NEW HIRE MATERIALS 2010-2011
Polskie Wydawnictwo Muzyczne Sa
Polskie Wydawnictwo Muzyczne Sa
al. Krasińskiego 11a, 31-111 Kraków tel. +48 12 422 70 44 centrala fax +48 12 422 01 74 www.pwm.com.pl e-mail: pwm@pwm.com.pl Hire Library tel. +48 22 635 35 50 bmo@pwm.com.pl Promotion Department tel. +48 12 422 70 44 w. 153 promotion@pwm.com.pl
Fryderyk Chopin (1810–1849) Piano Concerto No. 1 in E minor Op. 11 (1830)
version for piano and string orchestra (orch. J. Lewtak) ca 40’
Piano Concerto No. 2 in F minor Op. 21 (1830)
version for piano and string orchestra (orch. J. Lewtak) ca 30’
Piano Concerto No. 1 in E minor Op. 11 (1830) (parts based on the National Edition) pf solo-2222-2210-timp-archi ca 40’
Piano Concerto No. 2 in F minor Op. 21 (1830) (parts based on the National Edition) pf solo-2222-2210-timp-archi ca 30’
Fantasia on Polish Airs Op. 13 (1829) for piano and orchestra (parts based on the National Edition) pf solo-2222-2200-timp-archi ca 14’
Krakowiak. Grand Rondo de Concert Op. 14 (1828) for piano and orchestra (parts based on the National Edition) pf solo-2222-2200-timp-archi ca 14’
Polonaise in E flat major Op. 22 (1835) for piano and orchestra (parts based on the National Edition) pf solo-2222-2100-timp-archi ca 13’
Variations on “La ci darem la mano” from Mozart’s “Don Giovanni” Op. 2 (1828) for piano and orchestra (parts based on the National Edition) pf solo-2222-2000-timp-archi ca 17’
Jan Ekier (*1913) Suita góralska / Highlander Suite (1935) for chamber orchestra 1110-0000-batt (1esec) pf-archi ca 16’
The piece was awarded 3rd prize at the composition contest of the Editors’ Association for Polish Music in 1935.
Mikołaj Górecki (*1971) Zan tontemiquico (2006)
for orchestra 4343-4331-batt (4esec) cel 2ar pf-archi ca 20’ Zan tontemiquico means “we come only to dream” Nahuatl language. It is an excerpt from a pre-Columbian Mexican poem. It says: ”We only rise from sleep/ we come only to dream/ it is not true, it is not true/ that we come on earth to live.” Premiere on 26th of March 2011, Katowice, Festiwal Prawykonań, The NOSPR Orchestra, José Maria Florêncio (cond.)
Maciej Jabłoński (*1974) Fuori (2010) Concerto for 2 pianos, orchestra and electronic layer 2pf solo-333(+2sxf)3-4331-batt (4esec) chitb.el. 2acc-archi (12.12.8.8.8) ca 37’ This is a composer’s debut at the PWM Edition. Fuori means in Italian “inside out” and portrays inner struggle of an individual toward his or hers real identity. Premiere on 26th of March 2011, Katowice, Festiwal Prawykonań, Lutosławski Piano Duo — pf, The NOSPR Orchestra, José Maria Florêncio (cond.)
Mieczysław Karłowicz (1876–1909) Symphony in E minor op. 7 „Odrodzenie” / “Rebirth” (1902) 3222-4231-timp-archi ca 47’
New parts based on a critical edition by J.Salwarowski.
Wojciech Kilar (*1932) Death and the Maiden (1994) suite from the film by Roman Polański
for orchestra 2220-4331-timp batt (3 esec)pf ar cemb-archi (8.7.6.5.4) ca 14’
Orawa
for large string orchestra ca 9’ The original version scored for 15 soloists has been enlarged; this version is dedicated to large string ensembles.
Suite after themes from Krzysztof Zanussi’s films
for orchestra (1972/1974/1980/2009): Iluminacja / Illumination (1972) cemb-archi(12.4.4.4.4) ca 2’ Kontrakt / Contract (1980) 0000-0300-tmp tmb c.c. 2gg-pf-archi (12.12.8.8.8) ca 5’ Bilans kwartalny / Quarterly Balance (1974) 1100-2100-2ar-cel cemb pf-archi (12.8.6.6.4) ca 3’ Hipoteza / Hypothesis (1972) 2(picc)012-4331-batt (4esec) cemb 2ar cel (anche pf)-archi (6.4.4.4.2) ca 1’30” Themes from particular films are available also separately.
Uwertura uroczysta / Solemn Overture (2010) for symphony orchestra (2010) 3333-4441-tmp timb c.c., ptti, tmtpf-archi ca 15’
A piece commissioned by the city of Katowice. The premiere took place on 12th of September 2010. The Overture was performed by the Silesian Philharmonic conducted by Mirosław Jacek Błaszczyk.
Stefan Kisielewski (1911–1991) Dialogi na 14 instrumentów / Dialogues for 14 Instruments (1970) 2211-2220-archi (1.1.1.1.1) ca 9’
Premiere: April 1972, The Poznań Music Spring, The Chamber Ensemble of the Poznań Philharmonic, Jan Roehl (cond.)
Krzysztof Knittel (*1947) Tanie imitacje / Cheap Imitations (2008)
for flute, Bb clarinet B/Bb bass clarinet, string quartet, piano and sound reproduced by CD or computer ca 19’ The title recalls John Cage’s title of the piece Cheap Imitation based on the composition Socrate by Eric Satie. Dedicated to Vladimir Tarnopolski and the Studio fo New Music Ensemble. Premiered at the Moscow Autumn Festival on 27th of November 2008. Polish premiere on 30th of August 2009, Warsaw, during the European Workshop for Contemporary Music, Szymon Bywalec (cond.)
Justyna Kowalska-Lasoń (*1985) Obraz 1929 (Zdzisław Beksiński in memoriam) / Image 1929 (2008) for symphony orchestra 3333-3331-batt (3-5 esec)pf-archi ca 14’
Awarded 1st prize in the A. Malawski Composition Competition in 2008. Premiere performed by The Rzeszów Philharmonic Orchestra conducted by Marek Pijarowski, 26th of September 2008.
Śpiewam nowoczesnego człowieka / The Modern Man I Sing (2011) for symphony orchestra 0000-4441-batt (7esec) cel ar-archi ca 8’
The title comes from One’s-Self I Sing, a poem by Walt Whitman. Dedicated to the composer’s husband, Aleksander Lasoń. Premiere on 26th of March 2011, Katowice, Festiwal Prawykonań, The NOSPR Orchestra, José Maria Florêncio (cond.)
Zygmunt Krauze (*1938) Listy / Letters (2010)
for 4 pianos and symphony orchestra 4 pf solo-22(+3sxf)2-2220-acc-archi (8.7.6.5.4) ca 20’ The piece was commissioned by the “Warsaw Autumn Festival”. The premiere took place on 17th of September 2010. Performers: Anna Górecka, Magdalena Lisak, Iwona Mironiuk, Małgorzata Walentynowicz (piano) and the National Philharmonic Orchestra conducted by Reinbert de Leeuw.
Voyage de Chopin (2010)
for chamber choir a cappella or with a folk instrument group
coro misto-Polish folk instruments (4 złóbcoki, 4 fujarki, 4 dudy, 4 liry korbowe / 4 folk violins, 4 fifes, 4 bag pipes, 4 hurdy-gurdys) ca 18’ The piece was commissioned by the Orange Foundation and Polish Institute in Paris on the occasion of the Chopin Year 2010 celebrations. The premiere took place on 12th of June 2010 in the Teatr Wielki-Opera Narodowa in Warsaw, during the Festival Chopin Open — Folle Journée de Varsovie. Performers: Warsztat Muzyczny ensemble, Camerata Silesia Choir, Anna Szostak (cond.)
NOTE: the version for a cappella choir is for sale only.
Jan Krenz (*1926) Divertimento
2222-0010-batt (2esec)-archi A composition by a famous Polish conductor.
Andrzej Krzanowski (1951–1990) Suita z Audycji V / Suite from the Programme V (1978)
for soprano, choir and instrumental ensemble text: Zbigniew Dolecki (Pol.) S solo-coro misto-200(+sxf bar)0-3220-batt (10 esec) 2acc pf-nastro (2) ca 30’ The premiere occurred on 15th of May 2010 in Wrocław, during the Musica Polonica Nova Festival, the perfomers were Orkiestra Muzyki Nowej conducted by Szymon Bywalec.
Aleksander Lasoń (*1951) hyMMny (2010)
for orchestra 2222-3221-3batt (2 gr.c., metal chimes, 2 claves, 2 Altar-Messglocken, sonagliera, ptti a 2, tmt profondo, 2 ptti sosp., cmplli, crotali, cmp, 2 guiro)-archi ca 15’ First performance by Polish Radio Orchestra conducted by Łukasz Borowicz, on 22nd of May 2010 in Mikołów.
Paweł Łukaszewski (*1968) Pięć żałobnych pieśni kurpiowskich / Five Kurpian Funeral Songs (2010) coro misto-2222-2000-batt (4 esec:trgl, tmt cmp gr.c.)-archi (8.7.6.5.4) folk text (Pol.) ca 25’
Premiere took place on 30th of May 2010 in Płock. The Pueri Cantores Plocenses Choir and the Symphony Orchestra of the National Philharmonic performed, conducted by Antoni Wit.
Utopia. The Last Will for Symphony Orchestra (2008) 3333-4431-7 batt (2 esec) cel cemb mb pf-archi (12.12.10.8.6) ca 6’
Premiere: 17th November 2010, The ’Laboratorium Muzyki Współczesnej (Laboratory for Contemporary Music)’ Festival, Białystok. The Podlasie Opera and Philharmonic Orchestra, Szymon Bywalec (cond.)
Roman Maciejewski (1910–1998) Missa pro defunctis (Requiem)
for soprano, alto, tenor, bass, mixed choir and orchestra (1959) text: Lat. SATB solo-coro misto-4444-4432-batt (7esec) cel 2ar 2pf org (ad lib.)-archi ca 130’ New performance materials produced specially for the London performance in 2010).
Trzy pieśni Bilitis / The Songs of Bilitis (II version) for soprano and orchestra (1932) text: Pierre Loyes (Pol.) orch.: Sebastian Krajewski S solo-2322-4230-timp ar pf-archi 1. Fletnia 2. Nagrobek Bilitis 3. Wspomnienie Mnasidiki ca 12’
The piece was composed circa 1932, the only parts to survive complete till today are the first song and two thirds of the second one; from the second song and the rest of the third one only the solo part and two chords from the piano reduction remain. The piece was completed and orchestrated by Sebastian Krajewski. The songs were heard on 16th of March 2010 in Poznań, performed by Marzena Michałowska and the orchestra of the Poznań Philharmonic conducted by Marcin Sompoliński.
Widoki znad morza / Scenes from the Seaside (1972)
suite for a small orchestra 1(+ fl dolce)121-2111-batt (2esec)-ar pf/cemb/cel-archi (0.0.2.2.1) ca 9’ The piece was performed on 14th of February 2010 in Warsaw by the Polish Radio Orchestra conducted by Mário Košik.
Piotr Moss (*1949) Masques (2009)
concerto for flute and symphony orchestra fl solo-2222-2220-timp batt (2 esec) ar cel pf-archi ca 30’
Premiered by the Wrocław Philharmonic conducted by Radosław Szulc with Łukasz Długosz solo flute, 14th May 2010, during the Musica Polonica Nova festival.
Paweł Mykietyn (*1971) Klave (2004)
for harpsichord and orchestra cemb solo-1(+fl.a.)1(+c.i.)10-1000-batt (1esec: timp, vbf, almglocken, cmp, ptto, tmt, 2 bg, 3 tomt) ar-archi (4.0.2.2.1) ca 15’ Premiere: Festiwal Prawykonań, 12th June 2005, Elżbieta Chojnacka (cemb), The AUKSO Orchestra, Marek Moś (cond.)
Krzyki / Screams (2002) for string orchestra 0000-0000-archi (5.4.3.2.1) ca 15’
The piece was commissioned by the Wrocław Chamber Orchestra Leopoldinum. Premiere on 20th of October 2002, Wrocław, Alternacje Muzyczne Festival, Leopoldinum with Jerzy Maksymiuk conducting.
Aleksander Nowak (*1979) Król Kosmosu znika / King of the Cosmos Disappears (2010)
Concerto for Orchestra, Threads and Piano 2222-4331-timp batt (3esec: batt I: ptto sosp.,woodblocks, tmt, tomt, trg l; batt II: gr.c., vbf, tmt, xlf; batt III: tmb c.c., hi-hat, ptto sosp., mar) pf prep.-archi ca 23’ „Threads” are used to prepare the piano according to the ideas of Ukrainian composer Maksym Shorenkov. Thanks to this preparation, the sound of the orchestra is enriched by a new, interesting colour. The premiere took place on 8th of May 2010, during the Musica Polonica Nova Festival in Wrocław. The NOSPR orchestra performed, conducted by Michał Klauza. The solo part was played by Oksana Rapita.
Last Days of Wanda B. (2006) for string orchestra 0000-0000-archi (6.6.4.4.2) ca 9’
The premiere took place on 16th of July 2007 in Katowice. The AUKSO orchestra performed, conducted by Marek Moś.
Płacz, dziecinko, płacz / Cry Little Baby, Cry (2011) Mini-concerto for violin and chamber orchestra vno solo-0111-1110-batt (2esec)-archi (3.3.2.2.1) ca 14’
Premiere on 27th of March 2011, Katowice, Festiwal Prawykonań, Piotr Pławner (vno), The AUKSO Orchestra, Marek Moś (cond.)
Maciej Radziwiłł (ca 1750–1800) Divertimento (2nd half 18th century) for chamber orchestra 2000-2000-archi ca 8’
Newly edited orchestral materials, completely in agreement with the score published by PWM, Kraków 1970, Florilegium Musicae Antiquae.
Romuald Twardowski (*1930) Canticum canticorum (1994)
for soprano and group of instruments text: Song of Songs from the Bible (Lat.) S solo-1010-0000-archi (6.5.4.3.2) ca 11’
Exegi monumentum (2008)
text: Horatius (Lat.) SB solo-coro misto-2222-3330-timp batt (2esec) org ar-archi ca 27’ The premiere took place 20th of June 2009 during The International Academic Choirs’ Festival in Poznań. The performers were: Anna Mikołajczyk-Niewiedział — soprano, Jarosław Bręk — bass, united choirs attending the Festival, Sinfonietta Potsdam, The Chamber Orchestra of Adam Mickiewicz University in Poznań, Marcin Nałęcz-Niesiołowski (cond.)
Grunwald 1410 (2010)
per basso solo ed orchestra text: Jan Węcowski (Lat.) B solo-2 222-4230-batt (3esec: timp tmb ptti gg)-archi ca 17’
Henryk Wieniawski (1835–1880) Legend Op. 17 (1860)
for violin and orchestra ed. Zofia Chechlińska vno solo-2222-2000-batt (1esec)-archi ca 7’ Orchestral material prepared on the basis of the latest edition of the „Works of H. Wieniawski” (critical edition, edited by Zofia Chechlińska).
Maciej Zieliński (*1971) Concerto Inquieto (2010)
for clarinet and symphony orchestra cl solo-3333-4331-batt (6 esec) vbf mbf cel ar pf-archi(8.7.6.5.4) ca 22’ The premiere took place 23rd April 2010 in Kielce. The concerto was played by Artur Pachlewski accompanied by the Świętokrzyska (Kielce) Philharmonic Orchestra conducted by Joolz Gale.
Agata Zubel (*1978) Symphony No. 3 (2009)
for double trumpet and symphony orchestra double bell tr solo-3333-4331-batt (5esec)-archi (8.7.6.5.4) ca 25’ Piece commissioned by Warsaw Autumn Festival. The premiere took place on 21st of September 2010. Sinfonia Iuventus performed, conducted by René Gulikers. The solo part was played by Marco Blaauw, an excellent trumpetist, the constructor of a prototype of double bell trumpet.
Wojciech Ziemowit Zych (*1976) Concerto for Bass Clarinet and Orchestra (2003)
cl b. solo-333(+3sxf)3-4331-timp batt (5esec) cel 2ar pf-archi (8.7.6.5.4) ca 28’ Premiered on 18th of May 2007 in Białystok. Michał Górczyński performed with the Orchestra of the Podlasie Opera and Philharmonic conducted by Jerzy Salwarowski.
Poruszenia woli / Stirrings of the Will (2006) for symphony orchestra 333(+3sxf)3-3431-timp batt(5esec) cel 2ar pf archi ca 11’
Premiered on 14th of January 2010 in Gdańsk. Charles Olivieri-Munroe conducted the Baltic Philharmonic Orchestra.
Symphony No. 1 (2002)
for 20 instruments 222(+1sxf)2-1111-archi (1.1.2.2.1) ca 32’ The piece was commissioned by the Friends of Warsaw Autumn Foundation, thanks to founding from the Ernst von Siemens Musikstiftung in Munich. The premiere of the piece was held on 23rd September 2002, during the 45th Warsaw Autumn Festival (Orkiestra Muzyki Nowej conducted by Szymon Bywalec).
STAGE WORKS Eugeniusz Knapik (*1951) La libertà chiama la libertà (1995)
opera in 5 scenes, 3rd part of the trilogy The Minds of Helena Troubleyn libretto: Jan Fabre, transl. by Silvia Bruni, Antoni Buchner, Lindsay Davidson text: Pol. 2S 1MS 1A 1Bar solo-coro misto-3232-4221-timp batt (5esec) pf-archi ca 120’ Premiered by the Wroclavian Opera, on 16th of October 2010, directed by Michał Zadara, conducted by Jacek Kaspszyk.
Bogdan Pawłowski (*1932) Kot w butach / A Cat in Boots (1997)
ballet for children in 2 acts revised version libretto: Bogdan Pawłowski 2222-4231-timp batt (2esec) drum set ar-archi ca 120’
Marta Ptaszyńska (*1943) Kochankowie z klasztoru Valldemosa / The Lovers of Valldemosa Monastery (2010) opera in 2 acts libretto: Janusz Krasny-Krasiński min. 2S 1MS 1A 3T 1Bar 1B Solo-Att-3 voci del coro-2222-2210-batt (3esec) chit ar pf-archi ca 120’ Premiere took place on 18th of December 2010 in the Teatr Wielki in Łódź, closing the Chopin Year 2010. Directed by Tomasz Konina, conducted by Wojciech Michniewski.
FORTHCOMING IN 2011 Jerzy Bauer (*1936) Concerto per violoncello ed orchestra. Seconda versione (1985/2011)
vc solo-2222-4340-pf batt (4esec: batt I: tmp (4), batt II: 4 tomt, 3 bonghi, batt III: mbf, vbf, cmpl, batt IV: g.c., tmb milit.)-archi Dedicated to Andrzej Bauer, the son of the composer, who performed the solo part at the premiere of 1st version, 13th of September 1985 in Łódź, with The Łódź Philharmonic Orchestra conducted by Andrzej Markowski. A new version is still in progress.
Jan Ekier (*1913) Piano Concerto (1949)
pf solo-3333-4331-batt (3esec) cel-archi
Wojciech Kilar (*1932) Orawa
in an arrangement for 12 saxophones (arr. C. Gadzina) ca 9’ (performance materials prepared on demand)
Orawa
in an arrangement for 8 violoncellos (arr. Z. Łapiński) ca 9’ (performance materials prepared on demand)
Piano Concerto No. 2 (2011)
pf solo-timp batt (tmt, tmb c.c.)-archi ca 22’ Premiere scheduled for the 2nd half of 2011, with Beata Bilińska solo piano and the NOSPR Orchestra.
Andrzej Krzanowski (1951–1990) Symphony No. 1 (1975)
444(+3sxf)4-6442-batt (5esec) 5acc chitel. ar 2pf-archi (18.0.10.8) ca 45’ The premiere scheduled at the Warsaw Autumn Festival 2011.
Juliusz Łuciuk (*1927) Strumień Boży / The Stream of God (2005)
1st part of John Paul II’s Roman Triptych oratorio for mezzosoprano, baritone, mixed choir and symphony orchestra text: Karol Wojtyła (Pol.) MS Bar solo-coro misto-3333-4330-batt (4esec) ar-archi ca 65’
Paweł Łukaszewski (*1968) Missa de Maria a Magdala (Missa bremgartnensis)
for soprano, baritone, choir, organ and orchestra (2010) text: Lat. S Bar solo-coro misto-1100-2230-batt (3esec) org chit (ampl.)-archi ca 45’ The piece was commissioned by Kulturinsel of Bremgarten, Switzerland. The premiere took place at Bremgarten Stadtkirche June 26th, 2010 (liturgical premiere) and 27th June 2010 (concert premiere). Performers: Maya Boog (soprano), Davide Damiani (baritone), Kirchenchor Cäcilia Bremgarten, Suono Spirito Vokalenensemble and Orchester Concerto Spirito under the baton of Marco Castellini. A Polish premiere is scheduled on 1st of May 2011, Częstochowa with Anna Mikołajczyk-Niewiedział — soprano, Jarosław Bręk — baritone, The “Musica Sacra” Choir, Marco Castellini (cond.)
Symphony No. 3 “Symphony of Angels” (2011)
for soprano, choir and orchestra text: Lat. S solo-coro misto (min. 60 esec.)-3333-4331-batt pf ar-archi (7.6.5.4.3) ca 27’ The premiere is scheduled on 21st of October 2011 in Białystok with Anna MikołajczykNiewiedział (sopran), The Podlasie Opera and Philharmonic Choir and Orchestra, Marcin Nałęcz-Niesiołowski (cond.).
Paweł Mykietyn (*1971) Blood (2003)
symphonic poem 3333-4331-cel pf 2ar-archi
Concerto for Piano and Orchestra (1996) pf solo-3333-0330-batt ar-archi ca 22’
Concerto for Violoncello and orchestra (1998) vc solo-2222-2220-timp-archi
Commencement de siècle (1999)
for chamber ensemble and live electronics 2fl cl sxf a. sxf ten. 2synt chit ptti vn vc ca 12’
Pieśni młodości i szaleństwa (2011) for solo voice and a chamber orchestra text: Mateusz Kościukiewicz (Pol.) ca 51’
Uczciwe opisanie samego siebie przy szklance whisky na lotnisku, dajmy na to w Minneapolis (2011) text: Czesław Miłosz (Pol.) 3Rec-002(cl b.)0-0000-batt (6esec) 4pf-multimedia ca 20’
Karol Szymanowski (1882–1937) Symphony No. 1 (1907)
3343-6331-batt (4esec) 2ar-archi ca 21’ Performance materials edited by Bogdan Olędzki after a critical edition of the „Works” of Karol Szymanowski.
Henryk Wieniawski (1835–1880) Fantaisie brillante sur des motifs de l’opéra “Faust” de Gounod for violin and orchestra (1865) vno solo-3222-2230-batt (1esec)-archi ca 19’
Orchestral parts are being prepared as a part of the „Works” series (critical edition).
Agata Zubel (*1978) Aforyzmy / Aphorisms (2011) for voice, flute, clarinet, trumpet, accordion, percussion and five string instruments text: Czesław Miłosz (Pol.) voce-fl-cl-tr-acc-batt-5 archi
STAGE WORKS — FORTHCOMING IN 2011 Zygmunt Krauze (*1938) Pułapka / The Trap
An opera written on the occasion of Tadeusz Różewicz Year; premiere scheduled for 17th of December 2011 at the Wroclavian Opera.
Paweł Mykietyn (*1971) The Ignoramus and the Madman (2001)
Chamber opera in 2 acts for soprano, tenor, countertenor, bass, actress, extras, children’s choir and chamber orchestra libretto: Krzysztof Warlikowski after Thomas Bernhard’s play text: Pol. S T CT B solo-Att-coro ragazzi-1111-0010-batt ar pf sint-archi (1.1.1.1.1) The premiere took place in May 2001 at the Teatr Wielki-Opera Narodowa during Warsaw Autumn Festival.
Elżbieta Sikora (*1943) Madame Curie (2011)
An opera commisioned by The Baltic State Opera. Premiere scheduled on 19th November 2011 in Gdańsk. A part of this planned to be performed earlier this year in Paris for UNESCO as a semistage version.