Arthur Yanoff 624 South Egremont Road Great Barrington, Massachusetts 01230 (413) 528-6206 arthuryanoff@gmail.com
Education Boston Museum School of Fine Arts, 1958-1961. Studied painting privately with Jason Berger, 1962-1965. Weekly seminar on “Psychiatry and Art” with Dr. Jay Kuten, Consulting Psychiatrist, New Hampshire Hospital, Concord, NH, 1970-1972. Private weekly consultation on “Art and the Therapeutic Process” with Dr. A.J. Khakee, Clinical Psychiatrist, New Hampshire Hospital, Concord, NH, 1970. Weekly conferences on treating emotionally disturbed and perceptually handicapped adolescents, with Dr. Anna Philbrook, Consulting Psychiatrist, Philbrook Center, Concord, NH, 1970-1971.
Employment Instructor, Teen Collage and Painting Workshops, Hudson Opera House, Hudson, NY, 2005—ongoing. Instructor, Painting Workshops, Berkshire Community College, Great Barrington, MA, 1997—ongoing. Artist-in-Residence, Working with Campers ages 8-20 on Mural Collages, Joseph Eisner Camp, Great Barrington, MA, Summer 2002. Faculty Instructor, IS 183 Art School of the Berkshires, Stockbridge, MA, 1998—ongoing. Instructor, Council for Creative Projects, Collage: The Family Album, Lee, MA, 1998. Instructor, Painting Workshops, Berkshire Community, College South County Campus, Great Barrington, MA, 1997— ongoing. Studio instruction of private students, 1967 to present. Art Therapist, private clinic, 5 Thorndike Street, Concord, NH, (Jay Kuten, M.D., director), 1975 to 1994. Instructor, Manchester Institute of Art, Manchester, NH, 1973-1974. Art Design Consultant, Lillabulero Press, Northwood Narrows, NH, 1967-1974. Art Instructor, adult education program, Coe-Brown Academy, Northwood, NH, 1972. Art Therapist for emotionally disturbed children, New Hampshire Hospital, 1970-1971. With Lana Pratt, designed a therapeutic program for children with learning disabilities. At New Hampshire Hospital, 1970-1971, arranged a solo exhibition of the paintings and drawings of a gifted adolescent patient that was shown at Emerson College, Colby-Sawer College Playhouse Studio (Milford, NH), Mode One Frame Shop (Concord, NH) and the State Library, Concord, NH.
Solo Exhibitions Berkshire Museum, Berkshire Base during exhibition Color & Form: The Language of Abstract Art, Pittsfield, MA, Summer 2009. Curated by Stuart Chase. Gallery at Stageworks, “Steerage to Ellis Island,” Hudson, NY, 2006, Curated by Mary Udell. Bobbie Lefenfeld Gallery, “Steerage to Ellis Island,” Great Barrington, MA, 2004. Lingo Fine Arts Gallery, “Radiant New England-Abstract Landscapes 1985-88,” West Stockbridge, MA, 1999. Yeshiva University Museum, “The Teachings of Isaac Luria”, Paintings and Works on Paper included in “4 New Exhibitions,” New York, NY, 1996-97, Curated by Carl Belz and Inez McDermott.. New England College Gallery “The Teaching of Isaac Luria”, Paintings and Works on Paper, Henniker, NH, 1995, Curated by Inez McDermatt. Babson College, “Decoys: A Series of New Oils,” Wellesley, MA, 1988. Concordia College, “Selected Works,” Bronxville, NY, 1986, Curated by Elita Agee.. The Currier Museum of Art, “New Images in Watercolor,” Manchester, NH, 1985, Curated by Robert M. Doty. Museum of Fine Arts, “Works on Paper,” Boston, MA, 1983, Curated by Kenworth W. Moffett. Babson College, “Smokestacks and other New Paintings,” Wellesley, MA, 1983. New Hampton School, “Watercolors,” NH, 1976. Ithaca House Gallery,”Watercolors,” Ithaca, NY, 1976. Boston Center for the Arts (Direct Vision), “Five One-Artist Shows,” Boston, MA, 1974. Addison Gallery of American Art, Drawings from William Holst’s sculpture, Andover, MA, 1974, Curated by Christopher C. Cook. B.E.L. Gallery, Westport, CT, 1972. Brooks School, North Andover, MA, 1966.
Group Exhibitions The Legacy Project: Echoes: Tikkun. Paintings commissioned by the Carolyn Dorfman Dance Company as part of a collaborative project. Choregraphy by Carolyn Dorfman. Music by Greg Wall. Costumes by Russell Aubrey. Lighting Design by Philip Trevino. World Premiere at New York University, Tisch School for the Arts, May 2009. Translated Shadows. Multimedia collaborative project with Clyde Forth, contemporary dancer; Jane Rigler, flutist; Shoko Nagal, pianist; Bart Woodstrup, video artist. Paintings based on composer Paul Schoenfield's Refractions. First performed at Merce Cunningham Studios NYC, 2009. Greene County Council on the Arts, Catskill Gallery, “Drawn to the Edge.” With Clyde Forth, Ann Gibbons and others. Catskill, NY, 2008. The Great South Bay Gallery at Stageworks, “They Should See Use Now: Six Abstract Painters Look at the Hudson River School Through the Lens of Photography.” With Vincent Pomilio, Tom Barron, Sascha Chermayeff, Holly Hughes, Tony Thompson. Curated by Mary Udell, Hudson, NY, 2006. A.D.D. Gallery, “Small Paintings,” Curated by Eric Cohler, Hudson, NY, 2006.
Group Exhibitions continued Lascano Gallery, Great Barrington, MA, 2005-2007. Judy Goldfarb, Greenwich, CT. 1997-2005. “Abstraction Now,” Traveling Exhibition, The Gallery at Stageworks, Hudson, NY, and Rennsselaer Polytechnic Institute's Shelnutt Gallery, Troy, NY. With George Hoffman, Tom Barron, Holly Hughes, Vincent Pomilio, Nancy Van Deren, Roger Philips, Curated by Mary Udell, 2004. Deborah Davis Fine Art, Inc., “Small Treasures,” Hudson, NY, Dec. 2003 to Jan. 2004. Deborah Davis Fine Art, Inc., “Recent Paintings,” with Paula DeLuccia and George Hoffman, Hudson, NY, 2004. “Rural Artists With Urban Sensibilities: A Traveling Exhibition of Contemporary Abstract Rural Painters.” With Lauren Olitski, Susan Roth, Paula DeLuccia, Roy Lerner, and Michael Williams. Perrala Gallery, Fulton-Montgomery Community College, Johnstown, NY, Feb./March 2003; C.W. White Gallery, Portland, ME, Oct . 2003; Hudson Opera House, Hudson, NY, Summer 2004; The McIninch Gallery, Southern New Hampshire University, Manchester, NH, Sept./Oct. 2004. McGowan Fine Art, Concord, NH. 1983-2003. Deborah Davis Fine Art, Inc., “Western Wall Project.” Works on Paper. Photographs by Clemens Kalischer, Family History Collages by Rabbi Yisrael Edelman and members of Congregation Kesser Israel, Chamber Music from Thereisenstadt by the Hawthorne String Quartets, Hudson, New York, December 2002 Lionheart Gallery, Boston, MA, 1998-2002. Sarah Y. Rentschler Gallery, Group Show with Joyce Weinstein, Stanley Boxer, Koki Doktori, Augustus Goertz and others, Hudson, NY, 2000. Leslie Urbach Gallery-Albany Center Galleries, “Berkshire Artists.” Albany, NY, 1999. IS 183 Art School of the Berkshires, Faculty Exhibition, Stockbridge, MA 1998. Congregation Shir He Harim, “A Jewish Perspective”, Selections from the Isaac Luria Series, in conjunction with work by other Jewish Artists, Brattleboro, VT, 1998. Council for Creative Projects: Warehouse Gallery, “Made in the Americas”, group show with Andy Warhol, Robert Rauschenberg, Sherry Steiner and Romare Bearden, Lee, MA, 1997. Council for Creative Projects: Warehouse Gallery, “The Eastern Spirit in Contemporary Art”, Lee, MA, 1997. Berkshire Community College, “Koussevitzky Arts Festival”, Pittsfield, MA, 1997. Harcus Gallery, Boston, MA, 1983-1996. Mast Cove Galleries, Kennebunkport, ME, 1983-2000. Sound Shore Gallery, Cross River, NY, 1986-2001. NUAR Contemporary Art “Quartet”, Santa Fe, NM, 1995. Cline Fine Art Gallery, “The Luria Series”, exhibited during an Elaine de Kooning retrospective, Santa Fe, NM, 1995. New England College Gallery, “The Artist’s Champion”, memorial show for Robert M. Doty, first director of the New England College Gallery, Henniker, NH, 1994. The Currier Museum of Art, “New Directions, Contemporary Art from the Currier Collection”, Manchester, NH, 1994. Concordia College Library Gallery, Group Show, Bronxville, NY, 1990. Newton Free Library, Exhibition with Thomas Barron and Fay Grajower, Newton, MA, 1988. Temple Beth Am, Art ‘65 and ‘88, Framingham, MA, 1965 and 1988.
Group Exhibitions continued
Wade Gallery, Los Angeles, CA, 1987-1992. The Chapel Arts Center, “The Elusive Object”, St. Anselm’s College, Manchester, NH, 1986. Exhibition of Five Artists arranged by Elita T. Agee, fine arts advisor, Bronxville, NY, 1986. Janus Gallery, Santa Fe, NM, 1986. Federal Reserve Bank, “Boston Painters and Sculptors”, Boston, MA, 1985. Duck Blind Limited Art Gallery, Kitty Hawk, NC, 1985. Rose Art Museum, “Works on Paper”, Brandeis University, Waltham, MA, 1985. South Shore Arts Festival, “Invitational Show, Boston Painters & Sculptors”, Cohasset, MA, 1985. AVA Gallery, “Imagination and Images”, Hanover, NH, 1983. Andrea Olitsky, Millerton, NY, 1982. Sunne Savage Gallery, Boston, MA, 1982. The Gallery, Portsmouth, NH, 1982. Cybermation, Inc., Cambridge, MA, 1981. Creiger & Sesen, “Summer Auction”, Boston, MA, 1981. Addison Gallery of American Art, “The Addison Admiralty”, pictures of boats and ships from the Addison Collection, Andover, MA, 1981. Gallery East, two-artist show with David Barbero, Boston, MA, 1980. Surrounding Gallery, Center Sandwich, NH, 1980. New Hampshire College, “Magic Show”, Manchester, NH, 1978. Barridoff Galleries, “New Watercolors”, Portland, ME, 1978. Phenix Gallery, (Direct Vision), Concord, NH, 1978. New Hampshire Arts Biennial (juried exhibition), Manchester Institute of Art, Manchester, NH, 1978. New Hampshire College, Manchester, NH, 1977. Boston City Hall Galleries (Direct Vision), Boston, MA, 1977. Hopkins Center, Dartmouth College, Hanover, NH, 1977. Gallery NAGA, Boston, MA, 1977. Thorne Memorial Gallery, “The Image of Poetry”, Keene State College, NH, 1976. Plymouth State College, Bicentennial Festival, NH, 1976. Ceres Street Gallery, Portsmouth, NH, 1976. Hilles Gallery (Direct Vision), Harvard University, Cambridge, MA, 1976. Academy of the Arts, Easton, MD, 1976. Walters Art Gallery, Regis College, Weston, MA, 1976. Harcus Krakow Gallery, (drawings), Boston, MA, 1975. Bellevue Gallery, Binghamton, NY, 1975. St. Paul’s School (Direct Vision), Concord, NH, 1975. Boston City Hall (Direct Vision), Bicentennial Inauguration, Boston, MA, 1975.
Group Exhibitions continued
Arena ‘75 (juried exhibition), Binghamton, NY, 1975. Doric Hall, Massachusetts State House, “Direct Vision Paints Boston”, Boston, MA, 1975. Poetic License Gallery, New York, NY, 1975. Manchester Institute of Art, Manchester, NH, 1974. Nashua Institute of Arts and Sciences (Direct Vision), Nashua, NH, 1974. Nashua Institute of Arts and Sciences (contemporary portraits), Nashua, NH, 1974. Point Gallery (Direct Vision), Kittery Point, ME, 1974. New Hampton School (Direct Vision), New Hampton, NH, 1974. Boston City Hall, “The Direct Vision”, Boston, MA, 1972, 1973. Fitchburg Art Museum, “The Direct Vision”, Fitchburg, MA, 1973. Eleanor Kanegis Gallery, East Gloucester, MA, 1973. Massachusetts College of Art, “Contemporary Watercolors”, Boston, MA, 1973. Point Gallery, Kittery Point, ME, 1973. Maclvor Reddie Gallery, Boston, MA, 1973. Brookline Arts Center, “New England Artists”, Brookline, MA, 1972. Sharon Art Center, Peterborough, NH, 1971.Bradley Galleries, Milwaukee, WI, 1971. Alesandro Oliva Gallery, New York, NY, 1970-72 Virginia Museum of Fine Arts, “Collectors’ Show”, Richmond, VA, 1970. Gallery on the Mall, Alexandria, VA, 1969. Emerson Gallery, McLean, VA, 1969. Fuller Memorial-Brockton Art Museum, Brockton, MA, 1969. Arts Festival, Concord, NH, 1968. Franconia College, Franconia, NH, 1967. Colby Sawyer College, “Three New Hampshire Expressionists”, New London, NH, 1967. Off the Square Gallery, Cambridge, MA, 1966. Eric Schindler Gallery, (Two-artist exhibit), Richmond, VA, 1966. Brookline Public Library, Group 17, Brookline, MA, 1966. Weeden Gallery, Concord, NH, 1964. Daedalus Gallery, Boston, MA, 1964. Grover Cronin’s, Waltham, MA, 1963.
Public Collections Museum of Fine Arts, Boston, MA. New England College, Henniker, NH. Addison Gallery of American Art, Andover, MA. Rose Art Museum, Brandeis University, Waltham, MA. The Detroit Institute of Arts, Detroit, MI. The Currier Museum of Art, Manchester, NH. Le Centre D’Art, Baie-St-Paul, Quebec, Canada. Museum of Art, Fort Lauderdale, FL. Concordia College Gallery, Bronxville, NY. Yeshiva University Museum, New York, NY. Museum of Fine Arts, Santa Fe, NM. Hampshire College, Amherst, MA. Babson College, Wellesley, MA. Lee Bank, Lee, MA. Chabad House, Lubavitch of New Hampshire, Manchester, NH. The Max and Anna Levinson Foundation, Santa Fe, NM. New Hampshire Council on the Arts, Concord, NH. Hebrew Rehabilitation Center for the Aged, Boston, MA. MFA/Hines Industrial Foundation, Cambridge, MA. New Hampton School, New Hampton, NH. Temple Beth Jacob, Concord, NH. New Hampshire Savings Bank, Concord, NH. Bank of New Hampshire, Goffstown, NH. Temple Beth Shalom, Santa Fe, NM. Congregation Ahavath Sholom, Great Barrington, MA. Represented in several American corporate collections, and in private collections in America, England, France and Israel.
Commissions Paintings, The Carolyn Dorfman Dance Company, Union, NJ. Portraits of Mrs. Charles Gordon, commissioned by Mr. Gordon, Concord, NH. Portrait of Paul Metcalf, commissioned by Lillabulero Press, Northwood, NH. Portrait of Gil Williams, commissioned by Bellevue Gallery, Binghamton, NY. Charcoal studies, commissioned by New Hampshire Composition, Concord, NH. Charcoal studies, commissioned by Mrs. Gerard Derepentigny, Manchester, NH.
Lectures, Publications, Etc. Gallery Talk: “Renoirs’ Portraits and Landscapes,” Sterling and Francine Clark Art Institute (Collaboration with Berkshire Community College), Williamstown, MA, 2000. Gallery Talk: “Visual Improvisations on the Teaching of Isaac Luria, the Inspiration for My Paintings,” Yeshiva University Museum, New York, NY, 1996. Gallery Talk: “The Teaching of Isaac Luria, the Inspiration for My Paintings,” New England College, Henniker, NH, 1995. Judge: 1994 Congressional Arts Competition for New Hampshire High School Students, sponsored by US Congressman Dick Swett. Conference participant: “The New Hampshire Image: As We and Others See Us,” sponsored by the NH Council for the Humanities, St. Anselm’s College, Manchester, NH, 1983. Lecture: “The Emergence of the Visual Memory in My Painting,” Museum of Fine Arts, Boston, MA, 1983. Direct Vision Slide Presentation: Boston Visual Artists Union, 1976. Lecture: “Painting from a Painter’s Point of View,” Fogg Museum, Harvard University, 1975. Lecture: “The Direct Vision,” St. Paul’s School, Concord, NH, 1975. Cover Painting: Raw Honey by Marie Harris, Alice James Books, Cambridge, MA, 1975. Delegate to the New Hampshire Bicentennial Committee, 1974-1975. Drawing: New Hampshire Artists Engagement Calendar, 1974, produced by Gerda Peterich for the Greater Concord Arts Council. Lecture: “An Approach to Painting,” New Hampton School, New Hampton, NH, 1974. Article: “The Paste-up Autobiography: A Visual Memoir; An Approach to Psychotherapy and Remedial Teaching,” with supplementary material by Lana Pratt, learning disabilities teacher, and Dr. Jay Kuten. Paper distributed to numerous clinics and therapists; published by the American Journal of Art Therapy, October, 1973, as “Collage in the Treatment of Disturbed Adolescents.” Cover Design for Lillabulero Press Books: Rock-Rimmon by Doug Collins, 1973. This Endless Malice by Enrique Lihn (translated by by William Witherup), 1969. Sitting Around by Greg Kuzma, 1969. Love Poems by Peter Wild, 1969. Broken Syllables by William Matthews, 1967. Lecture: “Art as a Therapeutic Technique” for the Manchester Art Association, Manchester, NH, 1971. Illustration: “Waiting to Freeze”, book of drawings with poems by Russell Banks, Lillabulero Press, Northwood Narrows, NH, 1969.
Grants and Awards
Development Corporation for Israel, State of Israel Bonds, “The Western Wall: Menorah,” 2007 Who's Who in the 21st Century, (IBC, Cambridge, England) Who’s Who in America Who’s Who in the East Who’s Who in American Art Outstanding People of the 20th Century, 1999 (IBC, Cambridge, England) The Max and Anna Levinson Foundation, Santa Fe, NM, Grant 1997 - If I should forget Thee O Jerusalem: The Western Wall project; A series of paintings and workshops in Collaboration with Rabbi Yisroel Edelman of Congregation Kesser Israel, Springfield, MA and photographer Clemens Kalischer. This project is affiliated with the Center for Jewish Culture and Creativity, Los Angeles and Jerusalem Dictionary of International Biography, (IBC, Cambridge England) International Man of the Year, 1993. Memorial Foundation for Jewish Culture, New York, NY. Fellowship, 1989-1990, to do a series of paintings on the teaching of Isaac Luria. Recommended to the foundation by Rabbi Martin Twersky, Congregation Ahabat Sholom, Lynn, MA; Clement Greenberg, art critic; and Carl Belz, director, Rose Art Museum, Brandeis University, Waltham, MA. Symposium ‘88, Le Centre d’Art, Baie-St-Paul, Quebec. A month residency of ten Canadian and six American painters, each selected to complete a large scale work. Theme: Pays Ages/Land Mark. Guest Lecturers: Rene Huyghe, art historian and chief curator emeritus, Louvre Museum, Paris, France; Clement Greenberg, art critic; Karen Wilkin, art historian and critic; Nicole Dubreuil Blondin, art historian and critic, Montreal, Quebec; Nja Mahdaoui, painter, Tunisia; Ismaila Manga, painter, Senegal. Awarded Prix Rene Richard with Canadian painter Louise Masson. Purchase prize “Laconia Citizen”, New Hampshire Bicentennial, Laconia, NH, 1975. National Museum of American Art, slide archives, Smithsonian Institution, Washington, D.C. Massachusetts Council on the Arts and Humanities: Direct Vision Bicentennial Exhibitions, 1975. Direct Vision Traveling Exhibition, 1973.
Reviews and Press The Country and Abroad, “Great Barrington Artist Arthur Yanoff in the Berkshire Museum as a Direct Compliment to the Ongoing Exhibition 'Color and Form: The Language of Abstract Art,'” August/September, 2009. The Berkshire Record, “Yanoff exhibits at Berkshire Museum,” August 28, 2009. From the Mayor's Doorstep, “Wiser Pairing; Curiosity and Respect,” by Piri Halasz, July 2009. The Forward, “Looking Backward, Dancing Forward: Art that Fills Senses and Crosses Borders,” by Gwen Orel, May 29, 2009. The Independent,”On Warren Street, Visual Rambles Through Time and Space,” by French Clements, March 21, 2008.
Reviews and Press Continued
Art New England, “Hudson River: Abstract Revision,” by Kevin D. Murphy, February/March, 2008. From the Mayor's Doorstep, “If They Could See Us Now,” by Piri Halasz, Decem 2006. The Independent, “American Space: Contemporary Abstract Painters Take on the Hudson River School,” by Marcia Stamell,October 20, 2006. The Independent, “Paintings Examine an American Rite.” March 31, 2006. From the Mayor's Doorstep, Supplement to Deluxe Print Edition, “Color Print and Text on Arthur Yanoff,” by Piri Halasz, January 15, 2006. The Berkshire Eagle, “IS 183, Art School of the Berkshires, New Faculty Members of Printmaking, Painting Classes.” January 5, 2006. Abstract Paintings, Concepts and Techniques, by Vicki Perry, Watson-Guptill Publications, 2005. From the Mayor's Doorstep, “Abstraction Now at Stageworks,” by Piri Halasz, December 1, 2004. The Jewish Press, “The Esthetic of Mishagaas: Tom Barron and Arthur Yanoff at Stageworks,” by Menachem Wecker, November 26, 2004. The Independent, “What You See Is What You Choose,” by Richard Baim, October 8, 2004. The Independent, An Abundance of Art Beckons Gallery Crawlers,” by Richard Baim, July 30, 2004. NY Arts Magazine, “Far Above the Hudson Waters,” by Piri Halaz, July/August 2004. From the Mayor's Doorstep, “Recent Paintings: Paula Deluccia, George Hofman, Arthur Yanoff, by Piri Halasz, April 15, 2004. Catskill Mountain Region Guide, “Three Regional Artists: Paula Deluccia, George Hofman, Arthur Yanoff; Deborah Davis Fine Art.” Color reproduction, Arthur Yanoff “Steerage to Ellis Island,” April 2004. The Artful Mind, Interview with George Hofman, April 2004. Passport, “Passport Picks: An Enclave for Art in Hudson, NY,” Color reproduction, Spring 2004. The Independent, “At DDFA, a Trio of Innovative Artists,” March 12, 2004. From the Mayor's Doorstep, by Piri Halasz, July 2003. The Sunday Herald Leader, “Urban Art/Rural Life” by Lawrence Hovish, March 2, 2003. “Rural Artists with Urban Sensibilities,” catalogue essary by Carl Belz with forwards by Lauren Olitski and Joel Chapin, 2003. From the Mayor's Doorstep,” by Piri Halasz. December 2002. The Independent,”Making Memory Come Alive,” by Richard Roth, December 6, 2002, The Berkshire Record,.”The Art of Nature, The Nature of Art” by Robin Sullivan, August 13, 1999. Brattleboro Reformer, “A Jewish Perspective”, April 23, 1998. From the Mayor’s Doorstep: “Small New York Pictures, Large Canadian Visions:…”, by Piri Halasz, October 15, 1998. The New York Jewish Week, “Manhattan: Layers of Discovery”, by Susan Josephs, Oct. 18, 1996. From the Mayor’s Doorstep: “Postmodernism and Present Modernism” by Piri Halasz, Electronic Edition of “A Gathering of the Tribes”April 15, 1997, and June 1, 1997. The Berkshire Record, “A Gallery Comes to Lee”, by Marcia Stamell, August 29, 1997
Reviews and Press Continued
New Hampshire Sunday News, “Brush Strokes: Yanoff Works Featured in NEC Exhibit,” December 3, 1995 Concord Monitor, “Teaching of a Jewish Mystic Inspire Exhibit” by Jane Hunt, November 2, 1995. Manchester Union Leader, “It’s All Abstract for Arthur Yanoff”, October 27, 1995. The Jewish Press, “West Coast Happenings”, Jeanne Litvin, Editor, August 4, 1995. Wellspring, “Kabballah on Canvas”, by Tzivia Emmer, Winter, 1992. Zib’ Nzach ‘N, “Exhibit: Paintings by Arthur Yanoff on the Teaching of Isaac Luria” by Elaine Adler, Summer, 1991. New York Sunday Times, “A Show of 3 Contemporaries in an Old English Setting” by Vivien Raynor, May 6, 1990. New York Art Review, published by Les Krantz, American References, Inc., 1988. Le Plein Jour, “Deux artistes se partagent le Prix Rene Richard”, September 6, 1988. ONF Film, “Artistes du Symposium” for the Canadian Broadcasting Company by Jacques Giraldeau, August 23, 1988. Le Soleil, “Peintres et Pays/ages à Baie-Saint-Paul” by Majella Paradis, August 20, 1988. Le Devoir, “A Baie-Saint-Paul, l’art contemporain descend dans l’arene” by Clair Gravel, Aug. 13, 1988. Journal de Quebec “Le Symposium de Baie-Saint-Paul” by Suzanne Gautier, August 7, 1988. Video: “Symposium 88 PAYS/AGES et LAND/MARK” by Francois Rivard, August, 1988. CIHO Radio Interview: Baie-Saint-Paul, Quebec, August 1988. The Advent of Modernism, (High Museum of Art, Atlanta, GA), “Into the New Century: After the First Wave”, essay by William C. Agee, 1986. Moffett’s Artletter by Kenworth Moffett, Vol. 1, No. 4, June, 1986; Vol. 1, No. 7 & 8, Sept./Oct., 1986. Art New England, “Abstraction Offers the Most Exciting New Possibilities” by Kenworth Moffett, September 1985. New Hampshsire Times, “Wrestling with Art” by George Packard, March 2, 1985. Manchester Union Leader, “Yanoff’s Abstracts at Currier,” February 7, 1985. Archives of American Art Journal, review of Ann Lee Morgan’s “Arthur Dove: Life and Work”, by William C. Agee, November 4, 1984. Boston Phoenix, “Far From the Madding Crowd” by Susan Orlean, June 12, 1984. Art New England, “On Painting: A Dialogue between William Holst and Arthur Yanoff” by Christine Gardner, February 31, 1984. New Hampshire Sunday News, “Yanoff’s Art Thrives in Concord” by Dennis Paiste, December 25, 1983. Wellesley Townsman, “Yanoff Exhibit at Babson Gallery”, November 17, 1983. New Hampshire Public TV, “Profile of Arthur Yanoff, producer/director, Richard Fischer, first shown November 3, 1983. Winthrop Sun Transcript, “Arthur Yanoff Show at Boston Museum”, September 21, 1983. Concord Monitor, “He Paints Through a Window that Opens to a Universe of Color” by Joanne Silver, August 24, 1983.
Reviews and Press Continued Back Bay Ledger, “Direct Vision” by Michael DeCourcy Hinds, August. 28, 1975.
Art News, “A Nice Feeling” by Edgar J. Driscoll Jr., Summer, 1974. Boston Sunday Advertiser, “Direct Vision at Cyclorama” by Bob Garrett, March 17, 1974. Direct Vision Catalogue, sponsored by Massachusetts Council on the Arts, 1973. Boston Phoenix, “The Direct Vision Changes Focus”, by Fred Barron, October 1972. Newton Times, “Boston Artists Rebelling at City Hall” by Katherin Nahum, January 19, 1972. Providence Journal, McLean, VA, “Arthur Yanoff Exhibit, October 10, 1969.
Memberships Boston Painters and Sculptors New Hampshire Art Association American Art Therapy Association American Working Terrier Association American Southdown Sheep Breeders Association Border Terrier Club of America New Hampshire Sheep & Wool Growers Association Greater Boston Kerry Blue Terrier Club Livestock Guard Dog Association Bull Terrier Club of New England Board of Directors, Lee Arts Committee, Lee, MA
References Kenworth Moffett, art historian and curator 256 Strawberry Hill Ave. Stamford, CT 06902 William C. Agee, art historian 157 Alta Ave. Yonkers, NY 10705 Carl Belz, art historian and curator P.O. Box 522 98 Franconia Mountain Road Franconia, NH 03588 Karen Wilkin, art historian & critic 28 W. 38th Street, #7W New York, NY 10018 Christopher C. Cook, art instructor & director emeritus Addison Gallery of American Art Phillips Academy Andover, MA 01810 Piri Halasz, art historian and curator 529 East 88th Street, #5A New York, NY 10128 Inez McDermott, art historian & curator 36 Ridge Road Concord, NH 03301 Clifford Ackley, curator Department of Prints and Drawings Museum of Fine Arts Boston, MA 02115