick Palacio ß Frank Y. Parce ∆ δ Carl Patterson David and Doris Pearlman Ω Maggie Petray ß Mr. Anthony Pierce ß Mr. & Mrs. Cason and Rachel Pierce Mr. David K. Porter Ed Post Ω Mr. and Mrs. H.W. Praetorius δ Mr. and Mrs. G.W. Quinby Ω Rich Ramsey Ω Melinda H. Reed Ω Ms. Mary Reeve Nancy and Gene Richards δ Dr. Richard and Sandra Roark Ω Eleanor Roberts δ Ms. Susan D. Rodger Nancy Roeder and Jim Patsey ¥ Mr. Bernie Rogoff and Ms. Jean Greenberg Ω Dr. and Mrs. Paul R. Rosen ∆ Parker Rothhammer ß Ellen Ruble ß Suzanne Barber Ryan ∑ δ James and Carol Salbenblatt ¥ Mr. Clayton Saylor Cynthia L. and Paul D. Schauer Ω John Schilling Mr. Gary Schneider ¥ Mr. Donald Schott Ms. Mary Ann Schultz δ Mrs. Melanie Seatvet Mr. David Seeland δ Ms. Carla L. Seeliger Ms. Isabel Shanahan Dr. David Shander and Mrs. Karen Shander Ω Barbara L. Sharp Mr. Daniel Shurz Ms. Alice Silver Dr. and Mrs. Arnold Silverman δ

Mr. and Mrs. Thomas Sisk Ms. Lynn M. Slouka Drs. Robert H. Slover, II and Robin Slover Ms. Bonnie Smith ß Dr. and Mrs. Edwin R. Smith δ Edie Sonn Sparks Charitable Giving Fund Mr. Norman Spivy Mr. Thomas R. Stephens and Mr. Todd H. Enders δ The Lucy R. Steven Memorial Fund Jackson T. Stevens The Sylvan Stool Family Mr. and Mrs. Michael Strear Mr. and Mrs. William E. Sweet, III Ω Judy and Rob Tate δ Dr. Hannis Thompson Mr. Frank Thomson Ω Barbara Thorngren δ Mr. and Mrs. Carl J. Tillery Ω David Tourtelot and Nikki Headlee Ω Tricia Collins Fund Ms. Heather Van Dusen Mrs. Sue Von Roedern Ω Todd VonLintel ß Ms. Tina Walls ß Ms. Hanna Warren Warren and Mary Washington ∑ Walter and Susanna Weart δ Mrs. Virginia Westgaard Ms. Bette J. Wilkinson Ms. Mary Wollard Dr. and Mrs. Roy R. Wright δ Douglas and Barbara Yost ¥ Dick and Lorie Young δ Mr. and Mrs. Ken Ziebarth δ Mr. Ken Ziebarth Joan Zisler While we are only able to list a portion of our 2019/20 Season donors, we acknowledge and thank every donor who contributed this past season, no matter the amount. Every donor and dollar keeps the music playing on for Colorado! (continued on next page)

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CO MMUNITY SUPPO RT

CORPORATE AND FOUNDATION SUPPORT IMPRESARIO ($100,000+)

Avenir Foundation, Inc.

Sterne-Elder Memorial Fund PRESENTER ($75,000+)

Vera and Joseph Dresner Foundation VIRTUOSO ($50,000+)

The Virginia Hill Foundation

MAESTRO ($25,000+)

Ralph L. and Florence R. Burgess Trust Lloyd J King & Eleanor R King Foundation

C O L O R A D O SY M P H O N Y.O R G

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CO MMUNITY SU PPORT

CORPORATE AND FOUNDATION SUPPORT ENCORE Colorado Creative Industries Colorado State University System FirstBank Florence R. and Ralph L. Burgess Trust Fund Frontier Fire Protection Kenneth King Foundation Live Nation Shapiro Family Chiropractic Trice Jewelers U.S. Engineering Co.

IMA Financial Group Inc. KPMG LLP Marshall-Rodeno Associated OfficeScapes Plante Moran Prologis RIDA Development Robinson Waters & O'Dorisio PC The Schramm Foundation Semple Brown Design, P.C. Tributary Real Estate U.S. Bank U.S. Bank Foundation

CONCERTMASTER

INSTRUMENTALIST

($15,000+)

($10,000+)

AEG Live Blue Moon Brewing Co. - Rino Ralph L. and Florence R. Burgess Trust Colorado Real Estate Journal El Pomar Foundation Grace Bay Resorts HealthONE Macy's Martin Marietta Helen Murray Charitable Trust Northern Trust Sherman & Howard Trautman & Shreve Inc. University of Denver VAL-U-ADS of Colorado, Inc.

COMPOSER ($7,500+)

The Chill Foundation

PRINCIPAL ($5,000+)

A.J. Markley Trust Colorado Rockies Baseball Club Leopold Bros. Distilling Baceline Investments Baker & Hostetler, LLP Benefactor/Randall Carter Beyond Campus Innovations, Inc. Centura Health Colorado State University System Davis Graham & Stubbs LLP DCP Midstream The Denver Foundation The Denver Post Community Foundation Ernst & Young, LLP Henry Shein Medical Group Husch Blackwell LLP

($3,000+)

Fine Arts Foundation Jay's Valet Rick Steves' Europe Inc. The Peninsula New York Scientific & Cultural Collaborative Verizon Wireless

SOLOIST ($500+)

Aloft Denver AOR Inc. Barolo Grill Baker Botts, L.L.P. The Broadmoor Cherry Creek Shopping Center Cleo Parker Robinson Dance Clinimark Denver International Airport Denver Museum of Nature and Science Encore Electric Fackler Legacy Gift Fairfield and Woods PC FourPoint Energy Four Seasons Hotel Denver Great West Life Guild Mortgage Cherry Creek Illinois Tools Works Inc. ISEC Inc Medtronic, Inc. Mile High United Way QEP Resources, Inc. Sage Hospitality Sip | eat + drink SOL Bras and Sleepwear Wines For Humanity Wonderful Giving

IN MEMORIAM GIFTS

The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the Symphony. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them. In memory of Bass Clarinetist Mr. Don Ambler given by: Mr. Robert Rodine In memory of Gene Amole's KVOD given by: Mr. R. Glesner and Mrs. B. Schwarm Glesner

C O L O R A D O SY M P H O N Y.O R G

In memory of Eugene Curtis and Florence Ann Armstrong given by: Eugene C. & Florence Armstrong Family Foundation In memory of Claire Barbara given by: Mr. and Mrs. Skip Anderson In memory of Andrew Bermingham given by: Mrs. Marcia D. Strickland

In memory of Virginia Bonvicini given by: Mr. and Mrs. Eugene Ferretti Ms. Bernice Lane Mr. and Mrs. Scott Mosser Frank Y. Parce In memory of Valerie G. Brown given by: Nancy Carnes Ives In memory of Donald J. Carlstrom given by: Ms. Jane Carlstrom In memory of MingWah Chan given by: Fungyee Chan In memory of Dr. Phil Choquette given by: Mr. Greg Blake Mr. and Mrs. Richard D. Graves Ms. and Mr. Alison Lusk Ms. Penny Taylor Matthew and Janet Walworth In memory of Blair Chotzinhoff, Jerry Endsley, Ken Harper, and Harry T. Safstrom given by: Mr. Chet Hampson and Ms. Susan Martin In memory of Leland Dong given by: Margaret Dong In memory of Max Ehrlich given by: Carol Ehrlich In memory of Richard M. Eslinger given by: Mr. John T. Kelly In memory of Dr. Constantine John Falliers given by: Penny and Dick Leather John and Merry Low In memory of Jerry Friedman and Joyce Freeman given by: Ms. JoAnne Friedman In memory of Keith Hammond given by: Mr. and Mrs. Rus Dewitt Mrs. Becky Hammond Ms. Candy McCampbell Mr. Joseph Zuchter and Ms. Carol Catardi In memory of Seonghee Hedlund given by: Mr. Brian R. Hedlund In memory of Arnold Heller given by: Dr. and Ms. Arnold Heller In memory of Glo Hess given by: Frank Y. Parce In memory of Harley Higbie, Jr. given by: Lorraine Higbie Rosemarie Murane In memory of Fred Hoeppner given by: Margaret Hoeppner In memory of Samuel Lancaster given by: Ms. Mary Louise Burke Mr. Keith F. Corrette In memory of Mary Langehough given by: Ms. Tawney S. Willett In memory of Ann Levy given by: Ms. Peggy Brody Dick and Sigrid Freese In memory of Marie Lindvall given by: Anonymous In memory of John W. Low given by: Anonymous Mr. and Mrs. David Arkell AMG National Trust Bank Foundation Douglas and Constance Cain Mr. Willis Carpenter Ms. Lee C. Everding Ms. Rebecca A. Fischer

Mr. and Mrs. James E. Hautzinger Ms. Carol Hildebrand Elizabeth and Steve Holtze Mr. and Mrs. Wayne Hutchens Ms. Lucinda Low and Mr. Daniel B. McGraw Ms. M. A. McEwan and Mr. P Tiley Mr. and Mrs. Gilbert Marchand Rosemarie Murane Mrs. Jane Netzorg Judi and Robert Newman Gordon R. and Pam Parker Jane I. Ryan Mrs. Victoria Sahani Mr. Mark Silverman Mr. and Mrs. Rodney Smith Mrs. Marcia D. Strickland University of Denver Nancy S. and Earl L. Wright Foundation In memory of Paul Lucas given by: Ms. Kathie Lucas In memory of Dorothy Mauk given by: Ms. Sue Pawlik In memory of Thomas Luther McClintock given by: Lenny Gail and Robin Steans In memory of William and Virginia McGehee given by: Ms. Robin McGehee In memory of John and Helen McGuire given by: John and Helen McGuire In memory of Ken Miller given by: Ms. Ashley I. Geisel In memory of Maurine Moody given by: Mr. Robert Moody In memory of William "Bill" E. Murane given by: Mrs. Madelon Affeld Charles Anderson Mr. and Mrs. James K. Aronstein Ms. Patsy Benedict Mr. Donald L. Berlin Mr. and Mrs. Jock Bickert Mr. Willis Carpenter Mrs. Mimi Chenoweth Sheila M. Cleworth Ms. Mary Cook Mrs. Dana Crawford James Cruz, Jr. and Family Ms. Nancy Downing Ms. Mary Duell Mr. and Mrs. Martin Dumler Nancy and Mike Farley Vincent Favoriti and Mary Grace & Len McCue Dick and Sigrid Freese Virginia E. & Robert K. Fuller Ms. Georgia M. Garnsey Alan G. and Sally R. Gass Caleb and Sidney Gates Mr. and Mrs. Mark E. Goldstein Mr. and Mrs. Michael D. Groshek Mr. and Mrs. Sam Guyton James Hasler Sarah C. Hite Ms. Mary T. Hoagland Ruth and George Hopfenbeck CE Kahn Fund John and Merry Low Ms. Evelyn B. McClearn Rosemarie Murane Ms. Pat Pascoe Ms. Carol S. Prescott Ms. Mary Reeve

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CO MMUNITY SUPPO RT Dr. and Mrs. Ronald H. Resnick Ms. Jeanne R. Robb Rob and Jane Scofield Carole and George Shaw Ms. Susan Sheridan Mr. Erik Solof Mrs. Marcia D. Strickland Ms. Margaret Trousdale Mrs. Teresa White & Eide Bailly LLP Grace Willhoit Mr. William R. Wilson Mr. and Mrs. Richard Wohlgenant Ms. Florence C. Wolfe Mrs. Diane Woodworth-Jordan and the CCHN Board In memory of William Murane, Robert Schulein & Blair Chotzinhoff given by: Nancy & Robert Schulein Fund In memory of Frank Y. Parce given by: Mr. and Mrs. David Askin Kerry and Walter Cote Ms. Martha S. Fiser Nancy and Russ Gregory Mr. and Mrs. Paul E. Lingenfelter Ms. Sally Ochsner Mr. and Mrs. Kenneth M. Manka Ms. Desiree A. Parrott-Alcorn Ken and Patti Quarles Ms. Addie Roberts Mr. Russ Skillings Eleanor Roberts Ms. Lori Snyder Mr. Wes Showalter Ms. Janet G. Way In memory of Gerard Porter given by: The Lakewood Estates Patio HOA In memory of Herman D. Post given by: Herman D. Post Fund In memory of Gerald Rainer given by: Mr. Erik Peterson In memory of my husband, William H. Roberts given by: Mrs. Irene Roberts In Memory of Bolko von Roedern given by: Mrs. Sue Von Roedern In memory of Erwin I. Rogoff, “Country Before Self” given by: Mr. Bernie Rogoff and Ms. Jean Greenberg In memory of Lucille S. Rosenfeld given by: Sig Rosenfeld In memory of Frances and Eugene Schaefer given by: Cynthia L. and Paul D. Schauer In memory of Sidney Schetina given by: Mr. Willis Carpenter Marian and Lou Gelfand Mr. and Mrs. Jeff H. Groezinger Drs. David and Miriam Weil Ms. Lisa Weil In memory of Betty Sonnenberg given by: Sylvia J. Kreider In memory of Kasiel Steinhardt, M.D. given by: June & Sylvan Stool Family Charitable Fund In memory of Mary Symonton given by: Anonymous

C O L O R A D O SY M P H O N Y.O R G

In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Eileen and Jerry Walker given by: Ms. Erika Walker

IN HONOR GIFTS The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them. In honor of Catherine Beeson given by: Nancy Livingston In honor of Dr. Paula Bernstein's birthday given by: Mr. Erik Bernstein In honor of Drs. Paula and William Bernstein given by: Ms. Paula Folkman In honor of Steve Brett and Linda Shoemaker for all they do for our community given by: Anna and John J. Sie Foundation In honor of John and Christine Brown given by: Ms. Barbara Brown In honor of Charlie Burrell given by: Clinimark Dr. Renee Cousins King Mr. Paul B. Batchelder In honor of Duain Wolfe and Mary Louise Burke given by: Claire Benson In honor of Willis Carpenter given by: Ms. Marian Lyons In honor of Young and Carolyn Cho given by: Mr. and Mrs. Don Lewis In honor of Jo Ellen Cohen's 70th Birthday given by: Mrs. Debbi Alpert Ms. Peggy Beck Mr. Martin M. Berliner Ms. Martha W Cannon Ms. Sharon M. Engle Ms. Jody Epstein Ms. Shirley "Cookie" Gold Lynne Green Mr. Barry Hirschfeld Mrs. and Mr. Brooks Luby Mandelbaum Family Charitable Foundation Ms. Cheri L. Michelson Ms. Jane L. Montgomery Mrs. Ricki G. Rest Ms. Fatosh Saribal Mrs. Barbara Sidon Ms. Dorothea Thomson In honor of Christopher Dragon given by: Marjorie R. Thirlby In honor of Joyce Elliott given by: Mr. Don Elliott In honor of Janice Gieskieng for Christmas and her Birthday given by: Ms. Linda McGoff & The McGoff Family In honor of Jim Greenwood given by: DaVita In honor of Chet Hampson given by: Ms. Susan Martin

In honor of Byron Haselden's 50th Birthday. â&#x20AC;&#x153;With love, The Chrisman Familyâ&#x20AC;? given by: Mr. Jim D. Chrisman In honor of Ed Haselden given by: The Jerry Gart Family Foundation In honor of Jutta Herrmann given by: Carla Cheuvront In honor of Philip C. Hiester, Master Electrician CSA given by: Mr. Eli Reshotko and Mrs. Adina Reshotko In honor of Diane Hill for Women of Note given by: Mr. and Mrs. Seth Weisberg In honor of Anne Marie Hoffman given by: Mr. Peter Poses In honor of Co and David Hohnbaum given by: Mrs. Marcie B. Haloin In honor of Bill Johnson: DCP Midstream Charitable Fund In honor of Jerry and Mary Kern given by: Jonathan and Beth Kern Family Fund Ms. Susan Ellis In honor of Keith Kirby given by: Ms. Sara Alt In honor of Leah Kovach given by: Mrs. Marilyn Mishkin In honor of John and Merry Low given by: Mr. and Mrs. Gilbert Marchand In honor of Dr. Marv Lubeck given by: Dr. and Mrs. Ronald H. Resnick In honor of Sachiko Nakahira given by: T.R. Reid & Peggy McMahon In honor of the Non-Violent Marching Band String Members given by: Posner-Wallace Foundation In honor of Leonard Perlmutter given by: Alice Perlmutter In honor of Anthony Pierce given by: Pinon Real Estate Group In honor of Abby Raymond given by: Mr. and Mrs. Allan R. Raymond In honor of Julie Rubsam given by: Mollie Leone In honor of Kristine and John Wallack given by: Richard Falb and Gail Skaggs In honor of Darlee Whiting given by: Hayes Family Foundation In honor of all the little princesses in the world, including my niece Ava Mi-Sun Williams given by: Ms. Ruth Williams In honor of Duain Wolfe given by: Claire Benson

THE HORACE TUREMAN LEGACY SOCIETY Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Legacy Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Society recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. To learn more about including the Colorado Symphony in your estate planning, please call 303.308.2464 or visit

coloradosymphony.org/Planned-Giving. Anonymous Richard and Susan Abernethy The Estate of Nan L. Barnett Mr. Jim Caputo J. Harold Corp Trust Jane Costain and Gary Moore The Estate of John Coubrough, Jr.* Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Charitable Trust William G. FairField Ms. Grace L. Freye Ms. Carol K. Gossard* Ms. Jennifer Guess Ms. Misty Haisfield Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim* Cathey A. Herren The Estate of Gloette L. Hess* Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel* The Estate of Gloria S. Kubel* Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Mrs. Ann C. Levy* Esther R. Liss Living Trust* John* and Merry Low Sandey Luciano Marjorie MacLachlan Evi and Evan Makovsky The Estate of William McGehee* Mrs. Sue McFarlane Willis M. McFarlane* Mr. James Mead and Ms. Carol Svendsen Mr. Morton Ms. Helen M. Murray* Mr. Thomas Murray Ms. Lori Needler* Judie and Ron Neel Judith Nichols Mr. William Oliver Gordon R. and Pam Parker Armeda Plank* Ms. Barbara Powell James R. Pratt The Estate of W. Gerald and Lois Rainer* The Estate of Edwin T. Richard* Mrs. Lee R. Roberts* Mr. Neil F. Roberts* Mr. Bruce M. Rockwell* Mr. Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Dr. and Mrs. Richard J. Sanders Ms. Elizabeth Schmitz The Estate of Henry R. Schmoll* Rob and Jane Scofield Ms. Floy L. Senior The Ilse Steinbach Revocable Trust Mr. and Mrs. James Stookesberry The Estate of Jim Taylor*

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CO MMUNITY SUPPO RT Mr. Richard Thackrey Mr. and Mrs. James D. Vaughn The Estate Of Samuel Wagonfeld* John and Kristine Wallack Ms. Elizabeth P. Wright* The Patricia G. Wunnicke Trust* Ms. Phyllis J. Young * Deceased

CRESCENDO SOCIETY YOUNG PROFESSIONALS OF THE COLORADO SYMPHONY â&#x20AC;&#x201C; FOUNDING MEMBERS The Founding Member Level is available to donors of $250 or more and includes discounted tickets to Crescendo Society Colorado Symphony concerts, complimentary tickets to exclusive Crescendo Society events, and discount codes to select Colorado Symphony performances. Be a part of Crescendo Society history and become a Founding Member in its inaugural season! To learn more about becoming a Crescendo Society member please email giving@coloradosymphony.org or visit coloradosymphony.org/crescendo Amanda and John Armstrong Ryan Cohn Mr. Christopher Cole Mr. Timothy Curry Ms. Lauren Habenicht Leanna Jasek-Rysdahl Ms. Liz Hartsel Mr. Ben Johnson Sarah Metzer Ms. Angeline Nelson Ms. Sonia Russo Ms. Rebecca Sposato Mr. Kip Wallen This program is produced for the Colorado Symphony by The Publishing House, Westminster, CO.

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BOETTCHER CONCERT HALL owned and operated by the City and County of Denver, Division of Arts & Venues City and County of Denver Michael B. Hancock, Mayor Arts & Venues Denver Ginger White Brunetti, Executive Director Denver Performing Arts Complex Mark Heiser, Venue Director Jody Grossman, Assistant Venue Director For information please call (720) 865-4220

C O L O R A D O SY M P H O N Y.O R G

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TICKETING OPTIONS The following options are available for ticketholders of cancelled events. Click on any of the links below and log in to your Colorado Symphony account to proceed with any of the return request options below.

• DONATE YOUR TICKET(S) and receive a tax deduction for the total ticket value to keep your Colorado Symphony strong during this difficult time. • EXCHANGE YOUR TICKET(S) from the canceled performance(s) into future events through December 31, 2020. All exchange fees will be waived in this situation. • EXCHANGE YOUR TICKET(S) for on account credit, which can be used for events through December 31, 2020. All exchange fees will be waived in this situation. • REQUEST A REFUND of the ticket purchase cost and City Seat Tax. Service fees will not be refunded as they are used for technology, processing, and staffing. If no action is taken by June 30, 2020, tickets for cancelled events will automatically become on-account credit, which may be used for future Colorado Symphony Boettcher Concert Hall performances through December 31, 2020. Unclaimed credit at that time will become an automatic tax-deductible donation.

NEED ASSISTANCE? For assistance, please contact the Box Office by phone at 303.623.7876 or at tickets@coloradosymphony.org. The Box Office is open Monday - Friday, 10 a.m. - 6 p.m. Due to increased communication and reduced staffing, call wait times may be longer than usual. Please use the online form (coloradosymphony.org/-PlayOn/Concert-Updates) and we will process your requests in the order they are received. Thank you for your patience and understanding.

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