Suresh, Ratipriya_Work Samples

484-477-7672 design.ratipriya@gmail.com

W O R K

S A M P L E S

766 Shropshire Drive West Chester, PA 19382

Portfolio

DESIGNER

RATI P RIYA SU RE SH

design.ratipriya@gmail.com

Portfolio featuring academic, professional, and freelance print and interactive repetoire.

W O R K

S A M P L E S

IMAGE RESEARCH

C O LO R PA L E T T E

COMPOSITION

W I N D O W S

O F

O P P O R T U N I T Y

A Personal Narrative Poster Series portraying the beginning middle and end respectively in a three part series.

This autobiographical story exhibits various consequences of my childhood habit of looking out the window. Little did I know how much I missed and yearned for it until I left home. All narrative studies are intended to consider abstraction, transparency, layering, and juxtaposition.

design.ratipriya@gmail.com

Shifting In Composition, Typographic treatment, and treatment of color palette mimics the shape of the narrative arc. Abstraction and transparency are employed.

F I N A L P O S T E R

S E R I E S

PROCESS

L AYO U T / E L E M E N TS

C O LO R PA L E T T E

WIREFRAME/ELEMENTS

IMAGE RESEARCH

W I N D O W S

O F

O P P O R T U N I T Y

A Personal Narrative Interface revealing the exploratory and innocent perspectives of looking out the window.

design.ratipriya@gmail.com

things to do

what’s nearby

realization

watch look gaze my favorites

my location

reflection N AV I G AT I O N ( L I T E R A L )

The Search Bar In This Interface inclines the user to actually search through the frame of view, just as I searched as a child through the window. The magnifying glass uses a literal connotation juxtaposed with the elements of the interface, which use a figurative connotation.

Structure and information architecture inspired by that of SEGD.

F I N A L I N T E R F A C E

IMAGE RESEARCH

COMPOSITION

OBJECT STUDY

Through this Object Study in Photographics consisting of nine similar objects, I was able to learn how to art direct my own photography for more efficiency and good professional practice in future endeavors.

All photography is autobiographical, by Ratipriya Suresh.

design.ratipriya@gmail.com

Application of Object Study is intended to not only play within the grid of white and black background, but also to apply to other formatted media i.e. retail, as seen in the Cole Haan mock up.

FINAL COMPOSITIONS

IMAGE RESEARCH

T Y P O G R A P H I C E X P LO R AT I O N

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bliss abcdefghijklmnopqrstuvwxvyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

bliss

bliss

C O LO R PA L E T T E

LO G O E X P LO R AT I O N

BLISS CABLE NETWORK

Corporate Branding Identity featuring autobiographical data including cable network name, identity, programming, and applications.

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design.ratipriya@gmail.com

bliss

1229 Chestnut Street Philadelphia, PA 19107

Bliss Networks Mr. and Mrs. Smith 766 Shropshire Drive

bliss E rsuresh@networkbliss.com W www.networkbliss.com

save the date

March27, 2012 Mr. and Mrs. Smith 766 Shropshire Drive west Chester, PA 19382

>

E rsuresh@networkbliss.com T 484.477.7672 F 610.431.2818

Food Forever 2:30 I Don’t 4:00 Design Ideas 6:00 Something _ 8:00 Time Share

save the date

12:30 Time Share 2:30 Ring Master 4:00 Hitched 6:00 Something _ 8:00 Time Share

up next on

tonight on

bliss

you’re watching I Do on

bliss

My Big Fat Greek Wedding

11:00 Bling On Bliss 12:30

Paperlace

12:30 Time Share

2:30

2:30

Ring Master

Ring Master

4:00

4:00

Hitched

Hitched

6:00

6:00

Something _

Something _

8:00

8:00

Time Share

Time Share

this weekend on

bliss

next week on

bliss

Thursday on

bliss

am

7:00

Ring Master

Ring Master

9:00

Runaway Bride

What Happens in Vegas

11:00 Borrowed

9:00 Wedding Crashers

11:00 It Takes Two

12:30 Time Share

12:30 Time Share

2:30

2:30

Ring Master

Ring Master

4:00

4:00

Hitched

Hitched

6:00

6:00

Something _

Something _

8:00

8:00

Time Share

Time Share

now on

bliss

6:30 bride groom

7:00

9:00

11:00 Time Share

Time Share

am

am

am

Ring Master

6:30 You and Me

7:00

9:00

Yours Mine and Ours

11:00 I Thee Wed

bliss

bliss

Paperlace

Made of Honor

You and Me

7:00

9:00

6:30

11:00 Time Share pm

Ring Master

11:00 the knot 12:30

7:00

9:00

pm

Ratipriya Suresh

The Wedding Planner

pm

bliss

You and Me

pm

Ring Master

6:30

You and Me

7:00

9:00

6:30

pm

You and Me

7:00 Ratipriya Suresh Executive Producer

6:30

pm

6:30 bride groom

Sincerely,

pm

am

Congratulations on your engagement! Bliss is a network available to couples like yourseleves who would like to show their precious moments with near and dear. Promote and present the process of your wedding through our network services and we will ensure you thoroughly enjoy it. Our network essentially assists you in saving the date with programs like the something series, which includes, as the saying goes, Something old, Something new, Something borrowed, Something blue. Other highlights include homages, proposal stories, ring sketches, and more! You are cordially invited to come join Bliss in holy matrimony. Save the date.

am

bliss

Dear Sir and Madam,

am

T 484.477.7672 F 610.431.2818

1229 Chestnut Street

12:30 Food Forever 2:30 I Don’t 4:00 Design Ideas 6:00 Something _ 8:00 Time Share

Share your precious moments with the Bliss Network. Bliss provides the best environment to hold cherished memories from you and your dear ones. Our network essentially assists you in saving the date in a more interactive manner with programs like the “Something Series”.

Other highlights include homages, proposal stories, ring sketches, and more. You are cordially invited to join Bliss in holy matrimony. Come join us and save the date.

tomorrow on

bliss

only on

bliss BLISS CABLE NETWORK BRANDING AND APPLICATION

A N N OTAT E D ST R E A M

YA D K I N VA L L E Y

This Mobile Application Depicts the Lush Vibrant environment of Yadkin Valley, North Carolina. Located in northwestern North Carolina, the Yadkin Valley commences at the foot of the Blue Ridge Mountains and sprawls eastward into the Piedmont. This application is now running in unison with the website as promotional venue for the visitors bureau and tourism.

Designed in June 2012 during professional experience at MERJE design under the instruction of John Bosio, principal at MERJE.

design.ratipriya@gmail.com

Development of Mobile Application assets required color palette, icon, and navigational studies. Prior knowledge of livecode for mobile application development was utilized. This stream prototypes Agritourism.

Application is developed using structural framework of www.goyadkinvalley.com.

YA D K I N VA L L E Y MOBILE APPLICATION AG R I T O U R I S M S T R E A M

MOOD BOARDS

C O LO R PA L E T T E

PHOTOGRAPHY

P R OTOT Y P E T R E AT M E N T BHA

TH A RA

ETYMOLOGY STREAM 1

NATYAM

purely typographic (tha r ki r ta) BHA (hasya) RA THA NAT YA M

T HISRAM

3 beats

expression (tha r ka r th

Experience the etymology of the art form which essays expression, melody, rhythm, and dance in its purest form, all working interdependently to achieve a pure and natural rendition. Learn the roots of words and their true meaning

(rudra)

a r ki r ta) R A rhythm

ETYMOLOGY

TRANSCENDANCE STREAM 2

diagrammatic/type and image

This stream shall focus on contrasting devout ideal form with human form.

Relationship of proportion, expression, technicality, and foundation comparing the human figure (in this case male) with the ideal form or contrast the supreme being with the human being.

A juxtaposition of diagrammatic dichotomy with the quintessential, picturesque, utopian forms is employed.

TRANSCENDANCE

SPLENDOR STREAM 3

purely image based

Enjoy the grandeur of the presentation in the process of getting ready for performance. Movement is even captured in the static form. I believe the dance gives movement to the static form. The dancerâ&#x20AC;&#x2122;s appearance is the medium through which one can absorb this art form.

SPLEN D O R

DEVOTED TO DANCE

An iPad Interface Executing Three Facets of Bharathanatyam (South Indian Classical Dance): etymology, transcendance, and splendor. Itâ&#x20AC;&#x2122;s a multilayered spectacle which transcends the body, mind and soul, rich in its grounded history and style sensitive foundation/influence, yet subtle in its etymology. Bringing me closer to my South Indian culture, Bharathanatyam helped me define my idea of devotion.

Work in Progress. This degree project employs autobiographical text and photography by Ratipriya Suresh.

design.ratipriya@gmail.com

(tha r ki r ta)

BHA

BHA

BHA

(hasya)

(hasya)

The splendor in each facet of Bharathanatyam thrives because of its contrast in rudimentary foundation and interpretive nuances. Please enjoy this visual spectacle portraying how beauty lies within every facet of this South Indian Classical dance form.

expression (tha r ka r th (rudra)

perpendicular to floor TR A N S CEN DA N CE

E T YM O L O G Y

S P L EN D OR

The name of this South Indian Classical dance style, BHARATHANATYAM , consists of: BHAvam r expression RAgam r melody THAlam r rhythm NATYAM r pure dance

BHA 3 RA

7 THA NATYAM 4 THIS R A M

expression (tha r ka r5th a r ki r ta) RA rhythm

a r ki r ta) RA rhythm

NATYAM rhy t hm TH I SRAM

3 beats

dance

expression (tha r ka r th

3 beats

9 r

r

1st beat is alway s a ccen ted

ETY MOL OGY

expression (tha r ka r5th (rudra)

a r ki r ta) RA rhythm

r hyth m

BHA 3 RA

The five cadences are essayed here:

(hasya)

The name of this South Indian Classical dance style, BHARATHANATYAM , consists of:

7 THA NATYAM 4 T H IS R A M

3 beats

expression (tha r ka r5th

BHAvam r expression RAgam r melody THAlam r rhythm NATYAM r pure dance

9

chathusram r 4 beats (tha r ka r dhi r mi) thisram r 3 beats (tha r ki r ta)

In Pondering Through The interface, one can discover nuances of the art form, just as I discovered my heritage, religion, and myself through my pursuit of Bharathanatyam.

misram r 7 beats (tha r ka r dhi r mi r tha r ki r ta) kandam r 5 beats UIBrLBr tha r ki r ta ) sankeernamr 9 beats (tha r ka r dhi r mi r tha r ka r tha r ki r ta)

a r ki r ta) RA rhythm

E T YM O LO G Y

ETYMOLOGY

(tha r ki r ta)

rhy t hm

7 THA NATYAM 4 TH I SRAM

3 beats

BHAvam r expression RAgam r melody THAlam r rhythm NATYAM r pure dance

(rudra)

a r ki r ta) RA rhythm

BHA 3 RA

T HI S R A M

The name of this South Indian Classical dance style, BHARATHANATYAM , consists of:

ETYMOLOGY

(tha r ki r ta)

(hasya)

( UIBrLJrUB )

NAT YAM

expression (tha r ka r th a r ki r ta) RA rhythm

E T YM O LO G Y

(tha r ki r ta)

r hy th m

(hasya)

3 beats

ETY MOL OGY

T HA T H IS R A M

(rudra)

(rudra)

(rudra)

(rudra)

a r ki r ta) RA rhythm

(tha r ki r ta)

expression (tha r ka r th

(hasya)

RA m e l o dy

dance

Experience the etymology of the art form which essays expression, melody, rhythm, and dance in its purest form, all working interdependently to achieve a pure and natural rendition. Learn the roots of words and their true meaning and contribution to this style of dance.

BHA expressio n RA m elo dy THA

ex p r e s s i o n

r hy t h m THISR A M

3 beats

(tha r ki r ta)

(tha r ki r ta)

expression (tha r ka r th

RA

TH I SRAM

THI S R A M

3 beats

a r ki r ta) RA rhythm

RA

RA THA NATYAM

RA THA NAT YAM

(rudra)

(tha r ki r ta)

(tha r ki r ta)

r hyth m

BHA 3 RA

(hasya)

( tha r ka r dhi r mi )

4 beats

CH ATH U SRAM

9 r

r

1 s t b ea t i s a l w ays a ccen te d

E T YM O LO G Y

7 THA NATYAM 4 T H IS R A M

3 beats

expression (tha r ka r5th (rudra)

a r ki r ta) RA rhythm

( tha r ka r dhi r mi r tha r ki r ta )

7 beats

MIS RAM

9

4

+

3

ETYMOLOGY

FINAL PROTOTYPES

P R OTOT YPE Splash Screen 3 e x p l o ra t ion v4 splash screen hover

(tha r ki r ta) BHA (hasya)

RA

THA NATYAM

THISRAM

3 beats

expression (tha r ka r th (rudra)

a r ki r ta) RA rhythm E TYM O L O G Y

The splendor in each facet of Bharathanatyam thrives because of its contrast in rudimentary foundation and interpretive nuances. Please enjoy this visual spectacle portraying how beauty lies within every facet of this South Indian Classical dance form.

TR A N SCEN DA N CE

SP L EN D O R

P R OTOT YPE Splash Screen 3 e x p l o ra t ion v4 splash screen hover

(tha r ki r ta)

rhyt hm

BHA 3 (hasya) RA 7 THA NATYAM 4 THISRAM

3 beats

expression (tha r ka r5th (rudra)

a r ki r ta) RA rhythm

( tha r ka r dhi r mi r tha r ki r ta )

7 beats

MISRA M

9

4

+

3

ETY M O L O G Y

P R OTOT YPE Splash Screen 3 e x p l o ra t ion v4 splash screen hover

TECHN I QUE INTERPRETIVE

There are set movement patters strung together like a garland of beads, a codified body language, grammar, technique, and costuming. A combination of pure dance (Nritta), mime (Nritya), and drama (Natya).

TR A N SCEN DA N CE

P R OTOT YPE Splash Screen 3 e x p l o ra t ion v4 splash screen hover

BHA POSES RA M AKE-UP COSTUM E JEW ELRY GALLERY

RA

SP L EN D O R