REMIXING
事务所简介
reMIX is a young office based in Beijing, born from the experience that the three founding partners (Chen Chen, Federico Ruberto and Nicola Saladino) have developed during years of academic research and collaborations with various international firms, working on multiple design scales. Our expertise ranges from architecture to landscape and urban design. We move on multiple grounds, analyzing and re-describing their performative logics. The understanding of the territory and its constitutive and constantly evolving metabolic networks and systems of power relations allows us to re-define natural/ artificial and local/global dichotomies, envisioning future social assemblages. In order to achieve a systematic control on the energetic functionality and the spatial quality of the built environment we aim for the local integration of architecture and landscape into a synthetic and modern urban hybrid. reMIX and its architecture and landscape design projects have been recognized by a number of important international design awards, including ASLA Honour Award (2011,2013), IFLA Design Award Third Place (2011), XI Krakow Architecutre Triennial Prize, and Qianhai Island Masterplan International Competition Third Place (2014). reMIX has been featured widely by the press around the world, including Landscape Architecture Frontiers, ASLA LAM, Community Design, Urban Flux, Complexity and Sustainability, Frama, Future Magazine, Vision, GSD Platform, Homestyle, and a series of web-magazine including Dezeen, Designboom, Phaidon and Gooood. Various design projects of reMIX have been invited to be exhibited worldwide, including the 14th Venice Architectural Biennale, Rotterdam Architecture Biennale 2012, Festival des Architectures Vives 2013, Manchester Center for Chinese Contemporary Art 2014, and Tallinn Architecture Biennale 2011.
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reMIX 临界工作室，是一家年轻的事务所，一间致力于打破专业和尺度界限的空间工作室。三位创始人分别来自不同的学术研究背景并在多个国际性事务所在多 尺度多类型的设计实践中积累了丰富的经验。我们涉足建筑设计，景观设计以及城市规划设计，并尤以其中的交叉性、综合性的设计为专长。我们将城市理解为 一个复杂的动态系统，跨领域、跨尺度、系统性的工作方式是我们多方面考虑城市设计问题的前提。生态的可持续发展的原则是我们贯穿始终的设计理念。 我们致力于打破专业界限，将建筑及其环境景观视作相辅相成，互为完善的总体整合设计，打造连贯、协调、可持续的现代城市建成环境。 reMIX临界工作室的建筑及景观设计作品曾获得多个国际权威奖项，包括美国景观建筑学会优胜奖(ASLA Honour Award, 2011,2013)，国际景观建筑联盟设计大 赛第三名(IFLA, 2011)，第十一届Krakow建筑三年展设计大奖(XI Krakow Architecutre Triennial Prize)，深圳前海景观岛国际规划及设计竞赛三等奖(Qianhai Island Masterplan International Competition, 2014)。其设计实践一直获得国际媒体的广泛关注，包括景观设计学(Landscape Architecture Frontiers)，美 国景观学会会刊(ASLA Landscape Architecture Magazine)，社区设计(Community Design)，城市空间设计(Urban Flux)，复杂性与可持续发展(Complexity and Sustainability)，FRAME，未来(Future Magazine)，青年视觉(Vision)，哈佛设计学院作品选 (GSD Platform)，私家(Homestyle)，以及dezeen, designboom, phaidon web-magazine, 谷德(gooood) 等多个在线设计杂志。reMIX的作品在世界范围内展出，包括第十四届威尼斯建筑双年展(the 14th Venice Architectural Biennale)，鹿特丹国际建筑双年展(Rotterdam Architecture Biennale, 2012)，北京国际设计周(Beijing Design Week, 2013,2014)， 蒙彼利埃法国建筑展(Festival des Architectures Vives, 2013)，曼彻斯特中国当代艺术中心(Center for Chinese Contemporary Art, 2014)，塔林建筑双年展 (Tallinn Architecture Biennale, 2011)。
PERSONAL PROFILES
创始人
Chen Chen graduated in Architecture at Tsinghua University; she obtained a Master degree in Landscape Urbanism from the Architectural Association in London and completed with distinction a Master in Landscape Architecture at Harvard GSD, receiving the Jacob Weidenman Award, the highest design award of the year. She won several International prizes in architecture and landscape design, including the Grand Prix at Paris International Competition for Sustainable Design (2008) and the ASLA (American Society of Landscape Architects) Honour Award (2011 and 2013). Her work has been exhibited worldwide including Rottermdam Architecture Biennale, France Festival des architectures vives and Venice Biennale. Before establishing reMIXstudio, she has collaborated with design offices in China and the US and has been teaching urban design workshops worldwide (MIT, AA, Veritas, etc.). Federico Ruberto graduated in Architecture and received his Master degree in Urban and Landscape Design from the Italian Polytechnic of Milan in 2008. Since 2013 he is a PhD candidate in Media and Communication at the European Graduate School. In 2009 he won the Grand Prix of the International Competition at the XI Krakow Architecture Triennial with a project on the urban infrastructural system that has been published by several international magazines. He has collaborated with numerous architectural offices in Italy and worked as Project Architect at Plasma Studio and Groundlab in London and Beijing. Nowadays he is involved in the Landscape Urbanism course at Tsinghua University and Beijing LCD (Laboratory for Computational Design) and has been invited to several international workshops including the Architectural Association Visiting School in Beijing 2012 and São Paulo 2013. Nicola Saladino graduated in Architecture at the Polytechnic University of Barcelona and in 2009 he obtained his Master degree with distinction from the Landscape Urbanism program at the Architectural Association in London. He has carried out several workshops in the Architectural Association and has been invited to numerous international universities such as MIT, Veritas (Costa Rica), Hong Kong University and Tsinghua University, where he is currently involved in the Landscape Urbanism course. He is also a tutor at Beijing LCD (Laboratory for Computational Design). As a designer he worked in several offices in Barcelona, London and Beijing on urban design and architecture, including Plasma Studio and Groundlab.
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陈忱毕业于清华大学建筑系，2010年获得伦敦建筑联盟学院景观城市学专业硕士学位，2013年以优秀毕业生获得哈佛设计学院景观建筑专业硕士学位，并获得当 年最高毕业生设计奖。 陈忱以其建筑设计和景观城市设计获得过多个国际奖项：美国景观建筑学会优胜奖(2011，2013)，国际景观建筑联盟设计大赛第三名(2011)，法国国际可持续建 筑设计竞赛一等奖(2008)。多个作品应邀参加威尼斯建筑双年展，鹿特丹建筑国际双年展及法国建筑年度设计展。 独立实践前，陈忱曾在中美多个事务所工作，并应邀主持多个城市设计研习班的教学(MIT 2012，AA 北京 2012，Veritas 2011，etc)。 费德里科2008年于米兰理工大学获得城市与景观设计方向的建筑硕士学位，目前他同时在欧洲研究生学院进行媒体新技术与空间认知方面的博士研究（2013年 起）。 2009年，他以对城市基础设施系统的思考与设计赢得第十一届Krakow建筑三年展，并被多个国际建筑学刊物发表。 他曾在意大利和中国多个建筑事务所工作，其中包括担任Plasma Studio和Groundlab的多个获得国际奖项方案的主持建筑师。目前他在北京清华大学城市景观 学专业、北京参数化设计研究中心（LCD）参与设计课教学，并应邀主持多个研习班的教学(AA北京2012，巴西圣保罗2013)。 尼古拉毕业于巴塞罗那理工学校建筑系，曾在该校教授设计课并负责多部重要的学术刊物的编辑工作。2009年他于伦敦建筑联盟学院景观城市学专业毕业并获得 优秀研究生毕业设计荣誉。 自毕业以来，尼古拉在包括建筑联盟学院、Veritas大学（San Jose，哥斯达黎加）、麻省理工学院、香港大学和清华大学在内的多个学校教授设计课。他目前在 北京清华大学参与城市景观学专业担任教学助理，并在北京参数化设计研究中心（LCD）担任辅导老师。 专注于独立实践前，他曾在巴塞罗那、伦敦、北京，包括Plasma Studio和Groundlab在内的多个建筑事务所进行建筑与城市设计实践。
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OFFICE ACTIVITIES
设计与教学
Design | 设计实践 -
Interior Design | 室内设计 Architecture | 建筑设计 Landscape Design | 景观设计 Urban Design | 城市设计
Academia | 教学活动 - Landscape Urbanism at Tsinghua | 景观城市学设计课－清华大学 - Parametric Design at Beijing LCD | 参数化建构及城市设计 － 北京LCD - International Workshops | 设计研习工作坊 － AA，MIT， Veritas
INSTALLATIONS & RENOVATION 装置设计与建筑改造项目
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LANDSCAPE & URBAN DESIGN 景观规划与城市设计项目
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DESIGN
设计项目
- small - medium - large
MEMORYSCAPE Year Type Size Location
年份: 类型: 规模: 地点:
记忆景观
2013 installation | 装置设计 8 sqm | 8 平米 Festival des Architectures Vives, Montpellier, France | 法国建筑展，蒙彼利埃
Every year the Festival des Architectures Vives organizes the construction of several installations in the courtyards of historical buildings that are opened for the occasion to the public. The 2013 festival focused on the theme of “memory” and our design aimed to produce a space inspired by miniature oriental gardens that could interact with the personal and collective memories of the visitors. An array of aluminum beams created an artificial landscape that echoes the typical lavender fields of South France. The tectonic details were designed to avoid the use of any welding so that the installation could be assembled or disassembled within 3 hours. Hundreds of aluminum trees were cut out from the beams to lighten the structure and were etched with the seven main emotions of Chinese philosophy. People of all ages were invited to pick up a tree, write their memories or wishes on it and “plant” it back onto the landscape, following an index of historical dates on the base. The public understood the rules of the installation naturally and became the active element of the performance. Writing and planting became a ritual of liberation, where wishes could find their physical materialization in the plants and sadness could be absorbed by the ground, revealing a cathartic potential of our design. At the end of the week, all the 1200 trees were written and planted, saturating the whole landscape of memories. Festival des Architectures Vives是法国南部城市Montpellier一年一度的建筑艺术展。每年这个展览都会邀请世界各地的10组建筑师或艺术家为10个 17世纪的老城内院设计装置。2013年的展览主题是“记忆”，我们的装置受到东方园林中的盆景和枯山水的启发，试图以此为出发点创造一个与参观者互 动的装置，装置本身能够创造并成为这个事件集体回忆的一部分。 纵横两组铝板梁的阵列拼插在一起，形成了一个简洁而优雅的曲面，神似南法著名的薰衣草景观。另有1200棵“树”：正面分别刻上了七情六欲中“七 情”的汉字和法文，背面则供参与者写下他们的记忆和愿望，再被插回到这个带有时间刻度的人工“景观”中来。为节省材料并减轻装置总体的重量， 这些“树”是从铝板梁上切下来的，铝板即成了类似空心梁的构造。预制好的58根铝板梁在3小时内就可拼插成型，为便于拆卸，我们精心设计了拼插节 点，完全避免使用焊接固定结构。装置展出的效果非常好，人们很自然的理解设计的意图，并积极参与到互动中来。当人们写下自己的回忆和愿望，放到 圆盘上的时候，会产生一种宗教般的仪式感。这种仪式感或许成为了他们回忆的一种宣泄，或者对愿望的实现增添了一份信心。此刻，我们也再次发现了 装置潜在的力量。1200棵树在一周的展览的最后一天被全部写满，原本孤独的山丘变得郁郁葱葱，充满着回忆。
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Memoryscape
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DESIGN - small
Memoryscape
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DESIGN - small
Memoryscape
BRANCHING TENSIONS Year Type Size Location
年份: 类型: 规模: 地点:
张力装置树
2013 installation | 装置设计 40 sqm | 40 平米 Fine Arts Academy at Tsinghua University, Beijing | 中国 ，北京 ，清华大学艺术学院
This installation is the result of a workshop with students from Tsinghua Academy of Fine Arts. It comes from the understanding of design not in an aprioristic manner but as a processual framework in which various logical operations and the performance of the different components characterize the aesthetic and emergent properties of the resulting space. We proposed a strategy in which the final shape was not given and predetermined from the beginning but was generated as a result of an “organic” construction process. The intervention is a tactic of punctual decisions: the design of few basic components, their location through connectors and their balancing logic once assembled together create a dynamic spatial organization that is open to further on-site alterations. The trees reach a stable condition only when the final weight is applied at the bottom. Thus the operation of linking different formations together modifies the system overall balance, altering and affecting the position of every other single branch. 该装置由我们带领清华大学美术学院学生合作完成。这次设计中我们反思通过演绎推导预设结果的传统设计思维，而探索通过设立一定的逻辑框架来控制 设计过程本身的策略：设计中不同元素的操作逻辑，功能特征，共同以自下而上的方式决定了最终形成的空间的美学特性的“涌现”。因而，该装置的最 终形态不是经过提前预设和决定的，而是经过“有机”建造所产生的结果。 该设计的主要原理是：用三种不同形态和尺寸的六边形作为连结构件来形成装置各部分不同的几何结构，将具有弹性的缆绳连接六边形构件与下端悬挂的 气球，最终利用灌满水的气球引发的缆绳张力而获得整体结构的稳定性。设计过程涉及到一系列关键而精确的细部设计：基础构件本身及其位置的设计， 使它们相互之间获得平衡，并共同创造出一个动态的空间组织关系。这个空间组织还可被进一步改变以适应场地的条件。 三样构件之间的相互作用产生的复杂的动态稳定性，使学生们在现场和装置的互动成为可能，他们可以一边讨论一边摆出各自的奇特想法。只有最后当所 有重量施加在底部时，树状结构才能达到稳定的状态。因此，移动结构的任意部分，都会牵一发而动全身，更改整个系统的平衡，形成一个新的形态。
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Branching Tensions
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DESIGN - small
Branching Tensions
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DESIGN - small
Branching Tensions
PAIZI 38 Year Type Size Location
年份: 类型: 规模: 地点:
排子38号
2013 pop-up restaurant, lighting installation | 旧建筑改造临时餐厅及灯光装置 400 sqm | 400 平米 Beijing, China| 中国， 北京
Paizi 38 installation for the 2013 Beijing Design Week is essentially a preliminary act since the space is meant to become a new boutique hotel in the months to come. The hotel will be grafted into the existing building through precise insertions and punctual modifications; actions that informed our controlled demolition. The structural survey and the analysis of the existing spaces, organized in an extensive linear sequence – a quite unique feature for such building typology in this area of Beijing – were the premises of our temporary installation. An elevated wooden path, framed by twisting groups of elastic strings, guides the visitors along the derelict building to a pop-up restaurant, where the Beijing Design Week hosted the opening and closing dinner.Through the perforation of the existing walls and structures, we revealed the stratified history of the interior spaces and highlight the character of the future hotel. The system of new portals is a succession of points of view that, previewing the new hotel internal circulation, forces the visitors into an unexpected journey, challenging his imagination and forcing him to redefine the meaning of “exploration”.The string tunnel ends in a large double-height room and branches out in a three-line lighting feature, marking and defining visually the sitting areas of the temporary restaurant. 排子38号，这一正在经历演变的老建筑空间，在北京设计周后即将成为The Orchid四合院设计酒店。这个酒店将由对已有历史建筑的精心改造而成：严 格精确的局部拆除并注入新的功能和空间元素。 在大栅栏这片历史街区里，排子38号是唯一一个拥有三进院子独特空间形制的四合院，进深52米。这个展览装置设置了一个新的空间连接通道，贯穿整个 庭院的纵深。这个时空隧道穿越不同年代，不同结构，不同厚度，不同材料的墙体，试图揭示这个古老合院的秘密。穿越的路径上则设有多个不同位置， 不同高度和不同视野的观望点，既提供给参观者一个欣赏和理解老建筑的崭新视角，又以身临其境的方式讲述这一老建筑注入新功能的改造构想。这些的 视觉和空间的元素共同诠释了对老建筑的一种新的探索和发现。 参观者穿越一道道由黑色线绳围合的“哥特式”门廊，步移景异，充满新的发现和惊喜，最终被黑色线绳导向开幕式主空间。36根线绳在通道的末端汇集 在主空间的天花，后又分为三组下垂成36盏灯，成为晚宴空间的照明装置。
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PAIZI 38
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DESIGN - small
PAIZI 38
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DESIGN - small
PAIZI 38
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DESIGN - small
PAIZI 38
A-VOID Year Type Size Location
年份: 类型: 规模: 地点:
空·间
2014 installation | 装置 60 sqm | 60平米 Yangmeizhu 2, Dashilar Beijing, China | 中国，北京，大栅栏杨梅竹斜街2号
As a result of the difficult and time consuming negotiation with the neighbours, the implementation of the project was consistently delayed so the fully renovated residential unit that was supposed to be exhibited in the 2014 Beijing Design Week resulted in an empty skeleton awaiting construction. In such conditions we decided to virtually reconstruct the future configuration of the building through a light installation of wireframe volumes. The different levels and the staircases that spiral around the main double-height space are rendered through the use of white rubber bands that glow in the semi-darkness of the room, only lit up by hidden UV lights. In the background one can still see the textures of the existing walls, eroded by time and humidity, creating an interesting dialogue between the past and the future of the building. 由于与邻居交涉的艰难和耗时，项目的实施一再拖延，这一原本应在2014年北京设计周期间完成改造的居住单元还仅仅只有一个空骨架，等待开工。 在这种情况下，我们决定用一个线框组成体量的光装置，虚拟地再造房屋的未来结构。白色橡皮筋仅在紫外灯照射下会发光，我们在封闭室内利用这一 点，使得橡皮筋构成的不同的楼层和螺旋上升在两层通高的空间中的楼梯发光。 背景中仅能看到现存墙体的肌理，显露时间和潮湿环境的烙印，营造了一个房屋的过去和未来之间的有趣对话。 请访问我们网站了解更多相关的消息 。
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TRANSMUTATIONS Year Type Size Location
年份: 类型: 规模: 地点:
膳变——味觉化合
2014 installation for Vision Magazine | 《青年视觉》杂志活动装置设计 1000 sqm | 1000 平米 CFC, World Financial Centre, Beijing | 中国，北京， 环球金融中心中森会餐厅
The space we designed, an alchemical laboratory, displays processes of gustative creation, mixing them as ephemeral forms for aesthetic expression, acts of sensorial consumption. Slicing, chopping, mixing, drying, heating, freezing, pasteurizing, fermenting, are the techniques of material meta-formation; proteins, carbohydrates, fats, fibers, vitamins, and minerals are the mutable elements contained in any of the displayed photographs, videos and experiments. They transmute contaminating the space, becoming the visual ingredients of the laboratory in an alchemy of effects, chemical additives, transformations; an aesthetics of mists and ungraspable projections. Cooking and designing hybridize in the tunnel through the transformation of matter in the very tradition of alchemy. They deal with the contingencies of the place in which they operate, both grabbing their peculiar localities and transforming the materials at their disposal. They are aesthetic and sensorial syntheses, performative economies subjected to the laws of matter; both are bound to decay and subjected to transformation, though, happening at very different paces... The spatial transformation and the material transmutation are intrinsically similar: they happen to share the changing ephemeral presence of the tunnel, which displays inter-breed culinary-design experimentations. The exhibition tunnel evolves from an aseptic spatiality into an alembic of labile, transient, fleeting, perishable and combustible affections. The space cannot be grasped formally in its entirety; it is not a shape but a shapeless experience, a sensual and sensorial act of exploration. It is a process of discovery where the axiomatic constriction of the architectural boundaries is unbridled, unleashed, undefined... an event of sensorial degustation; in sum, a haptic Vision... 设计以炼金实验室为载体，展示了味觉的生成过程。其混合时所产生的瞬时性构成审美表达的主要形式，以此向来宾提供非当下的感官体验。 切、削、拌、烘、蒸、冻、杀菌、干燥，驱使着食材发生宏观形变；蛋白质、碳水化合物、油脂、纤维、维生素和矿物质，则承载了食物的微观动态；二 者寄形于展示中的任一图像、视频及实验过程。他们在实验室空间中弥散，成为炼金术中反应现象、化学试剂、形变过程的视觉化呈现，在不可捉摸的烟 雾与光影中构筑新的审美交互。 烹饪与设计桥接于膜状展廊，获形于炼金术中物质的变化。此次展陈的临时性及场所特定性作为设计的初始条件，决定了材质选择及装拆过程的便捷性。 装置及实验的独特感官美学形式，是对于材质的物质成本的积极回应。而最终，他们都将归于尘土，以不同的步调归于自然循环…… 空间的转化与食材的嬗变具有相同的变化本质：他们恰都享受步移景异般转瞬即逝的体验，这一瞬时性与展廊的临时性呼应，完成了烹饪-设计跨界的一次 尝试。我们的展廊由无菌空间过渡到蒸馏室，涵盖了种种异动的、短暂的、瞬时的、易腐的、易燃的感官体验。 观众无法对空间的整体形式一目了然——它不是一个具象形状，而是无形的空间体验，是探索过程中感官的刺激与响应。在这样一个发现的过程中，建筑 固有的界限完全消解了，正如视觉（Vision）消解为一切知觉……
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JOY CAFE’ Year Type Size Location
年份: 类型: 规模: 地点:
悦咖啡
2012 (under construction) | [目前在建] restaurant, cafe’ - refurbishment | 设计咖啡厅 - 旧建筑改造 1000 sqm | 1000 平米 Tianjin, China | 中国，天津，梅江住宅区
Joy Cafe’ is located in a post-postmodern pseudo-European commercial block that hosts several restaurants and shops, serving the surrounding residential high-rise modern compound. In the context of such an ungraspable stylistic schizophrenia and cultural discrepancy, our building steps back, self-retreating through a gesture of tactical discreteness that avoids a naive and silly mimicry. Accessing the site, two features emerge sharply from the existing walls: two new glazed volumes suggest the presence of a new interiorized space, focusing the views from the inside towards an adjacent canal. Internally the program is spread among three floors: one large coffee area with private meeting rooms is located on the ground floor and an exhibition/special events space occupies the upper floors, where we took advantage of the generous height to create a mezzanine that overlooks the multifunctional double-height area. The existing structure is dissected and incised punctually in the only part where the slabs overlap creating moments of tension and dynamism at different heights. The organization of the rooms, the bar volumes, the ceiling and its lighting features are organically mediated and geometrically organized by the self-standing staircase, the spatial apex that develops and spirals around the existing structure, creating moments of intense differentiation. This folded metallic band sews the main gestures into a coherent aesthetics and creates programmatic continuity. 即将竣工的Joy咖啡厅坐落于天津市一座仿欧式商业中心内，建筑周围分布着各式各样的饭店以及商铺，为周边的高层住宅小区提供商业服务。在这种混 搭风格与文化差异的背景下，我们选择了保持低调的姿态，避免毫无意义的风格模仿。 入口具有两个明显的特征：玻璃幕墙替代了原有的厚重墙面，将内部空间与外界相隔离，人们可以从建筑内部看到东侧长满茂密芦苇的小溪。咖啡厅的主 要功能分布于三个楼层之中：宽敞的咖啡区位于地下一层，包括一个独立的会议室，二层、三层作为展览陈列、活动洽谈等功能使用。我们利用场地的特 殊的标高条件设计了一个两层楼高的夹层，可以俯瞰多功能区。 沿着楼板重叠的位置我们在北侧方向对建筑进行结构剖析，创造出不同高度上错落而丰富的空间。房间、吧台、天花板以及照明系统均由一部钢结构的楼 梯有机地组织在一起，它们的形态由楼梯的结构引申而来。这里，楼梯作为空间核心，螺旋环绕在建筑结构中，形成强烈的动势。一厘米厚的扶手钢板亦 是楼梯主梁，楼梯的结构和形态连贯地组合在一起，展现简练有力的美感。
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YMZ 2 Year Type Size Location
年份: 类型: 规模: 地点:
杨梅竹2号
2013 house refurbishment | 住宅旧建筑改造 120 sqm | 120 平米 Beijing, China| 中国，北京
Yangmeizhu 2 is one of the pilot projects developed in Dashilar for the 2013 Beijing Design Week. We created a small installation on the ground floor exhibiting our concept for the future renovation of the building. Our site consists of a series of disconnected volumes on multiple levels arranged around two little courtyards, shared by three different tenants. The project aims at solving the vertical communication between the two floors and the roof terrace as well as improving the critical illumination and ventilation of the ground level. The construction of a new staircase that works as a light-well creates a new core that organizes the whole internal program. At the same time, a series of small terraces and overhanging volumes extends the rooms outwards and enhances the visual connections with the communal spaces. 杨梅竹二号是2013年北京国际设计周中大栅栏历史街区改造的试点之一。我们在地段的首层房间展示了对它的改造方案。 现状中需要改造的几个空置的空间分布在一二两层，并围绕着两个极小的室外空间展开，院子还住着另外两户人家。 设计试图从解决空间的纵向交流出发，打通一、二两层及屋顶天台的纵向联系，同时为目前闭塞漆黑的首层房间带来充分的采光和通风。 新建的楼梯将成为实现以上目标的媒介，它是一个光井，也是各空间功能组织的核心。方案对合院里一些共享的空间进行针灸式的重新组织和优化，试图 以对一个单元的改造为契机同时改善整个邻里空间质量。
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ORCHID HOTEL Year Type Size Location
年份: 类型: 规模: 地点:
新兰花酒店
2013 boutique hotel _ courtyard renovation | 四合院改造精品酒店 600 sqm | 600 平米 Beijing, China | 中国，北京
The new Orchid Hotel in Dashilar is the result of the renovation of a traditional courtyard house with certain historical value. The original layout presented a sequence of three courtyards surrounded by wooden-structure residential pavilions along a 60m long central axis. In recent years the site had been converted into a textile factory and the initial volumes were strongly altered. Our intervention starts from the recovery of the main pavilions, which were relatively well preserved, and the demolition of all the recent additions. A new volume along the street gives direct access to the site and hosts the general services and public functions of the hotel, while another block provides three extra bedrooms deeper in the plot and defines two gardens of similar size. The main building, organised on three floors, is “excavated” with the insertion of multiple skylights and a vertical garden that provide natural light and ventilation to the lower levels, while preserving the maximum privacy towards the neighbours. The original central axis has been removed and the main circulation has been relocated on the second floor along the West boundary of the plot, connecting the lobby with the two gardens and all the bedrooms. Such open-air elevated platform provides an unusual view over the roofs of the neighbourhood, providing the guests with a unique and surprising perspective of the hutongs. 新兰花设计精品酒店四合院改造项目是大栅栏街区更新计划的试点之一。这个经典的三进合院总进深60米。过去的几十年间，这个院子曾被改造为纺织厂 和旅店，原有的木结构体量经历了不同程度的改动和破坏。 设计入手的第一步是对临时加建体量的拆除和对结构保存较为完好的建筑主结构的加固和修复。排子胡同一端的新建体量被作为酒店入口，并承载了餐 厅，前台等主要公共功能。另一处加建体量位于院落深处，作为三间客房空间，并划分出前后两个尺度相似的庭院。 入口体量上下共三层。一个结合种植的天井空间将为半地下层提供自然采光和通风。入口处还住着一户邻居。新建建筑体量的围合试图最大化彼此的私密 性。 酒店主要流线不再位于原先四合院的中轴，而被架空到二层的高度，沿着西院墙将酒店接待空间、两个庭院和各客房区域联系起来。这个迷你空中布道系 统将提供一个从高处感受四合院屋顶肌理的特殊视角。
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Shunyi House Year Type Size Location
年份: 类型: 规模: 地点:
顺义住宅
2014 private house renovation and garden design | 住宅改造与庭院景观 renovation 120 sqm, garden 200 sqm | 建筑改造 120 平米，庭院景观 200 平米 Beijing, China | 中国，北京
This is a renovation project for the house of two screenwriters in Shunyi, Beijing. The original building, approximately 500 sqm divided in two floors and a basement, needed an extension to accommodate new programs including a double-height studio, a roof terrace and a kitchen garden. A series of mezzanines, balconies and roof terraces at various levels are linked by a continuous band of circulation made of internal stairs and external ramps, interweaving in and around a glazed volume. The original structure, composed of two static white boxes, is then transformed into a dynamic system of interconnected floating platforms overlooking each other. The traditional programmatic segregation is replaced by a more ambiguous spatial mix of activities: the new double-height volume allows individual and group activities such as reading, writing, debating, etc. to happen spontaneously at different levels. The garden is also reconfigured to become an integrated part of the scheme, interacting with the new massing to create a coherent spatial experience. The planting strategy responds to the need of privacy typical of dense housing developments: bamboo, ivy and high herbals introduce semi-transparent screens that filter the views. At the same time the vegetation is organized into various layers that maximize the perceived depth of the garden. Diverse native plant communities create a rich mix of textures, while requiring minimal maintenance. 该项目为住宅改造，业主是一对从事编剧工作的夫妇。原有建筑面积500平方米，分布于上下三层。编剧夫妇需要一个新的两层通高的工作室、一个屋顶 平台和一个菜园。 位于不同标高的一系列大小不一的室内错层、阳台和屋顶平台被室内楼梯和室外坡道串联为一个连续的系统，围绕新建工作室的体量穿插交错。原有建筑 两个方盒子组成的刻板体量，被转化为一个高差丰富、错落相连的动态空间系统。 传统僵化的功能分区被打破，取而代之的是一个边界更加模糊的活动综合体。各个室内外区域开放而又彼此相连，诸如阅读、写作、辩论等活动轻松自由 地发生在不同的空间中。 庭院的植物和铺地为适应新的建筑体形而被重新布置，以和建筑一起提供一个完整连续的场所体验。种植策略重点回应了在高密度别墅区非常典型的私密 性问题：竹子、藤类及其他高草本植物形成的半透明“屏风”不仅作为遮挡视线的手段，同时引入了更多的层次，从而在有限空间中延展了遐想空间的纵 深感。精心挑选搭配的当地植物族群，在提供丰富质感的同时，不增加日后的维护负担。
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Shunyi House
Zhaofujie 49, Dongcheng, Beijing 100009 - 北京东城区赵府街49号
t: +86 10 84083174
e: info@remixstudio.org
w: www.remixstudio.org