PORTFOLIO 2017-2020 Selected Works
Retaw Liu
P.19 Rubik Tower
/Shijia Liu
Intern Architect
(+1) 778 926 3334 liushijia17r@gmail.com http://retawstudio.com
P.39 North Secwepemc Center
Mandarin; English; Cantonese P.25 “Fold Up� City Library
Revit; Rhino; AutoCad; Sketchup; Grasshopper; V-ray; DIVA; Figma; Unity; Adobe Suits(PS/AI/LR/PR)
Education
Work+ Experience
2017-2020
Master of Architecture UBC, Vancouver, Canada
2016-2017
2014-2016
Bachelor of Environmental Design UBC, Vancouver, Canada
2010-2014
Bachelor of Transportation Engineering Shen Yang Jian Zhu University, Shenyang, China
2015 May-Aug Internship East China Architectural Design & Research Instititue, Shanghai, China
Competition 2018
Honorable Mention, ARCH/ENG Competition Modular Lab, Teamwork
Intern Architect Shenzhen Cube Architecture Design Office, Shenzhen, China
2019-2020
Part-time Design Tutor (Graphic Design, Digital Art, Model Making) Academy of Modern Art, Vancouver, Canada
2019
Art and Architecture in Europe - Study Seminar Prague, Brno, Graz, Vienna, Ljubljana...
2017-2020
Freelance Portrait Photographer
P.07 The City of Generations P.49 The Melt House P.33 Half Yard P.01 IoS3: The Internet of Spaces P.13 A Stroke of Happiness
I o S 3:
the Internet of Spaces
Speculation on future living space influenced by the IoT Graduation Project UBC 2020 Chair: AnnaLisa Meyboom Committee: Bill Pechet, Chris Doray
As the smart era coming along with the pervasive IoT, AI and other smart technologies in the next decade, society will confront a revolution among the space people live in, the way they socialize and the way they perceive their living environment, even themselves. Smart space is not merely being intelligentized, but ought to become an interface where cyberspace and the physical world are merged into one reality. Smart Spaces is the agency for occupants to interact with their environment and better understand themselves. By embracing smart technologies in architecture, this thesis explores the possibilities of how people perceive and interact with their living environment in the Smart Era through three different scales – Solo, Social and Spiritual
Software, IT components, Managing system
Techno
Item
SMART Architecture
clean, tidy, and well dressed. (neat, fresh, bright, stylish)
a well-integrated, uniformed space; relieved from objects
having or showing a quick-witted intelligence (Quick; brisk.)
responsive, real-time interactive
programmed so as to be capable of some independent action.
independent, customized
informal Intelligence/acumen
adaptable, resilient, temporary
Mental
liveliness and eagerness
liveable, initiative, participating
Physical
Besides environmental residents should smart Environmental
1
Energy Efficiency, Sustainability and Pollution
Gre
Past
Present
Smart Age
The space we live in has gradually been incorporated into this complex and massive information network. Smart Architecture should provide customized living space and exclusive living experience for residents in this huge network, and manage the system of multiple subsystems. The thesis elaborates three representative spaces for each level among the three S: solo-social-spiritual. • Exchange Unit, explores a new domestic space to define self-identity • Connection Incubator, facilitates interpersonal connection through social gaming • Memory Hall, provides a link between people, space and their memories From Infospheric Cloud to Urban Living
interactive screen digital wall responsive floor adaptable building form
Transformability, Mechanical System
Minimal Architecture Actional
Is transformability a necessary for smart architecture? Can it be static? Polysemy
INTERCONNECTIVITY
Smart Technology IoT
een Architecture
VIRTUALITY + PHYSICALITY HYBRID
CYBERSPACE Smart Building Envelope
High Performance Architecture
SPACE
Smart Energy System Smart Investment and Management
Building Control System
SOLO SOCIAL
domesticity interest
EXCHANGE UNIT
interpersonal interaction
SPIRITUAL
social gaming
nostalgia memory
CONNECTION INCUBATOR
MEMORY PAVILION
IoS3 Interoperability of Spaces
variables, whatelse variables from t architecture respond to?
PEOPLE
Interoperability
Static
AETHETICS EFFICIENCY FEATURES CAPACITY EXPERIENCE
Smart Device
Program
Interactive Architecture
Active User
Responsive Architecture
Palpability
Integrated Architecture
DIGITAL+PHYSICAL
ology
HOSPITABLE SPACE INTERACTIVE SPACE SENSORIAL SPACE
2
Future Spiritual Life
Future Social Life
3
Future Domestic Life
The System of systems of Smart Living
SOLO
: this part speculates on the domestic landscape from a technology point of view and explores a new definition of domesticity that may mean in the smart era.
At the domestic level, the IoT is achieved by connected devices that use the resident’s data to remember their habits and preferences. The expectation of smart living seems to anthropomorphize domestic space into an invisible but hospitable role. “At home “is to be yourself. These hospitable domestic spaces reveal the “self” by the realization of the resident’s living pattern.
Traditional Living
Hospitable Smart Living
4
Kitchen Call-out
Amusement
SOCIAL:
recently, many games encourage people to create connections with other players and more actively engage their bodies in the physical space. Thus, social activities in the smart era will become more gamified while the game is more socialized. The connection incubator, as a physical space for social gaming, provides three basic experiences according to the degree of the combination of virtual and real: - an enclosed immersive gaming space - an interactive semi-open space - a P2P social space
Virtual Circuit
Gathering Platform
Space Segregation
Hybrid Platform
Immersive Gaming: adventure
Virtual Participation
Immersive Gaming: social
5
Porous Connection
SPIRITUAL:
in today’s technologysaturated culture, nostalgia is an experience of immediate memory production and self-reflection. In the future, nostalgia and technology may fuse, allowing users to interact with their memories freely. The dome is a typical expression of mankind’s architectural view of the universe that connects people from the East to the West, from the past to the future and from the real world to the surreal one. Additionally, the rotatable tablets enable the dome to elaborate the dialect relationship between physical and digital, natural and virtual, real and surreal. The nostalgia trigger is made of a comprehensive sensorial reaction of the body and the architectural environment.
Open Condition: Water Pavilion
6
Close Condition: Memorial Hall
The City of Generations UIA-Hyp Cup competition 2020: City Puzzle & Puzzle City Yiying Tang/ Jie Liu/ Yucheng Gao/Retaw Liu Role: Concept, Research, Diagrams, Modeling
In the future city, the resident population will inevitably face a more severe and absolute separation of generations, which is both a spatial separation and a cultural barrier. In Chinese culture, people’s ideals of urban life are the “great harmony,” that is: treat our elders as they ought to be treated, as well as the elders of others; treat our young as they ought to be treated, as well as the young of others. The city’s capacity should accommodate people of different ages and create cultural bonds to narrow the distance between hearts. In different generations, the cultural genes that resonate with each other connect everyone in the city. Extracting these “gene” fragments, we could form a “cultural clue” to connect the city’s maze. This is where we use the “mixedage cultural community” as an entry point, and we call it “City of Generations.” 7
Concept Diagram: Linear Cultural Flow with Different Generations
1. Four zones (200x200m each) respond to the age groups (<20, 20-40, 40-60, >60) in a square site as provided.
2. Basic public, recreational and cultural spaces are organized according to the demographics.
Site Analysis: Yang Liu Qing disctrict in Tianjin, China
3. A linear cultural clue links the entire site in different morphologies.
Demographics Trend
4. demands derive more space with different functions along with the culture clue.
5. Architectural elements of cultural significance are added to create a strong identity and context response.
6. The self-sustainable micro city mixes energy, food supply, cultural and economic activities as a whole.
The micro-city is distinctively divided into four zones for generations based on age. Each zones respond to certain traditional Chinese spatial experience. The Block of Childhood focuses on enclousre like a “courtyard“, while the Block of Youth represents “street“ in the vertical direction. The Block of Mid-age uses platforms and stages to provide exhibition and performance spaces. The block of Senior represents “field“ with plentiful green space. 8
grilling
spectating
sloping roof
program
cultural flow
stage
auditorium
Theater The form of the theater combines the traditional Chinese performance stage with the modern opera house.
Prototype traditional theater
pavilion
Cultural Hotel
hotel
The cultural hotel provides more open space in the vertical direction. Just like a pavilion in a traditional space, it emphasizes the relationship between seeing and being seen.
The terraced roof of the convention center provides an outdoor viewing platform for the theater, and also serves as a transition between two different functions, indoor and outdoor spaces.
outdoor stage program
decking
Prototype gallery
cultural flow
visibility
Convention Center
conventional center
square Key Plans
Prototype
cultural flow continuous square
In order to maximize the planting area in a tower, the floor slabs ramping and spiral up continuously. Not only it provides a seamless cultivating “field“ with high irrigation efficiency, but also easy for all age groups of people to access.
Vertical Farm
connection
square ground level
circulation
9
connection
cultural flow
vertical farm
continuouse roof
elderly residence
In addition to extending horizontally direction, the “field” can also be folded in the vertical direction to increase the surface area, thereby enhancing the accessible area and fluidity.
Elderly Residence
Key Plans
traditional street
Mixed-use Highrise Prototype
commercial street
highrise
The cultural corridor meanders through the four multifunctional high-rise buildings to form a street space in the air, tandeming various functions required for cultural activities for young adults. The cultural corridor meanders through the four multifunctional high-rise buildings to form a street space in the air, tandeming various functions required for cultural activities for young adults.
courtyard
Prototype
Rooftop Stadium
pergola
stadium
sloped field
connection
ramped building
The Children’s playground connects the roof of the buildings. With the ground square, both of the playground provide area for children. For the notion of a “courtyard” space and safety, the rooftop square uses grilles to form an invisible wall, which can also activate the possibility of activities
gradient
Park of Kites section
courtyard
Rooftop Playground
Prototype trellis
rooftop
10
View of Kite Plaza in Children’s Block
View of Offices & Commercial Buildings in Young Adult Block
View of Central Subway Station
The four zones in the city correspond to four different age groups (<20, 20-40, 4060, >60) and correspond to Tianjin’s four traditional spatial forms: field, street, courtyard and stage. Through unique programs, the relationship between age and specific space is established. The similarity of programs in the same block effectively promote peer’s social interaction and strengthen the formation of a stable cultural circle and a sense of belonging
11
View of Kite Plaza in Childrenâ&#x20AC;&#x2122;s Block
View of Offices & Commercial Buildings in Young Adult Block
The site with 35% ratio of green space utilizes rooftop, parks, green corridors, etc to provide recreational space as well as urban farmland. Rain water collection system are combined with buildings roof system to meet with
sustainable requirements and to irrigate those harvest space. In order to achieve the zero-energy city, solar panels and windmills are also applied strategically based on the environmental context.
Green Space
Food Production
Water Recycling
View of Central Subway Station
Energy Sustainability 1. The cultural corridor becomes the core logic of the development of this micro-city.
2. The corridor derives other supporting facilities according to mobility and spatial demands.
3. The mixed-age city has formed four relatively stable areas for over 8000 people with distinctive morphologies.
4. Each zones will change along with the proportion of age groups. This shows a growth of the senior and youngsters. 12
A Stroke of Ha ppiness A Linear Infrastructure to Link Global Resources with Local Culture
UIA-Hyp Cup Competition 2019:
HAPPY SPACES - INTEGRATING ARCHITECTURE AND LANDSCAPE Retaw Liu / Zoli Chen / Candi Chen Role: Team Leader, Concept, Research, Parametric Design, Rendering, Plans, Explosive Iso 13
Dafen village adapted itself from a rural Hakka collective to a industrial artwork hub, distributing art pieces all over the world.
Chaotic Organization
Localize the Globalization
Dafen Village,Shenzhen
Culture Confilct
Painting Industry
HAKKA Architecture and Culture
While many people are benefit from the globalization and the economic boom, they are increasingly anxious and unhappy. Notably, the Dafen Village initially developed and intensively influenced by the globalization process, accommodates many local artists who continuously reproduce oil painting to the global art industrial market. Besides the disorganized community space and inferior infrastructure, the detachment of the artists’ repetitive work and their artistic pursue makes them lost in their identity and the value of aesthetics. Sustainable happiness is the driver for the urban village renovation. The design attempts to provide a better living space for them and bring their cultural characteristics back to rebuild their identity and facilitate their creativity.
Site Planning Strategy
• Grid system based on existing fabric • Vertical core within 1 minute walk
• Open ground plain • public social space
• Ground and upper level are connected via design intervention 14
important
Positive emotion
Engagement
Accomplishments
Meaning
Relationship
less important
Painting a p
Loca lf
Local a
Vis t
social
fun documentation shopping park relaxing showroom stimulating video life artwork experience
t ran ig R16 /r9
15
social dynamic plaza terrace view cafe nature
exchange narrative inclusion gaming
goodtime
Social activity
belonging welcoming
transparent
friendly
community events open
cooking gathering
documentation
showroom video life
landscape
Young m
teaching
concertate
gathering space
meida
local
open expressive painting drawing inspiring interview reading reserch lecture salon practice mutual learning experiment
composing
public space
inspiring
cutting-edge
updating
educational space
informative lecture interactive inspiring
gallery
propaganda
information
landscape
view
collabration
tradition activity
sharing space
teaching
ceremonial news
temple
landscape
meida meeting local lively
delight
landscape
cutting-edge
practice
display
communication exchanging vibrant
landscape
R15 /r8
inspiring
trading
commerical space
or
hobby
producing escaping
playground
nature
democracy supportive delight
cowork space
view
R18 /r11
picnic
exploring
ist rt
chess walking dog
fishing
informative reserch painting
display space
social
tea room
dynamic
meditation
gardening
drawing quiet composing
creative space
exercising R18 /r11
learning
public space
environment
educational space
ily am
communication
co work space
performing relaxing quiet digital listening story telling escaping brooding exhibition meditation
experience read
R20 /r13
art space
cowork space
public space
public space
sharing space
educational space
gathering space
educational space
dispaly space
public space
culture space
gathering space
interactive space
creative space
ice ent pr
The PERMA applied to five main group of people in the spatial setting can be interpreted as a list of human motivations. The exterior and interior environment can act as an important well being-catalyst by supporting or even provoking these characteristics through the way the space is built up. The function of all spaces is flexible and multifunctional based on five elements.
cut existing buildings
Garden (L) public social plaza
Garden (M) community space
Garden (S) interior green spot
polycarbonate tiling
Drainage Path
Green Views
Garden (S) interior green spot
3-6m
1.Elevation of group of the building
Platform as a elevated public social space
Private Terrace
2-3m
2.Cut the existing building
Platform as a lifted park
3.New convective structure
existing building fabricPublic Terrace Platform as a elevated art composing place
frame structure
Semi-Public Terrace
<1.5m
programmed path
16
existing building fabric
Ground View Hanging Garden
Ritual Temple
Tea House
Entrance
Studio
Entrance 17
Studio
Tea House
Ritual Temple
Hanging Garden
Ground View
Ritual Temple
Hanging Garden 18
R u b i k To w e r Future Residential Tower ARCHOUST Future Home Competition 2018 Retaw Liu / Winnie Chen / Mingjia Chen Role: Concept, Illustration Perspectives, Section, Iso Diagrams, Parametric Design
Our proposal aims to respond to housing in the digital era. As we are taking over by the sharing economy, the future home also tends towards that trend— the role of the inhabitant changes from one of the passive receivers to one of the creators. Rather than having space define how one lives, it’s the inhabitant deciding on what kind of space he/she needs. Currently, our home spaces are only inhabited half of the time, and we can only perform one type of activity at a time in one area. Considering an average individual who goes out to work comes back home to cook, relax and sleep. Their kitchen space, living space, reading spaces are not unoccupied when they are working. The cost to operate and maintain a space that is underutilized far exceeds its usefulness. We are challenging a new way to live. By allowing the user to choose a 6x6 base unit, people receive a basic housing unit that satisfies the essential need. The user can select to add “functions” to the home base on demand. Over time, the user can adapt to various housing needs by requesting functional units instead of seeking a new home. Combined with modern technology, our system enables the inhabitant to make these customizations for themselves, maximizing the building’s efficiency. We imagine that our future living spaces will be operating in a whole new way. 19
Matrix: Programs of Individual Needs Operation System
Basic Units
Expand Units
Basic Unit (static) Expand Units (movable)
Senario 1: Student’s Home
3h
Guest Unit
Living Unit
Cooking Unit
Medical Unit
Delivery Unit
Garbage Unit
Laundry Unit
Fitness Unit
Play Unit
Meditation Unit
Media Unit
Working Unit
Decking (movable) 2h
Service Time
1d 1h
Senario 2: Young Couple’s Home 6h
1d
5h
Senario 3: Senior’s Home 20
Program Operation
Main Framework 21
Basic Residential Units
Expand Units
Decking+ Hanging Path
1
Structure Joint Connection
2
Electromagnetic Beam Assembly
3
Unit Interface Connecti
ion
1
3 2
Nodes 22
Section 23
Perspective: Connected Units
Perspective: Community in The Air 24
Fold-Up City Library at Broadway Skytrain Station, Vancouver Vertical Studio UBC 2018 Professor: Darryl Condon +Melissa Higgs
25
Currently, the task for a public library is oriented from book collection to a meeting place that regards the library as a place of socialization across cultural, ethnic, generational, and social stratum in a complex multicultural and digitized society. This folding form creates spaces shifting from high-intensive activities to low-intensive activities in the three and a half floor to provide meeting spaces for different purposes and then persuade people to occupy the low-intensive area contributing to social inclusion, with the idea that once people loosen their purpose, they are opening themselves for socializing. The low-intensive floor is then characterized as a dynamic space intriguing people move back and forth through the book collection area.
sp ac e or td o ou
Highinten Low-in sive ( tensiv priva e te) Highin t e nsive Servic (publi e c)
art galler y
mountain view
Visibility from Station
Cambie Street
Private High-intensive Program (isolated)
Main Entrance
Parochical Low-intensive Program (interactive)
West Broadway
Public High-intensive Program (social)
Broadway City Hall Station N
Site Plan 26
A
A
6
12 5
11
10
4
7
6 9
3
2
5
1
8
1 2 3 4 5 6
1
Mechanical Room Elevator Lobby Storage Emergency Stair Parking Gallery
4
2 3 4 5
1 3
6
2
7 8 9
N
10
N
11 12
Ground Floor
27
A’
First Floor
A’
Entrance Lobby Reception Gathering Space Gift Store Elevator Lobby Washroom Emergency Stair Cafe Kid’s Room Maker’s Lab Teen’s Room Gallery
A
A
10
9
8 8 9 4
7
7
5
6
3
4
6
3
5
2
1 2 3 4
1
5 6 7 8 9
N
Second Floor
1
Social & Reading Zone Periodical Book Collection Reading Area Washroom Elevator Lobby Emergency Stair Sortation Store Observation Deck
2 3 4 5 6 2 1
8 9 10
N
A’
7
Third Floor
Community Room-1 Community Room-2 Office Study Room Elevator Lobby Washroom Emergency Stair Reserved Collection Digital Area Outdoor Platform
A’
28
Section A-Aâ&#x20AC;&#x2122;
29
30
1
2
3
4
5
6
7
31
8
1. Entrance Lobby (1F) 2. Central Atrium (1F) 3. Social & Reading Zone (2F) 4. Look-in from Observation Deck (2F) 5. View Corridor (3F) 6.Look-down from Central Atrium (3F) 7.&8. Model
32
H a l f Ya rd Traditional Chinese Yard Rennovation FROM A COURTYARD TO AN ANCIENT TOWN competition 2019 Retaw Liu / Shuo Yang Role: Concept, Renders, Plans, Sections, Elevations, Explosive Iso
33
Chinese traditional courtyard is an inwardly oriented spatial sequence. If regarding the yard as a complete state, we hope to create a deconstructed “half” state. The courtyard serves as the affiliation of the building and expresses a richer level as an asymptotic condition. The ancient streets and lanes have shaped the unique life experience of generations. In the contemporary environment, we want to continue developing the relationship among the courtyard, the streets, and the people by remodelling the courtyard. Half maintained, half removed; half-closed, half-opened; half serene, half joyful; half escaped, half participated……. This “semi” concept not only allows people to find their position in these inverse relationships but also seeks balance and dialogue in the contradictory conflict between tradition and development through humble and sophisticated thinking.
Yard Prototype
Aggregation
tile roof
structural frame wood beams +steel columns
Bisection second floor studio+ work loft
Openness
Differentiation
ground floor
tea house +meeting room +gallery+ yards
Transformation 34
A
B
A
B
10
8
9
13
12
7
6
11 5
4 2
3
35
A’
1
B’
1st Floor Plan
A’
B’
2nd Floor Plan
A
B
14
2
Tea House
6
Inner Yard
1. open yard 2. tea house 3. storage 4. washroom 5. ambulatory 6. inner yard
7
Gallery
13
Studio
7. gallery 8. outter yard 9. meeting room 10. back yard 11. levitated deck 12. patio 13. studio 14. loft
Aâ&#x20AC;&#x2122;
Bâ&#x20AC;&#x2122;
3rd Floor Plan
36
Section A-Aâ&#x20AC;&#x2122;
37
East Elevation
South Elevation
Section B-Bâ&#x20AC;&#x2122;
West Elevation
North Elevation 38
North Secwepemc Center Comprehensive Studio UBC 2019
Professor: Joanne Gates, John Bass, Chris Macdonald Retaw Liu / Lukas Vajda Role: Concept, Digtal Model, Structre, Sustainability Design, Diagrams, Section, Plans
39
The two outstanding symbols drive the proposal in North Secwepemc culture: the pithouse and the summer lodge, representing how they live with the landâ&#x20AC;&#x2122;s connection through time, from summer to winter, from nomadic to settled. Thus, the Secwepemc Center attempts to integrate the two hosing types into one and provide a seamless and transitional experience. The four main rammed earth cladding walls emphasize the linear spatial organization leading people through the open landscape to the interior program as a continuous sequence. All these programs are organized from the public to private, noisy to quiet, bright to dusk. Eventually, it gently transitions into the forest as the building settles further back in the pithouse and residence location.
Summer Lodge
Pit House
Site Plan
Secwepemc Annual Program
View Connection
Configuration
Structural Wall
Program Organization
Winter Occupation
Summer Occupation
Prevailing Wind 40
B
41
Bâ&#x20AC;&#x2122;
Detail Iso: Entrance
Detail Iso: Pithouse Room
Detail Section: Wall Assemblies 42
43
Section B-Bâ&#x20AC;&#x2122; 44
Sankey Diagram
Radiant Floor Heating and Cooling Heating and Hydronic Controls Hydronic Radiators for Class A Storage Hot Water Storage Cold Water Storage Heat Pump Geothermal Collector
E.g.: Air intake and exhaust separated for no infiltration of particles Class A Storage
E.g.: Separate heat control in residential rooms
Active Heating/Cooling System 45
E.g.: Air Exhaust always situated in far corners away from fresh air supply duct to allow for adequate air circulation
Displacement Ventilation Fresh Air Intake Stale Air Exhaust Duct System Stale Air Exhaust
Ventilation System
Spring View: Workshop
Summer View: Kitchen
Site Model Autumn View: Guest Room
Winter View: Pithouse Room
Detail Section 1:50 46
Exhibition Hall 47
Outdoor Food Festival 48
Melt House
recreation
recreation living
Revit+Construction Detailing, UBC, 2018 Instructor: Roy Cloutier
This house is aimed to create a home that not only interacts with its surroundings, but also offers green and natural spaces. In an effort to maximize space, the building was designed in an elongated form.Though narrow, the double height of the room and floor-to-ceiling windows offer light and grant impression of a generous space.
Architect: SAI Architecture Year: 2015
that divides the north and south volumes. The three volumes create a continuous changing interior space that functions from living space, patio, recreational space. The entire house exhibits a wide range of material application in a light wood frame structure and the set of windows and various door types enable the domestic program Interior &ambience. Material-Melt House well correspond to its spatial
light
public
private
public
light
public
private
No.
ARC 577
Description
Date
exploded axo Project number Date Drawn by Checked by
Melt House
Project Number Issue Date Author
A402 Scale
public
Melt House
SAI Architecture ARC 577Design Office
Concept Diagram
No.
Description
Date
exploded axo Project number Date Drawn by Checked by
Location: Osaka, Japan
Year: 2017 Melt House
Project Number Issue Date Author
7/29/2018 4:36:23 PM
At the center of the building is a courtyard
7/29/2018 4:36:23 PM
Case Study: Melt House Location: Osaka, Japan
living
A402 Scale
This house is aimed to create a home here that would interact with its surrounds, but that would also offer green, natural spaces. In an effort to maximize space, the building was designed in elongated form. Though narrow, the double height of the home and its floor to ceiling windows offer light and grant the impression of a generous space. At the center of the building is a courtyard that divides the north and south volumes of the home. These three volumes create a continuous changing interior space that functions from living space, patio, recreational space. The entire house exhibits a wide range of material application in a light wood frame structure which is worth to be explored in Revit to testify the materiality and structures. The set of windows and various door types enable the domestic program well correspond to its spatial ambience.
(by Norihito Yamauchi, https://www.archdaily.com)
49
Interior Photo
(by Norihito Yamauchi, https://www.archdaily.com)
ARC 577 Melt House
Interior Render in Revit No.
Description
Date
Interior Render Project number Date Drawn by Checked by
Project Number Issue Date Author
A403 Scale 1 : 1
7/29/2018 4:36:23 PM
Exterior Photo
1570
2730
580
2905
580
1820
2130
2575
580
6 5
1540
740
830
912
3940
4
910
1
1056
580
1570
UP
2730
887
3
798
1
979
556
2
827
580 330
580
2905
580
1820
2130
2575
1240
580
17290
A
B
C
D
E
F
G
H
I
J
L
K
Scale 1:75
Ground Floor Plan
645
6 1632
5
2743
rc577B
Description
Date
1 EQ 737
EQ 737
910
Project number Date Drawn by Checked by 580 330
2
elt House
A201
1
580
1570
2730
580
2905
580
1820
2130
2575
1st floor plan 3940
No.
1540
747
2145
A201
1240
1005
580
580
1240
4
0001 03-July-2018 Shijia Liu
A10
3
Scale 1 : 75
580
17290
A
B
C
D
E
F
G
H
I
J
K
L
Scale 1:75
Second Floor Plan 50
1
1
A201
A201
roof 7049
roof roof Roof 7049 7049 7050
1735
715
2714
1100
level3 5449
1010
level3 level3 Level3 5449 5450 5449
1500
Level 2 2964
684
4650
1500
1010
Level2 Level 2 2 Level 2960 2964 2964
2200
1074
ground floor 0 580
580
ground floor 0 1570
B
910
C
1540 3940 580
2730
1 A
330
2
3
4 D
5 E
ground floor 0
580 2905
580
6
1820
51 Melt House
580
2130
F
G
6 H
No.
Description
910
5
4 J
Description
Date
330
3940 1240
I No.
1540
2575
17290
Arc577B Melt House Arc577B
Level1 Level 1 1 Level 460 464464
Date
580
580
3
2
K
L
1
East&West Elevation
Project number 0001 Scale 1:50 Date 03-July-2018 1-1 Drawn by Section Author Checked by Scale 1 : 50 Project number 0001 Date 03-July-2018 Drawn by Author Checked by Scale 1 : 50
A301
Section1-1
A201
7/4/2018 11:05:50 PM
468
Level 1 464
100
300
2354
2000
1
Roof 7050
1
30.0
3level 9445
roof 7049 level3 5449 level3 5449
420.0
30.0
874
420.0 2450
1500
3level 9445
corrugated sheathing
wood flooring
2 leveL 4692
Level 2 2964
drywall backing
drywall backing vinyl siding on building paper 3 minute building paper
580
gypsum wallboard
1
ground floor 0
7/4/2018 11:05:51 PM
2 2
3 minute building paper
2100
330
910
3 330
3
3940
1540
4 910
3940
4
580
5
drip edge 1540
Level 1 464 Level 1 464
6
plywood sheathing
6 mil polyethylene vapour barrier
085
air gap
033
019
0451 0gypsum 493
1
2
3
350
fiberglass batt insulation
roolf dnuorg 0
085
wallboard 30.0
4
5
6
51x152 wood studs
5 No. Scale 1:50
Section 2-2
No.
1 leveL 464
P
air gap drip edge
580
MP 15:50:11 8102/4/7
A301 Scale 1 : 50
30.0 580
1
Elevation
y-2018 r
1
580
1 leveL
fibreglass batt insulation 464
vinyl siding on building paper
0002
plywood sheathing
6 mil polyethylene 348.0 Level1 vapour barrier
460 ground floor 0
Level 2 2964
2100
Level 1 464
L
wood flooring
2 leveL 4692
2300
Level2 2960
1500
Level 2 2964
N
0051
cedar siding
2300
874
205
2450
0051
1500
foor 9407
D
51x152 wood studs
6 Description
103A
noitavelE tse W&tsaE Date 100 0 rebmun tcejorP Section2-2 8102-yluJ-30 etaD
05 : 1 elacS Description
Date
etaD
number rohtProject uA yb nwa0001 rD Date 03-July-2018 yb dekceh C Drawn by Author Checked by
Section2-2
Project number Date Drawn by Checked by
0001 03-July-2018 Author
noitpircseD
A202 Scale 1 : 50
A202 Scale 1 : 50
.oN 7/4/2018 7/4/2018 11:05:50 PM 11:05:50 PM
1735
roof 7049
517
Level3 5450
foor 9407
5371
level3 5449
double glazed window
102 A
A201
205
roof 7049
1
double glazed window
A201
D Scale 1:10
Wall Detail Section
D 52
C
S
S
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