PORTFOLIO ANG QIAO TING
NAME: ANG QIAO TING STUDENT ID: 1002058079 11 OCTOBER 2002 19 YEARS OLD FROM KUALA LUMPUR, MALAYSIA CURRENTLY STUDYING DIPLOMA IN ACHITECTURE AT UCSI UNIVERSITY HIGHEST EDUCATION QUALIFICATION: SPM EMAIL: qiaotingang66@yahoo.com 1002058079@student.ucsiuniversity.edu.my ISSUU: https://issuu.com/qiaoting?issuu_product=header&issuu_subproduct=landing-page&issuu_context=link&issuu_cta=profile
CO N TEN T 01
ABSTRACT
05
DETAILED DRAWING
02
03
SKETCHES
WORKING DRAWING
ARCHITECTURE DRAWING
06
07
08
MODEL MAKING
DESIGN STUDIO: THE ARTIST POD
DIGITAL DRAWING & RENDERS
04
01
ABSTRACT DRAWING 01. ABSTRACT DRAWING
THIS ABSTRACT DRAW I NG IS P ROD UCED BASED ON THE BUI LD IN G , VITRAHAUS. T HE FI RST ABSTRACT D RAWING IS PRODU CED BASED O N THE C O NC EPT OF VITRAHAUS; THE SECO ND A B S T RACT DRAWING I S PRO DUCED BASED ON T HE ARCHITECTU RE PRI NCI PLES O F T H E V I TRAHAUS.
A B S TA R C T D R AW IN G -
l i nes
FOR THIS ABSTRACT, I APPLIED THE CONCEPT OF STACKED VOLUME OF VITRAHAUS. VITRAHAUS ALL LINES ARE STACKED ON EACH OTHER. BESIDES, I ARRANGE THE LINES IN A RANDOM WAY. WAY THE LINES AT THE BOTTOM ALSO TAKE UP MORE SPACE COMPARE TO THE LINE ABOVE. THIS IS BECAUSE THE VITRAHAUS USES MOST VOLUMES AT THE GROUND LEVEL SO THAT THE WHOLE BUILDING WILL BE STABLE. EACH DIFFERENT ANGLE OF LINES REPRESENTS DIFFERENT LEVELS. ALTHOUGH THERE IS NO INTE RSECTION DRAWING INSIDE THE ABSTRACT. HOWEVER, AS EACH END OF THE LINES ARE EXTENDED, ABSTRACT EXTENDED THAT WILL INTERSECT WITH EACH OTHER JUST LIKE THE VITRAHAUS. LASTLY, THE BLANK SPACE AT THE
UPPER LEFT SHOWS THE
REGION OF THE VITRAHAUS WHERE YOU ARE INSIDE THE BUILDING BUT STILL AT AN OPEN SPACE.
ABSTRACT COMPOSITION
A BSTARCT DRAW I NG - sh apes
THE ORDERING PRINCIPLES APPLIED TO THE VITRAHAUS ARE AXIS, SYMMETRY, AND REPETITION. REPETITION I AM USING SQUARES TO COMPILES AN ABSTRACT THAT SHOW ALL THE PRINCIPLES. I ARRANGE THE FORMS AT THE LEFT AND RIGHT SIDE IN A BALANCE MANNER SO NATURALLY AN IMAGINARY VERTICAL AXIS FORMED AT THE MIDDLE. NEXT, EACH SIDE IS EQUIVALENT AND HAVE SIMILAR ELEMENT, SO SYMMETRY IS ALSO APPLIED. BESIDES, FOR THE RHYTHM OR REPETITION ASPECT,
THE
WHOLE
COMPOSITION
IS
GROUP BY THEIR VISUAL CHARACTERISTIC THEY SHARE SUCH AS SHAPE WHICH ORIGINATED FROM SQUARE.
02
SKETCHES
02. SKETCHES
T H E S K E T C H E S S H O W M Y S K ETC H IN G S K I L L S S I N C E S E M E S T E R O N E. I H AVE S K E T C H E D VA R I O U S B U I L D I N GS BASED O N O B S E RVAT I O N .
PHOTOGRAPH OF FORM & STRUCTURE
FORM & STRUCTURE
03. WORKING DRAWING
03 WORKING DRAWI NG 03. WORKING DRAWING
THE AR C H I T E C T U R E WO R K I N G D R AWI N G A R E D R AWN B A S E D ON TH E REFERE N C E G I V E N B Y L E C T U R E R D U R I N G A R C H I T E C T U R E D R AWIN G I CLASS. A L L T H E D R AWI N G S A R E D O N E M A N U A L LY.
04. ARCHITECTURE DRAWING
04 ARCHITECTURE DRAWI NG 04. ARCHITECTURE DRAWING
THE ARCHI TECTURE DRAW I NG A R E D R AWI N G S F R O M A R C H I T E C T U R E D R AWI N G I I C L A SS. TH E DRAW I NG S SHO W M Y RENDERI N G S K I L L S WI T H WAT E R C O L O R A N D C O L O R P E N C I L S .
REFERENCE FOR PERSPECTIVE DRAWING
SECTION
SCALE 1:250
RENDERED BARCELONA PAVILION
SCALE 1:200
0 5 . D E TA I L E D D R AW I N G
05
DETAILED DRAWING 0 5 . D E TA I L E D D R AW I N G
THE DE TA I L E D D R AWI N G I S D R AWN M A N U A L LY B A S E D O N O B SERVATION O F DI F F E R E N T PA RT O F M Y H O U S E .
FOUNDATION
FLOOR
WINDOW
FLOOR SECTION SCALE 1:10
FOUNDATION SECTION SCALE 1:10
WINDOW SECTION SCALE 1:10
STAIRCASE
ROOF
SECTIONAL DRAWING
STAIRCASE SECTION SCALE 1:10 ROOF SECTION SCALE 1:10
SECTION SCALE 1:20
0 6 . D I G I TA L D R AW I N G S & R E N D E R I N G
DIGITAL DRAWING& RENDERING FOR T H E S E D I G I TA L D R AWI N G I S D R AWN U S I N G A U TO CAD . WH IL E RE N D E R I N G S A R E D O N E U S I N G P H O TO S H O P. T H E S E A R E SOM E OF M Y WO R K S D O N E D I G I TA L LY.
0 6 . D I G I TA L D R AW I N G S & R E N D E R I N G
06
A
B
D
C
LEGEND :
E
LEGEND
10000 4525
3600
1875
2050
5
100dp
2475
TT
TIMBER TILES
LF
LAMINATE FLOOR
HT
HOMOGENOUS TILE
LAUNDRY
KITCHEN
HT
LF
OUTDOOR JACUZZI
1520
TOILET
HT
100dp
50dp
LOGO :
HT
MASTER BEDROOM
LIVING ROOM
A
FOYER
NAME : ANG QIAO TING
STUDENT ID: 1002058079
608
SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I
150dp
A
3 2
LF
BEDROOM DRAWER
10000
DINING ROOM
3040
OUTDOOR PATIO
MAIN TITLE : SINGLE STOREY VILLA
3935
HT
50dp
1520
TOILET
4
TT
50dp
BEDROOM
3025
NOTE :
ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL
3375
2100
1
DATE : 03 FEBRUARY 2021
TITLE : FLOOR PLAN
FLOOR PLAN
A FRONT ELEVATION A
SCALE : 1:50
DRAWING NO : V/21-01
A
B
C
D
E NOTE :
MAIN TITLE : SINGLE STOREY VILLA
LOGO :
NAME : ANG QIAO TING
STUDENT ID: 1002058079
FRONT ELEVATION A
SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I
ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL
DATE : 03 FEBRUARY 2021
TITLE : ELEVATION SCALE : 1:50
DRAWING NO : V/21-03
NOTE :
A
B
D
C
E
ALUMINIUM SHEET INSULATION
ceiling level
METAL TRUSSES CONCRETE BEAM WINDOW PELMET PLASTER CEILING BRICK WALL
MAIN TITLE : SINGLE STOREY VILLA
300
3600
CLEAR FLOAT GLASS
LOGO :
ground floor level ground level
MASTER BEDROOM
FOYER
LIVING ROOM
BRICK WALL CONCRETE FOUNDATION
NAME : ANG QIAO TING
STUDENT ID: 1002058079
SECTION A-A
SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I
ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL
DATE : 03 FEBRUARY 2021
TITLE : SECTION A-A SCALE : 1:50
DRAWING NO : V/21-02
FRONT ELEVATION
SECTION A-A
A
D TIMBER ATE FL IN O
GENOUS TI LE MO S HO
GRANITE
LAMINATED TIMBER FLOOR IS USED AT THE BEDROOM AS IT IS VERY DURABLE AND EASY TO CLEAN. BESIDES, IT IS ALSO CREATE A WARM AND COZY ATMOSPHERE AT THE BEDROOM.
HOMOGENOUS TILES IS USED AS THE FLOORING FOR LIVING ROOM AND KITCHEN. HOMOGENOUS TILE MAKES THE SPACE LOOKS SPACIOUS AND LUXURIOUS.
GRANITE COUNTERTOP IS VERY DURABLE AND IT IS ALSO HIGHLY RESISTANCE TO HEAT. THE GRANITE ALSO SUITES THE ATMOSPHERE OF KITCHEN WHICH HAS A COOL TONE.
FRONT ELEVATION
G HARDWOO D ON F AT
OR LO
KE K
M
OR
LA
SCALE 1:50
KEKATONG HARDWOD IS USED AT THE OUTDOOR FLOORING. KEKATONG IS USED AS IT IS A LOCAL MATERIAL AND DURABLE. THE COLOR AND TEXTURE OF WOOD SUITES THE SITE WHICH IS THE PADDY FIELD.
SMALLER ROAD MAIN ROAD NEARBY
SITE
PADDY FIELD AROUND
SCALE 1:50
FLOOR PLAN
AMONG RICE VILLA THE AMONG RICE VILLA IS LOCATED AT 07000
THE SPACES INSIDE THE AMONG RICE VILLA
LANGKAWI, KEDAH. IT IS SURROUNDED BY
ARE LIVING ROOM, DIDNING OOM, KITCHEN,
PADDY RICE FIELD WHICH IS ONE OF THE
BATHROOM, TWO BEDROOMS AND AN OUT-
UNIQUE OF PULAU LANGKAWI. THE RICE
DOOR JACUZZI. IT IS SUITABLE FOR A FAMILY
VILLA IS LOCATED 700M AWAY FROM THE
OF 4 TO 5 PERSON THAT CAME FOR A SHORT
MAIN ROAD OF THE VILLAGE. HENCE, TRAV-
VACATION. IT IS VERY COMFORTABLE AND
ELER WHO STAY THERE ARE ABLE TO ENJOY
CONVENIENT PLACE TO LIVE WHEN TRAVEL-
THE ESSENCE OF THE NATURE AND ESCAPE
ING TO PULAU LANGKAWI. THE NEIGHBOUR-
FROM THE CITY. WITH PADDY RICE FIELD
HOOD AROUND IS VERY FRIENDLY AND HELP-
AROUND IT, PEOPLE INSIDE CAN HAVE A NICE VIEW WHILE RESTING. THEY ARE ALSO ABLE TO VIEW HOW PEOPLE MANAGE AND GROW PADDY RICE
FUL. WITH PUBLIC TRANSPORT AROUND THE SITE, IT WILL BE EASY FOR TRAVELER TO GO TO ANYWHERE.
ANG QIAO TING 1002058079 AD452_ ARCHITECTURE DIGITAL MEDIA 1
07
MODEL MAKING
07. MODEL MAKING
I H AV E D O N E S O M E M O D E L M A K I N G TO U N D E R S TAN D T H E B U I L D I N G M O R E . T H E F I R S T M O D E L M A K I N G IS D ON E B A S E D O N T H E WO R K I N G D R AWI N G I H AV E D R AWN . TH E S E C O N D M O D E L M A K I N G I S D O N E TO S T U D Y T H E SOL AR E N E R G Y A N D E N E R G Y C O N S E RVAT I O N .
fuel and petroleum has become a problem. Hence, with the abundance
of
solar
radiation,
solar
energy
can
used
excessive electrical energy from overcharging battery storage. street furniture is designed. In addition, solar battery storage is used to store electrical
to
energy which can be used when needed. Ultimately, solar
produce electrical energy and minimize the pollution.
inverter will change direct current into alternating current for
WHY THE IDEA IS APPLIED ON THAT STRUCTURE?
charging
STUDY MODEL
energy is applicable everywhere. Many rural areas do not have electricity. However, with solar energy, there will be electricity anywhere if there is sunlight. As people are becoming more on
electrical
appliances,
a
green
charging
lot
is
introduced for people to charge their devices. By using solar energy on green charging lot, environmental pollution such as solar
energy
absorbed
water pollution and converted into
and
air
pollution
can
be
reduced
electrical energy
as
no
greenhouse gases is released. Consequently, a more sustainable electrical
street furniture is designed.
stored
in
energy
battery
box
electrical energy is used
through
charging plug
CHARGING STATION SHOWN IN DETAIL
solar controller
charging lot for electrical bike
Lastly,
people
can
charge
their
devices
through charging lot.
Idea of using solar panel at a charging lot is because solar
dependent
purpose.
HOW ENERGY IS RENEWED? Solar energy is a renewable energy that can be replenished naturally in short amount of time. Solar panels installed on the roof will capture sunlight and convert it into electrical energy. Electrical energy is then stored in battery storage and used whenever needed. When all electrical energy in the battery storage used, more electrical energy is generated again by the solar panel when there is sunlight.
08
DESIGN STUDIO
08. DESIGN STUDIO
I N D E S I G N S T U D I O WO R K , I H AV E D O N E C O L L A G E, 2 D A RT WO R K , 3 D A RT WO R K A N D L A S T LY A C O V I D - 1 9 POD . AL L T H E C O L L A G E A N D A RT WO R K S WI L L R E L AT E A N D IN FL U E N C E D T H E D E S I G N D E V E L O P M E N T O F T H E P O D.
02. COLLAGE
COLLAGE THE COLLAGE IS MADE BASED ON MY OBSERVATION ON THE ALAM DAMAI PARK. IT INCLUDES THE ACTIVITIES, COLOR,PATTERN, HUMAN BEHAVIOR AND TEXTURE OF THE PARK. WITH THE SITE VISIT, I GET TO UNDERSTAND THE SITE AND EXPRESS THE ESSENCE OF MY SITE IN A CREATIVE MANNER.
01
03 DIFFERENT HEIGHT OF HILLS IS ADDED AS IT IS THE ESSENCE OF THE SITE.
02
PEOPLE IN COLOURFUL AND RICH COLOR IS ADDED. PEOPLE CARRYING DIFFERENT ACTIVITIES IS SHOWN.
04 SHOES IS ADDED AROUND TO REPRESENT THE PARK IS GATHER. THE COLOR TONE IS A PLACE WHERE PEOPLE GATHER MONOCHROME.
TEXTURE FROM THE SITE IS ADDED IN THE BACKGROUND OF THE COLLAGE.
2D: POINT & LINE D E V E LOP ME N T OF LE A F
AXIS
IS
PLACES
DIAGONALLY
BASED
ON
MY
COLLAGE. BESIDES, AXIS REPRESENT THE MAIN ROAD INSIDE THE PARK.
organic shape of leaf
simplified
lines continued to e d g e
triangle and l e a f pat t e r n i s combinied
geometrical shape is formed
A LOT OF LINES ARE ADDED INTERSECT WITH THE AXIS REPRESENT THE SMALLER ROADS AND SHORTCUTS IN THE PARK. AT THE SAME TIME, DIFFERENT TRIANGLES ARE FORMED. REPETITION AND RHYTHM EVENTUALLY FORMED.
THE AXIS IS THICKEN AS IT IS THE MAIN ROAD. SO, IT IS MORE SIGNIFICANT COMPARED TO THE
OTH-
ERS. BESIDES, 15 TRIANGLES ARE CHOSEN FROM SMALLEST
TO
BIGGEST TO
SHOW
HIERARCHY. HIERARCHY
f i n a l d r a f t a f t e r a d d i n g l e a f pat t e r n
TRIANGLES REPRESENT THE HILLS IN THE PARK WHICH IS THE SIGNIFICANT OF THE PARK. THEY ARE PLACED RANDOMLY BECAUSE THE HILL IN THE PARKS
AT
DIFFERENT
PLACE
HAS
DIFFERENT
HEIGHT.
15 TRIANGLES ARE CHOSEN BASED ON THE DESIGN OF THE PARK. PARK THEY USE 15 SQUARES TO DESIGN
A R C H I TEC TU R E PR I N C I PLES A PPLI ED axis hierarchy
THE FLOOR PATTERN.
repetition THE 16TH TRIANGLES ARE NOT CLOSE TRIANGLES BECA USE IT FOLLOWS THE DESIGN CONCEPT OF THE PARK.
3D: PLANE & VOLUME
3D ARTWORK
DIFFERENT TRIANGLES ARE RAISED ARE DIFFERENT HEIGHT. HEIGHT FOR EXAMPLE, SMALLEST TRIANGLE IS RAISED THE LEAST WHILE THE LARGEST TRIANGLE WILL BE THE HIGHEST. IN THIS WAY, IT REPRESENTS THE DIFFERENT HEIGHT OF HILL IN THE PARK AND HIERARCHY IS ACHIEVED. REPETITION AND ARE ALSO ACHIEVED WITH THE REPETITION OF TRIANGLES.
RAISED SO IT CREATES DIFFERENT ANGLE, ANGLE THIS IS TO FOR THE LEAF, ONE SIDE OF IT IS RAISED,
MAIN PATH IS
AS WE AT ALWAYS STEEPING ON THE PATH. WITH ALL THE OTHER ELEMENTS AROUND BEING
SHOW THE DYNAMIC CHARACTERISTIC OF THE LEAF AS THE ORIENTATION OF LEAF CHANGED
RAISED, EVEN THE PATH IS NOT RAISED, THE PATH WILL ALSO BE NOTICEABLE AS IT IS DIFFERENT COMPARED TO
CONSTANTLY.
THE OTHERS. OTHERS AXIS IS SHOWN.
THE SPECIAL DESIGN OF THE FLOOR IS RAISED BUT THERE WILL BE AN OPENING TO MATCH WITH THE TILE DESIGN PATTERN AT THE PARK.
THE ARTIST POD T H E A RTIST POD IS A PO D DESI G NED FO R AN ART I S T WH I L E A DA P T ED TO THE PAN DEM I C SI TUATI O N.
INTERIOR PERSPECTIVE THE ARTIST POD IS DESIGNED FOR AN ARTIST, KATERINA APALE. DUE TO THE PANDEMIC HAPPENED RECENTLY, ARTIST COULD NOT GO OUTSIDE TO EXPLORE, DRAWING AND ORGANIZE EXHIBITION. HENCE, SHE WILL LOSE HER INCOME AND UNABLE TO GET INSPIRED BY THE NATURE TO PRODUCE HER ARTWORK. HENCE, THE POD I DESIGNED WILL HELP HER TO OVERCOME THE PROBLEMS FACED.
THE CONCEPT OF MY POD IS A TREE TREE. I AM INSPIRED BY MY SITE WHICH IS THE ALAM DAMAI PARK. THE POD HAS A LOT OF OPENINGS TO ALLOW VISUAL CONNECTION INSTEAD OF PHYSICAL CONNECTION. FURTHERMORE, THE POD HAS DIFFERENT OPENINGS AT DIFFERENT PART OF THE POD, POD ALLOWING THE ARTIST TO EXPLORE THE SURROUNDING AT A DIFFERENT PERSPECTIVE. THE SPACES INSIDE ARE ALSO ABLE TO GROW JUST LIKE THE TREE. THE POD IS ALSO ABLE TO CREATE PATTERN TO REPRESENT THE LEAF PATTERN AND SIGNIFICANT TO THE ARTIST.
THE MOST SPECIAL PART OF THE POD IS THE PULLABLE FLOOR AND THE FLEXIBILITY OF THE POD.
PRESENTATION LINK: https://youtu.be/AOB2nun8mFk
FUNCTION OF POD
CONCEPT
CLIENT
THE ARTIST POD HAS A WORKING SPACE ACT AS THE MAIN SPACE OF THE POD. EXAMPLES OF WORKING SPACE NEEDED BY THE ARTIST ARE PAINTING AREA,
PHOTOGRAPHY SPACE, EXHIBITION SPACE, STORAGE. BESIDES, IT ALSO HAS SOME OTHER SPACES SUCH AS
KATERINA APALE
KITCHEN.
BUBBLE DIAGRAM
SHE LOVES TO PAINT NATURE AND LIKES TO OBSERVE PATTERN.
HER STYLE IN PAINTING IS VERY DINING KITCHEN
SLEEPING AREA
TREE
STORAGE
VIEW
PHOTOGRAPHY SPACE
CLOSE AND CONVENIENT SUNLIGHT ADJACENT RELATIONSHIP
- PROMOTE VISUAL CONNECTION - ABLE TO EXPLORE AT DIFFERENT PERSPECTIVE
- SPACES ABLE TO GROW - CREATES PATTERN - CONNECTION
COLORS.
HER ART WORK : WORKING SPACE
LEGEND
DESIGN STARTEGIES
VIBRANT AND PLAY WITH DIFFERENT
EXHIBITION SPACE
SITE ALAM DAMAI PARK THE
SITE
IS
A
SPACE
WHERE PEOPLE AROUND THE
GATHER.
NEIGHBOURHOOD
ARCHITECTURE PRINCIPLES
DESIGN DEVELOPEMENT
FLOOR PLAN ELEVATED
AXIS IS ADDED IN THE MIDDLE
BEDROOM SPACE IS ADDED
DIAGONAL PART ADDED REPRESENTING PATTERN AND FUNCTION
AXIS DIAGONAL AXIS ACT AS MAIN PATH
ONE
HIERARCHY
CHOSEN TO SHOW HIERARCHY
DIAGONAL
SIDE
IS
A RANGE OF TRIANGLES
AND IRREGULAR GRID LINES
ARRANGED FROM SMALLEST TO
ADDED
THE BEDROOM IS CANTILIVERED
BIGGEST
REPETITION
REPETITION OF LEAF AND THE USE
WINDOWS AND DIFFERENT
OF TRIANGLES
ANGLES OF ROOF ARE ADDED
AXIS
PART OF GRID LINE IS
DIAGONAL AXIS ACT AS MAIN PATH
SUBTRACTED
HIERARCHY TRIANGLES ARE RAISED FROM LOWEST
LEAF PATTERN IS
TO HIGHEST LEAF PATTERN
REPETITION
ADDED ON FACADE
REPETITION OF LEAF PATTERN AND USE OF TRIANGLES
FINAL FLOOR PLAN SHAPE
STEEL STRUCTURE IS ADDED TO SUPPORT ROOF AND CANTILIVERED BEDROOM STEEL STRUCTURE
different the
artist
SCALE 1:25
pod
‘ tree ’ orientation . concept
ROOF PLAN
angles
of to
roof
is
designed
represent
back
in the
which has leaf with different
EXHIBITION SPACE/ PAINTING AREA
STORAGE
PAINTING AREA
KITCHEN/ DINING
DRAWING / PHOTOGRAPHY SPACE
GROUND FLOOR PLAN
SCALE 1:25 GROUND FLOOR PLAN SCALE 1:25
SLEEPING SPACE
FIRST FLOOR PLAN SCALE 1:25
FIRST FLOOR PLAN SCALE 1:25
ELEVATION A SCALE 1:25
ELEVATION B SCALE 1:25
SECTION A-A SCALE 1:25
SECTION B-B SCALE 1:25
AXONOMETRIC
AXONOMETRIC ROOF METAL DECK
ROOF POLYCARBONATE
O
N PE
AB
L E WA L L A S
TA
BL
E
TI
N AC
E WOODGRAIN CEMBOARD
EX
PLO
R AT I O N S P A
CE
MATERIAL USED FOR THE ROOF THE POD IS METAL DECK. DECK BESIDES, POLYCARBONATE ROOF IS INSTALLED ABOVE THE SPACE OF PULLABLE FLOOR. FLOOR STEEL STRUCTURE IS USED TO SUPPORT THE ROOF AND THE FIRST FLOOR AND ALSO ACT AS THE TRACK FOR ADJUSTABLE FLOOR. METAL STUD IS INSTALLED BETWEEN THE WOODGRAIN CEMBOARD FOR FLOOR AND WALL. DURING DIFFERENT TIME OF THE DAY, WHEN SUNLIGHT SHINES IN, PATTERNED SHADOW IS FORMED SO THE POD BECOME MORE SIGNIFICANT TO THE ARTIST AND REFLECTS BACK MY CONCEPT. CONCEPT
TI
ON
S PA
C E A N D PA IN TI
THE SPECIAL FEATURE OF THE POD IS IT HAS OPENABLE WALL THAT CAN ACT AS TABLE FOR THE N
ARTIST TO PUT HER MATERIALS AND ACT AS A SMALL DINING TABLE. THE STORAGE AREA ALSO
G
BI
IN
SP
HI
U S E D A S PA
AC
EX
OR
E
EA
SP
ST
G
AR
G
A
STEEL STRUCTURE
ACTS A PAINTING AREA WHEN THE ARTIST HAS A LARGE CANVAS. THERE IS ALSO EXPLORATION
E
SPACE FOR THE ARTIST TO OBSERVE THE SURROUNDING AND HAVE VISUAL CONNECTION. CONNECTION AT THE DIAGONAL PART OF THE POD, IT HAS A PULLABLE FLOOR ACT AS EXTRA EXHIBITION SPACE AND AS PAINTING AREA FOR THE ARTIST.
FORM DEVELOPMENT
FORM DEVELOPEMENT FORM DEVELOPEMENT FORM FORMDEVELOPEMENT DEVELOPEMENT
FORM DEVELOPEMENT
FORM DEVELOPEMENT
MODEL MAKING MAKING MODEL MODEL MODEL MAKING MAKING
INTERIOR INTERIOR INTERIOR INTERIOR PERSPECTIVE PERSPECTIVE PERSPECTIVE PERSPECTIVE
MODEL MAK ING
MODEL MAKING MODEL MAKING : MoDEl lINk https://youtu.be/Jz_PTwBS9wU
INTERIOR INTERIOR PERSPECTIVE
PERSPECTIVE
THANK YOU
ANG QIAO TING 1002058079@student.ucsiuniversity.edu.my