SIGHT + MIND =
∞
M F A PORT F OL I O 08 + 09
Lea Qinyang Li
SIGHT + MIND =
∞
M F A PORT F OL I O 08 + 09
Lea Qinyang Li
+ + 00
Sight Mind
02
+
Design is about contents, ideas, combinations. A good design never contains just one thing. There is always one plus one, —but, it doesn't equate two. That's the magic of design; the results are always infinite. Graphic design is based on images plus type, use visual convey mind to creating infinite information for communicate to people.
01
A BOUT
03
∞
04
=
05
As a designer, I always focus on how to use those elements to speak to people. Let the design talk on its own to communicate. Here are selected works that produced in my master's program, I hope you enjoy this visual journey.
06 07 08 09
+
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ + 00 01
CONTENTS
02
=
∞ 03
05
MILK + INK Type Experimental Poster
25
REALITY + NIGHTMARE David Lynch Film Festival
63
PAINT + GEOMETRY Sustainable Powder Mixed Paint Packaging
81
WOMEN + POTENTIAL Mary Kay Re-branding
10 7
DANCE + TYPE Monotype Grotesque, A Promotional Type-Specimen Book
12 1
GLASS + PROTECTION Crate and Barrel Four Glass Packaging
13 3
FOOD + TIME Food Hound Mobile App
14 5
FASHION + COLOR W Magazine Re-design
16 3
OFFICE + HEALTH MFA Thesis
01
05
+
04
PAG E
01 06
PAG E
07
02 +
+ 03
PAG E 04 + 04
PAG E 05 + 05
PAG E 06 + 06
PAG E 07 + 07
PAG E 08 + 08
PAG E 09 + 09
+
03
09
PAG E
08
02
06
SIGHT + MIND
+ L E A Q I N YA N G L I
+
P R OJ E C T
No.
+
MILK + INK 01
+
09
00 01 02 03 04 05
The project is to choose a subject of choice and express it conceptually through
06
OBJECT I V E ∕
experimental typography. Final deliverable is in the form of two posters. 07
A P P ROAC H ∕
+
chemically with each other to create a multitude of possibilities. Just like in a dream, reality and illusion coexist.
09
01
ink. These are totally different elements but with the same form. They react
08
01
I chose to illustrate a dream feeling by using the unique properties of milk and
+
∞
M I L K & I N K E X P E R I M E N TA L T Y P E
=
+ T YPE E XPERIMENTS
+ I N ST RU C TO R : I R I N A B L O K 07
08
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M I L K & I N K E X P E R I M E N TA L T Y P E
09
10
SIGHT + MIND
+ L E A Q I N YA N G L I
+
11
12
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M I L K & I N K E X P E R I M E N TA L T Y P E
13
14
16
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M I L K & I N K E X P E R I M E N TA L T Y P E
17
18
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M I L K & I N K E X P E R I M E N TA L T Y P E
19
20
SIGHT + MIND
+ L E A Q I N YA N G L I
+
21
22
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M I L K & I N K E X P E R I M E N TA L T Y P E
23
24
SIGHT + MIND
+ L E A Q I N YA N G L I
+
P R OJ E C T
No.
+
REALITY + NIGHTMARE 02
+
09
00 01 02 03 04 05
Create an imaginary film festival for a chosen movie director. Extract a theme
06
OBJECT I V E ∕
that ties together all of the director’s selected movies and create a cohesive
A P P ROAC H ∕
02
films: Blue Velvet (1986) , Lost Highway (1996), Mulholland Drive (2001), Inland Empire (2006). All visual execution was based on the thread “People hide behind twisted secrets to escape reality and overcome their inner destructive desires, inner peace.” The title for the film festival is Distorted Reflections and pulls a small number of vivid colors throughout the whole visual system, just like Lynch’s films do. Distorted type and graphic treatment represent the twisted feeling in his movies. The goal of this film festival is to draw Lynch fans into the scene to experience the films.
=
∞
D A V I D LY N C H F I L M F E S T I V A L
together the mysterious storytelling of all of his films. I use mostly black with
+
but in the end, they have to face the truth and consequences in order to achieve
09
+
I chose the director David Lynch, and the festival showcased his most intriguing 08
02
07
visual system through a variety of deliverables.
+ I N T E G R AT E D C O M M U N I C AT I O N S
+ I N ST RU C TO R : H U N T E R W I M M E R 25
26
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
27
28
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
29
30
SIGHT + MIND
+ L E A Q I N YA N G L I
+
31
32
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
33
34
SIGHT + MIND
+ L E A Q I N YA N G L I
+
36
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
37
38
SIGHT + MIND
+ L E A Q I N YA N G L I
+
39
40
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
41
42
43
44
SIGHT + MIND
+ L E A Q I N YA N G L I
+
45
46
47
+ L E A Q I N YA N G L I
+ SIGHT + MIND
Hidden desires revealed in the perverse world of David Lynch
2015
Hidden desires revealed in the perverse world of David Lynch
2015
48
Hidden desires revealed in the perverse world of David Lynch
2015
+ P R OJ E C T +
Hidden desires revealed in the perverse
w o r l d o f D av i d Ly n c h
w o r l d o f D av i d Ly n c h
tue - Sun
tue - sun
a D A V I D LY N C H F I L M F E S T I V A L
a D A V I D LY N C H F I L M F E S T I V A L
jan 20-25 2015
01
jan 20-25 2015
00
Hidden desires revealed in the perverse
Jan 22, 2016 S c r e e n i n g : L o s t H i g h w ay Time: 2:00pm – 6:00pm
Jan 23, 2016 Screening: Mulholland Drive Time: 2:00pm – 6:00pm
Jan 23, 2016 Screening: Mulholland Drive Time: 2:00pm – 6:00pm
Jan 24, 2016 Screening: Inland Empire Time: 2:00pm – 6:00pm
Jan 24, 2016 Screening: Inland Empire Time: 2:00pm – 6:00pm
Jan 25, 2016. Closing night Time: 6:00pm
Jan 25, 2016. Closing night Time: 6:00pm
04
Jan 21, 2016 S c r e e n i n g : B l u e V e lv e t Time: 2:00pm – 6:00pm
Jan 22, 2016 S c r e e n i n g : L o s t H i g h w ay Time: 2:00pm – 6:00pm
03
Jan 20, 2016. Opening night Time: 6:00pm
Jan 21, 2016 S c r e e n i n g : B l u e V e lv e t Time: 2:00pm – 6:00pm
02
Jan 20, 2016. Opening night Time: 6:00pm
05 06 07 08 09
+ D A V I D LY N C H F I L M F E S T I V A L 49
50
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
51
52
SIGHT + MIND
+ L E A Q I N YA N G L I
+
54
SIGHT + MIND
+ L E A Q I N YA N G L I
+
55
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
57
58
SIGHT + MIND
+ L E A Q I N YA N G L I
+
59
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ D A V I D LY N C H F I L M F E S T I V A L
61
62
SIGHT + MIND
+ L E A Q I N YA N G L I
+
03
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
PAINT + GEOMETRY
05
The project is to create a paint packaging system and kit for a sustainable latex
06
OBJECT I V E ∕
powder paint using environmentally friendly materials derived from sustainable 07
resources. The design needs to represent the sustainability aspects of the product and the soul of the brand.
03
I used 100% recycled paper to craft the packaging. The name of the paint is Santiago Calatrava, which is the name of the designer himself. The whole design is for his limited collection. This packaging structure is inspired by his architectural style, shape and graphics.
=
∞
S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
which is geometric. Thus, I bring this element into the packaging design in the box
+
03
using non-metal materials, moving away from how traditional paint cans look. 09
+
Inspired by Santiago Calatrava’s architectural design, I came up with the idea of
08
A P P ROAC H ∕
+ PACK AGING 2
+ I N ST RU C TO R : T H O M A S M C N U LT Y 63
64
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
65
66
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
67
68
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
69
70
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
71
72
SIGHT + MIND
+ L E A Q I N YA N G L I
+
73
74
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
75
76
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
77
78
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ S U S TA I N A B L E P O W D E R M I X E D P A I N T P A C K A G I N G
79
80
SIGHT + MIND
+ L E A Q I N YA N G L I
+
04
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
WOMEN + POTENTIAL
05
The project is to find a dead, defunct or dying brand and breathe new life into
06
OBJECT I V E ∕
it. The brand can be repositioned outside of where it presently appears with 07
the condition that it does not lose its core business. As a deliverable, students were asked to provide a comprehensive brand standards guide for the newly redesigned brand.
08
A P P ROAC H ∕
04
their lives; it provides women with open-ended potential to achieve personal and financial success. But times change, and the company needs to stay in the forefront. women with open-ended potential to give them the weapons to rule the future.” Mary Kay will become a new brand. The new VI system logo has a graceful shape
=
to create the letters “Mk”in elegant gold to represent the feminine personality
∞
and inject a successful business feeling into it. New Mary Kay will become a platform for any woman, providing a range of services and support in different fields to help women to succeed in all aspects of life in the 21st century.
M A R Y K AY RE BR A NDING
Keeping with the soul of the brand, the new mission statement is “empower
+
+
cosmetics and skin care. It empowers women to follow their dreams and enrich
09
04
I chose to re-brand Mary Kay. Mary Kay Inc. is a global direct sales company for
+ N AT U R E O F I D E N T I T Y
+ I N ST RU C TO R : H U N T E R W I M M E R 81
82
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M A R Y K AY RE BR A NDING
83
84
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M A R Y K AY RE BR A NDING
85
86
87
88
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+
03. Self defense program
04. Financial Engineering Program 05. Financial Service 06. Lecture and workshop
P R OJ E C T
01. Microchip implantation 02. Smart Contact Lenses
+ 00 01
Physical 02 03 04
Professional
05
Personal
9. Business Lead ship Institute 06
07. Personal Assistant 08. Personal Financial Management
07 08 09
Mental
services
product
experience and event
education
M A R Y K AY RE BR A NDING
11. Mental Center
+
12. Lead ship Training 13. Management Class 14. MBA Program 15. Knowledge Hub ( Library )
10. Conference
environment
89
90
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M A R Y K AY RE BR A NDING
91
94
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M A R Y K AY RE BR A NDING
95
96
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ M A R Y K AY RE BR A NDING
97
98
99
100
101
102
SIGHT + MIND
+ L E A Q I N YA N G L I
+
103
106
SIGHT + MIND
+ L E A Q I N YA N G L I
+
05
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
DANCE + GROTESQUE
05
Create a 12-page type specimen book to promote provided typefaces by Monotype
06
OBJECT I V E ∕
Imaging. Generate an effective communication style such as story-telling to
A P P ROAC H ∕
+
updating of Berthold’s Ideal Grotesque was supervised at Monotype in 1926 by F.H. Pierpont. With some of the eccentricities in the borrowed original reduced, those series retains enough character to have become one of the world’s great san serifs. I focus on the unique shape, ratio and weight and bring out the playful personality
a sense of the fascinating and joyful, as well as the lively and playful.
=
∞
MONOT YPE GROTESQUE
a new perspective on Grotesque. I use bright color and a dynamic layout to convey
+
of Grotesque. My goal is to give more and more younger generation graphic designers
09
05
I chose a contemporary geometric sans serif named “Monotype Grotesque” This 08
05
07
promote the chosen typeface in a limited number of pages.
+ T YPE COMPOSITION
+ I N ST RU C TO R : A N D R E W L O E S E L 107
108
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MONOT YPE GROTESQUE
109
110
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MONOT YPE GROTESQUE
111
112
SIGHT + MIND
+ L E A Q I N YA N G L I
+
113
114
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MONOT YPE GROTESQUE
115
116
SIGHT + MIND
+ L E A Q I N YA N G L I
+
117
118
SIGHT + MIND
+ L E A Q I N YA N G L I
+
119
120
SIGHT + MIND
+ L E A Q I N YA N G L I
+
06
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
GLASS + PROTECTION
05
Engineer sustainable packaging for multiple units of breakable items. Consider
06
OBJECT I V E ∕
shipping, shelving and display in retail stores.
+ 06
goal was to create a package around the glassware that really stands out and acts as a selling point for the product. Being simple and minimal in its construction,
08
06
I chose Crate and Barrel as a basis to redesign a four glass packaging. My main
07
A P P ROAC H ∕
the packaging must use materials that appear beautiful yet are durable, and appeal 09
to an Eco-friendly audience. I also explored to use of new materials that made from biodegradable and renewable sources that reduce waste, as well as pack the uniquely and Barrel’s visual system black and white to design the packaging. It fits well in
∞
Crate and Barrel retail stores, and makes it convenient for shoppers to grab the $52 four glass set.
C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
=
+
crafted products with smart structures that are attractive and durable. I kept Crate
+ PACK AGING 2
+ I N ST RU C TO R : T H O M A S M C N U LT Y 121
122
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
123
124
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
125
126
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
127
128
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
129
130
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ C R AT E A N D B A R R E L G L A S S P A C K A G I N G S E T
131
132
SIGHT + MIND
+ L E A Q I N YA N G L I
+
07
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
FOOD + TIME
05
A P P ROAC H ∕
According to my research, I found people don't like waiting too long when they
07 07
go to a restaurant. In San Francisco, most restaurants would give customers a vibrating monitor to alert them when their table is ready. However, the monitor requires people to stand near by waiting. I made an App so people could go to a restaurant without a reservation. It makes waiting more pleasant and productive.
∞
FOOD HOUND UI DESIGN
more fun.
+
real food images and simple type with urban colors, to make the waiting experience
09
It offers convenience to both restaurants and customers. UI design combines
=
08
+
07
Find a problem in people’s daily life and help them solve it by using UI design.
06
OBJECT I V E ∕
+ N AT U R E O F I N T E R A C T I O N
+ I N ST RU C TO R : A M I R B A H A D O R I 133
134
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ FOOD HOUND UI DESIGN
135
136
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ FOOD HOUND UI DESIGN
137
138
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ FOOD HOUND UI DESIGN
139
140
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ FOOD HOUND UI DESIGN
141
142
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ FOOD HOUND UI DESIGN
143
144
SIGHT + MIND
+ L E A Q I N YA N G L I
+
08
+
09
P R OJ E C T
No.
+ 00 01 02 03 04
FASHION + COLOR
05
The goal of this project was to redesign a magazine of choice in a new way
06
OBJECT I V E ∕
focusing on experimental typography and layout.
+ 08
I chose to eliminate any type of grid system. Through various type treatments combined with fabric pattern and a water color effect, I was able to create
08
08
The magazine chosen was December 2014 issue of the fashion magazine W.
07
A P P ROAC H ∕
interesting layouts. I used fashion elements combined with type to make this 09
magazine unique to grab the fashion reader’s attention. Random typography was composed into a 9 x 12 magazine. This project allowed me to escape my
=
usefulness in regards to readability.
∞
W M AGA ZINE RE-DESIGN
kerning. Ultimately, it taught me to appreciate traditional typesetting and its
+
comfort zone, play with sideways type, and experiment with leading and
+ T YPE E XPERIMENTS
+ I N ST RU C TO R : I R I N A B L O K 145
146
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ W M AGA ZINE RE-DESIGN
147
148
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ W M AGA ZINE RE-DESIGN
149
150
151
152
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ W M AGA ZINE RE-DESIGN
153
154
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ W M AGA ZINE RE-DESIGN
155
156
157
158
159
0160
SIGHT + MIND
+ L E A Q I N YA N G L I
+
P R OJ E C T
No.
+
MFA + THESIS 09
+
09
00 01 02 03 04 05
09 09
project that is a culmination of over a year’s worth of research and work. This thesis is a chance for a designer to take on multiple roles within a single
07
+
Unlike any other project within the program, the MFA thesis is a special
06
A BOU T ∕
project. It starts out by our choosing a problem to solve through design, solution that is both conceptually and visually proficient. This project should
08
followed by conducting extensive research and then finally delivering a robust demonstrate a range of design sills including conceptual thinking, audience
∞
MFA T HE SIS - ACT IO
=
+
of active design.
09
analysis with user testing, and tracking of a real world problem via execution
+ I N ST RU C TO R : P H I L H A M L E T T, J E R E M Y S T O U T, B O B S L O T E , H U N T E R W I M M E R 0161
162
SIGHT + MIND
+ L E A Q I N YA N G L I
+
P R OJ E C T
No.
+
OFFICE + HEALTH 09
+
09
00 01 02 03 04 05
We are all behind the computers for most of the day, many office computer
06
OBJECT I V E ∕
users are now inactive for as much as 15 hours per day. Those hours consume 07
the major part of a person’s life. As one sufferer with serious low back pain, I see people around myself with more or less have office related health problems; I decided to solve this problem by using my graphic design skills.
08
A P P ROAC H ∕
=
∞
product, packaging, branding and a website.
MFA T HE SIS - ACT IO
09
to work in front of the computer for long hours. The system includes an App,
+
+
My goal is to bring about positive behavioral changes in office workers who need
09
09
Actio, is a motivational system preventing for office related health problems.
+ I N ST RU C TO R : P H I L H A M L E T T, J E R E M Y S T O U T, B O B S L O T E , H U N T E R W I M M E R 163
164
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
165
166
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
167
168
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
169
170
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
171
172
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
173
174
175
176
SIGHT + MIND
+ L E A Q I N YA N G L I
+
3
3.2
3.38
+
R3.6
P R OJ E C T
R5.6
20
R0.05
1.8
A
+
R1
0.72
00
R6
A
01
1.90
02
30
03 04 05 06 07 08 09
+ MFA T HE SIS - ACT IO
20
3.38
R0.05
1.8
0.72
3 2.80 0.20
R1 SECTION A-A SCALE 1 : 1
4
2
3 20
3.38
1.8
0.72
3 2.80 0.20
177
R1
178
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
179
180
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
181
182
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
183
184
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
185
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+ P R OJ E C T
+ 00
01
02
03
04
05
06
07
08
09
+ MFA T HE SIS - ACT IO
188
189
190
SIGHT + MIND
+ L E A Q I N YA N G L I
+
+
THANK + YOU No. 00
+
00
00 01 02 03 04 05
Thank you to my dad, mom, sister, brother and baby niece Chloe for endless
06
FA M I LY ∕
love. I wouldn't be where I am now without your support. Thank you alway
Thank you to all my friends for believing in me and inspired me.
I N S T RU C T O R S ∕
Thank you to my instructors who teaching, inspiring, and encouraging
08
FRIENDS ∕
07
be there with me.
Michael Kilgore, David Hake, Andrew Loesel, Kathrin Blatter, Irina Blok, Jeremy Stout. Thank you to Mary Scott, Phillip Hamlett, who helped me complete this journey. Special thanks to Hunter Wimmer, who helped, guided and support me from the begging until now. Your helps meant a lot to me. Thank you again to all my instructors, you all bring out better me. 感谢 ∕
爸爸,妈妈,姐姐和弟弟,还有我们家可爱的多多。谢谢 你们,你们的爱是
∞
支持我走到今天的所有动力。
+
∞
也谢谢自己为自己真正付出过。 谢谢所有我爱的人。 还有谢谢 你。
=
∞
+
Thomas McNulty, Amir Bahadori, Anthony Jagoda, Shel Perkins, Bob Slote,
09
me during my graduate school life. I will never forget you all. Many thanks to :
LEA + QINYANG LI =
∞
GR APHIC DESIGNER / UI DESIGNER /
=
PHONE /
(+1) 415.602.1229
EMAIL /
leali1220@gmail.com
WEBSITE /
www.qinyangli.com
∞
TITLE ∕
D E PA R T M E N T ∕
SCHOOL ∕
Sight + Mind
Graphic Design
Academy of Art University
PHOTOGR APH Y ∕
I N S T RU C T O R ∕
T Y P E FAC E ∕
Lea Qinyang Li
Mary Scott
Din, Perpetua Std, S O F T WA R E ∕ Adobe CC 2015 B I N D E RY ∕ The Key Printing & Binding PR I NTER/ Giant Horse Printing PA P E R / 100LB Finch Fine Text
© 2015 all rights reserved. No part of this publication can be reproduced without express permission from Lea Qinyang Li.