20. Zunggu Zunggu (EMPEROR / It's a Romance Production)
21. Unruly BE
22. MASIA ONE
23. Yella Sky Sound System
24. Stinging Ray
25. NAMOY BUDAYA
26. Srirajah Sound System
27. KENTA (ZERO MOVEMENT)
28. Aby
29. 1TA (Bim One Production)
30. Shoma fr.dambosound
31. Caribbean in Japan
32. YA DUNNO
33. TAKASHI WATANABE (REGGAE ZION)
Interview
34. Youth Of Roots
46. Natsumi Nagamura (LINK UP JAJA)
54. RED-I
60. Kēvens
65. RED CARPET
Event Report
70. Reggae Sumfest 2024
78. Welcome to Jamrock Reggae Cruise 2024
87. Buju Banton & Beres Hammond "INTIMATE" 2025
Cover Photo by @ 24young
OGA (Jah
Works)
A member of Osaka’s respected Reggae sound system, "JAH WORKS " His popular radio program, OGA WORKS RADIO, attracts over 5,000 listeners each week In 2023, he earned global acclaim by taking victory at the Sound Clash at Sea on the Welcome to Jamrock Reggae Cruise, establishing himself as one of the top names in the international sound clash scene.
YG Marley - Praise Jah In The Moonlight
Truly remarkable How long has it been since a reggae track sparked such a trend among the youth?
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Romain Virgo, Masicka - Been There Before
Busy Signal - Happy Birthday It may have seemed smooth, but it’s been a tough year This lyric really encouraged me
I got hooked on raising chickens Since last year, I’ve been keeping chickens as pets, and they’ve become completely attached to me. I never knew how much communication and love was possible until I started caring for them. People often ask if I’m raising them to eat, but they’re precious family members!
An undeniable happy songjust listening to it brings joy!
We’re doing a two-man live with Youth of Roots in Osaka at the end of 2024! If you want to see full sets from both JAH WORKS and Youth of Roots, don’t miss it!
MASTA SIMON (Mighty
Crown)
The main MC of Mighty Crown, Japan’s leading dancehall reggae sound system crew, and the CEO of Mighty Crown Entertainment Known for his attitude and lifestyle, constantly taking on challenges and turning them into achievements, he has gained widespread support across genres Today, he stands as an iconic figure in Japan's street culture.
Romain Virgo - The Gentle Man
The best reggae album of the year Seeing his live performance will make you love the artist even more
Masicka - 20 Matic
There are too many dancehall tracks to choose from, but this one is a must
Shenseea - Never Gets Late Here
Great all around with its crossover vibe, female perspective in the lyrics, flow, looks, and attitude
The annual Notting Hill Carnival in London was a true sound system festival, with over a million people in attendance. As a sound system and black music fan, this was straight fire. Over 30 sound systems blasting music in the streets, soca trucks passing thru, and numerous events going on multiple stages. Watching it on social media doesn’t even come close to the real thing
Far East Reggae Cruise 2025
I’ve organized and performed at all kinds of events throughout my sound system journey, but nothing has ever topped the cruise. We’re taking it to an even higher level for 2025. You only live once! Life and music mean nothing if you’re not enjoying them!
Bad Gyal Marie
(Notorious Int'L)
One of the most popular female selectors in Jamaica today Known for her groovy playstyle and wide-ranging selections, she’s gained a lot of attention She’s also making waves in sound clashes, winning the Reggae Sumfest Global Clash held in Jamaica She runs the online community Do the Reggae and actively hosts online sound clashes, staying busy and active in the scene.
Armanii, Dj Mac - HAAD (Fiesta)
One of my favorites from a 2024 packed with gal tunes
This track got the gals dancing and me too!
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Kranium ft. Chronic Law - Higher Life
A track that kept me motivated The lyrics are truly uplifting and helped me through tough times
This year was a big one for me, filled with amazing experiences, but winning the sound clash at Sumfest definitely stands out It gave me a real sense of confidence, and honestly, I had so much fun during the clash I was running on pure adrenaline! The sense of achievement and satisfaction when I won was incredible It was one of those moments that reminded me how worthwhile it is to keep doing music
AnyAnnouncements?
Although based in Jamaica, I will be returning to Japan in August and September, so I’d be happy if you could check my updates on SNS.
Instagram: @badgyalmarie X: @BADGYALMARIE
Also, be sure to check out Do the Reggae, a community where I share reggae and dancehall news, Jamaican topics, and lyric translations! https://community.camp-fire.jp/projects/view/331573
For my third pick, a personal hit I connected so much with Shen that I ended up memorizing every word!
Shenseea - Die for You
OKAMAI
A coordinator, writer, dub agent, and booking agent for Japanese artist tours, living in Jamaica for 17 years Also works as a tour guide for visitors in Jamaica A passionate traveler who has visited 68 countries Author of the books "Dangerous Ways to Travel: Risky Overseas Relocation Edition" and "Success Comes to Those Who Take Action First "
YG Marley - Praise Jah In The Moonlight
At Sumfest, his brother Zion and mother Lauryn Hill joined him for a legendary nextgeneration "Marley family" performance
Remade by DJ Mac, the Fiesta Riddim ruled the nights this year and is still everywhere.
This year was marked by many losses, including my husband. To stay positive, I took a month-long trip to Europe. I revisited Notting Hill Carnival in London, traveling with seven friends from Italy. The streets were alive with 34 sound systems and countless carnival trucks. Walking through the streets, I reconnected with many, including Mighty Crown. It was a joyful reminder of how amazing it is to enjoy reggae worldwide.
Marley - Wiseman
At Jamrock Fest in London, following “Beautiful” with “Affairs of the Heart” was pure perfection The set had 25,000 fans riding a wave of excitement, creating an unforgettable memory
Thank you all for supporting Christopher Ellis’ Japan tour this March! In March 2025, I'm excited to announce that a certain hot Jamaican artist will be coming to Japan! There will be five shows, all with a full live band, spanning Tokyo, Osaka,
Nagoya, Yokohama, and Chiba Don’t miss it come and enjoy some good music! I’m also continuing my work as a dub agent and tour guide in Jamaica Support good music!
Damian
KYARA
(Mighty Jam Rock)
The leader of Mighty Jam Rock, a reggae crew based in Osaka, Japan. He is also the organizer of the reggae festival HIGHEST MOUNTAIN. Together with crew members and DeeJays JUMBO MAATCH, TAKAFIN, and BOXER KID, KYARA has made Osaka a central hub for reggae in Japan, spreading its appeal nationwide and continuing to be a core figure in promoting reggae culture.
YG Marley - Praise Jah In The Moonlight
The reggae track I definitely listened to the most this year Sumfest was great too!
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Kranium, Chronic Law - Higher Life
The most-played dancehall track at events It was fire!
For the first time in its 26-year history, Highest Mountain was held as a 2-day event! On top of that, every artist performed with a live band it was unforgettable! Next year, we’ll continue creating an event everyone can enjoy, not just through music, but also with food, drinks, and fun spaces for kids. Plus, I started live streaming on Friday nights this year!
AnyAnnouncements?
MIGHTY JAM ROCK is releasing their 24th consecutive annual album, 24/7, on December 24!
Experience JTB’s vibes across various styles like SKA, ROOTS, and DANCEHALL!
The Japanese reggae track I ended up hearing the most Even the kids were singing it!
KOHEY (LIFESTYLE)
A reggae sound crew frontman from Nara, representing LIFESTYLE Based in Osaka's Amerikamura, he has been organizing the "WAH YAH FESTIVAL" since 2017 Following the Noto Peninsula earthquake, he contributed to recovery efforts through support activities and the creation of the song HINOMARU REVIVAL
Kendrick Lamer - Not Like Us
This year’s most talkedabout beef track. It’s hiphop, but exposing the world’s darkness hit me hard
YG Marley - Praise Jah In The Moonlight
A track by YG Marley, the grandson of Bob Marley and son of Lauryn Hill, that represents the new era of reggae
In July, we hosted a Noto Peninsula recovery charity event in Kanazawa, Ishikawa, filled with incredible energy like never before The crowd's passion and collective wishes showed the power of REBEL MUSIC Thanks to everyone, we released HINOMARU REVIVAL, a recovery support song with 12 top reggae artists I’m grateful to the friends who entrusted me with this project and aim to keep creating music that makes a difference
808 - YOU
Produced by Yuta from LIFESTYLE, this 808 track is undoubtedly a 2024 standout
This year, we couldn’t host the WAH YAH FESTIVAL due to venue issues, and the album release was postponed. However, it became a key preparation period, including incorporating my label, REAL LIFE MUSIC Exciting updates are coming soon, so please keep supporting LIFESTYLE in 2025!
JUN
(Banty Foot)
Based in Nagoya, Aichi Prefecture, JUN has been a member of the reggae DJ team Banty Foot since 2001 He has performed at major festivals and events, including producing the "DIRECT" reggae festival in Nagoya His tracks have amassed over 50 million streams JUN also serves as the navigator for "ZIP-FM DIRECT SPORTS," the top radio station in the Tokai region.
Peromu - FLAT MUSIC 2nd
I found this album on TikTok Its mysterious nature makes it even better It's incredibly comforting
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Red Eye - ADVISE feat.ARARE
A level of music infused with the hope that it will bring salvation, asking the question to present-day Japan, twelve years after the original track
It was the 31st anniversary event of the radio station ZIP-FM, where I have my own show The venue was the same as the "DIRECT" outdoor reggae festival, which is produced by Banty Foot Since the pandemic, we hadn’t been able to play at this location, so I was genuinely happy to be back. What made me happiest was being able to share such a fun time not just with reggae fans, but with the listeners who’ve been tuning in to the radio
Minato - Tsunagaru
In 2024, "Minato" became widely known His consistent style in any setting makes him even more exciting to watch over
In 2025, I will actively bring to life projects and events produced by BANTY FOOT.
There are already ongoing projects, including collaborative works with EXPRESS, and we will also be actively engaging in live streaming and social media. I’d be happy if you could follow us on TikTok, Instagram, and other platforms! Instagram: bantyfoot official
BURN DOWN
Formed in 1996 in the highly competitive Senshu area of Osaka, ORIGINAL BAD MAN SOUND has been shaking dance floors with their tough sound and their own sound system. They are a driving force in the reggae scene, running their independent label SOUTH YAAD MUZIK, hosting the massive event "TUFF RIDER" that brings together top-notch soundman from all over Japan, and organizing the annual reggae year-end party, "SOUTH YAAD MUZIK Daibounenkai.
Buju Banton - Top A Di Top
One of my favorite tracks that we personally recorded as a dub in Jamaica this March!
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U the Starr - Kansha
A young talent from my hometown, Senshu! Make sure to listen carefully to the lyrics!
The most unforgettable moment this year was definitely the one-onone sound clash with EMPEROR in April! Unfortunately, we didn’t come out on top, but it was an incredible showdown with both of us bringing out our sound systems It was a clash of pride and passion between two sounds from different generations. I’m determined to keep taking on sound clashes for years to come!
Nhance - Nuh Frighten
A breakout Jamaican artist who made a big hit in 2024!
Since late last year, SOUTH YAAD MUZIK has been releasing the Friend Ship Riddim! Under the supervision of Dr BEATZ, legendary saxophonist Dean Fraser and some of Jamaica’s finest musicians gathered at TUFF GONG STUDIO to create this live-band masterpiece. More releases on this riddim are still to come, so stay tuned!
Also, don’t
JACKEY (Emperor)
The main selector of the reggae sound EMPEROR, based in Amagasaki, Hyogo Prefecture, with activities extending across Japan and sometimes even globally Known for their sound clashes, EMPEROR has made a name for itself, as well as for its highly regarded party mixes Be sure to check out the local Amagasaki event "Amabaku", organized alongside THUNDER and others.
YG Marley - Praise Jah In The Moonlight
Bob Marley's grandson brought a long-awaited reggae hit! A track I’ve heard everywhere in 2024!
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THUNDER - UPDATE
I created half of the tracks together from the beats up! It covers a wide range, from current Dancehall to Reggae, and I hope it spreads even further!
The biggest memory of 2024 was the sound clash The clash with my seniors, BURN DOWN, involved a lot of preparation, including trips to Jamaica and New York I focused on the dub lyrics of international artists and worked to improve our dub quality. Since we couldn’t win by the number of dubs, we focused on quality and raised that level Also, in Jamaica, we did a local clash with YOCHANG I handled the booking for the event, and by doing what we usually do, we won! Haha
AnyAnnouncements?
2024 was another year of clashes! Looking back, I’ve got a clash lined up in New York this March for 2025. It’ll be my first clash in NY, so I’d love for everyone in Japan to come out and watch!
Shenseea, Masicka - Hit & Run
I heard her music everywhere in Jamaica! SHENSEEA is coming to Japan next year, and she’s an artist to watch in 2024!
Cornbread from JAtoJA
Cornbread, a dancehall artist and dancer from Yokosuka, Kanagawa, is gaining global attention, with over 420,000 social media followers. He’s worked as a dance instructor and choreographer in 12 countries.
In 2024, he toured Japan for his EP "DHL" release, with his tracks "JAPS" and "EY YUH" ranking 5th and 4th in Jamaica @cornbreadjapan
Squash - Big Breeze
And Javo Don’s Wuff Wuff on the same riddim No need for explanation! A dancehall anthem taking over worldwide!
Armami - Haad
Nhance - Nuh Frighten Fiesta remake took over dancehall this summer The lead track was perfect, and my "EY YUH" on the same riddim got the scene hyped up in Japan
A fresh vibe in a dark-hit dominated Dancehall His collabs with Teejay are fire, but this is his standout track!
2024Highlight AnyAnnouncements?
The most memorable moment this year was releasing tracks from Jamaica and ranking in the charts Collaborating with DJ MAC, I released "JAPS" and "EY YUH," which ranked 5th and 4th – a huge achievement for me I also learned a lot from working with Jamaican artists, especially the speed and vibe of the production
I’ll be releasing an EP soon, featuring tracks I made in Jamaica It’s a Japan-originated, world-first collaboration EP with only Jamaican artists. By 2025, I’m sure it’ll be in everyone’s ears, so be ready to feel those island vibes when you hear it!
wiz King Imxge
BOSS-D & TONZILLA (YARZ)
"Sendai Neva Die" YARZ is a dancehall sound based in Sendai, active nationwide Known for their wide-ranging play style, they blend Dancehall Reggae, Hip Hop, R&B, Soul, Disco, and Remixes, mixing both classic and contemporary tracks They continue to release mix tapes and stay active in the music scene @yarz boss d @yarz tonzilla
Yuki Chiba - Team Tomodachi
Big Hit Song, no explanation needed It gets everyone hyped at hip hop and reggae clubs and festivals
Kranium, Chronic Law - Higher Life
In a time when many songs glorify crime, this track stands out It’s about staying true to your passion and overcoming difficulties for a better life
YG Marley - Praise Jah In The Moonlight
In today’s messed-up world, this track highlights love and gratitude A powerful reggae anthem for Reiwa
In 2024, alongside activities outside the prefecture, we focused on local events in Sendai We started Slum Thursday at Club Shaft, performed at Uptown Friday, and launched regular events like Knockout Monday in Kabukicho and Black Revolution in Osaka We also celebrated our 15th anniversary in Sendai in August and November It was great to share the good things we’ve seen with the local community. The highlight was performing at Yokosuka Reggae Bash, where I truly felt Rueed’s vision for the future is growing
2024Highlight AnyAnnouncements?
I’m honored to announce that I’ll be on the “Far East Reggae Cruise” again next year. We’re also planning to bring LOUD back, and I’d love for you all to come through to Sendai too. Looking forward to seeing everyone at the events next year. Merry Christmas!
HAPPY FLOWER LIVE
A touch of color in your daily life – HAPPY FLOWER LIVE
Bringing you vibrant live performances filled with positivity and energy, just like the joy of discovering a beautiful flower Filmed in locations connected to the artists, these performances expand the world of their iconic songs, delivering an unforgettable experience. https://www.youtube.com/@happyflower369
- Tomodachi no uta 2024
A favorite track from KURO’s new EP “Gunjo” has been given a fresh new band arrangement!
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A timeless big tune! The live performance was outstanding as well
An artist I discovered this year – an incredibly talented singer with amazing vocal skills!
My natural love for the outdoors and passion for cooking came together, leading me to dive deep into BBQ and wood-fire cooking Since we sometimes shoot HAPPY FLOWER LIVE episodes while camping, I often take charge as the cook during those trips. The brisket, which takes around 12 hours to cook using the heat from wood, turns out absolutely delicious One day, I’d love to turn this into an event, incorporating both cooking and music!
On December 4th, the spotlight reggae band Unruly BE released "Unruly BE SHOW CASE - Band Rub-A-Dub Session" on streaming platforms and YouTube. You can enjoy the audio on streaming services and enjoy the visuals with HAPPY FLOWER LIVE, making it a truly luxurious experience!
KURO
GUAN CHAI - HEART BEAT
Ryuto Kasahara - WALKING MAN
ARISU “Gyal Tencho”
Arisu Hamada, aka "Gyal Tencho," is the manager of the ramen shop Murata Ramen in Takaharu Town, Miyazaki Prefecture Tencho, meaning "manager," has become her nickname as she rose to fame on social media. A known reggae enthusiast, she made her first-ever trip to Jamaica this year. Recently, she’s also started DJing, making her a trendsetter to follow.
ZENDAMAN - Neo Tokiwa
Featuring many samegeneration artists who were in Jamaica at the time, it’s a personal favorite!
Contries - INNA DI YARD
YG Marley - Praise Jah In The Moonlight Classic riddims are heavily sampled, yet it feels so fresh Such a vibe!
A memorable song from my first trip to Jamaica! Might be the one I listened to the most this year!
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My first trip to Jamaica started with the "DANCEHALL JOURNEY" event in Kumamoto, which inspired me to experience the real thing I made plans to go to Jamaica in February, haha
While there, I got to attend "RUB-A-DUB TUESDAYZ" and see the new generation of Japanese reggae artists dominating the rub-a-dub scene it was amazing!
You can catch DJ streams on the TikTok account "Gyal Tencho Arisu" Be sure to follow and check it out!
https://www.tiktok.com/@murataramen
AN-KUN
A first-year junior high school student from Naruto City, Tokushima Prefecture. Growing up in an environment where reggae was always close by, he released his first single "ONE DAY" at the age of 9. He has also released music under his father’s label, NARUOTO RECORDS, and in 2022, his track "Jerk Chicken Ojisan" reached #1 on the iTunes Reggae Chart. He is an up-and-coming artist who has appeared on the NHK special program "Boku to Bob Marley" and participated in various festivals, showcasing his diverse talents.
TAKAFIN - IINE (LIKE)
The first track that comes to mind I love every song on REGGAE JAM ROCKAZ!
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Youth Of Roots - Kawa No Nagare (The River’s Flow)
First collab on the Kagawa tour Nyabinghi and electric guitar tracks fit Konryu's voice - so cool!
In 2024, I had the opportunity to appear at many festivals and TV programs One of the highlights was participating in a special NHK program hosted by Kiyotaka Nanbara, where I got to form a reggae band with celebrities. It was such a rare and valuable experience! I was so happy to perform reggae on national TV♪
AnyAnnouncements?
I’ve gone through voice changes since becoming a junior high school student I can no longer produce the childlike voice I used to, but I can now bring out a deeper tone that I couldn’t before. My 9th single, "Tomodachi", is set for release next year with a band track and will be released on 7-inch vinyl after two years. I want to continue delivering messages that only someone in my position as a junior high school student can express!
Bob Marley & The Wailers - Jamming
From the "ONE LOVE" soundtrack, my favorite Bob Marley classic to cover live
BANA a.k.a. Daddy B
Born in Tokyo, his career started in the early '90's as a radio DJ and selector Has hosted show's on InterFM, J-WAVE and FM Yokohama You can enjoy his selection's weekly on the "Far East Reggae Dancehall Network” a weekly show on Nice Up Radio and WAH! Radio Also plays in club events, has mixtape releases, and also does TV commercial narration BANA has been a key figure in shaping Japan’s reggae scene for decades.
Jah Lil - Step By Step
Step by step, never giving up The tunes will stay strong into 2025, with the debut album Can A Man Cry as a must-listen
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NVT3L (Natel)
- Let The Music Play
Celebrating ten years since the release of the hit riddim behind Chronixx’s “Smile Jamaica" and others, one of the new recordings released this year on "Honey Pot" Let the music play, REGGAE music play
A year of records it was Mainly vocals from the early 2000's Tunes I had on digital, should've bought them back then, how rare they've become and the prices!!! And I also fell more in love with the art of mixing Whether on turntables or on DJ controllers, there are so many ways to express yourself And yes, felt the need to up my skills.
Jah9 - Match
Just released in November, this heartfelt love song truly reflects Jah9’s poetic artistry about loving and being the back bone of another
Tune in to my weekly show "Far East Reggae Dancehall Network" on Nice Up Radio & WAH! Radio From the new to the gold, a laid back style so if you wanna kick back and enjoy some reggae be sure to tune in. If you miss any of the shows they are also uploaded to my Mixcloud with other of my mixes. Nice Up Radio niceupradio.com WAH! Radio wahradio.org Mixcloud mixcloud.com/BanaDaddyBana/
KOJI YAWATA (24×7 RECORDS)
After working at a record company, 24×7 Records (Twenty-Four Seven Records, LLC)was established in 2000 The company specializes in promoting reggae labels, works, songs, artists, and culture from Jamaica, New York, and other international locations within Japan
LIL - CAN A MAN CRY
Album The debut of an artist I’m watching and anticipating I listened to it the most this year
MARLEY - ONE LOVE
Movie It gave me a chance to revisit Bob Marley's music I had many new discoveries
Book It deepened my understanding of reggae and Jamaican culture, beyond King Tubby & dub.
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The sudden passing of Peetah Morgan from Morgan Heritage In tribute, the record of Morgan Heritage's "Perfect Love Song" was released The record was personally delivered to Morgan Heritage at Peetah Morgan's memorial concert in New York. A deeply emotional experience, filled with unforgettable moments
AnyAnnouncements? AnyAnnouncements?
ROMAIN VIRGO – "THE GENTLE MAN", MORTIMER –"FROM WITHIN", KUMAR & THE 18TH PARALLEL – "TALES OF REALITY", IOTOSH – "FOR THE PEOPLE", PROTOJE –"THE JAMAICAN SITUATION", SPICE – "MIRROR 25", and RYGIN KING – "RECOVERY" are also albums that left a strong impression on me this year.
JAH
BOB
Koya Suzuki - King Tubby
The Founder of Dub and the Man at the Heart of Reggae
Zunggu Zunggu (EMPEROR / It's a Romance Production)
A selector from the sound crew "EMPEROR" in Amagasaki, specializing in the oldies section, and also recognized as one of Japan’s leading experts on lovers rock He supervised and wrote the world’s first "Lovers Rock Record Guide," and is involved in a wide range of activities, including music production, compilation, and music writing, constantly spreading the culture
D.D. Mirage - Night Time (Feat. Private Joy)
A work influenced by lovers rock and street soul, created by a music unit from Sydney
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Prince Fatty - You Know I’m No Good (Feat. Hollie Cook)
A cover of Amy Winehouse, recorded when Prince Fatty and Hollie Cook were collaborating, and released this year
The highlight was being able to play in London, the heart of lovers rock. I was invited to DJ at the “Dub Me Always” party, hosted by legendary reggae expert David Katz, at an event venue attached to the Ritzy cinema near Brixton station Despite it being a weekday, many people showed up, some of whom knew me and came specifically to see me That night, I was overwhelmed by cheers for the first time in my selector career, and it was incredibly rewarding to see my selections embraced in England It truly felt like a dream and remains a cherished memory
AnyAnnouncements?
" に (Feat ARIWA) / Love Letter Revue" is a track I produced with ARIWA from ASOUND, released last year It was also featured on the popular lovers rock compilation series "Relaxin’ with Japanese Lovers," released this year by Sony Music.
Peter Hunnigale - Crazy Feeling of Love
My favorite Peter Honeygale's new track I met the producer in London and got to hear it
Unruly BE
"Unruly BE" is a reggae and hip-hop backing band based in the Kansai area Their sound shakes up the scene with a wide range of styles that transcend generations and genres With a diverse group of talented members, they collaborate with artists and continue to make their mark at the forefront Now, they’re one of the most talkedabout acts in Kansai, pushing boundaries in the scene
No doubt, it’s super cool and I’ve been listening to it a lot this year
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It felt like exactly what we’ve been waiting for - both of them were so cool
Being able to perform at Highest Mountain with my own band was unforgettable The most memorable part was joining the legendary all-cast dub session at the end, jamming alongside incredible artists and musicians.
My favorite live recording I listen to it a lot
AnyAnnouncements?
On January 13th, we’ll be hosting an Unruly BE dance at Umeda Zeela! We’re also releasing new music in December, and I think it’s the perfect chance to showcase everything we’ve worked on so far Don’t miss it!
YG Marley - Survival
PJ MORTON - Watch The Sun Live
Lila Ike feat Joey Bada$$ - Fry Plantain
MASIA ONE
AKA "Far East Empress" and "ChineyMoney," Masia One is a hiphop and reggae artist from Singapore. She leads the reggae scene in Asia through her event, Singapura Dub Club. In 2024, she celebrated the 10th anniversary of the event, collaborating with artists from across Asia. She is currently working on her first reggae LP with producer Jahwise, set for release next year
Jahwise & Luciano - What You Gonna Do
A producer creating topquality riddims This track is a new classic, worthy of Luciano
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Denny Frust - Tak Melebih Kekuatanmu
The prince of Indonesia ska Reflects the message that Jah doesn’t promise an easy road but promises to stay by your side
A new emcee blending raw lyricism with beautiful musicality Her songs pair perfectly with modern reggae for a fresh vibe
Singapura Dubclub 10 Year anniversary: @SingapuraDubClub spent a long time dreaming of bringing together Asia's Reggae community and talents to one place Our 10 Year anniversary flew in artists, selectas and dancers from Malaysia, Indonesia, Philippines, Hong Kong, and Japan in Singapore - for 2days and 4 events with Dub, Reggae, Dancehall and Afrobeats, and celebrating our motto "Together Good Vibes Can Grow".
AnyAnnouncements?
Masia One Reggae LP in 2025 with Jahwise: I am a Hiphop-Reggae artist with only singles for the Reggae music I make. I have been working with producer Jahwise to complete my first Reggae LP due to be released in 2025. This year we toured together in Thailand and Malaysia, and did a lot of jamming and writing for the project. Please follow our IG for info about the upcoming album. @masiaone @jahwiseproductions
Samara Cyn - Sinner
Yella Sky Sound System
Yella Sky Sound System, based in Indonesia, is a DUB project led by producer Agent-K Formed in 2014, they have made their mark across Southeast Asia and Europe Their 2nd EP, Hybrid and Various, featuring the legendary Jamaican artist Eek-A-Mouse, has gained international recognition
roadblock dub collective - Magna Ragom
Interesting to listen to through their experimental compositions in combining traditional, ethnic and modern elements
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Langkawi Dub Club - Superior Race
One of my families in Southeast Asia Keep the Langkawi Dub Club flying high!
Mungo’s Hi Fi - Born With It
One of my inspirations in music The compositions and experiments of the beats they create always invite you to dance
In January 2024, Yella Sky Sound performed at the “Sub Camp Festival” in Thailand The event featured notable names like Iration Steppas, Gonja Hi Fi family, Million Cat Hi Fi family, Srirajah Sound System, Langkawi Dub Club, Masia One, and Mantasticmate (Javabass Soundsystem) It was a great opportunity to network and further strengthen sound system culture in Southeast Asia
AnyAnnouncements?
Adi Blak created a work celebrating 10 years of Yella Sky Sound in the global Jamaican sound system scene The lineup features powerful names like "the new princess of reggae" Jalifa (Trinidad and Tobago), King Spade (Philippines), Masia One (Singapore), Mehdiman (Iran), Sak-Dub-I (Japan), and Omemi (Indonesia). The 10th anniversary was marked on December 17, 2024, and the EP The Global Steppers was released on December 20 on digital platforms.
Stinging Ray
Stinging Ray is a Chinese reggae artist, DJ, and cultural innovator. A founding member of “Dungeon Beijing,” he blends sharp lyrics with unique rhythms to offer fresh perspectives.
In 2023, he released his debut album Fantasy & Waitin' To Cross Caribbean, featuring legendary artists like Roots Radics and Sly Dunbar. Since 2018, he has organized over 100 reggae parties in China and co-founded “ChinaMan Yard Records” with General Huge.
U Brown - Still Chanting Rub A Dub
One of the best albums this year, bringing back childhood memories with massive roots reggae vibes
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Mortimer - From Within Ras Kanto - One Man Army An important project addressing real-life struggles Mortimer’s soulful voice guides you through life’s hardships and tribulations
Irie Ites 25 years anniversary was such an epic moment with the biggest sounds of France and amazing artists such as Chezidek, U-Brown, Big Red (Raggasonic), King Lorenzo, General Levy, Trevor Sax, Puppa Nadem and Eek A Mouse We had a wonderful time all together on stage ! Big up Irie Ites of course but also Little Lion, Truth & Rights, Eskifaia and Control Tower !
AnyAnnouncements?
I’m currently working on a new album produced by Reggae label Irie Ites, in collaboration with my brother Hugo « General Huge » Poncet. Album should come up in 2025 and it’s a full Roots Reggae Music album !
Bob Marley vibes with “Armageddon Dub” and nostalgic feelings in “Power Of Reggae Music ”
NAMOY BUDAYA
Namoy Budaya is an Indonesian selector and producer who blends music, fashion, and entertainment as a cultural leader His real name is Binar Abiyasa Promoting “relaxation, happiness, and peace,” he continues to inspire modern youth
In 2024, following his 2023 visit, he returned to Japan for a nationwide tour with the Olah Reggae 7” vinyl, a collaboration with Bassline Asahikawa Records Through music and creative projects, Namoy expands his influence into modern lifestyle and culture
bird - Sakura (Mad Professor's Lovers Rock Dub)
Mad Professor turns grooves into galaxies A lazy river for your ears, perfect for kicking back and letting life float by
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Kinder Bloomen
- Taxi to the Massala Guy (Namoy Budaya Remix)
Mellow but alive Like taking the last taxi home after a long night comforting, familiar, and a little wonky
Coming back home after quite a while, reuniting with my home-boy, playing a homecoming gig, and relishing my all-time favorite food Pindang Baung is a signature dish from Lampung (South Sumatra, Indonesia), heavily influenced by Palembang cuisine Made with baung fish, a type of freshwater catfish, the dish features a rich, tangy, and spicy broth infused with aromatic spices. It’s bold, flavorful, and truly unforgettable The taste remains just as incredible as I remember proof of why I’m 100% proud of my Lampung roots.
AnyAnnouncements?
Following the release of my single “Hati” and the Olah Reggae 7” vinyl, my latest project is a dub remix of Sal Priadi’s song “Zuzuzaza”. Actually, I’ve got more in the works, though I can’t share much just yet. Stay in the loop by following me on Instagram(@namoybudaya) and Spotify
Ska Cubano - Babalu
Doesn’t try too hard Sneaks up on you, gets your head bopping, and suddenly you’re dancing in your living room
Srirajah Sound System
Founded in 2019 by Win from Srirajah Rockers, the sound system and record label has been spreading reggae and sound system culture across Thailand, from the mountains in the north to the islands in the south. We've hosted international artists such as Channel One (UK), Iration Steppas (UK), Vibronics (UK), O.B.F (FR), Prince Fatty (UK), and Ital Soup (IT). In 2021, we released two 7" records, "Siam Punch" and "Si Phan Don Lovers Rock," blending Thai traditional music with reggae dub.
Srirajah Rockers
- Enduro
A legendary Thai reggae band A story of a life journey through a foggy path, like Win’s motocross trail
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Iration Steppas x O.B.F
- Revelation Time
Rootsman Creation - อยาเผลอ Two top producers/sound systems from two generations unite "The future sound of dub "
A session with the legendary Iration Steppas at Sub Camp 2024 It was his first time in Thailand, and we had the chance to have him play on our sound! He’s one of the reasons we started doing sound system, and someone we’ve always looked up to It was an honor and a surreal experience to be in a session with him
We are planing to release a complilation of Thai sound system music and next 7" single in 2025 More session to come.follow us on Instragram (srirajahsoundsystem ) and Facebook for updating.
Nuff Respect Words by K9 of Srirajah Sound System
The "young veteran" Thai reggae band Blending Buddhism and reggae The next stage of Thai reggae
KENTA
(ZERO MOVEMENT)
KENTA is the MC/SEL of the Osaka-based reggae sound ZERO MOVEMENT from Senshu After winning MOVEMENT2K10, he has been leading the scene with his unique selection and passionate style Not only does he get people dancing, but he also delivers powerful messages He is currently hosting the radio show "RADIO MOVEMENT".
SRIRAJAH ROCKERS
- From the top
A new tune from the reggae band leading the history of reggae in Thailand
ROX
- Precious Moments
DEKA – GOING HOME feat. ⽯ 吉 [GOING HOME REMIX] A female vocal over the same riddim as Buju Banton's classic "My Pen "
Directly sampling a classic: Reggae×Hip Hop×Okinawa
n 2024, I finally got dreadlocks How are those locks made? Can they be washed? Do they smell? How much do they cost? I had all these questions, but with admiration for the style, I decided the fastest way to find out was to try it myself It’s challenging, but it’s exciting to see each one growing day by day. One of my best memories is participating in the Danjiri Festival in my hometown, Kishiwada, with that look.
Every week, I upload radio mixes titled "RADIO MOVEMENT" on SoundCloud, Mixcloud, and YouTube. Each episode has a theme, and I curate the selection to showcase various songs, primarily focusing on reggae Be sure to check it out!
Aby
A dancer and singer born to a Japanese mother and Black American father Starting as a GOGO dancer at 17, she transitioned to reggae dance in 2020, specializing in dancehall, Afrobeats, and soca She debuted as a singer with “All Night” in 2020 and won the FREESTYLE GYAL BATTLE in 2023 and BOB MARLEY SONGS DAY in 2024
Chlöe - FYS
A song that captures pure love Seeing her live on YouTube, the beat, flow, and lyrics hit me
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The Architectural , L'Entourloop,Skarra Mucci - Dreader Than Dread
The song's progression. It gets me hyped up. Before I knew it, I was bouncing to the rhythm - it’s just that kind of song
The most unforgettable moment was winning BOB MARLEY SONGS DAY 2024!!I was so happy just full of joy and gratitude. Out of 40 people, I got the chance to sing on stage and compete for a ticket to Jamaica. The song I performed,
O.B.F, Charlie P - Sixteen Tons of Pressure
I love the world it creates That unique vibeimpossible to imitate - is what I really love
“Get Up, Stand Up”, was recommended to me by a close friend, from music and everyday life. It felt like fate.
It made me realize that happiness is right here, that life itself is precious, and that being different is perfectly normal. Bob’s words made me think—maybe heaven is right here, too.
AnyAnnouncements?
I won the FREESTYLE GYAL BATTLE 2023 and BOB MARLEY SONGS DAY 2024! I’m just so thankful. Every day, I’m like, “Wow, I really love music,” and I feel so blessed to be alive and doing this
I’m holding tight to all the links I’ve made along the way, and I just want to create something that lasts I can’t wait to share the stage with even more artists! For updates on my music and events, hit up my Instagram: aby moniq
1TA
(Bim One Production)
A reggae/dub riddim selector and one of the founders of the labels Rewind Dubs and Riddim Chango Records Actively involved in projects like the bass culture collective "BS0" and producing major sound system events such as "TOKYO DUB ATTACK / Dub Cinema " He has released numerous tracks, primarily under the dub unit "Bim One Production" alongside e-mura.
Junior Loves - Redriff-Piper 32
An unstoppable steppers sound blending raw, killer techno vibes with a grimy atmosphere
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G Version III & Feel Free Hi Fi - Chaser Dub
Dubkasm & Footsie - Soundman Ting Kyoto x US-born alternative steppers dub
The ultimate in steppers dub meets grime has arrived
On May 18-19, 2024, the Yokohama DeNA BayStars and Yokohama Stadium hosted the "AFTER GAME BPARTY " I was involved in the planning, featuring a unique DIY sound system (Mighty Crown's system) in the stadium After the BayStars' victory against Chunichi, 7,000 fans celebrated with reggae and dub music. Seeing Yokohama's excitement as the BayStars won the CS Series championship after 26 years was incredible
AnyAnnouncements?
The year-end tradition continues with Tokyo Dub Attack 2024 on December 30 at duo MUSIC EXCHANGE Additionally, Bim One Production will release their new track "Natty Horns EP" in January on 7" vinyl and digital platforms.
Shoma fr.dambosound
Celebrating his 10th anniversary this year since starting his career in 2014, Shoma has performed at countless parties across Japan, crossing genres as a versatile DJ As a member of the reggae label "Grand Avenue Records," he has contributed to organizing numerous reggae events, including the "GRAND AVENUE CAMP " In 2022, he established the creative team "5Windows Freak," expanding his activities beyond music to include apparel, event production, and video direction. IG : @dambosound x: @dambosound
萊 ,何 - 萊
A debut album from a Taiwanese reggae band
The track "Honey" stood out at live events this year
Luis Radio - Sobre As Ondas (Original Mix)
This year, Latin-flavored house music really helped me, especially transitioning from 135 BPM to half-time dub
¥$ - VULTURES 2
No need to say it, "¥$" A great memory was when he suddenly showed up at the Shibuya Duo party in June
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This year, the highlight for me was hosting "Command +" to celebrate my 10th anniversary We held five editions with an absolutely incredible lineup: Cojie (Scorcher Hi Fi), e-mura, and DJ BANA in January; MURO, MaL, and BK SOUND in May; and DJ KENTARO in November It wasn’t easy, but we made it happen!Here’s a photo of me in the booth chatting with my lifelong inspiration, Cojie (Scorcher Hi Fi) This is truly a treasure for me
Please check out my creative team, "5Windows Freak." This year, we finally started working as a label, something I had been dreaming of for a long time. I was honored to work on a project by Daisuke Kazaoka. I’d love for you to explore the releases and content from 5Windows Freak! IG: @5windows freak
Caribbean in Japan
A YouTube channel bringing the vibrant culture of the Caribbean to Japan Featuring restaurants, cuisine, music, and more, it highlights various aspects of Caribbean culture in a Japanese context. New videos are released every Thursday (or Friday), offering fresh insights into Caribbean-inspired spots and experiences.
Private Ryan x Ann G x Lyrikal & Jus Now - Oideyo
60 years of Trinidad and Tobago-Japan ties, island happiness
- Soul of Calypso
A song commemorating Machel Montano earning a master's degree in Carnival Studies from the University of Trinidad and Tobago
In February 2024, I attended Trinidad and Tobago’s Carnival after four years All-inclusive options have grown, and costume pick-up is smoother The cheerful spirit of the people remains, even on the well-maintained beaches With safer tours available, it’s easier to enjoy If you’re curious about Caribbean travel, check out Trinidad and Tobago’s Carnival or Japan’s Japan Caribbean Carnival! The photo shows Paparazzi’s TABE section, represented by ambassador AnnG
Released as a 2025 Carnival song, it draws attention with its theme centered on the "energy" of Carnival
Caribbean in Japan’s YouTube channel features stories of Caribbean visitors in Japan, as well as the Caribbean-inspired lifestyles of Japanese and international residents. Be sure to check it out!
We also host a monthly event called SOCA MAGIC in Shibuya If you love soca and Caribbean music, come join us for a great time!
DJ
Machel Montano
Mical Teja - ENERGY
YA DUNNO
An Italy-based music media outlet sharing cultural insights and fascinating topics related to Ska, Rocksteady, Reggae, Dancehall, UK music, Afrobeats, and more With a focus on sounds inspired by Jamaica, it highlights the appeal of music that transcends genre boundaries
Govana - Legacy
This twelve-track LP represents the growth of this artist from Spanish Town
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Asake - Lungu Boy
This project demonstrates the skills of Asake; from the sounds to the lyrics
This year we had the pleasure of attending Popcaan's “Unruly Fest”, which was held on the 28th of July in London It was an unforgettable event because the St Thomas artist was the first of its kind to sell out the Crystal Bowl Palace, thirty-four years after Bob Marley. Starting with Spice opening, following with Soun Bwoii and Nate Badz, it was a unique show
Ghetts - On Purpose, With Purpose
East London in the place, the clearest representation of Grime in 2024!
RBig up to Reggae Zion for bringing together all the pages dealing with these genres; follow YA DUNNO for updates regarding the Italian Reggae and Dancehall scene as well! @ ya dunno
TAKASHI WATANABE (REGGAE ZION)
Started a career as a distributor of reggae records at RIKKCO INTERNATIONAL. Later worked as an editorial director for "Reggae Zion" at an IT company and incorporated Reggae Zion as a company.
Aims to connect the reggae scene in Japan and Asia with the rest of the world, working toward creating a hub for reggae culture.
YG Marley - Praise Jah In The Moonlight
Lauryn Hill’s son singing reggae is already amazing, and now with this huge hit? Love it!
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Youth Of Roots - Love Is The Answer
A long-awaited album "Porto Antonio" and "Wild & Free" are highlights The live at the Beach House Oasis was unforgettable
An Asia-inspired year I was happy to have the chance to interview Red-I from the Philippines and Namoy Budaya from Indonesia
The sunset on Boracay Island was one of the best memories of my life I also enjoyed visiting an Afrobeat club run by the African community in Manila Next year, I’m thinking of visiting Thailand or Indonesia The photo shows the sunset in Boracay.
AnyAnnouncements?
Srirajah Rockers - Enduro
Srirajah Rockers from Thailand got me into Asian reggae Their new album is out, and "From Top" is a standout
A big thank you to all the reggae industry professionals who contributed to this YEAR BOOK, and to everyone who regularly follows Reggae Zion I truly appreciate your support I hope this book inspires more people to explore reggae and Jamaican music and contributes to the growth of the scene.
In 2025, we’ll continue working hard to make it an even better year. May 2025 bring peace, progress, and brighter days for everyone.
YOUTH OF ROOTS
Interview and text by Takashi Watanabe
Japan’s world-renowned roots reggae band, YOUTH OF ROOTS, continues to bring fresh energy to the Japanese reggae scene while building on their experiences in Jamaica. This interview delves into the band’s beginnings, its current members, their tour experiences, and a detailed exploration of their album LOVE IS THE ANSWER.
From Start to the Present
Can you introduce the band members?
KON RYU: I’m KON RYU, the guitar vocalist. Nice to meet you.
KENTARO: I’m KENTARO, I play guitar and do backing vocals.
SATOSHI: I’m SATOSHI, I play guitar.
KON KEN: I’m KON KEN, the backing vocalist, bassist, and band leader
KIWAMU: I’m KIWAMU, and I play percussion
Can you tell us how YOUTH OF ROOTS started?
KON RYU: I started singing around 2009, but YOUTH OF ROOTS was officially formed in 2016.
KON KEN: Yes, 2016. Before that, we were part of a backing band called “Kobushi POWA Band,” organizing events like bringing artists to local venues like the beach house Oasis. During that time, RYU would occasionally sing while playing the MPC or guitar during backing gigs We were playing around with the reggae band style Eventually, RYU started composing songs, and we thought it would be better to give the band a name forcused on the next generation That’s when we came up with YOUTH OF ROOTS among several name options.
KON RYU: Right. When I decided to take the lead as the main vocalist, we officially became YOUTH OF ROOTS.
Why a roots reggae band?
KON RYU: It all started in 2014 when I first went to Jamaica and was captivated by roots reggae At that time, CHRONIXX, PROTOJE, JESSE ROYAL, and others were leading the reggae revival movement. One live performance by RAGING FYAH, a band playing in that style, left a strong impression on me.
In Japan, there was a roots reggae band called OISO ROCKERS. I went to their live show with KON KEN, who was called as their dub engineer, and I was surprised and excited to see that there was a roots reggae scene in Japan, too
KON KEN: Yes, and gradually, we started getting invited to more events People who saw us would invite us to perform, and our activity expanded little by little
Then, the current members joined after that?
SATOSHI: I was playing with the band OISO ROCKERS, which RYU mentioned earlier. So at first, I watched YOUTH OF ROOTS as an audience member. Then, about seven years ago, KON KEN invited me to join, and that’s when it started for me.
KENTARO: I met RYU about three years ago at the Oasis in Hayama, and we found out we had mutual friends After that, we started jamming together in the studio, and eventually, I joined the band
KIWAMU: I’ve been playing with the band recently. Around April 2024, KON KEN contacted me, saying that they had returned from Jamaica and were working on an album. He asked if I could boost everyone’s vibes and maybe brighten up the local kids, who were always walking around with gloomy faces…
KON RYU: In the morning, right? They’re always lively after school, though (laughs)
KIWAMU: Yes, exactly Every morning, these elementary school kids looked like gloomy office workers on their way to school So KON KEN asked if I could paint something on the studio wall to brighten things up I had already painted YOUTH OF ROOTS’ lion flag before
While I was painting the mural, I was talking with KON RYU, and he mentioned they didn’t have a percussionist. I’ve played the kete drum in the Nyabinghi style of reggae, so I said I’d like to join. And that’s how I became part of the band.
How was the "YOUTH OF ROOTS TOUR 2024" at the end of June?
KIWAMU: I had only just joined the band around that time, so every day felt like an incredible experience for me—something I hadn’t anticipated at all. A month before, I couldn’t have imagined it. Even though I had played reggae drums before, KON KEN taught me many new things. I approached it with a beginner’s mindset, and thanks to the band’s energy and the enthusiastic audience, it was an exciting experience You got called up pretty suddenly, didn’t you?
KIWAMU: Yeah, it was all so sudden (laughs) I never saw it coming
KON RYU: You really saved us! JAH GUIDANCE
KIWAMU: JAH GUIDANCE and ITECTION, for sure. It was a truly wonderful experience.
KON KEN: How did the kids react? There were your kids right at the front.
YOUTH OF ROOTS TOUR 2024
KIWAMU: Yeah, in Tokyo, my own kids were right in front of me They were really inspired, saying they wanted to do music too
KON RYU: That’s fire!
Any particularly memorable moments from the tour?
SATOSHI: In Fukuoka, I noticed something special a grandmother, her daughter, and her grandchild attending the show together. At every venue, I saw a few people from different generations or mixed backgrounds.
KON KEN: In Fukuoka, it seems there was this guy from Africa who had fought and defeated a lion!
KON RYU: He really enjoyed the show, he was shouting out loud!
KON KEN: We’re the band that made a man who fought a lion that happy (laughs)
KON RYU: LION PAW, LION PAW!
SATOSHI: As we played across three locations, I felt like we were growing together. It was a great learning experience.
KENTARO: I’m originally from Kyushu, so it was great to play in Fukuoka. And as mentioned earlier, the shows really attracted a wide range of ages
KON RYU: It felt like all the fans who came were already in love with YOUTH OF ROOTS It wasn’t so much about bussing the place, but more about connecting with our family
those who truly love YOUTH OF ROOTS. That gave me a sense of responsibility. Our shows were all YOUTH OF ROOTS headliners.
KENTARO: The audience was singing along to everything
KON KEN: We released the album just eight days before the first day of the tour, so we were a bit nervous about how it would be received
KON RYU: But people were singing, weren’t they?
KON KEN: Yes, and by the time we got to Tokyo, almost everyone was singing along It really felt like the YOUTH OF ROOTS family was united. There was a strong sense of ‘one family.’
KON RYU: What’s interesting about touring is that you play the same set and song order three times, so our MC skills and everything else get refined. We were joined by OGA from JAH WORKS, and he made sure to deliver the key messages perfectly at each location. Those messages really connected with the family The tour was packed with meaning
The album title is "LOVE IS THE ANSWER." Can you tell us why you chose this title?
KON KEN: Actually, RYU came up with the title. Before that, we were considering using "YOUTH OF ROOTS" as the album title, just like our band name. But once all the songs were completed and we could see the full picture, RYU felt that "LOVE IS THE ANSWER" was the right title
KON RYU: As all the songs came together, a theme emerged naturally
There are no previously released singles, and aside from the remastered "Jamaican Daughter," all the tracks are newly recorded. Was there a specific reason behind this decision?
KON KEN: We really wanted to release new songs. We did consider compiling some of our previous tracks to create a sense of value, but we felt it was too early for a "best-of" album. So, it was only natural for us to keep pushing forward with new tracks. Many of these songs were written but never released, like "Revelation," which RYU created during his solo stay in Jamaica two or three years ago, and "ONE PEOPLE," which was written for a video project by JICA (Japan International Cooperation Agency) We rearranged and included those as well
About the Tracks
Can you tell us about the tracks on the album, starting with the first one, "Deliverman"?
KON RYU: We created the demo track in Japan, then went to 100Studio with Squidly Cole and Flabba Holt to record the basic track. Squidly was the engineer, and we completed the overdubs in Japan afterward. (Squidly is the backing drummer for the Marley family, such as with the Melody Makers, and Flabba Holt is the renowned bassist of Roots Radics )
Why did you choose this as the first track?
KON KEN: We didn’t really think about the track order while creating the album After we finished mixing, We made a playlist on iTunes and decided the order by listening to it The message "I’ll deliver it to you" reflects the album’s title, so it felt like the perfect way to start.
Can you tell us about the second track, "One People"?
KON RYU: This song was commissioned by the JICA Youth Volunteers JICA sends Japanese people around the world to assist and support various communities For example, at the university I attended in Jamaica, JICA provided air conditioners, and they also sent a Japanese teacher
After I returned to Japan, I collaborated with the teacher I met in Jamaica, and we were asked to appear in an educational video for JICA. I wrote "One People" for that project. The video was themed around "flowers," and it was used as an educational tool to show how Japanese flowers travel abroad and foreign flowers come to Japan. That’s why the lyrics include "flowers in full bloom."
Tell us about the third track, "Reggae Music Haffi Play feat. Papa U-Gee, Jr.Dee, Yuten, NANJAMAN." What made you decide to work with Yuten in particular?
KON RYU: I met Yuten recently I had heard about this 15-year-old who was covering "Strawberry Girl" at live shows, and we met about a year ago. We did a Rub -A-Dub
session together, and I thought his original flow was great, so I invited him to collaborate His parents are also reggae singers, which made me feel a strong connection with him as a fellow artist He’s now 18, I believe, and we’ve been getting along well recently
KON KEN: In Jamaica, at reggae dances, you see young people and older generations enjoying the music together there’s no generation gap. I think that vibe is reflected in this track, with veteran artists like Papa U-Gee alongside younger ones like Yuten and RYU. I believe that through this collaboration, we can recreate the scenes I witnessed in Jamaica where fans of all ages enjoy the music together
I love the transition from Papa U-Gee to Jr Dee in the song.
KON KEN: That was a vocal delay effect. Papa U-Gee moved the mic away as he sang, creating that "dun-dun-pan-pan"
sound
KON RYU: We all thought, "That’s fire!"
KON KEN: It was brilliant really showed his skill Big up Yaizu Crew, Yaizu Family
How about the fourth track, "Revelation feat. Micah Shemaiah"? He’s visited Japan before, right?
KON RYU: Yes, he had, but we made this song before that. I connected with him while I was in Jamaica and asked him to contribute a verse for this track, and we also worked together on the bridge
Our connection was made at "Jamnesia," a surf camp in Bull Bay, Jamaica, run by Billie Wilmot, the head of the Jamaican Surfing Association and the vocalist of Mystic Revealers Many musicians gather there, and on Saturday nights, there’s a live show for upand-coming artists with a live band Artists like Chronixx, Protoje, Lila Ike, and Jah9 all
developed their skills there
I started attending after being introduced to the place, and that’s where I met Micah Shemaiah
We wrote the lyrics with Billie’s son, Inilek Wilmot, who is also a guitarist
The title "Revelation" refers to the final book of the New Testament, the Book of Revelation, which also mentions the figure of Haile Selassie This song reflects that theme
Tell us about the fifth track, "Like di Emperor feat Israel Voice "
KON RYU: This track was made in Jamaica, like the one with Micah Shemaiah About three years ago, I traveled to Jamaica with a friend for two months, and we created the song during that time I was playing guitar, and Israel Voice started singing It just came together naturally
We were staying at Aisha House in Kingston at the time, where Flabba Holt from Roots Radics also lived. We became friends, and while I was working on a remix of a Dennis Brown song, Flabba gave me the bassline, which became the foundation for "Like Di Emperor." He even added tambourine during the session. It was an amazing experience.
Tell us about the sixth track, "REDReggae Every Day - (feat. Kumar)." Kumar used to be a member of Raging Fyah, right?
KON KEN: Yes, that’s right He’s now working as a solo artist, but two former Raging Fyah members, Anthoy and Demar, are in his
backing band, Original Fyah, and they still perform Raging Fyah's songs
This track came about because last year, Kumar said he wanted to come to Japan and tour with us However, due to certain conditions, we couldn’t make it happen The current roots music scene hadn’t fully spread in Japan at the time But we’re huge fans of Raging Fyah, and we really wanted to do a tour together, so we decided to collaborate on a song instead, to help spread roots reggae more widely We made four tracks in Jamaica and played them for Kumar He improvised the chorus and verse for the last track, and that’s how the title "RED - Reggae Every Day" came to be. We wrote the Japanese lyrics after returning to Japan and recorded the overdubs. Anthoy (drums) and Demar (keys) helped with the recording. It was fantastic. Big up Original Fyah, Raging Fyah.
The seventh track, "Wild & Free" is personally one of my favorites. It’s rare to see a roots band do ska, and it really gets the crowd moving at live shows.
KON KEN: The BPM of this track is close to EDM, and it’s a tempo that naturally makes people want to dance. That’s why ska is so captivating. It’s a fairly easy tempo to dance to. RYU wrote this song.
KON RYU: But it was KENTARO who suggested we try doing minor-key ska
sounding completely different from what I had originally imagined
KON RYU: Yeah, but that made it more interesting
Tell us about the eighth track, "Jamaican Daughter (2024 Remaster)."
KON KEN: The original version of this track, with Medz’s mix, became popular in the dancehall scene and was widely appreciated. This song means a lot to us, and we felt strongly that we wanted to perform it with our own band That’s why we re-recorded it
KON RYU: Big up Medz!
Tell us about the ninth track, "Port Antonio."
KON RYU: This song is about long-distance love. In 2016, when we went to Jamaica to record "Theme of Youth of Roots" and "Reggae Man," we recorded this song on the way back in the Bronx, New York, with Jerry Harris from Wackies and the members of Royal Khaoz.
We had already planned to enter the studio with them in New York, so I wrote this song while looking at the scenery of Port Antonio and Ocho Rios in Jamaica After we recorded the song in New York, I wasn’t satisfied with the result, and I really wanted to re-record the
vocals So, in 2022, we re-recorded it in Jamaica to capture more of the long-distance vibes
KON KEN: Port Antonio is a town full of memories for me from my younger days When RYU and I traveled there, we visited some old friends, and the views on the drive back really left an impression. All those memories are reflected in the lyrics.
Tell us about the tenth track, "Everything Good."
KON RYU: This track was recorded at THE COMPOUND with some of the young, up-andcoming musicians from Jamaica. It’s a song that reminds me of our trip and reflects our mindset at the time. The session was incredible. The members who participated were amazing: Keneil (BUJU BANTON’s drummer), O'neil (KABAKA PYRAMID’s keyboardist), and Nnamdi (former guitarist of CHRONIXX’s ZINC FENCE REDEMPTION)
Most Jamaican musicians record in one take, so being able to experience that level of skill up close was an incredible learning experience
KON KEN: Going there with the band, entering the studio, and witnessing how Jamaican musicians work their vibe, their breathing was really inspiring It was like a training session, learning about Jamaican bass and playing styles. Watching them do it perfectly in one take was an incredible experience. It’s something you can only see by going to Jamaica, so it was truly invaluable.
Lastly, can you tell us about the final track, "Kawa no Nagare" (The River’s Flow)?
KON RYU: This song was created naturally at our lodging, with everyone together. We were chanting and meditating, and the song was born from that.
There was a room at the inn where we’d eat, and we were having a meeting in the courtyard when we started talking about how we needed a "Heartbeat" kind of song. That’s when KON KEN came up with the melody. He played it and said, "Let’s go with this one," and it just flowed from there While thinking about the lyrics, we all worked on it together, and within about two days, the song was finished naturally
So the songwriting process starts naturally?
KON KEN: Songs like this can only be created when inspiration flows When the vision suddenly comes down, it gets input, and then we can output it.
KON RYU: Yeah, we finalized the lyrics through talking with everyone.
KON KEN: It’s a really popular song.
Future Plans
Can you share your future plans?
KON KEN: This isn’t really band-related, but I want to organize a dance event where everyone can step to reggae music I personally love dancing, but there aren’t many people dancing in places like bars or dancehalls I think dancing together is really fun
In South Africa, the "Kebra Ethiopia Sound System" does line dancing, and at Kingston Dub Club, it’s almost like a Japanese "bon dance". I want to create a place where people can learn the steps step by step and eventually everyone is dancing. Ultimately, I’d love to have a sound system and make it a full-fledged event where people can showcase the steps they’ve learned. There are a lot of hip-hop dance teams out there, but I’d like to create a reggae version, something like a "bon dance" where everyone can have fun dancing together I’ve already started reaching out to people who might want to collaborate I want to spread the roots culture through dance and have fun while doing it I believe the message will get across that way The ideal would be to share a space where people can connect with both sound and meditation
KON RYU: We’ve already started brainstorming ideas and recording dub tracks that are easy to dance to, with this in mind. All the members are on board, so we want to make this a reality as soon as possible.
It seems like your music is gaining listeners overseas too.
KON KEN: Yes, that’s right Our tracks have appeared on charts in Asia and South America, and "Strawberry Girl" has become popular in Hawaii and Canada. In the Czech Republic, "Step Outta Babylonia" even hit number one. I think the reason we’re getting this kind of worldwide attention is that we’re doing straight-up reggae. That’s the power of reggae.
KON RYU: In the future, we want to perform live not just in Japan, but overseas as well.
Message to the Fans
KENTARO: We hope to reach more places in Japan, including the ones we didn’t get to visit during our solo tour
KON RYU: We are deeply grateful to everyone who’s been supporting us We’ll continue delivering reggae music, so thank you in advance for your continued support
KIWAMU: I’m aware that many people don’t know about me yet, but I feel that YOUTH OF ROOTS’ message is something needed in today’s world. Roots music helps us return to our true nature as human beings, and I hope we can continue to deepen that message.
SATOSHI: I love every single one of YOUTH OF ROOTS’ songs, so I’d be thrilled if people could listen to them over and over again
KON KEN: The future keeps coming every day I truly hope that everyone finds happiness I believe that’s what will lead to One Love Let’s pray for peace with strong hearts full of love One Love, Jah Rastafari
LINK UP JAJA Natsumi Nagamura
Interview and text by Takashi Watanabe
Natsumi Nagamura, the founder of the NPO "LINK UP JAJA", who is dedicated to supporting people with disabilities in Jamaica, shares her incredible journey. Growing up in Osaka, she was profoundly influenced by reggae music, which she first encountered at the age of 15. This sparked a fascination with Jamaica that deepened through cultural exchanges and life-changing experiences. In this interview, we explore how she was drawn to Jamaica and what led her to disability support work.
Growing Up and Discovering Reggae
First, could you tell us how you ended up going to Jamaica?
Natsumi: I grew up in Higashinari Ward, Osaka City It’s an area with a rich history, home to many Korean-Japanese communities, and is known for its lively atmosphere My mother is physically disabled and raised me as a single mother. Back then, being a single mother wasn’t as common as it is now. For example, when the school assigned us to write an essay for Father’s Day, even though I didn’t live with my father, I fabricated a story about life with him. I’ve always been good at writing from a young age. (laughs) My teacher once told my mom, "You should tell Natsumi the truth." My mom was confused, not knowing what the
teacher was talking about I don’t remember much about that, but I guess I didn’t want my classmates to know that I lived without my father.
My life took a major turn when I encountered Japanese reggae at the age of 15. Reggae was very popular at the time, and Amemura (America Mura) in Osaka was filled with young people. My boyfriend then was a big fan of Red Spider, and through his influence, I became completely captivated by reggae. From there, I dove deeper into the world of reggae, eventually being drawn to the original Jamaican artists like Bob Marley.
A Casual Decision to Go to Jamaica
That led you to think about going to Jamaica?
Natsumi: When it was time to think about my future in high school, I was out partying a lot and had no intention of going to college (laughs) My teacher
asked me multiple times, "What is your plan after graduation?", but I couldn’t answer. One day, the teacher asked, “What do you really want to do?” I casually said, "I want to go to Jamaica " Then he said, "Well, there must be schools in Jamaica, right?" It felt like a bolt of
lightning struck me thinking, "I could go to Jamaica!" From that moment, I became serious about studying abroad in the country.
First Time in Jamaica and Study Abroad
Can you tell us about your first time in Jamaica?
Natsumi: In 2001, when I was 17, I went to Jamaica with my father It was during my second year of high school, and my father decided to come along for the first visit, saying he couldn’t just send me off to a place he knew nothing about. Initially, it felt like a regular vacation, but when I arrived, I saw many Japanese soundmen there, and I was overwhelmed by the music and culture. That’s when I thought, "I absolutely want to live here!"
What was your study abroad experience like?
Natsumi: For 1 year and 8 months, I attended a language school studying English while going to dance events almost every week I deeply involved myself in Jamaica’s reggae scene and culture I became interested in ghettos and spent time with the youths there, naturally picking up Patois along the way. It was an incredibly exciting experience with new discoveries every day.
Accident and Life After
Did anything significant happen before you returned to Japan?
Natsumi: Yes, at 18, I was hit by a bus in Half Way Tree, the main road in Kingston My body was flung into the air and slammed to the ground, and I lost consciousness. When I woke up, I was in a hospital bed, my right cheek crushed, and one of my front teeth missing. I later heard that the local radio reported, "A Japanese student is in critical condition." Miraculously, I survived it felt like I had died and come back to life. (laughs)
Even after that, your feelings toward Jamaica didn’t change?
Natsumi: That’s right I was just grateful to be alive, and my love for Jamaica didn’t change I chose not to return to Japan for treatment, deciding to stay in Jamaica and complete my planned 1 year and 8 months of study abroad
Returning to Japan and Caregiving
What was life like after returning to Japan?
Natsumi: I returned to Japan just before turning 20. Thanks to my mother’s connections, I quickly got a job in caregiving.
Having grown up surrounded by people with disabilities, I naturally adapted to caregiving and independent living support work. I continued visiting Jamaica for short trips every two years, but I couldn’t stop thinking about the harsh realities that people with disability lived there.
In 2017, I couldn’t ignore those feelings any longer I left my job and volunteered for six months at a children’s home for children and adults with severe disabilities in Jamaica. I assisted with meals, hygiene, and recreation, witnessing firsthand the harsh conditions faced by people with disabilities in an environment with very little welfare infrastructure. The clear contrast between the lives of people with disabilities in different countries deeply shocked me. That six-month stay strengthened my determination to commit myself to support activities
Messages Connecting Reggae and Disability Support
How has reggae and Jamaican culture influenced your work?
Natsumi: The people with disabilities around
me in Japan are not just recipients of care they are the generation that built Japan’s disability welfare system Through activities like petitions, negotiations with government officials, and dialogues with parliament members, they fought to secure their human rights. Watching them, I grew up with the strong belief that "you must fight for your own rights."
That’s a part of me, almost like it’s in my DNA That’s why messages from Bob Marley and Marcus Garvey resonate so deeply with me Their most impactful message was, "Stand up for your rights."
Jamaican reggae and Japan’s disability movement might seem
completely different, but they’re the same to me The generation of people with disabilities fought for their rights with their lives, going so far as hunger strikes in front of parliament To me, they are the true rebels
That’s why I believe people with disabilities in Jamaica can also rise up and create change Even if the country would not be able to immediately build a system equivalent to developed countries, Jamaica can create its own welfare framework And because life only happens once, I’m determined to see this challenge through. The fact that leaders like Bob Marley and Marcus Garvey emerged from Jamaica also gives me hope.
Taking on New Challenges: The Path to JICA Volunteer and Beyond
Can you tell us about your experience applying for the JICA Volunteer program?
Natsumi: I applied for the JICA Volunteer program (formerly known as the Japan Overseas Cooperation Volunteers) because I had a strong desire to work seriously in Jamaica But it wasn’t just that I also saw it as an opportunity to live in Jamaica longterm. After spending six months there, I realized how challenging it was to live there due to the high prices and low wages. It seemed extremely difficult to earn a sufficient income even with a local job. That’s why I turned to the JICA Volunteer.
However, during the interviews, I insisted, “I will only go to Jamaica,” which led to two rejections (laughs) But I didn’t give up, and on my third attempt, I was finally accepted in 2018
Getting accepted felt like a huge opportunity. The two-year term was my chance to establish myself in Jamaica and build a strong foundation for my work there Since it was a rare opportunity, I was determined to make the most of those two years
The COVID-19 Pandemic and Emergency Relief
Then COVID-19 happened during your term, right?
Natsumi: Yes, in 2020, COVID-19 struck, and all JICA volunteers worldwide were called back home While many around me were filled with anger and disappointment, I kept thinking about what to do next and how to continue the work in Jamaica. I decided to take emergency action and came up with the idea of selling fair-trade products in Japan. These were items my Jamaican friends had originally made to sell to tourists, but due to the pandemic, their
customers vanished, and they lost their income As I witnessed them struggling with almost no government support in Jamaica, I felt I needed to help them. I started by purchasing these goods, shipping them to Japan, and selling them. There wasn’t much profit because I wasn’t focused on making money - it was simply about supporting them in such an emergency.
Establishing the NPO LINK UP JAJA
This initiative eventually led to the establishment of your NPO, correct?
Natsumi: That’s right. In December 2020, I founded the NPO LINK UP JAJA. Initially, we focused on fair-trade projects, but by the following year, we shifted to long-term disability support, a field I had always been passionate about.
Even during the pandemic, I funded two trips to Jamaica, one lasting six months and another three months, to continue activities on the ground Finally, in January 2023, I received word from JICA that preparations were complete for resuming activities in Jamaica I was able to officially return as a JICA volunteer
Supporting People with Disabilities Through
Saori Weaving
*You also began supporting people with disabilities in Jamaica through Saori weaving, right?
Natsumi: Yes My encounter with Saori weaving was accidental, but I knew it was perfect Saori weaving, introduced by Misao Jo in Osaka in 1968, is a hand-weaving technique that allows anyone, regardless of age or disability, to express themselves freely The term “Saori” comes from the idea of weaving individuality and differences into the fabric.
I brought this technique to Jamaica and used it as a way to help people with disabilities participate in society. I started with one loom that I carried over as checked luggage and began teaching people how to weave. Seeing them reconnect with society and slowly regain confidence has been incredibly rewarding
There are still many challenges, but the fact that people who once stayed isolated at home are now finding a place in society and earning even a small income is significant To continue this initiative, I aim to secure support from individuals and businesses while also strengthening our fair-trade projects to ensure stable operations for the NPO
We heard there has been support from Japan’s reggae scene as well.
Natsumi: Yes, I’m very grateful to Kaeru Studio They provided funds to donate instruments to Jamaican schools, and LINK UP JAJA handled the coordination, including purchasing and delivering the instruments. These instruments are essential for music education and are valuable to the children.
We received about 1 million yen and donated guitars, basses, keyboards, and percussion instruments to six schools. It’s wonderful to think that these donations could help support future artists
That’s not all OGA-chan (OGA from JAH WORKS) has also been very supportive He provides funding for the "Jamaica Children’s Cafeteria," a project where meals are served to local children while introducing them to Japanese culture and encouraging interaction He also supports the "BACK TO SCHOOL" initiative, which helps children in Jamaica get the uniforms and school supplies they need While public school tuition in Jamaica is free, families must cover the cost of uniforms and textbooks, which can cost several tens of thousands of yen per child to prepare for school. Uniforms, which cost around 5,000 to 8,000 yen per set, and textbooks, which cost around 10,000 yen annually, pose a significant burden for children in poor areas.
OGA-chan’s project aims to alleviate some of these challenges, earning heartfelt gratitude from local mothers, who often say they "can’t
Support From Japan’s Reggae Scene
thank him enough " The term "LINK UP," pronounced "Linkop" in Jamaican Patois, means "to connect" or "to meet " Through OGA-chan’s support, Japanese reggae fans have been able to help children in Jamaica, which is something we at LINK UP JAJA are proud and happy about.
Meeting Anthony and His Inspiring Story
We saw Anthony, a man with a physical disability, featured on the TV program “Gutto Chikyubin.” Could you share more about him?
Natsumi: Anthony is very special to me. Despite his disability, he’s built his own way of living, earning a living by collecting donations from passers-by on the street, but it’s not just begging—it’s his way of being independent.
One memorable moment was when DING DONG called Anthony onto a big stage and told the audience, “This guy is a ghetto youth, but that’s no excuse to give up Sitting on the streets, doing nothing, and expecting others to buy you drinks with their hard-earned money forget it I’m telling you ”
Anthony stood confidently on stage, delivering a powerful message through his presence
and actions Moments like that remind me why I love reggae so much
Vision and Goals for the Future
What are your vision and goals for the future?
Natsumi: My main goal is to strengthen the foundation of our disability support work in Jamaica. Through Saori weaving, we are helping people connect with society and feel connected to their community I hope to establish a physical base to support more people with a stable environment in the future
Ultimately, there should be a system where people with disabilities in Jamaica can live independently within society This requires systemic reforms, which can only happen when the disabled community and the public push for political change While this is a longterm challenge, we are focusing on what we can achieve step by step with the resources we have.
Saori weaving is not just about creating jobs it’s a tool for people with disabilities to express themselves and make their voices heard. Just as Marcus Garvey and Bob Marley inspired the world and created change, I hope that the people we support will become key players in societal transformation
Advice for Taking Action
Many people feel like they want to help but can’t seem to take that first step. Do you have any advice for them?
Natsumi: Start small, like helping someone close to you or joining local activities Even small steps can lead to meaningful change You’ll learn as you go, and your role will naturally become clear You don’t need to take on something huge just act at your own pace
I heard that you used Reggae Zion during the ringtone era. Thank you so much! Lastly, could you tell us about your favorite reggae artist?
Natsumi: Of course! I love Romain Virgo First of all, he’s incredibly handsome (laughs) He started out with a ghetto youth vibe but has become such a polished gentleman now and his physique is impressive! But more than his looks, his music carries powerful messages that really resonate with me
I hear many new dancehall tunes on the street like when I travel in a taxi Some of these are positive and uplifting, however, there are also songs with violent or materialistic lyrics that make me disappointed and depressed. Romain Virgo’s songs, on the other hand, are clean and filled with uplifting messages. His recent song “Been There Before feat. Masicka” is one of my favorites. His music truly speaks to the heart.
Thank you for sharing your story and recommendations We’re inspired to take even small steps to contribute!
At the end of April to the beginning of May 2024, RED I SOUND visited Japan for their JAPAN TOUR. Red-I, a pivotal figure in the Asian reggae scene, was at the heart of this tour. During his visit, we had the opportunity to sit down for an interview at a café in Shinjuku, Tokyo. In this interview, we delve into his musical career from its beginnings to his current activities, and explore his influence on the reggae scene across Asia. By touching on Red-I's passion and vision, we uncover how he continues to shape and impact reggae music.
Let's start at the beginning of your career. How did you start listening to reggae music?
Red-I: I discovered reggae music thru Fm radio stations. I would hear it randomly, they would play hit songs like “Pass The Dutchie” by Musical Youth , “A La La Long” by Inner Circle, “Tease Me” by Chaka Demus and Pliers but at that time I was really into bands. Back in ‘97, I was really young, maybe around 15 or 16 years old My band back then wasn’t reggae; it was more rap metal, kind of like Rage Against the Machine In the Philippines, it’s always been a band scene, never really a sound system reggae scene So that’s where I started, back in ‘97 I was also into Band and skateboarding, which was very popular in Japan, representing street culture.
What was the band scene like in Manila during those years?
Red-I: The band scene in Manila was vibrant and diverse There were many underground bands, and it was a mix of genres You'd see heavy metal, Hip-Hop, Hardcore, Punk and even ska bands performing in the same events. The scene was very much about live performances and the energy of the crowd. I was part of a rap metal band, which was influenced by the likes of Rage Against the Machine and 90’s Hip.-hop . Skateboarding was a big part of our culture too, blending seamlessly with the music scene
So, when did you transition to reggae music?
Red-I: Around 2002 I started 2 side projects, a band called Pure Natural which was hip-hopreggae inspired and Down Boy Down, an electronic down-tempo trio I was an Mc in both bands and did some drum programming on DBD We started to incorporate reggae influences in those early days. At that time, reggae was already popular in the Philippines but not very deep. You'd hear Bob Marley everywhere, especially at the beach. In the 90’s bands like Tropical Depression, led by the legendary Papa Dom, Coco Jam and later on in early 2000s Reggae Mistress & Junior Kilat, were well-known but still underground. Right now we have more than 100. Reggae bands in the Philippines My transition really picked up when I went to a rave party featuring Goldie
back in 1998 and Aphrodite In 1999 It was my first time experiencing a huge sound system, and the heavy bass lines with reggae samples blew my mind
How did the rave party experience impact you?
Red-I: The rave party experience changed my perspective in music coming from the band scene. I remember it vividly, my friend Allan & Edmond invited me to a rave where Goldie was playing. I was used to live bands, so seeing a DJ control the crowd with just vinyl records was mesmerizing. At that time I was always interested in Drum & Bass / Jungle music - the energy, the bass, and the toasting over the tracks was something completely new to me. It opened my eyes to a whole new world of music
How did you further immerse yourself in reggae and sound system culture?
Red-I: In the early 2000s my friends and I would dig through second-hand shops for records. We also started making beats at that time, We mixed & sampled many kinds of genres but I’ve always gravitated towards reggae . By around 2007 , I got into dubstep, which heavily influenced our events. We started hosting an event called Dubplate in 2008 with my partner PJ from LA. PJ, a.k.a Don P who I just met that time , He had a deep collection of reggae records and a passion forhe sound system culture Our events gained
popularity because of their unique blend of reggae, dubstep, and other bass-heavy genres
Tell me about the founding of Irie Sunday.
Red-I: Irie Sunday started in 2010 at B-Side, a venue in Makati, Manila. It became a beloved weekly event, creating a family-like community and introducing many people to reggae & Soundsystem culture We featured a mix of reggae roots, dub, and modern styles, making each event a journey through reggae music. It started as a small gathering but grew significantly over time We had regulars like Residents DJ’s Don P, Soulsteppa, Papa Dom from Tropical Depression (R I P), and T Cash and Masta T from Big Answer Sound, a Japanese reggae sound system crew Later on Rastaro and Norris King joined as regulars. All selectahs and bands were integral parts of our events.
How did you connect with Japanese reggae musicians like Papa U-Gee?
Red-I: During our Dubplate events back 2009 I met Takashi a k a T Cash and Tatsuki a k a Masta T, Japanese guys who have been living in the Philippines who loved reggae music They were studying English in Manila and brought a rich collection of records from Jamaica with them. They became part of the Irie Sunday as resident djs. We also organized the Asian Link-Up with the help of Papadom back in 2011, the gathering brought together artists from across Asia. This cross-cultural exchange enriched our events and strengthened regional reggae connections. That's where I met Papa U-Gee, a well-known Japanese reggae artist, we invited him to perform at that event He came back to the Philippines several times after that
Did you build a reggae sound system during the pandemic?
Red-I: Yes, during the COVID-19 pandemic, I finally had the time to build a proper reggae sound system. I had always wanted to do it but lacked the knowledge. Over the years, I learned from friends and experiences, and during the pandemic, my friend and I built it together. My friend had all the power tools we needed, and we spent weeks crafting it. It was an amazing project, and now we have a proper sound system to use for our events.
What are your future plans for Irie Sunday and promoting Asian reggae?
Red-I: We plan to take Irie Sunday on the road, using our legendary Red-i Sound mobile truck to host events in various locations. We want to create pop-up reggae festivals and spread the unique sounds of Asian reggae globally. We're also focused on supporting and producing local artists, helping them achieve proper sound system quality in their recordings.
Any Asian artists you want to recommend?
Red-I: There are many interesting artists in Asia For example, Smiley Song from South Korea is a great artist and producer Srirajah Rockers from Thailand are another amazing band In the Philippines, there's Good Leaf (Live Dub band) and Lady I, a talented singer with roots in the legendary band Reggae Mistress. We want to help them get a proper sound system sound in their recordings and spread their music worldwide. Another rising talent is Juan Clavier &. Threeky, a producer who is making waves in the local scene.
How do you see the difference between the Asian reggae scene and the European reggae scene?
Red-I: The main difference is the support In Europe, there's a lot of support for reggae, which helps it thrive In Asia, it's still growing, but the sound is unique and interesting The ethnic influences in Asian reggae can be
very fresh and appealing When Europeans hear it, they often find it intriguing and different The support here is slowly building, but it takes time We believe it can become big with the right timing, support and exposure
Your passion for reggae is inspiring. Do you have any advice for aspiring reggae artists in Asia?
Red-I: Stay true to your sound and keep pushing It takes time to build a scene, but with dedication and passion, it's possible Connect with others in the community, learn from different influences, and don't be afraid to experiment. The future of Asian reggae is bright, and there's a lot of potential here. It’s also important to understand the technical aspects of sound and production. Quality recordings and live sound are crucial for making a strong impression.
That’s incredible insight. Lastly, can you tell us more about your upcoming projects or events?
Red-I: Sure! We're planning a series of mobile Irie Sunday events across different cities. We’re also in talks to collaborate with artists from various Asian countries to create a compilation album that showcases the best of Asian reggae Additionally, we're organizing workshops to educate aspiring artists about sound system culture and production techniques. We also have vinyl and digital releases lined up for OTO Records, Red-i Sound , and Dubplate Pressure. We’re really excited about these projects and look forward to seeing how they can help grow the reggae scene in Asia.
Thank you so much for sharing your journey and insights.
Interview and text by Takashi Watanabe
Kēvens
Reggae EDM pioneer Kēvens, known for utilizing the power of his music to bring souls from all four corners of the world to dance together, has released his latest album, Call To Balance. Created during a time of selfreflection throughout the pandemic, this album blends reggae and electronic music with profound messages. In this exclusive interview, Kēvens shares insights into his music and the inspiration behind Call To Balance.
Can you share a bit about your background and family? How did these influences shape your music career?
Kēvens: I grew up in a multicultural unit where my father listened to a lot of old Spanish music, like Celia Cruz and Miguel Aceves, and my mother listened to a wider variety, from Nana Mouskouri and James Brown to Bob Marley But it was the Jamaican sound system that got a grip of my heart
Before the music, there was flying After high school, my dream was to be a pilot I went to join the US military, but didn’t pass the entry test. I was a skinny, weak kid who didn’t have 20/20 vision. I didn’t know what to do, so I got a day job driving a small truck and making deliveries for a Toyota dealership, and on the side, I was DJing at night.
Why did you choose reggaeEDM as your unique style, and what was the journey that led you to it?
Kēvens: The journey began the moment I became part of the dub reggae sound system culture here in South Florida I was following a little sound called Virgin Virgo, and would jump on the mic from time to time, polishing my skills After a little while, I started asking more of myself I got into live music, jumping on any band stand that would give me the mic And just by chance during a night I was DJing, a guest bass player and I jammed together with the local reggae band Copacetic He loved what I was doing He said, ‘Man, I love your energy and style I have a little musical project I am doing. Come by my house if interested. So I took his number, and a few days later I went to his house in the middle of nowhere. The house was so big! I walked into this room filled with pictures and memorabilia of Bob Marley and the Wailers. Pictures of Bob you’ve never seen before. I’m thinking, ‘This must be the rarest collection of Bob Marley,’ but everything was just lying around! I didn’t know where I was or who I was really with, but
carried on without saying anything!
So we were jamming, four of us, for about an hour and a half Then the other door that led into the kitchen slowly opened This Rasta woman comes in: ‘Gentlemen, can I get you something to drink?’ I looked and stopped for a second. I thought, ‘It cannot be.’ I looked back at the walls covered with photos of Bob Marley, then back to this woman. ‘That’s Bob Marley’s mother!’ I looked back to this stranger who invited me to jam, and he was laughing ear to ear!
So I had jumped into a band with Bob Marley’s brother, Anthony. And I had no idea!
Fast forward into the future, I wanted to break off the Marley brand and do my own thing, and I would get that chance After becoming the face for a soft drink called Lilt in the UK, one night during a visit there, I went to a party and heard jungle and drum and bass with that ragga muffin MC to that foreign UK underground sound I was hooked and determined to duplicate that live.
For years I tried, and the end result was unsatisfactory. But in 2023, I struck gold when I released Legal Dreamers, which made it to the top of the Jamaican reggae singles charts in Jamaica. I had already coined reggaeEDM and decided to start telling people about my specific brand of drum and bass jungle I call reggaeEDM.
During the challenging period of the pandemic, how did your approach to music change, and what inspired the creation of Call To Balance?
Kēvens: Call to Balance is simply my musical evolution, both as an artist and as a human being It is a project that is born from something very deep, not only because of the challenges generated by the pandemic, but also because of the impact of transcendental events in my personal life. During that difficult period, in which I almost lost a loved one and felt the stalking of loneliness, I questioned my abilities and purpose as an artist, but found my strength and reason to live in the midst of a melting pot of doubts and emotions. Through this grueling process, I was inspired and produced an album that seeks to harmonize chaos and invites us to reflect and reconnect with ourselves
Call To Balance
https://kevens lnk to/CallToBalance https://www kevens com Instagram, Youtube, X, TikTok
Could you explain the meaning and theme behind the title Call To Balance?
Kēvens: The title Call To Balance came to me after a meditation It combines the depth of soul, reggae, and dub with the energy and dynamism of electronic music
Your music often addresses various social issues and inequalities. What message are you hoping to convey through your work?
Kēvens: As long as mankind refuses to understand the symbiotic connection from nation to nation, people to Nature, spirit, and the Almighty, I will always be here to remind those who refuse to accept this axiom
You’ve had experiences performing in Japan. Could you share any memorable encounters with fans or special moments from your time there?
Kēvens: Of course. I was in Takamatsu for a show. During that promotion, my acting manager took me to a spot to enjoy a nice cup of gyokuro tea. There were all these bicycles riding during rush hour, and everyone was coming from work This young man fell off his bike, and the whole entire flow stopped until this man got up Nobody shouted out of frustration or used profanity The man quickly got out of the way when he regained himself, took a bow, and moved on I would never see something like that here in Miami
You performed at ULTRA KOREA, which is a unique achievement for a reggae artist at an EDM festival. What did that experience mean to you?
Kēvens: It meant a whole lot, considering I was the first theatrical artist to bring a live band and the first to bring pyrotechnics to that festival brand in 2000 when it was on Miami Beach
So when ULTRA KOREA happened, those from ULTRA Miami who love and support my live act felt the urge to tell me how great Korea was. I was curious and anxious, hoping to go there one day. Finally, in 2018, ULTRA’s main VJ, Vello Virkhaus—whom I introduced to Alex in 2001 when he was looking for a VJ for the main stage returned the favor by introducing me to the ULTRA KOREA booking agents.
In reflection, the head buyer and agents of ULTRA KOREA are some of the best people
I’ve had the pleasure of working for in the industry They practice the spirit of P L U R a saying in the rave scene: Peace, Love, Unity, and Respect and that means everything
Do you have any particular message you’d like to share with your audience in Asia, especially in Japan and Korea?
Kēvens: I really miss performing for the people of Japan and can’t wait to go back— it’s been too long. South Korea is a special place. I want to spend more time there the next time I go back and can’t wait to rock Seoul with my new show.”
What is the most important message you want to share with the world through your music?
Kēvens: Positivity is a necessity
Reflecting on your journey so far, what advice would you give to aspiring musicians who want to blend genres or create their unique musical style, as you have with reggaeEDM?
Kēvens: When polishing a diamond, it takes a long time before it sparkles the right way. It might seem time is not on your side, but stay focused and keep polishing your sound and message. Be relevant in what you have to say, and everything will be alright.
RED CARPET
Interview and text by Takashi Watanabe
RED CARPET stands out in Osaka’s reggae scene.
Leading his own label, AKAHIGE RECORDS, and delivering his message in Japanese, he has spent his long career reflecting on life, family, and friendships.
In this interview, we spoke with him about his introduction to reggae, his journey as an artist, and the inspirations behind his latest album, “⽣ 愛 ” (Kido Airaku).
Discovering Reggae
How did you first get into reggae music?
RED CARPET: It was during junior high My cousin ran a surf shop in Tempozan, and I’d often hang out there They’d play Shinehead and Snow, and the skaters and surfers were always listening to reggae
Later, I started listening to mixtapes like Ibushi Gin and SKY IS THE LIMIT One night, I saw RYO's SUNNY DAY WALK on Space Shower TV, and it really left a big impression on me That’s when I became even more captivated by reggae
A Turning Point—Becoming an Artist After a Life Change
What motivated you to start your career as an artist?
RED CARPET: I’d been listening to reggae for a while, but I only started performing at 28 At the time, I had three close friends, and two of them ended up in prison, which left me feeling a bit lost It felt like there was this emptiness in my life, and I thought, “Why not try doing what I love?”
There wasn’t anyone doing reggae around me, so I just started on my own.
When I was just getting into reggae, I didn’t fully understand its world. For example, I went to see MIGHTY CROWN’s event at Bayside Jenny, where Capleton performed. I didn’t even know who he was at the time. I was smoking in the restroom when Capleton walked in and said, “You’re smoking, huh?” I gave him something, and he just said, “GOOD GOOD ” Later, I saw him on stage and was like, “Wait, that was him!”
After that, I started going to more events and getting familiar with the scene
Experiences in the Scene—The
Equality and Support in Reggae
Can you share some memorable experiences in the reggae scene?
RED CARPET: Where I grew up, it was a rough place with strict hierarchies among seniors and juniors. So, my first time at a reggae event was a culture shock. For example, when I helped carry speakers at an event called Dynamite Chome Chome, everyone whether senior or junior was so easygoing, asking, “How’s it going?” There were no barriers On stage, everyone felt equal, and that really amazed me It was such a refreshing experience that it made me feel even more connected to reggae
Building Connections and Releasing a First Track
How did you connect with your current crew and support each other?
RED CARPET: The first person who took care of me was Katsu from Casino 891 (PAM PAM) He naturally became someone I worked with closely He’s the one who gave me the name RED CARPET and taught me about making music and handling myself at events.
Later, I met Takeshi from RUDEBWOY FUNK, who released my first track, I'M SORRY, through his label. That track used the same riddim as KOTOBUKI and STEREON, and it
I also naturally connected with others like Otashi (BASS MASTER), KOHEY (LIFESTYLE), and MOTOMAN We’ve supported each other like family, not just in music but in life as well
A Break for Family and Returning to Music
You took a break from music for a while. What happened during that time?
RED CARPET: After my divorce, I lived with my daughter. At the same time, I faced personal challenges that required me to focus on rebuilding my life. So, I chose to step away from music for a while
Later, I started a business in Thailand, flying back and forth monthly I’d write lyrics during flights Recently, with my daughters becoming independent and the birth of my grandchild, I felt a weight lift off my shoulders That naturally brought back my passion for creating music was what really got me involved in reggae more seriously
Behind the Album “⽣ 愛 (Kido Airaku)”
and Its Memorable Tracks
What’s the story behind ⽣ 愛 ?
RED CARPET: Initially, I wanted it to mean “emotions” (気持ちの気), but midway through, I felt it should be about “life” (⽣きる), so I changed it The idea is that life’s path becomes brighter when there’s love. Through my music, I wanted to bring love to my listeners and friends.
Are there any tracks with particularly memorable stories?
RED CARPET: Definitely クレヨン (Crayon). I created it with TAIKI from LIFESTYLE. We’d worked on ⻩金のしょんべん (Ougon No Shonben) before. Initially, I wasn’t feeling the riddim, which was inspired by TOMMY LEE’s Redemption Song. But when I saw Okuda adding guitar, I thought, “Wow, this is incredible.” That’s when I decided to try singing something a bit more mature.
MINJA MAN, who’s been a close collaborator, also joined the track. He gave such passionate advice that we ended up re-recording it three times. The track holds memories of our teamwork. ファミリー (Family) is another important track. It’s the first song I wrote and have been improving over time And LONELY HUSLER is a sequel to my signature track BADNESS It’s like a selfempowering anthem, but also something I want my old crew to hear
Expressing Style, Unity, and the Role of Music
Your music has a unique style and reflects strong connections with your crew. Can you share more about that?
RED CARPET: Dancehall often has a competitive edge with “beef” or “kill tunes,” which can be powerful But that’s not my focus I want to express love and my own style As I’ve grown older, it feels more natural to lean into that Everyone has their own character and style, so doing the same thing as others doesn’t make sense With my crew, we respect and support each other’s music and lives. I hope my music helps them rediscover my style as well.For example, I’d turn to Otashi (BASS MASTER) for music advice, while others come to me for life advice (laughs). Mutual respect and support through music are key to me.
Love and Music—Looking Ahead
RED CARPET: Moving forward, I want to keep delivering love through my music My goal is to create songs where I’m not the main character so listeners can see their own lives reflected in my music
Thank you so much We wish RED CARPET’s music continues to bring love and strength to many people
The world's largest reggae festival, "SUMFEST," celebrated its 31st anniversary this year. For one week, Montego Bay, the host city, was jammed with reggae fans from around the World, causing the famous "SUMFEST traffic." The two main stage show days impressed audiences with outstanding performances by top reggae, dancehall, and R&B artists, creating unforgettable musical experiences and showcasing Jamaica's lively music scene.For Japanese fans, it was a particularly happy moment as Notorious Sound, led by Badgyal Marie, won the sound clash competition.
This year, a Category 5 hurricane made landfall in Jamaica, but Montego Bay quickly restored electricity and water The SUMFEST team undertook a massive beach cleanup before the festival, supported by the main sponsor, Caribbean Airlines The airline operated a special SUMFEST flight from Trinidad, complete with logo branding, and provided hotel transfers and transport to the venue for passengers
The SUMFEST GLOBAL SOUND CLASH on Wednesday featured notable competitors: Code Red and Body Guard from Jamaica, Dynamq
from Sudan, Warrior from Germany, and the Japan-Jamaica duo Notorious Sound representing Japan Despite keeping the excitement high throughout, Notorious Sound's dramatic reversal in the final "Tune fi tune" round fired up the audience even more
Marie, performing as Badgyal Marie, has lived in Jamaica for 15 years, working as part of the sound duo with her husband Her victory at SUMFEST, alongside numerous media interviews during the event, left a lasting impression on many.
Thursday's SUMFEST Jamaica Rum Festival / Blitz event saw a large turnout despite the muddy conditions from evening rain The audience enjoyed rare performances, including Beenie Man with an orchestra and Major Lazer's Walshy Fire
As SUMFEST Night 1 approached, attendees lined up according to their tickets, underwent bag checks, and entered the venue.
Some wrapped their sneakers in plastic to navigate the muddy grounds.
A much-loved giveaway this year was Red Stripe's insulated cups.
The food booths offered a wide range of options, from Jamaican cuisine to pizza.
The rising dancehall artist Armani thrilled the crowd with his hit single "Hard," renowned as the song of the summer.He was interviewed in the media tent by hosts Wayne Marshall and Tami Chin.
Sponsors' booths featured games, prizes, samples, and photo spots, adding to the festival's enjoyment.
Munga
Just like last year, Rich and Rich's Pablo YG and Malie Don performed, followed by gangsta artist Munga, who returned to the stage for the first time in five years He made a comeback with an energetic performance, delivering old hits like "Bad from Mi Born" and the lively "Nah Mad "
With a photo of Bob Marley displayed on the screen behind him and a thick spliff in hand, YG Marley slowly emerged on stage to the sound of the MC announcing his name. He opened with original songs like "Meant to Be" and "Survival." His eldest son, Zion Marley, also performed a song on stage, and dancehall artist Jahshii joined them as well.
And most importantly, the surprise appearance of Lauryn Hill was the highlight of the night. Initially not scheduled to perform, she took the stage and threw the crowd into a frenzy. She delivered solo hits like "Ex-Factor," "Lost Ones," which was recorded at 56 Hope Road in Kingston, and Fugees classics like "Killing Me Softly" and "Ready or Not," receiving thunderous applause. As the vuvuzelas continued to sound, YG Marley performed "Praise Jah in the Moonlight," and the crowd sang along This special collaboration with his mother Lauryn Hill was a historic surprise moment The night concluded with an improvised acapella performance of "Turn Your Lights Down Low," amid continuous loud cheers.
YG marley
Zion Marley
With the excitement still in the air, energetic dancers took the stage to celebrate the 25th anniversary of sponsor Magnum The stage was further hyped up by surprise performances from both new and old dancehall artists, including Voice Mail and Ding Dong.
When the artist Dexta Daps, from Seaview, a ghetto in Kingston, appeared, the female audience members screamed and rushed to the fence near the stage He Attracted the women with songs like "7 Eleven," "Breaking News," and "Owner," and got the male fans excited with "Miss You," "Shabba Madda Pot," and "Leader." The performance ended with the song "Call Me If" to loud cheers.
The stylish Aidonia appeared on stage full of energy, Attracting the audience with emotional performances from bad man tunes to choir songs. He climbed the fence and interacted with the audience, making the girls dance with gyal tunes, and Govana also appeared The stage lights and graphics were impressive His varied and engaging performance was considered the best of Dancehall Night by many.
Acapella with "A Change is Gonna Come," Teejay, originally from Montego Bay, took the stage. He gave praise to his son Jade, the new artist Nhance, and the impactful dancer and choreographer Gabidon from "Drift". Around 5:30 AM, Turbulence came on stage. Despite having only 15 minutes, he showed his veteran skills, firing up the audience with freestyle from Notorious and delivering a quick and spicy perfect show with "Ex-Girlfriend," "Want a Natty," and "Name and Number "
With the appearance of Fireman Capleton, the audience, who must have been tired from the long festival, was instantly hyped up, reaching the highest level of excitement, and the sight of everyone jumping was overwhelming He received the "Living Legend Award" from Red Stripe, and it was also nice to see his wife join him on stage to receive the award "No matter what, be yourself. Know yourself. Know where you come from and where you're going. Never set limits. Take your time to know yourself. If you ask God about yourself, God is within you. Do you want to go to heaven? Heaven is within you. Hell too. Happiness is a choice." From start to finish, he was a king burning with passion.
Although kraff, Jada Kingdom, and Valiant were present, they unfortunately did not perform, but the energy of Sumfest Night 1 remained at an all-time high
Sumfest Night 2 featured Christopher Ellis, who recently toured Japan in March He began with "Here We Are" and showcased his father Alton Ellis's hit catalog, with the audience singing along and vuvuzelas sounding He made a strong debut at Sumfest with high scores
Samory I delighted fans as a surprise guest in Wray and Nephew's Dubwise set.
Sevana's performance showed her growth, dancing sexily to an upbeat Cartel song and ending with "Nobody Man," impressing many with her outstanding vocal talent
Following roots reggae artist Ras-I's "King Man Thing," the highly anticipated rising star Nigy Boy appeared in an alien-like costume with a giant robot. Despite being blind, Nigy Boy graduated from an American university with a degree and hails from the Infamous ghetto Flankers in Montego Bay. This area, known for crime and violence, has produced many talented entertainers like Nigy Boy, Jah Cure, Tommy Lee, dancer Marvin, and the Merital Family. The audience was deeply moved to see the boy who once attended Sumfest with his mother now confidently performing on stage. Songs like "Judgement" and "Continent" led to a massive sing-along, and the performance ended with thunderous applause After his performance, the mayor of Montego Bay presented him with a special award, recognizing him as a promising big artist of the new generation
The highly anticipated appearance of Beres Hammond had everyone on their feet. He started with "Rise and Shine," declaring, "Jamaica!!! Jamaica! We are a brand!" The usual cheer of "Familyyyy" from Beres brought roars of applause "Let's look back at memories," he said, as the audience sang along to "Groovy Little Thing" and "Tempted to Touch " "I never thought I would make it this far I appreciate everyone's energy. I don't know how many more of these meetings we can have I call them meetings I wish there were more, but every time I get on stage, I try to show my best," he said in a meaningful talk
His 45-minute set was shorter than usual but packed with hits. He drank water, joked, "Cheers! It's on me!" and imitated Buju to delight the crowd with "Fall in Love Over Again." During "One Step Ahead," he reminisced, "This was my first hit. And then I released," mixing memories with "Yes I'm in Love with You," taking the audience on a musical journey. Sitting down for "No Disturb Sign" and "Rock Away," he expressed gratitude for the great era of dance music and the legendary artists like Alton Ellis and Ken Boothe Photos of these late legends were displayed on the back screen, creating a wave of emotions He ended the performance with a strong message to elevate the motivation of Jamaicans, "Jamaica is a brand," showcasing the power of the beloved national treasure's music.
Before Babyface's eagerly awaited show, the media were cleared from the front of the stage, and Sumfest's official YouTube live was interrupted. Backstage personnel were restricted from leaving their tents, and all contact with the artist was blocked. The 65-year-old American singer-songwriter, producer, and 13-time Grammy Award winner Babyface appeared on stage at 2:40 AM. The crowd's excitement soared as he started with "Every Time I Close My Eyes," followed by "Cool in You," "Never Keeping Secrets," and "Two Occasions," leading to a big sing-along. He performed a medley of songs he wrote and produced, creating a dreamlike moment for women over 45 who sang and danced, reminiscing about the past. Although only those at the venue could see the performance, and many disappointed YouTube live viewers criticized the decision, it was an undeniably special time for those who attended
After that, Dyani changed the atmosphere with sexy pole dancers and a performance involving a bathtub with a woman Following the long-awaited return of Norris Man, Luciano's sacred presence closed Sumfest 2024, leaving behind unforgettable performances and energy, marking the end of the world's greatest reggae festival
With Notorious Sound, who won the sound clash competition
OKAMAI
A coordinator, writer, dub agent, and booking agent for Japanese artist tours, living in Jamaica for 17 years Also works as a tour guide for visitors in Jamaica A passionate traveler who has visited 68 countries. Author of the books "Dangerous Ways to Travel: Risky Overseas Relocation Edition" and "Success Comes to Those Who Take Action First."
9th Year: Report on the World’s Best Reggae Cruise“Welcome to Jamrock Reggae Cruise 2024”
Text and pics by OKAMAI https://www.instagram.com/okamai ja/
Organized by Damian “Jr. Gong” Marley, this marks the 9th year of the world’s ultimate reggae Disneyland, “Jamrock Cruise,” where about 4,500 participants from 50 countries spend six days at sea. Tickets sold out instantly again this year. Once you experience it, you’ll be captivated—a non-stop, incredibly fun reggae and Jamaica cruise adventure you’ll never forget.
The pre-party held the day before was also a huge success, attracting a full crowd, including those who wouldn’t be boarding the ship. The venue was already filled with good vibes, as global family connections formed and reunited through reggae The party went on until morning The energy was so high, there was concern about missing the ship the next day.
Once on board, I checked in, reviewed the day’s event schedule, planned when I’d sleep, considered the dress codes and what to wear, and set up my room This time, I was in a twoperson room with a balcony, offering constant
views of the ocean and a refreshing breeze Rooms vary to suit different budgets, including options like bunk bed rooms and suites with jacuzzis. The massive 14-deck cruise ship also features five restaurants, duty-free shops, a casino, a movie theater, a basketball court, a surfing pool with artificial waves, and even a rock climbing wall plenty of entertainment options to explore
On the 11th-floor main deck, the Sailing Party was in full swing Florida’s number one sound system, SUPA TWITCH, and the legendary STONE LOVE took over the DJ booth, while BAMBINO’s selections kept the crowd hyped As the ship set sail for Montego Bay, Jamaica, we watched the sun set between Miami’s towering buildings. Captain Damian Marley also made an appearance This year, the ship made stops in Montego Bay and Ocho Rios, Jamaica Representing Japan, about
20 participants joined to support Jah Works’ OGA, last year’s champion, who competed in the sound clash Wanting everyone to fully enjoy Jamaica, I even took on the role of tour guide for this trip
Food is available anytime you want at the ship’s restaurants and cafes, allowing you to eat as much as you like At the restaurant on the 11th floor, I came across a large cake with the “Jamrock Cruise” logo an impressive sight!
The main stage on the 11th floor hosts daily shows by top artists, while the 3rd and 5th floors transform into all-night party venues This five-night, six-day reggae-filled cruise offers countless chances to meet the artists, enjoy top-notch performances, and indulge in luxury. Considering everything it offers, the cruise is surprisingly affordable
Following incredible performances by Queen Omega and Bush Man, I got to enjoy the highlight of the trip for me: a show featuring Damian & Stephen Marley together. Backstage, artists like Ding Dong and Kabaka Pyramid were also in attendance, with Seani B spinning tracks during set changes to keep the energy high.
Despite strong winds, Damian made his entrance with “10,000 Chariots” from his 1996 album Mr Marley The energy reached its peak with “Traffic Jam,” followed by a series of classic hits like “It’s Alright,” “Pimpa’s Paradise,” and “It Was Written ” The show featured many rare songs that Damian and Stephen rarely perform together, including “Jah Army” and “Medication,” which thrilled the audience to no end
The Bob Marley segment followed, with highlights such as “Jammin’” and “Is This Love ” It was touching to see Julian Marley’s mother, who was also on board, enjoying their tribute to Bob Marley’s timeless classics Damian’s 15-year-old son, Elijah Marley, also made an appearance, adding to the excitement The two-hour performance, which included an encore, left the audience completely satisfied on the very first night. Meanwhile, the party on the 5th floor continued into the early hours, with New York’s popular sound system Steelie Bashment keeping the vibes alive.
One of the highlights of the cruise, the day began with a Nyabinghi session at sunrise, offering a peaceful start to the morning After slowly waking up, I joined a meditation sound bath to refresh my mind and start the day energized Today was spent entirely on the ship, with plenty of activities to enjoy Ding Dong’s dance crew held a dancehall class, where we learned some of the moves for Ding Dong’s upcoming show
Daville
On the deck, Daville delivered a series of sweet hit tunes, captivating the audience with his smooth vocals.
Dong
The much-anticipated Ding Dong hit the stage with “Genna Bounce,” firing up the crowd For four consecutive years, Ding Dong has been a standout performer on the cruise, each time thrilling the audience with his shows. This year was no different as he hyped up the crowd and eagerly awaited Captain Damian’s confirmation for next year’s lineup.
Last year, he had voiced his wish to bring the Ravers crew to perform, which was met with cheers from the audience. This year, a few of his dancers joined him on stage, including Japanese dancer Fujiwara, who delivered a standout performance. During “New Skool Old Skool,” Fujiwara was one of several dancers brought on stage,
bringing even more energy to the crowd Ding Dong got everyone moving with “Bounce,” shaking the ship with “Flairs in the Sky,” and received news mid-show from Damian himself that he would be invited back next year, sending the crowd into a wave of excitement
Fujiwara
Ding
The evening session featured the “All White” dress code, where Romain Virgo captivated the audience with his beautiful voice, performing both new and classic songs, including covers of Alton Ellis. During “Dutty Man,” the venue lit up with cellphone lights Romain, in his humble style, said, “I can’t put it as well as Ding Dong, but I hope to be invited back next year I don’t know when we’ll meet again,” before launching into “Don’t You Remember,” which drew cheers from the audience.
After Bugle ran across the stage hyping the crowd with “Doh,” Mr. Vegas took over with “I’m Blessed,” making a grand entrance alongside dancers that instantly raised the energy levels. He continued with a mix of new and classic dancehall tunes like “Tek Yuhself” and “Heads High,” followed by crowd favorites “Hot Wuk” and “Bruk It Down ” During these numbers, Japanese dancer Fujiwara was invited on stage, delivering an electrifying performance Watching Fujiwara, Mr Vegas joked, “Your dancing makes me want to go to church,” and closed out his incredible set with “I’m Blessed ”
After the stage shows, the party continued on the 5th floor with Renaissance Sound During the party, Damian Marley playfully asked Ding Dong, “Can you dance Bogle’s moves from the ’90s dancehall era?” When Ding Dong couldn’t perform the moves well, Damian joked, “You’re the Fogle (handkerchief),” drawing laughter from the crowd. The highlight of the night came when Damian and Ding Dong faced off in a “Fling Yuh Shoulder” dance battle. The night continued with rare dub sessions and moments you could only experience on this cruise.
The ship arrived in Montego Bay Guests enjoyed a free day, choosing between staying on the ship to relax in jacuzzis, spas, restaurants, or playing games, or disembarking for sightseeing and exploring I spent the day with participants from Japan, fully enjoying the ocean and shopping until the last moment
As the ship set sail for Ocho Rios, several Jamaican artists joined the lineup Following performances by Macka Diamond and Turbulence, Teejay delivered an unforgettable show filled with moments that made the audience sing, dance, and cheer. Masicka followed, performing hit after hit. The dress code was “black,” perhaps in honor of Bounty Killer. The crowd burst into cheers when Bounty Killer took the stage for a thrilling hour-and-a-half performance. The party didn’t end there. It continued into the early hours across the 3rd and 5th floors, featuring popular Jamaican selectors Boom Boom, Ricky Trooper, and Stone Love, along with Bounty Killer, Teejay, and dancer Gabbidon The atmosphere felt like a real Kingston street dance, making for an intense and memorable night
julian marley
The ship arrived in Ocho Rios, where tours included exploring Jamaica’s legal marijuana farms, waterfalls, and other breathtaking natural wonders.
Following performances by Jah9 and Collie Buddz, Julian Marley graced the stage with mellow vibes His song “Cooling in Jamaica” especially resonated with the international fans of Jamaica in the crowd
TEEJAY
Due to rain, the sound clash was moved indoors. With limited seating, the venue filled up with clash fans over an hour before it began.
The lineup featured Warrior from Germany, Dynamiq from Sudan, OGA from Jah Works, and Tony Matterhorn. From the first round, Jah Works earned massive forwards. Dubplates like “Meditation” and “The Mission” hit hard OGA even changed into a yukata Anthem dubs from Valiant and Teejay fired up the crowd again this year
Tony Matterhorn’s dub of Stephen Marley’s “Old Soul,” which Jah Works played last year, also stood out Warrior was the first to drop out, followed by Dynamiq The highlight came when Jah Works brought his mother on stage, uniting the crowd Jah Works reached the final “Tune Fi Tune” showdown against the challenging rival Tony Matterhorn but after all finished in second place At the end, Tony Matterhorn played a dub of a 7-year-old boy’s karaoke performance from last year The boy appeared on stage to perform the song, warming everyone’s hearts.
Although Jah Works finished in second place, his international fanbase clearly grew. Wherever OGA went, he was surrounded by fans asking for photos, showing his rising popularity. His presence left a strong impression, building excitement for what’s next. The festivities continued until morning, followed by the calming Nyabinghi session at sunrise a peaceful tradition that marked the start of a new day on the cruise.
On the fifth day, still feeling the fatigue from the past few days, I linked up with Jesse Royal for a ramen lunch at the Japanese restaurant on the cruise Collie Buddz also stopped by to eat The celebrity soccer tournament was canceled due to rain, so we enjoyed Big Youth’s show indoors instead
In the evening, Jesse Royal took the stage His powerful, message-driven performance brought cheers from the audience Everyone stood up, lit their phones, and sang together, creating a unifying moment
Shinehead (KINGSTON 12)
Shinehead performed before Jesse Royal’s show Reflecting on the year, it was heartwarming to think of all the artists who visited Japan, including Marcia Griffiths, Luciano, Shinehead, Christopher Ellis, and Jah9
Marcia Griffiths
The Queen of Reggae, Marcia Griffiths, celebrated her 60th anniversary in the music industry. She performed songs while sharing stories from each era of her career—the Penthouse days in the ’70s and ’80s, and the dancehall period in the ’90s. The audience listened closely, sang along, and danced. She ended with a tribute to her time in the IThrees with Rita Marley and Judy Mowatt For the finale, she performed her 1989 dance classic, “Electric Boogie ” She joked, “If you can’t dance, don’t come on stage,” as dozens joined her in a dance performed in unison The crowd responded with thunderous applause.
Luciano’s presence changed the atmosphere of the venue, giving it a spiritual feel. Over his 1 hour and 40-minute set, he invited Christopher Ellis, Kabaka Pyramid, and Wayne Marshall to join him on stage. He also performed Bob Marley’s “Big Tree Small Axe” with Marcia Griffiths, creating a rare and unforgettable moment Unique performances like this are what make the Jamrock Cruise so special
On the 5th floor, Stone Love kept the dance vibes going until early morning Damian Marley, Kabaka Pyramid, and Shinehead joined in for an unplanned but lively rub-a-dub session By the time the dance ended, the horizon showed the outline of land, marking the close of an unforgettable journey. Everyone went home with a wealth of cherished memories.
Jamrock Cruise never fails to exceed expectations. Next year marks its 10th anniversary, featuring a spectacular lineup that includes Super Cat, Sizzla, Shenseea, and Tarrus Riley, some of whom have already been announced. Tickets are already sold out, so all that’s left is to join the waiting list and hope for the best. The cruise company has also changed, and the ship will be a sleek, modern vessel built in 2019. Packed with reggae from start to finish, it’s truly the world’s ultimate reggae cruise. As for me, I’ll definitely be onboard again.
With Damian, the captain
OKAMAI
A coordinator, writer, dub agent, and booking agent for Japanese artist tours, living in Jamaica for 17 years. Also works as a tour guide for visitors in Jamaica. A passionate traveler who has visited 68 countries. Author of the books "Dangerous Ways to Travel: Risky Overseas Relocation Edition" and "Success Comes to Those Who Take Action First."
Luciano and Marcia christopher ellis
Buju Banton & Beres Hammond "INTIMATE"
2025’s First Concert Full of
Vibes!
Text and pics by OKAMAI https://www.instagram.com/okamai ja/
On January 4th, two legends of the reggae world reunited in St. Ann for the "INTIMATE" concert, their second collaboration in two years. The vibe was pure fire, far surpassing the insane traffic—what would normally take 5 minutes took over an hour—creating an unforgettable atmosphere to kick off the new year.
By 5 PM, eager fans had already packed the venue Heavy rain started at 6 PM, but no one seemed to consider canceling It took me 4 hours to get to the venue a drive that normally takes 20–30 minutes from Ocho Rios By the time I arrived, Marcia Griffiths had finished her set, and Bugle was performing with I Wayne.
At around 10:40 PM, Romain Virgo, often seen as the one to carry the musical baton from Beres Hammond, appeared in a lime-green suit and showed exactly why he holds that title He performed hits like "Rain is Falling,"
"People Business," "Fade Away," and "Who Feels It Knows." The crowd joined in a loud singalong during "I Wanna Go Home." At one point, Romain stepped off the stage, singing among the audience, handing roses to female fans. The venue lit up with phone screens, and songs like "Been There Before" and "Stay With Me" kept the energy alive throughout his 60minute performance
At around 12:27 AM, the long-awaited living legend Beres Hammond appeared with "Rise and Shine." Loved by everyone, he was met with cheers from all around the venue. "She Loves Me Now" flowed into a rare soul segment with "One Step Ahead." "I didn’t make hit songs. I just made good songs, and you all turned them into hits," Beres said.
During "I Wish," he sang Buju’s part with a raspy voice, dancing as he went. Sitting down for "No Disturb Sign," he suddenly jumped up and brought the energy back with "Pull Up da Vibes." A touching moment followed during "Rock Away," as photos of late legends were shown on the screen behind him. His one-hour set, backed by five singers and a large band, left the crowd deeply moved
Buju’s voice called out, "Are you ready?" as he walked onto the stage in a pure white suit With "Destiny," his entrance felt almost magical, and the crowd went wild
After singing "Close One Yesterday," he quickly shifted into dancehall with tracks like "Me and Oonu" and "Too Bad," shaking the venue Then, with "Til Shiloh," he brought the entire crowd to silence, pulling everyone into the moment
Finally, the moment everyone was waiting for arrived Beres joined Buju on stage, and together they performed "Who Say" and "Pull It Up," taking the energy even higher The respect, brotherhood, and pure love for reggae between the two were felt by everyone, and it was clear to all that their music was simply perfect By the end, the audience fell in love with them all over again.
Wayne Wonder appeared in a pure white outfit, performing songs like "Movie Star" and "Saddest Day of My Life " Buju, now in a different outfit, kept the energy alive with older tracks like "It’s All Over," "How It Ago Go," and "Mr Nine " Partway through, he brought out Bugle to perform their new song, "Thank You Lord." The night ended on a gentle note as Glamps joined them, and they held hands to close with "Psalm 23."
It felt like 2025 had finally started fresh and clear, as if I had just experienced an unforgettable showcase. (Though the year had already begun, of course.) I can’t shake the feeling that by the end of 2025, we’ll all be saying "Intimate" was the best concert of the year. It’s no wonder fans from all over the world gathered for this show it truly lived up to the hype.
OKAMAI
A coordinator, writer, dub agent, and booking agent for Japanese artist tours, living in Jamaica for 17 years Also works as a tour guide for visitors in Jamaica A passionate traveler who has visited 68 countries. Author of the books "Dangerous Ways to Travel: Risky Overseas Relocation Edition" and "Success Comes to Those Who Take Action First "
