Yogyakarta: More than Borobodur

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TRAVEL

More than Borobudur The mighty temple isn’t the only reason to visit Yogyakarta. By Wendi Gu and Ric Stockfis

Amanjiwo and the Menorah Hills

Langgeng Art Foundation

Sangkring Art Space

T

he majestic Buddhist temple of Borobudur, an hour’s drive from Indonesia’s cultural capital Yogyakarta, features highly on many people’s bucket lists. (It’s a nice way to one-up people bragging about having been to Angkor Wat.) Truth be told, though, the site is now often overrun by tourists and, with the uppermost levels currently off limits after last year’s eruption of nearby Mount Merapi, making it the focal point of your visit could leave you disappointed. Fortunately, it’s easy to get your culture fix in bustling Yogyakarta itself, to venture out to smaller and more intimate temples in the surrounding countryside, or to just kick back in one of an increasing number of luxury retreats.

Beyond Batik

Yogyakarta has long been the heart of Javanese culture. Art Curator Leonor Veiga, a recent contributor to Indonesian Eye (www.indonesianeye.com), picks her favorite art spaces in the city.

The environs of south of Yogya are great for an art tour, especially the area beside the Keraton palace. Cemeti Art House (Rumah Seni Cemeti), which opened in 1988, was the first alternative space that promoted art practices on a wider international platform. Founded by the artist couple Mella Jaarsma and Nindityo Adipurnomo, it now acts as a liaison between Indonesia and the rest of the art world: Curators, researchers and artists can apply for residencies; and it’s where major and groundbreaking names—including FX Harsono, Heri Dono and Jompet— displayed their work. Jl. D.I. Panjaitan 41, +62 (0) 274 371-015, www.cemetiarthouse.com. Open Tue-Sat, 9am-5pm.

From the same generation, artist Agung Kurniawan founded another alternative space in 1999: Kedai Kebun Forum, which explores performance and visual arts. KKF is a great place to learn about the art scene as Agung and his wife Yustina Neni (the Executive Director of Bienniale Jogja) are always there. The Forum also encompasses a nice restaurant offering international cuisine, a gallery that functions twice a year as a shop of artist-made goods, a library and an inviting garden. KKF is walking Kedai Kebun Forum distance from Cemeti, which makes for an easy lunch or dinner after looking at the shows. Jl. Tirtodipuran, +62 (0) 274 376-114, www.kedaikebun.com. Open daily except Tue, 11am-11pm.

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I-S MAGAZINE FRIDAY, december 9, 2011

Last year, the preeminent collector from Magellang, Deddy Irianto, opened a new art space in Yogya: Langgeng Art Foundation. It’s walking distance from Cemeti and KKF. The striking building (which also houses a nice bistro) was designed by renowned Indonesian architect Eko Prawoto. It hosts mainly exhibitions of established artists, with FX Harsono, S Teddy D, Agus Suwage and Filippo Siascia among those who have had shows there to date. More will surely follow. Jl. Suryodiningratan 37, +62 (0) 274 417-043, www.langgengfoundation.org. Open daily, 11am-7pm.

Sangkring Art Space is located in the famous village of Desa Nitripayan, to the Southwest of Yogya, where many artists have their studios. Rents are cheaper here and it’s set amid inspiring scenery. Opened in 2007, Sangkring is owned by Bapak Putu, who is from Bali. Many Balinese artists study in Yogya because of its role in critical discourse: Bali is still hooked on tradition, since it’s a guardian of the same pre-Islamic culture that founded the temples of Borobudur and Prambanan. This is perhaps the most beautiful space to exhibit in Yogya now, and it plays host to a variety of major events. Nitiprayan Rt 1 Rw 20 No.88 Ngestiharjo, Kasihan Bantul, +62 (0) 274 381-032, www.sangkringartspace.net. Open Mon-Sat, 11am-8pm.

Biennale Jogja (www.biennalejogja.org) is Indonesia’s preeminent and Hurry! longest-standing major art show. The 11th edition is themed “The Equator” and is on through Jan 8, 2012. Works from some 40 Indonesian and Indian contemporary artists will be on show, revolving around the three concepts of religiosity, spirituality and belief. The two female curators, Alia Swastika and Suman Gopinath, have a long and distinguished history of work both at home and abroad.


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