Philadelphia Weekly 1-5-11 by Philadelphia Weekly

JAnuAry 5 -11, 2011 â&#x20AC;˘ Phil AdelPhiAWeekly.COM

The Goodis, The Bad, The Ugly The resurgence of Philly's most famous unknown author By Brian McManus

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Dance Celebration KEIGWIN + COMPANY Elements JAN 20 - 22

Media Sponsor:

The dance world’s choreographer-of-themoment Larry Keigwin and company makes its Philadelphia debut with Elements, a clever, campy and quirky romp through nature. Costumed in bath towels (water), stewardess suits (air), clashing plaids (earth), while dancing to music ranging from Mozart to Perry Como, Debussey to Devo, and more, Keigwin’s hilarious troupe won’t disappoint!

ThiS SaTurday!

“If you miss this hoot of a performance, you have only yourself to blame.” METRO New York Dance Celebration is presented by Dance Affiliates and the Annenberg Center.

January 8

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For a limited time, you can purchase the NeXt Generation dance package and see three performances by dance’s “it” choreographers for only $60 (a savings of over $50). Don’t miss being in the know about these up-and-coming dance superstars!

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Better Off Dead

Cover Illustration by Tim Foley

David Goodis, Philadelphia’s most famous unknown author, is experiencing a small resurgent moment 44 years after passing thanks to the work of a dedicated few. Page 10

inside news & oPinion 6 Persicopin’ Renegade reporters take on the Kensington Strangler. 9 Line of Fire Candidates for City Commission speak their minds.

ARTs & CulTuRe 16 Calendar PW’s picks for the week.

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20 Sunday in the Park with Jorge Meet PW ’s Theater Artist of the Year.

24 Not-So-Super-Bol Korean at Seorabol is just OK.

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28 Jack : Shit Casino Jack dries up a juicy scandal.

20 First Friday Comics and outsourced performance art.

MusiC 21 Remembering Dreams Greg Brown helps us all live a little in the past.

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Contents

January 5-11, 2011

rty star a P – 10 y r a u JaN a sPot at WIN

29 31 32 34 40 11

feedback Critical Thinking Regarding PW’s film reviewers Top 10 films of the year:

Winning Time? I’m a sports junkie (yes, When We Were Kings was great), and the Reggie Miller/ Knicks doc was one of the most boring sports docs ever. No new information, insights or video footage. A flat-out yawner. I’d vote for 4192: The Crowning of The Hit King or any of the other 30-for-30’s instead. LEE via philadelphiaweekly.com

Circulation and Distribution managed by: CCN Logistics, Circulation, Distribution and Mail 215.627.6397 • ccndelivery.com Office Administrator Danielle Mitchell Publisher Roseann Oleyn (ext. 122)

Hugh Giordano is right about one thing. Republicans hold hard working union people in disdain. Democrats are worse because they pretend to fight for us but actually betray us. MICHAEL McWILLIAMS via philadelphiaweekly.com without the consent of the owner or publisher. Mail subscriptions: six months, $30; one year, $55. Views expressed are not necessarily those of the management. The publisher reserves the right to refuse any advertising. Contents copyright © 2010 by Philadelphia Weekly. All rights reserved. No part of this publication may be reproduced without the written permission of the publisher.

Review Publishing Chairman & CEO Anthony A. Clifton President & COO George Troyano Vice President James Stokes V.P. Operations John Gallo Help Desk Jeanne Terne Controller Ginger Monte Webmaster John Titlow Web Production Lindsey Bell Production Manager Diana DeLorenzo Senior Graphic Designer Doug Wipf Graphic Designers LeTera Haynes, Drew Phillips, Travis Tingey, Eddy Dubell Marketing Manager Lauren Reilly Marketing Assistant Alexandra Stokes Interns Katera Pellegrino, Dmitry Shumakov, Nicole Leyrer 1971-1995 Welcomat

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Philadelphia Weekly is published Wednesday by Review Publishing Limited Partnership. Distributed in Philadelphia, Delaware, Montgomery and Chester counties in Pennsylvania and selected other locations in southern New Jersey. Philadelphia Weekly is available free of charge, limited to one copy per reader. Additional copies of the current issue of the Philadelphia Weekly may be obtained only by Philadelphia Weekly’s authorized contractors or Philadelphia Weekly distributors. No person may, without prior written permission of Philadelphia Weekly, take more than one copy of each Philadelphia Weekly issue. Pennsylvania law prohibits any person from inserting printed material of any kind into a newspaper

Regarding the rise of Green Party candidates with the help of labor unions:

Januar y 5-11, 2011

Art Director Ioana Veleanu Contributing Photographers Jeff Fusco, Ryan Strand Contributing Illustrators Alex Fine, Hawk Krall Editorial Interns Peak Johnson, Nick Powell, Bianca Brown, Maddie Hoagland-Hanson, Rebecca Curwin, Maryline Dossou, Claire Noble, Trishula Patel

Retail Senior Account Executive Matt Satten (ext. 164) Retail Account Executives Michael Gagliardi (ext. 153), Monica Kanninen (ext. 145), Deirdre McCullagh (ext. 149), David Muir (ext. 118), Matt Petaccio (ext. 148), Deidre Simms (ext. 163) Classified Senior Account Executive John Maguire (ext. 126) Classified Account Executives Arnetta Reddy (ext. 100), Susanna Simon (ext. 134) Adult Coordinator Toni Flynn (ext. 106) Advertising Sales Coordinator Rachel Piot National Advertising Representative The Ruxton Group 888.2RUXTON

The Third Degree

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Editor Adamma Ince Managing Editor Anastasia Barbalios Senior Editor Nina Sachdev Music Editor Brian McManus Arts and Culture Editor Emily Guendelsberger Staff Writers Tara Murtha, Michael Alan Goldberg Writer-At-Large Aaron Kase Listings Nicole Finkbiner Contributing Writers Jeffrey Barg, Sean Burns, Bill Chenevert, Daniel Denvir, Roberta Fallon, Brian Freedman, Michael Alan Goldberg, Gerry C. Johnson, Jacob Lambert, Craig D. Lindsey, Randy LoBasso, Paul F. Montgomery, Matt Prigge, J. Cooper Robb, Katherine Silkaitis

With True Grit I noticed the use of the hymn made eternally creepy by Robert Mitchum’s rendition of it in Night of the Hunter. When we got to the frantic ride at the end of Grit, I figured that the Coen’s were indulging in even more homage. In both movies children are moving across a midnight dreamscape being pursued by death, and they end up saved by a truly courageous parentfigure. STEPHEN via philadelphiaweekly.com

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For all the buzz in media circles about the importance of hyper-local news, some of the best coverage of the biggest story in the city, the Kensington Strangler, is being churned out by an underemployed cake-maker single mom and a crane operator out on disability. Two months ago, 38-year-old mother of three Heather Barton and 38-yearold Richie Antipuna could not have predicted that they would not only generate some of the most eye-opening reporting on the Strangler to date, but also become ensnared in national headlines courtesy of the nowinfamous Facebook fiasco—a debacle that earned them death threats. “We can’t even go to Kensington right now because there are people out to kill us,” she says. “I didn’t ask for all this.” How did Barton and Antipuna go from regular civilians to hyperlocal reporters to death-threat targets in less than two months? Well, there’s the situation and then there’s the story. The situation, as Barton sees it, traces back to Kensington’s lack of one cohesive newspaper. “I’ll keep saying that over and over. [Kensington residents] don’t have a local newspaper to … find out where services are, where to go, how to volunteer,” she says. “Without a newspaper it’s hard for people to network.” To be sure, there are solid community newspapers working beats defined by ZIP codes that extend into Kensington, but both the coverage and

circulation of the weeklies are patchwork. For example, the Fishtown Star and the clumsily named Star of Bridesburg, Juniata and Harrowgate cover parts of Kensington while the North Star and Port Richmond Star are available in some spots. Kensington is hard to cover—it’s huge and bilingual. Worse, it seems its already-spotty online presence via Philly.com will now be even spottier since the recent sale of the whole Star lot to Broad Street Media LLC. “My grandmother has lived [in Kensington] for 78 years, she gets no newspaper,” says Barton. “Sometimes when my aunt goes shopping she’ll bring the Star from Port Richmond.” So that’s the situation. Then there’s the story. Two months ago, the longtime friends decided to launch a local TV show through PhillyCAM (Philadelphia Community Access Media) called the Richie Antipuna Show. Their goal was to focus on positive stories in Kensington because as self-identified “Kenzos,” they have fond memories of growing up there. “The rule of a Kenzo was to stick together and protect one another. We didn’t hurt one another. We just had this bad reputation because of the poverty level I guess,” says Barton. “But there are plenty of people there working hard to be part of their community.” They intended to showcase all kinds of arts and culture. The first interview was with an opera singer; Barton already interviewed Danny Bonaduce. But the vacuum created by combining the threat of a serial killer and a lack of a one-stop community news source sucked Barton and Antipuna into reporting on how the community is struggling with the Strangler. The afternoon before the first episode even aired, organizers of the Dec. 10 vigil for victims of the Strangler called and asked them to “cover” the event. “We were like, ‘We’re not the media [and] how did she even find out about our show?’” asks Barton. Hesitant, they agreed. After Barton met the mother of the first confirmed Strangler victim at the vigil, finding and airing the Kensington

perspective, non-existent in network and national coverage, went from a civic duty to something personal. “When I met Darrah Goldberg … that’s when it hit me. She said, ‘I’ll never see her get married.’ I’m a mother too.” Then the duo was asked to cover the Dec. 18 community meeting at Cardinal Bevilacqua Center on Kensington Avenue and they did that, too. They also conducted renegade personon-the-street interviews for Special Report: Broken Silence. The interviews had an insider edge, revealing the neighborhood dynamics that enable a perp like the Kensington Strangler to roam free for three months. In the video, Barton interviewed a woman who claimed that she and the third victim, Casey Mahoney, had encountered the Strangler the week before he choked Mahoney to death. “A guy identical to the guy in the picture ... approached me and asked if I could do a date with him for like $20,” she said. The woman says she walked with the guy and told her friend to call the police. “[Mahoney] ran across to the pharmacy down the street and they ... wouldn’t let her use the phone,” she says. “[Mahoney] goes across to the beer distributor and they said no.” Desperate, Mahoney asked to borrow the phone of a family standing outside but they also refused. “The attitude ... is that what happens to us, addicts or prostitutes, is on us,” she shrugs. “Kind of, we deserve it.” Meanwhile, Barton says that Kensington residents have been asking her and Antipuna to obtain press passes and help report on Kensington for real. They were even asked to review cold murder cases. Barton is incredulous at the response. “What are we going to do next, open DNA kits?” Antipuna is confident they’re gaining the trust of locals. “[Kensington residents] don’t trust media, they don’t trust the cops,” he says. “We put out what they actually said, not a 10second clip of a 15-minute interview.” “We’re not professionals, I’m a stayat-home for the last six years with my kids,” says Barton. “People have just been asking so we kind of feel obligated at this point, not to mention it … has become very emotional.” The phone hasn’t stopped ringing. What’s next? This Thursday at 8 p.m. they will air an exclusive with Howard Rubin. “We just tried to open a talk show and it brought all this other stuff. I am glad it’s bringing attention to the neighborhood, because it does seem like it’s forgotten,” says Barton. “People who live there just have to deal with it.” n

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Line of Fire

Candidates for City Commission speak their minds. By Aaron Kase akase@philadelphiaweekly.com

Schmidt: This agency is going to reform or go the way of the BRT. They should be embracing reform rather than fighting it tooth and nail. Because by fighting it, they’re going to ensure the end of this office as they currently know it. If they embrace reform, or at least adopt some of the recommendations, I think you take away a lot of the ammunition for abolishing these offices. But by just saying no, no, no they’ve got to bend or they’re gonna break. Staten: I think the recommendations are a really good reasonable estimation. I agree with quite a few of them. I talk about updating the website, and that doesn’t require much. A lot of people communicate via social networks. We want to make sure the City Commissioners’ Office is in the midst of all that. Should the elected Commission positions be abolished in favor of appointments? Singer: Things are never as simple as some people like to say they are. When you have an office like that that’s important, it touches a lot of people. Any kind of change you make is a change for a lot of people. Unless you’re careful and smart about it you can do damage. Schmidt: It’s the same problem you have with judges, or the city controller or any kind of office that revolves around fairness. They’re either elected or someone’s going to appoint them. If that someone is the mayor, that’s a concern also. From the perspective of the minority party, that’s an even bigger problem. Staten: No. The City Commissioner’ office in my opinion is one of the most important offices, and a well-needed office. It just means we need to reevaluate the way some of the things are done and make sure they’re implemented. Other thoughts?

Januar y 5-11, 2011

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Singer: The image of that office is part of the image of Philadelphia. People are like, “that’s the way it is, that’s Philadelphia.” We’re the birthplace of democracy, for crying out loud. People need a nonpartisan source of good information about elections and good emotional messages about elections and that’s what the City Commissioner’s Office ought to be doing. Schmidt: There’s no interest [among the current commissioners] in rationalizing this election process. It’s been done the same way since the 60s. It’s set up geographically located where Philadelphia’s population was in the 60s. Consequently you have an inefficient and ineffective system. Staten: We have to take a look at all of our potential voters. We should continually look at increasing [voting numbers] so it’s something that gets better and better each time. We should also look at individuals who are in prison and are now eligible to vote. They may not know. They’re coming back out eventually so we want to make sure they know their rights. n

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Philadelphia is focused on the dysfunction of the City Commission like never before. The three-member body in charge of the city’s elections—comprised of Marge Tartaglione, Joseph Duda and Anthony Clark—has garnered a list of complaints and allegations almost as long as the collective years they’ve been in office (Tartaglione was first elected in 1975; Duda in ’95; Clark in ’07): Running a problem-plagued, expensive, out-of-date election system; allegedly allowing or tacitly encouraging electioneering within polling places; failing to find an adequate number of election judges; nepotism; getting paid for their entire four-year term even though they only work for three because they have to sit out elections when they are candidates themselves; failing to provide election results on their web site; failing to provide useful information about who and what is up for polling before the elections; and ignoring any and all feedback and calls for reform. Election watchdog Committee of Seventy suggested a series of fixes to correct the Commission, including better enforcement of an electioneering ban and more attention paid to selecting election judges. And the Pennsylvania Intergovernmental Cooperation Authority (PICA) suggests the city could save up to $6.2 million by eliminating the elected commissioner positions altogether, instead professionalizing the Commission with appointees. Seventy agrees, although no one is quite sure how a new Commission would look. “What this needs is a careful study on the front end on how it’s done in other cities and what’s the best way to professionalize it,” Seventy CEO Zack Stalberg says. “There needs to be some system with a nominating panel and some concern with minority parties.” Until that happens, though, there are a few candidates lining up to take on the entrenched commissioners. Al Schmidt, the Republican 38th ward leader, previously worked for the federal Government Accountability Office and more recently was an adviser to the Pennsylvania Republican Party. Last month, Schmidt, 39, unveiled a stack of documents that show a number of public officials using public resources for their own campaigns, which

more time. Then it never happens and we’re up at the next election. It’s like Groundhog Day. Staten: Ultimately, the office oversees the elections and voter registration. One of the primary focuses needs to Left to right: Stephanie Singer, Al Schmidt and Ivy Staten. be to reform the is prohibited political activity. All of which, bridge between the office and community Schmidt says, passed right under the curand to educate the voters and citizens of Philadelphia a little better. rent commissioners’ noses. Also ready to campaign is Stephanie How can the Commission be improved? Singer, Democratic 8th ward leader. Singer, 46, is a data strategist for Athenian ProperSinger: Things like working with the water ties, a real-estate services company based department so water bills have little fliers in Center City. Fed up with the Commisin them to remind people to register and sion’s refusal to post any useful information remind people to vote. Working with the online, Singer created her own website to Department of Technology to put up a real display election results, campaignscientific. website that’s a presence in the city. com. She also sued the Commission to get Schmidt: The only way you can do it is results up in a more timely manner. Singer through oversight. I think that’s one thing hasn’t officially declared yet but says it’s right to know requests allow. Frankly, poll “pretty darn likely” that she’ll run. watchers are a part of that oversight to make And at 24, Ivy Staten is a fresh contender sure that there isn’t electioneering in polling on the Democratic side (not even a ward places on election day. leader!), although she does have family poStaten: There should be workshops, litical cred—her uncle is the former business seminars, reaching out to senior citizens to manager of the Laborers Local 332. Staten make sure they’re informed voters. Going is the founder of the local nonprofit Mature to schools to say these are the positions Cradle, which runs education programs for up for election—each election is different both youth and seniors, and she also started offices. Not only that but reaching out to the “Vote Your It” initiative to encourage the younger generation, so they are already voter registration and education. accustomed to the voting process before Then there are rumors that Chris Vogler, they turn 18. the Republican 55th ward leader and Philadelphia Parking Authority functionary, What about the role of politics within the will run. He did not respond to request to office? comment. Singer: If the Democratic machine tried to Presumably, Tartaglione, Duda and Clark shut down elections they probably could. It’s are all running for re-election, although Democratic Committee people who do the they have ignored questions about their lion’s share of outreach that needs to happen intentions. The primaries are in May, and to make elections happen. two candidates from the Democratic and Schmidt: There were 900 election boards Republican party will advance to the generaround the city where all five people were als in November. From there, the top three Democrats. In spring and fall 2010 we filled vote-getters advance to office. Vying to about 250 of those boards by recruiting take those three spots, Singer, Schmidt and Republicans. Of those 5 seats [per board], Staten all gave their ideas about what needs two are guaranteed to the Republican party. fixing in the Commission: It’s to make sure things are done fairly. You really don’t have that when they are all one What needs to be changed? party. Singer: The office is just doing a fraction Staten: I think that the city commissioners of the job it needs to do. It’s not just a job of have to simply run the office in accordance running elections, it’s a job of encouraging with the rules and regulations and strictly people to vote and letting people know what adhere to that. the elections are about. Schmidt: [Election board members] are What about the PICA and Committee of paid $95. When you break it down to the Seventy studies recommending major number of hours they work on election day, reforms to the Commission? it’s well below minimum wage. Well, it gets Singer: I think that there are a lot of differharder and harder every year to recruit people to sit on those boards. It’s the same thing ent ways that elections are run across this country. It’s clear that there are other modagain and again. And [the commissioners’] els that work. Most places do it differently. response is, we’ll get to this when we have

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News & Opinion

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Better Off

Dead David Goodis, Philadelphia’s most famous unknown author, is experiencing a resurgence 44 years after passing thanks to the work of a dedicated few.

By Brian McManus bmcmanus@philadelphiaweekly.com

“It was a tough break.”

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That’s the first line of the first book David Goodis wrote, Retreat from Oblivion, in 1939. He was Philadelphia’s most famous unknown writer, but that’s probably just how he’d want it. He’s the forgotten Prince of Philadelphia Noir, the Poet of Losers. Born into this cruel, unforgiving world on March 2, 1917, he was taken from it 44 years ago this week, on Jan. 7, 1967. He was 49. Goodis lived quite a life. He was editor of his high school newspaper, The Spotlight, at Simon Gratz. He was president of his class. The caption under his yearbook photo reads:

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David Loeb Goodis 4758 N. Tenth Street. A bundle of energy, a fountain of thought, Few like “Dave” have e’er been Wrought.

Just below that poetic description, a list of Goodis’ school activities go on at length, enough of them to make Max Fischer from Rushmore look like a stone slacker: President of Students Association, Debate Club, Forum, Philosophy Club, Representative, Captain Monitor, Finance Committee, Chairman of Gala Nite—Corridor Committee, Writing. He was even on the “No Smoking Committee,” ironic considering nearly every character in each of the 17 books that bear his name lit up every other page. And those characters, particularly his protagonists: downtrodden, down-andout, desperate, hungry, cold, couldn’t catch a break. They’d all been taken down a peg (or 20), each had managed to snatch defeat from the jaws of victory, many experiencing a fall from grace. There was no light at the end of their tunnel. The good guy did not always win. In fact, he seldom did. This is noir, a literary genre that does the sobering and thankless work of describing the life you’ve been dealt, not the one you wish you’d had. Crime writing without the detectives. Or, as famous Washington, D.C., crime/noir writer George Pelecanos described it at NoirCon—held in Philadelphia since ’07—in November at the Double Tree hotel on Broad, the idea that “things are not ever, ever going to get any better.” Goodis’ work exemplified Pelecano’s description. His books, it was once said, are not books at all. “They are suicide notes.” “I disagree with that,” says Lou Boxer, a doctor of anesthesiology and Goodis fanatic. “I think they’re very dark and depressing, but it’s almost his way of dealing with life.” Boxer discovered Goodis’ work in “2006 or so,” and has been borderline obsessive ever since—“compulsive,” as he says. He’s on a mission—along with a few other dedicated fans, so-called “Goodis Guys” or “Goodisheads”—to keep Goodis’ name alive in his native Philadelphia. Since discovering the writer, Boxer has become the world’s foremost authority on the man, tirelessly tracking down Goodis’ old friends and relatives, writing anyone who ever had contact. He publishes his findings on noircon.info and davidgoodis. com. He’s truly smitten, traveling happily down a mostly forgotten and partially grown-over path placed there by an entire nation: France.

he French. From the beginning,

they’ve been wild for Goodis, devouring his work with rapturous abandon while he was still alive to see it. Without them, Goodis is forgotten. They threw a giant croissant tied to a line into the abyss, he latched on, and they fished him out. Plucked him from the obscure fate of so many pulp novelists of the past. “If it wasn’t for French publishers and

French directors, Goodis’ name may well have disappeared altogether in the late 1960s and ’70s,” writes Adrian Wootton in the introduction to Goodis’ Of Tender Sin. “The importance of the French Serie Noire crime imprint cannot be underestimated for many crime writers, but particularly for Goodis. It was through this that several of the greatest French filmmakers, including Jean Luc Godard and Francois Truffaut, became aware of Goodis and decided to adapt his work for the cinema.” Truffaut adapted Goodis’ Down There for the screen as Shoot The Piano Player (1960). Gerard Depardieu starred in the on-screen adaption of The Moon in the Gutter. Most of Goodis’ work was translated into French, for a people who seem fortified from birth to withstand the force of his prose. To agree with its tone, even. The author of the lone biography on Goodis is French: Philippe Garnier. His 1984 book, David Goodis: La Vie En Noir Et Blanc (A Life in Black and White), remains to be translated to English and is very hard to find. Boxer owns a copy he had translated. “The dominant intellectual strain of 1950s France was existentialism—[Jean Paul] Sartre and [Simone de] Beauvoir— and existentialism says there is no meaning to life given by God or the universe,” says Carlin Romano, Pulitzer Prizenominated book critic for the Philadelphia Inquirer for some 25 years before leaving recently. “So there was always a great appreciation post-war in French literary and intellectual culture for kind of downto-earth American life. And I would say if you had to pick one American crime writer of the ’50s who fit perfectly with French existentialism, it would be Goodis. I don’t think it was any accident.” “It’s not sanitized, it’s not romanticized,” says Boxer of the world Goodis depicted. “This is the bleak utter truth about life, or the life that Goodis perceived, the life that [French writer Albert] Camus wrote about. Just that stark black-and-white reality, that life sucks. You go to bed, you wake up, life continues to suck. People don’t really complain about it, they’re just, that’s their lives.” This was the raw, exposed nerve Goodis picked at so convincingly. This is what his characters wrestled with, the dread they carried on work-worn backs. There was Edward Webster Lynn, Eddie for short, the once famous concert pianist at the heart of Goodis’ Down There (1956), who used to play to adoring crowds at Carnegie Hall but, wrecked by his wife’s suicide, gathered up the battered pieces of his psyche and ended up playing for $30 a week in a Port Richmond dive bar. His next love would die too, shot in cold blood right in front of him. There was Cassidy, the beaten-down man at the center of 1951’s million-copy bestseller Cassidy’s Girl, a once great pilot who now drove a bus. He was torn between two women: “Mildred, the wife who kept him chained with ties of fear and jealousy and paralyzing sexual need” and

oodis was born in the rela-

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tively comfortable middle-class Logan and lived for quite some time at East Oak Lane. He was student body president who ran track and captained the swim team. He majored in journalism at Temple, graduating in 1938. He wrote ad copy for fairly good dough in Philadelphia, and moved on to write serial pulp in New York, where he’d churn out, he once estimated, 10,000 words a day published under various pseudonyms. One of his books, Dark Passage, was serialized in his hometown Saturday Evening Post. With it, a job offer in Hollywood, where he was hired by Warner Brothers to write scripts, the first an adaptation of Passage. He was being paid $1,000 a week, a king’s ransom back then, and hanging with Humphrey Bogart and Lauren Becall, who both starred in Passage. He’s described as the life of the party, a joking prankster never without a smile and a quip by many of his friends and family in the rich, info-packed documentary David Goodis … To A Pulp. Still, there was something off about him, something that no doubt made him a keen observer of outsiders and drifters. He’d stick the red cellophane of a pack of Lucky Strikes up his nose and fain a nosebleed in front of unsuspecting waiters at restaurants in Hollywood. He’d go out into the L.A. night dressed in a borrowed bathrobe, pretending to be an exiled Russian prince. He’d pretend to get his foot stuck in trolley tracks as a car approached to win the attention of ladies on the street. In Philly, friends laughed. In L.A., they thought him strange. In To A Pulp friends describe coming out to visit him in Hollywood, they’d demand to be taken to the set, which he did begrudgingly. They wanted a slice of L.A. nightlife, wanted to see the glitz and the glam. He wasn’t interested. One time, though, he relented … and took them to a dance thrown by a waiters’ union. It’s widely speculated that Goodis loved black women. Specifically, “healthy”

black women, a bit of meat on the bones. “Healthy” black women who lived in sections of Los Angeles and Philadelphia where Goodis, a Jew born to Russian immigrants, stood out like, well, a Jew born to Russian immigrants. Sometimes he’d pay these women to verbally and physically abuse him. Other times he had to fight men in the neighborhood to get to them, both a small price to pay to satisfy his lust. Goodis kept this from his friends. He kept it from everyone. He had to. It was the ’40s, ’50s and ‘60s when such a thing would earn more than a passing glance of disapproval. He kept a marriage from them too, from his time in Los Angeles. Records show he was married to an Elaine Astor, from 1943–1947. Astor’s son, Larry Withers, discovered the marriage certificate and divorce decree among her belongings after her death in the mid-’80s. The questions he had about the mother it turns out he never knew drove him to research and create David Goodis … To A Pulp, in part relearning who his mother was through the eyes of a writer who didn’t paint too nice a picture of her. (It’s theorized that many of the manipulative women in Goodis’ prose are modeled after Astor, his “sick personal muse,” as Withers calls her in his doc.) “There were different aspects to my mom,” says Withers from his home in Elkins Park. “There were times when she could be just a regular, loving mom, and there were times where she could be a kind of a demon, shoot you the fish eye and scare you half out of your wits. At times I could see her in several [of Goodis’] books, especially Behold This Woman, which was written a few years after their divorce.” Says Withers of his mother’s first husband: “He’s a man of a lot of compartments, a hidden man,” but also a “decent person. I think he had a lot of conflicts, a lot of vices and a lot of desires, none of which he could handle very well. “He had a lot of dark, locked rooms he wouldn’t let any of his friends in,” adds Withers, who spoke with many of Goodis’ friends and family for To A Pulp. “They all had notions and stories to tell, but no one actually followed him or had been with him to confirm it. It was a lot of speculation.” The Inquirer’s David Hiltbrand (a mystery novelist himself) stopped by GoodisCon in ’07 to file a report, and came away with a telling quote from Goodis’ cousin Herbert Gross, who said of his long-dead kin, “I knew him very well. And I say that with a question mark. I don’t know that anybody knew him very well.” Another secret: Goodis’ five-year relationship with prominent black sculptor Selma Burke. Burke studied privately under Henri Matisse, and is responsible for the portrait of Franklin D. Roosevelt on the dime in your pocket. To biographer Philippe Garnier, Burke recalled Goodis’ “sensitive nature,” and “tormented and creative spirit, which he always sought to hide … in order to protect himself.”

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“Doris, a frail angel with a 100-proof halo and a bottle instead of a harp,” as Goodis describes each in his typically unique style. There was William Kerrigan, the broadshouldered Philadelphia dockworker living a “hellhole existence” after his sister’s suicide in the stark tale of desire and revenge Moon in the Gutter (1953). These men lived lives Goodis wasn’t all that familiar with. “I do not hold to the premise that a writer must live his own story,” Goodis wrote in an author bio accompanying his short story “Caravan to Tarim” in an October ’46 issue of Collier’s Weekly. “If I did, I would be writing about a fourth-rate football player, a frustrated racing driver, an unsuccessful landscape gardener and an unhappy automobile mechanic.”

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n the last few years of his life,

Goodis lived as though he were a protagonist in one of his own novels. He was embattled in a lawsuit with United Artists, who he was suing for copyright infringement in a landmark case that would change the law forever and which he wouldn’t live to see the end of (they lifted his Dark Passage as the premise for The Fugitive). He was the sole caretaker of a schizophrenic brother, Herb. His parents were both dead. He was having heart troubles. The toll it all took revealed itself in a letter he wrote to a man named William David Sherman, in reply of his request to interview Goodis for a story. In a letter dated Aug. 16, 1966: “Illness has prevented me from answering your letter of July 15. I am going through a labyrinth of neurological difficulties which make it impossible for me to grant your request for an interview. However, if it will be of any help, I offer the following—I’m 49, and my first novel was published when I was 22. It was nothing, and the same applies to most of the 16 others published since then … “At first I wanted to write very solemnly and handle only the most important issues. But of course the most important issue of all is putting food

his death while resisting a robbery outside a North Philly diner. The letters paint a bleak picture of the way Goodis saw himself and his career: Not worth mentioning. “I have talked to Bill Sherman about [the letters],” says Lou Boxer, who brought them to the public light once they were made available at Yale. “True Goodis. Selfdeprecating and not seeking any praise or accolades ... loathing the spotlight but living in the shadows the way he wanted away from the analytical eye. When he was left to his own designs, he was as free as a bird, doing and being whoever he wanted to be. When the light was shined on him, his idiosyncrasies and insecurities were magnified to such a degree that he appeared uncomfortable in his own skin. “Was his evaluation of his work terribly depressing?” asks Boxer. “Of course, but it allowed David to slink off into his own world having successfully driven away more prying eyes.’

oodis wrote a lot of himself into his characters, or, better still, how he perceived himself—a prankster like Dippy in The Blonde on the Street Corner (1954), a loner like Kerrigan in Moon. It’s said

Duane Swierczynski, Philly-based author of hardboiled fiction with titles like Expiration Date and Severance Package, of Goodis’ protagonists. “Once, we were the nation’s capital; once, we created things you couldn’t find anywhere else in the world. But we’ve suffered a similar fall from grace, and we’re still struggling to figure things out. That’s why I only semi-joking call Philly the noir capital of the East Coast. The whole city is a hero straight out of a Goodis novel.” Swierczynski, along with Boxer, is part of a growing number of Goodis obsessives in Philadelphia’s burgeoning noir community. He writes about Goodis frequently on his blog, Secret Dead, and his own writing has been influenced by The Prince. And there are others. The fabulous Dennis Tafoya, whose books Wolves of Fairmount Park and Dope Thief have wowed critics in recent years. Keith Gilman, a crime writer whose book Father’s Day sparkles with a gritty realism afforded to him by way of his day job as a Philadelphia cop. Along with them, Deen Kogan, a mystery collector and two-time host of Bouchercon—the largest gathering of mystery writers and fans in the world—when it has chosen Philadelphia as host city. Kogan has also co-hosted Bouchercon in other cities—Chicago and Las Vegas—and her collection (along with late husband Jay) of some 35,000 mystery novels is stored at Port Richmond Books, owned by another Goodis fanatic, Greg Gillespie. “Deen is tireless, bright and incredibly sharp,” says Boxer. “Add to this her uncanny ability to recognize great writing coupled with her love of reading and you get one of the best go-topeople in the genre in the country.” Boxer and Kogan started what was then known as GoodisCon in 2007, to honor the forgotten Goodis 40 years after his death. Back then it was a modest gathering at Society Hill Playhouse, owned by Kogan. Today it’s morphed into the much larger, much less niche NoirCon, which plays to a packed house of fans of the genre from all over the world. They still give a Goodis Award, an image of the author etched into it, which this year went to Pelecanos. Fittingly, Pelecanos’ favorite noir film of all time, The Burglar (1957), starring Jayne Mansfield and a reliable mainstay in noir cinema Dan Duryea, was shot in Philadelphia and adapted to the screen by Goodis himself. Goodis is dead, but through the work of many Philadelphia noir writers who owe him a tremendous debt and people like Boxer, Kogan, Port Richmond bookstore owner Greg Gillespie, La Salle literary historian Ed Pettite, Mansfield University English professor and amateur Philadel-

"This is noir, a literary genre that does the sobering and thankless work of describing the life you’ve been dealt, not the one you wish you’d had. Crime writing without the detectives."

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in one’s belly and in order to do that I deviated from the track most of the time and complied with the wishes of various editors and publishers. I admit this was weakness. I should have taken a job digging ditches, and because I was too lazy to do that, I threw away a lot of valuable time.” In a letter to Sherman three months later, another reply, Goodis noted: “Nothing I did in the Hollywood studios is worth mentioning. Very few of the major characters in my novels operate on a criminal level. They live in neighborhoods of low real-estate value, which is a different thing entirely.” The second letter was dated Nov., 11, 1966. Goodis would die less than two months later of, as it is listed on his death certificate, “cerebral vascular accident.” A stroke some believe was brought on by his being clubbed over the head and beaten a few days before

most of his books were an allegory of his life. The one-time Hollywood movie writer who returned to Philadelphia to churn out pulp and care for a sick brother could be the plot of one of his many fall-from-grace quick reads. Most of his main protagonists’ dialogue took place in their own head, exposing in them the kind of selfdoubt Goodis exhibited in his letters to Sherman. “Don’t touch her!” “Touch her!”; “Leave!” “Stay!”; “Run!” “Walk”; “Have another!” “You fool!” Goodis placed these characters in neighborhoods unlike the comfortable Logan he grew up in, the city’s most hard-scrabble patches of turf: Port Richmond, Kensington, Southwark before it blossomed into Queen Village, Germantown, Philly’s Skid Row, its Tenderloin, Chinatown and a fetid, rat-infested Dock Street that no longer exists. “Maybe this sounds harsh, but I think about Philadelphia the same way,” says

hrough his Philly-based fiction

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(most of his 17 books) Goodis exposes more about our city than any tourist guide could ever hope to. You see the trash. You smell the streets. You feel the stare from the roughneck across the alley. You run into the city’s tough guys, walk its narrow streets and pray one or both don’t get you. You step over its homeless sleeping on steamy grates in hopes of getting warm. You avoid eye contact with drunks. Sometimes you are the drunk. Sometimes you fight. Other times you fuck. Sometimes you’re happy, but mostly you’re not. His books are us. Noir, perhaps more than most genres, is forever joined in an intimate love affair with location, which is why many of the genre’s writers are associated so closely with the city they lay for bare on the pages they write: Raymond Chandler’s Los Angeles; George Pelecano’s D.C.; Richard Price’s New York; David Goodis’ oft-forgotten Philadelphia. “That’s the brilliance of the books when they’re successful—and they almost always are—is this feel,” says Johnny Temple, owner of book publisher Akashic Books out of New York City. “It’s so great, if you read Miami Noir, you can feel the breeze blowing while you’re reading.” Akashic started its famed noir literary anthology in 2004, and has, in six short years, published 44 different editions of the series, everything from Brooklyn Noir to Haiti Noir, from Twin Cities Noir to Istanbul Noir. Philadelphia Noir came out at the end of 2010. In it, 15 writers—seasoned vets of the genre like Tafoya, Swiercznski and Gilman mix with newcomers like Laura Spagnoli and Halimah Marcus—to tackle different neighborhoods, painting a vivid picture of each. “My belief with the Noir series, and given the really great response we’ve gotten so far in Philadelphia, the whole idea is you have to appeal to the people of the city itself. They are the judge and jury,” says Temple. “If the book feels authentic and it reflects in interesting ways on the city to the people who live there … it has more chance of success outside of that city. It’s real authentic flavor of the city by people who know it well.” Philadelphia’s ever-growing noir community had been clamoring for a City Of Brotherly Love edition of the Akashic Noir for what seemed an eternity, and Temple admits the book was a longtime coming. But he had a specific person in mind he hoped to convince to edit and curate the book: Carlin Romano. Problem was, Romano had made quite a name for himself bashing the genre while book critic for 25 years at the Inquirer, a “pointy-headed intellectual hostile to noir,” he says of his reputation. He’s even been

invited to noir and mystery conferences to offer balance to panels. He was a hard sell on the hard-boiled. “I’d approach him again and again,” says Temple. For two years, to be exact. Many of the conversations ending with Temple, as he recalls it, being asked “What the fuck are you thinking?” by a perplexed Romano. In the end, he got his man. “I was always an appreciator of superb literary noir—[Raymond] Chandler, [Dashiell] Hammett—all the people that are often noted,” says Romano. “But I also felt that there was a kind of new genre that had grown, which I call ‘factory noir.’ In other words, it had become an industry. You go into bookstores and the whole left wing is devoted to mass-market mysteries. That was really the part of the industry of the noir world I was hostile to. The fact that a lot of junk was being produced on the illusion that everyone who did one of these books was Raymond Chandler or Hammett. Or Goodis, because I think Goodis is genuinely literary and deserves the redemption, the resurrection of his reputation.” With the release last year of Philadelphia Noir, Tafoya’s Wolves and the white-hot reputation of Swierczynski, Romano believes Philly-based noir is about to get its due props. “Absolutely it is,” Romano says. “I agree—cautiously,” says Swierczynski. “Like a Goodis protagonist, I think Philly crime writers do toil in obscurity a bit. Just like with everything else, we’re overshadowed by N.Y.C. and D.C. That said, I think some of the coolest stuff creeps out from obscure corners of the world, and I’ve really enjoyed what’s been creeping out of Philly lately. OK, I’m not going to dither, damnit. Philly noir is having a moment!” This Sunday, the 9th, Lou Boxer and others will do what they’ve done since 2007. They will gather at Goodis’ grave at Roosevelt Memorial Park in Trevose at 11 a.m. and read from his work. Afterward, a tour of Goodis’ Philadelphia—his birthplace, his home in Logan, the hospital where he expired—and will wrap up at Port Richmond Books. Quietly, slowly, other Philadelphians will begin to discover The Prince. Then, the world. It’s already started. First-edition prints of Goodis’ work sell on eBay for as much as $1,600. They move like hot cakes at Gillespie’s Port Richmond Books. “They’re highly collectible,” he says. Shoot the Piano Player just started streaming on Netflix. “I think it would be a wonderful thing if Goodis really came back strong for literature in general,” says Romano, “He’s a firstclass writer. It would be great for the city.” “I’m just glad Goodis seems to be enjoying more of a ‘moment’ now. My dream would be to have all of his novels in print. This will never happen, but wouldn’t it be wonderful to have a Goodis’ novel become the ‘One Book, One Philadelphia’ read someday?” asks Swierczynski. “This will never happen, but …” Spoken like a a true Goodis fan. n

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phia historical archivist Jay Gertzman, Harold “Dutch” Silver, Aaron Finestone and others, he lives on.

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HealthWise Fight the Fitness Resolution Wreckers Proper goals, form, routine are key. A trainer can help. - By Margaret Battistelli Forty-five minutes a day, three days a week for five weeks. If getting fit is one of your New Year’s resolutions for 2011, this might be all it takes to get you on your way. But given the fact that roughly two thirds of all people who join a gym as part of their kick-off to a new year have given up by June, it’s not all that easy. Experts say it takes five weeks to get into a routine when it comes to working out and eating right. And once you get past that mark, your new lifestyle becomes a habit, and working out is more like second nature than the burden it often starts out seeming to be. So why the crappy stick-with-it statistic? The main culprit seems to be unrealistic goals. Local experts agree that even though you might want – heart and soul – to be able to bounce quarters of your abs by Valentine’s Day, you’re probably not going to Phil be ableWeekly_Jan5:10x5.375 to. If you prepare for that,12/30/10 mentally,

then you’ll be in good shape to get over the hurdles as they present themselves. Fitness pros suggest that when you join a gym – whether you’re part of the firstweek-of-January rush or not – you take advantage of the free consultations most centers offer. Or, if necessary, pay for a few sessions with a trainer to set your goals and get your routine off to a proper start. Set both short- and long-term goals. A good example of a short-term goal is to commit to your routine: Decide, with the trainer’s guidance, how often you’ll work out and when. Establishing as consistent a routine as possible is a big first step. Losing 20 pounds in a month is another short-term goal -- but it’s not realistic. Putting that out there as your goal is a sure way to set yourself up to fail. Long-term goals include maybe losing a 2:02 PM Page 1 set amount of weight by a certain date.

But even those have to be realistic. And as much as you’d like to read right now that x number of pounds in x number of weeks/ months is a reasonable goal, it’s not that easy to determine. Everyone’s starting fitness level, weight, routine, diet, etc., is different, so talking to a trainer/consultant is key to setting manageable goals. Expecting immediate results is definitely the main wrecker of resolutions when it comes to working out, especially since experts say that the muscle you’re building will hold on to more water at first, often causing you to actually gain weight. But three to four weeks into it, your body will start getting used to its new composition, processing the water better and start looking like you want it to look. But most people expect to see significant – read: unrealistic – results way sooner, and they get discouraged when they don’t.

Working with a trainer, even for just a few sessions, will keep you from, say, focusing too much on fun stuff like dance classes that work on cardio but ignore important muscle-building routines like weight lifting. It’ll help you find the proper routine/technique to get you on your way. That initial consultation also can help reduce the chance of your falling victim to another resolution wrecker: injury. Far too many folks head to the gym for the first time certain that they know how to the perfect crunch or the proper settings to use on the elliptical machines to get the results they want. Most, unfortunately, don’t and wind up spinning their wheels – sometimes literally – in ways that actually work against them and hinder their process. Worse yet, many get hurt. And there’s nothing that will keep you from going back to the gym more effectively than a sore back or twisted ankle. >

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• Expect it to take about five weeks to turn into a habit. • Learn proper form. • Combine cardio with weight lifting for a holistic approach. • Combine diet and exercise improvement for quicker, better results. All indications point to consulting a trainer – either in a complimentary session offered when you join the gym or a series of sessions that you pay extra for – to set goals and tackle these other points. You can go it alone, but doing so increases the margin of error and could result in you giving up before you get the results you’re looking for.

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Finally, be sure to attack your New Year’s fitness resolution from both ends. Even the perfect fitness routine won’t help if you chow down on beer and cheesesteaks twice a day. And while you can, indeed, lose weight by diet alone, you won’t get the toned body you’re looking for without supplementing your healthy eating with a structured exercise routine. To make your New Year’s resolution fitness resolution stick, experts agree: • Set realistic goals • Establish and stick to a routine, preferably 45 minutes a day three days a week.

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arts and

Culture

1/5–1/11/11

stage

Our Theater Artist of 2010: Video designer Jorge Cousineau.

Page 20

art

First Friday: Cartoons, art tech and outsourced performance art.

Page 20

musiC

Folksinger Greg Brown helps us all live a little in the past.

Page 21

FOOD

Seorabol is pretty OK Korean a long way from Center City. P H I L A D E L P H I A W E E K LY

Page 24

sCreen

Spacey doesn’t look like Abramoff—and Casino Jack doesn’t look good.

Januar y 5-11, 2011

Page 28

film

machete

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Timely commentary? No other film has more creatively and ferociously investigated the politics of immigration. Repulse? Chica’s choice of cell-phone storage will make even the most twisted Takashi Miike buff cringe. ¿Bromas? Sí, muchas. Page 18

[

Got a tIP? WaNt to WRItE?

Promoting an awesome event? Interested in freelance writing? Get in touch with arts and culture editor Emily Guendelsberger. emilyg@philadelphiaweekly.com

]

music

Joe truglio trio Drummer Joe Truglio has been an active player and sideman on the local jazz scene since he moved to Philadelphia from Long Island 10 years ago to study music at the University of the Arts. After sharing bills with Cypress Hill and Herbie Hancock, hitting the road with Vans Warped Tour, and playing several dates in China and England, Truglio released his first album as a group leader last year: Live, which captures recordings by his working trio with pianist John Stenger and bassist Ken Pendergast. For tonight’s show, they’ll navigate pieces from their new studio album, Past Life, inspired by modern jazz composers like Aaron Parks and Robert Glasper. ELLIOTT SHARP 7pm. $10. Chris’ Jazz Cafe, 1421 Sansom St. 215.568.3131. chrisjazzcafe.com

t h e at e r

A Moon for the Misbegotten

8pm. Pay what you can. The Arden, 40 N. 2nd St. 215.922.1122. ardentheatre.org

Thursday

music

t h e at e r

the elephant Man Terrible disfigurement apparently makes for great entertainment—at least, that’s the basis of TLC’s primetime lineup. But before there were Little People in a big world and a girl Born Without a Face, there was Joseph Merrick—freak-show attraction, specter of the London streets and eventual toast of Victorian high society. The notorious Elephant Man roamed 19th-century England with a burlap sack over his bulbous head, gawked at by circus attendees, recoiled from by nurses and doted upon by socialites (tragically deformed people were the Pomeranians of the hoopskirted set). Merrick rears his giant head in Philadelphia in Fever Dream Repertory’s production of Bernard Pomerance’s 1979 Broadway version of the fabulous freak’s sad life. Wade Andrew Corder follows in the footsteps of role originator Philip Anglim and modernday iconic weirdos David Bowie and Mark Hamill, portraying Merrick sans makeup and prosthetics, depicting his deformation entirely through tortured movement. LAuREn SMITH

Cheers elephant

Webcomic fanatics rejoice—digital comic producers South Fellini Studios are bringing their traveling gallery to Brave New Worlds! South Fellini, established by Tony Trov and Johnny Zito, is a collection of DIY comic creators at the forefront of the digital revolution who produce comics about monsters and badass women. They’ve worked with DC Comics Online and Apple distributor Comixology and developed the comics Moon Girl, Black Cherry Bombshells and The LaMorté Sisters. Come to the Old City comic boutique and enjoy an evening of wine and webcomic discussion with artists, fans and people who just love comics in general. Rahzzah, Sacha Borisich, Mark Fionda, and Christine Larsen will be some of the artists featured in the show. SyDnEy ScOTT

heers Elephant is poised to deliver the first stellar local recording of 2011 when they usher in their second album, Man is Nature, with a release party tonight. We’ve only heard two new tunes thus far—“Shark Attack” and “My Bicycle Ride”—but they build on the promise the psych-flavored modpop foursome displayed on their eponymous debut LP of a couple years ago: Jangly, bouncy guitars, spry rhythms, and spirited harmonies feed the former track, while the loping latter track feels just as earthy and joyful while the vocals veer between Pavement drawl and high, yearning yelps. Dr. Dog fans will probably want to be all over this. MIcHAEL ALAn GOLDbERG

5pm. Free. Brave New Worlds, 45 N. Second St. 215.925.6525. bravenewworldscomics.com

Cheers Elephant

Sat., Jan. 8, 8pm. $13-$16. With the New Connection, the Fleeting Ends + Nicos Gun. World Cafe Live, 3025 Walnut St. 215.222.1400. worldcafelive.com

Through Jan. 20. 8pm. $20-$25. The Adrienne, 2030 Sansom St. 267.997.3799. adriennelive.com

music

AGOGIC Seattle may still call to mind the flannelwearing grunge bands of the ’90s. But among the city’s more current ambassadors is trumpeter Cuong Vu, a searching avant-jazzer who recently returned home after a stint as a downtownish New Yorker (and sideman with the Pat Metheny Group, among others). Seattle friend Andrew D’Angelo (alto sax/bass clarinet), now a Brooklyn-based provocateur, joins Vu to give AGOGIC a spirit of purposeful abandon, but also a tender lyricism in spots. The two horns go up against skin-tight, bone-deep, wondrously supple rhythms from electric bassist Luke Bergman and drummer Evan Woodle, new talents who typify the Seattle jazz of today—youthful, resolutely DIY, resistant to easy classification. DAvID R. ADLER

8pm. $12. International House, 3701 Chestnut St. 215.895.6546 arsnovaworkshop.org

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When Philly outfit An American Chinese released their first EP in 2007, they created an ethereal, disturbing and anachronistic album that centered around off-kilter indie rock melodies, multitudes of instruments, ominous lyrics and a love of vintage recording

Friday

Philly Comic Creators

Januar y 5-11, 2011

An American Chinese

8pm. $5. With Steve Goldberg & the Arch Enemies + When I Was 12. Kung Fu Necktie, 1250 N. Front St. 215.291.4919. kungfunecktie.com

music

comics

P H I L A D E L P H I A W E E K LY

On the eve of the play’s opening night, the Arden Theatre Company presents a paywhat-you-can dress rehearsal of the regional theater’s first new production of 2011, Eugene O’Neill’s A Moon for the Misbegotten. Each year, the Arden selects five community partners to benefit from the proceeds of these preview performances, and tonight the recipient is the Rosenbach Museum and Library, a treasure trove of rare documents and books that actually houses some original O’Neill manuscripts. Misbegotten was the Nobel laureate’s final play, and is an accompaniment to his classic Long Day’s Journey Into Night. Directed by Matt Pfeiffer, who helmed last year’s Romeo and Juliet, the intimate Misbegotten is a bittersweet romance between two people haunted by their pasts who yearn for redemption in each other’s arms. Tickets are available on a first-come basis and are general admission. MIcAELA HESTER

equipment. On the group’s first full-length, Utopian Tree, they’ve seamlessly blended songs from the EP with new creations. The album is a amalgam of pop, folk and Gothic Americana, with guitar melodies and drum beats driving the album, from rousing rock to soothing ballads. With seven members, An American Chinese’s live shows have always been a sight to see, but their show at Kung Fu Necktie has an even bigger draw: At only $5, it’s an absolute steal. KATHERInE SILKAITIS

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Wednesday

W W W. P H I L A D E L P H I A W E E K LY. C O M

film

Kazuhiro Soda Master Class

orget the ham-fisted stunts of Michael Moore and other soapbox documentarians. Kazuhiro Soda’s frank, taboo-busting “observational documentaries” immerse viewers in the action, forgoing dictatorial narration in favor of allowing the audience to form their own opinions about what they’re viewing, be it the operations of a Japanese mental-health clinic or the machinations of a local election. Tonight, Soda conducts a master class about his Buddhist-inspired, cinéma vérité filmmaking, introducing Philadelphians to the zen and nofrills honesty that has guided his oeuvre. For homework and followup, head to International House for the Monday night screening of Soda’s 2008 documentary Campaign and Tuesday night’s Mental, his disarmingly candid exploration of psychiatry in a society that associates mental illness with shame.

Saturday

film

The Portuguese Nun It’s a late-December tradition to visit family and steal a few desperate hours of (relative) peace and quiet with the home crew at the movies, watching laser Frisbees or Robert De Niro continuing to piss on his remaining artistic cred. But now you’re back home, and you can return to recursive, subtitled art-house fare! Huzzah! The Portuguese Nun follows an actress playing a nun in a low-budget film shot in Lisbon and her experiences with her director (played by the 2009 film’s actual director, Eugène Green), an actual Portuguese nun and the warm, glowing coastal city in which all three are immersed. The film-within-a-film structure is ripe for referential wit, while the placid, meditative plot affords viewers plenty of time to enjoy the radiant cinematography and haunting interludes of traditional fado music. AlexAndrA joneS

7pm. $8. International House, 3701 Chestnut St. 215.387.5125. ihousephilly.org

Sunday

politics

Will Bunch’s The Backlash After eight years under Bush, it’s become clear that merely pointing out when something is dumb isn’t exactly politically ineffective; this strategy discounts the validity of the opponent’s position before it has been properly grasped and evaluated. Daily News senior writer Will Bunch avoids this pitfall in his latest book, The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama. For the last couple years, Bunch researched the Tea Party firsthand, plunging into the belly of the ever-strengthening beast to gauge what makes its devotees tick. From high priest and priestess Glenn Beck and Sarah Palin to ground-level folks at gun ranges and anti-immigration rallies across the country, Bunch lays out the movement’s scaffolding before going to kick it over. This morning, he’ll be leading Nation magazine’s monthly public discussion group. e.S. 11am. Free. Moonstone Arts Center, 110A S. 13th St. 215.735.9598. moonstoneartscenter.org

music

Jimmy Webb In his heyday, Webb was one of his era’s finest songwriters, combining Leonard Cohen’s intimacy with baroque Brill Building arrangements. He created several huge hits for other artists (“Up, Up and Away,” “By the Time I Get to Phoenix,” “Wichita Lineman”) in the late ’60s, then launched a solo career in the ’70s. His seven-minute signature tune “MacArthur Park” (sung by actor Richard Harris) was a huge, boundary-stretching hit on pop radio, exemplifying his gift for elegant piano-driven pieces whose theatricality complements the lyrics’ brash vulnerability. He’s been particularly active lately, releasing three albums in five years including a new greatest hits/duets album featuring Glen Campbell, Billy Joel, Lucinda Williams and Willie Nelson, among others. ChriS PArker

lAuren SMith

Tues., Jan. 11, 5pm. $15-$25. Scribe Video Center, 4212 Chestnut St. 215.222.4201. scribe.org

P H I L A D E L P H I A W E E K LY

7:30pm. $30-$32. World Cafe Live, 3025 Walnut St. 215.222.1400. worldcafelive.com

Monday

film

Januar y 5-11, 2011

Machete Kazuhiro Soda

• 18

While normally a jejune phrase, “there’s something for everyone” is an apt descriptor for Robert Rodgriguez’s and Ethan Maniquis’ 2010 neo-exploitation film Machete. Violence? There are many severed limbs and decapitated heads

with so much blood squirting from them that Lone Wolf and Cub will seem like How to Lose a Guy in 10 Days. Star-studded cast? Only if the names Danny Trejo, Don Johnson, Jessica Alba, Steven Seagal, Robert De Niro, Lindsay Lohan, Cheech Marin and Michelle Rodriguez mean anything to you. Sex? The only thing Machete does to its characters more than killing them is getting them laid; on one occasion our hero enjoys a mother-daughter hot-tub doubleup. Timely commentary? No other film has more creatively and ferociously investigated the politics of immigration. Repulse? Chica’s choice of cell-phone storage will make even the most twisted Takashi Miike buff cringe. ¿Bromas? Sí, muchas. e.S. 8pm. $3. Trocadero, 1003 Arch St. 215.922.6888. thetroc.com

music

Everyone Everywhere In his excellent 2003 book, Nothing Feels Good: Punk Rock, Teenagers, and Emo, Andy Greenwald notes that “Being an emo band is kinda like being in the KGB—everyone knows who they are, but no one admits anything and no one likes talking about it in public.” Indeed, Philly quartet Everyone Everywhere doesn’t speak the dreaded E-word, but we spy it in their tunes: Crunchy, math-y, yet undeniably catchy riffs; soaring melodic choruses; nasally, introspective, bittersweet vocals. At least it’s reminiscent of the “good” emo—a la the Promise Ring, Sunny Day Real Estate, Jawbreaker and other bands who could do the “loud ‘n’ poignant” thing without coming off too silly or formulaic—enough so that we can forgive Everyone Everywhere for starting a song with the words “I’m too sad to tell you...” M.A.G. 8pm, $5. With Young Leaves + Luther. Kung Fu Necktie, 1250 N. Front St. kungfunecktie.com

tuesday

music

Venice Sunlight

Sunshine is a rare commodity, in Venice anytime and in Philadelphia during the depths of January. That’s a good enough reason to check out this jittery, jump-up-and-down pop band, Venice Sunlight. Their short, sharp songs are shot through with sunny sweetness but also barbed with sharp, random stabs of irony. Up to now, their best-known cuts have been smirky, off-kilter pogo-pumpers like “Great Moments in Bad Timing” and “The Devil Wears Nada,” but a new EP, Venice Sunshine Vs. the Rabid Rabbits, takes things in a slightly less wise-cracking direction. The single “Annabel” is unequivocal power pop, though its sugar is cut with rackety drums, its sentiment diluted with the observation that “Love is fleeting and largely pharmaceutical.” jennifer kelly 8pm. $5. With Right This Second. Kung Fu Necktie, 1250 N. Front St. 215.291.4919. kungfunecktie.com

Sunday Drag Show at Tabu Lounge

On the Gaydar A preview of Philly’s upcoming LGBT events.

By Brian Goldthorpe feedback@philadelphiaweekly.com

Karaoke Tuesdays at Tavern on Camac

There doesn’t seem to be much middle ground with karaoke—either you love it, or you avoid it like the plague. Witnessing a less-than-self-aware amateur singer belt out “Little Red Corvette” while sloshing a cocktail all over the floor isn’t everyone’s idea of a good time. At Tavern on Camac’s Ascend Lounge, there are a few painful performances, but each week a crop of talented vocalists take the stage. Penny Productions runs the show, and their expansive songbook provides a surprisingly diverse and fun music selection. Add $4 flavored Stoli cocktails to the mix, and you’ve got the recipe for a great night. Tuesdays, 9pm. Ascend Lounge, Tavern on Camac, 243 S. Camac St. 215.545.0900. tavernoncamac.com

When Jeff Sotland announced his plans to develop a sports bar for the LGBT and allied communities, some questioned whether the concept would fly. Fast forward several months, and Tabu Lounge and Sports Bar is a certifiable success story—and one of the Gayborhood’s most popular bars. While you can always watch your favorite pro and college teams on the main floor, the upstairs lounge is used for special events and partnerships, illustrating Sotland’s support for many of Philly’s LGBT nonprofits, including the William Way Center and Philadelphia FIGHT. Beginning in mid-January, Tabu is ratcheting up the drama with the debut of Sinful Sundays—a weekly drag show hosted by Isis Brooks D’Shey, featuring established and new gender-bending performers. A $5 cover gets you in the door with a free drink, and happy hour prices are available from 10 p.m. till midnight. Sundays, 9pm (starting Jan. 23). Tabu Lounge, 200 S. 12th St. tabuphilly.com

Black Banana "Get Together"

Do you remember Philly nightlife in the ’80s and ’90s? Before every club became a lounge, and DJs were replaced by iPods, decadent after-hours parties were the name of the game—and no place did it better than

the legendary Black Banana. Located at Third and Race streets, The Black Banana opened in the 1970s, but hit its stride in the ’80s, becoming the stomping ground for those who work hard and play harder. Boundary-breaking DJs, including Robbie Tronco, Josh Wink, and King Britt cut their teeth on Black Banana’s turntables. The hotspot suffered a devastating fire in 1991, and its owner Garrick Melmeck passed away soon after. There has yet to be—and likely never will be—another institution quite as beloved in nightlife. As a tribute to The Black Banana, the folks at Voyeur Nightclub are gearing up for the 2nd Annual Black Banana Anniversary Party. Nine DJs will be spinning classic beats while music videos from the era play in the background. You’re sure to see the old gang reminiscing and dancing to the classic beats that made The Banana famous. Sun., Jan. 16, 8pm. Voyeur Nightclub, 1221 St. James St. voyeurnightclub.com

Blue Ball Weekend

Our local gay party weekend is returning to its winter roots, and taking up residency during the last weekend in January. At its heart, Blue Ball is a fundraiser and awareness-building event for the Sapphire Fund—a local LGBT non-profit organization. It’s one of the few remaining multi-day

circuit events in the country, and features a wide range of day and evening parties. (Check blueballphilly.com for specific times and additional details on each event). Wed., Jan. 26, Junior Blue. Woody’s, 202 S. 13th St. Blue Ball’s youth event—18 to 21 are welcome for an exclusive dance party. Thurs., Jan. 27, Blue Ball Weekend KickOff. Q Lounge, 1234 Locust St. The official “opening” of Blue Ball weekend with a cocktail party at Q Lounge.

W W W. P H I L A D E L P H I A W E E K LY. C O M

Arts & Culture

Fri., Jan. 28, “Don’t Ask … Don’t Tell!” Military Party Voyeur Nightclub, 1221 St. James St. Celebrate the repeal of “Don’t Ask, Don’t Tell” by suiting up in your favorite military garb and dancing a the night away. Ladies’ Winter Wonderland Ball, T.L.A., 334 South St. This one’s for the women – Philly’s lovely lesbians invade South Street for the “Winter Wonderland Ball” Sat., Jan. 29. Blue Ball Main Event: “One Weekend. One Community.” Check website for details. The event everyone will be talking about—hot music and hot guys burning the dance floor. Sun., Jan. 30, Sapphire Brunch, The Pyramid Club, 1735 Market St. A brunch and silent auction. Sunday Tea, Woody’s, 202 S. 13th St. Close out the weekend with one last spin around the dance floor. n David Mamet

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Two lawyers, one black, one white, are offered the chance to defend a wealthy executive charged with a shocking crime against a young black woman.

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by Peter

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Stage

Art Alterations

Rainstorms Projected: Video by Jason Varone at Locks Gallery’s Alterations.

First Friday! Comics, tech and outsourced performance art opening this month. Virtual Assistance

P H I L A D E L P H I A W E E K LY Januar y 5-11, 2011 • 20

Andrew Norman Wilson’s Virtual Assistance, the opening show of Extra Extra’s new digs, examines and disrupts the labor flows structured by Get Friday, a “life outsourcing company” based out of Bangalore, India. Get Friday, a company praised by world-flattening globalization junkie Thomas Friedman, provides virtual personal assistants to predominantly American clients for a monthly fee that comes out, on average, to about $10/hour. Andrew signed up, enlisting his assigned 25-year-old virtual assistant Akhil as a collaborator on several art projects—all part of the greater project of turning the proscribed one-way roles of outsourcing into something that flows both ways across the virtual channel. “Can my relationship,” Wilson asks, “become a device for altering the work conditions of Get Friday?” The small projects called for varied levels of participation, leadership and direction from both men. Examples: The Toy Boat Task—Akhil drew up a construction manual for a battery-powered toy boat he made as a kid, Wilson made a few and mailed one to Bangalore for Akhil to play with. The Work Station Task—Akhil made a spreadsheet of the objects in his work space, then the two imagined how each could be used if Bangladore’s IT boom went bust and the Get Friday employees had to live in their office, like a cubicle/sleeping pad, a computer encasement/grill, cables/clotheslines, etc. Wilson and Akhil continue to collaborate; at Jan. 28’s closing reception, they’ll both be at Extra Extra for a PowerPoint presentation of their accomplishments. (Elliott Sharp) 6pm. Free. Extra Extra, 1524 Frankford Ave. eexxttrraa.com

Digital tools are not new to art, but some artists are fascinated with the way new technology is changing art. Alterations, a group show at Locks Gallery, takes a look at just that. While this might not sound like a laugh-out-loud topic at first, the mix of video and installation includes some fun stuff. Curated by video artist Peter Campus, the five-person exhibit explores not only how eerily technology can mimic art, but how much humor resides in the Venn diagram overlap of old-fashioned “ahhhht” and new-fangled tech. Campus’ video of a barn, for example, has been pixilated almost beyond recognition. The result? An almost pointillist painting of a barn by Charles Sheeler circa 1925—what goes around comes around. It’s a beautiful image, and it raises ideas about the importance of icons and how they transcend time and media. Jason Varone’s cartoon cloud on a wall with a projected image that makes it seem as if there’s cartoon rain falling down the gallery wall. Not quite Disney, yet Disney-sprited— Alterations will get you thinking about the art of Tomorrowland. (Roberta Fallon) 5:30pm. Locks Gallery, 600 S. Washington Sq., 215.629.1000. locksgallery.com

CGI vs. Forming Anyone who still says there’s a debate about the artistic value of comics and cartoons has been living in a dungeon for the past 25 years. This week’s show at Space 1026 celebrates the work of two strong, independent creators. First, Lance Simmons, a graduate of Savannah College of Art and Design’s sequential-art program (the Harvard of comics) and a presence on the Philly alt-comic scene (anyone read The Owl?) will be showing works on paper and books. His work is surreal and cutting, a world away from the navel-gazing comic zines of the early decade. Further, the show serves as the launch of Simmons' publishing microcompany, C.G.I. (Cartoon Graphics Imaging). Second, there’s multitalented Jesse Moynihan—former PW contributor (the comic Kime Agine), member of the band Make a Rising, illustrator of Philly album art and winner of an ultra-prestigious Xeric grant for self-publishing comics. While Moynihan spends half his time in L.A., where he works on the Cartoon Network’s Adventure Time, he’s one of the most established members of the Philadelphia underground comics scene. He’ll be showing the first hundred pages of Forming, his mega-epic psychedelic creation story that breaks all the rules of webcomics—it’s serial, complex and hand-painted with no one-off gags or cut-and-paste. Each page is a work of art, and it’s presented as such here. (Alli Katz) 7pm. Space 1026, 1026 Arch St. 215.574.7630. space1026.com n

invents pointillism and works on his masterpiece, “A Sunday Afternoon on the Island of La Grande Jatte;” in the second act, we jump forward in time to meet Georges' great-grandson George, a successful contemporary artist, at the black-tie unveiling of his latest multimedia video installation, “Chromalume #7.” Both acts present Multiplicity: George Seurat (Jeffrey Coon) shedding animate technological and design copies of himself via Jorge Cousineau's videos in the Arden's challenges—during the production of Sunday in the Park With George. time we spend with the elder Seurat, his omnipresent sketchpad is often projected large, the sketches (which Cousineau did himself) gradually coalescing into the familiar scene of “La Grand Jatte.” But “Chromalume #7,” conceived by Cousineau and wife Nikki, was the real showstopper. A fascinating setpiece employing live action, moving screens, bluescreen video, computer graphics and “La Grande Jatte” itself, the Chromalume leaped over the hurdle of coming up with art-within-art that doesn’t come off as pretentious By J. Cooper Robb jrobb@philadelphiaweekly.com or hopelessly naive (Rent, anyone?). Figures from the painting and first act return as Jorge Cousineau has never appeared onstage ghostlike projections, walking around the or uttered a single word in front of an audistage (via moving screens) before disinteence. But that doesn’t stop him from being grating into dots that erupt into a pointillist, our runaway choice for PW’s 2010 Philadelswirling blizzard of color, light and movephia Theater Artist of the Year. ment. Both similar to and a contrast with If you’re a regular or even casual theater“La Grande Jatte,” this was by far the year’s goer in Philadelphia, chances are you are most visually dazzling moment of theater. familiar with the versatile Cousineau's work. Despite the dazzle of Sunday, Cousineau He was involved with 11 productions last believes he’s doing best when he can create year with a ridiculously wide range of job a natural, unintrusive world that expands to descriptions, designing sets, sound, lighting fill not just the stage, but the whole theater. and video and serving as a composer, co“The most important things are the actor director and co-conceiver—often creating and the story being told,” he says. “When the multiple elements per production. audience is in the moment, they shouldn’t be Why do we think that's such a big deal? Be- noticing the design.” cause it results in productions with a single, Hence, there’s no Cousineau signature—he cohesive vision of the onstage world, a rarity has no particular style, adapting to serve when the usual is fusing ideas from three or the needs of each production. The Arden’s four designers. “I find it easier to make the artistic director, Terrence J. Nolen, who split elements compatible if I’m working on all of “conceived by” billing for Sunday with Cousthem,” Cousineau says of his multitalented ineau and worked with him on three other multitasking. He enjoys collaboration, but plays last year, credits this chameleonlike when he’s in control of designing multiple ability to how the designer “listens” at each elements, “it’s easier to make the environstage of a production’s development. “He ment compatible and seamless.” doesn’t impose” ideas on a production, says Cousineau’s most visible work last year was Nolen, “he creates from within.” probably the video and sound design for the Though this year Cousineau worked on Arden’s Sunday in the Park With George, productions as dissimilar as the Arden’s recently noted by the Wall Street Journal’s kiddie-theater If You Give a Mouse a Cookie theater critic as one of the best shows of (sound, original music, video) and Theatre 2010 (one of very few from outside New Exile’s incendiary, ultraviolent That Pretty York). Cousineau also considers Sunday a Pretty; or, The Rape Play (set, lights, video), highlight of the year, as well he should—the his goal is always the same: to create a video elements of the Sondheim musical are believable, immersive space where the charsignificant, and notoriously tough to pull off, acters and audience can temporarily coexist but transcendent when done right. without reminders that it's all an illusion. Sunday splits its focus between two artSo, though he’d rather not be recognized ists: The first act follows painter Georges by audiences, we recognize his skills here Seurat, mostly unappreciated even as he nonetheless. n

Sunday in the Park with Jorge Meet multimedia designer Jorge Cousineau, PW ’s Theater Artist of the Year.

Remembering Dreams Folksinger Greg Brown helps us all live a little in the past. By Jeffrey Barg

jbarg@philadelphiaweekly.com

sounds to our Northeastern ears like something that could only spring from the imagination of Garrison Keillor. The son of an English teacher/electric guitar player (Mom) and a Pentecostal preacher (Dad), Brown skipped across the Midwest and eventually became a fixture in the Greenwich Village hootenanny scene as he learned how Jesus, blues and wholesome cooking all bled together in contemporary folk music. He now lives in Iowa City with his wife, musician Iris DeMent, and his work has been embraced by an entire younger generation of fans who found him through the folk festivals that have remained a staple for him over the years.

I’d sure as hell never had a beet.

This Saturday night at the quirkily named Sellersville

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A few years later, on another first date, the lyrics to Brown’s “If I Had Known” seemed to be playing themselves out in real time: She was older than me, I guess, and summer was invented for her to wear that dress/ [which had always struck me as just about the perfect line] I knew about risk, and she knew about proof, and that night she took me up on the roof/ [It was after dinner near the Art Museum and a walk through the galleries, where I, completely ignorant about any of the artwork, made exceedingly witty comments about the other museum patrons. We ended up back at her place, standing on her roof deck, where the Cira Centre—just about a year old—jumped out of the Schuylkill skyline.] The shooting stars and meteorites, we went on a ride through the sky that night (“If I Had Known”) She cooked me dinner one time after that, but it was too late. Sometime between the Art Museum date and the dinner date, I met my wife—who doesn’t really have much interest in folk music anyhow. n

Greg Brown Sat., Jan. 9, 8pm. $29.50. Sellersville Theater 1894, 24 W. Temple Ave., Sellersville. 215.257.5808. st94.com

Januar y 5-11, 2011

•

Theater 1894, Greg Brown creates a whole new roomful of memories. Tucked away in northwest Bucks County, the intimate theater has undergone a renaissance of late, with a recent Daily News feature talking about how the boomers who haunted the Main Point in Bryn Mawr back in the day now consider it a second home. But it’s not just for your parents; recent shows have included the likes of Hüsker Dü, Mike Doughty and a top-shelf triple bill of Andrew Lipke and the Prospects, Hezekiah Jones and Chris Kasper. Brown’s bio doesn’t easily fit either the boomers or their offspring. Born in the Prairie Home Companion fields of southeastern Iowa, Brown’s Hacklebarney upbringing

The GhosT of A sAber TooTh TiGer (seAn Lennon and ChArLoTTe Kemp muhL)

P H I L A D E L P H I A W E E K LY

More than anything, I remember the baritone. There was the grassy field, and an unrelenting sun, and her ’90s hippie-girl T-shirt, and that gorgeous long, dark hair. I was 17; she looked like an angel, and it was the first time I’d told a girl I loved her and felt like I knew what that meant. (When you’re 17 and it’s still really easy to fall in love, you’re pretty certain you know exactly what that means.) As we lay in the crowd of a New York folk festival near Haverstraw Bay, Greg Brown sang quiet, plaintive songs about ... well, I don’t remember what he sang about. That’s where the memory goes dark. But I remember his low, rumbling baritone, dark enough to convince you a thunderstorm was coming off in the late-afternoon distance—despite the nearly clear sky up above. Would she have said it was the wrong time if I had found her then?/ I don’t want too much, a field across the road and a few good friends/ She used to come and see me but she was always there and gone/ Even the very longest love don’t last very long (“Rexroth’s Daughter”) Greg Brown’s songs tend to call up a memory. Not necessarily of the first time you heard it—my New York hippie girl and I didn’t make it through the summer, but “Rexroth’s Daughter” wasn’t released for another few years. But a line or even an inflection will roll out, and suddenly the scenery changes and you’re back five, 10, 20 years.

When I was 23, exotic cooking to me still meant putting both mozzarella and parmesan cheese on my baked ziti. But a crush with blond hair and an eyebrow piercing was about to change all of that. I’m not sure if she was vegetarian or vegan or herbivore or locavore or ate only things that still had dirt on them, but I was floored. With each new ingredient she flashed in front of my eyes—bulgur! Swiss chard! radishes!—my heart quickened. You mean you can eat these little red beets raw, and they taste this good? Swoon. We (OK, she) packed a picnic and headed to King of Prussia, where Greg Brown was playing the summertime Concerts Under the Stars series. She cans the pickles, sweet and dill/ And the songs of the whippoorwill/ And the morning dew and the evening moon/ I really got to go down and see her soon/ ‘Cause the canned goods that I buy at the store/ Ain’t got the summer in ’em anymore. (“Canned Goods”) Brown sang soft and warm about how much better foods taste when you can make them yourself, and offered up slow food as the perfect antidote to a fast-paced world. In between songs, we drank juice from mason jars and she taught me about grains and fruits and veggies—a culinary universe heretofore unexplored. On the way home from the concert, I confessed my crush, and she confessed that she was more into girls. But if you’d asked me then, I’d have told you I’d never eat processed food again.

Fri 1/7 Johnny Brenda’s presents

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BROADWAY’S CLASSIC MUSICAL ROMANCE aaroN hehl

gifThorse

Tasty as shell: Jogae tang, Korean clam-and-vegetable soup, was a standout in an uneven menu at Seorabol.

Not-So-Super Bol Korean at Seorabol is just OK. By Brian Freedman

bfreedman@philadelphiaweekly.com

P H I L A D E L P H I A W E E K LY Januar y 5-11, 2011 • 24

For all the restuarant diversity in the parts of the city easily accessible by SEPTA, there’s a number of national culinary traditions maintaining their center of gravity elsewhere. When it comes to the hearty foods of Korea, Olney has long been where it’s at: For a generous tableful of banchan and menus as authentic as they are deep, head north until you smell the kimchi. Among these totemic northern Korean destinations, Seorabol has a reputation that places it a cabbage petal above many of its competitors. Ask a serious food-lover where to chow down on chajang or browse the infinite food websites—this large, casual spot a 15-minute drive north of Old City keeps popping up. Unfortunately, much as I enjoyed certain dishes, I wasn’t blown away by the food in general. This came as a surprise; I typically love the lusty flavors of N O W - J A N U A RY 9 this cuisine that places a premium on the hearty and the PURCHASE TICKETS AT STUDIO 5 ON THE DAY OF PERFORMANCE tongue-tingling. TICKETS $10 $55 • CALL 215-574-3550 AMERICA’S OLDEST THEATRE — PHILADELPHIA’S MOST POPULAR THEATRE COMPANY Banchan, as always, started things off on an appropriSponsored by ately welcoming note, but they were unexpectedly uneven in execution. Kimchi was a highlight, a wonderfully light STUDIO 5 preparation with a zip of freshness to the otherwise deeper, FOUNDED 1809 825 WALNUT STREET • PHILADELPHIA, PA 19107 spicier flavors of the fermented cabbage. Parsley salad,

TRAPPE D

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salty and bright, showed the herb far more respect than it typically gets, and proved that it’s capable of being so much more than a garnish. O-deng (fish cakes) were sliced thin with the texture of a particularly dense matzoh ball and a fabulous nutty flavor you’d never expect. Cucumbers carried a very appealing back-of-the-throat burn, an excellent counterpart to the inherent freshness. Korean water cabbage, despite the delicacy of the greens and whites, exploded with a front-of-tongue spice heat and a bright bite that was the Korean equivalent of bar snacks: One chopstickful inexorably led to another, until the bowl was empty. But other banchan fell flat: Pleasantly gelatinous cubes of bean jelly were little more than vessels for the (excellent) kochujang chili-pepper paste; cellophane-clear vermicelli noodles were inexplicably bland; seasoned sprouts were overwhelmed by their salinity. As far as the real meat of the menu—well, lean toward the meat. Marinated bulgogi grilled on the table’s cooking surface was sweet, bright, tender and impossibly moist. (Barbecue dishes incidentally have a two-order minimum, which can crank up the bill.) Ethereal curls of beef in an otherwise unremarkable bibimbap raised the preparation higher than its waterlogged vegetables could have accomplished on their own. Kimchi jigae took full advantage of Seorabol’s high level of skill with this most emblematic cabbage. Despite kimchi’s reputation for unrelenting spiciness, the cabbage in this stew, like the kimchi banchan, managed a cooling sensation that played well off the gentle burn of the broth that permeated the accompanying tofu and pork. Spicy clam and vegetable soup (jogae tang) was remarkable, a deep, earthy liquid that highlighted the meatiness of the clams, as opposed to its more common sweet focus. Just make sure to tuck into the clams as soon as they arrive, as they tend to overcook if they sit in the broth too long. Then there were dishes that just failed to excite, which perhaps is inevitable with a menu this extensive. When I asked about the noodles in black bean sauce (chajang myun) and was told that they might be a bit too stinky for me (the waitress’ word, not mine), I immediately ordered them, as the most interesting dishes are often the ones that come with disclaimers. When the glistening, inky noodles arrived, my spirits brightened even further. Unfortunately, that visual led to nothing more than a pleasant but wholly pedestrian experience, neither stinky nor particularly flavorful. Stir-fried octopus (nakji bokum) had the opposite problem—its flavors were spectacular, a fireworks display of chili-paste spice, sweet sliced onions and thin noodles that had absorbed all the juicy goodness. The octopus itself, though, had been so overcooked, chewing was a chore. So while there are definite flashes of deliciousness here, there are also some more problematic dishes that peddle far too comfortably in the bland. Best to visit with a large group (the portions are huge and the prices add up quickly) and focus on the meats and stews. You’ll likely leave wearing a smoky meat perfume—not the average fragrance of choice, but a nice memory of the best parts of eating here. n

Seorabol 5734 N. Old Second St. 215.924.3355 Cuisine: Korean, with sushi and maki options. Hours: Mon.-Sat., 11am-11pm; Sun., 11am-10pm. Prices: $3.75-$39.95. Atmosphere: Casual, permeated by the aroma of grilling meat— in other words, very comfortable. Service: Willing to guide you, though there may be a bit of a language barrier depending on who’s helping your table. Food: Generally solid, with both highlights and a handful of dishes that fell surprisingly flat.

Rya n St R a n d

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gracetavern.com

105 Grape Street Manayunk, PA 19127 215.930.0321 www.graperoommusic.com Check Website for Daily Drink Specials

3$ LionSheAD everyDAy Thurs – Sat from 10pm -12pm 4$ Flavored Jacquin’s vodka

LIVE MUSIC!

Wednesday, 1/5 – doors @ 7:30

saTurday, 1/8 – doors @ 7:30

The Terribles

Case Closed

The NighTmare river baNd

The violeT ToNe

The high iroNs Willy greeN

breTT Talley The Nodd breNNa fiTzgerald

Thursday, 1/6 – doors @ 8

The augusT iNfiNiTy 12 mile CirCle The PhoeNix veil

Monday, 1/10 – doors @ 7:30

oPeN miC NighT WiTh sTePh hayes sigN-uP @ 8Pm

Friday, 1/7 – doors @ 7:30

JohNNy aCTioN figure greg Thomas JasoN ager The Times

Tuesday, 1/11– doors @ 8

Joe d’amiCo baNd brad hiNToN baNd

BROADWAY’S CLASSIC MUSICAL ROMANCE aaroN hehl

gifThorse

Tasty as shell: Jogae tang, Korean clam-and-vegetable soup, was a standout in an uneven menu at Seorabol.

Not-So-Super Bol Korean at Seorabol is just OK. By Brian Freedman

bfreedman@philadelphiaweekly.com

P H I L A D E L P H I A W E E K LY Januar y 5-11, 2011 • 24

For all the restaurant diversity in the parts of the city easily accessible by SEPTA, there’s a number of national culinary traditions maintaining their center of gravity elsewhere. When it comes to the hearty foods of Korea, Olney has long been where it’s at: For a generous tableful of banchan and menus as authentic as they are deep, head north until you smell the kimchi. Among these totemic northern Korean destinations, Seorabol has a reputation that places it a cabbage petal above many of its competitors. Ask a serious food-lover where to chow down on chajang or browse the infinite food websites—this large, casual spot a 15-minute drive north of Old City keeps popping up. Unfortunately, much as I enjoyed certain dishes, I wasn’t blown away by the food in general. This came as a surprise; I typically love the lusty flavors of N O W - J A N U A RY 9 PURCHASE TICKETS AT STUDIO 5 ON THE DAY OF PERFORMANCE this cuisine that places a premium on the hearty and the TICKETS $10 - $55 • CALL 215-574-3550 tongue-tingling. AMERICA’S OLDEST THEATRE — PHILADELPHIA’S MOST POPULAR THEATRE COMPANY Banchan, as always, started things off on an appropriSponsored by ately welcoming note, but they were unexpectedly uneven in execution. Kimchi was a highlight, a wonderfully light STUDIO 5 preparation with a zip of freshness to the otherwise deeper, FOUNDED 1809 825 WALNUT STREET • PHILADELPHIA, PA 19107 spicier flavors of the fermented cabbage. Parsley salad,

TRAPPE D

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Six Filmmakers With Posthumously Released Work By Matt Prigge mprigge@philadelphiaweekly.com Louis Le Prince: Everyone else on this list at least got to see most of their films released—Louis Le Prince never saw any. Who’s that, you ask? Only the unsung true father of motion pictures. Years before the Lumière Brothers filmed workers leaving factories, this Frenchman was shooting movies on paper with a single-lens camera. Le Prince invented cameras, projectors and hybrids of both. He was scheduled to publicly debut his work in September 1890 when he suddenly vanished without a trace.

F.W. Murnau: Probably the most talented filmmaker to emerge from German Expressionism, Murnau emigrated to Hollywood and made Sunrise, a work even more thrillingly experimental than Nosferatu and The Last Laugh. Popular cinema may have been much different had he, shortly before the release of Tabu, not perished in an automobile accident—a tragedy caused, Kenneth Anger claimed, because Murnau was servicing his driver.

Stanley Kubrick: The ice king was notoriously prone to reworking his films postrelease; the versions of 2001 and The Shining you see today aren’t how original audiences saw them. Who knows what alterations he would have made to Eyes Wide Shut, released four months after his fatal heart attack? Likewise, imagine how much more people could have openly hated it if the guilt trip hadn’t been there.

Cristian Nemescu: Filming had wrapped on the Romanian tragicomedy California Dreamin’ mere weeks before its young P H I L A D E L P H I A W E E K LY

director was killed in an automobile accident along with his sound engineer. Perhaps more time in the editing room would have given the film, released mostly as-is, more shape and/or a less wobbly tone.

Januar y 5-11, 2011

Adrienne Shelley: While awaiting the letter that would announce that her candy-colored comedy Waitress was accepted into Sundance ’06, Hal Hartley’s effervescent protogé was murdered by a teenage Ecuadoran illegal immigrant, who tried to make it look like a suicide. Luckily, her film was good enough to be liked without sentiment. George Hickenlooper: Like Murnau—or

• 28

Pier Paolo Pasolini, or Rainer Werner Fassbinder—Hickenlooper died shortly before his unintentional swan song hit theaters. Sadly, Casino Jack needs all the help it can get. n

Hit the Road: Kevin Spacey looks nothing like Jack Abramoff, but sure, why not? And that’s not even the worst thing about Casino Jack.

Jack : Shit

Casino Jack dries up a real-life juicy scandal.

By Matt Prigge mprigge@philadelphiaweekly.com Everything that is wrong with George Hickenlooper’s Casino Jack is conveniently placed in its microcosmic first scene. Kevin Spacey, looking nothing like Jack Abramoff but playing him anyway, brushes his teeth. Suddenly, he stops, stares at himself in the mirror and launches into a fiery monologue, then casually resumes brushing. This scene is amusing in theory. It would be amusing in reality if the speech wasn’t powerfully lame, and if Spacey (whose presence in this barely releasable dreck is depressing, even after a decade of imprudent career choices) didn’t go all... Kevin Spacey. The abrupt oral-care segues are admittedly funny, but they’re anomalies— the lone moments of decent comic timing in not just this scene, but the entire film. So we open with a potentially good idea ruined by sloppy execution—you should probably get used to that. How is it so hard to milk yuks from the life and many, many, many fuckedup transgressions of disgraced lobbyist Jack Abramoff? Casino Jack is the second Abramoff burlesque in a year, following Alex Gibney’s longer-named doc Casino

Jack and the United States of Money. The former is better (and more comprehensive), but both films suffer from a tendency to overdo material that’s already ridiculous. Abramoff’s sins are many, and hilariously heartless: He’s been linked to slave labor in the Mariana islands, fleecing Native American casinos, a Mafia murder and Tom DeLay. But, evidently insecure with this fish-in-a-barrel content, Gibney sabotaged himself with glib sarcasm, jokey film clips and cutesy music cues (for example, “Burning Down the House” as Newt Gingrich & co. take over the House of Representatives, get it?). Even so, this new Casino Jack makes it very clear that documentary, not fictionalization, is the ideal format for a look at Abramoff—but if you must, at least cast a lead who can pass as a younger version of the character. We see only the back end of Abramoff’s political career shortly before his spectacular downfall, leaving scores of juicy bits in the past: Abramoff’s days as a New Republican at Brandeis and in the Reagan administration, his friendships with the unsavory Ralph Reed and Grover Norquist (barely featured) and his 10-year stint in Hollywood, where he co-conceived and produced the Dolph Lundgren-starring, ‘roidy Rambo ripoff Red Scorpion, an embodiment of far-right politics and homoerotic machismo. But say what you may about Red Scorpion, at least it achieved what it set out to do—Casino Jack is a shambles. The bad writing is exacerbated by Hickenlooper’s barn-door-broad direction and lack of comic timing. Not only is Spacey encour-

aged to go to 11, but so is Barry Pepper, all coke sweats and low-angle nostril shots as partner-in-crime Michael Scanlon. Ditto Jon Lovitz, imported from an entirely different breed of comedy. As for events that happened before the film’s time span, well, they’re alluded to, hoarily and uncreatively, in bad dialogue. Nothing in this film works, save the aforementioned toothbrushing. Here comes the uncomfortable part: Two months ago, Hickenlooper died of an accidental painkiller overdose. He was only 47. One ought not to speak too much ill of the recently dead, so I'll mention that this unintentional swan song isn’t the worst biopic Hickenloop ever made—that would be Factory Girl, his 2006 account of Edie Sedgwick, a paint-by-numbers history lesson with a laughably fallacious Warhol Factory and the worst Bob Dylan impersonation ever done by anyone, anywhere, courtesy Hayden Christensen. Luckily, Hickenlooper will likely remembered for his breakthrough Hearts of Darkness, the thrillingly trainwrecky account of the making of Apocalypse Now. Whether this was only because it’s tough to fuck up footage of Francis Ford Coppola losing his shit and Marlon Brando consuming bugs midmonologue remains unclear. So in the interest of honoring the dead, consider a rental rather than a night out. n

Grade: D+ Directors: George Hickenlooper Starring: Kevin Spacey Running time: 108 minutes

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I measured out three tablespoons of halfand-half, GSP, and you couldn’t drown a kitten in it, much less a GGG sex partner. An adult should be able to knock that back without much trouble. Give the man a blowjob, GSP, and let him

come in your mouth. If there’s too much ejaculate to swallow, or if you can’t manage to precisely time swallows to spurts, allow the excess ejaculate to run out of the corners of your mouth. If you don’t want to swallow any ejaculate, close the top of your throat when he begins to come and spit it all out— into your hand or onto a towel, or just let it run down and over his dick—once he’s done.

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Januar y 5-11, 2011

My guy wants to come in my mouth. I am fine with the act, but he produces like three tablespoons’ worth of ejaculate. The only thing I can think of is getting him most of the way there and letting him come on my face. Any advice? GGG Sex Partner

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P H I L A D E L P H I A W E E K LY

Keep talking to your boyfriend, leotard, and you’ll be just fine. At first it struck me as odd that you would be troubled by a thoroughly sweet moment of soft-focus, fuzzy-bunnies Dom/sub intimacy and not by the other, arguably more intense, SM games you’ve been playing with your boyfriend. There you are getting held down, tied up, talked down-and-dirty to, and “gently choked” (gentle or not, choking is a bad idea) … and you’re worried that being ignored while you masturbate takes you into new and dangerously submissive territory? After a moment’s thought, I realized why this particular game troubled you so much: All of that other stuff took place in obviously sexual contexts, i.e., it happened in the bedroom while you were getting it on. This game—a game you initiated—began during a moment of not specifically sexual intimacy. You were cuddling, you were watching TV, you weren’t having sex. If Dom/sub games can break out when you’re just sitting there watching TV, who’s to say that Dom/sub games can’t break out when you’re doing the dishes? Or at the movies? Or having dinner with your parents? You can have the Dom/sub dynamics you enjoy without having to worry about them slopping over into other areas of your life, SOS, by being assertive, communicative and vigilant. If you can ask a man to ignore you and keep watching TV while you masturbate, SOS, you should be able to say this to him: “Being submissive turns me on when we’re having sex—and the minute I started masturbating, we were having sex—but if you treat me like anything other than your equal when we’re not having sex, Sir, I will kick your fucking ass.”

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on Page 11

Spring Garden Indoor Antique & Vintage Flea Market 9th & Spring Garden

Januar y 5-11, 2011

This Sat., Jan. 8th and the 1st Sat. of every month thru April More than 60 vendors featuring Antiques, Collectibles, Vintage Furniture, Retro Home Furnishings, Depression Glass thru the ’50s, Vintage Jewelry, Clothing & Much More! 8AM til 4PM but Early Birds Welcome! Free Parking & Free Admission

•

32,000 Square Foot Heated Facility Handicap Accessible / ATM on Premises Snow Date will be the following Saturday Use 820 Spring Garden Street for GPS Directions

215-625-FLEA (3532)

● PW ● ACW ● CGSpecific information regarding the project

interior & exterior EL 105 SALES REP: Painting AD NAME: Phong’s Wallpaper removal • allSIZE: Types of Wall repair

is available for comments by calling Peter Crane at 518-433-6244 during normal This2x1 slug must appear in the upper business hours. Comments must be CHECK FOR DATE: 9-22-05 left corner of each page. APPROVAL received by January 29, 2011.

INITIALS: wINdOw Le Tera Rev #1:tREAtMENt Dawn Rev #2: Rev #3:

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This slug must appear in the upper left corner of each page.

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Commercial & Residential

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Crown Castle USA (Crown) is proposing to install rooftop MYK’S equipment for Clearwire at the REMOVAL SERVICES MOVING AND CLEANOUTS following site: Scrap Metal Trash Removal PSFS 871708 - 12 South 12th Street Basement Cleanouts Whole House Guts Debris Removal Power Washing in Philadelphia. Crown invites Estates • Demolition Lic. & Insured Hauling comments from any interested 24 HOURS REVIEW A DAY, 7 DAYS A WEEK ,●SPR SENIOR DISCOUNTS ● SWR ● CW party on the impact of the proposed P U B L I S H I Nor G 267-918-8711 ● PW ● ACW ● CG towers on any districts, sites, 215-500-3903 buildings, structures or objects AD NAME: Quality significant in American history, PAINtING SIZE: 2x1 archaeology, engineering or culture DATE: 11-10-05 that are listed or determined INITIALS: Bill eligible for listing in the National Rev #1: Rev #2: Register of Historic Places. ●SPR ● SWR ● CW

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FURNITURE 50 Inch TV. Black Lacquer/Kitchen Set w/2 high chairs,White Cane & glass coffee tables, 2 antique marble e n d t a b l e s & m u c h m o re ! 267-324-3669 HUTCH & MATCHING TABLE/ C H A I R S Be a u t i f u l n a t u ra l wood & white display hutch, M a tc h i n g ro u n d ta b l e w/4 chairs. Please call evenings after 5:30 215-952-6866

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AD NAME: SIZE: DATE: INITIALS: Rev #1: Rev #2: Precious Babies Rev #3:

deadlines Display ads Fridays at 5PM Line ads, Monday 5PM

● SPR ● SWR ● CW ● PW ● ACW ● CG Tony’s Cleanouts 2x2 2-24-05 Bill HELP wANtEd

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aMeriCan Civil liberties Union - Protect Women’s reProductive Freedom - Fight For LgBt rights - stoP iLLegaL torture & detention FUll-tiMe / part-tiMe / Career.

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Edu./Training Coordinator, F/T, Biling.(Span./Engl.): Req. MA in Ed., Soc. Svcs., Cultural Stud or rel.,+ 3 yrs. ex p. t ra i n i n g /c u r r i c u l u m d v l p t, p u b. s p k i n g , eva l . methods, copywriting, to coord. Domestic Violence co m m u n i ty e d u . /t ra i n i n g initiatives for Women Against Abuse (Phila, PA). Mail resume & cover ltr (w/ sal req) to M. Byrne, 100 S. Broad St., # 1 3 4 1 , P h i l a d e l p h i a , PA 1 9 1 1 0 a n d re f. J o b 1 1 3 4 . No calls. GENERAL HELP-$8.00-$10.00/ HR. PLUS INCENTIVE. FLEXIBLE SCHEDULES INTERVIEW TODAY START TOMORROW. 215-271-0188. HELP CUSTOMER SAVE MONEY ON ENERGY BILL No experience necessary. Excellent pay. 646-226-2915 H E L P WA N TE D: $9/hr+ bon u ses. Pa r t a n d Fu l l Ti m e. 215-271-0188

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WE WANT YOUR OPINION The The Henne Group is looking for men who have been diagnosed with low testosterone. $75 for a 90 minute one-on-one interview. It will take place in Philadelphia on January 31 or February 1. Call toll free: 1-877-737-5782 ext. 284. You may be asked to bring in proof of diagnosis. Visit our website at TheHenneGroup.com

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ARE YOU HEALTHY? Healthy Volunteers needed for a research study conducted by t h e P reve n t i ve Ca rd i o l o g y Program at the Hospital of the University of Pennsylvania. The study is looking at how a cholesterol medication (niacin) affects cholesterol movement through the body in a process called Reverse Cholesterol Transport. You would qualify for this study if you are: Healthy, Between the ages of 18 and 75, Are not currently taking ANY cholesterol medication. Participants will receive compensation for time and travel. For information call Jennifer at 215-615-4985 or enthrall@ mail.med.upenn.edu

STUDIO/ EFFICIENCY 1235 VINE ST, RENOVATED Studio w/CA, HW flrs. $675+. Avail Dec. 646-705-8788 13TH and PINE- Great Studio apt, close to everything. $750+. PMG 215-545-7007 x302 19xx MT.VERNON Loft Style Studio apt. Tile BA, HWF, Strg, Laundry fac avail. NO PETS. $745/ mo. Incl heat. 717-433-7157

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EQUAL HOUSING OPPORTUNITY

All real estate advertised in this newspaper is subject to federal, state and local fair housing laws, which makes it illegal to advertise any preference, limitation, or discrimination based on race; color; religion;sex; disability; familial; (presence of children); national origin; age (Pennsylvania and New Jersey); martial status or sexual orientation (Pennsylvania and New Jersey), or source of Income (Philadelphia only) in the sale, rental or financing or insuring of housing. This paper will not knowingly accept any advertising for real estate which violates these laws. The law requires that all dwellings advertised be available on an equal opportunity basis. If you believe you have been discriminated against in connection with the sale, rent, financing or insuring of housing or commercial property, call HUD at 1-888-799-2085

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BROAD & REED AREA, Large Effc. Too much to describe. MUST SEE! $795. Joseph 609217-1198 COSMOPOLITAN: ONE OF CENTER CITY’S FINEST Luxury buildings at 12th & Locust. HW Floors or Carpeting, On-Site parking, WD in unit. 24hr Doorman. 215-440-0900. PASSYUNK SQUARE VICINITY Studio with carpet & tile. A/C. $700 + utilities. 609-214-0577 THE ROOSEVELT (2220 Walnut Street) - Beautifully renovated apts. in the RITTENHOUSE SQUARE AREA of Philadelphia. Studio’s star ting at only $765/mo. and one bedrooms starting at only $965/mo. Call 215-640-8880 for an appointment.

ONE BEDROOM 10th SPRUCE, BRIGHT, HRDW/ FL, UPDATED KIT & BATH, C A W D S T R G. N O W. $ 1 1 9 5 + 215-733-0480 10XX S. 11TH ST. 2nd Flr., 1 Bedroom Apt., Bath, Kitchen, LR. 215-651-0498 12th LOMBARD: BI-LVL, SUNNY, ROOF DECK, MOD KIT, HRDW WD/bldg. NOW $1125+elc. 215733-0480 1 3 T H /S P R U C E- G re a t 1 B R, AC , L a u n d r y & M o re. N e a r everything. $885+. PMG 215545-7007x302 1533 EAST MOYAMENSING AVE. First Flr. apt.,water/Heat incl. $750mo. Security $750. 215-271-7171 or 215-462-8713

15XX SO. BROAD ST-1BEDRM.,TILE BATH, LARGE, MODERN.$900/ mo.+. Call 610-304-0087. 1619 BAINBRIDGE Townhouse 1 B R a p t, N ew l y re n ova te d , C/A/H, Exp brick wall. FP. Pets OK. $875+. 609-517-3245 1622 BAINBRIDGE, NEWLY RENOVATED 2nd fl FRONT. $700 INCLDS HT, HT WTR Oscar. 267-231-2900 19TH & SPRUCE Lg 1BR, all amenities. Close to everything. PMG 215-545-7007 x302 19xx MT.VERNON Small Sunny 1BR, 2nd Fl, Tile BA, HWF, WIC, Laundry fac in bldg. No Pets. $945/mo+ Utils. 717-433-7157 20TH & WALLACE Lg Bilev w/All Amens, Home off. Pet Fr i e n d l y. $ 1 075 + . P M G 2 1 5 545-7007 x302

20xx CATHARINE HW flrs, CA, Cer tile kit/bath,

WD in unit, Deck. $775/mo. 267-246-8970 22ND CHESTNUT: BEAUTIFUL CHARMING SPLIT-LVL, VERY BRIGHT, DEC/FRPL, NEW KIT w/DINING area, COURTYARD, HRDW/FL, GREAT CLOSETS WD STRG. Feb. $1275+elc. 215733-0480 301 South 19th Street- RITTENHOUSE SQUARE: One Bedroom apartment, completely Renovated by Award Winning contractor. Must See to Appreciate. Corner Unit, Outstanding light. State of the art Kitchen, Granite countertops, Superb cabinetry, Refinished Hardwood floors, High ceilings, Plentiful closet space. $2,100.00 per month. Call to Schedule an Appointment, 215-735-5757 OR E-Mail: DelanceyPlace@ aol.com 6600 Doral Street/a 1st floor - o n e b e d ro o m , e n c l o s e d porch, full basement, w/w carpets good condition. Av a i l N o v e m b e r 1 . $ 6 8 0 month. 1st and last month rent and 1 month secruity deposit needed. Call Frank 267-879-8373.

ART MUSEUM: The Brewery. Mod 1 bedroom with parking. $1100. 215-636-0100/215546-9247 BROAD & PINE Beaut 1BR, Newly renvtd, Close to everything. $925+. PMG 215-545-7007 x302 CHESTNUT & 20TH: Renovated 1 bedroom. Heat included $895. WPRG 215-636-0100/215546-9247 GRAD HOSPITAL AREA: 2302 Fitzwater 850SF; Modern 1BR w/AC, WD, HW floors; fenced in yard. NO PETS. $1000+. Avail 2/1. (215)913-3044. ITALIAN MKT.AREA 1bedrm, $950/mo.+utils. Washer/Dryer, A/C Call 267-334-6111 Manayunk/Roxborough: Spacious 1Bdrm, Washer/Dryer in Apt, Private Entrance, Balc/Terrace, Den Option Avail, Gym & Pool Mmbrshp, Onsite FREE Prkg, Walk to Bus, Cats Welcome. From $945/Mo. 888- 633-9365. Lic # 223386 MINUTES to C.C. SOUTH PHILA. 14XX PORTER: MODERN, HRDWD/FL. $675. No pets. 610-909-9025 Rittenhouse Square: Beautiful & Spacious (1000 sq ft) 1 Bdrm 1.5 Bths Apt in Historic Brownstone, HW Flrs, Renovated Kitch, 2 Deco Fireplaces w/ Marble Tile, HUGE Master Bthrm Suite w/ Sep Shower Stall & Soaking Tub, Beautiful details & woodwork throughout, Cat/Dog Friendly, a MUST SEE! $1835/Mo. 215-735-8030. #216850 RITTENHOUSE SQ. AREA (2013 WALNUT) One bedroom duplex in Old World Charm Brownstone. High ceilings, Carpeted, C/A, Gas heat. W/D, D/W. Small pet friendly. $995/ mo+. 215-627-4414 THE WELLINGTON at Rittenhouse Square. Exclusively on the Square. Magnificent Square View. All utils inlcd. Spacious built-in closets, Laundry Fac, AC, DW, GD. Cable h/up. 24hr Doorman. 215-567-7810 UNIV CITY, 4415 SANSOM: N E W LY R E N OVAT E D, M O D APPLS, HRDWD, WD/bldg. $850+ 267-767-2429

TWO BEDROOM

BAINBRIDGE NEAR 7TH Bright, spacious. WD, GD, AC. $1275+. 2 1 5 - 5 63 -727 1 h a r vey 328 3 @ aol.com

S O C I E T Y H I L L : P R I VAT E GARDEN, 2.5baths, Lots storage, WD, CA, DW, GD. $1900. 267-977-1096

COSMOPOLITAN: ONE OF CENTER CITY’S FINEST Luxury buildings at 12th & Locust. HW Floors or Carpeting, On-Site parking, WD in unit. 24hr Doorman. 215-440-0900.

SO.BROAD STREET-ULTRA MOD., ALL APPLIANCES,GRANITE COUNTER TOPS, HDWD, CARPET/ TILE, C/A, WINDOW TREATMENT, W/D, STARTING AT-$995.00+. WALK TO-SPORTS COMPLEX. TRANSPORTATION OUTSIDE YOUR DOOR. NO PETS. 215755-6900.

9TH & SOUTH Very Cool 2BR apt, DW, CA and MORE. $995+. PMG 215-545-7007 x302

ITALIAN MKT: 10th/Federal 2BR, CA, 1BA, WD. $1350+. 215-922-3910. mcolaizzo@comcast.net MANAYUNK/ROXBOROUGH: Lrg 2bdrm, Renovated Kitch/ Bathrm, Patio/Balc Laundry, Gy m , P o o l , Te n n i s / B a s ketball Crts, Free Shuttle to Main Street Manayunk, Pets Welcome. From $1220/ M o . 8 8 8 - 5 3 8 - 9 6 67. A s k about how you can receive FREE Furniture for 1 Year! E X EC U T I V E S H O R T T E R M FURNISHED SUITES AVAILABLE. lic# 218436 MANAYUNK/ROXBOROUGH: Lrg 2Bdrm Apt, Rent Incls All Utilities! Balc, Upgraded Kitch, Lrg Floor to Ceiling Closets, Pool, Gym Membership, Walk to Bus, Shuttle to Main St Manayunk. $1230/ M o . 2 1 5 - 4 8 2- 4 24 6 . l i c # 215101 MANAYUNK/ROXBOROUGH: Charming 2Bdrm, Bright, Oversize Closets, All New Carpets Throughout, Intercom Entry, Onsite Prkg, AC, Updated Kitchen/Bathrm. Heat/Water/Gas Incl. 1st month free on select apts! $1020/Mo. 215-482-9032. lic# 218586 N.LIBERTIES: 3rd/George Great 2BR, All amens, HWF. Pa r k i n g . $ 1 29 5 + . P M G 2 1 5 545-7007x304 Nor thern Liber ties, 2BR, Beautiful, Granite Floors Throughout, Updated Kitchen, Granite Counter tops, 1.5 N ew B a t h ro o m s, AC , G D, W/D, Large Deck, No Pets, See www.gasheart.com, 1138 N. 4th St., 215-485-1015, $1600/month Nor thern Liber ties, 2BR, Bilevel, Washer/Dryer, 2 full bathrooms, Deck, G/D, AC, No Pets, See www.gasheart. com, 1136 N. 4th St., 215485-1015, $1200/month OLD CITY- Great Location! HWF, FP, CA, wD, roofdeck, s t rg . R E D U C E D $ 1 59 5. 2 1 5 413-3732

SOUTH & 7TH: 2 bedroom Tow n h o u se w i t h p a r k i n g . $1275. 215-636-0100/215546-9247

THREE + BEDROOMS PINE/10TH: 4BDRMS, 1.5BA, WOOD FLOORS $2290+ Pine R.E, 1503 Pine. 215-735-8896, website: www.pinere.com RITTENHOUSE SQUARE: Enormous 3bdrm w/ 2 Full Baths in Beautiful Historic Brownstone, Full Size Washer/ D r ye r i n A pt, H W F l rs, 2 Decorative Fireplaces, Hi Ceilings, Newly Remodeled Kitchen w/ Granite Countertop, Separate Dining Rm, Living Rm, & Family Rm, A/C, Spacious Rooms, Terrific Location! $2650/Mo. 215735-8030. #216850 THE WELLINGTON at Rittenhouse Square. Exclusively on the Square. Magnificent Square View. All utils inlcd. Spacious built-in closets, Laundry Fac, AC, DW, GD. Cable h/up. 24hr Doorman. 215-567-7810

HOUSE FOR RENT 10TH & PINE Dream Home & Garden $2000/mo 267-2501574 11TH & CHRISTIAN-GREAT LOC! 4BDRMS., 2FULL BATHS, C/A, HDWD/FLRS.,DECK, BKYARD, W/D. MUST SEE! $2500/mo.+. 610-304-0087. 23RD & WOLF VIC. 3bedrms., porch front, newly renovated, Hdwd. flrs., $1,000/mo.+. Section 8 approved. 215-432-6222. ART MUSEUM AREA Beautiful 2-3BR home w/2.5BA (jacuzzi), Granite kit w/SS appls, HW floors t/o, Fin basmt w/powder rm, Laundry rm w/WD. Dual zone Air/ Heat, Fenced-in Patio. Balcony off 2nd/3rd flr BR’s. $1750/mo+. Joe, 609-685-1899

PHILADELPHIAWEEKLY.COM

1 6 T H & B A I N B R I D G E Fa b 2BR, Newly Ren. 2BA, HW, All Amens. $1595. PMG 215-5457007x302

9TH SPRING GARDEN BEAUTIFUL 2BEDR.,TILE BATH,HDWD F L R S. , A L L A P P L I A N C E S, A/C, SEC.SYSTEM. $1100/ MO+. 610-304-0087

RITTENHOUSE SQUARE!! 326 South 19th Street- OLD WORLD CHARM BUILDING. Two Bedroom-1 Bath apartments $2,000.00-$2,200.00 per month. Must See to Appreciate. Hardwood floors, High ceilings, Plentiful closet space, Cat friendly, Small Dogs welcome too. Call to schedule an appointment 215-735-5757 OR E-mail: DelanceyPlace@ aol.com

•

NO PHONE CALLS PLEASE

5xx DICKINSON Efficiency. 2rooms, 2nd floor. $475/mo including utilities. 215-9221625

15TH/SPRUCE: Huge 1Bdrm in Beautiful Brownstone, Large Rooms, Abundant Closet Space, Modern Kitchen, Walk-In Cedar Closet, Laundry, Intercom Entry. $955/Mo. 215-7358030. lic# 380139

9th/Pine: 1 Bdrm in Charming Brownstone, HW Flrs, Updated Kitchen/Bath, Onsite Laundry, Intercom Entry. $930/Mo. 215735-8030. #216245

339 CHRISTIAN ST 2 Bedroom, 1st floor, available Dec.1st $950/Mo 215-917-8835

Januar y 5-11, 2011

PW-Philadelphia Weekly is seeking energetic, self-motivated individuals to join our Retail Advertising Department as an outside Account Executive. We offer a base salary, commission, bonuses and an excellent benefits package. Candidate must be able to multi-task, have excellent verbal and communication skills and be proficient with Microsoft Word and Excel. Main job responsibilities are prospecting, cold calling and closing new business. 3 plus years sales experience in a related field required.

22nd & ST. JAMES Studios on beautiful tree lined street, HW floors, Private patio, Laundry on premises. AVAILABLE NOW! $595. MSRE, 215-925-RENT(7368), www.MichaelSingerRealEstate. com

15TH/SPRUCE: Beautiful Art Deco High-rise 1Bdrm Apt, Desk Attendant, HW Flrs, Updated Kitch, Onsite Laundry, Intercom Entry, Amazing Location! From $1080/Mo. 215-735-8030. Lic #219789

OLD CITY: 43 S.3rd Renvtd Bilev loft, 1500SF, HWF, WD, Skylite, HVAC. $1550+. 215669-6955

P H I L A D E L P H I A W E E K LY

Philadelphia Weekly is seeking an energetic, self-motivated individual to join our Advertising Department as an outside Account Executive.

21ST & PARRISH Adorable Studio, incl Heat. $525+. PMG 215-545-7007 x303

ONE BEDROOM

TWO BEDROOM 21ST & PINE Elegant Brownstone. HWF, HCeils, Incl Heat. MORE. $1795+. PMG 215-5457007x302

W W W. P H I L A D E L P H I A W E E K LY. C O M

HELP WANTED

W W W. P H I L A D E L P H I A W E E K LY. C O M

HOUSE FOR RENT

ROOM FOR RENT

MANAYUNK/ROXBOROUGH: Spacious Stone Farmhouse, 6 Lrg Bdrms 2.5 Baths, HW Flrs, Fireplace, 2 Porches, Deck, Separate DR, LR, & Den, Modern Kitchen, Laundry, Private Driveway/Parking, 2 Car Garage, Huge Yard. $2900/mo. 888-538-9667 lic# 218436

124 LOMBARD, HEAD HOUSE SQUARE, SOCIETY HILL. “TOKIO B&B” STUDIOS. ($55-$100) DAILY rates. ($300-$500) WEEKLY rates. We also have MONTHLY rates AVAIL. Website http://sushi.madamesaito. c o m C a l l M A DA M E S A I TO 215-922-2515

PT RICHMOND- Nice bilevel w/2-3BR, Loft, Lg bonus rm/ office, EIK, Deck, Yard, HW flrs, Laundry room. $1000+ 609-685-1899 QUEEN VILLAGE-6TH & KATER Spacious 3BR house, 1st floor Living & Dining room, Eat-in kitchen, 2nd floor 1 Bedroom, Office & Bath, 3rd floor 2 Bedrooms, Basement, W/D, Great outdoor space, Dogs Welcome. AVAILABLE NOW! $1,875. MSRE, 215-925-RENT(7368), www.MichaelSingerRealEstate.com QUEEN VILLAGE: 3BR, 2BA w/ CA. $1650+. Call for details: 2 1 5 - 92 2-3 9 1 0 . m c o l a i z z o @ comcast.net SOCIETY HILL GEM, 3BDRMS, 2.5BA, Bright, Contemporary, Mod kit, HW Flrs, Patio, Gated parking. $2200. (610)909-9876 SO.PHILLY’S MOST CLEAN AND DECORATIVE ST.-3XX DURFOR ST,2Br/New Oak Flrs./All Appls.,A/C,Extras. $990/ mo. 215-849-4049.

13TH & SPRUCE- Parker Hotel CC. Fully Furn’d Rms, no sec. deposit. Utils & housekeeping i n c l d . W K : $ 1 65 - $203 ; D ay : $50-$66. 215-735-2300. 9TH & WOLF VIC. Rooms For Rent. fully furnished, Utils. Incl. $175/weekly. 215-545-5464 KENSINGTON AREA: FURNISHED rooms WITH TVs Use of kitchen & bath, W/D, Starting $70 & UP wkly. 267-496-0065

ROOMMATE/ SHARING ALL AREAS - ROOMMATES. COM. Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: http:// www.Roommates.com. N o r th e r n Liber ties, Nice 6 B R H o u se, G rea t Bl o c k , 234 Brown Street, Washer/ Dryer, No Pets, See www. gasheart.com, 215-485-1015, $495/month

ARTISTS STUDIO SPACE

COMMERCIAL SALE/LEASE

THE PAPERMILL- Community of Artist. 2825 Ormes St. Affordable Artist Studios staring at $100 for 130 sf. Four large floors of open or private studio space for Painters, Sculptors, Dance, Theatre, or Creative companies. A community of artist practicing their talents in custom sized studio workspaces. Short term, inexpensive rental of theatre and gallery spaces. Join our group on Facebaook for updates on our events and gallery spaces. Contact Wulfhart Management Group: Karyn 215-687-8391 or karyn@wulfhartmanagementgroup.com

1535 E. Moyamensing Ave. Garage for sale;Repair Shop with 3 apts. incld. $450,000 Negotiable. 215-271-7171 ask for Joe.

OFFICE SPACE 12TH & PINE 1st floor Office available w/300SF. Pvt bath. $800+ Elec. Call 215-985-0600 9TH & SPRING GARDEN-1200SQ. FT., BATHROOM,CARPETING, C/A/H. VERY CLEAN. GREAT LOC! $1500/mo. 610-3040087. OLD CITY, FRONT & MARKET: B I - L E V E L , C A , 6 0 0 s q .f t . $850+Utls. Renzi Management. 800-514-3235 www.renziproperties.com

COMMERCIAL SPACE OLD CITY: 41 S.3rd Street level Commercial/Retail space, 950SF +Basement. 215-669-6955

YOUR AD

COULD

BE HERE! Call 215-563-1234 Monday through Friday 8:30AM - 5PM Or visit:

PhiladelphiaWeekly.com

PW Classiﬁeds PHILADELPHIAWEEKLY.COM

OPEN HOUSE DIRECTORY PW has the area’s most comprehensive directory of open houses in and around Philadelphia.

TURN TO PAGE 40 TO START YOUR SEARCH

Your Center City Connection! - www.CenterCityRealEstateCo.com -

GRaDuatE HosPital

wEst PHillY

730 S. 19th Street (19th & Fitzwater) ........... $575,000

5726 Cambridge Street ..............................$130,000

Fantastic location for this well appointed triplex. Fully rented, each unit is self contained, HW floors, WD, Gas heat and A/C. Property is a corner building. Second and third floor units have private decks. In addiction, there are 2 garages, Rented for $100.00 each per month. Property also has a new and up to code fire alarm and sprinkler system. Tenants pay all utilities. Located near all that Center City has to offer, easy to rent and close to transportation, shopping, Universities, Schuylkill River Park and Rittenhouse Square Park .

Renovated first floor unit with HW floors. Kitchen has Granite countertops, Oak cabinets and ceramic tile. Bathroom w/new vanity and ceramic tile. Recessed lighting. Outdoor space and full basement. Second floor has Sec. 8 tenant. Spacious and neat. All utilities separate. Great for owner-occupant, 1031 Exchange or investor taking advantage of rental market.

RENtal

Filter Square: 5xx S. 25h Street ..............$1200+ Utl. 1BR w/Den/Office, Living room, Eat in kitchen, Triplex with fully renovated first floor unit. Great location and Wood floors, WD. Nice size rear Garden. 2002 Fitzwater Street ................................$425,000

excellent cash flow with solid tenants. HW floors. First floor kitchen has cherry wood cabinets and granite countertops in kitchen. Custom vanity and granite counter in bathroom. Naval Square: 2532 Grays Ferry Ave. ..$500+ Gas & El. Recessed lighting throughout. Ceramic tile. Washer/Dryer in Studio apt, WD, All New! first floor unit. All utilities separate. Upgraded plumbing and electric. Six block walk to Rittenhouse Square.

Maria Dougherty (President) / Ricki Hildebrand (Broker of Record)

Center City Real Estate Co., LLC

2401 South Street, Phila PA 19146 • 215-732-2100 We’re always recruiting Please call Maria or Ricki for confidential interview.

P H I L A D E L P H I A W E E K LY Januar y 5-11, 2011 • 34

W W W. P H I L A D E L P H I A W E E K LY. C O M

P H I L A D E L P H I A W E E K LY

Januar y 5-11, 2011

•

W W W. P H I L A D E L P H I A W E E K LY. C O M

800-514-3235 www.renziproperties.com

VISIT PW ON THE WEB AT

WWW.

PHILA

DELPHIA WEEKLY

.COM

9th & Pine 12th & Spruce 9th & Pine

WASH SQ WEST

1bd/1bath, h/w utilities inc. laundry on site, shared rf top deck $910 2BD/2BA, newly renovated, H/W, utilities inc.

$1500

3bd/2bath newly renov. gran. counters, w/d, c/a, h/w, av.2/1/11 $1960

QUEEN VILLAGE

783 S. 2nd St 1bd/1bath h/w 2 fireplaces exposed brick w/d, c/a. Available 2/1/11 Front & Market

$1050

oLd cITy Office, 1st flr, bi-lev, priv. entrance, C/A, 700 sq. ft

$850

cHESTNUT HILL Willow Grove Ave 2 BD/1 bath, H/W, incl. heat, hot water & cooking gas Willow Grove Ave Garages/storage spaces available 415 Church Rd

$910 $125

ELkINS pArk

1BD/1BA H/W Heat & Hot Water incl. Laudry

$800

LANSdoWNE

87 S. Lansdowne Ave 1BD/1BA, H/W, heat, hot water/cooking gas incl., laundry, d/w 83 S. Lansdowne Ave 2BD/1BA, Heat, H/W, Cooking Gas inc., Laundry

$700 - $725 $875

WWW.PLUMERRE.COM

FOR A COMPLETE LIST OF RENTAL UNITS

ichael inger Real Estate

1 & 2 Bedroom Apartments, Condos & Townhouses

we have an apartment home for you.

over 50 years in the real estate business

ONE BEDROOM Abbotts Square 1 Bedroom, 1.5 Baths,c/a,w&d, balcony available now

$1,500.00

1008 Spruce St 1 Bedroom., 1 Bath, hrd.flrs, fireplace,hi-ceilings,laundry

$1,400.00

2nd & Lombard Deluxe 1 Br., 1.5 Bths., balcony, c.a, basic cable, paid parking avail

$1,500.00

TOWNHOUSES #1 Queen St. 3 Brs.,2.5 Baths, Garage, Hrd. Flrs., Fireplace c/a, deck. Garden, great kitchen

$2,500.00

915 S. Bodine St ( 2nd & Christian Sts) 3 Bedroom, 1 Bath, w&d, wood stove, yard

$1,350.00

COMMERCIAL 701 Walnut St 3rd Flr. Corner 500 sq.ft office/studio, artist,architect, nice lite, utilities inc. $700.00

Best Wishes for a Happy, Healthy & Prosperous 2011!

25th & Wharton Sts. G-2 warehouses, garages, offices, 800sq. ft to 16,000 sq. ft available $7-$9 sq.ft. 761 S. 4th St 1100 sq. ft. retail store, bathroom, full basement, a/c unit

RITTENHOUSE SQUARE/FITLER SQUARE

922-4200

22nd & ST. JAMES

Studios on beautiful tree lined street, HW floors, Private patio, Laundry on premises.

AVAILABLE NOW! $595

Property Management Group,Ltd

20th & WALNUT

Extra Spacious Studio, Modern, Decorative fireplace, HW floors, C/A, D/W, High ceilings.

AVAILABLE JANUARY! $825

21st & WALNUT

Two Bedroom in Brownstone, Newer kitchen & bath, HW floors, AVAILABLE FEBRUARY! $985 High ceilings, Heat/Hot water included.

P H I L A D E L P H I A W E E K LY

23rd & PINE

Parking Space for Compact Car, Great Location!

$150/MONTH

WASHINGTON SQUARE WEST/AVENUE OF THE ARTS/QUEENS VILLAGE 6th & KATER

Spacious Three Bedroom house, 1st floor Living & Dining room, Eat-in kitchen, 2nd floor 1 Bedroom, Office & Bath, 3rd floor 2 Bedrooms, Basement, W/D, Great outdoor space, AVAILABLE NOW! $1,875 Dogs Welcome. BROAD & SPRUCE

Studio in High rise building, New renovation, Full kitchen, A/C, Laundry on premises.

AVAILABLE NOW! $695

11th & PINE

Januar y 5-11, 2011

Bright Studio with view of Kahn Park, HW floors, Heat/Hot water included, AVAILABLE JANUARY! $695 Laundry on premise. 11th & SPRUCE

Cozy Studio w/Heat/Hot water included, HW floors, High ceilings, AVAILABLE JANUARY! $725 Laundry on premises. 2nd & MARKET

Modern One Bedroom w/New kitchen & bath, D/W, C/A, HW floors, Washer/Dryer.

â&#x20AC;˘ 36

1117 Spruce Street www.michaelSingerrealestate.com

$900.00

CALL RENTAL AGENT 226 South St.

AVAILABLE JANUARY! $1,025

215-925-RENT (7368)

A Good Sign

215.545.7007

13th & Pine - Adorable Studio apt, Laundry. Incl Heat. $750+ 21st & Green - Very Cool apt, HW Floors, Incl Heat. Lots of Light $895+ N.Liberties: 3rd & George- Great apt. HW floors, WD, DW, and Parking. $1150+ 22nd & Spruce - Very Cool Studio apt, Incl Heat. Avail 02/10. $650+ www.propertymanagementgroup.com

We Offer Full Management and Leasing Services

Society Hill, WaSH. Sq. WeSt Offering flex-lease

Lovely 1 BR pvt entrance $1050 Large 2 story, 1 Bdrm maisonette $1295

RittenHouSe Sq. aRea Free Fitness Center Offering flex-lease

renovated 1 Bdrm, w/d $1350 spacious 2 bdrm w/d $1795 all utilitieS incluDeD:

1 Bedrooms from $1295 Winter rates up to $100 off!!

215-732-9169

ashapfineapartments.com

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CHECK OUT PW ON THE WEB!

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VISIT PW ON THE WEB AT

WWW.

PHILA

DELPHIA WEEKLY

.COM

$8 $8 $99

W W W. P H I L A D E L P H I A W E E K LY. C O M

Broad & Spruce Mod 1Bd's, W/D, C/A, heat incl. $770-995 Walnut &&23rd 1 &1Bd 2Bd's,& hardwood, laundry RITTENHOUSE Lombard 2Bd,hardwood, w/d, hardwood, laundry $770-995 Walnut9th & 23rd 1 & 2Bd's, laundry $575-1000 Locust & 21st Studios & 1Bd's, laundry, heat incl. $575-1000 Locust & 21st Studios & 1Bd's, laundry, heat incl. Chestnut & 20th Large 2BR, 2BA, H/W, laundry. $1150 Pine & 9th 2Bd's, h/w floors, W/D $850-950 Pine & 21st 1Bd's, hardwood, heat incl., yard $850-950 Pine & 21st 1Bd's, hardwood, heat incl., yard $700-1000 Pine &&22nd 1 & 2Bd, 2Bd, hardwood, heat incl. Spruce 12th 1-1/2 bath, bi-level, laundry $700-1000 Pine & 22nd 1 & 2Bd, hardwood, heat incl. $750-1100 Lombard & 23rd 1 &2Bd, bi-level, A/C $750-1100 Lombard & Old 23rd WEST/AVE 1 &2Bd, bi-level, A/C ARTS Spruce & 16thWASH World, 1 &OF2Bd's, hardwood THE Chestnut & 20th Ultra mod 1Bd's, C/A, great location $875-1000 Chestnut & 20th Ultra mod 1Bd's, C/A, great location $875-1000 Art Area Ultra Mod 1 & 3Bd's, W/D, Deck, Parking $875-1700 Lombard & –19th Newly Studios renov, mod 1W/D. & 2Bd's Broad & Spruce Renovated & studio, 1BD’s, $875-1700 Lombard & 19th Newly renov, mod studio, 1 & 2Bd's $835-$1000 $800-850 &Fab Spruce Mod 1Bd's,1W/D, C/A, heatdeck incl. OldBroad CityBroad & 2Bd's, $800-850 & ultra Sprucemod Mod 1Bd's, W/D, C/A, heat incl. Spruce & 13th -&Bright Studio’s & 1BD’s, H/W. Availlaundry Now. $725-$975 $850-995 Lombard 9th 1Bd & 2Bd, w/d, hardwood, $850-995 Lombard & 9th 1Bd2&bath, 2Bd, w/d, hardwood, laundry University Pine & 9thCity 2Bd's, 3Bd, h/w floors, W/D totally renovated$995-1100 $995-1100 Pine–&Studio’s, 9th 2Bd's, floors, W/D w/New kitchen. Spruce & 12th 1 & h/w 2BD’s Bi-levels $715-$1240 Spruce & 12th 2Bd, 1-1/2 bath, bi-level, laundryNice Studio$995 Spring Garden Collonade-Extremely $995 Spruce & 12th 2Bd, 1-1/2 bath, bi-level, laundry & 16th Old World, 1C/A, & 2Bd's, hardwood Lombard &Spruce 9th 2BD’s W/W, FROM $900 $995-1350 Q.V.Spruce 3rd &- 1Bambridge 1W/D. W/W, C/A$995-1350 && 16th Old World, 1&& 2Bd's, 2Bd's, hardwood $950-1750 Art Area Ultra Mod 1 & 3Bd's, W/D, Deck, Parking $950-1750 Art Ultra Mod 1 & Studio, 3Bd's, W/D, Deck, Parking South & 12th –Area 1BDultra Bilevel. All $875 Spring Garden &mod 19th incl. $825-1375 Old City Fab 1 &new. 2Bd's, deck hardwood, Heat $825-1375 Old City Fab ultra mod 1 & 2Bd's, deck $1950 University & City18th 3Bd, 2Mod bath, totally renovated Fairmount 1Bd, C/A, W/D $1950 University City 3Bd, 2 bath, totally renovated $700 Spring Garden Collonade-Extremely Nice Studio Spring& Garden Nice Studio Mt.Q.V. Vernon 21stCollonade-Extremely Gret Studio, Yard, Laundry$600-675 $700 MUSEUM 3rd & Bambridge ART 1 & 2Bd's, W/W, C/A $600-675 Q.V. 3rd & Bambridge 1 & 2Bd's, W/W, C/A $375 Wallace & 20th 1Bd, parquet floors, Spring Garden & 19th Studio, hardwood, Heatyard incl. $375 & 19thH/W, Studio, hardwood, HeatHeat incl. Incl. Mt.Vernon Spring & 21st –Garden Cute Studio, Laundry. Avail Now. $650 $625 Fairmount & 18th Mod 1Bd, C/A, W/D Aspen & 26th 1Bd, laundry $625 Fairmount & 18thW/W, Mod 1Bd, C/A, W/D

$99 $95 $82

$600 Mt. Vernon & 21st Gret Studio,& Yard, Laundry Pennsylvania 26th –& Spac. 1BD, Yard, H/W, laundry. Mt.&Vernon 21stStudio Gret Studio, Laundry Available Now. $600 $700 Wallace & 20th 1Bd, parquet floors, yard $700 Wallace & 20th 1Bd, parquet floors, yard $650-$700 $600 Aspen & 26th 1Bd, W/W, laundry $600 Aspen & 26th 1Bd, W/W, laundry

Center City Real Estate Sales Increased by 15%

Annmarie or John or John (215)Annmarie 636-0100 Annmarie or John (215) 636-0100 636-0100 Nancy or(215) Nancy orEllen Ellen Nancy or Ellen (215)(215) 546-9247 546-9247 (215) 546-9247

NOW IS THE TIME TO BUY!

CHECK OUT PW ON THE WEB!

Find your next home in PW! PW is the #1 source for Real Estate in the Philadelphia market.

WWW.PHILADELPHIAWEEKLY.COM

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For more information contact us at philadelphiaweekly.com or 215.599.7622

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Source: HomeExpert Market Report (First Quarter 2009 vs. 2010)

Live SoMewhere ThaT MaTTerS.

Winner, 2010 Best in Apartment Living Awards

Make Your Home Part of the Story. in 10 meticulously restored historic Philadelphia landmarks, reinhold residential unites yesterday’s legends with today’s most luxurious apartment living. appointed with every modern convenience, the residences in our portfolio are exceptional and affordable.

P H I L A D E L P H I A W E E K LY

The Packard Motor Car Building: 317 N. Broad Street • 215-351-0930 The Old Quaker Building: 3514 Lancaster Avenue • 215-222-2233 The Metropolitan at Love Park: 117 N. 15th Street • 215-854-0729 Trinity Row: 2027-31 Arch Street • 215-854-0729 The Lofts at Logan View: 1666 Callowhill Street • 215-569-9625 The Touraine: 1520 Spruce Street • 215-735-8618 1518 Spruce Street: 215-735-8618 The Chocolate Works: 231 N. 3rd Street • 215-351-1535 Waterfront I: 33 S. Letitia Street • 215-351-1535

The Packard Motor Car Building

PhiLadeLPhia

ChiCago

weST CheSTer

www.reinholdresidential.com BaLTiMore

PiTTSBurgh

ST. PauL

CenTraL Pa

•

At h ome wit h chArA cter

Leasing hours: Mon/Tues/Thu/Fri 10-6 wed 10-8 Sat 10-5 Sun noon-5

Januar y 5-11, 2011

Waterfront II: 106 S. Front Street • 215-351-1535

W W W. P H I L A D E L P H I A W E E K LY. C O M

CENTER CITY LUXURY CONDOMINIUMS FOR RENT avenue of the arts ACADEMY HOUSE

2020 wALnUt StrEEt

inDEpEnDEnCE pLACE

units include pool & fitness center

1420 LOCUSt StrEEt units include all utilities, pool, gym

Studio, city views, separate sleeping area, 624sf $1,225 1 bedroom, 1 bath, high floor, city views, 875 sf` $1,530 2 bedrooms, 2 baths, eat-in-kitchen, great closet space, 1314 sf` $2,095 2 bedrooms, 2 baths, hardwood floors, brand new kitchen and baths, 1314 sf $2,250

CEntEr CitY OnE

2 bedrooms, 2 baths, city skyline views, balcony, washer and $1,875

dryer in unit, 1209 sf

art museum pHiLADELpHiAn

2401 pEnnSYLvAniA AvE Studio, private balcony, dressing room, spacious kitchen, 570sf $950 1 bedroom, 1bath, completely renovated, hardwood floors, balcony with Art Museum view, 1000 sf $1,900

rittenhouse square 1909 fitzwAtEr StrEEt

2 bedrooms, 1 bath, wood floors, renovated kitchen and bath $1,500

tHE CArLYLE

2031 LOCUSt StrEEt 1 bedroom, 1 bath, city view, 595 sf $1,390 2 bedrooms, 1 bath, corner unit, 928 sf $1,725

tHE BArCLAY

237 S. 18tH StrEEt 3 bedrooms, 3 baths, hrdwd. floors, panoramic city views, renovated kitchen and baths, 2,527sf $7,850 P H I L A D E L P H I A W E E K LY

pArC rittEnHOUSE

washington square

wAnAMAKEr HOUSE

225 S 18tH StrEEt Junior bedroom with open kitchen, marble bath, rooftop pool club view, wood floors, 504sf $1,750 2 bedroom, 2 bathroom home, with southern views offering excellent light, open kitchen with upgraded appliance package, marble baths, wood floors, 1017sf $3,600

1 bedroom, 1 bath, high floor, open kitchen, great closet space, 705 sf $1,595 1 bedroom, 1 bath, renovated kitchen and bath, custom-built closeet, 705sf $1,675 2 bedrooms 2 baths, high floor, panoramic city views, 1200 sf

$2,290

tHE LAnESBOrOUGH 1601 LOCUSt StrEEt 3 bedrooms, 3.5 baths, brand new, high ceilings, hardwood floors throughout, chefs kitchen, magnificent entertaining space, luxurious master suite, 3467 sf $9,750

233-241 S 6tH StrEEt 1 bedroom, 1 bath, w/d, walk-in-closet, open kitchen 777 sf $1,300 1 bedroom, 1 bath, balcony, W/D, 928 sf $1,575 1 bedroom with alcove, 1.5 baths, renovated kitchen, balcony with southern views, 1118 sf $1,850 2 bedrooms, 2 baths, beautifully renovated throughout, balcony, overlooks Washington Square and Locust Walk, 1292 sf $2,350

HOpKinSOn HOUSE

226 w rittEnHOUSE SqUArE Studio, view of Rittenhouse Square, great living

604-36 S. wASHinGtOn SqUArE Studio with alcove, overlooking Washington Square, full kitchen, separate dressing area, 600 sf $1,175 Deluxe 1 bedroom, large living room, separate dining area, overlooking Washington Square,

space, 573 sf

1063 sf

DOrCHEStEr

$1,250

tHE wArwiCK 1701 LOCUSt StrEEt Studio, wood floors, city view, marble bath 345 sf $1,225 3 bedrooms, 3.5 baths, den/study, open floor plan, $5,750 hardwood floors, marble baths, 2421sf

$2,000

waterfront wAtErfrOnt SqUArE

901 n. pEnn StrEEt 1 bedroom plus den, 1 bath, hardwood floors, new open kitchen, designer bath, 924 sf $1,285

piEr 3, 3 n. COLUMBUS BLvD.

society hill 421 CHEStnUt StrEEt 2 bedrooms, 2.5 baths, study, open floor plan, gourmet kitchen, designer baths, exposed duct-

1 bedroom, 1.5 baths, bi-level, high ceilings, one garage space $1,250 2 bedrooms, parking space, river views, 1300sf $1,500 2 bedrooms, 2 baths, terrace, large kitchen, one garage parking space,

work and brick ceilings, 2117sf

1300 sf

BAnK BUiLDinG

$3,900

SOCiEtY HiLL tOwErS

commercial sPace

200-220 LOCUSt StrEEt units include all utilities

2 bedrooms, 1 bath, floor-to-ceiling windows, Society Hill views, 1133 sf $2,000 Penthouse, 1 bedroom, 1 bath, brand new bulthaup kitchen, hardwood floors, 722sf $2,100

ABBOtt’S SqUArE

Januar y 5-11, 2011

530 S 2nD StrEEt 1 bedroom, 1 bath, open kitchen, great closet space, bi-level 639 sf $1,250 1 bedroom, 1.5 bath, bi-level, deck, large living room, separate dining area, 989sf

$2,150

$1,675

1742 Sansom Street - 2nd floor retail space on highly trafficked corner or 18th and Sansom Streets, 1000 sf $1,500 NNN 2031 Locust Street Professional Office Space in secure apartment building, 958 sf $1,150 1830 Rittenhouse - Prime Rittenhouse Square office space, 754 sf $2,100 133 S. 18th Street – Ground floor corner retail space, excellent visibility on 18th Street shopping corridor $9,000 NNN 1601 Locust Street - 1st floor and lower level of prestigious Lanesborough condo, ideal for restaurant or offices, 4700 sf $11,000 NNN

Allan Domb Real Estate

1845 Walnut St. Suite 2200 • rentals@allandomb.com 215/545.1500

• 38

For a complete list of our rental properties, please visit www.allandomb.com

tHe lanesborougH 1601 locust street 3 bedrooms, 3.5 baths, high ceilings, hardwood floors, brand new construction, chefs kitchen, designer baths, 3467sf $9,750/mo.

Independence place 2 bedrooms, 2 baths, beautifully renovated throughout, balcony, overlooks Washington Square & Locust Walk $2,350/mo.

Wanamaker House 2020 Walnut street 2 bedrooms, 2 baths, high floor with panoramic city views, 1200 sf $2,290/mo.

socIety HIll toWers 210 locust street 2 bedrooms, 1 bath, intimate views of Society Hill, 1133 sf $2,000/mo.

215.545.1500 • www.allandomb.com “wE coopERAtE with All REAltoRs”

•

www.lanesboroughcondo.com • www.bankresidences.com • www.thewarwickcondos.com • www.parcrittenhouse.com

Januar y 5-11, 2011

Allan Domb Real Estate

P H I L A D E L P H I A W E E K LY

academy House 1420 locust street 2 bedrooms, 2 baths, large living area, excellent closet space, 1314 sf $2,095/mo.

W W W. P H I L A D E L P H I A W E E K LY. C O M

cENtER citY lUXURY coNDoMiNiUMs FoR RENt!

W W W. P H I L A D E L P H I A W E E K LY. C O M

open houses CALL 215.563.1234

times are subject to change. calling ahead to confirm time is advised. Monday through Friday 8:30 a.m. - 5 p.m. Submit ads online at philadelphiaweekly.com go to phILADELphIAwEEkLy.com for morE opEN houSES DEADLINES: Display ads - Fridays @ 5 p.m. Line ads - Mondays @ 5 p.m.

SATURDAY 1/8 1:00-4:00PM

RI T T EN H O U SE SQ 224 S 23rd St $ 659 , 000 Pr ude nt i a l Fox & Ro a c h

COLLIN GSWO O D, NJ 60 0 At l antic Ave Th e Lu m b e r Ya rd Co n d os A RT M U SEU M >From $ 21 0 ,50 0 9 05 Co r i nt hi a nSt M a i n St re et Re a lty $59 9 , 000 Pr ude nt i a l Fox & Ro a c h SUNDAY 1/9 12:00-1:00PM R ITTE N H O U S E SQ 2125 Pine St $1 , 39 5 , 00 0 P ru dent ia l Fox & Ro a c h So c i ety Hill 7 34 Addis o n S t $1 , 2 9 5 , 00 0 P ru dent ia l Fox & Ro a c h SOC IE TY HI L L 503 P i n e S t $1 , 2 5 0, 0 0 0 P ru dent ia l Fox & Ro a c h R ITTE N H O U S E SQ 21 0 W R itte n h o u s e Sq # 1 001 $9 9 9 , 000 P ru dent ia l Fox & Ro a c h OLD CITY 36 N Fro nt S t # 2 $82 5 , 000 P ru dent ia l Fox & Ro a c h GRAD H OS P I TA L 752 S D o r ra n ce S t $81 5 , 000 P ru dent ia l Fox & Ro a c h GRAD H OS P I TA L 142 9 Ch ristia n S t $7 75 , 000 P ru dent ia l Fox & Ro a c h QUE E N V I L LAG E 526 -A C h r istia n S t $679 , 9 00 P ru dent ia l Fox & Ro a c h

AVE OF THE ARTS 15 01-03 KaterS t $1 ,600,000 Prudential Fox & Roach

SOC IE TY HILL 210 W Washington S q #8 N $795 ,000 Prudential Fox & Roach

SYMPHONY HOUS E 440 S Broad S t #2 702 N LIBE RTIE S $1 ,449,000 602 N Am erican S t Prudential Fox & Roach $499,900 Prudential Fox & Roach 1:00 - 3:00PM RITTE NHOUS E SQ 153 1 Pine S t #D GIRARD E STATE SO CI ETY H I L L $1 ,149,900 2447 S GarnetS t 325 S 2nd St Prudential Fox & Roach $48 0,000 $ 875, 000 Prudential Fox & Roach Pl ume r & A sso c i ate s SOC IE TY HILL 143 S 2 nd S t #601 GRA D H OSPI TA L FITLE R SQ $1 ,100,000 523 S 27t h St 609 S B am brey S t Prudential Fox & Roach $479,900 $ 49 5, 000 Pl ume r & A sso c i ate s Prudential Fox & Roach RITTE NHOUS E SQ 1:00-4:00PM The Rittenhouse #1005 QUE E N VILLAGE $945 ,000 82 2 S . Swanson S t CO L L I N GSWO O D, N J Prudential Fox & Roach $469,900 6 00 At l a nt i c Ave Prudential Fox & Roach T he L umbe r Ya rd Co ndo s SOC IE TY HILL >Fro m $ 210, 500 The Willings #402 N LIBE RTIE S M a i n St re et Re a l ty $92 5 ,000 8 05 N Lawrence S t Prudential Fox & Roach $440,000 1:30-2:30PM Prudential Fox & Roach SOC IE TY HILL RI T T EN H O U SE SQ 5 04 Delancey S t 1820 Rittenhouse ITALIAN MARKE T $875 ,000 Sq #4 02 12 18 E llsworthS t Prudential Fox & Roach $1 , 875, 000 $42 9,900 Pr ude nt i a l Fox & Ro a c h Prudential Fox & Roach QUE E N VILLAGE 400-416 S 2 nd S t SO CI ETY H I L L LOGAN SQ $559,000 T he W i l l i ngs #1 05 2 3 01 C herry S t #6C $1 , 875, 000 Plumer & Associates $419,900 Pr ude nt i a l Fox & Ro a c h 3:00-4:00PM Prudential Fox & Roach RI T T EN H O U SE SQ BE LLA VISTA 202 W Ri tte nho use Sq SOC IE TY HILL 711 Kim ball S t 2 11-2 5 S 4th S t #2 01 #26 06 $379,900 $8 35 ,000 $1 , 79 5, 000 Pr ude nt i a l Fox & Ro a c h Prudential Fox & Roach Prudential Fox & Roach

House witH GaraGe - reduced 1517 s corlies street – 3 Bedrooms. Hardwood Floors. $49,000.

soutH PHiladelPHiaall recently reduced 2129 sigel street – 3 Bedrooms. $49,000. 2208 Gerritt street - 3 Bedrooms. Renovated Home. $74,500.

Mini-coMPound near 9tH and roosevelt Blvd.

4437-39 n. lawrence street – Renovated Home plus Multi-Use Separate Out Building. 4 Bedroom. 2 Full Baths. Hardwood Floors. Courtyard. Driveway. $139,000.

newly renovated Graduate HosPital area 2025 Kimball street – 3 Bedrooms. 3 1/2 Baths. Den. 3 Story Home. Hardwood Floors. New Stainless Steel Appliances. Deck. W/D. $339,000.

larGe new HoMe - PennsPort 1321 e. Moyamensing avenue – 3 Bedrooms. 2 1/2 Baths. 18ft. Wide. 10 ft. Ceilings. 2400 square feet. Oversized Bedrooms. Den. W/D. Deck. Large Yard. $469,000.

FisHtown 2353 east york street – 4 Bedroom. 1 and 2 1/2 Baths. 18ft Wide. Dining Room. Modern Kitchen. W/D. Yard. New Front. $289,900.

soutH PHiladelPHia 2443 Federal street – 3 Bedrooms. 1 Full Bath. Newly Renovated. Granite Countertops. New Oak Floors. New Bathroom and Kitchen. $199,000.

corner BuildinG lot 2600 s 8th street – 16 x 57. 8th and Shunk. $38,000.

lot - nortH oF nortHern liBerties 1321 n 6th street – Approximately 14 x 96. $19,900.

Fred r. levine r e a l e s tat e

215-465-3733

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CHECK OUT PW ON THE WEB!

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1407 WHARTON NEWBOLD 5BR, 2BA, over 2200 sq. ft. Corner House. One block from Broad Street. Original Details. ....................................................................................................................................................... $260,000 1908 S. BANCROFT ST. SOUTH PHILADELPHIA 2 BRs, 1BA w/New roof, windows & doors; Hardwood floors and Brick front. ........................................................................................................................................................$130,000 2639 SEPVIVA ST FISHTOWN Wood floors, Eat -in kitchen & approx 700 sq ft Yard! 3BR plus Den, 1BA. 1,218 sq ft. ........................................................................................................................................................$168,000 438 POPLAR ST NORTHERN LIBERTIES Renovated & oversized 2BR, 1.5BA home. Central air & garden. 1,539 sq ft. ..........................................................................................................................New Price! $325,000 919 KIMBALL ST BELLA VISTA 3 story 4BR, 2BA townhouse near Italian Market. Open Liv/Din w/Pergo floors, White kitchen, Patio. 1,400 sq ft , Great Block, Great Location. Great Price!............................ $335,000 2930 W. GIRARD AVE BREWERYTOWN Renovated Townhome 3BRs, 1 tiled Bath, Wood flrs, separate Dining Rm. updated Kitchen, 1308 sq ft. ........................................................................................................ New Price $185,000 2536-38 MONTROSE ST NAVAL SQUARE Two properties sold as a package; Two story Row and Two story Garage. Terrific development opportunity. ..................................................................................................... New Price $162,000 2031-35 WASHINGTON AVE GRADUATE HOSPITAL Warehouse space+/-27,500 sq. ft. on Two floors w/an unlimited number of uses. Zoned industrial w/ access from Washington Ave and Kimball Street. ....AskiNg Price $1,600,000

Solo Real Estate, Inc.

215/564-7656 • solorealty.com

Member MLS

For over 80 years the most respected name in Philadelphia Real Estate Center City’s Largest Independent Realtor

& Associates, Inc. Realtors

thIs week’s FeAtuRed PRoPeRtIes 2036 DELANCEY PL Magnificent beautifully restored double wide corner, 5br, 6b, +/-9000sf, original detail, elevator, terrace, 3 car heated garage P H I L A D E L P H I A W E E K LY Januar y 5-11, 2011

OPEN SuNDAY, 1/9 1-3Pm

384 W LANCASTER AVE, WAYNE Well-known Main Line Bar/Restaurant with license & parking

1914-16 RITTENHOuSE SQ Landmark property, 5 combined lots, over 6,000sf footprint, great opportunity for development or magnificent residence

Call Robert Volpe or Karen Joslin

$875,000

$2,600,000

$6,250,000

423-25 VINE ST Old City compound, 4br, 3.5b, 2 car garage, huge garden

400-416 S 2ND ST #402

523 S 27TH ST

3 N COLumBuS BLVD PL271, PIER 3

Beautiful 2br, 3b condo, patio, shared courtyard, 1 yr parking

Full scale quality renovation, 3 br, 2 b, +/-1500 sf, gourmet kitchen, large master suite, finished basement

1br, 1b condo, h/w flrs, patio, 24 hr concierge, parking

$799,000

$559,000

$495,000

$229,900

$5,497,000

Call Scott Neifeld

325 S 2ND ST, PENN’S LANDINg SQ

Contemporary townhome, 3br,3.5b,f/p, garden, deck, garage parking, pool, reduced

Call Tom guglielmo OPEN SuNDAY, 1/9 1:30-2:30Pm

Call Izzy Sigman

Call Tony Battaglia OPEN SuNDAY 1/9 1-3Pm NEW LISTINg!

Call Leon Aksman

• 40

search all Center City Properties at: www.PlumerRE.com

Call Bruce Benjamin

NEW LISTINg!

Call margaret Szumski

226 South Street

215 922 4200

to call home.

Those who know more, sell more

The

LumberYard

TAKE YOUR BROKER COURSES NOW Courses begin Monday, January 17, 2011

Condos

Temple University Center City 1515 Market Street

W W W. P H I L A D E L P H I A W E E K LY. C O M

REAL ESTATE

Collingswood’s newest place

Call: 215.204.1539 | Visit: www.temple.edu/rei

10 minutes from Philly An hour from the shore Collingswood at your doorstep

REAL ESTATE INSTITUTE

(sub)URBAN. Open Houses: Sat & Sun, 1-4PM 5 year tax abatements available

SALE

Philly Weekly 10 x 5.5

11/8/10

730 Haddon Ave 3:48 PM Page 1 Collingswood, NJ

SALE 856.858.0300 LumberYardCondos.com

rittenhOUse RITTENHOUSE SQUARE sQUare

FishtOWn FISHTOWN

$339,000 $339,000 MLS 5787044

MLS 5784384 $200,850

Just renOvated! Renovated! JUst 1 Bedroom Bath 1 Bedroom 11 Bath

BeaUtiFULLY Open Floor Plan renOvated 3 Bedrooms 2.5 Baths 3 $329,900 Bedrooms 2.5 Baths

MLS 5787044

MLS 5644851

WASHINGTON

sOcietY SQUARE hiLL

Powers Brangan

215.893.9920 Rittenhouse Square 2000 Pine Street Philadelphia, PA 19103

Chestnut Hill 8039 Germantown Avenue Philadelphia, PA 19118

MLS 5784237

Powers Brangan CENTER CITY

LOgan sQUare State of the art Loft

Condominium Open satUrdaY 12-3 2 Bedrooms Baths 2 Bedrooms 22 Baths $489,555

$439,000 MLS 5746449 MLS 5810655

NORTHERN LIBERTIES QUeen viLLage

Walkers Paradise! priMe LOcatiOn! 1 Bedroom Bath 2 Bedrooms 12.5 Baths $269,900

$419,000 MLS 5744269

MLS 5784384

FEATURED FEATURED PROPERTY PROPERTY

Theresidences Residences the at

the MUranO at THE MURANO Starting Startingininthe the $400,000s $400,000s

•

MLS 5789342

MLS 5790241 $279,900

Januar y 5-11, 2011

215.247.3600

Alexandra

$225,000 $299,000 MLS 5777406

Open FLOOr2.5pLan 3 Bedrooms Baths 3 $259,900 Bedrooms 2.5 Baths

P H I L A D E L P H I A W E E K LY

EWRhomes.com Alexandra

Charming vaLUe Condominium aMazing 1 Bedroom 1 Bath 1 Bedroom 1.5 Baths

UNIVERSITY CITY FishtOWn Sunny Townhouse

W W W. P H I L A D E L P H I A W E E K LY. C O M

cENtER citY lUXURY coNDoMiNiUMs FoR sAlE! Location

ART MUSEUM

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

Monthly After Tax Cost

the philadelphian

3 bedrooms, 2.5 baths, unobstructed city skyline views, wood floors, large balcony, 2017 sf

2,017

$579,900* $149,496 $191,032

$4,457

$698

$3,760

the philadelphian

1 bedroom, 1 bath, brand new kitchen and bath, wood floors, Art Museum view

1000

$289,900

$43,267

$96,341

$2,248

$309

$1,939

the philadelphian

Renovated studio, wood floors throughout, open kitchen, large balcony with city skyline view

567

$175,000

$26,306

$57,483

$1,341

$190

$1,152

the philadelphian

Studio, open renovated kitchen, large balcony with Art Museum view

567

$129,900

$20,834

$49,901

$1,164

$181

$984

Location

AVENUE OF THE ARTS

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

Monthly After Tax Cost

acadeMy house

2 bedrooms, 1.5 baths, spacious living room, separate dining room, W/D

1019

$319,000

$48,703

$112,132

$2,616

$431

$2,186

acadeMy house

One bedroom, one bath, upgraded kitchen and bath, Juliet balcony, W/D

705

$289,000

$42,702

$88,613

$2,068

$296

$1,772

center city one

1 bedroom, 1 bath, high floor, balcony with panoramic views of the city to the south, excellent closet space, W/D

897

$259,900

$41,412

$86,520

$2,019

$299

$1,720

acadeMy house

1 bedroom, 1 bath, panoramic southern views, Juliet balcony, renovated bath and kitchen

705

$259,900

$39,043

$82,852

$1,933

$272

$1,661

center city one

1 bedroom, 1 bath, spacious balcony, magnificent city views to the south, abundant natural light

873

$240,000

$36,972

$78,608

$1,834

$271

$1,563

Location

RITTENHOUSE SQUARE

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

the rittenhouse

Penthouse, 2 bedrooms, 2 full baths, 2 half baths, high end finishes and appointments throughout, balcony with city views

3,952

$3,500,000* $834,620 $889,056

$20,745

$3,725

$17,020

barclay

3bedroom+den, 3.5 baths, marble foyer, formal dining rm, sunny eat-in kitchen, 10’ ceilings, moldings, oak herring bone floors, 3 gas fireplaces

3,293

$2,900,000* $666,258 $619,296

$14,450

$2,632

$11,818

lanesborough

3 bedrooms, 3.5 baths, brand new, very high ceilings, his and hers master baths, custom kitchen, exquisite detail throughout.

3,467

$2,750,000* $636,038 $607,268

$14,170

$2,605

$11,565

lanesborough

Tri-level penthouse with 1600 sq ft of terrace space, being sold unfinished, private elevator access

3,413

$2,500,000* $579,879 $557,842

$13,016

$2,351

$10,665

barclay

3 bedrooms, 3.5 baths, herringbone wood floors, EIK, crown molding and other custom finishes throughout, Rittenhouse Square views

2,638

$2,195,000* $511,632 $501,005

$11,690

$2,094

$9,597

Monthly After Tax Cost

parc rittenhouse

2 bedrooms plus den, 2 baths, den/study, high ceilings, oversized windows overlooking Rittenhouse Square, upgraded custom kitchen, sun soaked master suite

2,221

$1,395,000* $349,934 $362,728

$8,464

$1,511

$6,953

parc rittenhouse

2 bedrooms plus den, 2.5 baths, large balcony over Rittenhouse Square, open kitchen, hardwood floors, marble baths

1,552

$1,295,000* $306,402 $304,997

$7,117

$1,320

$5,796

1830 rittenhouse

3 bedrooms, 2.5 baths, upgraded kitchen, original hardwood floors and molding, lots of light

2,275

$1,195,000* $309,704 $318,887

$7,440

$1,321

$6,119

warwick condoMiniuMs

3 bedrooms, 3.5 baths, hardwood floors, 270 degree views, open kitchen, marble baths, custom closets, W/D

2,000

$1,290,000* $174,122 $373,141

$8,707

$1,757

$6,949

warwick condoMiniuMs

3BR, 3BA, Bamboo flrs., spac. Kit w/custom wood cabinetry, granite counter tops, marble baths, 3 exposures, gym and hotel services

1,978

$1,350,000* $181,323 $371,644

$8,672

$1,795

$6,877

the rittenhouse

2 bedrooms, 2 baths, completely renovated with high end finishes, views of Rittenhouse Square from every room

1,560

$995,000* $242,439 $273,743

$6,387

$1,090

$5,298

parc rittenhouse

2 bedrooms, 2 baths, terrace on pool club deck, open custom kitchen, marble baths, wood floors

1,272

$839,000* $201,948 $206,151

$4,810

$855

$3,956

warwick condoMiniuMs

2 bedrooms + den, 3 baths, gourmet kitchen, marble baths, walk-in-closets, hardwood floors

warwick condoMiniuMs

2 bedrooms + den, 3 baths, sun-soaked, wood floors, open kitchen, marble baths

1830 rittenhouse square

2bedrooms, 1.5baths, windows overlooking Rittenhouse Square, old world charm, spacious kitchen, formal dining room

the warwick

2 bedrooms, 2 baths, southern exposure from every room, marble baths, open chefs kitchen, maple hardwood floors

the rittenhouse

1,614

$829,000* $115,051 $246,527

$5,752

$992

$4,761

open sunday 1/9, 1:00pM - 2:00pM

1,614

$799,000* $190,486 $203,258

$4,743

$861

$3,881

open sunday 1/9, 12:45pM - 1:15pM

1,380

$689,900* $145,000 $217,432

$5,073

$2,938

$4,251

1,296

$625,000* $149,666 $158,380

$3,696

$631

$3,064

1 bedroom, 1.5 baths, eat in kitchen, beautiful sunset views, master suite with large marble bath

1,037

$599,000* $147,283 $170,623

$3,981

$659

$3,323

barclay

Two bedrooms, two baths, hardwood floors, old world charm with modern features

1,050

$595,000* $143,766 $153,060

$3,571

$619

$2,953

barclay

Two bedrooms, two baths, hardwood floors, building offers 24 hour doorman and gym, located on Rittenhouse Square

1,075

$550,000* $133,706 $146,037

$3,408

$580

$2,827

parc rittenhouse

2 bedrooms, 1 bath, hardwood floors, marble bath, rooftop pool club and skyline view

806

$497,500

$119,226 $116,911

$2,728

$447

$2,281 $2,003

warwick condoMiniuMs

One bedroom, one bath, hardwood floors, marble bath, custom kitchen

712

$399,900

$53,426

$106,710

$2,490

$486

the rittenhouse

Studio, city views, large marble bath, hardwood floors, excellent natural light

583

$379,900

$55,358

$114,993

$2,683

$401

$2,282

wanaMaker house

1 bedroom, 1 bath, wood floors throughout, renovated kitchen and bathroom, bay windows with city views open sunday 1/9, 12:00pM - 12:30pM

704

$319,000

$46,421

$91,365

$2,132

$352

$1,780

parc rittenhouse

Studio with wood floors, marble bath, open kitchen and city view

497

$275,000

$39,472

$81,681

$1,906

$319

$1,587

warwick condoMiniuMs

Studio, high floor with city views, walk in closest, wood floors, marble bath

423

$229,900

$32,772

$62,166

$1,451

$226

$1,225

Location

SOCIETY HILL

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

101 walnut st

Entire Floor Residence, 2 bedrooms, 2.5 baths, custom open kitchen, designer baths, panoramic river and city views

2423

$1,200,000* $281,398 $298,478

$6,694

$1,124

$5,841

bank building

2 bedrooms plus den, 2.5 baths, hardwood floors, high-end open kitchen, designer bathrooms

2,117

$799,000* $207,313 $217,014

$5,064

$844

$4,291

society hill towers

Two bedrooms, one bath, parquet wood floors, washer/dryer, unobstructed river views, floor-to-ceiling windows

1,133

$399,000

$58,788

$128,086

$2,989

$427

$2,562

society hill towers

One bedroom, one bath, river views, custom kitchen and bath

700

$297,500

$43,513

$90,659

$2,115

$309

$1,806

society hill towers

One bedroom, high floor, river view, investment opportunity

700

$290,000

$42,577

$89,976

$2,099

$302

$1,798

society hill towers

1BR, 1BA, magnificent river views, high floor, wood floors throughout

700

$275,000

$40,731

$86,724

$2,024

$291

$1,733

bank building

$95,821

$2,236

$303

Monthly After Tax Cost

P H I L A D E L P H I A W E E K LY

Raw space that can be customized to the buyers desires, hotel services and amenities available

1,286

$269,000

$41,367

Location

WASHINGTON SQUARE

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

$1,933

independence place

Bi-level penthouse, 2 bedrooms. 2.5 baths, 2 kitchens, impeccably finished throughout, amazing river and city views

4,500

$2,295,000* $552,133 $588,133

$13,728

$3,022

$10,706

independence place

Penthouse, 3 bedrooms, 2.5 baths, wrap around balcony, high ceilings, eat-in kitchen, large master suite

2,810

$1,250,000* $303,747 $328,202

$7,658

$1,511

$6,147

independence place

3 bedrooms, 3 baths, east facing river and city views, modern kitchen, hardwood floors, balcony, laundry room

3,015

$1,250,000* $250,000 $319,246

$7,449

$1,403

$6,046

independence place

2 bedrooms, 2.5 baths, beautifully renovated kitchen and baths, balcony with city and river views, hardwood floors in living areas

1,977

$799,000* $195,082 $212,815

$4,966

$961

$4,004

independence place

2 bedroom, 2 baths, completely renovated with custom kitchen and designer baths, balcony, hardwood floors

1,173

$559,000* $139,761 $140,111

$3,269

$613

$2,656

independence place

1 bedroom, 1.5 baths, alcove, Washington Square views, completely upgraded throughout

1,118

$499,900

$71,144

$135,733

$3,167

$524

$2,643

independence place

1 bedroom, 1.5 baths, alcove, completely renovated with gourmet kitchen, designer bath, amazing closets

1,118

$479,900

$68,164

$137,351

$3,205

$620

$2,585

hopkinson house

2 bedrooms, 1.5 baths, wood floors, balcony, southern exposure

1,200

$349,900

$56,515

$122,407

$2,856

$417

$2,439

hopkinson house

Deluxe 1 bedroom, 1 bath, balcony with views of Washington Square and the river, renovated kitchen and bath

1,063

$329,000

$53,908

$115,998

$2,707

$410

$2,297

Monthly After Tax Cost

Januar y 5-11, 2011

independence place

1 bedroom, 1 bath, balcony, laundry room, excellent condition

928

$299,900

$44,212

$87,809

$2,049

$327

$1,722

independence place

1 bedroom, 1 bath, balcony, excellent value

928

$290,000

$42,132

$83,461

$1,947

$302

$1,645

Location

WATERFRONT

Total Square Footage

Price

Minimum Income Monthly Cost Monthly Tax Total Incld. Mtg, Condo Savings in a 31% for 10% Down Cash Fee & Taxes Tax Bracket Required Financing

Monthly After Tax Cost

waterFront square

1 bedroom, 1 bath, wood floors, balcony, high end finishes in kitchen and bath

924

$219,000

$42,318

$1,804

$90,810

$2,119

$315

Allan Domb Real Estate

* Based on 20% Down Mortgate

215.545.1500 • www.allandomb.com “wE coopERAtE with All REAltoRs”

Mortgage Financing available

Anthony IezzI teAm 609-504-7478

• 42

www.lanesboroughcondo.com • www.bankresidences.com • www.thewarwickcondos.com • www.parcrittenhouse.com

1830 rittenHouse 1830 rittenhouse square

3 bedrooms, 3.5 baths, den/ study, open floor plan, marble baths, 2421 sf

3 bedrooms, 2.5 baths, excellent natural light, spacious kitchen, great entertaining space, 2275 sf

$1,275,000

$1,195,000

independence pLace 233 s. 6th street

tHe pHiLadeLpHian 2401 pennsylvania avenue

2 bedrooms, 2 baths, updated kitchen and baths, balcony with river and city views, 1977 sf

3 bedrooms, 2.5 baths, balcony and windows walls with magnificent city and Art Museum views, 2017 sf

$799,000

$579,900

Wanamaker House 2020 Walnut street

tHe dorcHester 226 W. rittenhouse square

1 bedroom, 1 bath, open renovated kitchen, wood floors throughout, bay windows, 700 sf

1 bedroom, 1 bath, balcony, open kitchen, renovated throughout, 609 sf

$319,000

$265,000

“wE coopERAtE with All REAltoRs”

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www.lanesboroughcondo.com • www.bankresidences.com • www.thewarwickcondos.com • www.parcrittenhouse.com

Januar y 5-11, 2011

Allan Domb Real Estate 215.545.1500 • www.allandomb.com

P H I L A D E L P H I A W E E K LY

WarWick 1701 Locust street

W W W. P H I L A D E L P H I A W E E K LY. C O M

Center City Luxury Condominiums For saLe