Design Quarterly Summer 2007

SUMMER 2007 Vol. 8 No. 1

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contents SUMMER 2007 Vol. 8 No. 1

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COVER PHOTO COURTESY ED WHITE

www.designquarterly.ca

ON THE COVER: Hyatt Regency Vancouver renovated hotel lobby.

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Designer Profile

Edith Wormsbecker Recently married, MCM Interiors Ltd. president and principal Edith Wormsbecker joined the cutting-edge design firm in 1987 — a match made in heaven.

6

PUBLISHER

Dan Gnocato dang@mediaedge.ca

MANAGING EDITOR

Cheryl Mah

ACTING EDITOR

Clare Tattersall

CONTRIBUTING WRITERS

Mollie Allen Mannie Bains Joann Davis Brayman Duncan Campbell Brian Copeland Wanda Ellerbeck Nancy Fecteau Lyle Fuller David Glass Mark Hanna Oliver Lang Greg Peterson Jon Sunderland Jacco Vlaar Sandee Wahl

SENIOR GRAPHIC DESIGNER

Dennis Chui

B.C./ALBERTA SALES

Dan Gnocato 604.739.2115 ext. 223 Lynn Donn 604.739.2115 ext. 224 Jennifer Wanzel 604.739.2115 ext. 221

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Project Profile

PRINTED IN CANADA

Hyatt Regency Vancouver Located in the downtown core, this Vancouver hotel just completed the final phase of an extensive six-year renovation, which included 45,000 square feet of public space and all 644 guest rooms.

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Industry Focus

Countertops Appliances Furniture Audio & Video Flooring Walls & Ceilings 64

Design Quarterly is published four times a year by MediaEDGE Communications Inc.

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The purpose of Design Quarterly is to reflect and represent practitioners and professionals in the architectural, interior design, design resource and facilities management communities throughout British Columbia.

DEPARTMENTS 4

From the Editor

66

Architects in B.C. Intelligent Urban Densification

68

IDIBC Finding Opportunities In The Global Village

69

Design Headlines SUMMER 2007 | DESIGN QUARTERLY

3

From the Editor

An Accidental Tourist Having moved to Vancouver in September 2006, this is my first summer in the city. I’m looking forward to taking in the sites and sounds of Vancouver, including the international jazz festival, Bard on the Beach and the annual celebration of light. Come August, when the city is heating up, I plan to cool off at the largest freshwater, outdoor pool in Canada and then lounge away the day on an outdoor patio, sipping strawberry daiquiris and sunning my fair skin. To top it all off, one of my dear friends will be visiting from Toronto, which means I can shed my residency status and take on the role of tourist.

Surprisingly, I’ve done very little sightseeing since I first arrived 10 months ago. I haven’t crossed the swaying planks of Greater Vancouver’s oldest attraction, the Capilano suspension bridge, nor have I travelled to the top of B.C.’s tallest building, the Vancouver Lookout at Harbour Centre.

These are all things I plan to do when my friend arrives but I must find her a place to stay first.

Unfamiliar with the city, she’s assigned me the task of compiling a list of hotels that fit her “wants” and “needs.” While it’s long and lengthy, I’m thankful several meet her criteria, including the newly renovated Hyatt Regency Vancouver.

Centrally located downtown, our project profile boasts the most spacious rooms in the city and is renowned for its classy yet comfortable décor, awe-inspiring views and contemporary convention rooms.

Re-designed by MCM Interiors Ltd., the Hyatt’s model guest rooms were recognized with an IDIBC award of excellence. This is just one of many honours bestowed upon the firm for its outstanding projects. Led by Edith Wormsbecker, MCM Interiors celebrated its 20th anniversary this year, a major milestone for not only the president/principal but for the innovative interior design firm.

As usual, the summer issue of Design Quarterly is filled with a number of features. In the pages to come, you’ll read about what’s hot in countertops, appliances and audio and video equipment, as well as trends in commercial and modular furniture.

We’ve also included a new section on walls and ceilings to complement our annual flooring feature.

Clare Tattersall Editor

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designer profile

A MATCH MADE IN HEAVEN

BY CLARE TATTERSALL Edith Wormsbecker

I

IT’S BUSINESS AS usual on the 16th floor of Two Bentall Centre, home of the building’s architect, Musson Cattell Mackey Partnership (MCMP), and affiliated interior design firm MCM Interiors Ltd. Upon meeting MCM Interiors’ president and principal Edith Wormsbecker, few would know the company just celebrated a major milestone — its 20th anniversary — and even fewer would guess the firm’s design leader was a week away from her wedding day. She is cool, calm and collected, possessing none of the characteristic traits of a soon-to-be bride.

“I try not to stress about things,” she says, a smile spreading across her face.

Today, the newlywed is happily married to a health architect.

Separate But United Now in her 24th year with MCM (she spent four years with the architectural practice prior to the establishment of MCM Interiors), Wormsbecker, 52, began her love affair with interior design when she was a pre-teen.

“I was always drawing and building things,” says Wormsbecker, adding she was captivated by her brother’s university architecture projects. “He used to bring them home and I thought they were fascinating.”

Then, in Grade 8, after completing two class projects, she committed herself to realizing her dream.

“We had to do a landscaping of a house and write an essay on designing your ideal home,” she explains. “I really enjoyed doing that…and I eventually ended up going into interior design.”

Upon graduating high school, the Saskatchewan-native attended the University of Manitoba where she obtained a bachelor degree in interior design. Shortly thereafter, she returned to her home province to work for BLM Architects before venturing to Vancouver.

PHOTO COURTESY MICHAEL BOLAND

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DESIGN QUARTERLY | SUMMER 2007

In 1983, after a brief stint at a small design firm, Wormsbecker joined MCMP where she honed her craft working on a wide range of projects in the commercial and hospitality industries.

Four years later, the firm diversified and split into two separate but related factions — architecture and interior design.

“We had a lot of clients at that point who wanted separation between the architect and interior designer,” recalls Wormsbecker. “So we decided to keep the two separate and that gave us more opportunity to do work with other architectural and design firms.”

But the two have continued to collaborate on projects, including Bentall 5, the final addition to the Bentall Centre office complex located in Vancouver’s business district, and the B.C. Research Institute for Children’s and Women’s Health.

“It’s extremely advantageous to work together,” she says. “I think we end up with a better project at the end of the day because we’re both involved in and understand the process. There are just more synergies between the design of the building and the interior.”

This is evident in the design of the BC Tel Mobility Centre head office in Burnaby, B.C., the first project Wormsbecker worked on after joining MCM Interiors. Awarded a 1995 IDIBC gold award of excellence, the design concept signifies progress, change and forward exploration while maintaining a strong, functional corporate structure. From the exterior, the complex conveys an idiom of modern technology, with a radial structural grid, cell-like modular pre-cast concrete cladding and a smooth curved skin of blue reflective glass.

Laying The Foundation Under the initial guidance of MCMP’s three founding partners — Frank Musson, Terry Cattell and Dave Mackey — MCM Interiors

PHOTO COURTESY NIC LEHOUX

PHOTO COURTESY ED WHITE

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PHOTOS LEFT TO RIGHT: Teck Cominco Ltd. reception, Business Objects meeting room. PHOTOS PAGE 6 LEFT TO RIGHT: Brighouse Library lobby, Nokia Research and Development Centre stairwell, Electronic Arts Phase 2.

grew at a steady rate, taking on more projects and staff throughout the years. What originally started as a boutique firm of two has become a medium-sized company of 13, though “the staff fluctuates depending on the projects we’re involved in,” notes Wormsbecker, who was named president and principal seven years ago when the founding partners retired.

Today, the firm is working on approximately 25 projects of varying sizes totalling 200,000 square feet, the largest being an office project for Teck Cominco Ltd., a diversified mining and metals company headquartered in Vancouver.

“Usually we’re working on one or two large projects and multiple small ones,” she says. “For instance, right now we’re doing an elevator renovation and space planning for a retail coffee cart in a lobby.”

The design firm also just wrapped up its longest running project — the $40-million Hyatt Regency Vancouver upgrade and expansion. The model guestrooms were recognized with a bronze IDIBC award of excellence in 2006.

“We started working on this project six years ago,” says Wormsbecker. “It started off as a cosmetic upgrade but then, as we got into the project, it ended up becoming a major gut and rebuild of the public areas.”

Known for its award-winning designs, including the Miele design centre showroom, JPMorganChase call centre and Electronic Arts Phase 2, MCM Interiors provides expertise in project management, facilities programming and space planning, and specializes in hospitality, retail, institutional, residential and high tech/corporate office interiors, the latter of which accounts for 80 per cent of the company’s portfolio.

However, “we’re making more of an effort on focusing on hospitality work,” she says. “We’ve always tried to diversify and not be strictly a commercial corporate designer so we can move with the market.”

Which it has. Approximately seven years ago the firm moved into the highrise residential market, an untapped resource prior to the turn of the century.

As MCM Interiors has grown and diversified, so too has the complexity of the projects and the firm’s design philosophy.

“We like design to evolve with the times,” says Wormsbecker, adding the firm’s intentionally steered clear of adopting a signa-

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DESIGN QUARTERLY | SUMMER 2007

ture look. “We develop our designs to suit the needs of the client and reflect the nature of the building.”

Two things that have remained constant, however, are the company’s motto — “Design that creates value, service that builds trust” — and Wormsbecker’s involvement in each and every project.

“We have a policy that a principal always be involved in the projects so the clients know we’re still there,” says Wormsbecker, who not only manages the Vancouver-based firm but coordinates with the team on every aspect of design and is involved in all financial decisions.

The three other principals — Mark Whitehead, Bill Reid and John Marchant — primarily offer management expertise and oversee the direction of MCM Interiors.

Balancing Act Both Wormsbecker and the Vancouver-based firm have come a long way in the course of her career, which has not been without its challenges.

Founded in 1987, MCM Interiors was initially plagued by the sustained recession that began in the mid-1980s.

Come the 1990s, Wormsbecker was busy balancing her worklife with raising two young children.

“Before I had my kids I’d be here until nine or 10 o’clock at night or be working on weekends,” she says. “Then when I had my children, I decided I couldn’t do that anymore and I have very happy, well-adjusted kids.”

One of which is considering pursuing a career as an architect.

Today, the biggest challenge the company faces pertains to growth.

“We’d like to develop a little more diversity so we’re not going with the ups and downs of the economy,” she says. “But we don’t have anymore space and it’s a challenge finding good staff because it’s a very competitive market.”

One that is ever-changing.

“Design was much simpler 20 to 30 years ago because we didn’t have to think about as many issues. Now we have advanced technology, environmental issues and people are much more concerned about real estate values and space efficiency,” she says, pausing briefly before adding, “but it’s more interesting in many ways.” DQ

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project profile

PHOTO COURTESY ED WHITE

A $40 MILLION FACELIFT

BY CLARE TATTERSALL

I

IT HAS BEEN almost six years since the coordinated terrorist attacks on the U.S., which toppled the World Trade Centre, left a gaping hole in the Pentagon and, for the first time in history, grounded all civilian flights in North America.

On Sept. 13, 2001, after laying low for two days, aircraft returned to the sky to resume regular travel. However, in the aftermath of 9/11, people were less inclined to board a Boeing 767.

As the calamity of the disaster settled in, it was evident the attacks not only brought down the Twin Towers but the tourism industry as well. Airline ticket sales plummeted, exacerbating financial problems in the airline industry, and hotel vacancy rates soared.

Unsure of the future, one of the world’s largest premier hotel companies put its renovation and new construction projects on hold, that is, all but one — the Hyatt Regency Vancouver. In December 2001, the hotel embarked on an ambitious, multiphased renovation and expansion project, which spanned six years.

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DESIGN QUARTERLY | SUMMER 2007

“In 1997, Hyatt (Global Corp.) bought out an outside company that owned 75 per cent of the hotel…and (four years later) it put an offer on the table to buy the land, which was around the time of 9/11,” says Hyatt Regency Vancouver general manager Rolf Osterwalder. “Though the offer was put on hold for a few months, as soon as we were able to buy the land we basically had to start renovations.”

Built in1973, Osterwalder says the Hyatt was in need of a complete overhaul to keep pace with other downtown hotels.

“We wanted to update the property and make it more contemporary and urban, maximize the meeting space and make it as compact yet flexible as possible,” he explains, adding this was the first major renovation project since the hotel opened, though soft goods renovations were completed in 1988.

Approximately a week before Christmas, the luxury hotel closed to the public.

According to Stuart Olson project manager Jim Gibson, guests

PHOTO COURTESY ED WHITE

were exiting the hotel at the same time construction crews were entering through the back door. Within an hour of final checkout, demolition was already underway.

Working on a tight, three month immoveable deadline, crews literally worked around the clock to complete the $15-million project on time.

“Today you could never do what we did then,” says Osterwalder, who has been at Vancouver’s second largest hotel for almost 10 years. “It would’ve taken us three times as long because of the construction boom in B.C. now. It is very difficult to get trades and keep them on schedule…so, from a time perspective, it was actually advantageous.”

Redesigned by MCM Interiors Ltd. and CHIL (Coordinated Hotel Interiors Ltd.), the first phase included a comprehensive facelift of all public areas (approximately 45,000 square feet) on the first three floors. The lobby was completely redone and contains a reconfigured guest registration area, custom-designed furniture, a quartzite floor and a feature “waterfall” wall constructed of glass, light and holographic film.

“Upon entrance of the hotel, you meet this great wall which is a replicate of a waterfall and it’s a ‘Wow’,” says CHIL principal Richard Negrin. “Guests only remember two things — coming and going — so whether you understand what that wall is, it’s

your first and last impression.”

To create additional pre-function space for the Regency ballroom, one of the largest hotel conference venues in the city, the designer team lowered the lobby ceiling from three to twostoreys. Infilling the lobby opening on the third floor created an additional 2,000 square feet, which can be closed off to provide additional “breakout” space for events.

Also included in the hotel renovation was replacement of the concrete port cochere with a glass and metal canopy, revitalized food and beverage concepts, including cafes, bars and restaurants, and reorganization of the grand ballroom (formerly divisible into three large rooms) to create six function spaces when divided.

In terms of concept, the client wanted to incorporate scenic Vancouver into the design.

“We played upon the theme of the natural resources — the water, forests and mountains,” explains Negrin.

But in keeping with the client’s desire to create a sophisticated, contemporary environment, MCM Interiors principal Edith Wormsbecker says these West Coast elements were interpreted in an abstract not literal way. For instance, the custom designed carpet on the third floor is a lively evocation of raindrops and circles on water. In addition, finish materials — wood, metal and stone — were chosen to reflect the natural resources and the

SUMMER 2007 | DESIGN QUARTERLY

11

project profile

PHOTO COURTESY MICHAEL BOLAND

application of technology to raw materials.

While the redesign was relatively straight forward in that there were no major hiccups design-wise for either CHIL or MCM Interiors, unexpected asbestos posed a challenge.

“There was an asbestos survey done prior to construction started but once things got opened up we discovered there was probably 50 per cent more asbestos than we originally thought,” says CHIL senior project manager Riaan de Beer who, at the time, worked on behalf of project architect Musson Cattell Mackey Partnership.

As a result, what originally started off as a cosmetic upgrade turned into a major gut and re-build.

“The first three weeks were taken up with asbestos abatement, which really put a crunch on the rest of the schedule,” he says.

But thanks to dedicated construction crews, the Hyatt reopened just in time for the British Columbia Teachers’ Federation annual convention, which was booked well in advance of the first wave of renovations.

A Fresh New Look Upon completing Phase 1 of the expansive $40-million project, MCM Interiors remodelled the 4th and 34th floor meeting rooms, which was a continuation of the main lobby design, and embarked on the final phases — renovation of 644 guest rooms to match the design of the new public spaces and the creation of two themed feature suites.

PHOTOS COURTESY ED WHITE

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DESIGN QUARTERLY | SUMMER 2007

Again, this included asbestos abatement as well as replacement of the entire 30-year-old water pipe system.

To minimize revenue loss, the Hyatt remained open and guest room renovations were executed in two phases — Phase 1, which took place last year, saw the 284 rooms on the top floors remodelled, and Phase 2, which focused on the 360 rooms on the lower half of the hotel, was completed June 2007.

The goal was to update and improve the largest guest rooms in Vancouver to meet today’s market and guest expectations while minimizing construction.

“Originally the guest rooms had a lot of mouldings and trim,” says MCM Interiors senior designer Christina Fong. “The hardware had a brass look, there were floral bed covers and the walls were a yellow colour that worked with the traditional theme.”

Today, rich blue fabrics reminiscent of the deep sea contrast the white vinyl wallcoverings. The generous use of textural materials, warm walnut wood and natural polished slate emphasize luxury and comfort. Spot lighting accentuates the modern interior shapes and adds drama to the rooms. Window treatments were designed to be drawn back along the side walls to take full advantage of the stunning views, maximize daylight and room width.

“Most draperies you draw to the side gather (and) create a lot of bulk, so we created an L-shaped track that pulls the drapes not only to the side but along the length of the wall,” explains Fong.

“Now that it’s parallel to the walls, we have more opening to the view…so when you walk into (the room) that’s one of the biggest draws.”

Other highlights include the stylish ensuite washrooms containing polished slate tile, backlit vanity mirrors, relaxing rain showers, a combination of unique light fixtures and textured glass.

For the special suites, MCM Interiors presented two separate themes to the client, both of which were adopted.

“One has a warm wood feel and it followed along that transitional feel but in a much more contemporary way,” says Fong.

“So, we used a lot of cherry wood trim and panelling through the space and bamboo flooring. Most of the fabrics are rich earthy colours and we used a textural, horizontal grass wallcovering.”

The design team took a modern approach in the second room, incorporating classic 1920s furniture and vibrant red-orange accessories into a predominantly white room.

“When it came to the two feature suites, we started with a blank slate and really got to make them different,” notes Fong.

“The Hyatt gave us a real open door to design more or less anything, (which) gave us a real opportunity to come up with some real fantastic ideas.” DQ

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industry focus COUNTERTOPS

A CONCRETE REVIVAL

BY WANDA ELLERBECK

I

IN THE LAST two decades, concrete has experienced a rebirth as one of the world’s greatest lost found arts. Used for more than 100 years, the humble building material has roots in ancient technologies of the past. But what most of us think of as a purely utilitarian material used for sidewalks and bridges has moved across the boundaries of function and design to emerge as a valuable new architectural element.

In an effort to push the limits of the modern material, artisans have exploited the versatility and design possibilities of concrete creating new methods and processes. In turn, this has sparked a whole new industry based on the seemingly infinite capacities of this substance. It can be poured, sprayed, shaped, coloured, feel heavy or light, polished smooth or rough, or inlayed with objects to add a personal touch.

The need for better pigments and sealers has forced a stagnant industry to take the “new” function of concrete seriously and develop superior products for this niche market. Initially a hard sell, interior concrete has developed into a legitimate, viable product. It now enjoys a respectable place among other high-end surface materials. And its rapidly growing popularity is driving the industry. Designers are no longer relegated to using just one type of concrete as there are now numerous surface treatments.

For the countertop industry, smooth, precast, stained and integrally coloured, polished terrazzo concrete are the basics. Many producers use glass chips and other kinds of special aggregates in the mix and then grind and polish it to create different effects.

The choice of alternative types of concrete adds to the bourgeoning repertoire. Glass Fibre Reinforced Concrete (GFRC), a sprayed polymerized cement-based product, yields large yet light pieces strengthened by the addition of glass fibre in the mix.

GFRC is similar to cast concrete and can be treated the same, however, kitchen countertops can be produced with fewer seams using larger pieces. The potential drawback seems to be a tendency towards warping. Its durability has also been called into question when used in exterior applications. Of course, the

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DESIGN QUARTERLY | SUMMER 2007

knowledge of the producer dictates the quality of the product.

Other cement-based products hitting the market include a highly engineered material that boasts liquidity and flexural strength. As strong as steel and as dense as stone, it can be made into thin section slabs and free-standing shapes — a whole new way of designing with concrete. It is truly a material for our times, surpassing other concrete materials. There is little it cannot do when left to the imagination.

Terrazzo, a ground and polished concrete surface, has its history in Italian tradition. Producers include recycled glass chips and fly ash in these mixes to create an environmentally-friendly surface, which can contribute to LEED certification credits. The sparkle of glass and the integral coloured backgrounds are unique to each manufacturer, personalizing the designs and products.

When contemplating concrete as a design choice: • Do your research. Find the appropriate type of concrete for the project. This can save time and money and move the project along. Weight, aesthetics and timing are factors to be considered in choosing the right type of concrete.

• Educate yourself. It is important to know enough about the product so you can ask the manufacturer the right questions.

Also, look at the producer’s work. It requires a great deal of skill and attention to detail to manufacture good decorative concrete.

• Check out the sealers used. Sealing a concrete countertop is the industry’s best kept secret. There are no bullet-proof sealers but there is a sealer for everything. For instance, heavy industrial sealers are appropriate for floors but not countertops. Staining is only an issue if the countertop has not been

The choice of alternative types of concrete adds to the bourgeoning repertoire.

BRECCIA The best finish to surface in years.

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properly sealed or maintained. Maintenance usually consists of timely applications of a wax, such as bees wax, over foodsafe sealers. Repairing scratches can be as easy as applying wax to the scratch to seal it from liquid, then sanding and resealing the surface once every five to seven years.

• Scout prices. Though they differ from area to area and business to business, a fair estimate would be $85 to $110 a square foot. Installation is typically priced per project.

Though not for everybody, concrete certainly has a uniqueness and quality that a growing number of consumers are looking for.

From coloured floors to sculptural forms for basins and furniture, concrete has moved across the board to enhance our daily lives. DQ Wanda Ellerbeck has been in the decorative concrete industry for 20 years. Instructing at both the Alberta College of Art and Design and the University of Calgary, she began Grotto Designs Inc. in 1994. You can contact Wanda at 403.512.3116 or grottod@telusplanet.net.

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industry focus COUNTERTOPS

A TEMPTING ALTERNATIVE

BY MARK HANNA

R

RESIDENTIALLY AND COMMERCIALLY, demand is continuing to increase for all types of premium countertops.

Homeowners and businesses alike are increasingly opting to invest in quality surfaces which blend beauty and practicality — all to create and reaffirm the latest styles which make as much of a fashion statement in the environment we live in as the designer clothes we wear.

For the past few years, the fastest growing category of premium countertops, and the one with the most allure, has been quartz.

Designers are working with and specifying quartz more and more because of its unique appeal in combining depth and colour consistency — assuring the desired look is always achieved.

While popular brands of quartz are here to stay, this recent quartz-appeal has not escaped the radar of industry leaders. As a result, there is now a new collection of solid surfaces with a look that rivals quartz and natural stone.

Additionally, the easy-to-maintain surface material can be fabricated into configurations nearly impossible with stone, including fully coved backsplashes and seamless integrated sinks and bowls.

Insets and patterns can also be incorporated into the surface for added aesthetic and maximum customization. DQ Mark Hanna is president of Leeza Distribution Inc. For more information, contact 1.888.850.8838.

The Visual Difference: It’s In The Depth Tempest is a new surfacing material that provides the aesthetic of natural quartz and stone, with the properties of a solid surface. This new generation of surfacing product offers a unique visual depth through larger, translucent particulate randomly dispersed throughout the matrix. Available in 10 different colours, its versatility makes it ideal for any residential or commercial application.

Offering What Stone Can’t Despite its quartz-like appearance, this new surface material, unlike stone, is seamless in appearance and has nonporous, hygienic properties.

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DESIGN QUARTERLY | SUMMER 2007

What does it take to satisfy a discriminating taste? Superior quality. Elegant styling. Unmatched beauty. Which is exactly what you’ll find with HanStone.

HanStone is designed to please even your most demanding customers. It’s incredibly resistant to chipping, cracking or staining. It’s non-porous, which makes it resistant to bacteria and easy to clean. In addition, it never needs sealing, polishing or refinishing. And it comes in a broad array of colors and patterns.

Plus it’s backed by unmatched service and support that includes a 10-year transferable warranty. For more information, visit our website at www.hanstoneusa.com and find out how you can give your customers a taste of true premium quality.

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FLAME YOUR PASSION FOR INTERIOR DESIGN

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industry focus APPLIANCES Outdoor kitchen by Viking.

WINING AND DINING OUTDOORS

Improving cooking capabilities adds entertainment value. BY SANDEE WAHL

B

BEFORE I TELL you how important a patio is and the backyard is an extension of the home, you should know that, according to News Canada, 85 per cent of Canadians cook on a barbecue with 45 per cent cooking year round, 70 per cent consider themselves adventurous on the grill and more than 40 per cent barbecue without a recipe.

If we are spending that much time cooking outdoors then we must be spending even more time entertaining outdoors. That is why it really pays off to take the time and energy to make the patio and backyard everything your client wants it to be.

The barbecue is the heart of an outdoor kitchen, so it is important to spend the time finding one that works best for your client.

When buying a new grill, be prepared to answer questions so the appliance professional can help you select the one that best suits your client’s needs. For instance:

18

DESIGN QUARTERLY | SUMMER 2007

• How often does your client cook outside?

• How many people does your client normally entertain?

• What types of food does your client enjoy grilling?

It is also important to ask the right questions to ensure you are getting the best quality product and you are aware of any warranties.

In addition, make sure the sales person is knowledgeable about the differences between models and components. There is nothing more frustrating than purchasing a barbecue that cannot achieve the results your client is looking for.

Barbecue options these days reach far beyond the small camping stoves of years ago. Options include freestanding or built-in custom bases that match the home’s décor. Custom cabinets with matching stainless steel storage can also be built-in to provide a complete outdoor kitchen, where everything you need is right at your fingertips. Even the most recreational enthusiast

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industry focus APPLIANCES

Built-in warming drawer with integrated wood front panel by Wolf.

Various accessories are available that can diversify outdoor cooking to include more than just hamburgers and steak. For example, there are griddles for pancakes and bacon, cedar planks for salmon and shrimp basket attachments for the rotisserie. You can even find barbecues with a side burner. Or you can build a separate burner into the outdoor cabinetry with up to 60,000 Btu/hr, great for lobster boils or big pots of corn. This provides the power necessary

20

DESIGN QUARTERLY | SUMMER 2007

Fire Magic Monarch.

PHOTO COURTESY WWW.RHPETERSON.COM/FIREMAGIC

can enjoy built-in warming drawers, which help keep food hot, and an outdoor fridge to keep drinks cold.

Okay, wait a minute…Warming drawers and outdoor fridges?

Imagine grilling up some juicy, homemade burgers in the backyard. It is windy and there is a cool briskness in the air but it is not quite cold enough to go inside. Normally as soon as you build that burger and take the first bite, the food is cold and you lose some of the mouth-watering taste.

Now imagine having the outdoor living space designed to the utmost perfection. You can take the fresh hamburger buns out of the barbecue’s bun warming tray and place them on a warm plate from the warming drawer. The food is mouth-watering, full of flavour and the heated plate means it doesn’t cool off in the breeze.

And that is only the beginning. You can get bar caddies that include ice wells for beverages or a unit that provides cooling and storage for a keg to help pour the perfect pint.

Add in a patio heater for warmth as the sun settles or, for those cool fall evenings, an outdoor fire pit table available in a variety of appealing heights. These can add hours to outdoor enjoyment, even weeks to the season.

But who says the backyard is only used for evening entertaining? With all the accessories available today, you can even cook breakfast outside.

to bring a large pot to a boil without worrying about wind or unpredictable weather.

Speaking of unpredictable weather, now that we have this amazing outdoor kitchen, what guarantees it will stand up to the elements?

Two words: Stainless steel.

High-grade stainless steel resists corrosion and can withstand high temperatures. Stainless steel is incredibly durable, very easy to keep clean and can endure all types of weather from the iciness of Alberta’s winters to British Columbia’s pouring rain. It can handle the most relaxed family gathering to an event for the whole neighbourhood.

There are a number of stainless steel grades to choose from and the quality of barbecue components can vary drastically. The higher the grade of the components, the longer it will last — the last part being key.

When comparing similar fridges or barbecues at two different stores, you’ll probably notice one may cost less. In most cases, you will find the higher cost is justified by higher quality materials, which translates into better performance and longer life.

Outdoor living space is the heart of the home during grilling season, so spend the time learning about all the products out there. This will ensure your clients’ next get-together is enjoyable and safe and they’re not wasting time running inside for every other item. DQ Sandee Wahl is the promotions and marketing manager for Calgary Home Appliance Gallery.

A fixture in Calgary since 1967, Calgary Home Appliance Gallery is family-owned and operated. You can contact Sandee at 403.212.7293.

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industry focus APPLIANCES

SMART APPLIANCES FOR THE HOME

BY NANCY FECTEAU

A

AS AN ARCHITECT or interior designer, questions of style, functionality and price are probably the first things that come to mind when clients turn to you for help in selecting the right appliances for their home or business. But you also owe it to customers to recommend appliances that are energy efficient.

Energy efficiency is key for a couple of reasons. First, recommending an energy-efficient model will save your clients money through reduced operating costs for as long as they own the appliance. Given that refrigerators have a typical life span of 17 years, dishwashers last approximately 13 years and washing machines have a life expectancy of 14 years, making the right choice can lock in energy savings and provide some protection against rising electricity costs for years to come.

Just as important, buying energy-efficient appliances is a good way for Canadian homeowners and businesses to reduce their environmental impact. In many parts of Canada, fossil fuels are burned to produce electricity, resulting in the production of greenhouse gases that contribute to climate change and other pollutants that help form smog. Because energy-efficient products consume less electricity, they reduce power demand and result in fewer harmful emissions.

But does including energy efficiency in the decision-making process make your job more complicated?

Not necessarily because buying the most energy-efficient appliances available on the market today is as easy as looking for the familiar Energy Star symbol.

Energy Star is the international symbol for energy efficiency — a simple way for consumers to identify products that are among the top energy performers on the market, whether they are shopping for major household appliances or replacement light bulbs.

Energy Star takes the guesswork out of selecting energy-efficient products. Before applying the symbol to any product, manufacturers are required to test and certify that the product meets strict technical specifications (the same criteria are used to qualify products around the world), using standardized, governmentapproved test procedures. Manufacturers are also required to sign an administrative agreement with the Government of Canada, agreeing to conform to the Energy Star program’s technical specifications, labelling and promotional guidelines.

Although requirements vary from one product category to another, equipment must typically be 10 to 65 per cent more efficient than a comparable conventional model to be eligible for the Energy Star symbol (the criteria are updated regularly to keep

22

DESIGN QUARTERLY | SUMMER 2007

pace with evolving technology). In the case of major household appliances: • Standard-size refrigerators must be at least 15 per cent more efficient than the minimum energy performance standard in Canada’s energy efficient regulations.

• Standard-size freezers must exceed minimum federal energy efficiency standards by at least 10 per cent.

• Dishwashers must be at least 41 per cent more economical to operate than conventional models.

• Clothes washers must use at least 20 per cent less energy and 35 per cent less water than conventional models (some models use as much as 50 per cent less energy and water).

• Depending on the model and capacity, Energy Star qualified dehumidifiers use 20 to 60 per cent less energy to remove the same amount of moisture as similar-size standard units.

• Bottled water coolers can also qualify for Energy Star.

What is the difference between an Energy Star qualified and conventional product? Essentially, it comes down to the use of special features that minimize energy consumption. What’s more, Energy Star qualified products are required to achieve these premium levels of energy efficiency without sacrificing the features, versatility or quality expected of high-performing products. And they often cost no more to purchase than conventional equipment.

industry focus APPLIANCES There are no Energy Star performance levels for ranges and clothes dryers. When shopping for these appliances, the best way to assess energy consumption is to check the EnerGuide rating.

EnerGuide labels have been a standard requirement on major electrical household appliances for more than 25 years. The label tells you how much energy an appliance will consume (in kilowatt hours) in a year of normal service. The lower the kilowatthour figure, the more energy-efficient the appliance. As an added convenience, the EnerGuide label also shows how the appliance compares with the most and least efficient models of the same type and size sold in Canada.

an EnerGuide label prior to being sold, only the top energy performers are permitted to display the Energy Star symbol.

Natural Resources Canada (NRCan) is responsible for administering Energy Star in Canada. In addition to enrolling participants in the program and monitoring use of the Energy Star symbol, the department works closely with manufacturers, retailers, utilities and other partners to promote the Energy Star name and symbol.

Energy Star specifications are the benchmark for a number of programs that offer incentives for purchasing high-efficiency equipment. In British Columbia, for example, Terasen Gas has partnered with NRCan, as well as the B.C. Ministry of Energy, Mines and Petroleum Resources, BC Hydro, FortisBC and heating equipment manufacturers to offer financial incentives to encourage homeowners and builders to install Energy Star qualified heating equipment. NRCan is also working with Climate Change Central and Alberta Environment to increase the market share of energy-efficient appliances and technologies in Alberta by creating awareness about the Energy Star initiative. In Ontario, So, how do EnergyStar and EnerGuide relate to each other?

NRCan is supporting efforts by the Social Housing Services EnerGuide is an energy consumption rating program while Corp., which provides bulk purchasing and other services to Energy Star identifies the best performers. While all major house- social housing providers and service managers, to procure Energy hold electrical appliances are required by Canadian law to show Star qualified replacement appliances.

While appliances were among the first products to be included in the Energy Star program in ONE source supplier.

CHOOSE PELLA. Solutions for virtually every opening Canada, the list continues to in a home — windows, patio doors, A nd E nj oy One Smoo th P r o ject. grow and now includes heating entry doors, storm doors and skylights. and cooling equipment, conONE standard of quality. sumer electronics, computers Pella gets it right the first time and office equipment, lighting — eliminating callbacks. products and windows, doors ONE dedicated rep. and skylights.

Your Pella expert will eat, sleep and breathe your windows and doors Buying energy-efficient — so you don’t have to. appliances doesn’t have to be ONE less hassle. complicated — in fact, Energy You can bank on Pella for fast lead Star makes it easy. When you times and dependable delivery. see the Energy Star symbol on ONE number to call. a product, its packaging or in We’ll be there when you need us its literature you can rest — before, during and after the sale. assured the product is among ONE solution. the most energy-efficient on Installation, shop drawings and the market. professional advice on all construction details including rainscreen.

As for other decisions — like picking the right wall colour and coordinates to match the carpet and furniture — well, PELLA® WINDOWS & DOORS that’s another story #117 - 3823 HENNING DRIVE • BURNABY, BC V5C 6P3 altogether! DQ PHONE: 604-291-9009 • FAX: 604-291-8005

Because energy-efficient products consume less electricity, they reduce power demand and result in fewer harmful emissions.

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DESIGN QUARTERLY | SUMMER 2007

Energy Star is administered in Canada by Natural Resources Canada. For more information check out www.energystar.gc.ca.

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industry focus FURNITURE

FURNISHING SMALL SPACES: LESS IS MORE

BY MANNIE BAINS

T

THE LAST 10 years has seen a huge increase in the number of people choosing to live downtown and the pace of condo construction suggests the trend will continue for some time.

While an affluent minority may enjoy floor plans that run into several thousand square feet, the reality for most people is that, while the location is marvellous, living downtown means living in a small footprint. This in turn has led to an increased interest in multi-functional and space-saving furnishings.

When it comes to furnishing these smaller living spaces, the good news is there is greater choice than ever before. There was a time when “space-saving” and “multi-functional” was synonymous with bland utilitarianism and white melamine. Not any more. Living in a small space doesn’t mean having to cramp your style.

Today, you can find a wealth of furniture and accessory options that combine cutting-edge design sensibility with a grounded sense of practicality.

When it comes to ideas on living large in a small space, it is not surprising Europe is a great

26

DESIGN QUARTERLY | SUMMER 2007

source of inspiration. Europe has long been a world leader in contemporary furniture design.

Coincidentally, the inhabitants of Europe’s cities also have had centuries of experience in living in small spaces. European designers have responded by creating furniture that functions in small spaces and still manages to have a wonderful sense of style and flair. As more and more North Americans migrate to smaller living spaces, these European design solutions are becoming increasingly available and popular on this side of the pond.

However, effectively furnishing a compact interior is as much about approach as it is about products. Here are three key guidelines for furnishing small living spaces.

First, make maximum use of whatever space there is. Lack of space, especially storage space, is one of the most challenging aspects of compact living. Fortunately, there are numerous inventive furniture designs that help tackle the problem — beds that incorporate storage drawers in the base, coffee tables that conceal a built-in storage area, and stacking chairs and folding tables that do their bit to conserve space. Admittedly, none of these ideas are new.

However, what is new is the range and diversity of design in which these products are now available.

There are also many excellent storage systems designed specifically for smaller spaces. These are not the monolithic wall units of years gone by but slim, sleek, low profile units that do their job discreetly and efficiently, often packing a lot of storage capacity into a very small footprint.

There are also wall mounted units that occupy no floor space whatsoever.

The advent of miniature digital entertainment devices and flat screen televisions has also benefited space-challenged living. Instead of occupying several cubic feet of prime real estate, most home entertainment system components can now fit on a small shelf or hang on a wall. Lightweight plasma televisions can be

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industry focus FURNITURE suspended from the ceiling or mounted on a specially designed pole.

Second, make rooms multi-functional. For example, does the dwelling really need a separate dining area? Many urbanites typically either dine out or eat take-out food seated at their kitchen counter or in front of their polemounted plasma set. So, it makes little sense to devote precious floor space to a dedicated dining area, though it would be nice to have the option of one when needed.

The solution: A smart table that looks and functions like a coffee table — low to the ground with a modestly sized surface — but which can be raised and extended to become a full size dining table. Complement that with a suite of folding or stacking chairs and voila,

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DESIGN QUARTERLY | SUMMER 2007

instant dining room.

Fold-out beds are another great multi-function item. Again, these units have been around for decades but with increasing demand we’re seeing more and more style and design options.

With one of these units the second bedroom can easily double as an office, den or activity room and still be ready for company on a moment’s notice. Wall beds are also a great space saving idea, though they do require a higher level of commitment and you can’t take them with you when you move.

The third rule for making the most of a miniscule space is, to quote architect Ludwig Mies van der Rohe, “Less is more.� North American homes have long favoured an overstuffed look, with big bulky furnishings that dominate a room. This look is completely inappropriate for lean urban space.

Smaller rooms should be furnished with a minimum of carefully selected pieces. A little minimalism will go a long way to keeping a sense of spaciousness in even the smallest room.

Lighter colours will help add a sense of space but every room should have a good strong colour accent as well.

The profile is another very important consideration. Beds, chairs and sofas with low profiles and long, lean horizontals create a roomier atmosphere as they don’t tend to dominate the room. They also leave more wall space for artwork and other dÊcor touches that will help enhance the sense of space.

Another hot trend in bedding and seating is the floating look in which the supports are slimmed down or recessed from view, giving an impression the piece is hovering in the air.

For interior designers, smaller spaces present many interesting challenges. Fortunately, the furniture design industry is creating many interesting solutions. DQ Mannie Bains, president and owner of Bravura Interiors Inc., has worked in furniture retailing in the Lower Mainland for more than 20 years. He can be contacted at 604.872.4880 or mannie@bravura-interiors.com.

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industry focus FURNITURE

PHOTO COURTESY KATE KUNZ

SATISFYING CUSTOMERS’ CRAVINGS FOR COMFORT

BY CLARE TATTERSALL

F

FINE DINING IS not just about eating exquisite food. The term, often used to describe four-plus star restaurants (though the line between fine and casual dining has blurred), comprises the entire dining experience — the concept, cuisine, location, service and décor.

According to Wendy Tait of E+ Design and Construction, a division of Earls Restaurants Ltd., customers today want more than good eats; they demand the entire package regardless of where they dine.

“It’s not just the food that brings people in anymore,” says Tait.

“People are looking to go somewhere they can enjoy themselves.”

Not only an interior designer for but a long-time patron of the casual dining chain, Tait has witnessed the restaurant’s furniture evolve. While the chairs and booths have always been classic and timeless, comfort was not always key.

“When I first started going to Earls, they had these green banker chairs with hard seats and wood backs, so you couldn’t sit

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DESIGN QUARTERLY | SUMMER 2007

back properly,” she explains, adding this type of furniture design was common in many establishments.

At that time, comfort often took a backseat to a restaurant’s food and overall aesthetic appeal. But not anymore. Today, hospitality furniture is reminiscent of that found in the home — welcoming and cozy yet practical.

Tables constructed of warm durable wood, such as maple and walnut, bars topped with quartzite or engineered stone, upholstered leather and vinyl chairs and rich, earth coloured fabrics are commonplace in many restaurants as they’re not only pleasing to the eye but will stand the test of time.

“Because we’re a restaurant with food and drink, these types of materials are just the most practical for cleaning up,” notes Tait.

“And darker coloured fabrics, such as browns, oranges, rusts and even black, are used because they don’t stain as much as a lighter fabric would.”

When it comes to hospitality furniture trends, both Tait and M

industry focus FURNITURE

PHOTO COURTESY ALEX PIRO PHOTO COURTESY ROGER BROOKS

Studio Design Consultants Inc. principal Marilou Rudakewich are non-believers as furniture selection is ultimately influenced by the establishment’s overall concept, clientele and location.

However, they do acknowledge small yet significant advancements have been made in terms of functionality, including the incorporation of a stretcher beam in chair design which reinforces the chair’s legs and provides a foot rest for the customer.

“Another ‘trend’ is (restaurateurs) want bigger seats, not as in the overall scale of the chair but because they are aware of different sizes of people,” says Rudakewich, who has worked on a variety of hospitality projects including four Earls Restaurants of which three were recognized with an IDIBC award. “They just want any person to sit in a chair and be comfortable.”

With approximately one in four Canadian adults considered obese and the number expected to reach epidemic proportions, super-sized restaurant furniture is one “fad” unlikely to fade.

“Today, (restaurateurs) are also looking for more understated types of furniture,” she says. “Instead of getting a chair that has a lot of detail in it, they’re going for a chair that is a lot cleaner and not as fussy so other parts of the restaurant take the focus (over) the furniture.”

Clean line, simple furniture is also more versatile. When it moves about the space it never looks out of place and dining room chairs can easily make the transition to after dinner lounge ware.

“We’ve found that if people want a club lounge chair, we’ve been making a smaller scale version of it so it doesn’t take up a lot of space (when the establishment is functioning) as a restaurant,” says Rudakewich who, along with partner May Cheng, designed the Ocean Club Restaurant and Lounge in West Vancouver. “This way you can still put four upholstered arm

TOP TO BOTTOM: Chill Winston, the Ocean Club.

chairs around a dining room table and it gives the impression of a club chair (albeit) it’s smaller.”

Whether designing or purchasing furniture for a restaurant, lounge or combination of both, Bryan Frischbutter, owner of Birchwood Furniture, a familyowned upholstery manufacturer that caters to the hospitality, restaurant, resort and health care industries, says furniture should be proportional to the space. He recommends chairs have a tight arm, tight back and contain commercial-grade flame retardant foam.

“When people go out to eat they want to sit in comfortable furniture equal to their house if not better…so going with softer densities of foam that is within the contract levels instead of super hard foam is advisable,” he says, adding ergonomics, the science of fitting the physical aspects of an environment to the human body, also plays a role in Wholesale to Designers & Architects furniture design.

“It’s about making something Traditional & Custom Designs ~ Quality Craftsmanship Guaranteed where someone wants to be in Warehouse: 220 Donaghy Ave, North Vancouver (nr Cap Mall) the chair and not feel awkward.”

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DESIGN QUARTERLY | SUMMER 2007

industry focus FURNITURE

PHOTO COURTESY HAWORTH/BROOKS CORNING

DESIGN DOES MATTER The next generation of office furniture. BY CLARE TATTERSALL

T

TO BE SUCCESSFUL in business today, office design and furniture must take into account the rising cost of real estate and keep pace with ever-changing technological advancements, workforce size, work styles and employees’ needs.

Once spanning eight-feet by eight-feet, workstation footprints have and continue to shrink. Now approximating six-feet by seven-feet (or 42 square feet), the cubicle is still very much a part of the work culture, though its five to six-foot high partitions are also fast becoming a thing of the past.

“Over the past 15 years we have seen the average size of the employee workstation decrease by up to 40 per cent,” says John Hellwig, vice-president of design and innovation for Teknion, a leading international designer, manufacturer and marketer of office systems and related office furniture products.

“More and more, people are looking for alternatives to the standard high cubicle (because) when you make it smaller you have to make it lower or it just gets very claustrophobic.”

As work areas have shrunk in size, manufacturers have responded with compact yet comfortable furniture systems, such as Teknion’s District. Airier than the standard cubicle prototype, this next generation of aesthetically pleasing furniture still provides a private work environment.

New and improved, these furniture systems include a number of multi-functional components, making efficient use of today’s

34

DESIGN QUARTERLY | SUMMER 2007

smaller office footprints. Credenzas, bookcases and storage towers support work surfaces, reduce clutter and define space.

Narrow, small-scale storage units can be stacked on credenzas and serve as space dividers. Overlapping surfaces and under-surface storage make even more efficient use of space.

To maximize the appearance of space in the entire office environment, glass is being utilized more and more in furniture systems. Because of its transparent quality, full-height glass walls create a feeling of openness and allow natural light to penetrate deep into the building, which contributes to healthy environments and energy conservation. Glass walls also support Leadership in Energy and Environmental Design (LEED) accreditation requirements by providing privacy with a view, which enables meeting rooms and private offices to be created without obstructing daylight infusion.

“There’s a real desire for something healthy and a move away from the bleakness of row upon row of cubicles,” notes Hellwig.

“Furniture is becoming more humane and less like equipment.”

With global warming at the forefront of many people’s minds, especially millennials (or those born in the age of the Internet), many manufacturers have committed to incorporating earthfriendly materials into furniture design. This includes using sustainable wood, such as oak, birch and walnut, and replacing polyvinyl chloride (PVC) edgebanding on work surfaces with polypropylene edgeband.

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Small moves, big shift

w w w. t e k n i o n . c o m

A modular desking system

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industry focus FURNITURE

PHOTOS COURTESY TEKNION

“PVC is a very durable (and) inexpensive material which can be found on many work surfaces to prevent chairs from scratching the edge of the surface…so switching to a PVC-free edgeband is a big deal,” says Mark Schurman, director of corporate communications for Herman Miller, an American manufacturer known for designing ecologically sound office furniture and equipment.

“Polypropylene edgebanding has all the performance characteristics of PVC but is environmentally neutral.”

Other sustainable measures include manufacturing furniture that has an infinite lifecycle in terms of use.

“There’s been more attention in recent years to not just (furniture) production but its disassembly, which is really vital if you’re talking about making recycling an economically viable solution,” says Schurman.

“We try and use biological nutrients that either biodegrade naturally and restore the soil, such as Kira which is a fabric produced from corn, or can be fully restored into high-quality materials for subsequent product generations.”

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DESIGN QUARTERLY | SUMMER 2007

Besides being environmentally conscious, today’s generation of office workers are more tech-savvy and mobile than their predecessors. They are also increasingly concerned with ergonomics, the applied science of equipment design intended to maximize productivity by reducing operator fatigue and discomfort, and expressing their individuality while working within a more collaborative environment.

With the influx of new technology in the market, particularly laptops, cell phones and personal digital assistants (PDAs), there’s no longer a need for large corner work surfaces to accommodate desktop computers and their accompanying hard drives.

“Practically everybody has a laptop these days, so you don’t need all that depth for a desktop monitor and even if they have a desktop they’ve got a flat screen,” says Arly Akman, business and development manager for Brooks Corning Company Ltd., an office furniture and systems dealer based in Vancouver.

“Instead, you’re seeing much more of what the industry calls ‘plug and play,’ which means you don’t have to crawl underneath

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The Aeron work stool incorporates the ergonomic and aesthetic features of the classic work chair, including its three finishes, Pellicle fabric options, active sacral support with PostureFit technology and the Kinemat tilt.

the desk to plug in anymore. People can just come in, touch down (and) plug into accessible voice and data ports.”

Advancements in technology, which have allowed people to remain connected regardless of where they are, have also influenced corporate office behaviour. Today, more and more people are absent from the office, either on the road, in meetings or meeting with clients. Office furniture manufacturers have responded to this trend with the creation of shared workspaces conducive to interaction.

There are now table products on the market specifically designed to accommodate team-based activities. Available in a wide variety of sizes, from conference-style or meeting tables situated in the immediate work environment to height adjustable café-style tables found in less formal, soft seating office areas, these barrier-free work surfaces encourage collaboration and foster creativity.

“Instead of meeting at the water cooler, people can now just readily connect, sit down and have an impromptu meeting,” says Akman. “It’s about personal comfort…and if you want to keep those people, you have to give them what they want.”

This includes providing aesthetically appealing, adaptable and adjustable chairs that fit people of all sizes for all tasks. While comfort is purely subjective, tilted chairs with high backs, wide, soft armrests and a sloped front edge take weight off the lower spine, are easy on the arms and reduce pressure under the thighs.

Besides custom fit, an increasing number of employees are keen on coloured chairs. Earth-tones, neutral whites, grey and silver continue to dominate office décor, so a coloured chair “pops” the space while adding a personal touch. With the office considered a second home, it’s a great way to make it your client’s own. DQ

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DESIGN QUARTERLY | SUMMER 2007

AVAILABLE

EXCLUSIVELY

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AT

industry focus AUDIO & VIDEO

PHOTO COURTESY SHARP’S AUDIO-VISUAL

STEALTH AV FOR THE MEETING ROOM

BY DAVID GLASS

O

OVER THE PAST decade, improvements to audiovisual equipment have enabled AV integrators to greatly enhance the presentation capabilities of corporate meeting spaces. Great strides in the areas of data and video projection, audio and video conferencing and system control have raised clients’ expectations and challenged the AV integrator to come up with new and innovative ideas. Throw in the capability to now remotely manage and control AV systems over the Internet and it feels like there is nothing we AV geeks can’t do!

Enter the interior designer who receives direction from a client to provide the latest and greatest in boardroom AV technology — and “Oh, by the way, we don’t want any of the ‘tech’ to spoil the aesthetic qualities of the space.”

To this end, manufacturers have responded with some novel and clever products that allow AV devices to integrate unobtrusively into the presentation environment.

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DESIGN QUARTERLY | SUMMER 2007

Projector Lifts Motorized projector lifts have been utilized for some time to retract these devices into the ceiling space when not in use. There are still many effective products available and refinements have been made to address situations when space above the ceiling is limited. For example, you can now find lifts that mount into a standard, ceiling tile grid space and then “spin” the projector into the operational position when needed.

Flat Panel Lifts Plasma and LCD flat panels are being used more and more within the boardroom these days and there are now products that will retract upward into the ceiling, downwards into a commode or millwork cabinet, operate “drawbridge style” or allow the flat screen to be concealed behind a painting. Be aware, however, that the weight of these displays and the accompanying lift

industry focus AUDIO & VIDEO

mechanism demands that any supporting structures be properly reinforced to handle the load

Video Conference Cameras Video conferencing systems are being integrated into AV presentation systems more and more than ever before. A system that includes a hideaway enclosure is a novel way to hide the video camera when not in use. A motorized door that lowers when the camera is activated and closes when not in use will result in a cleaner look and conceal the technology.

Document Cameras Document cameras have long been used for displaying images of printed documents and 3-D objects, primarily for legal, law enforcement and video conference applications. However, it is sometimes cumbersome to locate these devices on the conference room table, and the size and format of originals that can be displayed is often limited. There are now ceiling mounted document cameras available that remain out-of-sight, are remotely controlled and allow larger originals to be shown, such as blueprints or large schematic drawings.

Microphones & Speakers The most common way to pick up audio when clients require integrated audio or video conferencing systems is to mount microphones directly into the boardroom table. However, now the trend is toward rooms with multi-purpose furniture, meaning the mics cannot be installed in the tables.

Another factor to consider is table-mounted mics sometimes pick up the rustling of papers used during meetings. Fortunately, we now have microphones that mount inconspicuously into the ceiling and provide excellent vocal quality when properly installed.

We were recently asked to go a step further and provide motorized, concealed ceiling speakers as an alternative to conventional

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DESIGN QUARTERLY | SUMMER 2007

5-inch to 8-inch circular speaker “cans.” Fortunately, there is now a series of speakers that retract into the ceiling, effectively disappearing when not in use.

Connectivity & Control While wireless connectivity continues to grow, there is still a need for cabling to allow the hookup of local area networks (LAN), power and audio-video signals within the presentation environment. AV professionals are often forced to work with common “spider boxes” that provide most of the required connectivity but are often lacking in other areas, most notably durability.

AV connections are subject to constant plugging and unplugging, so it is important any connection devices are sufficiently robust to handle this rigorous use. Some products have proven to be very effective at managing the “spaghetti” of cables that is often needed for corporate presentations. They are constructed with rugged but attractive metal finishes that will stand up to the wear and tear of pro AV. They also come in many different configurations and mount into the boardroom table for a professional and integrated appearance.

There is also a product that takes the concept one step further by integrating a 3.6-inch LCD touch panel into its recessed tabletop control station. This ensures all cables along with the system interface are readily at hand for the presenter to use. Again, the high-quality brushed metal finish makes this product look very much at home in any high-end meeting space.

Well, there you have it. I hope this information will help generate some new ideas on how to make presentation facilities “techenabled” yet aesthetically pleasing.

When choosing products, I’d encourage design professionals to engage an AV integrator to ensure the client’s expectations are properly fulfilled. DQ David Glass is director of sales for Sharp’s Audio-Visual Ltd.

PHOTO COURTESY SHARP’S AUDIO-VISUAL

Wireless touch-screens offer users the convenience of running the entire AV system, including their presentations, from anywhere in the room.

industry focus AUDIO & VIDEO

CUSTOM ELECTRONIC INSTALLATIONS

BY GREG PETERSON

T

THE CUSTOM ELECTRONIC installation industry emerged in the late 1980s. While still relatively young, it has been marked by several significant shifts in response to consumer demand.

Many of the changes that have occurred relate to the mainstream arrival of consumer electronic installations in upscale homes during the 1990s. The first significant shift came when manufacturers recognized they needed to design products specifically for this application. In-wall speakers and keypad controlled electronics emerged, allowing consumers to place products out of sight. The next major shift came with the proliferation of flat panel displays. Suddenly there was demand for more televisions in the home and with it the desire to view any type of source at each unit. This desire for multi-panel viewing spawned a new generation of hard drive-based products for both audio and video, allowing people to transport material and gain access to all of their media from anywhere in the home. These new products also began to bridge the gap between the audio-video product and the computer world as people have the ability to access, control and edit content on these devices from any computer on their home network.

These changes have presented both an opportunity and a challenge to the design community. From a design perspective, it means you no longer have to find space for electronics in every room in the home. Electronics can be situated in one central place and accessed from anywhere via a keypad or a touch screen device of either in-wall or handheld design. With the proper wiring infrastructure and product selection, it is no longer necessary to design millwork enclosures with proper dimensions, ventilation and power for every local television in the home.

Unlike the simple installation of a surround system and flat

screen, these more comprehensive systems require specially designed products and proper installation.

The recognition by many of this shift in approach resulted in the launch of numerous new and unproven products, with individuals or companies promoting and installing them.

Companies involved in the design and installation of custom home electronic solutions became extremely wary over the years of products promising the world. Their concern was validated when many products were discontinued and, in some cases, entire companies left the market.

As a result, high-end homeowners became frustrated and many custom installation firms have now become more cautious about who they source their products from. The more established firms take a long look at the history and stability of any given manufacturer before even considering selling and installing their products.

As a designer, it is always a good idea to ask what criteria was used to select any given product and the history behind it. These same questions should be asked of the installation firm too.

In the end, these new technologies and design considerations will allow your clients to select music and movies while browsing through album titles, CD or DVD cover art, pause at any point and resume in any room they wish with an infrastructure that is actually easier to coordinate and more adaptable as technologies change. We get flexibility and ease of use for the client and a more pleasing design and less difficult installation for the designer. Now that is what we have been aiming for. DQ Greg Peterson is general manager of Sound Plus custom department. Sound Plus recently moved to 170 West 6th Ave., Vancouver, and now devotes its entire business to custom audio-video installations. Greg can be reached at greg@soundplus.ca.

SUMMER 2007 | DESIGN QUARTERLY

43

Special Advertising Feature

WOOD WORKS! GALA RECOGNIZES WOOD USE

T

THE THIRD ANNUAL Wood WORKS! Excellence in Wood Design awards gala was all it was anticipated to be and more.

Presented by the Canadian Wood Council — Wood WORKS!, the event once again wowed guests with an amazing array of products.

Mary Tracey, executive director for BC Wood WORKS!, said the nominated projects raised the bar in wood design and building excellence.

“There were some outstanding projects entered this year and although only a few won, every single project is a winner,” noted Tracey. “Each and every one of the projects nominated help build awareness of the benefits of building with wood. The use of wood helps to build a wood culture. Each of the projects nominated is leading by example.”

The eight project categories included Interior Beauty of Wood, Residential Wood Design, Multi-Unit Residential, Green Building, Natural Cedar, Commercial Wood Design, Institutional Wood Design and the Technical Innovation Award.

According to Tracey, the Natural Cedar and Technical Innovation awards were new categories this year.

Awards were also presented for Industry Leader, Engineer of the Year, Architect of the Year and Wood Champion.

“All the awards are sponsored by companies or associations,” noted Tracey.

“Without their support, the event would not be able to take place.”

Forest Innovation Investment was the event sponsor. Gold sponsors included Canfor, Coast Forest Products Association, Council of Forest Industries, Gorman Bros. Lumber, Interfor, Mill & Timber, Structurlam, Tembec, Western Forest Products and Weyerhaeuser. West Fraser was a silver sponsor and Dunkley Lumber was a bronze sponsor.

Held at the Four Seasons Hotel in Vancouver with a full house of 250 in attendance, the evening’s keynote speaker was B.C. Minister of Forests Rich Coleman.

Representatives from wood product manufacturers and forestry associations mingled with designers and builders at the pre-event reception.

Paul Perkins, chair of the provincial Wood WORKS! steering committee, said this year’s jury was particularly impressed with the projects’ use of wood in innovative and creative yet economical ways.

“The jury took into account the ease of the wood use in various applications,” said Perkins. “Each decision involved lengthy consideration on the part of the jury. Not only did they want to see wood used in a beautiful application but they took into account whether or not the way the wood was used could be easily replicated.”

Wood WORKS! is an initiative of the Canadian Wood Council to increase the use of wood through training and technical assistance. For more information visit www.cwc.ca. I

SPONSORS

2007 EXCELLENCE IN WOOD NOMINEES AND WINNERS Interior Beauty of Wood – Residential Ramsay Worden Architects Ltd. Cortez Island Retreat, Cortez Island Griffiths Uhryniuk Architecture & Interior Design Emerald Lodge, Whistler RDC Fine Homes Miller Residence, Whistler Helliwell & Smith: Blue Sky Architecture Shalkai House, Salt Spring Island

WINNER:

Helliwell & Smith: Blue Sky Architecture Shalkai House, Salt Spring Island

Special Advertising Feature

Multi-Unit Residential Wood Design Graph-tech Design and Lund Architecture Ltd. Arbourwoods, Squamish AHC Developments Ltd. Pinnacle Ridge Resort, Fernie Meiklejohn Architects Inc. Cannery Lofts, Kelowna

WINNER:

Meiklejohn Architects Inc. Cannery Lofts, Kelowna

Green Building Award Alora Griffin Architect Fort St. James Bicentennial Library, Fort St. James Killick Metz Bowen Rose Arbourwoods, Squamish Bernard Perreten Architecture Inc. South Cariboo Multi-Use Arena, 100 Mile House Hotson Bakker Boniface Haden Architects & Urbanistes Nk'Mip Desert Cultural Centre, Osoyoos

WINNER:

Hotson Bakker Boniface Haden Architects & Urbanistes Nk'Mip Desert Cultural Centre, Osoyoos

Residential Wood Design Griffiths Uhryniuk Architecture & Interior Design Emerald Lodge, Whistler Graph-Tech Designs Lanark Residence, Squamish Helliwell & Smith: Blue Sky Architecture Shalkai House, Salt Spring Island a.k.a Architecture & Design Inc. Whistler Cay Heights Residence, Whistler Robert Mackenzie Architect Ainsworth Residence, Penticton Lamoureux Architect Ltd. Sentinel Hill House, West Vancouver Bevanda Architecture Inc. Private Residence, Penticton Openspace Architecture Inc. Spirit Island, Whistler Salal Architecture Beach House, Roberts Creek RDC Fine Homes Miller Residence, Whistler Busby Perkins & Will Murch Residence, Victoria Longhouse Trading Company Ltd. Private Residence, Nanaimo

WINNER:

Lamoureux Architect Ltd. Sentinel Hill House, West Vancouver

Special Advertising Feature

Natural Cedar Award

Wood Champion

Paul Fast Jr. Design Build Sauna, Nahatlatch River

Larry McFarland, Larry McFarland Architects Inc.

Longhouse Trading Company Ltd. Haida Heritage Centre, Skidigate, Queen Charlotte Islands Andrew Cheung Architects Inc. Dharma Drum Mountain Temple, Richmond Killick Metz Bowen Rose Loon Lake Lodge, Maple Ridge

WINNER:

Paul Fast Jr. Design Build Sauna, Nahatlatch River

North Cariboo Community College, Quesnel

Commercial Wood Design Bernard Perreten Architecture Inc. Williams Lake Tourism Discovery Centre, Williams Lake Stantec Architecture Ltd. The Tsawwassen Quay Market, Tsawwassen Killick Metz Bowen Rose Loon Lake Lodge, Maple Ridge Scott M Kemp Architect Yukon Suspension Bridge — South Klondike Highway, Yukon

WINNER:

Scott M Kemp Architect Yukon Suspension Bridge — South Klondike Highway, Yukon

Institutional Wood Design Hotson Bakker Boniface Haden Architects & Urbanistes Nk'Mip Desert Cultural Centre, Osoyoos Andrew Cheung Architects Inc. Dharma Drum Mountain Temple, Richmond Bernard Perreten Architecture Inc. Williams Lake Tourism Discovery Centre, Williams Lake Allen & Maurer Architects Ltd. Kindergarten Feldgatterweg, Italy Interior Logging Association Silver Lake Forest Education Society, Peachland Town of Smithers Smithers Municipal Hall, Smithers Larry McFarland Architects Ltd. John M.S. Lecky UBC Boathouse, Vancouver Larry McFarland Architects Ltd. Ripple Rock Elementary School, Campbell River Bevanda Architecture Inc. Penticton Rotary Centennial Pavilion, Penticton Longhouse Trading Company Ltd. Haida Heritage Centre, Skidigate, Queen Charlotte Islands Acton Ostry Architects Inc. King David High School, Vancouver DGBK Architects B.C. Wildlife Park Centre, Kamloops

WINNER:

Acton Ostry Architects Inc. King David High School, Vancouver

Special Advertising Feature

Technical Innovation Award

Industry Leader

Silva Panel Canada Ltd. Western Red Cedar panels from short lengths

Jim Engelson

School of Architecture and Landscape Architecture UBC Solid wood panels Thinwood Forest Products Ltd., Canfor Corp. and TSW Laminating Series of cladded wood products

WINNER:

Silva Panel Canada Ltd. Western Red Cedar panels from short lengths

Engineer Zelimir Anic & Paul Fast, Fast & Epp Structural Engineering Wood Presentation Centre, Shanghai China John Wallace, Pomeroy Engineering Ripple Rock Elementary School, Campbell River Jim Mandelli, JM Engineering Williams Lake Tourist Discovery Centre, Williams Lake Gerry Epp, Fast & Epp Structural Engineering Office Roof at Avon Lot 2, Avon, Colorado Jochen Stahl and Paul Fast, Fast & Epp Structural Engineering Armstrong – Spallumcheen Arena, Armstrong Paul Fast, Fast & Epp Structural Engineering North Cariboo Community College, Quesnel Ian Boyle, Zelimir Anic and Paul Fast, Fast & Epp Structural Engineering Simon Fraser University Gymnasium, Burnaby

WINNER:

Jochen Stahl and Paul Fast, Fast & Epp Structural Engineering Armstrong – Spallumcheen Arena, Armstrong

Architect Bernard Perreten, Bernard Perreten Architecture Inc. Williams Lake Tourist Discovery Centre, Williams Lake South Cariboo Multi-Use Arena, 100 Mile House Ron Kato, Larry McFarland Architects Ltd. North Cariboo Community College, Quesnel Mark Koropecky, PBK Architects Inc. McLeod Athletic Park Grandstand Building, Langley Stantec Architecture Ltd. The Tsawwassen Quay Market, Tsawwassen Russell Acton, Acton Ostry Architects Inc. Old Massett Primary School Skidegate Elementary School Har El Synagogue Mount Currie Day Care Health Centre Siple House Greg Dowling, DGBK Architects B.C. Wildlife Park Centre, Kamloops Bruce Haden, Hotson Bakker Boniface Haden Architects & Urbanistes Nk'Mip Desert Cultural Centre, Osoyoos Larry McFarland, Larry McFarland Architects Ltd. North Cariboo Community College, Quesnel

WINNER:

Russell Acton, Acton Ostry Architects Inc.

industry focus FLOORING PHOTO COURTESY ART GRICE / TERAGREN LLC

PHOTO COURTESY STEVEN YOUNG / TERAGREN LLC

SUSTAINABLE HARDWOODS

BY BRIAN COPELAND

G

“GREEN” IS NOW an important consideration in consumer decision making. But what does it really mean in terms of wood and wood products used? Should we feel good about using wood when photos of clear cut forests and the rainforest ablaze are some of the current poster children for global warming?

In the broadest sense, sustainability for forest management means using and cultivating the forest to keep the forest.

Today’s designers have many choices and they can make wood flooring purchases with confidence, knowing it has come from sustainable yield forest practices.

Their hardwood flooring comes from forests with sustainability practices either privately managed or inspected by a third party audit organization, such as the Forest Stewardship Council (FSC) or Sustainable Forestry Initiative (SFI).

The industry is constantly reviewing its forest inventory and reports are issued by the forest inventory and analysis (FIA) program, which is part of the U.S. Department of Agriculture (USDA) Forest Service.

In Indiana, for instance, the forests have been inventoried using an annual inventory system. According to a recent study, timberland area has continued to increase since the 1967 inventory, with steady increases in the saw timber stand size. The total area plus the volume of all trees has increased from six billion cubic feet in 1986, to more than nine billion cubic feet in 2005.

And as selective logging practices have been employed, the quality of the trees has increased.

forests under private management certified by the FSC. Sustainability, reforestation and plantation projects are under development in Bolivia, Paraguay and Brazil.

Producing within strict environmental and socioeconomic standards set forth by the FSC, many manufacturers are committed to preserving South America’s rainforest and, thus, dedicated to sustainable forestry practices.

Plantation owners are in control of forest management. They embrace the following key principles: Ecological balance. This involves maintaining the habitats of all native plants and animal species. Chemical fertilizers or pesticides are not used.

No clear cutting. Trees within the forest must be of various ages.

Openings created by cutting are to be no larger that what is necessary to meet the biological requirements of non-harvested trees.

Soil conservation. Conventional forest management techniques, such as clear cutting, destroy soil organisms necessary for forest health. The heavy machinery used in industrial logging often causes soil compaction, erosion and extensive damage to residual vegetation. Instead, light equipment is used and no cutting occurs on steep erosion prone slopes.

Sustained yield. The amount of timber removed from a given area must not exceed the amount that will grow in the cutting interval or rotation. Sustainable yields assure continuity and economic viability to the rain forest.

Rainforest Practices

In addition to sustainable logging and manufacturing practices, certain species of hardwood, such as bamboo and cork, are more environmentally friendly than others.

Bamboo has become very popular as a “green” flooring option.

There are more than 1,500 species of bamboo, some of which are used to manufacture building products.

Exotic hardwood species from the rainforests — such as Jatoba (Brazilian cherry), Cabreuva (Santos mahogany), Cumaru (Brazilian teak), Ipe (Brazilian walnut), Muiracatiara (tiger wood) and Andiroba (royal mahogany) — are in high demand.

Today, consumers can choose products from sustainable yield

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DESIGN QUARTERLY | SUMMER 2007

Bamboo

Growing up to two-feet daily, Moso bamboo reaches full maturity in approximately six years (compared to 60 years or more for most hardwood trees), and can be harvested repeatedly from the same root system.

If harvested and manufactured correctly, bamboo can be 25 per cent harder than oak and twice as stable as maple.

Strand bamboo is even more durable. Manufactured through a process that fuses bamboo strands with an environmentally safe adhesive, it can be 100 per cent harder than oak.

Bamboo flooring typically comes in two colours — the natural colour of the bamboo fibre or a “caramelized” colour. The caramelized light coffee colour is obtained through a process of pressure heating the fibre. The longer the fibre is heated, the darker the sugar compounds become.

Cultivating bamboo relieves pressure on degraded forests and contributes to reducing global warming. Bamboo releases 35 per cent more oxygen than a comparable cluster of trees. Some types of bamboo can remove (or “sequester”) nearly 5 tonnes of carbon dioxide from the air per acre, helping to reduce harmful levels of carbon dioxide in our atmosphere.

Using bamboo flooring qualifies project designers for points towards LEED (Leadership in Energy and Environmental Design) certification. For instance, all bamboo flooring, panel and veneer products contribute to LEED credit MR 6 — rapidly renewable materials.

Depending on the manufacturing adhesive used, all bamboo flooring, panel and veneer products may contribute to LEED credit IEQ 4.4 — low emitting materials.

However, while bamboo is inherently an eco-friendly material, not all bamboo products are created equal. Buyers must know what to look for to ensure they’re purchasing a sustainable product.

Bamboo flooring should not only be sustainably harvested and manufactured in a factory certified by the International Organization for Standardization; it should also include a waterbased, solvent-free finish that does not release volatile organic compounds (VOCs) and a manufacturing adhesive that at least meets Occupational Safety and Health Administration (OSHA) standards for formaldehyde content.

Other factors to consider

include whether the bamboo originated from an area not inhabited by pandas (who survive almost exclusively on bamboo), whether waste created during the manufacturing process is utilized to create energy and whether it was purchased at fair market rates.

When harvested and manufactured properly, bamboo is a beautiful, versatile fibre that is aesthetically pleasing to the eye and gentle on the environment — making it an ideal choice for environmentally conscious builders, architects, designers and consumers. It is ideal for any interior application and may be perfectly complemented with matching bamboo stair components and flooring accessories, as well as bamboo cabinetry and parquet butcher block countertops or islands.

Cork The natural renewable and sustainable quality of cork is a great pick for environment conscious consumers.

Unlike some of the previous sustainable products, no trees are

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SUMMER 2007 | DESIGN QUARTERLY

49

industry focus FLOORING

WIDE PLANK HARDWOOD

LTD.

Manufacturer of Designer Hardwood Flooring

Also available, environmentally friendly pre-finished flooring with German Hardwax Oil.

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DESIGN QUARTERLY | SUMMER 2007

cut down to make cork products. Cork oak trees are protected by law in most countries.

The product we know as cork consists of the bark of the cork oak tree. The bark is stripped from approximately a third of the tree every nine to 12 years. This process actually enhances the life span of the tree, which ranges 150 to 200 years.

The wide range of cork products and manufacturing processes ensures a complete use of the resource.

Engineered Flooring In an attempt to reduce the amount of material used, many flooring manufacturers are introducing engineered flooring, which is made up of a plywood type base and a top layer of the forest resource.

Depending on the thickness of the wood veneer, the yield is between three and 10 times more sustainable than traditional three-quarter inch solid hardwood flooring.

Some very high quality engineered floors with five to six millimetre wear surfaces offer the look and feel of solid floors with the efficiency of less hardwood per square foot of flooring.

This manufacturing process allows for longer and wider veneers (seven inch by 96 inch) with dimensional stability. This allows for installations of a premium floor in a wide range of site conditions.

A grand look with environmental and sustainable benefits. DQ B.C. Hardwood Floor Co. specializes in hardwood, bamboo and cork flooring. With more than 100 years of experience, we offer a premium selection of imported solid and engineered products.

industry focus FLOORING PHOTO COURTESY SHAW INDUSTRIES

FASHION FOR THE FLOOR

BY MOLLIE ALLEN

B

BEAUTIFUL FLOORING IS the canvas of any well-designed room. It can set the tone for a warm, countryside retreat or a chic, urban loft space.

While many designers today are turning to hardwood floors to achieve the look they desire, high-style carpets are emerging in the marketplace from top flooring manufacturers. Fashionable patterns, metallic yarns, high pile twists and fresh colour pallets will have you shouting, “Welcome home, carpet!”

Carpet Couture

When it comes to carpet, colour is all the rage. Burnt orange has acquired a sophistication over the years and green is easy on the eye.

Bring floors to life with patterned carpets inspired from trends of years past and current couture designs, from the New York runway. For example, houndstooth clothing and accessories have inspired stylish houndstooth patterned carpets.

Available in endless designs, including botanical leaves, ’gator skins and paisleys, patterned carpets have the ability to pull a room’s look together. For instance, if using a fabric with geometric squares for your client’s draperies, then select a patterned carpet for the flooring with similar geometric squares to add style and dimension to the room.

Most manufacturers will create room-size rugs from their patterned carpets if wall-to-wall carpet is not desired by the client.

Think Outside The Beige Box

Healthcare, Retail, Education and Hospitality – TOLI vinyl flooring products provide superior performance in high traffic areas.

Smart Flooring Ltd. 1-888-878-8654 www.smartflooring.ca sales@smartflooring.ca

Don’t always choose basic beige carpet. Forward-thinking designers are selecting bold colours, such as red, chocolate brown, green or black, to really spice up a room’s design. International influences such as food, fabrics and jewelry are shaping the way leading flooring manufacturers select colours for their products.

In years past, flooring manufacturers may have used the same colours for several styles of carpet but today they are inspired by the specific carpet style. For instance, a zebra patterned carpet is inspired from the home of the animal, with the colours deep and true to the pattern’s African descent.

Current pattern and colour selections are about relating to the modern, well-travelled and creative homeowner. In fact, patterned carpets are the fastest growing segment in the carpet category.

Wear & Tear Besides great style, carpets must have the ability to withstand the test of time. A toddler’s tricycle, new puppy or Moroccan-style dinner party that leaves red wine on the flooring can cause wear and tear to the carpet. Choose carpets with stain-resistant protection. Applied to the yarn fibres before the product is constructed, this powerful prevention ensures stains literally lift and bead on top of the carpet for easy cleanup.

Also, choose durable fibres, such as nylon, polyester or polypropylene, which are very sturdy when constructed properly.

While carpets can last up to 10 years, the transit lifestyle of the modern family lends itself to moving or remodeling before the life of the carpet has expired.

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DESIGN QUARTERLY | SUMMER 2007

Available in endless designs, including botanical leaves, ’gator skins and paisleys, patterned carpets have the ability to pull a room’s look together.

Natural Fibre Carpet takes up critical space in the world’s overflowing landfills, so diverting the product from the landfill is a goal of many companies. As a result, eco-friendly flooring choices are available from leading manufacturers. Carpets containing recycled content, carpet with the ability to be recycled and sustainable hardwoods are widely available in the marketplace. And environmentallyminded consumers are interested in ecofriendly products.

Consumers want to feel good about their home selections and manufacturers have responded by introducing eco-friendly flooring products that are beautiful and durable.

Unlike in years past, consumers no longer have to sacrifice style to be environmentallyfriendly.

Providing flooring solutions for all segments of the commercial, builder, & multi-family markets for over 75 years.

Distribution for: ARMSTRONG WILSONART LAMINATE FLOORS CROSSVILLE PORCELAIN TILE COLUMBIA LAMINATE, ENGINEERED & SOLID WOOD FLOORING JOHNSONITE RUBBER PRODUCTS OMEGA CARPET BY KRAUS SHAWMARK CARPET WE CORK FLOORING ACCOUSTICAL UNDERCUSHION CASCADE NATURAL STONE DANSK HARDWOOD BAMBOO FUSION COMMERCIAL UA ENGINEERED WOOD FLOORING

Creating Comfort Be fearless in your flooring design choices and rediscover the beauty, warmth and durability of carpet. Whether it is a playful shag style in burnt orange for a retro-chic movie room or an eggplant paisley pattern for a sophisticated formal living room, basic beige carpet is a look of the past.

With turmoil in the world around us, the comfort of home is more important than ever before. Make home a place that will brighten your smile in the morning and soothe you in the evening. Make the comfort of home begin with beautiful floors. DQ Mollie Allen is the public relations specialist for Shaw Industries, a subsidiary of Berkshire Hathaway Inc. Shaw manufactures and distributes carpeting, rugs, hardwood, laminate and ceramic tile for residential and commercial applications. Mollie can be contacted at Mollie.Allen@shawinc.com.

Flooring products for: Healthcare Education Corporate Hospitality Retail Property Management Home Builders

Please contact Mr. Nigel Rogers or Mr. Jerry Moore at our Vancouver Office: 604.583.2355 Sales/Service Centres: Vancouver-Calgary-Edmonton-Saskatoon-Regina-Winnipeg

SUMMER 2007 | DESIGN QUARTERLY

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industry focus FLOORING

THE TRUTH ABOUT LINOLEUM

BY JACCO VLAAR

W

WHETHER YOU ARE involved in erecting a new building or retrofitting an existing one, there are a lot of decisions to be made by the various stakeholders involved in the entire process.

Choosing the right building and finishing materials can be a painstakingly long process since you need to weigh all kinds of factors. One factor that has become of increasing importance to all stakeholders is finding environmentally-friendly products.

Determining which floor covering to use in the building is one of the most important decisions a designer must make — the floor is the one part of the building that is in constant and immediate physical contact with its occupants. The material you decide upon now is crucial in making or breaking a substantial part of the operational costs of a building.

From a technical or performance point of view, you should choose a floor that is durable, cost-effective to clean and maintain and retains its appearance in-between maintenance periods.

From an occupant’s point of view, you should look for a floor that contributes to a pleasant, comfortable and healthier indoor environment. The design should suit the purpose of the building and be either colourful or subdued but never too distracting or boring.

From an environmental perspective, look for a floor covering that performs responsibly not only while it is covering the floor but also during the extraction of raw materials and the actual production process of the floor covering that precedes installation. It is also important to consider the affect on the environment after removal and disposal of the flooring material.

Somewhere along this road, another crucial factor you will have to consider is affordability, which is usually of great interest to the owners of the building. It makes sense to look at the cost of ownership of a floor, which factors in cleaning and maintenance costs in addition to the initial cost, such as purchase of the flooring material and installation.

Let’s see if modern linoleum flooring, the resilient floor covering first produced 150 years ago, can meet all these demands.

Sustainable & Durable From a performance point of view, linoleum floors have always been known to be extremely durable.

In the past few years, linoleum manufacturers have come up with a new, technically different factory finish, which has boosted the cleaning and maintenance effectiveness of the product significantly. At the same time, comprehensive green cleaning and maintenance programs have been developed that minimize labour time and the use of chemicals, while maximizing performance and appearance retention.

A comfortable and healthy indoor environment in a building

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can contribute largely to the well-being of its occupants.

Linoleum is allergen-free and is clinically proven to inhibit the growth of various types of bacteria living on it, including Methicillin-resistant Staphylococcus aureus (MRSA) bacteria and the Clostridium difficile bacteria (better known as C-diff), which is causing serious health issues in a growing number of hospitals.

This may reduce the use of chemicals significantly and, most importantly, reduce the risk of occupant infection not only in hospitals but in offices and educational facilities alike.

Various international studies have shown that good indoor air quality has a positive impact on the health and well-being of a building’s occupants, resulting in higher productivity and better concentration and focus.

The smooth surface of linoleum, which can be easily kept dustfree, the absence of plasticizers and, subsequently, the off-gassing of these chemicals in the indoor environment support this comfortable and healthy indoor environment.

In addition, the wide colour and range available in modern linoleum floors enables you to design the right atmosphere in every application. The latest trend is to use linoleum tiles, which makes designing a colourful floor really easy without the downside of higher installation costs.

When it comes to environmental friendliness, linoleum is made with predominantly natural and renewable raw materials such as linseed oil, wood flour, limestone, rosin and jute.

The environmental footprint of linoleum has been investigated and confirmed by independent institutes all over the world for decades now and has enabled manufacturers to constantly improve their footprint. For example, the world’s largest linoleum manufacturer has recently switched over to using only green,

12 Dutch Designers • 12 Individual Inspirations • 12 Unique Colours Forbo cooperated closely with 12 Dutch designers to create the Marmoleum Dutch Design collection. The 12 designers were granted complete artistic freedom. Their inspiration was very personal: a favorite colour, a shade with a great future or a colour missing from the current ranges. The result is 12 unique colourings, 12 designs each telling their own story.

With a track record of over 100 years, Marmoleum has gained popularity among architects, designers and consumers all over the world. Made from renewable, natural ingredients, Marmoleum is an environmentally responsible, durable flooring that features naturally inherent antimicrobial and anti-static properties.

Marmoleum Dutch Design is available in a thickness of 2.5mm with matching welding rods available for all designs. Marmoleum Dutch Design is protected with the unique Topshield finish. Thanks to Topshield each colour keeps its natural beauty, just as the designer intended.

www.FloorsByPhoenix.com British Columbia, Ontario, Quebec, Maritimes 1-800-268-8108 creating better environments

1-866-661-2351 • www.forboflooringNA.com • info@fL-NA.com

industry focus FLOORING

renewable electricity in all its production locations. Not only is this a major improvement in their product’s environmental performance but it also emphasizes the company’s commitment to doing the right thing, realizing the immediate impact on the company’s bottom line is negligible in the long run.

Various linoleum factories have recycling programs in place for stock remnants and production waste. At the same time, there are test programs in place to locally compost installation waste as well as old removed linoleum floors. Composting installation waste has turned out to give a better environmental performance than recycling.

There is an interesting Canadian story to linoleum as well — most, if not all, linoleum produced in the world is made of linseed oil from flax plants grown in the Prairies. With linseed oil making up 30 per cent of the content of linoleum, using linoleum directly supports farmers in Western Canada.

At the same time, farmers and scientists have worked together to develop better ways to grow flax, such as no-tilt processing in the fields, significantly reducing erosion, improving moisture retention in the soil and, through the carefully balanced use of fertilizer, minimizing or even eliminating utrification, which causes algae in water bodies.

Over the past few decades, linoleum has improved technically and, as a result, is sure to withstand any competition from a performance point of view. Now, with the growing desire across the board to make the right environmental choice, it is no wonder we are seeing a growing demand for this smooth flooring surface in commercial and office buildings nowadays. DQ Jacco Vlaar is the national sales manager for Forbo Flooring Systems in Canada. Forbo is a leading producer of flooring systems and adhesives as well as conveyor belt solutions. For more information contact Jacco at jacco.vlaar@forbo.com.

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Most, if not all, linoleum produced in the world is made of linseed oil from flax plants grown in the Prairies.

Linoleum is allergen-free and is clinically proven to inhibit the growth of various types of bacteria living on it, including Methicillin-resistant Staphylococcus aureus (MRSA) bacteria and the Clostridium difficile bacteria (better known as C-diff), which is causing serious health issues in a growing number of hospitals.

November 6 – 7, 2007 Roundup Centre, Calgary www.designtrendscalgary.com

> new products > industry networking > educational seminars > and much more

Register to attend at

www.designtrendscalgary.com

Alberta’s Largest Interior Design Conference & Exposition

Exhibit and sponsorship opportunities still available.

Contact Wolfgang Ortner at 403.241.1088 or wortner@mmart.com or go to www.designtrendscalgary.com

Producers of > Design Northwest, DesignTrends Edmonton > IIDEX/NEOCON CANADA > The Interior Design Show

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industry focus WALLS & CEILINGS

UNCOVERING WHAT’S NEW FOR WALLS

BY DUNCAN CAMPBELL

F

FOR YEARS, RESIDENTIAL wallcoverings were adopted as “background” décor and supported the objects in a room. Not unlike paint in many ways, the quiet “do not notice me” type of wall finish prevailed. And did I mention beige was the colour of choice? Why beige is as Canadian as maple syrup!

Fast forward to the early years of the new millennium when a new generation of designer emerged, eager and willing to make their mark on residential interiors. This new group of creative professionals is keen on experimenting with texture and colour as never before. Global influences have opened up a whole new spectrum of design combinations that, when married with the changing demographics and psychographics of colour, generates quicker turnover in decorating trends.

Tactile design elements add depth and dimension that appeal to the emotional desire of every residential interior designer.

Newer wallcoverings feature designs with glass beads, Swarovski crystals, sand effects and hand-moulded plaster carvings.

Made more than 2,000 years ago, glass beads were once considered trade secrets and even used as currency. As a design element, the tiny, hand-made beads enhance wall decor by absorbing and reflecting colour within the variations of the glass itself.

Famous for its crystal sculpture and ornaments, Swarovski has provided designers the opportunity to create custom wall decor with a little bling — just enough to set any room apart.

Sand, when used as a wallcovering for a tone-on-tone texture,

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is a stunning feature that transcends all styles of design from traditional to modern.

An extremely sought after feature in the styling of high-end wallcoverings has been environmentally safe and friendly products such as fine Arrowroot grass cloth wallpaper and bamboo wall décor, both made from renewable resources. The use of Raffia, woven by artisans from banana and palm leaves, also helps support the environment. Some Raffia can be laminated with fabric backings, which allows designers to use the weaves on light upholstery and as wall decoration.

Woven by fifth generation craftsmen using 100 per cent recycled paper, Japanese paper weaves are a true art form of wall décor. Professional designers will love the extensive colour ranges and the rich depth of the intercontinental palettes.

Bamboo has the advantage of surrounding rooms in a tropical landscape as well as being eco-friendly. Innovative designers have found other decorative uses for bamboo, applying it to ceilings, furniture or cabinetry. A light wipe with lemon oil is all the upkeep needed.

Expanded choices in residential interior wallcoverings include the delicate elegance of hand-pressed leaves. Harvested from silk plants and hand-dried, the leaves are laid randomly atop fine quality paper to emulate the look of falling leaves.

Subtle metallic finishes are also hand-applied for a soft, natural glistening shimmer.

It Pays To Be Good Using High Performance Building techniques will increase the market value of a building. By making energy efficiency a priority, you will lower your building’s operating and maintenance costs. And you’ll gain a real competitive market advantage.

Are you in the planning stages of a new commercial building? Make sure you take advantage of the financial incentives, recognition and resources offered by BC Hydro’s High Performance Building Program. The result will be a building with lower costs for your tenants, and higher profits for you. It’s also a good thing for our province, because conservation is the first and best choice for starting to meet B.C.’s growing need for electricity.

Find out more today by calling 604 453-6400 in the Lower Mainland, and 1 866 453-6400 in the rest of the Province.

From now on, being good and being profitable go very well together.

industry focus WALLS & CEILINGS

Sophistication reigns supreme in wallcoverings woven from hemp, a renewable resource harvested in the Hawaiian Islands and the Philippines. Classic patterns are produced using a Japanese technique called shadow printing, which creates a product of casual elegance in a large variety of natural and decorative colours.

Natural linens, coloured using environmentally-friendly vegetable dyes, fine silk Japanese wallcoverings in delicate neutral creams and flax colours, and rice paper and parchment treatments create a Zen-like effect for walls.

Embroidered wallcoverings, inspired by the exquisite Catherine Palace built in 18th century Russia, add a new dimension in elegant decoration. Sweeping vine motifs and delicate soft florals are meticulously embroidered and expertly laminated atop silk-like textured backgrounds.

Another favourite decoration handed down from generation to generation is the authentic gold, silver and copper leaf wallcoverings crafted using century old techniques. The metallic finishes are applied using chopsticks and then hand-brushed to a special backing paper.

Many colour experts are seeking palette combinations that are realistic and sustainable — colours that have a sense of solidity and permanence but, when combined in new and unexpected

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ways, will withstand the variances and morphing of newer trends.

Nature plays a large part in the prediction of colour trends and, in many instances, new shades are often named after influencing environmental issues. Colours are becoming more organic and, as a result, there’s an assortment of richer colour combinations.

Layered, tone-on-tone colours accented with metallic bronze and burnished dark gold are described as “luxe and luster.”

What else does the future hold in colour trends? Look for the Beijing 2008 Olympic Summer Games to have a large affect on colours in North America. Global colour and international influences will prevail and excite designers of the next generation.

The world of wallcoverings is constantly expanding and opening up new avenues of wonderful décor products. Colour palettes evoke emotions that one can almost taste and touch as well as view. Rooms that once had “quiet” background decor now feature walls with personalities that reflect the mood and emotion of the persons living in today’s modern spaces. DQ Duncan Campbell is director of marketing for Crown Wallpaper and Fabrics, a Canadian company that supplies creative and unique interior decoration. In business for 70 years, Crown has showrooms in Vancouver, Toronto and Montreal. For more information, call 1.800.268.1300.

industry focus WALLS & CEILINGS

ACOUSTICAL SOLUTIONS

BY LYLE FULLER

I

IT TYPICALLY SAVES time, money and many headaches to determine the acoustical needs of a project during the design phase. The wait and see approach to acoustics can be detrimental and significantly more expensive.

Acoustic materials perform one of two functions. They absorb (or diffuse) sound or block its transmission. Therefore, one must determine whether the goal is to control noise and the acoustical environment within a room or reduce the transmission of sound from one room to another.

Quite often, both objectives must be met. For example, speech intelligibility (sound absorption) is very important in a boardroom.

Equally important is ensuring information shared in a boardroom cannot be heard outside (blocking sound transmission).

The human ear is able to hear sounds from zero to 130 decibels (the average pain threshold). The range of hearing for an average person is 20 to 20,000 hertz, with the upper range decreasing with age, while the frequency range of speech is 125 to 8,000 hertz. These figures provide insight into the complexities of dealing with simple sound control issues.

The frequency of a sound wave is dependent on its length. The lower or deeper frequency of 125 hertz has a wavelength of nine feet. Conversely, a higher frequency of 8,000 hertz has a wavelength of 1.75 inches. Lower frequency sounds are more difficult to control because of their longer wavelength (think foghorn).

This is why you only hear the thumping of the bass when loud music is playing in an adjacent room — the high frequencies may be blocked.

Be careful when selecting an acoustic control product based solely on its noise reduction coefficient (NRC). NRC tests do not include values below 250 hertz or above 2,000 hertz. As a result, two materials may have identical NRC ratings but very different true absorption characteristics.

Reflection, the occurrence of sound striking one or more surfaces before reaching its receiver, is influenced by the shape of the space as well as surface materials within the space, and it can have unwanted (or even disastrous) consequences to clarity.

Reflective parallel surfaces, such as those found in conference rooms, boardrooms, school gymnasiums and many classrooms (which are often made into music rooms), lend themselves to a unique acoustical problem called flutter echo. A flutter echo occurs when sound ricochets back and forth between the same spots on parallel surfaces.

Reverberation, the prolongation of a sound in a room, is caused by continued multiple reflections. In an enclosed space, when a source stops emitting sound, it takes some time for the sound to become audible. The length of the reverberation needs to be addressed to ensure proper acoustics.

The multiple reflections in reverberant (live) spaces build upon themselves and actually cause the noise level to increase. The more absorption in a room, the more unwanted reverberant noise levels will be controlled. However, over-treatment may cause a room to become flat or “dead” sounding, so a balance must be achieved. A project that has a significant noise source may require several differing noise control procedures.

R. Fraser Elliott Hall, Four Seasons Centre for the Performing Arts.

The effects of reverberation time on a given space are crucial to clarity of music and speech. A reverberation time that is optimum for a music program could be detrimental to the intelligibility of the spoken word. Conversely, a reverberation time that is excellent for speech may cause music to sound “dry” and “flat.”

The optimum reverberation time is dependent on the use of the space. The amount of absorption material required will depend on its respective NRC as specified by an acoustical consultant.

There are sound absorption acoustical systems that can be used to reduce the noise level, eliminate unwanted reflections and control a room’s reverberation time (typically measured by the NRC of the material used).

Absorption is a quality in materials that combats unwanted reflections. When sound waves strike a material, part of the sound energy is absorbed (essentially converted to heat energy) and the other part is reflected. All materials absorb a certain amount of sound energy. This amount is expressed in terms of a sound absorption coefficient (SRC), which is the percentage of sound absorbed by a material at a particular frequency. If materials have a sound absorption coefficient of 0.90 at 1000 hertz, 90 per cent of the sound striking that material is absorbed and only 10 per cent is reflected. When multiple reflections in a room are reduced through absorption, the noise level of the room is reduced, with the degree of reduction relative to the amount of absorption materials used and its NRC. The NRC equals the average SRC (at 250, 500, 1,000, 2,000 hertz). Depending on the use of the room, reflective parallel surfaces may cause flutter echo and this ricocheting of sound as well as other multiple reflections.

These must be considered and treated by changing the shape of the room and/or by adding absorption. Reducing noise level within a space through the use of absorption material will also reduce the noise level available to be transmitted through the walls, which will help reduce transmission to other spaces. DQ Lyle Fuller is the owner of GWP Wallworks, a full-service company specializing in all types of walls, floor and ceiling finishes, with expert knowledge in architectural/industrial noise control as well as all types of window coverings, stage draperies and sound absorption treatments. 403.255.3550 sales@wallworks.com

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industry focus WALLS & CEILINGS

THE EMERGENCE OF A DYNAMIC DESIGN ELEMENT Metal, wood and free-floating ceilings are causing many to look up. BY JOANN DAVIS BRAYMAN PHOTOS COURTESY ARMSTRONG CEILING SYSTEMS

T

TAKE A LOOK above your head. What do you see?

Chances are it is a mineral fibre acoustical ceiling panel suspended in a metal grid. That’s because this type of ceiling is still the most popular system used in commercial spaces ranging from office buildings to schools to hospitals.

However, there is a revolution going on overhead in terms of the increased use of acoustical ceilings other than traditional mineral fibre. And that’s because of a trend toward more dynamic acoustical ceiling visuals in public spaces, like lobbies and corridors, and not so public spaces, such as conference rooms and boardrooms.

Metal Ceilings Two of today’s more common alternatives to mineral fibre are metal and wood.

Metal ceiling systems, which combine stylish design with functional performance, continue to increase in popularity because of their durability, especially in areas where access to the plenum is frequent.

Another reason is aesthetics. Metal ceilings are available in a variety of finishes that can impart a very high-tech or sophisticated look to a space. And, even though it is metal, this type of ceiling can also provide very good acoustical control.

To achieve the acoustic benefits, however, the panels must be perforated. The perforations themselves vary in size depending

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on aesthetic appeal, although today it’s possible to have “microperforated” panels in which the holes are so small, they are essentially invisible. Perforated panels are usually supplied with a factory-supplied, black, sound absorbent acoustical fleece liner.

Wood Ceilings One of the primary reasons wood ceilings continue to increase in popularity is their beauty. Wood is often the richest and most elegant architectural element within a space. As a result, wood ceilings are perceived as very upscale and stylish, even when used in conjunction with a standard suspension system and standard light fixtures. Wood ceilings also impart a warmer ambiance to a space.

As in the case of metal, wood ceilings are available in a variety of finishes and a broad range of standard sizes and edge details in addition to their custom capabilities. Perforated versions are also offered for better acoustical performance compared to a non-perforated panel.

Some architects and designers believe specialty ceilings, such as metal and wood, are difficult to work with. However, they aren’t. They are easily installed in standard grid systems and integrate well with standard light fixtures, including high hats.

Acoustical Canopies & Clouds In another effort to move away from the traditional, there has

been an increased use of “free-floating” ceilings. As part of this trend, acoustical canopies and clouds are becoming popular because of the unique look they offer and their ability to accentuate an area.

Acoustical canopies are small in size (usually about 48 inches by 72 inches) and help reduce reverberation noise in the space below them. Their ability to combine a pleasing visual with sound absorbing properties that provide spot acoustics make them ideal for use in open plenum or exposed structure areas as well as over spaces, such as work stations and reception desks.

And the use of multiple canopies improves acoustics even more.

Aesthetically, the smooth surfaced, curved canopies offer a very visually pleasing acoustical treatment, especially in high profile areas.

Acoustical clouds are much different in size and look compared to acoustical canopies. In terms of shape, for example, cloud systems are available in squares and rectangles as well as circles, ovals and a number of other geometric shapes. Visually, acoustical clouds are generally larger and flat, while canopies are curved.

Acoustical cloud systems typically consist of pre-cut ceiling panels with factory-finished corners. A separate kit containing all the pre-cut suspension system and trim components is required to create the cloud. The pre-engineered elements help eliminate many of the risks of a custom installation. The choice of ceiling panel options in the system includes mineral fibre, fibreglass and perforated metal panels.

Acoustical clouds can actually provide more sound absorption than a continuous ceiling of the same surface area because sound

is absorbed on both the front and back of the cloud. In fact, the more “live” the space, the greater the effect on reverberation from the addition of the clouds.

Acoustical clouds are quick and easy to install and can be adjusted to the desired hanging height and angle. They can be installed under a drywall ceiling, to the deck of an exposed structure or under an existing suspended ceiling. They can also be installed as individual units or grouped together.

Custom Installation The emergence of specialty ceiling systems like those described above has resulted in the need for much more collaboration between the architect, building owner and ceiling manufacturer, especially in the case of custom installations.

To help meet this need, some manufacturers now offer consultative design services comprised of specialists with expertise in both architecture and engineering, whose sole purpose is to partner with designers in the implementation of signature ceilings and provide complete project management for the ceiling system from concept to completion.

So, if you’re thinking about what to do with the ceiling, it’s time to break out of the traditional ceiling mould and discover the enormous opportunity that’s overhead. You’ll be surprised how easily you can change the entire look and feel of a space by simply changing the ceiling. DQ Joann Davis Brayman is vice-president of marketing, commercial ceiling systems, for Armstrong World Industries, the world’s largest manufacturer of acoustical ceiling systems.

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SUMMER 2007 | DESIGN QUARTERLY

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SPECIAL SUPPLEMENT | 2007 AIBC Awards of Excellence

2007 AIBC AWARDS

Winnipeg Centennial Library

Aberdeen Centre PHOTO COURTESY JAMES DOW

Lieutenant-Governor of B.C. Medals of Excellence Winnipeg Library Addition

Nk’Mip Desert Cultural Centre

Architectural Firm: Patkau Architects/LM Architectural Group Lead Design Architects: John Patkau, Patricia Patkau, Peter Suter, Samantha Hayes Client: City of Winnipeg General Contractor: Man-Shield Construction Inc. Structural Engineer: Crosier Kilgour & Partners Ltd. Mechanical Engineer: SMS Engineering Ltd. Electrical Engineer: MCW/AGE Consulting Professional Engineers Landscape Architect: Hilderman Thomas Frank Cram

Architectural Firm: Hotson Bakker Boniface Haden Lead Design Architect: Bruce Haden Client: Osoyoos Indian Band General Contractor: Greyback Construction Structural Engineer: Equilibrium Consulting Inc. Mechanical Engineer: Cobalt Engineering Electrical Engineer: MCL Engineering Landscape Architect: Phillips Farevaag Smallenberg

Originally constructed in the 1970s, the main branch of the Winnipeg public library underwent a $20-million redevelopment. Completed in 2005, the Millennium Library, previously known as the Centennial Library, is now a contemporary, state-ofthe-art facility with approximately 45,000 square feet of additional space and 115,000 square feet of renovated space. The project features an additional fourth floor, the creation of new social spaces and an innovative, multi-level reading terrace with a fourstorey high, passive solar glass wall that faces onto the adjacent park and city streets. Other changes include reorganization and expansion of the library collections, reconfiguration of the circulation systems, panoramic glass elevators, integrated staircase and the creation of an outdoor reading garden. An enlarged two-storey lobby allows for street-level entrance to the library and skywalk access. The rejuvenated library is a true “signature statement” for the City of Winnipeg.

The Nk’Mip Desert Cultural Centre is the first of several new Aboriginal cultural tourism attractions to open in B.C. in the lead up to the 2010 Olympic Winter Games. Located in the South Okanagan, the cultural centre is the anchoring component in the Osoyoos Indian Band’s ongoing development of its 200-acre, all-season Nk’Mip resort. The new $9-million centre is an architectural marvel that merges functionality with environmental consciousness. The use of organic building materials, including a green roof and the largest rammed earth wall in North America, make it a natural extension of the surrounding environment. Other sustainable features include low-flow faucets, dual flush toilets, an in-slab radiant cooling and heating system with 100 per cent outdoor air displacement ventilation and the use of blue-stained mountain pine beetle wood. Inside the partially submerged structure is a multimedia theatre, rattlesnake research facilities and interactive exhibits which extend outdoors. Complementing these attractions is a network of self-guided walking trails through the Great Basin Desert, the only one of its kind in Canada.

Nk’Mip Desert Cultural Centre PHOTO COURTESY NIC LEHOUX

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Lieutenant-Governor of B.C. Certificates of Merit Aberdeen Centre

Killarney Community Pool

Architectural Firm: Bing Thom Architects Lead Design Architect: Bing Thom Client: Fairchild Developments Ltd. General Contractor: Dominion Construction Co. Structural Engineer: Bush, Bohlman & Partners Mechanical Engineer: Keen Engineering Co. Ltd. Electrical Engineer: RA Duff & Associates Inc. Landscape Architect: Fred Liu & Associates

Architectural Firm: Hughes Condon Marler Architects Lead Design Architect: Roger Hughes Client: Vancouver Board of Parks & Recreation General Contractor: Smith Brothers Wilson Structural Engineer: C.Y. Loh Associates Mechanical/Electrical Engineer: Keen Engineering Landscape Architect: Phillips Farevaag Smallenberg

Located in Richmond, B.C., the new state-of-the-art Aberdeen Centre is three times the size of the original shopping mall, encompassing six acres. The ambitious architectural redevelopment features an undulating 420-foot multi-coloured luminous glass wall that wraps around the east side of the building and flows with the curvature of the street. Inside the 380,000-square-foot structure — designed to establish a new standard for the suburban Asian mall in Canada — the large domed ceilings accentuate the building’s grandeur. At the heart of the three-storey complex is a central court. Surrounded by terraced walkways, the “theatrical space” and its focal point fountain can be converted to a stage for special events. Illuminated with natural light from the extensive exterior glazing and a series of oval skylights, the development acts as a large glass sculpture; projecting the animated activities within the Centre outside and the ever-changing movement of the streets and weather indoors.

Replacing the original swimming pool at the Killarney Community Centre, the new 31,000-square-foot Killarney Community Pool is the first indoor public pool built in Vancouver in 25 years. It is also the first pool to be completely replaced under the City’s aquatic services long range plan. Completed in January 2006, the ozone-treated pool is organized around two long rectangular plan elements — the change room entry lobby area and an expansive natatorium, which includes a six-lane 25 metre lap pool, a 15 metre warm lap pool, hot pool, steam rooms, a three metre diving platform, water slide and lazy river feature. The corridor to the universal change rooms is located parallel to the community centre entry walkway and is glazed to allow views into the pool area. Sited in the same location as the original pool, the north side of the newly expanded, $11-million aquatic facility is dominated by a stunning 6,000-square-foot glass wall with coloured panels, giving the building a sculptural look.

Killarney Community Pool PHOTO COURTESY NIC LEHOUX & MARTIN TESSLER

Special Jury Awards

PHOTO COURTESY PETER CARDEW & SARAH MURRAY

LeBlanc House

PHOTO COURTESY NORM HOTSON & RAEF GROHNE

Mole Hill Housing Project

LeBlanc House

Mole Hill Housing Project

Architectural Firm: Peter Cardew Architects Lead Design Architect: Peter Cardew Client: Jean Claude Leblanc Contractors: John Mason & Associates, Peter Montgomery, Highliner Construction Structural Engineer: Rob Smith

Architectural Firm: Hotson Bakker Boniface Haden/S.R. McEwan Associated Architects Lead Design Architects: Norm Hotson, Sean McEwen Clients: Mole Hill Community Housing Society, B.C. Housing, City of Vancouver General Contractor: Kindred Construction Ltd. Structural Engineer: C.A. Boom Engineering Ltd. Mechanical Engineer: Versacon Consultants Inc., Alexander Boome Consulting Engineering Ltd. Electrical Engineer: Mahanti Chu Engineering Ltd. Landscape Architect: Durante Kreuk Ltd. Landscape Architects

Although the most ubiquitous form of single-family dwelling in North America since the end of the Second World War, the split-level has never achieved the iconic status that would encourage adaptation over demolition. This project is the product of the client and design firm’s shared belief that there is value to mid-century suburban housing, and the cultural investment in retaining these strucures is more important than the economic advantages of their removal. The client desired to improve the existing house whereby the architecture would increase the spatial and material quality in a manner respectful of the house and its context. The architect retained the original structure, replaced existing materials and systems with those of greater durability and reflectivity to increase the level and quality of natural light deep within the house, and reconfigured the floor plan to allow for overlapping functions common to contemporary living. The adaptation of this split-level not only retains architectural evidence of the most significant residential building boom in Canadian history, it also shows that this existing building stock can be adapted to satisfy, without compromise, the requirements of modern living.

Located on the edge of Vancouver’s West End, Mole Hill is the oldest intact neighbourhood in the city.

Originally slated for demolition to make way for highrise condominiums, 27 of the heritage homes were fully restored as part of a publicly funded non-profit housing project. The $27-million redevelopment included preserving the City-owned homes while incorporating new technologies, such as geothermal heating, and sustainable principles. An alleyway behind the houses was reconfigured to re-create the original period character. Shared facilities, such as workshops and laundries, were incorporated into the design as well as community gardens. Built in the late 1800s and early 1900s, these old-world Victorian and Edwardian homes now provide 170 rental units for low-income singles, families, seniors and longtimes residents of the block. The project has been cited as a precedent for future community initiatives in B.C. and nationally.

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Architects in B.C.

Intelligent Urban Densification THE NEED FOR A BROADER UNDERSTANDING OF SUSTAINABILITY IN ITS ARCHITECTURAL, URBAN AND, THEREFORE, CULTURAL, SOCIAL AND ECONOMIC DIMENSIONS. BY OLIVER LANG

CITIES ARE IN a state of upheaval and rampant growth, especially around the Pacific Rim. The process of urbanization is accelerating at an unprecedented rate. Globalization has de-territorialized our existence beyond regional and national boundaries. Emergent technologies, mass customization and innovation in material science have already profoundly changed many fields and soon will revolutionize building construction as we know it today.

While global warming and significant migration is adding to the complexity we are confronted with, this complexity should be regarded as a dynamic resource for unforeseen and emergent opportunities and not as a threat to our agreed standards. This resource may not only help address some pressing questions but may turn innovation, knowledge and leadership into a business advantage in the global marketplace.

The question of sustainability today should not be limited to damage control or an idea where applied systems increase the efficiency of building performance. Certainly, innovations such as geothermal heating and cooling systems are fantastic contributions that will hopefully become as common as a catalytic converter. The argument here is to find solutions at the root cause to prevent damage in the first place and use the idea of substantial urban densification as a possibility for the qualitative improvement of urban life.

This year, mankind will become primarily an urban species with more than 50 per cent of the world population living in cities.

While Canada already has one of the highest urbanization rates in the world — 80.1 per cent compared to the U.S. (80.8 per cent), China (40.4 per cent), Asia (37.1 per cent) and Europe (72.2 per cent) — its cities follow the same model as most North American cities, distributing this urban population in a pattern of vast sprawl with fairly low density.

Upon analyzing current data published by the United Nations population division, it’s apparent that cities everywhere will continue to grow even when overall populations decline, such as in Europe. In fact, some cities will grow at staggering proportions.

Between now and 2030, Canada will need to accommodate approximately 300,000 new urban dwellers every year. In the U.S., city space and infrastructure will be needed for an additional 3 million per year. In China, this number will balloon to approximately 14 million ever year (48 million a year in Asia).

With the world urban population expected to grow from 3 billion to more than 6 billion by 2050, urban densification is not only a potentially desirable option but an unavoidable necessity. This means the need to find broad and far reaching strategies for sustainable architecture and urban models is simply an imperative.

While the population of the City of Vancouver has grown 41 per cent over the last 30 years, the Greater Vancouver Regional District (GVRD) has grown more than 225 per cent. As a result, commuting distances between home and work have grown substantially. The disadvantage of sprawl is not only an environmental problem but also the inaccessibility of important urban amenities. The separation of the larger urban fabric into mono-functional territories presents a significant limitation for engagement with the city.

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Alternative models have existed for a long time. In 1859, Ildefons Cerda, a Catalan urban planner, drew a new master plan for Eixample, a high density neighbourhood for 250,000 households in Barcelona. At 35,000 people per square kilometre, it is one of the densest albeit most liveable neighbourhoods in the world. Six to eight storeys of housing rest on a solid podium of commercial and industrial space, interwoven by parks and public amenities.

The City of Barcelona conducted studies with regards to minimum density, motivated by the fact that the much lauded Olympic Village was a substantial commercial failure. It was found that a density of less than 50 dwellings per hectare or 12,000 people per square kilometre generates insufficient urban life for consistent amenities. Sustainable urban vitality seems to be best accomplished at approximately 100 dwellings per hectare or 20,000-25000 inhabitants per square kilometre.

In comparison, the City of Vancouver currently has 11,100 inhabitants per square kilometre in the central core and 4,500 inhabitants per square kilometre outside the central area, while Calgary has approximately 1,400 inhabitants per square kilometre. Within its 720 square kilometres, Calgary could accommodate 25 million using the Eixample density or reduce its footprint to one-twenty fifth of its current size. While the Barcelona model is certainly not without its flaws, it helps illustrate that higher density can catalyze entrepreneurial activities and cultural and social inventiveness.

However, excellent sustainable design needs to make its own case and convince people they will gain more than they will give up and leave behind. Intelligent urban densification will try to do that. Bringing people back into the city means giving them back the time they would otherwise lose commuting, providing housing that offers true livability with substantial outdoor areas, flexibility and choice for live and live/work styles and understanding architecture as an integral part of making the contemporary city.

But it seems that successful urban densification also needs a development process away from fixed projections of the future, in which developers, contractors and consultants have potentially separate and conflicting positions for the development of cities.

Instead, a model-based system of collaboration and front end design management can develop a project dependent syntax.

From the beginning, design management addresses issues, such as sustainability (urban, cultural, technological, material and energy), community consultation (how the heterogeneity of the public is reconciled), approval processes with municipalities (how the intentions and not the technicalities of bylaws are met — accelerating direct control bylaws and/or comprehensive zoning districts), defining project targets and opportunities with all stakeholders, building intelligent platforms for choice and mass customization and making the construction industry part of the team and leveraging their experience. DQ Oliver Lang is a registered architect in B.C., New York and Germany and is the founding principal of Lang Wilson Practice in Architecture Culture (LWPAC). He has practiced architecture for more than 20 years in Germany, Spain, China, the U.S. and, since 1999, in BC.

The ambition for Roar_One, a development of double storey stacked homes in Point Grey, was to substantially enhance livability, flexibility and sustainability. Each of the 10 units was conceived as a “sky-house.� Porosity was accomplished through strategic slots that run front to back through the building. Interestingly, the patio slots allowed for a re-organization of unit layouts. The concept allows for livability through largely increased daylight, cross ventilation and seamless indoor-outdoor continuity, while virtually eliminating any artificial lighting during the day and need for cooling despite the large south

facing window walls. Privacy issues were addressed while maintaining transparency. Social and cultural vitality is ensured through multi-programming, diversity of units and live/work scenarios. Construction methodologies were invented that can be executed without compromises in qualities but at low cost. Designed and executed by Lang Wilson Practice in Architecture Culture (LWPAC) in association with Hotson Bakker Boniface Haden, Roar_One was recognized with a 2006 AIBC Lieutenant-Governors Medal Award of Excellence as well as an Innovation Award.

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IDIBC Wembley Stadium

Finding Opportunities In The Global Village... And Making Them Happen

BY JON SUNDERLAND

FAR AND BEYOND is now near and close. The traditional “local” marketplace, where we used to sow our seeds and reap the harvests — usually in our hometown, province or country of residence — has expanded to include the “world.”

Yes, the world is now our local market. And just as technology crosses geographical, geopolitical and cultural boundaries, so too does today’s modern design business. Enabled by ever-effective tools, such as web and video-conferencing, mobile technology and more efficient air travel, the opportunities presented in this smaller, closer world are open for all to explore. Even competition has gone global as firms from different countries bid for projects across continents. The market is looking for expertise as well as shared knowledge and resources in an attempt to create efficiencies, increase revenues and drive down costs.

By the same token, companies have been forced to move outside their markets in an effort to insulate themselves from regional, geopolitical and economic downturns.

Today’s modern design firm is no different. While some firms remain decidedly ad hoc, others have chosen — often based upon the specific skills and interests of company leaders — to specialize in particular areas.

Specialization can have both positive and negative outcomes.

On the upside, clients come to recognize the leaders of particular industry designs and, thus, turn to those firms first. On the downside, perhaps, is those same design firms become too focused on one sector, thereby missing out on opportunities that complement the companies’ combined talents, while providing further growth.

It seems fair to speculate that specialization is a big decision that develops as a business matures.

As you discover and develop your firm’s specialized product and services, there is value in creating a corporate identity and personality — a brand — to further distinguish your business. Your brand must shine through every aspect of your business — from how your telephone is answered and how your interactive voice response (IVR) invites participation to demonstrating an understanding of your clients’ businesses. If you can effectively communicate your brand attributes and there is strength and substance to your brand, chances are clients will want to work with you.

Your brand must also talk to your ability to “deliver goods” that exceed clients’ expectations. This becomes especially important when working within the constraints of different time zones and cultural norms.

Once you have identified your brand, you must create and build awareness among your target audience as to what it is your brand delivers and why it is unique. This is where you can leverage your experience within different categories. Typically, this can be accomplished through proposals, websites, print materials, media interviews, advertising, presentations, conversation and, of course, reputation.

Those companies that entered the international game early, embracing whatever technology tools they could muster, are now established as global players. However, the world is now so small that even the little guy can establish an international practice.

So, you know the world is small and there is lots of opportunity. You have decided to specialize and you have a unique brand.

What next?

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Market Food Court, Amsterdam Schiphol International Airport

Well, it is always a good idea to remain abreast of global activity in whatever industry it is you are interested. Simply knowing what is happening in your own backyard will not suffice. You should read up on the cultures of the countries in which you would like to work. To compete effectively, you need to be confident your offering is unique from the clients’ own market.

For example, in regions where there is a large working population, such as Asia, the construction industry works 24/7 and can replace a small restaurant with a large highrise within a very short time frame. This means every aspect of the project is scheduled to a very tight timeline and, as the design firm, you are expected to have the resources and be able to put in the extra time necessary to meet the deadlines. This is an area where technology can really help, since there are no sleep times.

An e-mail can be sent from North America at 5 p.m. and, with luck, a response is sitting in your inbox early next morning.

For international projects, as with those closer to home, it is also very important you form strategic partnerships with firms that share your brand attributes and that recognize and value the importance of successful project execution. These partnerships cannot be established via technology. You have to meet and interview prospective project partners and be sure the fit is right before proceeding. After all, it is your reputation that is on the line. In future, technology will help us reduce our carbon footprints further, minimizing our need for such frequent travel. It follows, then, that considerable importance must be given to establishing local working relationships that are sustainable.

Across the globe, there is a constant: A need to find solutions to business questions through a regimented process, one that considers economics and time parameters. What never ceases to intrigue me is that in the delivery of international projects, it does not matter where in the world you work; the process and client concerns remain the same. Designer skill sets are geographically transferable.

Exciting opportunities are everywhere and they will continue to grow. Learn through your eyes, ears and open your mind. Your possibilities are without limit. DQ Jon Sunderland is partner and CEO of the SmartDesign Group, an international design firm that specializes in the design of revenue generating facilities for the transportation, hospitality, retail, sports and entertainment industries. The company’s head office is in Vancouver, B.C.

Design Headlines

Calgary-Based Architect Goes Global Poon McKenzie Architects is now a part of the Ingenium Group of companies, an international employee-owned, multinational consulting and development company headquartered in Toronto.

While Poon McKenzie will continue to operate with the same focus and under the same name, the firm will now be supported by an expanded family of related companies.

Ingenium’s origins link back to the amalgamation of the Giffels and NORR entities a decade ago. The Ingenium Group is comprised of three primary operating divisions — consulting services, which includes architecture and several engineering disciplines operating within six major business units, design-build and asset management.

Some local Calgary Ingenium and PMA's shared projects to date have included the Exchange, Highbury Towers, OPUS Campus Heritage Station and Cambrian Professional Centre.

Celebrating 150 Years The American Institute of Architects is celebrating its 150th anniversary this year with the release of the 11th edition of Architectural Graphic Standards. This commemorative 75th anniversary edition features more than 8,000 illustrations, reference drawings and constuctible architectural details.

Thoroughly reviewed and edited by hundreds of building science experts and experienced architects from the American Institute of Architects, the expanded content includes: new structural technologies, building systems and materials; expanded and integrated coverage on inclusive, universal and accessible design strategies; and a focus on environmentally sensitive and sustainable design including green materials and Leadership in Energy and Environmental Design standards.

Hockey’s Flames Center Of New Restaurant While the playoffs are over, hockey fans continue to flock to Calgary’s new stateof-the-art, upscale sports club. Located in the old Palace Theatre in the heart of downtown Calgary, Flames Central and Wildfire Grill is a 25,000-square-foot hybrid restaurant, bar and entertainment facility, which opened its doors in April.

Capable of hosting live concerts, special events, corporate meetings and conferences, the three-floor multi-function venue is a joint venture between the Calgary Flames hockey club and the Concorde

A Leading Residential Development Construction is underway on Vista Place in North Vancouver, one of the first LEED (Leadership in Energy and Environmental Design) silver residential buildings in Canada. Designed by Ramsay Worden Architects Ltd., Vista Place is comprised of two residential towers as well as a connecting two-storey podium level, totaling 284 units.

To attain LEED silver certification, many eco-innovations have been incorporated into the project, including water-efficiency systems that reduce water use by 30 per cent, a green roof system that captures storm water and reduces heat, insulate “Smart Glass” windows and heat and hot water systems that are 30 per cent more energy-efficient. Other sustainable features include interior finishes that use low-emission paints, adhesives and carpets.

During construction, materials with high-recycled content will be used to limit the use of natural resources and reduce waste. Aimed at reducing waste by more than 75 per cent, an onsite recycling plan is also being implemented.

Upon completion, residents at Vista Place will also have access to a shared highefficiency hybrid vehicle.

Entertainment Group, the company behind The Whiskey, ei8ht Restaurant and Mynt Ultralounge in Calgary.

Interior design features include bright red walls, 150 LCD flat-screen televisions, original NHL memorabilia, customized Calgary Flames’ emblem light fixtures and a bar made entirely of hockey pucks.

This is the first time a pro hockey team has been directly affiliated with this type of establishment.

Kasian Expands Roster One of Canada’s largest architecture and design firms has expanded its roster of associates. To support significant growth, Kasian Architecture Interior Design and Planning has named five of 12 new associates to its Western offices.

With 25 years of professional interior design experience, Ricky Gruetz has joined Kasian’s Vancouver office along with

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Design Headlines project manager Saniye Karacabeyli, who has been practicing architecture in Canada for 20 years.

New additions to Kasian’s Calgary office include interior designer Tina Mitchell, known for her customer service focus, architect Pablo Escabillas who has more than 30 years of experience in Canada and the Philippines, and contract administrator Gerald Garvin who is skilled in the design and preparation of construction documents for all types of projects.

Brenda Lee, Charles Lau, Janine Grossman, Mark Pitman and James Mansfield were named to the Toronto office, and Noorali Hakamali and Peter Streith joined the Kitchener-Waterloo office in southwestern Ontario.

Design Vancouver

Excitement Abounds at Design Vancouver Expo Design Vancouver once again proved there is a market for unique, high-end interior design products and services on the West Coast. More than 17,000 attendees were treated to a plethora of new innovations as well as eye-catching and thought-provoking exhibits at the third annual interior design and urban living expo, which took place May 4 – 6 at the Vancouver Convention and Exhibition Centre.

Geared to design professionals and consumers looking for unique and high quality solutions not found in the average home store, this year’s theme was Stories Behind Design.

Highlights of the three-day consumerindustry hybrid expo included the Valcucine recycled and recyclable kitchen, the blue wood design competition featuring custom mountain pine beetle designs, Vancouverbased Smallworks’ custom-built laneway studio, and Brent Comber’s bird’s nest sculpture which he wove out of windblown debris from Stanley Park.

Five-Star Renovation One of Vancouver’s finest restaurants has received a facelift. The 75-seat Five Sails Restaurant with private dining room located at the triple-A five diamond Pan Pacific Vancouver recently re-opened after being closed for renovations.

Redesigned by Situ Design, the new contemporary interior décor rivals the breathtaking water and mountain views that have made the restaurant so popular with visitors and residents alike.

The new owner-operators of the Five Sails, executive chef Ernst Dorfler and catering director Gerry Sayers, embarked on the approximately five-week renovation in March, shortly after acquiring the awardwinning establishment.

This is the first time in more than 21 years the restaurant’s changed hands,

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albeit familiar ones. The husband and wife culinary team, who met while working at the landmark hotel, left their jobs to move across the lobby to the restaurant.

According to Pan Pacific Vancouver general manager, Steve Halliday, the new Five Sails reflects a growing trend among major hotels to feature independent restaurants.

ADVERTISER INDEX 2nd Century Rug Co. ..........................................................IBC Arborite...................................................................................15 Baer / Wide Plank Hardwood.............................................50 Barclay Sales ........................................................................49 BC Hydro ................................................................................59 Beaulieu Carpets ..................................................................51 Blooms Ventures...................................................................50

AIBC Adds To Its Ranks

Bradlee ...................................................................................19

The Architectural Institute of British Columbia (AIBC) inducted 79 new architects into its ranks at its annual induction and retirement ceremony April 28, held at the four Seasons Hotel in Vancouver.

Of the 79 newly registered architects, 19 are foreign trained. Registering through alternative qualifications, the 19 bring design excellence to the province while helping to fulfill the growing demand for architectural services.

The AIBC, a self-governing body dedicated to excellence in the profession of architecture for the benefit of its membership, society and the environment, has ensured foreign trained professionals are able to register as architects through innovations in the registration process and new interpretations of the Architects Act. To become a registered architect in B.C., members must possess a graduate degree from a recognized school of architecture, complete 5,600 hours of experience requirements, write seven internationally administered exams, complete AIBC professional courses and pass an oral review before a panel of architects.

Architects from other jurisdictions are also able to practice in B.C. provided they meet all professional requirements.

Canadian Wood Council ......................................................44

Buckwold Western...............................................................53 Coast Wholesale Appliances .............................................21 Commercial Electronics ......................................................38 Design Quarterly.............................................................13, 27 DesignTrends Calgary..........................................................57 Edmonds Appliance .............................................................23 Fontile .....................................................................................29 Forbo .......................................................................................55 Grotto Design ........................................................................15 Livingspace............................................................................37 Masonite ..................................................................................7 Mayhew’s Wholesale...........................................................28 Northwest Stoves .................................................................25 Odyssey Wallcoverings ...................................................OBC Pacific Granite / Leeza Distribution...................................16 Pella ........................................................................................24 Satin Finish...........................................................................IFC Sharp’s Audio Visual ............................................................41 Silent Gliss Canada ..............................................................36 Smart Flooring .......................................................................52 Sound Plus ...............................................................................4 Sound-Rite Acoustics ..........................................................63 Sunburst Closets...................................................................39 Teak Direct.............................................................................32 Teknion ...................................................................................35 Van Goh Designs...................................................................31 Vinyltek Windows ...................................................................5 Whittaker Designs / Birchwwod Furniture ......................33 World Mosaic..........................................................................9

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