Arizona Collector's Guide by Tad Smith Publication Design & Layout

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Dear Art Lovers: Thank you for picking up the third publication of the Arizona Collector’s Guide! Since day one, our goal has been to work with communities around the state to share the great art and art events Arizona has to offer. From well known art destinations like Scottsdale and Sedona, to fabulous day trips in Bisbee, Tubac, Jerome and Prescott: we bring them all to you in this magnificent art publication! As demonstrated by the over 1 million visits to our website this past year, we are also hearing from you online. Many of you have purchased art pieces the galleries and the artists have shown on the website. We continue our commitment to bring you all the latest art events, articles, and sales through our monthly e-newsletters. Please contact us at info@AZCollectorsGuide.com, or visit us at www.AZCollectorsGuide.com. We welcome your comments and would love to hear from you. Thanks to our readers and your overwhelming response to the Arizona Collector’s Guide, this year we are able to include 368 stunning pages for you to see and enjoy, an increase of 20% over last year. We continue to include introductions and maps in front of every community listed. To improve your favorite art guide, this year we have simplified the artist and gallery listings located in the back of the publication. (See page 346 for detailed instructions.) Whether you’re a native or a visitor to the great state of Arizona, please use the Arizona Collector’s Guide to help you enjoy the many galleries and artisans in Arizona and to plan for the many exciting upcoming events. Thank you and Enjoy!

Mark Marrero Publisher

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On Th e C ov e r Arizona Collector’s Guide www.AZCollectorsGuide.com 2008-2009

PUBLISHER

Editor

Volume 3

Mark Marrero Kathleen Schuster

Assistant Editor Karen Lukacs

Art Director Tad Smith

Accounting

TheDesignIdea.com

Kathleen Schuster

Writers A. Steeby

Beverley Lehnhardt Samantha Ruckman Virginia Brooks Doug Hocking A special thanks and heartfelt appreciation goes out to all those working behind the scenes who helped make this publication possible. For advertising rates please call 520.982.6200 or email sales@azcollectorsguide.com

Earth Rising by Roy Purcell (Purcell Gallery p. 49)

Tablita by Caroline Carpio Isleta Pueblo Bronze (River Trading Post p. 183)

Arizona Collector’s Guide is published annually and distributed free throughout Arizona in galleries, museums, shops, hotels, resorts and B&Bs. To order free copies for your business call 520.982.6200 or email info@azcollectorsguide.com To receive an individual copy of Arizona Collector’s Guide send check or money order for $7.00 for shipping and handling to:

Enchantment by Diane Barbee (Diane Barbee Studio p. 121)

Edgar by Deanne McKeown (Gifted Hands Gallery p. 311)

Marrero Publishing, Inc. P.O. Box 41011, Tucson, AZ 85717 www. AZCollectorsGuide.com Bookmark it! AZCollectorsGuide.com is the ultimate resource for art in Arizona. Sign up for our monthly e-newsletter and keep current on all the art events throughout the state. © 2008 Arizona Collector’s Guide All Rights Reserved.

Saguaro XXVIII by William Spencer III (Belleza Fine Art Gallery p. 27)

www. A ZColle c torsGuid e .com

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ARIZONA MILEAGE REFERENCE

S T. DAVID TOM BS TONE BISBE E

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Table o f C o nt e nts PAGE

S o u the r n PAGE

12 PAGE

42 PAGE

How to Buy Art 346 Gallery Listings 353 Artist Listings 366 Advertiser Listings

A r i z ona

Bisbee 12 O N T H E WAY TO B I S B E E 22 B I S B E E Map & Insight

Tubac 44 City Insight

48 Galleries & Artists

Tucson 78 City Insight

80 Galleries & Artists Cent r a l PAGE

116 PAGE

138 PAGE

180 PAGE

194 PAGE

240 no r the r n PAGE

274 PAGE

286

A r i z ona

Phoenix 118 City Insight

120 Galleries & Artists

Scottsdale 140 City Insight 144 Galleries & Artists

Scottsdale Indian Art A sso c i at i o n 182 Galleries & Artists

Scottsdale Contemporary A rt Sc e n e 198 Galleries & Artists

Carefree/Cave Creek 246 Galleries & Artists

A r i z ona

Sedona 276 City Insight

278 Galleries & Artists

Uptown 288 Galleries & Artists

PAGE

292 PAGE

302

294 Galleries & Artists

Tlaquepaque 304 Galleries & Artists

PAGE

320

322 City Insight: P rescott 336 City Insight: J e ro m e www. AZColle c torsGuid e .com

A r i zo na Co l l e c to r â&#x20AC;&#x2122;s G uide 2 008 -2 009

20% Chance of Flurries, Chris Navarro, Navarro Gallery, Page 304

A BEGINNER’S GUIDE TO B U Y I N G A RT By A. Steeby

re you interested in acquiring fine art but unsure how to get

started? Relax—a formal background in art history isn’t necessary in order to make savvy purchases. All you need is a sense of wonder and a willingness to learn.

Featured at LeKEA Gallery, Page 151

www. AZColle c torsGuid e .com

Gallery Atmosphere When you visit a gallery, trust your gut. Do you feel comfortable in the gallery’s surroundings? Is the staff knowledgeable and willing to answer your questions? “Sometimes, new buyers feel intimidated when they go into galleries for the first time,” explains Hill. “Good galleries are aware of this and will try to put you at ease.” Remember that gallery owners are in the trade because they are passionate about art and are delighted to share their knowledge with you. Jeff Mitchell, owner of Scottsdale’s Finding Galleries Mitchell Brown Fine When you visit Art, encourages new galleries, stick to art enthusiasts to reputable art dealers Featured at Paul Scott Gallery, Page 200 actively ask questions. only. “Look for “Any question is a good one,” Jeff says. galleries who have been in business a “If a gallery is not willing to answer your long time,” recommends Rick Rosenthal, questions, then it is not a gallery you want owner of Tucson’s Morning Star Traders. to visit.” “Reputation can be a good indicator of quality.” Finding the Right Art John Hill, of Scottsdale’s John C. Hill Experts are adamant that the most Antique Indian Art agrees: “A reputable important reason for a new buyer to gallery is essential. Especially if you purchase art is because they love it. “Buy are considering expensive items, you a piece that moves you—that makes your want to have confidence that you are heart sing,” says Susan Libby, an artist and dealing with an ethical gallery. Ask your the president of Desert Artisans’ Gallery knowledgeable friends or museums for in Tucson. “Truly loving the piece is the recommendations.” only real reason to buy art.” For Native American art galleries, Jeff Mitchell adds this proviso: “If Rosenthal also suggests looking for a gallery pressures you to buy simply members of professional organizations because ‘the price is sure to go up’, leave the such as the Antique Tribal Arts Dealer gallery immediately.” Do your homework, Association. These organizations ensure compare prices at similar galleries, and that their members uphold standards of follow your instincts instead. integrity and experience. Getting Started Most collectors start in the same place: by reading art magazines, surfing the internet, visiting galleries and art shows, and touring museums. As a new enthusiast, you should see as much as possible to discover what appeals to your tastes. Do you prefer contemporary works or antiques? Paintings or sculpture? Take note of any style, artist, or medium that catches your eye. As your understanding and experience grow, your tastes may evolve.

A r i zo n a Co l l e c to r ’s G uide 2 008 -2 009

Summer Stairs, Sam Woolcott, Sam-Poe Gallery, Page 37

www. A ZColle c torsGuid e .com

this additional caution when pricing Gallery Transactions works by living artists: “Some galleries Once you have done the research, found are owned and operated by the artists a gallery you trust, and fallen in love with themselves. If you are working directly a piece of art, what are your next steps? with an artist, avoid asking for a discount. If you are buying a historic painting (i.e., Let the artist take the lead. If you admire 1940s and earlier), Mitchell recommends and honor their work, they want you to that you explicitly ask about condition. “I have the piece and will be most likely to would ask if the painting has been ‘blackwork with you at that point.” lighted’, which means looking at the painting If you are on the using an ultraviolet fence about a piece, light. In a dark room, ask the gallery if they damage, repair, and will hold the item for forged signatures will a few days so that glow under this kind you can mull over of lighting. If a gallery the purchase. Many is uncomfortable galleries will even let showing you the work you try a piece in your under a black light, home (usually taking you should leave that a credit card number establishment.” Featured at Mountain Shadow Gallery, Page 95 as security). “We are Pat Messier of happy to work with clients and let them Tucson’s Gallery West believes that a appreciate the art in the atmosphere they legitimate dealer will actually welcome will see it in,” explains Skwier. questions about an item’s condition. Some galleries will also let you buy a “Respected art dealers will always stand piece over time. Typically, you will have behind the items they sell,” she says. to make a down payment and then make Many novice collectors wonder about payments over a three- to four-month the firmness of pricing. It is appropriate to period while the gallery retains the work. discreetly ask the salesperson: “Is this the best price you can give me?” KEEP IN MIND But keep this in mind: whatever you do, Jeff Mitchell urges you to have fun with do not ask for a discount unless you are the buying process. “If you aren’t enjoying 99% sure you are going to buy the item. buying art, you are doing it for the wrong To ask for “the best price” and then leave reasons,” Jeff explains. “Don’t put pressure is insulting to the gallery. Be aware that on yourself to assemble a ‘collection’. Just many times the gallery simply cannot buy a piece or two to see how your interest reduce the price. Galleries have to pay and knowledge grow. Be comfortable.” for the premises you like to visit, salaries, Following these steps will make your first artist commissions, and expenses involved art purchase (and the next, and the next …) a with finding and authenticating pieces. pleasure. Su san Libby puts it this way: “Fine Ron Skwier, an artist and co-owner of art is a gift to yourself and to your life.” n Scottsdale’s Providence Galleries offers

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Double Trouble, Heidi Rosner, Heidi Rosner Fine Art, Page 215

www. A ZColle c torsGuid e .com

I-10

St. David

Gallery of Dreams

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Tombstone Arlene’s

Bisbee

Sierra Vista

See page 24

Bisbee

Huachuca Mountains from Mules, Photo by Doug Hocking

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O n t h e Wa y t o B i s b e e

Snowing in Tombstone, Photo by Doug Hocking

Ben son t o Bis be e

rizona Ranger Harry Wheeler stepped down from the train at Benson in 1906. The man he’d come to arrest opened hasty fire from two blocks away emptying his revolver. With disdain for the fast draw, Wheeler calmly drew the “big iron” from his hip returning deliberate shots. Stepping back aboard the train the lone ranger nodded, “My work here is done. I’m headed for Bisbee.” The train wends south along the San Pedro River to the lush farming hamlet of St. David. Did Harry stop a few minutes at the Gallery of Dreams to pick up a gift for his wife? Did he whisper a prayer for the dead at the Shrine of the True Cross in Holy Trinity

by Do ug H ock i n g

Monastery? How did an Arizona village get named for a Welsh saint? Mysteries of the desert defy easy answers. Highway 80 climbs into Tombstone Hills on its journey south to Bisbee passing by Boothill. On Allen St., cowboy and Indian legends are kept alive in fine art and jewelry at Arlene’s while gunfighters and stagecoaches pass on historic lanes. Highway 80 draws us on across desert, up a canyon past Escondido Falls and through the tunnel to Bisbee, a city frozen in late Victorian time awaiting the Ranger’s return. Bisbee, the Jewel of the Mule Mountains, clings to canyon walls wreathed in European charm. www. A ZColle c torsGuid e .com

O n T h e Wa y T o B i s b e e

G al lery of D r e am s n

allery of Dreams fulfills the vision of owners Tim and Karen Trask to present fine art in a friendly and positive environment. Located along Highway 80 in St. David, 7 miles south of Benson, Arizona, and 17 miles north of Tombstone, the very blue gallery is easy to spot. Gallery of Dreams represents over 50 local, national, and international artists working in a wide variety of styles and media. In addition to oil and acrylic paintings, the gallery exhibits jewelry, mixed media, leatherwork, fountains, and bronze and stone sculpture. Tim Trask’s studio adjoins the gallery and it is there he creates monumental historical bronzes such as John Reid, the “Father of American Golf,” and the Wyatt Earp sculpture “Stepping into Legend” in Tombstone, AZ. Another renowned sculptor, Misha Malpica, creates clay figures depicting wise and ancient spirits that embody the dignity and proud tribal traditions of Native

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by B. LEH N H A R DT

Americans. It has been said that she sculpts not only the person, but his spirit as well. Lil Leclerc, a self-taught oil painter and avid horsewoman, often paints plein airstyle in and around camp after a long day on horseback. Her landscapes and florals capture her love of the outdoors. Jane Ferguson defines herself as “…as an abstract figurative sculptor.” She believes that since “…clay is refined from the earth which has breathed life into it, it has an energetic quality even in its permanent, fired state.” Raised on a Nebraska farm, Joy Hartl has been interested in art all her life and has a deep appreciation for Nature. Through her landscapes and florals, she portrays her own personal reactions and feelings to the viewer. The work of these and many other talented artists can be seen at Gallery of Dreams or you can visit their website at www.agalleryofdreams.com and www.traskfineart.com.

So u thern A rizona’s Friendly Fine A rt Gallery

Master Sculptor, Tim Trask creates monumental bronze sculpture of Wyatt Earp entitled “Stepping into Legend”. This eight foot historical sculpture proudly stands in Tombstone, Arizona.

Working studio of bronze and stone sculptor, Tim Trask of Trask Fine Art is located at Gallery of Dreams. www.traskfineart.com.

22” Limited Edition Bronze Maquette of Wyatt Earp “Stepping into Legend”

245 E Patton (Highway 80), Saint David, AZ 85630 PHONE:

520-720-2649 • TOLL FREE 877-416-2264 www.agalleryofdreams.com

WEBSITE:

EMAIL: agalleryofdreams@yahoo.com

M i s h a

M a l p i c a

“Crow Warrior” and “Koshare Trio” One of a Kind Mixed Media Sculpture

A r c h i e

S u tt o n

“Wishful Thinking” Mixed Media 16x14

So u thern A rizona’s Friendly Fine A rt Gallery 16 A r i zo n a Co l l e c to r ’s G u ide 2 008 -2 009 n

L i l

L e c l e r c

“San Xavier Shadows” Oil 20x16

B e ts y

K u n z e r

“Splashdown” Bronze Photo by Mel Schockner

245 E Patton (Highway 80), Saint David, AZ 85630

520-720-2649 • TOLL FREE 877-416-2264 WEBSITE: www.agalleryofdreams.com

PHONE:

EMAIL: agalleryofdreams@yahoo.com

J OY

H A R T L

“Happy Sunflowers” Oil 30x40 and “Saguaro Blossoms” Oil 30x40

M a r y

D o v e

“Dream Horse” Watercolor Fine Art Reproductions - Custom Sizes

B r e n da

P e o

“Macho” Twisted Ponies Twisted Wire Sculptures

So u thern A rizona’s Friendly Fine A rt Gallery 18 A r i zo na Co l l e c to r ’s G u ide 2 008 -2 009 n

J a n e

F e r g u s o n

“Three Muses” One of a kind hand built ceramics

L i sa G a l l o wa y S p r i e tsma

“Pear Blossom and Clementines” Oil 18x14

245 E Patton (Highway 80), Saint David, AZ 85630

520-720-2649 • TOLL FREE 877-416-2264 WEBSITE: www.agalleryofdreams.com

PHONE:

EMAIL: agalleryofdreams@yahoo.com

O n T h e Wa y T o B i s b e e

A rl en e’s n

by Beverly Lehn hardt

Vincent Johnson

rlene’s opened its doors in 1978 and today, is still one of Tombstone’s landmark shopping destinations offering a variety of unique jewelry, pottery, Navajo rugs, sculptures and wall art. Committed to ensuring their customers receive good value for the money, Arlene’s represents all items fairly. They are a proud member of the Indian Arts and Crafts Association. Well known for their quality Native American jewelry, Arlene’s has always carried the work of the finest Navajo, Zuni, Hopi and Santo Domingo artisans. Arlene’s exhibits a wide array of Native American pottery from the finest potters in the Acoma, Jemez, Isleta, Santa Clara, San Juan and Zuni pueblos.

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Sculptor Christopher Pardell has created a maquette exclusively for Arlene’s, depicting a Native American couple celebrating their love and shared experiences – it is “…a romantic tribute to the transformative power of love and marriage.” Each to the Other is made of Lucite and is a 50-piece limited special edition. Wall art displayed at Arlene’s stores ranges from original paintings and masks to metal sculptures and various Native American artifacts. If you want something distinctive, you can surely find it at any one of Arlene’s three locations – all on historic Allen Street in Tombstone, Arizona.

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B i s be e G a l l e r i e s 55 Main Gallery 607 Arlene’s Southwest 620 Belleza Fine Art Gallery 614 Bisbee Bowls 610 Bisbee Clay 614 Bisbee Framing & Fine Art 602 Finders Keepers Antiques 601 & Collectibles Full Moon Inc. 606 Gallery of Dreams 619 Jewelry By Jon 608 Kate Drew-Wilkinson Designs 618

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Metalmorphosis - Bisbee Óptimo Attire Óptimo Custom Hatworks PanTerra Gallery Pentimento Antiques & Artisans Sam-Poe Gallery Tang Gallery The Copper Shop Twist Verano Gallery

603 604 611 600 605 613 612 616 609 617

Bisbee

This historic mining town, located 90 miles southeast of Tucson, is the picturesque county seat of historic Cochise County. The community was founded in 1880 and named after Judge DeWitt Bisbee, a financial backer of the Copper Queen Mine. Bisbee has since evolved into an attractive artist colony

and

retirement

community

emphasizing

monthly special events and tourism. Travelers from all

For more complete information about this southwest treasure, please visit www.bisbeearizona.com

over the world come to Bisbee to savor its Old West charm...a unique blend of creativity, friendliness, style, romance and adventure.

www. A ZColle c torsGuid e .com

Bisbee

I ntroduc t io n to B is be e n

t’s three o’clock and the smell of roasting coffee wafts across Main Street. At 5300’, the heady scent is ambrosia for flatlanders who suddenly make a one-eighty for the complimentary taste of Old Bisbee Roasters Coffee. This thriving company’s platform is a table loaded with brown bags of organic grown, whole bean coffee grown by small farmers from around the world and sold in Bisbee, as well as on their website. Their shop is an open air affair at the entrance of “The Alley”, a narrow walkway between Main Street and Subway. It’s this easy take on entrepreneurism that is as much a part of what gives Bisbee its personal charm as any of the fine art galleries and antique shops now open for business after the heyday of copper, gold and silver mining companies pulled out of town. It seems impossible to imagine this quiet little town as the bustling affair it once was, but take a walk through Bisbee’s Smithsonian affiliated museum and study the photos of

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by R ebecca P. Dahl k e

miners, their families, reputable business owners and redoubtable hustlers jostling, dodging wagons, horses and even a street car. Crowds aside, a century has changed Bisbee very little; it’s winding one lane roads still lead to quaint houses clinging to the edges of the mountain. Brewery Gulch still hosts sudsy bars where old timers and miners quenched their thirst on a Saturday night. You can get a list of bed and breakfast establishments at the Visitor’s Center in Copper Queen Plaza. Most of the inns that housed itinerant men of the old west have been renovated with tourism in mind. You can even stay in the purportedly haunted Copper Queen, or sit in the shade on their veranda, sip a cool drink and watch the day pass slowly by. Either way, Bisbee is a delight to discover for the first time or a return trip that one makes year after year. It’s shopping, entertainment, great food and cozy little places in which to have a quiet moment.

www. A ZColle c torsGuid e .com

Bisbee

A B ea utif ul A rt E x perie n ce

n Italy, belleza means “beautiful”. In Bisbee, Belleza stands for beautiful art in a beautiful setting helping a beautiful cause. Belleza represents the area’s finest artists. Artist commissions have included those from the Bellagio in Las Vegas, the Sedona Hilton, the Scottsdale Sheraton, and the Phoenix city transit system. Other honors Belleza artists have enjoyed are one-man shows in Tokyo and full-time representation in other major art centers of the West. Not only is there a long waiting list of artists hoping to be exhibited at Belleza, even other galleries express desire to have an association. Why is there such excitement surrounding Belleza? Because there is another facet of the gallery that enriches clients, their artists, and society as a whole: Unlike most galleries, Belleza is a non-profit organization. One hundred percent of the net profits from sales goes to benefit residents of Renaissance House, a program designed to help homeless women recover from abuse or substance addiction. William Spencer III is one of the artists represented by Belleza. His acclaimed work is part of important collections including the main lobby of the Historic

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Curtis Center in Philadelphia, the Tucson International Airport, the Sedona Hilton concierge center, and in community centers in Paradise Valley and Scottsdale. William is a pillar of the Belleza community and his work sells briskly. “Just as Belleza is the backbone of my art sales,” William explains, “I have come to realize that I am also part of the backbone of the gallery and what it stands for. This is an awesome responsibility and a great gift.” Gallery Manager Lou Anne SterbickNelson personally ensures a Belleza gallery experience. “We represent serious artists in a healing atmosphere,” Lou Anne says. “I invite you to visit us in Bisbee; it is well worth the trip.”

William Spencer III “Saguaro XXVIII” 60 x 48

A. M. Stockhill “The Game and the Nation” A. M. Stockhill “Partnership” Both 60 x 36 , mixed media on canvas.

Belleza Fine Art Gallery O w n e d b y t h e R e n a i s s a n c e Ho u s e , a non-profit for homeless women and children.

27 Main Street • Bisbee Az 85603 contented@cableone.net • www.bellezagallery.org 520.432.5877 LouAnne Sterbick-Nelson, Mgr.

Bisbee

Vera n o Fine Ar t G al le ry n

by R ebecca P. Dahl k e

consist of huge platters with blooming aloe by Jim Sudal as well as Alan Potterâ&#x20AC;&#x2122;s whimsical creatures that populate the Southwest and amuse everyone who sees them. Mike Keers hand builds distinctively southwestern furniture. His pieces are prized by locals and tourists alike. Artists Edna Rosario Wilke, Joseph Yarnell (Jerry), Rebecca Dahlke Fehling, Barbara Larkum and Rosanna Ruffo create gourd art masks, nyone can see that this gallery, bowls and kachina style dolls. located on the shady side of Main Verano Fine Art Gallery is proud to be the St., has set its mark on Bisbee. Keeping in only representative in the southwest for the mind the natural wonder of this beautiful #1 PBS art instructor, Jerry Yarnell, and they southwestern palette, owners Rosario welcome him twice a year to demonstrate Wilke and Rebecca Dahlke produce award his fine art technique in acrylics. The gallery winning art to match. Rosario creates represents his paintings, his videos and books one of a kind tiles for home, kitchen and and they also host his annual art workshop outdoor walls. She also creates elaborate in Sierra Vista. gourd art and custom jewelry with a Please contact us at any time to answer southwestern flair. Her business partner, all of your questions. Rebecca Dahlke paints southwestern Verano Fine Art Gallery landscapes, the luminous skies and wild 22 Main Street birds of Arizona. P.O. Box 1060 There are oils, acrylics, watercolors Bisbee, AZ 85603 and photography as well as pottery and (520) 432-5095 prints. With art from over 30 artists, there www.veranofineartgallery.com is something for everyone. Pottery may

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Joseph Yarnell Autumn Shadows, acrylic 30 x 40

Rosario Wilke Golden Horse, Tile Art Creation, 18 x 12

Fred Wackerle Clouds 15 Oil 30 x 30

V erano Representing Art and Artists of the Southwest

Verano Fine Art Gallery 22 Main Street â&#x20AC;˘ P.O. Box 1060 Bisbee, AZ 85603 (520) 432-5095 www.veranofineartgallery.com Rebecca Dahlke The Huachucas, Oil 18 x 36

Bisbee

5 5 Ma i n Gal le ry n

by B. LEH N H A R DT

Main Gallery is located in the heart of Old Bisbee, a well known art community in Southeastern Arizona. Owner Cristina Plascencia opened the gallery in 1995 after falling in love with the small town’s history and charming size. 55 Main Gallery features fine art, jewelry, glass art, furniture, and photography by local artists. The unique clothing and accessories in the gallery boutique attract clients from around the world. Prominent in the gallery are the beautiful, up close and intimate, floral paintings of Bisbee artist Reva Shemanski. The gallery features her many large and oversized oil-on-canvas originals as well as smaller giclee reproductions. Of her work, Reva says, “My paintings are about the way light illuminates the life within. I tend to focus on small details that others perhaps overlook.” Glass artist, Kurumi Conley originally studied ceramics and textiles but found herself attracted to the transparent characteristics of fused glass, the colors, and the liquid illusion inherent in the material. 55 Main Gallery features Kurumi’s boldly colored, tightly-detailed bowls and plates. Her tri-sided towers make exceptional centerpieces when candlelit from within and her colorful sun catchers make affordable gifts and souvenirs.

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Trisha Steiner, a well-known Southwestern expressionist artist, uses vivid colors for her acrylic-on-canvas, whimsical images. Because her paintings often contain recognizable Bisbee scenes, her work is popular with visitors who want to take home a piece of the Southwest. Glass artist, Richard Dillon, uses dichroic glass in his fused glass process to create his dramatic bowls and plates; they also contain large, bold geometric patterns and colors. In addition to these, the gallery features Rich’s beautiful glass crosses in various sizes and colors. Rich’s glass art is some of the most popular in the gallery. Visit 55 Main Gallery in Bisbee, Arizona or www.55maingallery.com.

Bisbee

Óptimo Hatworks and Timeless Attire Hand-crafted Hats , L eather J ac kets a nd V ests

by A . Steeby

ptimo Hatworks and Timeless Attire offers custom hats and leatherwear—all of which are expertly made by hand to last for decades. With regard to hats, Óptimo is one of only a few traditional milliners still in existence. Proprietor S. Grant Sergot painstakingly hand-shapes each one using vintage tools. “Historic equipment is the best for sculpting a hat by hand,” Grant explains, “but I use them to create contemporary looks for both casual or dress.” To make an Óptimo hat, Sergot starts with a hat body of either straw (hand-woven in Ecuador) or beaver felt (hand-crafted in Tennessee). He manually steams and shapes, teasing the hat body into the desired style and fitting the client’s specific head contours. Grant believes that an ideal hat fits both the head and the personality of the owner. For his line of “travel leathers”, Grant designs the entire collection and personally works with skilled leather artists from Ecuador to achieve his high standards of quality. “I chose Ecuadorian artisans because their tradition of craftsmanship is—bar none—the best in the world,” he says. Grant’s travel leathers offer maximum wardrobe flexibility: The jackets and vests look great duded-up for dress occasions yet remain perfectly at home in casual settings. With construction that includes thoughtful placement of snaps, closures, and pockets, these garments are appropriate for weekend jaunts and international travel alike. Prices are surprisingly affordable, with vests starting around $100 and jackets going up to $300. “I’m pleased to offer hats, vests, and jackets that surpass both functional and aesthetic needs,” Grant says. “As I like to say about the collection: To see it is to smile; to touch it is to feel good; to wear it is to know... Óptimo.” Óptimo Hatworks and Timeless Attire are located at 47 Main Street in Bisbee.

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To see it is to smile, to touch it is to feel good. CUSTOM HATWORKS

Milliner/ Renovator

Fine straws hand-woven in Ecuador, including the legendary Montecristi. Custom-blended beaver, cashmere, and wild hare felt hats.

We have original designs in both contemporary and period fashions. Along with cleaning and re-blocking, we are also conservators in restoring important antique hats. “I am committed to signature, quality work and am not bound to one stylistic vocabulary. My work is comprised of original designs and comingles traditional, vintage and contemporary styles along with classic variations on a theme to fit the usage, style and the personality of the wearer.” The Hatworks is museum-like in its layout so the public can view hat making in the old world style.We are an atelier (salon studio) that is open for educational tours for school groups, friends of the library, etc. We have become a destination for Bisbee and the state of Arizona. For a fitting we recommend that you call for an appointment 47 Main St. | P.O. Box 1914 | Bisbee, AZ 85603 USA phone/fax 520.432.4544 www.optimohatworks.com | grant@optimohatworks.com

To wear it is to know... Óptimo

Bisbee

K ate Drew-W ilk in s o n D e si g ns Preservi ng History O ne B ead at a Time

lass bead artist Kate Drew-Wilkinson creates exquisite fine art beads in her Bisbee studio. But she is more than a master beadmaker: Kate is the caretaker of a human legacy.

Extraterrestrial bead – Photo by Sandy Upson

Kate crafts her beads with lampwork, an ancient method developed in Italy in the 1500s. Popular with collectors, Kate’s beads sell almost as fast as she can make

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them. “People love beads,” Kate explains. “They are magical, with real ‘touch appeal’. You can wear a handmade bead with anything and not look overdressed.” Exploring bead artistry is part of a natural career progression for multitalented Kate, whose past endeavors include Shakespearean actress, acclaimed jewelry designer, and bead historian. Originally from Great Britain, Kate’s creative hub is now the artist mecca of Bisbee, a place she happily calls home after a lifetime of near-nomadic traveling. “There is peace here,” Kate says. “People greet each other with joy.” For Kate, beads reflect how she sees the world—as if the culmination of her entire life is in each bead. An avid learner herself, Kate is committed to teaching other bead artists through her instructional DVDs, freely sharing her knowledge with fellow jewelry makers to keep the craft alive: “Twenty years ago, there were only five glass beadmakers in the United States. Now there are about 3000.” For a captivating trip into the world of beadmaking, head to Kate’s bustling studio gallery and see for yourself how this ancient art form is preserved for future generations. “Glass beadmaking is an ancient occupation,” Kate says with pride. “Beads last thousands of years, and I have seeded mine all over the planet. My beads are everywhere from the bottom of the ocean to the Taj Mahal.”

KATE DREW-WILKINSON D e s i g n s Kate is a world-renowned glass beadmaker.She has been creating and designing jewelry for thirty years and glass beads for fifteen. For the past three years,Kate has been creating her beads in her magical, in-shop studio.She invites you to experience the wide variety of work that reflects her vast knowledge of beads and the extensive wirework that she employs.

520-432-7818 In Copper Queen Plaza P.O.Box 1803,Bisbee,AZ 85603 beads@theriver.com www.katedrew-wilkinson.com

www. A ZColle c torsGuid e .com

Bisbee

The Inventive World of Sam•Poe Gallery n

orget laundry drying on the line. Disregard a breeze after a spring rain. The new benchmark for the word fresh is the Sam•Poe Gallery in Bisbee. Sam•Poe Gallery is the brainchild of husband and wife artists Poe Dismuke and Sam Woolcott. The two creatives work in different styles and media, yet enjoy a similar taste for innovation. Viewing the duo’s work together is like taking your senses for a high-speed joyride. Hanging on the walls of the gallery are Sam’s paintings, which pulse with juxtapositions of saturated color. She has few constraints when she paints, whether toward her palette or her media. “My work is highly experimental—anything goes!” Sam says. “If it makes a mark, I’ll use it.” Sam’s favorite subject matter can be found amongst buildings, fences, and staircases. As a former architecture student, she has a natural affinity for appealing angles. “I love structure and how space is perceived,” Sam says. Just as Sam brings form and color to the

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Sam•Poe collection, Poe’s work provides the gallery with its improvisational spirit. His mechanical sculptures are Rube Goldberg-esque masterpieces that impart a subtle, but lasting, wit. “My work is funny, but not in a pratfall way,” explains Poe. “I like to call it ‘sneaky funny’ because the humor doesn’t hit you immediately.” Poe’s visual leg-pulling extends to the raw materials he uses in each sculptural device. Although his work may look like a clever assemblage of found objects, the artist actually creates every facet of his work by hand. “I fabricate each piece from new materials and patina the components to look and feel aged,” Poe says. Sam and Poe came to Arizona after fleeing the hectic 24-7 world of California’s Bay Area. “We chose Bisbee so that we could create more space in our lives,” Sam explains. “Our gallery is a perfect way for us to let people see something exhilarating and new.” Sam•Poe Gallery is located at 24 Main Street. www.sampoegallery.com.

Floating

Sam Woolcott

One Eyed Guy DoorbelL

Summer Stairs

Sam Woolcott

Poe Dismuke

SAM•POE Gallery 24 Main Street, PO Box 1668, Bisbee, AZ 85603 520.432.5338 • www.sampoegallery.com

Bisbee

PanTerra Gal le ry n

“

e want to bring people together and offer a gathering place with shows and artist receptions,” says Maralyce Ferree, co-owner of the PanTerra Gallery. “We’re interested in featuring talented local artists and in helping build the art community here.” Since opening in 2006, PanTerra Gallery has indeed become a “gathering place” for friends and clientele. With monthly events and the “Tao of Photography” workshops that co-owner Chuck Feil facilitates, they are building community, especially on historic Brewery Ave. Before opening the gallery, Feil published aerial photography books and together the couple owned and operated Maralyce Ferree Clothing Design, designing and manufacturing women’s jackets and coats in Scarborough, ME. This business and artistic experience is evident throughout the PanTerra Gallery. “When we first saw Bisbee in 2003, we fell in love with it,” Chuck says. “We found and bought a house in one day!” It wasn’t until 2005, when the couple sold

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their clothing company that they were able to move from Maine to Bisbee for the winters. “We bought the building and loved the idea of having a gallery in the street-level store-front property,” Maralyce says. “We thought it would be a great place to showcase Chuck’s photography, and we soon discovered that Bisbee has a wealth of talented local photographers,” she says. This artistic wealth is part of what makes the PanTerra Gallery so unique. “We love how people react after they enter the gallery,” Maralyce says. “They’re so complimentary.” With a wide variety of eclectic clothing, jewelry, handbags, accessories, scarves and photography, clients say that PanTerra Gallery is on their “must return to” list. Given the competition in the area, this is high praise. When asked where she sees the gallery heading, Maralyce says, “To The Moon! While we have quickly built a clientele of local, national and international collectors, our goal is to continue to update our eclectic mix and to contribute to the growth of the Bisbee arts community.”

The Copper Shop Quality, handcrafted copper art pieces since 1975.

23 Main St. • P. O. Box 626 • Bisbee, AZ 85603 Phone: (520) 432-4455 www.copperlady.com

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TANG GALLERY

“Bisbee Garden Shed” by Eva Arenas watercolor 20” x 16”

“Deck View II” by Mina Tang Kan acrylic on canvas 40” x 40”

“Portrait of a Red Haired Girl” by Gwen Freeman acrylic on canvas 12” x 12”

“Forest Waterfall IV” by Dan Desmond oil on canvas 24” x 20”

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Tu b a c Gal l e r i e s Walter Wilson Gallery Tohono Village Trading Post Cobalt Fine Arts Gallery Clay Hands Pottery & Studio Quilts, LTD. Cactus Huggers Feminine Mystique Gallery Manos Gallery C. Curry Studio Damian Koorey Designs Renee Taylor Gallery Rogoway’s Turquoise Tortoise Tubac Territory Red Door Gallery Lee Blackwell Studio Tubac Old World Imports “The Rug Store” Tubac Center of the Arts Out of the Way Galleria

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Graham Bell Gallery Red Willow Gallery Purcell’s Galleries of Fine Art Metalmorphosis Galleria de la Vega Cloud Dancer Mas y Mas Tile N Art Gallery Sunset Jewelers Los Reyes Gallery Z Forrest Karin Newby Gallery Galleria Tubac Old Presidio Traders Hal Empie Studio & Gallery Big Horn Galleries Hugh Cabot Gallery La Paloma de Tubac Treestump Woodcrafts

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T u b a c

T u bac, Where art and history meet. Tubac was established in 1752 as a Spanish presidio (fort). Working artists’ studios now surround the grounds which once served as the home for a Spanish military garrison. Tubac remembers its origins at the Tubac Presidio State Historic Park located in the village’s Old Town, and no visit to Tubac is complete without a stop at our State Park. Scenic high desert vistas surround Tubac, and the village enjoys summer temperatures notably cooler than

For more information about Tubac, please visit www.tubacaz.com

Tucson or Phoenix. More than 120 businesses now line Tubac’s meandering streets; a full day can be enjoyed wandering through the numerous art galleries, working studios and gift shops. The Tubac Center of the Arts provides a full range of arts programming and seasonal exhibitions not to be missed. A variety of locally owned restaurants are open for for both lunch and dinner, and our marvelous bed & breakfasts mean that your visit to Tubac doesn’t have to end when the shops close! www. A ZColle c torsGuid e .com

T u b a c

City Insight: Tubac Tubac Festival of the A rts 5 0th A nniversary

very February, Tubac, Arizona is home to the Tubac Festival of the Arts: an art, craft, and music extravaganza sponsored by the Tubac Chamber of Commerce. Hundreds of artists, craftspeople, and musicians participate, hailing from all over the United States and Canada. The festival began in 1960, and is the longest-running art show in the state. Thousands of art and craft lovers come to the festival each year for the unparalleled selection of fine art and handcrafted gift items. In addition to outdoor vendor booths featuring breathtaking art, handmade crafts, and taste-tempting food, most of Tubac’s dozens of galleries have special artist showings. Horse-drawn trolleys run continuously, providing a rustic alternative to traveling the event on foot. Tubac, one of the oldest settlements in the Southwest, is known as the place “Where Art and History Meet”. The Hohokam tribe farmed the area until 1500

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A.D., followed by the Tohono O’odham and Pima tribes. The Spanish arrived in 1691 and established a fort called Presidio of San Ignacio de Tubac in 1752. The area gained independence from Spain in 1821, bringing Tubac under Mexican rule until 1853, when The Gadsden Purchase made the area part of the United States. Artist Dale Nichols established the Tubac Artists School in 1948, which begat the area’s current manifestation as a thriving artist community. February weather in Tubac is heavenly, with mild, sunny daytime temperatures in the 60s and low-70s—perfect weather for enjoying the festival’s outdoor venue. If you would like to stay overnight at one of Tubac’s hotels or bed and breakfasts, be sure to make your reservations in advance as the town attracts many out-of-towners during the festival. The Tubac Festival of the Arts runs from February 4 - 8, 2009. For more information please visit www.tubacaz.com.

www. A ZColle c torsGuid e .com

T u b a c

Purcell’s G alle r ie s o f Fi ne A r t T he Paintings of Roy P urcell

hen Roy Purcell was a youth in the mid-1960s, he left grad school determined to explore the implacable creative forces welling up in his soul. After landing in the mining community of Chloride, Arizona, he created a series of 75’ tall murals on the granite mountainside. “I heard the voice of the desert,” says Roy. “I was creating the most powerful images and profound poetry at that time.” After Roy’s creative whirl in Chloride, he moved to Las Vegas where he lived and painted for 40 years. Sin City was professionally lucrative for the artist, but in the early 2000s he began to feel the gnawing need for reinvention yet again. After weighing many options, Roy and his wife, Beverly, chose the desert Eden of Tubac as the stage for their new life. “I am completely a desert person,” Roy says. “I adore it here. My studio looks out

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over the Santa Rita Mountains and the Santa Cruz valley—I can see birds, rabbits, coyotes, and javelinas. It is like a perfect museum.” Roy takes his desert inspiration and concentrates it into his insightful acrylic paintings of naturalist and mystical themes. Roy calls his work “emotional realism,” a term he coined to describe the passion he imbues into each piece. “I learn so much about myself with each painting,” says Roy. After a lifetime of painting, Roy has developed an enviable automaticity to his artistic endeavors: the artist performs as if his talent was channeled through him rather than of him. “When I work, I don’t intellectualize what I’m doing,” Roy explains. “My painting is really more like a dance, I just feel moved, and the artwork comes.”

Roy Purcell

Roy Purcell “Earth Rising”

— Your Source for Affordable Fine Art — Originals in Acrylic, Watercolor, Pastel Etchings, Jewelry & Custom Framing

16 Tubac Rd • Box 1472 Tubac, AZ 85645 Phone: 520.398.1600 Open 7 Days a Week

www.PURCELLGALLERIES.com

T u b a c

Purcell’s G alle r ie s o f Fi ne A r t F ine A rt Graces Tubac

ubac’s Purcell Gallery is home to desert painter Roy Purcell. The gallery also features 12 gifted artists, each with their own spin on fine art. We are pleased to introduce you to three of the Purcell Gallery artists: Ron Mulligan Mosaic Wood Bowls Ron develops his homage to Native American pottery and baskets by puzzling together hundreds of precisely-fitted wooden pieces then meticulously turning the pieces with a lathe. “Having had the privilege of living in the Southwest all of my life, I’ve always been intrigued by the culture and art of the Native Americans of this region,” Ron says. ”Exploring the petroglyphs and pottery shards left behind by these ancient peoples, contemplating the mysteries behind these symbols and their origins is very intoxicating to me. Incorporating these shapes and the symbols into my vessels is my passion: the wood my teacher.” Cheryl Weinfurtner Transparent Watercolors Cheryl’s hallmark is her watercolor series of desert flora. Cheryl magnifies her subjects

by A . Steeby

Cheryl Weinfurtner “Sandstone Flowerbox” 30x22

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to tease out details often overlooked with the naked eye. “It was after my first visit to the Sonoran Desert that I traded my technical pencils for watercolor brushes,” says Cheryl. “After my flight landed, I drove directly for the desert floor. Monsoon skies were turbulent and dark; lightning was crashing down. As the clouds started to break, double rainbows arched above; the Sun burned thru openings in the sky. All around me the desert was awakening with wildflowers and swelling cactus buds. That moment I realized that this is the place where I belong.” Barbara Roeming Abstract Acrylics Viewing Barbara’s abstract acrylic and collage paintings are certain to elicit emotions from within. “Always, I’m trying to address feelings,” says Barbara. “Not everyone feels the same thing when looking at a work of art. The viewer then has a piece of art that is theirs alone with their own personal feelings. A lustrous part of our humanity is the ability the have feelings.”

Barbara Roeming “Looking For Lions” 24x36

Ron Mulligan

— Your Source for Affordable Fine Art — Originals in Acrylic, Watercolor, Pastel Etchings, Jewelry & Custom Framing

16 Tubac Rd • Box 1472 Tubac, AZ 85645 Phone: 520.398.1600 Open 7 Days a Week

www.PURCELLGALLERIES.com

T u b a c

Femin i n e M y s tiq u e Ar t Ga l l e ry featuring the watercolors of Sherry Darrah

herry Darrah became a watercolor painter by chance. A native Californian, Darrah and her husband moved to Arizona in 2001. Surrounded by the beauty of the desert, Darrah was inspired to take a painting class. “I originally wanted to learn to paint in acrylics, but the only class that was available was a watercolor class. So I tried watercolors just for fun,” she says. “When I discovered how difficult watercolors were, I was intrigued and knew I had to master them. I’m still trying,” Darrah laughs. How fortuitous that decision was. Darrah’s paintings are whimsical and energetic southwestern landscapes that capture the often-unbelievable colors of the Sonoran desert and its wildlife. “Nature really inspires me,” she says. “The combination of colors in a simple plant, or in an animal’s eyes is amazing. I try to recreate those colors and to make them burst out in my paintings.” While she may be a relative newcomer to watercolors, Darrah’s no novice when

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it comes to art. She’s been drawing her entire life. As a child, she spent time drawing with her grandfather, who was a cartoonist. But amazingly, this talented artist is mostly self-taught “Other than a few college classes in fine and graphic art, I’ve had no formal training as an artist,” she says. Early in her career she focused on colored pencil drawings and cartoons. In 2000 she designed a logo that represented “Diversity,” for a City of San Diego contest and won first prize. The logo was used on programs and t-shirts throughout San Diego. Despite her accolades, Darrah doesn’t take herself too seriously. A former dispatcher for the San Diego police and fire departments, Darrah learned firsthand that life is too short, a lesson that’s reflected in her work. “My work is playful,” Darrah says. “Life is serious enough. I believe in having fun and I love playing with color. If my work makes someone smile and forget their problems, even just for a moment, I am doing the right thing.”

“Tubac” Judith Bateman

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“Horizon” Bonnie Nelson

Jewelry Designer Sharon Cipriano

“By the Fire” Michaelin Otis

MANOS a r t

“Entwined” Judith Bateman

i n t e r i o r s

g i f t s

Tubac Arizona • 520 398 8144 • manosgallery.com

Ongoing Listings of Workshops and Exhibits on manosgallery.com

T u b a c

R ogoway’s Tu r q u o is e To r t o i se n

ogoway’s Turqouise Tortoise Gallery in Tubac invites you to a three artist show on November 8th and 9th, 2008. The gallery will feature three southwestern artists of note: Charles Pabst, Doug Braithwaite and Christin Wolf. On November 8th from 1-5 p.m., there will be an artists’ reception with all three artists present. Charles Pabst started painting at 12 when his artist grandmother gave him his first formal lesson. He explains, “I was 13 years old when she passed away and she left me her paints. I had always enjoyed doing drawings and murals, but after I had the paint set, I started painting more.” In vivid southwestern landscapes or European churches and markets, Charles Pabst explores the light and beauty of his surroundings. “I’d like my viewers to think about the awe-inspiring majesty of nature, the colors and friendliness of the city and its lights, or the contemplative tranquility of the pastoral landscapes of New Mexico, Arizona and all of the West,” he says.

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Painter Doug Braithwaite tries to capture the rhythm of life. “Painting feels like composing and playing music. I look for rhythm and tempo created by the geometry of space. I think of tone and pitch when I work out the color and value relationships. I think of interpretation and feeling as I use my tools to manipulate those relationships.” Braithwaite is interested in how paintings speak to our subconscious triggers. “A certain color could mean that it is going to rain, or that it is going to be hot, or that if you dig here you might find water,” he says. “It might also have something to do with the way that things grow. I think that there is a kind of rhythm inside us that explains why we like a kind of music. Paintings have that same kind of rhythm.” Jeweler Christin Wolf has been working with Southwest jewelry design for over 30 years now. Hand crafted in their Albuquerque Old Town studio Wolf’s jewelry contains amazing colored stones from around the world that are set in solid sterling silver or 14k gold.

Tubac: An Art Experience November 8 & 9, 2008 Artists’ Reception Saturday 1:00 to 5:00pm

Golden River Charles H. Pabst

Morning Buzz Doug Braithwaite

Jeweler Christin Wolf

1 Calle Baca, PO Box 2321, Tubac AZ 85646 520-398-2041 • www.rogowaygalleries.com mail@rogowaygalleries.com

T u b a c

T ub a c Ter r it ory featuring the work of C arlos A . Lopez

by Samantha R uckman

ainter Carlos A. Lopez has been an artist as long as he can remember. “At grammar school the nuns would ask me to produce the nativity scene on the chalkboard,” Lopez says. “I have always excelled in art classes and always had the desire to learn as much as I could about art.” But Lopez’s path to becoming a full-time artist was a long one. At the age of eighteen he enlisted in the U.S. Army and was sent to Verona, Italy as a Military Policeman. “It was a two-year-long dream assignment,” Lopez says. “I was awed by all the magnificent beauty and art that I encountered over there and it had a lasting influence on me.” After he completed his military service, Lopez moved to California, married his high school sweetheart and landed a job in the art department at Hughes Aircraft. While working for Hughes, he attended the Art Center of Los Angeles and Chouinard Art Institute. It wasn’t until he retired from the position of Corporate Art Director at Hughes that Lopez began to paint full time. With roots in design, illustration and fine arts, Lopez has created a style all his own. His paintings are awash in Southwestern color, texture and a delight for the interplay between light and design. Viewing his work is truly a unique experience. “I want to

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create excitement. I want the viewer to participate and interact with my paintings,” Lopez explains. This specific combination of skills and excitement has made him one of the Southwest’s leading artists. Lopez’s paintings can be also found in a wide variety of corporate offices as well as in the homes of discerning collectors. In addition, twelve of his portraits of early astronomers were displayed in the Exploring the Planets Gallery of the National Air and Space Museum at the Smithsonian Institution. Despite his long history with art and design, when it comes to art, Lopez says he’s still learning and growing. “My work is always evolving,” he says. “I feel that I will forever be learning about art!”

Tubac Territory Furniture - is Tubac’s premier fine handcrafted furniture gallery. The proprietors personally select the inventory, a distinctive collection of southwest interior furnishings with a flair for the bold and artistic. We hope you enjoy our website as it grows towards completion, and plan a trip to Tubac soon to view and try out our exciting collection. Fine art: Jared Davis blown glass, Molly Heizer sculpted ceramics, Carlos Lopez original oils, Greg Gowen copper sculpture, Lauren Bosmeny mosaic glass artist.

1 Calle Baca • PO Box 4644 • Tubac, AZ 85646 • ttfurniture.com

520.398.2913 www. A ZColle c torsGuid e .com

T u b a c

Cob a lt Gal le ry an d C l ay H a nd s n

t the north end of Camino Otero St. in Tubac Village, Cobalt Gallery and Clay Hands represent the diversity and magic of art itself. After graduating from the Kansas City Art Institute, Clay Hands’ owner, Diane Lisle, became a potter, moved to Tubac and set out to create the best clay gallery in southwestern Arizona. With its wide selection of work from many fine potters, Clay Hands is well on its way. “I call Clay Hands the ice cream shop of pottery,” Lisle says. “I keep bringing in new flavors in the form of new artists and styles.” When asked about the name Clay Hands, Lisle laughs. “Whenever people came up to me I had clay on my hands,” she says. “It was a natural.” The talent for art is also clearly natural. After graduating with

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By Samantha R uckman

a degree in Arts Management, Lisle’s daughter, Mesia Huttner, joined up with Lisle and created her own unique art gallery next door. Cobalt Gallery is warm and welcoming. “I strive to create a space that’s comfortable and I choose art that does that as well,” says Huttner. Through its eclectic collection of quality glass, ceramics and paintings, Cobalt Gallery reveals Huttner’s enthusiasm and talent for art. “I love owning the gallery because I get to meet so many interesting people and I love talking about the work,” Huttner says. Individually, each of these galleries is full of work that’s not only beautiful, but also interesting. Together, this mother and daughter team has created a pair of galleries that are a must-see.

IRELAND 5 Camino Otero, Tubac, Arizona 85646

520-398-1200 MYERS

Abyssa III

Terry Stonaker

Skyline Drive, Springtime

Ingrid Hanson

Randy Oâ&#x20AC;&#x2122;Brien

www.cobaltfinearts.com www. A ZColle c torsGuid e .com

T u b a c

T ohon o V il lage G al le ry n

T ubac ’s M ust-S ee Native American A rt G allery

new Native American Art Gallery and Village opened last year in the heart of historic Tubac. Tohono Village has become a favorite destination for everyone that appreciates authentic Native American art. Tohono Village is wholly-owned and operated by the Tohono O’odham Nation. As such, the gallery features the finest selection of Tohono O’odham baskets in unique designs, sizes and forms, from traditional to contemporary. Other available art includes paintings, sculptures, pottery, and hand-made jewelry. The gallery selects only the highest caliber of artists. “We represent some of the best artists in the field who create museumquality work. In fact, many artists are featured at the Santa Fe Indian Market,” says Gallery Manager Rhonda Wilson, Tohono O’odham and herself a 1st place ribbon winner at the 2007 Santa Fe Indian Art Market. Browsing through the gallery can satisfy your interest in learning more about Native American art and culture. “We have a personal relationship with every Native artist we represent,” says Rhonda. “This means that we can explain the artist’s spirit and techniques to our customers.” The gallery operates under a fair trade and pricing philosophy, so collectors can be assured of authenticity and benefits

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Ellouise Padilla Originals Santo Domingo Pueblo Artist

to Native communities. Tohono Village gives the artists a reliable source of income in exchange for their traditional and contemporary art. “We feel that one of the greatest things we can do as an organization is to make it possible for the artists to continue to create,” says Rhonda. While at the Village, make sure to stop across the courtyard to visit the gift shop for more Native American-made art. You’ll find clothing, prints, cards, music, food and many more items for all ages. The newest item released in Fall 2008 is a Pendleton blanket with a “Man in the Maze” design. Open daily from 10a.m to 5p.m. Cultural performances and artist demonstrations are scheduled. (520) 398-2223. www.tohonovillage.com

T u b a c

Q ui lts Lt d . G alle ry n

A Q uilt Collector’s Fantasy in Tubac

ith investment quality new and antique quilts for sale, a wearable art boutique, and quilting supplies, it’s easy to see why Quilts Ltd. Gallery has established such a large following during the past 20 years. Savvy quilt collectors, including many celebrities, have Quilt Ltd. Gallery on their must-see list.

The gallery’s vast inventory of quilts is legendary, and includes hand stitched, appliqué, and patchwork selections. Quilts Ltd. offers every conceivable size from mini-quilts to king bed sized, including the most distinctive baby quilts in Arizona. New for this season is the gallery

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owner’s personal collection of antique Central American Molas made into oneof-a-kind wall hangings. These pieces are extremely rare art items that are sure to delight any collector of fine textiles. Quilts Ltd. Gallery also has the largest section of wearable art in Southern Arizona, including garments made by award-winning artists. You will find wearable fabric collage at its best with the gallery’s selection of vests and jackets, made by American Artists, in exotic fabrics in a full range of sizes. Imagine yourself wearing hand-woven fabric from Guatemala; embroidery from Kashmir, Uzbekistan, or Rajasthan; batiks from Vietnam or Bali; vintage and mud silks from Japan, mud cloth from Mali; hand-painted fabrics from Ecuador; or brocades and shawls from France. Quilts Ltd. also carries a fabulous selection of patchwork suede and washable leather jackets and vests in some of the most beautiful leather colors you’ll ever see. Are you in need of a gift for a quilter? Quilts Ltd. Gallery features a special gallery for those who love to make quilts. Patterns, kits, books, and a great selection of fat quarters are always in stock. The gallery’s knowledgeable staff is available to help you, whether you are a first-time quilt buyer or advanced collector. Quilts Ltd Gallery is located at 7 Camino Otero in Tubac.

Quilts Ltd. Gallery

Specializing in Southwestern, Traditional & Antique quilts of investment quality

7 Camino Otero P.O. Box 2211 Tubac, AZ 85646 (800) 255-2306 www. A ZColle c torsGuid e .com

T u b a c

K ar in New by G al le ry The Monumental Sculptures of the Karin Newby Gallery

ubac’s beloved Karin Newby Gallery has opened a sculpture garden, the likes of which have rarely been seen in the Southwest. Spanning two acres of desert landscape, the garden is an idyllic way to spend an afternoon. You will delight in seeing over 100 monumental sculptures in the rich xeriscaped setting. “We have folks that take a quick spin through, and others that spend hours,” says gallery owner Kim Roseman. “We even have locals who come by every day to enjoy the garden’s ambiance. It is a unique place in Tubac.”

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by A. Steeby

Kim and her gallery director, LeRoy Doyle, spent months readying the garden for the public. They insisted on preserving every tree, working the garden paths around the indigenous mesquites. Keeping with their natural aesthetic, LeRoy built pathway walls using stones from the land and made fences from trimmed tree branches. Inside the garden is a real-life labyrinth. Unlike a maze, which is designed to be a puzzle, a labyrinth’s purpose is to allow people to serenely walk and think. “Labyrinths are metaphors for the journey through life,” says Kim. “Walking through one gives you a chance to reflect.” Kim wanted offer visitors a chance to see more than traditional sculptural styles. “Seeing ultra-contemporary sculpture is akin to tasting exotic food for the first time,” she explains. “Sometimes you aren’t sure if you like it until you try it several times. We want to give our guests a chance to experience something new.” Even if you aren’t in the market for a 3,000 pound bronze, the Karin Newby Gallery has more portable art available inside the gallery. “In addition to our monumental pieces, we have all sizes of work, down to one-inch-square ‘wearable sculpture’ jewelry,” Kim says. The Karin Newby Gallery and Sculpture Garden is located at 19 Tubac Road. www.newbygallery.com.

James Moore, September Song, Bronze Monumental Garden Bell, 96” H x 48” W x 24” D, Photography by Jafe Parsons

19 Tubac Rd • Tubac, AZ 85646 • 520.398.9662 • 888.398.9662 www.NewbyGallery.com • info@NewbyGallery.com

T u b a c

Wood Artistry by C hristine and Ron Sisco

by A m y Steeby

United States government in the 1960’s. This adhesive hardens and protects the stone so that it will stand up to the rigors of everyday use. The Siscos’ work is made exclusively from North American hardwoods including birdseye maple, black walnut, cherry, and mesquite. “These are all hard, tightgrained woods,” explains Christine. “We only use wood from trees that provide food products, so all our creations are non-toxic and safe.” Christine and Ron only use Sleeping Beauty turquoise for their inlay. The Siscos choose this stone for its tranquil blue color and lack of black matrix. “We only want the pure color of turquoise next to our woods for maximum contrast in the finished piece,” Christine says. With this marriage of wood and turquoise, Christine and Ron have developed a sophisticated line of items for the home. In addition to custom Mesquite Salad Bowl & Fingers with Turquoise Inlay furniture, their most popular pieces are spoons, bread boards, boxes, gold,” she explains. “I decided to try the lamps, mirrors, tables, and wine racks. same thing with turquoise in our artisan Z Forrest Gallery is located at 26 Tubac wood works.” Road and is open year-around. The gallery To affix the turquoise, the Siscos use a also takes custom orders and will ship space-age solution: they adhere the stone anywhere in the United States. with a food-safe epoxy developed by the an fine art also be functional? Master wood artisans Christine and Ron Sisco prove that it can. The Siscos, owners of Z Forrest Gallery in Tubac, create sublime hardwood furniture and kitchen wares with fine turquoise inlaid in the natural cracks and veins in the wood. Christine developed the concept of enhancing the wood with stone based on ancient Chinese practices she learned in art history class. “In the Ming Dynasty, cracks in porcelain were often filled with

A r i zo n a Co l l e c to r ’s G u ide 2 008 -2 009

FINE ART AND CONTEMPORARY ART

Sol-Y-Sombra, 4’ x 4’, John Farnsworth

Wine Rack, 60” x 13” x 30”, mesquite with turquoise inlay

Treestump Wood Crafts Post Office Box 170, Tumacacori, Arizona 85640 Toll Free: 800-306-8733 • Fax: (520) 398-3939

26 Tubac Road, in Tubac, AZ Tel. (520) 398-9009 www.treestumpwoodcrafts.com www. A ZColle c torsGuid e .com 69 n

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O ld Presidio T r ad e r s

ld Presidio Traders, in Tubac, carries a wide variety of American Indian handmade jewelry, pottery, rugs, baskets, Kachinas, Zuni fetishes and artifacts. Old Presidio Traders boasts the largest selection of quality reservationpawned jewelry in Southern Arizona. An item is considered to be ‘dead pawn’ when the contract between the trader and the person pawning the item is up or unpaid. Sometimes, pawn is used to convert artwork and possessions into cash, but other times it’s used in the same way that a safe deposit box would be, or for safe keeping in between religious ceremonies. Because this pawned merchandise is valuable to its owners, only a very small percentage of pawn goes unredeemed. This makes dead pawn items among the most highly sought after Native American jewelry on the market today. Owner, Garry Hembree, only buys pawn featuring

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sterling silver or 14k gold with turquoise, coral and other gemstones. Old Presidio Traders actively supports Native American craftsman. They employ a full-time Navajo couple, Monroe and Lillie Ashley, to make jewelry exclusively for the store. “We supply them with the silver and stones and they use traditional methods to create unique pieces,” Hembree says. “We pay them for what they do on a piece work basis. Customers can bring in their own stones and have something designed especially for them.” Old Presidio Traders has an entire case devoted to the Ashley’s jewelry. Old Presidio Traders are longtime members of the Indian Arts and Crafts Association and have been in Tubac since 1982. They deal directly with many Native American artists including: Navajo artist Thomas Singer, Hopi artists Bernie and Anderson Koinva, and Doris Coriz from the Santa Domingo Pueblo.

Old Presidio Traders

On Tubac Road Since 1982

2 7 T u b a c R d , P. O. B o x 4023 T u b ac , A z 8 5 6 4 6 5 2 0 -3 9 8 -9 3 3 3 w w w. ol d pr es id io tr ad ers.com www. A ZColle c torsGuid e .com

Galleria Michael McCullough, “Traditions” acrylic on canvas, 30” x 60”

Karen Ahlgren, “Evening Lioness” watercolor & Gouache, 12” x 17”

ocated in the thriving arts community of Tubac, Arizona, Galleria Tubac is known as the fine art gallery with a split personality! In the fine art gallery you’ll discover many of the Southwest’s most renowned artists: Pablo Antonio Milan, Michael McCullough and Carolyn Watson to name a few. Also, a unique collection of home accents (furniture and accessories) are distributed throughout the fine arts gallery. The year-round Christmas Gallery offers a distinctive selection of nativities, Santas, ornaments, and collectibles by Byers Choice, Fontanini and more!

Tubac

Mary Martin, “Coyote Prowl” acrylic on canvas, 18” x 24”

Valerie Milner, “LemonLime” gourd, natural feather, copper and turquoise, 7” x 7”

31 Tubac Road, Tubac, Arizona 85646 • 520.398.9088 galleriatubac@msn.com • www.galleriatubac.com www. A ZColle c torsGuid e .com

2008

ubac Visitors Guide

Tubac Chamber of Commerce 50 Bridge Rd, Tubac, AZ 85646 520.398.2704 assistance@tubacaz.com www.tubacaz.com Tubac Santa Cruz Visitorâ&#x20AC;&#x2122;s Center P.O. Box 4632, Tubac, AZ 85646 520.398.0007 info@toursantacruz.com www.toursantacruz.com

n n

T he Tubac Visitors Guide features over 120 listings of Galleries, Shops, Restaurants, Lodgings & More! Enjoy all the famous art and culture events in Tubac. L earn how Tubac, AZ was the base for exploration in to California and Arizona, and is older than the United States. Experience authentic Southwest charm.

Pick up your free Tubac Visitors Guide at any Tucson Hotel room or contact either the Tubac Visitors Center or the Tubac Chamber of Commerce and they will mail one to you!

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T u cso n, Tucson is Arizona’s second largest city, a growing metropolis of 900,000. Tucson lies in the borderland, a region that blends the cultures of the United States and Mexico, and has a long history of settlement by ancient Native American peoples, Spanish explorers and Anglo frontiersmen. The weather is sunny For more information nearly all the time, just right for all kinds of fun activities. about Tucson, Make your first stop in Tucson the Metropolitan please visit Tucson Convention & Visitors Bureau, 100 S. Church Ave. www.visittucson.org Suite 7199, Tucson, AZ 85701 Monday-Friday, 8 am - 5 pm Saturday & Sunday, 9 am - 4 pm.

Tuc s o n G a l l e r i e s America West Primitive 374 & Modern Art Apparatus Iron 302 Arizona Historical Society 350 Arizona State 346 Museum of Art Temple Gallery 373 Art by God 339 Art Company, The 356 Art Gallery 345 Arts Partnership Gallery 371 Azora Gallery 318 Bahti Indian Arts 328 Barb’s Frame of Mind 366 Cabat Studios 360 Center For 347 Creative Photography Conrad Wilde Gallery 367 Covington Gallery 343 Dahlia’s Gallery 340 Davis Dominguez Gallery 361 DeGrazia Gallery 321 in the Sun Desert Artisans’ Gallery 342 Desert Son 322 Details Art & Design 316 Dinnerware Contemporary 365 Art Gallery Drawing Studio Gallery, The 368

Enchanted Earthworks Eric Firestone Gallery Etherton Gallery Fire Ranch Glass Works Framed to Perfection Galleria de Colores Galleria La Sirena Gallery at 6th & 6th, The Gallery West Classic American Indian Art Grey Dog Trading Co. Illusions Studio & Gallery It’s a Blast Gallery Jane Hamilton Fine Art La Jolla Diamonds & Gems Lynn Rae Lowe Metal Arts Gallery Madaras Gallery Madaras Gallery Mardon Frost Mark Sublette- Medicine Man Gallery Max Gallery, The mfa/eronga inc. mfa/eronga inc. Michael D. Higgins Michael Norton Mo’s Gallery Morning Star Traders

334 324 372 301 357 359 354 362 309 335 344 353 325 327 331 313 352 336 341 312 307 338 323 304 333 351

Mountain Shadow Gallery 314 Museum of 370 Contemporary Art (MOCA) Obsidian Gallery 329 Old Brazil 305 Old Pueblo Frameworks 326 Pamela Laurence 308 Collection Philabaum Glass Studio 375 & Gallery Platform Gallery 363 Primitive Arts Gallery 355 Raices Taller 222 Gallery 364 & Works Sanders Galleries 311 Settlers West 310 Settlers West 319 Contemporary Fine Art Silverbell Trading 306 Southwest Metal Art 330 Sunrise Gallery 320 Tangerine Gallery 332 thibault4art 303 Third St. Kids - Arts for All 337 Tucson Jazz Society 349 Tucson Museum of Art 369 U of A Museum of Art 348 Western Way 358 Wilde Meyer Gallery 315

www. A ZColle c torsGuid e .com

T u c s o n

T ucson A r t Wal k E njoy A rt Walk

ucsonans are proud of the art and culture of the Old Pueblo. Now, on the second Thursday of each month, enthusiasts can enjoy the Foothills art scene in style with the Tucson ArtWalk. Sponsored by the art meccas of Gallery Row and Plaza Colonial, ArtWalk is a fiesta of good taste and good times. Participating galleries open their doors from 5 to 7 pm and serve fine wine and appetizers along with the tasty visual imagery. Special showings abound during

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by A . Steeby

the monthly event. “We always have a featured artist showing during ArtWalk,” says Deborah Tansey, owner of Mountain Shadow Gallery. “We think it is a great opportunity for people to meet artists and see brand new works.” Community response to ArtWalk has been terrific. “We usually have over 100 people enjoying the art, the wine, and the ambiance,” says Diana Madaras, owner of the Madaras Gallery. “Even in the summer, it is a festive event.” Local artists are also drawn to the ArtWalk scene. “Many of our artists—even those not featured in a special showing— come out to meet the public during ArtWalk,” Deborah says. ArtWalk is the perfect activity for your out-of-town visitors. “This is one of the few areas in Tucson where fine art is concentrated,” says Deborah. “You can bring your guests to ArtWalk and they can see the best art Tucson has to offer all in one place.” Max Mikesell, owner of the Max Gallery, agrees: “In my opinion, this is the best gallery event in and around Tucson. People can enjoy top-of-the-line artwork and have a marvelous time.” ArtWalk is on the second Thursday of each month from 5 to 7pm at Gallery Row and 6 to 8 pm at Plaza Colonial. Gallery Row is located on the northeast corner of Campbell and Skyline and Plaza Colonial is on the southwest corner.

www. A ZColle c torsGuid e .com

Pattie and Mark Johnsonâ&#x20AC;&#x2122;s

Glass Illusions Studio Illusions Gallery

For 30 years Mark and I have been working closely with our clients to create one-of-a-kind handcrafted glass art and glass and steel sculptures. Working with fused, cast, blown and stained glass for interior or exterior, Southwestern to Contemporary Come see what we can create for you. Sincerely, Pattie Johnson Please see ad opposite page and inside back cover

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Silke Mildenberger

Illusions Gallery

Diana Davis

Paul Anders-Stout

6530 E Tanque Verde, Tucson, AZ 85715

(520)296-5752 glassart4u@aol.com www.glassillusionsstudio.com www.illusionsgallerytucson.com www. A ZColle c torsGuid e .com

T u c s o n

Covi n gton G alle ry Featuring Fine 19th and 20th Century American and European Art

ovington Gallery’s selection of 19th and 20th century American and European paintings, watercolors and prints, provides fine art seldom available to collectors in the Southwest. The Gallery also provides fine art appraisals, framing, consignment services conservation and restoration services, for paintings and works on paper. Gallery owner, Wayne Kielsmeier, has a wealth of knowledge about American and European art of this period and finds that the history behind the works adds to the joy of collecting. Wayne is a consummate researcher, unearthing as much artist information as he can for every piece he acquires or brokers for a client. “I find as much information as possible because it adds a dimension of historical and intrinsic value to the art,” he says. Wayne welcomes the opportunity to share his expertise with people who have an interest in fine art. He frequently advises people who are unsure of the value of the

A r i zo n a Co l l e c to r ’s G u ide 2 008 -2 009

by A. Steeby

art they have and the gallery doors are open for courtesy walk in evaluations on a daily basis. A visit to Covington Gallery is satisfying and low-key. Wayne strives to create a friendly atmosphere where people are comfortable asking questions about the work, the artist, and the background behind the art. Wayne feels satisfaction in knowing that when a client leaves with a painting, they also leave with a part of American or European history. Part of the reason Wayne is able to create a pleasant art experience is because he understands what it is like to be a collector. He opened his gallery 17 years ago to take his passion for art full-time, walking away from a successful career in the health-care sector to do so. Today, you can find Wayne in the gallery, ready to help you learn more about fine art. You can also see a sample of the Covington collection online at www.covingtongallery.com.

La Plaza Shoppes 19th & 20th Century American & European Paintings, Watercolors and Works on Paper.

â&#x20AC;&#x153;Where Service is as Important as the Art we Sellâ&#x20AC;?

6530 E. Tanque Verde Rd. Suite 140 covingtongallery@comcast.net covingtongallery.com

520.298.7878 www. A ZColle c torsGuid e .com

T u c s o n

L is a La rra be e F ine A rt C ustom Portraitur E

by A . Steeby

hen you think of a loved one, do you ponder their clothes or their hairstyle? Or does something more hard to define come to mind? Master portrait artist Lisa Larrabee believes that a painted portrait can do more than simply record mere externals; it can reveal the spark within. “Often portraits or photographs seem only to document what someone wore or what they were doing on a particular day,” Lisa explains. “My goal is to create works of art that capture the essence of their personality.” Fittingly, Lisa’s process begins where photographic portraiture ends, by taking snapshots. During the photo shoot, Lisa takes hundreds of images, looking for those where the character of the subject comes through. Why does she take so many? “We get more representative photos after we’ve been at it awhile,” says Lisa. “At first, people are really aware of the camera, but then they sort of forget about it and let their personality emerge.” Throughout the whole process, Lisa carefully observes the individual’s traits, and then artistically interprets these intangible data points. Lisa also takes commissions to create posthumous

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“Reminiscence,” Oil, 30”x 30”

portraits in someone’s memory. “I prefer to have multiple reference images and a conversation about the person to get a well-rounded visual in my mind,” she explains. Although portraits are meaningful to those who commission them, Lisa’s work also stands alone as fine art. This is especially true of the artist’s conceptual “landscape portraits”, where Lisa superimposes a portrait onto a scenic background. In these works, the she juxtaposes images from the foreground and the background, creating a rulebending portrait experience. Lisa is awestruck by the importance of creating family heirlooms. “I am providing more than a portrait,” she says with gratification. “I create a narrative of someone’s life.”

www. A ZColle c torsGuid e .com

T u c s o n

G al lery W e s t Navajo Moqui S erapes: Historic B eauty U nveiled

by A . Steeby

ince enthusiasts have been passionately collecting Native American art for over 200 years, you might think that there is little in the realm left to discover. Not true, according to David West, Indian art expert and owner of Tucson’s Gallery West. Navajo “Moqui” serapes are early striped blankets created with the best of Navajo craftsmanship yet have only been recognized by the most die-hard collectors. Moquis are full-sized blankets that were inspired by Spanish weavings introduced to the Navajo around the 1600s. The earliest Moqui serapes were woven using alternating stripes of natural black or brown, natural white, and indigodyed wools. After the 1860s, the Navajo weavers began incorporating red wool in the form of Bayeta and Saxony yarns, and started using terraces and serrations in their designs. Oddly enough, even though all major Native American museums have Moquis in their collections, these blankets have been largely undervalued by the average Indian art collector. This hidden gem quality is precisely why David collects the blankets himself. “I think there has been a huge oversight with regard to Moqui blankets in the Indian art collecting world,” David

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explains. “Although Chief’s blankets are considered the ‘classic’ Navajo style, Moqui serapes are every bit as wonderful and representative of classic Navajo blanketmaking art.” In terms of a centuries-old collectible, Moquis are a bargain. The $10,000 to $85,000 price tag is less than a third of the cost of other classic and late classic serapes. “I think Moquis may be the last true value out there in terms of Native American textiles,” David says. “They are one of my favorites of all the Navajo weaving styles.” Gallery West is located at 6420 N. Campbell Avenue in Tucson. You may also visit the gallery online at www.indianartwest.com or call David directly at (520) 529-7002.

G allery W est

Classic American Indian Art

Navajo Moki Serape Circa 1870

Buying and Selling Collections Appraisals 6420 N. Campbell Ave. | Tucson, AZ 85718 Located NE corner of Campbell Ave. and Skyline Dr. 520.529.7002 | www.indianartwest.com

www. A ZColle c torsGuid e .com

T u c s o n

M oun ta i n S had o w G al le ry n

by Samantha R uckman

Nos Deja (Our Departure), Antonia Guzman, Acrylic on Canvas

hen Deborah and Mike Tansey first visited Tucson in 1997, they were amazed. “We fell in love with the Sonoran desert,” Deborah says. “We loved art and the dynamic nature of the art business and we knew we wanted to bring that to the southwest.” Open in September 2005, Mountain Shadow Gallery features an eclectic mix of contemporary art in their showroom. As a former environmental consultant for over twenty years, Deborah also has a soft spot for regional art that captures the beauty of southwestern nature. The work in this gallery, while varied, reveals a true respect for nature and for the beauty of the outdoors. Stroll through the gallery and you’ll see why the Tanseys’ enthusiasm for art is contagious. “Our favorite thing about the gallery is seeking new artists and preparing exhibitions,” Deborah says. “We hope that the art we carry gives visitors a sense of excitement for what’s around

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the corner. We’d also like them to feel a deep sense of appreciation for the range of art in our gallery.” The Tanseys’ appreciation of art extends to the written word too. Mike still works as a successful publisher even as he maintains a blog about the gallery that allows viewers to catch up on the latest gallery news, find out what events are coming up and get all kinds of background information on the artists in the gallery. Just as their taste in art, the blog is very contemporary. When asked what the future holds for the Mountain Shadow Gallery, Deborah replies, “We’re looking for opportunities to expand our presence and get involved with another gallery outside the Tucson area that we can work with during the off season.” You can visit the The Mountain Shadow Gallery on Gallery Row, 3001 E. Skyline Drive, Suite 109. For more information, call 520-577-6301, or visit MountainShadowGallery.com

A Tansey Fine Art Company

“The Source” Artist-Ilene Meyer

Oil on Canvas 20 x 24 inches

“Holding the Ideal” Artist- Destiny Allison Steel Sculpture 76 x 13 x 12 inches

Gallery Row 3001 E. Skyline Drive, #109 Tucson, AZ 85718 NE Corner of Skyline & Campbell www.MountainShadowGallery.com 520-577-6301 M-S 10-6 S 11-5 www. A ZColle c torsGuid e .com

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www. A ZColle c torsGuid e .com

T u c s o n

Pamela La ur e n c e C o l le c t i o n n

O pening the first of N ovember 2 0 0 8

By Leiber

he Pamela Laurence Collection is a store embracing uniquely curated, high-end art, world - renowned decorative glass, crystal, porcelain, silver, jewelry, fine antiques, and more. Pamela carries paintings and sculpture from European, Canadian, American and Eastern European artists. But Pamela Laurence’s clients know there is more to PLC than the fantastic shopping. Instead, the Pamela Laurence experience is one of outstanding service, designed to make your art investment a comfortable, relaxed event. Gallery owner Pamela Laurence believes that fine art is an essential ingredient for a life well-lived. “Life without art and beauty is life without breath and passion,” Pamela says. To help you achieve your goals, Pamela begins with the most important component for any art collector: knowledge. She devotes extensive amounts of time to offering her clients the information they need to make

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informed acquisitions, including monthly trunk shows, artist openings and lectures on art and interior design. Pamela also offers one-on-one consultations on how to collect art for people desiring a more in-depth understanding of the process. If you need support for buying for a particular space, Pamela offers private art and design consultations at your home or place of business and as well as hanging and installation services. When you shop with PLC, you can feel good about your purchases on a higher level. Pamela donates 5% of profits from her monthly artist shows to partner charities. The Pamela Laurence Collection is located in Tucson’s beautiful La Encantada Plaza at 2905 E. Skyline, Suite 152. For long-distance shopping, call 520.577.4994 or visit PLC online at www.pamelalaurencecollection.com. Pamela ships everywhere, including international destinations.

T u c s o n

Silverb ell Tr ad in g C o m pa ny

ilverbell Trading Company invites you to come in and see the work of four master tufa cast jewelers: Alex Beeshligaii, Anthony Lovato and the team of Steve LaRance and Marian Denipah. Alex Beeshligaii is a lapidary who crafts beautifully rich Navajo/Dine silver jewelry that is inlaid with natural materials ranging from spiny oyster shell, natural turquoise and lapis to fossilized walrus ivory, ironwood and opal in micro-mosaic patterns. Born on the Navajo reservation in the Klagetoh Basin area, Beeshligaii has since become what he calls an “uban dineh,” living in Alaska and exploring the western states. His influences range from “the mundane essence of life to the awesome natural high one feels during spiritual serenity” and this range is apparent in his work. A passionate artist and supporter of environmental issues, he hopes that people see this passion in his work. “I like to change things so I try to view life from other angles and from other times so I can leave the woes of life behind and gain wisdom.” Anthony Lovato’s tufa-cast jewelry follows in his grandfather’s tradition of sandcast work. He is influenced by his training in Hopi pottery, which taught him how to use positive and negative space in his jewelry designs. With its deep castings, free hand designs, and 100% natural turquoise and

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by Samantha R uckman

gemstones, Lovato’s jewelry rivals that of the old masters, Charles Lolama and Preston Monongye (Monongya). When asked about the cloudlike silver that is attached to some of the larger pieces of jewelry, Lovato explains, “Those are casting remnants. I leave them there both for aesthetics and as proof that the jewelry was tufa cast and not investment cast, which is a process that is used to mass produce jewelry.” Lovato’s jewelry is currently being featured at The Museum of Natural History in New York City. The husband and wife team of Steve Wikviya LaRance and Marian Denipah work both together and individually, creating jewelry, paintings and sculptures. The LaRance/Denipah tufa cast jewelry is intricate in design and flawlessly executed. The team gathers the tufa from the Hopi Reservation. “I was able to find the site where Charles Loloma used to get his tufa,” says LaRance. “At first, we were inspired by work from masters like Loloma and Preston Monongye. We studied the history of cast work and old techniques for inspiration. Now, we are also inspired by Aztec, Inca and Egyptian jewelry.” The LaRance/Denipah jewelry incorporates traditional native designs such as petroglyphs, katsina figures and water designs, along with precious and semiprecious stones, to create pieces that resemble sculptures. “I think of jewelry as little paintings in stone,” says Denipah. “But jewelry is more graphic; we use texture and design and that gives the jewelry even more depth.”

Rain Dancers, watercolor, 36â&#x20AC;?x 28â&#x20AC;?, by Michael Chaigo

Tsuku (Third Mesa Clowns) by Sakhomenewa (Robert Albert) Cottonwood Root - Hopi

Fine local and native arts created in balance with nature and with respect for tradition.

Open Monday-Saturday 10AM-5PM, or by appointment.

7119 N Oracle Road in Casas Adobes Plaza Tucson, Arizona 85704 Tel. (520) 797-6852 www.silverbelltrader.com www. A ZColle c torsGuid e .com

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T u c s o n

O b si di a n G al le ry n

oth traditional fine art and contemporary craft are represented at Obsidian Gallery. Aesthetically pleasing paintings and sculpture are exhibited with functional, decorative and beautiful craft. The gallery represents more than 100 artists, many of whom have shown at the gallery for more than 20 years. Most are nationally recognized and some are internationally known. Under new owner, Monica Prillaman, they continue to offer their work in ceramics, glass, fiber, wood, metal and mixed media. Monica purchased Obsidian Gallery when its former owner retired after 22 years. Monica’s son, James, manages the gallery and both are committed to continuing the contemporary aesthetic while also introducing new work and new artists to keep patrons coming back. Adding

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W here C raft and A rt M eet

extraordinary, younger artists to round out the gallery’s offerings is James’ mission. “James is a talented artist in his own right,” explains Monica, “so he has a great eye for creative people whose work is a good fit with Obsidian’s contemporary theme.” The gallery hosts several exhibits annually that highlight individual artists’ work. Opening receptions are often attended by the featured artists. When you visit the Obsidian Gallery, you can make a morning of it if you so choose. The store is located in Tucson’s picturesque St. Philip’s Plaza, so you can stroll around the scenic courtyard and enjoy fine dining as part of your gallery trip. For more information or to learn more about the current and future exhibits, please contact the gallery at (520) 577.3598 or visit their website at www.obsidian-gallery.com.

Beata Wehr - “White Landscape” - acrylic on canvas

Jude Clarke - pendant (Photo by John Villinski)

Judith Hoyt - “Orange Frame” - found metal, oil paint

Eric L. Jensen - Dinnerware

Cynthia Rae Levine - “Divided Vessel”

4320 N Campbell Ave #130, Tucson, AZ 85718 520-577-3598 • www.obsidian-gallery.com • info@obsidian-gallery.com

T u c s o n

A rt Ga llery Presenting the Paintings of L awrence Lee

by A . Steeby

like to keep each one for myself.” Keeping the paintings in the studio is unlikely to happen. Collectors of Lawrence’s work have been clamoring for his compelling images for over 30 years, drawn often inexplicably, to a particular image. It is more like the shaman chooses the buyer instead of the other way around. Today, Lawrence spends much of his time caring for his beloved, AlzheimerCloud Dreamer 48”x50” afflicted wife. Although his painting awrence Lee’s shaman paintings time has been affected, Lawrence is still aren’t so much created as they motivated to find time to let his wise are channeled from within the artist’s men emerge onto the canvas. “Being able psyche. Each figure has its own palpable to touch people’s lives is something I’ve personality, in large part due to the always wanted to do. I’m so glad that my outpouring of emotion the artist uses to painting is the vehicle.” create them. In addition to his art, Lawrence enjoys Lawrence’s inspiration emerges from an exploring experimental digital imagery unlikely, but powerful, source: his lifelong and the written word. He self-published a battle with clinical depression. This book about his life in December, 2007 titled physiological fight plays out at the end Living with an Imposter: A Confluence of of the artist’s brush, giving the shaman Art, Dementia, and Depression.” imagery a peerless level of depth. Lawrence’s work can be seen in Art As you can imagine, each shaman Gallery located at 1122 N. Stone Avenue in Lawrence brings into this world is dear Tucson, 520.624.7099, where the artist can to him. “The paintings are kind of like my often be found painting in his studio. babies,” the artist says, “Sometimes, I’d

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Art Gallery

By Lawrence Lee - Red Jacket Shaman 24”x18”

1122 N. Stone Ave.

Tucson AZ 85705

(520) 624-7099

www. A ZColle c torsGuid e .com

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at Tucson Prices

4759 E. Sunrise 520-299-0818 www.desertson.com Conveniently located just minutes from Tucson Resorts on the NE corner of Swan & Sunrise www. A ZColle c torsGuid e .com

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Legendary Landmark of Art and Architecture

yearlong centennial celebration to commemorate the 100th birth date of renowned Arizona artist Ted DeGrazia opens in 2009 with a retrospective exhibition, “DeGrazia: 100 Years, 100 Works”. According to curator Kristine Peashock, the exhibition showcases 100 significant examples of the artist’s work. “It will be arranged chronologically and aims to show viewers the wide range of mediums and styles DeGrazia worked in throughout his extraordinary career.” Old favorites that have sold thousands of reproductions include “Los Niños”, the 1957 oil painting that was reproduced into a best-selling UNICEF card in 1960. Also featured are DeGrazia’s reverent depictions of Native American culture, and lesserknown artwork, most of which will be on public exhibition for the first time. Included will be DeGrazia’s earlier works, such as oils from his seminal oneman show at the Palacio de Bellas Artes in Mexico City in 1942 after his internship

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with mural masters Diego Rivera and José Clemente Orozco. The display also showcases his innovative experiments with ceramics in the 1950s, the height of his commercial success in the 1960s and 1970s, and his later interest in printmaking techniques in the early 1980s. Executive director Lance Laber says, “It’s our goal to reacquaint the public with DeGrazia and to introduce this Arizona legend to a new generation of fans.” The 10-acre adobe complex will celebrate DeGrazia Centennial Weekend June 13 & 14 and the date of DeGrazia’s birth—Flag Day—in 1909 in the mining camp of Morenci in Territorial Arizona. More than 25 years after his passing, the artist’s masterpiece—DeGrazia Gallery in the Sun—is on the National Register of Historic Places and draws thousands of visitors yearly from around the world. Visit www.degrazia.org for more information.

T u c s o n

T angeri n e G alle ry

hether you come to Tangerine Gallery looking for a small souvenir or a large outdoor sculpture, you will not be disappointed. As you enter the spacious gallery, you’ll be pleasantly surprised not only by the originality of the artwork, but also by the high level of craftsmanship involved in creating all the work on display. No doubt about it, Tangerine Gallery has an impressive collection of both contemporary art and traditional craft. Gallery owner Susan Warren has selected stone and metal sculpture, glass art, and paintings from among the best artists in the region. Take your time perusing the diverse art in the three main gallery rooms, and then go outside to get some fresh air in the outdoor sculpture garden.

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Located in central Tucson near the Ft. Lowell furniture district, the gallery also has an extraordinary collection of hand hammered copper vessels. And, if all that isn’t enough to entice you, Tangerine Gallery has a great selection of silver and copper jewelry, hand woven rugs and blankets, and books on a variety of subjects. So, after having a delicious lunch at one of the many incredible restaurants on Campbell Avenue, stop by Tangerine Gallery to feed your soul and your spirit! Tangerine Gallery offers convenient parking and is wheelchair accessible. Both domestic and international shipping is available. Gallery hours are: Monday-Saturday 10-5 p.m. Visit our website at www.tangerinegallery.com or call 520-326-5028. La dueña, Susan Warren, habla español. Estamos aqui para servirles.

T u c s o n

M o rn in g S tar Tr ad e r s Exceptional Antique and Contemporary Native American Art

re you a fan of early turquoise and silver? Morning Star Traders in Tucson has one of the finest collections of old pawn jewelry available in the Southwest. Morning Star is owned by Native American art expert Rick Rosenthal and his wife, Mary Beth. The Rosenthals handselect only the finest 1890’s to pre-1940s pawn jewelry for their collection. Pawn jewelry is so named because it was placed as collateral at a trading post in exchange for cash. When the pawn went “dead”, so to speak, it became available for sale. “These are special, early pieces that were worn by the Indians themselves,” says Rick. The Morning Star collection includes very rare pieces, including those made with ingot silver. “Ingot silver was crafted by melting flatware or silver coins, both American coinage and Mexican pesos,”

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by A. Steeby

Rick explains. “The melted silver was poured into a sandstone mold and cooled. Then the piece was hammered by hand until it was finished.” Morning Star also works directly with a handful of expert Navajo silversmiths, many of whom have been creating fine jewelry for the gallery for over 20 years. These artists employ historic methods to honor the look and feel of early jewelry, an ideal option for clients who have harderto-find sizes. “Most vintage bracelets are between 5 1⁄2” and 6 1⁄2”, says Mary Beth. “If you need a different size, you can find a nice, traditionally-inspired bracelet here.” Morning Star Traders also has a sizeable selection of antique Navajo blankets and rugs, historic Southwestern baskets, modern Tohono O’odham baskets (purchased directly from the artists), historic and contemporary Pueblo pottery, and early Spanish Colonial furniture.

Neil Myers

“Arizona Oak” 30 x 40

“Path by the Ovens, Taos” 16 x 20

“Skyline Drive, Springtime” 24 x 30 “Sunflowers” 24 x 30

www.neilmyersart.com Contact: 520-260-1740 Email: neilmyersart@gmail.com

Neil is represented by the following fine arts galleries:

The Max Gallery Tucson, AZ • www.themaxgallery.com

Cobalt Fine Arts Tubac, AZ • www.cobaltfinearts.com

LeKAE Gallery Scottsdale, AZ • www.lekaegallery.com

Taos Fine Art Gallery Taos, NM • www.geneklosscollection.com

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“Leap of Faith” By Jerry Harris

Dahlia’s Gallery & Boutique 2201 North Stone Ave Tucson, Arizona 85716

520-490-3445 dahliasgalleryandboutique.com Located 1 mile off of I-10, 1 block south of Grant

“Hard Walk” By Michael Peterson

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Pho enix, In Greater Phoenix, youâ&#x20AC;&#x2122;ll find everything from world-class resorts and fine dining, to exhilarating adventure, breath-taking golf courses, trendy shopping, modern nightlife and enriching culture. Whether you are planning a trip to Phoenix for business or pleasure, or even looking to move here, the Greater Phoenix Convention & Visitors Bureau is here

For more information about Phoenix, please visit www.visitphoenix.com

to assist you.

P h o e ni x G a l l e r i e s Alliance for Audience Arizona Broadway Theatre Arizona Commision on the Arts Arizona Mining & Mineral Museum Arizona Theatre Co. - Phoenix Art Matters Art on Boston Gallery ASU Art Museum Ballet Arizona Be Dazzled Gallery Bentley Projects Diane Barbee Studio Herberger Theater Center

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Mesa Art & Framing Mesa Contemporary Orpheum Theatre Phoenix Airport Museum Phoenix Art Group Phoenix Art Museum Phoenix Police Museum Phoenix Theatre Practical Art RivĂŠ Gauche Contemporary Thomas Kinkade Signature Gallery Tom Haas Gallery Vision Gallery www. A ZColle c torsGuid e .com

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City Insight: Phoenix F eatu ri ng D ow ntown F i rst F r idays

or the hottest, hippest art experience in the Valley, mark your calendar for the first Friday of every month. That’s the day when downtown Phoenix hosts First Fridays, an art walk with a Bohemian twist. During First Fridays, thousands of people flood downtown galleries and studios— ready to bask in the non-corporate feel of art direct from the source. The fiesta occurs around the formerly dog-eared area of Grand and 7th Avenues, now home to a legion of creatives who have revitalized the neighborhoods with galleries, studios, and art spaces. Art is everywhere during the event. Artists who live in the area will even empty

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out their living rooms and hang art for sale. “First Fridays is an opportunity to find good, edgy work by young artists with massive amounts of artistic energy,” says Chris Santa Maria, co-president of Eye Lounge, a contemporary art space in downtown. “Plus, the art is affordable because you are working directly with the artists.” Additional spark is added by local underground musicians, street-side tchotchke vendors, and delicious food. A free shuttle is provided by Artlink, Inc., a group devoted to promoting the downtown art scene. Maps and more information are available at www.artlinkphoenix.com

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Dian e Ba rbe e S tu d io J oy ful Pai ntings A live with Colo r

by A . Steeby

iane Barbee says her paintings are like her alter ego. In that case, the artist’s other persona must like to dance. Every one of Diane’s paintings sambas with Technicolor motion, whether it is a floral, an animal, or even a Victorian house. “I focus on the movement inherent in all of my subjects,” says Diane. “Nothing I paint is ever static.” Diane is a dedicated painter with a Herculean work ethic. Raising five children and three dogs doesn’t deter her from devoting over forty hours a week to her studio. She also remains a dedicated student, particularly learning from the works of Caravaggio and Matisse. With every new painting, Diane’s work evolves. Her latest paintings have crispness and detail level unlike anything else she has created before. The artist’s driving force is the interplay between the color, the texture, and most importantly, the activity inherent in each scene. “You can definitely say my paintings are bold,” she says. Diane prefers to work with acrylics to achieve her results, as she finds that the medium’s fast-drying qualities encourage her to paint with spontaneity and intuition. “My goal is for a person to come around a corner, see one of my paintings, and feel compelled to stop and look at it,” Diane explains. The artist has a fervent belief that art has the power to uplift the viewer. “My life, my children, and my husband are such

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blessings,” Diane says. “I want to share my joy by creating art that helps people to smile.” You can meet Diane in her studio at the acclaimed Celebration of Fine Art show in Scottsdale, January 17th through March 29th, 2009. She also shows with Jane Hamilton Fine Art in Tucson and Sunrise Gallery in Wickenburg. You may see more of Diane’s work online at www.dianebarbee.com.

Casa Blanca Lilies 24x24

Dazzle 24x20

Stand Tall

www.dianebarbee.com • dfbarbee@cox.net 623-680-2881 Studio Phone G a l l e r i e s Jane Hamilton Fine Art 1825 E. River Rd. Ste 111, Tucson, AZ 85718 www.janehamiltonfineart.com • 520-529-4886 Sunrise Gallery 30331 Hwy., 60-89, Wickenburg, AZ 85390 928-684-0243 • 928-687-1225

Diane Barbee Studio

P h o e n i x

P hoen i x A ir p o r t Mu s e u m n

E x hibiting A r izo n a A rts sin ce 1 98 8

On the Ball Exhibition | September 1, 2007 - March 30, 2008 Phoenix Sky Harbor International Airport | Terminal 4, Level 3, gallery

ho knew, in July 1988, that the small exhibition at Phoenix Sky Harbor’s airport was the precursor for what today is one of the largest airport art programs in the nation? That first exhibition, called Dental Impressions, featured artwork and artifacts on the theme of teeth. Precipitated by a request to show student artwork promoting dental sealants, the exhibition included contemporary sculpture from local artists, a dental chair from the Arizona Historical Museum, obsolete dental tools from private collectors, and dental history and trivia. The number of exhibitions has grown throughout the years, continuing to focus on Arizona’s unique artistic and cultural heritage, while engaging, entertaining and educating the traveling public. Today,

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airport visitors may view exhibitions in 25 locations, in six buildings, at three airports (Phoenix Sky Harbor and its two auxiliary airports, Phoenix Deer Valley and Phoenix Goodyear). Themed exhibitions highlight fine art either by itself or in combination with historic or scientific objects. Treasures from museums, artists, galleries and collectors welcome visitors to the community and create a sense of pride for residents. Exhibitions reflect exciting cultural events such as the celebration of 100 years of powered flight, the Super Bowl, a national ceramic-art symposium, and the anniversaries of state and national park systems. Whatever the topic, each exhibition provides a rich, rewarding journey, whether you’re traveling or not.

Exhibiting Arizona Arts Since 1988

Barbara Rogers, Night and Day, ©2007, oil painting on canvas, 58 x 48” (Courtesy of Gebert Contemporary, Scottsdale) Bodacious Botanicals Exhibition | April 12 – October 26, 2008 Phoenix Sky Harbor International Airport | Terminal 3, Level 2, north/south cases (3)

Phoenix Airport Museum

• Is

one of the largest airport art museums in the United States

• Showcases

Arizona’s unique artistic and cultural heritage

• Serves Phoenix Sky Harbor, Phoenix Deer Valley and Phoenix Goodyear airports

Phoenix Sky Harbor International Terminals 2, 3 and 4: 24 hours daily Rental Car Center: 24 hours daily | Deer Valley, Goodyear: 7am - 9pm daily ph: 602-273-2105 | www.phxskyharbor.com

P h o e n i x

Pra c tica l Ar t n

ractical Art is a very different kind of art gallery. It only represents local Arizona artisans who produce quality, functional goods, made out of natural materials. The gallery offers a full range of items, but only the utilitarian: kitchenware, furniture, clothing, garden items, and jewelry, as well as handmade paper, cards and bath products. Everything in the gallery is unique and locally made by hand – nothing is mass-produced – so any purchase from Practical Art is distinctive and memorable. It is known as the place to find gifts that are sure to please! The gallery is also committed to social and environmental responsibility in many ways. This unusual gallery is a response to the unfortunate prevalence of oneuse, throw-away items in today’s society. Practical Art’s clients understand that a quality life experience is informed by the ordinary. The store’s philosophy is that

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Beve r ly Lehn ha r dt

“the items we touch every day, in particular, should be lasting, meaningful, beautiful and locally-made with sustainable materials.” Just a few of the artisans represented by Practical Art are Jeff and Marnie Brookins (fused glass plates, bowls, candle votives, wind chimes, and jewelry); Paul Porter (wood turned bowls, pens and rolling pins made from locally found wood); Katherine Farr (rugs, table runners, hats, shawls, and sweaters which are knit, sewn, or woven); Khandra D. Howard (hand built ceramics); and Vickie Morrow (tables and mirrors enhanced with beautiful handmade tile designs). Practical Art is located at 5070 North Central Avenue in Phoenix, which is 1 ½ blocks north of Camelback Road on the west side of the street. The gallery also regularly hosts events and craft demonstrations with free refreshments. For information about upcoming events, go to www.practical-art.com or call the gallery at 602-264-1414.

P h o e n i x

Dave Ven e ll S t u d io s n

C eleb rating Histo ry th rough F i n e A rt

Hoplite Sentry

ave Venell has always loved art, history and the military. After spending time in the Air Force and working as a freelance artist, Dave found his niche in sculpture. Dave said, “It seemed to be a natural fit for me to combine my passion for art and interest in history.” When he unveiled his sculptures at his first art show, he was thrilled at the response his work elicited. “I did my first show to get feedback on the direction I was taking my work,” Dave said. “I was

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blown away by the emotional reaction the sculptures received. I had men and women looking at the pieces and getting tears in their eyes. I knew right then that I was on the right track.” Dave refers to his works as “snapshots in time.” He particularly delights in portraying participants of obscure battles that do not get the notoriety of the more famous conflicts. He said, “One of my sculptures depicts a Marine in the Bougainville Campaign. A Vietnam Vet came up to me at a show and thanked me. He told me: ‘My father was at Bougainville. No one ever mentions Bougainville and how tough it really was there!’” Every one of Dave’s sculptures is a minihistory lesson. He is an avid history buff and spends hours researching the uniforms, weapons, and gear that he incorporates into his sculptures. “My clients will try to test me on the historical details,” Dave laughs. “I would definitely hear about it if I got something wrong.” Dave is also branching out into different themes, including his pin up/nose art girls and some contemporary sculptures as well. For more information on Dave’s sculptures, or his new and upcoming work, please contact him directly at (602) 448-3354 or by e-mail at davenell@cox.net. www.davenell.com.

Dave Venell Studios

Overrun

First Wave

The Mad Minute

Legs & Ammo

Dave Venell Studios 2306 North Pyrite, Mesa, Arizona 85207 602-448-3354 â&#x20AC;˘ Email davenell@cox.net â&#x20AC;˘ www.davenell.com

P h o e n i x

SavvyColl e c to r SavvyCollector .com : F i ne A rt B u y i ng M ade E asy

by A . Steeby

id you know that buying through a traditional gallery is only one method for acquiring fine art? Wellheeled collectors seeking to maximize their investment know of another method: acquire pieces from art resale galleries. Corinne Cain, owner of the SavvyCollector.com, seeks to make this little-known art buying method available to a wider audience of art lovers. Corinne’s uses her 30+ years of art appraisal experience to attract fine pieces from private collectors, offering them for sale at prices significantly below traditional gallery prices. “I named my business ‘Savvy Collector’, because that is exactly what my clients are,” explains Corinne. “They know that I can offer them high quality art and antiques at advantageous prices.” SavvyCollector.com offers paintings, drawings, fine prints, sculpture and Native American art of all kinds. Seasoned collectors usually bookmark her website to stay abreast of the newest merchandise. For novice buyers, Corinne offers extensive educational opportunities, including online glossaries of terms and bibliographies of reference texts. A key benefit of working with Corinne is that she personally researches each piece for authenticity and quality. Designated as a Fine Arts appraiser since 1982 through the American Society of Appraisers, she knows the subtleties that make a piece

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of art extraordinary. “Everything I offer for sale is thoroughly documented and extensively photographed, so my clients can be completely familiar with a piece before they buy,” says Corinne. “I stand behind my artwork 100%.” In addition to her love of helping people acquire fine art, Corinne also has a passion for helping animals. Part of the proceeds from SavvyCollector.com are used to fund non-profit community organizations supporting animal causes. Please visit the online gallery at www.SavvyCollector.com. If you have questions or would like to consign art from your own collection, feel free to call Corinne directly at 602-906-1633.

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ONL I NE

THE ONL Y AR I Z ONA ART G U I DE y o u ’ l l e v e r n e e d

Insert your email address here for the monthly e-Newsletter!

Visit us on the web at azcollectorsguide.com for the latest events, art, and articles

Look at all listings statewide free of charge Select favorite Galleries n Subscribe to a monthly e-newsletter with: n New items for sale n New Events n New Articles n Notices let you know when one of your “Favorite Galleries” lists a new item n n

P.O. Box 41011 Tucson, AZ 85717 n 520.982.6200 n azcollectorsguide.com

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C h a n d l e r

City Insight: Ch andler F eatu ri ng C ha ndle r’s Art Sce n e

n the first Wednesday of every month, Chandler hosts its lively Art Walk. This event has the whole of downtown buzzing with galleries, studios, and even restaurants displaying the best artwork from East Valley talent. Chandler’s art scene is a communitywide affair, boosted by both grass-roots and city-lead organizations, including the Vision Gallery, a city-operated cultural center and

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exhibition space; Art on Boston, a new art gallery; the Chandler Arts Commission; the Olpin Art Center; and the Chandler Fine Art league, which produces Art Walk. “We have an eclectic, young, and most importantly—growing—art scene in Chandler, explains Eric Faulhaber, Visual Arts Coordinator of Vision Gallery. “There is such enthusiasm for fine art from the East Valley public.”

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A rt on Bo s t o n G al le ry Contemporary Art Prospers in Chandler at the Art on Boston Gallery n by A. Steeby

rt on Boston is more than just a gallery. It is a place where art comes alive. Whether it be taking a hands-on art class, watching the artists work in the onsite studios, or trying on wearable silk art, Art on Boston’s customers get revitalized by the energy of this vibrant art hub. Art on Boston is the result of a collaboration of two artists, Laurie Fagen and Wendy Fallon, who wanted to offer artists and enthusiasts a more authentic art experience. Now in their second year of business, the owners have expanded their show and class offerings. Art patrons will enjoy the superb work Laurie and Wendy have in the Art on Boston collection. “We’ve been extremely pleased with the high quality of artists and the caliber of artwork we’ve seen,” says Laurie. Should your tastes run more toward making art, you will find both tried-andtrue art subjects like watercolor, oil, and

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pastel—as well as classes not found elsewhere such as Art Clay jewelry, Tiffany-style stained glass embellishing, polymer clay beads, and Suminagashi marbling on fiber. You can also purchase unusual art supplies that are unavailable from traditional craft stores. Ultimately, enthused artists and fresh artwork make for happy customers who are able to connect with the pieces they find in the gallery. “We love seeing the happy look on our customers’ faces when they’ve found just the right piece of artwork for their homes,” Wendy says. Art on Boston carries glass, metal sculpture, fiber art, photography, fine craft jewelry, acrylic, oil, watercolor and pastel paintings and wearable art. The gallery is located in the thriving hub of historic downtown Chandler, at 11 West Boston Street, Suite 1. For more details, visit www.ArtOnBoston.com.

A RT G A L L E RY • A RT I ST ST U D I O S • A RT C L A S S E S

Dragonfly pendant, fine silver, by Kathy Canuel

dis-CHARGE IX, fiber, by Laurie Fagen

Art on Boston Gallery 480-917-1112 www.ArtOnBoston.com Laurie Fagen & Wendy Fallon co-owners Art on Boston Gallery 11 W. Boston St., Suite 1 Chandler, AZ 85225 Historic Downtown Chandler Monday & Tuesday: by appt. Wednesday & Thursday: 12-6 pm Friday & Saturday: 11 am to 8 pm Sunday: 1-5 pm

Celebration, oil on canvas, by Wendy Fallon

C h a n d l e r

St udeo Ta d Captu ri ng S edona i n T e x tu ral A rtwo r k

hen you see the work of artist, Tad Smith, you will experience not only the rich earthly colors but a sculpted piece of nature. Tad’s highly textural works feel organic-- as if sprung directly from the earth. Evidence of the artist’s at-one-withnature approach is apparent in his latest series that literally incorporates the majestic red landscape of the mountains in Sedona, Arizona into his artwork. “I’ve spent countless hours there, getting in touch with the land,” the artist says. “There is a spiritual aura that I wanted to incorporate into my work by using the actual red rocks themselves.” To begin his creative process, Tad hikes the Sedona hinterlands, studying the wilderness and collecting inspirational rocks. Tad then bottles this energy, taking it back to his studio and pours it into each piece. “Sedona is so incredible—I found

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a way to put the wonderous energy of Sedona into an art form that people can take with them so they can revisit the spiritual wonders that the mountains radiate. I just had to share it with people through my art,” he says. Tad’s sublime Sedona series is successful, in part, because of Tad’s commitment to creating artwork that invites the viewer to actively participate in the experience. “To me, perfect art is a 50/50 endeavor,” Tad says. “The artist brings style and craftsmanship, and the audience brings their background feelings and thoughts.” You can see Tad’s Sedona series on his web site, www.studeotad.com. There you will find images of both the artwork and examples of how the element-rich pieces will enhance in indoor living spaces. You may also contact the artist directly by calling (480) 403-1020.

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Sedona Square, 24”x 24”

Specializing in commissioned paintings customized in your choice of size, colors, textures and objects. Call Tad for a consultation to start your custom work of art. See page 205 www. A ZColle c torsGuid e .com

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Bring your spirit for adventure, your love for culture, and an extra suitcase. Beautiful scenery isn’t the only thing to feast your eyes on in Scottsdale, Arizona. You’ll discover renowned art galleries, charming boutiques and a tempting array of restaurants. Visit the Scottsdale Convention & Visitors

For more information about Scottsdale, please visit experiencescottsdale.com

Bureau® at the Galleria Corporate Centre. 480-421-1004 • experiencescottsdale.com

S c ot t s dal e G a l l e r i e s Adelante Alan Hockman Sculpture American Fine Art Ancient Arts Gallery Arcana Gallery Artemedia Artistic Expressions by Peggy Artspace Gallery Bentley Gallery Biltmore Galleries Bonner David Galleries Calvin Charles Gallery Casa de Artistas Cervini Haas Gallery Colores by Wilde Meyer Cooper Downs Gallery Creekside Gallery Duley-Jones Gallery Echoes of Asia Eric Firestone Contemporary es Posible Gallery Expressions in Bronze Faust Gallery Femmes, Fatales & Fantasies Figarelli Fine Art/ Contemporary g2 Gallery Gallery 360 Gallery Andrea Gallery Russia Gebert Contemporary Heddenart Gallery Heritage Gallery Japanique Gallery

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Joan Cawley Gallery 84 John B. Strong Fox 68 John C. Hill Antique 42 Indian Art John Yaeger Gallery 56 Kerr Cultural Center 18 King Galleries 54 Lawrence Gallery 16 Lee Brotherton Art 21 LeKAE Gallery 58 Leslie Levy Fine Art 85 Lisa Sette Gallery 39 LKG Contemporary 89 Marshall Arts Gallery 30 May Gallery 17 Mitchell Brown Fine Art 25 Mystique Fine Art 47 Naked Horse Gallery 41 Newt Glass of Scottsdale 20 Occasions! By Design 33 Old Territorial Indian Arts 79 Open Range Gallery 77 Ostrovsky Fine Art 50 Overland Gallery 87 Paul Scott Gallery 51 Penske Racing Museum 8 Providence Gallery 48 Rain Bird of Scottsdale 63 Rima Fine Art Gallery 76 Rivé Gauche Traditional 90 Rivé Gouche Contemporary 9 River Trading Post 73 Rock Star Gallery 7 Ron Stewart Gallery 80

S.R. Brennen 66 Scottsdale Center for the Arts 24 Scottsdale Fine Art Gallery 59 Scottsdale Museum of Contemporary Art 23 Signature Gallery, The 86 (Charles Pabst) Simic Galleries 64 Sievers Gallery 88 The Legacy Gallery 69 The Zivney Group 31 Tom Haas 6 Traditional Pueblo Arts 74 Turkey Mountain Traders 45 Vessley Fine Arts 29 Victoria Boyce Galleries 61 Waddell Trading Co. 65 Wilde Meyer Discoveries 22 Wilde Meyer Galleries 37 Willow Gallery 91 Xanadu Gallery 75 Zuva Gallery 4 Carefree/Cave Creek See page 240 for map and gallery listing Fountain Hills Artists’ Gallery A New Point of View 11 Brian Schader 15 Fountain Hills Artists’ Gallery 13 Jeanne Bonine 14 River of Time Museum 12

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Sc o t t sda l e Mu s e u m o f th e W e st n

cottsdale Museum of the West: Where Yesterday, Today, and Tomorrow Meet The range of human experience has been writ large upon the West. Death and survival, sorrow and hope, traditions and change are all part of the collective western psyche. Now, the stories of the West and her inhabitants will be told by an ambitious new museum in Scottsdale. ”The Scottsdale Museum of the West will be an institution dedicated to chronicling the stories of the past, celebrating its many transformations to the present, as well as exploring the future,” says the museum’s Director/CEO Michael Fox. “We see it as the place where the Old West meets the New West.” By focusing on the history of the people and events that make up the 19-state region, the Scottsdale Museum of the West will carry a big responsibility to both accurately capture Western life and also effectively share them with the public. The new museum seeks to complement

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the fine western-themed museums that currently exist. “Many organizations have magnificent collections of art and artifacts, and we won’t compete with that,” says Fox. “Rather, we seek to tell the stories behind the people and collections and make them relevant to people today.” Buoyed by a generous gift of land in historic downtown from the City of Scottsdale, the museum plans to open its doors in 2012, the year of the state’s centennial. In order to build the facility and develop innovative educational experiences, the organization is seeking gifts to help fund the project. “We hope to find donors that would like to partner with us, not only financially, but with planning as well,” says Fox. “We feel that building this great institution should be a collaborative vision of many people who love the West.” For more information on the museum or to become a donor, please contact Director Michael Fox at (480) 686-9539 or mfox@scottsdalemuseumwest.org.

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B o nn i e

C h e n e y

“Prickly Pear”

“American Beauty”

Providence

Gallery of Fine Art

J u d i th

D e l m o n i c o

“Natures Beauty” “Hand Picked”

L u c y

“Sonoran Sunset”

D i c k e ns

“Walk With Me”

7036 E. Main St. Scottsdale, AZ 85251 480-946-2297 providencegalleryaz.com providencegallery@yahoo.com www. A ZColle c torsGuid e .com

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A nn e

G r and i n

“Gayhead”

“The Rising”

Providence

Gallery of Fine Art

La r r y

A b r ams

“Paris Scene”

Ph i l

K o e r p e r

“Saguaro Lake”

7036 E. Main St. Scottsdale, AZ 85251 480-946-2297 providencegalleryaz.com providencegallery@yahoo.com www. A ZColle c torsGuid e .com

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sc o tt

g i l s i ng e r

“Monets Lilly Pond”

Providence

Gallery of Fine Art

RO N A L D

s k w i e r

â&#x20AC;&#x153;St. Paul de Mausoleâ&#x20AC;?

7036 E. Main St. Scottsdale, AZ 85251 480-946-2297 providencegalleryaz.com providencegallery@yahoo.com www. A ZColle c torsGuid e .com

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L e KAE Ga lle ry Scottsdale ’s Contemporary A rt D estination

enerally, collecting art in the West involves Navajo blankets and imagery of lonely cowboys. But Scottsdale’s LeKAE Gallery is proof that you can find dazzling contemporary art that works with a southwestern aesthetic. LeKAE is owned by Linda and David Sherer, who have devoted over 30 years to helping people incorporate fine art into their lives. The Sherers began their art careers with New Mexico’s legendary Taos Art Gallery (est. 1950), and remained at the gallery for 24 years, eventually reestablishing it under their ownership and expanding the locations. In 2004, the Sherers consolidated their operations under the LeKAE name and opened a new, much larger location in Scottsdale. Linda embraced the challenge of filling the 6,800 square foot space, and vowed to create the gallery that she had always dreamed of owning. Her vision has resulted in a bright, airy showplace with

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the perfect atmosphere to properly view artwork. Sensing the needs of the changing art market, the Sherers modernized the emphasis of the LeKAE collection to serve the increasing number of collectors interested in fine American craft. The couple added the finest metalsmiths and glassmakers to their roster of artists, including acclaimed metal sculptor Thomas Markusen, steel furniture artist Frank Seckler, and glass artists Randi Soli, Christopher Morrison, and Ed Branson. LeKAE also features oil paintings by Troy Collins and Rolinda Stotts as well as baskets, ceramics, stone sculpture, photography, furniture, and bronzes. The gallery is located at 7106 E. Main Street in the heart of Scottsdale’s gallery row and is open seven days a week. You may also view the LeKAE collection online at www.lekaegallery.com. For more information, please call (480) 874-2624.

NI C HOLSON BLOWN GL ASS T ROY CO L LI NS

“Landscape Wall Sculpture” 3 pc. set, 41” x 47”

TI NYAN CHAN

“Looking Inward”, oil, 48” x 36”

“Melting Spring Snow”, oil, 24” x 18”

Le KAE Gallery 7106 E. Main St., Scottsdale, AZ 85251 480-874-2624 • www.lekaegallery.com

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L e KAE Ga lle ry T homas M arkusen M etalwork

hen master metalsmith Thomas Markusen speaks about his copper art, it sounds like he is talking about working with clay. The artist uses words like “yielding,” “relaxed,” and even “plastic” to describe the malleable properties he is able to coax into the metal. “Copper is a wonderful medium,” says Thomas. “Depending on the technique used, the surface can have incredible texture and endless color combinations.” Thomas began his copper career in 1976 while he was Professor of Art the State University of New York at Brockport. His first creations were sculptural candleholders designed to allow people of average means to enjoy metal art in their homes. “The candleholders were so popular, I’ve expanded the line,” Thomas says. “I add two or three new designs and retire an earlier design each year.” After success with his candleholders, Thomas began creating the magnificent

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sculptural pieces for which he is now so well known: large platter-like sculptures, glass topped sideboards, and headboards are all present in his artistic repertoire. Each piece that Thomas develops becomes the springboard for his next artistic inspiration. “I will make one piece, and from there it will inspire the next two or three pieces,” the sculptor says. “I am at my best when I let my intuition and knowledge of the metal lead the way. My current interest is incorporating the beautiful colors and topography of the Arizona landscape into my work.” Thomas creates most of his work in his Rochester, New York metal studio and splits his time between his New York and Arizona homes and studios. Thomas has been represented for over 12 years by the famed LeKAE Gallery at 7106 East Main Street in Scottsdale. The gallery also offers a comprehensive online gallery of Thomas’ art. www.lekaegallery.com.

“Circular Wall Relief”, Copper/Aluminum

“Wall Bowls”, pewter oxide

“Limited Edition Bowl”, bronze/copper

Le KAE Gallery 7106 E. Main St., Scottsdale, AZ 85251 480-874-2624 • www.lekaegallery.com

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Heddenart Gallery Figurative Fine Art n

C apturing the Spirit of the W est

resenting an array of Master Art, from traditional to contemporary, the collection takes you from bold and bright to soothing, cool comforting images. Artist representation includes 35 prestigious international, national and emerging artists. The gallery is proud to have among our artists: Randall Hedden master artist of 35 years, Dan Beck OPA Award of Excellence, K. Lackman Private Collections, The Louvre, Paris, France and the White House Washington, D.C. “Figurative art has an amazing ability to transport the viewer into the painting,” states gallery owner, Randall Hedden.” I have had collectors look at a painting and remark how much it reminds them of a part of their own life”. Each artist represented by Heddenart Gallery has a distinctive style and way of expressing their vision. Showing both established and emerging artists, Heddenart Gallery’s criteria is that an artist’s work must be both uniquely superior and visually interesting. Having a range of artists at various career stages means that there are paintings suitable for the beginning or veteran

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Randall Hedden

collector. “We truly have something for everyone”, Mr. Hedden states. Heddenart Gallery offers an eclectic mix of artists works including, Representational, Impressionistic and Contemporary art. The variety of artist styles brings a fresh new vision to the Scottsdale art district. As an added touch for your enjoyment, there is live music every Thursday night for Art Walk. Heddenart Gallery: a new visionary for your senses. We know you will have an enjoyable experience. Open Monday thru Saturday 10:00 to 5:00 and Thursday evening from 6:30 till 9:00 for Art Walk. HEDDENART Gallery Figurative Fine Art 480.272.7180 7134 E. Main Street Scottsdale, AZ 85251 www.heddenartgallery.com

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Gallery

Healing Touch - Andrea de Kerpely-Zak

Internationally known Hungarian born artist has resided and shown her impressionist style flowers in Arizona over 35 years.

7019 E. Main Street

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Andrea

Spring Poppies – Andrea de Kerpely-Zak

The Sky’s the Limit – Juzia

Wheat Fields – Hannelore

With Me They Hear Music – Joanna

Gallery Andrea has a Unique collection of floral, landscape, figurative and abstract paintings by International, National and Local artists.

480-481-2530

•

www.artandrea.com

•

zak5@cox.net

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Corrina Johnson “The Two Greys” oil on canvas 12x16

Sherry Blanchard Stuart “Springs Promise” 24x36 oil on linen

Sherry Blanchard Stuart “El Patron” 31 1/4 x 20 oil on canvas

O PEN R ANGE GALLERY 7077 E. Main Street, Suite 5, Scottsdale, AZ 85251 (480) 946-0044 • www.openrangegallery.com

Sherry Blanchard Stuart “Season of the Tall Grass” 30x40 oil on linen Open Range Gallery features the American Western Realism of award winning artist Sherry Blanchard Stuart and the inspirational bronze sculpture of Chris Navarro who is also known for his monumental work and the emerging artist Corrina Johnson. Also featured is a unique selection of hand tied and hand woven oriental rugs. Join us every Thursday evening for Artwalk and our special artist events throughout the year.

Chris Navarro “Rainbow”

Gallery hours are: Monday through Saturday 10am - 5pm and Thursday nights from 7pm to 9pm. We are closed on Sundays.

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Duley Jone s G alle ry David Barba: Still L ife Watercolors

atercolorist David Barba is not a talkative man. In fact, the very idea of discussing and analyzing his work makes him profoundly uncomfortable. But just because words aren’t David’s favorite mode of communication does not mean that that the introspective artist has nothing to say. His floral watercolors— large, lush, and lifelike—are clear messages about the beauty that exists in our world. David began painting florals thanks to his wife’s dual passions of gardening and collecting old glass bottles. He found the color opportunities of the subject matter to be irresistible. “With flowers, I can really experiment with color,” David says. “I can make a flower any color I like

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and it still works.” David also paints other natural imagery such as sun-ripened tomatoes on the vine. The artist prefers to work on a large scale: his paintings average 41” x 61” in size. These broader surfaces allow David ample room to explore the abstract qualities of his otherwise representational paintings, such as shadows and reflections. After a career as Art Director for an advertising agency, David began painting full-time in 1971. Although his paintings have won him accolades and are included in the permanent collections of Cornell University and the Carnegie Center, David remains understated about his contributions to the art world. “I don’t claim to have an overarching motive or philosophy about painting,” David says quietly. “Painting feels good to me, so I keep doing it.” David is represented by Scottsdale’s Duley Jones Gallery, which features fine contemporary artwork by both regional and national artists. The gallery is located on 7100 E. Main Street and carries paintings, ceramics, glasswork, basketry, wood sculpture, and illustration art. Duley Jones Gallery is open Monday through Saturday, 10 am to 5 pm and on Thursday evenings for Scottsdale’s ArtWalk. www.duleyjones.com.

R W JONES

“Father Sky, Mother Earth” 32” X 30” X 6” Mixed Media

D ul e y J o n e s n

Gallery 7100 Main Street Scottsdale, Arizona 85251 480 945-8475 / fax 480 945-6640 / 800 229-8475 www.dule yjones.com / duleyjones@msn.com n

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Sc o t t sda l e Fin e Ar t Beauty and Light : T he Paintings of Gil D ellinger

by A . Steeby

Gil Dellinger Morning On The Colorado 36x48

alifornia painter Gil Dellinger has the cures for a few of modern society’s ills: stop feeding your soul the equivalent of junk food. Gil believes that the more we surround ourselves with lurid, sensationalist input, the more we end up with a gnawing inside. Gil seeks to remedy this hunger with his soulful artwork. “People today are hungry for substance,” the artist says. “We feed on mental and emotional decay and are left wanting. I want to give my audience a chance to fill up on images of what is right and beautiful in this world.” All of Gil’s paintings are, as he says, “utterly immersed in light.” Gil uses this radiant focus to capture a scene’s feeling so precisely that you almost feel the temperature and smell the air. “Even if I paint an overcast winter day,” Gil explains, “there is a certain quality

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of the diffuse sunlight in the chill.” Gil works exclusively in acrylic, a medium the artist embraced after years of working with pastels. Gil’s approach to acrylic stems from his prior pastel work, and he develops layer after glazy layer of the paint to achieve his luminous effects. After 30 years of teaching art at the university level, Gil now has the opportunity to paint full time. He is passionate about his work and is often in the studio for stretches of 10 hours or more a day. “What keeps me going is the goal of sharing with people the beauty and complexity of this Earth,” he says. You can see Gil’s work at Scottsdale Fine Art, 7116 E. Main Street or on the gallery’s website at www.scottsdalefineart.com. For more information, please call (480) 990-3100.

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V ict ori a Boy c e G al le r ie s n

by Samantha R uckman

were fortunate to have someone make the sacrifice of living in the desert with its ghastly heat and snakes and rocks,” Boyce laughs. Just one glance inside the gallery reveals Boyce’s enthusiasm and passion for art. “I love running the gallery,” Boyce says. “Every day I look forward to helping my clients on their art-buying adventure. I want people to come away with the awareness that art is a necessity, not just for making their walls look better, but also for stirring up creative thought.” When asked where the gallery is headed, Boyce says, “Only the ‘art gods’ know. I like to think that my role in life is to show people that they don’t have to be collectors of only one kind of art. Joy comes from stimulating our brains to accept many ideas and emotions. Art serves that purpose,” Boyce says. “After all, I’m not selling wallpaper; I’m selling the joy of creativity. By Martha Kennedy, Trees thru Yellow Hills, 36” x 40” x 2”, oil on panel Art is in my blood.” For more information, please visit Boyce first moved to Arizona in 1970, Victoria Boyce Galleries at 7130 E. when her husband’s company transferred Main St., Scottsdale, AZ 85251, visit them from Illinois. “We loved it here right www.vboycegalleries.com or call away. So we spent a lot of time trying to 480.941.2494, info@vboycegalleries.com. convince my husband’s bosses that they ith 32 years in the art business, owner of the Victoria Boyce Galleries, Vicky Boyce, really knows her art. Drawing upon her experience, Boyce fills her gallery with contemporary paintings, photography, sculpture, art furniture and jewelry from artists who “can convey the richness and variety of the Southwest without falling into the traditional ideas of ‘Southwestern art,’” Boyce says.

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Victoria Boyce Galleries

By Liz Wolf, Sowing Her Oats, bronze, 19.75” x 8.25” x 11”, Edition 25

7130 E. Main St., Scottsdale, AZ 85251 info@vboycegalleries.com www.vboycegalleries.com • 480.941.2494 www. A ZColle c torsGuid e .com

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Sievers Galle ry Scottsdale ’s Newest G allery

by A . Steeby

cclaimed artist Gregory Sievers is respected in the art world for his luminous, Impressionistic depictions of still life subjects, figures, and landscapes. What you may not know is that his son, Matthew, has an up-and-coming talent to rival his father’s. Together, the father and son duo have opened an exciting new gallery in Scottsdale to share their combined artistic vision. “I have been showing in galleries for my entire career,” says Greg. “Now it is time to take what I have learned about the gallery experience and share it with my clients.” Greg became interested in an art career during high school when he had an opportunity to work with a particularly gifted art teacher. After graduation and a tour of duty in Vietnam, Greg went to art school and earned his BFA and MFA. Although he had fully intended to use his education to become a teacher, his early successes as an artist influenced Greg to paint full-time instead. Throughout his accomplished career, Greg’s paintings have delighted thousands of collectors and garnered recognition nationwide.

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Greg did school one pupil, however. From an early age, young Matthew Sievers displayed strong artistic talent. Greg took the opportunity to share all the lessons that a young artist wouldn’t necessarily learn in school. “I had to get older to learn to use a single brushstroke to say what I would have needed 10 brushstrokes for before,” says Greg. “At age 25, Matt’s work is more sophisticated and stylized than mine was at that age.” The Sievers Gallery is located at 7165 Main Street in Scottsdale. Matthew manages the daily operations, and Greg also runs the gallery on occasion. You will also find Greg working as an artistin-residence at the acclaimed Celebration of Fine Art show in Scottsdale January 17 through March 29.

Sievers Gallery

7165 East Main Street, Scottsdale, Arizona 85251 208-293-4171 â&#x20AC;˘ www.gallerysievers.com www. A ZColle c torsGuid e .com

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Scottsdale American Indian Art Associat ion Quality • A uthenticity • Integrity • E xperience

cottsdale is home to many of the Southwest’s finest American Indian art galleries, with merchandise ranging from prehistoric Native American antiquities to the finest works from contemporary potters, weavers, jewelers, carvers, and basket makers. To introduce you to Scottsdale’s American Indian art scene, a pre-eminent group of galleries has banded together to form the Scottsdale American Indian Art Association. The mission of this organization is to promote authentic, quality American Indian art sold by galleries with exacting standards of integrity. Deborah Neal, of Old Territorial Indian Arts explains: “Each gallery in the association has the highest ethics. We vouch for each other and refer our own

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clients because know that a customer will have a great experience at any of the member galleries.” Kathi Ouellet of River Trading Post agrees. “This is a group of professionals with high standards. We don’t ‘push’ sales; instead, we believe that it is more important to educate clients and help them find the art that they are passionate about.” Every association member agrees to uphold four standards: quality, authenticity, integrity, and experience. Quality and authenticity are cornerstones of the inventory at the member galleries. Available works are individually hand-crafted by American Indians using native materials. “The items for sale, whether antique or contemporary,

can all be considered fine art,” says Kathi. “None of our members offer anything that is mass-produced.” Integrity and experience provide extra reassurance for the buying public. All members have between 10 and 40 years experience in the business and every gallery backs up their merchandise in writing. “All our members are committed to helping collectors make educated decisions,” says Kathi. “We are honest and stand by everything we sell.” The association is actively involved in

the community, and member galleries are often asked to judge and vote on awards at the Heard Museum’s annual Indian Fair. Every association gallery truly cares about the American Indians that created the art. “The mass-produced reproductions are hurtful to the American Indian artist’s livelihood,” says Deborah. “Our members want to see these native traditions continue.” For more information, please visit the Scottsdale American Indian Art Association online at www.saiaa.net.

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River T ra din g Po s t n

A rts of N ative A merica

through the many rooms of River Trading Post like going on a personal treasure hunt. Over fifty different tribal groups are represented in the collection at the gallery. Featured artists include renowned Jemez Pueblo sculptor, Cliff Fragua; Caroline Carpio, potter and sculptor from Isleta Pueblo, Oneida sculptor Mark Fischer, kachina doll carvers Ryon Polequaptewa and Ed Seechoma, and award winning jewelry by Navajo artists Amelia JoeChandler and Shane Hendren. Visitors to River Trading Post also will find a grouping of beautiful Pendleton blankets and note cards that are produced especially to support the American Indian College Fund. Spring, From Shawl Dancers Series, Cliff Fragua, Jemez Pueblo, Edition of 18 River Trading Post has become a gathering place for many Native nter River Trading Post, and you will American artists, many of whom step into a different world...one from participate in the River Trading Post way back, when things were a bit slower Artist-In-Residence program. and a whole lot friendlier. Collectors from around the world have The old oak floors and the tin ceiling come to call River Trading Post home provide a picture frame for a most dazzling when they visit Scottsdale. Maybe they and colorful blend of contemporary and enjoy the ever present cup of Arbuckles’ vintage Native American art. From antique cowboy coffee, the friendliness of the Navajo weavings and pre-Columbian place, or sampling the way things were pottery, to jewelry, sculpture, traditional from way back, when things were a bit kachina dolls and pottery by today’s very slower and a whole lot friendlier. top artists, collectors will find roaming

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O ld Terri t o r ial I n d ian A r t s Classic A merican Indian A rt in Scottsdale

merican Indian art is synonymous with tradition. Parents teach children about artistic spirit in the same way they were taught by their own parents. Indian art collectors also have a tradition passed on from parent to child: relying on the landmark Old Territorial Indian Arts for the finest in authentic Native American art. “2009 marks our 40th anniversary,” explains Deborah Neal, one of the gallery’s owners. “My husband, Alston, and his mother, Rita, opened the doors in 1969 right here on Main Street. Many children of our earliest clients are now our clients themselves.” The Neals are proud to be part of a trading custom that has been enjoyed for generations. “Today’s collectors are simply following a tradition enjoyed by art enthusiasts for the past 150 years,” explains Deborah. “Once the railroad came west, buyers were eager to buy art made by American Indians. People had been traveling to Europe for decades; they suddenly had an opportunity to obtain beautiful art from this continent.”

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Early works are alive today at Old Territorial. Historic pieces such as pottery, textiles, baskets and jewelry are available—all personally selected by the Neals for authenticity and aesthetic value. “We feel like we are caretakers of history,” Alston says. In addition to Old Territorial’s antiques, the Neals also offer select “new classics”. Deborah and Alston have relationships with multiple generations of Native American artistic families and represent the best of these artists in their gallery. “We look for tomorrow’s trendsetters that are innovating using traditional techniques and materials,” Deborah says. Old Territorial Indian Art is located on Main Street in downtown Scottsdale, and features Navajo blankets and rugs, fine 20th-century Estate jewelry, pottery by Pueblo Matriarchs, rare antique Indian baskets and beadwork, modern Hopi Kachinas in the traditional style and Navajo Indian folk art. www.oldterritorialshop.com

OLD TERRITORIAL I N D I A N

A R T S

T H E C L A S S I C S T O C O N T E M P O R A R Y S

7077 E. Main St. #7, Scottsdale, AZ 85251 480-945-5432 â&#x20AC;˘ oldterritorialshop.com www. A ZColle c torsGuid e .com

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J ohn C. H ill An t iq u e I nd i a n A r t Rare F orms

Navajo Ketohs, circa 1900-1920

KE TOHS In archery, the ketoh or gato (pronounced “gayt-o”) is also called a bowguard or bracer. It is a piece of leather that protects the inside of the wrist from the snap of the bowstring. Ketohs were used by Navajo and Pueblo men and in the 19th century were decorated with silver, making them more decorative than functional. Today they are most commonly worn as items of adornment by Navajos and as part of the ceremonial costume for Hopi and Zuni kachina dances. The Navajo decorated the ketoh by attaching silver and turquoise to the leather. Silver ketohs usually have a center motif, sometimes with a central ornament, and four curvilinear shapes that radiate out toward the corners. Ketohs are currently collected as works of art in their own right.

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by Beverly Lehnhardt

Z U NI K AC HI N AS Dolls were rarely made for sale or trade at Zuni, but due to high demand for these items at the turn of the century, many were made for museum collections, both foreign and domestic. Most from this period are found in public collections and rarely come into the market. Between 1902 and 1906, Zuni missionary Andrew Vanderwagen arranged for Kachinas to be made and subsequently sold most of them to Stewart Culin for the Brooklyn Art Museum. Some were sold to other institutions and the Fred Harvey Company and occasionally a few of these Kachinas find their way into today’s market, commanding a high price due to their rarity. These items and other fine antiquities can be found at John C. Hill Antique Indian Art in Scottsdale or you can visit www.johnhillgallery.com.

Salimopia, Zuni, Red Warrior of the South, Circa 1900, 15”

Group of Hopi Kachinas circa 1900-1950 John C. Hill Antique Indian Art features the finest in Antique American Indian Art: Hopi and Zuni Kachinas, Historic Pottery, Navajo and Pueblo Weavings, fine Southwestern Jewelry, Southwest Baskets, Paintings, New Mexican Folk Art, Beadwork and more. Our hours are Monday through Saturday 11-5 and by appointment.

JOHN C. HILL ANTIQUE INDIAN ART 6962 E. 1st Ave., Ste. 104 Scottsdale, AZ 85251 Tel. (480) 946-2910 Fax: (480) 946-7410 www.johnhillgallery.com Hopi Couple carved by Otto Pentewa

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Rain Bird G al le ry

ain Bird of Scottsdale is a Native American owned gallery, featuring contemporary and traditional jewelry, paintings and sculpture of the Southwest. Whether your collecting interest is contemporary, traditional, or pawn, you’re sure to find a piece of jewelry to treasure! We are proud to represent over forty Native American jewelers including Navajo artists Ethel Davis, Gary and Julian Arviso, Randy Boyd, Harry Morgan, Paul Begay, Peterson Chee, and Don Platero. Also Anthony Garcia (Pasqua Yaqui), the Kirk family (Isleta), Ray Lovato and Christopher Nieto (Santo Domingo) and

many other talented jewelers who work in sterling silver and 14K gold, using precious and semiprecious stones. Paintings of the Southwest by nationally known landscape artist, Joyce Dant, grace the walls of this charming gallery where you can also find John Berger’s incredible handturned wooden vessels and healing sculpture by Ricardo Rojas (Yaqui / Tarahumara). Known for its friendly and knowledgeable staff, this must-see gallery on Main Street, in the Scottsdale Art District in downtown Scottsdale, has become a destination and gathering place in the heart of the art gallery district.

7136 East Main Street Scottsdale, Arizona 85251 480 425-7585 480 425-7621 FAX 877 425-7585 Toll Free rainbirdaz@qwest.net

Sun Faces Concha Belt Harry Morgan

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Rainbird Gallery o f

scottsdale

Salt River Autumn Joyce Dant

Hand Turned Wooden Vessel John Berger 14k Gold Necklace-pendant Michael Kirk

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Wa ddell T r ad in g C o m pa ny n

n 1973, Gene and his wife, Ann, began a labor of love with Waddell Trading Company, dealing in fine Indian arts and jewelry. In the 1980s, they began to focus on the best quality in Indian jewelry and developed a reputation of dealing with the finest Hopi and Navajo artists. Many of these artists have won numerous ribbons and awards at a variety of prestigious shows. Waddell Trading Company has participated in many exhibits and shows throughout the country, and has been mentioned in various books and magazines. In Native Peoples Arts & Lifeways Magazine, Gregory Schaff, Ph.D., lists Waddell Trading Company as one of the best places to buy turquoise jewelry. In his books Beyond Traditions and Enduring Traditions, award-winning photographer Jerry Jacka states, “Over the years, Waddell Trading Company has established a reputation for representing

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by Samantha R uckman

the finest Hopi and Navajo artists. Their meticulous attention to detail is evident with each artist and I can always rely on them to provide the best in Native American art.” Waddell Trading Company is the continuation of an Indian arts and jewelry trading business that was started in the early 1940s by Gene Waddell’s parents. Their trading post, the West Y, was in Gallup, New Mexico and focused on mining, prospecting, brokering and selling turquoise from mines such as the Bisbee, Blue Gem, Castle Dome, Kingman, Lone Mountain, Morenci, and #8. Waddell Trading Company stocks a large selection of the finest cut and polished turquoise, coral, lapis and sugilite. Gene Waddell personally guarantees the authenticity of each piece of jewelry while maintaining the quality of workmanship, materials and value.

Distant Falls

480.949.7003 â&#x20AC;˘ Toll free 888.649.7003 website: www.thesignaturegallery.com

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Enchanted Night

Superstition Vista

Canyon Gold

480.949.7003 â&#x20AC;˘ Toll free 888.649.7003 website: www.thesignaturegallery.com www. A ZColle c torsGuid e .com

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A r t

You r Gui d e to Abs tr ac t A r t n

by A . St eeby

artist’s statement accompanies a painting,” says William Lykins, Director of Gebert Contemporary Art in Scottsdale. “This can let you know what the artist was thinking while he or she created the work. But really, if a painting speaks to you visually, you don’t have to have the same ideas the artist did.”

A Bag of Hearts, MacKenzie Thorpe, Bonner David Galleries, Page 201

ave you ever admired a piece of abstract art and wondered: “But what does it mean?” The short answer is that abstract art can mean anything your heart says it does. Understanding Abstract Art “Don’t worry about ‘getting it,’” says artist Tad Smith. “Abstract art is about painting the unpaintable. It is easy to represent a horse or a bowl of fruit, but an abstract painting can make you experience something deeper like joy or wonderment.” Although the artist may have deliberate ideas of what their painting means to them, with abstract art you are free to make up your own interpretation. “Sometimes an

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Gaining Familiarity If you would like to learn more about contemporary art, Wendy Haas, owner of Cervini Haas Gallery in Scottsdale, recommends events like the monthly, multi-gallery Scottsdale ArtWalk. “Going to ArtWalk is a low-key way to look at new art forms. You can take your time and see what appeals to you.” If the unfamiliarity of nonrepresentational art intimidates you, Haas assures you to put those concerns aside. “There is a common misconception that a gallery expects their buyers to be well-versed in the intellectual component of buying art,” she says. “But actually, the opposite is true. We feel that educating people about the art is one of the most important services we offer.” Clark David Olson, co-owner of Bonner David Galleries in Scottsdale also believes in teaching their clients about art. “We work to educate our clients about the beauty of contemporary art and help them move beyond the notion that all art must be created with paint on a canvas,” Olson says.

Karen Leeds Studio, Page 209

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Uncovering the Stories, Penny Benjamin Peterson, Page 231

Selecting Work Buying abstract art is easy. Simply trust your gut. “You must love any piece of art, but this is especially true of nonrepresentational works,” says Lykins. “You should have a strong, visceral reaction that the piece is for you.” Greg Sanchez, owner of LKG Contemporary Gallery in Scottsdale concurs. “There is only one question you should ask yourself, and that is: How does this piece of art make you feel? If you feel good, you know that you will love the piece throughout your lifetime,” he says. Working with a quality gallery is important for enthusiasts who are new to abstract works. “Always work with a reputable dealer,” says Lykins. “An established gallery is your assurance that you are buying good art.”

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Adding to Your Collection So, are you in a pickle if you fall in love with an abstract painting but your house is full of cowboy art? Not at all. According to our experts, you are simply expanding the breadth of your tastes. “Even if you have a houseful of traditional art, if an abstract piece appeals to you, it will work fine with the rest of your collection,” says Lykins. “At first, people may collect because their decorator advises them to or they try to match their furniture, but after they are around art for a while, people get comfortable letting their collection reflect their true tastes.” Sanchez encourages people to rely on their personal sense of beauty when buying nonrepresentational works. “Since abstract art is about feeling, don’t let anyone else influence you on whether you should or should not acquire a piece of art,” he says. “You should trust yourself and your heart.”

Heart Thing-35, Charles Taube, Page 210

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MARTHA BRAUN www.marthabraun.com

“A Lighter Shade of Pale” 60”x 48” mixed media on canvas

Represented by LeKAE Gallery, Scottsdale, Arizona 480-874-2624

Modern Living Takes Modern Choices

Industry Partner

7171 Main Street, Scottsdale, AZ. 85251 480.945.1209 e m a i l : l k g @ l k g c o n t e m p o r a r y. c o m w w w. L K G C o n t e m p o r a r y. c o m www. A ZColle c torsGuid e .com

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S C O T T S D A L E

T A D

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S edona

S M I T H

4 8 0 4 0 3 1 0 2 0 • S T U D E O TA D . C O M

Sun, 48”x 48”

Specializing in commissioned paintings customized in your choice of size, colors, textures and objects. Call Tad for a consultation to start your custom work of art. See page 137 www. A ZColle c torsGuid e .com

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O cc a sion s ! B y D e s ign n

ccasions! By Design was founded in 1992 by Dr. Ken Bull, an Albuquerque psychiatrist, and was family-operated until only a few years ago. Originally a tabletop gallery, Occasions was expanded to include Southwest art and jewelry, due to the owner’s great appreciation for and love of contemporary art and jewelry design. The gallery’s main goal is to create a new alternative to the traditional art gallery. The staff is young, energetic, very knowledgeable and encourages conversation among the guests. Occasions offers a fun and enjoyable atmosphere through music and art. Customers often dance through the gallery during Art Walk, tapping their feet and singing along with the tunes. They have commented on how they love the freedom of not having to be reserved and sedate while discussing a piece of art with friends. Artwork in Occasions is rotated monthly so the gallery always looks fresh and new, no matter how often a customer returns.

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by Bev erly Lehnhardt

Occasions is proud of the quality and originality of the artwork they offer, as well as its affordability. Arizona visitors can have a very enjoyable time in the gallery and take a piece of contemporary Southwest art or jewelry home with them as a fond keepsake. Occasions’ bridal registry program is popular with area residents because they carry the latest in contemporary and quirky china patterns from Rosenthal, Vera Wang, Wedgwood and Versace, while also offering traditional and classic patterns from Bernardaud, Gien and Spode. In addition, the gallery offers a wide array of bridal jewelry – from traditional pearls to funky coral, turquoise and sterling silver pieces available for purchase or special event rental. Newly available are the Elkin wedding bands and engagement rings, made of two metals fused together into one beautiful, cohesive piece. Please visit us at our gallery, Occasions! By Design in Scottsdale, or at www.occasionsofscottsdale.com.

Karen Leeds Contemporary Fine Art

Arleneâ&#x20AC;&#x2122;s Gallery Tombstone, AZ Christopher Morgan Galleries

Faso Gallery of Contemporary Art

Palm Desert, CA

Kansas City, MO

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Karen Leeds Contemporary Fine Art

ACRYLICS

Oil Pastels

Studio by Appointment Scottsdale, AZ www.karenleeds.com

Silks art@karenleeds.com

602-321-0219

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Ch a rles Ta u be W o o d S cu l p tur e n

by A . St eeby

Nine months after the first car show, Charles was critically injured in an accident that almost completely severed his left hand. After three surgeries he was left with almost no use of his hand and a grim prognosis for recovery. Unable to work, Charles was faced with the prospect of no job and a lifetime of pain and disability. Charles’ circumstances threw him into a life-threatening depression. Yet the creative spark that had been ignited at the car show remained. Over the course of seven years, Charles forced himself to struggle through making three more sculptures—and he slowly gained more dexterity with each one. “Little did I know that I was at the beginning the creative journey that would become my life,” the artist says. “From that devastating experience, I found my purpose “The Kiss,” Mahogany & Ash, 32”H x 22”W x 22”D and calling.” Today Charles is thriving. His Envisions rt is more than just a career for wood by Taube collection is shown in galleries sculptor Charles Taube—in his case, across the country. In 1997, Charles was art is a lifesaver. honored by the Amsterdam Whitney Charles, a professional carpenter/framer International Fine Art Gallery with a threeby trade, began his artistic exploration week show in New York City. In 2008, he of wood when he was trying to design a was one of 12 artists hand-selected by the wooden sculpture to honor the winner of NFL to participate in the first VIP Super auto show for wood panel car enthusiasts. Bowl VIP Tailgate Art Show, hosted by To Charles’ surprise, there was more John Travolta. excitement at the show for his handiwork To learn more about the Envisions by than there was for the vintage autos. Taube collection, please visit Charles’ “People kept telling me they had never website at www.envisionsbytaube.com. seen anything like it before,” Charles says.

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“ Envisions” b y

T a u b e

“Efflorescence” Walnut, 44”H x 21”W x 8”D

G A L L E R I E S European Design (Scottsdale, AZ), Patina Gallery (Marble Falls, TX) Silver Heron Fine Art Gallery (Depoe Bay, OR)

C H A R L E S

T A U B E

(602) 463-1982 • envisionsbytaube@cox.net • envisionsbytaube.com www. A ZColle c torsGuid e .com

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Cra i g Bergs gaar d C apturing the S pirit of th e W est

ould you risk everything to make a fresh start in an uncharted land? Would you leave the people you love for a chance of success, regardless how slim? In nineteenth-century America, millions of intrepid souls poured into the West, ready to take this life-or-death gamble. Colorado sculptor Craig Bergsgaard is a self-made storyteller of this chapter of American history. His bronzes capture the spirit of the people who made the Wild West their home and are a monument to American dream of independence.

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by A . St eeby

A stickler for historical correctness, Craig believes that an authentic portrayal of the past is the only way to tell his stories. He performs research with enough zeal to rival any historian, and ensures that everything, from guns to clothing, is properly represented. Explains Craig: “If you don’t get the details right, then why bother? ‘Good enough’ is simply not good enough for me.” Understanding the era’s minutiae has galvanized Craig’s vision of the people who braved the hostile, often lawless, region. “It was all about survival,” he says. “I make sure the faces of all my subjects reflect the extreme challenges of the life: vulnerability, raw emotion, defiance.” A life-size version of Craig’s popular sculpture, Coolin’ the Dogs, was recently chosen for permanent installation in Fountain Hills, Arizona. The piece is a peek into a private moment as a cowboy soaks his tired feet at the end of the day. “Coolin’ the Dogs is one of my favorite scenes,” says Craig. “It lets people step back into time to catch a glimpse of the toils people endured in order to live a lifestyle they loved.” You can meet Craig at his Scottsdale studio at the Arizona Fine Art Expo from January to March. More work is available at the artist’s online gallery at www.craigbergsgaard.com.

HEIDI ROSNER European Landscapes and Dramatic Florals

“Pick Me! Pick Me!”, original watercolor on paper, 34w” x 47h”

www.heidirosner.com

“Olives and Wine”, original watercolor on paper, 31” x 44”

original watercolors limited edition giclees commissions welcome North Scottsdale studio open by appointment

“Double Trouble” Original watercolor on canvas, 36” x 36”

“Meet Me Between 5 and 7” Original watercolor on paper, 31” x 22”

Heidi Rosner Fine Art PO Box 14542 Scottsdale, AZ 85267-4542 (480) 657-6392 heidi@heidirosner.com www. A ZColle c torsGuid e .com

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T om Luc a s History Re v e ale d in Still Life

or Wyoming still-life painter Tom Lucas, few periods in time are as beautiful as the early days of the Plains Indians of North America. Tom gleaned his knowledge of native culture from a lifetime of observing the Cheyenne, Crow, Shoshone, and Arapaho tribes that live near his home. “I grew up in Wyoming and spent quite a bit of time at my grandfather’s ranch in Montana,” Tom says. “I even lived with an Indian family for a time.”

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Every one of Tom’s paintings has a story to tell. A prime example is his work New Beginning which features two amulets: a quilled lizard and a beaded turtle. Amulets like these were used by the plains tribes to house a newborn’s umbilical cord so that it could be worn by the person as a protector throughout their lifetime. “The lizard is a boy’s amulet and the turtle is a girl’s,” Tom explains. “I also show an eagle feather and blue ribbon, with the idea that the boy must earn his feather to become a man and the girl must grow to womanhood to take part in the society. The entire painting represents a rite of passage.” Historical accuracy is critical to Tom, and he takes his role Red Rose seriously. “I feel that my talent was given to me by the Lord,” the artist says. “I do my best to honor that blessing and put it to work in the best way I know how.” Tom spends most of the year in his Wyoming studio or at the Silver Sage Gallery in Dubois, Wyoming, of which he is part owner (www.silversagegallery.com). From January to March, he exhibits at the acclaimed Celebration of Fine Art show in Scottsdale. For more information, please call Tom directly at (307) 335-9384.

A r i zo n a Co l l e c to r ’s G u ide 2 008 -2 009

Long Life

Tom Luc a s Phone: 307.335.9384 Cell: 307.330.7436 Email: tlucasart@wyoming.com www.tomlucas.us www. A ZColle c torsGuid e .com

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Rob St en be r g Ar t n

by Samantha R uckman

ith a work background that includes labor relations for Ford Motors, health-care administration at a variety of third-world hospitals and directing of a charter school for atrisk children, it’s no wonder that Rob Stenberg’s work is detailed, creative and full of life. “My love of the Southwest and Native American cultures, combined with, all of the things I saw during my travels and all of the cultures I interacted with have really influenced me,” Stenberg says. Stenberg’s paintings are rich with spirituality and power. His large-scale shaman warriors make people feel peaceful and whole. “I love doing the shamans,” Stenberg says, “because people feel the spirituality of those paintings. I have a client who put a few of my paintings in a battered women’s shelter, because she found them healing. That makes me feel good.” But Stenberg’s work is not all about spirituality. His animal paintings are whimsical pieces designed to make people smile. “All of the deer are smiling and standing on top of each other,” he says. “These little pieces are perfect for people who are just starting a collection or who don’t have the space for my bigger pieces.” Stenberg also enjoys making commissions for clients. “I’ll sit down with a sketchbook and map out the room where

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Brother Bear

they want to put the painting and then I have the clients look at my palette and choose their colors,” he says. “I do need enough artistic license to flow and create, but I even let my clients get specific about some of the shield designs. I can hide people’s names or a specific insignia in the paintings. Including the client makes the painting really meaningful.” Stenberg’s newest work is more abstract. “I’m working with layers of different kinds of paper and porcupine quills and wood and bright colors. These are often designs from one of my characters blown up and three-dimensional,” he says. “The emphasis is more Southwest and spiritual, but also multicultural. I’m always pushing myself and the wheels never stop turning in my head. I’ll never run out of ideas. All of the pieces of my life appear in my work.”

Rob Stenberg

“Spirit Guardian” Original acrylic on canvas

“Sons of Sedona” Original acrylic on canvas

6306 East Omega Street, Mesa, Arizona 85215 623.297.1741 • www.robstenberg.com • rob16@cox.net www. A ZColle c torsGuid e .com

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J .R . Eason F in e A rt B ronz es

ne of those funny life lessons is that sometimes a situation we think is a stumbling block actually turns out to be an advantage. Bronze artist J.R. Eason knows this phenomenon well. For years, the self-taught sculptor worried that her lack of a formal art education would hold her back professionally. Instead, J.R. found that having no preconceived “shoulds” and “shouldn’ts” gave her unbridled freedom to express herself. “I’ve been sculpting for over 16 years,” J.R. says. “About seven

“Two Doves” By J.R. Eason

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by A . St eeby

years ago, I began to appreciate that what I make springs totally from my own vision—I only create based on inspiration from within me and not from anyone else’s ideas or style.” As satisfying as it is for J.R. to chart her own artistic course, such an approach is not without risks. Working from her gut can expose some pretty visceral emotions. “When I went through a bitter divorce, I put all that pain into several of pieces,” the artist explains. “But I’ve also channeled extreme joy into my work as well. The more authentic the emotion, the more people relate to my work.” Freedom from preconceived notions also extends to J.R.’s sculpting methods. The artist uses no live models nor does she work from photographs. All of her creations are, as she says, based on “original thought.” The result of this combination of J.R.’s inner spirit and her artistic gift is sculpture that resonates with people from all cultures. You may see more of J.R.’s sculpture at www.jreason.com. For additional information, please contact the artist directly via email at jreason@blackfoot. net or by telephone at her Montana studio (406) 793-0888 or on her cellular phone (406) 360-5766. J.R. can also be found sculpting onsite at the acclaimed Celebration of Fine Art show in Scottsdale from January to March each year.

J.R. Eason B ro n z e

A rt i st

P.O. 117- Ovando, MT 59854 studio ph: 406-793-0888 cell: 406-360-5766 email: jreason@blackfoot.net web site: www.jreason.com

“Damn Rain” (six-feet)

Showing at Celebration of Fine Art, Scottsdale, January through March. www. A ZColle c torsGuid e .com

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ONLINE

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Insert your email address here for the monthly e-Newsletter!

Visit us on the web at azcollectorsguide.com for the latest events, art, and articles

P.O. Box 41011 Tucson, AZ 85717 n 520.982.6200 n azcollectorsguide.com

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Studio tharalson The Sculptures and paintings of Douglas Tharalson

Peacock Maiden 30x40

La Sacre Sindone 45x52

Miner with Canary 24x36

818-437-5702 â&#x20AC;˘ Tharalsonart@charter.net â&#x20AC;˘ www.tharalsonart.com

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Sue Averel l M ast e r of F lowing F orm

by A . St e eby

n Sue Averell’s paintings, as in romance, opposites attract. Like a Mardi Gras dancer eloping with an aerospace engineer, her canvases unite color and rhythm with composition and structure. With color, Sue is fearless. Her cityscapes are an urban plaid: even concrete and steel are depicted in kaleidoscopic polychrome. Yet underneath her embrangle of hue is a disciplined design that securely engineers the painting’s composition. “Drawing is essential to my work,” Sue says. “The perspective of my subject is critical to accurately portray how a scene sits in space.” Paradoxically, a meticulous framework actually frees Sue to take liberties with reality. For example, although an image may be anchored to real life with its underlying sketch, the final work exhibits more imagination than literalism. This approach allows Sue to purposely include ambiguities which allow the viewer to finish the painting based on their own interpretations. Sue works primarily in acrylics, using the medium to add both strata of color and texture. As she paints, she doesn’t abandon her beloved drawing techniques. Instead, the artist literally draws with pigment, emphasizing critical shape with bold, black paint lines that knot together both left- and right-brain aesthetics. This blend of rhythm and form allows Sue to explore the deeper subtext of an

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NOE

image. For example, Sue’s botanical series, Unstill Life, examines the activity inherent in otherwise static scenes. Explains Sue: “Unstill Life is about the movement I strive to capture on canvas—both the reflective movement of water in a vase and the motion of falling petals.” In order to have an ample trove of images to fuel her mind’s eye, Sue travels for several weeks each year. When she isn’t exploring, she works in either her main studio in Sausalito, California or in her winter studio at the Celebration of Fine Art show in Scottsdale, Arizona. For more info: www.sueaverall.com • 415-706-5051

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L inda K och n

L inda Koch Paintings : N atur e R ed efin ed

inda Koch’s paintings give us a chance to experience the glory of nature through the eye of an artist. “All of my work is inspired by Mother Earth,” says Linda. “Nature is a superb starting point for creativity.” Linda’s body of work consists of three series based on nature. Her Forest Floor series features fields of plant forms painted from nature, using detailed brushwork with vibrant color overlays. After Forest Floor, Linda developed her acclaimed Contemporary Landscapes, which have allowed the artist to explore nature more spontaneously with a focus on abstraction. Most recently, Linda has added the Mixed Media series to her body of work. Mixed Media incorporates materials other than paint into each piece to further push the limits of nature-inspired forms and colors. Linda’s mixed media pieces include graphite, pastel, inks, gold leaf and other elements to enhance her acrylic paintings.

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Linda’s technique is as organic as her subject matter. She begins with her inspiration, makes a simple sketch and may draw a few ideas directly on the canvas, but then she develops each painting instinctively. “I apply paint both directly and indirectly until I achieve the desired essence of each piece using brushes and palette knives as well as sticks, found objects and a variation of tools.” To find out more about Linda’s paintings, you may visit her website, www.kochimages.com or email her directly at kochsaude@psnw.com. You can see Linda’s work at the Sacramento Art Complex in Sacramento, California where you can contact the artist’s representative, Cammie Winston, at (916) 446-2004. You may also see the artist work as an artist-in-residence at the Celebration of Fine Art Show in Scottsdale, January 17 through March 29, 2009.

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Pen n y Ben jam in P e t e r s o n n

rtist Penny Benjamin Peterson sure makes it hard for a writer to do her job. You see, words seem inadequate to try to describe the painter’s evocative work. Penny’s abstract masterpieces are designed to elicit the kind of profound, intangible feelings that swirl about deep in the human psyche. “Everyone reacts strongly to shapes and color,” she explains. “I try to make my work call up that mystique of thought, intuition, and feelings.” Although Penny seeks a passionate response from her audience, she is careful to let each person draw their own ideas about what each image means. “There can be as many different reactions to a painting as there are people,” Penny says. “My work doesn’t spell out exactly what the viewer must see so each person is free to make their own connection.” Penny increases the intensity of her paintings by working on a large scale

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by A . St eeby

and laboriously building multiple layers of pigment and found-item collage. “I have had people in my studio gasp when I covered a beautiful layer with more paint,” the artist says. “But it is the underpainting and texture that gives my work its richness.” When asked to describe her work, Penny is introspective. “I like to think of my layered paintings as a metaphor for what we all go through as people,” says Penny. “We are all multiple layers of experiences. Although we do not become a totally different person as we age, our life events develop and change us.” To see more, visit Penny’s website at www.pennytheartist.com. If you have questions about a particular piece or would like to discuss a commissioned work, you can also contact the artist by telephone at (602) 989-4534 or via email at penny@pennytheartist.com.

Pe nny Benjamin P e terson

Call for an appointment.

(6 0 2 ) 9 89 - 4 53 4 p e nny @p e nnythe artist.com www. p e nnyth e artist.com Celebration of Fine Art January 17th through March 29th, 2009 www. A ZColle c torsGuid e .com

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Car ri e Q u ad e Squlpture by C arrie Quad e

by A . St eeby

Piglets

culptor Carrie Quade devotes her artistry to portraying the soul of living things. Not content with mere realism, the artist creates sculptures that look like they breathe and think. “I try to make them come alive,” Carrie says. “I want viewers to experience what my subjects are feeling.” Carrie’s work (which she punningly calls “squlpture”) can be divided into two distinct categories: animal life bronzes and abstract life-form ceramics. In her animal series, Carrie explores such engaging subjects as fat piglets and romping dogs. Each piece is an authentic display of animal behavior, drawn on the artist’s years of observations of nature. The artist’s other series, Saddle People, is a bit harder to define. Saddle People are like ceramic depictions of what would happen if saddles came to life, where the appearance of leather craftsmanship is

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married to the human form. By creating these otherworldly entities, Carrie pushes her creativity to its limit. “Saddle People are my continuing education,” she says. “I explore and learn with every piece.” Although the two squlpture series are divergent in subject matter, they are consistent with the artist’s dedication to depicting life. “My work is entirely about communicating the attitude of living things,” Carrie says. Carrie’s work is available through her online gallery at www.squlptures.com. You can also meet Carrie and watch her work in her studio at the prestigious Celebration of Fine Art show in Scottsdale, Arizona (January 17 through March 29, 2009). Please contact the artist by email at cgquade@ squlptures.com or by telephone at (505) 474-7333 or (302) 559-0685 for more information.

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A nn T urp in Thay e r F in e W ire A rt J e w elry

by A . St eeby

Flowing Rivers Series – Oak Creek Bangle Bracelet

rizona artist Ann Turpin Thayer makes jewelry that transcends the label of “craft”. Her wire and stone works are made with such inspiration that they can justifiably be called fine art. All of Ann’s jewelry is constructed by binding the wire elements, an ancient method that requires no solder. Her technique engineers sophisticated pieces with enough structural strength to literally last for thousands of years. Interestingly, Ann usually avoids the wire itself as a design motif. Occasionally she produces pieces with a wire focal point, but more often, the masterful wire art is hidden and only used as a framework to showcase stones, crystals, or fossils. “People usually think my stones are held in place with a bezel,” explains Ann. “But I just use wire. This allows me to set any shape stone, gem, or artifact without altering it.”

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For Ann, making jewelry involves more than simply designing beautiful-looking wearable art. She is just as passionate about having a complete understanding of the properties inherent in the highquality stones and metals she uses. To this end, Ann is studying to become a Graduate Gemologist through the Gemological Institute of America. She recently received GIA’s Graduate Pearls degree and recently completed a threepart program as an Accredited Jewelry Professional where she learned about precious metals, colored gemstones, and diamonds. Ann designs in both gold and silver and is available for custom work. You can meet the artist January 17 through March 29 at Scottsdale’s renowned Celebration of Fine Art show (Studio 246), or contact her through her website at www.AnnTurpinThayer.com.

Akoya Pearl Cross

Chinese Freshwater Multi-Colored Pearls14K Gold clasp with .30ctw diamonds

Brazilian Agate with Druzy Pendant Brazilian Agate Bolo Tie with matching tips

Eudialyte Butterfly Pendant

AnnTurpinThayer.com

By Appointment - 480.598.9090

From January 12 through March 23, 2008 Celebration of Fine Art - Studio 246 Just south of the 101 on Scottsdale Road in Scottsdale, AZ

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Richa rd H all Fin e Ar t Portraying the Grande ur of th e W est

by A . St eeby

Richard’s formal art training was in both classical European art and abstractionism, and he found the western landscapes a perfect subject to unite the two seemingly disparate styles. “At first, my work may make you think of a traditional approach to painting,” Richard says. “But once you step closer, you will discover a deeper, more abstract application of form and color.” A common reaction to Richard’s work is that his lush vistas have a Hudson River School feel. But Richard sees his work as in a different light. “True, the Hudson River artists did document the sweeping 19th century frontier, but they always revealed the changes of man’s impact on the land,” Richard explains. “I take the opposite approach: I remove all evidence of man, whether it is a fence post or a building, to depict the Teton Awakening: 30 x 40 West in its native state.” A gallery of Richard’s work is available on Richard moved to the western United his website, www.richardhallfineart.com. States from Britain in the 1970s after You may call to make an appointment to meeting and marrying a lovely exchange visit the artist at his studio as he delights student. Upon arriving to the West, the in describing and explaining his work to young artist felt a powerful affinity for the art lovers. (602) 819-7199. immense, big-sky panoramas. an you imagine what it was like for the first settlers to leave the civilization of Britain to come to the wilds of America? Painter Richard Hall can. Although he didn’t travel for months by sea to get here, and America is a bit more cultivated now than it was 400 years ago, the artist can relate to viewing the vast American landscape for the first time.

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Richard Hall Fine Art

Hebgen Lake Sunrise: 48 x 60

Cloud Palette: 48 x 48

602-819-7199

Vermillion Vista: 40 x 40

Website: www.richardhallfineart.com â&#x20AC;˘ Email: richardhallfineart@cox.net

“Time Traveler”, M/M, 30”x 1 1/2”

Lee Brotherton Wall sculpture, vessels and pods (480) 220-9505 www.leebrotherton.com

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C a r e f r e e & C ave C r e e k G a ll er i es Coyote Crossing/Dick Mueller Virginia Brooks Studio Judy Bruce Linda Budge Studio Thornley Studio D. Lyon Gallery Steven DeWitt Perrin Gallery Blue Coyote Gallery Galeria Bellas Artes Kevin Harris Gallery Nickel Creek Gallery Desert Mountain Gallery J.D. Challenger Gallery

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Wild Holly Gallery Twigs Gallery Mountain Studio, Inc Cave Creek Museum Sylvia Fugmann Brongo Beth Zink Studio Jim Prindiville Studio Alan Hochman Water Sculptures Marty LeMessurier Meldrum Metal Art Zuva Gallery Blue Sage Gallery es Possible Gallery

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Carefree & Cave Creek

Cave Creek has a unique and colorful history, having been settled in the 1870s but not becoming incorporated as a municipality until 1986. Much of that history is still reflected in the theme of our special events and unique retail shops that dot the streets. From bed and breakfasts to world class resorts,

For more information about Carefree/ Cave Creek, please visit carefree-cavecreek.com

these two communities are sure to provide something for everyone! www. A ZColle c torsGuid e .com

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Car ef ree a n d C ave C r e e k an A rt Lov e r’s D e stinatio n

ith just a short drive from downtown Phoenix and Scottsdale, art lovers can find themselves enjoying the unique artistic communities of Carefree and Cave Creek. These side-by-side towns feature the valley’s most beautiful, pristine desert scenery. The nearby mountains provide a very impressive backdrop, and best of all, you know you are far from the city. The towns abound with art galleries and artist’s studios. Almost every medium is well represented in the Foothills. Yes, there are artists specializing in Southwestern subject matter and much of it is created to feature our own scenic surroundings. But the area is also home to many other types of artistic pursuits. Photographers, painters, jewelers, pastel artists, wood turners, artists working in batik, ceramics, pencil, silk, pen and ink, gourds, glass, leather… and sculptors who specialize in metal and stone can all be found in the Carefree and Cave Creek area. The local Sonoran Arts League is in its

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by V i rginia Brooks

Red Heads, Beth Zink, Page 262

12th year of sponsoring their Hidden in the Hills Studio Tour, which features more than forty open studios each November. The towns are also home to some of the premier art festivals in the United States, bringing in artists from all over North America to share their creativity. If you are visiting between the months of November and April you may be fortunate enough to enjoy going to one of these amazing art gatherings. Best of all the artists’ studios and galleries are within a few minutes of drive time from one another. Their owners will be happy to help you plan your itinerary for a day of seeing your favorite types of art. They will also help you find a restaurant that you will love, and can tell you about some of the more interesting local retail establishments that you may enjoy visiting. Carefree and Cave Creek truly have something for everyone’s taste. Come spend an afternoon, or better yet, a whole day in this delightful art destination! Visit us online at www.carefree-cavecreek.com.

Simple Beauty, Judy Durr, Page 246

www. A ZColle c torsGuid e .com

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M oun ta i n S tu d io & G al l e ry J udith D u rr

Souix Moccasins

hoctaw artist Judith Durr draws from her Native American heritage and life in the Southwest for inspiration for her oil paintings. Her extensive collection of beaded moccasins dating from the 1880s and items acquired from her family are her favorite subjects. At 7 or 8, Judith decided, with the certainty and decisiveness of a child, that she would be an archeologist, a teacher, and an artist. As the years passed, she worked closely with archeologists, had the opportunity to teach, and has most certainly become an artist. Judith began oil painting in 1989, turning professional in 1990. She is now internationally known for her detailed and extremely realistic renditions of Native American rugs used as backdrops for her still-life paintings. She arranges the subjects in her studio: a rug, pottery, beaded moccasins, corn, feathers, turquoise jewelry… the composition is sometimes very simple, but always beautiful, always colorful.

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by Beverly Lehnhardt

Simple Beauty

Passion and attention to detail are Judith’s trademarks. She always uses 12 layers of paint to achieve the desired effect. She works from dark to light, larger brushes to smaller, and uses the last two layers of paint to tie up loose ends and add finishing details. Painting “wet on wet” allows her to achieve additional color values as the shades blend together. Judith says, “I paint the illusion of texture and fabric and am intrigued with the drama of light and shadow.” On close inspection of her paintings, you will find the play of light and dark shadows that have shadows – that make her paintings not only interesting but extremely realistic. A line of products has been created using many of Judith’s images: linens and kitchen accessories, clocks, music boxes, wallpaper borders, outdoor art that won’t fade in the Western sun, and more. Judith’s work can be seen at Mountain Studio, Inc. in Cave Creek, or online at www.judydurr.50megs.com.

Native Past, oil painting, 36x48

Ju di t h D urr

Mountain Studio & Gallery 480-595-2443 for appointment

judydurr.50megs.com Treasures, oil painting, 24x30

www. A ZColle c torsGuid e .com

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Carefree & Cave Creek

M oun ta i n S tu d io & G al l e ry Roger Kull

Moring Sing Kachina

oger Kull’s unique art form has been called “Pictorial Leather Sculpture” and “Southwest Dimensional Leather”, but “Leather Stuff” is what most people affectionately call his distinctive, one-ofa-kind creations. Roger has lived in the Southwest for 56 years and has been in the art world full time for the last 30. Heavily influenced by the history of the Four Corners region, Roger is very knowledgeable on the area’s history as well as its art. Totally self-

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by Beverly Lehnhardt

taught, he loves what he does and feels that passion must be the driving force behind any artist. He also enjoys making people happy. People smile as they look at Roger’s various pieces, amazed that he can take a flat sheet of ¼-inch cowhide and create a 3-dimensional “pictorial sculpture” complete with inlaid turquoise. He utilizes only two tools to create his beautiful works of art: a knife and a clay modeler’s spoon. He free-hands the initial drawing, then uses his knife and spoon to create depth and detail. Since leather ‘breathes’, he treats it before adding color, preventing the paint from cracking and the leather from darkening over time. Roger layers his custom mix of acrylic paint and dye to achieve just the right look, texture, and color. His unique leather treatment and paints were developed through many years of experimentation and he admittedly “…has ruined more leather than any other living human being.” Often, customers will visit his studio to see how a commission piece is progressing. In initial stages the work seems flat, bland, and in Roger’s humorously technical lingo, “butt ugly”. However, once the final treatment is applied, the colors ‘gel’, the depth of the piece becomes apparent, and the whole thing pops! Turquoise stones are the final touch. Roger’s work can be viewed at Mountain Studio, Inc. in Cave Creek, or online at www.rogerkull.50megs.com.

Legacy, sculpted leather, image size 24x36

Ro g e r Kull

Mountain Studio & Gallery 480-595-2443 for appointment

rogerkull.50megs.com

Timeless, sculpted leather, image size 30x40

www. A ZColle c torsGuid e .com

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V irgi n ia B r o o k s A C a re f re e Studi o E x p e ri e ncE

By V i rginia Brooks

here’s a very good reason why visitors to the Valley of the Sun seek out the Virginia Brooks Studio in Carefree. “My home and studio are located on three lush acres that border a nature preserve. With the Continental Mountains in the distance, my guests come to appreciate why plein air painting is so rewarding.” Painting en plein air is the traditional outof-doors style, where the artist seizes a moment in time and then races to capture it on canvas. Often called “a shadow chaser”, the plein air painter can be pitted against the extremes of Mother Nature, but can find comfort in having a sense of humor. “I have learned to handle all types of critters from bees to snakes; and willingly defer to herds of any kind!” While painting out of doors can be quite an adventure, there is a wonderful immediacy in the

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results. Virginia’s specialties are Europe, the California Wine Country and the American West. Her paintings invite the viewer to be there in person. Virginia’s original oil paintings are available in a wide variety of subjects. She also offers over 50 images in limited edition giclée prints. The Virginia Brooks Studio is located near the center of Carefree. Her studio garden was named winner of the Arizona Republic’s Garden of the Month Award and the studio has a relaxed, inviting atmosphere. Call, and come for a visit!

Carefree & Cave Creek

Wil d H olly G alle ry n

n 2001, Wild Holly Gallery began as a 660-square-foot garden gallery offering garden art and water features made by American artists. Just two years later the gallery was expanded to 1200 square feet and included art for the interior of the home. In 2007, the historic Bradbury building was purchased and renovated and now houses the newly-expanded, 4000-square-foot Wild Holly Gallery in the heart of Carefree at 22 Easy Street and Ho Hum Way – but there’s nothing ‘ho hum’ about this exciting, expansive, eclectic American art gallery. Wild Holly now represents 98 American artisans and offers a very diverse collection of artwork. Answering its clients’ need for an even greater variety of art, next year a sculpture garden behind the gallery will exhibit larger sculpted art and outdoor water features. Oil paintings, acrylic on canvas, metal and bronze sculptures, fused and hand blown glass, as well as the wall and table water features for which Wild Holly is

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by Bev er ly Lehnha r dt

known – plus much more – all grace this colorful, expansive yet intimate gallery. If you don’t find what you want on the first floor, look upstairs – two full floors of eclectic art await you. On weekends, Wild Holly hosts visiting artists and due to the exceptional weather in Carefree, always shows outside. The gallery’s eclectic collection of art will touch your soul, tickle your senses and delight your eyes, and renowned American artisans create it all. Wild Holly delivers, sets up, crates and ships worldwide.

You will be met at the door by Diego, the gallery’s mascot. He’s a black and white tuxedo cat who was a mere eight pounds when he found Wild Holly Gallery. He now tips the scale at just over 22 pounds but will tell you he’s still hungry. You can visit Diego and the gallery in the heart of Carefree or via www.wildhollygallery.com.

Wild Holly Gallery

Two stories of eclectic American art awaits you at the Wild Holly Gallery, in the heart of Carefree. Featuring canvas, copper, bronze, paper art, artistic water features, glass, jewelry and ceramic treasures. Wild Holly Gallery represents 98 American Artists 22 Easy Street, Carefree, Arizona (480)595-8757 â&#x20AC;˘ wildhollygallery.com www. A ZColle c torsGuid e .com

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Nick el Cre e k G alle ry fe atur ing the wo rk o f Ha rland Yo ung

xcept for his period of service with the Air Corps in World War II, Harland Young’s entire life has been devoted to his art and his horses. Widely known as one of the premier Western artists in the United States, Young was born in 1924 in Neosho, Missouri, but grew up on a horse and cattle ranch in California. Thus began his intense admiration for animals and the outdoors. In 1951, after graduating with a Bachelor’s degree in Fine Art from the Art Center College in Los Angeles, Young worked as a commercial illustrator for an ad agency. He opened his first studio in 1956. Although Young is best known for his Western art, he is also extremely versatile. Known as “the master of the fleeting moment,” Young’s use of rich, resonant colors, motion and light moves his work

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by Samantha Ruckman

beyond realism and has earned him respect and praise from art critics across the country. Young has been commissioned to produce original paintings for the Symphony of Color series and chosen to paint a portrait of John Wayne for Wayne’s introduction as the Greater Los Angeles Press Club’s Man of The Year. He has also produced collectors’ plates for Kern Collectibles, the first of which sold out. In 1984, the Nelson Rockefeller Collection Gallery gave Young a thirty-day one-man Western Art Show featuring his paintings and bronzes. Harland Young has owned eight art galleries. Today, Young lives in Scottsdale, where he continues to produce fine art, much of which reflects a lifelong admiration of western wildlife and natural beauty.

Carefree & Cave Creek

L inda Bud ge n

inda Budge paints expression. The subjects usually have four legs and a variety of ears, noses and tails. Sometimes, they might be found creeping through the desert, perched on a saguaro, or just standing in somebody’s back yard. Wherever they are, Linda has learned to capture their look, their expression, and their attitude in her chosen medium of oil. She has been a professional artist for over 35 years, and her passion for painting animals can be found in many corporate, personal and museum collections, including paintings in the AKC Museum of the Dog, the administration building.

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M A STER O F EXP RE SSI O N

for the Guide Dog Foundation in New York, and the private sector of the Ronald Reagan Library. The pronghorn painting displayed at the Library was placed there by President Reagan himself. Award winning artist, Linda Budge, husband John & poodles, Harry and Martha live in Cave Creek, Arizona. Linda has established a small working studio and display area, and does welcome visitors. For directions, please call 480-595-9985. For more information you may refer to her website www.lindabudge.com Linda’s original paintings are available, and although she will accept commissions, they are limited in number.

Master of Expression LINDA BUDGE

“1850 - What every woman needed” 16 x 20 oil

“Rabbit and Hedgehog cactus” 12 x 14 oil “Walking Out” 11 x 14 oil

Linda Budge Studio Please call for directions

P.O. Box 4050 • Scottsdale, AZ 85327 480-595-9985 • Linda@lindabudge.com

www.lindabudge.com

Bead Baskets by Virginia After years of oil painting, the art of wire bending and love of beads led me to develop bead-wire baskets. Classes in wire bending with Lynne Merchant in San Diego culminated in learning how to weave a wire basket in the 1990s. When I wove to the top of my first basket, the addition of colored beads contributed so much that I was inspired from then on to string beads into entire baskets as I made them. I prefer making translucent baskets for the pleasure of seeing light filter through the colored beads. The visual richness

achieved by juxtaposing design elements like beads excites and rewards me. No two baskets are alike; each basket seems to evolve of its own accord. The mystery of what a finished basket will look like continues to inspire me. My fascination with design challenges draws me to create-one-of-a-kind necklaces as well. A native Phoenician, I am now located in north Scottsdale’s Rio Verde Foothills area. Baskets and necklaces can be viewed at my home studio by appointment. Images available upon request via e-mail. Custom orders are welcome.

Virginia Allison, MFA • virginia@desertinet.com • phone 480-471-7772 258

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The Paintings of Marty LeMessurier Southw e st Histo ry C aptu re d in Still Life

Native American Weavings, Oil, 30”x 24”

wenty years ago, painter Marty Le Messurier’s high school daughter was required to take a class in Arizona history. Although the teen proclaimed the topic to be “boring,” Marty was enthralled by the subject matter. From these bookish beginnings, Marty has continued her exploration of the Southwest and the Native American culture through her acclaimed still life compositions. Perhaps the most striking aspect of Marty’s work is the level of realism and three-dimensionality the artist is able to achieve. Marty uses oil paints exclusively because she likes the depth and luminosity the medium provides. “I like the way oil moves: I can glaze one color on top of another to capture the subtleties of light,” she says. “The oil allows me to create beadwork that looks like it is made of real beads because of the many tiny layers of paint I use on each one.”

by A . St eeby

For many collectors, owning one of Marty’s pieces allows access to rare historic art that they might not otherwise be able to experience. Marty’s works, however, are not simply reproductions of artifacts. History may offer the painting’s focus, but Marty adds the artistry necessary to showcase the items to their full advantage. “I am a realist painter, but sometimes take subtle liberties to enhance a composition. For example, I may brighten the color, or replace a bead or two to present objects as they were originally. Nevertheless, I remain true to the historical accuracy of the subject depicted.” You can meet Marty and watch her work at the Celebration of Fine Art invitational show in Scottsdale from January 17th through March 29th, 2009. For additional information, please contact Marty directly at 602-770-7643 or mlemessurier@cox.net.

Sioux Warrior’s Moccasins, Oil, 16”x 12”

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M arty L e M essurier

Sacred Raven’s War Shirt, Oil, 36”x 30”

Girl’s Finery, Oil, 46”x 26” Tribal Artistry, Oil, 20”x 30”

Original Oils • Commissions Cave Creek Studio Open By Appointment

602-770-7643 mlemessurier@cox.net www. A ZColle c torsGuid e .com

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Beth Zink Studio

33444 N. 55th Street Cave Creek, AZ 85331 Studio open by appointment 480-538-5428 studio 480-980-3848 cell email: bethzink1@earthlink.net www.bethzinkart.com

Rhapsody in Blues

48x48

Cave Creek artist Beth Zink specializes in vibrant contemporary botanicals. Imaginative use of color characterizes Bethâ&#x20AC;&#x2122;s signature style. Her work can be found in many private and corporate collections around the country. Beth is represented by Gallery Soho in Palm Desert, California Kevin Harris Gallery in Cave Creek Upcoming Events 2008-09

Sunset

40x60

October 31, November 1, 2, 2008 Carefree Fine Art & Wine Festival November 20-22, 27-29, 2008 Hidden in the Hills Studio Tour Beth Zink Studio, Cave Creek January 15-March 28, 2009 Arizona Fine Art EXPO North Scottsdale Rd. at Jomax

Red Heads

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April 3-5, 2009 Sonoran Festival of Fine Art Carefree Town Center

“The Majesty of Nature” by Dustin Lyon

“Lakota Girl” by Guadalupe Apodaca

“Desert Spring” by Kathleen Schilling

6268 E. Cave Creek Rd. #8, Cave Creek, AZ 85331 480.595.9569 www.dlyonart.com Representing Dustin Lyon and Other Fine Artists

“Timeless Tapestry” 36”w x 58”h, Copper

Meldrum Metal Art

480-473-2224 www.sherimeldrum.com Shows & Events posted on our website Visit us at “The Celebration of Fine Art” January 17 to March 29, 2009 Commissions Welcome

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JIM PRINDIVILLE “Desert Glow” Original - 36”x 60”

Award Winning Artist Captures the essence of his subject matter The Sonoran Desert Landscape and Native American Images Original Acrylics and Giclee Prints by appointment

PRINDIVILLE STUDIO Cave Creek, AZ

480-575-1525 www.jimprindiville.com

“Mystic Warrior” Original - 48”x 36” Giclee - 40”x 30” $1,500

www.jeannebonine.com transparent watercolors

Jeanne Bonine

north valley studio â&#x20AC;˘ open by appointment

480-585-1985 266

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Joanie M. Anderson

Spirited Warrior acrylic

Homeward Bound acrylic

REd Trees acrylic

canyons acrylic

Studio/gallery Landscapes :: Contemporary :: SOUTHWEST :: Flowers

10163 e. Rising sun dr., scottsdale, az 85262

602-616-3555 â&#x20AC;˘

joanieanderson.com

Introducing “Sonoran Diva,” a new line of porcelain jewelry. My work is contemporary with influences from the Sonoran Desert. Visit my website at: www.sylvia-art.com

Sylvia Fugmann Brongo

Ceramic artist and painter

“Canyon” 24”x 14”x 6” Ceramic Vessel “Niagara” 29” x13”x 7” Ceramic Vessel

“Desert Icon” 46” x 27”

www.sylvia-art.com 37416 N Arbuscula Dr. Cave Creek, AZ 85331 480-488-4749

www. A ZColle c torsGuid e .com

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Nikel Gallery at C a n y o n d e l O ro

GOLDEN LIGHT oil, 14x25

AUTUMN COLORS oil, 16x20

Nikel Gallery at C a n y o n d e l O ro

Please call

480-502-6912 before a visit.

NEW ONIONS AND CARROTS oil, 13x25 1/2

e-mail: pb.nikel@att.net

A source of affordable Old Master style still life paintings in oil. 270

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LYNN BALLINGER Necklace of Faceted Jasper & Sterling Silver KATIE STEARNS “Feel the Joy” 24” x 24” Oil

JENNY WILLIGROD “Pear Cactus in Red” 21” x 30” Pastel

TRACI LOSS “A Sunflower State” Copper, Brass, & Steel Sculpture

16858 Avenue of the Fountains, Fountain Hills, AZ 85268 272

480-836-9919

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DONNA LAW Earrings in 14K White Gold with Diamonds & Tanzanite

KATHLEEN NEWBY “Baby Booties” 11” x 14” Oil

MARLESS FELLOWS “Friends” 18” x 24” Oil

JEANNE BONINE “A Return to Peace” 21” x 16” Transparent Watercolor

www.fountainhillsartistsgallery.com fountainhillsartistsgallery@yahoo.com www. A ZColle c torsGuid e .com

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NORTH

Sedona 701 705 706 703 704

702

Uptown

734 735

See page 286

707-709

710

Tlaquepaque See page 302

711-720 Tlaquepaque

721

Hozho Center See page 292

722 723-726 HozHo Center 727-733 Hillside Sedona

For more information about Sedona, please visit www.visitsedona.com

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S e d o n a

Sedo na, Detour!

The

city

Sedona

Gallery, and Exposures Gallery as you

undergoing road beautification from

take the scenic drive out of town. South-

Oak Creek Village to Sedona, backing

bound traffic is not affected through the

up north-bound traffic. To make your

construction.

drive more pleasurable, we suggest that

Sedona

you take HWY 260/279 to Cottonwood. While you are there, you can visit The Manhiem Gallery and Javadog Gallery.

Detour

Cottonwood

Oak Creek 179 Village

Then take HWY 89 into Sedona. Visit Uptown, then head south down HWY 179

ROAD WORK

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visiting Tlaquepaque, HozHo, Windrush

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I-17 Detour

S e don a G a l l e r i e s Erickson Studio Exposures International Windrush Gallery

710 722 721

Uptown A Muse Gallery 704 Fataliâ&#x20AC;&#x2122;s Fine Art 708 Golden Lotus Gallery 706 Goldenstein Gallery 702 James Darum at Old Pueblo West 705 Joe Wilcox Fine Art 703 Sedona Arts Center 701 Vickers Collection 707 Visions Fine Art Gallery 709 Tlaquepaque El Prado Gallery Electic Image Gallery Geoffrey Roth Ltd Gifted Hands Gallery Isadora Handweaving Gallery Kuivato Glass Gallery

719 712 711 713 718 717

Mountain Trails Galleries Navarro Gallery Renee Taylor Gallery TC Framing

714 720 716 715

HozHo Center James Ratliff Gallery Lark Art Gallery Lanning Gallery Turquoise Tortoise Gallery

724 723 725 726

Hillside Sedona American Galleries Crimson Alley Art Gallery of Modern Masters Mineral & Fossil Gallery Proctor Fine Art St. Croix Gallery Terbush Galleries

727 728 729 730 731 732 733

Cottonwood Javadog Gallery Manheim Gallery, The

734 735

www. A ZColle c torsGuid e .com

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S e d o n a

Sedon a Ga l le ry As s o c ia ti o n n

SGA

works together in support of special art events, cultivating the visual arts and cultural life of Sedona. On “1st Friday” each month from 5 to 8 pm, the members offer unique exhibits showcasing select artists, and hold individual receptions for their patrons. Gallery visitors enjoy light refreshments, musical entertainment, and the opportunity to explore Sedona’s flourishing art scene in a relaxing atmosphere. Cooler evening temperatures add to the comfortable ambiance and the Sedona Trolley provides free transportation.

“The Sedona Gallery Association (SGA) represents the collaborative efforts of the premier galleries in Sedona to ensure that art lovers and artists alike experience the best art environment imaginable.”

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by Bever ly Lehnhardt

El Prado Sculpture Garden, Page 308

Coinciding with the monthly “1st Fridays”, the SGA also holds week-long “Art of Gold” events. During the first week of designated months (2008: June, September, December), a raffle ticket is issued for every increment of $500 on all individual gallery purchases. The drawing is held at the Sedona Chamber of Commerce on the Monday following the event with the winning ticket holder receiving a $1000 Gift Certificate to any SGA gallery. This November, 2008, the first annual “Red Rock Canvas” will be sponsored by the City of Sedona and the Sedona Chamber of Commerce and presented by the Sedona Gallery Association. The city will come alive on Friday, November 7 with “1st Friday” receptions at SGA galleries, and an exclusive Saturday evening ticketed gala and tribute auction for charity featuring art, an array of hors d’oeuvres, cocktails and dancing. There will be something for everyone with art talks and demonstrations, wine tasting, outdoor or spa adventures, and much more.

John Henry Waddell, best known for his stunning bronze sculptures of female nudes, will be this year’s “Red Rock Canvas” honoree. He has been an intrinsic part of the Sedona art world for more than forty years. At the age of ten, Waddell began studying art at the Katherine Lord Studio and by the time he was 16, he was teaching classes there. He won a full scholarship to the Art Institute of Chicago and had his first solo show at the age of 21. Following a brief stint in the military, he earned two M.F.A.s in Fine Arts and Art Education on the G.I. Bill. Waddell and his wife, Ruth, moved to Sedona in 1957, where he headed the Art Education Department at Arizona State University. In 1964 at the age of 43, Waddell retired from academia to sculpt full time. The 1963 church bombing in Birmingham, Alabama, in which four young girls died, was a pivotal event in his development as an artist. His monument to this tragedy,

“That Which Might Have Been, Birmingham, 1963”, resides in a garden at the Unitarian Universalist Church in Phoenix. In 1970, Waddell was commissioned to create a major work for downtown Phoenix. Four years later he completed “Dance”, eleven life-sized figures in various dance positions with one other playing the flute. “Dance” is displayed on the sidewalk in front of the Herberger Theater and remains his major Arizona masterpiece. For more information on the first annual “Red Rock Canvas”, visit www. redrockcanvas.com. For decades, Sedona’s reputation as an arts destination has attracted serious collectors from around the world. Others, drawn by the beauty of the area’s red rocks, have been surprised by the caliber of nationally and internationally known artists represented by Sedona’s sophisticated galleries - galleries that would be just as at home in New York or LA. Events such as “1st Friday,” “Art of Gold,” and “Red Rock Canvas” are proof that Sedona has much to offer both the amateur art aficionado and the serious collector. For more details on Sedona’s premier galleries and events, visit www.SedonaGalleryAssociation.com.

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T h e M a n heim G alle ry n

Beverly Lehnhardt

“When I saw the beautiful brick and stone building with floor-to-ceiling windows I knew I had found the location for THE MANHEIM.”

looded with light in the Great Room, warm brick accenting another, and other small, intimate spaces, it’s a wonderful exhibit space for displaying the artwork of emerging and established contemporary artists. And this year we have added Studio M, a 1930’s bungalow adjacent to the gallery for creative studio space for artists; jewelers, weavers and others. THE MANHEIM joined the Verde Valley gallery scene in the fall of 2006 and has become known as an outstanding juried gallery offering fine art originals by renowned oil, watercolor, mixed media, and sculpture artists. A destination gallery, THE MANHEIM takes pride in its active season of special-feature events to surprise and tempt the collector. THE MANHEIM GALLERY’s illustrious group of artists combines an exceptional blend of talent. The gallery features luminous abstracts in oil by Swedish artist Petersen Thomas; representational oils by internationally recognized Elizabeta Vujkovich; and Barbara Butler’s softly focused renderings of Montana’s wideopen spaces. Peter Nelson, Linda Sherman and Gigi Stateham are each award-winning watercolorists. Nelson captures exquisite

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“Private Reflections,” Linda Rae

light in his signature seacoast scenes, while clean, clear lines define Sherman’s southwestern landscapes. Gigi is inspired by her environment and the clarity and detail in her work are renowned. Bronze sculptor Linda Rae Brown is inspired by the human figure while Carolyn Grimes unearths the sensuality of rich, exotic woods; her sculptures find abstract form in their exquisite grain and patina. THE MANHEIM GALLERY is an aesthetic experience you won’t want to miss. Our visitors tell us, “It is a wonderfully comfortable space.” The gallery is located at 747 N. Main Street, Old Town Cottonwood, and is open from 1:00 to 5:00 pm Wednesday through Saturday and always by appointment. You may also visit www.themanheimgallery.com or call 1-928-649-0130.

“Monsoon Magic,” soft pastel, by Rita Elaine Elkins

”Heart Burst,” oil, by Petersen Thomas “Itapapalotl (Obsidian Butterfly),” H. Mahogany, by Carolyn Grimes

THE MANHEIM GALLERY

747 N. Main Street Cottonwood, AZ 86326 Tel: 928.649.0130 Fax: 928.649.0130 pmanheim@msn.com

The Manheim Gallery features outstanding works ofemerging and exceptional contemporary artists.

O N LI N E

T H E O N L Y A RI Z O N A A R T G U I D E y o u ’ l l e v e r n e e d

Insert your email address here for the monthly e-Newsletter!

Visit us on the web at azcollectorsguide.com for the latest events, art, and articles

P.O. Box 41011 Tucson, AZ 85717 n 520.982.6200 n azcollectorsguide.com

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Windrush G alle ry Ken Stockton

hen Ken Stockton’s youthful passion for painting was rekindled after several years in a different career, his young son Andrew observed, “That’s pretty good, Dad! Are you gonna hang it on the fridge?” Nine years later, his work can be seen in venues far beyond his own kitchen. Best known for his desert landscapes, Ken’s understanding of his subject extends beyond the canvas. His fifteen-year tenure at Tucson’s Arizona-Sonora Desert Museum, where he served as Director of Design & Planning, focused on all aspects of exhibiting the state’s plants, animals, and habitats – fostering a familiarity with natural history that continues to inform his work as a full-time artist. Initially a plein air painter, Ken’s growing preference for larger, more complex compositions eventually made this approach impractical. However, his outdoor painting experience helped develop the authentic sense of light and color characteristic of his studio work.

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by Bever ly Lehnhardt

Ken Stockton “Oak Creek Reflections” 24x48

He is particularly drawn to the dramatic shapes, colors and textures of rocky landscapes, so when gallery owner John McCullough invited him to join Windrush Gallery, he welcomed the chance to paint Sedona’s signature formations. On a recent visit he was on the move from dawn ‘till dusk, bouncing along back roads, wading Oak Creek, and hiking dusty red rock trails in search of that perfect image. Ken explains, “When working in the studio, I often find myself mentally ‘occupying’ a scene, reliving the experience of actually being there, as I refine and emphasize features or qualities that initially drew me to it – as an avid gardener fine tunes the design of a cherished, personal oasis. Indulging this mild fantasy imbues the finished painting with a sense of invitation, ideally creating a portal through which others may enter and explore the realms of their own memory or imagination.” Windrush Gallery is located at 411 Highway 179, Sedona.

Traditional and Impressionistic Southwestern Art in Oils, and Watercolors, Alabaster, Wood and Bronze sculpture

Mark Eberhard “Harris Hawk” oil

Adele Earnshaw “Desert Martriarch” oil

Ken Stockton “Enchanted Canyon”

Martin Grelle “The Buffalo Rattler” Giclee on Canvas

Check our website for more information about these and other artists in the gallery. www.windrushgallery.net Garland Building 411 Highway 179 Sedona, Arizona 86336 800-323-0115 • 928-282-7676 • info@windrushgallery.net Open Monday – Saturday 10 to 5, Sunday 11 to 5

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Up town Hozho CenterSedo na UpTown is the part of Sedona that starts at the intersection of Hwy 89 and Hwy 179 and heads north to Flagstaff. This unique part of town is lined with art galleries, tourist shops, restaurants and much more. One can spend a whole day on this street shopping. You will want to bring your walking shoes!

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G olden st e in G al le ry n

ptown Sedona’s Goldenstein Gallery celebrates its 8th anniversary coming November, 2008. Representing 35 – 40 internationally recognized regional and local artists, the gallery offers a wide range of styles, mediums and price points, as well as art furniture, kaleidoscopes, folk art and an outdoor sculpture garden. The sculptures greet visitors in front of the gallery and invite them inside. Bubbly and friendly, owner Linda Goldenstein is a native Arizonan who grew up on the Adobe Ranch, the oldest Anglo dwelling in the Verde Valley. With several generations of family deeply rooted in red rock country, Linda has a strong love of community and wholeheartedly believes in giving something back. She thinks outside the box when it comes to utilizing the gallery’s 2600 feet of colorful, eclectic contemporary space. Locals, visitors, and up to 20 charities each year benefit from the events held there. The gallery presents artists onsite during First Fridays and offers the

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fascinating “Talk Series” that last year featured such speakers as Buddhist philosopher Sherab Khandro (Healing the Heart, Healing the World), Mary Fisher (Art as a Healing Medium) and famed athletes Phil Wharton and Lopez Lomong (On the Road to Beijing). A list of ’08 – ’09 events is available at www.GoldensteinArt.com. Mark your calendars now so you don’t miss these intriguing speakers! Attendees will find ample parking in the tri-level lots at the rear of the gallery. Always fluid, inter-active, and everchanging, Goldenstein Gallery has a huge local following as well as a tourist following of folks that stop in once or twice a year to make those special purchases. Everyone who enters the gallery is either a new or an old friend. The gallery staff is known for developing long-term relationships with artists and collectors alike – offering the complete “art experience.” Goldenstein Gallery is located at 390 North Highway 89-A, uptown Sedona.

Hidden Canyon, Marilyn Bos u Fine

Free to Fly, Sherab Khandro

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& Regional Artists David Devary, A Cowboys Dream

390 North Highway 89A Sedona, Arizona 86336 928.204.1765 www.GoldensteinArt.com

724 James Ratliff Gallery Stairs

723 Lark Art

Second Floor First Floor

725 Lanning Gallery Stairs

726 Turquoise Tortoise

Lark Art Gallery James Ratliff Gallery Lanning Gallery Turquoise Tortoise Gallery

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The HozHo Art Center packs a punch. Small in size, HozHo is deep in art. Lanning Gallery, Turquoise Tortoise Gallery and James Ratliff Gallery are some of the most well established galleries in Sedona. New comer Lark Art Gallery is delightful gallery art that you will simply not find anywhere in the state of Arizona.

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or over twenty-one years, Lanning Gallery has anchored and defined Sedona’s “Gallery District” with its incomparable collection of Classic and Contemporary fine art. “The longevity of our gallery is absolutely attributable to our artists,” says owner Peggy Lanning. “We are fortunate to represent several key artists with national and international reputations whose work is timeless. And we work hard to bring in artists, new ones over time, whose work represents the evolution of the gallery which represents the evolution of art itself.” A keen eye for talent and a commitment to artists whose vision and skills confidently define it is Lanning Gallery’s great strength. New artist, Jonathan Howard, is one of the emerging artists whose work is exciting the gallery’s clients. Drawn to urban settings, Howard creates canvases that compellingly draw from his Surrealist past, his existentialist core and his leanings toward an influence of the Ashcan school.

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BY L I Z B OYK I N

One of the gallery’s mid-career artists is Randall LaGro, who is much celebrated for his subtly complex, often mysterious oil paintings and monotypes. Noticing the slightest detail can change your interpretation of his work as your eye finds veiled images beneath layers of paint; human and animal forms may appear or recede before abstract elements of interwoven texture. “He’s an artist’s artist,” says Lanning. James Gill is a late-career artist and Pop Art icon whose self-imposed exile from the art scene, begun at the height of his popularity and lasting over thirty years, made him a legend. With his recent reemergence, Lanning Gallery is thrilled to bring Gill’s work back to an eager audience. With Gill’s paintings in collections at the Museum of Modern Art, the Whitney Museum of American Art in New York and the Smithsonian American Art Museum in Washington D.C., Lanning Gallery is in good company supporting this renowned artist. www.lanninggallery.com 928-282-6865

“Marilyn Monroe Color Study 2” a/c 54”x 40”

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431 HWY 179 • Hozho Center • Sedona, AZ 86336 • 928.282.6865 • www.lanninggallery.com • mail@lanninggallery.com

James Gill

T urquoi se T o r t o is e G al l e ry

ACCL AI M E D GA LLERY O F NAT I V E A M ERI C A N A RT & J EWELRY n

n the heart of the “Gallery District” stands one of the oldest and most prestigious galleries in Sedona; the Turquoise Tortoise Gallery opened its doors over thirty-six years ago and helped establish Sedona as the arts mecca it has become. “Our gallery and artists grew up together,” notes owner Peggy Lanning. She remembers the first time acclaimed artist, Tony Abeyta ,walked into her gallery over twenty years ago. “He was 17 years old and laid all his work out right on the floor for me to see. I’ve been representing him ever since.” In 2004, when the Smithsonian Institution’s National Museum of the American Indian opened in Washington D.C., it was an Abeyta painting that served as the official illustration of the opening. In June 2008, Abeyta enjoyed a one-man-show at Phoenix’s prestigious Heard Museum. Sculptor Lance Yazzie has been represented at the gallery since he was sixteen and has gone on to win first place

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BY L I Z B OYK I N

in sculpture at the Santa Fe Indian Market, Best of Division at the Heard Museum and many other awards. His work includes not only the traditional forms of his culture but Contemporary pieces with a Modern Art feel. His father, acclaimed sculptor Larry Yazzie, has been represented by the gallery even longer and continues to produce remarkable works that fully honor the earth from which a sculptor’s stone originates. More recent artists to join the gallery’s ranks include Stan Natchez, whose Pop Art mixed media work is often painted directly onto U.S. currency, and Felipe Herdandez, whose Zapotec family in the valleys of Oaxaca weave exquisite rugs using the highest quality all-natural dyes. The gallery is also renowned for its vast collection of hand-made Native American jewelry, many pieces by second- and thirdgeneration jewelers whose families have worked with Turquoise Tortoise Gallery for decades.

TONY ABEYTA

Also Representing: Nocona Burgess David Johns Gregory Lomayesva Joe Maktima Stan Natchez Larry Yazzie

“A Song Echoed” Mixed Media/board 77”h x 53”w

928-282-2262 HozHo Center 431 Hwy 179 Sedona, AZ 86336 www.turqtortsedona.com mail@turqtortsedona.com www. A ZColle c torsGuid e .com

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ruising into Sedona on Highway 179, something catches your eye. On second glance, you spy a pair of 7-foottall giraffes peering down from a balcony. Below them, a javelina and a lion are watching you through the rail – you have arrived at Lark Art. A relative newcomer to the Sedona gallery scene, Lark Art opened its doors in February of 2008. Its name plays on words as “lark” means “to frolic” and by dropping the ‘l’ you have the word “ark.” The gallery was designed around an ark that “floats” on a blue floor with inlaid fish tiles. The ark’s 21-foot span displays a plethora of creatures imaginatively interpreted in wood, clay and paint. Your first impression upon entering this gallery includes color, openness and warmth. Gradually, you smile as you absorb the whimsical, droll attitudes of the animals peering back at you. This is definitely a different type of gallery!

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by Bever ly Lehnhardt

The folks at Lark Art search coast to coast for art that is engaging and fun. They provide art and gifts in all price ranges so everyone can afford a bit of whimsy, some invigorating color, or a “creature with attitude” to lighten up and loosen up their home or office. Everything in the gallery is an original creation from the artists’ own hands. Lark Art often commissions pieces for the gallery as exemplified by the 6’ by 11’ tenpanel painting adorning one wall. Fitting together like a puzzle, it depicts an ark containing over 100 different animals. In addition to paintings and threedimensional artwork, Lark Art also carries hand-crafted furniture. Colorful and eclectic, it fits perfectly into this unique, interactive, heart-warming gallery. Look for the antique red fire truck and stop to see the Lark Art menagerie at HozHo Center in the heart of Sedona’s Gallery Row and online at www.twolarks.com.

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J ames Ra t l iff G alle ry n

orty years ago, James Ratliff opened his first gallery in Scottsdale, Arizona, with a “…deep interest in making art a lifelong profession. I want(ed) to create a stable of artists that would create unique, quality, one-of-a-kind pieces.” Never wavering from that initial goal, James moved to Sedona’s “Gallery District” in 1983 and has become synonymous with ‘enduring professionalism.’ Now, after building trusting relationships with many collectors, he is dealing with the grown children of individuals who bought art from him years ago. Not only has James built lasting relationships with collectors, he has established long-term associations with many artists. He is known for recognizing young talent and helping jump-start successful careers. David K. John, a Navajo artist renowned for his colorful paintings, masks, and sculptures, began showing at JRG in 1990 at the age of 17.

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Cary Henrie studied at the Pratt Institute in New York but was eventually drawn back to his native Utah to indulge his passion for landscapes. Rather than selecting one fixed vantage point for his paintings, Henrie prefers to “…make sure the eye is continually interested…” His work is abstract enough that nearly everyone can apply it to his own experience, making each piece seem very personal. Henrie’s work first appeared in JRG nearly a decade ago. JRG has also been successful in placing a number of monumental sculptures by artist James N. Muir. The work of these and many other talented artists can currently be viewed at the James Ratliff Gallery located in the HozHo Center, 431 Hwy 179, in Sedona. For more information please call the James Ratliff Gallery at 928-282-1404 or visit our website at www.jamesratliffgallery.com.

James Ratliff G a l l e ry

JAC KE PH A RT

R A N DY O’BRIE N

“Buddha’s Blush” mixed media 48x45

“Green Pot” ceramic 18x8

MY R N A H A R R IS ON

“Dripping Springs Mountains I” acrylic 26x48

HozHo Center • 431 Hwy 179, Sedona, Arizona 928-282-1404 • www.jamesratliffgallery.com www. A ZColle c torsGuid e .com

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Tl a qu e pa q ue G a l l e r i e s A102-03 Geoffrey Roth Ltd. A106 Ninibah A107 Environmental Realists A109 Eclectic Image Gallery A114 Nectar A116 Feliz Navidad A117 Gifted Hands Gallery A119 The Inner Eye Gallery A120 Isadora Handweaving Gallery A201 Mountain Trails Galleries A205 Southwest Images A206 El Picaflor A207 TC Framing & Gallery A208 Red Canyon Collections A209 Sedona Music Boxes & More A210 Diva Sedona B102 B103 B105 B106 B107

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Hydeout Estaban’s The Storyteller Dorine Daniels Eisenart Innovations

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B201 Bonni’s Boutique B202 Azadi Fine Arts B120 Gold Door Gallery B121 Point of Sedona Gallery B122 Biada’s B123 Le Fuente Gallery B124 Renee Taylor Gallery B125 Kuivato Glass Gallery C101 Cocopah C102 Feather on the Mesa C104 Cosas Bonitas de Mexico C105 Calling All Angels C106 Red Rock Candle & Gift C107 Bear Cloud Gallery C203 Panara C205 Verdigris Gallery E101 El Prado Gallery D101 Cucina Sedona D102 Andrea Smith Gallery D103 Navarro Gallery

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Nava rro Galle ry The most e xciting ga l l ery in S edona

ne of the most exciting features of Navarro Gallery is the Sculpture Garden leading to the entrance of the gallery. A bronze eagle, a fountain of doves, horses, grizzly bears, an elk, and more all grace the garden and capture the admiration of Tlaquepaque’s many visitors. Navarro Gallery and Outdoor Sculpture Garden feature over 70 bronze sculptures by national award-winning artist Chris Navarro. Navarro has been sculpting professionally since 1986 and is best known for his large monumental sculptures in Western, Native American, wildlife and inspirational themes. His reflections in bronze have given him a national following and his limited editions are coveted by collectors across the country. The gallery also represents over 20 internationally collected artists. All n

by B . L EH N H A R DT

“A Mother’s Love” 31x18x16

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are recognized for their expertise and excellence in their media: oil landscapes by Stephen Day and Darrell Thomas; watercolors by Sarah Rogers, Jonathan Frank and Eileen Fjerstad; pastels by Donna Howell Sickles; wood sculpture by Chester Armstrong; segmented wood by Ron Mulligan; paper casting by Carl Bandy; and custom jewelry by Cawin and others. Now in its eighth year, “Navarro Gallery’s desire is to exceed our collectors’ expectations and to change the world through art, because the most worthwhile thing in art is to see what’s in someone else’s heart.” This artist-owned gallery offers a warm invitation to all visitors: “Experience the beauty of art and feel your spirit soar.” We are conveniently located in Tlaquepaque under the Oak Creek Brewery and Grill and in front of Los Abrigados Resort.

“Mustang Pride” Chris Navarro

“I’ll Take Them All” Donna Howell-Sickeles

“Canyon’s Treasury” Serge Trukhan

Navarro Gallery

Tlaquepaque, Suite D 103, 336 Hwy 179, Sedona AZ 86336 www.navarrogallerysedona.com (928) 204-1144

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K ui va to Gl as s G al le ry O ne of the most visual ly e xciting gal l eries in the country n Bever ly Lehnhardt

n 1973, Will Hardwick and Deanne Sabeck started “Kuivato” which means “greet the morning sun” in the Hopi language. Kuivato Glass Gallery was one of the first three galleries to open in Tlaquepaque Arts & Crafts Village and has since been relocated from its original space to Patio del Norte. With twice as much space, the gallery now exhibits the work of over 100 world-renowned glass artists. Glass is an ancient art form dating back some 5,000 years and as recently as several centuries ago, owning glass was the privilege of wealth and royalty. The studio glass movement in the late 20th century stimulated a fresh look at this ancient art. Though not yet four decades old, the movement has already gifted us with a stunning array of artistic creativity. Its role as a medium for art is now firmly and fully established and, for the past three years, studio glass has been the most collected art in the country.

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For over thirty years, Kuivato has represented some of the most prominent glass artists in America. The gallery currently exhibits the work of an impressive roster of names, presenting a wide variety of artworks including art glass, jewelry, and light sculptures by owner Deanne Sabeck. Kuivato offers both the seasoned and beginning collector the chance to find something spectacular. From Sabeck’s graceful light sculptures to the delicately detailed jewelry of Matt Bezak from Hiroshi Yamano’s unique “Fish Catchers” to Marlene Rose’s exquisite “Cast Buddhas”, this gallery exhibits some of the most visually exciting artworks in the country. Kuivato participates in the Sedona Gallery Association’s First Friday Art Walk and features different artists each month. You can visit Kuivato Glass Gallery in Patio del Norte, Tlaquepaque, or via www.kuivato.com

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tlaqupaque village suite A117 | 336 highway 179 | sedona, az 86336 | 928.282.4822 giftedhandsgallery@mac.com | www.giftedhandssedona.com

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Mount ain Trails Galleries Featured artists K. Rowe, S. KlieweR, V. Payne and d. payne

By Beverly Lehnhardt

oted Western sculptor and artist Vic Payne, and patron of the arts Bill Widger recently purchased Mountain Trails Gallery in Tlaquepaque. The gallery is excited to offer Sedona area residents and visitors the Payne family western art legacy, the work of three generations all in one location: Ken Payne, his son Vic and his grandson Dustin. While visiting our gallery, continue your relationship with renowned wildlife sculptor Ken Rowe and award winning resident sculptor Susan Kliewer. Ken Payne has pioneered the idea of sculpting in public and between that and his nationally televised program, “Sculpting with Ken Payne”; he has been in the forefront of the bronze movement in modern times. His heroic bronze sculptures depict the action, danger, and humor of many frontier situations bringing to life the exciting memories of the Old West. Vic Payne is nationally and internationally renowned for his imaginative and innovative chronicling of our nation’s history. His limited edition bronze sculptures pay homage to the Western frontier. Professionally sculpting for nearly 30 years, Vic has been commissioned to sculpt numerous bronze monuments for various private collectors, corporations and municipalities; six of those are featured at Cabela’s, the World’s Foremost Outfitter®. Dustin Payne, although only 26 years old, is already 16 years into his sculpting career—artistic talent flows naturally and

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Ken Rowe “Blue Horizons”, Bronze Ed.35

abundantly in his veins. He has produced many limited edition bronzes and is always searching for new ideas; he enjoys discussing potential subjects with his dad who is also his role model, mentor and best friend. Dustin recently was invited to become a member of the Western Artists of America and was featured in Southwest Art’s annual “Top 21 under 31” in September of 2002. You can visit Mountain Trails Gallery upstairs in Suite A-201 in Tlaquepaque Arts & Crafts Village, Sedona, or via www.mountaintrails.com.

Dustin Payne “Spring of the Divide”, Bronze Ed.35

Susan Kliewer “Heart Song”, Bronze Ed.45

Vic Payne “September Morning”, Bronze Ed.50

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G eof frey Ro t h G alle ry n

Spessartite pendant in 18K white and yellow gold with diamonds by Geoffrey Roth

eoffrey Roth Gallery opened its doors in Tlaquepaque in 1974. Then, it was a small space, selling only jewelry, belts, wallets, and handbags. Steadily, it matured, expanded its space and its repertoire, and developed an illustrious reputation – much like its owner, Geoffrey Roth. The gallery now represents a variety of artists including Alex Sepkus, Eddie Sakamoto, and Michael Good, as well as bronze artists Kim Kori and Loet Vanderveen. Kori takes inspiration from nature and combines it with her playful imagination to create joyful bronze sculptures. Vanderveen’s love of all things wild created a passion for sculpting animals in their untamed beauty; his breathtaking, velvety patinas give his sculptures a beautiful, rich finish. The heart of the gallery, however, is Geoffrey’s unique line of jewelry and signature wristwatches that are designed, machined, created, assembled and tested in his Sedona studio. His lifelong love for precision machinery and engineering

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drove him to master the art of fine watch making and culminated in the creation of Sedona Watch Works, one of only a handful of watch making companies in the entire United States. Geoffrey crafts solid, sturdy watches that are simultaneously beautiful and long-lasting. He uses only the best materials and the finest Swiss mechanical movements to guarantee years of reliable service. His timepieces are contemporary, clean, solid, and “…from the heart.” Geoffrey’s jewelry is just as unique. He carves the original, casts each piece using the lost wax process, and then sets or inlays fine gemstones as desired. He uses stones cut by award-winning stonecutter Stephen Avery and fuses artistry and precision engineering to create exquisite pieces. The gallery offers a diverse collection of distinctive jewelry and artwork suitable for personal acquisition or gift-giving. Geoffrey Roth Gallery is located under the Bell Tower in Tlaquepaque Arts & Crafts Village, Sedona.

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Ec lec t ic Im age Fin e Ar t Ga l l e ry n

clectic Image Fine Art Gallery offers a collection of photographs from around the world by Master Photographers Elaine and Duane Morgan. They are known for their ability to capture light and create an effect that makes you feel as if the image is changing right before your eyes, as the light in your home changes throughout the day. A visit to this gallery will take you on a trip around the world to view some of the most beautiful scenes imaginable: exquisite color images of Sedona in all her seasonal glory, Red Rock Crossing, the majestic Grand Canyon, West Fork in bloom, Oak Creek, and many more. Their Black and White collection is just as spectacular while the compilation of Fall Images shows just how glorious a desert autumn can be. Elaine and Duane have captured Mother Nature’s most magnificent fall wardrobe – and collectors worldwide enjoy these scenes every day.

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by Bever ly Lehnhardt

After photographing many of their images in reflecting pools, Elaine and Duane decided to use that dreamy, soft look as a base to blend into a painting. They first select an image and apply a softening technique, then use a combination of brush strokes and brush sizes to paint on a variety of soft washes. The image is ultimately printed onto a fine art canvas which is then cured and mounted. Using brushes, they apply a hand texture to the canvas and, a day or two later, the handbrushed final finish is applied. Each canvas in the “Reflection Series” is truly a unique work of art. Beautiful Colorado River photos, amazing Slot Canyons, unbelievably gorgeous Island Images and many more photographic collections are available at Eclectic Image Fine Art Gallery of Sedona in Tlaquepaque. Or you can visit via www.eclecticimage.com. Your personal sunset awaits you at Eclectic Image of Sedona!

Eclectic Image Fine Art Gallery

Suite A-109 “Tlaquepaque Village” located in Sedona, Arizona 86336 Phone (928) 203-4333 • eclecticimage.com www. A ZColle c torsGuid e .com

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Pr e sc o t t

Prescott

Yavapai College Art Gallery 901 Mountain Artists Gallery 902 Prescott Fine Arts Assoc. 903 Fast Frame 904 Mountain Spirit Co-op 905 MountainHigh Five Gallery 906 Huckeba Art Gallery 907 The Frame & I 908 The Art Store by 909 The Frame & I Grayleaf Gallery 910 P.K. Bootmaker 911 Ian Russell Gallery 912 Van Gogh’s Ear Gallery 913 Arts Prescott Gallery 914

904

Sheldon

902

905

908 907 906 909 Court 910 Parking 914 House 911 912 913

Gurley

Alarcon

Willis

Marina

Cortez

903 Montezuma

Granite

City Parking

McCormick

NORTH

Yavapai College 901 Art Gallery

Goodwin

City Parking

Jer om e 830 831 832 833 834 835 836

842 843 839

837-838

Jerome 320

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840

American Landscape Gallery 837 Angle Inn Gallery 835 Dreamscape Gallery 837 Flywheel Gallery 842 Gallery 527 840 Good Art Gallery 843 Jerome Artists 836 Cooperative Gallery Jerome Gallery 830 Lola 834 Nellie Bly II, Inc. 831 Pura Vida Gallery 839 Old Mingus Art 841 (the old Jerome High School) Anderson/Mandette Hemleben Gallery Raku Gallery 832 Spirit Art Gallery 833

841

No rther n This section of Arizona Collector’s Guide encompasses the northern Arizona communities of Flagstaff, Jerome and Prescott. As the alpine home to Northern Arizona University, Lowell Observatory and Route 66, Flagstaff is one of Arizona’s favorite highcountry destinations for both tourists and locals alike. Situated at the base of the San Francisco Peaks and surrounded by pine forests, Flagstaff offers its visitors and residents four seasons of terrific snow skiing, hiking, mountain biking, golf and other outdoor activities. See www.flagguide.com Prescott was once the capital of Arizona. In March 2006 the National Trust for Historic Preservation named Prescott one of its “Dozen Distinctive Destinations”

For more information please visit www.prescott.com www.azjerome.com

appealing to tourists’ taste for historic places. Consistently named one of the nation’s “Best Places to Retire,” Prescott is “Everybody’s Hometown”. Visit www.prescott.com. Once a thriving mining camp starting in the late-1880s, Jerome is now a bustling tourist magnet and artistic community with a population of about 450. It includes a modicum of artists, craft people, musicians, writers, hermits, bed and breakfast owners, museum caretakers, gift shop proprietors. See www.azjerome.com www. A ZColle c torsGuid e .com

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P r e s c o t t

City In sig ht : P r e s c o t t

estled in the mountains 90 miles northeast of Phoenix, Prescott is home to a multitude of artists who draw inspiration from their wonderful surroundings, the arts departments of two colleges, the venues of three museums and most importantly each other. Emerging from this collaborative spirit several influential arts organizations have formed. The Prescott Area Arts and Humanities

Council, Prescott Fine Arts Association, Mountain Artists Guild, Tsunami on the Square, Arizona Classic Theatre, Prescott Symphony Guild, Prescott Downtown Mural Project and last but not least, Prescott’s Art! The 4th Dimension Art Walk Program.

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Prescott’s Art! The 4th Dimension was established in February of 2004 by a dedicated group of gallery owners and artists who believed in the dream of a monthly art walk program for the City of Prescott. The 4-Heads, as they are affectionately referred to, took the 4th Dimension name from Einstein’s theory of relativity. A step beyond the 2-D and 3-D aspects of painting and sculpture, the 4th Dimension is where time and space coexist thus allowing for the phenomenon of motion. There is not a more appropriate name for the movers and the shakers who continue to keep the dream a reality. Beginning at “5:00 pm-ish” relative time on the 4th Friday of every month, Prescott’s 4th Dimension consortium of art galleries and restaurants keep their doors open for you and your friends to journey into Prescott’s fabulous mile high in the pines art scene: • Fine arts and crafts • Live music • Local eateries And the adventure continues through the weekend during regular gallery and restaurant business hours. We are pleased to have a feature in The Arizona Collector’s Guide and to provide within its pages a sampling of the art and artists you may come across on your next 4th Friday Art Walk adventure in Prescott, Arizona. For a map with gallery, restaurant listings and special events visit www.ArtThe4th.com

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VAN GOGH’S EAR GALLERY, the brainchild of thirteen local artists, opened its doors in 2003. Believing Prescott to be the perfect place for a large, high quality gallery, the owners applied their diverse talents and hard to renovate 3500 square feet in one of Prescott’s oldest buildO G H’S E Awork R VA N G O G H ’ S EA R ings. This award-winning effort resulted in a gallery of distinction, elegance, creativity innovation that displays the work of over 70 Fine and Art Gallery ma 156 South Montezuma of the most prestigious artists around Arizona and the nation. 6303 Prescott, Arizona 86303

928.776.1080

vgegallery.com

O G H’S

E AR

VA N

G O G H ’ S

EA R

Fine Art Gallery

156 South Montezuma Prescott, Arizona 86303 928.776.1080

6303

vgegallery.com

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G O G H ’ S

EA R

Fine Art Gallery 156 South Montezuma Prescott, Arizona 86303 928.776.1080

6303

vgegallery.com

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VA N

G OGH’S

Fine Art Gallery 156 South Montezuma Prescott, Arizona 86303

EAR

H eat her Johnson “Fair Trade” limited edition bronze

156B South Montezuma St., Prescott, Arizona 86303 (928) 776-1080 • www.vgegallery.com 10:00 AM to 6:00 PM daily

Adam Homan “Iron Horse” “The Outlaw” welded and forged steel

David McDonald ”Shield Mandalas” ceramic pottery

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Dale O’Dell ”The Path to Enlightenment” Photo/Digital, Archival Pigment print, Limited-Edition

Dan McCabe “Bones Brigade” Bronze, Steel

VA N n

G OGH’S

A r i zo na Co l l e c to r ’s G u ide 2 008 -2 009 Fine Art Gallery 156 South Montezuma Prescott, Arizona 86303

EAR

Marna Schindler “Desert in Bloom” 18x24”, acrylic on canvas

Bandhu Scott Dunham Windswept Tree of Life Menorah in Cobalt

Fredric Shore Twisted Juniper, Grand Canyon

156B South Montezuma St., Prescott, Arizona 86303 (928) 776-1080 • www.vgegallery.com 10:00 AM to 6:00 PM daily

Joanne Frerking “Lazy Afternoon” mixed media

Mark & Cody Carter The Shoemakers Fine Leather

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G OGH’S

A r i zo na Co l l e c to r ’s G u ide 2 008 -2 009 Fine Art Gallery 156 South Montezuma Prescott, Arizona 86303

EAR

Peggotty Christensen “Hand painted tunic, silk/cotton/metal”

Bill Ooms “Tiger by the Tail”

Linda Blumel

156B South Montezuma St., Prescott, Arizona 86303 (928) 776-1080 • www.vgegallery.com 10:00 AM to 6:00 PM daily

Charles m. Huckeba

“Chumash Polychrome” Acrylic/Canvas 40” x 30”

a n c i e n t a s c o n t e m p o r a ry 330

Petroglyph & Abstract Paintings Tel: 602-622-2097 www.Huckeba-Art-Quest.com

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Huckeba Art Gallery “Where Ancient Meets Abstract”

227 West Gurley Street Prescott, Arizona 86301-3611 Telephone (928) 445-3848 “Good Morning” Bob Coonts 16”x12”

Tricia Anderson turquoise/coral 24” length

“Hare with Bee Skip” Janie Anderson 26”x11”

ONLINE

T H E ONLY A RI Z ON A A RT GUIDE y o u ’ l l e v e r n e e d

Insert your email address here for the monthly e-Newsletter!

Visit us on the web at azcollectorsguide.com for the latest events, art, and articles

P.O. Box 41011 Tucson, AZ 85717 n 520.982.6200 n azcollectorsguide.com

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J e r o m e

City In sig ht : J e r o m e F eaturing J erome A rt Walk

hat do you get when you mix a community full of artisans and 30 outstanding art galleries into a former ghost town? You get Jerome’s Art Walk, an event Phoenix Magazine named #1 on the list of best things to do in Arizona. Jerome’s Art Walk is like a town-wide fiesta. The entire community’s involvement provides an electric evening that will tickle your artistic side. “There is such a party feel in town during Art Walk,” says Donna Chesler, owner of Gallery 527. “This is one of the only nights that everything is open in Jerome. Most galleries plan something special for the evening, like food, wine, or live music.” Joanna Pregon, owner of Dreamscape Gallery, agrees. “It is exciting to be part such a grass-roots event. Artists directly participate and there is so much energy and excitement.” You can easily explore the galleries, shops, and restaurants on foot. If you prefer

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by A . Steeby

not to walk, a free shuttle bus scurries from gallery to gallery. The shuttle covers most of town including the old Jerome High School, which is home to over 20 artist studios. “Everywhere you look, you will see something beautiful,” says Donna. In its original incarnation, Jerome was a copper mining town. When the mine closed in the 1950s, the town of 15,000 residents quickly dissolved into a ghost town. In the late 1960s, hippies and artists discovered Jerome, starting the town’s rebirth as a thriving artist colony. Today, 450 people make their home in the hamlet, which is 20 miles southwest of Sedona. “Jerome is such a unique place,” says Joanna. “People come from all over the globe to be a part of this destination for art.” The Jerome Art Walk takes place on the first Saturday of each month from 5:00 to 8:00pm. For more information, visit www.jeromeartwalk.com.

www. A ZColle c torsGuid e .com

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Larry Hulst

Rock & Roll Photography

527 Main Street Jerome, AZ 86331 p 928 649 2277 info@gallery527jerome.com www.gallery527jerome.com Open daily 11 a.m. to 5 p.m.

Mary Phoenix Libby MacKinney

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Acrylic

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Ceramics

Marian Ward

Fine Silver & Peridot

Gallery 527 in Historic Jerome is home to some of Northern Arizonaâ&#x20AC;&#x2122;s finest artists showing their work in a beautifully restored 1OO-year-old building. Lorraine Fexas

Ninfa

Fused Glass

Oil T&J Heffernan

Copper Woven Mirror

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How to use the Gallery Listings & Artist Listings: If you’re looking for an artist, go to Artist Listing Index, on pages 353-365. (Last names are listed first.) Once you find the person you’re looking for, look for the index number just to the right of their name. Reference that index number to the Gallery Listings, on pages 346-352. Galleries are in alphabetical order with their phone number. If that gallery is an ADVERTISER, their name, index number, phone number are listed in bold. You will also see the PAGE NUMBER where you can find that galleries advertisment.

n n n n n n

EXAMPLE: Look up Hedden, Randy in the Artist Listing It will read “Hedden, Randy 200” His ID# is 200 Go to the Gallery Listings, and look up ID# 200 and you will see: Heddenart Gallery, located on pages 154-157. Enjoy Randy Hedden’s artwork on pages 154-157, and the Gallery’s contact information to get more information on your artist of interest.

ID#

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22

Name

Ph o n e

.anti_space 602-256-2684 @Central Gallery 602-256-3521 515 Arts 602-256-0150 55 Main Gallery 520-432-4694 (p 30) A New Point of View 480-836-7137 A Studio 480-970-9539 Actors Theatre of Phoenix 602-253-6701 Adelante @ El Pedregal 480-488-1285 Alan Hochman Sculpture 480-595-8896 Alliance for Audience 602-971-2223 America West Primitive & Modern Art 520-623-4091 American Galleries 928-204-1096 American Landscape Gallery 928-639-3039 Ancient Arts Gallery 480-874-1007 Anderson/Mandette 928-634-3438 (p 344) Andora Gallery 480-595-1039 Andrea Smith Galleries 928-203-9002 Andrew Paquette Studio 623-582-0966 Ann Turpin Thayer, LLC 480-598-9090 (p 234) Apparatus Iron 520-623-6732 Arcana Gallery 480-481-6018 Arizona Broadway Theatre 623-776-8400

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ID #

23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43

Name

Phon e

Arizona Commission on the Arts 602-229-8226 Arizona Earthworks Designs 520-907-2047 Arizona Friends of Chamber Music 520-577-3769 Arizona Handmade Gallery 928-779-3790 Arizona Historical Society-Main Building 520-628-5774 Arizona Mining and Mineral Museum 602-255-3795 Arizona Opera Company-Tucson 520-293-4336 Arizona Pride Gallery 520-432-6727 Arizona Repertory Theater 520-621-7008 Arizona State Museum 520-621-6302 Arizona Testing Laboratories 602-256-6333 Arizona Theatre Company - Tucson 520-884-8210 Arlene’s 520-457-3833 (p 20) Art & Soul 602-271-4750 Art Awakenings 602-340-1675 Art by God 520-617-0193 Art Company, The 520-623-3373 Art Gallery 520-624-7099 (p 104) Art Mart Gallery 928-203-4576 Art Matters 602-252-2535 Art on Boston 480-917-1112 (p 134)

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ID#

Name

Pho ne

44 Artemida Fine Art Gallery 480-874-1550 45 Artistic Expressions by Peggy 480-946-4010 46 Arts Eye 520-325-0260 47 Arts Partnership Gallery 520-624-9977 48 Arts Prescott Gallery 928-776-7717 (p 333) 49 Artstagesound 602-327-2261 50 ASU Art Museum 480-965-2787 51 ASU Mercado Galleria 480-965-3046 52 Atalanta Studio 480-225-9609 53 Azadi - Sedona 928-203-0400 54 Bahti Indian Arts 520-577-0290 55 Ballet Arizona 602-381-1096 56 Barbara Rudolph Fine Art 602-765-8268 57 Be Dazzeled Gallery 602-912-5600 58 Bearcloud Gallery 520-282-4940 59 Bela R. Fidel Studio 480-595-6685 60 Belleza Fine Art Gallery 520-432-5877 (p 26) 61 Bentley Gallery 480-946-6060 62 Bentley Projects 602-340-9200 63 Beth Zink Studio 480-538-5428 (p 262) 64 Big Horn Galleries 520-398-9209 65 Bill Shaddix Studio 602-482-5981 66 Bisbee Bowls 520-432-8041 67 Bisbee Framing & Fine Art 520-432-8027

ID#

Name

Ph o n e

68 Bisbee Repertory Theatre 520-432-3786 69 Blue Coyote Gallery 480-488-2334 70 Blue Lotus Studio 602-696-6023 71 Bonner David Galleries 480-941-8500 (p 201) 72 Brad Konick Sculpture 602-460-2225 73 Brian Schader Studio 480-837-6440 (p 268, 271) 74 Bruce Marion FIne Art 480-855-1315 75 Brynn Carroll Fine Art 800-980-1088 76 C.O.L.A.B. 623-221-6729 77 Cabat Studios 520-622-6362 78 Calvin Charles Gallery 480-421-1818 (p 204) 79 Canyon Lifestyles Furniture & Accessories 480-488-4045 80 Carol Curry Studio & Gallery 520-398-3304 81 Carol Ruff Franza Studio 480-209-9703 82 Carrie Quade Squlptures 505-474-7333 (p 232) 83 Casa de Artistas 480-423-1777 84 Casey Jones/ Studio Space 602-427-7829 85 Center For Creative Photography 520-621-7968 86 Cervini Hass Gallery 480-429-6116 87 Charles H. Pabst Galleries 888-649-7003 (p 192) 88 Clay Hands Pottery & Studio 520-398-2885 89 Cloud Dancer 520-398-2546 90 Cobalt Fine Arts Gallery 520-398-1200 (p 60) 91 Cobre Valley Center of the Arts 928-425-0884 92 Colors by Wilde Meyer 480-947-1489 93 Conrad Wilde Gallery 520-622-8997 94 Cooper Downs Gallery 480-874-9000 95 Copper Shop, LLC 520-432-4455 (p 40) 96 Covington Fine Arts Gallery Inc 520-298-7878 (p 86) 97 Coyote Crossing Studio 480-595-1106 98 Craig Bergsgaard Bronze Sculpture 720-312-4498 (p 212) 99 Craig Fine Arts 520-544-9466 100 Creative Spirit Gallery 520-792-9910

ID #

Name

Phon e

ID#

Name

Pho ne

101 Creative Turtle Studio 623-322-3067 102 Creekside Galleries of Park City 480-421-1888 103 Crimson Alley Art 928-282-1939 104 Curt Brill 520-888-1775 105 D. Lyon Art Gallery 480-595-9569 (p 263) 106 Dahlia’s 520-490-3445 (p 115) 107 Damian Koorey Designs 520-398-8360 108 Dave Venell Studios 602-448-3354 (p 126) 109 David Mendoza Photography 928-649-3660 110 Davis Dominguez Gallery 520-629-9759 111 DeGrazia Gallery in the Sun 520-299-9191 (p 108) 112 Desert Artisans Gallery 520-722-4412 (p 80-83)

124 Eden West Studio/ Sculpture Garden 480-595-8616 125 Eeze Fine Art 480-947-4014 126 Eisenart Innovations 928-204-6443 127 El Prado by the Creek 928-282-7390 (p 308) 128 Elee Oak 520-620-0558 129 Elizabeth Cherry Contemporary Art 520-903-0577 130 Elliot’s Diamonds & Designs 480-947-9934 131 Emelina 928-899-6205 132 Enchanted Earthworks 520-327-7007 133 Envisions: By Taube 602-463-1982 (p 210) 134 Eric Firestone Gallery 520-577-7711 135 Erickson Studio Gallery 928-203-9474 136 es Posible Galleries 480-488-3770 137 Esprit Decor Gallery 602-248-0700 138 Esses 480-945-8153 139 Estate Gallery, The 520-249-0332 140 Etherton Gallery 520-624-7370 141 Exposed Studio & Gallery 602-248-8030 142 Exposures International 800-526-7668 (p IFC, 1, 282) 143 Expressions in Bronze 480-424-7412 144 Eye Lounge 602-430-1490 145 Eye On the Mountain Art Gallery 928-308-0319 146 Fala Collections LLC 520-628-4183 147 Falling Rock Gallery 928-204-1200 148 Fatali Gallery 928-204-0551 Featured at Hemleben Studio, Pg. 343 149 Faust Gallery 480-946-6345 150 Feminine Mystique Art Gallery 113 Desert Dance Theatre 520-398-0473 (p 52) 480-962-4584 151 Fiber Shop, The 928-445-2185 114 Desert Legacy Galleries 152 Figarelli Fine Art/Contemporary 520-881-7787 115 Desert Son 520-299-0818 (p 106) 480-609-7077 (p 178) 153 Finders Keepers Antiques 116 Diane F. Barbee Studios & Collectibles 520-432-2900 623-680-2881 (p 120) 154 Fire Ranch Glass Works 117 Dinnerware Contemporary 520-818-2239 Art Gallery 520-792-4503 155 Firehouse, The 602-300-7575 118 Dragonfly Daze 623-878-0251 156 Flagstaff Piano Gallery 119 Drawing Studio Gallery 928-526-2960 520-620-0947 120 Dreamscape Gallery 866-658-7124 157 Flywheel Gallery 928-649-0112 158 Fort Huachuca Historical Museum 121 Duley-Jones Gallery 520-533-5763 480-945-8475 (p 168) 159 Fountain Hills Artists Gallery 122 Echoes of Asia 480-922-0438 480-836-9919 (p 272) 123 Eclectic Image Gallery 160 Framed to Perfection 928-203-4333 (p 316) @ El Mercado 520-571-1963 www. A ZColle c torsGuid e .com

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ID#

Name

Ph o n e

ID #

Name

Phon e

186 Gila Indian Center 480-963-3981 187 Glass Galleria Plus 928-541-1171 188 Golden Lotus Gallery, The 928-282-5269 (p 290) 189 Goldenstein Gallery 928-204-1765 (p 288) 190 Good Art Gallery 928-649-2948 191 Gourd Masque 520-471-0183 192 Graham Bell Gallery 520-398-9111 193 Green River Studios 480-419-4200 194 Grey Dog Trading Co. 520-881-6888 195 Hal Empie Studio & Gallery 520-398-2811 196 Hal Stewart Sculptures 480-659-2321 197 Hamari Fine Art & Furnishings 623-570-2791 198 HC West Gallery 602-271-4242 199 Heard Museum, The 602-251-0218 200 Heddenart Gallery 480-272-7180 (p 154-157) 201 Heidi Rosner Fine Art 480-657-6392 (p 214) 202 Hemleben Fine Art Gallery & Studio 928-451-4853 (p342) 203 Herberger Theater Center 602-254-7399 204 Hohn Gallery of Fine Arts LTD 480-945-2995 Featured at Tang Gallery, Pg. 41 205 Holgas Gallery 602-475-8519 206 Holly Arthur 602-595-4700 (p 222) 207 Hoo-hoogam Ki Museum 172 Gallery 623 602-332-1849 480-874-8190 173 Gallery 8 623-930-1254 208 Huachuca Art Association 174 Gallery Andrea 520-459-7733 480-481-2530 (p 164) 209 Huckeba Art Gallery 175 Gallery at 6th & 6th, The 928-445-3848 (p 330) 520-903-0650 210 Hugh Cabot 520-398-2721 176 Gallery Marsiglia 602-573-3933 211 I Dye for Art 602-284-4388 177 Gallery of Dreams 212 Ian Russell Gallery of Fine Art 520-720-2649 (p 14-19) 928-445-7009 (p 332) 178 Gallery of Modern Masters 213 Icehouse, The 602-543-2787 928-282-3313 214 Illusions Gallery 179 Gallery Russia 480-596-9533 520-296-5752 (p 84, 368, IBC) 180 Gallery West Fine Art 215 Isadora Handweaving Gallery 520-529-7002 (p 90) 928-282-6232 (p 310) 181 Garfield Galleria 602-349-3049 216 It’s a Blast Gallery 520-327-7879 182 Gebert Gallery 217 J Foster Art 480-657-3808 480-429-0711 (p 198) 218 James Darum & Co. at 183 Geoffrey Roth Ltd. Old Pueblo West 928-282-1900 928-282-7756 (p 314) 219 James McGulpin Art 480-970-0367 184 Geraniums Antiques & Interiors 220 James Ratliff Gallery 520-320-0099 928-282-1404 (p 300) 185 Gifted Hands Gallery 928-282-4822 (p 311) 161 French Designer Jeweler and Gallery 480-994-4717 162 g2 Gallery 480-429-7729 163 Galleria Bellas Artes 480-595-1123 164 Galleria de Colores 520-360-1664 165 Galleria la Sirena 520-319-1262 166 Galleria Tubac 520-398-9088 (p 72) 167 Gallerie Elan 480-488-0035 168 Gallery 1 520-836-5742 169 Gallery 219 520-398-0100 170 Gallery 360 480-473-8120 171 Gallery 527 928-649-2277 (p 338)

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ID#

Name

Pho ne

221 Jane Hamilton Fine Art 520-529-4886 222 Janne Matter Fine Art 602-864-0293 223 Japanique Gallery 480-675-0833 224 Javadog Gallery 928-634-5217 (p 281) 225 Jeanlouis photography studio & gallery 480-948-9020 226 Jean-Louis Photography Studio and Gallery 480-948-9020 227 Jeanne Bonine Stuido 480-585-1985 (p 266) 228 Jerome Artists Cooperative Gallery 928-639-4276 229 Jerome Gallery 928-634-7033 230 Jill Jones Photography 602-331-0232 231 Jim Prindiville Studio 480-575-1525 (p 265) 232 Joan Cawley Gallery 480-947-3548 233 Joanie Anderson Studio 602-616-3555 (p 267) 234 Jody’s Framing Gallery 520-323-0682 235 Joe Wilcox Fine Arts 928-282-2548 236 John C. Hill Antique Indian Art 480-946-2910 (p 186) 237 John Yaeger Gallery 480-970-8788 238 Jordan Road Gallery 928-282-5690 239 Jordre Studio 602-254-6303 240 Joseph Gross Gallery 520-626-4215 241 Jossy Lownes Studio 480-585-7042 242 Joyce White African Jewelry 602-304-1040 243 JR Eason Bronze 406-793-0888 (p 220) 244 Judy Paxton Bruce Mixed Media Art 480-437-9995 245 Kaleidoscopes 480-515-6265 246 Karen & Mark Hemleben 928-451-4853 (p 342) 247 Karen Leeds 602-321-0219 (p 208) 248 Karin Newby Gallery 520-398-9662 (p 66) 249 Kate Drew-Wilkinson Designs 520-432-7818 (p 34) 250 Kenya Kasuals 480-268-9200 (p 239) 251 Kerr Cultural Center 480-596-2660 252 Keskinis Gallery 480-575-9426 253 King Galleries Of Scottsdale 480-481-0187 254 Kinion Fine Art 928-203-0234

ID#

Name

Ph o n e

255 Kinkade of Northern Arizona 928-776-8710 256 Kitchenette, The 602-403-9366 257 Kuivato Glass Gallery 928-282-1212 (p 306) 258 La Esplendida 520-398-9515 259 La Fuente Gallery 928-282-5276 260 La Jolla Diamonds & Gems 520-615-0203 261 La Paloma de Tubac 520-398-9231 262 La Pilita Museum Gallery 520-882-7454 263 Lagniappe Gallery 928-634-5138 264 Landis Fine Arts 602-576-0406 265 Lanning Gallery 928-282-6865 (p 294) 266 Laren Knode Fine Art 602-485-0075 267 Largo Photography 480-204-1565 268 Lark Art 928-282-5545 (p 298) 269 Larrabee Art 520-400-4531 (p 88) 270 Laura Byram Studio 480-223-7507 271 Lawrence Gallery, The 480-443-5575 272 Lee Blackwell Studio 520-398-2268 273 Lee Brotherton 480-220-9505 (p 238) 274 Legacy Galleries 480-945-1113 275 LeKAE Gallery 480-874-2624 (p 150-153) 276 Leslie Levy Fine Art, Inc. 480-947-2925 277 Linda Budge Studio 480-595-9985 (p 256) 278 Linda Ingraham Studio 602-821-8272 279 Linda Koch Fine Arts 559-259-6111 (p 228) 280 Liquid Sand Studio Gallery 602-770-6455 281 Lisa Sette Gallery 480-990-7342 282 LKG Contemporary 480-945-1209 (p 203) 283 Lola Gallery 928-639-4743 284 Lone Tree Gallery 928-853-3531 285 Lost Leaf, The 602-321-8552 286 Lucky Rabbit Studio 602-405-7329 287 Lumbre Gallery 602-438-4000 288 Lynn Rae Lowe 520-299-7900 289 Lynne Fine Art 480-941-1517 290 Madaras Gallery 520-623-4000 (p 96) 291 Made Art Boutiquex 602-256-6233 292 Mainstreet Casa Grande 520-836-8744

ID #

Name

Phon e

293 Manheim Gallery 928-649-0130 (p 278) 294 Manos Gallery 520-398-8144 (p 54) 295 Mardon Frost 520-323-6947 296 Margaret A. Wright Studio 602-252-2717 297 Margaret Rose - Beads of Tubac 520-398-2070 298 Mark Sublette - Medicine Man Gallery 520-722-7798 299 Mark Sublette Modern 520-299-7798 300 Marshall Arts Gallery 480-970-3111 301 Martha Braun Art 520-529-3106 (p 202) 302 Marty Le Messurier 602-770-7643 (p 260) 303 Mas y Mas 520-398-8468 304 Max Gallery, The 520-529-7349 (p 92) 305 May Gallery 480-998-2424 306 Mayhew Gallery 520-398-2808 307 Meldrum Metal Art 480-473-2224 (p 264) 308 Meliora Architectural Gallery 520-792-9595 309 Mesa Art & Framing 602-668-0775 310 Mesa Contemporary Arts 480-644-6500 311 Mesquite Grove Gallery 520-394-2358 312 Metalmorphosis - Bisbee 520-432-2922 313 Metalmorphosis - Tubac 520-398-9186 314 mfa/eronga inc. 520-531-1808 315 mfa/eronga inc. - Grant Rd. 520-798-1086 316 Michael D Higgins 520-444-3339 317 Michael Norton 520-797-8648 318 Michelleâ&#x20AC;&#x2122;s Gallery Rustic Furnishings 520-398-8101 319 Mineral & Fossil Gallery 928-282-9366 320 Mississippi River Pearl Jewelry 651-301-1204 321 Mitchell Brown Fine Art 480-421-9475 (p 176) 322 Mixed Media Designs 520-544-7799 323 ML Coleman Art 928-300-3804 324 Modified Arts 602-462-5516 325 Morning Star Traders Inc. 520-881-2112 (p 112)

ID#

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326 Moâ&#x20AC;&#x2122;s Gallery & Fine Framing 520-795-8226 327 Mountain High Five Art Gallery 928-778-6800 328 Mountain Shadow Gallery 520-577-6301 (p 94) 329 Mountain Spirit Gallery 928-445-2886 330 Mountain Studio 480-595-2443 (p 246-249) 331 Mountain Trails Galleries 928-282-3225 (p 312) 332 Museo Chicano 602-257-5536 333 Museum of Contemporary Art - Tucson 520-624-5019 334 Museum Of Northern Arizona 928-774-5211 335 Music Nova 480-585-4485 336 Mystique Fine Art 480-994-1967 337 Naked Horse Gallery 480-947-0221 338 Navarro Gallery 928-204-1144 (p 304) 339 Neil Myers Art 520-260-1740 (p 114) 340 Nellie Bly 928-634-0255 341 Nellie Bly II, Inc. 928-634-7825 342 Netherwood Western Art 602-404-2118 343 Newman Gallery 928-442-9167 344 Newt Glass of Scottsdale 480-948-3185 345 Nicholas Wilson Gallery 520-398-8250 346 Nickel Creek Gallery 480-575-0012 (p 254) 347 Nikel Gallery at CDO 480-502-6912 (p 270) 348 Obsidian Gallery 520-577-3598 (p 102) 349 Occasions! by design 480-423-0506 (p 206) 350 Old Brazil 520-219-5700 351 Old Presidio Traders 520-398-9333 (p 70) 352 Old Pueblo Frameworks & Gallery 520-529-9677 353 Old Territorial Indian Arts 480-945-5432 (p 184)

For instructions on how to use the Gallery & Artist Listings, please see page 346

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354 Old Town Galleria 480-946-0022 355 Open Range Gallery 480-946-0044 (p 166) 356 Optimo Custom Hatworks 520-432-4544 (p 32) 357 Original Art by Casey 623-202-5759 358 Orpheum Theatre 602-534-5623 359 Ostrovsky Fine Art 480-941-1600 360 Otero Gallery 520-398-8014 361 Out of the Way Galleria 520-398-2655 362 Overland Gallery 480-947-1934 363 Paint Yourself Silly 520-885-4755 364 Painted with Oil 480-346-8733 365 Paloma Art 520-577-9224 366 Pamela Laurence Collection 520-577-4994 (p 98) 367 PanTerra Gallery 520-432-3320 (p 38) 368 Paperisms 602-866-9849 369 Patti Ortiz Fine Art 928-778-1481 370 Paul Scott Gallery 480-874-3000 (p 200) 371 Paulina Miller Gallery 602-307-9643 372 Pearson’s Antiques & Imports, Inc. 602-946-9262 373 Penny Benjamin Peterson Contemporary 602-989-4534 (p 230) 374 Penske Racing Museum 480-538-4444 375 Pentimento Antiques & Artisans 520-432-2752 376 Perihelion Arts 602-462-9120 377 Philabaum Glass Studio & Gallery -South 520-884-7404 378 Philip Feaster Sculptures 629-341-8822

Phon e

379 Phippen Museum 928-778-1385 380 Phix 602-252-7449 381 Phoenix Airport Museum 602-273-2105 (p 122) 382 Phoenix Art Group 602-241-1060 383 Phoenix Art Museum 602-257-1880 384 Phoenix Center for the Arts 602-262-4627 385 Phoenix Police Museum 602-534-7278 386 Phoenix Symphony 602-495-1117 387 Phoenix Theatre 602-258-1974 388 Photography by Jim W. Parkin 612-799-5356 389 Platform Gallery 520-882-3886 390 Point of Sedona 928-282-6448 391 Practical Art 602-264-1414 (p 124) 392 Prescott Fine Arts Association 928-445-3268 (p 335) 393 Primitive Arts Gallery 520-326-4852 394 Proctor Fine Art 928-204-1908 395 Providence Gallery 480-946-2297 (p 144-149) 396 Pura Vida Gallery 928-634-0937 (p 340) 397 Purcell Galleries of Fine Art 520-398-1600 (p 48-51) 398 Quilts LTD. Gallery 800-255-2306 (p 64) 399 Raices Taller 222 Gallery & Works 520-881-5335 400 Rain Bird of Scottsdale 480-425-7585 (p 188) 401 Raku Gallery 928-639-0239 402 Red Dog Gallery 602-340-1838 403 Red Door Gallery 520-398-3943 404 Red Willow Gallery 520-398-2154 405 Renee Taylor Gallery-Sedona 928-282-7130 (p 318) 406 Renee Taylor Gallery-Tubac 520-398-9510 (p 75) 407 Renfrow Caricatures 520-620-6613 408 Richard Hall Fine Art 602-819-7199 (p 236) 409 Rima Fine Art 480-994-8899 (p 162, BC) 410 Rinconart 520-398-8428 411 Rive Gauche Contemporary 480-368-3530 (p 158-161) 412 Rive Gauche Traditional 480-947-6372 (p 158-161) 413 River Of Time Museum Featured at Old Presidio Traders, Pg. 71 480-837-2612

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414 River Trading Post 480-444-0001 (p 182) 415 RMS (Rob Stenberg) Fine Art 623-297-1741 (p 218) 416 Robert Burt Studio 480-688-4056 417 Robert Thornley Sculptures 480-488-4377 418 Roberts Gallery 480-488-1088 419 Rock Star Gallery 480-275-4501 420 Rogoway’s Turquoise Tortoise Gallery 520-398-2041 (p 56) 421 Ron Head Sculptures 602-293-3287 422 Rosson House Historic Museum 602-262-5070 423 RR Gallery 480-946-0444 424 S.R. Brennen Gallery 480-994-1355 425 Sage Gallery 520-514-1311 426 Sally Dryer Mixed Media Sculpture 928-634-1901 427 Sam-Poe Gallery 520-432-5338 (p 36) 428 Sanders Galleries 520-299-1763 429 Savvy Collector, The 602-906-1633 (p 128) 430 Scottsdale Art Colony 480-970-3730 431 Scottsdale Center for the Performing Arts 480-874-4610 432 Scottsdale Culture Quest 480-429-2256 433 Scottsdale Fine Art 480-990-3100 (p 170) 434 Scottsdale Museum Of Contemporary Art 480-994-2787 435 Sedona Arts Center 928-282-3809 436 Sedona Cultural Park 928-204-0514 437 Sedona Spirit Fine Art 928-203-4103 438 Sempre Bella Gallery 520-398-9489 439 Settlers West Contemporary Fine Art 520-323-8838 440 Shawn Kaiser Rythms on Canvas 520-398-6995 441 Sievers Gallery 208-293-4171 (p 174) 442 Silverbell Trading 520-797-6852 (p 100) 443 Simic Galleries 480-946-4911 444 Solar Culture Gallery 520-884-0874 445 Sonora Trading Co. 520-398-9016

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Name

Ph o n e

446 Sonoran Arts League 480-575-6624 447 Sonoran Glass Art Academy 520-884-7814 448 Southwest Images: Harvey Caplin Collection 928-204-9512 449 Southwest Metal Art 520-293-9015 450 Spirit Art Gallery 928-649-6479 451 Steve Stento Fine Art 623-551-5692 452 Steven DeWitt Perrin Gallery 480-575-1780 453 Stone Dragon Studio 520-405-5800 454 Stop ‘n Look 602-391-4016 455 Strong Fox 505-720-2041 456 Studeo Tad 480-403-1020 (p 136, 205) 457 Studio Idylwild 1121 602-296-4771 458 Studio Tharalson 818-437-5702 (p 225) 459 Sue Averell Studio 415-706-5051 (p 226) 460 Sun West Gallery 928-778-1204 461 Sylvia Fugmann Brongo Studio 480-488-4749 (p 269) 462 Tacheenie Arts 520-743-9769 463 Tang Gallery 520-432-5824 (p 41) 464 Tangerine Gallery 520-326-5028 (p 110) 465 TC Gallery 928-282-1444 466 Terbush Gallery of Sedona 928-203-4930 467 Textures Gallery at Artspace 480-423-0888 468 The Inner Eye Gallery 928-282-5250 469 Theater 4301 480-994-2787 470 thibault4art 520-907-6108 471 Third St. Kids - Arts for All Inc. 520-622-4100 472 Thomas Charles Gallery 473 Thomas Kinkade-Phoenix 623-932-0600 474 Thomas Kinkade-Scottsdale 480-922-3163 475 Thomas Kinkade-Tucson 520-887-3855 476 Thunder Mountain Traders 927-779-5291 477 Thunderbird Artists 480-837-5637 478 Tile N Art Gallery 520-398-8638 479 Tilt Gallery 602-716-5667 480 Tlaquepaque Arts & Crafts Village 928-282-4838

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ID#

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481 Tohono Village Trading Post 520-398-2223 (p 62) 482 Tom Haas Gallery 602-787-5856 483 Tom Lucas 307-330-7436 (p 216) 484 Traditional Pueblo Arts 480-627-0006 485 Trailside Galleries 480-945-7751 486 Treestump Woodcrafts 520-398-9123 487 Trunk Space, The 602-256-6006 488 TRYST Art Gallery 888-638-2671 489 Tubac Center of the Arts 520-398-2371 490 Tubac Old World Imports “The Rug Store” 520-398-2369 491 Tubac Territory 520-398-2913 (p 58) 492 Tucson Jazz Society 520-903-1265 493 Tucson Museum of Art 520-624-2333

507 Vanessa Tamarin Studio 928-717-0830 508 Verano Fine Art Gallery 520-432-5095 (p 28) 509 Verdigris Gallery 928-634-3258 510 Vessley Fine Arts 480-941-9704 511 Victoria Boyce Galleries 480-941-2494 (p 172) 512 Victoria Monize Fine Art 602-647-8421 514 Virginia Allison Fine Arts 480-471-7772 (p 258) 515 Virginia Brooks Studio 480-220-6696 (p 250) 516 Vision Gallery 480-917-6859 (p 133) 517 Visions Fine Art Gallery 928-203-0022 518 Waddell Trading Co. 480-990-1004 (p 190) 519 Walter Wilson Studio & Galleries 520-398-2312 520 Wayne B Light Custom Jewelry 928-282-2131 521 Wells Fargo History Museum 602-378-1852 522 Western Artists of America 480-946-6100 523 Western Way 520-578-1715 524 Wild Holly Gallery 480-595-8757 (p 252) 525 Wilde Meyer Discoveries 480-488-3200 526 Wilde Meyer Gallery - Tucson 520-615-5222 527 Wilde Meyer Gallery - Featured at Rive Gauche Gallery, Pg. 161 Marshal Way 480-945-2323 528 William T Zivic Studio 494 Tucson Symphony Orchestra 520-298-9383 520-623-1500 529 Willow Gallery 480-424-7300 495 Tuoti Collection 520-749-3443 530 Windrush Gallery 496 Turkey Mountain Traders 928-282-7676 (p 284) 480-423-8777 531 Xanadu Gallery 480-368-9929 497 Turquoise Angel 520-398-3340 532 Yates Gallery 480-836-9919 498 Turquoise Tortoise Gallery 533 Young Arts AZ 602-852-3605 928-282-2262 (p 296) 534 Z Forrest 520-398-9009 (p 68) 499 Twigs Gallery Inc. 480-488-4853 535 Zivney Group 480-941-0933 500 Twist 520-432-3046 536 Zuva Gallery 480-488-6000 501 U of A Museum of Art 520-621-7567 502 UA Presents 520-621-4423 503 Upstairs @ The Paper Heart For instructions on how 602-487-0669 504 Upstairs Gallery & Studio to use the Gallery & Artist 520-398-8005 Listings, please see 505 Valentina Gallery 480-481-6018 page 346 506 Van Gogh’s Ear 928-776-1080 (p 324-329) www. A ZColle c torsGuid e .com

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A Aagard, Douglas 331, 411, 412 Abbett, Robert 274, 439 Abbott, Mandy 105 Abbrescia, Joe 439 Abeyta, Tony 232 Abildgaard, Mark 257 Abrams, Larry 395 Acheff, William 439 Acton, Tana 257 Adamo, Pietro 232 Adams, Karen Brace 170 Adams, Bonnie 395 Adams, Darlene 150 Adams, Lou 188 Adams, David 79 Adshead, Amy 221 Advadze, Vakhtang 179 Afsary, Cyrus 232, 439, 485 Agam, Yaacov 409 Agnew, Al 439 Aguiar, Huertas 485 Aguirre, David 348 Aguliar, Edward 180 Ahlgren, Karen 166 Ahrendt, William 274 Aida 221 Alban, Lee 411, 412 Albin, Richard “RC” 127 Albratch, Gregg 188 Albrechtsen, Michael 274, 439 Alderman, Roger 248, 508 Aldridge, Brad 276 Alemany, Arnau 276 Alexander, Cheryl 224 Alexander, Carolyn 327 Alexander, George 121 Alexander, Diana 516 Alexi 443 Alkire, Kjellgren 144 Allan, Donald 300 Allen, Thomas 232 Allen, Linda 154 Allen, Peg 112 Allen, Dale 112 Allen, Ann 257 Allen, Shelley Muzylowski 257 Allen, Brian 275 Allen Winter, Charles 97 Allison, Virginia 514

352

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Allison, Destiny 328 Allyn, Linda 91, 420 Almirall, Jane 162 Altenhofen, Richard 391 Amin, Ebrahim 21 Amos, Charlie 422 Anatoli 257 Anderegg, Claire-Lise Matthey 328 Andersen, Roy 439 Anderson, Carolyn 439 Anderson, Roy 274, 485 Anderson, Rick 232 Anderson, Kurt 248 Anderson, Joyce 328 Anderson, Steve J. 422 Anderson, Michael 506 Anderson, Joanie 233, 346 Anderson, Margo 15 Anderson, Zulia Gotay 221 Andersson, Anne 265 Anders-Stout, Paul 464 Andrews, Ambrose 96 Angell, Debbie 192, 405, 406 Angus, Mary 257 Ann Sears, Mary 506 Anna, Pat 506 Anna Arnett, Joe 439 Ante, Lana 48 Anton, Bill 439, 485 Antonio, Johnson 353 Antonio Chavez, Arturo 439 Antonius, Jim 506 Apodaca, Guadalupe 105, 177, 477 Appel, Karel 97 Applebaum, Leon 121 Applegate, Sandy 508 Applegate, Frank 321 Arant, Denny 170 Arapov, Vasili 179 Arbuthnott, Mary 220 Archibald, WAA, Roger 192, 355 Archuleta, Felipe 236 Arenas, Eva 90 Arenskov, John 189 Argueta, Mary 352 Armstrong, Chester 338 Arnett, Jeff 300 Arnold, Trilby 508 Arrow, Broken 218

A r i zo na Co l l e c to r ’s G u ide 2 007 -2 008

Name

ID#

Art Glass, Correia 257 Arthur, Holly 206 Asay, Roger 506 Ashenfelter, Nan 346 Asher, James 439 Aspevig, Clyde 439, 485 Atkins, David 232 Atokuku, Bertram 353 Auster, Ken 439 Austin, Emily 257 Avakian, Joanne 395 Averell, Sue 459 Awalt, Chad 282 Ayala, Carlos 395 Ayers, James 274

B B. Robertson, Gary 477 Babasyuk, Nikolai L. 179 Babb, Gary 433 Baca, Susanne R. 516 Bahar, Bijan 78 Baig, Laurent 106 Bailey, Pat 121 Bailey, Alice 257 Bailey, Carol 411, 412 Bailey-Porter, Barbara 433 Bain, Esta 166 Baize, Wayne 439, 485 Baker, Ann 485 Baker, Suzanne 274, 331 Baker, Frank 508 Baker, Connie 477 Balaam, Frank 411, 412 Balciar, Gerald 485 Balentine, Anna 232 Balink, Henry 321 Balkanski, Nikolo 439 Ballinger, Lynn 159 Balyon, Nanne 443 Bama, James 232, 485 Bandy, Carl 338 Barba, David 121 Barbee, Diane 116, 222 Barbera, Marie 477 Barbera, Frank 477 Barker, Claudette 127 Barker, Jim 127 Barnes, William 276 Barnes, Marlene 405, 406 Barr, Gary 174 Barsch, Wulf 300

Name

ID#

Bartolomeo, John 79 Barton, J.S. 304 Barton, Pat 257 Barton, Austin 274 Baskakov, Nikolai 179 Baskets, Rainforest 265 Bateman, Judy 209, 294, 352 Bateman, T. Swanton 439 Bateman, Robert 485 Baturo, Andrew 21 Baumann, Gustave 321 Beach, Hudson 257 Beamish, Brian 304 Beattie, Shawn 106 Beauford, Beau 121 Beck, Dan 200 Beck, Victor 325 Beck, Phil 200, 439 Becker, Hans 443 Becker, Jerry 304 Beckman, George 127 Beecher, Brian 257 Beeler, Joe 232, 439 Beemer, Peggy 45 Beeson, Dott 248 Beeson, Kathy 506 Begay, Harrison 236 Begay, Thomas 353 Begovic, Vojkan 443 Behr, Robert 105 Behrens, Brenda 209 Belichenko, Andre 21 Bell, Scott Graham 192 Bell, Christian 162 Bell, R. 174 Bell Smith, Richard 477 Belomytzev, Dimitri 21 Belyaev, Dimitri 179 Bemelmans, Ludwig 97 Benally, Carol 174, 477 Benavente, Anthony 106 Benhura, Dominic 536 Bennett, Alise 170 Bennett, Cynthia 439 Bennett, Alan 268 Bennett, Karyl 189 Benrimo, Tom 321 Benton, Thomas Hart 321 Benyahya, Ali 411, 412 Berard, D.J. 516 Berend, John 166 Bergin, Tom 221, 248

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Bergsgaard, Craig 477 Bergsgaard, Craig 98 Bernard, Emile 409 Bernesser, Nancy 170 Berninghaus, Oscar Edmund 321 Berridge, David 60 Berry, Judy 43 Berryman, Peter 189 Berryman, Susan 189 Bertrand, Sharon 112 Berzelius, Susan 516 Bezak, Matt 257 Biddle, George 97 Bielec, Sue 150 Bierstadt, Albert 232, 321 Bimrose, Ron 162 Bing, Ma 409 Binh, Thanh 79 Binh, Nguyen Thanh 79 Bird, K. 127 Bird, Debi 509 Birtolo-Aguilar, Emmaline 150 Bischoff, Franz Arthur 321 Bishop, Don 271 Bisttram, Emil James 321 Bitney, Bye 439 Black, Laverne Nelson 321 Black, Cole 271 Black, Lois 209, 304 Blackham, Brian 121 Blade, Danielle 420 Blain, Mary 530 Blair, Wendy 506 Blake, Buckeye 439 Blanchard, Antoine 443 Blanding, Hugh 477 Blass, Jack 162 Blevins, Bret 48 Blevins, Pat 48 Bloch, Dennise 257 Block, Allyson 170 Bloomquist, Billy 221 Bloomston, Carrie 162 Blossom, Christopher 439 Bloyd Art Glass 275 Blueeyes, Rose 353 Blumel, Linda 506 Blumenthal, Janet 232 Bodelson, Daniel 439, 485 Bodmer, Karl 97 Boggess, Lynn 276 Bohler, Joseph 439 Bollard, Connie 293

N ame

ID #

Boly, Abdoul 265 Bonaccorso, Myrna 112 Boner, Brian 144 Bonfanti, Maurizio 79 Bongart, Sergei 321 Bonine, Jeanne 159, 477 Bonnie, Karen 433 Boock, Josh 268 Boomer, Bob 439, 485 Boos, Eric 48 Booth, K.M. 106 Borders, J.C. 90 Borders, David 516 Borein, John Edward 321 Boren, James 439, 485 Borg, Carl Oscar 321 Borja, Rick 477 Bormeister, Mart 179 Borodin, Aleksei 179 Boros, Gyula 443 Bos, Marilyn 189 Bosin, Blackbear 232 Boss, Homer 321 Bostwick, Eleanor 506 Botello, Suzanne 391 Boutteâ&#x20AC;&#x2122;, Marc S. 221 Bove, Quim 71 Bow, Ardis 192 391 Bower, April Bowles, Mark 298 Bowman, Rich 71 Box, Kevin 248, 275 Boyadjiev, Latchezar 257 Boyd, Sage 214 Boyer, Eric 121 Boyle, Neil 331 Bradley, Jane 516 Braig, Betty 516 Brainard, Bruce 300 Braithwaite, Doug 420 Bralds, Braldt 79 Branson, Ed 275, 377 Branzell, Melissa 150 Braun, Martha 221, 275, 301 Braun, Paul 265 Braun, Maurice 321 Bread, Vesta 236 Breceda, Juan Carlos 328 Breithaupt, Mark 282 Brenders, Carl 485 Brenghause, Bob 433 Brenner, Bradford 71 Brennion, Phil 506 Bret Hart, Betsy 144

Name

ID#

Brett, Dorthy Eugenie 321 Brewer, Rhonda 192, 477 Breyers, Duane 232 Brice, Daniel 162 Bridges, Bryan 411, 412 Bridgland, Jay 257 Briks 443 Brill, Curt 248 Brimley, Jeff 411, 412 Brione 257 Britt, Chris 337 Britton, Dan 162 Brock, Jeff 189 Brodski, Vsevolod I. 179 Brongo, Sylvia Fugmann 461 Brookins, Marnie 391 Brookins, Jeff 391 Brooks, Virginia 515 Brotherton, Lee 273, 485 Brown, Harley 274, 439, 485 Brown, David 112 Brown, Barbara 506 Brown, Sydney 508 Brown, Linga Rae 293 Brownell McGrew, R. 439 Browning, Tom 439 Brubaker, Robert 121 Brubaker, Jack 275 Brunner, Robert 185 Bruzzese, Laura 282 Bryce, Maggie Polen 508 Bryers, Daune 439 Bubacco, Lucio 377 Buchkin, Dmitri 179 Buck, Luke 439 Bucquet, George 257 Budge, Linda 277, 530 Budicin, John 485 Budish, Jim 248 Buhlert, Cathie-Jo 288 Bukhtijaro va, Andre 21 Bullock, Benbow 248 Bunn, Ken 274, 439 Burbank, E.A. 439 Burchard, Stew 304 Burdick, Scott 439 Burk, Charlie 276 Burnes, Jamie 276 Burnett, Amy 221 Burns, Downe 232 Burns, Ron 510 Burr, George Elbert 96, 236 257 Burr, Christin Burt, Robert 177

Name

ID#

Burton, Barbara 516 Burton, John 71 Bushman, Penelope 337, 403 Bustamante, Terry 112 Buswell, Blair 274 Butler, Anne 477 Butler, Bruce 166, 304, 509 Button, Melissa 162 Buxton, John 439 Byrd, Richard 367

C Cabezas, Beatriz 282 Caffaro, Patrick 232 Calabaza, Jimmy 338 Callaway, Jim 395 Calterone, Grace 209, 352 Cameron, Shawn 274 Camp, Janie 439 Campbell, Craig 422 Campbell, Marilee 232 Campbell, Raymond 443 Campbell, Shane 268 Campbell, Dorothy 43 Candelario, Karen 328 Canero, Aurora 79 Canning, Bob 90 Caraballo, Elizabeth M. 106 Cardenas, Cristina 464 Cardinale, Roberto 276 Carey, June 485 Caricato, David 121 Caricof, Kathi 265 Carley, Phil 106 Carlson, Royce 506 Carlson, George 485 Carlson, Ken 439, 485 Carollo, Reno 220 Caron, Sidonie 271 Carpetner, Earl 274 Carpio, Caroline 414 Carr, Ron 391 Carr, Betty 331 Carr, Howard 185 Carrel, Anne 90, 328 Carroll, Eric 121

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Carson, Michael 71 Carson, Brad 516 Carson, Jim 439 Carter, Don 112 Carter, Cody 506 Carter, Mark 506 Carter, John 411, 412 Carter, John 439 Casebeer, Kim 411, 412 Cassandre Glassworks 275 Cassidy, Gerald 321, 485 Castaneda, Felipe 420 Castillo 44 Cavanagh, Henry 218 Celestial Artglass 275 Celotto, Afro 257 Chagall, Marc 97 Chaikin, Lisa 43 Challenger, JD 142 Chalytov, Sergey 21 Chamberlain, Ashley 150 Chambers, Jean 439 Chambers, Sara 411, 412 Chamlin, Denny 346 Champe, C.S. 275 Champlain, Dennis 166 Chan, Tinyan 275 Chandler, Page 185 Channer, Marie 411, 412 Char 443 Charlton 257, 275 Charon, Robert 282 Charvarria, Manuel 353 Chatelain, Robert 127 Chavez, Lorenzo 439 Cheek, Ron 275 Cheever, Bruce 485 Chen, Dan 271 Cheply, Craig 232, 516 Cheret, Jules 97 Cherry, Clancy 232 Cherry, Tim 485 Chesler, Donna 171 Chesler, Ken 171 Chiarizia, Victor 257, 377 Chihuly, Studio Editions by Dale 257 Childress, Janet 48 Cho, Kang 485 Choi, Sang 477 Christensen, James 439 Christensen,

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Scott 274, 439, 485 Christensen, Hans 506 Christensen, Al 112 Christensen, Peggoty 506 Christianson, Milton 221 Christie, Keith 439 Christy-Moore, Nancy 346 Chuikov, Evgeni 179 Ciric 443 Clark, Joyce 271 Clay, Chandler 185 Cleary, Shirley 439 Clemens, Sarah 174 Clendennen Brown, Sandy 439 Cleveland, Merrilee 248 Cline, Jeremy 257 Clodfelter, James 337 Clymer, Albert 337 Clymer, John 232, 485 Coatta, Irene Jones 43 Coco, Joyce 220 CoConis, Ted 265 Cody, Bruce 276 Coffee, Elaine 485 Coffelt, Nancy 232 Cogan, John 127 Coheleach, Guy 485 Cohen, Barbara “Bayla” 166 Cohn, Michaels 377 Cohn, Liz 170 Coker, John Hu 422 Colburn, Elanor Ruth Gump 321 Cole, Karen 170 Coleman, Michael 232, 439 Coleman, John 274, 439 Coleman, Nicholas 439, 485 Coleman, James 142 Colestock, Lorraine 220 Colletti-Cummings, Angela 391 Colligen, Bill 265 Collins, Fred 90 Collins, Linda 391 Collins, Troy 275 Collins-Chobanian, Shari 391 Coman, Charlotte B. 97 Conde, Alfredo 48 Cone, Claribel 511 Connell, Karen 162

A r i zo n a Co l l e c to r ’s G u ide 2 007 -2 008

Name

ID#

Conner, Todd 439 Conrad, Bonnie 304 Conrad, Miles 265 Conrad, Sean 346 Cook, Cal 352 Cook, John 420 Cook, Andy 403 Cook, Howard Norton 321 Cooke, Carole 439 Cooley, Joceyln 224 Coonts, Bob 209, 477 Cooper, C.M. 433 Cope, Debbie 150 Coppes, Alan 214 Coppes, Lynn 214 Cordero, Helen 353 Corn, Blue 353 Coronato, Bob 439 Corradetti, Anthony 257 Cortes, Edouard 21, 443 Cosby, John 439 Cota, Kandice 328 Cotton, Brent 439, 485 Cottrell, Sheila 439, 485 Couse, E. Irving 232 Cowdrey, Melinda 337 Cox, John 439 Cox, Tim 485 Cox, Lynn 232 Cox, Jerry 411, 412 Cozzuol, Sergio 443 Crabb, Patrick 282 Crain, Joyce 79 Crane, Marian 218, 467 Craven, Jeffrey 439 Cremeens, Larry 477 Cressler, Nancy 112, 294 Crook, E. Manning 274 Crook, William B. 220 Crookston, Nancy 433 Crow, Kina 282 Crow, Bryan 464 Crowder, Betsy 43 Crowder, Troy 43 Crowley, Donald 439 Crowley, Don 485 Crowther, Travis 477 Cubes, Millennium 257 Cullar, Warren 275 Cummings, Edison 236, 325, 414 Cuneo, Rinaldo 321

Name

ID#

Cunningham, Paul 257, 346 Curé, Jennie 391 Currier, Denise 516 Currier, Alfred 271 Currier, Denise A. 43 Curry, Carol 80 Curry, Kiki 189 Curtis, Thomas 325 Curtis, Sherrie 48 Curtis, Lavaun 97

D Da, Tony 353 Da, Popovi 353 Dabb, Keith 477 Daeni, Pino 439 D’Agostino, Lisa 265 D’Agostino, Judith 328 Dahl, Sandi 304 Dahlke, Rebecca 508 Dale, Cindall 90 Dale, Rodger 90 Daley, Carolina 43 Dali S., M. Hoss 271 Dallas, Ben 405, 406 Dalmar, Jim 508 Dalton, Tali 257 Daly, Jim 439 Damyanovich, Karen 121 Dandeneau, Diane 506 Dangelico, Pino 485 Daniel, Sandi 516 Danielle, Lisa 331 Daniels, Mark 304, 530 Daniels, Robin 79 Dante 403 DarConte, Lorraine 352 Darrah, Sherry 150 Darro, Tom 274 Darrow, Jane 189 Dasburg, Andrew 321 Davenport, Ed 464 Davey, Randall 321 David, Neil 353 David, Gisa 60, 367 David, Sr., Neil 180 Davidenkova, Lidiya 179 Davidson, Milard 248 Davidson, Everett 511 Davidson, Pam 106 David-Vojnich, Suzanne 391 Davila, Jess 477

N a me

I D#

Davis, John 185 Davis, Jared 275 Davis, Diana 209, 352 Davis, R.W. 328 Davis, Paul 232 Davis, Gary 232 Davis, Stuart 321 Davis, Stan 439, 485 Dawahoya, Bernard 325 Dawson, Doug 271 Dawson, John 220 Day, T.E. 271 Day, Stephen 338 Day, David 282 de Claremont, Frederic 411, 412 de Jonge, Ellen 265 de Kerpely Zak, Andrea 174 de la Vega, Enrique 403 de Leon, Pablo 328 Deacon 420 Dean, Glenn 439 Dean, Gregory 265 Dean, Mick 300 DeBenedetto, Paula 337 Dedash, C. Michael 274 Dedo, Rale 21 Deerman, Khalil 509 DeGrazia, Ted 111, 304 del Rito, Tereso 403 Delano, Gerard 485 Delfakis, Konstantina 106 Dellandre, Linda 171 DeLoss 516 Delthony, David 506 Delventhal, John 224 DeMay, Jutta 90 Demers, Donald 439 Demetre, Linda 127 DeMott, John 274, 439 Denet, Dan 353 Denet, Earl 353 Denzler, Nancy 508 Derks, Steven 464 Dern, Jourdan 189 DeSantis, Kristin 282 Desatnick, Michael 485 Designs, WPT 257 Deurloo, Robert 275, 439 DeVary, David 189, 491 Deyusee, Leekya 353 Diaz, Fernando 232 Dice, Anita Bonesteel 43 Dickens, Lucy 395

N ame

ID #

Diddams, Brad 166, 177, 477 Diddams, Bonnie 477 Dieckhoner, Gene 477 Diehl, Douglas 433 Diehl, Jennifer 433, 271 Diehl, Susan 439 Diller, Ben 403 Dimock, Nancey 150 Dines, Bruce 439 Dinet, Howard 43 Ding, Shang 265 Dismuke, Poe 427 DiVita, Frank 485 Dixon, Maynard 321 Dobay, Sherri 189 Dodson, Jim 477 Dodson, Judy 477 Dolan, Gary 275 Donaldson, Charles 275 Donley, Ray 300 Donnelly, Mary 90 Donner, Carol 534 Dorr, Tom 439 Doughty, Patricia 90 Dovey, Dean 221 Downey, Robyn 95 Doyle, Maggie 150 Draper, Bryon 300 232 Dreher, Albert Dreisbach, Fritz 377 Drew-Wilkinson, Kate 249 Drexel, Rob 166 Dreyfes-Lemaitre 409 Dryer, Sally 340 Dubuque, Carolyn 328 Dulla, Joan 43, 516 Dunbar, Patricia 508 Dunbar, Amanda 142 Duncan, Mark 48 Duncan, Robert 439, 485 Duncan, Charles 405, 406, 466 Dung, Hong Viet 79 Dunham, Kathy 328 Dunham, Bandhu 257 Dunn, Alison 144 Dunning, Kathleen 106 Dunton, W. Herbet 321 Dupere, Henry 218 Durban, Deborah 218 Durr, Judy 232, 330 Dyagilev, Anatoli 179 DyAns 44 Dye, J.C. 485

Name

ID#

Dye, Charlie Dyer, Jimmy Dyf, Marcel Dyson-Flatmo, Micki Dzigurski II, Alexander Dzung, Hoang Duc

485 439 443 200 443 79

E E., Ann 409 Earnshaw, Adele 530 Eason, JR 243 Eastman, Seth 321 Eaton, Suzanne 45 Ebbers, Deborah 300 Eberhard, Kris 48 Eddy, Hunter 300 Edidin, Barbara 276 Edwards, Tom 218 Edwards, Darryl 189 Edwards, Layla Flora 106 Eggenhoffer, Nick 485 Eggman, Jack 221, 403 Egidis, Aleksandr 179 Ehlers, Mary 106 Ekholm, Laura 218 Ekman, Jean 232 Ekman, Stan 232 Eldorado Artisans 403 Elena, Alba 189 Elinsprunch, Franklin 162 Elkins, Rita 293 Eller, Richard 106 Elliot, James 232 Elliott, Stephen 485 Elliott, Dennis 189 Ellis, Fremont F. 321 Ellis, Henry F. 321 Embree, Anne 265 Emelina 131 Emmett, Nance 185 Empie, Hal 195, 532 Encinas, John 439 Encinias, John 274 English, Cheryl 274, 439 English, Greg 439 English, Mark 265 English, Sam 60 Ennis, Cary 71 Enter, Barry 377 Enterline, Sandra 348 Entz, Loren 439 Enwright, Dan 214 Epiphany 257 Eppler, Jim 248 Erickson, Kimberly 275

Name

ID#

Eskey, Chet Eskue, Johnnie Esmoer, Sam Estevan, Jennifer Estrin, Bob Ethelbah, Upton Etner, Barry Ettkin, Sherri Evans, Ned Evans, Carmen Evans, Susan Evans, Robin Ewing, Michael Ezhakov, Vladimir

265 508 403 325 43 189 257 511 511 150 221 257 439 21

F Facto, Ipso Fagan, Larry Fagan, Dorthy Fagen, Laurie Failows, Steve Fairbanks, Sonya Faitsch, Judy Falconer, Marty Falk, Darcy Falk, Joni Falk, Suzanne Fallon, Wendy Falter, John Farm, Gerald Farny, Henry F. Farr, Katherine Farrington, Kitty Fawcett, John Feaster, Philip Fecht, Cheryl Fedorov, Boris Fedorova, Galina Fehling, Edna Feil, Charles Feldman, Judy Felisky, Barbara Fellows, Deborah Fellows, Fred Fellows, Marless Fernandes, Alfie

257 506 232 43 189 511 112 150 511 274, 439 162 43 439 485 232, 321 391, 506 232 232, 274 477 516 179 179 508 367 189 443 485 485 159 170

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Fetzer, Mary Ella 90 Fexas, Lorraine 171 Fidler, Greg 257 Fields, Annie 236 Fields, Laurie 232 Fields, Anita 152 Fimbel DiGiovanni, Joan 112 Fink, Betina 328 Fire, Earth & 257 Fischer, Nathan 71 Fischer, Mark 414 Fisher, Michael 275 Fisher, Regan 214 Flaherty, Paddie 112 Fleisch, Ken 485 Fletcher, Kim 433 Flitner, David 355, 405, 406 Flores, Art 185 Florman, Jody 189 Flower, Grace Medicine 353 Flynt, Robert 162 Fogel, Dan 162 Foley, David 121 Ford, Deb 506 Ford, William 506 Ford, Mildred 530 Fordham, Brian 268 Forrester, Christy 508 Fortune, Euphemis Charleton 321 Fountain, Doug 166 Fox, Joanne 511 Foy 174 Fragua, Cliff 414 Fragua, Glendora 353 Fragua, Chris 325 Fragua, Juanita 325 Francis, Roman 443 Francois Millet, Jean 97 Frankfort, LauRha 189, 200 Frazier, Luke 274, 439 Frederick, Rod 439 Freed, Doug 411, 412 Freeman, Kenneth M. 232 Freeman, Bill 105 Frerking, Joanne 506 Freund, Bruce 257 Fritts, Ron 166, 508 Fritz, Charles 439 Frost, Mardon 295 Frost, Andrea 150 Fryer, Douglas 300

356

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ID #

Fugmann Brongo, Sylvia 177, 477 Fuhriman, Jerry 477 Fujimoto, Sharon 265 Fullerton, K.D. 127 Fulwider, Edwin 97 Furman, Sima 170 Furnace, Cuneo 257

G Gabaldo, Virginia 275 Gagon, Sandy F. 276 Gail, Campbell 4 Gailey, Jolene 508 Galbreath, Eric 328 Galbreath, William Eugene 328 Galchenko, Ivan P. 179 Galien-Laloue, Eugene 443 Gallegos, Miriam 271 Gallis, John 64 Gallo, Rubina 214 Gappasov, Ramil 21 Garber, Mary 268 Garcetti, Gil 271 Garcia, Delfino 321 Garcia, David 443 Garcia, Sharon Naranjo 325 Garcia, Francisco 411, 412 Garcia, Joe 530 Gardoski, Bill 422 Gareginyan, Samuel 366 Garin, Eugene 443 Garns, Allen 433 Garrison, Ron 328, 420 Gartner, Stephen 420 Gartner/Blade 257 Garton, Jeff 112 Gary, Rhea 121 Gasca, Terrence 271 Gaspar, Dinah 325 Gaspard, Leon Schulman 321 Gatski Metal Studio 185 Gawne, John 274, 439 Gay, August 321 Gaylord 174 Geerling-Griffith, Joyce 508 Geissler, Susan 189, 477 Gempe, Tessa 337 George, Mike Roy 353 Gerber, Georgia 276 Gergel, Jr., Dennis James 422

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Gerhartz, Dan 274, 439 Gertenbach, Lynn 232 Gettler, Jes 144 Giacomelli, Gary 422 Gibson, Laura 257 Gienger-Stanfield, Ilene 411, 412 Gile, Selden Connor 321 Gilleon, Tom 439 Gillian 367 Gilliz 257 Gilsinger, Scott 395 Gimby, Linda Lee 395 Ging, Linda 420 Ginter, Mary Ann 232 Gisbert, Alfredo 443 Gjaltema, Jan 516 Gladchenko, Boris 179 Gladson, Carson 127 Glasner, William 257 Glass, Harrie Art 257 Glass, Touchstone 257 Glass, Atlantic Art 257 Glass, Mountain 257 Glass, Meridian Street 257 Glass, Laser Art 257 Glazier, Nancy 485 Gleason, John 43 Glidden, Helen 150 Gluck, Jeffrey Jon 78 Godfrey, Michael 127, 485 Goebel, Rod 485 Golden, Gail 403 Goldenstein, Steve 189 Goldstein, Marty 127 Golightly, Jeanne 508 Golubyatnikova, Yana 179 485 Gonske, Walt Gonzales, Octavio 271 Gonzales, Nivia 352 Gonzalez, Rose 325 Gonzalez Jr., Lex 443 Good, Michael 509 Goodacre, Glenna 71 Goodman, Bernard 4 Goodman, Jeanne 45 Goodnight, Veryl 485 Goodwin-Chronister, Colleen 477 Goodwin-Chronister, Warren 477 Goozee, Dan 439, 485

Name

ID#

Gorb, Vladimir 179 Gorban, Dima 443 Gordinier, David 121 Gorman, R.C. 221, 232 Gott, Susan 377 Goudey, Stan 422 Gould, Mark 265, 328 Grachev, Mikhail 179 Graham, Bruce 64 Graham, Bruce 439 Graham, Conne 391 Grant, Michael 265 Grant, Ken 271 Grant, Lanny 485 Graves, Clane 511 Graves, Slade 506 Gray, Jennifer 271 Gray, Percy 321 Green 443 Green, Justine 90 Green, Carol 275 Green, George 121 Greene, Bruce 485 Greenwood, Brad 485 Greeves, Richard 274 Grelle, Martin 362, 485 Gremel, Jim 127, 275 Gress, Tom 221 Grieves, Bob 127 Griffing, Robert 485 Grigg, Carol 232, 271 Grijalva, Susan 112 Grimm, Brian 274 Grimmer, Jerome 331, 485 Groll, Albert Lorey 321 Groonwald, Heidi 71 Grosse, Stanley 220 Gruber, Scott 275 Gruler, Ernst 189 Guadalupe 257 Guerin, Fort 162 Guetersloh, Herman 275 Guilbert 443 Guion Clay, Amy 300 Gurman, Gail 411, 412 Gurule, R. 485 Gusterson, Leigh 221 Gutierrez, Margaret 353 Gutierrez, Luther 353 Guzman, Antonia 328 Gwathmey, Robert 97

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H Haas, Tom 411, 412, 482 Hadlock, Neil 78 Haefner, Janet 166 Haeuptle, Milly 506 Hagan, Carol 64 Haid, Melissa 348 Hak, Chui T. 439 Halbach, David 439 Hale, Zoe 304 Halko, Joe 439 Hall, Barbara 43 Hall, Richard 408 Haller, Leon 171 Hallmark, George 439, 485 Hall-Strauss, Christina 511 Ham, Jeff 411, 412 Hambone 477 Hamiton, Earl 271 Hammer, Karen 218 Hammond, Catherine 516 Hammond, Max 71 Hampton, John Wade 64, 485 Hampton, Liz 367 Handell, Albert 232 Hankin, Casey 90 Hanks, Steve 232, 276, 439 Hanrie, Cary 220 Hansen, Ken 534 Hansen, Ingrid 534 Hansen, Steve 90 Hansen, Peg 150 Hansen, Armin 97 Hansen, Teresa 477 Hansen, JD 152 Hanson, Roseanne 405, 406 Hanson, Ann 64, 439, 485 Hantman, Carl 439, 485 Haozous, Bob 152 Haozous, Philip 152 Hardman, Julie 346 Hare, Ray 274 Harmon, Karen 506 Harnish, Lisa 391, 516 Harrell, Michael 439 Harrill, James 276 Harrington, Sherry 64 Harris, Sandra 439 Harris, Mark 271 Harris, Sara 328 Harris, Jerry 106 Harrison, Myrna 220 Hart, Ed 411, 412

N ame

ID #

Hartl, Joy 477 Hartley, Claudia 71 Hartley, Dennis 162 Hartley, Marsden 321 Hartshorne, Jean 150 Hartwig, Heine 439 Harty, Dwayne 485 Harvey, G. 274, 485 Harvey, Susan 185 Haskell, David 171 Hasui, Kawase 97 Hatfield, Marc 121 Hattabaugh, Marla 516 Hayden, Jan 150 Hayden Johnson, Roger 265 Hayes, Stacey 112 Haykin, Michael 298 He, An 443 Headlee, Lance 346 Healy, Renee 60 Hedden, Randell 200 Hedge, Ronnie 331 Hedgepeth, Steven 477 Hedin, Don 127 Hedin, Mona 395 Heffernan, Suzanne 477 Hegenauer, Judy 506 Heichberger, R.A. 274 Heichberger, Dick 331, 439 Heide, Van der 516 Hein, Wanda 90 Heinbach, Anna 477 Heizer, Molly 220 Hello Moon Studio 185 Helmich, Susan 161 Helms, Jill 43 Hemry, Sharon 106 Henderson, William P. 321 Hendren, Shane 414 Henle, Cecilia 232 Henleben, Karen 246 Henning, Stephen 304 Henning, Dan 268 Hennings, Ernest Martin 321 Henningsen, Chuck 121 Henri, Robert 321 Hensler, Ginny 48 Hepworth, Jeff 477 Herget, Herbert 485 Herrera, Dorothy 325 Herrman, Marion 220 Hersh, Howard 232 Hershman, D. 189 Herst, L.C. 477

Name

ID#

HeSi 409 Hess, Jeff 433 Hesse-Lowe, Carolyn 331 Hesson, Dyana 71 Hiatt, Deborah 232 Hiers, Peter 300 Higgins, Victor 232, 321 Hill, Barbara 248, 439 Hill, Tom 439, 485 Hill, Dan 105 Hill, Darrell 511 Hiller, Matthew 485 Hillman, Henry 257 Hines, Mark 275 Hinsey, John 209 Hirschl, Melissa 43 Hitchcock, Tim 268 Hlavka, Edward 411, 412 Hlibka, Nadia 516 Ho, Quang 439 Hoberg, Jani 271 Hochman, Alan 9, 328 Hock, Betty 328 Hocking, Jennifer 150 Hoefs, Donna Mae 150 Hoerman, Carl 97 Hoffman, Audrey 214 Hoffman, Karle W. 214 Hogan, Ginny 232 Hogue, Alexandre 321 Holbrook, Peter 276 Holdread, Joy 150 Hollander, Siri 420 Hollebeke, Karin 274 Holman, L. Carter 232 Holmes, Robert 220 Holmes, Elodie 509 Holnback, Sharon 20 Holsinger, Joel 170 Holten, Marleen 112 Holyfield, Ron 355 Homer, Chauncey 274, 439 Honanie, Philbert 325, 353 Hone, Lynn 185 Honshin, Kirsten 188 Hook, William 232, 485 Hornby, Richard 90, 154 Horst, Alex 506 Horton, Eben 275 Hotz, Jonathan 439 Houser, Allen 152 Hovde, Tim 170 Howard, Khandra 391 Howard, Tom 300

Name

ID#

Howell, Brenda 530 Howell, Diane 516 Howell Sickles, Donna 338, 439 Hoyle, James 78 Huckeba, Charles 209 Hudson, Grace Carpenter 321 Huebner, Scott 166 Huekskamp, Willamarie 232 Huey, Keith 485 Huff, Gretchen 112 Hughbanks, Margo 48 Hughes, Gary 127 Hull, Juanita 516 Hull-Carlson, Juanita 506 Hullenkramer, Odon 321 Hulsebos, Marty 516 Hulst, Larry 171 Hunt, Thomas Lorraine 321 Hunter, Russell Vernon 321 Hunter, Laura 348 Hunter, Hannah 48 Hunting, Wes 275, 377 Huntinghorse, Dena 180 Huntington, Margot 150 Hurd, Peter 321 Hurd, Betsy 433 Hurley, Wilson 232 Hurt, Tricia Higgins 127 Husson, Jean-Louis 232 Hutchings, Lavere 232 Hutchinson, Terry 271 Hutchinson, Julee 433

I Iams, Richard 64, 439, 485 Ibe, Kyoko 78 Ibenart 257 Ichter, Bob 78 Ikeda, Homare 265 Ingalls, Pam 433 IreneKlar 232 Irvin, Jill 43 Isaac, Terry 232, 439 Isenhour, Natasha 90

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J Jackson, Christopher 405, 406 Jackson, Thomas 180 Jackson, Harry 274, 485 Jackson, Cindy Lou 275 Jacobs, Phillip 275 Jacomb, Luke 257 Jaka 200 Jake, Verde 180 Jakubowski, Danuta 112 Jakucki, Barbara 516 James, Dean 275 James, Rebecca 321 Janes, Laura 450 Jardine, Mary 516 Jaurique, Tlisza 516 Jeffers, Pat 420 Jenkins, Merilou 209, 477 Jennings, William Scott 331 Jennings, Lynette 298 Jennings, Deb 43 Jereczek, Christian 443 Jewelry, Russell Jones 257 Jilly, Karen 162 Jim, Thomas 180 Jim, Wilson 325 Jin, Feng 405, 406 Jo JI, Yong 78 Joe, Oreland 274, 439 Joe, Campbell 218 Joe-Chandler, Amelia 414 Johansen, Jay 346 Johansen, Melvin 346 John, Alvin 282 John, David K. 220 Johns, David 265, 328 Johnson, Raymond 321 Johnson, Robert 485 Johnson, Frank Tenney 321 Johnson, Steven 220 Johnson, Frank Tenney 232 Johnson, Pattie 209, 294 Johnson, Mark 209, 294 Johnson, Steven 420 Johnson, Heather 506 Johnson, Michelle 48 Johnson, Rose 60 Johnson, Catherine L. 78 Johnston, Walt 232 Jolie, Kaye 43 Jones, Reginald 232

358

N ame

ID #

Jones, Peggy Ann 439 Jones, RW 121 Jones, Jill 230 Jones, Jane 275 Jorgenson, January 433 Joy, Becky 221, 530 Juharos, Stephen 174 Jump, Barbara 174 Justus, Wayne 439

K Kachurik, Ed 257 Kagerer, Margit 516 Kahe, Gloria 325 Kahlen, Kent 90 Kaminin, Aleksandr 179 Kaniatobe, Clayton 353 Kapral, Tim 90 Karkula, Nick 170 Kasimir, Luidi 97 Katz, Jerome 304 Katz, Bernard 257, 275 Katzer, Elaine 232 Kaufman, Carrie 271 Keene, Alice 150 Keers, Michael 508 Keller, Jacque 43 Kelly, James 409 Kelly Moyers, Terri 439 Kelsey, T.D. 274 Kembel, Robert 304 Kemp, Randy 516 Kennedy, Carol 506 Kennedy, Tracey 90 Kennefick, Ed 162 Kenyon, Liz 516 Kepenyes, Pal 78 Kepthart, Jac 220 Kern, Marian 506 Kerr, Joffa 439, 485 Kerrihard, Joanne 162 Kersey, Laurie 433 Kesel, Dale 516 Kesler, Dale 43 Kevorkian, Jean 443 Kewanwytewa, Jimmy 236 Khandro, Sherab 189 Kiffer, Christo 161 Kiger, Barb 506 Kilber, Diana 391 Killman, Woody 189 Kimmel-Plamer, Barbara 327

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ID#

Kimp, Sally 127 King, Jimmy 180 Kinman, Kerry 232 Kinnison, Teri Jo 516 Kinzinger, Edmund 232 Kirk, Michael 180 Kirkpatrick, Robert 411, 412 Kirsch, Andy 506 Kirsten-Honshin, Nicholas 188 Kiyanchenko, Yuri 179 KL, Marsala 43 Klassen, B. Nicole 21 Klein, Steve 257 Klein, David 506 Kliewer, WAA, Susan 248, 331, 355 Klinger, Charlotte 232 Klink, Ed 265 Kliszewski 257 Kloss, Gene 96, 321 Knaub, Raymond 439 Knee, Gina 321 Knight, David 232 Knode, Lauren 477 Knopf, Nellie 321 Knowles, Ruth 516 Kobald, Ray 248 Koch, Francois 439, 485 Koch, Susan 271 Koch, Linda 279 Koenig-Rewis, Gabriele 411, 412 Koerner, W.H. 485 Koinva, Anderson 325 Kolesnik, Boris 179 Kolosovski, Georgi 179 Koloytanov, Oleg 21 Kondos, Gregory 298 Kondrashin, Boris 179 Kondratuk, Vasily 179 Koorey, Christopher 107 Koorey, Damian 107 Koorey, Deborah 107 Koorey, Grace 107 Korbel, Peter 90 Kordash, Dorothy 477 Kori, Kim 411, 412 179 Kostenko, Anatoli Kotka, Peter 443 Kourouniotis, Dimitri 189 Kowalski, Bugs 118

Name

ID#

Kozlov, Peter 21 Krajnik, Bobby 328 Krantz, Vladimir 179 Krapek, Michael 248 Kravetz, Beckie 328 Kremer, Martin 257, 377 Krener, Alexander 179 Kresman 44 Krieger, Heath 275, 506 Krieger, Cathy 275, 506 Krizek 443 Kroll, Leon 321 Kruger-Nye, Edith 150 Krystyna Glass Art 275 Krzyston, Sue 64, 331, 439 Kucera, D.Edward 439 Kucera, Ed 331 Kucerova, Sarah 20 Kudelkin, Viktor 179 Kudryahov, Veniamin 179 Kuhn, Bob 439, 485 Kull, Roger 330 Kulp, Michele 150 Kunze, Ed 185 Kwang-han, Alok Hsu 189 Kwestel, Norma 403 Kwon, Robert 275 Kyle, Amy 322

L Laager, Kaen 439 Lacamara, Laura 232 LaChaussee 257 Lackman, Kate 200 LaDuke, Robert 276 Lague, Mark 276 Laing, Jeff 90 Lalo, Raynard 414 LaMana 44 Lamb, Matt 409 Lamb, Tad 112 Lamkin, JK 346 Lamplot, Joby 221 Lanchev 44 Land, Brent 397 Landis, Lori 264, 337 Lane, Madonna 150 Lang, Steven 274, 331 Langmack, Peter 90 Langston, Mary 214 Larkin, Greg 450 Larkin, Paula 450

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Larkum, Barbara 508 Larrabee, Lisa 209, 269 Larsen, Vic 64 Larson, Jenna 257 LaRue, JoanÂ 439 LaRue, Joan M. 304 Lash, David 224 Latham, Barbara 96, 321 Lauman, Steve 189 Lavato, Julian 325 Lavrenko, Boris 179 Law, Donna 159 Lawrence, Brent 271 Laws, Robin 127 Lawson, Mehl 439 Lawson, T. Allen 439 Lawson, Mehl 64, 274 Lawson, Ernest 321 Layton, Peter 257 Lazar, Tim 257 Lazzaro, Richard 78 le Messurier, Marty 302 Le Tessier, Joseph 409 Leaf, Harry 509 LeBow, Susan 166 Lechner, Impala 150, 174 LeClair, Darlene 112 Lee, Joyce 274 Lee, Linda 232 Lee, Lawrence 40, 232, 304 Lee, Laurie 64 Lee, Terry 200 Lee, Tony 152 Leeds, Karen 247 Legg, Jeff 439 Leggett, Lucille 97 Legler, Michelle 43 Lehmann, Craig 276 Lehnhardt, Wolfgang 64 Leigh, William Robinson 321 Leiloni 403 Leo, Nadine 320, 355 Leona King Gallery 274 Letyanin, Viktor 179 Leung Trombitas, Rosa 516 Levine, Henry 275 Lewin, David 275, 377 Lewis, Lucy 236, 353 Lewis, Greg 325 Lewis, Judy 325 Liang, Wei 477 Liang, Z.S. 485 Liang, Calvin 439, 485 Liao, Sharmen 257

N ame

ID #

Libby, Susan 112 Lichtenhan, Phil 248 Liebert, Gay 271 Lien, Mary 150 Lightfoot, Jon 121 Lillegraven, Linda 64 Lily, Kamon 185 Lima, Gretchen 150 Lindberg, Keith 127 Lindenberger, Manfred 511 Lindsay Art Glass 275 Lindsey, Carolyn 275 Lindstrom, Bart 411, 412 Lindstrom, Liz 411, 412 Link, Evelyn 43 Linscott, Caroline 327 Lipking, Jeremy 439 Lisko 44 Lister, Ernie 325 Liston, Bryce 411, 412 Littlefield, Allen 509, 534 Littlefield, Pat 509 377 Littleton, John Liu, Yingzhao 21 Liu, Huihan 439 Livingston, Francis 276, 298 Lobachev, Yuri 179 Lockward, John Ward 321 Loehr, Sherry 276 Loffler, Richard 274, 439 Logan, Maurice George 321 Logan, Neil 105 Loloma, Charles 353 Lomakin, Oleg 179 Lomatewama, Ramson 414 Lomayaktewa, Cliffton 353 Lonewolf, Joseph 353 Long, Sylvia 121 Long, Stephen Gareth 516 Long, Daniel 477 Long, Ted 274 Longo, Joseph 477 Longstaff, Michael 162 Lopez, Baudel 271 Lopez, Annie 516 Lopez, Leah 411, 412 Lopez, Carlos 491 Loss, Traci A. 43, 159 Lotton, David 257 Lougheed, Robert 485 Louis, Jean 232 Lovato, Anthony 325 Lovein, Matthew 275 Lovell, Tome 485

Name

ID#

Lovett, Mark 200 Low, Jeff 232 Lownes, Jossy 241 Lowry, Sherry 150 Lowry, William 275 Loya, Rosa 271 Loyd, Margaret 516 Luan, Pham 78 Lucas, Tom 483 Luciano 21 Luedtke, Frank 506 Luehrsen, Sandra 43, 516 Lukomski, llya A. 179 Lumbers, James 174 Lundeen, Cammie 274 Lundeen, George 433, 485 Lundeen, Mark 433 Lundskow, Roger 477 Lupetti, Roberto 443 Lycklama, Tiete 60, 166 Lynch, Kit 534 Lynch, Ellen 150 Lynch, James 516 Lynn, Kristy 328 Lyon, Dustin 105

M M. Hoff, Ann 304 Macdonald, Grant 485 Macdonald, Norm 506 Mackenzie, Jeanne 433 MacKinney, Libby 171 Macomber, Nate 506 MacPherson, Kevin 485 Maczuga, Michael 433 Madaras, Diana 290 Madeja, Patricia 257 Maeroff, Adam 268 Magwick, Clive 443 Mahaffey, Jeanne 121 Mahaffey, Merrill 121 Mahoney, Pat 391 Maia-Wilson, Sharon 534 Maija 466 Main, Steven 275, 377 Mairs, Peter 293 Malin, Marc 78 Maller, Roger 166 Mallet, Marlys 189 Mallol, Marissa 443 Malm, Mike 485 Malpica, Misha 477 Malpica, Tony 477 Malysh, Gavriil 179 Manheim, Patt 293

Name

ID#

Manje, David 232 Mann, Paul 485 Manning, Rod 170 Manning, Guy 127 Manning-Catron, Deezie 464 Manuel, Rick 325 Manuelito, Christi 71 Mapes, Jan 355 Marcucci, Kim 221 Marcusen, Richard 506 Mardon, Allan 485 Mares, Shelbee 275 Margolin, Jeff 127 Margulies, Marge 121 Marie, Charles 60 Marie, Michelle 294 Marin, John 321 Marine, Cheryle 144 Marine, Naomi 144 Marinello, Del 90 Marion, Bruce 235, 405, 406 Markusen, Tom 275, 405, 406 Maroscia, Diane 192 Marris, Bonnie 485 Marsh, Robb J 413 Marshall, Robert 300 Marsiglia, Gloria 176 Marsili 443 Marti, Joan 21 Martii 142 Martin, Bob 170 Martin, Mary 60, 166 Martin, Bryan 232 Martin, Ann M. 508 Martinez, Victor 209 Martinez, Jose 271 Martinez, Maria 236, 353 Martinez, Monica Aissa 144 Martinez, Maria 180, 325 Martinez, Jesus 271 Martinez, Julian 353 Marty, David 411, 412 Martynov, Nikolai 179 Martynov, Vasily 179 Masayesve, Victor 325

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Mascarenas, Andi 275 Masik, Vladimir 179 Mason, Louis 265, 403 Mason, Steve 506 Masteller, Marlan (Terri) 477 Matemera, Bernard 536 Mather, Suzi 276 Mathes, Patricia 508 Matkowski, Babara 405, 406 Matter, Janne 222, 477 Matulka, Jan 321 Maverick, Jamie 121 Mazet 257 Mazzetti, Alan 298 Mazziotta, Helen 150 McCabe, Joseph 174 McCaigue, Nicole 43 McCain, Buck 485 McCain, Jessica 304 McCarthy, Frank 64, 439, 485 McCarthy, Kevin 64 McCarthy, D. Micheal 127 McCavitt, Debbbie 509 McCaw, Dan 485 McCaw, John 485 McCollough, Stephen 166 McConaughy, Melody 48 McConkey, Emely 112 McConnell, Gordon 162 McCuan, Barry 534 McCullough, Michael 166 McDonald, David 506 McDowell, William D. 391 McElwain, Louisa 248, 298 McFarland, Robert 127 McGehee, Susan 90 McGovney, Steven 218 McGrath, Clarence 485 McGraw, Sherrie 439 McGuire, JanMartin 439 Mcgulpin, James 395 McHuron, Gregory 485 McKasson, Roger 90 McKee, Rich 174 McKenna, Kenny 304 McKeown, Byron 185, 215 McKeown, Deanne 185, 215 McKeown, Lesley Aine 185 McLaughlin, Larry 511 McLoed, Ann 232 Mclver, Beverly 162 McMahon, Jessica 477

360

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McNichol, Kathy 477 McPherson, David 511 Mead, Kathy 150, 257 Mead, Zane 232 Mead, Joe 271 Mears, Elizabeth 377 Mebeker, Bill 485 Mehr, Cima 328 Mejer, Jason 78 Mejer, Robert 78 Melchi, Joyce 166 Meldrum, Ralph 307 Meldrum, Sheri 307 Melendez, Larry 353 Melessio 275 Mell, Ed 232, 298 Mendoza, David 109 Mensing, David 411, 412 Merrick, Dave 232 Merrill, Leigh 144 Merritt, Stephen 275 Metcalf, Joan 271 Metcalf, Willard LeRoy 321 Metelev, German 179 Metz, Gerry 439 Metze, Chris 162 Meyer 443 Meyer, Susan 112 Meyer, Caleb 275 Michels, Glorianne 395 Mieduch, Dan 274, 304, 439 Migacz, Janusz 366 Mignery, Herb 439 Milan, Pablo Antonio 166 Milan, Henrietta 21 Milanov, Strojan 443 Milar, Marianne 232 Mildenberger, Silke 214 Miletic, Milan 443 Miley, Doug 530 Milhomme, Denis 439 Milici, Tony 275 Milieris, Eduardo 275 Miller, Charlie 516 Miller, Valla 508 Miller, Tad Cheyenne 60 Miller, Cynthia Lynn 389 Miller, Alfred Jacob 321 Miller, G.L. 265 Miller, Macrina “Dolly” 43 Millican, Adam 45 Millican, George 45

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ID#

Mills, Celeste 150 Milner, Valerie 166 Milo, Frank 409 Milow, Keith 300 Ming, Ju 78 Minh, Tran Quang 78 Minnaugh, Terry 439 Mintz, Stephen 218 Miscan, Sergei 179 Misha 443 Mishkin, Amy 232 Mitchell, Bonnie 395 Mitchell, Matt 276 Mitchell, Sharon Augusta 188 Mitrovic 44 Mittag, Bill 439, 477 Mittner, Dave 422 Mocco, Richard 127 Mock, Theresa 150 Mod, Studio 257 Moffett, Nicholas 466 Molnar, George 439 Mondoza 443 Monongye, Preston 353 Monroe, Lanford 485 Monsman, Nancy 328 Montesinos, Victoria 21 Moody, Burdell 60 Moody, Jim 508 Moody, Lynnette 477 Moomey, Bill 304 Moonspoon Studio 185 Moore, Gerald 265 Moore, James G. 248, 433 Moore, Eleanor 485 Moore, Robert 485 Moore, Walker 121 Moore, Paul 152 Mootzka, Waldo 236 Mooya, Aldrick 188 Mooya, Alban 188 Mooya, Levon 188 Moran, Thomas 232 Moran & Brown 60 Morang, Alfred Gwynne 321 Morath, Stephen 232, 276 Morel, J. Chris 232 Morelli, Eugene 274 Morgan, Jessie 175 Morgan, Ed 439 Morgan, Jim 439, 485

Name

ID#

Morgan, Duane 123 Morgan, Elaine 123 Morgun, Ekaterina 179 Morgun, Vyacheslav 179 Morris, Dale 304 Morris, Gail 71 Morrison, Chritopher 275 Morro 443 Morrow, Vickie 391 Mortara, Michael 275 Mosieur, Alex 150 Mossman, Ralph 257 Mottola 44 Mowa, Augustine 353 275 Moyers, William Moyers, John 274, 439 Moyers, Terry Kelley 274 Moylan, Lloyd 321 Mueller, Jim 248 Muench, Charles 433 Muhin, Vladimir 21 Muir, James 220 Mukomberanwa, Nicholas 536 Mulio, Javier 443 Mullally, Paul 439, 485 Mullan, G.E. 232 Mullaney, Mary 257 Mullen, Dennis 257 Muller, Dick 97 Mulligan, Ron 338, 397 Mumba, Eddie 536 Murk, Walter R. 321 Murphy, Brenda 485 Murphy, Cathy 367 Murray, Steve 40 Murray, Richarf 274 Murray, Tom 60, 221, 439 Murray, Richard 64 Muskett, Wayne 420 Myers, Neil 90, 275, 304, 339 Myers, Ross 232 Myers, Cindy 48 Myers, Lori 477 Myerson, Peter 189 Myrah, Newman 485

N Nagel, Terry Naha, Helen Naha, Sylvia Nakari, Judy

43 353 353 112, 294

N a me

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Nakonechniy, Vladislav 179 Namingha, Wayland 414 Nampeyo, Jean Sahmie 325, 353 Nampeyo, Fannie 325, 353 Nampeyo, Pricilla 325, 353 Nampeyo, Rachel 325, 353 Nampeyo, Rayvin Garcia 325, 353 Nampeyo, Tonita 325 Nampeyo, Iris 325 Nampeyo 236 Napier, Jason 105, 466 Naranjo-Morse, Nora 152 Nash, Williard 321 Nason, Gayle 274 Nassano, Jane 516 Natiya, Ed 127 Natoli, Barb 43 Natoli, Ken 43 Navarro, Chris 64, 338, 355 Navarro, Victor 106 Navasie, Joy 353 Navasie, Charlie 325 Neal, Bill 439 Neal, Terry 43 Nechita, Alexandra 265 Neder, Ross 257 Neher, Margaret 257 Nelson, Bonnie 214 Nelson, Vickie 271 Nelson, Dyan 411, 412 Nesvadba, Christian 21, 443 Neswadba, Gerhard 443 Nethercott, Phil 274 Netherwood, Joe 355 Netkov 44 Neuberg, Karen 43 Neumann-Wilderman, Sandra 516 NeVille, Denney E. 64 Newby, Kathleen 159 Newcomb, Rock 439 Newman, Jeremy 90 Newman, Ken 188 Newman, James 78 Nez, Jane 353 Niblett, Gary 64, 436, 485 Nichols, Caleb 275 Nichols, Beverly 304 Nicholson, Katherine 144 Nicholson Art Glass 257, 275 Nielsen, Van 174 Niemi, Penny 150

N ame

ID #

Nieto, John 331, 428 Nikel, Paulette 347 Nikolaev, Kim 516 Ninfa 171 Nobu 44 Noes, Karen 439 Noheimer, Mathias J. 321 Nordahl, David 439 Nordfeldt, Bror Julius Olsson 321 Norman, George 220 Norton, Michael 221, 317 Norton, Jim 439, 485 Nottingham, Randy 477 Nourot 257 Nourot, Michael 275, 377 Novaro 346 Nyanhongo, Agnes 71, 536 Nyanhongo, Gedion 536 Nyanhongo, Wellington 71 Nyanhongo, Collen 71 Nyberg, Susanne 105, 331

O Oberg, Ralph 439, 485 Obermeyer, Michael 433 O’Brien, Randy 90 O’Brien, Willsea 275 O’Dell, Dale 157 Offner, Naomi 189 Ogle, Mark 439 O’Grady, Kevin 257 O’Keefe, Georgia 232 Oland, Doug 144 Oleynik, Arkadiy 21 Olga 174, 508 Olson, Judith 150 Onderdonk, Julian 232 O’Neil Lutes, John 506 O’Neill, Sean 257 O’Neill, Mary Kaye 48 Orr, Joe 248, 439 Orr, Michael 275 Orrantia, Catherine 106 Ortiz, Patti 209 Ortiz, Macaria 271 Osborn, Susan 516 Osburn, Cheryl 166 Ostermiller, Dan 485 Ostrovsky, Victor 359 Osyczka, Bohdan 175 Otis, Jeff 411, 412 Ovchnnikov, Nikolai 179 Owen, Bill 439, 485

Name

ID#

P Pabst, Charles 87, 420 Packard, Gregory 433 Pakula, Mac 304 Palmer, John 78 Pankratz, Richard 142 Paquette, Andrew 18 Paquin, Gladys 325 Paradise, Lucy 257 Paravano, Dino 439, 485 Parente, Karen Ward 106 Paretti, Carol 506 Paretti, Tom 506 Parish, J.D. 200 Parker, Ron S. 485 Parker, Larry 395 Parkhomenko, Avenir 179 Parkin, Jim 388 Parks, Kathy 337 Parotti, Phillip 221 Parsons, Sheldon 321 Paruch, Bonnie 433 Pascal 78 Paswaters, Deborah 78 Patania, Family 325 Patterson, Gerald 90, 258 Patton, Nann Sea 166 Payne, Woodward 511 Payne, Ken 127, 331 Payne, Vic 331 Payne, Dustin 331 Peabody, Barbara 150 Peabody, Ruth 321 Pearson, Ralph 96 Pease, Kathy 189 Peck, Melissa 71 Peckham, Pama 170, 516 Pedersen, Turid 274 Pedja 44 Peebler, Ellen 166 Peele, John 346 Peele, Lynn 346 Peet, Darcie 64 Peirce, Gerry 96 Pelton, Agnes 321 Pena, Amado 232 Penrose 257 Pentewa, Otto 236 Peo, Brenda 150, 177 Peralta, J. 485 Percifull, Gina 268 Perez, Santiago 200, 511 Perkins, Patti 391 Perkins, Shalah 477

Name

ID#

Perkinson, Tom 232 Pernicka, Susan 257 Perry, Carole 121 Pervuninsky, Valdimir 443 Pescheret, Leon 96 Peshlakai, Fred 325, 353 Peters, Robert 274, 439 Peters, Andrew 439, 485 Peters, Deborah 477 Peters, Ben 477 Peters, J.Anthony 300 Peterson, Jerald 477 Peterson, Molly 477 Peterson, Jana 516 Peterson, Carolyn 48 Peterson, Krista 391 Peterson, Michael 106 Peterson, Robert 276 Peterson, Penny B. 373, 531 Pettigrew, Martha 248, 439 Pettigrew, Delmar 248 Pettis, John 355 Pettit, Mark 274 Peynetsa, Priscilla 325 Pfeiffer, Jacob 300 Pharoah, Peter 536 Philabaum, Thomas 209, 377 Philabaum 257 Phillips, Dick 121, 516 420 Phillips, Mike Phillips, Bert Greer 232 Phillips, Joel 274, 439 Phippen, George 232 Phoenix, Mary 171 Pickerd, William 271 Pieper, Kenny 257 Pierce, R.E. 439 Pierson, Markus 232 Pierson, Don 127 Pietrafesa, Daphne 293 Pijoan, Randy 71 Pilgrim, Nancy 516 Pimie, Larry 64 Pinal, Fernand 409 Pine, Jack 257, 534 Pino 439

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Pitcairn, Susan 450 Pitts, Jane 508 Plumb, Eve 71 Plumb, James 276 Pohlman/Knowles 257 Polequaptewa, Ryon 414 Polivka, Donna 232 Pollard, Julie 530 Pollock, Lee 477 Pontecorvo, Alain 21 Ponzini, Andrea 174 Pool, Bob 509 Poole, Martin 300 Poon, John 274 Poong, Dihn Thi Tham 78 Popko, Susan 530 Poppi 257 Poppleton, Chad 485 Porter, Rene 150 Porter, Paul 391 Portnoy, Sallie 257 Potter, J. Alex 232 Poulson, James 274 Powell, Allen 189 Powell, CA, Dave 355 Prechtel, Donald 439 Pregon, Joanna 120 Prescott, Fred 265 Preston, William 232 Prewitt, Cameron 304 Price, Clark Kelley 485 Prince, Neil 121 Prince, Larry 105 Prince, Sandy 105 Prindiville, Jim 231 Pro, Tony 274 Prodanovich, Vladimir 170 Protsouk, Andrei 409 Prythero, Tim 276 Publications, JCG 232 Pujol, Ramon 443 Pummill, Robert 64, 274 Punzo, Abdon 189 Purcell, Carl 397 Purcell, Diane 397 Purcell, Kasyn 397 Purcell, Loren 397 Purcell, Ross 397 Purcell, Roy 397 Puretz, Deborah 78 Pushnin, Aleksandr 179

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Q Quade, Don Quade, Carrie Quarles, Doug Quezada, Alvaro Quezada, Blanca Quinn, Thomas Quinn, Adrienne

300 82 346 271 271 485 150

R Rabby, Jim 142 Rabino, Saul 96 Rabinowitz, Harold 96 Radda, Tania 506 Rafferty, Joanne M. 409 Ragalyi, Barbara 171 Ramazanov, Renat 179 Ramolla, Molly 150 Ramsey, Ian 439 Rankin, Nancy 271 Rankin, Lissa 282 Rascon, Hector 268 Raser, Pierre 443 Ratschenko, Valentina 166 Rauh, Louise 282 Ray, Beth 534 Ray, Elena 150 Raynolds, Linda 64 Razdrogin, Igor 179 Reade, Gregory 411, 412 Rebane, Erikh 179 Redbird, Ida 236 Reddemann, Pat 150 Redden, Grant 439 Redmond, Carol 71 Redpath, Skip 391 Reed, Majorie 439 Reed, Doel 321 Reeves, Sunshine 325 Regden, Cynthia 485 Reich, Jeffrey 348 Reid, Cynthia 265, 304 Reikhet, Viktor 179 Reilley, Carol 508 Reimel, Suzanne 355 Reineke 443 Reisdorf, Martha 411, 412 Rejda, Clara 150 Remiling, Patricia 403 Remington, Ted F. 232 Remington, Frederic 232 Rencher, Ron 439

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Name

ID#

Rene, Susan 221, 337 Renoir, Alexandre 409 Ressdorf, Hans 420 Rey, Jim 232 Reynolds, Ryan 162 Reynolds, James 439, 485 Ricci, Karyn 144 Rice, Bill 439 Rice, Robert 516 Rich, Douglas 248 Rich, Jason 274 Richards, Sarah Lynn 403 Richards, Kirk 300 Richards, Christopher 275 Richardson, Jean 121 Richardson, Jim 352 Richardson, James 4 Richen, John 271 Richmond, Andre 185 Richmond, Ron 300 Riddick, R.S. 274, 439 Rider, Cynthia 516 Ridley, CJ 166 Riedel, David 274 Rieder, Alison Dearborn 232 Riesau, Victor 485 Rigalyi, Barbara 189 Rigden-Paintings, Cynthia 485 Riley, Kenneth 439, 485 Riley, James 293 Riley, Greg 275 Ringer, Charles 64 Rippel, Morris 439 Ritter, David 64 Ritz, Jeanie 271 Rivera, Robert 232 Rivera, Elias 232 Rivera, Diego 232 Riveria, Miguel 192 Roberts, Bonita 439, 485 Robinson, Thom 439 Robinson, Lisa 269 Robinson, Chandra 391 Rock, Tom 422 Rockwell, Norman 96 Rodin, Auguste 409 439 Rodriguez, Alfredo Rodriquez, Ruben 271 Roessler, Joyce 257 Rogers, Scott 248, 331, 485 Rogers, Howard 439, 485

Name

ID#

Rogers, Sarah 338 Rogoway, Esther 265, 328, 420 Rogoway, Alfred 265 Rohrbough, Richard 112 Rojero, Pablo 282 Romanin, Amy 162 Romanychev, Aleksandr 179 Romero, Carla 405, 406 Romero, Danny 325 Rong, Hou 78 Roof, Cynde 346 Rose, Margaret 297 Rose, Guy 321 Rose, Owen 304 Rose, Marlene 257 Rosenborg, Ralph 175 Rosetta 64 Rosin, Dino 142 Rosner, Heidi 201 Ross, Don 337 Ross, Sueellen 439 Ross, Fred 353 Rostkowska, Isabela 328 Rostler, Stephen 200 Rotenberg, Julie 71 Roth, Geoffrey 183 Rothrock, Gloria 189 Roughton, Janie 506 Roux, Peter 162 Rowbury, Guy 64 Rowe, Ken 331 Rownd, Mark 189 Roy, Silas 353 Royal, Richard 257 Roybal, J.D. 236 Royer, Ann 328 Rozinski, Richard 106, 464 Rudd, Susan 328 Rudolph, Barbara 221 Rudolph, Jeff 64 Ruhl, Elizabeth 64 Runde, Paul 257 Rush, Tommie 257, 377 Rush, Olive 321 Rusov, Lev 179 Russell, Charles 232 Russell, Charles Marion 321 Russell, Michelle 477 Russell, Kevin 477 Russell, Ian 212

N a me

I D#

Ryan, Tom Ryan, Richard Rybin

232 346 21

S Sabatino, Chuck 232 Sabeck, Deanne 257 Sabin, Hib 189 Saccheri, David 506 Safarik, Leslie 71 Sahli, Don 331 Sahmie, Rachel 325 Salac, Deb 144 Salamandra 257 Saleh, Ludvic 175 Salinas, Gerard 433 Samples, Terry 411, 412 Samsonov, Igor 21 Sanchez-DeAlba, Julio 477 Sander, Sherry 439 Sanders, John 174 Sanders, Jared 331, 485 Sanders, Amy 509 Sandifer, Rosie 127 Sandifur, Christine 516 Sandzen, Birger 321 Sanford, Kris 144 Sanford, Nancy 150 Sango, Gardener 536 Santa Maria, Chris 144 Sapp, Barry 221 Satava, Richard 257, 377 Saufkie, Lawrence 325 Saunders, John 232 Sautter, Beth 271 Saveleva, Valentina 179 Sawczuk, Bil 485 Sawson, Sheryl 271 Sayen, Murad 367 Sbarge, Suzanne 162 Sbraga, Michelle 43 Scally, Gwyneth 162 Scavuzzo, Rob 257 Schader, Brian 73, 159 Schaefer, Mary 232 Schaldach, William J 96 Schall, Keith 189 Schenkat, Sandy 250 Scheperman, Stephen 185 Schiebold, Hans 265 Schieffer, John 71 Schilling, Kathleen 105 Schkolnyk, Laurent 78 Schlegel, Robert 271 Schlueter, Betty 516

N ame

ID #

Schmetz, Jay 268 Schmid, Richard 485 Schmid, James 328 Schmidt, Brad 485 Schmidt, Mary Jane 271 Schmidt, Jane 162 Schmidt, Travis 214 Schmitz, Carolyn 506 Schrepferman, Steve 64 Schroder, Henner 257, 377 Schutzky, Marilyn 516 Schwieder, Paul 257 Schwiering, Conrad 485 Schwindt, David 248 Scott, Allen 60 Scott, Ray 180 Scott, Lindsay 485 Scott, Jim 328 Scott, Sue 106 Scott-Hansen, Nina 265 Sculpture, Renoir 409 Sculthorpe, Peter 271 Seabeck, Robert 64, 485 Seacord, David 477 Seamons Crookston, Nancy 439 Sears, Mary Ann 506 Seckler, Frank 275 Seechoma, Ed 414 Seegmiller, Don 232 Seery-Lester, John 485 Sekakuku, Kevin 414 Seltzer, O.C. 321 Semanick, Brenda 405, 406 Senda, Yayoi Joy 78 Senkarik, Mikki 405, 406 Serpa, Louise L. 192 Seyler, J. 485 Shablykin, Yuri M. 179 Shackelford, R.D. 48 Shaddix, Bill 65, 105, 477 Shade, Adin 90, 232 Shafer, Sharon K. 232 Shafermeyer/Kelly 257 Shaffer, Alex 516 Shaposjnikov, Mikhail 179 Sharp, Joseph Henry 321 Sharpnack, Nancy 150 Shaver, Marvin 300, 328 Shaw, Harry H. 321 Shaw, Tim 275 Shaw, Adam 78 Sheafor, Nathan 275 Shelton, Doug 304, 328

Name

ID#

Shemanski, Reva 4 Shen, Han Wu 276 Sheridan, Duffy 276 Sherman, Clara 353 Sherstobitof 44 Sherwood, Patricia 78 Shinabarger, Tim 274 Shipilin, Igor 179 Shirer, Margaret 112 Shona Sculptures 405, 406 Shoop, Gary 64 Shore, Henrietta 321 Shore, Fredric 506 Shores, Robin 224 Short, Margret 271 Shorty, Perry 180 Shpolonskaya, Lyudmila 179 Shu, Yigian 485 Shufelt, Robert 274 Shunzhi, Xiao 78 Shutt, Sidney 21 Shyne, Dianna 271 Sickles, Phyllis 90 Sievers, Gregory 105, 441 Silver, Stephen 78 Silversmith, Village 397 Silverwood, Mary 232 Silvis, Deborah 516 Simic, Mario 443 Simmons, JuLee 411, 412 Simonette, Claudio 443 Simons, David 420 Simplicio, Noreen 325 Simplicio, Mike 353 Simpson, Diane 506 Simpson, Josh 257 Simpson, Rogue 485 Sims, Kyle 485 Sipe, Lisa Marie 144 Sirugo, Sal 175 Siska, Andres 443 Sisson, Laurence 232, 276 Situ, Mian 485 Skalny, Mark 516 Skelley, Jeff 90 Skidd, Peter 275 Skidmire, Ryan 485 Skidmore, Ellen 71 Skillings, Gina 185 Skol, Greg 276 Skorikov, Yuri 179 Skryabin, Vladimir 179 Skurja, John 506

Name

ID#

Skwier, Ronald 395 Slabbinck 44 Slack, Dan 90 Slater, Gary 511 Slaton, Paul 121 Sloan, John 321 Sloane, Eric 321 Slonaker, Terry 90, 112 Smiley, Donald 60 274 Smith, Brett Smith, Kevin Lane 188 Smith, Channing 96 Smith, Gary Ernest 298 Smith, George D. 64 Smith, Bob 265, 420 Smith, Matt 485 Smith, Tucker 485 Smith, Gary Ernest 362, 485 Smith, Daniel 485 Smith, Bob 265 Smith, S. Carlyle 328 Smith, Tad 45, 456 Smith, Dennis 274 Smith, George D. 274 Smith, William G. 274 Smith-Harrison, David 300 Snarr, Karolyn 144 Snidow, Gordon 485 Snow, Tyson 300 Snyder, Mary 43 Snykers, Sabine 328 Sodd, Teri 232 Soderberg, John M. 467 Sokol, Holly 506 Solin, Randi 265, 275 Solomon, Ruth 409 Sorrell, Robert 325 Sorrelli 257 Sosin, Micheal 90, 275 Sotero, Lisa 433 Speck, Gene 331 Spencer III, William 60, 282 Spiegelman, Vivian 144 Spittler, Robert 367 Spoon, Joe 185

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D ri rt ei sc tt so Lr yi s to ifn g A G sa l l e r i e s

N a me

I D#

Spoon, Anne 411, 412 Srecko 44 St. Clair, Linda 64, 485 Stack, Michael 274 Stackhouse, JoAnne 150 Stahl, Ben 485 Stang, Sam 348 Stanley, Dottie 90 Stano, Michael 220 Star, Kevin Red 64 Starke, Phil 274 Starling, Kate 127 Staroska, Tony 90 Stateham, Gigi 293 Stavrowsky, Oleg 485 Stearns, Katie 159 Stedman, Catheryn 293 Steele, JM 271 Steensen, Nancy 271 Steiner, Trisha 4, 221 Stellar 257 Stenberg, Rob 415 Stento, Steve 451 Stephens, John 409 Stephens, Fredrick 127 Stetson, Lorin 105 Stevens, Victor 352 Stevens, John 300 Stevens, Roderick 4 Stewart, Rick 405, 406 Stewart, Hal 477 Sticks 265 Stillman, Bruce 127 Stinson, Pasha 271 Stinson, Henry 71 Stites, Ramona 224 Stites, Richard 224 Stockhill, A.M. 60 Stoecklein, David R. 232 Stoll, Kathleen 90 Stoncek, Lee 274 Stone, Hazel 328, 516 Stone, Chelsea 506 Stone, Terry 506 Stone, Molly 377 Stone, Cohn/ 257 Stonebarger, Virginia 91, 328 Storms, Jack 257 Stout, Paul 214 Stout, Dave 411, 412 Strahan, Bennett 346 Strain, John Paul 485

364

N ame

ID #

Stratman, Jennyfer Strewart, Mark Strickland, George Strigin, Vasili Strini Strivers, Donald Strong, Randy Stuart, WAA Sherry Blanchard Studio, Kraynek & Prince Suchiu, Ron Sudal, Jim Sugarman, Michael Sullivan, Barbara Sumida, Gregory Summa, Henry Supplee, Charles Supplee, Don Surman, Thomas Suttman, John Svagrik, Gabor Swanson, Trevor Swanson, Ray Swanson, Jack Swearngin, Michael Swinney, Carol Symons, George Gardner Szabo, Marilyn

78 485 485 179 257 485 257 355 185 422 508 161 395 274 257 180 180 275 90 248 274 485 485 232 433 321 511

T Tacheenie-Campoy, Glory 462 Tadeusz 174 Tafoya, Camilio 353 Tai, Wei 477 Takamura, Kaori 144 Takayama, Michio 175 Talberg, Boris 179 Talbot, Tom 248 Tallarovic, Joanne 506 Tamarin, Vanessa 48, 403 Tanczos, Zoltan (Steve) 331 Tanenbaum, Robert 127 Tang, Mina 463 Tang, Huai 411, 412 Tank, Rowena 48 Tanner, Tim 274 Tarbox-Crone, Lavonne 271 Taschler, Dina 508 Tatom, Kirk 121 Tatum, LuLu 304

A r i zo na Co l l e c to r ’s G u ide 2 007 -2 008

Name

ID#

Taube, Charles 133, 477 Tauglechee, Daisy 353 Taun 174 Taya 282 Taylor, Peggy 112 Tch, Slava 265 Templeton, William T. 232 Tenakhongva, Clark 414 Tennant, Craig 64 Terace, David 43 Terbush, Dale 232, 466 Terpening, Lisa 218 Terpening, Kim 367 Terpning, Howard 439, 485 Terpning, Susan 485 Terpstra-Lou 271 Terry, Rafe 189 Tewaquaptewa, Wilson 236 Tharalson, Douglas 458 Thayer, Ann Turpin 19 Thirion, Christian 257 Thomas, Petersen 293 Thomas, Tommy 508 Thomas, Charles 508 Thomas, Linne 48 Thomas, Richard D. 485 Thomas, D. Michael 64 Thomason, Jim 232 Thompson, Leslie 127 Thompson, Jan 112 Thompson-Smith, Shirley 298 Thorpe, Troy 395 Thorpe, Mackenzie 71 Tiller, Frank 352 Tiller, Don 411, 412 Timlov, Nikolai 179 Timothy, Lane 71 Tjiang, Paulus 275 Tobey, Gene 142, 248 Tobey, Rebecca 142, 248 Tobias, Jacque 43 Tom, Jack 180 Toma, Bill 466 Tomasevic 44 Toner, James 328 Tongue, Nancy 271 Torrens, Tom 275 Touchon, Cecil 300 Townsend, Connie 337 Transfield, Leroy 411, 412 Trask, Tim 477

Name

ID#

Treskin, Anatoli 179 Triano, Joe 346 Trimpol, Michael 275 Trombitas, Rosa Leung 516 Trueblood, L’Deane 411, 412 Trujillo, Adrian 189 Tso, Virginia 414 Tsosie, Boyd 180, 236 Tsunami Glassworks 257, 275 Tsvetkov, Viktor 179 Tuomisto-Bell, John 162 Turnbull, Cheston 282 Turner, Ben 321 Turpin Thayer, Ann 19 Twisp River Glass 275 Tyler, Carolyn 161 Tyree, Steve 271 Tyson, Suzanne 516

U Ufer, Walter Ullberg, Kent Ungari, Joseph Unger, David Uotila, Heidi Upshaw, Lucius Upson, Sandy Usikova, Evdokiya Utrillo, Maurice Vaatz, Wolfgang Vaishlya, Leonid Valenzuela, Manny Valley-Potters, Pahrump

232 485 271 248 466 189 464 179 96 21 179 328 397

V Vallo, Adrian 325 Van Dreal, John 271 Van Helsland, Dikki 112 van Rensburg, Derric 536 Van Reyper, Richard 90 Van Ryder, Jack 96 Vance, Karen 64 Vandenberg, David Johnson 328 Vanderlaan, Peter 377 Vandermark/Merritt 257 VanFossan, James 411, 412 Vargas, Lawrence 403 Vaughn, Johnny 477 Vaupel, Barbara 248 Vazakas, Maura 162 Veeder, Larry 355

N a me

I D#

Velasco, Juan 218 Velasquez, Damian 275 Veloz, Celia 271 Venditti, Jerry 274 Venell, Dave 108, 477 Vergun, Natalya 179 Verhees, Robert 257 Vermaas, Meiny 516 Vernon, Karen 232 Vezo, Tom 166 Vierra, Carlos 321 Vigil, Veloy 232 Viidalepp, Ants 179 Vilona, James 275 Viskar, Judith 395 Vista, Linda 232 Vitrix 257, 275 Vityuk, Ivan 179 Viveiros, Kazaan 162 Voepel, Karlene 218 Vogel, Kate 377 Vogt, Russ 265 Vogt, David 516 Volkov, Alexander 142 Volkova, Nina 179 Vollmer, Jim 90 Volodin, Mikhail 179 von Hassler, Carl 321 Voss, Mark 106

W Wackerle, Fred 508 Waddell, Arin 509 Waddell, Gene 518 Wade, Mark 282 Wade, Lynn 485 Wagner, Richard 112 Wagner, Margie 112 Wahl, Jack 90 Wahl, Donna 150 Wait, Gertrude 112 Walbye, George 275 Walde, Sue 391 Walde, Neal 391, 516 Waldman, E.H. 282 Walker, Brian 268 Walker, Douglas 328 Walker, N. Stuart 232 Walker, Kim 90 Walker, Rusty 232 Wallace, Greg S. 274 Walsh, Judith 511 Walsh, Frank 352 Waltensperger, Charles 96 Walters, Curt 485

N ame

ID #

Walton, Tal 274 Ward, Marian 171 Ward, Don 221, 275 Ware, Libby 275 Warne, Zion 391 Warner, Todd 397 Warren, Melvin 485 Warren, Robib 150 Warren, David Lloyd 275 Warren, Bub 346 Wassink, Lee 275 Waste, Katherine Lemke 71 Watson, Carolyn 166 Watson, Kathy 530 Watts, Ben 209 Wayne, Debora 257, 275 Weahkee, Teddy 353 Wearden, CK 403 Webb, Maret 391 Webster, Don 127 Wegener, Pam 403 Weinfurtner, Cheryl 397 Weingberg, Michael 534 Weissmann, Naomi 218 Weistling, Morgan 485 Weller, Robert 271 Wells, Cady 321 Welsh, Philip 509 Wendt, William 321 Wenz, Greg 218 Wenzhong, Cao 78 Wernerke, Joanne 403 West, Doug 276 West, Joanne 516 Westbrook, John Kimball 508 Westwood, Barbara 142 Wheeler, David 477 Wheeler, Rick 90 Whisson, Colley 411, 412 Whitaker, Lyman 127 White, Jeff 271 White, Fritz 485 White, Mark 248 White, Deborah 43 Whitefeather 232 Whitney, Roger 395 Wieghorst, Olaf 232, 274, 485 Wilbanks, NWS, Mary 282 Wilderman, Sandra Neumann 43 Wiley, Joshua 282 Wilke, Rosario 508 Wilke, Ulfert 175

Name

ID#

Wilkerson, Norma 150 Willeto, Charlie 236 William, Ingrid 221 Williams, Todd 274 Williams, Kay 355 Williams, Richard 71 Williams, Tommy â&#x20AC;&#x153;Lodopotsâ&#x20AC;? 275 Willigrod, Jenny 159 Willison, Jr., Darryl 232 Wilson, Jeff 162 Wilson, Sandy 508 Wilson, Sterling 353 Wilson, Donald 411, 412 Windsor, Lynne 276 Winfisky, Jonathan 275 Wing, Ginny 150 Winter, Joe 90 Wipfler, Kathy 485 Witcher, Diane 485 Witkop, Carl 220 Witowski, Jim 450 Witt, Janise 189 Wolf, Barry 511 Wolf, Liz 189, 511 Wollschlager, Laura 530 Wolter, Ted 516 Wood, Roger 265 Wood, Julie 232 Woods, Sarah 485 Woodside, James 298 Woolcott, Sam 282, 427 Woolway, Bill 265 Wooten, Walt 121 Worrell, Bill 142, 248 Wright, David 78 Wyant, Mary 232, 304 Wyeth, Andrew 232 Wyeth, Newell Convers 321 Wylder, Jim 271

XYZ Xi Ma, Dong 21 Xiang, Fang 78 Xiaohang, Wu 78 Xiaotong, Shen 78 Yaeger, John 232, 237 Yamano, Hiroshi 257 Yarnell, Joseph 508 Yavich, Petr 179 Ybarra, Frank 232 Yegiazaryan, Boris 420 Yellowhammer, Ani 265 Yellowhorse, Artie 420 Yellowhorse 346

Name

ID#

Yeung, Nam Kei 411, 412 Yoder, James 516 York, Star Liana 248 York, Star 189 Yorke, David 485 Yost, Karl 275 Young, Rina 257 Young, Paco 485 Young, Diane 534 Young, Ava 150 Young, Dan 221, 274 Young, Jan 78 Young, Harland 346 Young-Hunter, John 232 Youngquist, Romona 71 Yubeta, Kim 248, 420 Yukin, Vladimir 179 Yuroz 142 Zabari, Avrner 265 Zach, Vilem 395 Zagonek, Vyacheslav 179 Zakrzewski, Andrea 174 Zapp, Erica 257 Zeddazed 411, 412 Zeller, Emma 150 Zents, Shawn 200 Zesch, Gene 485 Zhang, Xiang 485 Zhou, Jie-Wei 485 Zhukov, Vladimir A. 179 Zhumabaev, Tuman 179 Zierten, Lee 391 Zimin, Alexander 21 Zink, Beth 63, 477 Ziontz, Sylvia 220 Zischke, Jeff 171 Zivic, William T. 528 Zloto, Alexandra 516 Zobel, Michael 161 Zodrow, Lisa 275 Zukauskas, Susan 411, 412 Zungia, Francisco 232 Zverkov, Sergey 21 Zwiefel 257 Zygmunt, Joan 274

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365

D di rv ee cr tt oi sreyr oL fi sGt ianl gl es r i e s A

Color Key

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Bisbee C a r e f r e e /C av e C r e e k Phoenix Sc o t t s d a l e Sedona Tubac Tucson N o rt h e r n A r i z o n a

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55 Main (p 30) 520-432-4694 Anderson/Mandette (p 344) 928-634-3438 Ann Turpin Thayer (p 234) 480-598-9090 Arlene’s (p 20) 520-457-3833 Art Gallery (p 104) 520-624-7099 Art on Boston (p 134) 480-917-1112 Arts Prescott (p 333) 928-776-7717 Belleza (p 26) 520-432-5877 Beth Zink Studio (p 262) 480-538-5428 Bonner David Galleries (p 201) 480-941-8500 Brian Schader (p 268, 271) 480-837-6440 Calvin Charles Gallery (p 204) 480-421-1818 Carrie Quade Squlptures (p 232) 505-474-7333 Charles Pabst Gallery (p 192) 888-649-7003 Cobalt Gallery (p 60) 520-398-1200 Copper Shop (p 40) 520-432-4455 Covington Fine Arts Gallery (p 86) 520-298-7878 Craig Bergsgaard (p 212) 720-312-4498 Bronze Sculpture D. Lyon Art (p 263) 480-595-9569 Dahlia’s Gallery (p 115) 520-490-3445 Dave Venell Studio (p 126) 602-448-3354 DeGrazia (p 108) 520-229-9191 Gallery in the Sun Desert Artisans Gallery (p 80-83) 520-722-4412 Desert Son (p 106) 520-299-0818 Diane Barbee Studio (p 120) 623-680-2881 Duley-Jones Gallery (p 168) 480-945-8475 Eclectic Image (p 316) 928-203-4333 El Prado Gallery (p 308) 928-282-7390 Envisions by Taube (p 210) 602-463-1982 Exposures (p IFC, 1, 282) 800-526-7668 International Feminine Mystique (p 52) 520-398-0473 Figarelli Fine Art (p 178) 480-609-7077 Fountain Hills Artitsts’ (p 272) 480-836-9919

366

A r i zo na Co l l e c to r ’s G u ide 2 007 -2 008

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Galleria Tubac (p 72) 520-398-9088 Gallery 527 (p 338) 928-649-2277 Gallery Andrea (p 164) 480-481-2530 Gallery of Dreams (p 14-19) 520-720-2649 Gallery West (p 90) 520-529-7002 Gebert Gallery (p 198) 480-429-0711 Geoffrey Roth (p 314) 928-282-7756 Gifted Hands Gallery (p 311) 928-282-4822 Golden Lotus Gallery (p 290) 928-282-5269 Goldenstein Gallery (p 288) 928-204-1765 Heddenart Gallery (p 154-157) 480-272-7180 Heidi Rosner Fine Art (p 214) 480-657-6392 Hemleben Gallery (p 342) 928-451-4853 Holly Arthur (p 222) 602-595-4700 Huckeba Art (p 330) 928-445-3848 Ian Russell Studio (p 332) 928-445-7009 Illusions Gallery (p 84, 368, IBC) 520-296-5752 Isadora (p 310) 982-282-6232 Handweaving Gallery James Ratliff Gallery (p 300) 928-282-1404

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Javadog Gallery Jeanne Bonine Jim Prindiville Studio Joanie Anderson Studio John C. Hill Antiques JR Eason Karen Leeds Studio Karin Newby Gallery Kate Drew- Wilkinson Designs Kenya Kasuals Kuivato Gallery

Featured at Jim Prindiville Studio

(p 281) (p 266) (p 265) (p 267) (p 186) (p 220) (p 208) (p 66) (p 34)

928-634-5217 480-585-1985 480-575-1525 602-616-3555 480-946-2910 406-793-0888 602-321-0219 520-398-9662 520-432-7818

(p 239) (p 306)

480-268-9200 928-282-1212

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Lanning Gallery (p 294) Lark Art (p 298) Larrabee Art (p 88) Lee Brotherton (p 238) LeKAE Gallery (p 150-153) Linda Budge Studio (p 256) Linda Koch (p 228) LKG Contemporary (p 203) Madaras Gallery (p 96) Manheim Gallery (p 278) Manos Gallery (p 54) Martha Braun (p 202) Marty Le Messurier (p 260) Max Gallery, The (p 92) Meldrum Metal Art (p 264) Mitchell Brown Fine Art (p 176) Morning Star Traders (p 112) Mountain Shadow (p 94) Gallery Mountain Studio, Inc (p 246-249) Mountain Trails Galleries (p 312) Navarro Gallery (p 304) Neil Myers (p 114) Nickel Creek Gallery (p 254) Nikel Gallery at CDO (p 270) Obsidian Gallery (p 102) Occasions! By Design (p 206) Old Presidio Traders (p 70) Old Territorial (p 184) Indian Arts Open Range Gallery (p 166) Optimo (p 32) Pamela Laurence Gallery (p 98) PanTerra Gallery (p 38) Paul Scott Gallery (p 200) Penny Benjamin (p 230) Peterson Phoenix Airport (p 122) Practical Art (p 124) Prescott Fine Arts Assoc. (p 335) Providence Galler (p 144-149) Pura Vida Gallery (p 340) Purcell Galleries (p 48-51) of Fine Art Quilts Ltd (p 64) Rain Bird of Scottsdale (p 188) Renee Taylor Gallery (p 318)

928-282-6865 928-282-5545 520-400-4531 480-220-9505 480-874-2624 480-595-9985 559-259-6111 480-945-1209 520-623-4000 928-649-0130 520-398-8144 520-529-3106 602-770-7643 520-529-7349 480-473-2224 480-421-9475 520-881-2112 520-577-6301 480-595-2443 928-282-3225 928-204-1144 520-260-1740 480-575-0012 480-502-6912 520-577-3598 480-423-0506 520-398-9333 480-945-5432 480-946-0044 520-432-4544 520-577-4994 520-432-3320 480-874-3000 602-989-4534 602-273-2105 602-264-1414 928-445-3286 480-946-2297 928-634-0937 520-398-1600 800-255-2306 480-425-7585 928-282-7130

Featured at LeKEA Gallery

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Renee Taylor Gallery (p 75) Richard Hall Fine Art (p 236) Rima Fine Art (p 162,BC) Rive Gauche (p 158-161) Contemporary Rive Gauche Traditional (p 158-161) River Trading Post (p 182) Rob Stenberg Art (p 218) Rogoway Turquoise (p 56) Tortoise Sam-Poe Gallery (p 36) Savvy Collector, The (p 128) Scottsdale Fine Art (p 170) Sievers Gallery (p 174) Silverbell Traders (p 100) Studeo Tad (p 136, 205) Studio Tharalson (p 225) Sue Averell Studio (p 226) Sylvia Fugmann Brongo (p 269) Tang Gallery (p 41) Tangerine Gallery (p 110) Tohono Village (p 62) Tom Lucas (p 216) Tubac Territory (p 58) Turquoise Tortise (p 296) Van Goghâ&#x20AC;&#x2122;s Ear (p 324-329) Verano Fine Art Gallery (p 28) Victoria Boyce Gallery (p 172) Virginia Allison (p 258) Virginia Brooks (p 250) Vision Gallery (p 133) Waddell Trading (p 190) Wild Holly Gallery (p 252) Windrush Gallery (p 284) Z Forrest (p 68)

520-398-9510 602-819-7199 480-994-8899 480-368-3530 480-947-6372 480-444-0001 623-297-1741 520-398-2041 520-432-5338 602-906-1633 480-990-3100 208-293-4171 520-797-6852 480-403-1020 818-437-5702 415-706-5051 480-488-4749 520-432-5824 520-326-5028 520-398-2223 307-330-7436 520-398-2913 928-282-2262 928-776-1080 520-432-5095 480-941-2494 480-471-7772 480-220-6696 480-917-6859 480-990-1004 480-595-8757 928-282-7676 520-398-9009

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367

Pattie and Mark Johnsonâ&#x20AC;&#x2122;s

Illusions Gallery

Glass Illusions Studio

Judith Bateman Lisa Larrabee

Gary Swimmer Pattie and Mark Johnson

6530 E Tanque Verde, Tucson, AZ 85715 520-296-5752 glassart4u@aol.com www.glassillusionsstudio.com www.illusionsgallerytucson.com

Indoor and Outdoor Sculptures

Work by Pattie and mark Johnson

Fused glass and steel

Fused Glass and aluminum

6530 E Tanque Verde, Tucson, AZ 85715 520-296-5752 glassart4u@aol.com glassart4u@aol.com www.illusionsgallerytucson.com