tiffany2 by Registry E

MAGNIFICENT JEWELS

New York Â· 8 December 2020

PROPERTY FROM THE DU PONT FAMILY COLLECTION

THE DU PONT PADPARADSCHA 24.58 CARATS

THE COLLECTION OF BARBARA ALLEN DE KWIATKOWSKI

10.59 CARATS, D COLOR, POTENTIALLY INTERNALLY FLAWLESS

MAGNIFICENT JEWELS Tuesday 8 December 2020

PROPERTY OF A PRIVATE COLLECTOR

MAGNIFICENT JEWELS

AUCTION

Tuesday 8 December 2020 Session I at 10.00 am (Lots 1 - 170) Session II at 2.30 pm (Lots 171 - 382)

20 Rockefeller Plaza New York, NY 10020

VIEWING For information regarding the Viewing, please visit christies.com/jewels or scan the QR code below.

AUCTIONEER

Caroline Ervin (#2076193) Max Fawcett (#2085165) Rahul Kadakia (#1005929)

AUTHENTICITY CERTIFICATES

As certain manufacturers may not issue certificates of authenticity, Christie’s has no obligation to furnish a buyer with a certificate of authenticity from the manufacturer, except where specifically noted in the catalogue. Unless Christie’s is satisfied that it should cancel the sale in accordance with the Limited Warranty provided in the Conditions of Sale, the failure of a manufacturer to issue a certificate will not constitute grounds for cancellation of the sale.

BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his or her sole option, bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these as bids made on behalf of the seller and will not make any such bids at or above the reserve. AUCTION LICENSE

Christie’s (#1213717) AUCTION CODE AND NUMBER

In sending absentee bids or making enquiries, this sale should be referred to as VELVET-18991 CONDITIONS OF SALE

This auction is subject to the Important Notices and Conditions of Sale set forth in this catalogue.

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PROPERTY OF A LADY 172.41 CARATS

CONTENTS 5

Auction Information

Christie’s International Jewellery Department

Specialists and Services for this Auction

Property for Sale

368

Index

369

Biographies

372

Conditions of Sale • Buying at Christie’s

375

Symbols used in this Catalog • Important Notices and Explanation of Cataloguing Practice

379

Colourless Diamond Index

380

Coloured Diamond Index

381

Coloured Stone Index

386

Diamond Chart

387

Conversion Chart

389

Written Bids Form

opposite title page: Lot 272 opposite auction details: Lot 141 opposite: Lot 105 front cover: Lot 170 inside front cover: Lots 347 and 348 back cover: Lot 168

christies.com

WORLDWIDE JEWELLERY DEPARTMENT

INTERNATIONAL TEAM

FRANÇOIS CURIEL

RAHUL KADAKIA

VICKIE SEK

JULIEN BRUNIE

Chairman, Europe fcuriel@christies.com +33 1 40 76 84 00

International Head of Jewellery rkadakia@christies.com +1 212 636 2310

Chairman, Jewellery, Asia vsek@christies.com +852 297 89922

International Head, Private sales, Jewellery jbrunie@christies.com +33 1 40 76 83 82

ASIA

KAREN AU YEUNG

FUNG CHIANG

RONNY HSU

CAROLINE LIANG

CONNIE LUK

Senior International Specialist kau-yeung@christies.com +852 2978 9921

Senior Specialist fchiang@christies.com +852 2978 9977

Specialist rhsu@christies.com +852 2978 6979

Specialist cliang@christies.com +86 212 226 1520

Associate Specialist cluk@christies.com +852 2978 9928

EUROPE, MIDDLE EAST, RUSSIA AND INDIA

HENRY BAILEY

ANGELA BERDEN

LUKAS BIEHLER

MAFALDA CHENU

Specialist hbailey@christies.com +44 207 389 2382

Senior Specialist aberden@christies.com +41 22 319 17 82

Jewellery Liaison, Geneva lbiehler@christies.com +41 22 319 17 79

Associate Specialist mchenu@christies.com +33 1 40 76 72 59

MARIE-CECILE CISAMOLO Associate Specialist mccisamolo@christies.com +41 22 319 17 61

LEO CRIACO Specialist lcriaco@christies.com +41 22 319 17 44

VIOLAINE D’ASTORG

JESSICA ELLIOTT

MAX FAWCETT

MEI Y GIAM

JESSICA KOERS

JEAN-MARC LUNEL

Head of Department, Paris vdastorg@christies.com +33 1 40 76 85 81

Specialist jelliott@christies.com +44 20 7389 2172

Head of Department, Geneva mfawcett@christies.com +41 22 319 17 38

Private Sales Director mgiam@christies.com +44 20 7389 5104

Head of Department, Amsterdam jkoers@christies.com +31 20 575 5915

Senior International Specialist jlunel@christies.com +41 22 319 17 37

KEITH PENTON

FREDERIK SCHWARZ

MICHAELA SUHL

Head of Department, London kpenton@christies.com +44 20 7389 2526

Consultant, Berlin fschwarz@ christiespartners.com +49 175 524 4379

Junior Specialist msuhl@christies.com +44 389 2860

AMERICAS

ANGELINA CHEN Senior Specialist achen@christies.com +1 212 636 2303

ALEXANDRA DAMIANOS

JACQUELINE DISANTE

Junior Specialist adamianos@christies.com +1 212 636 2308

Associate Specialist jdisante@christies.com +1 212 636 2313

LISA HUBBARD

EDWARD KLOPFER

DAPHNE LINGON

Senior Advisor lhubbard@ christiespartners.com +1 310 385 2624

Associate Specialist eklopfer@christies.com +1 212 636 2318

Head of Department, Americas dlingon@christies.com +1 212 636 2309

GLOBAL MANAGING DIRECTOR, LUXURY Aline Sylla-Walbaum Tel: +44 (0)20 7389 2554

BUSINESS MANAGEMENT AMERICAS Alexa Shitanishi Tel: +1 212 636 2306 Kira Vidumsky Tel: +1 212 636 2319 ASIA Isabel Coutier Tel: +852 2978 9940 Eric Chung Tel: +852 2973 0226 CONTINENTAL EUROPE Clara Altenburg Tel: +41 (0)22 319 1704 UNITED KINGDOM Anoushka Mohamed Tel: +44 207 104 5761

CAROLINE ERVIN

PEGGY GOTTLIEB

Specialist cervin@christies.com +1 212 636 2307

Advisor pgottlieb@ cristiespartners.com +1 310 385 2665

CLAIBOURNE POINDEXTER Specialist cpoindexter@christies.com +1 212 636 2316

SALE COORDINATORS

SERVICES

Caitlin Dowd cdowd@christies.com Tel: +1 212 636 2315 Julia Shannon jshannon@christies.com Tel: +1 212 636 2311 Sharon Sun ssun@christies.com Tel: +1 212 636 2314

ABSENTEE AND TELEPHONE BIDS Tel: +1 212 636 2437 AUCTION RESULTS christies.com CATALOGUES ONLINE LotfinderÂ® Internet: christies.com POST-SALE SERVICES

SHIPPING Melanie Papathomas mpapathomas@christies.com Tel: +1 212 636 2312 Fax: +1 212 636 2301

Rebecca Race Tel: +1 212 636 2485 Grace Contomichalos Tel: +1 212 636 2451 Post-Sale Coordinators Payment, Shipping and Collection Tel: +1 212 636 2650 Fax: +1 212 636 4939 Email: PostSaleUS@christies.com

EMAIL For general enquiries about this auction, emails should be addressed to the Sale Coordinator(s).

SESSION I 10.00 am (Lots 1-170)

Please note that jewels are not necessarily illustrated at actual size, check dimensions carefully. Throughout the catalogue, please note these abbreviations: AGL: American Gemological Laboratories GIA: Gemological Institute of America SSEF: Swiss Gemological Institute

opposite: Lots 84 and 83 above: Lot 82

Throughout the catalogue, please note the meaning of these symbols in front of the lot number: ~ This lot is subject to CITES/import restrictions. Please contact the department for further information. â&#x20AC;˘ This lot is sold without reserve.

M RS . HENR Y F O R D II

Christie’s is delighted to be entrusted with the sale of Important Jewels from the Estate of Mrs. Henry Ford II. Comprising over 80 lots between Magnificent and Online Jewels, the collection consists of unusual antique and vintage pieces together with standout examples of contemporary jewelry design by many of the world’s great jewelry houses including Boucheron, Cartier, Graff, Tiffany & Co., Van Cleef & Arpels and Verdura among others.

opposite:Mr. and Mrs. Henry Ford II. Mrs. Ford wearing the bracelet from Lot 24.

Henry Ford II was an iconic figure in the automotive industry, having accomplished many important milestones for the Ford Motor company. Of all of Henry II’s accomplishments, perhaps his most well-known is the creation of the GT40, still today Ford’s supercar masterpiece and the winner of four consecutive wins at Le Mans in the late 1960’s, the journey of which is depicted in the 2019 feature film Ford v Ferrari. Married to the auto scion in 1980, Mrs. Ford soon found herself in the inner circles of high society, while maintaining her sense of fun and down to earth personality at the same time. The Fords maintained residences in Grosse Point

Farms, Palm Beach and London and remained happily married until Henry’s untimely death in 1987. The jewels of Mrs. Henry Ford II are above all else, both wearable and sophisticated at the same time. Daytime jewels in gold include iconic designs such as a Verdura Maltese Cross bracelet (Lot 34) and a set of ‘Dot Losange’ jewelry in green enamel from Jean Schlumberger for Tiffany & Co. (Lot 14), while more formal occasions called for proper diamond jewelry, such as the stunning necklace by Graff (Lot 19) and flower pendant earrings by Van Cleef & Arpels (Lot 15). Rounding out the collection are two examples of important antique jewelry, including a diamond rivière necklace (Lot 42) and classic brooch set with a cushion shaped Burmese ruby of 8.62 carats (Lot 43), which Mrs. Ford cleverly had a necklace mount made for so that the it could be worn during many occasions. Without question, these jewels, together with the fine and decorative art collection of Mrs. Henry Ford II reflect a woman of great style and impeccable taste in all things beautiful.

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

~1 SILVER CIGARETTE CASE, CARTIER The sterling silver cigarette case, centering upon a gold 'HF II' monogram, engraved with Henry Ford II and Anne McDonnell's wedding date, 'July 13, 1940' and the signatures of his thirteen groomsmen, 10º x 3Ω x 1¿ ins., signed Cartier $2,000-3,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

2 SET OF GOLD AND DIAMOND 'DELILAH' SCARF JEWELRY, BOUCHERON 18k gold (French marks), circular-cut diamonds, necklace 45â&#x201E;¦, bracelet 7 ins., each signed Boucheron, nos. C127 9193 (necklace) and C128 3195 (bracelet) $15,000-20,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

3 DIAMOND AND GOLD 'PANTHร RE' NECKLACE, CARTIER Designed as two opposing panthers, circular-cut diamonds and emeralds, 18k gold (French marks), shortest strand 16ยบ ins., signed Cartier, no.683328 $25,000-35,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

4 DIAMOND, EMERALD AND ONYX 'PANTHร RE' RING, CARTIER Designed as a panther, circular-cut diamonds, pear-shaped emeralds, onyx plaque, 18k gold (French mark), ring size 7 (expandable), signed Cartier, maker's mark (Pierre Brun), no. 720430 $15,000-20,000

4 (two views)

5 DIAMOND BANGLE BRACELET, CARTIER Circular-cut diamonds, 18k gold (French marks), diameter 2ยบ ins., signed Cartier, maker's mark, no. 711271 $20,000-30,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

6 DIAMOND EARRINGS, CARTIER AND DIAMOND BRACELET Circular-cut diamonds, 18k gold (French marks), earrings 1Â¿ ins., signed Cartier, maker's mark, no. 746148; accompanied by a bracelet of similar design with deficient tongue and clasp, signed Cartier, no. 735908 $25,000-35,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

7 (two views)

RUBY AND DIAMOND RING

DIAMOND, RUBY AND EMERALD 'LOVEBIRD' BROOCH, VAN CLEEF & ARPELS

Cushion mixed-cut ruby of 7.30 carats, trapezoid and square-cut diamonds, platinum and gold, approximate ring size 5 AGL, 2020, report no. 1110950: 7.30 carats, Burma, no gemological evidence of heat or clarity enhancement $30,000-50,000

MAGNIFICENT JEWELS

Depicting two lovebirds, circular-cut diamonds, rubies and emeralds, 18k gold (French marks), 28 ins., signed Van Cleef & Arpels, no. 142756 $20,000-30,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

9 SET OF MULTI-GEM AND DIAMOND JEWELRY, BOUCHERON Circular-cut sapphires, emeralds, rubies and diamonds, 18k gold (French marks), necklace 14 ins., bracelet 7 ins., circa 1955, each signed Boucheron, 'Paris', maker's marks (Georges Verger et Fils), nos. S8.377 (necklace) and S.841 (bracelet) $20,000-30,000

The firm Verger was founded in 1872 by Ferdinand Verger and his two sons, Georges and Henri, at Place des Victoires in Paris. In 1911, the firm changed its name to Verger Frères and moved to their new location at 51 rue Sainte-Anne, not far from Place Vendôme. Later, under the leadership of Georges and his sons, the firm became known as Georges Verger et Fils. Georges Verger et Fils was highly regarded for notable craftsmanship and became known as the ‘jeweler’s jeweler' supplying jewels to many of the leading houses, such as Lacloche, Cartier, Van Cleef & Arpels and Boucheron. In a break from tradition of the time, Verger did not create original pieces to sell to clients but instead sold their own designs to the various houses. The firm remained in the Verger family for decades until ultimately being acquired by Georges L'Enfant.

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

10 SET OF DIAMOND AND GOLD INDIAN JEWELRY Rose-cut diamonds, gold, necklace 15â&#x201E;¦ ins., earrings 3 ins., two rose-cut diamonds deficient $10,000-15,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

11 COLORED DIAMOND AND DIAMOND BRACELET Circular-cut diamonds and brown diamonds, gold and blackened gold, 6â&#x201E;¦ ins. $25,000-35,000 Please note that the brown diamonds have not been tested for natural color.

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

12 SET OF DIAMOND AND EMERALD JEWELRY, BOUCHERON Circular-cut diamonds and emeralds, 18k gold (French marks), two bracelets 7 ins. each, earrings 1Ã¦ ins., each signed Boucheron, each with maker's marks, nos. B362 1472 (diamond bracelet), B362 1273 (emerald and diamond bracelet) and B394 2924 (earrings) $15,000-20,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

13 DIAMOND BANGLE BRACELET, CHANTECLER Circular-cut diamonds, 18k gold (Italian mark), diameter 2º ins., signed Chantecler, 'Capri' $15,000-20,000

14 SET OF ENAMEL AND GOLD 'DOT LOSANGE' JEWELRY, JEAN SCHLUMBERGER, TIFFANY & CO. Green paillonné enamel, 18k gold (French mark), bracelet diameter 2º ins., earrings √ in., bracelet signed Tiffany & Co. Schlumberger, earrings signed Tiffany & Co. Schlumberger and T&Co., bracelet with maker's mark (Pierre Brun) $15,000-20,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

MRS. HENRY FORD II

DIAMOND FLOWER EARRINGS, VAN CLEEF & ARPELS

RETRO SAPPHIRE AND GOLD BRACELET, CHARLES HOLL

Circular-cut diamonds, 18k gold, detachable pendants, 1æ ins., signed Van Cleef & Arpels, maker's mark, no. NY56465

Calibré-cut sapphires, 18k gold (French mark), 7º ins., circa 1940, maker's mark, no. 670.87 $12,000-18,000

$15,000-20,000 Charles Holl was a prestigious French jeweler whose workshop was known for creating jewels for Cartier and Van Cleef & Arpels during the early to mid-twentieth century. Founded in May of 1917, Charles Holl had workshops in Paris and Strasbourg. Later, the firm also opened a workshop in New York City in the 1930s. Charles Holl was especially revered for his handbags, boxes and works in gold.

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

17 SAPPHIRE AND DIAMOND NECKLACE Oval and cushion-shaped sapphires, circular, pear and marquise-cut diamonds, platinum, 15ยบ ins. $20,000-30,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

18 DIAMOND EARRINGS Circular and briolette-cut diamonds, platinum and 18k white gold, 2Ω ins. $12,000-18,000

19 DIAMOND NECKLACE, GRAFF Pear and circular-cut diamonds, 18k white gold (French mark), 15º ins., signed Graff, no. 3164 18

$50,000-70,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

~20 GALUCHAT AND DIAMOND CUFF BRACELET Black galuchat, circular-cut diamonds, 18k white gold, diameter 2ยบ ins. $12,000-18,000

21 DIAMOND AND FABRIC CUFF BANGLE Circular-cut diamonds, black fabric, 18k white gold, diameter 2ยบ ins. $12,000-18,000

Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

22 DIAMOND BRACELET Circular and baguette-cut diamonds, platinum (French mark), 6â&#x201E;¦ ins., circa 1950 $25,000-35,000

MAGNIFICENT JEWELS

23 DIAMOND NECKLACE Circular-cut diamonds, 18k white gold, 17 ins. $30,000-50,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

24 SET OF RUBY AND DIAMOND JEWELRY Oval, cushion and circular-shaped rubies, circular and marquise-cut diamonds, platinum and gold, bracelet 6º ins., earrings √ in. AGL, 2020, report no. 1110910: Bracelet, Burma, 26 rubies: heat with insignificant to minor heating residues; 2 rubies: no gemological evidence of heat AGL, 2020, report no. 1110911 A and B: Earrings, Burma, 5 rubies: no gemological evidence of heat; 5 rubies: gemological evidence of relatively low temperature heating, no additional enhancements $20,000-30,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

DIAMOND EARRINGS, CARTIER

DIAMOND BRACELET

Circular and baguette-cut diamonds, platinum and 18k white gold (French marks), 2Â¿ ins., signed Cartier, nos. 690 036 and 10

Rectangular, baguette, marquise, trapezoid and old-cut diamonds, platinum, 7 ins., circa 1950 $30,000-50,000

$12,000-18,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

27 SET OF CULTURED PEARL AND DIAMOND JEWELRY, CARTIER Variously-colored cultured pearls, circular-cut diamonds, platinum and 18k white gold (French marks), necklace 14æ ins., earrings 2¿ ins., each signed Cartier, maker's mark on earrings (E. Blondeau), nos. 850017 (necklace) and 858968 (earrings) $25,000-35,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

28 (two views)

DIAMOND 'EIGHT BLADES' RING, VERDURA

DIAMOND AND EMERALD FISH BRACELET, CARTIER

Pear brilliant-cut diamond of 7.48 carats, circular-cut diamonds, platinum, approximate ring size 5â&#x201E;¦, signed Verdura GIA, 2020, report no. 6214234516: 7.48 carats, K color, VS2 clarity

Designed as a series of fish, circular-cut diamonds and emeralds, 18k white gold (French mark), 7 ins., signed Cartier, maker's mark (Pierre Brun), no. 730970 $50,000-70,000

$40,000-60,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

30 (two views)

DIAMOND, EMERALD AND ONYX 'PANTHÈRE' RING, CARTIER Designed as an articulated panther, circular-cut diamonds, pear-shaped emeralds, onyx plaque, platinum, ring size 6Ω, signed Cartier, no. 52762A $30,000-50,000

MAGNIFICENT JEWELS

DIAMOND BRACELET, CARTIER Circular-cut diamonds, 18k white gold (French mark), 6Ω ins., signed Cartier, maker's mark, no. 842922 $12,000-18,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

32 DIAMOND NECKLACE, CARTIER Circular-cut diamonds, 18k white gold (French marks), 16 ins., signed Cartier, maker's mark (Alain Foubert), no. 852801 $25,000-35,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

33 SET OF DIAMOND AND EMERALD ELEPHANT JEWELRY, CARTIER Designed as a series of elephants, circular-cut diamonds and emeralds, 18k gold and white gold (French marks), earrings 1º ins., bracelet 6Ω ins., each signed Cartier, maker's mark (Pierre Brun), nos. 660515 (earrings) and 702319 (bracelet) $30,000-50,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

34 MULTI-GEM, DIAMOND AND ENAMEL BRACELET, VERDURA Square-cut amethysts, square and circular-cut peridots, cultured pearls, circular-cut diamonds, black enamel, 18k gold (Italian mark), diameter 2º ins., signed Verdura $15,000-20,000 LITERATURE:

Cf. P. Corbett, Verdura: The Life and Work of a Master Jeweler, New York, Harry N. Abrams, Incorporated, 2002, p. 4, 5, 64

~35 MOTHER-OF-PEARL, BLACK JADE AND GOLD DOMINOES BANGLE BRACELET, TIFFANY & CO. Depicting domino tiles, mother-of-pearl and black jade inlay, 18k gold, diameter 2¿ ins., signed Tiffany & Co. $12,000-18,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

EMERALD AND DIAMOND EARRINGS

DIAMOND AND EMERALD LION NECKLACE, VAN CLEEF & ARPELS

Rectangular-cut emeralds, old-cut diamonds, gold and rose gold, √ in. AGL, 2020, report no. 1110612 A and B: Colombia, minor clarity enhancement, traditional type $30,000-50,000

Depicting a lion, circular-cut diamonds, marquise-cut emeralds, 18k gold (French mark), central panel detachable and may be worn as a brooch, necklace 14Ω ins., brooch 1Ω ins., brooch signed Van Cleef & Arpels, necklace signed VCA, no. 139916 (necklace) $40,000-60,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

38 EMERALD AND DIAMOND RING Modified rectangular step-cut emerald, old-cut diamonds, gold, ring size 6Ω AGL, 2020, report no. 1110611: Colombia, minor clarity enhancement, modern type $20,000-30,000 38 (two views)

39 EMERALD AND DIAMOND EARRINGS Modified rectangular step-cut emeralds, old-cut diamonds, rose gold, √ in. AGL, 2020, report no. 1110613 A and B: Colombia, insignificant to minor clarity enhancement, traditional type 39

$12,000-18,000

40 DIAMOND BOW BROOCH, BULGARI Circular and baguette-cut diamonds, 18k gold, 2º ins., signed Bulgari $12,000-18,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

41 RUBY AND DIAMOND NECKLACE, BOUCHERON Ruby beads, circular-cut diamonds, 18k gold (French mark), 14â&#x201E;¦ ins., signed Boucheron, no. P59195, maker's mark $12,000-18,000

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

42 ANTIQUE DIAMOND NECKLACE Old-cut diamonds, silver and gold, 15æ ins., detachable into three sections of 6¡, 4√ and 4Ω ins., circa 1880 $40,000-60,000

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MRS. HENRY FORD II LOTS 1-43

43 ANTIQUE RUBY AND DIAMOND BROOCH Cushion mixed-cut ruby of 8.62 carats, old-cut diamonds, gold, accompanied by a later added cultured pearl and diamond necklace fitting, brooch 1 in., necklace fitting 16Ã¦ ins., brooch circa 1900 AGL, 2020, report no. 1110701: 8.62 carats, Burma, no gemological evidence of heat $150,000-250,000

(detail of necklace fitting)

MAGNIFICENT JEWELS

PROPERT Y OF A PRIVATE COLLECTOR

(two views)

44 AN IMPORTANT UNMOUNTED DIAMOND Cushion modified brilliant-cut diamond of 102.61 carats, black fitted case GIA, 2020, report no. 6213086331: 102.61 carats, Y to Z color range, VS2 clarity $800,000-1,200,000

PROPERT Y OF A LADY

45 SET OF DIAMOND, CULTURED PEARL AND RUBY JEWELRY, BULGARI Circular, square and pear-shaped diamonds, cultured pearls, buff-top calibré-cut rubies, 18k gold (Italian and French marks), necklace 15Ω ins., earrings √ in., each signed Bulgari, each with maker's marks $20,000-30,000

MAGNIFICENT JEWELS

PROPERT Y OF A LADY

PROPERT Y OF AN ELEGANT LADY

RUBY AND GOLD EARRINGS, RENÉ BOIVIN

RUBY AND DIAMOND BRACELET, BULGARI

Ruby beads, 18k gold, 1 in., circa 1936-1938, unsigned

Ruby beads, circular and marquise-cut diamonds, platinum and 18k white gold (French marks), 7Ω ins. (adjustable), circa 1960, signed Bulgari

Cailles & Salit, 2020: Certificate of Authenticity $15,000-20,000

$40,000-60,000

PROPERT Y OF A GENTLEMAN

48 ART DECO NATURAL PEARL AND DIAMOND BROOCH Button-shaped natural pearl of 11.00 x 10.77 mm, marquise and old-cut diamonds, platinum, with pendant hoop for suspension, 1ยบ ins., circa 1920 GIA, 2020, report no. 6213055670: Natural Pearl, freshwater, no indications of treatment 48

$15,000-20,000

49 DEMANTOID GARNET AND DIAMOND RING, TIFFANY & CO. Oval modified brilliant-cut demantoid garnet of 6.63 carats, triangular-shaped diamonds, platinum (British marks), ring size 6รฆ, signed Tiffany & Co. and T&Co., no.19598594 49 (two views)

AGL, 2020, report no. 1110542: 6.63 carats, Russia (Ural Mountains), possible low temperature heating $30,000-50,000

PROPERT Y OF A LADY

50 DIAMOND CLUSTER EARRINGS Pear-shaped diamonds, platinum, 1ยบ ins., maker's mark (Franรงois Tavernier), no. 5803, possibly by Harry Winston $40,000-60,000 50

PROPERT Y OF A LADY

DIAMOND BROOCH

DIAMOND BRACELET

Circular and pear-shaped diamonds, platinum, 2¬ ins., maker's mark (François Tavernier), no. 5630, possibly by Harry Winston

Round brilliant-cut diamonds of 1.70 to 1.00 carats, rectangular-cut diamonds of 3.13 to 1.00 carats, marquise brilliant-cut diamonds of 2.03 and 1.13 carats, cut-cornered rectangular modified brilliant-cut diamond of 2.40 carats, pear brilliant-cut diamond of 3.01 carats, platinum, 6æ ins.

$20,000-30,000

16 GIA, 2015-2019: 3.13 to 1.00 carats, D to F color, Internally Flawless to SI1 clarity, Total weight, 24.78 carats $220,000-300,000 Please note that one of the reports is over five years old and may require an update.

PROPERT Y OF A LADY

53 SET OF DIAMOND JEWELRY Circular-cut diamonds, 18k white gold, choker necklace 13 ins., bracelet 6 ins. $30,000-50,000

•54 DIAMOND AND EMERALD BOMBÉ RING, GRAFF Circular-cut diamonds and emeralds, 18k white gold, ring size 6Ω, signed Graff, no. GR35221 $40,000-60,000

54 (two views)

55 DIAMOND ETERNITY BAND Twelve oval brilliant-cut diamonds of 1.07 to 1.01 carats, platinum, ring size 5º 12 GIA, 2017-2019: 1.07 to 1.01 carats, D to F color, VS1 to SI1 clarity Total diamond weight, 12.34 carats 55 (two views)

$25,000-35,000

Δ56 DIAMOND EARRINGS, GRAFF Circular-cut diamonds, 18k white gold, 2Ω ins., signed Graff, no. GE18900, navy Graff case $20,000-30,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

CHRISTIE’S BRIDAL

PROPERT Y FROM A PRIVATE COLLECTION

57 UNMOUNTED DIAMOND Round brilliant-cut diamond of 4.05 carats 57

GIA, 2020, report no. 5211195253: 4.05 carats, H color, I1 clarity, excellent cut, polish and symmetry $12,000-18,000

PROPERT Y OF A LADY

58 DIAMOND RING Rectangular-cut diamond of 5.24 carats, baguette-cut diamonds, platinum, ring size 4Ω GIA, 2020, report no. 10221861: 5.24 carats, I color, VS2 clarity 58 (two views)

$40,000-60,000

PROPERT Y FROM A PRIVATE COLLECTION

59 DIAMOND RING Rectangular-cut diamond of 4.54 carats, baguette-cut diamonds, platinum, ring size 7 GIA, 2020, report no. 2215114482: 4.54 carats, G color, VS1 clarity 59 (two views)

$30,000-50,000

CHRISTIEâ&#x20AC;&#x2122;S BRIDAL

PROPERT Y FROM A PRIVATE COLLECTION

60 UNMOUNTED DIAMOND Square-cut diamond of 3.17 carats GIA, 2020, report no. 17468000: 3.17 carats, D color, VVS1 clarity, potentially Internally Flawless

$40,000-60,000

61 EMERALD AND DIAMOND RING Rectangular-cut emerald of 4.43 carats, marquise and circular-cut diamonds, platinum and 14k white gold, ring size 5 AGL, 2020, report no. 1107658: 4.43 carats, Colombia, minor clarity enhancement, traditional type $15,000-20,000 61 (two views)

62 DIAMOND RING Old mine brilliant-cut diamond of 6.29 carats, 18k white gold, ring size 6 GIA, 2019, report no. 6332017435: 6.29 carats, K color, SI1 clarity $20,000-30,000 62 (two views)

CHRISTIE’S BRIDAL

PROPERT Y FROM A PRIVATE COLLECTION

63 UNMOUNTED DIAMOND Rectangular-cut diamond of 5.18 carats 63

GIA, 2020, report no. 2215176869: 5.18 carats, N color, VS2 clarity $15,000-20,000

PROPERT Y OF A LADY

64 DIAMOND RING Cut-cornered rectangular modified brilliant-cut diamond of 4.06, platinum, ring size 5 GIA, 2020, report no. 2215185188: 4.06 carats, G color, SI1 clarity $20,000-30,000 64 (two views)

PROPERT Y OF A LADY

65 DIAMOND RING Cut-cornered rectangular modified brilliant-cut diamond of 5.07 carats, triangular-cut diamonds, platinum, ring size 5æ GIA, 2020, report no. 10101960: 5.07 carats, H color, SI1 clarity $40,000-60,000 65 (two views)

MAGNIFICENT JEWELS

CHRISTIE’S BRIDAL

66 SAPPHIRE AND DIAMOND RING Cushion pyramidal cabochon sapphire of 15.52 carats, trapezoid-shaped diamonds, platinum (French mark), ring size 6æ AGL, 2017, report no. 1086127: 15.52 carats, Ceylon, no gemological evidence of heat $30,000-50,000

66 (two views)

67 ART DECO COLORED SAPPHIRE AND DIAMOND RING Color-shift rectangular-cut sapphire of purplish pink to orangy pink of 5.32 carats, baguette and single-cut diamonds, platinum, ring size 7æ, circa 1925 AGL, 2019, report no. 1102015: 5.32 carats, Color shift: Purplish Pink to Orangy Pink sapphire, Ceylon, low temperature heating

67 (two views)

$12,000-18,000

68 SAPPHIRE AND DIAMOND RING, CARTIER Rectangular-cut sapphire of 4.68 carats, triangular-shaped diamonds, platinum and 18k gold, ring size 7º, signed Cartier, nos. 17727 and 025, red Cartier case AGL, 2020, report no. 1108258: Ceylon, no gemological evidence of heat or clarity enhancement $10,000-15,000 68 (two views)

PROPERT Y FROM AN IMPORTANT ESTATE

69 DIAMOND WREATH NECKLACE, TIFFANY & CO. Twenty-nine circular-cut diamonds of 2.52 to 0.70 carats, circular, pear and marquise-cut diamonds, platinum, 16 ins., signed Tiffany & Co., blue Tiffany & Co. pouch Tiffany & Co., 1991: Copy of Appraisal GIA, 2020, report no. 5142499: 2.52 carats, G color, VS1 clarity GIA, 2020, report no. 5140093: 2.07 carats, G color, VS2 clarity GIA, 2020, report no. 5139688: 2.05 carats, G color, VS1 clarity Total diamond weight for necklace, 60.87 carats $200,000-300,000

•70 MOONSTONE, SAPPHIRE AND DIAMOND NECKLACE, MICHELE DELLA VALLE Moonstone beads and cabochons, sapphire beads, circular-cut diamonds, 18k white gold (Italian marks), 45Ω ins., maker's mark $15,000-20,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

71 (two views)

PROPERT Y FROM A PRIVATE COLLECTION

71 SAPPHIRE AND DIAMOND RING, BULGARI Oval mixed-cut sapphire, baguette-cut diamonds, platinum and 18k white gold, ring size 6â&#x201E;¦, signed Bulgari AGL, 2020, report no. 1108925: Burma, no gemological evidence of heat or clarity enhancement SSEF, 2003, report no. 40910: Burma, no indications of thermal enhancement $15,000-20,000 Please note that the SSEF report is over five years old and may require an update.

72 SAPPHIRE AND DIAMOND 'CARISSA' NECKLACE, GRAFF Pear, marquise and circular-cut sapphires and diamonds, platinum and 18k white gold (British marks), 15 ins., signed Graff no. 7986 $65,000-85,000

73 DIAMOND EARRINGS, CARTIER Marquise and circular-cut diamonds, 18k white gold (French marks), 1¿ ins., circa 1955, signed Cartier, 'Paris', maker's marks, no. 02880 $15,000-20,000 73

74 SAPPHIRE RING Octagonal step-cut sapphire of 17.95 carats, platinum, ring size 6 Gübelin, 2019, report no. 19110206: 17.95 carats, Sri Lanka, no indications of heating, with Information Sheet $80,000-120,000 74 (two views)

75 COLORED DIAMOND AND DIAMOND RING Fancy intense yellow cut-cornered rectangular modified brilliant-cut diamond of 6.89 carats, baguette-cut diamonds, platinum and gold, ring size 4Ω GIA, 2020, report no. 14740715: 6.89 carats, Fancy Intense Yellow, natural color, VVS1 clarity $70,000-100,000 75 (two views)

77 (two views)

PROPERT Y OF A LADY

76 LAPIS LAZULI AND DIAMOND 'VINTAGE ALHAMBRA' NECKLACE, VAN CLEEF & ARPELS Quatrefoil-shaped lapis lazuli plaques, circular-cut diamonds, 18k gold (French mark), 33 ins., signed VCA, maker's mark, nos. JB773500 and S005, green Van Cleef & Arpels envelope case and white outer box Van Cleef & Arpels, 2020: Authenticity Certificate $20,000-30,000

77 DIAMOND AND COLORED DIAMOND RING, MOUNTED BY CARTIER Round brilliant-cut diamond of 3.05 carats, circular-cut yellow diamonds, 18k gold (French mark), ring size 5, signed Monture Cartier GIA, 2020, report no. 5211064348: 3.05 carats, D color, Internally Flawless 76

$80,000-120,000 Please note that the yellow diamonds have not been tested for natural color.

79 (two views)

PROPERT Y OF A LADY

SET OF LAPIS LAZULI AND GOLD JEWELRY, JOHN LORING, TIFFANY & CO.

SAPPHIRE AND DIAMOND RING, VAN CLEEF & ARPELS

Polished lapis lazuli, 18k gold, bangle bracelet diameter 2º ins., earrings 1¿ ins., each signed Tiffany & Co.

Oval mixed-cut sapphire of 40.89 carats, pear-shaped diamonds, platinum and 18k gold, ring size 6º, signed VCA, no. 148

$10,000-15,000 LITERATURE:

AGL, 2020, report no. 1110544: 40.89 carats, Ceylon, no gemological evidence of heat or clarity enhancement

Cf. J. Loring, Tiffany Colored Gems, New York, Abrams, 2007, p. 111

Gübelin, 2012, report no. 12120177: 40.89 carats, Ceylon, no indications of heating GIA, 2012, report no. 2145997322: 40.89 carats, Ceylon, no indications of heating $60,000-80,000 Please note that two of the reports are over five years old and may require updates.

80 (two views)

PROPERT Y FROM A PRIVATE COLLECTION

80 UNMOUNTED EMERALD Rectangular-cut emerald of 28.11 carats AGL, 2020, report no. 1110432: 28.11 carats, Colombia, minor clarity enhancement, modern type $50,000-70,000

PROPERT Y OF A SOUTHERN CALIFORNIA COLLECTOR

81 TIGER'S EYE QUARTZ AND ENAMEL SAUTOIR, DAVID WEBB Tiger's eye quartz beads, green enamel, 18k gold, necklace 29Ω ins., detachable pendant 4 ins., signed David Webb (necklace and pendant), nos. BS120 (necklace and pendant), 587.8 g / 313.7 dwt $15,000-20,000

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

PROPERT Y OF A LADY

OPAL, SAPPHIRE AND DIAMOND PENGUIN BROOCH, OSCAR HEYMAN & BROTHERS

DIAMOND AND RUBY POLAR BEAR BROOCH, VAN CLEEF & ARPELS

Designed as a penguin, freeform opal, calibré-cut and freeform sapphires, circular-cut diamond, 18k rose gold and platinum, 1æ ins., unsigned

Designed as a polar bear, circular-cut diamonds, circular-cut ruby, platinum (French mark), 1æ ins., signed Van Cleef & Arpels, no. N.Y.56204

Oscar Heyman & Brothers, 2020: Certificate of Authenticity $10,000-15,000

$12,000-18,000

PROPERT Y OF A LADY

84 RETRO DIAMOND AND GOLD 'CRISTAUX DE NEIGE' CLIP-BROOCH, VAN CLEEF & ARPELS Old-cut diamonds, gold and platinum, 2Ω ins., circa 1945, signed Van Cleef & Arpels $20,000-30,000 PROVENANCE:

Madame Hélène Arpels Christie's, New York, 14 December, 2006, lot 322 LITERATURE:

Cf. E. Possémé, Van Cleef & Arpels: When Elegance Meets Art, Paris, Les Arts Décoratifs, 2018, p. 51 Cf. E. Possémé, Van Cleef & Arpels: The Art of High Jewelry, Paris, Les Arts Décoratifs, 2012, p. 51 Cf. M. Petit, Van Cleef & Arpels: Reflections of Eternity, Paris, Éditions Cercle d'Art, 2006, nos. 118 - 120 Cf. S. Raulet, Van Cleef & Arpels, Paris, Éditions du Regard, 1986, p. 128 Praised on both sides of the Atlantic as ‘the quintessence of French elegance’, Hélène Arpels was an ultra-chic and striking Parisian socialite. Born in Monte Carlo to Russian parents, Hélène Arpels née Ostrowska, was regarded as one of the most distinguished women in the world and a leader of Café Society in Paris. In the United States, she made headlines by gracing the world's ‘10 Best Dressed List’ first in 1949 and continued to do so for many years. She was a close confidante to many notable personalities,

including Rose Kennedy, Gloria Guinness and Princess Gabriela zu Leiningen, among many others. She was also a frequent guest of the White House during the Kennedy and Reagan administrations. In 1933 Hélène married Louis Arpels, the son of Estelle and Leon Arpels, a famous precious stone dealer in Paris. In 1906 Louis had left his father's company to join the family firm Van Cleef & Arpels, which had been founded by his mother Estelle and her cousin Alfred Van Cleef. Monsieur Louis, as he was generally referred to by his clientele, established the New York branch of the house in 1940. The couple’s move to America only increased Hélène Arpels’ social calendar, as she spent half her time in New York and half in Paris. Hélène Arpels was also famous for her unique way of wearing her exceptional jewelry, which consisted of quintessential pieces made by Van Cleef & Arpels. One of her many important pieces by the house was the ‘Cristaux de Neige’ clip-brooch. Designed as snowflake, the piece is an iconic design by Van Cleef & Arpels. This brooch, one of the largest known examples of a snowflake brooch, was likely a special order for Madame Arpels. Christie’s New York proudly offered this brooch from the collection of Hélène Arpels in December 2006, where it was purchased by the current owner.

85 EMERALD, DIAMOND AND GOLD 'SERGE FABRIC' NECKLACE, VAN CLEEF & ARPELS Oval cabochon emeralds, circular-cut diamonds, 18k gold and platinum (French marks), 15 ins., circa 1955, signed Van Cleef & Arpels, maker's mark (Georges L'Enfant), no. 433MC $25,000-35,000 LITERATURE:

Cf. S. D. Coffin, Set in Style: The Jewelry of Van Cleef & Arpels,Thames & Hudson, London, 2012, p. 202 Cf. É. Possémé, Van Cleef & Arpels: When Elegance Meets Art, Paris, Les Arts Décoratifs, 2018, p. 167

86 (two views)

PROPERT Y OF AN IMPORTANT COLLECTOR

EMERALD AND DIAMOND 'BOULE' RING, CARTIER

Rectangular and square step-cut emeralds, platinum, 7ยบ ins.

Circular-cut emeralds and diamonds, 18k gold (French mark), ring size 6, signed Cartier, no. 741385, red Cartier case and outer box

EMERALD BRACELET AGL, 2017, report no. 1088246: Colombia, insignificant to minor clarity enhancement, traditional type $15,000-20,000

$12,000-18,000

88 (two views)

89 (two views)

PROPERT Y OF A DISTINGUISHED LADY

88 AN IMPRESSIVE EMERALD AND DIAMOND RING, DAVID WEBB Cushion modified brilliant-cut emerald of 30.65 carats, triangular-cut diamonds, 18k gold, ring size 8â&#x201E;¦, signed Webb AGL, 2014, report no. CS 60422-D: Colombia, minor clarity enhancement, modern type $150,000-250,000 Please note that this report is over five years old and may require an update.

89 AN IMPORTANT SAPPHIRE AND DIAMOND RING Rectangular-cut sapphire of 53.08 carats, baguette-cut diamonds, platinum, ring size 6 AGL, 2019, report no. 1103035: 53.08 carats, Classic Ceylon, no gemological evidence of heat or clarity enhancement $250,000-350,000

PROPERT Y FROM AN AMERICAN ESTATE

90 DIAMOND RING Pear brilliant-cut diamond of 6.57 carats, tapered baguette-cut diamonds, platinum, ring size 6ยบ GIA, 2020, report no. 2215185190: 6.57 carats, F color, SI1 clarity 90 (two views)

$70,000-100,000

PROPERT Y OF A LADY

91 DIAMOND RING, TIFFANY & CO. Marquise brilliant-cut diamond of 5.77 carats, platinum, ring size 5, signed Tiffany & Co. GIA, 2020, report no. 5179979: 5.77 carats, E color, VVS2 clarity $120,000-180,000 91 (two views)

•92 DIAMOND 'SNOWFALL' NECKLACE, GRAFF Circular, triangular and radiant-cut diamonds, 18k white gold (British marks), neckchain 16Ω ins., pendant 2æ ins., signed Graff, no. GN8711, navy Graff envelope case $40,000-60,000

•93 DIAMOND 'SNOWFALL' EARRINGS, GRAFF Circular, triangular and radiant-cut diamonds, 18k white gold (British marks), 3º ins., signed Graff, no. 30344 $45,000-65,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•94 NATURAL PEARL AND DIAMOND EARRINGS Drop-shaped natural pearls of 9.03 x 8.40 mm and 9.21 x 8.85 mm, circular and baguette-cut diamonds, 18k white gold (French marks), 1¿ ins. GIA, 2020, report no. 6204852443: Natural pearls, saltwater, no indications of treatment $10,000-15,000 94

•94A NATURAL PEARL AND DIAMOND RING, TIFFANY & CO. Oval-shaped gray natural pearl, French-cut diamonds, platinum, ring size 5, signed Tiffany & Co. GIA, 2019, report no. 5201210891: Natural Pearl, saltwater, no indications of treatment $8,000-12,000 94A (two views)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERT Y OF A LADY

95 DIAMOND STUDS Round brilliant-cut diamonds of 3.02 and 3.01 carats, platinum GIA, 2020, report no. 7095706: 3.02 carats, G color, VS1 clarity GIA, 2020, report no. 7117851: 3.01 carats, G color, VS2 clarity

$55,000-75,000

96 DIAMOND BRACELET Circular and baguette-cut diamonds, platinum (French marks), 6Ã¦ ins. $20,000-30,000

97 (two views)

SAPPHIRE AND DIAMOND RING

EMERALD AND DIAMOND EARRINGS, HARRY WINSTON

Cushion-shaped cabochon sapphire of 46.62 carats, hexagonal-cut diamonds, platinum (French mark), ring size 7Ω SSEF, 2020, report no. 112964: 46.623 carats, Ceylon, no indications of heating Gübelin, 2019, report no. 19038020: 46.62 carats, Burma, no indications of heating, with Information Sheet

Pear mixed-cut emeralds, marquise, pear and circular-cut diamonds, platinum, pendants detachable, 2 ins., 1959, the tops with maker's marks (Harry Winston), both tops and pendants with maker's marks (François Tavernier), no. A4126, blue Harry Winston case AGL, 2020, report no. 1108964 A and B: Colombia, minor clarity enhancement, traditional type

$150,000-250,000 $300,000-500,000

99 (two views)

100

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

100

EMERALD, DIAMOND AND COLORED DIAMOND RING

GOLD AND DIAMOND BRACELET, VAN CLEEF & ARPELS

Rectangular-cut emerald of 9.84 carats, baguette-cut diamonds, trapezoid-shaped yellow diamonds, platinum and 18k gold, ring size 6

Circular-cut diamonds, 18k gold (French marks), 6Ã¦ ins., signed VCA 'New York, Made in France', no. 33991

AGL, 2020, report no. 1109783: Zambia, minor clarity enhancement, modern type $30,000-50,000

$12,000-18,000

102 (two views)

101

PROPERT Y OF A LADY

PROPERT Y FROM AN AMERICAN ESTATE

101

102

ART DECO DIAMOND FEATHER CLIP-BROOCH

DIAMOND RING

Circular and baguette-cut diamonds, platinum, 14k and 18k white gold (French marks), 4ยก ins., circa 1935

Pear brilliant-cut diamond of 11.63 carats, tapered baguette-cut diamonds, platinum ring size 6รฆ

$30,000-50,000

GIA, 2020, report no. 6214180219: 11.63 carats, D color, VVS1 clarity, Type IIa $400,000-600,000

103

103 ANTIQUE DIAMOND AND ENAMEL SARPECH The turban ornament set with variously-shaped table-cut diamonds, blue, green, white and red enamel on the reverse with plume holder, foil, gold on a lac core, 10â&#x201E;Ś ins., mid to late-19th century $70,000-100,000 Sarpech is Hindi for 'head feather' but is generally known as a turban ornament. It was worn almost exclusively by the emperor, Indian princes and their immediate family. Considered the ultimate symbol of royalty and sometimes used as a reward for exceptional service to the emperor, it evolved from the tradition of pinning a heron's feather (kalgi) to the front of a turban. Even during the reign of Jahangir (1569-1627) a sarpech can be seen in most portraits when they were painted in miniature. During the reign of Shah Jahan (1592-1666), sarpechs became much more elaborate and began to be jewel encrusted. After Queen Victoria became Empress of India in 1857 no Indian Prince was supposed to wear a crown and perhaps this explains the emergence of highly elaborate and jeweled sarpechs with their own interpretation of royalty.

104 (two views)

104 CARVED EMERALD Cushion-shaped carved emerald of 36.52 carats AGL, 2020, report no. 1109472: 36.52 carats, Colombia, minor clarity enhancement, traditional type $15,000-20,000

PROPERT Y OF A LADY

105 EMERALD AND GOLD SAUTOIR Hexagonal step-cut emerald of 172.41 carats, 18k gold, necklace 23 ins. (adjustable), pendant 4Ω ins., mid-to-late 19th century (emerald) SSEF, 2020, report no. 114467: 172.414 carats, Colombia, minor oil $200,000-300,000 History sometimes makes inextricable links between places and gemstones, as India shows. Although the Spanish controlled the great emerald mines of Colombia throughout the apogee of their production from the 16th to the 18th century, most of the output was exported to India to be used for jewels commissioned by the Royal families. When these stones appeared in western markets in the early 20th century, they became known as ‘Old Indian Material’. The ‘Indian’ character of this emerald is accentuated by its traditional taviz-cut, a flat hexagonal tablet form, often seen in Mughal jewels from the subcontinent. Taviz-cut stones were often drilled so that they could be worn free of any additional mounting.

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

106 ANTIQUE DIAMOND AND MULTI-GEM BIRD BROOCH Circular, oval and pear-shaped old-cut and table-cut diamonds, variously-shaped old-cut emeralds and sapphires, variously-shaped old-cut and cabochon rubies, 18k gold, 2¿ ins., circa 1890 $10,000-15,000 106

PROPERT Y FROM A MIDWEST PRIVATE COLLECTION

107 ANTIQUE EMERALD CAMEO AND DIAMOND BROOCH Cushion-shaped carved emerald, depicting the profile of a woman amongst leaves, old and rose-cut diamonds, platinum, 2º ins., circa 1910 $25,000-35,000

107

PROPERT Y OF A LADY

108 ANTIQUE SAPPHIRE AND DIAMOND RING Antique cabochon sapphire of 8.03 carats, old-cut diamonds, 18k gold, ring size 6, circa 1900 GIA, 2020, report no. 5201840097: Kashmir, no indications of heating AGL, 2020, report no. 1107403: 8.03 carats, Kashmir, no gemological evidence of heat or clarity enhancement

108 (two views)

SSEF, 2020 report no. 113053: 8.037 carats, Kashmir, no indications of heating $250,000-450,000

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

109 NATURAL PEARL, DIAMOND AND ENAMEL LONGCHAIN NECKLACE Natural pearls of 9.46 to 7.30 mm, old-cut diamonds, green and red enamel, 14k gold, 34â&#x201E;¦ ins. GIA, 2020, report no. 2201938427: 19 Natural Saltwater pearls, 1 Undetermined Freshwater pearl $15,000-20,000

110 (two views)

•110 EMERALD AND DIAMOND RING Rectangular-cut emerald of 7.98 carats, baguette-cut diamonds, platinum, ring size 6 AGL, 2019, report no. 1098312: 7.98 carats, Colombia, minor clarity enhancement, traditional type $40,000-60,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPER T Y FROM THE COLLECTION OF

M A R Y M . A ND R O B ER T M . M O N TG O M ER Y, J R .

Mary M. and Robert M. Montgomery, Jr., dedicated themselves to the arts, both in their private collecting and in their hometown community of Palm Beach. They remain widely recognized as deeply committed members of their community, as ardent lovers of the arts and as dedicated benefactors of culture. Beyond their own collection, which includes pieces from multiple artistic movements and collecting categories, Mr. and Mrs. Montgomery maintained a passionate commitment to the thriving cultural scene of Palm Beach. They fostered an appreciation for theater and music as well as the visual arts, and the couple sought to support the local institutions that enabled wide access to these cultural tenants. An aficionado of the opera, Mr. Montgomery was Chairman of the Board of his cherished Palm Beach Opera for 25 years, and, throughout that time, he and Mrs. Montgomery generously contributed to its programming. Mr. Montgomery was also a principal benefactor of the Raymond F. Kravis Center for the Performing Arts, an institution widely regarded as having changed the

cultural landscape of Palm Beach. Alongside their support of the Armory Art Center in West Palm Beach, the Montgomerys founded the Palm Beach Institute of Contemporary Art. The couple created an enduring legacy, “a museum in [their] house,” curating a strong collection of fine and decorative arts, objects and jewellery. Christie’s is proud to offer their collection in a range of live and online sales during the remainder of 2020 and into 2021. Highlights will include the Montgomerys’ extensive Tiffany collection that features their Fruit ceiling fixture; Mrs. Montgomery’s favourite Pebble table lamp, constructed from pebbles that Louis Tiffany discovered on the shores of Long Island; and the iconic Wisteria and Laburnum lamps that showcase the full grandeur of Tiffany’s artistry in glass. Beyond lighting, the Collection includes a 13.63 carat rectangular-cut diamond ring, a Cartier ruby and diamond fringe necklace, extraordinary silver and strong examples of 20th century fine art.

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

111 SET OF CULTURED PEARL AND DIAMOND JEWELRY Drop-shaped cultured pearls, circular, pear, marquise and baguette-cut diamonds, detachable drops, 18k white gold, brooch 3 ins., earrings 2 ins. $15,000-20,000

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

112 SET OF CULTURED PEARL AND DIAMOND JEWELRY Twenty-seven graduated cultured pearls of approximately 16.30 to 13.70 mm, pair of cultured pearls of approximately 13.00 mm, circular-cut diamonds, 18k white gold, necklace 17√ ins., earrings æ in. $12,000-18,000

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

113 ART DECO DIAMOND BRACELET Circular, single, square and baguette-cut diamonds, platinum, 6â&#x201E;¦ ins., circa 1935 $12,000-18,000

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

114 DIAMOND 'PANTHร RE' NECKLACE, CARTIER Circular-cut diamonds, 18k white gold (French mark), 16 ins., accompanied by additional links to extend to approximately 18ยก ins., signed Cartier, no. 76S000 $30,000-50,000

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

115 DIAMOND AND ONYX RING Rectangular, circular and baguette-cut diamonds, onyx plaques, platinum, ring size 4â&#x201E;¦ $25,000-35,000 115 (two views)

116 DIAMOND AND ENAMEL BROOCH, DAVID WEBB Circular, single, old, marquise and tapered baguette-cut diamonds, black enamel, platinum and 18k white gold, 21/18 ins., signed Webb $8,000-12,000

116

100

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

117 SET OF DIAMOND AND ONYX JEWELRY Rectangular, square, circular, tapered baguette, marquise and bullet-shaped diamonds, onyx, platinum, bracelet 6√ ins., earrings 2º ins., earrings 1¿ ins. $20,000-30,000

101

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

118 (two views)

119 (two views)

118

119

DIAMOND RING

Rectangular-cut diamond of 7.04 carats, bullet-shaped diamonds, platinum, ring size 4

Rectangular-cut diamond of 13.63 carats, shield-shaped diamonds, platinum, ring size 4

GIA, 2020, report no. 8635090: 7.04 carats, G color, VS1 clarity

GIA, 2020, report no. 13355575: 13.63 carats, H color, VVS1 clarity

$100,000-150,000

$200,000-300,000

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

120 SUITE OF DIAMOND JEWELRY Circular-cut diamonds, 18k gold (French mark on the bracelet), necklace 15Ω ins., bracelet 7Ω ins., earrings 1Ω ins. $30,000-50,000

104

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

121 COLORED DIAMOND AND DIAMOND FLOWER BROOCH, ADLER Circular-cut colored diamonds of yellow, brown and greenish hues, circular-cut diamonds, platinum and 18k gold, 2ยบ ins., signed Adler $15,000-20,000 Please note that the colored diamonds have not been tested for natural color. 121

122

122 SET OF DIAMOND AND GOLD JEWELRY Circular-cut diamonds of 2.03, 2.01, 1.85 and 1.10 carats, 18k gold, earrings 1 in., brooch 2รฆ ins. $25,000-35,000

105

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

123 DIAMOND AND MULTI-GEM 'PATU' CHOKER NECKLACE AND 'PIVOPOIRE' EARRINGS, MARINA B The 'Patu' choker set with oval-shaped blue topaz, pear-shaped pink tourmaline, circular-cut diamonds, onyx plaques and tubular beads, 18k gold (French marks), diameter 4Â¿ ins. (flexible), signed Marina B, 'France', maker's mark (Pierre Brun); the 'Pivopoire' earrings set with faceted drop-shaped blue topaz, pear-shaped blue topaz and onyx, circular-cut diamonds, 18k gold (French marks), signed Marina B, 'France', maker's mark (Jean-Claude Duhem), no. A1164 $15,000-20,000 LITERATURE:

Cf. V.J. de Witt, Marina B: The Art of Jewellery Design, Italy, Skira Editore S.p.A., 2003, p. 120 (earrings) and 218 (choker)

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MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

~124 SET OF CULTURED PEARL, MOTHER-OF-PEARL AND DIAMOND 'MÉDIÉVAL ARABESQUE' JEWELRY, MARINA B Cultured mabe pearls, drop-shaped mother-of-pearl plaques, circular-cut diamonds, 18k gold (Italian marks), choker necklace 11Ω ins. (flexible), earrings 1 ins., circa 1985, each signed Marina B, 'Italy', maker's marks, nos. A676 (necklace), A1287 (earrings) $12,000-18,000 LITERATURE:

Cf. V.J. de Witt, Marina B: The Art of Jewellery Design, Italy, Skira Editore S.p.A., 2003, p. 167

107

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

125

108

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

126 (two views)

125

126

SUITE OF EMERALD AND DIAMOND JEWELRY

EMERALD AND DIAMOND RING

Rectangular step-cut emeralds, pear, circular, baguette and tapered baguette-cut diamonds, 18k gold (Italian marks), necklace 16Ω ins., adjustable to 14√ ins., cuff bracelet diameter 2º ins., earrings 1Ω ins.

Rectangular-cut emerald, heart, baguette and tapered baguette-cut diamonds, 18k gold, ring size 4æ AGL, 2020, report no. 1109935: Afghanistan, minor clarity enhancement, traditional type

AGL, 2020, report no. 1109932: Necklace, Afghanistan, minor clarity enhancement, traditional type

$6,000-8,000

AGL, 2020, report no. 1109933: Cuff Bracelet, Afghanistan, minor clarity enhancement, traditional type AGL, 2020, report no. 1109934 A and B: Earrings, Afghanistan, minor clarity enhancement, traditional type $40,000-60,000

109

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

M. AND ROBERT M. MONTGOMERY, JR.

127 SUITE OF COLORED SAPPHIRE AND DIAMOND 'FUJI YAMA' JEWELRY, MARINA B Circular-cut pink sapphires and diamonds, black enamel, 18k gold and blackened gold (Italian marks), cuff bracelet diameter 2 ins. (flexible), earrings 8 in., ring size 4Ω, each signed Marina B, maker's marks, no. C921 (cuff), A2851 (earrings), 1196006 (ring), with visible loss of enamel to cuff and earrings $20,000-30,000

127

128 DIAMOND FLOWER BROOCH, SABBADINI Circular-cut diamonds, 18k rose gold (Italian mark), 2º ins., signed Sabbadini, 'Made in Italy' $12,000-18,000

128

110

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

129 SET OF DIAMOND JEWELRY Largest rectangular-cut diamonds of 2.01, 1.58, 1.32, 1.18 and 1.04 carats (necklace), rectangular-cut diamonds of 2.01 and 2.01 carats (earrings), baguette and circular-cut diamonds, white gold, necklace 15Ω ins. with detachable link, may be shortened to 14¡ ins., earrings 1¬ ins., earrings with detachable pendants GIA, 2020, report no. 6214186485: Necklace, 2.01 carats, I color, VS2 clarity GIA, 2020, report no. 6213186518: Earrings, 2.01 carats, G color, VS1 clarity GIA, 2020, report no. 6214186425: Earrings, 2.01 carats, G color, VS2 clarity $60,000-80,000

112

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

113

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

130

131

130

131

RUBY AND DIAMOND EARRINGS

DIAMOND BRACELET

Oval mixed-cut rubies, pear, marquise and circular-cut diamonds, platinum and 18k gold, 1 in.

Marquise and baguette-cut diamonds, platinum, 6Â¬ ins.

AGL, 2020, report no. 1109936 A and B: Burma, no gemological evidence of heat $15,000-20,000

114

MAGNIFICENT JEWELS

$20,000-30,000

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

132

133

132 RUBY AND DIAMOND BROOCH, VAN CLEEF & ARPELS Circular and baguette-cut diamonds, oval-shaped rubies, platinum and gold, 2ยก ins., signed Van Cleef & Arpels, no. --320 (partially indistinct)

133 RUBY AND DIAMOND BRACELET Pear-shaped rubies, pear and baguette-cut diamonds, platinum, 7 ins. AGL, 2020, report no. 1109960: 37 Rubies tested, Burma (35) and Thai (2), no gemological evidence of heat (30), heat and minor heating residue (7)

$30,000-50,000 $20,000-30,000

115

PROPERT Y FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR. LOTS 111-134

134 RUBY AND DIAMOND NECKLACE, CARTIER Oval and cushion mixed-cut rubies, circular, baguette, square and marquise-cut diamonds, platinum and gold, 15Ã¦ ins., circa 1955, signed Cartier, nos. CG23534 and 3501 AGL, 2020, report no. 1109961: Burma, no gemological evidence of heat $150,000-250,000

116

MAGNIFICENT JEWELS

135

136 (two views)

PROPERT Y OF A LADY

135 COLORED DIAMOND AND DIAMOND BROOCH, BULGARI Fancy vivid yellow rectangular-cut diamond of 3.82 carats, circular and single-cut orange and yellow diamonds, circular, pear, marquise, baguette and tapered baguette-cut diamonds, platinum, 1â&#x2C6;&#x161; ins., circa 1960, signed Bulgari, with additional clasp at the reverse, possibly of later addition GIA, 2020, report no. 5211242493: 3.82 carats, Fancy Vivid Yellow, SI1 clarity $75,000-100,000 PROVENANCE:

Christie's, Geneva, 19 November, 2003, lot 391 Lot 135 is a similar example to the yellow diamond and diamond brooch, by Bulgari, offered from the Collection of Elizabeth Taylor at Christieâ&#x20AC;&#x2122;s, New York, in December 2011. Please note that the remaining colored diamonds have not been tested for natural color.

136 COLORED DIAMOND RING Fancy vivid yellowish green oval modified brilliant-cut diamond of 1.96 carats, fancy intense blue heart modified brilliant-cut diamond of 0.36 carat, fancy intense purplish pink heart modified brilliant-cut diamond of 0.31 carat, platinum, ring size 6 GIA, 2020, report no. 1149958894: 1.96 carats, Fancy Vivid Yellowish Green, natural color, VS2 clarity GIA, 2015, report no. 5171112290: 0.36 carat, Fancy Intense Blue, natural color GIA, 2015, report no. 5171195290: 0.31 carat, Fancy Intense Purplish Pink, natural color $350,000-500,000 Please note that two of the reports are over five years old and may require updates

119

PROPERT Y OF A PRIVATE COLLECTOR LOTS 137-141

137 COLORED DIAMOND AND DIAMOND EARRINGS, GRAFF Fancy yellow cut-cornered rectangular modified brilliant-cut diamonds of 1.55 and 1.03 carats, fancy light yellow cut-cornered rectangular modified brilliant-cut diamonds of 1.52, 1.26, 1.24, 1.20, 1.11 and 1.04 carats, pear-shaped diamonds, platinum and gold, 1 in., signed Graff, no. 3691, navy Graff pouch $30,000-50,000

120

MAGNIFICENT JEWELS

PROPERT Y OF A PRIVATE COLLECTOR LOTS 137-141

138 SAPPHIRE AND DIAMOND NECKLACE, MOUSSAIEFF Cushion modified mixed-cut sapphire of 23.73 carats, circular and pear-shaped diamonds, platinum and white gold, 13 ins., may be shortened to 12â&#x201E;¦ ins., maker's mark, black Moussaieff case AGL, 2020, report no. 1110756: 23.73 carats, Ceylon, heat enhancement $80,000-120,000

121

PROPERT Y OF A PRIVATE COLLECTOR LOTS 137-141

(two views)

139 COLORED DIAMOND RING, DAVID MORRIS Fancy orangy pink marquise modified brilliant-cut diamond of 5.04 carats, circular-cut pink diamonds, 18k rose gold, approximate ring size 4Ã¦, signed David Morris (partially obscured) GIA, 2020, report no. 14925795: 5.04 carats, Fancy Orangy Pink, natural color, SI2 clarity $100,000-150,000 Please note that the pink diamonds have not been tested for natural color.

122

MAGNIFICENT JEWELS

PROPERT Y OF A PRIVATE COLLECTOR LOTS 137-141

140 COLORED DIAMOND AND DIAMOND NECKLACE, MOUSSAIEFF Fancy yellow cut-cornered rectangular modified brilliant-cut diamond of 5.97 carats, circular and radiant-cut yellow diamonds, radiant-cut pink diamonds, circular-cut diamonds, 18k gold, 15ยบ ins., maker's mark GIA, 2020, report no. 5211224547: 5.97 carats, Fancy Yellow, natural color, SI2 clarity $40,000-60,000 Please note that the pink and yellow diamonds have not been tested for natural color.

123

PROPERT Y OF A PRIVATE COLLECTOR LOTS 137-141

141 DIAMOND EARRINGS, MOUSSAIEFF Pear brilliant-cut diamonds of 12.63, 12.40, 2.23 and 2.11 carats, circular-cut diamonds, larger pear-shaped diamonds detachable, platinum and 18k white gold, 1â&#x201E;¦ ins., maker's mark GIA, 2020, report no. 15284977: 12.63 carats, D color, VS1 clarity GIA, 2020, report no. 11451583: 12.40 carats, D color, VS2 clarity GIA, 2020, report no. 14853298: 2.23 carats, E color, VVS2 clarity GIA, 2020, report no. 14853296: 2.11 carats, D color, VS2 clarity $600,000-800,000

124

MAGNIFICENT JEWELS

125

J E A N H O WA R D Hollywood during the 1940s and 50s was a place of extravagant parties, fabulous style and fascinating personalities. Jean Howard, a former Ziegfeld girl and wife of producer Charles K. Feldman, was emblematic of the time. Born in Texas as Ernestine Hill, she danced and modeled as a teen. Ernestine's first big break was in 1930, when Samuel Goldwyn and Florenz Ziegfeld cast her in the film ‘Whoopee’ with Betty Grable and Paulette Goodard. She was chosen as one of four from the film to be a Ziegfeld Follies girl. Later, she was cast in Ziegfeld's ‘Follies’ on Broadway and he renamed her Jean Howard for the show. Jean and Charles had a loving marriage and threw large glamorous parties at their home, hosting stars such as Judy Garland, Frank Sinatra, Richard Burton, Marilyn Monroe, Cary Grant, Vivian Leigh, and Mr. and Mrs. Cole Porter to name a few. Jean captured parties and trips with her camera and eventually published ‘Jean Howard's Hollywood: A Photo Memoir’ in 1989. The images included Hollywood

actresses talking with politicians and writers, musicians collaborating with directors, and conga lines ending in the pool. Of all their friends, Jean and Charles had a special relationship with the Porters. In 1991, Jean published a second book, ‘Travels with Cole Porter’ illustrating the two grand tours she took with Linda and Cole in more than 300 photographs. Ever the stylish starlet, Jean Howard was a regular patron of the firm of Verdura. Fulco di Verdura came to Hollywood in 1935 at the invitation of Cole Porter, who introduced his jeweler friend to Hollywood society. Porter was so supportive of Verdura, in addition to making valuable introductions, he later financed Verdura’s New York boutique. Stars and socialites, including Jean Howard, quickly embraced Verdura’s bold designs. Christie’s has had the privilege of offering jewels formerly from the Collection of Jean Howard in past sales and is honored to be offering this bracelet.

PROPERT Y FORMERLY FROM THE COLLECTION OF JEAN HOWARD

142 DIAMOND BRACELET, VERDURA Rectangular-cut diamonds, 18k gold, 7â&#x201E;¦ ins., 1965, signed Verdura, blue Verdura case $60,000-80,000

127

PROPERT Y FROM A PROMINENT ESTATE LOTS 143-147

143

144

143

144

BLACK OPAL, DIAMOND AND MULTI-GEM KINGFISHER BROOCH, CARTIER

GOLD AND DIAMOND LONGCHAIN NECKLACE, VAN CLEEF & ARPELS

Designed as a kingfisher bird on a perch, oval-shaped black opal, circular and single-cut diamonds, cushion-cut ruby, calibré-cut sapphires and emeralds, gold and platinum, 2¿ ins., circa 1960, signed Cartier, no. 18677 $40,000-60,000 LITERATURE:

Cf. N. Coleno, Amazing Cartier, Flammarion, 2009, p. 28, for a similar brooch

18k gold (French marks), circular-cut diamonds, 30 ins., composed of four detachable segments of 7Ω ins. each and may be worn as a necklace at various lengths or as four bracelets, each segment signed VCA, 'Made in France', nos. 2K304, 2K304-2, 2K304-3 and 2K304-4 $10,000-15,000

PROPERT Y FROM A PROMINENT ESTATE LOTS 143-147

145 DIAMOND, EMERALD AND MULTI-GEM DOUBLE-SWAN CONCEALED WATCH-BRACELET Old mine brilliant-cut diamond of 3.38 carats, square, rectangular, oval-shaped and marquise-shaped cabochon emeralds, marquise, old and single-cut diamonds, marquise and oval-shaped cabochon emeralds, triangular-shaped onyx plaques, black enamel, opening to reveal a concealed dial, manual movement, case width 15.95 mm, platinum and 14k white gold, bracelet 6â&#x201E;Ś ins., bracelet no. 8?83, dial signed Omega, with areas of damage and deficiency to enamel GIA, 2020, report no. 5212091915: 3.38 carats, L color, VS1 clarity AGL, 2020, report no. 1109524: 3 Emeralds tested, Colombia, minor clarity enhancement, traditional type $30,000-50,000

(concealed dial)

129

PROPERT Y FROM A PROMINENT ESTATE LOTS 143-147

147

146

147

ANTIQUE SAPPHIRE AND DIAMOND STICK PIN, TIFFANY & CO.

ART DECO RUBY, EMERALD, DIAMOND AND NATURAL PEARL JABOT-BROOCH, CARTIER

Oval faceted base pyramidal cabochon sapphire, old-cut diamonds, gold, 2æ ins., circa 1900, signed Tiffany & Co.

Carved ruby leaves, circular cabochon emeralds and rubies, baguette, single and old-cut diamonds, natural pearl of 14.53 x 14.25 x 7.69 mm, platinum, 2Ω ins., circa 1925, signed Cartier, nos. 2716898 and 27231

AGL, 2020, report no. 1109207: Kashmir, no gemological evidence of heat or clarity enhancement $20,000-30,000

GIA, 2020, report no. 6213087110: Natural Pearl, freshwater, no indications of treatment $50,000-70,000

130

MAGNIFICENT JEWELS

131

(two views)

CARTIER OBJECTS •~148 During the 1920s and 1930s, Cartier created some of its most iconic ‘objets de vertu,’ reflecting the firm’s impeccable design and craftsmanship. The decision to expand the business beyond jewelry and into decorative objects was at first in response to the popularity of similar decorative items available from the Russian court jeweler, Peter Carl Fabergé. Cartier’s clientele, which included many Russians who maintained homes in Paris, were accustomed to the superb craftsmanship of Fabergé objects and expected the same from Parisian houses. Carved in agate, jade and other hardstones, these objects became popular gifts among high society and royalty.

ART DECO AGATE, CORAL AND ENAMEL SAINT CHRISTOPHER PLAQUE, CARTIER Silver gilt plaque depicting Saint Christopher, agate frame, coral cylinders, black enamel, silver (French marks), 2æ x 1æ x ¬ ins., circa 1935, signed Cartier, maker's marks (Jacques Cartier), 'Made in France', no. 2496 and 5621, fitted red Cartier case $5,000-10,000 PROVENANCE:

Sotheby's, New York, 14 April 2011, lot 366

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

(two views)

•149 ART DECO MULTI-GEM SEAL STAMP Designed as a seal stamp, polished jadeite, round cabochon sapphire, blue enamel, gold, 2Ω ins., circa 1935, fitted red Cartier case $5,000-10,000 PROVENANCE:

Sotheby's, New York, 14 April 2011, lot 366

(detail of seal)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERT Y OF A PRIVATE COLLECTOR

150 ART DECO DIAMOND CLIP-BROOCH, CARTIER Square, old, single and baguette-cut diamonds, platinum, 2¿ ins., circa 1930, signed Cartier, 'London', nos. 1122 and 4?261 (partially indistinct) $50,000-70,000

150

151

PROPERT Y OF A LADY

151 ART DECO DIAMOND BRACELET, HENRI PICQ Old-cut diamonds, platinum (French marks), 6æ ins., circa 1920, maker's mark, no. 28758 $40,000-60,000

of the century and remained one of their top suppliers throughout the 1920s and 1930s. Many of Cartier’s greatest examples of Art Deco jewelry were manufactured in Picq’s workshop, including important ‘tutti frutti’ jewels that featured carved rubies, sapphires and emeralds.

PROVENANCE:

Yvonne Patenôtre Property of a Lady, thence by decent Christie's, New York, 7 December 2016, lot 40 The firm of Henri Picq was among the principal Parisian workshops for exquisitely made jewelry in the early part of the 1900s. It is known that Picq created pieces almost exclusively for Cartier at the turn

This bracelet was previously sold at Christie's New York in 2016. The owner at that time had received the bracelet as a gift from her grandmother, Yvonne Patenôtre, wife of Boniface de Castellane. Her husband, de Castellane, was the son of a French nobleman, Boni de Castellane and Anna Gould, American socialite and daughter of railroad magnate Jay Gould.

PROPERT Y OF A PRIVATE COLLECTOR

152 DIAMOND PENDANT NECKLACE Circular, old, single, rose, pear and baguette-cut diamonds, platinum, accompanied by a black silk cord for variety of wear, diamond necklace 17 ins., silk cord 26â&#x201E;Ś ins., pendant 2â&#x201E;Ś ins., pendant circa 1925, pendant signed Cartier $30,000-50,000 PROVENANCE:

Christie's, New York, Park Avenue, 21-22 October 1998, lot 239 The Art Deco pendant was originally designed as a brooch by Cartier circa 1925. The brooch, previously fitted with a pinstem that has since been removed, was purchased at Christie's, New York, Park Avenue, 21-22 October 1998, by the current owner. The Cartier signature has been preserved.

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MAGNIFICENT JEWELS

C A R T IER & EGY P T I A N R E V I VA L

In 1922 after years of excavation, archaeologist Howard Carter unearthed a sealed chamber in Egypt, filled with gold and riches. Weeks later in that same chamber, Carter would uncover the tomb of King Tutankhamun. This exciting discovery, in combination with the enduring impact of the 1911 Franco-Egyptian exhibition at the Louvre, sparked an intense fascination with Egyptian history and culture. ‘Egyptomania’ swept across Europe and permeated all areas of society, including art, architecture and fashion. Jewelry firms swiftly embraced this new obsession and produced designs inspired by Ancient Egyptian relics and motifs, and at times incorporated vestiges directly into their jewels. From scarabs to falcons and sphinxes to hieroglyphics, Cartier incorporated elements from Ancient Egypt into their designs and created some of the most sought-after jewels and jeweled objects during the 1920s and 1930s. The firm focused on a limited output of works – about 150 items total – that today, almost century later, continue to represent an undisputed height in the firm’s history. This silk evening bag by Cartier is a superb fusion of Art Deco and Ancient Egyptian themes. The black and white motif of the design and use of platinum is highly Art Deco, while the imagery depicted reflects symbols of the ancient civilization. Across the silk bag’s frame, stylized diamond lotus blossoms are set

against black enamel. The lotus blossom, Egypt’s national flower, is associated with rebirth, the sun god and creation. Lotus blossoms close at night and sink beneath the water they rest upon. At daybreak, they reopen, emulating the sun’s emergence and disappearance each day. Toward the edges of the frame on each side, taller flora is depicted, stretching upward toward the sky. These diamond-set motifs represent papyrus, another important symbol of Ancient Egypt. Associated with life and eternity, papyrus once grew in abundance along the Nile River Valley. With stalks up to sixteen feet high, the plant was thought to hold up the sky. In Ancient Egyptian art, Pharaohs were often shown hunting amongst papyrus fields, as a reflection of power, order and eternal life. Centering upon the clasp of the bag is an enamel and rose-cut diamond Pharaoh. The Pharaoh, or king, was believed to be the intermediary between the gods and mankind. Positioned below this figure is an inversely-set diamond which creates a triangular peak – a pyramid. This meticulously subtle nod to perhaps the most popular association with Ancient Egypt is purely Cartier. The diamond almost goes unnoticed amongst the scale of the evening bag and the accompanying motifs across the frame – and yet this minute detail is a striking reminder of why the house of Cartier is synonymous with master craftsmanship and superior design.

153 ART DECO EGYPTIAN REVIVAL DIAMOND, ONYX AND ENAMEL EVENING BAG, CARTIER The black satin bag opening to reveal a secondary interior compartment, the black enamel frame and onyx hoop strap enhanced by old, single and rose-cut diamonds of Egyptian motifs, to the inversely-set old-cut diamond clasp mounted by a sculpted Pharaoh, platinum and 18k gold (French marks), with discoloration and wear to satin bag, bag 7 x 7â&#x201E;Ś x 1 ins., strap 13 ins., circa 1925, signed Cartier, 'Paris, Londres, New York', no. 0284 $80,000-120,000

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

154 SET OF KUNZITE JEWELRY, SEAMAN SCHEPPS AND KUNZITE RING Rectangular, square, hexagonal and half moon-shaped kunzites, 14k gold, necklace 14 ins., bangle bracelet diameter 2ยบ ins., each signed Seaman Schepps; half moon-shaped kunzite, circular-cut pink tourmaline and diamonds, white gold, ring size 6ยบ, unsigned $8,000-12,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

140

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

141

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

155 A SET OF RETRO AQUAMARINE AND GOLD JEWELRY, SEAMAN SCHEPPS Rectangular and cushion-cut aquamarines, 14k gold, bangle bracelet diameter 2ยบ ins., ring size 5, circa 1945, each signed Seaman Schepps $12,000-18,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

142

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

156 TWO CITRINE RINGS, SEAMAN SCHEPPS AND PATRICIA SCHEPPS VAILL AND CITRINE BANGLE BRACELET Rectangular-cut citrine, 14k gold, ring size 5รฆ, circa 1945, signed Seaman Schepps; oval-cut citrine, 18k gold, ring size 7ยบ, signed P.S.V. (Patricia Schepps Vaill); rectangular-cut citrine, baguette-cut citrines, gold, bangle diameter 2ยก ins., unsigned $8,000-12,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

143

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

157 DIAMOND BANGLE BRACELET Circular and single-cut diamonds, platinum and 18k white gold (French marks), diameter 2ยบ ins. $8,000-12,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

157

158 DIAMOND FLOWER BRACELET Circular and single-cut diamonds, gold, 7 ins. $10,000-15,000 158

PROVENANCE:

Formerly from the Collection of Jean Stralem

144

MAGNIFICENT JEWELS

159 GROUP OF TWO NATURAL PEARL NECKLACES AND A CULTURED PEARL NECKLACE Single-strand of natural pearls of 6.60 to 4.15 mm, single-strand of natural pearls of 4.83 to 3.19 mm, marquise and rose-cut diamonds, platinum, 28Ω and 19º ins.; cultured pearls of 7.63 to 3.61 mm, gold, 15Ω ins. (shortest strand shown) GIA, 2020, report no. 5212202049: 6.60 to 4.15 mm, 124 natural pearls, saltwater, no indications of treatment, 1 cultured pearl GIA, 2020, report no. 5211202042: 4.83 to 3.19 mm, natural pearls, saltwater, no indications of treatment GIA, 2020, report no. 2211202040: 7.63 to 3.61 mm, cultured pearls, saltwater $10,000-15,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

~160 GROUP OF CORAL AND DIAMOND JEWELRY, CARTIER AND A CORAL RING Coral beads, circular cabochon and drop-shaped coral, circular-cut diamonds, 18k gold, torsade necklace 16Ω ins., torsade bracelet 8 ins., earrings 2Ω ins., each signed Cartier, accompanied by an unsigned coral and diamond ring, ring size 6º $10,000-15,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

146

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

147

161 GOLD AND DIAMOND SAUTOIR, VAN CLEEF & ARPELS Circular-cut diamonds, platinum and gold, necklace 27 ins., detachable into three sections, two of which may be worn as bracelets of 7Ω ins., detachable pendant-brooch 2Ω ins., each signed Van Cleef & Arpels, no. N.Y.41275, gray Van Cleef & Arpels case $50,000-70,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

148

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

162

162 DIAMOND AND GOLD EARRINGS, VAN CLEEF & ARPELS Circular-cut diamonds, textured gold, Ã¦ in., signed Van Cleef & Arpels, no. NY34522 $10,000-15,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

149

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

(two views)

163 A FINE BELLE ร POQUE SAPPHIRE AND DIAMOND RING, CARTIER Cushion mixed-cut sapphire of 25.18 carats, old and single-cut diamonds, platinum, ring size 6ยบ, circa 1915, signed Cartier, red Cartier case AGL, 2020, report no. 1110054: 25.18 carats, Classic Burma, no gemological evidence of heat or clarity enhancement $150,000-250,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

150

MAGNIFICENT JEWELS

151

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

165

164

165

SAPPHIRE AND DIAMOND FLOWER BROOCH

GROUP OF LAPIS LAZULI AND DIAMOND JEWELRY, VAN CLEEF & ARPELS

Oval-cut sapphire, circular, single and baguette-cut diamonds, platinum, 2ยฌ ins. $6,000-8,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

The 'Philippines' ring, lapis lazuli plaques, circular-cut diamonds, 18k gold, ring size 5, signed VCA, no. NY5V593 143; reeded lapis lazuli plaques, circular-cut diamonds, 18k gold (French marks), bangle bracelet diameter 2ยบ ins., signed V.C.A., 'New York, France', no. 43194 $20,000-30,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

152

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

166 GROUP OF TURQUOISE AND DIAMOND JEWELRY, VAN CLEEF & ARPELS The 'Philippines' ring, turquoise plaques, circular-cut diamonds, 18k gold, ring size 5, signed VCA, no. NY5V593 202; reeded turquoise plaques, circular-cut diamonds, 18k gold, bangle bracelet diameter 2ยบ ins., signed Van Cleef & Arpels, no. NY43379 $20,000-30,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

153

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

167 SUITE OF TURQUOISE AND DIAMOND JEWELRY, VAN CLEEF & ARPELS Oval and circular-shaped cabochon turquoises, circular-cut diamonds, platinum, necklace 15â&#x201E;¦ ins., bracelet 7 ins., earrings 2 ins., earrings dated 1972, each signed Van Cleef & Arpels or VCA, nos. NY39404 (necklace), NY38871 (bracelet), NY42568 (earrings), gray Van Cleef & Arpels necklace pouch and earring case $80,000-120,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

154

MAGNIFICENT JEWELS

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

(two views)

168 A SUPERB ART DECO SAPPHIRE AND DIAMOND BROOCH, CARTIER Rectangular-cut sapphire of 12.64 carats, old, single, baguette and square-cut diamonds, platinum (French marks), 2 ins., circa 1925, signed Cartier, 'Paris', 'Made in France', maker's mark (Henri Droguet), red Cartier fitted case AGL, 2020, report no. 1110053: 12.64 carats, Classic Kashmir, no gemological evidence of heat or clarity enhancement, with Appendix Please refer to the Jewelry department for further information from the SSEF $1,000,000-1,500,000 PROVENANCE:

Formerly from the Collection of Jean Stralem SHOULD YOU WISH TO BID ON THIS LOT, YOU WILL BE REQUIRED TO OBTAIN A HIGH VALUE PADDLE

156

MAGNIFICENT JEWELS

157

SUPERB JEWELS FROM A DISTINGUISHED PRIVATE COLLECTION LOTS 154-169

Jean Stralem, circa 1970s, wearing Lot 169

169 SUITE OF LAPIS LAZULI, TURQUOISE AND DIAMOND JEWELRY, VAN CLEEF & ARPELS Square, oval and circular-shaped reeded lapis lazuli cabochon plaques, oval cabochon turquoises, circular-cut diamonds, gold and white gold, necklace 22 ins., may be shortened and segment may be worn as a bracelet of 7 ins., pendant-brooch 2æ ins., earrings 2¬ ins., ring size 6Ω, each signed Van Cleef & Arpels or V.C.A., nos. NY39693 (necklace and pendant), NY42038 (earrings), and NY42037 (ring), gray Van Cleef & Arpels necklace pouch, earrings case and ring case $100,000-150,000 PROVENANCE:

Formerly from the Collection of Jean Stralem

158

MAGNIFICENT JEWELS

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

A N E X T R AO R D IN A R Y S A P P H IR E & D I A M O N D B R AC EL E T

162

MAGNIFICENT JEWELS

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

Kashmir sapphires are highly coveted for their brilliance and strong saturation of velvet blue, which is reminiscent of the color of a peacock’s neck. The discovery of Kashmir sapphires began in 1881, when a landslide in the Zanskar range of the northwestern Himalayas first revealed sapphire-bearing rocks. The majority of the world’s most beautiful and highest-valued sapphires were mined from the region, including the present stones. By 1887, Kashmir’s first sapphire mine had been exhausted and production ceased. As a result, gem-quality Kashmir sapphires are now extremely rare. Kashmir sapphires command a much higher price premium than all other sapphires, not only for their rarity, but also for their rich, velvety blue color that has a mesmerizing quality. This extraordinary Kashmir is exceedingly astonishing, not only for its exceptional color and transparency but for its prominent carat weight of 43.10 carats. Mounted at the center of a diamond bracelet, this cushion-shaped Kashmir sapphire rests upon a bed of impressively sized D color, Internally Flawless diamonds – a setting worthy of such a princely stone.

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

“For the aficionado of Kashmir material, this gemstone represents a superb example of why Kashmir has earned the status of being the source for sapphire that all others are compared.” -Christopher P. Smith, President American Gemological Laboratories LLC

“The natural sapphire of 43.10 ct […] possesses a richly saturated and homogeneous colour, combined with a high degree of transparency, and a finely proportioned cut. In addition, this remarkable gemstone has been spared thermal treatment. Such a combination of characteristics is rare in natural Kashmir sapphires of this size.” -Lidia Bellomo and Dr. Klaus Schollenbruch The Gübelin Gem Lab

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

“This sapphire […] contains tiny zircon inclusions near to the surface on which we were able to carry out radiometric age dating. The analyses of the zircon inclusions within this sapphire reveal an approximate age of 21 million years.” -Dr. M. S. Krzemnicki, FGA Director SSEF

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

2.03

1.92

0.65

8.94

5.25

43.10

5.35

8.82

0.66

3.01

2.02

PROPERT Y FROM AN EXCEPTIONAL PRIVATE COLLECTION

170 AN EXTRAORDINARY SAPPHIRE AND DIAMOND BRACELET Cushion-cut sapphire of 43.10 carats, pear brilliant-cut diamonds of 8.94, 8.82, 5.35, 5.25, 3.01, 2.03, 2.02 and 1.92 carats, sixty pear brilliant-cut diamonds of 0.76 to 0.25 carat, platinum, 7Ω ins., detachable and may be worn as a brooch with fitting set with round-brilliant terminals, brooch 2º ins., two fitted navy cases for bracelet and brooch SSEF, 2020, report no. 113823: 43.107 carats, Kashmir, no indications of heating, 'ROYAL BLUE', with special letter regarding age dating specifying the sapphire has an approximate age of 21 million years and appendix letter attesting to the exceptional qualities of this sapphire, in leather bound presentation case Gübelin, 2020, report no. 20070021: 43.10 carats, Kashmir, 'ROYAL BLUE', no indications of heating, with information sheet and appendix attesting to the rarity of this sapphire, with a leather bound presentation booklet that includes a comprehensive history of Kashmir sapphires

AGL, 2020, report no. 1109402: 43.10 carats, Classic Kashmir, no gemological evidence of heat or clarity enhancement, with letter attesting to the rare weight and exceptional qualities of this 'ROYAL BLUE' sapphire in a portfolio folder 4 GIA, 2020-2015: 8.94, 8.82, 5.35 and 5.25 carats, D color, Internally Flawless, excellent polish and symmetry, Type IIa 4 GIA, 2020-2011: 3.01, 2.03, 2.02 and 1.92 carats, D color, Internally Flawless 49 GIA Dossier, 2020-2018: Ranging from 0.76 to 0.30 carat, D to E color, Internally Flawless to VS1 clarity Total diamond weight, 67.90 carats $5,000,000-7,000,000

SHOULD YOU WISH TO BID ON THIS LOT, YOU WILL BE REQUIRED TO OBTAIN A HIGH VALUE PADDLE

SESSION II 2.30 PM (Lots 171-382)

MIR EIL L E & JA M ES L É V Y

The Collection of Mireille and James Lévy is a celebration of graceful and poetic forms. Their art collection spans the work of many of the twentieth century’s best known artists, from the Dadainspired forms of Jean (Hans) Arp to the Modernist renderings of the human body by Barbara Hepworth and Henry Moore. While much of the collection consists of three-dimensional works, the Lévys embraced all forms of artistic expression, and substantial canvases by Adolph Gottlieb and Morris Louis embraced the fluid two-dimensional forms of the Color Field painters. The couple also embraced contemporary art and collected works by major Pop Art artists such as Andy Warhol and Tom Wesselmann, who had abandoned the prevailing forms of abstraction to develop a groundbreaking form of figurative painting. Masterpieces of their collection will be offered for sale in New York in early December.

opposite: Mrs. Lévy and her husband James Lévy, surrounded by their art, in their New York apartment overlooking Central Park.

The sophistication and keen eye for design reflected in the Lévys’ art collection was also apparent in Mrs. Levy’s taste in jewelry. The couple refined their preference and palate for jewels through a combination of extensive travels, exposure to art and architecture and distinguished instinct drawn from their Egyptian roots and affinity for French culture. Over the course of several decades, the couple acquired jewels that Mrs. Lévy enjoyed wearing regularly – from galas

in New York, to weddings in Italy and alluring events in Monaco. Mrs. Lévy's collection showcases the best Maisons around the world, from David Webb and Harry Winston in New York, to Van Cleef & Arpels in Paris, as well as avant-garde pieces from Marina B. Mrs. Lévy's jewels demonstrate the strong taste and colorful character of this couple. In addition to the ever-iconic ‘Mysteryset’ jewelry by Van Cleef & Arpels, offered from Mrs. Lévy’s collection in November at Christie’s, Geneva, Mrs. Lévy also acquired a showstopping diamond and onyx panther suite by Cartier that she proudly wore – including a necklace, brooch, bracelet, pair of earrings and a ring (Lots 377 – 381). While building their remarkable collection, the couple also had a desire to share their love of art with a wider audience. They donated works from their art collection both to major international museum collections and lesser known European institutions; from The Metropolitan Museum of Art in New York, to the Musée cantonal des Beaux-Arts, Lausanne, the Lévys’ generosity was transformational to these institutions’ collections. Now, their largesse continues, as the proceeds from the sale of these works will continue their legacy of extraordinary philanthropy.

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

•171 SET OF DIAMOND, ENAMEL, RUBY AND GOLD PANTHER JEWELRY, DAVID WEBB Of panther motif, black enamel, circular-cut diamonds, circular cabochon rubies, 18k gold and platinum, brooch 2√ ins., earrings 1¡ ins., brooch signed David Webb, earrings signed Webb, black David Webb earring pouch $5,000-7,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

172

173

•172

173

DIAMOND EARRINGS, DAVID WEBB

DIAMOND AND GOLD 'PARENTESI' CUFF BANGLES, BULGARI

Circular-cut diamonds, 18k gold and platinum, 1º ins., signed Webb, black David Webb pouch $8,000-12,000

Circular-cut diamonds, 18k gold (Italian marks), diameter 2Ω and 2¿ ins., each signed Bulgari, one bracelet with no. BD7722 $10,000-15,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

181

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

•174 GROUP OF CULTURED PEARL AND DIAMOND JEWELRY Single-strand dark gray cultured pearls of approximately 12.25 to 10.20 mm, single-strand light gray cultured pearls of approximately 15.10 to 11.40 mm, button-shaped light gray cultured pearls, circular and square-cut diamonds, gold, dark gray 19 ins., light gray 16¡ ins., earrings √ ins. $8,000-12,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

•175 DIAMOND CLIP, HARRY WINSTON AND CULTURED PEARL AND DIAMOND NECKLACE Circular and pear-shaped diamonds, 18k gold, 1 in., signed Winston, maker's mark (Jacques Timey); thirtythree graduated white cultured pearls of 17.36 to 13.21 mm, circular-cut diamonds, gold, 22 ins., may be shortened to 20æ ins. $7,000-10,000

•176 DIAMOND AND CULTURED PEARL EARRINGS, JACQUES TIMEY, ATTRIBUTED TO HARRY WINSTON Circular-cut diamonds, drop-shaped gray cultured pearls, 18k gold, 1¡ ins., maker's mark (Jacques Timey) $5,000-7,000

175

176

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

177

178

•177

•178

TRI-COLORED GOLD 'TUBOGAS SERPENTI' WRISTWATCH, BULGARI

DIAMOND, GOLD AND PLATINUM BANGLES, DAVID WEBB

18k gold, rose and white gold (Italian marks), black lacquer dial, quartz movement, dial 19 mm, bracelet adjustable, signed Bulgari, maker's mark, caseback 'Fabrique en Suisse', no. BB 19 1T P.30957

Circular-cut diamonds, 18k gold and platinum, each diameter 2¡ ins., each signed David Webb, one black David Webb pouch $7,000-10,000

$5,000-7,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

179 DIAMOND EARRINGS, MARINA B Triangular and shield-shaped diamonds, 18k gold, 2 ins., signed Marina B, maker's mark, no. 13/166 $20,000-30,000

179

180 RUBY, SAPPHIRE AND DIAMOND EARRINGS, SABBADINI Calibré-cut rubies and sapphires, circular-cut diamonds, 18k gold (Italian marks), detachable pendants, 2 ins., signed Sabbadini, gray Sabbadini pouch $10,000-15,000 PROVENANCE:

Christie's, New York, 8-9 April 2002, lot 341

180

185

•181 DIAMOND, SAPPHIRE AND GOLD FISH ATOMIZER-PENDANT Designed as an articulated fish, opening to reveal a perfume atomizer, circular-cut diamonds, circular cabochon sapphires, gold, 3¡ ins., accompanied by an 18k gold chain, 27æ ins. $3,000-5,000

182

•~182 GROUP OF THREE CORAL AND DIAMOND RINGS, VAN CLEEF & ARPELS Two rings of 'Philippine' design, coral, circular-cut diamonds, 18k gold (French marks), ring sizes 5Ω and 5æ, each signed VCA, maker's marks, no. 127492 68 (one ring); one ring, coral bead, circular-cut diamonds, 18k gold, ring size 6Ω, signed VCA, 'Made in France', no. NY5V461.4, one gray Van Cleef & Arpels pouch $3,000-5,000

181

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

183

184

•~183

•184

CORAL AND DIAMOND 'ROSE DE NOËL' EARRINGS, VAN CLEEF & ARPELS

SET OF HAMMERED GOLD JEWELRY, DAVID WEBB

Coral petals, circular-cut diamonds, 18k gold (French marks), 1¡ ins., signed VCA, 'Made in France', maker's mark, 48719A and B

Hammered 18k gold, ring size 7, earrings 1º, each signed Webb, back David Webb ring pouch $3,000-5,000

$8,000-12,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

187

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

185

•185 RUBY AND DIAMOND EARRINGS, JACQUES TIMEY, ATTRIBUTED TO HARRY WINSTON Oval-shaped cabochon rubies, circular-cut diamonds, 18k gold, √ in., maker's mark (Jacques Timey) $8,000-12,000

188

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

•186 RUBY, ENAMEL AND GOLD 'BAGATELLE' MINAUDIERE, VAN CLEEF & ARPELS Opening to reveal a fitted mirror, two compartments, a compact and lighter, circular-cut rubies, black enamel, gold and silver, 6 x 4æ x æ ins., circa 1960, signed La Minaudière de Van Cleef & Arpels, no. 61456 $5,000-7,000 LITERATURE:

Cf. E. Possemé, Van Cleef and Arpels, Paris, Éditions des Arts Décoratifs, 2012, p. 151 Cf. S. Raulet, Van Cleef & Arpels, Paris, Editions du Regard, 1986, p. 284 - 285

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

189

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÃ&#x2030;VY LOTS 171-190

190

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

•187 SET OF RUBY AND DIAMOND JEWELRY, HARRY WINSTON Ruby beads, circular-cut diamonds, 18k gold, necklace 16 ins., earrings 4Ω ins., necklace and earrings signed Winston, maker's marks (Jacques Timey), no. 9652 (necklace) $7,000-10,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

191

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

188 DIAMOND AND GOLD 'MARGUERITE' EVENING BAG, VAN CLEEF & ARPELS Opening to reveal a fitted mirror, two compartments, a lipstick case, lighter, perfume container and hair comb, circular-cut diamonds, 14k and 18k gold, 6√ x 2¿ x 1¿ ins., circa 1950, signed Van Cleef & Arpels, no. NY 32211 $10,000-15,000 LITERATURE:

Cf. Van Cleef & Arpels, Paris, Editions Paris-Musées, 1992, p. 156, no. 265

192

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 171-190

189

189 DIAMOND AND GOLD EARRINGS, VAN CLEEF & ARPELS AND DIAMOND PENDANT-BROOCH Circular-cut diamonds, 18k gold, earrings 2æ ins., signed Van Cleef & Arpels, maker's mark, no. NY46025; circular-cut diamond and 18k gold, pendant-brooch 4º ins., pendant with later added pinstem at reverse, signed VCA, no. NY39216-1 (pendant) $25,000-35,000

•190 DIAMOND RING, DAVID WEBB Circular and pear-shaped diamonds, 18k gold, approximate ring size 5æ, signed Webb, black David Webb pouch $5,000-7,000

190 (two views)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

193

192

191 (two views)

PROPERT Y OF A LADY

PROPERT Y FROM AN AMERICAN ESTATE

191

192

DIAMOND RING

GOLD AND DIAMOND NECKLACE

Marquise brilliant-cut diamond of 6.65 carats, baguette-cut diamonds, platinum, approximate ring size 5

Pear brilliant-cut diamond of 3.35 carats, circular-cut diamonds, 18k gold (Italian mark), 15â&#x201E;¦ ins.

GIA, 2020, report no. 5212209339: 6.65 carats, G color, SI1 clarity

GIA, 2020, report no. 2215200878: 3.35 carats, J color, I1 clarity

$40,000-60,000

$10,000-15,000

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

193 TOURMALINE, DIAMOND AND GOLD ACORN BRACELET, VERDURA Rectangular and tapered baguette-cut green tourmaline, circular-cut diamonds, 18k gold, diameter 2¿ ins., circa 1950, signed Verdura, navy Verdura case $30,000-50,000 LITERATURE:

Cf. P. Corbett, Verdura: The Life and Work of a Master Jeweler, New York, Harry N. Abrams, 2002, p. 125 193

194 SPINEL AND DIAMOND RING Cushion mixed-cut spinel of 11.88 carats, trapezoid-shaped diamonds, platinum, ring size 6æ AGL, 2020, report no. 1108382: Ceylon, natural, no enhancement $20,000-30,000 194 (two views)

196

195 (two views)

195

196

EMERALD AND DIAMOND RING, BULGARI

COLORED SAPPHIRE, DIAMOND AND CULTURED PEARL NECKLACE

Rectangular-cut emerald of 7.62 carats, shield and circular-cut diamonds, platinum, ring size 6º, signed Bulgari AGL, 2017, report no. 1088038: 7.62 carats, Colombia, minor to moderate oil $50,000-70,000

Oval modified mixed-cut yellow sapphire of 104.76 carats, circular-cut diamonds, thirty-one cultured pearls, 18k gold, pendant detachable, 17Ω ins. AGL, 2020, report no. 1109692: 104.76 carats, Ceylon, no heat enhancement or clarity enhancement $50,000-70,000

197 (two views)

198

PROPERT Y OF A LADY

197

198

DIAMOND RING, KWIAT

COLORED DIAMOND AND DIAMOND BRACELET, GRAFF

Oval brilliant-cut diamond of 7.01 carats, pear-shaped diamonds, platinum, ring size 4â&#x201E;¦ GIA, 2020, report no. 2171101764: 7.01 carats, H color, VS2 clarity $70,000-100,000

Radiant-cut yellow diamonds, circular-cut diamonds, 7 ins., signed Graff, no. GB4647 $45,000-65,000 Please see Important Notice at the back of the catalogue regarding colored stones.

AN ENQUIRING EYE: PROPERT Y FROM A DISTINGUISHED PRIVATE COLLECTOR

199 DIAMOND PENDANT NECKLACE Round brilliant-cut diamond of 2.16 carats, 18k gold, pendant Ω in., neckchain 24æ ins.

199

GIA, 2020, report no. 2215179537: 2.16 carats, F color, Internally Flawless $20,000-30,000

200 200

ART DECO DIAMOND AND EMERALD BRACELET Marquise, square and old-cut diamonds, calibré-cut emeralds, platinum, 6¬ ins., circa 1925 $10,000-15,000

198

MAGNIFICENT JEWELS

AN ENQUIRING EYE: PROPERT Y FROM A DISTINGUISHED PRIVATE COLLECTOR

202 (two views)

201

202

ART DECO EMERALD AND DIAMOND BRACELET

EMERALD AND DIAMOND RING

Rectangular-cut emeralds, baguette, old and single-cut diamonds, platinum, 7 ins., circa 1925

Rectangular-cut emerald, half moon and baguette-cut diamonds, platinum, ring size 4â&#x201E;¦

AGL, 2020, report no. 1110088: Colombia, insignificant clarity enhancement, traditional type

AGL, 2020, report no. 1110146: Colombia, minor clarity enhancement, traditional type

$25,000-35,000

$30,000-50,000

199

203 (two views)

204 (two views)

203

204

EMERALD AND DIAMOND RING

COLORED DIAMOND AND DIAMOND RING

Round emerald of 7.49 carats, circular-cut diamonds, 18k gold, ring size 5ĂŚ

Fancy intense yellow round brilliant-cut diamond of 31.30 carats, circular and marquise-cut diamonds, gold, approximate ring size 6

AGL, 2020, report no. 1110668: Colombia, insignificant to minor clarity enhancement, traditional type GĂźbelin, 2014, report no. 14110232: 7.49 carats, minor clarity enhancement $100,000-150,000 Please note that one of the reports is over five years old and may require an update.

GIA, 2020, report no. 2215193978: 31.30 carats, Fancy Intense Yellow, natural color, VS2 clarity $575,000-650,000

201

‘As an admirer of Daniel’s work for nearly forty years, I am delighted that Christie’s will have the privilege of offering this important collection of objects. He continues to push the boundaries by working with innovative materials which culminate in objects and jewelry collected the world over.’ -François Curiel, Chairman Christie’s Europe

DA NIEL B R US H

Picasso. van Gogh. da Vinci. These are names that are instantly recognizable and familiar to the masses. Even without a deep understanding and appreciation of art, one can conjure an image of a painting by one of these masters. However, there are also artists who exist in more rarified circles. They may not be household names, but they are very well-known to and coveted by distinguished collectors. Daniel Brush is one of these artists. His limited production of works of art has captivated the privileged few collectors who are lucky enough to know about and own a Brush masterpiece. Brush’s works are collected by a coterie of connoisseurs who have the ability to collect any artist. They choose to collect Brush. Fortunately, exhibitions at the Smithsonian and the Museum of Art and Design have brought Brush into the consciousness of more art enthusiasts and the public at large. Over the past five decades, Brush has established himself as one of the most exclusive and innovative artists of our time. Without outside influences or consideration of the mainstream, Brush has produced a distinctly singular vision and entirely unique body of work. Brush has been celebrated and showcased in international exhibitions and solo retrospectives at leading institutions, including the Museum of Arts and Design, the Smithsonian and Van Cleef & Arpels’ L’École. Additionally, a substantial retrospective of his work is planned for 2021 in Hong Kong. Brush’s work in mixed metals is especially impressive as Brush alone purchases, melts and shapes the gold and other metals used for his pieces. He works in the traditional techniques of ancient goldsmiths and has never employed a workshop or assistants. The only help and support he receives comes from his wife and their son. Brush is also a master of granulation, as seen in Lot 206, which is considered the most complex goldsmithing technique. Notably, Brush skillfully combines mediums not traditionally used together. Lots 218 and 219 adeptly integrate pink diamonds, some of the rarest of colored diamonds, with light pink plastic. By working in a myriad of styles and mediums, Brush has challenged traditional labels and refused to be defined by a single discipline. His works have found homes in important public institutions, including the Metropolitan Museum of Art, as well as notable private and royal collections. Brush has received critical acclaim from jewelry historians, heritage jewelry firms, and members of all

aspects of the jewelry and artistic worlds. His works have been the focus of eight books printed by prestigious publishers including Abrams, Steidl, and Rizzoli. Born in Cleveland, Ohio in 1947, Brush’s fascination and appreciation of art was sparked at a young age. During a family trip to London, his mother took him to the Victoria and Albert Museum. Standing in the jewelry gallery of the museum, Brush knew jewels and precious objects would be his life’s calling. From that point onward, Brush would visit the Cleveland Museum of Art and sketch its collection, in addition to formal art classes. Daniel Brush studied Fine Art at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania and later at the University of Southern California in Los Angeles, California. Early in his career, Brush was an Art Professor at Georgetown University. While teaching, Brush continued to create unique objects and began exhibiting his work in museums and galleries in Washington D.C. Notably, at only 23 years old, Brush put on a sold-out exhibition at The Phillips Collection museum in Washington D.C. In 1978, Daniel and his wife Olivia moved to New York City, where they raised their son, Silla, and have remained since. Despite New York City’s intense focus on fame and celebrity, Brush continues to thrive creatively while maintaining his fiercely hermetic lifestyle. Brush has proven himself a master at maintaining a juxtaposition between living in the highly populated and social New York City and his own monk-like existence. Brush’s talent has never been confined to a single medium. This multidisciplinary artist has worked in drawings, paintings, and sculpture. His works are self-referential across mediums and often interconnected. Many of his works executed in steel, such as Lot 216 with its thousands of hand engraved lines, are evocative of his line drawings. Similarly, his line drawings, such as Lot 205, inspired future sculptures. Christie’s is pleased to present the following collection of jewelry and objects by one of the most important American contemporary artists. Lots 205 - 219 present a rare opportunity to possess a substantial and wide-reaching assemblage of Brush’s works. Without question, this highly individualistic artist, who produces all works with his own mind and hands, is one of the most celebrated and coveted makers in the world today.

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

205 A DRAWING, DANIEL BRUSH Ink on paper depicting a sculpture, 4 x 6 ins., signed Brush, 'First Left Hand Drawing, 11/8/97' $800-1,200 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 108 (sculpture inspired by present drawing)

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

~206 WOOD, COTTON AND GOLD 'IMPERIAL' YO-YO, DANIEL BRUSH Polished wood, cotton string, 22k gold, 2º x 1º ins., 1986, maker's mark $5,000-7,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 33, 11 September 1998 – 10 January, 1999

LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 33 Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

~207 STEEL, GOLD AND WOOD TURNSCREW, DANIEL BRUSH Designed as a turnscrew, steel, 24k gold, wood, 28º x 1Ω-¿ ins., maker's mark $4,000-6,000 Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

IMAGE OF REDUCED SIZE

(detail)

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

(two views)

208 STEEL AND GOLD BOX, DANIEL BRUSH Opening to reveal a collection of rubber bands, steel, 24k gold, accompanied by a note from Daniel Brush, 2Ω x 1º ins., maker's mark $7,000-10,000

Accompanied by a signed note dated 25 December 1992 stating 'For those times .... that you feel like a rubber band, Dan'

208

MAGNIFICENT JEWELS

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

(two views)

209 GOLD AND STEEL 'RARE EARTH' SCULPTURE, DANIEL BRUSH Designed as a glass vial filled with earth, 24k gold, steel, 1¿ x 1 x 3º ins., maker's mark, inscribed on base 'Folk Art, Ground Breaking, 53rd Street, 10-13-99' $3,000-5,000

The American Folk Art Museum was open from 2001 to 2011 and was located in New York City in Lincoln Center. The museum was devoted to folk art and featured the works of contemporary self-taught artists.

209

AN IMPORTANT COLLECTION OF OBJECTS OBJECT BY DANIEL BRUSH LOTS 205-219

211 (two views)

~210 GOLD, STEEL AND WOOD HAMMER, DANIEL BRUSH DANIE Designed as a hammer, 24k gold, steel, wood, 8ÂŹ ins., Designe maker's mark $2,000-3,000 $2,000Accompanied by a signed note dated 25 December 2000 Accomp stating ''A special one is prized by both the builder and the jeweler, Daniel' Prospective purchasers are advised that several countries Prospec prohibit the importation of property containing materials endangered species, including but not limited to coral, from end ivory and tortoiseshell. Accordingly, prospective purchasers should ffamiliarize themselves with relevant customs regulations prior to bidding if they intend to import this lot regulatio another country. into ano

211 GOLD AND STEEL TOKEN HOLDER, DANIEL BRUSH Opening to reveal a single compartment, 24k gold, steel, diameter 1 in., maker's mark $2,000-3,000

210

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

212 GROUP OF FIVE STEEL AND GOLD MARBLES, DANIEL BRUSH Comprising five 24k gold and steel marbles of geometric motif, each diameter â&#x2C6;&#x161; in., unsigned $5,000-7,000 According to the artist, Lot 212 was made as a Christmas gift and given to the recipient for "whenever he felt like was losing his marbles."

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

213 GOLD, STEEL AND IRON 'PICK-UP STICKS', DANIEL BRUSH Designed as a set of pick-up sticks, the cylindrical case opening up to reveal 24 sticks, 24k and 22k gold, steel, iron, case 9Ω x 1 ins., each stick 7√ ins., 1988-1989, maker's mark $12,000-18,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 64, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 64

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

(two views)

214 GOLD AND STEEL 'FINGERPRINT' SCULPTURE, DANIEL BRUSH 24k gold and steel, 2º x 2º 1º ins., 1993-1994, maker's mark $15,000-20,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 89, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 89

AN IMPORTANT COLLECTION OF OBJECTS BY D DANIEL BRUSH LOTS 205 205-219 219

(two views)

215 GOLD AND STEEL 'COBRA PIECE', DANIEL BRUSH 24k gold and steel, 5√ x 1º x ¿ ins., 1992, maker's mark $8,000-12,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 85, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 85

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

216 GOLD AND STEEL 'BLACK BOX', DANIEL BRUSH Opening to reveal a gold interior with fingerprint design, 24k gold, steel, 4 x 4 x 1Ã¦ ins., circa 1995, maker's mark $30,000-50,000 LITERATURE:

Cf. Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 77

(detail of interior)

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

217 GOLD, STEEL AND DIAMOND 'WATER STONE' SCULPTURE, DANIEL BRUSH 24k gold, steel, rare-earth magnets, circular-cut diamonds, 4 x 3¡ x 1º ins., three variously-sized butterflies of 1 to æ ins., 1991-95, maker's mark $30,000-50,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 70, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 70

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

(two views)

218 PINK PLASTIC, COLORED DIAMOND, MULTI-GEM AND GOLD 'SNOW GLOBE', DANIEL BRUSH Carved pink plastic, circular-cut pink diamonds, carved emeralds, circular-cut rubies, 24k, 22k and 18k gold, stainless steel, accompanied by a note from Daniel Brush, 2¿ x 2¿ ins., maker's mark, originally designed as a snow globe, glass covering, glycerin and water presently deficient $12,000-18,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 37, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 37 Accompanied by a signed note dated 'Holidays 1993' stating 'A little globe hopping, a little snow dropping, Olivia, Silla, Daniel' (detail of base)

AN IMPORTANT COLLECTION OF OBJECTS BY DANIEL BRUSH LOTS 205-219

~219 PINK PLASTIC, COLORED DIAMOND AND MULTI-GEM 'FLAMINGO' FRAME, DANIEL BRUSH Carved pink plastic, circular-cut pink diamonds, circular cabochon ruby, half moon and shield-shaped emeralds, polished horn, conch pearl, glass, 24k, 22k and 18k gold, accompanied by a plastic and pink diamond screwdriver, 5 x 4Ω x 1Ω ins., 1989-1992, maker's marks $80,000-120,000 EXHIBITED:

Washington, D.C., The Smithsonian Institution, The National Museum of American Art, The Renwick Gallery, Gold without Boundaries, no. 40, 11 September 1998 – 10 January, 1999 LITERATURE:

Daniel Brush: Gold without Boundaries, New York, Harry N. Abrams, Inc., 1998, no. 40

PROPERT Y OF A LADY

220 ENAMEL AND GOLD 'SNOW WHITE AND THE SEVEN DWARFS' CHARM BRACELET, CARTIER Variously-colored enamel charms depicting Disney's Snow White, Doc, Grumpy, Happy, Sleepy, Dopey, Bashful and Sneezy, 14k gold, one charm with significant loss to enamel, 7º ins., circa 1937, each charm signed Cartier $15,000-20,000 PROVENANCE:

Similar example, Christie’s, New York, 16 April 2019, lot 104, sold for $118,750 Based on the Brothers Grimm German fairy tale, the animated feature film Snow White and the Seven Dwarfs was released on December 21, 1937 by Walt Disney Productions. This timeless film is the earliest example of a Disney animated feature and won Walt Disney an honorary Oscar at the 11th Academy Awards. This Snow White charm bracelet by Cartier dates back to 1937 when the film was released. A version of this bracelet was worn by Walt Disney’s wife, Lillian, to the premier of the film at Carthay Circle Theater in Los Angeles.

221 TSAVORITE GARNET AND DIAMOND RING Cushion modified brilliant-cut tsavorite garnet of 11.73 carats, epaulet and circular-cut diamonds, platinum, ring size 6Ω GIA, 2018, report no. 6193446853: 11.73 carats, Tsavorite, Grossular Garnet $40,000-60,000 221 (two views)

222 SPESSARTITE GARNET AND DIAMOND RING Cushion mixed-cut spessartite garnet of 19.62 carats, circular-cut diamonds, 18k white gold, ring size 6Ω AGL, 2020, report no. 1109819: 19.62 carats, Spessartite Garnet, no gemological evidence of enhancement $15,000-20,000

222 (two views)

223 COLOR CHANGE SAPPHIRE AND DIAMOND RING Cushion modified mixed-cut purple sapphire of 28.41 carats, marquise and baguette-cut diamonds, platinum (French mark), ring size 6æ AGL, 2020, report no. 110543: 28.41 carats, Ceylon, no gemological evidence of heat or clarity enhancement, displays a change of color when viewed under different lighting conditions $60,000-80,000

223 (two views)

PROPERT Y OF A LADY

224 SET OF SAPPHIRE AND DIAMOND JEWLERY Oval and pear-shaped cabochon sapphires, calibré and marquise-cut sapphires, circular-cut diamonds, 18k gold, necklace 17Ω ins., detachable pendant brooch 2¬ ins., earrings 1¿ ins. $20,000-30,000

225 SAPPHIRE, EMERALD AND ENAMEL RING, DAVID WEBB Cushion-shaped sapphire of 48.32 carats, baguette-cut emeralds, green enamel, 18k gold, ring size 7, signed Webb $25,000-35,000 225 (two views)

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

226 COLORED DIAMOND AND EMERALD SALAMANDER BROOCH, BOUCHERON Designed as a salamander, marquise and circular-cut orange and yellow diamonds, circular-cut emeralds, 18k rose gold (French marks), 2æ ins., circa 1950, signed Boucheron 'Paris', maker's mark (Atelier Joaillerie Vendôme), no. 19173 GIA, 2020, report no. 5202932511: Identification and Origin Report, 1 colored diamond tested, natural color

226

$20,000-30,000 Please note that the remaining colored diamonds have not been tested for natural color.

PROPERT Y FROM A PRIVATE COLLECTION

227 DIAMOND RING Marquise brilliant-cut diamond of 12.37 carats, tapered baguette-cut diamonds, platinum, ring size 6º GIA, 2020, report no. 6214197933: 12.37 carats, L, Faint Brown color, VS2 clarity $60,000-80,000 227 (two views)

PROPERT Y FROM AN ESTATE

228 SET OF CARVED JADE, RUBY AND GOLD JEWELRY, DAVID WEBB Circular light green jade disc depicting a fish, carved white jade plaques, oval cabochon rubies, 18k white gold, one ruby mostly deficient, necklace 17Ω ins., ring size 5æ, signed Webb (necklace) and David Webb (ring) $30,000-50,000

229 DIAMOND RING Cut-cornered rectangular modified brilliant-cut diamond of 15.02 carats, 14k gold, ring size 6 GIA, 2016, report no. 1229182920: 15.02 carats, W to X color, VS1 clarity $65,000-85,000 229 (two views)

PROPERT Y OF A LADY

230 SET OF ENAMEL AND GOLD JEWLERY, JEAN SCHLUMBERGER, TIFFANY & CO. Green paillonné enamel, 18k gold (French mark), bracelet diameter 2º ins., earrings √ in., each signed Tiffany & Co. Schlumberger, bracelet with maker's mark (Pierre Brun), some areas of damage to the enamel $15,000-20,000

230

231

232

PROPERT Y OF A LADY

231

232

DIAMOND, EMERALD, MALACHITE AND GOLD 'SERPENTI' WRISTWATCH, BULGARI

Circular-cut diamonds, gold, diameter 2ยบ ins., signed Graff

Circular-cut diamonds and emeralds, malachite plaques, textured 18k gold (Italian and Swiss marks), concealed dial, quartz movement, dial width 15.30 mm, dial and bracelet signed Bulgari, nos. SP 40 G, BT2, 'Fabrique en Suisse' (case back), brown Bulgari pouch $60,000-80,000

The serpent is a symbol of knowledge and eternity, and the motif has found its way into jewelry design since the Hellenistic period. Bulgari, always conscious of their ancient cultural heritage, drew from this tradition to create the first 'Serpenti' bracelet-watches during the late 1940s. Since then, the 'Serpenti' theme has crossed into all categories of jewels by Bulgari, and in a variety of creative iterations, including white, yellow and pink gold, steel, colored gemstones, diamonds and enamel.

DIAMOND BRACELET, GRAFF $30,000-50,000

Born Nina Renshaw in 1954, Nina Griscom, as she was known, was a model, a muse and a friend to many. The daughter of Elizabeth F. Rohatyn and Charles Renshaw she grew up on the Upper East Side of Manhattan.

opposite: Patrick McMullan via Getty Images, Lots 241, 242

Following a traditional Upper Class education at Miss Porter’s and then Barnard she broke out to become a model working for Eileen Ford while still in college. ‘I wasn’t discovered I walked right in demanding work!’

She moved on to a position as a television presenter, working from 1990-1993 on Entertainment news on HBO and followed up as the presenter with Alan Richman Of Dining Around, which ran from 1993 to 1998. Later she ran home décor stores in Southampton and Manhattan. A patron of the Ballet, Ms. Griscom was a familiar face around Manhattan. In her later years, as she fought the debilitating effects of ALS, she battled with grace and courage until the last.

233 DIAMOND EARRINGS Old mine brilliant-cut diamond of 3.47 carats, cushion brilliant-cut diamond of 3.27 carats, platinum and gold, 7/8 in.

233

GIA, 2020, report no. 5211091884: 3.47 carats, M color, I1 clarity GIA, 2020, report no. 2211091904: 3.27 carats, L color, SI2 clarity $15,000-20,000

234 EMERALD AND DIAMOND RING Rectangular-cut emerald, triangular-cut diamonds, 18k gold (French mark), ring size 6Ω AGL, 2020, report no. 1109271: Colombia, minor clarity enhancement, modern type 234 (two views)

$12,000-18,000

235 EMERALD AND DIAMOND PENDANT EARRINGS Drop-shaped emerald beads, old and single-cut diamonds, platinum, 2¬ ins. $12,000-18,000

235

236 EMERALD, RUBY AND DIAMOND BROOCH Emerald tumbled beads, ruby bead, old and circular-cut diamonds, silver and 18k gold, 3¬ ins. $10,000-15,000

236

237

237 ART DECO DIAMOND BRACELET Old, baguette and single-cut diamonds, platinum, 6¿ ins., circa 1935 $30,000-50,000

235

238 DIAMOND STARBUST EARRINGS Old-cut diamonds, gold and silver, 2ยก ins. $12,000-18,000

238

239 EMERALD, BAROQUE CULTURED PEARL AND DIAMOND EARRINGS Carved emerald drop bead, baroque cultured pearl drop, circular-cut diamonds, gold, 2ยบ ins. $10,000-15,000

239

240 RUBY AND DIAMOND BROOCH Pear, baguette and tapered baguette-cut rubies and diamonds, platinum and 18k white gold (French marks), 2¡ ins. AGL, 2020, report no. 1109206: 12 Rubies tested, Burma (12), no gemological evidence of heat (11), heat and minor heating residue (1) $30,000-50,000

240

241 ART DECO DIAMOND BRACELET Old, single and baguette-cut diamonds, platinum (French marks), 7Ω ins., circa 1930 $15,000-20,000

241

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MAGNIFICENT JEWELS

(two views)

242 DIAMOND RING Rectangular-cut diamond of 15.02 carats, tapered baguette-cut diamonds, ring size 5Ã¦ GIA, 2020, report no. 2193611860: 15.02 carats, K color, VS2 clarity $120,000-180,000

240

MAGNIFICENT JEWELS

241

T H E VA N D E R B I LT DIAMOND NECKL ACE

Wendy Vanderbilt Lehman, a woman of captivating style, was a member of one of America’s most prominent families – the Vanderbilts of the legendary Gilded Age, a period when Vanderbilt men were the merchant princes of American life through their prominence in the business world and the Vanderbilt women were international patrons of the arts.

Alfred spent his life breeding, owning and racing his horses. He managed Pimlico Race Course and Belmont Park while in his twenties, but his greatest achievements in racing came through the brilliance of one gray colt, Native Dancer, who won 21 of his 22 races – losing only the 1953 Kentucky Derby by the length of his head.

Born to Alfred Gwynne Vanderbilt II and Manuela Hudson, Wendy was a direct descendent of “Commodore” Cornelius Vanderbilt, who started the family fortune in shipping, real estate and railroads. He was the founder of the New York Central Railroad and builder of Grand Central Terminal in New York City.

Alfred was also at the helm of arranging the famous match race between the Californian Seabiscuit and the East War Admiral in 1938. It was during this period that he was introduced to Wendy’s mother, the strikingly beautiful Manuela Hudson, by her cousins Marcela and Charles S. Howard, the racehorse owners of Seabiscuit. Alfred and Manuela, otherwise known as Mollie, married but eventually divorced; she later married Edward (Ned) Beale Mclean Jr. Ned was the son of American mining heiress and socialite Evalyn Walsh Mclean, who was famous for being the last private owner of the famed Hope Diamond. It was during this marriage that Ned purchased this extraordinary diamond fringe necklace for Mollie and the necklace was later inherited by Wendy.

Cornelius Vanderbilt’s descendants gained fame as successful entrepreneurs while several achieved prominence in other fields. Wendy’s father, Alfred, was the son of the first Alfred Gwynne Vanderbilt, who died a hero after giving his life jacket to a woman on the Lusitania when the ship was sunk by German U-boats in the Atlantic in 1915. His mother, Margaret Emerson, came from Bromo-Seltzer wealth and was one of the most sought-after hostesses of her time, operating at least seven large estates around the country. Wendy’s great grandfather, Cornelius Vanderbilt II, who built The Breakers, the famous family summer cottage in Newport, Rhode Island, had been one of America’s most revered businessmen; her great great-grandfather, William Henry Vanderbilt, was reputed to be the richest man in the world during his time. Artistic expression came naturally to Wendy’s great aunt, Gertrude Vanderbilt Whitney, a talented sculptor who went on to establish the Whitney Museum of American Art; another great aunt, Gladys Moore Vanderbilt, inherited The Breakers; an uncle, William Henry Vanderbilt III, was governor of Rhode Island from 1938 to 1940. It was this environment of enormous privilege, surrounded by history, wealth and opportunity, in which Wendy Vanderbilt grew up. opposite: Wendy Vanderbilt Lehman in Palm Beach, Florida, 1959. Slim Aarons/Slim Aarons/ Getty Images

Wendy’s father, Alfred, was given Sagamore, his mother’s 600 acre horse farm in Maryland on his 21st birthday. Elegantly embodying sportsmen in society,

Wendy Vanderbilt Lehman was a sculptor and painter. Her works can be found in the National Gallery of Art in Washington, D.C. and other museums. She was married to the Orin Lehman, a great-grandson of Mayer Lehman, a founder of the Lehman Brothers investment house and New York State’s longestserving commissioner of Parks, Recreation and Historic Preservation, serving from 1975 to 1993. Lot 243 is a magnificent necklace of great intrinsic importance with distinguished provenance. Of impeccable craftsmanship, the front of the necklace suspends a graduated fringe of detachable pear-shaped diamonds, each from an inverted pear-shaped diamond link, to a graduated line of circular-cut diamonds. Christie’s New York proudly offered jewelry from the collection of Wendy Vanderbilt Lehman, including The Vanderbilt Diamond Necklace, in October 2010, where it was purchased by the current owner. We are honored to offer it for sale once more.

243 THE VANDERBILT DIAMOND NECKLACE DIAMOND NECKLACE Twenty-five pear-shaped diamonds of 5.93 to 0.55 carats, smaller pear-shaped diamonds, circular-cut diamonds, platinum, 15â&#x201E;¦ ins., may also be worn as 13 ins., circa 1950 $500,000-800,000 PROVENANCE:

Mrs. Manuela Hudson Mclean Mrs. Wendy Vanderbilt Lehman Christies, New York, 20 October, 2010, lot 447

245

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 244-252

244 DIAMOND EARRINGS, VAN CLEEF & ARPELS Circular-cut diamonds, gold, 2æ ins., signed Van Cleef & Arpels, no. N.Y.42543 $15,000-20,000

244

245 EMERALD AND DIAMOND RING, VAN CLEEF & ARPELS Square and rectangular-cut emeralds, circular-cut diamonds, 14k gold, ring size 6º, signed Van Cleef & Arpels, no. N.Y. 46040, maker's mark, blue Van Cleef & Arpels pouch $15,000-20,000 245 (two views)

246 EMERALD AND DIAMOND EARRINGS, JACQUES TIMEY, ATTRIBUTED TO HARRY WINSTON Pear-shaped emeralds, circular-cut diamonds, 18k gold, each fitted with pendant hoops at the top, 1 in., maker's mark (Jacques Timey) $30,000-50,000 246

246

MAGNIFICENT JEWELS

247 ART DECO DIAMOND SAUTOIR, VAN CLEEF & ARPELS Old, single and baguette-cut diamonds, 18k white gold (French mark) and platinum, necklace 21Ω ins., tassel 4º ins., circa 1925, signed Van Cleef & Arpels, no. 31950 $40,000-60,000

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 244-252

248 DIAMOND EARRINGS, HARRY WINSTON Circular and baguette-cut diamonds, platinum, 1Ω ins., signed Winston, maker's marks (Jacques Timey) $20,000-30,000

248

249 RUBY AND SAPPHIRE 'BOULE' RING, CARTIER Circular-cut rubies and sapphires, 18k gold and platinum (French marks), ring size 5Ω, signed Cartier, 'Paris', maker's mark, no. 08905 $15,000-20,000 PROVENANCE:

Christie's, New York, 21-22 October 2020, Lot 373 The ruby and sapphire combination of this boule ring is reminiscent of the Cartier ruby and sapphire ring made for the Duchess of Windsor in 1937.

249 (two views)

249

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 244-252

250 (two views)

251 (two views)

250

251

RUBY AND DIAMOND RING, HARRY WINSTON

EMERALD AND DIAMOND RING, CARTIER

Rectangular-cut ruby, calibré-cut rubies, baguette, tapered baguette and square-cut diamonds, platinum and 18k gold, approximate ring size 7º, signed Winston

Rectangular modified-cut emerald, half moon-shaped diamonds, platinum and gold, ring size 6æ, signed Cartier, nos. 926481 and 860005

AGL, 2020, report no. 1110832: Burma, no gemological evidence of heat

AGL, 2020, report no. 1110831: Colombia, minor clarity enhancement, traditional type

$40,000-60,000

$70,000-100,000

250

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 244-252

(two views)

252 DIAMOND RING, JACQUES TIMEY, ATTRIBUTED TO HARRY WINSTON Pear brilliant-cut diamond of 9.87 carats, tapered baguette-cut diamonds, 18k gold, approximate ring size 6Ω, maker's mark (Jacques Timey) GIA, 2020, report no. 5212242506: 9.87 carats, F color, VS2 clarity $150,000-250,000

251

253 (two views)

254

253

254

EMERALD AND DIAMOND RING

MULTI-GEM AND DIAMOND BRACELET

Square-cut emerald of 6.82 carats, baguette and circular-cut diamonds, platinum, ring size 7รฆ

Oval cabochon sapphires, carved sapphires, rubies and emeralds, old, single, baguette and square-cut diamonds, platinum, 7ยก ins., circa 1950

AGL, 2020, report no. 1110255: 6.82 carats, Colombia, minor clarity enhancement, traditional type $30,000-50,000

$15,000-20,000

256 (two views)

255

256

DIAMOND EARRINGS, GRAFF

SAPPHIRE AND DIAMOND RING

Round brilliant-cut diamond of 1.03 and 1.01 carats, circular and pear-shaped diamonds, 18k white gold (British marks), signed Graff, no. 32166

Octagonal-cut sapphire of 8.61 carats, triangular-cut diamonds, platinum, approximate ring size 5â&#x201E;Ś

GIA, 2018, report no. 6311351898: 1.03 carats, G color, VS2 clarity GIA, 2018, report no. 2307039548: 1.01 carats, G color, VS2 clarity, excellent cut, polish and symmetry $45,000-65,000

SSEF, 2017, report no. 89842: 8.619 carats, Burma, no indications of heating $40,000-60,000

257

254

MAGNIFICENT JEWELS

258

PROPERT Y OF A GENTLEMAN

257

258

DIAMOND 'SNOWFLAKE' NECKLACE, GRAFF

DIAMOND STUDS

Round brilliant-cut diamonds of 1.51 and 1.04 carats, pear modified brilliant-cut diamond of 1.01 carats, smaller circular and pear-shaped diamonds, 18k white gold, 26รฆ ins., may be shortened to 18ยบ ins., signed Graff, no. 7430, navy Graff case, envelope case and outer box

Round brilliant-cut diamonds of 4.21 and 4.20, platinum

Graff: Certificate of Quality GIA, 2013, report no. 2156954778: 1.51 carats, F color, VS2 clarity, excellent polish and symmetry

GIA, 2019, report no. 2195535671: 4.21 carats, J color, VVS1 clarity, excellent polish and symmetry GIA, 2019, report no. 2203119270: 4.20 carats, J color, VVS2 clarity $60,000-80,000

GIA, 2013, report no. 5151762208: 1.04 carats, G color, VS1 clarity GIA, 2013, report no. 5153947900: 1.01 carats, F color, VS1 clarity $140,000-180,000 Please note that the reports are over five years old and may require updates.

255

PROPERT Y OF A GENTLEMAN

259 MOONSTONE AND ENAMEL NECKLACE, LOUIS COMFORT TIFFANY, TIFFANY & CO. Variously-shaped cabochon moonstones, plique-à-jour blue enamel, 14k gold and platinum, 18Ω ins., circa 1910, signed Tiffany & Co. $50,000-70,000 PROVENANCE:

Christie's, New York, 16 October, 2007, lot 173 LITERATURE:

G. von Habsburg, Fabergé: Imperial Craftsman and His World, London, Booth-Clibborn Editions, 2000, page 355, no. 970

260 (two views)

261

PROPERT Y FROM THE COLLECTION OF THE LATE MARILYNNE AND LAURENCE FORD

PROPERT Y OF A LADY

260

261

BELLE ÉPOQUE EMERALD AND DIAMOND RING

ART DECO TOURMALINE, TOPAZ AND ONYX BRACELET, TIFFANY & CO.

Rectangular-cut emerald, old-cut diamonds, 18k gold and platinum, ring size 5º, circa 1900, no. 1207 AGL, 2020, report no. 1107109: Colombia, insignificant clarity enhancement, traditional type

Rectangular-cut tourmalines and topazes, French-cut onyx, gold, 7Ω ins. circa 1925, signed Tiffany & Co. $25,000-35,000

$12,000-18,000

257

PROPERT Y FROM THE ESTATE OF PAUL W. DOLL, JR

262 COLORED DIAMOND AND DIAMOND BROOCH-TIARA, MARCUS & CO. Fancy deep brownish yellow pentagonal step-cut diamond of 1.07 carats, triangular and circular-cut orange diamonds, single-cut yellow diamonds, pink diamonds, and green diamonds, triangular, baguette, and single-cut diamonds, platinum and rose gold, accompanied by a tiara fitting, smaller brooch fitting for detachable star, and two hair pin fittings, 4ĂŚ ins., circa 1950, signed Marcus, no. 09564 GIA, 2020, report no. 6213149422: 1.07 carats, Fancy Deep Brownish Yellow, natural color, SI1 clarity $20,000-30,000 Please note that the remaining colored diamonds have not been tested for natural color.

(shown on tiara fitting)

PROPERT Y FROM THE ESTATE OF PAUL W. DOLL, JR

263 (two views)

264 (two views)

DOLL, JR.

263

264

SAPPHIRE RING

COLORED SAPPHIRE RING

Cushion mixed-cut sapphire of 9.86 carats, platinum and gold, ring size 7ยบ

Intense orangy yellow triangular modified mixed-cut sapphire of 14.04 carats, hammered platinum, ring size 7รฆ

AGL, 2020, report no. 1109938: 9.86 carats, Ceylon, no gemological evidence of heat or clarity enhancement

AGL, 2020, report no. 1109781: 14.04 carats, Intense Orangy Yellow, Classic Ceylon, heat enhancement: none, clarity enhancement: none

$20,000-30,000

$15,000-20,000

“Barbara holds the keys to the other side of the amazingly enormous Warhol story. She was there for all the great statements of Andy’s for years before she cared. She was completely innocent, and she literally saw and heard everything and didn’t give a damn. She had the most naïve and unspoiled eye of any human to enter Manhattan.” –Peter Beard Known throughout international circles by an affectionately abbreviated name, Babs deK was a figure synonymous with style and glamor. Muse and close friend to Andy Warhol, she was part owner, cover star, and contributor to his renowned Interview magazine. Babs’s Warhol years are well documented in editorials, Polaroids and drawings. She and Andy were the undisputed disco balls of Studio 54, and in their lives outside of the club scene, they shared a deep friendship.

opposite: Bob Colacello, Barbara Allen, London, 1976. Courtesy of the artist and Vito Schnabel Gallery

Babs was at the core of the Pop Art movement inspiring and collecting pieces by the artists in her close circle. She always knew who the next “great” would be in the art world and amassed a collection reflective of her distinct sense of taste and style.

In the mid-1980s she met Henryk de Kwiatkowski and they shared a long marriage from 1986 until his passing in 2003. She was a loving mother and wife, an international beauty, and one of society’s great hostesses. She had a discerning eye and the ability to create beauty in everything she touched, reflected in the art and objects that filled her homes at Coyners Farm, Connecticut; Calumet Farm, Kentucky; Serendip Cove, Lyford Cay; and 1 Beekman Place, New York. All of her properties were beautifully decorated by the combined force and talent of Babs and Sister Parish of Parish-Hadley Associates, the firm celebrated for its designs of the Kennedy White House. Featuring boldly colored gemstones, Babs’s jewels include some of the most coveted firms, such as JAR, Belperron and Verdura. Her showstopping 10.59 carat, D color, potentially Internally Flawless diamond ring (Lot 272) was originally purchased at Harry Winston and was gifted to Barbara as an anniversary gift from her husband, Henryk de Kwiatkowski, in 2000. The following jewels, Lots 265 - 272 were worn and loved by Babs and reflect her innate sense of style and spirited eye for the vibrant and brilliant.

266

265

KWIATKOWSKI

~265

266

CARVED JADE, CORAL, LAPIS LAZULI AND DIAMOND EARRINGS, JAR Carved jade plaques, polished coral and lapis lazuli plaques, circular-cut diamonds, with detachable behind-the-ear hooks for support, 18k gold (French marks), 2 ins., signed JAR, 'Paris', both jade plaques with visible fractures $8,000-12,000

262

MAGNIFICENT JEWELS

SAPPHIRE AND DIAMOND EARRINGS, VERDURA Cushion-shaped sapphires, circular-cut diamonds, platinum, 1 in., signed Verdura, maker's mark $15,000-20,000

267

268 (two views)

267 TANZANITE, RUBY AND COLORED DIAMOND ORCHID CLIP-BROOCH, VERDURA Cushion-cut tanzanite, circular-cut rubies, circular-cut yellow diamonds, 18k gold, 3 ins., signed Verdura, maker's mark, navy Verdura case $20,000-30,000 Please note that the yellow diamonds have not been tested for natural color.

268 SAPPHIRE AND DIAMOND RING Cushion mixed-cut sapphire of 18.24 carats, trapezoid-shaped diamonds, platinum, ring size 6 AGL, 2020, report no. 1110610: 18.24 carats, Ceylon, no gemological evidence of heat or clarity enhancement $70,000-100,000

Lot 272, an impressive 10.59 carat diamond, was originally set in a Harry Winston mounting, (currently offered as part of Lot 272). The diamond was later remounted in its current setting and the original Harry Winston setting was modified to accommodate this 18.24 carat sapphire.

269 SET OF DIAMOND AND GOLD JEWELRY, VERDURA Circular-cut diamonds, 14k gold, quartz movement, wristwatch 7Â¿ ins., bracelet 18 ins., each signed Verdura $15,000-20,000 LITERATURE:

Cf. P. Corbett, Verdura: The Life and Work of a Master Jeweler, New York, Harry N. Abrams, 2002, p. 91 for an image of Greta Garbo wearing a version of the watch bracelet

264

MAGNIFICENT JEWELS

270

271 (two views)

270 EMERALD AND DIAMOND EARRINGS, VERDURA Oval cabochon emeralds, circular-cut diamonds, platinum, 1æ ins., signed Verdura, navy Verdura case $15,000-20,000

271 MULTI-GEM AND GOLD RING, HERZ-BELPERRON Green and blue oval and circular-cut tourmalines, peridots, sapphires, emeralds and beryls, 22k gold (French marks), ring size 5Ω, signed H.B., maker's mark, pink Herz Belperron case $15,000-20,000

265

(two views)

272 DIAMOND RING Oval modified brilliant-cut diamond of 10.59 carats, circular-cut diamonds, platinum, ring size 6, accompanied by the diamond's original Harry Winston mounting that has since been modified GIA, report no. 2171299590: 10.59 carats, D color, VVS2 clarity, potentially Internally Flawless, Type IIa $500,000-700,000

This impressive 10.59 carat diamond was originally purchased at Harry Winston in 2000 and was given to Barbara de Kwiatkowski from her husband, Henryk de Kwiatkowski, as an anniversary gift. At the time, the diamond was set in the Harry Winston mounting that accompanies this lot. The diamond was later unmounted and reset in the current mounting. The original Harry Winston setting was later modified in order to accommodate a sapphire (Lot 268).

266

MAGNIFICENT JEWELS

267

273

274

PROPERT Y OF A LADY

273 COLORED DIAMOND AND DIAMOND PENDANT NECKLACE Fancy vivid yellow heart modified brilliant-cut diamond of 15.42 carats, circular-cut diamonds, platinum and gold, 16 ins. GIA, 2020, report no. 2205929421: 15.42 carats, Fancy Vivid Yellow, natural color, VVS2 clarity $500,000-600,000

274 DIAMOND EARRINGS Designed as flowerheads, round brilliant-cut diamonds of 2.14 and 2.11 carats, heart brilliant-cut diamonds of 2.07 to 1.52 carats, platinum, ĂŚ in. GIA, 2020, report no. 10466079: Round Brilliant, 2.14, carats, F color, VS1 clarity GIA, 2020, report no. 5211194994: Round Brilliant, 2.11 carats, E color, VS1 clarity 10 GIA, 2020: Heart Brilliants, 2.07 to 1.52 carats, D to G color, Internally Flawless to SI1 clarity Total weight of the diamonds, 23.46 carats $120,000-180,000

275

276 (two views)

275

276

DIAMOND PENDANT NECKLACE

COLORED DIAMOND AND DIAMOND RING, VAN CLEEF & ARPELS

Heart brilliant-cut diamond of 8.88 carats, circular-cut diamonds, platinum, 16â&#x201E;¦ ins. GIA, 2019, report no. 5202007671: 8.88 carats, F color, Internally Flawless clarity $300,000-500,000

Fancy vivid yellow square-cut diamond of 6.09 carats, old-cut diamonds, gold, ring size 10, signed Van Cleef & Arpels, no. NY41942 GIA, 2020, report no. 6204505809: 6.09 carats, Fancy Vivid Yellow, natural color, VVS2 clarity $300,000-500,000

277

278

PROPERT Y OF A PROMINENT NORTHERN CALIFORNIA COLLECTOR

PROPERT Y OF A LADY

277

278

DIAMOND EARRINGS, BUCCELLATI

AQUAMARINE, DIAMOND AND BI-COLORED GOLD CUFF BRACELET, BUCCELLATI

Circular and single-cut diamonds, 18k white gold, â&#x2C6;&#x161; in., unsigned, blue Buccellati case Buccellati, 1963: Copy of Insurance Valuation $20,000-30,000

Rectangular-cut aquamarine, circular-cut diamonds, 18k gold and white gold (Italian mark), diameter 21 ins., signed M. Buccellati, 'Italy' $40,000-60,000

PROPERT Y OF A PROMINENT NORTHERN CALIFORNIA COLLECTOR

279 SET OF TURQUISE AND DIAMOND JEWELRY, VAN CLEEF & ARPELS Pear-shaped cabochon turquoises, turquoise beads, circular-cut diamonds, gold, pendant-brooch 1æ ins., earrings 1¿ ins., each signed Van Cleef & Arpels, nos. NY39361 (pendant-brooch) and 39362 (earrings), gray Van Cleef & Arpels earring case $25,000-35,000

PROPERT Y FROM THE COLLECTION OF BARBARA ANN OLSEN ROCKEFELLER

280 SUITE OF SAPPHIRE AND DIAMOND JEWELRY, VAN CLEEF & ARPELS Circular-cut sapphires and diamonds, 18k gold (French mark), bracelet 8º ins., earrings √ in., ring size 6º, bracelet and earrings signed Van Cleef & Arpels 'Made in France', ring signed VCA (partially obscured), nos. 29900 (bracelet), 28975.2 (earrings), 29116 (ring, partially obscured) $20,000-30,000 PROVENANCE:

Given to Barbara Ann Olsen Rockefeller as a gift from Nelson Rockefeller, her father-in-law Barbara Ann Olsen Rockefeller was married to Rodman C. Rockefeller, son of Nelson A. Rockefeller, the 41st Vice President of the United States under President Gerald Ford. Her husband’s grandparents were John D. Rockefeller Jr. and Abby Aldrich Rockefeller. Nelson gifted this Van Cleef & Arpels suite to his daughter-in-law, Barbara.

282

281

PROPERT Y OF A GENTLEMAN

PROPERT Y OF A LADY

281

282

SAPPHIRE AND DIAMOND JABOT BROOCH, RAYMOND YARD

Round brilliant-cut diamonds of 2.17 and 2.10 carats, gold

DIAMOND STUDS

Carved sapphire depicting a Buddha, circular cabochon sapphire, circular-cut diamonds, 3Â¬ ins., circa 1955, signed Yard

GIA, 2018, report no. 6197617538: 2.17 carats, E color, VS1 clarity

$10,000-15,000

GIA, 2018, report no. 5191617012: 2.10 carats, E color, VS2 clarity $25,000-35,000

•283 DOUBLE-STRAND GRAY CULTURED PEARL AND DIAMOND NECKLACE One-hundred-sixty-two cultured pearls of various shades of gray of 13.00 to 8.30 mm, circular-cut diamonds, 18k white gold, shortest strand 36 ins. $20,000-30,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERT Y OF A LADY

284 TWIN-STONE DIAMOND RING Cut-cornered square modified brilliant-cut diamonds of 10.33 and 10.03 carats, white gold, ring size 6ยบ GIA, 2020, report no. 1216193491: 10.33 carats, I color, VS2 clarity GIA, 2020, report no. 2211193489: 10.03 carats, I color, VS2 clarity $250,000-350,000

284 (two views)

286

285 (two views)

PROPERT Y FROM A PRIVATE COLLECTION

285

286

SAPPHIRE AND DIAMOND RING, JAR

IRON AND DIAMOND NECKLACE, HEMMERLE

Cushion-cut sapphire of 15.81 carats, single-cut diamonds, platinum (French mark), signed JAR, 'Paris'

Circular-cut diamonds, iron and 18k white gold, 16æ ins., signed Hemmerle, maker's mark

SSEF, 2020, report no. 111778: 15.816 carats, Ceylon, no indications of heating

$15,000-20,000

Gübelin, 2019, report no. 19102083: 15.81 carats, Ceylon, no indications of heating, with information sheet AGL, 2019, report no. 1105210: 15.81 carats, Ceylon, no gemological evidence of heat or clarity enhancement $200,000-300,000

277

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

287 COLORED DIAMOND AND DIAMOND EARRINGS Fancy intense purplish pink pear modified brilliant-cut of 2.61 carats, fancy intense pink pear modified brilliant-cut diamond of 2.34 carats, circular-cut diamond surmounts of 1.50 carats each, baguette and circular-cut diamonds, platinum and rose gold, 1ยบ ins. GIA, 2020, report no. 2185147584: 2.61 carats, Fancy Intense Purplish Pink, natural color, VVS1 clarity, potentially Internally Flawless GIA, 2020, report no. 5181147562: 2.34 carats, Fancy Intense Pink, natural color, VVS2 clarity, potentially Internally Flawless $1,200,000-2,200,000 SHOULD YOU WISH TO BID ON THIS LOT, YOU WILL BE REQUIRED TO OBTAIN A HIGH VALUE PADDLE

278

MAGNIFICENT JEWELS

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

(two views)

288 UNMOUNTED DIAMOND Rectangular-cut diamond of 10.59 carats GIA, 2020, report no. 1182080770: 10.59 carats, D color, Flawless clarity, excellent polish and symmetry, Type IIa $550,000-750,000

280

MAGNIFICENT JEWELS

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

289 (two views)

290

289

290

SAPPHIRE AND DIAMOND RING

SAPPHIRE AND DIAMOND BRACELET

Cushion-cut sapphire of 18.27 carats, baguette and single-cut diamonds, platinum, ring size 6Ω

Oval mixed-cut sapphires, oval brilliant-cut diamonds of 2.34 to 1.00 carats, platinum, 7 ins.

Gübelin, 2018, report no. 18102028: 18.27 carats, Burma, no indications of heating, with information sheet

AGL, 2014, report no. CS 60811: Classic Burma, no gemological evidence of heat or clarity enhancement

AGL, 2017, report no. 1084705: 18.27 carats, Burma, no gemological evidence of heat or clarity enhancement

13 GIA, 1995-2014: 2.34 to 1.00 carats, D to E color, Internally Flawless to VS2 clarity. Total diamond weight, 17.99 carats.

$250,000-350,000

$100,000-150,000 PROVENANCE:

Christie's, New York, 26 April, 2017, lot 131 Please note that the reports are over five years old and may require updates.

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

291

292 (two views)

291

292

COLORED DIAMOND AND DIAMOND EARRINGS

COLORED DIAMOND RING

Fancy intense yellow pear modified brilliant-cut diamonds of 6.94 and 6.71 carats, circular, pear and marquise-cut diamonds, platinum and gold, 1â&#x201E;¦ ins., maker's mark for Harry Winston on one diamond cluster

Fancy deep brown-yellow modified rectangular brilliant-cut of 18.43 carats, rose gold, ring size 5

GIA, 2020, report no. 2185866477: 6.94 carats, Fancy Intense Yellow, natural color, SI1 clarity GIA, 2020, report no. 1186866484: 6.71 carats, Fancy Intense Yellow, natural color, SI1 clarity $150,000-250,000

GIA, 2016, report no. 1182052244: 18.43 carats, Fancy Deep Brown-Yellow, natural color, VVS1 clarity, Type IIa $120,000-180,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

293 DIAMOND LONGCHAIN PENDANT NECKLACE Briolette-cut diamond of 11.66 carats, oval-shaped briolette-cut diamonds, circular-cut diamonds, platinum and 18k white gold, detachable pendant, longchain 45æ ins., pendant 1¿ ins. GIA, 2016, report no. 6232880668: 11.66 carats, H color, VVS2 clarity $120,000-180,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

294 DIAMOND AND TITANIUM EARRINGS, ETCETERA Briolette, oval, pear and circular-cut diamonds, blue titanium, 3Ã¦ ins., maker's mark $150,000-250,000

288

MAGNIFICENT JEWELS

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

295

296 (two views)

295

296

SAPPHIRE AND DIAMOND BANGLE BRACELET

SAPPHIRE AND DIAMOND RING, HARRY WINSTON

Oval cabochon sapphires, circular-cut diamonds, white gold, diameter 2â&#x201E;¦ ins. AGL, 2020, report no. 1109782 A and B: Ceylon, no gemological evidence of heat or clarity enhancement $70,000-100,000

Cushion mixed-cut sapphire of 18.65 carats, circular-cut diamonds, 18k gold, ring size 6, signed Winston, maker's marks (Jacques Timey) AGL, 2019, report no. 1099716: 18.65 carats, Ceylon, no gemological evidence of heat or clarity enhancement $60,000-80,000

289

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

297 DIAMOND LONGCHAIN NECKLACE Variously-shaped diamonds, micropavÃ© circular-cut diamonds, platinum, 44 ins., with detachable segment of 7 ins., may be worn as a bracelet $40,000-60,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

298 (two views)

299

298

299

SAPPHIRE AND DIAMOND RING

ART DECO DIAMOND BRACELET, CARTIER

Cushion mixed-cut sapphire of 8.67 carats, trapezoid-cut diamonds, platinum, ring size 6

Old and single-cut diamonds, platinum (French marks), 7¿ ins., circa 1930, signed Cartier, 'Paris', no. -2397 (partially indistinct), red Cartier fitted case

AGL, 2020, report no. 1109937: 8.67 carats, Ceylon, no gemological evidence of heat or clarity enhancement Gübelin, 2011, report no. 11020106: 8.68 carats, Burma, no indications of heating $30,000-50,000 Please note that the Gübelin report is over five years old and may require an update.

$50,000-70,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

300 DIAMOND LONGCHAIN NECKLACE Fifty-one modified rose-cut diamonds, micropavé circular-cut diamonds, 18k white gold, 62Ω ins. $40,000-60,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

301 UNMOUNTED COLORED DIAMOND Fancy vivid yellow heart modified brilliant-cut diamond of 3.22 carats GIA, 2016, report no. 2227702618: 3.22 carats, Fancy Vivid Yellow, natural color, VVS2 clarity

301

$30,000-50,000

302 UNMOUNTED SAPPHIRE Oval mixed-cut sapphire of 17.00 carats AGL, 2020, report no. 1109869: 17.00 carats, Ceylon, no gemological evidence of heat or clarity enhancement

302

$30,000-50,000

303 COLORED DIAMOND AND DIAMOND EARRINGS Fancy vivid yellow modified rectangular brilliant-cut diamond of 2.27 carats, fancy vivid yellow cushion modified brilliant-cut diamond of 2.01 carats, circular-cut diamonds, platinum, 18k gold, 14k white gold, 1 in. GIA, 2016, report no. 6212816614: 2.27 carats, Fancy Vivid Yellow, natural color, VS2 clarity GIA, 2016, report no. 5181075403: 2.01 carats, Fancy Vivid Yellow, natural color, VVS2 clarity $30,000-50,000

303

304 DIAMOND LONGCHAIN NECKLACE AND GROUP OF UNMOUNTED DIAMONDS One-hundred-two modified rose-cut diamonds, platinum, 67 ins., accompanied by five unmounted modified rose-cut diamonds of 1.55, 0.87, 0.80, 0.60 and 0.60 carats $20,000-30,000

AN IMPORTANT COLLECTION OF JEWELS AND GEMS LOTS 287-307

• 305 QUARTZ, GLASS AND DIAMOND EARRINGS Quartz and glass oval cabochons, circular-cut diamonds, platinum and 18k white gold, 2Ω ins. $7,000-10,000

305

• 306 DIAMOND PENDANT Briolette and circular-cut diamonds, platinum, æ ins. $5,000-7,000 306

• 307 DIAMOND PENDANT AND MISCELLANEOUS JEWELRY ITEMS Briolette and circular-cut diamonds, platinum, Ω in., accompanied by a pink cultured pearl bead of 13.00 mm, ruby bead fragments, four ring mountings, and additional fragments of 18k rose gold and circular-cut pink diamonds $3,000-5,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

307

(two views)

308 A FINE BELLE ÉPOQUE SAPPHIRE AND DIAMOND RING, VAN CLEEF & ARPELS Oval pyramidal cabochon sapphire of 21.73 carats, single and old-cut diamonds, platinum (French mark), ring size 7, 1917, signed Van Cleef & Arpels, brown Van Cleef & Arpels pouch AGL, 2020, report no. 1110022: 21.73 carats, Classic Kashmir, no gemological evidence of heat or clarity enhancement, with Appendix Gübelin, 2020, report no. 20092022: 21.73 carats, Kashmir, no indications of heating, with Appendix and Information Sheet SSEF, 2020, report no. 115218: 21.73 carats, Kashmir, no indications of heating, 'Royal Blue', with Appendix letter Van Cleef & Arpels, 1917: Invoice $1,700,000-2,700,000 SHOULD YOU WISH TO BID ON THIS LOT, YOU WILL BE REQUIRED TO OBTAIN A HIGH VALUE PADDLE

(INVOICE FROM 1917)

309 DIAMOND AND SAPPHIRE 'WAVE' NECKLACE, GRAFF Circular-cut diamonds and sapphires, 18k white gold, 15â&#x2C6;&#x161; ins., signed Graff, no. GN6796, navy Graff envelope case $60,000-80,000

PROPERT Y OF A LADY

310 DIAMOND STUDS Round brilliant-cut diamonds of 5.03 and 5.02 carats, platinum GIA, 2020, report no. 1216228403: 5.03 carats, E color, VS2 clarity GIA, 2020, report no. 1216228410: 5.02 carats, D color, VS2 clarity $200,000-300,000

AT HEN A B L AC K B U R N

Athena Blackburn is a philanthropist, entrepreneur and socialite in San Francisco, California. Born and raised in Lebanon and of Greek heritage, Mrs. Blackburn embodies a multicultural upbringing and considers herself a citizen of the world. When Mrs. Blackburn was growing up, Lebanon was considered the ‘Paris of the Middle East’ due to its ability to blend Eastern and Western cultures, and this was reflected in her culture and education. Mrs. Blackburn learned to speak five languages: French, English, Greek, Italian and Arabic. After graduating from the American University of Beirut, Mrs. Blackburn visited San Francisco and stayed for five years. She briefly returned to Lebanon and then permanently moved to the United States, where she became a citizen in 1977. In the early 1980s, Mrs. Blackburn and her first husband founded the enormously successful Serena Software company. The success of the company enabled Mrs. Blackburn to begin her philanthropic initiatives. Some of the many causes Mrs. Blackburn supported include UNICEF, the Junior League of San Francisco, and the Association for Children with Learning Disabilities. Today, she remains involved with the San Francisco Symphony, Ballet, and Opera, and is a co-founder of Festival Napa Valley. She also supports Lincoln Center and the Metropolitan Opera in New York City, the London Symphony Orchestra, and the Russian National Orchestra. As a result of her hard work and well-respected presence in the community, Mrs. Blackburn has been asked to serve on numerous boards and committees and chair galas and fundraisers in support of her causes. Similarly, she has been honored among the top volunteers in the San Francisco area and has had a day named in her honor in recognition of her efforts. opposite: Lot 321, photo, Russ Fischella

A champion of her adopted hometown, Mrs. Blackburn has always supported San Francisco, the

Bay Area and California. She has served on the Board of Governors of the Commonwealth Club of California for ten years. During that time, she has chaired the organization’s 100th anniversary gala and the United Nations Charter 50th anniversary gala. Mrs. Blackburn also was part of the committee to establish a ‘sister city’ agreement between San Francisco and Paris, accompanying then-mayor Willie Brown as part of a delegation trip to Paris. In 1999, Mrs. Blackburn was diagnosed with breast cancer. With strength and perseverance, Mrs. Blackburn’s treatment was successful. Following her own battle with cancer, she funded the Athena T. Blackburn Radiation Therapy Suite at California Pacific Medical Center. Additionally, Mrs. Blackburn has provided hundreds of mammograms for women in need. In her own words, Mrs. Blackburn describes these gifts as her way of giving back to the hospital that saved her life. Additionally, Mrs. Blackburn credits her support system of friends and her husband, Timothy Blackburn, in making a substantial difference. In 2018, Mrs. Blackburn was honored by the Susan G. Komen Foundation for her philanthropic efforts and given the Visionary Award. Mrs. Blackburn has led her life with generosity. Continuing to do so, Lots 311 through 332 from her collection are being sold to benefit charitable causes. These twenty-two lots are reflective of a woman with a keen sense of style and penchant for design. Her collection indicates her eye for quality, whimsy and elegance. Jewels by Jean Schlumberger for Tiffany & Co. include icons like the ‘Bird on a Rock’ and playful bow motifs. The multi-color sapphires expertly combined by Bulgari show her love of bold color. Classic pieces by Van Cleef & Arpels and diamonds by Graff round out Mrs. Blackburn’s exquisite collection.

301

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

311 AQUAMARINE AND DIAMOND 'FLOWER DROP' EARRINGS, JEAN SCHLUMBERGER, TIFFANY & CO. Pear-shaped aquamarines, circular-cut diamonds, 18k gold and platinum, 1ยก ins., signed Tiffany & Co., Schlumberger Studios $10,000-15,000

311

312 AQUAMARINE, DIAMOND AND COLORED SAPPHIRE 'BIRD ON A ROCK' BROOCH, JEAN SCHLUMBERGER, TIFFANY & CO. Cushion-shaped aquamarine of 34.13 carats, circular-cut diamonds, circular-cut pink sapphire, 18k gold and white gold, 1รฆ ins., signed Tiffany & Co., Schlumberger Studios $20,000-30,000

312

302

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

313 SAPPHIRE AND DIAMOND 'LEAF' NECKLACE, TIFFANY & CO. Pear-shaped sapphires, circular-cut diamonds, platinum, 16 ins., signed Tiffany & Co., black Tiffany & Co. case $30,000-50,000

304

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

314

315

314

315

SET OF SAPPHIRE AND DIAMOND 'LEAF' JEWELRY, TIFFANY & CO.

DIAMOND 'VICTORIA' BRACELET, TIFFANY & CO.

Pear-shaped sapphires, circular-cut diamonds, platinum, bracelet 6æ ins., earrings √ in., each signed Tiffany & Co.

Circular and marquise-cut diamonds, platinum, 7Ω ins., signed T & Co., no. 37675555

$20,000-30,000

$30,000-50,000

305

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

316 SET OF DIAMOND AND SAPPHIRE JEWELRY, TIFFANY & CO. Circular-cut diamonds and sapphires, platinum and 18k gold, bracelet 7 ins., earrings â&#x2C6;&#x161; in., each signed Tiffany & Co., each with jeweler's marks (Oscar Heyman & Brothers), nos. 803579 (bracelet) and 700547 (earrings) $15,000-20,000

306

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

317

318

CHARITABLE CAUSES

317

318

SAPPHIRE AND DIAMOND 'TOURBILLON' EARRINGS, JEAN SCHLUMBERGER, TIFFANY & CO.

Old-cut diamonds, platinum (French mark), 7¿ ins., circa 1930

Cushion and circular-cut sapphires, circular-cut diamonds, platinum and 18k gold, √ in., signed Tiffany & Co., Schlumberger Std.

ART DECO DIAMOND BRACELET

$15,000-20,000

$10,000-15,000

307

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

319 SUITE OF DIAMOND JEWELRY Radiant-cut diamonds, 18k gold, necklace 15Ω ins., bracelet 7 ins., earrings ¡ ins. $15,000-20,000

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

320 SET OF CULTURED PEARL AND DIAMOND 'CELTICA' JEWELRY, BULGARI Cultured pearls, circular-cut diamonds, 18k gold (Italian marks), necklace 15æ ins., earrings æ ins., each signed Bulgari, 'Made in Italy' $20,000-30,000

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

321 SET OF DIAMOND JEWELRY, TIFFANY & CO. Circular-cut diamond of 2.57 carats, circular-cut diamonds, 18k gold and platinum, necklace 15æ ins., earrings √ in., 1988 (necklace), necklace signed Tiffany & Co., Schlumberger Studios, no. 23148382, earrings signed T & Co., no. 23633226, accompanied by an unsigned brooch of similar design, navy Tiffany & Co. necklace case $50,000-70,000

The 'Ribbon Rosette' brooch set at the center of this necklace was once a separate jewel commissioned by Mrs. Blackburn’s husband, modelled after a necklace of similar design worn by Audrey Hepburn while promoting the film Breakfast at Tiffany’s. A long admirer of Audrey Hepburn, Mrs. Blackburn wore the piece to embody her role model’s grace and charity. The ribbon necklace, also by Tiffany & Co., was adapted to accommodate the brooch and the diamond link that was removed was adapted into the small unsigned brooch which accompanies this lot.

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

322 (two views)

323

322

323

DIAMOND 'DOUBLE ROW' ETERNITY BAND, GRAFF

COLORED SAPPHIRE AND SAPPHIRE BRACELET, BULGARI

Twenty-four heart-shaped diamonds, 18k white gold, ring size 7â&#x201E;¦, signed Graff, no. 66356

Variously-colored oval-shaped sapphires, including varieties of blue, yellow, purple, green and pink, marquise-cut diamonds, 18k gold and white gold, signed Bulgari, no. S41.16D276

$15,000-20,000

AGL, 2020, report no. 1110909: 13 tested, combination of Ceylon and Madagascar, Blue, Yellow, Purple and Green: no gemological evidence of heat, Pink: heat; all: no additional enhancements $30,000-50,000

312

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

324 COLORED SAPPHIRE AND SAPPHIRE NECKLACE, BULGARI Variously colored cushion and oval-shaped sapphires, including varieties of pink, green, blue, purple and yellow, marquise and circular-cut diamonds, 18k gold and platinum, 15â&#x201E;¦ ins., with detachable pendant, signed Bulgari, with additional pink sapphire and diamond link, black Bulgari case AGL, 2020, report no. 1111037: Ceylon and Madagascar; Blue sapphires: no gemological evidence of heat; Yellow sapphires: majority unheated, minority heated; Pink sapphires: majority heated, minority unheated; all colors: no additional enhancements $60,000-80,000 313

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

325 GOLD AND DIAMOND 'MARGUERITE' MINAUDIERE, VAN CLEEF & ARPELS Opening to reveal a fitted mirror, two compartments, a lipstick case and hair comb, single-cut diamonds, 14k and 18k gold, 5Ω x 3¿ x √ ins., circa 1950, signed La Minaudiere de Van Cleef & Arpels, no. N.Y. 14464 $25,000-35,000 PROVENANCE:

Christie's, Geneva, 20 November 1997, lot 330 LITERATURE:

Cf. Van Cleef & Arpels, Paris, Editions Paris-Musées, 1992, p. 156, no. 265

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

327

326

327

DIAMOND 'SNOWFLAKE' BRACELET, VAN CLEEF & ARPELS

DIAMOND FLOWER 'FLEURAGE' EARRINGS, JEAN SCHLUMBERGER, TIFFANY & CO.

Circular-cut diamonds, 18k gold, 6Â¬ ins., signed Van Cleef & Arpels, no. MU0171

Circular-cut diamonds of 1.18 and 1.16 carats, circular-cut diamonds, platinum and 18k gold, 1 in., signed Tiffany & Co., Schlumberger Studios, no. 18641445

$40,000-60,000 $12,000-18,000 LITERATURE:

Cf. M. Petit, Van Cleef & Arpels: Reflections of Eternity, Paris, Editions Cercle d'Art, 2006, no. 6

315

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

328 MULTI-GEM AND GOLD FLORAL COMPACT, VAN CLEEF & ARPELS Carved rubies and sapphires, carved and marquise-cut emeralds, 14k gold, with two fitted mirrors, 2√ x 2¡ x ¡ ins., circa 1950, signed Van Cleef & Arpels, no. N.Y.12048 $10,000-15,000

316

MAGNIFICENT JEWELS

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

329 GROUP OF DIAMOND AND GOLD 'ALVEARE' AND 'PARENTESI' JEWELRY, BULGARI Circular-cut diamonds, 18k gold, 'Alveare' necklace 15æ ins., 'Alveare' cuff bracelet 6 ins., 'Parentesi' wristwatch 5æ ins., 'Parentesi' earrings æ ins., 1989 (cuff), each signed Bulgari, maker's marks, nos. BJ 01 G147359 (wristwatch) $25,000-35,000

317

PROPERT Y FROM THE COLLECTION OF ATHENA BLACKBURN SOLD TO BENEFIT CHARITABLE CAUSES LOTS 311-332

330 EMERALD AND DIAMOND RING, GRAFF Rectangular-cut emerald of 6.84 carats, triangular-cut diamonds, gold, ring size 7Ω, signed Graff AGL, 2020, report no. 1110913: Colombia, minor clarity enhancement, modern type $50,000-70,000 330 (two views)

331 EMERALD AND DIAMOND EARRINGS, BULGARI Heart-shaped mixed-cut and modified brilliant-cut emeralds of 3.43, 2.53, 1.22 and 1.17 carats, heart-shaped diamonds of 1.00 carat each, platinum, 1 in., signed Bulgari AGL, 2020, report no. 1110912 A and B: Zambia, insignificant to minor clarity enhancement, traditional type $40,000-60,000

331

332 COLORED DIAMOND AND DIAMOND BRACELET, GRAFF Nine fancy cut-cornered rectangular modified brilliant-cut fancy intense yellow and fancy yellow diamonds of 2.23 to 1.00 carats, circular-cut diamonds, platinum and 18k gold, 7º ins., signed Graff, no. GB4469 GIA, 2020, report no. 2211250403: 1.25 carats, Fancy Intense Yellow, natural color, VVS2 clarity 332

8 GIA, 2020: 2.23 to 1.00 carats, Fancy Yellow, natural color, VVS1 to VS2 clarity Total colored diamond weight, 12.46 carats $50,000-70,000

PROPERT Y OF A LADY

333 EMERALD AND DIAMOND RING Rectangular-cut emerald, oval-cut diamonds, platinum, ring size 7 AGL, 2020, report no. 1107259: Colombia, minor clarity enhancement, traditional type $15,000-20,000 333 (two views)

PROPERT Y OF A LADY

334 EMERALD AND DIAMOND EARRINGS, DAVID WEBB Pear-shaped emeralds, circular, pear and marquise-cut diamonds, platinum, 1Ã¦ ins., signed Webb $15,000-20,000 PROVENANCE:

Christie's, New York, 12 April 2005, lot 76

334

335

336

PROPERT Y FROM A PRIVATE COLLECTION

335

336

UNMOUNTED EMERALD

ART DECO DIAMOND, EMERALD AND ONYX BRACELET, TIFFANY & CO.

Rectangular-cut emerald of 17.34 carats AGL, 2020, report no. 1110340: 17.34 carats, Colombia, minor clarity enhancement, modern type $25,000-35,000

Rectangular, marquise, old and single-cut diamonds, baguette-cut emeralds, triangular cabochon onyx, platinum, 7â&#x201E;¦ ins., circa 1925, signed Tiffany & Co., 'New York' $25,000-35,000

337

338

PROPERT Y OF A LADY

338

•337 NATURAL PEARL AND DIAMOND EARRINGS

ART DECO DIAMOND BRACELET

Roundish light gray natural pearls, measuring 9.79 - 9.32 x 10.64 - 10.38 mm, circular and baguette-cut diamonds, platinum and 18k white gold (French marks), 1º ins.

Old, single and baguette-cut diamonds, platinum and 18k white gold (French marks), 6¬ ins., circa 1930 $40,000-60,000

SSEF, 2009, report no. 54327: Natural Pearls, saltwater, no indications of artificial color modification $10,000-20,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

PROPERT Y OF A SOUTH AMERICAN GENTLEMAN

339 ANTIQUE DIAMOND BRACELET Old and rose-cut diamonds, silver-topped gold (French marks), accompanied by a tiara fitting and necklace attachment for variety of wear, bracelet 7Ω ins., tiara fitting 12æ ins. (adjustable), necklace attachment 13 ins., circa mid-late 19th century $15,000-20,000

340 No Lot

PROPERT Y OF A PRIVATE COLLECTOR

341 TWO UNMOUNTED EMERALDS Modified rectangular step-cut emerald of 562.79 carats, square step-cut emerald of 303.90 carats AGL, 2019, report no. 1103864: 562.79 carats, Colombia, no clarity enhancement AGL, 2019, report no. 1103862: 303.90 carats, Colombia, insignificant clarity enhancement, traditional type $200,000-300,000

PROPERT Y OF A PRIVATE COLLECTOR

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

342

(interior detail)

343 (two views)

342

343

GOLD AND COIN TRAVEL CLOCK, CARTIER

DIAMOND AND PLATINUM POCKET WATCH, TIFFANY & CO.

Of manual movement, the 'Five Pounds 1839 Una and the Lion' coin, opening to reveal a hidden gilt clock, 1â&#x201E;¦ ins., case 22.10 mm, dial signed Cartier, red Cartier fitted case $5,000-7,000

Case back engraved with monogram of 'WSD III', circular and baguette-cut diamonds, platinum, manual movement, case width 44 mm, dial signed Tiffany & Co., Tiffany & Co. fitted case $5,000-7,000

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

344 GOLD MINUTE REPEATING POCKET WATCH, PATEK PHILIPPE Case back engraved with monogram of 'WKduP', 18k gold (pocket watch), 14k gold (chain), manual movement, case width 46 cm, chain 13â&#x201E;¦ ins., dial and movement signed Patek Philipe, nos. REF 772, 678959, no. 198006, inner movement cover engraved 'February 21, 1959' (reverse)

$8,000-12,000

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

345 GROUP OF BLACK OPAL AND GOLD ACCESSORIES Comprising a belt buckle, a pair of cufflinks and six shirt studs, set with oval cabochon black opals, 14k gold, belt buckle 3¿ ins., cufflinks ¬ in., shirt studs ¡ to Ω in. $15,000-20,000

328

MAGNIFICENT JEWELS

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

346 TWO ANTIQUE BLACK OPAL AND GOLD SCARAB BROOCHES Each of scarab motif, circular and oval-shaped cabochon black opals, sculpted gold, larger brooch 2Ã¦ ins., smaller brooch 25 ins., larger brooch signed Phelps & Perry $10,000-15,000

329

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

347 THE 'SYDNEY QUEEN' BLACK OPAL AND DIAMOND BROOCH AND TWO UNMOUNTED BLACK OPALS, RAYMOND YARD Pear cabochon black opal of 43.34 carats, circular-cut diamonds, platinum, 2º ins., 1969, signed Yard, no. 129953, accompanied by two unmounted pear-shaped cabochon black opals of 10.13 and 7.95 carats, also purchased from Raymond Yard, blue Yard fitted case AGL, 2020, report no. 1109756: 43.34 carats, Black Opal, Classic Australia, natural color, no gemological evidence of enhancement, with Appendix AGL, 2020, report no. 1109758: 7.95 carats, Black Opal, Classic Australia, natural color, no gemological evidence of enhancement AGL, 2020, report no. 1109757: 10.13 carats, Black Opal, Classic Australia, natural color, no gemological evidence of enhancement $60,000-80,000 PROVENANCE:

Kelsey I. Newman James Kazanjian Raymond Yard The du Pont Family LITERATURE:

N. Kuzmanovic, Yard: The Life and Magnificent Jewelry of Raymond C. Yard, New York, The Vendome Press, 2007, p. 80-83 for original rendering Known for his unique flair and keen eye for quality, Raymond Carter Yard set a high standard for American jewelry design in the 20th century. Under the guidance of William Elder Marcus, Yard immersed himself in the world of jewelry at a young age, working at Marcus & Co. He steadily climbed the ranks of the firm, forming close relationships with the elite of American society along the way. Yard’s honest demeanor and knowledge of jewelry caught the eye of John D. Rockefeller, Jr. and they developed a personal and professional relationship that would greatly affect Yard’s career. Yard resigned from Marcus & Co. at the age of 37, and opened his first salon in May 1922. Raymond Yard’s extensive client base greatly helped him to grow his company. Rockefeller believed

in Yard’s brand and introduced him to New York’s wealthiest families, including the Vanderbilts, the Woolworths and the du Ponts, who quickly became friends of the firm. After sixty years in the jewelry business, Raymond Yard announced his retirement in 1958. Yard met with three of his most outstanding employees, Donald Bartow, Robert Gibson and Glen McQuaker, to discuss the future of his firm. In his eyes, these three men embodied that same work ethic, passion and personal integrity that he saw within himself. Yard offered the firm to the three men, requesting a down payment from each employee of a sizable amount. Within one month of receiving the three down payments, Raymond Yard returned the checks to Bartow, Gibson and McQuaker. Yard had requested the funds as a test to ensure that he was leaving the business in the hands of those passionate about the future success of Yard, Inc. The three men took over the firm on July 1, 1958. Years later, in 1966, Robert Gibson received a call from a wellknown Beverly Hills dealer, James Kazanjian, who invited him to visit Kazanjian at his home in California. During the trip, the dealer showed Gibson the famed ‘Sydney Queen’ – an impressive pear-shaped opal, along with two smaller opals of similar saturation and liveliness. The three opals were originally from the Kelsey I. Newman collection, a world renowned collection. Gibson was enchanted by the ‘Sydney Queen’ and wanted to purchase it, however, Kazanjian did not want to break up the collection. One morning during Gibson’s stay, the pair went for a swim in the ocean and Gibson was pulled under by a violent wave. When Kazanjian got to Gibson to ask him if he was okay, Gibson suddenly exclaimed that he needed to buy all three opals. The deal was made and the acquisition of the ‘Sydney Queen’ became one of the most important acquisitions for the firm. In 1967, Don Bartow sold the stones to the du Pont family and the ‘Sydney Queen’ was mounted for the family’s collection in in 1969. The 'Sydney Queen' was purchased by the current owner's father as a gift to his mother, Virginia, to honor her for providing him with the land and means to pay for the construction of his home, when he was a newlywed in the 1960s.

T HE D U P O N T PA D PA R A D S C H A

The extraordinary colored sapphire, known as a padparadscha, was originally only found in Ceylon, also known as the Island of Gems. At the center of one of history’s classic gem locations is the ‘gem city’ of Ratnapura. Under the tropical jungles and exotic terrain of this region lies one of nature’s most dramatic treasure troves of mineral wealth. Ceylon has remained one of the world’s primary sources for exquisite gems for more than two thousand years. The designation ‘padparadscha’ derives from the Sinhalese word for ‘aquatic lotus blossom’, which shares the same pinkish orange color. This unique color is the result of a careful combination of well-balanced trace elements in the gemstone. Padparadscha is the only variety of corundum, other than ruby, that is given its own name, rather than being referred to as a sapphire of a particular color. Padparadscha sapphires are formed metamorphically by the earth's tectonic plates colliding with each other, the same movement that causes mountain ranges to form and earthquakes to occur. Within the earth's natural movement, crystals and minerals deep underground are heated, merged and formed into new crystals. Only the slightest presence of chemical material can determine whether a padparadscha, ruby, sapphire or other colored sapphire will form. While sapphires are naturally colored with iron and rubies with chromium, padparadschas are colored by the presence of both. The delicate balance of pink and orange hues makes this gem one of nature's rarest.

Padparadscha sapphires are normally a pale pinkish orange color, making this large, richly saturated example, which weighs over 24 carats, extremely rare. Although Ceylon has been a source of sapphires for many centuries, only a very small percentage of these are top gem quality and of significant size. Naturally, such a rarity is highly desirable and collectable among gem connoisseurs. A natural padparadscha from Ceylon of this size and quality, unenhanced by heat or clarity treatments, is exceptionally rare. This exquisite padparadscha sapphire was acquired by the current owner's great-grandmother while on holiday in Ceylon in 1937. It is most appropriate that such a significant example of a padparadscha comes from one of the oldest and most important producers of fine gem material and was acquired by one of America’s most prominent families. The island Ceylon was the world’s first and only source of this gem variety for centuries. However, recently sapphires within the small color range have also been found in places such as Madagascar, Tanzania and Vietnam. According to the American Gemological Laboratories, the du Pont Padparascha’s size, 24.58 carats, places it in a class with very few gem quality padparadschas from any source.

PROPERT Y FROM THE DU PONT FAMILY COLLECTION LOTS 342-348

(two views)

348 THE DU PONT PADPARADSCHA COLORED SAPPHIRE AND DIAMOND RING, PERRY Cushion modified mixed-cut orangy pink Padparadscha sapphire of 24.58 carats, marquise and pear-shaped diamonds, gold and platinum, ring size 6ยบ, signed Perry AGL, 2020, report no. 1109760: 24.58 carats, Padparadscha Sapphire, orangy pink, Ceylon, heat enhancement: none, clarity enhancement: none, accompanied by an Appendix attesting to the remarkable qualities of this Padparadscha $500,000-700,000

334

MAGNIFICENT JEWELS

•349 AMETHYST, GARNET AND ONYX NECKLACE Graduated fluted amethyst beads, polished orange garnet beads, faceted onyx beads, 18k gold, 34 ins. $10,000-15,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

350 COLORED SAPPHIRE AND DIAMOND RING Pinkish-orange oval modified brilliant-cut sapphire of 11.89 carats, pear-shaped diamonds, platinum, ring size 6º AGL, 2020, report no. 1108956: 11.89 carats, Orange Sapphire, Classic Ceylon, heat enhancement: none, clarity enhancement: none; with letter attesting to the sapphire's rarity and notable color, size and quality Gübelin, 1999, report no. 9904096: 11.89 carats, Padparadscha, no indications of thermal enhancement SSEF, 1997, report no. 30782: 11.895 carats, Padparadscha, Sri Lanka, no indications of thermal treatment $70,000-90,000 Please note that the Gübelin and SSEF reports are over five years old and may require updates

350 (two views)

PROPERT Y OF A GENTLEMAN

351 RUBY AND DIAMOND RING Cushion mixed-cut ruby, old-cut diamonds, platinum, ring size 7Ω 351 (two views)

AGL, 2020, no. 1109074: Burma, no evidence of heat enhancement $30,000-50,000

352 DIAMOND EARRINGS, HARRY WINSTON Circular, marquise and pear-shaped diamonds, platinum, pendants detachable, 2Ω ins., maker's mark, no. 108090, navy Harry Winston case Harry Winston, 2020: Copy of Retail Replacement Valuation $35,000-50,000

352

353 EMERALD AND DIAMOND RING Rectangular-cut emerald, rectangular-cut diamonds of 1.01 carats each, platinum, ring size 6º AGL, 2020, report no. 1107550: Brazil, minor clarity enhancement, traditional type GIA, 2019, report nos. 2203538780 and 2205609491: 1.01 and 1.01 carats, E color, VS1 clarity 353 (two views)

$15,000-25,000

PROPERT Y OF A LADY

355

354

355

TWO DIAMOND AND GOLD BANGLE BRACELETS, BUCCELLATI

EMERALD AND DIAMOND EARRINGS, BUCCELLATI

Circular-cut diamonds, 18k gold and white gold (Italian marks), each diameter 2Â¿ ins., one signed Gianmaria Buccellati, 'Italy', one signed Buccellati, 'Italy' and dated 1983

Oval-shaped emeralds, circular-cut diamonds, 18k white gold and gold, pendants detachable, 2 ins., signed Gianmaria Buccellati, 'Italy'

$12,000-18,000

$8,000-12,000

357

356 (two views)

PROPERT Y OF A LADY

356

357

EMERALD AND DIAMOND RING

NATURAL PEARL AND DIAMOND NECKLACE

Cushion hollow-back pyramidal cabochon emerald of 11.67 carats, marquise and tapered baguette-cut diamonds, platinum (French mark), approximate ring size 5â&#x201E;¦

Natural pearls of 9.61 to 4.03 mm, marquise-cut diamond, platinum, 17 ins.

AGL, 2020, report no. 1110541: 11.67 carats, Colombia, minor clarity enhancement $40,000-60,000

GIA, 2020, report no. 5212216052: 63 natural pearls, saltwater, no indications of treatment $20,000-30,000

358 CULTURED PEARL AND DIAMOND FLOWER CLIP-BROOCH, VAN CLEEF & ARPELS Cultured pearl, circular, baguette and triangular-shaped diamonds, platinum, 1â&#x2C6;&#x161; ins., signed V.C.A., no. N.Y.39397 $20,000-30,000

358

359 NATURAL PEARL AND DIAMOND BROOCH, HARRY WINSTON Drop-shaped gray natural pearl, circular, baguette and marquise-cut diamonds, fitted with pendant hoops at the reverse, 2 ins., signed Winston, no. BBB 95436 GIA, 2020, report no. 5211087586: Natural Pearl, no indications of treatment $15,000-20,000

359

361

360 (unmounted, two views)

PROPERT Y OF A GENTLEMAN

360

361

EMERALD RING

EMERALD AND DIAMOND EARRINGS

Octagonal step-cut emerald of 10.06 carats, platinum and gold, ring size 6

Rectangular-cut emeralds of 9.21 and 9.03 carats, circular-cut diamonds, platinum, 1â&#x201E;¦ ins.

SSEF, 2020, report no. 114771: 10.067 carats, Colombia, minor oil

AGL, 2020, report no. 1110540 A and B: 9.21 and 9.03 carats, Zambia, minor to moderate clarity enhancement

$30,000-50,000

$40,000-60,000

362

363 (two views)

362 TANZANITE, CHALCEDONY AND DIAMOND CUFF BRACELET, MICHELE DELLA VALLE Rectangular-cut tanzanite, carved chalcedony plaques, circular-cut diamonds, 18k white gold, flower is detachable and may be worn as a clip brooch, cuff bracelet diameter 2¿ ins., brooch 2¡ ins., brooch signed Michele della Valle, no. 11957, black Michele della Valle case $30,000-50,000

363 DIAMOND RING Modified lozenge step-cut diamond of 10.02 carats, single-cut diamonds, 18k white gold, ring size 6 GIA, 2019, report no. 2205204912: 10.02 carats, M color, VS2 clarity $80,000-120,000

365

364

PROPERT Y OF A PRIVATE COLLECTOR

364

365

RUBY AND DIAMOND BRACELET, GRAFF

DIAMOND EARRINGS

Circular, pear and marquise-cut rubies and diamonds, 18k white gold (British marks), 7 ins., signed Graff, no. 8557

Pear-shaped diamonds, platinum, â&#x2C6;&#x161; in.

$35,000-55,000

367 (two views)

366 RUBY AND DIAMOND NECKLACE, GRAFF Pear and circular-cut rubies, marquise, pear and circular-cut diamonds, 18k white gold (British marks), neckchain 16 ins., pendant 2ยก ins., signed Graff, no. 6265, navy Graff envelope case $55,000-75,000

PROPERT Y OF A LADY

367 DIAMOND RING Rectangular-cut diamond of 10.05 carats, tapered baguette-cut diamonds, platinum, ring size 7ยบ GIA, 2012, report no. 2145960211: 10.05 carats, J color, VS1 clarity $120,000-180,000 Please note that this report is over five years old and may require an update 366

368 (two views)

369 (two views)

PROPERT Y FROM A PRIVATE COLLECTION

368

369

UNMOUNTED COLORED DIAMOND

AN ELEGANT DIAMOND RING

Fancy intense yellow rectangular-cut diamond of 20.01 carats

Cushion brilliant-cut diamond of 8.00 carats, circular-cut diamonds, platinum, ring size 6

GIA, 2015, report no. 2175353571: 20.01 carats, Fancy Intense Yellow, natural color, VS1 clarity

GIA, 2020, report no. 5201891281: 8.00 carats, D color, Internally Flawless, Type IIa

$300,000-500,000

$380,000-450,000

Please note that this report is over five years old and may require an update.

370 (two views)

371

370

371

EMERALD AND DIAMOND RING, BULGARI

COLORED DIAMOND AND DIAMOND NECKLACE

Square cushion pyramidal cabochon emerald of 12.21 carats, circular and baguette-cut diamonds, 18k gold, ring size 5â&#x201E;Ś, signed Bulgari, black Bulgari case

Faint pink pear modified brilliant-cut diamond of 5.01 carats, circular and single-cut diamonds, platinum, pendant detachable, 17 ins., may also be worn as 16 ins.

AGL, 2020, report no. 1106559: 12.21 carats, Colombia, minor clarity enhancement, traditional type

GIA, 2020, report no. 6213069931: 5.01 carats, Faint Pink, natural color, VS2 clarity

$130,000-180,000

$70,000-100,000

372 EMERALD AND DIAMOND NECKLACE, TIFFANY & CO. Emerald beads, faceted diamond beads, circular-cut diamonds, platinum, shortest strand 24â&#x201E;Ś ins., signed Tiffany & Co., no. 16928194 AGL, 2020, report no. 1110147: Colombia, minor to moderate clarity enhancement, traditional type $80,000-120,000

L A N A C HENKO -H A D DA D

Svetlana Cherevchenko was born in Chicago, Illinois on February 6, 1957. Her mother Luba Sestuk immigrated from Belarus and her father Peter Cherevchenko from Ukraine in search of a better life in the United Sates after World War II. A brilliant student, Lana excelled in school and spoke multiple languages, including English, Polish, Russian and Ukrainian. During her childhood, Lana sought comfort from the hardships of poverty and hunger. She learned to escape the difficulties she faced by playing the violin, delving into books, watching movies and focusing on her studies. Lana's love of learning carried into to her college years. She applied herself scholastically and developed a particular interest in the humanities, a natural fit due to her love of classic literature and poetry. She earned degrees in Criminal Justice and Nursing. Lana received many honors and joined MENSA and Phi Theta Kappa. opposite: Lana Chenko-Haddad Credit: Jessica Callahan

After university, Lana rejoined her sister in Chicago in the 1970s, where she ultimately met

the love of her life, concert promoter and music industry icon Edward Haddad. They quickly fell in love and moved to Los Angeles, California to start their shared life. Together, they had four children, Natalie, Nicole, Noelle and Edward Jr. A devoted mother, Lana fully dedicated herself to caring for her children. She encouraged her children to follow their dreams without criticism or judgement. She always regarded her children as her greatest accomplishment in life. Though she faced adversity early in life, Lana was a giving and empathetic woman. She was described by many as an idealist with a heart of gold who sought to bring compassion, love and assistance to those around her. Her deep concern for others made her a valuable asset to the many clubs, organizations and charitable causes to which she dedicated her time. Charity was always important to her and an integral part of her life. It is in her honor and memory that her family presents Lots 373 â&#x20AC;&#x201C; 375 to be sold to benefit three organizations close to her heart.

OFFERED IN MEMORY OF LANA CHENKO-HADDAD LOTS 373-375

(two views)

•373 RUBY AND DIAMOND RING Oval cabochon ruby of 39.27 carats, circular-cut diamonds, platinum, ring size 6Ω AGL, 2020, report no. 1099392: 39.27 carats, Thailand, heat, minor clarity enhancement, heating residues Gübelin, 2018, report no. 18110147: 39.27 carats, Thailand, indications of heating $40,000-60,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

Lot 373: Sold to benefit Shriners Hospitals for Children Shriners Hospitals for Children is a network of non-profit hospitals across North America dedicated to providing the highest quality medical care for children, regardless of a familyâ&#x20AC;&#x2122;s ability to pay. Shriners Hospitals focus on orthopedics, burn care, cleft and lip palate and spinal cord injuries. The organization prides itself on fostering a compassionate, family-centered and collaborative care environment. A consummate mother, Lanaâ&#x20AC;&#x2122;s devotion to her family perfectly aligns with Shriners Hospitalsâ&#x20AC;&#x2122; commitment to caring for families in times of need.

Lot 374: Sold to benefit The American Society for the Prevention of Cruelty to Animals

The American Society for the Prevention of Cruelty to AnimalsÂŽ (ASPCAÂŽ) was the first humane society to be established in North America and is now one of the largest in the world. Founded on the beliefs that animals are entitled to kind and respectful treatment at the hands of humans and must be protected under the law, the ASPCA works to provide effective means for the prevention of cruelty to animals throughout the United States. Lana was a lifelong lover of animals and cherished her pets. Despite her strong interest in chemistry as a student, she decided she could not pursue it professionally due to the required testing on animals, a thought she could not bear. During her life, Lana was an active member of the ASPCA and other animal foundations.

OFFERED IN MEMORY OF LANA CHENKO-HADDAD LOTS 373-375

•374 DIAMOND NECKLACE Pear brilliant-cut diamonds of 5.13 and 0.73 carats, platinum, pendant detachable, 16 ins. GIA, 2020, report no. 1122471582: 5.13 carats, D color, VS2 clarity GIA Dossier, 2020, report no. 6345755312: 0.73 carat, E color, VS1 clarity $80,000-120,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

Lot 375: Sold to benefit The Breast Cancer Research Foundation ÂŽ The Breast Cancer Research Foundation seeks to prevent and cure breast cancer by advancing the world's most promising research. The Foundation provides critical funding focusing on advances in tumor biology, genetics, prevention, treatment, metastasis and survivorship. Lana endured her own five-year battle with metastatic breast cancer. Sadly, Lana succumbed to the disease August 13, 2019, surrounded by family.

OFFERED IN MEMORY OF LANA CHENKO-HADDAD LOTS 373-375

(two views)

•375 COLORED DIAMOND AND DIAMOND RING, MOUNTED BY JAR Fancy orangy pink cut-cornered rectangular mixed-cut diamond of 5.07 carats, single-cut diamonds, 18k gold, ring size 5Ω, signed 'Monture JAR', pink JAR pouch GIA, 2020, report no. 2203852789: 5.07 carats, Fancy Orangy Pink, natural color, I1 clarity $100,000-200,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

‘You cannot have passion of any kind unless you have compassion.’ —Elizabeth Taylor

The ring pictured here was given to Miss Taylor by JAR on her 70th birthday and was sold by Christie’s in December 2011 from the Collection of Elizabeth Taylor.

•376 DIAMOND AND PLATINUM CUSTOM RING, JAR The single-cut diamond and platinum ring to be set on one-side with the initial of the successful bidder's choosing. The ring will also be sized according to the successful bidder's instructions. For further information, please refer to the Jewelry Department. Proceeds from this unique lot are designated for The Elizabeth Taylor AIDS Foundation (ETAF) coinciding with the foundation’s inaugural virtual fundraising gala taking place on December 1, 2020. $8,000-12,000

opposite: Elizabeth Taylor, January 1, 1959, John Bryson/The LIFE Images Collection via Getty Images/Getty Images

Working tirelessly on the AIDS crisis through the 1980s, Elizabeth Taylor established The Elizabeth Taylor AIDS Foundation (ETAF) in 1991 to reach her vision of an AIDS-free world. ETAF works to provide the direct care needed for people living with and affected by HIV and AIDS. Emphasizing Elizabeth’s commitment to marginalized communities, ETAF’s work ensures that HIV prevention education and access to treatment is available through domestic and international initiatives. ETAF’s initiative HIV Is Not A Crime advocates for the modernization of criminal laws and penalties affecting people living with HIV. We now have the necessary tools to stop the spread of HIV and end the AIDS crisis with sufficient resources.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 377-381

Mrs. Lévy wearing Lots 378, 379, 380, and 381.

377 (two views)

•377 DIAMOND AND ONYX 'PANTHÈRE' RING, CARTIER Of panther motif, circular-cut diamonds, buff-top onyx, platinum (French mark), ring size 6, signed Cartier, no. 617190A, maker's marks (Cartier and Blondeau) $8,000-12,000

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 377-381

378

379

378

379

DIAMOND AND ONYX 'PANTHÈRE' HOOPS, CARTIER

DIAMOND, ONYX AND EMERALD DOUBLE 'PANTHÈRE' BRACELET, CARTIER

Of panther motif, circular-cut diamonds, onyx plaques, platinum and 18k white gold (French marks), 1¡ ins., signed Cartier, maker's mark, no. 610507, black Cartier pouch

The double panther motif of crossover design, circular-cut diamonds, onyx plaques, marquise-cut emeralds, platinum and 18k white gold (French marks), diameter 2º ins., signed Cartier, maker's mark, no. 618783, black Cartier pouch

$20,000-30,000 $150,000-200,000

363

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 377-381

380 DIAMOND AND ONYX 'PANTHÈRE' NECKLACE, CARTIER Of panther motif, circular-cut diamonds, buff-top onyx, platinum and 18k white gold (French marks), 15 ins., signed Cartier, maker's mark, no. 618414, black Cartier pouch $80,000-100,000

364

MAGNIFICENT JEWELS

IMPORTANT JEWELS FROM THE ESTATE OF MIREILLE LÉVY LOTS 377-381

381 DIAMOND, ONYX AND EMERALD 'PANTHÈRE' CLIP-BROOCH, CARTIER Of panther motif, circular-cut diamonds, onyx plaques, pear-shaped emeralds, platinum, 3º ins., signed Cartier, no. 608147, black Cartier pouch $100,000-150,000 LITERATURE:

Cf. F. Cologni and E. Nussbaum, Platinum by Cartier, Triumphs of the Jewelers' Art, Milan, Harry N. Abrams, 1996, p. 224

365

PROPERT Y OF A LADY

382 SAPPHIRE AND DIAMOND NECKLACE Cushion mixed-cut sapphire of 80.86 carats, round brilliant and circular-cut diamonds, platinum and 18k white gold, 21 ins., may be shortened to 17 ins., navy fitted case and white outer box GĂźbelin, 2020, report no. 20060069: 80.86 carats, Burma, no indications of heating, with Appendix and Information Sheet SSEF, 2020, report no. 113871: 80.860 carats, Burma, no indications of heating, with Appendix letter 11 GIA, 2019 - 2020: Pendant, 0.58 to 0.33 carat, E to F color, VVS1 to VS1 clarity, excellent cut, polish and symmetry. Total weight: 4.43 carats 30 GIA, 2015 - 2020: Necklace, 0.45 to 0.25 carat, E to F color, VVS1 to VS1 clarity, excellent cut, polish and symmetry. Total weight: 10.54 carats $800,000-1,600,000

INDEX

A Adler, 121

J JAR, 265, 285, 375, 376

Boivin, R., 46

Kwiat, 197

Boucheron, 2, 9, 12, 41, 226

Brush, D., 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219

Marcus & Co., 262

Buccellati, 277, 278, 354, 355 Bulgari, 40, 45, 47, 71, 135, 173, 177, 195, 231, 320, 323, 324, 329, 331, 370

Marina, B 123, 124, 127, 179 Moussaieff, 138, 140, 141

Webb, D., 81, 88, 116, 171, 172, 178, 184, 190, 225, 228, 334

Oscar Heyman & Brothers, 82 P

Cartier, 1, 3, 4, 5, 6, 25, 27, 29, 30, 31, 32, 33, 68, 73, 77, 86, 114, 134, 143, 147, 148, 150, 153, 160, 163, 168, 220, 249, 251, 299, 342, 377, 378, 379, 380, 381

Patek Philippe, 344

Perry, 348 S Sabbadini, 128, 180 Schepps, S., 154, 155 Schepps, S., Schepps Vaill, P., 156

della Valle, M. 70, 362

Tiffany & Co., 35, 49, 69, 91, 94A, 146, 261, 313, 314, 315, 316, 321, 336, 343, 372

Etcetera, 294 G

Tiffany & Co., Loring, J., 78

Graff, 19, 54, 56, 72, 92, 93, 137, 198, 232, 255, 257, 309, 322, 330, 332, 364, 366

Tiffany & Co., Schlumberger, J., 14, 230, 311, 312, 317, 327

H Hemmerle, 286 Henri Picq, 151 Herz-Belperron, 271 Holl, C. 16

Verdura, 28, 34, 142, 193, 266, 267, 269, 270

Morris, D., 139

Chantecler, 13

V Van Cleef & Arpels, 8, 15, 37, 76, 79, 83, 84, 85, 100, 132, 144, 161, 162, 165, 166, 167, 169, 182, 183, 186, 188, 189, 244, 245, 247, 276, 279, 280, 308, 325, 326, 328, 358

Tiffany & Co., Tiffany, L. C., 259 Timey, J., 176, 185, 246, 252

Winston, H., 98, 175, 187, 248, 250, 296, 352, 359 Y Yard, R., 281, 347

BIOGRAPHIES

BELPERRON Elegant and mysterious, Suzanne Belperron founded a new aesthetic in jewelry. A star within connoisseurs’ circles but otherwise lesser known, Belperron never signed her work, and when asked for the reason, replied “my style is my signature.” Born in 1900 in France, Belperron studied drawing and jewelry at the Ecole des Beaux-Arts in Besancon, worked under her mentor Jeanne Boivin, then designed exclusively for Bernard Herz under the name of Herz. From her roots in Art Deco, Belperron pioneered ways to carve various crystals into sensuous shapes to be set in precious and semi-precious stones, employing motifs from Egyptian, Indian, Cambodian, Celtic, African and Mayan cultures. Fashion innovator Elsa Schiaparelli championed Belperron, whose expanding clientele included European royalty, the cafe society, and Hollywood luminaries. Bernard Herz perished in a concentration camp during World War II, and Belperron re-registered the business renaming it “Belperron”. After the war, Bernard’s son Jean survived as a prisoner of war and returned to Paris.The partnership resumed under the new name “Herz-Belperron.” Belperron retired in 1974 but consulted for friends and special clients until her death in 1983. New York based jewelers Ward and Nico Landrigan, owners of Verdura, purchased the Belperron name and archives in 1999, and published an illustrated biography in 2016. RENE BOIVIN Born in Paris in 1864, René Boivin began his career as a designer and engraver. In 1893 he married Jeanne Poiret, sister of the famous couturier and the first woman jeweller of the 20th century, and together they created some of the most bold and daring fashions of the early 1900s. After Boivin’s death in 1917, Jeanne established herself at Avenue de l’Opéra with Juliette Moutard and her daughter, Germaine Boivin.The three worked together for forty years, joined between 1921 and 1932 by Suzanne Belperron, creating such signature pieces as the Starfish (1936). Upon Jeanne Boivin’s death in 1959, the house was taken over by Louis Girard. In April 1991, the company became part of Asprey Group. The main office and boutique are located on avenue Montaigne. BOUCHERON Frédéric Boucheron opened his first jewellery salon at the Palais Royal in 1858, and soon acquired fame as an expert in precious stones, a masterful technician and a creator of beautiful jewellery. In 1893 he was the first jeweller to set up shop at the Place Vendôme, where he continued to serve the social elite, and from where the firm still operates successfully today. Over the years, the Maison Boucheron opened branches in Moscow and London, and also in Japan, the Middle and Far East. Boucheron exhibited in many international expositions, including the 1876 Philadelphia Centennial, the 1889 and 1900 Expositions Universelles in Paris, the 1893 World’s Colombian Exposition in Chicago and the 1925 Exposition des Arts Décoratifs in Paris. Boucheron was acquired in May 2000 by the Gucci Group (PPR), one of the world’s leading multi-brand luxury goods company.

DANIEL BRUSH The idiosyncratic artist Daniel Brush has been making by hand objects of vertu since the early 1970s. He creates one-of-a-kind jewels from precious gemstones and exotic space-age metals, making only a few pieces each year. His work can be found in public, private and royal collections, and he was honoured with a 30 year retrospective exhibition at the Smithsonian,Washington, D.C. in 1998, with a monograph published by Harry N. Abrams, Inc. GIANMARIA BUCCELLATI Gianmaria Buccellati is the son of Mario Buccellati, christened the “Prince of Goldsmiths” by the famous Italian poet D’Annunzio. Born in 1881, he became an apprentice at Milan jeweller Beltrami e Besnati at age 12. In 1919, he took over the firm, since renamed Mario Buccellati and known for its originality, craftsmanship, and exquisite details. Exhibiting at the Madrid exposition at the Casa Errazy y Comp brought Buccellati international success as well as a clientele that included members of royalty around the world. Mario died in 1965 and his 2 sons Gianmaria and Federico parted ways. Gianmaria now runs a firm under his own name Gianmaria Buccellati based in Milan. It was acquired by the Gangtai Group of China in 2016. Federico continued with the Mario Buccellati tradition, renamed Federico Buccellati, now managed by his children. MARIO BUCCELLATI Mario Buccellati, christened the “Prince of Goldsmiths” by the famous Italian poet D’Annunzio, was born in 1881 and became an apprentice at Milan jeweller Beltrami e Besnati at age 12. In 1919, he took over the firm, since renamed Mario Buccellati and known for its originality, craftsmanship, and exquisite details. Exhibiting at the Madrid exposition at the Casa Errazy y Comp brought Buccellati international success as well as a clientele that included members of royalty around the world. Mario died in 1965 and his 2 sons Gianmaria and Federico parted ways.The original shop on Via Condotti in Roma opened in 1926 is now run by Federico’s children Lorenzo and Bendetta under the name of Federico Buccellati. The business expanded to Florence in 1929, and established itself in New York in 1953. It is still a private company owned by a branch of the family. Gianmaria runs another firm Gianmaria Buccellati based in Milan. BULGARI Born in 1857 in a Greek family of silversmiths, Sotirio Bulgari opened his first shop in 1884 in Rome on the Via Sistina, moving to the iconic Via dei Condotti location in 1905. Upon his death in 1932, sons Giorgio and Costantino took over the business, and established the highly distinctive ‘Bulgari Italian style”, combining classicism with modernity.The 1970’s saw Bulgari’s international expansion with stores in New York, Paris, Geneva and Monte Carlo, and the brand’s initiation into the world of watches with the success of ‘BVLGARI-BVLGARI’. In 2011, Bulgari joined the French luxury conglomerate LVMH (Louis Vuitton Moet Hennessy).

CARTIER Louis-François Cartier founded in 1847 in Paris. His three grandsons, Louis, Pierre and Jacques, turned the House into a global enterprise, with Louis running Paris, Jacques overseeing London and Pierre managing New York. Branches were opened in Moscow and the Persian Gulf in 1910, soon followed by Cannes and Monte Carlo. Charles Jacqueau joined Louis Cartier in 1909 and Jeanne Toussaint was Director of Fine Jewellery from 1933. In 1964, on the death of Pierre, the family sold Cartier Paris, London and New York In 1972, a group of investors led by Joseph Kanoui bought Cartier Paris, with Robert Hocq as president who with Alain Dominique Perrin created the concept “Les Must de Cartier”. The group later reacquired Cartier London and New York.Today, Cartier is part of the Richemont group. CHANTECLER Chantecler was founded in Capri by Pietro Capuano and Salvatore Aprea in 1947, and Aprea’s three children later joined the business. Upon Salvatore’s untimely death in 1994, the second generation Aprea’s assumed control of the firm.The family has two boutiques in Capri, one in the Italian ski resort, Cortina, the other in Milan at the Hotel Principe di Savoia. ANGELA CUMMINGS Austrian born Angela Cummings moved to the United States as a child. She returned to Europe to study in Italy and Germany, earning a degree as a gemologist, goldsmith and designer. In 1968 she began work at Tiffany & Co. under the tutelage of Donald Claflin, and presented her first collection at Tiffany in 1972. In 1984 she formed her own company with her husband, and her designs were offered at Bergdorf Goodman within a year. She had outlets at Bergdorf Goodman and Neiman Marcus until 2003, when she decided to close her business. MICHELE DELLA VALLE Born in Rome, Michele della Valle began designing costume jewellery at the age of 16. He purchased his first stone in Burma in 1976, and took the gem to Christie’s on the advice of renowned Swiss gem dealer Roger Varenne.There, he met Christie’s Head of Jewellery Hans Nadelhoffer, who motivated Della Valle to become a gem dealer and jewellery designer. After a stint with Fürst Jewellers, the representing Harry Winston in Rome, he opened his workshop in Rome in 1978, traveling regularly to Asia for precious stones and beginning a collaboration with Bvlgari on special orders for the film and opera stars of Italy. In 1987, he moved to Geneva, and developed a line of jewellery which now bears his name. ETCETERA Founded in 2000 by Edmond Chin, who ran Christie’s Hong Kong jewellery department for five years, Etcetera Limited has become a well regarded and recognised name within the jewellery trade, especially through their yearly exhibitions at the international jewellery and watch show in Basel, Switzerland.The jewellery of Etcetera is characterised by technical innovation, and often incorporates new methods of mounting and presenting gems, giving each of their jewels a unique and sometimes unexpected appearance. Based in Hong Kong, the fine reputation of these creative jewels is developing in Europe and America amongst private collectors.

GRAFF Founded in 1966 by Laurence Graff, Graff Diamonds has set an unsurpassed standard of excellence and innovation in the world of high jewellery. Graff is involved in all stages of the production process, from the mining, cutting and polishing of the diamond and the initial vision and design, to the final exquisite Graff jewel.The Graff master jewellers, based at the company Headquarters in London, draw upon years of training and exceptional levels of skill to create the extraordinarily fine settings and intricate designs synonymous with Graff, the most fabulous jewels in the world. Laurence Graff is considered a world leader in the field, and one of the most significant forces in the market. It is said that he has handled more world famous diamonds than any other diamantaire, including the Idol’s Eye, the Begum Blue, the Emperor Maximilian and the Lesotho Promise. In 2010 Graff unveiled two of the world’s largest diamonds: the Graff Constellation, a 102.79 ct D-colour Internally Flawless round brilliant diamond, and the Delaire Sunrise, a 118.08 ct Fancy Vivid Yellow square emerald-cut diamond. Graff ’s UK flagship store is located on London’s prestigious New Bond Street.Today there are over 30 Graff locations around the world, including Shanghai, Geneva, Hong Kong, Monte Carlo, Moscow and New York. HEMMERLE The firm of Hemmerle in Munich was founded in 1893 when the brothers Josef and Anton Hemmerle took over the jeweller Elchinger, located at the Frauenplatz.They developed an excellent reputation for their reproductions of antique pieces, in particular for their facility with filigree work and enamel.They received many prizes at such prestigious events as the Paris World Fair of 1900.They eventually became purveyors to the Bavarian Court. In 1903 the firm moved to Maximilianstrasse.Today they continue to produce high quality pieces under the leadership of Stefan Hemmerle. His design, strongly influenced by the Bauhaus, can be seen in his boutique in Munich, as well as at the art fairs of Basel, Maastricht and Palm Beach. OSCAR HEYMAN & BROTHERS After an apprenticeship with their uncle, a supplier of objects to Fabergé, Oscar and Nathan Heyman emigrated from Russia to New York in 1906, followed by their brother, Harry, a year later. By 1912, the three brothers opened their own business at 49 Maiden Lane, supplying the latest platinum jewellery to prestigious retailers.Within a short period of time, they were joined by their three younger brothers, George, Louis and William. Oscar Heyman & Brothers is a self-contained jewellery manufacturer. They have moved four times since their inception, relocating in 1969 to their current address on Madison Avenue.The firm maintains regional sales offices in Dallas, Chicago, San Francisco, Atlanta and Tokyo.The Heyman family continues to manage.

JAR After graduating from Harvard in 1965, Joel Arthur Rosenthal moved to Paris and started with his partner Pierre Jeannet a tiny boutique on rue de l’Universite, creating needlepoint art with wool threads of unexpected colors, a niche endeavor which earned him early fame. Subsequently he applied the same artisanal spirit to jewelry, and opened a salon with Jeannet in Place Vendome named JAR after his initials. Shy by nature, he lives an almost anonymous existence in the creative universe of his atelier, for a most exclusive clientele, producing only 70-80 pieces a year. He is admired for his sculptural work, inseparable from that ingenious pave work, juxtaposing stones with the sense of color that is his alone.There has been three solo exhibitions: in 1987 at the National Academy of Design in New York, at Somerset House in London in 2002, and in November 2013 at the Metropolitan Museum of Art in New York.The last exhibition was an important salute to Rosenthal’s talents, as he was the first living jewelry designer to be accorded a dedicated retrospective in the history of the Met. KWIAT In the early 1900s, Sam Kwiat arrived in the United States on a steamship from Europe. In 1907, he opened a store selling diamonds and jewellery in the heart of New York’s diamond district, on Manhattan’s lower east side. In a short period, he became known as a skilled diamond merchant, with an expertise in cutting fine diamonds. In 1933, he was joined by his son David, who at 17 years old was a talented craftsman and jewellery designer. Under David’s direction, the company greatly expanded. He was one of the first in the industry to publish a catalogue of his diamond jewellery inventory, and Kwiat’s pieces could soon be found in shops on New York’s Fifth Avenue and around the world. In 2008 Kwiat opened its first flagship boutiques in New York at 725 Madison Avenue and Las Vegas at the Palazzo Hotel. In 2009 it purchased the jewellery firm of Fred Leighton, based also in New York and Las Vegas. Today, the company continues to be owned and operated by the 3rd and 4th generation of Kwiat family members. MARCUS & CO. Hermann Marcus was born in Germany in 1828. After several stints of working at Tiffany’s, he joined his son William’s business in 1884. In 1892, the firm was given the name Marcus & Co.They were one of the first American firms to produce Art Nouveau jewellery. Initially located at 857 Broadway and later on Fifth Avenue, they eventually opened branches in London, Paris, Palm Beach and Bombay. In 1962, they merged with Black, Starr & Frost.The new firm was subsequently purchased by Kay Jewellers and then Sterling, Inc. MARINA B. Marina Bvlgari hails from the famous Bvlgari family, and created jewellery for the firm until the mid-1970s. After her father’s death, she started her own eponymous brand, Marina B. in Geneva. Almost immediately, her iconic designs, based on bold colour combinations, adorned movie stars like Sophia Loren, and women of international high society. In June 2010, her firm was acquired by Windsor Jewelers Inc. In June 2017, it was again acquired by French American designer Guy Bedarida, formerly of Van Cleef & Arpels and John Hardy, acting also as the brand’s artistic director.

MAUBOUSSIN In 1827 Mr Rocher and his cousin, Baptiste Noury, opened a jewellery shop in Paris. Noury’s nephew, Georges Mauboussin, joined the firm, assuming control in 1896. In 1922 the business was named ‘Mauboussin, Successeur de Noury’, and later, simply ‘Mauboussin’.The house of Mauboussin exhibited at all major international exhibitions in the first half of the 20th century, receiving the Grand Prix at the 1925 Exposition des Arts Décoratifs in Paris, with Georges Mauboussin awarded the “Légion d’Honneur” for his contribution to the jewellery industry. In October 1929 Mauboussin opened an office in New York, just a month before the stock market crash. A merger was negotiated with the American jeweller,Trabert & Hoeffer, and the firm traded as “Trabert & Hoeffer – Mauboussin” until the 1950s. In 2002, Dominique Frémont, a Swiss businessman, acquired the firm, with its flagship at 20, Place Vendôme.With shops at the Champs Elysees and 6 other locations in Paris, Mauboussin now caters to a more popular clientele MOUSSAIEFF Moussaieff Jewellers was established in the 1850s in Bukara, Russia, by Shlomo Moussaieff. His son, Remo, established himself as a gem dealer in Paris, and in 1963 Remo’s son, also named Shlomo, and his wife, Alisa, opened the first Moussaieff showroom at the London Hilton on Park Lane. Shlomo retired in 2005, leaving the business in the hands of Alisa and their three daughters.With over 55 years of experience, and the driving force behind this dynamic family business, Alisa Moussaieff has become one of the most influential and respected players in the diamond market, dealing with the rarest and the most valuable gems. Over the years, Alisa Moussaieff has built up a remarkable collection of extraordinary gemstones, which includes such historic pieces as the ‘Moussaieff Red’, which at 5.11 carats, is the largest certified Natural Fancy Red diamond in the world. Moussaieff jewels have adorned a prestigious international clientele from royalty to celebrities and are handmade in their Paris workshops, with showrooms in London, on Bond Street and at the Hilton Hotel, and in Geneva, at the Grand Hotel Kempinski. PATEK PHILIPPE Patek Philippe was founded in 1839 by two Polish nationals, Antoine Norbert de Patek and Francois Czapek as Patek, Czapek & Co. In 1845, Patek joined forces with French watchmaker Adrien Philippe. A great innovator, Philippe invented the modern stemwinding and setting mechanism for watches.The firm then developed the first keyless watch, one of the early versions of which was purchased by Queen Victoria at the world’s first international trade fair the Great Exhibition of 1851.The company went on to create an array of extremely complicated watches. Today, the company is run by the Stern family and is represented by about 350 watchmakers and jewellers worldwide. RUBEL FRERES Rubel Frères, the Parisian manufacturing firm associated with Van Cleef & Arpels, moved to New York in 1939 shortly after Van Cleef & Arpels opened their salon. In 1943, their affiliation was dissolved and Rubel opened at 777 Fifth Avenue, next to the Savoy, under his Americanised name, John Rubel Co.There followed branches in London and Paris.

SABBADINI Located at 8,Via Montenapoleone in Milan, Sabbadini has been a successful family business for several generations. Founded in 1931, Alberto Esquenazi was an importer of diamonds and jewelry in Spain. Adapting to the changes brought on by WWII, he changed gears and partnered with his son in law Bruno Sabbadini to trade gemstones. Current president Alberto Sabbadini took over from his father Bruno in 1967, and now manages the company with his wife Stefania, and son Pierandrea. A gem expert and designer, Sabbadini is well-known for his 1986 creation of the calibré-cut ruby, sapphire and yellow sapphire jewellery, and in particular the bumble bee design. In addition to Milan, the company also has a base at 589 Fifth Avenue in New York, established in 1984. SEAMAN SCHEPPS Seaman Schepps opened his first jewellery salon in Los Angeles in 1904 and, in 1914, in San Francisco. In 1921, he relocated to Sixth Avenue in New York City, but he was forced to close this salon after the stock market crash in 1929. After reassessing current jewellery trends, he opened an exclusive shop on Madison Avenue in 1934, offering only unique and original designs. His jewellery is characterised by the utilisation of precious and semi-precious stones together with man-made materials to create an interesting colour palette. He popularised gem-set animal jewellery, but is most noted for his earrings of pearlised turbo shells mounted with gold wire and set with coloured gemstones. In 1956, Seaman Schepps relocated to 485 Park Avenue where his jewellery continues to be offered to a discriminating clientele, even though Schepps passed away in 1972. SCHLUMBERGER Jean Schlumberger was born in 1907 in Mulhouse, in the German-controlled Alsace, into a family of textile industrialists. Preferring art to textiles, his first jewellery creations were china flowers mounted as clips, which he gave to his friends.They caught the attention of the couturière Elsa Schiaparelli who commissioned Schlumberger to design costume jewellery. After serving in the Army and then the Free French Forces, he set up workshops with his business partner, Nicolas Bongard, in New York and Paris. In 1956,Walter Hoving, the new chairman of Tiffany & Co., brought Schlumberger into the firm as a vice president. He also invited Schlumberger to stamp his creations with his name, the first designer to be given this privilege. In 1961, the Wildenstein Gallery in New York held an exhibition of his jewellery and objets d’art.The Virginia Museum of Fine Arts has on permanent exhibit a selection of his jewels and fantasy objects on loan from Mr. and Mrs. Paul Mellon. Jean Schlumberger died in 1987, and his creations continue to be offered by Tiffany & Co.

TIFFANY & CO. On September 21, 1837, Charles Lewis Tiffany and John P.Young opened a stationery and fancy goods store known as Tiffany & Young at 259 Broadway in New York City. Jewellery and silver items were later added to their stock. By 1853, Charles Tiffany had assumed complete ownership of the business, renamed Tiffany & Co. During the 19th century, Tiffany became a leading international jeweler, buoyed by designers Edward C. Moore and G. Paulding Farnham, and gemmologist George Frederick Kunz. From 1907, the firm manufactured and sold the jewellery designs of Louis Comfort Tiffany, son of Charles. From 1955, a number of groundbreaking talents joined the firm, including Jean Schlumberger and Donald Claflin, followed by Elsa Peretti in 1974 and Paloma Picasso in 1980. In 1979, Avon Products purchased Tiffany & Co. followed by a management-led buyout headed by then chairman William R. Chaney in 1984. The company eventually went public in 1987, expanding into key domestic and international markets.Today they cover over 100 locations worldwide. VAN CLEEF & ARPELS The house of Van Cleef & Arpels was the result of the marriage between Alfred Van Cleef and Estelle Arpels. In 1906, Alfred founded Van Cleef & Arpels with Estelle’s brother Charles at 22 Place Vendome, soon joined by family members Julien and Louis Arpels. Rene Puissant, daughter of Alfred and Estelle formed a design team with Rene Sim Lacaze, and produced jewels for the firm for 2 decades. Claude, son of Julien joined the family business in 1932 and opened in 1939 at the Rockefeller Centre in New York the first of 6 boutiques in the US. The 1930’s was as much a golden period for expansion as creativity; the house’s trademark, the “Mystery” setting, the “Minaudiere”, the “Pass Partout” line were all created during this time. Notable designs of the decades that followed include the “Snowflake” jewels of the 1940’s, the “Ballet” of the 1960’s and the ‘Alhambra” theme of the 1970’s. In 1972, the Boutique Des Heures was inaugurated to house the new watch designs launched by Pierre Arpels. In 1999,Van Cleef & Arpels was acquired by Richemont Group, and now has over 45 boutiques around the world. VERDURA Fulco Santostefano della Cerda, Duke of Verdura, moved from his native Palermo to Paris in 1926, where he began working with Coco Chanel, initially as a textile designer, and eventually as head jewellery designer. After relocating to the United States in 1937, he took a position as designer at Paul Flato’s jewellery establishment, first in New York, then in California. He remained with Flato for two years before opening his own salon in 1939 at 712 Fifth Avenue and a second, in 1947, in Paris on rue Boissy d’Anglas. His jewellery featured gold mountings with precious and semi-precious stones, a bold undertaking at the time when platinum was the most popular metal. In 1972,Verdura sold the business to his associate, Joseph G. Alfano, and retired to London, living there until his death in 1978. In 1985, Edward J. Landrigan purchased Verdura, Inc. and established a salon at 745 Fifth Avenue, where he continues to produce fine jewels from Verdura’s original drawings in a manner consistent with the Duke’s tradition. VERGER Georges Verger was one of the most famous clock designers of the 1920s. He was particularly known for his innovative use of precious materials in clocks, stands, frames and watches. He worked with all of the great jewellers of the day, among them Van Cleef & Arpels, Janesich, Lacloche and Boucheron in Europe, and Tiffany, Black, Starr & Frost and J. E. Caldwell in the United States.

DAVID WEBB In 1941, at the age of 16, David Webb travelled from his birthplace, Asheville, North Carolina, to New York City, where his special gifts as a jeweller and designer quickly became apparent. He was noticed by Antoinette Quilleret, a French socialite living in Manhattan, with exquisite taste. In 1948, with her backing, he formed David Webb Inc., setting up shop on 57th Street. At the height of production, his two full-time workshops employed 200 jewellers and 37 setters. David Webb’s designs of the 1950s and early 1960s showcased endless variations on animals, flowers and organic forms. His love of nature took shape in jewels of all sizes and varieties. He then adopted a new vocabulary of hammered gold, enamel, colours, textures and shapes, synthesised into geometric motifs that reflected the spirit of the 1970s. By his untimely death in 1975, David Webb had established himself as “the” jeweller in Manhattan. In addition, he was also dedicated to creating special order pieces for New York society members who flocked to him. After his death, the company was managed for 35 years by Nina Silberstein, David Webb’s business partner and later, her son, Stanley. Over this period, they oversaw the firm’s expansion into new markets such as Beverly Hills, Houston and Kuwait. In 2010, it was purchased by New York jewellery dealers Mark Emanuel and Robert Sadian. Under this new ownership, David Webb’s tradition of design and craftsmanship is being actively maintained, with older pieces remade according to their original drawings and archives. HARRY WINSTON Harry Winston (1896-1978) bought his first emerald at the age of twelve, acquired many prominent collections during his career and at one point owned as many as a third of the famous diamonds of the world. He founded his first business in New York City, the Premier Diamond Company, at age 24. In 1932 he incorporated under his own name and began to manufacture and retail jewelry.Winston was responsible for the cutting of such famous diamonds as the Jonker,Vargas, Star of Sierra Leone and what would become the legendary Taylor-Burton diamond. Proclaimed the King of Diamonds in 1947 by Cosmopolitan magazine, he was responsible for donating perhaps the most famous of all diamonds, the Hope diamond to the Smithsonian. Upon his death in 1978, son Ronald assumed control of the company. In 2004, Aber Diamond Corporation acquired a controlling interest in the company, taking it public in 2007 under the name Harry Winston Diamond Corporation. In 2013 the Swatch Group acquired the retail arm of Harry Winston, with the mining group under separate ownership under the name of Dominion Diamond Corporation.Today, Harry Winston retail salons span across the US, Europe and Asia, championing Rare Jewels of the World, the company’s motto. RAYMOND YARD Raymond C.Yard began his career as a doorboy at Marcus & Co. in 1898, rising to salesman and then general manager.With the encouragement of John D. Rockefeller Jr., he opened his own salon at 522 Fifth Avenue in 1922, serving many prominent families in New York. Since then, the firm has moved five times, always remaining on Fifth Avenue. In 1958, when Yard died, the firm was taken over by his associates, Robert Gibson, Donald Bartow and Glen McQuaker. Upon the retirement of Bartow and McQuaker, Gibson assumed leadership of the company. In 1985, his son Robert M. Gibson became associated with the firm, later to become president upon his father’s retirement.

CONDITIONS OF SALE • BUYING AT CHRISTIE’S CONDITIONS OF SALE

These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. Unless we own a lot in whole or in part (Δ symbol), Christie’s acts as agent for the seller.

A BEFORE THE SALE 1 DESCRIPTION OF LOTS (a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed “Important Notices and Explanation of Cataloguing Practice” which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called “Symbols Used in this Catalogue”. (b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions, or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only.

2 OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a lot apart from our authenticity warranty contained in paragraph E2 and to the extent provided in paragraph I below.

3 CONDITION

7 JEWELLERY

(a) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to improve their look, through methods such as heating and oiling. These methods are accepted by the international jewellery trade but may make the gemstone less strong and/or require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemmological report for any item which does not have a report if the request is made to us at least three weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemmological report for every gemstone sold in our auctions. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports will be described in the catalogue. Reports from American gemmological laboratories will describe any improvement or treatment to the gemstone. Reports from European gemmological laboratories will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment, or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (d) For jewellery sales, estimates are based on the information in any gemmological report. If no report is available, assume that the gemstones may have been treated or enhanced.

8 WATCHES & CLOCKS

(a) Almost all clocks and watches are repaired in their lifetime and may include parts which are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water resistant cases may not be waterproof and we recommend you have them checked by a competent watchmaker before use. Important information about the sale, transport and shipping of watches and watchbands can be found in paragraph H2(f).

(a) The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Their nature means that they will rarely be in perfect condition. Lots are sold “as is,” in the condition they are in at the time of the sale, without any representation or warranty or assumption of liability of any kind as to condition by Christie’s or by the seller. (b) Any reference to condition in a catalogue entry or in a condition report will not amount to a full description of condition, and images may not show a lot clearly. Colours and shades may look different in print or on screen to how they look on physical inspection. Condition reports may be available to help you evaluate the condition of a lot. Condition reports are provided free of charge as a convenience to our buyers and are for guidance only. They offer our opinion but they may not refer to all faults, inherent defects, restoration, alteration B REGISTERING TO BID or adaptation because our staff are not professional restorers or conservators. For that reason condition 1 NEW BIDDERS (a) If this is your first time bidding at Christie’s or you reports are not an alternative to examining a lot in are a returning bidder who has not bought anything person or seeking your own professional advice. It is from any of our salerooms within the last two years your responsibility to ensure that you have requested, you must register at least 48 hours before an auction received and considered any condition report. begins to give us enough time to process and approve your registration. We may, at our option, decline to 4 VIEWING LOTS PRE-AUCTION permit you to register as a bidder. You will be asked (a) If you are planning to bid on a lot, you should for the following: inspect it personally or through a knowledgeable (i) for individuals: Photo identification (driver’s representative before you make a bid to make sure licence, national identity card, or passport) and, that you accept the description and its condition. if not shown on the ID document, proof of your We recommend you get your own advice from a current address (for example, a current utility bill restorer or other professional adviser. or bank statement); (b) Pre-auction viewings are open to the public free of (ii) for corporate clients: Your Certificate of charge. Our specialists may be available to answer Incorporation or equivalent document(s) questions at pre-auction viewings or by appointment. showing your name and registered address together with documentary proof of directors and 5 ESTIMATES beneficial owners; and Estimates are based on the condition, rarity, quality (iii) for trusts, partnerships, offshore companies and and provenance of the lots and on prices recently other business structures, please contact us in paid at auction for similar property. Estimates can advance to discuss our requirements. change. Neither you, nor anyone else, may rely on any (b) We may also ask you to give us a financial reference estimates as a prediction or guarantee of the actual and/or a deposit as a condition of allowing you to selling price of a lot or its value for any other purpose. bid. For help, please contact our Client Services Estimates do not include the buyer’s premium or Department at +1 212-636-2000. any applicable taxes.

6 WITHDRAWAL

Christie’s may, at its option, withdraw any lot from auction at any time prior to or during the sale of the lot. Christie’s has no liability to you for any decision to withdraw.

2 RETURNING BIDDERS

As described in paragraph B(1) above, we may at our option ask you for current identification, a financial reference, or a deposit as a condition of allowing you to

bid. If you have not bought anything from any of our salerooms within the last two years or if you want to spend more than on previous occasions, please contact our Client Services Department at +1 212-636-2000.

3 IF YOU FAIL TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion you do not satisfy our bidder identification and registration procedures including, but not limited to completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller.

4 BIDDING ON BEHALF OF ANOTHER PERSON

If you are bidding on behalf of another person, that person will need to complete the registration requirements above before you can bid, and supply a signed letter authorising you to bid for him/her. A bidder accepts personal liability to pay the purchase price and all other sums due unless it has been agreed in writing with Christie’s, before commencement of the auction, that the bidder is acting as an agent on behalf of a named third party acceptable to Christie’s and that Christie’s will only seek payment from the named third party.

5 BIDDING IN PERSON

If you wish to bid in the saleroom you must register for a numbered bidding paddle at least 30 minutes before the auction. You may register online at www.christies.com or in person. For help, please contact the Client Service Department on +1 212-636-2000.

6 BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and Christie’s is not responsible for any error (human or otherwise), omission, or breakdown in providing these services. (a) Phone Bids Your request for this service must be made no later than 24 hours prior to the auction. We will accept bids by telephone for lots only if our staff are available to take the bids. If you need to bid in a language other than in English, you must arrange this well before the auction. We may record telephone bids. By bidding on the telephone, you are agreeing to us recording your conversations. You also agree that your telephone bids are governed by these Conditions of Sale. (b) Internet Bids on Christie’s LIVE™ For certain auctions we will accept bids over the Internet. For more information, please visit https://www.christies.com/buying-services/ buying-guide/register-and-bid/ As well as these Conditions of Sale, internet bids are governed by the Christie’s LIVE™ Terms of Use which are available on is https://www.christies.com/LiveBidding/ OnlineTermsOfUse.aspx. (c) Written Bids You can find a Written Bid Form at the back of our catalogues, at any Christie’s office, or by choosing the sale and viewing the lots online at www.christies. com. We must receive your completed Written Bid Form at least 24 hours before the auction. Bids must be placed in the currency of the saleroom. The auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the reserve. If you make a written bid on a lot which does not have a reserve and there is no higher bid than yours, we will bid on your behalf at around 50% of the low estimate or, if lower, the amount of your bid. If we receive written bids on a lot for identical amounts, and at the auction these are the highest bids on the lot, we will sell the lot to the bidder whose written bid we received first.

C CONDUCTING THE SALE 1 WHO CAN ENTER THE AUCTION We may, at our option, refuse admission to our premises or decline to permit participation in any auction or to reject any bid.

2 RESERVES

Unless otherwise indicated, all lots are subject to a reserve. We identify lots that are offered without reserve with the symbol • next to the lot number. The reserve cannot be more than the lot’s low estimate.

3 AUCTIONEER’S DISCRETION

The auctioneer can at his or her sole option: (a) refuse any bid; (b) move the bidding backwards or forwards in any way he or she may decide, or change the order of the lots; (c) withdraw any lot; (d) divide any lot or combine any two or more lots; (e) reopen or continue the bidding even after the hammer has fallen; and (f) in the case of error or dispute related to bidding and whether during or after the auction, continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot. If you believe that the auctioneer has accepted the successful bid in error, you must provide a written notice detailing your claim within 3 business days of the date of the auction. The auctioneer will consider such claim in good faith. If the auctioneer, in the exercise of his or her discretion under this paragraph, decides after the auction is complete, to cancel the sale of a lot, or reoffer and resell a lot, he or she will notify the successful bidder no later than by the end of the 7th calendar day following the date of the auction. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way prejudice Christie’s ability to cancel the sale of a lot under any other applicable provision of these Conditions of Sale, including the rights of cancellation set forth in sections B(3), E(2)(i), F(4), and J(1).

4 BIDDING

The auctioneer accepts bids from: (a) bidders in the saleroom; (b) telephone bidders; (c) internet bidders through ‘Christie’s LIVE™ (as shown above in paragraph B6); and (d) written bids (also known as absentee bids or commission bids) left with us by a bidder before the auction.

5 BIDDING ON BEHALF OF THE SELLER

The auctioneer may, at his or her sole option, bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these as bids made on behalf of the seller and will not make any bid on behalf of the seller at or above the reserve. If lots are offered without reserve, the auctioneer will generally decide to open the bidding at 50% of the low estimate for the lot. If no bid is made at that level, the auctioneer may decide to go backwards at his or her sole option until a bid is made, and then continue up from that amount. In the event that there are no bids on a lot, the auctioneer may deem such lot unsold.

6 BID INCREMENTS

Bidding generally starts below the low estimate and increases in steps (bid increments). The auctioneer will decide at his or her sole option where the bidding should start and the bid increments. The usual bid increments are shown for guidance only on the Written Bid Form at the back of this catalogue.

7 CURRENCY CONVERTER

The saleroom video screens (and Christies LIVE™) may show bids in some other major currencies as well as US dollars. Any conversion is for guidance only and we cannot be bound by any rate of exchange used. Christie’s is not responsible for any error (human or otherwise), omission or breakdown in providing these services.

8 SUCCESSFUL BIDS

Unless the auctioneer decides to use his or her discretion as set out in paragraph C3 above, when the auctioneer’s hammer strikes, we have accepted the last bid. This means a contract for sale has been formed between the seller and the successful bidder. We will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we do not accept responsibility for telling you whether or not your bid was successful. If you have bid by written bid, you should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of your bid to avoid having to pay unnecessary storage charges.

9 LOCAL BIDDING LAWS

You agree that when bidding in any of our sales that you will strictly comply with all local laws and regulations in force at the time of the sale for the relevant sale site.

D THE BUYER’S PREMIUM AND TAXES 1 THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots we charge 25% of the hammer price up to and including US$600,000, 20% on that part of the hammer price over US$600,000 and up to and including US$6,000,000, and 14.5% of that part of the hammer price above US$6,000,000.

2 TAXES

The successful bidder is responsible for any applicable taxes including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. For lots Christie’s ships to or within the United States, a sales or use tax may be due on the hammer price, buyer’s premium, and/or any other charges related to the lot, regardless of the nationality or citizenship of the successful bidder. Christie’s will collect sales tax where legally required. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped. Christie’s shall collect New York sales tax at a rate of 8.875% for any lot collected from Christie’s in New York. In accordance with New York law, if Christie’s arranges the shipment of a lot out of New York State, New York sales tax does not apply, although sales tax or other applicable taxes for other states may apply. If you hire a shipper (other than a common carrier authorized by Christie’s), to collect the lot from a Christie’s New York location, Christie’s must collect New York sales tax on the lot at a rate of 8.875% regardless of the ultimate destination of the lot. If Christie’s delivers the lot to, or the lot is collected by, any framer, restorer or other similar service provider in New York that you have hired, New York law considers the lot delivered to the successful bidder in New York and New York sales tax must be imposed regardless of the ultimate destination of the lot. In this circumstance, New York sales tax will apply to the lot even if Christie’s or a common carrier (authorized by Christie’s that you hire) subsequently delivers the lot outside New York. Successful bidders claiming an exemption from sales tax must provide appropriate documentation to Christie’s prior to the release of the lot or within 90 days after the sale, whichever is earlier. For shipments to those states for which Christie’s is not required to collect sales tax, a successful bidder may have a use or similar tax obligation. It is the successful bidder’s responsibility to pay all taxes due. Christie’s recommends you consult your own independent tax advisor with any questions.

E WARRANTIES 1 SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller: (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot, or the right to do so in law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph F1(a) below) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expenses. The seller gives no warranty in relation to any lot other than as set out above and, as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller which may be added to this agreement by law, are excluded.

2 OUR AUTHENTICITY WARRANTY

We warrant, subject to the terms below, that the lots in our sales are authentic (our “authenticity warranty”). If, within 5 years of the date of the auction, you give notice to us that your lot is not authentic, subject to the terms below, we will refund the purchase price paid by you. The meaning of authentic can be found in the glossary at the end of these Conditions of Sale. The terms of the authenticity warranty are as follows: (a) It will be honored for claims notified within a period of 5 years from the date of the auction. After such time, we will not be obligated to honor the authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the “Heading”). It does not apply to any information other than in the Heading even if shown in UPPERCASE type.

(c) The authenticity warranty does not apply to any Heading or part of a Heading which is qualified. Qualified means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the section titled Qualified Headings on the page of the catalogue headed “Important Notices and Explanation of Cataloguing Practice”. For example, use of the term “ATTRIBUTED TO…” in a Heading means that the lot is in Christie’s opinion probably a work by the named artist but no warranty is provided that the lot is the work of the named artist. Please read the full list of Qualified Headings and a lot’s full catalogue description before bidding. (d) The authenticity warranty applies to the Heading as amended by any Saleroom Notice. (e) The authenticity warranty does not apply where scholarship has developed since the auction leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) The authenticity warranty does not apply if the lot can only be shown not to be authentic by a scientific process which, on the date we published the catalogue, was not available or generally accepted for use, or which was unreasonably expensive or impractical, or which was likely to have damaged the lot. (g) The benefit of the authenticity warranty is only available to the original buyer shown on the invoice for the lot issued at the time of the sale and only if on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest or restriction by anyone else. The benefit of this authenticity warranty may not be transferred to anyone else. (h) In order to claim under the authenticity warranty you must: (i) give us written notice of your claim within 5 years of the date of the auction. We may require full details and supporting evidence of any such claim; (ii) at Christie’s option, we may require you to provide the written opinions of two recognised experts in the field of the lot mutually agreed by you and us in advance confirming that the lot is not authentic. If we have any doubts, we reserve the right to obtain additional opinions at our expense; and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages or expenses. (j) Books. Where the lot is a book, we give an additional warranty for 21 days from the date of the auction that any lot is defective in text or illustration, we will refund your purchase price, subject to the following terms: (a) This additional warranty does not apply to: (i) the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of the text or illustration; (ii) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; (iii) books not identified by title; (iv) lots sold without a printed estimate; (v) books which are described in the catalogue as sold not subject to return; or (vi) defects stated in any condition report or announced at the time of sale. (b) To make a claim under this paragraph you must give written details of the defect and return the lot to the sale room at which you bought it in the same condition as at the time of sale, within 21 days of the date of the sale. (k) South East Asian Modern and Contemporary Art and Chinese Calligraphy and Painting. In these categories, the authenticity warranty does not apply because current scholarship does not permit the making of definitive statements. Christie’s does, however, agree to cancel a sale in either of these two categories of art where it has been proven the lot is a forgery. Christie’s will refund to the original buyer the purchase price in accordance with the terms of Christie’s Authenticity Warranty, provided that the original buyer notifies us with full supporting evidence documenting the forgery claim within twelve (12) months of the date of the auction.

Such evidence must be satisfactory to us that the property is a forgery in accordance with paragraph E2(h)(ii) above and the property must be returned to us in accordance with E2h(iii) above. Paragraphs E2(b), (c), (d), (e), (f) and (g) and (i) also apply to a claim under these categories. (l) Chinese, Japanese and Korean artefacts (excluding Chinese, Japanese and Korean calligraphy, paintings, prints, drawings and jewellery). In these categories, paragraph E2 (b) – (e) above shall be amended so that where no maker or artist is identified, the authenticity warranty is given not only for the Heading but also for information regarding date or period shown in UPPERCASE type in the second line of the catalogue description (the “Subheading”). Accordingly, all references to the Heading in paragraph E2 (b) – (e) above shall be read as references to both the Heading and the Subheading.

3 YOUR WARRANTIES

(e) For more information please contact our Post-Sale Services by phone at +1 212 636 2650 or fax at +1 212 636 4939 or email PostSaleUS@christies.com.

2 TRANSFERRING OWNERSHIP TO YOU

You will not own the lot and ownership of the lot will not pass to you until we have received full and clear payment of the purchase price, even in circumstances where we have released the lot to you.

3 TRANSFERRING RISK TO YOU

The risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) When you collect the lot; or (b) At the end of the 30th day following the date of the auction or, if earlier, the date the lot is taken into care by a third party warehouse as set out on the page headed ‘Storage and Collection’, unless we have agreed otherwise with you.

4 WHAT HAPPENS IF YOU DO NOT PAY

(a) You warrant that the funds used for settlement are (a) If you fail to pay us the purchase price in full by not connected with any criminal activity, including the due date, we will be entitled to do one or more tax evasion, and you are neither under investigation, of the following (as well as enforce our rights under nor have you been charged with or convicted of paragraph F5 and any other rights or remedies we money laundering, terrorist activities or other crimes. have by law): (b) where you are bidding on behalf of another person, (i) we can charge interest from the due date at a rate of you warrant that: up to 1.34% per month on the unpaid amount due; (i) you have conducted appropriate customer due (ii) we can cancel the sale of the lot. If we do this, diligence on the ultimate buyer(s) of the lot(s) in we may sell the lot again, publically or privately accordance with all applicable anti-money on such terms we shall think necessary or laundering and sanctions laws, consent to us appropriate, in which case you must pay us any relying on this due diligence, and you will retain shortfall between the purchase price and the for a period of not less than 5 years the proceeds from the resale. You must also pay all documentation evidencing the due diligence. costs, expenses, losses, damages and legal fees we You will make such documentation promptly have to pay or may suffer and any shortfall in the available for immediate inspection by an seller’s commission on the resale; independent third-party auditor upon our written (iii) we can pay the seller an amount up to the net request to do so; proceeds payable in respect of the amount bid (ii) the arrangements between you and the ultimate by your default in which case you acknowledge buyer(s) in relation to the lot or otherwise do not, and understand that Christie’s will have all of in whole or in part, facilitate tax crimes; the rights of the seller to pursue you for (iii) you do not know, and have no reason to suspect, such amounts; that the funds used for settlement are connected (iv) we can hold you legally responsible for with, the proceeds of any criminal activity, the purchase price and may begin legal including tax evasion, or that the ultimate buyer(s) proceedings to recover it together with other are under investigation, or have been charged losses, interest, legal fees and costs as far as we are with or convicted of money laundering, terrorist allowed by law; activities or other crimes. (v) we can take what you owe us from any amounts which we or any company in the Christie’s Group may owe you (including any deposit or F PAYMENT other part-payment which you have paid to us); 1 HOW TO PAY (vi) we can, at our option, reveal your identity and (a) Immediately following the auction, you must pay contact details to the seller; the purchase price being: (vii) we can reject at any future auction any bids made (i) the hammer price; and by or on behalf of the buyer or to obtain a (ii) the buyer’s premium; and deposit from the buyer before accepting any bids; (iii) any applicable duties, goods, sales, use, (viii) we can exercise all the rights and remedies of compensating or service tax, or VAT. a person holding security over any property Payment is due no later than by the end of the in our possession owned by you, whether by 7th calendar day following the date of the auction way of pledge, security interest or in any other (the “due date”). way as permitted by the law of the place where (b) We will only accept payment from the registered such property is located. You will be deemed bidder. Once issued, we cannot change the buyer’s to have granted such security to us and we may name on an invoice or re-issue the invoice in a different retain such property as collateral security for name. You must pay immediately even if you want to your obligations to us; and export the lot and you need an export licence. (ix) we can take any other action we see necessary (c) You must pay for lots bought at Christie’s in the or appropriate. United States in the currency stated on the invoice in (b) If you owe money to us or to another Christie’s one of the following ways: Group company, we can use any amount you do (i) Wire transfer pay, including any deposit or other part-payment JP Morgan Chase Bank, N.A., you have made to us, or which we owe you, to pay 270 Park Avenue, New York, NY 10017; off any amount you owe to us or another Christie’s ABA# 021000021; FBO: Christie’s Inc.; Group company for any transaction. Account # 957-107978, for international transfers, SWIFT: CHASUS33. 5 KEEPING YOUR PROPERTY (ii) Credit Card. If you owe money to us or to another Christie’s We accept Visa, MasterCard, American Express Group company, as well as the rights set out in F4 and China Union Pay. Credit card payments at the New York premises will only be accepted for above, we can use or deal with any of your property we hold or which is held by another Christie’s Group New York sales. Christie’s will not accept credit card payments for purchases in any other sale site. company in any way we are allowed to by law. We will only release your property to you after you pay us or the (iii) Cash relevant Christie’s Group company in full for what We accept cash payments (including money you owe. However, if we choose, we can also sell your orders and traveller’s checks) subject to a property in any way we think appropriate. We will use maximum global aggregate of US$7,500 per the proceeds of the sale against any amounts you owe us buyer. and we will pay any amount left from that sale to you. (iv) Bank Checks If there is a shortfall, you must pay us any difference You must make these payable to Christie’s between the amount we have received from the sale and Inc. and there may be conditions. Once we the amount you owe us. have deposited your check, property cannot be released until five business days have passed. (v) Checks G COLLECTION AND STORAGE You must make checks payable to Christie’s Inc. (a) You must collect purchased lots within seven days and they must be drawn from US dollar accounts from the auction (but note that lots will not be from a US bank. released to you until you have made full and (d) You must quote the sale number, your invoice clear payment of all amounts due to us). number and client number when making a payment. All payments sent by post must be sent to: Christie’s Inc. Post-Sale Services, 20 Rockefeller Center, New York, NY 10020.

(b) Information on collecting lots is set out on the storage and collection page and on an information sheet which you can get from the bidder registration staff or Christie’s Post-Sale Services Department on +1 212 636 2650. (c) If you do not collect any lot within thirty days following the auction we may, at our option (i) charge you storage costs at the rates set out at www.christies.com/storage. (ii) move the lot to another Christie’s location or an affiliate or third party warehouse and charge you transport costs and administration fees for doing so and you will be subject to the third party storage warehouse’s standard terms and to pay for their standard fees and costs. (iii) sell the lot in any commercially reasonable way we think appropriate. (d) The Storage conditions which can be found at www.christies.com/storage will apply. (e) In accordance with New York law, if you have paid for the lot in full but you do not collect the lot within 180 calendar days of payment, we may charge you New York sales tax for the lot. (f) Nothing in this paragraph is intended to limit our rights under paragraph F4.

H TRANSPORT AND SHIPPING 1 SHIPPING We would be happy to assist in making shipping arrangements on request. You must make all transport and shipping arrangements. However, we can arrange to pack, transport, and ship your property if you ask us to and pay the costs of doing so. We recommend that you ask us for an estimate, especially for any large items or items of high value that need professional packing. We may also suggest other handlers, packers, transporters, or experts if you ask us to do so. For more information, please contact Christie’s Post-Sale Services at +1 212 636 2650. See the information set out at https://www. christies.com/buying-services/buying-guide/ ship/ or contact us at PostSaleUS@christies.com. We will take reasonable care when we are handling, packing, transporting, and shipping a. However, if we recommend another company for any of these purposes, we are not responsible for their acts, failure to act, or neglect.

2 EXPORT AND IMPORT

Any lot sold at auction may be affected by laws on exports from the country in which it is sold and the import restrictions of other countries. Many countries require a declaration of export for property leaving the country and/or an import declaration on entry of property into the country. Local laws may prevent you from importing a lot or may prevent you selling a lot in the country you import it into. (a) You alone are responsible for getting advice about and meeting the requirements of any laws or regulations which apply to exporting or importing any lot prior to bidding. If you are refused a licence or there is a delay in getting one, you must still pay us in full for the lot. We may be able to help you apply for the appropriate licences if you ask us to and pay our fee for doing so. However, we cannot guarantee that you will get one. For more information, please contact Christie’s Post-Sale Services Department at +1 212 636 2650 and PostSaleUS@christies.com. See the information set out at https://www. christies.com/buying-services/buying-guide/ ship/ or contact us at PostSaleUS@christies.com. (b) You alone are responsible for any applicable taxes, tariffs or other government-imposed charges relating to the export or import of the lot. If Christie’s exports or imports the lot on your behalf, and if Christie’s pays these applicable taxes, tariffs or other government-imposed charges, you agree to refund that amount to Christie’s. (c) Endangered and protected species Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to import the lot into another country. Several countries refuse to allow you to import property containing these materials, and some other countries require a licence from the relevant regulatory agencies in the countries of exportation as well as importation. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost. (d) Lots containing Ivory or materials resembling ivory If a lot contains elephant ivory, or any other wildlife material that could be confused with elephant

ivory (for example, mammoth ivory, walrus ivory, helmeted hornbill ivory) you may be prevented from exporting the lot from the US or shipping it between US States without first confirming its species by way of a rigorous scientific test acceptable to the applicable Fish and Wildlife authorities. You will buy that lot at your own risk and be responsible for any scientific test or other reports required for export from the USA or between US States at your own cost. We will not be obliged to cancel your purchase and refund the purchase price if your lot may not be exported, imported or shipped between US States, or it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to interstate shipping, export or import of property containing such protected or regulated material. (e) Lots of Iranian origin Some countries prohibit or restrict the purchase, the export and/or import of Iranian-origin “works of conventional craftsmanship” (works that are not by a recognized artist and/or that have a function, (for example: carpets, bowls, ewers, tiles, ornamental boxes). For example, the USA prohibits the import and export of this type of property without a license issued by the US Department of the Treasury, Office of Foreign Assets Control. Other countries, such as Canada, only permit the import of this property in certain circumstances. As a convenience to buyers, Christie’s indicates under the title of a lot if the lot originates from Iran (Persia). It is your responsibility to ensure you do not bid on or import a lot in contravention of the sanctions or trade embargoes that apply to you. (f) Gold Gold of less than 18ct does not qualify in all countries as ‘gold’ and may be refused import into those countries as ‘gold’. (g) Watches Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile. These lots are marked with the symbol Ψ in the catalogue. These endangered species straps are shown for display purposes only and are not for sale. Christie’s will remove and retain the strap prior to shipment from the sale site. At some sale sites, Christie’s may, at its discretion, make the displayed endangered species strap available to the buyer of the lot free of charge if collected in person from the sale site within 1 year of the date of the auction. Please check with the department for details on a particular lot. For all symbols and other markings referred to in paragraph H2, please note that lots are marked as a convenience to you, but we do not accept liability for errors or for failing to mark lots.

I OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees, about any lot other than as set out in the authenticity warranty and, as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E1 are their own and we do not have any liability to you in relation to those warranties. (b) (i) We are not responsible to you for any reason (whether for breaking this agreement or any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us or other than as expressly set out in these conditions of sale; or (ii) give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature, or historical relevance. Except as required by local law, any warranty of any kind is excluded by this paragraph. (c) In particular, please be aware that our written and telephone bidding services, Christie’s LIVE™, condition reports, currency converter and saleroom video screens are free services and we are not responsible to you for any error (human or otherwise), omission or breakdown in these services. (d) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (e) If, in spite of the terms in paragraphs I(a) to (d) or E2(i) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

J OTHER TERMS 1 OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel a sale of a lot if : (i) any of your warranties in paragraph E3 are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2 RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law. However, we may, through this process, use or share these recordings with another Christie’s Group company and marketing partners to analyse our customers and to help us to tailor our services for buyers. If you do not want to be videotaped, you may make arrangements to make a telephone or written bid or bid on Christie’s LIVE™ instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

10 REPORTING ON WWW.CHRISTIES.COM

Details of all lots sold by us, including catalogue descriptions and prices, may be reported on www.christies.com. Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees, or application of buyer’s or seller’s credits. We regret that we cannot agree to requests to remove these details from www.christies.com.

K GLOSSARY auctioneer: the individual auctioneer and/or Christie’s. authentic: authentic : a genuine example, rather than a 3 COPYRIGHT copy or forgery of: (i) the work of a particular artist, author or We own the copyright in all images, illustrations and manufacturer, if the lot is described in the written material produced by or for us relating to a Heading as the work of that artist, author lot (including the contents of our catalogues unless or manufacturer; otherwise noted in the catalogue). You cannot use them (ii) a work created within a particular period or without our prior written permission. We do not offer culture, if the lot is described in the Heading as any guarantee that you will gain any copyright or other a work created during that period or culture; reproduction rights to the lot. (iii) a work for a particular origin source if the lot is described in the Heading as being of that origin 4 ENFORCING THIS AGREEMENT or source; or If a court finds that any part of this agreement is not valid (iv) in the case of gems, a work which is made of a or is illegal or impossible to enforce, that part of the particular material, if the lot is described in the agreement will be treated as being deleted and the rest of Heading as being made of that material. this agreement will not be affected. authenticity warranty: the guarantee we give in this agreement that a lot is authentic as set out in paragraph 5 TRANSFERRING YOUR RIGHTS E2 of this agreement. AND RESPONSIBILITIES You may not grant a security over or transfer your rights buyer’s premium: the charge the buyer pays us along with the hammer price. or responsibilities under these terms on the contract of catalogue description: the description of a lot in the sale with the buyer unless we have given our written catalogue for the auction, as amended by any saleroom permission. This agreement will be binding on your notice. successors or estate and anyone who takes over your Christie’s Group: Christie’s International Plc, rights and responsibilities. its subsidiaries and other companies within its corporate group. 6 TRANSLATIONS condition: the physical condition of a lot. If we have provided a translation of this agreement, we due date: has the meaning given to it paragraph F1(a). will use this original version in deciding any issues or estimate: the price range included in the catalogue or disputes which arise under this agreement. any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range 7 PERSONAL INFORMATION We will hold and process your personal information and and high estimate means the higher figure. The mid estimate is the midpoint between the two. may pass it to another Christie’s Group company for hammer price: the amount of the highest bid the use as described in, and in line with, our privacy notice auctioneer accepts for the sale of a lot. at www.christies.com/about-us/contact/privacy and if you are a resident of California you can see a copy Heading: has the meaning given to it in paragraph E2. lot: an item to be offered at auction (or two or more of our California Consumer Privacy Act statement at items to be offered at auction as a group). www.christies.com/about-us/contact/ccpa. other damages: any special, consequential, incidental or indirect damages of any kind or any damages which 8 WAIVER fall within the meaning of ‘special’, ‘incidental’ or No failure or delay to exercise any right or remedy provided under these Conditions of Sale shall constitute ‘consequential’ under local law. purchase price: has the meaning given to it in a waiver of that or any other right or remedy, nor shall paragraph F1(a). it prevent or restrict the further exercise of that or any provenance: the ownership history of a lot. other right or remedy. No single or partial exercise of qualified: has the meaning given to it in paragraph such right or remedy shall prevent or restrict the further E2 and Qualified Headings means the paragraph exercise of that or any other right or remedy. headed Qualified Headings on the page of the catalogue headed ‘Important Notices and Explanation of 9 LAW AND DISPUTES Cataloguing Practice’. This agreement, and any non-contractual obligations reserve: the confidential amount below which we will arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of not sell a lot. a lot will be governed by the laws of New York. Before saleroom notice: a written notice posted next to the lot in the saleroom and on www.christies.com, we or you start any court proceedings (except in the limited circumstances where the dispute, controversy or which is also read to prospective telephone bidders and claim is related to proceedings brought by someone else notified to clients who have left commission bids, or an announcement made by the auctioneer either at the and this dispute could be joined to those proceedings), beginning of the sale, or before a particular lot we agree we will each try to settle the dispute by is auctioned. mediation submitted to JAMS, or its successor, for mediation in New York. If the Dispute is not settled by Subheading: has the meaning given to it in mediation within 60 days from the date when mediation paragraph E2. UPPER CASE type: means having all capital letters. is initiated, then the Dispute shall be submitted to warranty: a statement or representation in which the JAMS, or its successor, for final and binding arbitration person making it guarantees that the facts set out in it in accordance with its Comprehensive Arbitration are correct. Rules and Procedures or, if the Dispute involves a nonU.S. party, the JAMS International Arbitration Rules. The seat of the arbitration shall be New York and the arbitration shall be conducted by one arbitrator, who shall be appointed within 30 days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the Dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The

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SYMBOLS USED IN THIS CATALOGUE The meaning of words coloured in bold in this section can be found at the end of the section of the catalogue headed ‘Conditions of Sale’ º Christie’s has a direct financial interest in the lot. See Important Notices and Explanation of Cataloguing Practice. Δ Owned by Christie’s or another Christie’s Group company in whole or part. See Important Notices and Explanation of Cataloguing Practice.

♦ Christie’s has a direct financial interest in the lot and has funded all or part of our interest with the help of someone else. See Important Notices and Explanation of Cataloguing Practice. ¤ Bidding by interested parties • Lot offered without reserve which will be sold to the highest bidder regardless of the pre-sale estimate in the catalogue.

~ Lot incorporates material from endangered species which could result in export restrictions. See Paragraph H2(b) of the Conditions of Sale. ■ See Storage and Collection pages in the catalogue. Ψ Lot incorporates material from endangered species that is not for sale and shown for display purposes only. See Paragraph H2(g) of the Conditions of Sale.

Please note that lots are marked as a convenience to you and we shall not be liable for any errors in, or failure to, mark a lot.

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IMPORTANT NOTICES AND EXPLANATION OF CATALOGUING PRACTICE IMPORTANT NOTICES

Post-catalogue notifications

∆ Property Owned in part or in full by Christie’s

In certain instances, after the catalogue has been published, Christie’s may enter into an arrangement or become aware of bidding that would have required a catalogue symbol. In those instances, a pre-sale or pre-lot announcement will be made.

From time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol Δ next to its lot number. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue. º Minimum Price Guarantees On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie’s holds such financial interest we identify such lots with the symbol º next to the lot number. º ♦ Third Party Guarantees/Irrevocable bids Where Christie’s has provided a Minimum Price Guarantee it is at risk of making a loss if the lot fails to sell. Christie’s sometimes chooses to share that risk with a third party who agrees prior to the auction to place an irrevocable written bid on the lot. If there are no other higher bids, the third party commits to buy the lot at the level of their irrevocable written bid. In doing so, the third party takes on all or part of the risk of the lot not being sold. Lots which are subject to a third party guarantee arrangement are identified in the catalogue with the symbol º ♦. In most cases, Christie’s compensates the third party in exchange for accepting this risk. Where the third party is the successful bidder, the third party’s remuneration is based on a fixed financing fee. If the third party is not the successful bidder, the remuneration may either be based on a fixed fee or is an amount calculated against the hammer price. The third party may continue to bid for the lot above the irrevocable written bid. Where the third party is the successful bidder, Christie’s will report the purchase price net of the fixed financing fee. Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee, you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot ¤ Bidding by interested parties When a party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on the lot, we will mark the lot with this symbol ¤. This interest can include beneficiaries of an estate that consigned the lot or a joint owner of a lot. Any interested party that successfully bids on a lot must comply with Christie’s Conditions of Sale, including paying the lot’s full Buyer’s Premium plus applicable taxes.

Other Arrangements Christie’s may enter into other arrangements not involving bids. These include arrangements where Christie’s has given the Seller an Advance on the proceeds of sale of the lot or where Christie’s has shared the risk of a guarantee with a partner without the partner being required to place an irrevocable written bid or otherwise participating in the bidding on the lot. Because such arrangements are unrelated to the bidding process they are not marked with a symbol in the catalogue.

FOR PICTURES, DRAWINGS, PRINTS AND MINIATURES

Terms used in this catalogue have the meanings ascribed to them below. Please note that all statements in this catalogue as to authorship are made subject to the provisions of the Conditions of Sale and authenticity warranty. Buyers are advised to inspect the property themselves. Written condition reports are usually available on request.

The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published. *This term and its definition in this Explanation of Cataloguing Practice are a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Christie’s and the seller assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the Authenticity Warranty shall not be available with respect to lots described using this term.

POST 1950 FURNITURE

All items of post-1950 furniture included in this sale are items either not originally supplied for use in a private home or now offered solely as works of art. These items may not comply with the provisions of the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended in 1989 and 1993, the “Regulations”). Accordingly, these items should not be used as furniture in your home in their current condition. If you do intend to use such items for this purpose, you must first ensure that they are reupholstered, restuffed and/or recovered (as appropriate) in order that they comply with the provisions of the Regulations.These will vary by department.

QUALIFIED HEADINGS

In Christie’s opinion a work by the artist. *“Attributed to …” In Christie’s qualified opinion probably a work by the artist in whole or in part. *“Studio of …”/ “Workshop of …” In Christie’s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *“Circle of …” In Christie’s qualified opinion a work of the period of the artist and showing his influence. *“Follower of …” In Christie’s qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *“Manner of …” In Christie’s qualified opinion a work executed in the artist’s style but of a later date. *“After …” In Christie’s qualified opinion a copy (of any date) of a work of the artist. “Signed …”/“Dated …”/ “Inscribed …” In Christie’s qualified opinion the work has been signed/dated/inscribed by the artist. “With signature …”/ “With date …”/ “With inscription …” In Christie’s qualified opinion the signature/ date/inscription appears to be by a hand other than that of the artist.

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IDENTITY VERIFICATION From January 2020, new anti-money laundering regulations require Christie’s and other art businesses to verify the identity of all clients. To register as a new client, you will need to provide the following documents, or if you are an existing client, you will be prompted to provide any outstanding documents the next time you transact. Private individuals: • A copy of your passport or other government-issued photo ID • Proof of your residential address (such as a bank statement or utility bill) dated within the last three months Please upload your documents through your christies.com account: click ‘My Account’ followed by ‘Complete Profle’. You can also email your documents to info@christies.com or provide them in person. Organisations: • Formal documents showing the company’s incorporation, its registered ofice and business address, and its oficers, members and ultimate benefcial owners • A passport or other government-issued photo ID for each authorised user Please email your documents to info@christies.com or provide them in person.

IMPORTANT NOTICES AND EXPLANATION OF CATALOGUING PRACTICE (CONTINUED) ALL DIMENSIONS AND WEIGHTS ARE APPROXIMATE ONLY

TO PROSPECTIVE BUYERS OF CLOCKS AND WATCHES

REGARDING IMPORTATION OF WATCHES INTO THE US

CONDITION

The description of the condition of clocks and watches in this catalogue, including references to defects and repairs, is provided as a service to prospective buyers, but such description is not necessarily complete. While Christie’s will furnish a condition report on any lot to a prospective purchaser upon request, any such report may also be incomplete and may not specify all mechanical replacements or defects. Accordingly, all clocks and watches should be viewed personally by prospective buyers to evaluate the condition of the property offered for sale. All lots are sold “as is,” and the absence of any reference to the condition of a clock or watch does not imply that the lot is in good condition and without defects, repairs or restorations. Virtually all clocks and watches have been repaired in the course of their normal useful lifetime and may now incorporate parts not original to them. Furthermore, Christie’s makes no representation or warranty that any clock or watch is in working order. Watches are not always illustrated life size, buyers should refer to the catalogue description for the dimensions of each watch. It should be noted that most wristwatches with waterresistant cases have been opened to identify type and quality of movement. It cannot be assumed that the watches are still waterproof and purchasers are advised to have the watches checked by a competent watch-maker before use. Please note that gold of less than 18ct. does not qualify in all countries as ‘gold’ and may be refused import. Christie’s cannot accept liability if import is refused. Please note that all Rolex watches in the Christie’s sale catalogue are sold as viewed and that Christie’s cannot guarantee the authenticity of any individual component part of these Rolex watches. The bracelets described as “associated” are not part of the original piece and may not be authentic. Prospective buyers should satisfy themselves by personal inspection as to the condition of each Lot. Condition reports can be requested from Christie’s and are given ‘without prejudice’ in accordance with the terms of the conditions of sale and limited warranty printed in the back of the catalogue. Nevertheless, such reports are for general guidance only and will not specify all mechanical replacements or imperfections. Such reports will, of necessity, be subjective. Buyers are advised that certificates are not available unless otherwise stated. As collectors’ watches often contain extremely fine and complex mechanisms, buyers should be aware that a general service, change of battery or further repair work, for which the buyer is solely responsible, may be necessary.

Prospective buyers should be aware that the importation of Rolex watches into the United States is highly restricted. These watches (not limited to Rolex) may not be shipped into the USA and can only be imported personally. Generally, a buyer may import only one watch into the USA. In this catalogue, these watches have been marked with a Φ. It is the buyer’s responsibility to determine whether there are any import restrictions and to comply with such restrictions. The failure by Christie’s to mark a lot with a Φ shall not constitute grounds to rescind or cancel a sale. For further information please contact our specialists in charge of the sale.

Christie’s catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. The nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.

REGARDING COLOURED STONES Prospective buyers are reminded that many coloured gemstones have historically been treated to enhance their appearance. Certain enhancement methods, such as heating, are commonly used to improve both colour or transparency, particularly in rubies and sapphires. Other methods, such as oiling, enhance the clarity of emeralds. These methods have been generally accepted by the international jewellery trade. Although heat enhancement of colour is widely believed to be permanent, it may have some impact on the durability of the gemstone and special care of the stone may be required over time. For example, gemstones which have been oiled may require re-oiling after a period of years to retain their maximum appearance. It is Christie’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Christie’s. The availability of such reports will be disclosed in the catalogue. Reports from American gemmological laboratories used by Christie’s will disclose any heat enhancement or treatment. European gemmological laboratory reports will disclose heat enhancement only if specifically requested but will confirm when no heat enhancement or treatment has been made. Because of variations in approach and technology there may not be consensus among laboratories as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent. It is not feasible for Christie’s to obtain a gemmological report for each gemstone offered by Christie’s. Prospective buyers should be aware that all gemstones may have been enhanced by some method. For further details, prospective buyers in the United States are referred to the information chart prepared by the Gemstones Standards Commission, available in the viewing area. Prospective buyers may request laboratory reports for any uncertified item if requests are made at least three weeks before the scheduled date of auction. This service is subject to prepayment by the requesting party. Because enhancement affects market value, Christie’s estimates will reflect the information disclosed in a report or, if no report is available, the assumption that gemstones may have been enhanced. Condition reports are usually available for all lots upon request and Christie’s specialists will be happy to answer any questions.

REGARDING THE EXPORT OF WATCH BANDS INCORPORATING MATERIALS FROM ENDANGERED SPECIES Many of the watches offered for sale in this catalogue have bands which may be made of endangered or protected animal materials such as alligator or crocodile and which may not lawfully be exported from the sale site without a CITES export permit. As explained above, these lots are marked with the symbol (~) in the catalogue. Accordingly, for purchased watches that are to be shipped out of the sale site for delivery, Christie’s will need to remove and retain the band before shipping the watch and buckle.

REGARDING ESTIMATED WEIGHTS Certain weights in the catalogue have been estimated through measurement. These figures are to be used as approximate guidelines and should not be relied upon as exact.

LOTS OFFERED WITHOUT RESERVE Please note that all lots highlighted with red titles in this sale are offered ‘Without Reserve’. These items will be sold to the highest bidder, regardless of the pre-sale estimate printed in the catalogue. We hope that you will find this visual presentation helpful.

AUTHENTICITY CERTIFICATES As certain manufacturers may not issue certificates of authenticity, Christie’s has no obligation to furnish a buyer with a certificate of authenticity from the manufacturer, except where specifically noted in the catalogue. Unless Christie’s is satisfied that it should cancel the sale in accordance with the Limited Warranty provided in the Conditions of Sale, the failure of a manufacturer to issue a certificate will not constitute grounds for cancellation of the sale.

PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIES Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as endangered or threatened if those articles are less than 100 years old. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species. 24/10/16

COLOURLESS DIAMOND INDEX

LOT

COLOUR

CLARITY

WEIGHT

CUT

288

Flawless

10.59

Rectangular

Internally Flawless

3.05

Circular

369

Internally Flawless

8.00

Cushion

102

VVS1

11.63

Pear

374

VS2

5.13

Pear

VVS1, Potential

3.17

Square

272

VVS2, Potential

10.59

Oval

141

Pair

D, D

VS1, VS2

12.63, 12.40

Pear

310

Pair

D, E

VS2, VS2

5.02, 5.03

Circular

141

Pair

D,E

VS2, VVS2

2.11, 2.23

Pear

VVS2

5.77

Marquise

91 282

Pair

E, E

VS1, VS2

2.17, 2.10

Circular

274

Pair

E, F

VS1, VS1

2.11, 2.14

Circular

199

Internally Flawless

2.16

Circular

275

Internally Flawless

8.88

Heart

252

VS2

9.87

Pear

SI1

6.57

Pear

118

VS1

7.04

Rectangular

VS1

4.54

Rectangular

SI1

4.06

Modified

191

SI1

6.65

Marquise

Pair

G, G

VS1, VS2

3.02, 3.01

Circular

255

Pair

G, G

VS2, VS2

1.03, 1.01

Circular

119

VVS1

13.63

Rectangular

293

VVS2

11.66

Briolette

197

VS2

7.01

Oval

SI1

5.07

Modified

4.05

Circular

VS2

5.24

Rectangular

284

Pair

I, I

VS2, VS2

10.33, 10.03

Modified

129

Necklace

I, I, G

VS1, VS1, VS2

2.01, 2.01, 2.01

Rectangular

VS1

10.05

Rectangular

3.35

Pear

J, J

VVS1, VVS2

4.21, 4.20

Circular

VS2

7.48

Pear

242

VS2

15.02

Rectangular

SI1

6.29

Old Mine

145

VS1

3.38

Old Mine

L, Faint Brown

VS2

12.37

Marquise

L, M

SI2, I1

3.27, 3.47

Cushion,

363

VS2

10.02

Lozenge

VS2

5.18

Rectangular

229

W to X

VS1

15.02

Modified

Y to Z

VS2

102.61

Cushion

367 192 258

Pair

227 233

Pair

Old Mine

*Estimated weight

COLOURED DIAMOND INDEX LOT

COLOUR

CLARITY

WEIGHT

CUT

2.61, 2.34

Pear Heart

PINK

287

Pair

Fancy Intense Purplish Pink,

VVS1 Pot,

Fancy Intense Pink

VVS2 Pot

136

Fancy Intense Purplish Pink

0.31

371

Faint Pink

VS2

5.01

Pear

375

Fancy Orangy Pink

5.07

Modified

139

Fancy Orangy Pink

SI2

5.04

Marquise

YELLOW

276

Fancy Vivid Yellow

VVS2

6.09

Square

135

Fancy Vivid Yellow

SI1

3.82

Rectangular

301

Fancy Vivid Yellow

VVS2

3.22

Heart

Fancy Vivid Yellow

VS2, VVS2

2.27, 2.01

Cushion

204

Fancy Intense Yellow

VS2

31.30

Circular

368

Fancy Intense Yellow

VS1

20.01

Rectangular

273

Fancy Intense Yellow

VVS2

15.42

Heart

Fancy Intense Yellow

SI1

6.94, 6.71

Pear

Fancy Intense Yellow

VVS1

6.89

Modified

140

Fancy Yellow

SI2

5.97

Modified

262

Fancy Deep Brownish Yellow

SI1

1.07

Pentagon

Fancy Intense Blue

0.36

Heart

Fancy Vivid Yellowish Green

VS2

1.96

Oval

Fancy Deep

VVS1

18.43

Modified

303

291

Pair

BLUE

136

GREEN

139 ORANGE

292

Brown-Yellow

Rectangular

*Estimated 380

weight

COLOURED STONE INDEX LOT

ORIGIN

TREATMENT

WEIGHT

SHAPE

341

Colombia

None

562.79

Rectangular

341

Colombia

Insignificant, Traditional

303.90

Square

260

Colombia

Insignificant, Traditional

3.30*

Rectangular

203

Colombia

Insignificant to Minor,

7.49

Circular

Colombia

Insignificant to Minor,

3.10, 2.60*

Rectangular Hexagonal

EMERALD

Traditional 39

Pair

Traditional 105

Colombia

Minor, Oil

172.41

104

Colombia

Minor, Traditional

36.52

Carved

370

Colombia

Minor, Traditional

12.21

Cabochon

360

Colombia

Minor, Oil

10.06

Octagonal

333

Colombia

Minor, Traditional

8.40*

Rectangular

110

Colombia

Minor, Traditional

7.98

Rectangular

251

Colombia

Minor, Traditional

7.63*

Rectangular

Pair

Colombia

Minor, Traditional

7.23, 7.21*

Pear

Pair

Colombia

Minor, Traditional

6.50*, 6.40*

Rectangular

253

Colombia

Minor, Traditional

6.82

Square

Colombia

Minor, Traditional

4.43

Rectangular

145

Colombia

Minor, Traditional

3.20 to 0.95*

Rectangular

202

Three

Colombia

Minor, Traditional

2.50*

Rectangular

195

Colombia

Minor to Moderate, Oil

7.62

Rectangular

356

Colombia

Minor

11.67

Cabochon

Colombia

Minor, Modern

30.65

Cushion

Colombia

Minor, Modern

28.11

Rectangular

335

Colombia

Minor, Modern

17.34

Rectangular

234

Colombia

Minor, Modern

12.50*

Rectangular

330

Colombia

Minor, Modern

6.84

Rectangular

Colombia

Minor, Modern

3.75*

Rectangular

126

Afghanistan

Minor, Traditional

3.65*

Rectangular

353

Brazil

Minor, Traditional

19.04*

Rectangular

Zambia

Minor, Modern

9.84

Rectangular Rectangular

361

Pair

Zambia

Minor to Moderate

9.21, 9.03

331

Four

Zambia

Insignificant to Minor,

3.43, 2.53, 1.22

Traditional

and 1.17

Burma Burma

None None

5.90* 8.62

Cushion Cushion

Burma Burma

None None

7.30 3.54*

Cushion Rectangular

Thailand

Heat

39.27

Cabochon

RUBY

351 43 7 250 373

*Estimated weight

COLOURED STONE INDEX SAPPHIRE

170

Kashmir

None

43.10

Cushion

308

Kashmir

None

21.73

Cabochon

168

Kashmir

None

12.64

Rectangular

108

Kashmir

None

8.03

Cabochon

146

Kashmir

None

2.60*

Cabochon

382

Burma

None

80.86

Cushion

163

Burma

None

25.18

Cushion

289

Burma

None

18.27

Cushion

Burma

None

9.00*

Cushion

256

Burma

None

8.61

Octagonal

Burma/Ceylon

None

46.62

Cabochon

298

Burma/Ceylon

None

8.67

Cushion

Ceylon

None

53.08

Rectangular

Ceylon

None

40.89

Oval

Ceylon

None

28.00*, 26.00*

Cabochon

138

Ceylon

Heat

23.73

Cushion

296

Ceylon

None

18.65

Cushion

296

Ceylon

None

18.65

Cushion

268

Ceylon

None

18.24

Cushion

Sri Lanka

None

17.95

Octagonal

302

Ceylon

None

17.00

Oval

285

Ceylon

None

15.81

Cushion

Ceylon

None

15.52

Cabochon

263

Ceylon

None

9.86

Cushion

295

Pair

Ceylon

None

4.68*

Rectangular

348

Padparadscha Ceylon

None

24.58

Cushion

350

Orange/

Ceylon

None

11.89

Oval Oval

Padparadscha

196

Yellow

Ceylon

None

104.76

264

Yellow

Ceylon

None

14.04

Triangular

223

Color Change Ceylon

None

28.41

Cushion

Color Shift

Low Tempurature

5.32

Rectangular

6.63

Oval

Ceylon

Heating GARNET

Russia

Possible Low Temperature Heating

221

None

11.73

Cushion

222

None

19.62

Cushion

Ceylon

None

11.87*

Cushion

SPINEL

194

*Estimated weight

HONG KONG MAGNIFICENT JEWELS

Hong Kong, 29 November 2020 VIEWING

14–19 November 2020 Christie’s Hong Kong 22/F Alexandra House, 18 Chater Road, Central

CONTACT

Vickie Sek vsek@christies.com +852 2978 9922 3.29/3.29 CARAT FANCY INTENSE BLUE INTERNALLY FLAWLESS DIAMOND EARRINGS HK$25,000,000 - 35,000,000 US$3,200,000 - 4,400,000

Bespoke Service. Buy and Sell Privately. Now.

CONTACTS Global Head, Private Sales Adrien Meyer ameyer@christies.com +1 212 636 2056

International Head of Jewellery, Global Rahul Kadakia rkadakia @christies.com +1 212 636 2310

Deputy Chairman, Jewellery, Asia PaciďŹ c Vickie Sek vsek@christies.com +852 2978 9922

Global Managing Director, Private Sales Anthea Peers apeers@christies.com +44 (0)207 389 2124

Head of Jewelry Department, Americas Daphne Lingon DLingon@christies.com +1 212 636 2309

International Head, Private sales, Jewels Julien-Vincent Brunie jbrunie@christies.com +33 1 40 76 72 71

Private Sales Director, Europe Mei Y Giam mgiam@christies.com +44 207 389 5104

Senior International Specialist, Europe Jean-Marc Lunel jlunel@christies.com +41 22 319 17 37

COLOURED DIAMOND AND DIAMOND RING, CARTIER Fancy intense yellow cut-cornered rectangular step-cut diamond of 31.58 carats, baguette-cut diamonds, platinum and 18k gold, ring size 3.3/4, signed Cartier, no. 93NNNV PRICE UPON REQUEST

DIAMONDS • THE 4 C’S

Cut

Round Brilliant

Colour D

Oval

Marquise

Pear

Heart

Emerald

(G.I.A.)

Blue Ice Fine White White White White

Top

Commercial

Top Silver

Commercial White

L Silver Cape

Light Cape

Cape

S – Z Dark Cape

White

Clarity

(G.I.A.)

Flawless

Very, very small inclusions

Very small inclusions

Small inclusions

Inclusions

Carat 0.01 carat 1.35 mm

0.02 carat 1.70 mm

0.03 carat 2.00 mm

0.05 carat 2.40 mm

0.10 carat 3.00 mm

0.15 carat 3.40 mm

0.20 carat 3.80 mm

0.25 carat 4.10 mm

0.30 carat 4.40 mm

0.40 carat 4.70 mm

0.50 carat 5.00 mm

0.75 carat 5.80 mm

1.00 carat 6.50 mm

2.00 carat 8.20 mm

3.00 carat 9.50 mm

4.00 carat 10.50 mm

Courtesy of Jewellers Network, the Southern African Jewellery Trade Directory, from information supplied by De Beers. www.jewellersnetwork.co.za 386

CONVERSION CHART

Ring Size

Measurements

AMERICAN

FRENCH/JAPANESE

ENGLISH

Ω Æ 1 1º 1Ω 1æ 2 2º 2Ω 2æ 3 3º 3º 3Ω 3æ 4 4º 4Ω 4æ 5 5º 5Ω 5æ 6 6º 6Ω 6æ 7 7 7º 7Ω 7æ 8 8º 8Ω 8æ 9 9º 9Ω 9æ 10 10º 10Ω 10æ 11 11º 11Ω 11æ 12 12º 12Ω

— — — — — — 1 2 — 3 4 — 5 — 6 — 7 8 — 9 10 — 11 — 12 13 — 14 15 — 16 — 17 18 — 19 20 — 21 22 — 23 24 — 25 — 26 — — — —

A AΩ B BΩ C CΩ D DΩ E EΩ F FΩ G GΩ H HΩ I IΩ J JΩ K KΩ L LΩ M MΩ N NΩ O OΩ P PΩ Q QΩ R RΩ S SΩ T TΩ U UΩ V VΩ W WΩ X XΩ Y YΩ Z

METRIC

37.8252 38.4237 39.0222 39.6207 40.2192 40.8177 41.4162 42.0147 42.6132 43.2117 43.8102 44.4087 45.0072 45.6057 46.2042 46.8027 47.4012 47.9997 48.5982 49.1967 49.7952 50.3937 50.9922 51.5907 52.1892 52.7877 53.4660 54.1044 54.7428 55.3812 56.0196 56.6580 57.2964 57.9348 58.5732 59.2116 59.8500 60.4884 61.1268 61.7652 62.4026 63.0420 63.6804 64.3188 64.8774 65.4759 66.0744 66.6729 67.2714 67.8699 68.4684

INCHES

1 2 1

3 4

5 6 7

8 9

10 11 12

13 14

15 16 17

387

Turquoise and diamond brooch and earring set, Bulgari CHF 15.000-20.000

JEWELS & WATCHES ONLINE: LA DOLCE VITA

Milan, 20 January – 3 February 2021 VIEWING

20–22 January 2021 Palazzo Clerici, Via Clerici, 5 20121 Milan, Italy CONTACT

Jewels Vittoria Lanza vlanza@christies.com +39 02 3032 8370

Watches Giulia Cavanna gcavanna@christies.com +39 02 3032 831

Leo Criaco lcriaco@christies.com +41 (0) 22 319 17 44

Remi Guillemin rguillemin@christies.com +41 (0) 22 319 1797

WRITTEN BIDS FORM CHRISTIE’S NEW YORK

MAGNIFICENT JEWELS TUESDAY 8 DECEMBER 2020 SESSION I 10.00 AM SESSION II 2.30 PM

Written bids must be received at least 24 hours before the auction begins. Christie’s will confirm all bids received by fax by return fax. If you have not received confirmation within one business day, please contact the Bid Department. Tel: +1 212 636 2437 on-line www.christies.com

20 Rockefeller Plaza New York, NY 10020

Client Number (if applicable)

CODE NAME:VELVET SALE NUMBER: 18991

Billing Name (please print)

18991

(Dealers billing name and address must agree with tax exemption certificate. Invoices cannot be changed after they have been printed.) BID ONLINE FOR THIS SALE AT CHRISTIES.COM BIDDING INCREMENTS Bidding generally starts below the low estimate and increases in steps (bid increments) of up to 10 per cent. The auctioneer will decide where the bidding should start and the bid increments. Written bids that do not conform to the increments set below may be lowered to the next bidding-interval.

Sale Number

Address

City

State

Daytime Telephone

Evening Telephone

Fax (Important)

Zone

Please tick if you prefer not to receive information about our upcoming sales by e-mail

US$100 to US$2,000 US$2,000 to US$3,000 US$3,000 to US$5,000

by US$100s by US$200s by US$200, 500, 800

I have read and understood this Written Bid Form and the Conditions of Sale — Buyer’s Agreement

(e.g. US$4,200, 4,500, 4,800) US$5,000 to US$10,000 US$10,000 to US$20,000 US$20,000 to US$30,000 US$30,000 to US$50,000

by US$500s by US$1,000s by US$2,000s by US$2,000, 5,000, 8,000

If you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at +1 212 636 2490 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New clients, clients who have not made a purchase from any Christie’s office within the last two years, and those wishing to spend more than on previous occasions will be asked to supply a bank reference.

(e.g. US$32,000, 35,000, 38,000) US$50,000 to US$100,000 by US$5,000s US$100,000 to US$200,000 by US$10,000s Above US$200,000 at auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her own discretion. 1. I request Christie’s to bid on the stated lots up to the maximum bid I have indicated for each lot. 2. I understand that if my bid is successful the amount payable will be the sum of the hammer price and the buyer’s premium (together with any applicable state or local sales or use taxes chargeable on the hammer price and buyer’s premium) in accordance with the Conditions of Sale— Buyer’s Agreement). The buyer’s premium rate shall be an amount equal to 25% of the hammer price of each lot up to and including US$600,000, 20% on any amount over US$600,000 up to and including US$6,000,000 and 14.5% of the amount above US$6,000,000. 3. I agree to be bound by the Conditions of Sale printed in the catalogue. 4. I understand that if Christie’s receive written bids on a lot for identical amounts and at the auction these are the highest bids on the lot, Christie’s will sell the lot to the bidder whose written bid it received and accepted first. 5. Written bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low estimate or at the amount of the bid if it is less than 50% of the low estimate. I understand that Christie’s written bid service is a free service provided for clients and that, while Christie’s will be as careful as it reasonably can be, Christie’s will not be liable for any problems with this service or loss or damage arising from circumstances beyond Christie’s reasonable control.

Signature

PLEASE PRINT CLEARLY Lot number (in numerical order)

Maximum Bid US$ (excluding buyer’s premium)

Lot number Maximum Bid US$ (in numerical order) (excluding buyer’s premium)

If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS

Please quote number below:

AUCTION RESULTS: CHRISTIES.COM 09/09/20

19/01/2015

389

TIFFANY STUDIOS ‘PEBBLE’ TABLE LAMP, CIRCA 1901-1904 With a ‘Pepper’ base favrile and leaded glass, quartz pebbles, patinated bronze 19 in. (48.2 cm) high; 16⅛ in. (41 cm) diameter of shade $100,000 - 150,000

IMPORTANT TIFFANY FROM THE COLLECTION OF MARY M. AND ROBERT M. MONTGOMERY, JR.

New York, 11 December 2020, 2.00 pm 20 Rockefeller Plaza New York, NY 10020 CONTACT

Daphné Riou driou@christies.com Emily FitzGerald emilyfitzgerald@christies.com

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4/10/20

514 W 24th Street, New York, New York 2-5 Bedroom Homes Priced from US$5.2M to over US$21M Meier Estate & Ventures Team +1 877 399 0177 thefitzroy@christiesrealestate.com

Art. Beauty. Provenance.

Architecture and interiors by Roman & Williams JDS Development and Largo Investments

Equal Housing Opportunity Christieâ&#x20AC;&#x2122;s International Real Estate, Inc. assumes no legal responsibility for the accuracy of any content, including photography, which may not be reproduced in any form without our permission. The complete offering terms are in an offering plan available from sponsor. File no. Cd15-0088. Sponsor: 514 west 24th owner llc, 155 noble street, suite 2, brooklyn, new york 11222.

christiesrealestate.com/thefitzroy

JEWELS ONLINE

New York, 18 November – 1/2 December CONTACT

Caroline Ervin cervin@christies.com +1 212 636 2307

Edward Klopfer eklopfer@christies.com +1 212 636 2318

Browse/Bid/Buy from 18 November – 1/2 December Christie’s Jewels Online features a broad selection of fine jewels and iconic designs by renowned jewelers including Bulgari, Buccellati, Cartier, David Webb, Graff, Hermès, JAR, Tiffany & Co., Van Cleef & Arpels, and Verdura. Offering over 350 lots, spanning lovely antique jewels to bold contemporary designs, with many starting below $2,000—this online auction is sure to excite collectors and enthusiasts alike!

20 ROCKEFELLER PLAZA NEW YORK NEW YORK 10020

tiffany2

Articles inside

Symbols used in this Catalog Important Notices and Explanation of Cataloguing Practice

Conditions of Sale Buying at Christie’s

Specialists and Services for this Auction

Biographies

Index

Christie’s International Jewellery Department