2021_05_PORTFOLIO

Page 1

PORTFOLIO ANG QIAO TING


NAME: ANG QIAO TING STUDENT ID: 1002058079 11 OCTOBER 2002 19 YEARS OLD FROM KUALA LUMPUR, MALAYSIA CURRENTLY STUDYING DIPLOMA IN ACHITECTURE AT UCSI UNIVERSITY HIGHEST EDUCATION QUALIFICATION: SPM EMAIL: qiaotingang66@yahoo.com 1002058079@student.ucsiuniversity.edu.my ISSUU: https://issuu.com/qiaoting?issuu_product=header&issuu_subproduct=landing-page&issuu_context=link&issuu_cta=profile


CO N TEN T 01

ABSTRACT

05

DETAILED DRAWING

02

03

SKETCHES

WORKING DRAWING

ARCHITECTURE DRAWING

06

07

08

MODEL MAKING

DESIGN STUDIO: THE ARTIST POD

DIGITAL DRAWING & RENDERS

04


01

ABSTRACT DRAWING 01. ABSTRACT DRAWING

THIS ABSTRACT DRAW I NG IS P ROD UCED BASED ON THE BUI LD IN G , VITRAHAUS. T HE FI RST ABSTRACT D RAWING IS PRODU CED BASED O N THE C O NC EPT OF VITRAHAUS; THE SECO ND A B S T RACT DRAWING I S PRO DUCED BASED ON T HE ARCHITECTU RE PRI NCI PLES O F T H E V I TRAHAUS.


A B S TA R C T D R AW IN G -

l i nes

FOR THIS ABSTRACT, I APPLIED THE CONCEPT OF STACKED VOLUME OF VITRAHAUS. VITRAHAUS ALL LINES ARE STACKED ON EACH OTHER. BESIDES, I ARRANGE THE LINES IN A RANDOM WAY. WAY THE LINES AT THE BOTTOM ALSO TAKE UP MORE SPACE COMPARE TO THE LINE ABOVE. THIS IS BECAUSE THE VITRAHAUS USES MOST VOLUMES AT THE GROUND LEVEL SO THAT THE WHOLE BUILDING WILL BE STABLE. EACH DIFFERENT ANGLE OF LINES REPRESENTS DIFFERENT LEVELS. ALTHOUGH THERE IS NO INTE RSECTION DRAWING INSIDE THE ABSTRACT. HOWEVER, AS EACH END OF THE LINES ARE EXTENDED, ABSTRACT EXTENDED THAT WILL INTERSECT WITH EACH OTHER JUST LIKE THE VITRAHAUS. LASTLY, THE BLANK SPACE AT THE

UPPER LEFT SHOWS THE

REGION OF THE VITRAHAUS WHERE YOU ARE INSIDE THE BUILDING BUT STILL AT AN OPEN SPACE.


ABSTRACT COMPOSITION

A BSTARCT DRAW I NG - sh apes

THE ORDERING PRINCIPLES APPLIED TO THE VITRAHAUS ARE AXIS, SYMMETRY, AND REPETITION. REPETITION I AM USING SQUARES TO COMPILES AN ABSTRACT THAT SHOW ALL THE PRINCIPLES. I ARRANGE THE FORMS AT THE LEFT AND RIGHT SIDE IN A BALANCE MANNER SO NATURALLY AN IMAGINARY VERTICAL AXIS FORMED AT THE MIDDLE. NEXT, EACH SIDE IS EQUIVALENT AND HAVE SIMILAR ELEMENT, SO SYMMETRY IS ALSO APPLIED. BESIDES, FOR THE RHYTHM OR REPETITION ASPECT,

THE

WHOLE

COMPOSITION

IS

GROUP BY THEIR VISUAL CHARACTERISTIC THEY SHARE SUCH AS SHAPE WHICH ORIGINATED FROM SQUARE.


02

SKETCHES

02. SKETCHES

T H E S K E T C H E S S H O W M Y S K ETC H IN G S K I L L S S I N C E S E M E S T E R O N E. I H AVE S K E T C H E D VA R I O U S B U I L D I N GS BASED O N O B S E RVAT I O N .


PHOTOGRAPH OF FORM & STRUCTURE


FORM & STRUCTURE










03. WORKING DRAWING


03 WORKING DRAWI NG 03. WORKING DRAWING

THE AR C H I T E C T U R E WO R K I N G D R AWI N G A R E D R AWN B A S E D ON TH E REFERE N C E G I V E N B Y L E C T U R E R D U R I N G A R C H I T E C T U R E D R AWIN G I CLASS. A L L T H E D R AWI N G S A R E D O N E M A N U A L LY.








04. ARCHITECTURE DRAWING


04 ARCHITECTURE DRAWI NG 04. ARCHITECTURE DRAWING

THE ARCHI TECTURE DRAW I NG A R E D R AWI N G S F R O M A R C H I T E C T U R E D R AWI N G I I C L A SS. TH E DRAW I NG S SHO W M Y RENDERI N G S K I L L S WI T H WAT E R C O L O R A N D C O L O R P E N C I L S .


REFERENCE FOR PERSPECTIVE DRAWING




SECTION


SCALE 1:250


RENDERED BARCELONA PAVILION

SCALE 1:200


0 5 . D E TA I L E D D R AW I N G


05

DETAILED DRAWING 0 5 . D E TA I L E D D R AW I N G

THE DE TA I L E D D R AWI N G I S D R AWN M A N U A L LY B A S E D O N O B SERVATION O F DI F F E R E N T PA RT O F M Y H O U S E .


FOUNDATION

FLOOR

WINDOW

FLOOR SECTION SCALE 1:10

FOUNDATION SECTION SCALE 1:10

WINDOW SECTION SCALE 1:10


STAIRCASE

ROOF

SECTIONAL DRAWING

STAIRCASE SECTION SCALE 1:10 ROOF SECTION SCALE 1:10

SECTION SCALE 1:20


0 6 . D I G I TA L D R AW I N G S & R E N D E R I N G


DIGITAL DRAWING& RENDERING FOR T H E S E D I G I TA L D R AWI N G I S D R AWN U S I N G A U TO CAD . WH IL E RE N D E R I N G S A R E D O N E U S I N G P H O TO S H O P. T H E S E A R E SOM E OF M Y WO R K S D O N E D I G I TA L LY.

0 6 . D I G I TA L D R AW I N G S & R E N D E R I N G

06


A

B

D

C

LEGEND :

E

LEGEND

10000 4525

3600

1875

2050

5

100dp

2475

TT

TIMBER TILES

LF

LAMINATE FLOOR

HT

HOMOGENOUS TILE

LAUNDRY

KITCHEN

HT

LF

OUTDOOR JACUZZI

1520

TOILET

HT

100dp

50dp

LOGO :

HT

MASTER BEDROOM

LIVING ROOM

A

FOYER

NAME : ANG QIAO TING

STUDENT ID: 1002058079

608

SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I

150dp

A

3 2

LF

BEDROOM DRAWER

10000

DINING ROOM

3040

OUTDOOR PATIO

MAIN TITLE : SINGLE STOREY VILLA

3935

HT

50dp

1520

TOILET

4

TT

50dp

BEDROOM

3025

NOTE :

ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL

3375

2100

1

DATE : 03 FEBRUARY 2021

TITLE : FLOOR PLAN

FLOOR PLAN

A FRONT ELEVATION A

SCALE : 1:50

DRAWING NO : V/21-01


A

B

C

D

E NOTE :

MAIN TITLE : SINGLE STOREY VILLA

LOGO :

NAME : ANG QIAO TING

STUDENT ID: 1002058079

FRONT ELEVATION A

SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I

ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL

DATE : 03 FEBRUARY 2021

TITLE : ELEVATION SCALE : 1:50

DRAWING NO : V/21-03


NOTE :

A

B

D

C

E

ALUMINIUM SHEET INSULATION

ceiling level

METAL TRUSSES CONCRETE BEAM WINDOW PELMET PLASTER CEILING BRICK WALL

MAIN TITLE : SINGLE STOREY VILLA

300

3600

CLEAR FLOAT GLASS

LOGO :

ground floor level ground level

MASTER BEDROOM

FOYER

LIVING ROOM

BRICK WALL CONCRETE FOUNDATION

NAME : ANG QIAO TING

STUDENT ID: 1002058079

SECTION A-A

SUBJECT : AD452_ARCHITECTURE DIGITAL MEDIA I

ASSIGNMENT : AUTOCAD GENERAL DRAWING CHECKED BY : MR HUMANSON GIMFILL

DATE : 03 FEBRUARY 2021

TITLE : SECTION A-A SCALE : 1:50

DRAWING NO : V/21-02


FRONT ELEVATION


SECTION A-A

A

D TIMBER ATE FL IN O

GENOUS TI LE MO S HO

GRANITE

LAMINATED TIMBER FLOOR IS USED AT THE BEDROOM AS IT IS VERY DURABLE AND EASY TO CLEAN. BESIDES, IT IS ALSO CREATE A WARM AND COZY ATMOSPHERE AT THE BEDROOM.

HOMOGENOUS TILES IS USED AS THE FLOORING FOR LIVING ROOM AND KITCHEN. HOMOGENOUS TILE MAKES THE SPACE LOOKS SPACIOUS AND LUXURIOUS.

GRANITE COUNTERTOP IS VERY DURABLE AND IT IS ALSO HIGHLY RESISTANCE TO HEAT. THE GRANITE ALSO SUITES THE ATMOSPHERE OF KITCHEN WHICH HAS A COOL TONE.

FRONT ELEVATION

G HARDWOO D ON F AT

OR LO

KE K

M

OR

LA

SCALE 1:50

KEKATONG HARDWOD IS USED AT THE OUTDOOR FLOORING. KEKATONG IS USED AS IT IS A LOCAL MATERIAL AND DURABLE. THE COLOR AND TEXTURE OF WOOD SUITES THE SITE WHICH IS THE PADDY FIELD.

SMALLER ROAD MAIN ROAD NEARBY

SITE

PADDY FIELD AROUND

SCALE 1:50

FLOOR PLAN

AMONG RICE VILLA THE AMONG RICE VILLA IS LOCATED AT 07000

THE SPACES INSIDE THE AMONG RICE VILLA

LANGKAWI, KEDAH. IT IS SURROUNDED BY

ARE LIVING ROOM, DIDNING OOM, KITCHEN,

PADDY RICE FIELD WHICH IS ONE OF THE

BATHROOM, TWO BEDROOMS AND AN OUT-

UNIQUE OF PULAU LANGKAWI. THE RICE

DOOR JACUZZI. IT IS SUITABLE FOR A FAMILY

VILLA IS LOCATED 700M AWAY FROM THE

OF 4 TO 5 PERSON THAT CAME FOR A SHORT

MAIN ROAD OF THE VILLAGE. HENCE, TRAV-

VACATION. IT IS VERY COMFORTABLE AND

ELER WHO STAY THERE ARE ABLE TO ENJOY

CONVENIENT PLACE TO LIVE WHEN TRAVEL-

THE ESSENCE OF THE NATURE AND ESCAPE

ING TO PULAU LANGKAWI. THE NEIGHBOUR-

FROM THE CITY. WITH PADDY RICE FIELD

HOOD AROUND IS VERY FRIENDLY AND HELP-

AROUND IT, PEOPLE INSIDE CAN HAVE A NICE VIEW WHILE RESTING. THEY ARE ALSO ABLE TO VIEW HOW PEOPLE MANAGE AND GROW PADDY RICE

FUL. WITH PUBLIC TRANSPORT AROUND THE SITE, IT WILL BE EASY FOR TRAVELER TO GO TO ANYWHERE.

ANG QIAO TING 1002058079 AD452_ ARCHITECTURE DIGITAL MEDIA 1


07

MODEL MAKING

07. MODEL MAKING

I H AV E D O N E S O M E M O D E L M A K I N G TO U N D E R S TAN D T H E B U I L D I N G M O R E . T H E F I R S T M O D E L M A K I N G IS D ON E B A S E D O N T H E WO R K I N G D R AWI N G I H AV E D R AWN . TH E S E C O N D M O D E L M A K I N G I S D O N E TO S T U D Y T H E SOL AR E N E R G Y A N D E N E R G Y C O N S E RVAT I O N .




fuel and petroleum has become a problem. Hence, with the abundance

of

solar

radiation,

solar

energy

can

used

excessive electrical energy from overcharging battery storage. street furniture is designed. In addition, solar battery storage is used to store electrical

to

energy which can be used when needed. Ultimately, solar

produce electrical energy and minimize the pollution.

inverter will change direct current into alternating current for

WHY THE IDEA IS APPLIED ON THAT STRUCTURE?

charging

STUDY MODEL

energy is applicable everywhere. Many rural areas do not have electricity. However, with solar energy, there will be electricity anywhere if there is sunlight. As people are becoming more on

electrical

appliances,

a

green

charging

lot

is

introduced for people to charge their devices. By using solar energy on green charging lot, environmental pollution such as solar

energy

absorbed

water pollution and converted into

and

air

pollution

can

be

reduced

electrical energy

as

no

greenhouse gases is released. Consequently, a more sustainable electrical

street furniture is designed.

stored

in

energy

battery

box

electrical energy is used

through

charging plug

CHARGING STATION SHOWN IN DETAIL

solar controller

charging lot for electrical bike

Lastly,

people

can

charge

their

devices

through charging lot.

Idea of using solar panel at a charging lot is because solar

dependent

purpose.

HOW ENERGY IS RENEWED? Solar energy is a renewable energy that can be replenished naturally in short amount of time. Solar panels installed on the roof will capture sunlight and convert it into electrical energy. Electrical energy is then stored in battery storage and used whenever needed. When all electrical energy in the battery storage used, more electrical energy is generated again by the solar panel when there is sunlight.


08

DESIGN STUDIO

08. DESIGN STUDIO

I N D E S I G N S T U D I O WO R K , I H AV E D O N E C O L L A G E, 2 D A RT WO R K , 3 D A RT WO R K A N D L A S T LY A C O V I D - 1 9 POD . AL L T H E C O L L A G E A N D A RT WO R K S WI L L R E L AT E A N D IN FL U E N C E D T H E D E S I G N D E V E L O P M E N T O F T H E P O D.


02. COLLAGE

COLLAGE THE COLLAGE IS MADE BASED ON MY OBSERVATION ON THE ALAM DAMAI PARK. IT INCLUDES THE ACTIVITIES, COLOR,PATTERN, HUMAN BEHAVIOR AND TEXTURE OF THE PARK. WITH THE SITE VISIT, I GET TO UNDERSTAND THE SITE AND EXPRESS THE ESSENCE OF MY SITE IN A CREATIVE MANNER.

01

03 DIFFERENT HEIGHT OF HILLS IS ADDED AS IT IS THE ESSENCE OF THE SITE.

02

PEOPLE IN COLOURFUL AND RICH COLOR IS ADDED. PEOPLE CARRYING DIFFERENT ACTIVITIES IS SHOWN.

04 SHOES IS ADDED AROUND TO REPRESENT THE PARK IS GATHER. THE COLOR TONE IS A PLACE WHERE PEOPLE GATHER MONOCHROME.

TEXTURE FROM THE SITE IS ADDED IN THE BACKGROUND OF THE COLLAGE.



2D: POINT & LINE D E V E LOP ME N T OF LE A F

AXIS

IS

PLACES

DIAGONALLY

BASED

ON

MY

COLLAGE. BESIDES, AXIS REPRESENT THE MAIN ROAD INSIDE THE PARK.

organic shape of leaf

simplified

lines continued to e d g e

triangle and l e a f pat t e r n i s combinied

geometrical shape is formed

A LOT OF LINES ARE ADDED INTERSECT WITH THE AXIS REPRESENT THE SMALLER ROADS AND SHORTCUTS IN THE PARK. AT THE SAME TIME, DIFFERENT TRIANGLES ARE FORMED. REPETITION AND RHYTHM EVENTUALLY FORMED.

THE AXIS IS THICKEN AS IT IS THE MAIN ROAD. SO, IT IS MORE SIGNIFICANT COMPARED TO THE

OTH-

ERS. BESIDES, 15 TRIANGLES ARE CHOSEN FROM SMALLEST

TO

BIGGEST TO

SHOW

HIERARCHY. HIERARCHY

f i n a l d r a f t a f t e r a d d i n g l e a f pat t e r n

TRIANGLES REPRESENT THE HILLS IN THE PARK WHICH IS THE SIGNIFICANT OF THE PARK. THEY ARE PLACED RANDOMLY BECAUSE THE HILL IN THE PARKS

AT

DIFFERENT

PLACE

HAS

DIFFERENT

HEIGHT.

15 TRIANGLES ARE CHOSEN BASED ON THE DESIGN OF THE PARK. PARK THEY USE 15 SQUARES TO DESIGN

A R C H I TEC TU R E PR I N C I PLES A PPLI ED axis hierarchy

THE FLOOR PATTERN.

repetition THE 16TH TRIANGLES ARE NOT CLOSE TRIANGLES BECA USE IT FOLLOWS THE DESIGN CONCEPT OF THE PARK.



3D: PLANE & VOLUME

3D ARTWORK

DIFFERENT TRIANGLES ARE RAISED ARE DIFFERENT HEIGHT. HEIGHT FOR EXAMPLE, SMALLEST TRIANGLE IS RAISED THE LEAST WHILE THE LARGEST TRIANGLE WILL BE THE HIGHEST. IN THIS WAY, IT REPRESENTS THE DIFFERENT HEIGHT OF HILL IN THE PARK AND HIERARCHY IS ACHIEVED. REPETITION AND ARE ALSO ACHIEVED WITH THE REPETITION OF TRIANGLES.

RAISED SO IT CREATES DIFFERENT ANGLE, ANGLE THIS IS TO FOR THE LEAF, ONE SIDE OF IT IS RAISED,

MAIN PATH IS

AS WE AT ALWAYS STEEPING ON THE PATH. WITH ALL THE OTHER ELEMENTS AROUND BEING

SHOW THE DYNAMIC CHARACTERISTIC OF THE LEAF AS THE ORIENTATION OF LEAF CHANGED

RAISED, EVEN THE PATH IS NOT RAISED, THE PATH WILL ALSO BE NOTICEABLE AS IT IS DIFFERENT COMPARED TO

CONSTANTLY.

THE OTHERS. OTHERS AXIS IS SHOWN.

THE SPECIAL DESIGN OF THE FLOOR IS RAISED BUT THERE WILL BE AN OPENING TO MATCH WITH THE TILE DESIGN PATTERN AT THE PARK.



THE ARTIST POD T H E A RTIST POD IS A PO D DESI G NED FO R AN ART I S T WH I L E A DA P T ED TO THE PAN DEM I C SI TUATI O N.



INTERIOR PERSPECTIVE THE ARTIST POD IS DESIGNED FOR AN ARTIST, KATERINA APALE. DUE TO THE PANDEMIC HAPPENED RECENTLY, ARTIST COULD NOT GO OUTSIDE TO EXPLORE, DRAWING AND ORGANIZE EXHIBITION. HENCE, SHE WILL LOSE HER INCOME AND UNABLE TO GET INSPIRED BY THE NATURE TO PRODUCE HER ARTWORK. HENCE, THE POD I DESIGNED WILL HELP HER TO OVERCOME THE PROBLEMS FACED.

THE CONCEPT OF MY POD IS A TREE TREE. I AM INSPIRED BY MY SITE WHICH IS THE ALAM DAMAI PARK. THE POD HAS A LOT OF OPENINGS TO ALLOW VISUAL CONNECTION INSTEAD OF PHYSICAL CONNECTION. FURTHERMORE, THE POD HAS DIFFERENT OPENINGS AT DIFFERENT PART OF THE POD, POD ALLOWING THE ARTIST TO EXPLORE THE SURROUNDING AT A DIFFERENT PERSPECTIVE. THE SPACES INSIDE ARE ALSO ABLE TO GROW JUST LIKE THE TREE. THE POD IS ALSO ABLE TO CREATE PATTERN TO REPRESENT THE LEAF PATTERN AND SIGNIFICANT TO THE ARTIST.

THE MOST SPECIAL PART OF THE POD IS THE PULLABLE FLOOR AND THE FLEXIBILITY OF THE POD.

PRESENTATION LINK: https://youtu.be/AOB2nun8mFk


FUNCTION OF POD

CONCEPT

CLIENT

THE ARTIST POD HAS A WORKING SPACE ACT AS THE MAIN SPACE OF THE POD. EXAMPLES OF WORKING SPACE NEEDED BY THE ARTIST ARE PAINTING AREA,

PHOTOGRAPHY SPACE, EXHIBITION SPACE, STORAGE. BESIDES, IT ALSO HAS SOME OTHER SPACES SUCH AS

KATERINA APALE

KITCHEN.

BUBBLE DIAGRAM

SHE LOVES TO PAINT NATURE AND LIKES TO OBSERVE PATTERN.

HER STYLE IN PAINTING IS VERY DINING KITCHEN

SLEEPING AREA

TREE

STORAGE

VIEW

PHOTOGRAPHY SPACE

CLOSE AND CONVENIENT SUNLIGHT ADJACENT RELATIONSHIP

- PROMOTE VISUAL CONNECTION - ABLE TO EXPLORE AT DIFFERENT PERSPECTIVE

- SPACES ABLE TO GROW - CREATES PATTERN - CONNECTION

COLORS.

HER ART WORK : WORKING SPACE

LEGEND

DESIGN STARTEGIES

VIBRANT AND PLAY WITH DIFFERENT

EXHIBITION SPACE

SITE ALAM DAMAI PARK THE

SITE

IS

A

SPACE

WHERE PEOPLE AROUND THE

GATHER.

NEIGHBOURHOOD


ARCHITECTURE PRINCIPLES

DESIGN DEVELOPEMENT

FLOOR PLAN ELEVATED

AXIS IS ADDED IN THE MIDDLE

BEDROOM SPACE IS ADDED

DIAGONAL PART ADDED REPRESENTING PATTERN AND FUNCTION

AXIS DIAGONAL AXIS ACT AS MAIN PATH

ONE

HIERARCHY

CHOSEN TO SHOW HIERARCHY

DIAGONAL

SIDE

IS

A RANGE OF TRIANGLES

AND IRREGULAR GRID LINES

ARRANGED FROM SMALLEST TO

ADDED

THE BEDROOM IS CANTILIVERED

BIGGEST

REPETITION

REPETITION OF LEAF AND THE USE

WINDOWS AND DIFFERENT

OF TRIANGLES

ANGLES OF ROOF ARE ADDED

AXIS

PART OF GRID LINE IS

DIAGONAL AXIS ACT AS MAIN PATH

SUBTRACTED

HIERARCHY TRIANGLES ARE RAISED FROM LOWEST

LEAF PATTERN IS

TO HIGHEST LEAF PATTERN

REPETITION

ADDED ON FACADE

REPETITION OF LEAF PATTERN AND USE OF TRIANGLES

FINAL FLOOR PLAN SHAPE

STEEL STRUCTURE IS ADDED TO SUPPORT ROOF AND CANTILIVERED BEDROOM STEEL STRUCTURE


different the

artist

SCALE 1:25

pod

‘ tree ’ orientation . concept

ROOF PLAN

angles

of to

roof

is

designed

represent

back

in the

which has leaf with different


EXHIBITION SPACE/ PAINTING AREA

STORAGE

PAINTING AREA

KITCHEN/ DINING

DRAWING / PHOTOGRAPHY SPACE

GROUND FLOOR PLAN

SCALE 1:25 GROUND FLOOR PLAN SCALE 1:25


SLEEPING SPACE

FIRST FLOOR PLAN SCALE 1:25

FIRST FLOOR PLAN SCALE 1:25


ELEVATION A SCALE 1:25


ELEVATION B SCALE 1:25


SECTION A-A SCALE 1:25


SECTION B-B SCALE 1:25


AXONOMETRIC

AXONOMETRIC ROOF METAL DECK

ROOF POLYCARBONATE

O

N PE

AB

L E WA L L A S

TA

BL

E

TI

N AC

E WOODGRAIN CEMBOARD

EX

PLO

R AT I O N S P A

CE

MATERIAL USED FOR THE ROOF THE POD IS METAL DECK. DECK BESIDES, POLYCARBONATE ROOF IS INSTALLED ABOVE THE SPACE OF PULLABLE FLOOR. FLOOR STEEL STRUCTURE IS USED TO SUPPORT THE ROOF AND THE FIRST FLOOR AND ALSO ACT AS THE TRACK FOR ADJUSTABLE FLOOR. METAL STUD IS INSTALLED BETWEEN THE WOODGRAIN CEMBOARD FOR FLOOR AND WALL. DURING DIFFERENT TIME OF THE DAY, WHEN SUNLIGHT SHINES IN, PATTERNED SHADOW IS FORMED SO THE POD BECOME MORE SIGNIFICANT TO THE ARTIST AND REFLECTS BACK MY CONCEPT. CONCEPT

TI

ON

S PA

C E A N D PA IN TI

THE SPECIAL FEATURE OF THE POD IS IT HAS OPENABLE WALL THAT CAN ACT AS TABLE FOR THE N

ARTIST TO PUT HER MATERIALS AND ACT AS A SMALL DINING TABLE. THE STORAGE AREA ALSO

G

BI

IN

SP

HI

U S E D A S PA

AC

EX

OR

E

EA

SP

ST

G

AR

G

A

STEEL STRUCTURE

ACTS A PAINTING AREA WHEN THE ARTIST HAS A LARGE CANVAS. THERE IS ALSO EXPLORATION

E

SPACE FOR THE ARTIST TO OBSERVE THE SURROUNDING AND HAVE VISUAL CONNECTION. CONNECTION AT THE DIAGONAL PART OF THE POD, IT HAS A PULLABLE FLOOR ACT AS EXTRA EXHIBITION SPACE AND AS PAINTING AREA FOR THE ARTIST.


FORM DEVELOPMENT

FORM DEVELOPEMENT FORM DEVELOPEMENT FORM FORMDEVELOPEMENT DEVELOPEMENT

FORM DEVELOPEMENT

FORM DEVELOPEMENT

MODEL MAKING MAKING MODEL MODEL MODEL MAKING MAKING

INTERIOR INTERIOR INTERIOR INTERIOR PERSPECTIVE PERSPECTIVE PERSPECTIVE PERSPECTIVE

MODEL MAK ING

MODEL MAKING MODEL MAKING : MoDEl lINk https://youtu.be/Jz_PTwBS9wU

INTERIOR INTERIOR PERSPECTIVE

PERSPECTIVE


THANK YOU

ANG QIAO TING 1002058079@student.ucsiuniversity.edu.my


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