Architecture Portfolio 2020

PORTFOLIO 2017-2020 Selected Works

Retaw Liu

P.19 Rubik Tower

/Shijia Liu

Intern Architect

(+1) 778 926 3334 liushijia17r@gmail.com http://retawstudio.com

P.39 North Secwepemc Center

Mandarin; English; Cantonese P.25 “Fold Up� City Library

Revit; Rhino; AutoCad; Sketchup; Grasshopper; V-ray; DIVA; Figma; Unity; Adobe Suits(PS/AI/LR/PR)

Education

Work+ Experience

2017-2020

Master of Architecture UBC, Vancouver, Canada

2016-2017

2014-2016

Bachelor of Environmental Design UBC, Vancouver, Canada

2010-2014

Bachelor of Transportation Engineering Shen Yang Jian Zhu University, Shenyang, China

2015 May-Aug Internship East China Architectural Design & Research Instititue, Shanghai, China

Competition 2018

Honorable Mention, ARCH/ENG Competition Modular Lab, Teamwork

Intern Architect Shenzhen Cube Architecture Design Office, Shenzhen, China

2019-2020

Part-time Design Tutor (Graphic Design, Digital Art, Model Making) Academy of Modern Art, Vancouver, Canada

2019

Art and Architecture in Europe - Study Seminar Prague, Brno, Graz, Vienna, Ljubljana...

2017-2020

Freelance Portrait Photographer

P.07 The City of Generations P.49 The Melt House P.33 Half Yard P.01 IoS3: The Internet of Spaces P.13 A Stroke of Happiness

I o S 3:

the Internet of Spaces

Speculation on future living space influenced by the IoT Graduation Project UBC 2020 Chair: AnnaLisa Meyboom Committee: Bill Pechet, Chris Doray

As the smart era coming along with the pervasive IoT, AI and other smart technologies in the next decade, society will confront a revolution among the space people live in, the way they socialize and the way they perceive their living environment, even themselves. Smart space is not merely being intelligentized, but ought to become an interface where cyberspace and the physical world are merged into one reality.

Smart Spaces is the agency for occupants to interact with their environment and better understand themselves. By embracing smart technologies in architecture, this thesis explores the possibilities of how people perceive and interact with their living environment in the Smart Era through three different scales – Solo, Social and Spiritual

Software, IT components, Managing system

Techno

Item

SMART Architecture

clean, tidy, and well dressed. (neat, fresh, bright, stylish)

a well-integrated, uniformed space; relieved from objects

having or showing a quick-witted intelligence (Quick; brisk.)

responsive, real-time interactive

programmed so as to be capable of some independent action.

independent, customized

informal Intelligence/acumen

adaptable, resilient, temporary

Mental

liveliness and eagerness

liveable, initiative, participating

Physical

Besides environmental residents should smart Environmental

1

Energy Efficiency, Sustainability and Pollution

Gre

Past

Present

Smart Age

The space we live in has gradually been incorporated into this complex and massive information network. Smart Architecture should provide customized living space and exclusive living experience for residents in this huge network, and manage the system of multiple subsystems.

The thesis elaborates three representative spaces for each level among the three S: solo-social-spiritual.

• Exchange Unit, explores a new domestic space to define self-identity • Connection Incubator, facilitates interpersonal connection through social gaming • Memory Hall, provides a link between people, space and their memories From Infospheric Cloud to Urban Living

interactive screen digital wall responsive floor adaptable building form

Transformability, Mechanical System

Minimal Architecture Actional

Is transformability a necessary for smart architecture? Can it be static?

Polysemy

INTERCONNECTIVITY

Smart Technology IoT

een Architecture

VIRTUALITY + PHYSICALITY HYBRID

CYBERSPACE Smart Building Envelope

High Performance Architecture

SPACE

Smart Energy System Smart Investment and Management

Building Control System

SOLO SOCIAL

domesticity interest

EXCHANGE UNIT

interpersonal interaction

SPIRITUAL

social gaming

nostalgia memory

CONNECTION INCUBATOR

MEMORY PAVILION

IoS3 Interoperability of Spaces

variables, whatelse variables from t architecture respond to?

PEOPLE

Interoperability

Static

AETHETICS EFFICIENCY FEATURES CAPACITY EXPERIENCE

Smart Device

Program

Interactive Architecture

Active User

Responsive Architecture

Palpability

Integrated Architecture

DIGITAL+PHYSICAL

ology

HOSPITABLE SPACE INTERACTIVE SPACE SENSORIAL SPACE

2

Future Spiritual Life

Future Social Life

3

Future Domestic Life

The System of systems of Smart Living

SOLO

: this part speculates on the domestic landscape from a technology point of view and explores a new definition of domesticity that may mean in the smart era.

At the domestic level, the IoT is achieved by connected devices that use the resident’s data to remember their habits and preferences. The expectation of smart living seems to anthropomorphize domestic space into an invisible but hospitable role. “At home “is to be yourself. These hospitable domestic spaces reveal the “self” by the realization of the resident’s living pattern.

Traditional Living

Hospitable Smart Living

4

Kitchen Call-out

Amusement

SOCIAL:

recently, many games encourage people to create connections with other players and more actively engage their bodies in the physical space.

Thus, social activities in the smart era will become more gamified while the game is more socialized.

The connection incubator, as a physical space for social gaming, provides three basic experiences according to the degree of the combination of virtual and real: - an enclosed immersive gaming space - an interactive semi-open space - a P2P social space

Virtual Circuit

Gathering Platform

Space Segregation

Hybrid Platform

Immersive Gaming: adventure

Virtual Participation

Immersive Gaming: social

5

Porous Connection

SPIRITUAL:

in today’s technologysaturated culture, nostalgia is an experience of immediate memory production and self-reflection. In the future, nostalgia and technology may fuse, allowing users to interact with their memories freely.

The dome is a typical expression of mankind’s architectural view of the universe that connects people from the East to the West, from the past to the future and from the real world to the surreal one. Additionally, the rotatable tablets enable the dome to elaborate the dialect relationship between physical and digital, natural and virtual, real and surreal. The nostalgia trigger is made of a comprehensive sensorial reaction of the body and the architectural environment.

Open Condition: Water Pavilion

6

Close Condition: Memorial Hall

The City of Generations UIA-Hyp Cup competition 2020: City Puzzle & Puzzle City Yiying Tang/ Jie Liu/ Yucheng Gao/Retaw Liu Role: Concept, Research, Diagrams, Modeling

In the future city, the resident population will inevitably face a more severe and absolute separation of generations, which is both a spatial separation and a cultural barrier. In Chinese culture, people’s ideals of urban life are the “great harmony,” that is: treat our elders as they ought to be treated, as well as the elders of others; treat our young as they ought to be treated, as well as the young of others. The city’s capacity should accommodate people of different ages and create cultural bonds to narrow the distance between hearts. In different generations, the cultural genes that resonate with each other connect everyone in the city. Extracting these “gene” fragments, we could form a “cultural clue” to connect the city’s maze. This is where we use the “mixedage cultural community” as an entry point, and we call it “City of Generations.”

7

Concept Diagram: Linear Cultural Flow with Different Generations

1. Four zones (200x200m each) respond to the age groups (<20, 20-40, 40-60, >60) in a square site as provided.

2. Basic public, recreational and cultural spaces are organized according to the demographics.

Site Analysis: Yang Liu Qing disctrict in Tianjin, China

3. A linear cultural clue links the entire site in different morphologies.

Demographics Trend

4. demands derive more space with different functions along with the culture clue.

5. Architectural elements of cultural significance are added to create a strong identity and context response.

6. The self-sustainable micro city mixes energy, food supply, cultural and economic activities as a whole.

The micro-city is distinctively divided into four zones for generations based on age. Each zones respond to certain traditional Chinese spatial experience. The Block of Childhood focuses on enclousre like a “courtyard“, while the Block of Youth represents “street“ in the vertical direction.

The Block of Mid-age uses platforms and stages to provide exhibition and performance spaces. The block of Senior represents “field“ with plentiful green space.

8

grilling

spectating

sloping roof

program

cultural flow

stage

auditorium

Theater The form of the theater combines the traditional Chinese performance stage with the modern opera house.

Prototype traditional theater

pavilion

Cultural Hotel

hotel

The cultural hotel provides more open space in the vertical direction. Just like a pavilion in a traditional space, it emphasizes the relationship between seeing and being seen.

The terraced roof of the convention center provides an outdoor viewing platform for the theater, and also serves as a transition between two different functions, indoor and outdoor spaces.

outdoor stage program

decking

Prototype gallery

cultural flow

visibility

Convention Center

conventional center

square Key Plans

Prototype

cultural flow continuous square

In order to maximize the planting area in a tower, the floor slabs ramping and spiral up continuously. Not only it provides a seamless cultivating “field“ with high irrigation efficiency, but also easy for all age groups of people to access.

Vertical Farm

connection

square ground level

circulation

9

connection

cultural flow

vertical farm

continuouse roof

elderly residence

In addition to extending horizontally direction, the “field” can also be folded in the vertical direction to increase the surface area, thereby enhancing the accessible area and fluidity.

Elderly Residence

Key Plans

traditional street

Mixed-use Highrise Prototype

commercial street

highrise

The cultural corridor meanders through the four multifunctional high-rise buildings to form a street space in the air, tandeming various functions required for cultural activities for young adults.

The cultural corridor meanders through the four multifunctional high-rise buildings to form a street space in the air, tandeming various functions required for cultural activities for young adults.

courtyard

Prototype

Rooftop Stadium

pergola

stadium

sloped field

connection

ramped building

The Children’s playground connects the roof of the buildings. With the ground square, both of the playground provide area for children. For the notion of a “courtyard” space and safety, the rooftop square uses grilles to form an invisible wall, which can also activate the possibility of activities

gradient

Park of Kites section

courtyard

Rooftop Playground

Prototype trellis

rooftop

10

View of Kite Plaza in Children’s Block

View of Offices & Commercial Buildings in Young Adult Block

View of Central Subway Station

The four zones in the city correspond to four different age groups (<20, 20-40, 4060, >60) and correspond to Tianjin’s four traditional spatial forms: field, street, courtyard and stage.

Through unique programs, the relationship between age and specific space is established. The similarity of programs in the same block effectively promote peer’s social interaction and strengthen the formation of a stable cultural circle and a sense of belonging

11

View of Kite Plaza in Childrenâ&#x20AC;&#x2122;s Block

View of Offices & Commercial Buildings in Young Adult Block

The site with 35% ratio of green space utilizes rooftop, parks, green corridors, etc to provide recreational space as well as urban farmland. Rain water collection system are combined with buildings roof system to meet with

sustainable requirements and to irrigate those harvest space. In order to achieve the zero-energy city, solar panels and windmills are also applied strategically based on the environmental context.

Green Space

Food Production

Water Recycling

View of Central Subway Station

Energy Sustainability 1. The cultural corridor becomes the core logic of the development of this micro-city.

2. The corridor derives other supporting facilities according to mobility and spatial demands.

3. The mixed-age city has formed four relatively stable areas for over 8000 people with distinctive morphologies.

4. Each zones will change along with the proportion of age groups.

This shows a growth of the senior and youngsters.

12

A Stroke of Ha ppiness A Linear Infrastructure to Link Global Resources with Local Culture

UIA-Hyp Cup Competition 2019:

HAPPY SPACES - INTEGRATING ARCHITECTURE AND LANDSCAPE Retaw Liu / Zoli Chen / Candi Chen Role: Team Leader, Concept, Research, Parametric Design, Rendering, Plans, Explosive Iso 13

Dafen village adapted itself from a rural Hakka collective to a industrial artwork hub, distributing art pieces all over the world.

Chaotic Organization

Localize the Globalization

Dafen Village,Shenzhen

Culture Confilct

Painting Industry

HAKKA Architecture and Culture

While many people are benefit from the globalization and the economic boom, they are increasingly anxious and unhappy. Notably, the Dafen Village initially developed and intensively influenced by the globalization process, accommodates many local artists who continuously reproduce oil painting to the global art industrial market.

Besides the disorganized community space and inferior infrastructure, the detachment of the artists’ repetitive work and their artistic pursue makes them lost in their identity and the value of aesthetics.

Sustainable happiness is the driver for the urban village renovation.

The design attempts to provide a better living space for them and bring their cultural characteristics back to rebuild their identity and facilitate their creativity.

Site Planning Strategy

• Grid system based on existing fabric • Vertical core within 1 minute walk

• Open ground plain • public social space

• Ground and upper level are connected via design intervention 14

important

Positive emotion

Engagement

Accomplishments

Meaning

Relationship

less important

Painting a p

Loca lf

Local a

Vis t

social

fun documentation shopping park relaxing showroom stimulating video life artwork experience

t ran ig R16 /r9

15

social dynamic plaza terrace view cafe nature

exchange narrative inclusion gaming

goodtime

Social activity

belonging welcoming

transparent

friendly

community events open

cooking gathering

documentation

showroom video life

landscape

Young m

teaching

concertate

gathering space

meida

local

open expressive painting drawing inspiring interview reading reserch lecture salon practice mutual learning experiment

composing

public space

inspiring

cutting-edge

updating

educational space

informative lecture interactive inspiring

gallery

propaganda

information

landscape

view

collabration

tradition activity

sharing space

teaching

ceremonial news

temple

landscape

meida meeting local lively

delight

landscape

cutting-edge

practice

display

communication exchanging vibrant

landscape

R15 /r8

inspiring

trading

commerical space

or

hobby

producing escaping

playground

nature

democracy supportive delight

cowork space

view

R18 /r11

picnic

exploring

ist rt

chess walking dog

fishing

informative reserch painting

display space

social

tea room

dynamic

meditation

gardening

drawing quiet composing

creative space

exercising R18 /r11

learning

public space

environment

educational space

ily am

communication

co work space

performing relaxing quiet digital listening story telling escaping brooding exhibition meditation

experience read

R20 /r13

art space

cowork space

public space

public space

sharing space

educational space

gathering space

educational space

dispaly space

public space

culture space

gathering space

interactive space

creative space

ice ent pr

The PERMA applied to five main group of people in the spatial setting can be interpreted as a list of human motivations. The exterior and interior environment can act as an important well being-catalyst by supporting or even provoking these characteristics through the way the space is built up. The function of all spaces is flexible and multifunctional based on five elements.

cut existing buildings

Garden (L) public social plaza

Garden (M) community space

Garden (S) interior green spot

polycarbonate tiling

Drainage Path

Green Views

Garden (S) interior green spot

3-6m

1.Elevation of group of the building

Platform as a elevated public social space

Private Terrace

2-3m

2.Cut the existing building

Platform as a lifted park

3.New convective structure

existing building fabricPublic Terrace Platform as a elevated art composing place

frame structure

Semi-Public Terrace

<1.5m

programmed path

16

existing building fabric

Ground View Hanging Garden

Ritual Temple

Tea House

Entrance

Studio

Entrance 17

Studio

Tea House

Ritual Temple

Hanging Garden

Ground View

Ritual Temple

Hanging Garden 18

R u b i k To w e r Future Residential Tower ARCHOUST Future Home Competition 2018 Retaw Liu / Winnie Chen / Mingjia Chen Role: Concept, Illustration Perspectives, Section, Iso Diagrams, Parametric Design

Our proposal aims to respond to housing in the digital era. As we are taking over by the sharing economy, the future home also tends towards that trend— the role of the inhabitant changes from one of the passive receivers to one of the creators. Rather than having space define how one lives, it’s the inhabitant deciding on what kind of space he/she needs.

Currently, our home spaces are only inhabited half of the time, and we can only perform one type of activity at a time in one area.

Considering an average individual who goes out to work comes back home to cook, relax and sleep. Their kitchen space, living space, reading spaces are not unoccupied when they are working.

The cost to operate and maintain a space that is underutilized far exceeds its usefulness. We are challenging a new way to live. By allowing the user to choose a 6x6 base unit, people receive a basic housing unit that satisfies the essential need. The user can select to add “functions” to the home base on demand. Over time, the user can adapt to various housing needs by requesting functional units instead of seeking a new home. Combined with modern technology, our system enables the inhabitant to make these customizations for themselves, maximizing the building’s efficiency. We imagine that our future living spaces will be operating in a whole new way.

19

Matrix: Programs of Individual Needs Operation System

Basic Units

Expand Units

Basic Unit (static) Expand Units (movable)

Senario 1: Student’s Home

3h

Guest Unit

Living Unit

Cooking Unit

Medical Unit

Delivery Unit

Garbage Unit

Laundry Unit

Fitness Unit

Play Unit

Meditation Unit

Media Unit

Working Unit

Decking (movable) 2h

Service Time

1d 1h

Senario 2: Young Couple’s Home 6h

1d

5h

Senario 3: Senior’s Home 20

Program Operation

Main Framework 21

Basic Residential Units

Expand Units

Decking+ Hanging Path

1

Structure Joint Connection

2

Electromagnetic Beam Assembly

3

Unit Interface Connecti

ion

1

3 2

Nodes 22

Section 23

Perspective: Connected Units

Perspective: Community in The Air 24

Fold-Up City Library at Broadway Skytrain Station, Vancouver Vertical Studio UBC 2018 Professor: Darryl Condon +Melissa Higgs

25

Currently, the task for a public library is oriented from book collection to a meeting place that regards the library as a place of socialization across cultural, ethnic, generational, and social stratum in a complex multicultural and digitized society. This folding form creates spaces shifting from high-intensive activities to low-intensive activities in the three and a half floor to provide meeting spaces for different purposes and then persuade people to occupy the low-intensive area contributing to social inclusion, with the idea that once people loosen their purpose, they are opening themselves for socializing. The low-intensive floor is then characterized as a dynamic space intriguing people move back and forth through the book collection area.

sp ac e or td o ou

Highinten Low-in sive ( tensiv priva e te) Highin t e nsive Servic (publi e c)

art galler y

mountain view

Visibility from Station

Cambie Street

Private High-intensive Program (isolated)

Main Entrance

Parochical Low-intensive Program (interactive)

West Broadway

Public High-intensive Program (social)

Broadway City Hall Station N

Site Plan 26

A

A

6

12 5

11

10

4

7

6 9

3

2

5

1

8

1 2 3 4 5 6

1

Mechanical Room Elevator Lobby Storage Emergency Stair Parking Gallery

4

2 3 4 5

1 3

6

2

7 8 9

N

10

N

11 12

Ground Floor

27

A’

First Floor

A’

Entrance Lobby Reception Gathering Space Gift Store Elevator Lobby Washroom Emergency Stair Cafe Kid’s Room Maker’s Lab Teen’s Room Gallery

A

A

10

9

8 8 9 4

7

7

5

6

3

4

6

3

5

2

1 2 3 4

1

5 6 7 8 9

N

Second Floor

1

Social & Reading Zone Periodical Book Collection Reading Area Washroom Elevator Lobby Emergency Stair Sortation Store Observation Deck

2 3 4 5 6 2 1

8 9 10

N

A’

7

Third Floor

Community Room-1 Community Room-2 Office Study Room Elevator Lobby Washroom Emergency Stair Reserved Collection Digital Area Outdoor Platform

A’

28

Section A-Aâ&#x20AC;&#x2122;

29

30

1

2

3

4

5

6

7

31

8

1. Entrance Lobby (1F) 2. Central Atrium (1F) 3. Social & Reading Zone (2F) 4. Look-in from Observation Deck (2F) 5. View Corridor (3F) 6.Look-down from Central Atrium (3F) 7.&8. Model

32

H a l f Ya rd Traditional Chinese Yard Rennovation FROM A COURTYARD TO AN ANCIENT TOWN competition 2019 Retaw Liu / Shuo Yang Role: Concept, Renders, Plans, Sections, Elevations, Explosive Iso

33

Chinese traditional courtyard is an inwardly oriented spatial sequence. If regarding the yard as a complete state, we hope to create a deconstructed “half” state. The courtyard serves as the affiliation of the building and expresses a richer level as an asymptotic condition.

The ancient streets and lanes have shaped the unique life experience of generations. In the contemporary environment, we want to continue developing the relationship among the courtyard, the streets, and the people by remodelling the courtyard.

Half maintained, half removed; half-closed, half-opened; half serene, half joyful; half escaped, half participated…….

This “semi” concept not only allows people to find their position in these inverse relationships but also seeks balance and dialogue in the contradictory conflict between tradition and development through humble and sophisticated thinking.

Yard Prototype

Aggregation

tile roof

structural frame wood beams +steel columns

Bisection second floor studio+ work loft

Openness

Differentiation

ground floor

tea house +meeting room +gallery+ yards

Transformation 34

A

B

A

B

10

8

9

13

12

7

6

11 5

4 2

3

35

A’

1

B’

1st Floor Plan

A’

B’

2nd Floor Plan

A

B

14

2

Tea House

6

Inner Yard

1. open yard 2. tea house 3. storage 4. washroom 5. ambulatory 6. inner yard

7

Gallery

13

Studio

7. gallery 8. outter yard 9. meeting room 10. back yard 11. levitated deck 12. patio 13. studio 14. loft

Aâ&#x20AC;&#x2122;

Bâ&#x20AC;&#x2122;

3rd Floor Plan

36

Section A-Aâ&#x20AC;&#x2122;

37

East Elevation

South Elevation

Section B-Bâ&#x20AC;&#x2122;

West Elevation

North Elevation 38

North Secwepemc Center Comprehensive Studio UBC 2019

Professor: Joanne Gates, John Bass, Chris Macdonald Retaw Liu / Lukas Vajda Role: Concept, Digtal Model, Structre, Sustainability Design, Diagrams, Section, Plans

39

The two outstanding symbols drive the proposal in North Secwepemc culture: the pithouse and the summer lodge, representing how they live with the landâ&#x20AC;&#x2122;s connection through time, from summer to winter, from nomadic to settled. Thus, the Secwepemc Center attempts to integrate the two hosing types into one and provide a seamless and transitional experience. The four main rammed earth cladding walls emphasize the linear spatial organization leading people through the open landscape to the interior program as a continuous sequence. All these programs are organized from the public to private, noisy to quiet, bright to dusk. Eventually, it gently transitions into the forest as the building settles further back in the pithouse and residence location.

Summer Lodge

Pit House

Site Plan

Secwepemc Annual Program

View Connection

Configuration

Structural Wall

Program Organization

Winter Occupation

Summer Occupation

Prevailing Wind 40

B

41

Bâ&#x20AC;&#x2122;

Detail Iso: Entrance

Detail Iso: Pithouse Room

Detail Section: Wall Assemblies 42

43

Section B-Bâ&#x20AC;&#x2122; 44

Sankey Diagram

Radiant Floor Heating and Cooling Heating and Hydronic Controls Hydronic Radiators for Class A Storage Hot Water Storage Cold Water Storage Heat Pump Geothermal Collector

E.g.: Air intake and exhaust separated for no infiltration of particles Class A Storage

E.g.: Separate heat control in residential rooms

Active Heating/Cooling System 45

E.g.: Air Exhaust always situated in far corners away from fresh air supply duct to allow for adequate air circulation

Displacement Ventilation Fresh Air Intake Stale Air Exhaust Duct System Stale Air Exhaust

Ventilation System

Spring View: Workshop

Summer View: Kitchen

Site Model Autumn View: Guest Room

Winter View: Pithouse Room

Detail Section 1:50 46

Exhibition Hall 47

Outdoor Food Festival 48

Melt House

recreation

recreation living

Revit+Construction Detailing, UBC, 2018 Instructor: Roy Cloutier

This house is aimed to create a home that not only interacts with its surroundings, but also offers green and natural spaces.

In an effort to maximize space, the building was designed in an elongated form.Though narrow, the double height of the room and floor-to-ceiling windows offer light and grant impression of a generous space.

Architect: SAI Architecture Year: 2015

that divides the north and south volumes.

The three volumes create a continuous changing interior space that functions from living space, patio, recreational space.

The entire house exhibits a wide range of material application in a light wood frame structure and the set of windows and various door types enable the domestic program Interior &ambience.

Material-Melt House well correspond to its spatial

light

public

private

public

light

public

private

No.

ARC 577

Description

Date

exploded axo Project number Date Drawn by Checked by

Melt House

Project Number Issue Date Author

A402 Scale

public

Melt House

SAI Architecture ARC 577Design Office

Concept Diagram

No.

Description

Date

exploded axo Project number Date Drawn by Checked by

Location: Osaka, Japan

Year: 2017 Melt House

Project Number Issue Date Author

7/29/2018 4:36:23 PM

At the center of the building is a courtyard

7/29/2018 4:36:23 PM

Case Study: Melt House Location: Osaka, Japan

living

A402 Scale

This house is aimed to create a home here that would interact with its surrounds, but that would also offer green, natural spaces. In an effort to maximize space, the building was designed in elongated form. Though narrow, the double height of the home and its floor to ceiling windows offer light and grant the impression of a generous space. At the center of the building is a courtyard that divides the north and south volumes of the home. These three volumes create a continuous changing interior space that functions from living space, patio, recreational space.

The entire house exhibits a wide range of material application in a light wood frame structure which is worth to be explored in Revit to testify the materiality and structures. The set of windows and various door types enable the domestic program well correspond to its spatial ambience.

(by Norihito Yamauchi, https://www.archdaily.com)

49

Interior Photo

(by Norihito Yamauchi, https://www.archdaily.com)

ARC 577 Melt House

Interior Render in Revit No.

Description

Date

Interior Render Project number Date Drawn by Checked by

Project Number Issue Date Author

A403 Scale 1 : 1

7/29/2018 4:36:23 PM

Exterior Photo

1570

2730

580

2905

580

1820

2130

2575

580

6 5

1540

740

830

912

3940

4

910

1

1056

580

1570

UP

2730

887

3

798

1

979

556

2

827

580 330

580

2905

580

1820

2130

2575

1240

580

17290

A

B

C

D

E

F

G

H

I

J

L

K

Scale 1:75

Ground Floor Plan

645

6 1632

5

2743

rc577B

Description

Date

1 EQ 737

EQ 737

910

Project number Date Drawn by Checked by 580 330

2

elt House

A201

1

580

1570

2730

580

2905

580

1820

2130

2575

1st floor plan 3940

No.

1540

747

2145

A201

1240

1005

580

580

1240

4

0001 03-July-2018 Shijia Liu

A10

3

Scale 1 : 75

580

17290

A

B

C

D

E

F

G

H

I

J

K

L

Scale 1:75

Second Floor Plan 50

1

1

A201

A201

roof 7049

roof roof Roof 7049 7049 7050

1735

715

2714

1100

level3 5449

1010

level3 level3 Level3 5449 5450 5449

1500

Level 2 2964

684

4650

1500

1010

Level2 Level 2 2 Level 2960 2964 2964

2200

1074

ground floor 0 580

580

ground floor 0 1570

B

910

C

1540 3940 580

2730

1 A

330

2

3

4 D

5 E

ground floor 0

580 2905

580

6

1820

51 Melt House

580

2130

F

G

6 H

No.

Description

910

5

4 J

Description

Date

330

3940 1240

I No.

1540

2575

17290

Arc577B Melt House Arc577B

Level1 Level 1 1 Level 460 464464

Date

580

580

3

2

K

L

1

East&West Elevation

Project number 0001 Scale 1:50 Date 03-July-2018 1-1 Drawn by Section Author Checked by Scale 1 : 50 Project number 0001 Date 03-July-2018 Drawn by Author Checked by Scale 1 : 50

A301

Section1-1

A201

7/4/2018 11:05:50 PM

468

Level 1 464

100

300

2354

2000

1

Roof 7050

1

30.0

3level 9445

roof 7049 level3 5449 level3 5449

420.0

30.0

874

420.0 2450

1500

3level 9445

corrugated sheathing

wood flooring

2 leveL 4692

Level 2 2964

drywall backing

drywall backing vinyl siding on building paper 3 minute building paper

580

gypsum wallboard

1

ground floor 0

7/4/2018 11:05:51 PM

2 2

3 minute building paper

2100

330

910

3 330

3

3940

1540

4 910

3940

4

580

5

drip edge 1540

Level 1 464 Level 1 464

6

plywood sheathing

6 mil polyethylene vapour barrier

085

air gap

033

019

0451 0gypsum 493

1

2

3

350

fiberglass batt insulation

roolf dnuorg 0

085

wallboard 30.0

4

5

6

51x152 wood studs

5 No. Scale 1:50

Section 2-2

No.

1 leveL 464

P

air gap drip edge

580

MP 15:50:11 8102/4/7

A301 Scale 1 : 50

30.0 580

1

Elevation

y-2018 r

1

580

1 leveL

fibreglass batt insulation 464

vinyl siding on building paper

0002

plywood sheathing

6 mil polyethylene 348.0 Level1 vapour barrier

460 ground floor 0

Level 2 2964

2100

Level 1 464

L

wood flooring

2 leveL 4692

2300

Level2 2960

1500

Level 2 2964

N

0051

cedar siding

2300

874

205

2450

0051

1500

foor 9407

D

51x152 wood studs

6 Description

103A

noitavelE tse W&tsaE Date 100 0 rebmun tcejorP Section2-2 8102-yluJ-30 etaD

05 : 1 elacS Description

Date

etaD

number rohtProject uA yb nwa0001 rD Date 03-July-2018 yb dekceh C Drawn by Author Checked by

Section2-2

Project number Date Drawn by Checked by

0001 03-July-2018 Author

noitpircseD

A202 Scale 1 : 50

A202 Scale 1 : 50

.oN 7/4/2018 7/4/2018 11:05:50 PM 11:05:50 PM

1735

roof 7049

517

Level3 5450

foor 9407

5371

level3 5449

double glazed window

102 A

A201

205

roof 7049

1

double glazed window

A201

D Scale 1:10

Wall Detail Section

D 52

C

S

S

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