Design Quarterly

ShowcaSing Bc & alBerta’S architectS and interior deSignerS

fall 2016 Vol. 17 no.2

PM 40063056

d e S i g n q ua rt e r ly

IDIBC Awards of Excellence Architect Darryl Condon, HCMA | Kitchen & Bath

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Features 06 deSigner Profile

Vancouver architect darryl condon wants to broaden the conversation about how architects can have greater social impact and influence.

12 Kitchen & Bath

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▶ Mix it up ▶ unique and functional faucets ▶ Kitchen and Bath innovations

17 idiBc awardS of excellence

Departments 04 from the editor

ON THE COVER: the stunning chandelier at 745 thurlow earned McM interiors a 2016 idiBc award of excellence, Special design as well as an award of Merit for the project.

PHOTO: ema Peter Photography

Fall 2016 | DESIGN QUARTERLY

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froM the editor

deSign excellence

fall 2016 Vol. 17 no.2

www.designquarterly.ca PuBliSher dan gnocato dang@mediaedge.ca Managing editor cheryl Mah graPhic deSign tang creative inc.

THE IDIBC AwARDs Of ExCEllENCE Is AlwAys a highlight of the year for the industry. The event brings together some of the very best interior design talents in B.C. to socialize and celebrate each other’s accomplishments. With everyone’s hectic schedule, it’s a fun opportunity to see old friends, colleagues or to make new contacts.

The diverse range of projects submitted for 2016 was breathtaking and inspiring. This is always a favourite issue of the year for me, especially the food and beverage category which often inspires a restaurant visit for the eye-candy decor. Lighting is also another area that I obsess over. On our cover is 745 Thurlow, an office tower in downtown Vancouver, which boasts a stunning custom chandelier by MCM Interiors Ltd. It won two awards for specialty lighting and workplace partial.

We are proud to devote this annual issue to celebrate design excellence which makes where we work, live and play more enjoyable. Inside, all 26 winners are showcased.

Of course, architects also play a critical role in shaping the quality of our built environment. The social impact and influence of architecture are areas that Vancouver architect Darryl Condon, managing partner at HCMA Architecture and Design, is increasingly pursuing and exploring. His firm is undertaking many special initiatives that he hopes will push beyond traditional boundaries and inspire conversations about the future of the city.

Finally, we wanted to share that the design community recently lost some good colleagues. Interior designers Barbara McGeough (August 6) and Lesli Balagno (September 18) will both be remembered for their many contributions. And renowned Vancouver architect Bing Thom (Oct 4) passed away at the age of 75, leaving a legacy of iconic architecture that touches many communities.

contriButing writerS Jackie Berry Maria Bosco B.c./alBerta SaleS dan gnocato 604.549.4521 ext. 223

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DESIGN QUARTERLY | Fall 2016

the purpose of design quarterly is to reflect and represent practitioners and professionals in the architectural, interior design and design resource communities throughout British columbia and alberta.

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DESIGN QUARTERLY | Fall 2016

deSigner Profile

Passion for

Community Building

By Cheryl Mah VancouVer architect Darryl conDon has been designing public sector and community oriented projects for more than 25 years. It has nurtured a passion for community building and a desire to broaden the sustainability conversation to one that focuses on social impact.

“Much of the focus in the architectural profession in last 20 years has been around the environment and far less on our social impact — which is harder to measure and understand,” says Condon, managing partner at HCMA Architecture and Design (HCMA).

He believes it’s time to develop methodologies and frameworks to be able to have greater impact and influence on the indicators of social sustainability such as capacity in the community, accessibility and safety.

“We believe with focus and intent, we can have greater social impact in our work,” he says, noting the firm was an early adopter of LEED and other green building design rating systems but is now increasingly pursuing a broader social agenda.

“Most of my work has been community focused — public and municipal buildings. It’s given me a design perspective that is really thinking about the community first. They are the building types that directly affect the broader community and have the most impact.”

It’s that desire to make a social impact that is driving Condon to move the firm into the future by challenging the traditional boundaries of architecture and to embrace an interdisciplinary design approach.

“We’ve brought in other design disciplines that we’re layering on as additional skill sets such as industrial design,

graphics, and branding. It’s about working in many different ways and forms to strengthen us as a firm — to strengthen the quality of the services we’re providing to our clients,” he says.

HCMA’s culture of collaboration and exploration encourages experimentation, with the ultimate goal of positively influencing the way architecture is conceived and experienced.

Through its TILT Curiosity Labs, the firm explores initiatives that experiment with different ways of thinking or working, and ultimately how different forms of creative expression can enrich architecture.

An artist in residency program, for example, allows emerging artists to explore the creative and design process in collaboration with the firm. A recent artist created a choreographed dance in response to the Grandview Heights Aquatic Centre project, according to Condon, while a textile artistic is currently exploring different ways to construct fabric.

“It’s really exciting to see how these explorations will inform our work and how we’re using some of these nonproject specific initiatives to broaden our understanding and to influence our work,” he says.

The firm is also interested in starting important conversations about the future of the city, becoming involved in a number of special projects. A recent example is the Hastings West laneway, an experiment in reshaping city laneways into engaging, accessible public spaces. Earlier this year HCMA put forward an idea for a new multi-purpose public space called the Coal Harbour Deck.

“These are examples of special initiatives that we’re taking on as a way of starting conversations and encouraging questions about how we’re designing our cities and how we can

Fall 2016 | DESIGN QUARTERLY

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deSigner Profile

Darryl Condon was the lead architect for the awarding winning West Vancouver Community Centre

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DESIGN QUARTERLY | Fall 2016

really design them for people first,” says Condon. “We’re looking at what the city will need from us 5-10 years down the road.”

He sees the architectural profession in a “time of great change” and while some may see that with regret or as a challenge, he sees it as an opportunity and a time of excitement.

“We are trying to understand how the practice of architecture is evolving and the forces of change that are acting upon it. We’re increasingly finding initiatives that go beyond traditional architecture and traditional building projects — that’s fuelling a lot of interest and creativity for us,” he says.

Condon’s own interest in architecture was set an early age. Born and raised in Regina, Saskatchewan, the 50-year-old had an early fascination with buildings. His father was a land surveyor whose office was often full of architectural drawings.

“I became quite interested in architecture at a very young age and I started drawing buildings... and it just stayed with me,” recalls Condon.

After graduating with a Bachelor’s degree in architecture from McGill

University in 1990, he began his professional career with IKOY Architects in Regina. In 1993 Condon headed west and after a short stint with another architectural firm, he joined Hughes Baldwin Architects as it was known in 1994. He eventually became a partner in 2000.

The firm has undergone several name changes since founder Roger Hughes (now retired) formed Roger Hughes Architects in 1976. In 2015, the firm rebranded from Hughes Condon Marler Architects to HCMA Architecture and Design. The name change coincided with the firm’s move to a new 7,000 square-foot office in downtown Vancouver.

“We had outgrown our previous space where we were spread out over two floors,” says Condon. “The new space allows us to be all on one floor which is important. We have a very collaborate process that relies on really strong team dynamics.”

Today, HCMA is led by Condon and three other partners including Karen Marler, Stuart Rothnie and Carl-Jan Rupp, each bringing different strengths and expertise to the team. The mid-size firm is a diverse

and multicultural team of 50 in two offices located in Vancouver and Victoria.

“The group of people we have here is incredible. I’m extremely proud of the community that we’ve built within the firm and the shared sense of purpose,” says Condon.

As managing partner, Condon is responsible for the strategic direction of the firm and also leads many of the firm’s projects and initiatives.

“One of the more unique projects that I’m leading right now is the new land use vision for Granville Island,” he says. Granville Island 2040 is a planning initiative that will set out a comprehensive direction and dynamic vision for the island’s next 25 years.

While HCMA works on a broad spectrum of projects, it has built a reputation for coherent, socially generous and striking public buildings such as community centres, libraries and pools. Since the 1990s, the firm has been leading the way with its innovative and award winning aquatic centre designs.

Beginning with Burnaby’s Eileen Daily Pool to the most recent

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“Whether it’s a fire hall, aquatic centre or daycare, we bring the same rigour to every project”

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DESIGN QUARTERLY | Fall 2016

Grandview Heights Aquatic Centre in Surrey, HCMA has firmly established its expertise in aquatic architecture.

Opened in 2016, the Grandview Heights Aquatic Centre recently earned an AIBC Lieutenant-Governor of British Columbia Award in Architecture (Merit).

“It’s gratifying to be consistently recognized for our work. It shows the depth and consistency of the firm and what we produce. Whether it’s a fire hall, aquatic centre or daycare, we bring the same rigour to every project,” says Condon, who will be travelling to Berlin in November to present the shortlisted Surrey aquatic project at the World Architecture Festival.

“Just as gratifying is the impact the project has had on the community — the public loves the building.”

The majority of the firm’s projects are located in B.C., while a number of collaborations have lead to notable projects in other provinces such as the Jasper Place Branch Library in Edmonton (Dub Architects) and the Stade de Soccer de Montréal (Saucier + Perrotte).

“We’re quite excited about our private sector work as well. We’re

finding a new generation of developers and development companies that judge success from a wider set of variables,” notes Condon. “I think we’re entering a phase of architecture that is going to be extremely interesting.”

As for the future, he can see the firm growing in the number of offices and locations, but won’t be “chasing work for the sake of growth. It’s about using our unique skill sets and looking for ways to explore how to have greater influence as architects.”

Condon carries that same conviction into his position as the current AIBC president. He has served on the board since 2013, becoming president in 2015. “The council has been focused on helping the institute meet the needs of the future as well — looking into the future to see what does the public need from the regulator of the profession.”

The council wants to promote the value of architecture and the value of architects to the community, and work with educators and universities to ensure the development path of an architect will meet future needs.

In recent years, AIBC has reduced barriers to registration to address

future skills shortage in the architectural profession, especially with increasing retirements.

“We have to find ways to help the younger generation get through the process quicker not only to replace those retiring but to help keep the profession dynamic and vibrant. It’s critical that we inject new energy, new ways of thinking and creativity into the profession. It’s also critical to improve the gender balance in the profession,” says Condon, noting HCMA is proud to be almost entirely gender balanced.

Condon also teaches at the UBC School of Architecture and has served on various urban design panels and design committees.

He actively volunteers his time for community work and is currently president of the B.C. Recreation and Parks Association.

“I think all of us have an obligation to give some time back to the profession. I get involved because I want to make a difference,” says the father of two. “It’s been really gratifying to be working with so many talented and dedicated groups that equally want to make a difference.” DQ

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Kitchen & Bath

Mix it uP Lighting in the Kitchen

By Jackie Berry

Mixing different shapes creates a sense of playful movement.

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DESIGN QUARTERLY | Fall 2016

wHEN CHOOsINg lIgHTINg for a kitchen, one of the most commonly asked questions is, “Will this fixture give off enough light?”

The kitchen is an area where people tend to spend most of their time cooking, eating, reading, writing, doing homework, and socializing. It’s important to have adequate amounts of general and task lighting, as well as being able to provide ambient lighting for a more relaxed social setting.

Recessed lighting is an area that should be carefully considered at the very start of a new build or renovation so it can be properly roughed in at the start of the project. The purpose of recessed lighting is to

illuminate the surface of a work space, not necessarily to be a decorative fixture that people notice. There are many different types of recessed lighting to choose from and factors such as size, finish, light output, and narrow spot vs. wide flood should be considered. Designers can choose the colour of the trim, and whether there is a ridged baffle, or a reflective finish. Reflectors are designed to give a more efficient and smooth light output, without giving off a harsh glare. There is a wide selection of finishes ranging from a cool chrome or clear to a warmer gold tone. The lamp sits higher up within the housing, and often is adjustable to provide light where it’s required.

Baffled trims absorb the stray light so homeowners experience a comfortable glow when they are on.

White trims look best when they are turned off as they blend in with the ceilings, but can cause a glaring effect when they are on, where as a black or bronze finish when illuminated gives a warmer effect and does not draw the eye to the light source.

Think about how the homeowner will be using the space and the best position for the lights to make them the most functional. Will there be an island with multiple pendants?

Will those fixtures be for a soft ambient effect where there will be a need for additional recessed fixtures

Kitchen & Bath

Under cabinet lighting is a must for tasks such as cooking.

to provide task lighting in that area, or will they be sufficient on their own? A trend is to use a few larger pendants that have more presence over a kitchen island, or have just one large fixture which can range in style from a more traditional chandelier, to a contemporary linear piece. Another trend is mixing different shapes, and/or sizes that are in a similar series. Maybe try groupings of three or five depending on the size of the island, or mix them in clusters in different heights to create a sense of playful movement. Mixed finishes on fixtures is another ongoing trend. We see brass mixed with oil rubbed bronze, or black and gold, as well as natural

materials like iron, wood, or even rope. Different colours and shapes of glass range from clear, or seeded to mercury and coloured glass is also popular.

Under cabinet lighting is a must for tasks such as cooking. LED strip lighting gives an even light output on counter tops and does not emit as much heat as the Xenon or Halogen lamps. Think about incorporating it for toe kick lighting under islands, or even above cabinets or in a cove to give a wash on the ceiling for another layer of lighting. Also, puck lights within glass cabinets to highlight items like fine china or collectibles is another great way to layer the lighting.

There are different types of light sources to consider such as incandescent, low voltage halogen, fluorescent, or LED technology which is the most environmentally friendly and energy saving, and is becoming more economical in cost. With LED there is a wide variety of colour temperatures such as a warm amber light to a cool white. The majority of LEDs can be used with a dimming system. Dimming is also a great way to control light output and set scenes within the home, as well as conserve energy and prolong lamp life.

Lighting trends and technologies are always evolving. The kitchen is a working area where homeowners spend a lot of their time enjoying the space, so it’s worth taking some time to find the perfect balance of function and style. DQ Jackie Berry, outside sales, has been with Robinson Lighting and Bath Centre for over eight years now.

She is an active member of CHBA and is also on the executive board for the NKBA Prairie Province Chapter.

Fall 2016 | DESIGN QUARTERLY

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Kitchen & Bath

UNIQUE AND FUNcTIoNAL FAUcETS Today’s plumbing manufacturers offer products in a variety of styles to meet function and aesthetics.

By Maria Bosco

PlumBINg fIxTuRE sTOREs TODAy ARE sHOwCAsINg numerous lavatory sinks in different shapes and dimensions. To complement the many forms, faucet manufacturers have stepped forward and are offering their collections in different heights and spout reaches to better suit the lavatory sink. The water stream should hit the bowl at the optimum angle to avoid splashing and allow the user to comfortably wash their hands.

The spout design and more importantly the angle of the aerator are essential water flow delivery. Grohe, for example, for the premium collections has elected to use aerators that pivot and allow the user to fine tune the angle of the water stream.

Although in Canada, polished chrome remains the dominant, timeless finish in the bathroom and kitchen, new warm finishes are coming to the 14

DESIGN QUARTERLY | Fall 2016

forefront. The tones are more realistic and reminiscent of real, aged metals.

Different shades of dark grey to black are often being requested by designers.

Designers like the stark contrast they create and to help anchor the space.

Rose gold for years now has been a popular trend in jewellery. Both shiny and matte tones have made an entrance into home decor, including plumbing fixtures. Rose gold adds a feminine touch to the space and some manufacturers like Vissoni, have added details in other more masculine colours to balance the overall look. Various gold and bronze tones are also being proposed by North American manufacturers. Designers are leaning towards shades that are matte and more subdued but elevate the space and make it more luxurious. Although manufacturers are offering variety on the market, delivery times for a faucet in a finish other than chrome can be 10 to 12 weeks.

Kitchen & Bath

Today the majority of designs on the market are contemporary or transitional.

Today the majority of designs on the market are contemporary or transitional. They have simple, clean forms that are practical and functional.

However, depending on the style of the home, the homeowner or designer can opt for something that speaks to the design aesthetic of the home.

Pared down, square minimalist designs are best suited for modern spaces.

European manufacturers are masters of this design aesthetic. The simplicity of the lines speaks volumes to the discrete design. Traditional faucets with ornate details and curved forms complement hundred year old homes that have retained the old intricate architecture. DXV, the luxury brand from Lixil make it easy for people. They offer collections that celebrate four distinct eras and capture all the nuances that recreate a room reflective of the period.

No longer just reserved for special occasions, jewellery with lots of bling is another trend that has influenced fixtures. We are seeing crystals and precious stones being integrated into the handles or the base of the faucet.

People want to create more refined spaces and a touch of sparkle will add an element of personalization. The Grohe Kensington faucet with Swarovski crystal handles continues to be a favourite because of the timeless design and the sparkle it creates.

The latest technology is being used to either produce fixtures or operate them. American Standard used 3D printing technology to create a new breed of faucets for its luxury brand DXV. The water magically flows from the opening yet most of the spout is hollow. The faucets are as bewildering as they are bewitching. The technology pushes design into new directions and offers possibilities for the future. In the shower, fixtures by the main North American brands are controlled by smart devices or control panels that provide an intuitive user interface and a multi-sensorial shower experience.

Water shortages and new regulations to address conservation in North America have forced manufacturers to adopt new maximum water flow standards. Also the increase in numbers of builders constructing using LEED standards has prompted the shift to fixtures that deliver less water per minute. Everyone is doing their part to create living spaces and products that are more sustainable. Earlier this summer, lavatory faucets moved from delivering 5.7 L/min (1.5 gpm) to 4.5 L/min (1.2 gpm). A minor change that makes a considerable impact over the year, but it does not affect the performance of the faucet.

Many of these trends and more will be on exhibit at the Kitchen and Bath Industry Show in Orlando in January 2017 and at ISH in Frankfurt, Germany in March 2017.

The 3D printed Vibrato faucet from DXV by American Standard is a striking latticework design.

Maria Bosco is director of marketing and training, Grohe Canada. DQ Fall 2016 | DESIGN QUARTERLY

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Kitchen & Bath

Kitchen and Bath innoVationS The kitchen and bath industry is constantly evolving and improving to supply innovative products to market. Here are a few winners that feature high function and style.

roBern for Balletto Vanity Featuring sexy ballerina-inspired legs and amazing, hidden storage compartments that reclaim space typically lost in under-mount sink consoles.

tecnogaS SuPeriore trifuel range This first-of-its-kind range combines the power and precision of gas burners, the convenience and efficiency of induction, and the luxury of an easy clean electric griddle in one freestanding unit.

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DESIGN QUARTERLY | Fall 2016

lieBherr undercounter Pullout refrigerator This built-in refrigerator is ideal for tight kitchens or living areas or as a secondary, cooled storage drawer.

The unit optimizes space in the small footprint using its SoftTelescopic system of self-retracting and fully extendable tiered compartments.

IDIBc AwARDS | 16

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2016 idiBc awardS of excellence

A Shining Success THE INTERIOR DEsIgNER’s Institute of British Columbia was pleased to host the 33rd annual IDI SHINE Awards on September 23, 2016. It was truly great to see the interior design community come together to celebrate excellence in design. I would like to thank all those who took the time and effort to submit their projects in the Shine Awards as it was wonderful to see the quality of work our members have produced.

We all come into interior design in different ways with unique experiences and stories, with the ultimate goal of becoming a registered interior designer (R.I.D). The Shine Awards is a beautiful manifestation of all the hard work and dedication

that exists in the profession of interior design in B.C. IDIBC continues to grow its membership and expand its role to represent the profession, ultimately seeking to be recognized provincially as a regulatory body and educating the public about the benefits of hiring R.I.D.s. The projects submitted showcase leadership, excellence and innovation that reflect the pride and professionalism of R.I.D.s.

For those who did not attend the awards, it is with great sadness to share that two members of our association passed away this year.

Barbara McGeough and Lesli Balagno both will be remembered for their great contribution to design

excellence. We would like to extend our appreciation and support to the McGeough and Balagno families.

I would like to thank this year’s esteemed judges for their time and effort in evaluating all the submissions, as it was not an easy task. We would also like to extend our gratitude to our generous sponsors for contributing to the success of the Shine Awards and to the tireless efforts of the awards committee volunteers.

Lastly, this year marked the fourth annual IDIBC student charrette competition hosted by the Emerging Professionals Committee. This year the students were tasked to design a light fixture for residential application. Thank you to all the students that

participated, as you are the future interior designers in our community.

Patricia Desmet President, Interior Designers Institute of British Columbia

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2016 idiBc awardS of excellence

SPECIALTY DESIGN | AWARD OF EXCELLENCE

745 Thurlow Lighting – MCM Interiors Ltd.

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

for thiS 25-Storey office tower in downtown Vancouver, MCM Interiors Ltd. was commissioned to design all the public spaces, including main floor lobby, elevator cabs, public washrooms, fitness centre, and multi-tenant elevator lobbies and corridors.

The interior design concept takes inspiration from the exterior angular and sleek architecture, designed

by MCMP Architects, as well as the building’s location on the edge of Vancouver’s shopping and business districts.

“We wanted to take the architectural concept into the interiors and create a high-end hospitality feel,” says lead designer Dale Kosowan.

“It had to be timeless, simple and clean with high quality materials and finishes to attract the high quality tenants the client wanted.”

The lobby features white carrerra marble floors with diagonal

stainless insert strips and walls clad in striped Marmara marble.

To create the desired perfect alignment in the stripes of all the slabs of marble on the lobby walls, a product called Stoneycomb, was sourced. “The Stoneycomb system also reduced the overall weight and lowered the cost,” he says.

A major focal point of the building interiors is the stunning LED light sculpture in the main lobby.

The custom 242 individually-lit acrylic rod chandelier was designed to make a big visual impact on guests as they first enter the building. The fixture protrudes out from the elevator lobby into the main lobby to guide and direct them towards the elevator bank. The dimmable fixture reflects off the adjacent glossy marble and stainless steel to provide unique light patterning, and beautiful ambient light at night.

“Because of the double height space, we wanted something that came down and filled this space,” says Kosowan, noting the chandelier took about a year from concept to final install.

The weight of such a large fixture required additional structural and seismic support. The ceiling panel canopies also had to match the ceiling paint finish closely to create a floating appearance. To provide easier maintenance access, multiple ceiling panels were designed into the fixture so that individual burned out bulbs can be replaced in sections rather than taking down the entire fixture, notes Kosowan.

The custom chandelier won MCM Interiors Ltd. an IDIBC Award of Excellence for specialty design, while the project won an Award of Merit (workplace partial).

“It was a very long project, so it’s great to be recognized,” says Kosowan. “The client is a very design savvy developer and is quite knowledgeable about design and construction. While they were very involved in having a say in the smallest of details, it also was part of the reason that everything in the project came together so perfectly.”

Judges Notes: First class.

Elegance of the lights.

Registered Interior Designer: Dale Kosowan, R.I.D. Photographer: Ema Peter Photography

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

FOOD AND BEVERAGE | AWARD OF EXCELLENCE

Bar Oso — Box Interiors

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

oPened in noVeMBer 2015, Bar Oso brings a new sophisticated aesthetic to the restaurant scene in Whistler thanks to the efforts of Box Interior Design. The intimate tapas bar, located in the heart of the village, boasts an impressive space that is distinctly modern with a warm and cozy atmosphere.

The design concept took inspiration from European and Spanish influences, while also drawing from Nordic and mountain elements like toboggans and saunas, according to Jay Brooks, principal at Box Interior Design.

“We really wanted to create a sense of place and came up with the concept of Alpine chic with Spanish Flair,” he says.

An early idea was to shape the room form with wood, playing off the sauna and toboggan idea. Grey stained oak slats envelope the room from the ceiling to the walls, evoking a welcoming feel. Black and white tile customized to resemble a snowflake design runs on both the floor and walls. The tile choice started as a practical matter — the need for an affordable, non-slip, ski

Judges Notes: Wood on top and pattern on the floor, good combination. boot friendly material — but ultimately created an “aesthetic joy.”

Combined with the gorgeous black jade onyx bar that runs along one wall, the result is dramatic and effective. “It all came together beautifully, especially the finishes,” says Brooks. “The combination of pattern stone and highly patterned floor isn’t done in North America.

It’s more of a European sensibility of pattern on pattern. We were pleased how well it worked.”

A smoked mirror at the far end wall of the room animates the space, while visually helping to enlarge the room.

Lighting was also key to create a touch of glamour. Decorative lights over the

bar add graphic and geometic interest and lights under the bar illuminate the beautiful onyx stone.

At only 500 square feet, getting the flow and functionality of the bar and kitchen right was important.

Fitting a big restaurant concept into a tiny space required careful considerations.

“Fitting in all the equipment and making sure everything functioned well was really the challenge,” says Brooks, adding getting qualified trades to do this high level of detailed work was also challenging.

With its topnotch design and menu, the award winning project (the latest addition to Toptable

Group’s expanding portfolio) has established itself as the popular hot spot in the mountain resort.

“The client really understands collaboration and the design process — and wants everything done with a sense of quality. Hopefully we’ll be doing more projects with them,” says Brooks.

Interior Designer: H. Jay Brooks, R.I.D. Design Firm: Box Interior Design Inc. Design Team: Cynthia Penner, Tara Griggsmiller Photographer: Ema Peter Photography

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

FOOD AND BEVERAGE | AWARD OF EXCELLENCE

Glowbal — Box Interiors

with itS Soaring douBle height volume and opulent mix of gold, wood and leather, the Glowbal restaurant in downtown Vancouver is the latest bold offering by the Glowbal Restaurant Group.

As the largest space-to-date, the flagship is located inside the iconic Telus Garden mixed-use development, and is an evolution of the original Glowbal Grill Steaks & Satay that closed in Yaletown.

Box Interior Design, who has worked on a number of projects for the restaurant group, does not disappoint with a cohesive design that is sexy and vibrant.

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

Judges Notes: Elegant, very lux.

An overall level of sophistication.

“I love this one. It’s big and bold and delivers the pumped up aesthetic that Glowbal is known for,” says principal Jay Brooks.

The expansive, new build 17,000 square-foot restaurant features 400 seats on two levels with three private rooms, each offering a distinct personality. Large column structures on the main floor help to create distinct sections for dining areas and a lounge. The design features a dynamic and open space to offer a variety of experiences, depending on guest preference or occasion.

With a grand centre opening, guests can visually connect with

each other on both levels, while enjoying the activity of the 50-foot showcase kitchen and illuminated bar.

“One of the most important elements we do for [owner] Emad’s restaurants is to create connectivity.

His clientele wants to see-and-beseen,” he says.

A few signature elements from the old restaurant were incorporated into the new space. A previous light fixture comprised of five hammered brass rings was separated and the rings individually recessed into the ceiling of the lounge to become a new repurposed light fixture.

“We also took a brass sculpture — bunch of rings — and recessed them into the wall and lit them up from below to create a sense of history of Glowbal,” says Brooks.

An unusual and unique feature is the four custom smoke glass and marble displays at the entrance that feature fresh ingredients (raw meat, fish) in a “jewelry style” box.

Another highlight is the two-storey hammered metal hood on the restaurant’s exclusive robata grill. An outside patio features human-sized bird cage booths.

The main challenge was figuring out how to make the high two volume space feel intimate, according to Brooks. The design team paid strong attention to custom and dramatic lighting and also played with furniture styles to create different moods in the space. For example, high-backed armchairs ring the open mezzanine, allowing for intimacy as well as a voyeuristic dining experience.

The result is a lush space that flows, feels comfortable and has visual interest, while ultimately being profitable.

Interior Designer: H. Jay Brooks R.I.D. Design Team: Cynthia Penner, Tara Griggsmiller, Tricia Link Photographer: Larry Goldstein

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

RETAIL & KIOSKS | AWARD OF EXCELLENCE

Citizen Clothing — Bidgood & Co. Interiors

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

Judges Notes: Wow! Quick timeline.

when citizen clothing relocated to Victoria’s downtown core, they wanted a fresh look that stepped away from its previous vintage industrial space. Delivering a modern and highly functional retail space for an established men’s clothing store within a tight fourweek time frame required some serious creative thinking from Bidgood & Co. Interiors.

“From the day we were engaged to the day the doors opened, we

only had four weeks,” recalls principal Kyla Bidgood. “We were literally working until the very last minute before the opening. It was a crazy short four weeks, but it allowed us to create something unique that has quadrupled business.”

In addition to the short timeframe, the firm was challenged with a limited budget and a smaller space to display the same amount of merchandise. The solution was to maximize the vertical space with a

custom display wall and to revitalize some of the original vintage statement pieces.

“Because the new space was smaller and a different shape, we could not re-use many of the fixtures so whatever we could re-use, we did,” says Bidgood. Original pieces like the cash desk, vintage trunks and lights were painted black including the store signage, which effectively expressed the brand’s aesthetic.

The most eye-catching feature in the store is the display wall with a cross pattern that allows for optimal adjustment and flexibility of the shelving and hooks.

“We came up with a series of simple components that slide into the slots that allow for shelving of different sizes or hooks. It became a design feature on its own — very effective and functional,” says Bidgood.

The other key display sits in the centre of the store, where dowels are

hung from the ceiling with black ropes. “It looks very simple but it was very time consuming trying to figure out the best knots, how much weight to counter it and to make sure it won’t twist or swing,” says Bidgood.

The existing platform, change rooms, small storage space and washroom remained from the previous tenant and were incorporated into the layout. The platform was warpped in plywood and a geometric graphic black vinyl pattern was applied to transform it in to a great design feature.

The end result is a space that has modernized the store’s existing brand, speaking to existing customers while drawing in new ones.

Interior Designer: Kyla Bidgood, R.I.D. Design Team: Kristine Hageland, Mary McNeill-Knowles Photographer: Sarah MacNeill

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

FOOD AND BEVERAGE | AWARD OF EXCELLENCE

The Duke Saloon — Bidgood & Co. Interiors

Judges Notes: Brick, rope, vertical panel and horizontal panel does come together.

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

Bidgood & co. interiorS’ hands-on approach and imaginative material use for The Duke Saloon has created a unique venue to meet the growing country scene in Victoria. Transforming a 90s era nightclub into the city’s first modern country bar earned the firm a coveted 2016 IDIBC Awards of Excellence.

Large wall graphics, reclaimed materials, leather accents and more all work together to create a rustic country bar that isn’t clichéd or plays to any stereotypes. Housed in a heritage building, the design team was able to use many of the existing elements such as the brick walls and high ceilings to help achieve the concept.

“Our objective was to create a country bar that was comfortable for everybody — both die hard country fans and casual club goers alike,” says principal Kyla Bidgood. “We had a conservative budget so we had to be creative with the use of materials.”

The design incorporates reclaimed and recycled materials to minimize costs and to accentuate the design.

Tin ceiling tiles were used to reclad the existing bar, giving it a fresh look that worked with the scheme.

A striking hand-woven rope wall located at the entry way was built by the design team. The rope element is carried throughout the space, an inexpensive and simple material that gives the space a rustic feel.

Large wall graphics behind the stage and beside the bar (huge mural of John Wayne) also add to the atmosphere. Plywood panels were stained grey to give a look of weathered wood.

From the large to the small, every detail works to deliver a modern take on a traditional concept.

“We really played up the dramatics with some of the lighting… like the uplighting at the back of the banquette seats where we’ve got the skulls on the wall,” notes Bidgood, adding even the banquette stitching detail in twine helps to tell the story.

Opened in summer 2014, the bar is enjoying great success and Bidgood says it’s extremely gratifying to help make the owner’s lifelong dream come true. “The Duke Saloon was a fun experience and not your typical project. A driving factor was definitely the great client who was so enthused and excited throughout the process.”

The firm was a double winner this year, also taking home an

Award of Excellence for Citizen Clothing.

“It was pretty cool. We were really surprised they both won, especially seeing the other projects,” says Bidgood. “It was great to be recognized.”

Interior Designer: Kyla Bidgood, R.I.D. Design Team: Kristine Hageland Photographer: Sarah MacNeill

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

MULTI-RESIDENTIAL AND SALES CENTRE | AWARD OF EXCELLENCE

Burrard Place Tower A Presentation Centre – Office of McFarlane Biggar Architects + Designers

The 53-storey residential tower is scheduled for completion in 2019.

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DESIGN QUARTERLY | Fall 2016

Burrard Place iS a new multi-tower, mixed-use luxury development in downtown Vancouver.

The Office of McFarlane Biggar Architects + Designers (OMB) was commissioned to provide full-service interior design for a 53-storey residential tower, which is scheduled for completion in 2019.

The firm was also asked to design a presentation centre to aid in the marketing and sales of the tower.

The presentation centre had to reflect the established five-star luxury lifestyle that defined the $500 million development — in only 8,200 square feet, according to OMB principal Michelle Biggar.

2016 idiBc awardS of excellence

“Our concept for the presentation centre was to create a light, airy space with an art gallery that showcased the features and programming of the development, while providing the sales team with the tools needed to sell the 395 market suites,” she says.

An existing Toyota car dealership on the site was renovated and expanded with a glass box to create the presentation centre. To achieve the concept, a light, neutral palette of white and light washed, white oak was defined throughout areas that were spatially generous. Over height ceilings and sparse fixturing in the main space also helped to establish

a gallery feel. The materials display was made into a full wall installation, creating an unexpected element.

“We looked at our design for the tower lobbies as a connection point, and brought in highlights of textured stone and rich bronze. This achieved luxury through simplicity: a progression of spaces where the warmth of wood and bronze and the texture of geometric patterns added layers of sophisticated depth into a clean white milieu,” describes Biggar.

Highlights include the oversized reception desk, clad in white gold tinted mirrored glass and white corian, that sets the stage for the presentation centre beyond.

Marketing graphics were also integrated into the interiors such as in the reception, where the geometric logo pattern is highlighted to deliver a cohesive visual language.

Biggar says her favourite area is the two suites which showcase the design for the tower and the two finish schemes. “We developed a black and white scheme with similar light oak wood highlights as an alternative to the more common light and dark wood schemes.”

The entrance lobby was challenging because it was very long. To create interest to draw people in, the firm introduced a new linear skylight and lined the walls and ceiling with intricate cut oak panels.

“These panels derive from the design of the residential tower lobby and set the tone for the rich materiality and unique design in the rest of the space,” says Biggar, adding the tight schedule was another challenge but a great team (from client to the contractor) worked together to successfully deliver the project.

Judges Notes: Good use of vignettes.

Detailing is successful.

Registered Interior Designer: Michelle Biggar, R.I.D. Photographer: Ema Peter photography

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

RESIDENTIAL | AWARD OF EXCELLENCE

Park House — Project 22 Design Inc

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

Judges Notes: Interior and exterior very cohesive.

winning a PreStigiouS design award is always special, but it’s even more special when the project is your own home. That is what happened to Denise Ashmore, owner of Project 22 Design Inc., who won a 2016 IDIBC Award of Excellence for Park House.

“It feels fantastic,” says Ashmore about the win. “In the past I’ve won awards in collaboration with others, but it feels double special when it’s for myself and my own personal home.”

The property was purchased in 2010 with the goal to either renovate it or to build a new home for the family of four. The 33’x122’ standard lot is set high on a hill above Douglas Park in Vancouver. Inspired by the park location with mountain views, the Ashmores decided to take the unique opportunity to build their own custom home. The design process was done in collaboration with Measured Architecture and the house was completed in 2015. The project also included a 360 squarefoot laneway house, which serves as Ashmore’s office.

The three-level 2,780 squarefoot house sits on a sloped lot that

maximizes the views and offers plenty of outdoor spaces. The lower level features a family/media room, guest room, bathroom, storage and has future flexibility as a rental suite.

A patio and fire pit provides a second area for hosting friends and family.

The family’s love of mid-century design and entertaining led to an open concept main level which connects to a private south facing back patio. The main floor contains the living, dining and kitchen areas with a Juliet balcony off the front of the house, which allows the interior to be opened to views of the park and trees. The upper floor contains

the master bedroom and ensuite along with two bedrooms for the children and another bathroom.

The aesthetic was developed with a minimal material palette throughout. Rift cut walnut was consistently used for millwork, paneling and custom screens, while polished concrete was chosen for the flooring on the lower and main levels.

While hard-wearing materials were chosen for the high traffic areas, engineered walnut was used for the flooring on the bedroom level to create some warmth, according to Ashmore. “The walnut is a really elegant material and I think the

orange brown tones work really well with the concrete floors to warm it up,” she says, adding her favourite rooms include the master bedroom and power room on the main floor.

While Ashmore has worked on a wide variety of projects, this is her first new residential build. The biggest challenge was undertaking all the interior construction management, while running a practice at the same time.

Registered Interior Designer: Denise Ashmore, R.I.D. Design Team: Clinton Cuddington Photographer: Janis Nicolay

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

RESIDENTIAL | AWARD OF EXCELLENCE

Miko Lane House — Blue Design Studio

the MiKo lane houSe waS designed for a Japanese-Canadian family and serves to reflect a heritage that celebrates both the beauty of imperfection, elements of refinement and a strong connection to the natural environment. These qualities were embraced by Blue Design Studio as a way to generate the overall form and aesthetic for this 582 square-foot project.

It seemed impossible to understand the interior without first understanding its relationship with the exterior. Literally opposites,

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DESIGN QUARTERLY | Fall 2016

2016 idiBc awardS of excellence

Judges Notes: Nice contrast between light and the dark.

a rough dark exterior stands in contrast to the luminescent light of the structure’s interior. The simplicity of the interior aims to be a compact meditative sanctuary with views that frame external green spaces, while the texture and variation of the hand-stained split shakes on a complex form of the exterior assert variation and imperfection.

The contrasting exterior and interior are essential elements that stand in opposition, but together create a whole.

Designed in collaboration with architectural firm Campos Studio, the materials either celebrate imperfection or are generated from a craft of flawlessness, opposing elements that aim to create a simplicity and beauty borne in opposition and unity.

As a way to provide a truly livable environment within the confines of this typology, the team pushed each other throughout the design process to rethink the nature and organization of a house. The solution was a single open space that seeks to provide intimacy and comfort.

Contrasts in materials, shifting floor

elevations and varied ceiling pitches work to create an imperfect asymmetry that provides both serenity and variation, where it is not the amount of space, but rather the perception of that space that is important.

The interiors were also designed with built-in furniture to take advantage of all spaces, including wall cavities, as a means to house and hide all of the mechanical and electrical equipment throughout the laneway.

“Miko House was our first collaboration with Barbara,” says architect Javier Campos. “We are saddened by her sudden passing and extend our condolences to her family and friends. It is unfortunate that we will not have the opportunity to continue what was a fruitful and special working relationship.”

Registered Interior Designer: Barbara McGeough, R.I.D. Design Team: Javier Campos Photographer: Ema Peter Photography EDITOR’S NOTE: Barbara McGeough passed away on August 6, 2016.

Fall 2016 | DESIGN QUARTERLY

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2016 idiBc awardS of excellence

AWARD OF MERIT

RESIDENTIAL AWARD OF MERIT HOmER sTREET REsIDENCE

Interior Designer: Jennifer Hamilton, R.I.D. Design Firm: Square One Interiors Inc. Design Team: Cindy Ziolkoski, Colleen Cridland Photographer: Ema Peter Photography

“Beautifully done.”

RESIDENTIAL AWARD OF MERIT sHAugHNEssy mANOR

Interior Designer: Carol Faan, R.I.D. Design Firm: Carol Faan Interiors Ltd. Photographer: Martin Knowles

“This is gorgeous.”

RETAIL AND KIOSKS AWARD OF MERIT PARk ROyAl sOuTH

Interior Designer: Edith Wormsbecker, R.I.D. Design Firm: MCM Interiors Ltd. Photographer: Ema Peter Photography

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DESIGN QUARTERLY | Fall 2016

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2016 idiBc awardS of excellence

AWARD OF MERIT PUBLIC & INSTITUTIONAL AWARD OF MERIT THNk Interior Designer: David Nicolay, R.I.D.

Design Firm: Evoke International Design Design Team: Cara Gabriel Photographer: Peter Slupski

“There’s a thoughtfulness to the project.”

WORKPLACE TOTAL AWARD OF MERIT Jll VANCOuVER

Interior Designer: Kenna Manley, R.I.D. and Susan Steeves, R.I.D. Design Firm: SSDG Interiors Ltd. Design Team: Vicky Bautista Photographer: Ema Peter Photography

“Same lights, different colours, nice repetition.”

WORKPLACE TOTAL AWARD OF MERIT lgm fINANCIAl

Interior Designer: Michelle Sigurdson, R.I.D. Design Firm: Dialog Design Team: Sarah Remocker, R.I.D. Photographer: Ema Peter Photography

“What speaks is the culture they’re creating.”

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DESIGN QUARTERLY | Fall 2016

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2016 idiBc awardS of excellence

AWARD OF MERIT

WORKPLACE TOTAL AWARD OF MERIT VANCOuVER INVEsTmENT fIRm

Interior Designer: Carol Jones, R.I.D. Design Firm: Kasian Architecture Interior Design and Planning Ltd. Design Team: Kate Salisbury Photographer: Ed White Photographics

“Wonderful minimal quality about it, very elegant.”

WORKPLACE TOTAL AWARD OF MERIT PERkINs+wIll sEATTlE OffICE TI

Interior Designer: Kimberly Baba, R.I.D. Design Firm: Perkins+Will Design Team: Rufina Wu, Ana Espinoza, David Dove, Oliver Wuttig Photographer: Ye-H Photography

“It is very clean, cohesive.”

WORKPLACE TOTAL AWARD OF MERIT TElus gARDEN

Interior Designer: Michelle Biggar, R.I.D. Design Firm: Office of McFarlane Biggar Architects + Designers Photographer: Ema Peter Photography

“Good integration of architecture and interior design.”

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DESIGN QUARTERLY | Fall 2016

UBC’s Earth Sciences Building practices what it teaches The Earth Sciences Building at the University of British Columbia houses the departments of earth, ocean and atmospheric sciences, mathematics and statistics, as well as the office of the dean of science. The intent is to encourage interdisciplinary collaboration and creativity among the faculties and help advance solutions to such pressing global issues as climate change and environmental degradation. With that focus, the new building itself had to both actively encourage teamwork – which it does through a variety of formal and informal meeting spaces, including extra-wide landings on the staircase – and also model sustainability and energy efficiency.

“We wanted this building to be a model of energy efficiency – not easy, when you consider it has 54 fume hoods that just eat up power,” says Craig Knight, Development Manager and Financial Analyst for UBC Properties Trust. Fume hoods are vital safety equipment intended to limit exposure to hazardous chemicals or toxic fumes, but one fume hood alone can use more energy than three typical B.C. homes.

“Scientific research is very energy-intensive by nature,” says Knight. “In addition to the fume hoods, there’s the heating, ventilation and air conditioning, as well as the lighting that needs to be on many hours a day.”

To try to mitigate that energy-intensiveness, UBC made a decision early in the design process to participate in the BC Hydro New Construction Program, which resources to conduct an energy-modeling study that identifies energy conservation measures.

Our buildings will be more energy efficient for life if we design them right from the beginning,” Knight says. “It’s a win-win.”

Looking for new ways to build better?

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2016 idiBc awardS of excellence

AWARD OF MERIT WORKPLACE PARTIAL AWARD OF MERIT 745 THuRlOw

Interior Designer: Dale Kosowan, R.I.D. Design Firm: MCM Interiors Ltd. Photographer: Ema Peter Photography

“It is an elegant solution.”

WORKPLACE PARTIAL AWARD OF MERIT sTIkEmAN EllIOTT — PARTIAl RENOVATION

Interior Designer: Sally Mills, R.I.D. Design Firm: Omicron Interiors Ltd. Design Team: Susana Pranjic, Ayla Calverley Photographer: Ema Peter Photography

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DESIGN QUARTERLY | Fall 2016

“I like that hospitality feel, especially in seating area.”

2016 idiBc awardS of excellence

AWARD OF MERIT WORKPLACE PARTIAL AWARD OF MERIT mARINE BuIlDINg REHABIlITATION

Interior Designer: Sara Remocker, R.I.D. Design Firm: Dialog Photographer: Brett Hitchins

“Sophisticated and playful project.”

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2016 idiBc awardS of excellence

AWARD OF MERIT HEALTHCARE & PERSONAL SERVICES AWARD OF MERIT CHINOOk REgIONAl HOsPITAl

Interior Designer: Sarah Stanford, R.I.D. Design Firm: Perkins+Will Design Team: Julie Verville Photographer: Andrew Latreille

“Good job with welcoming day lighting.”

HEALTHCARE & PERSONAL SERVICES AWARD OF MERIT fIguRE & fOOD

Interior Designer: Sharon Lum, R.I.D. Design Firm: Counterpoint Interiors Inc. Design Team: Kristyn Hertslet R.I.D., Thais Schmitt, Taylor Carroll Photographer: Barrie Underhill

“Very elegant, very well done.”

FOOD AND BEVERAGE AWARD OF MERIT CHOP sTEAkHOusE & BAR

Interior Designer: Daniel Meloché, R.I.D. Design Firm: Northland Properties Design Team: Marcel Blais, Scott Harwood Photographer: Eymeric Widling

“Nice use of colour blue.”

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DESIGN QUARTERLY | Fall 2016

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2016 idiBc awardS of excellence

AWARD OF MERIT

FOOD AND BEVERAGE AWARD OF MERIT EARls TysONs CORNER

Interior Designer: Jennifer Hoffbeck R.I.D., Elly Chronakis R.I.D. Design Firm: Earls Design Studio Design Team: Bruce Peck, Zurita Motivala Photographer: Barry Grossman

“Lots of freedom of expression through the design.”

FOOD AND BEVERAGE AWARD OF MERIT uPPERCAsE CAfE

Interior Designer: Adele Pransky R.I.D., Karen Wong R.I.D. Design Firm: CHIL Interior Design Design Team: Adele Rankin, Irene Lloren Photographer: Ema Peter Photography

FOOD AND BEVERAGE AWARD OF MERIT PIE R squARED

“Very nice, simple.”

Interior Designer: Adele Pransky R.I.D., Karen Wong R.I.D. Design Firm: CHIL Interior Design Design Team: Adele Rankin, Irene Lloren Photographer: Ema Peter Photography

“The tables are fun.”

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DESIGN QUARTERLY | Fall 2016

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