Working - Localised [Program]

Queensland Conservatorium Griffith University presents 3rd year Bachelor of Musical Theatre students in

WORKING

LOCALISED

From the book Studs Terkel

Adapted by Stephen Schwartz and Nina Faso

Localised format conceived by Daniel C. Levine for ACT of CT

Songs by Craig Carnelia, Micki Grant, Lin-Manuel Miranda, Mary Rodgers and Susan Birkenhead, Stephen Schwartz, James Taylor

Licensed exclusively by Music Theatre International (Australasia).

27–29 April 2023

Cremorne Theatre, QPAC

WORKING LOCALISED

From the book by Studs Terkel

Adapted by Stephen Schwartz and Nina Faso

Localised format conceived by Daniel C. Levine for ACT of CT

Songs by Craig Carnelia

Micki Grant

Lin-Manuel Miranda

Mary Rodgers and Susan Birkenhead

Stephen Schwartz

James Taylor

Licenced exclusively by Music Theatre International (Australasia)

Producer Director

Musical Director

Choreographer

Orchestrations by

Professor Paul Sabey

Elise Greig

Heidi Loveland

John Clarke

Alex Lacamoire

Adaptation, additional writing and dramaturgy by Elise Greig

Musical arrangements by Heidi Loveland

Welcome

We are delighted to welcome you here for the performance of WorkingLocalised.

This is our first production in the Cremorne Theatre since QPAC became our home earlier this year. I would like to thank John Kotzas AM, CEO, and his entire team at QPAC for making us all feel extremely welcome.

Based on Studs Terkel’s best-selling book of interviews with American workers, Working paints a vivid portrait of the workers that the world so often takes for granted: the school teacher, the phone operator, the waitress, the millworker, the mason, and the housewife, just to name a few. This version gives the audience the opportunity to hear real stories from the Australian community and for the performers to share these ‘localised’ stories with you.

Working is the second musical theatre production in our 2023 performance season. Further productions for this year include Cry Baby, the Acting and Musical Theatre Showcase and Urinetown, as well as Oresteia and Common Ground from the Bachelor of Acting students.

We have all been thrilled to welcome back Elise Greig to the Queensland Conservatorium to direct this production of Working

The students performing tonight; Elise Greig, the Director; Heidi Loveland, Musical Director; John Clarke, Choreographer, musicians, and all the technical team have worked tirelessly to bring you this wonderful version of Working.

As well as thanking the students, Elise, Heidi, John and the technical team, we would like to thank you for supporting us and very much look forward to welcoming you again to our future performances.

Please enjoy our production of Working - Localised.

Professor Paul Sabey Head of Performing Arts Program Director - Bachelor of Musical Theatre

From the Director

Everyone does it, whether it’s paid, unpaid, part-time, fulltime, casual, or volunteer. Work is a part of life. It’s everywhere we look, but how often do we take the time to celebrate those who work and the work they do?

The original production of Working was based on the 1974 Studs Terkel book of interviews, Working: People Talk About What They Do All Day and How They Feel About What They Do. In 1977 these interviews were used as the stimulus for Working, a musical with book by Stephen Schwartz and Nina Faso, music by Schwartz, Craig Carnelia, Micki Grant, Mary Rogers, and James Taylor and Susan Birkenhead. Working has since been updated and ‘localised’ and that’s what we’re sharing with you in this production. A localised version of Working that incorporates voices from our community. Over the summer break, the students interviewed friends, family, and strangers about the work they do. These interviews have since been woven into the fabric of the text, reminding us that behind every job there is a person with a story to tell. In our production, the interviews are supported by images and footage of the people we interviewed.

When Professor Paul Sabey approached me to adapt and direct Working, I was thrilled by the opportunity to explore this excellent piece. I am very grateful to Paul for trusting me to localise and contemporise this insightful and important work of music theatre. Embracing the challenge of adapting the work to suit an ensemble of 23 emerging performers has been a creative joy. Throughout the process we’ve laughed, cried, celebrated, and rejoiced because when you ask someone what they do for work, you learn so much more about them than just their job title. We can’t thank our intrepid interviewees enough. To each and every person who agreed to tell us their story – you’re a champion. Your contribution has been invaluable.

I have adored working with this terrific cohort and I couldn’t be prouder of them for their openness, commitment, and willingness to explore. As they take to the stage at their new home, I’ve reflected more than once that I performed at the opening of QPAC more than 38 years ago. My desire to pursue a career in the arts was consolidated right then and there. It feels like a full circle moment to find myself directing a company of young artists as they prepare to launch their own careers in this very building.

I’d like to thank Professor Paul Sabey for his exemplary leadership and support, and the fabulous Heidi Loveland for her splendid musical ability, John Clarke for his fancy footwork and Amy and her team, including Keith Clark, Steve Thornely and Lachlan Paterson, for realising the technical aspects of the production. Thanks also to our excellent band, and of course, where would any of us be

without Domi and Cathy in admin. When a new piece of work is being created, that photocopier works overtime, and so do they.

And finally, to you, our audience - you are indispensable to our creative process. We can’t thank you enough for joining us and if you were one of the people who shared their story… we hope you like what we’ve done with it.

The Cast

Olivia Ayoub

Mackinley Brown

Taylor Brown

Matthew Casamento

Oliver Clisdell

Gemma Dandie

Natasha Dyson

Isabella Gaskin

Sophie Gulloch

Meg Hargraves

Michael Jarrett

Aimee Jones

William Kasper

Izzi Kratz

Juliette Milne

Sophie Montague

Bradley J Oakman

Charlotte Page

Ben Peters

Benjamin Richards

Alexander Tye

Eliza Vine

Emma Wilby

The Songs and Stories

ALL THE LIVELONG DAY ........................................... Full Company

Music and Lyrics by Stephen Schwartz

(with acknowledgments to Walt Whitman)

Jason, Communications Rigger .................................. William Kasper

Interviewed and written by Pen Peters

Amanda, Secretary ......................................................... Emma Wilby

Adapted from the original Working script

DELIVERY ..................................... Bradley J Oakman and Company

Music and Lyrics by Lin-Manuel Miranda

Rex, Money Management ..................................... Benjamin Richards

From the original Working script

Miss Lisa, Kinder Music Educator ................................ Taylor Brown

Interviewed and written by Aimee Jones

Rose Hoffman, Teacher ................................................Natasha Dyson

Adapted from the original Working script

NOBODY TELLS ME HOW ......................................... Natasha Dyson

Lyrics by Susan Birkenhead, Music by Mary Rodgers

Katrina, Tattoo Artist ................................................... Juliette Milne

Interviewed and written by Izzi Kratz

Frank, Trucker ....................................................... Mackinley Brown

From the original Working script

BROTHER TRUCKER ........... Mackinley Brown, Benjamin Richards

Music and Lyrics by James Taylor ................ Michael Jarrett, Emma Wilby, Gemma Dandie, Izzie Kratz, Eliza Vine and Company

Johnnie, Tech Support................................................. Alexander Tye

From the original Working script

Sharon, Receptionist ............................................................ Eliza Vine

From the original Working script

Stay-at-home Mum ......................................................Charlotte Page

Interviewed and written by Charlotte Page

JUST A HOUSEWIFE .......................... Charlotte Page, Taylor Brown

Music and Lyrics by Craig Carnelia and Meg Hargraves

Grace, Millworker............................................................ Aimee Jones

Adapted from the original Working script

MILLWORK .......................................... Aimee Jones, Isabella Gaskin

Music and Lyrics by James Taylor Oliver Clisdell and Company

Anthony, Stonemason ................................................. Michael Jarrett

Interviewed and written by Mackinley Brown

THE MASON ...................................................................... Ben Peters

Music and Lyrics by Craig Carnelia

Erin, Bartender ........................................................... Meg Hargraves

Written by Meg Hargraves

Delores, Waitress ............................................................. Olivia Ayoub

Adapted from the original Working script

JOE ..................................................................... Matthew Casamento

Music and Lyrics by Craig Carnelia

A VERY GOOD DAY.................... Alexander Tye and Sophie Gulloch

Adapted from the original Working script

Anita, Queensland Fire Communications Officer ....... Isabella Gaskin

Interviewed and written by Isabella Gaskin

Maggie, Cleaner ....................................................... Sophie Montague

Adapted from the original Working script

CLEANING WOMEN .............................................. Sophie Montague

Music and Lyrics by Micki Grant and Femme Company

Ollie, Son of a Sheep Owner .......................................... Oliver Clisdell

Written by Oliver Clisdell

FATHERS AND SONS ...................... Ben Peters, Benjamin Richards,

Music and Lyrics by Stephen Schwartz ........................................ William Kasper and Masc Company

Benjamin, Son ....................................................... Benjamin Richards

Written by Benjamin Richards

Sarah, Theatre Nurse .................................................. Sophie Gulloch

Interviewed and written by Sophie Gulloch

Lisa, Mum and Research Scientist ............................. Gemma Dandie

Interviewed and written by Gemma Dandie

Frances, Mum and Woman of Many Hats! ...................Natasha Dyson

Interviewed and written by Natasha Dyson

Rosalie, Occupational Therapist and Stay-at-home Mum ................................................. Juliette Milne

Written by Juliette Milne

IF I COULD'VE BEEN ................................. Eliza Vine, Juliette Milne,

Music and Lyrics by Micki Grant ............... Emma Wilby, Gemma Dandie, Michael Jarrett, Mackinley Brown and Company

Nicole, Architect .............................................................. Aimee Jones

Interviewed & written by Aimee Jones

SOMETHING TO POINT TO ....................................... Full Company

Music and Lyrics by Craig Carnelia

The Band

KEYS ........................................ Heidi Loveland

BASS .......................................... Regan Hickey

VIOLIN ................................ Madeleine Crosby

GUITAR .................................. Jeremy Stafford

DRUMS/PERCUSSON Abigail Chardirchi

ALTO SAXOPHONE Ben Peters

The People

Jason Stjernqvist Communications Rigger (Queensland)

Leisa Johnston Kinder Music Educator (Queensland)

Katrina Trinh Tattoo Artist (Queensland)

Jackson Duffey Stonemason (Australian Capital Territory)

Erin Fawcett Bartender (Queensland)

Anita Gaskin Queensland Fire Communications Officer (Queensland)

Leah Page Stay-at-home Mum (Tasmania)

Lisa O'Donovan Research Scientist (South Australia)

Frances Dyson Mum and Woman of many hats! (Victoria)

Nicole Jones Architect (Victoria)

Rosalie Milne Occupational Therapist and Stay-at-home Mum (New South Wales)

The Creatives

ELISE GREIG DIRECTOR

Elise is an actor/playwright who has been recognized by the Matilda Awards on four occasions for her outstanding contribution to Queensland Theatre. Elise has also received a CentreScreen Award for her performance in Good Girls (Short Film Corner Cannes Film Festival & New Filmmakers New York), and 3 Goldie Awards for her voiceover work. Elise is an acting graduate from USQ and an Honours and Masters graduate from QUT, where she was awarded the University Medal for Academic Achievement. Elise also trained with Shakespeare & Company in Boston, USA.

As a playwright Elise’s first play, The Romany Project was presented as part of Metro’s Year of Independents, supported by the Australia Council and Arts Queensland. Elise’s next play, Crèche and Burn was a box office and critical success as part of La Boite Theatre’s 2005 mainhouse season and then received an extensive 10-week national tour. This was followed by The Sweet Science of Bruising, which was shortlisted for the 2010 Playwriting Australia Festival. Elise’s play, Hopelessly Devoted had a successful season at Glen Street ( Sydney), during 2014, and her short play, Flood, was presented as part of Short+Sweet Festival the same year. Elise’s work, Magpie was longlisted for the QPDA 2018 and had a critically successful season at Brisbane Powerhouse 2019, presented in partnership with Playlab and Metro Arts and supported by the Australia Council, Arts Queensland and MatchLab (Creative Partnerships Australia).

Elise’s most recent play Night Sky Over Our Town was developed through Queensland Conservatorium Griffith University, which she also directed. Other directing credits include Shooting Hoops by Julia Rose Lewis, as part of Short+Sweet Festival for which Elise was awarded Best Director, Love You Hate You for Playlab’s development program, Suffrage (International Women’s Day at Southbank), Our Town for Griffith University Mt Gravatt, Girls Like That Griffith University Gold Coast and We Are All Ghosts, also for Playlab’s development program.

As an actor Elise’s theatre credits include: Breaking (Counterpilot & Metro Arts), The Clints Come Again Reunion Cabaret (QLD regional tour 2021 & 2022, RPAC), Anatomy of a Suicide (BC, Big Scary Animal & e.g at Metro Arts), That’s What She Said (Metro Arts), The Bull, The Moon and the Coronet of Stars (QT Quality Time), Reagan Kelly (Rocket Boy), Poison and Swallow (Metro and EG), Spring Awakening (Metro and Underground), A Little Night Music (Brisbane Philharmonic), The Story of Brisbane (Playabout and Powerhouse), Spectate (Metro), Long Gone Lonesome Cowgirls (La Boite/QBFM), The Spirit of The Land (La Boite), Hopelessly Devoted (Glen Street, Sydney), Secret Bridesmaids’ Business (La Boite/QPAC), Explosions (QTC), Summer Rain (QTC), Modd Madame Butterfly (QTC). Elise has worked extensively in film and TV, most recently in Reef Break and Young Rock, and is currently the voice of Mrs. Kangaroo in Peppa Pig.

HEIDI LOVELAND

MUSICAL DIRECTOR

Heidi holds degrees in music, performance, and education. In recent years, she has provided musical direction for Opera Queensland, Rachael Beck, Martin Crewes and Queenie van der Zandt. She has musically directed numerous productions for Queensland Conservatorium Griffith University’s Bachelor of Musical Theatre including Heathers, 42nd Street, Putting It Together, The Wedding Singer, Grease, It’s Only Life, Legally Blonde The Musical, London Road, Elegies, The Drowsy Chaperone, Les Misérables, Dogfight, Company, West Side Story, The Secret Garden, the touring productions of Personals, Godspell, I Love You, You’re Perfect, Now Change, Elegies for Angels, Punks and Raging Queens and Working, as well as the graduating Musical Theatre Showcase tours.

Heidi has performed in the Brisbane seasons of Chess the Musical, Muriel’s Wedding, Strictly Ballroom, The Sound of Music and backed the Brisbane leg of Natalie Weiss’ Australian tour. She is a regular audition accompanist and was rehearsal pianist for Matilda the Musical and The Sound of Music. Other recent engagements include the Queensland Symphony Orchestra Harry Potter In-Concert Series, QSO Wave Festival and QSO Musical Theatre Gala.

JOHN CLARKE

CHOREOGRAPHER

Alongside teaching at the Conservatorium, John is CoDirector of Redland Dance in Cleveland.

He spent the first 14 years of his career performing and working in London’s West End. His first contract was in Grease at the Dominion Theatre. He then decided to learn a new skill and took an opportunity to roller skate in Starlight Express. Following this, he was part of the original cast of Saturday Night Fever at the London Palladium, and was then asked to be Resident Director and Resident Choreographer of that show’s first UK tour. He then joined the original cast of We Will Rock You as Resident Choreographer and as a swing. This show took John around the world as the Associate Choreographer for the Australian, American and German productions. John left We Will Rock You to open a new production of Andrew Lloyd-Webber’s Evita in London as Resident Choreographer and Swing before taking on the position of Resident Director of Joseph and the Amazing Technicolor Dreamcoat.

John left this production to bring his family to Australia and chase new dreams. He spent a little over a year working on the Australasian tour of Matilda the Musical as Resident Choreographer.

3rd Year Bachelor of Musical Theatre Students

OLIVIA AYOUB (she/her)

Olivia’s focused artistic passion grew as a young girl discovering the power of storytelling. After obtaining a perfect score in her final HSC drama exams, she received a NSW OnStage Performance nomination, which led to being cast a featured actor in the NSW RSA safety video. During her studies in the Bachelor of Musical Theatre course at Queensland Conservatorium Griffith University, she has continued to explore her love for performance in roles such as Mae in The Pajama Game and Heather Duke in Heathers the Musical Olivia is a striking and energetic performer and a generous scene partner.

MACKINLEY BROWN (he/him)

Mackinley is a passionate and versatile triple threat performer, originally from Canberra. During his time at the Queensland Conservatorium Griffith University, he has played a number of roles including Prez in The Pajama Game, Ram Sweeney/Beleaguered Geek in Heathers the Musical, featured Ensemble in Grease (QCGU/QPAC), and understudied the roles of Abner Dillon and Mac in 42nd Street. Mackinley is thrilled to be featured this year in Working - Localised, performed in QPAC’s Cremorne Theatre, and Cry Baby in the Conservatorium Theatre with the Bachelor of Musical Theatre class of 2023.

TAYLOR BROWN (she/her)

Originally from Country Victoria, Taylor is a dynamic and versatile performer, completing a Bachelor of Musical Theatre at the Queensland Conservatorium Griffith University. During her time at the Conservatorium, she has performed the roles of Hines in The Pajama Game, Ensemble in 42nd Street, Ensemble in Grease (QCGU/QPAC) and was a vocalist in Queensland Symphony Orchestra's Musical Theatre Gala. Taylor is thrilled to be graduating with the class of 2023 and looks forward to taking the next step in her performing arts career.

MATTHEW CASAMENTO (he/him)

Matthew Casamento discovered his love for performing arts at a young age thriving in front of thousands at the Melbourne Arts Centre in Top Acts. His passion sparked in his hometown Melbourne; however, has further pursued his passion by undertaking a Bachelor of Musical Theatre (Queensland Conservatorium Griffith University). He recently played Kurt Kelly and JD u/s in Heathers the Musical and Sid Sorokin in The Pajama Game. From 202021 he featured in the Victorian Government’s Covid Safe Advertisement. Matthew is a dedicated cast member whose sense of play is invaluable.

OLIVER CLISDELL (he/him)

Oliver is a versatile and passionate performer. He began training in Ballet and Hip Hop, before adding Jazz, Acro, contemporary and Musical Theatre. Oliver has a Diploma of Music Theatre from NIDA and is studying a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. QCGU credits include Ensemble/Bert Barry u/s and Ensemble in 42nd Street, Sid Sorokin in The Pajama Game, Hipster Dork/Ram’s Dad/Kurt’s Dad u/s/ Principal Gowan in Heathers the Musical, Ensemble in Grease (QCGU/QPAC) and Featured Performer in Weimar Kabarett (NIDA).

GEMMA DANDIE (she/her)

A highly motivated, versatile and energetic performer, Gemma has been singing, dancing and acting since the age of three. Awarded the George Alexander Scholarship for high achievement at Queensland Conservatorium Griffith University, Gemma is in her final year of the Bachelor of Musical Theatre course and is thrilled to be performing in Cry Baby directed by Alister Smith. Performance highlights include Heather Duke/Dance Captain in Heathers the Musical, Vocalist in Queensland Symphony Orchestra's Musical Theatre Gala and Poopsie/ Voice Captain in The Pajama Game.

NATASHA DYSON (she/they)

Tash’s performance highlights include Babe Williams in The Pajama Game, Heathers the Musical, Grease and 42nd Street (QCGU), Mamma Mia! (CLOC) and VCE Top Class- contemporary vocal soloist. They spent 13 years performing in the Australian Girls Choir alongside Australian icons such as Hugh Jackman and Olivia Newton-John. Tash is a passionate musician, having Musical Directed Annie (MDMS) and working as a vocal tutor for the Australian School of Performing Arts. They love all things art history, thrifting and crafts.

ISABELLA GASKIN (she/her)

A passionate, bubbly and hardworking performer, Isabella is currently completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University and earned a Diploma of Musical Theatre from AAPA in 2018. She was cast in Queensland Theatre’s development of the new musical adaptation of Round the Twist, directed by Simon Phillips. Performance credits include Heather Chandler in Heathers the Musical, Mabel in The Pajama Game and Ensemble in Grease (QCGU/QPAC). Isabella is excited to be performing in Cry Baby soon and thrilled to be entering into the industry in 2023.

SOPHIE GULLOCH (she/her)

Sophie is an effervescent, engaged, and gracious performer, with a beat in her feet and a dedication to storytelling. Currently completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University, she also holds a Diploma of Musical Theatre (NIDA). Sophie performed as a Featured Soloist with QSO in the 2022 Musical Theatre Gala and Ensemble in Grease (QCGU/QPAC). QCGU credits include Martha in Heathers the Musical and Hines in The Pajama Game. Sophie looks forward to Cry Baby in 2023 and the next chapter of her performing journey.

MEG HARGRAVES (they/she)

Established as a “confident, poised and engaging” performer (Broadway World), Meg began training in their home country of New Zealand, before relocating to Australia to pursue a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. Performance credits during their study include Ms. Fleming in Heathers the Musical, Ensemble in 42nd Street, Gladys in The Pajama Game and the upcoming season of Cry Baby. Meg is also a playwright, with two of their shows enjoying successful mainstage seasons at Rainbows End theme park. When not onstage, you can find Meg learning new pieces on their ukulele or curling up with a book.

MICHAEL JARRETT (he/him)

Brisbane local, Michael Jarrett is a playful and authentic performer, currently undertaking a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. You can find Michael in his spare time on the Tatami, where he’s been a passionate Martial artist for as long as he could walk, and out snapping photos of wildlife. Pre-university performance credits include Dany Zuko in Grease, Troy Bolton in High School Musical and Rooster Hannigan in Annie. Michael is excited to continue refining his craft this year while studying at QPAC.

AIMEE JONES (she/her)

Aimee Jones is a fierce and dynamic triple threat, born and raised in Melbourne. During her studies at Queensland Conservatorium Griffith University, she has performed the roles of Heather Chandler in Heathers the Musical, Babe Williams in The Pajama Game, Ensemble in 42nd Street and Ensemble in QCGU/QPAC’s Grease. Credits prior to her commencement of the Bachelor of Musical Theatre course include Demeter in Stage School Australia’s CATS, as well as holding the title of ATOD’s Australasian tap dance champion. Aimee is excited for the year ahead in preparing to enter the industry.

WILLIAM KASPER (he/him)

William is a lively, versatile, Brisbane-based actor and performer currently completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. William found a love for theatre at a young age, writing scripts with friends in the backyard and singing into vacuum cleaners for family, and now continues that passion on the stage. QCGU performance credits include Ram in Heathers the Musical, Mr Hasler in The Pajama Game and Matt Galloway in The Laramie Project. He also received an award for Best Male Actor for his portrayal of Max Smith in Hollow (Tropfest Jr).

IZZI KRATZ (she/her)

Izzi is a Sydney-born performer, studying a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. Izzi’s love of theatre was born when making her professional debut as Tessie/Annie Understudy in Annie (GFO). Since then, her passion for the craft has developed, with professional credits in Chitty Chitty Bang Bang (TML Productions) and Tosca (Opera Australia). Izzi trained in dance for 15 years under Lucas Newland at Brent Street. QCGU performance credits include Heather MacNamara in Heathers the Musical, Brenda/Dance Captain in The Pajama Game and Cry Baby

JULIETTE MILNE (she/her)

An effervescent and individualistic performer, Juliette has pursued the spotlight from an early age. Since then, she has immersed herself in honing her skills and performing in many productions. She completed a Diploma of Musical Theatre with Stage School Australia in Melbourne before moving to Brisbane to undertake a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. QCGU credits include Babe Williams in The Pajama Game, Ms Fleming in Heathers the Musical, and Ensemble in Grease (QCGU/ QPAC). She was also selected to perform at the VCE Theatre Studies Season of Excellence in 2020.

SOPHIE MONTAGUE (she/they)

Sophie Montague is a powerful Sydney based performer who has a passion for both the performing and visual arts. Sophie’s training includes a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University and a Diploma of Musical Theatre at Brent Street Performing Arts. Sophie’s QCGU credits include Martha Dunnstock/Veronica Sawyer u/s in Heathers the Musical, Babe Williams in The Pajama Game, Featured Ensemble in 42nd Street and Ensemble in Grease (QCGU/QPAC). They look forward to performing in Cry Baby soon.

BRADLEY J OAKMAN (he/she/they)

Bradley J Oakman is a spirited genderfluid artist completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. Originally from Hobart, Tasmania, Bradley has played a plethora of roles highlighting her versatility during their time at the Con, these including Prez in The Pajama Game, Ram’s Dad/New Wave Girl/Kurt’s Dad u/s in Heathers the Musical, Ensemble in 42nd Street and Ensemble in Grease (QCGU/QPAC). Bradley is excited to soon be performing in Cry Baby at the Conservatorium Theatre with the class of 2023.

CHARLOTTE PAGE (she/her)

Charlotte is a fearless and versatile triple-threat. With an ambitious approach to performing, she has represented Australia at World Latin and Ballroom Championships. She is also an Australian and New Zealand Open Latin title holder. Her passion for dance blossomed into a love of musical theatre, with credits including Fran in Strictly Ballroom (Encore Theatre Co), Ali and Sophie in Mamma Mia! (CLOC, Encore Theatre Co), Mabel in The Pajama Game (QCGU), Heather MacNamara/Dance Captain in Heathers the Musical (QCGU) and Ensemble in Grease (QCGU/QPAC). Charlotte also holds a Bachelor of Communications Public Relations.

BEN PETERS (he/him)

Hailing from Sydney, Ben Peters (he/him) is a versatile vocalist and performer completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University. Notable roles include JD in Heathers the Musical and Sid Sorokin in The Pajama Game. Ben has a strong background in many musical genres including classical, jazz and contemporary from various companies and institutions, most notably Opera Australia, Sydney Conservatorium and Gondwana Choirs. This helped him achieve a perfect score in music extension during his HSC and receiving an ‘Encore’ nomination. Ben takes every chance he can to further his knowledge and experience.

BENJAMIN RICHARDS (he/him)

Benjamin is a versatile, zealous performer and passionate storyteller. While living in London, he was enthralled by the West End which sparked a love for performing. Currently completing a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University, he also holds a Diploma of Musical Theatre from Brent Street. Ben’s QCGU credits include Sid Sorokin in The Pajama Game, Kurt’s Dad/Coach Ripper/Big Bud in Heathers the Musical and Ensemble in Grease (QCGU/QPAC). Ben will soon perform in Cry Baby. He is excited for the future and looks forward to entering the musical theatre sphere.

ALEXANDER TYE (he/him)

Tasmanian born and raised; Alexander is a proud Indigenous performer with a passion for vibrant, nuanced storytelling. While studying a Bachelor of Musical Theatre at Queensland Conservatorium Griffith University, Alex has thrived in bringing roles to life such as JD in Heathers the Musical, as well as immersing himself in professional work, including The Sunshine Club (Queensland Theatre) directed by Wesley Enoch, and the workshop development of the new musical of Round the Twist directed by Simon Phillips. Alex is eager to contribute his versatility, charisma and love for performing to the ever-progressing Australian musical theatre industry.

ELIZA VINE (she/her)

Eliza is a driven, vivacious performer, actor and content creator. Currently completing a Bachelor of Musical Theatre at The Queensland Conservatorium Griffith University, she also has a Diploma of Music (Theatre) from The Australian Institute of Music (2018). Continuing her development as a performer she co-produces & hosts ‘Stage Door Podcast’, one of Australia’s leading musical theatre podcasts. Performance credits include Veronica Sawyer in Heathers the Musical, Gladys in The Pajama Game, Ensemble in Grease (QCGU/QPAC), Ensemble/Cover in 42nd Street, and is thrilled later this year to perform in Cry Baby, directed by Alister Smith.

EMMA WILBY (she/her)

Emma is a powerhouse Melbourne-based performer, who’s training includes a Bachelor of Musical Theatre from Queensland Conservatorium Griffith University and British Diploma of Musical Theatre through Associated Studios London. Emma’s performance credits include Veronica Sawyer in Heathers the Musical, Tiger in Queensland Theatre’s workshop of Round the Twist directed by Simon Phillips, Dance Captain in Suddenly: A Short New Musical (‘Best Musical’ in the New York International Film Awards), Mae in The Pajama Game and Ensemble in 42nd Street and Grease.

Understudies

All The Livelong Day

Emma Wilby, Oliver Clisdell, Sophie Montague, Alexander Tye

Comms Tower Monologue

William Kasper, Michael Jarrett

Amanda

Aimee Jones, Gemma Dandie

Delivery

Meg Hargraves, Matthew Casamento

Rex

Matthew Casamento, Alexander Tye

The Kinder Music Teacher

Charlotte Page, Sophie Gulloch

Nobody Tells Me

Taylor Brown, Juliette Milne

The Tattoo Artist

Sophie Gulloch, Izzi Kratz

Brother Trucker

William Kasper, Alexander Tye, Bradley Oakman, Sophie Montague, Sophie Gulloch, Oliver Clisdell, Taylor Brown, Isabella Gaskin, Meg Hargraves, Juliette Milne

The Office Workers

Matthew Casamento, Meg Hargraves, Ben Peters, Olivia Ayoub

Just A Housewife

Eliza Vine, Izzi Kratz

Millwork

Gemma Dandie, Izzi Kratz, William Kasper, Emma Wilby, Charlotte Page, Bradley Oakman

The Mason Monologue

Mackinley Brown

The Mason

Isabella Gaskin, Sophie Montague

The Bartender

Izzi Kratz

It's An Art

Juliette Milne, Bradley Oakman

Joe Benjamin Richards, Michael Jarrett

A Very Good Day

Michael Jarrett, Natasha Dyson, Ben Peters, Charlotte Page

The 000 Call Centre Officer

Meg Hargraves, Izzi Kratz

Cleanin' Women

Emma Wilby, Natasha Dyson

The Sheep

Matthew Casamento, Bradley Oakman

Fathers And Sons

Alexander Tye, Bradley Oakman, Matthew Casamento, Michael Jarrett

Mothers

Meg Hargraves, Charlotte Page, Emma Wilby, Eliza Vine, Sophie Gulloch

If I Could've Been

Aimee Jones, Sophie Gulloch, Taylor Brown

The Architect

Natasha Dyson, Gemma Dandie

FOR THE PRODUCTION

Producer

Professor Paul Sabey

Director

Elise Greig

Musical Director

Heidi Loveland

Choreographer

John Clarke

Production Manager

Amy Hauser

Stage Manager

Lachlan Paterson

Lighting Designer

Keith Clark

Lighting Operator

Corry Huang (QPAC)

Sound Designer and Operator

Steve Thornely

Sound Technician

Tobias Trstenjak

ASMs*

Sophie Gulloch (HOD), Taylor Brown, Matthew Casamento

Costumes*

Sophie Montague (HOD), Gemma Dandie, Natasha Dyson, Aimee Jones, Charlotte Page

Props*

Michael Jarrett (HOD), Mackinley Brown, Alexander Tye, Emma Wilby

Set*

William Kasper (HOD), Ben Peters,

Juliette Milne, Bradley J Oakman, Benjamin Richards

Projection*

Olivia Ayoub (HOD), Eliza Vine, Isabella Gaskin, Meg Hargraves

Voice Captains*

Charlotte Page, Aimee Jones

Dance Captains*

Oliver Clisdell, Izzi Kratz

Program

Dominique Fegan

*3rd year students

FOR THE QUEENSLAND

CONSERVATORIUM

Director

Professor Bernard Lanskey

Deputy Director (Engagement)

Professor Peter Morris

Conservatorium Manager

Stuart Jones

Front of House Manager

Michael Hibbard

Technical Team Leader

Cameron Hipwell

Technical Officers

Keith Clark, Amy Hauser, Len McPherson

FOR THE PERFORMING ARTS DEPARTMENT

Head of Performing Arts

Program Director –

Bachelor of Musical Theatre

Professor Paul Sabey

Program Director

Bachelor of Acting

Jacqui Somerville

Lecturer in Musical Direction

Heidi Loveland

Lecturer in Performance (Musical Theatre)

Megan Shorey

Administration

Dominique Fegan, Cathy Healy

THANK YOU

Jeremy Gordon

Tony Byrne

Penny White

Thor Anderson

Queensland Performing Arts Centre

PO Box 3567, South Bank, Queensland 4101

T: (07) 3840 7444 W: qpac.com.au

Chair

Professor Peter Coaldrake AO

Deputy Chair

Leigh Tabrett PSM

Trust Members

Julian Myers

Georgina Richters

Susan Rix AM

Murray Saylor

Chief Executive

John Kotzas AM

ACKNOWLEDGMENT

The Queensland Performing Arts Trust is a statutory body of the State of Queensland and is partially funded by the Queensland Government

The Honourable Leeanne Enoch MP: Minister for Communities and Housing,Minister for Digital Economy and Minister for the Arts Director-General, Department of Communities and Housing and Digital Economy: Ms Clare O’Connor

We pay our respects to the Aboriginal and Torres Strait Islander ancestors of this land, their spirits and their legacy. The foundations laid by these ancestors–our First Nations Peoples–gives strength, inspiration and courage to current and future generations, both Indigenous and non-Indigenous, towards creating a better Queensland.

QPAC warmly thanks our key donors who help us engage broadly across the state and continue enriching lives through performing arts.

Tim Fairfax AC and Gina Fairfax, Dr Lee and Professor Peter Coaldrake AO, Leigh Tabrett PSM, Susan Rix AM, Dr Sally Pitkin AO, Dare Power, Dr Cathryn Mittelheuser AM, Queensland Community Foundation, de Groots Charitable Fund, Sandi Hoskins, Klaus Beckmann, Barbara Snelling, Jill Hutchins, Leigh Wheeler, Frank and Karen Alpert, Alison Iverach, Jenny Morton, John Ryan, Margaret Heggie, Natalie Nelson, Ben Castleton, Helen Astbury, Anthony Wade-Cooper and several donors who wish to remain anonymous.

Patrons are advised that the Performing Arts Centre has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the inhouse trained attendants and move in an orderly fashion to the open spaces outside the Centre.

Queensland Conservatorium Griffith University acknowledges the Traditional Custodians of the lands on which we work, and pays respect to the Elders past, present and emerging.

Tel: +61 (7) 3735 3224

Email: performing.arts@griffith.edu.au

Location: 140 Grey Street, South Bank 4101