Welcome to the Reykjavik International Film Festival! We are delighted to welcome you to RIFF 2024, whether you are local or internatIonal, a returning friend or a first-timer, whether you work in front or behind the camera, in documentaries or fiction. RIFF brings together professionals from around the world and all branches of the film industry. We are proud to present to you the 2024 Industry program. The Industry program consists of the Industry Days, 2-5 of October, and selected screenings and events throughout the festival. The Industry Days are designed to create new spaces for the exchange of ideas between Icelandic and International film professionals.
RIFF aims to facilitate a meeting place for the film industry and offer a platform for the presentation of new works and thoughts. In this booklet you will find the full program and information about each event. On the back of this booklet you find the schedule and the date, time and locations are also mentioned on the page of each event. Make sure to check out our festival brochure as well which contains the details of the incredible selection of films screening at RIFF from the 26th of September until the 6th of October. Please keep in mind that last minute changes are part of the business, so make sure to check our website for the latest information: www.riff.is
MISSION
RIFF Industry Days are a series of events, panels, masterclasses and talks held during the festival. Their prime objective is to create a platform for the exchange and circulation of ideas. Industry Days aim to connect Icelandic filmmakers to the rest of the world and vice versa. The Icelandic film industry is thriving and we want to introduce international professionals to all it has to offer.
LOCATIONS
Norrænahúsið (The Nordic House), Sæmundargata 11, 102 Reykjavík
Films from the section A DIFFERENT TOMORROW shake up conversations and focus on shaping our perspective while evoking diverse emotions. After five of the films will be a special IMPACT TALK with a selection of professionals in the topic of the film.
Háskólabíó, Hagatorg, 107 Reykjavík
HRÖNN MARINÓSDÓTTIR
FOUNDER AND FESTIVAL DIRECTOR
Hrönn Marinósdóttir studied Political Science in Berlin. Founder and visual Director of the annual Reykjavik International Film Festival (RIFF). Previously a journalist in Iceland and a news correspondent from Berlin. Gives lectures on cinema and flim related subjects.
FRÉDÉRIC BOYER
PROGRAM DIRECTOR
Frédéric Boyer is the Program Director of RIFF since 2020. Artistic director of the Tribeca Festival since 2012 and of the Les Arcs European Film Festival since 2009. Prior to that he was the Artistic Director for two years and Head of Programming for six years of the Directors Fortnight in Cannes. Boyers infatuation with cinema began when he frequented the Cinematheque Francaise in his youth. He attended the master classes of critics of French New Wave cinema at the Universities of La Sorbonne Censier.
2. OCT. WEDNESDAY
09:00 – 14:00 2ND OF OCTOBER
This year, YouthRIFF will launch the Young Voices Nordic Think Tank. We will invite young individuals from the Nordic countries, ages 18-25, to participate in a one-day seminar led by a moderator to reimagine our film industry.
MODERATORS: THINK TANK (CLOSED EVENT)
Rikke Flodin
Rikke is a partner at PUBLIKUM.io, a Danish-based tool for audience awareness. Within the last few years, she has worked on more than 80 films and series across 10+ European countries helping filmmakers get closer to their audiences through AI-backed anthropology. Rikke has particularly specialized in how to reach the young audience using digital tools and anthropological methods to facilitate a conversation with a young audience. Rikke holds a MSc in Anthropology from the University of Copenhagen.
12 – 14 Nordic Young Voices / workshop (the small room)
The aim with this project is to provide a safe and important space where the young voices of the future of the film industry will be heard, taken seriously, and acted upon to shape the film industry accordingly and sustainably. Participants will actively engage and share their creative insights on how to reshape the cinematic landscape and cater to their needs. This platform will serve as fertile ground for nurturing fresh perspectives and innovative ideas.
We want to empower the youth to let their voices be heard and encourage them to participate in democracy. Our vision is for the cinematic landscape to be inspired and impacted by young people. We believe that when they have a say in the film industry, it will become more sustainable and relatable for future generations.
Joel Sæmundsson
Joel Sæmundsson has been active in the film, television, and theater industries since 2009. As a graduate of Rose Bruford College he has a strong foundation in acting, having trained in a variety of techniques and styles. His work spans multiple genres, from drama to comedy, and he has appeared in numerous TV shows, films, and stage productions. In addition to acting, Joel has expanded his career into directing. His portfolio as a director includes both independent films and theatrical productions, showcasing his versatility and creative vision behind the scenes.
VENUE: NORRÆNA HÚSIÐ
CHILDREN´S CULTURAL TALK (BARNAMENNING)
15:00 – 16:30 2ND OF OCTOBER
SPEAKER:
Rikke Flodin
Rikke is a partner at PUBLIKUM.io, a Daish-based tool for audience awareness. Within the last few years, she has worked on more than 80 films and series across 10+ European countries helping film makers get closer to their audiences through AI-backed anthropology. Rikke has particularly specialized in how to reach the young audience using digital tools and anthropological methods to facilitate a conversation with a young audience. Rikke holds a MSc in Anthropology from the University of Copenhagen.
PANEL Have National films and Television Shows Lost Their Connection to Children and Youth?
How can we maintain a healthy relationship with young audiences? Is there a gap between youth and government funded films and TV shows produced for children? If so, what can we do to close that gap? What tools can we use to get a better
Agnes Wild
Agnes Wild completed her BA studies in acting from East 15 Acting School in London in 2013. Since graduation, she has worked as a director, actress, scriptwriter, and producer with a focus on children's culture. Agnes currently works as a team leader in children and youth services at RÚV (Icelandic National Broadcasting Service), and is one of the founders of the Midnight theater group, specializing in children's theater and culturally relevant content for children. Agnes was nominated for the 2021 Gríman Awards as Director of the Year for Midnight’s production of “Tjaldið”, performed at the city theater. Other notable works include the play "Eigin fótum" at the National
understanding of younger audiences?
The panel explores these issues and how we can meet young audiences at new platforms and how we get them to gain interest in the platforms that we’ve been using for longer periods of time.
Theater in 2023 and the TV series "Þáttaraðir Þorra og Þuru" aired on RÚV. Agnes has also directed "Stundin okkar með Bolla og Bjöllu," created the show "Smástund," and participated in various children's programs on KrakkaRÚV.
Helga Arnardóttir
Joel Saemundsson has been active in the film, television, and theater industries since 2009. As a graduate of Rose Bruford College he has a strong foundation in acting, having trained in a
Rikke Flodin
variety of techniques and styles. His work spans multiple genres, from drama to comedy, and he has appeared in numerous TV shows, films, and stage productions. In addition to acting, Joel has expanded his career into directing. His portfolio as a director includes both independent films and theatrical productions, showcasing his versatility and creative vision behind the scenes.
Julia Granath
Julia Granath has been working at BUFF since 2007 and took the position as Festival Director in December 2012. Before joining BUFF, she was Head of Education at regional film fund Film i Skåne and project manager at regional fund Film Stockholm. She believes that film experiences
MODERATOR:
Björgvin Franz Gíslason
Björgvin Franz Gíslason is an Icelandic actor, singer, writer and a stand up comedian whose stageworks consists of roles such as Billy Flinn in Chicago, earning him the National Theater Award GRÍMAN for best singer in 2023, Ms. Trunchbull in Matilda The Musical, Jim Morrison in the anniversary show Jim 80, PT Barnum in Greatest Showman in concert, Hedwig in Hedwig and the Angry Inch among others. Björgvin was the equivalent of Mr.Rogers in Iceland, writing and starring in more than 90 children’s TV episodes for the Icelandic National Broadcasting Service, earning him the renowned EDDA Awards for the best Icelandic children program. He has also produced and hosted Icelandic travel TV shows, as well as hosting and singing in the Christmas Special for the Icelandic National Broadcasting Service. He
can help young people to understand life in an easier way and make the world broader. She has a Bachelor of Science in Media and Communication from University of Malmö.
RIFF TALKS
has done numerous supporting roles in film and TV, both nationally and internationally, newest being a series regular in BBC/CBS King & Conqueror, starring (and directed by) Nikolaj Coster-Waldau where Björgvin plays Baron Richard, along with supporting roles in Verbúð (Blackport) that won the Grand Prize at the Series Mania festival in France, TV series Vitjanir (Fractures) where he was also a series regular. Björvin also did a bit part in Clint Eastwood’s Flags of our Fathers. He is also a veteran voiceover actor, dubbing for roles such as John Oliver´s Zazu in the new rendition of Lion King as well as Tony Hale´s Forky in Toy Story 4.
VENUE: NORRÆNA HÚSIÐ
17:00 – 19:00 2ND OF OCTOBER
Young and promising filmmakers along with more seasoned ones, give short talks with the aim of inspiring young filmmakers and film students, but
welcoming anyone who is curious or interested in the filmmakers journey.
INDUSTRY DAYS
SPEAKERS:
Arnar Benjamín Kristjánsson
PRODUCER
Arnar Benjamín Kristjánsson, born in 1988, is an Icelandic producer. He graduated from the directing/producing department of the Icelandic Film School and holds a MA degree in business and producing from the Met Film School in London. Additionally, Arnar earned a Master of Marketing Management degree from Bifröst University in Iceland.
With a rich portfolio, Arnar has produced over 40 short films, features, and documentaries, serving various roles such as producer, co-producer, or executive producer. His works have been showcased at prestigious festivals, including the Edinburgh International Film Festival and the Santa Barbara International Film Festival. Notable titles in his repertoire include the feature film "Wild Game" and the TV series "Afturelding." Arnar served as the CEO of Zik Zak Filmworks from 2018 to 2021 and continued as a producer at the same company from 2021 to 2023. Since 2023, he has been a full-time producer at Sagafilm.
Logi Hilmarsson
DIRECTOR, SCREENWRITER & PRODUCER
Logi Hilmarsson is a filmmaker born in Reykjavik, Iceland to a French mother in August 1985. He moved to Marseille, France in 1992, then moved back to Reykjavik, where he is still based, in 2005. He has won awards for his work in fiction, music video and documentary. His work has been described as subtle, tasteful, magical, metaphysical, psychedelic and funny. Logi is now in the middle of writing his next big project: A Science Fiction feature.
Heimir Bjarnason
DIRECTOR, PRODUCER AND EDITOR
Heimir Bjarnason is a director, producer and editor. He made his first short film at the age of 10 and hasn't stopped since. Upon graduating from Prague Film School in 2016, he started working in the Icelandic film industry. Among his producing credits are the narrative comedy series “Flamingo Bar” and feature film “Redux”. The latter marked Heimir’s debut feature as Director and netted him two Edda Award nominations in 2023, for Best Director and Best Screenplay. Heimir is a notable editor and his resume includes
projects like the Netflix comedy special "Pardon My Icelandic", comedy series "SteindaCon" and the award-winning documentary series “Storm”, where viewers were given an unprecedented behind-the-scenes view of the Covid-19 pandemic in Iceland. Heimir was on the writing team, as well as the series key editor.
Vala Ómarsdóttir
DIRECTOR AND SCREENWRITER
Vala Ómarsdóttir is a film director and a performance maker from Iceland. Her recent shortfilms include: Sprungur/Fractures, ÉG/I, Dætur/ Daughters and Mamma ætlar að sofna/Mother will sleep. Her short film ÉG/I has been touring over 30 film festivals and has won four awards: Best Fiction Short at the RVK Feminist Film Festival in 2021, the Grand Jury Honorable Mention for Best International Short at Outfest in 2019, the Best Fictional Short at Trans Pride Brighton, 2019, and the Best Short Film at the Vancouver International Women in Film Festival, 2019.
Her recent theatre directing work includes: Nánd/ Proximity, Strengir/Strings and Tæring, which earned her a nomination as the Director of the Year, at Gríman (The Icelandic Theatre and Performance Awards) in 2022.
Vala has a M.A degree in Performance Making (focusing on directing) from Goldsmiths College in London, and a M.A degree in Performing (focusing on acting and devising) from Royal Central School of Speech and Drama in London. Additionally, she holds a diploma in Film Directing and Screenwriting from The Icelandic Film School. Before she moved back to her hometown Reykjavík in 2012 she studied and worked as a performer, performance maker and a director in London and New York for 10 years, with award winning companies such as Tangled Feet, Bottlefed and 11:18 Theatre Company.
Vala is currently working on her first feature film Just a kid, produced by Ursus Parvus.
PROGRAM
Helgi Jóhannsson og Hörður Sveinsson
DIRECTORS AND SCREENWRITERS
The Directors Helgi & Hörður have more than a decade worth of experience in filmmaking and photography. Helgi comes from a background in editing and Hörður from a career in photography where he’s shot the likes of Yoko Ono, Michael Moore and Sigur Rós. Together they’ve worked both in the music video and advertising industry, done work for the Oscar-award winning singer Marketa Irglova and created videos for all the big labels in Europe. In 2016, their campaign for Arion Bank was awarded The Most Successful Campaign at the Icelandic Advertising Awards. They are currently working on a crime TV Show.
Anni Ólafsdóttir
CINEMATOGRAPHER, DIRECTOR AND EDITOR
Anni Ólafsdóttir is an Icelandic film director born in Reykjavík Iceland in 1989. She graduated from The Film School of Iceland in 2012 with a degree in script-writing and directing. She has worked and collaborated in various fields of art and film in Iceland and has been noticed and nominated for her talent as a director, editor, cinematographer, and scriptwriter. Anni’s first feature-length documentary, The Hero’s Journey to the Third Pole, was nominated for best cinematography, script, editing, original score, and director of the year by the Icelandic Film Academy in 2021 and was premiered at CPH:DOX. Her second feature documentary Apausalypse was nominated as best documentary at the Icelandic Film Academy in 2022, and can be seen on the website of Emergence Magazine
Benedikt Jóhannesson
DIT AND EDITOR
Benedikt Jóhannesson has been working in the film industry since 2003, gaining comprehensive experience in film production over the course of 21 years. Specializing as a DIT/Data Manager on
MODERATOR:
Oddný Sen
film sets in recent years, he has collaborated zwith Icelandic film, television, and advertising companies, as well as major international productions (Netflix, CBS, Sony Studios, Masterclass, etc.). In his early years, Benedikt worked extensively on documentaries, learning to navigate limited resources to achieve results. Beginning his career at Poppoli Film Production in 2003, he contributed to the release of documentaries such as Blindsker: The Bubba Morthens Story and Africa United, both of which received Edda Awards. The Amazing Truth About Queen Raquela won the Teddy Award at Berlinale 2008. In 2011, he joined Kukl ehf, where he gained expertise in all aspects of post-production over 4 years, including editing, color correction, outputting, archiving footage on LTO tapes, setting up SAN editing servers, and more. Kukl ehf also provided a production van for recording concerts and events with multiple cameras, enhancing Benedikt's experience in cinematography. In 2015, he transitioned to Kukl ehf's equipment rental division, the largest in the country, working across various departments and gaining valuable experience. In 2017, Benedikt established his own company, DIT Iceland, specializing in working as a DIT in Iceland and taking on the responsibility of managing and delivering raw footage for each project.
Jón Már Gunnarsson
VFX
ARTIST
Jón Már Gunnarsson has been a professional Visual Effects Artist since 2011, working his magic on numerous Feature Films and TV shows such as Berdreymi (Beautiful Beings), Sumarljós (Summerlight…and Then Comes the Night) and Þrestir (Sparrows) to mention a few. He graduated from the Multimedia School of Iceland in 2009 as a 3D Animator and graduated from The Icelandic Film School in 2011. He worked for Pegasus Production for 9 years before founding his own Studio, Split VFX. He teaches Visual Effects courses at The Icelandic Film School and Studio Sýrland and doubles as a DIT, Camera Operator and Editor.
Oddný Sen is a film scholar and writer with a BA degree in literary studies from the University of Iceland. She holds BA, MA, and DEA (former part of PhD) degrees in film studies and film history from the University of Paris (Université de Paris VIII). Her essays in film studies include: "Myths and Dark Works," “The Fate Woman in American Film Noir,” and “The Hidden Eye of the Film Camera in American Films (George Cukor, Orson Welles, and Alfred Hitchcock)”, examined with psychological and textual analysis methods.
Helgi og Hörður, Oddný Sen, Jón Már Gunnarsson
3. OCT. THURSDAY
AI MASTERCLASS
11:00 - 12:00 - 3RD OF OCTOBER
Hrafnkell Stefánsson screenwriter has been exploring using A.I to assist in everything to do with screenwriting.... except writing itself.
SPEAKERS:
Hrafnkell Stefánsson
SCREENWRITER AND DIRECTOR OF STUDIES AT THE ICELANDIC FILM SCHOOL
Hrafnkell Stefánsson is an accomplished screenwriter and tutor. Alongside his work as a writer, developing several feature and TV projects, he is the Head of Studies at the Icelandic Film School. He is most known for the films City State (2011), Brave Men’s Blood (2014) and Polite
People (2011) for which he received a nomination for the Icelandic Film Award for best screenplay. Beyond his work at the Icelandic Film School and his active writingportfolio, Hrafnkell has also lent his expertise to many production companies as a script consultant.
What are the challenges that we face in this new and uncharted land of technology? What are the obstacles in sight and what opportunities are there to be found and discovered within this new landscape?
Daddi Guðbergsson
FOUNDER AND CEO AT E4
With over 20 years of experience across business, marketing, and entertainment, Gudbergsson is a consultant and mentor with a knack for turning complex challenges into exciting
opportunities. Starting in the global music indus try back when it was still rocking as an industry, he shifted gears to help new ventures and multinational corporations navigate new business
Hrafnkell Stefánsson, Daddi Guðbergsson
development, marketing strategy, and execution—all with a keen eye on data and the latest in AI.
Known for his storytelling skills and ability to simplify processes into manageable steps, Gudbergsson spends his time crafting visions and practical AI implementation plans for
MODERATOR:
Ásgrímur Sverrisson
Ásgrímur Sverrisson is an Icelandic writer and director. His ten-part TV series on the history of the Icelandic cinema, Iceland: Filmland, aired on public broadcaster RUV in 2021 to great acclaim. For over forty years he has made a number of films for cinema and television, in addition to documentaries and shorts. Ásgrímur is the editor
organizations, always mindful of the human side of major change. Whether it was guiding companies through the dawn of the Internet or today’s AI evolution, his mission remains the same: helping others create value, adapt, and thrive in a rapidly changing world.
of the industry website Klapptré, delivering news, opinion and information on the Icelandic film and TV scene. He is also a leading commentator on cinema in Iceland and regularly appears as such in various media.
VENUE: NORDIC HOUSE
GENERATIVE AI PANEL
13:00 – 14:30 3RD OF OCTOBER
Exploring the Possibilities and Questions about Artificial Intelligence in Filmmaking.
The panel will delve into the transformative impact of generative AI technologies on the film industry. It will examine how AI can enhance creative processes, from scriptwriting and storyboarding to visual effects and postproduction. The discussion will also address ethical considerations, the implications for artistic integrity, and the potential challenges filmmakers face as they integrate AI into their workflows. By bringing together industry experts, this panel aims to foster a dialogue about the future of filmmaking in an increasingly AI-driven landscape.
MODERATOR:
Ásgrímur Sverrisson
Ásgrímur Sverrisson is an Icelandic writer and director. His ten-part TV series on the history of the Icelandic cinema, Iceland: Filmland, aired on public broadcaster RUV in 2021 to great acclaim. For over forty years he has made a number of films for cinema and television, in addition to documentaries and shorts. Ásgrímur is the editor of the industry website Klapptré, delivering news, opinion and information on the Icelandic film and TV scene. He is also a leading commentator on cinema in Iceland and regularly appears as such in various media.
PARTICIPANTS:
Screenwriter
Hrafnkell Stefánsson is an accomplished screenwriter and tutor. Alongside his work as a writer, developing several feature and TV projects , he is the Head of Studies at the Icelandic Film School. He is most known for the films City State (2011), Brave Men’s Blood (2014) and Polite People (2011) for which he received a nomination for the Icelandic Film Award for best screenplay. Beyond his work at the Icelandic Film School and his active writing portfolio, Hrafnkell has also lent his expertise to many production companies as a script consultant.
VFX Supervisor
JÖRUNDUR
RAFN ARNARSON
Jörundur Rafn Arnarson is a Visual Effects Supervisor from Reykjavik, Iceland. He has been in Visual Effects for 20 years, performing various roles, but primarily as a Visual Effects Supervisor and Compositor. Jörundur has collaborated with many international companies and productions through the years, such as: Star Wars, ILM, Lucasfilm, Marvel, Game of Thrones, BBC, Blackmirror, Framestore, MPC, Chimney, Copenhagen Visual, Swiss, RVX, HBO, Netflix, Pegasus, TrueNorth and many more. Jörundur is based out of Reykjavik, Iceland, but works all over the world.
Director
BRAGI ÞÓR HINRIKSSON
Bragi Thor Hinriksson is an accomplished and visionary Icelandic film director known for his extraordinary skills in visual storytelling and his ability to elicit spectacular performances from his actors. With a unique eye for capturing the essence of a story through striking visuals, he has carved a niche for himself in the world of cinema. His artistic vision and meticulous attention to detail allow him to create immersive cinematic experiences that transport audiences into richly textured worlds. Through his cinematography, he weaves a tapestry of emotions, effortlessly blending realism and enchantment.
One of Bragi Thor's greatest strengths lies in his exceptional rapport with actors. He has a profound understanding of the nuances of performance, enabling him to guide his cast to deliver remarkable portrayals. This skill is especially evident in his work with young actors, whom he nurtures and supports, allowing their talents to flourish on the screen. His ability to draw out authentic and compelling performances from young performers has earned him widespread acclaim and has become a hallmark of his directorial style.
Sound Designer and Composer
BIGGI TRYGGVASON
Birgir Tryggvason is an Icelandic sound designer and composer with a strong background in the
field of visual media. He studied Sound Design for Visual Media at the Vancouver Film School in 2007, where he also attended a Masterclass with renowned composer Alan Menken in the same year. Birgir has been actively involved in sound design for television and films since 1998, contributing his skills to various projects such as "Venjulegt fólk," "Iceguys," "Skvíz," and "Arfurinn minn" for television, as well as films like "Ljósvíkingar," "Leynilöggan" and "Víti í Vestmannaeyjum." In addition to his work in sound design, Birgir has also showcased his musical talents by composing music for numerous television shows both in Iceland and internationally. He has further expanded his creative endeavors by serving as the composer of the jingles/intros for Iceland's biggest news programs; RÚV and Stöð2, demonstrating his ability to excel in various roles within the media industry. His contributions also extend to the
realm of video games, having composed music for popular titles such as EA's GTA4 and GTA5.
Entertainment Lawyer
ANNA TÓMASDÓTTIR
Anna Tómasdóttir is a lawyer at VÍK Law Firm. She has been with VÍK since 2012 and prior to that she was associate counsel of LazyTown Entertainment. Anna’s main areas of practice are within the entertainment industry, and she provides legal services for many of Iceland’s best known film production companies and musicians, as well as for individuals and companies in other cultural and creative sectors.
FUTURE OF THE INDUSTRY
15:00 – 16:30 3RD OF OCTOBER
Sales & Distribution, Streamliners vs Theater, where is the Industry headed?
Panelists will delve into the contrasting approaches of streaming platforms and traditional theatrical releases. They will discuss the implications of these models on filmmakers, audiences, and the future of cinema.
MODERATOR: Producer/Director
HILMAR SIGURÐSSON
Hilmar Sigurdsson is a highly experienced producer whose work includes two animated feature films, besides having produced numerous other films and drama TV productions. Animated films are the largest Icelandic film productions and are the biggest box-office Icelandic films world-wide. Hilmar was the CEO of Sagafilm for six years but has returned back to GunHil, a company he co-founded in 2012, which is now producing a new animated feature film. Hilmar has previously been the Chairman of the Icelandic Producers Association and the Icelandic Film and TV Academy and has served many honorary posts on behalf of Icelandic film producers.
VENUE: NORRÆNA HÚSIÐ
HilmarSigurðsson
INDUSTRY DAYS
PARTICIPANTS:
International Sales
TINE KLINT, FOUNDER AND CEO OF LEVEL K
Tine Klint, CEO and Founder of LevelK (2009), dedicated the majority of her professional life to independent cinema with 20+ years’ experience across international sales, finance and aggregation. Tine is an EFA board member. LevelK handles traditional world-sales for independent films that will resonate with international audiences. Their profile includes high quality cinematic productions across all genres, working with established and emerging international talents in both English and foreign language. .
Konstantin has worked in the film business his whole career. He started working as a manager at one of Bonusvideo video rental stores in 1991 at 19 and eventually worked himself up to General Manager of the chain in 1999. He switched to the theatrical business in 2001 with the opening of the Smarabio cinema which was opened by NLC (later changed to Sena) and worked there as a Manager of the Film Division. In his role, he oversaw film distribution, acquisition of independent films, VOD distribution and exhibition management. Smarabio cinema, along with the distribution side of the company, was split from Sena in 2022 and Konstantin and his wife, Sólveig, became partners and are both working for Smarabio as of now, Konstantin as the Manager and Sólveig as the CFO.
Entertainment Lawyer
TÓMAS ÞORVALDSSON
Tómas has mainly been engaged with the following legal services: advising film and television production companies, drafting and negotiating relevant agreements, such as director‘s, scriptwriter‘s, composer‘s agreements, co-production agreements, financing agreements, distribution agreements, forming of companies and joint ventures, grant applications and rebate programs. Tómas has been a member of various boards and committees relating to intellectual property and organizations in connection to film production and the like.
Producer
SARA NASSIM
Sara Nassim is known for her visionary approach in bringing stories to life on screen. She has an extensive background in physical production. Sara has produced numerous short films and feature films, receiving accolades including a Grammy nomination and a spot on Variety's "10 Producers to Watch" list in 2021. Her feature producing debut, Lamb, premiered in Un Certain Regard at Cannes in 2021 and won the Prize of Originality, marking a significant milestone in her career. Sara is also a graduate of the American Film Institute Conservatory, which further underscores her expertise in film production. Sara is currently in post-production on a feature-length project with renowned musician and artist Björk and is actively developing new projects through her companies S101 and Sarimar, including collaborations with acclaimed directors Valdimar Jóhannsson and Grímur Hákonarson.
VENUE: NORRÆNA HÚSIÐ
Tine Klint, Tómas Þorvaldsson
Konstantín „Tino“ Mikaelsson, Sara Nassim
4. OCT. FRIDAY
WORK IN PROGRESS (VERK Í VINNSLU)
9:30 – 13:00 - 4th of October, Nordic House
THE ANNUAL WIP SHOWCASE IS HELD IN COOPERATION WITH THE ICELANDIC FILM
CENTRE SHOWING EXCERPTS FROM UPCOMING ICELANDIC FILMS AND TV SHOWS.
RIFF Industry Days would like to give thanks to the Icelandic Film Centre and a special thanks to Christof Weheimer for consulting us on our selection this year.
MODERATORS:
Margrét Einarsdóttir and Frederic Boyer
HÖRÐUR RÚNARSSON
Hörður Rúnarsson is one of the most experienced television producers in Iceland. He worked for and founded GlassRiver and has been involved in funding a number of projects in recent years, such as As Long As We Live, Black Sands 1, Fractures, Ordinary People, and many more. Hörður is the author and creator of Reykjavík Fusion.
Jónas, a talented chef, attempts to clear his name and win back his family after wrongful imprisonment. As society turns its back on the ex-convict, his last resort is to commit his first crime. By accepting dirty money to set up a fine-dining restaurant, he’s forced to run a money-launder operation to pay it back–not only putting his parole in jeopardy but also his own life and the ones he loves.
BIRKIR BLÆR
Birkir Blær is an author. He wrote the series Ráðherran 1 and 2 and the Swedish series Tunn Is (Icelandic: Ísalög). He contributed to the scriptwriting in the series As Long As We Live. He received the Icelandic Children's Book Award for his novel Stormsker - Fólkið sem fangaði vindinn. He is the author and co-creator of Reykjavík Fusion
INDUSTRY DAYS
SET against the unforgiving backdrop of an Icelandic fishing trawler, Hafið er svart explores themes of grief, survival, and toxic masculinity. Hákon, a young and inexperienced deckhand, joins a crew of hardened sailors and is quickly confronted by the tragic suicide of Bergur, one of the ship’s most respected members. As the crew grapples with their sorrow, the rigid, unspoken codes of masculinity aboard prevent any open expression of emotion, forcing the men to suppress their grief. Hafið er svart paints a harrowing portrait of how unaddressed trauma and the crushing weight of societal expectations can drive men to their breaking points.
BALDVIN Z, DIRECTOR/PRODUCER
Baldvin Z is an acclaimed film director and screenwriter, known for his feature films Jitters (2010), Life in a Fishbowl (2014), and Let Me Fall (2018), all of which premiered at the Toronto International Film Festival and earned numerous international awards. In television, he is the creator and director of Black Sands (2021–2024), a 16-episode series, directing 12 episodes. His other TV credits include Journey (2020), Trapped (3 episodes, 2016), and Case (8 episodes, 2016). He has also directed two documentaries, Island Songs (2016) and Beyond Strength (2017).
GUÐGEIR ARNGRÍMSSON, PRODUCER
Guðgeir Arngrímsson, born in 1987 and based in Reykjavík, has been a prominent producer in the Icelandic film industry since 2013. His diverse body of work spans films, documentaries and TV series. Notable productions include the TV series "Black Sands," "Fractures" and "Draumahöllin," as well as the festive favorite "Randalín and Mundi: Days in December." He has also produced the crime drama "From Iceland to Eden," the comedies "Albatross," and "Ordinary People," showcasing his versatility and significant contributions to Icelandic cinema and television.
WRITER - MATTHÍAS TRYGGVI HARALDSSON
Matthías Tryggvi Haraldsson is an Icelandic writer, musician, and performer, best known for his role as the lead vocalist of the acclaimed post-punk band Hatari. Combining provocative social commentary with avant-garde aesthetics, Hatari gained international recognition for their politically charged performances, most notably representing Iceland in the 2019 Eurovision Song Contest. As a writer, Matthías has explored themes of dystopia, politics, and the absurd through various artistic mediums, blending poetry, theatre, and music. His play Griðarstaður received three nominations at Gríman (The Icelandic Theatre and Performance Awards) in 2019, where Matthías won the ‘Newcomer of the Year’ award. His work often challenges societal norms, making him a prominent figure in Iceland’s contemporary arts scene.
During the COVID-19 pandemic, Raggi cares for his dying father in isolation. After his father’s death, he struggles to reconnect with the world, finding solace in video games and his neighbor, Sif, who has her own dark secrets. Sif longs to regain custody of her daughter from her ex, Svenni, an oppressive crook, while Raggi’s life spirals out of control, leading to a dangerous obsession. A deadly confrontation unfolds, forcing Raggi to make a choice that will change all their lives forever. Tár úr sementi explores the subjects of obsessive fascination, systematic care and selective love. It points the lens towards themes that we tend to shy away from, by portraying the social isolation experienced by the overlooked individuals of society.
Baldvin Z, Matthías Tryggvi Haraldsson
PROGRAM
ELVAR GUNNARSSON - DIRECTOR & WRITER:
Blvar Gunnarsson graduated from the Icelandic Film School in 2005. In the same year, he won an award at the Icelandic Edda Awards for his graduation film. Elvar has written and directed short films and one feature film; It Hatched (premiered on AFF’s Opening Night in 2021). He has also directed a number of music videos for foreign and domestic musicians (Aaron Smith Dancin', Zebra Katz - Blk Diamond, Stine Bramsen etc.) and been active in the Icelandic music scene since 2000 as a member of rap group Afkvæmi guðanna and ex-member of XXX Rottweiler.
HJALTI SVEINSSON - PRODUCER:
Hjalti Sveinsson is a musician, photographer and graduated as a producer from the Icelandic Film School in 2014. He was the assistant director of It Hatched (2021) and is one half of the photography company Ást og Hraun. Furthermore, he is a concert organizer, singer and founder of the band Auðn, which is under contract with Season of Mist (Fr) and has toured Europe and performed at festivals such as Wacken, Summer Breeze, Inferno, Roadburn, Eurosonic, etc.
4
RÖSKUN (DISTURBED)
BRAGI ÞÓR HINRIKSSON (DIRECTOR)
Bragi Þór Hinriksson is an accomplished and visionary Icelandic film director known for his extraordinary skills in visual storytelling and his ability to elicit spectacular performances from his actors. With a unique eye for capturing the essence of a story through striking visuals, he has carved a niche for himself in the world of cinema.
His artistic vision and meticulous attention to detail allow him to create immersive cinematic experiences that transport audiences into richly textured worlds. Through his cinematography, he weaves a tapestry of emotions, effortlessly blending realism and enchantment.
One of Bragi Þór greatest strengths lies in his exceptional rapport with actors. He has a profound understanding of the nuances of performance, enabling him to guide his cast to deliver remarkable portrayals. This skill is especially evident in his work with young actors, whom he nurtures and supports, allowing their talents to flourish on the screen. His ability to
FEATURE FILM
Hera is a lawyer in her thirties who moves into a ground floor flat in a rustic old house in midtown Reykjavik. We meet Hera amidst a personal struggle with her mental health after a sexual assault. Upon moving in, she notices a dark stain on the wooden floor and feels eerily as if she‘s being watched. Shortly after, she discovers that a murder took place in the flat two years earlier, and the murderer was never found.
Hera feels as if she is gradually losing her mind when suspicious things begin to happen in the flat, but nobody will believe her as she is unable to deliver concrete evidence. Is her anxiety causing her imagination to run wild or are unseen forces threatening her life in the flat?
draw out authentic and compelling performances from young performers has earned him widespread acclaim and has become a hallmark of his directorial style.
DIRECTOR: BAGI THOR
THRILLER
Hjalti Sveinsson
INDUSTRY DAYS
In the remote Icelandic wilderness, an elderly couples peaceful existence is shattered when an American hiker claims the old man is his long-lost father, spiraling into a chilling hostage situation that unearths buried secrets and a past of betrayal.
DIRECTOR: BRAGI ÞÓR HINRIKSSON THRILLER
Sixteen year old Julia is loaded with responsibilities, caring for her eight year old sister while her mother works double shifts. She still longs for social life, friends and intimacy and finds herself at crossroads as opportunities present themselves.
HLÍN JÓHANNESDÓTTIR, PRODUCER
Hlín has worked in film production since 2000, as an associate producer, producer, co-producer, production manager and line producer. She has worked with many of Iceland’s most successful directors on feature films and documentaries as well as focusing on upcoming talent. Hlín owns and runs the production company Ursus Parvus in Reykjavik, established in 2015. She serves as the Head of Production at The Icelandic Film School. She was the chair of The Icelandic Film & TV Academy between 2016 and 2023. She now works as a producer for Saga Film.
VALA ÓMARSDÓTTIR, DIRECTOR
Vala Ómarsdóttir is a film director and a performance maker from Iceland. Her recent short-films include: Sprungur/ Fractures, ÉG/I, Dætur/Daughters and Mamma ætlar að sofna/Mother will sleep. Her short film ÉG/I has been touring over 30 film festivals and has won four awards: Best Fiction Short at the RVK Feminist Film Festival in 2021, the Grand Jury Honorable Mention for Best International Short at Outfest in 2019, the Best Fictional Short at Trans Pride Brighton, 2019, and the Best Short Film at the Vancouver International Women in Film Festival, 2019.
Her recent theatre directing work includes: Nánd/Proximity, Strengir/Strings and Tæring, which earned her a nomination as the Director of the Year, at Gríman (The Icelandic Theatre and Performance Awards) in 2022.
Vala has a M.A degree in Performance Making (focusing on directing) from Goldsmiths College in London, and a M.A degree in Performing (focusing on acting and devising) from Royal Central School of Speech and Drama in London. Additionally, she holds a diploma in Film Directing and Screenwriting from The Icelandic Film School.
Before she moved back to her hometown Reykjavík in 2012 she studied and worked as a performer, performance maker and a director in London and New York for 10 years, with award winning companies such as Tangled Feet, Bottlefed and 11:18 Theatre Company. 6
BARA BARN (JUST A KID)
Ólafur Aðalsteinsson and Jóhanna Óladóttir, a husband and wife duo, embody a rare connection to nature. Ólafur, widely regarded as one of the world’s premier ornithologists despite lacking formal accreditation, finds solace and purpose in his avian companions within the remote confines of Loðmundarfjörður, a mythical fjord that’s not been inhabited by humans since the sixties. The narrative unfolds with the arrival of the eider birds and concludes upon their departure, encapsulating the cycle of life within the avian community. This symbiosis between the couple and the birds is unique and an example of how to live off the gifts of nature without intruding on it. Integral to this tale is the realization that individuals such as Ólafur and Jóhanna represent a dwindling breed, embodying a unique connection to nature that seems to fade with each passing generation. Their impending retirement underscores the hard truth that there are no successors to carry on their legacy.
MIKA KAURISMÄKI
The Finnish film director Mika Kaurismäki, began a new era in the Finnish cinema with his first feature The Worthless in the early 80’s. He is known for his diverse body of work spanning several decades. He has directed notable films such as Master Cheng (2019), L.A. Without a Map (1998), and Zombie and the Ghost Train (1991), showcasing his versatility and storytelling prowess. His films often explore human relationships, cultural encounters, and the quirks of everyday life with a distinct visual style and a touch of humor. Besides fiction, Mika Kaurismäki has also made several documentaries, such as Mama Africa about Miriam Makeba (Audience Award at the Berlinale, 2012), Brasileirinho (2005) and Tigrero: A Film That Was Never Made with Samuel Fuller and Jim Jarmusch (Int’l Critics Award at the Berlinale 1995).
RAGNAR AXELSSON AKA RAX
A world-famous documentary photographer whose works have been published in the most renowned magazines. RAX has been traveling to the Arctic for almost three decades. He has received a great number of prizes and awards, including Oskar Barnack award 2001 (honorable mention), the Icelandic Photographer of the Year Award (four times), and the Icelandic Documentary Story of the Year Award (six times). RAX’ works have been shown in over 100 exhibitions. He has published nine books, among others the Last Days of the Arctic (2011), which got rave reviews. Soon Photo Poche will publish a book about RAX directed by Robert Delpire. In 2011 a documentary was made, titled Last days of the Arctic. It follows RAX around the Arctic.
PROGRAM
DIRECTORS: MIKA KAURISMAKI, RAGNAR AXELSSON (RAX) AND INGVAR ÞÓRÐARSON.
INGVAR ÞÓRÐARSON
Icelandic producer Ingvar Þórðarson is one of Europe's most prolific film producers and has produced over 50 features, TVseries, and documentaries such as Let Me Fall (2018), Tom of Finland (2017), The Unknown Soldier ( 2017 ), 101 Reykjavík (2000) and many more.
HANS ROBERT EISENHAUER
Hans Robert Eisenhauer, a former commissioning editor for ZDF and ARTE, has contributed to numerous acclaimed documentaries and films throughout his career. He has focused on international documentary-films, including cultural and current affairs TV programs. Ventana’s German-Syrian coproduction, The Return to Homs by Talal Derki received the Grand Jury Award for the best international documentary film at the Sundance Film-Festival.
BIRGIT GUÐJÓNSDÓTTIR
The DOP Birgit Guðjónsdóttir has been filming commercials, documentary and fiction films since the late 80’s. She has worked on various international productions, including Good Bye Lenin!, Bourne Supremacy, Æon Flux, Beyond the Sea and The Three Musketeers. The first feature she shot, Jargo, premiered at the Berlinale in 2004. Birgit has also been a lecturer at Germany’s most notable film schools. She has received numerous awards, including the Best Director of Photography Award for Our Grand Despair in 2011, The WIFTS Cinematography Award in 2013, the Honorary Award ‘Starker Einsatz’ at the German Actor Awards in 2013, and the Honorary Award from the German Cinematography Award in 2018.
Ingvar Þórðarson, Birgit Guðjónsdóttir
MikaKaurismaki, Ragnar Axelsson
INDUSTRY DAYS
Kalli is an established visual artist in Akureyri, Iceland. Human mistakes and medical malpractice at birth condemned him to a life of physical limitations and irreversible brain damage. He is locked inside his body and has no control over diminishing muscles. He cannot speak and can never be alone. Kalli’s deep understanding of forms and colors first came to light when he was only 5. The film shows an extraordinary artist collaboration, the commitment of people with personal and professional roles in making the impossible become possible, and the power of a mother’s limitless love. We have a conversation with Kalli who communicates with his art and eyes. Using Blissymbolics and speech technology he shares his dreams and opinions and shows us the world from the perspective of one who refuses to be a passive observer of his own challenged life.
“I find Kalli’s story strong, but at the same time fragile, fascinating, and terrifying. But Dancing Lines is also just a documentary about a young disabled man who has, despite all odds, become a unique artist - and would be an equally unique artist without his disabilities.”
FRIÐRIK ÞÓR FRIÐRIKSSON (DIRECTOR)
Director Friðrik Þór Friðriksson is known for films reflecting an extraordinary approach, sensitivity, and understanding of delicate human minds and “different” people. In Dancing Lines Fridrik Þór goes deep into the world of this severely disabled, non-verbal visual artist.
Friðrik Þór Friðriksson has been a key figure in Icelandic filmmaking for five decades. He is known for feature films like The Devil’s Island, Mama Gógó, Children of Nature, Niceland, Cold Fever, Cinema Days, and Angels of the Universe. He is often described as a director who shows genuine solidarity with his characters, in his feature films and documentaries, e.g. The Sunshine Boy aka Mother's Courage; Talking back to Autism. Friðrik Þór founded The Icelandic Film Corporation in 1987 and has produced several features such as Of Horses and Men, Dancer in the Dark, Reykjavik-Rotterdam, Ikingut, and Pity the Lovers.
PRODUCERS
Dancing Lines is produced by Ursus Parvus, and its owner, Hlín Jóhannesdóttir is one of its three producers. Her recent credits include TV series The Minister II, feature films Driving Mum (Grand Prix at Tallinn Black Nights, Nordic Council's Film Prize nomination, and 9 Edda Awards, incl. best film), Quake, Solitude, The Swan, and documentaries The Hero’s Journey to the 3rd Pole and Smoke Sauna Sisterhood. Hlín was president of IKSA for 5 years and currently serves as dean of the Iceland Film School. Dancing Lines is the latest product of a 20-year cooperation between Hlín and producer/writer Vilborg Einarsdóttir on diverse projects and productions. Vilborg specialized for 30+ years as a producer and PM of film & photography productions on extreme Arctic locations, mainly in Greenland. She wrote the awarded script Steinbarn in 1989 and led research and script work on The Sunshine Boy, aka Mother's Courage; Talking back to Autism. Vilborg’s background is in journalism and she is editor-inchief of JONAA, Journal of the North Atlantic & Arctic. Heimir Bjarnason is Dancing Lines’ producer/editor. He has worked in the Icelandic film industry since graduating from Prague Film School in 2016 and received 2 Edda nominations (best film & best script) for Redux, his debut as director. Heimir is a notable editor and his credits include the Netflix comedy special Pardon My Icelandic, the travel series SteindaCon, and the awarded documentary series Stormur, an unprecedented behind-the-scenes view of the Covid-19 pandemic. Heimir was on the writing team and key editor of the series.
DIRECTOR AND PRODUCER
Ari holds a Master's degree in directing and production from the EICAR film school in Paris, France, which he obtained in 2008. Since then, he has lived and worked in the film industry in France. Ari has been involved in the creation of advertisements, television content, short films, feature-length films, and documentaries since 2008, collaborating with various production companies in roles such as directing, editing, producing, and cinematography. In 2018, he founded the production company Selsvör Film Production in Reykjavík to manage film production in Iceland.
PRODUCER
Dögg was born in 1979 and studied film directing in C.E.C.C. in Barcelona, Spain from 2003-2006. Her graduation film Eyja won awards for best music and best director at the Sitges International Film Festival in the New Authors competition. She’s an x-alumni of the Berlinale Talent Campus. Dögg is the director and founder of The Northern Wave International Short Film Festival and former president of WIFT (Women In Film and Television) in Iceland. She also represents Iceland in the board of WIFT Nordic. She was the co-owner of the production company Freyja Filmwork that is now Northern Wave Production.
The 19-year-old Elísabet Mörk is a rocker, poet, student, sister, daughter, girlfriend, and also has Tourette's syndrome. She lives in a small community on the outer edges of the habitable world, where dreams, desires, and longings are shaped by a harsh nature and the shadows of heavy industry. The only thing that matters is to be young and in love.
ARTISTIC CONSULTANT
Federico Delpero Bejar has been involved in production and post-production documentary films since 2010. He has worked with José Luis Guerin, Andrés Duque, Yrsa Roca Fannberg, Aitziber Olaskoaga, Nuria Giménez Lorang, Pilar Monsell, Frederico Lobo, Tiago Hespanha, Monica Rovira, Cristina Haneș, Þórunn Hafstað, among many others. The films he has worked on had been screened in Locarno, Karlovy Vary, IDFA, San Sebastian, Nordic Panorama, Art of the Real/Lincoln Center, Rio IFF, Visions du Réel, Cinema du Réel, Doc-Lisboa, Rotterdam IFF, Leipzig, etc. He holds a degree in Laws and a master in Creative Documentary, and has participated at the EuroDoc International training program for Creative Documentary Production.
ORMHILDUR THE BRAVE
Welcome to the future where all the glaciers have melted and from beneath them emerged all the magical and mythical creatures from the folktales. Ormhildur, a young girl, embarks on a journey to cast a powerful Restoration Spell. With the fate of humanity and mythical beings at stake, Ormhildur must navigate treacherous waters, confront the ambitions of a power-hungry leader, and ultimately find inner strength and bravery to bring harmony between the humans and mythical creatures, restoring balance to the world
Ari Allanson, Federico Delpero Bejar
INDUSTRY DAYS
WRITER/DIRECTOR: ÞÓREY MJALLHVÍT
Þórey Mjallhvít has a BA in Animation and an MA in Creative Writing and has dedicated her life to visual and written storytelling. She is an animator and writer/director. She has written three comic books, and directed numerous animation and live action projects, short films and music videos.
PRODUCERS: HEATHER
Heather Millard is a film and television producer, with multiple award-winning films to her credits. A member of the European Film Academy, reading for an MBA in European Film Business and Law, and a recent addition to the ACE Producers Annual Programme. Heather was recently certified as a Green Officer and produces films across all genres so long as the stories are fantastic and the people both talented and a joy to work with.
11 WHITE GOLD DOCUMENTARY
The Danish state has often portrayed itself as the humane colonizer in its relation to Greenland and the Greenlandic population. A central part of this narrative has been how Denmark has kept Greenland “afloat”, financially speaking. A narrative that is deeply rooted in Danish popular belief, and with greater consequence, the Greenlandic self-understanding. As our research will show, this postcard picture is far from the truth, as we follow the money-trail from the cryolite mine in southern Greenland. For a period of 130 years, enormous wealth was transported from Greenland to Denmark, with very little going the other way. All in all, a well-known colonial and post-colonial play we have seen in many countries, but this time staged in a Scandinavian country with its self-image as a benign and altruistic nation.
CLAUS PILEHAVE:
Development and production of TV2-series about PET (2022). Development and production of DR1-series about the relationship between Greenland and Denmark over a 300 year period (2019-22). Manuscript and director of DR1 “Grænseland” (2018-19). Concept, manuscript and direction 1st part of the DR production ”Politiets hårde hunde” (2020).
OTTO ROSING:
A director born and raised in Greenland. Directorate projects include: the documentary ”Den evige flyver”, ”Nuummioq”, the first Greenlandic produced feature, which entered the main competition at Sundance, and won Best Actor at the Palm Spring Festival, the documentary ”Meeqqat Inuunerissut”, the feature”Ukiutoqqami Pilluaritsi” (UP) / ”Krudtog kærlighed” and parts of the DR-series ”Grønland og Danmark i 300 år”.
Þorey Mjallhvit, Heather Millard
GREENLAND DIRECTORS: CLAUS PILEHAVE AND OTTO ROSING
Claus Pilehave, Otto Rosing:
LASSE LINDER (DIRECTOR)
Lasse Linder (1994) is a film director based in Zurich, Switzerland. His work blurs the lines between narrative and documentary, exploring the lives of people striving to find their place and purpose in the world. In 2020, his short documentary All Cats Are Grey in the Dark won the European Film Award. He is currently in production on the feature documentaries Translating Love and Sunsets Don’t Matter, as well as the short documentary Air Horse One.
PHILIPP RITLER (PRODUCER)
Philipp Ritler (1994) is a film producer from Bern. He completed his Bachelor of Arts in Film at Lucerne University of Applied Sciences and Arts in 2017. Since then, Philipp has been working as a producer at Dynamic Frame, focusing on documentaries and hybrid formats.
Ukrainian matchmakers Anna and Nataliya guide their international clients toward marriage, navigating a web of stereotypes, desires, and their own pursuit of profit.
FABIANA SEITZ (PRODUCER)
Fabiana Seitz (1994) is a film producer from Solothurn. She studied journalism and film studies at the University of Zurich from 2013 to 2016. After completing her bachelor's degree, she worked as a journalist and copywriter in Cape Town and Zurich. From March 2021, Fabiana Seitz worked as a production assistant at the film production company Catpics AG. She is currently pursuing a Master of Arts in Film with a focus on Creative Producing at the Zurich University of the Arts.
Lasse Linder, Philipp Ritler, Fabiana Seitz
WARDROBE & MAKEUP MASTERCLASS
15:00 – 17:00 - 4th of October, Nordic House
COSTUME DESIGNER MARGRÉT EINARSDÓTTIR AND MAKEUP DESIGNER ÁSTA HAFÞÓRSDÓTTIR TALK ABOUT THEIR CREATIVE COLLABORATION.
MODERATORS: Helga Rakel
MARGRÉT EINARSDÓTTIR WARDROBE DESIGNER
Margrét is a highly experienced and talented Icelandic costume designer. Margrét has the respect and acknowledgement of the fil industry in Iceland and beyond. Having a broad background in literature, art and fashion she has a profound understanding of the expression of the characters and is extremely dedicated to the story. Storytelling has always been an important part of her life, that is the reason why she just loves to see stories come alive. Working in the film industry is all about flexibility and problem-solving and Margrét is the kind of person who pitches in no matter what the task is. Taking on the job with a smile on her face and a high degree of professionalism. Margrét lives in Reykjavik but works on projects all over Europe and beyond. She has created costumes for feature films such as Lamb, Against the Ice, Arctic, 22 July, Swoon and Rams (Un certain regard Winner in Cannes) and TV-Series such as Blackport, Welcome to Utmark (HBO), Max Anger - With One Eye Open (Viaplay) and more.
ÁSTA HAFÞÓRSDÓTTIR HAIR/MAKE-UP AND SFX DESIGNER
Ásta received her bachelor in Makeup/Hair and Special Effect Design from Dramatiska Institutet in Sweden in 1997. Since then she has worked on numerous local and international films and tv-series. Her film credits include; Touch, Kontiki, The Good Heart, Undercurrent, The Wave, The 12th Man, The Quake, Ashlad – I Soria Moria Castle , Three Wishes For Cinderella, Everybody Hates Johan, Natt, Northern Comfort, Christmas On Cobbler Street, Seagulls Laughter, Falcons, The Last Winter, Astropia, 101 Reykjavik. Her television credits include: Norsemen, Lazy Town, The Cliff, Dag, Post Mortem: Ingen Dør På Skarnes, One Night, Beforeigners, Home For Christmas,, Welcome To Utmark, And Descendants.
Ásta’s passion is always to bring the best possible result to the screen, in a creative way and to pay special attention to details. She will look for the possibility to find a unique element to the makeup & hair design that is new and innovative. She likes to dig deep into each character's storyline, to see how she can support the journey visually.
She has won numerous awards for both tv shows and film projects, among them the “Amanda” Norwegian Film Award in 2022 for the film Everybody Hates Johann. She is now based in Iceland after 12 years living in Norway, however working internationally. Her most recent project was King & Conqueror for BBC with director Baltasar Kormákur.
JONAS ÅKERLUND MUSIC VIDEO
MASTERCLASS
17:30 – 19:00 - 4th of October, Háskólabíó room 2
MUSIC VIDEO FEAST WITH JONAS ÅKERLUND
MODERATORS: Frosti Runólfsson
FROSTI RUNÓLFSSON
Frosti Jón Runólfsson (1981) is a director with background in music. He’s played in various bands, and still does, but turned to filmmaking in 2001 after accidentally entering a short film contest and winning his first camera. Since then the camera follows him most places he goes and he has focused on documentaries and music videos. A very hands-on artist, he both shoots and edits his projects. His work often combines his interest in music & film, having made documentaries about Icelandic music groups such as Hjálmar, Grafík and, of course, the infamous documentary about the rock band Mínus. Among his music videos are videos for artists such as Ghostigital, Minus, Sigur Rós, Benni Hemm Hemm, Legend, and Skrattar, to name a few. The subject matter for his nonmusic documentaries is more often than not “anti heroes” and he has a keen eye for finding beauty in the rarest of places. The best and most recent example of this is his music video for “Sumarið sem aldrei kom” by the artist Jónsi of renowned band Sigur Rós which won Frosti the video of the year at the Icelandic music awards and also the Grapevine magazine awards. Frosti has for the past years worked in film special effects and is currently working on a documentary about “outsider artist” Guðný María Arnþórsdóttir.
JONAS ÅKERLUND
Jonas Åkerlund is a renowned Swedish director known for his visually stunning music videos, powerful documentaries, and gripping films. Åkerlund’s music videos are renowned for their edgy and intense style, often incorporating complex visual effects and dark themes. His exceptional work on Madonna’s “Ray of Light” music video won him a Grammy Award for Best Short Form Music Video in 1999, and his contributions have earned him a total of three Grammy Awards in the same category. Åkerlund has also directed numerous other notable music videos, such as Beyoncé’s Hold Up, Lady Gaga’s Paparazzi, The Prodigy’s Smack My Bitch Up Metallica’s ManUNkind, Ozzy Osbourne’s Under the Graveyard, Kesha’s Here Comes the Change, U2’s You’re the Best Thing About Me, and Taylor Swift’s New Romantics, which continue to push the boundaries of music video creativity. In addition to his music video credits, Åkerlund has directed several documentaries, including the critically acclaimed Rammstein: Paris (2017), which captures the German industrial metal band on their 2012-2013 tour, showcasing their epic live performances with Åkerlund’s trademark visual flair. Åkerlund’s filmography is diverse, ranging from the bone-chilling horrorthriller Lords of Chaos, based on the Norwegian Black Metal scene, to the dark comedy Small Apartments, and the actionpacked movie Polar. He also wrote and directed the gripping Netflix series CLARK. Furthermore, Åkerlund has directed two iconic concert films, Paul McCartney’s Live Kisses and Madonna’s The Confessions Tour Live from London, which capture the magic of their live performances and create an immersive experience for viewers.
Frosti
Runolfsson
Jonas Åkerlund
HONORARY MASTER CLASSES AND EXTENDED TALKS NASTASSJA KINSKI
FRIDAY SEPTEMBER 27TH
16:00-17:30 NORDIC HOUSE
Ticket: 1.500 or Industry Accreditation
MODERATOR:
Sigríður Pétursdóttir Film Theorist
Nastassja Kinski is a Polish-German actress who has appeared in more than 60 films in both Europe and the United States. She began her career at a young age, working with acclaimed directors Wim Wenders and Wolfgang Petersen. Kinski came to prominence with her Golden Globe Award-winning portrayal of the title character in Roman Polanski's Tess (1979), a film that received 7 Academy Award nominations and won 3, along with the César for Best Film. Other notable credits include One from the Heart (1981), Cat People (1982) and Paris, Texas (1984), the latter of which
won the Palme d'Or at Cannes. Although Tess and Paris, Texas are the films Kinski is best known for, the variety of roles she played afterward—whether in period films or modern works—demonstrate her range. She has performed in English, German, French, and Italian. Next, Kinski will appear in Thomas Stuber’s Dark Satellites, an adaptation of Clemens Meyer's work, co-starring with Martina Gedeck (The Lives of Others). Most recently, Nastassja starred in Gabriel Aghion’s series Police de Caractère (2022), and lent her voice to Netflix's dark fantasy animated series Castlevania.
ATHINA RACHEL TSANGARI
WEDNESDAY OCTOBER 2ND
AFTER HARVEST
19:00-21:20 + 21:30 - 22:20 0 HÁSKÓLABÍÓ 1
MODERATOR:
Guðni Elísson author and Professor of Comparative Literature
Athina Rachel Tsangari Biography Athina Rachel Tsangari’s films have been hailed as “genre-bending screwball tragedies”. She returned to Venice fourteeen years after her sophomore film ATTENBERG won the Coppa Volpi, with HARVEST, a tragicomic take on the western, adapted from Jim Crace’s 2013 novel of the same name. CHEVALIER won Best Film at BFI-London, and was nominated for Best Foreign Film at the Independent Spirit Awards. Both films were Greece’s official submissions at the Oscars. Tsangari also worked as Lead
BONG JOON-HO (VIRTUAL TALK)
TUESDAY OCTOBER 1ST
AFTER THE HOST
19:45 -22:50
MODERATOR:
Frederic Boyer RIFF Head of Programming
For the last few years, Bong Joon-Ho's filmmaking has soared to great heights. Already the recipient of three Academy Awards for his works, which are known for their exploration of class and gender conflicts, dark humor, and twists in the plot. He immediately drew the attention of audiences and critics for his dark wit in his debut film, Barking Dogs Never Bite from 2000, and received critical acclaim for his latest movie, the crime thriller Memories of Murder, which had audiences flocking to cinemas. His career took a significant turn in 2013
director/EP on the BBC2/HBO Max series TRIGONOMETRY (Berlinale Series 2020). Under her banner HAOS FILM, she has produced films for Yorgos Lanthimos and Georgis Grigorakis, and Tsangari was a co-producer and actor on Richard Linklater’s BEFORE MIDNIGHT. She has taught cinema at Harvard, UT Austin and Le Fresnoy in France and was the Artistic Director of the Oxbelly Screenwriting and Directing Labs.
when he released his first English-language film, the science fiction movie Snowpiercer, followed by the darkly comedic thriller Parasite five years ago, which has become the most profitable film in the history of any Korean director. Parasite won both the Palme d'Or at Cannes in 2019 and the Academy Awards for Best Picture, Best Director, and Best Original Screenplay. Bong Joon-Ho will address the audience via a virtual conference following a special screening of his film Parasite and will answer questions from the viewers.
A DIFFERENT TOMORROW & IMPACT TALKS
IMPACT TALKS ARE DEEP DIVES INTO THE SOCIAL AND ENVIRONMENTAL ISSUES PORTRAYED IN A DIFFERENT TOMORROW. JOIN THE DIRECTOR AND OTHER SPEAKERS AFTER THE SCREENINGS IN AN ATTEMPT TO FURTHER UNDERSTAND THE DYNAMICS AT PLAY AND THE ROLE OF THE FILM AS A TOOL FOR SOCIAL CHANGE.
Note: Basic Industry Accreditation only provides access to Impact Talks following the screening A NEW KIND OF WILDERNESS / UKJENT LANDSKAP
SILJE EVENSMO JACOBSEN NO 2024 84 MÍN
29.9 Háskólabíó 2 17:30 + Impact Talk
MODERATOR: DIRECTOR ÞORSTEINN STURLA GUNNARSSON
Impact Talk:
With the film’s protagonist Ronja Breda Vatne, Holistic Health and Wellness Coach Guðrún Bergmann, artist Rósa Sigrún Jónsdóttir, Brynhildur Arna from Kraftur and Pharmacist and vice-chair of W.O.M.E.N in Iceland Mouna Nasr.
In the Norwegian wilderness, a family seeks a wild free existence but a tragic turn of events shatters their isolation, compelling them to adapt to the demands of contemporary society.
NICOLÁS MOLINA
CK 2024 74 MÍN
1.10
Háskólabíó 2
17:15 + Impact Talk
MODERATOR: AUTHOR ANDRI SNÆR MAGNASON
Impact Talk:
With filmmaker Nicolás Molina, Vernharður Guðnason og the Reykjavík Fire Department, Þorgerður María Þorbjarnadóttir of The Icelandic Environment Association.
TRIBECA FILM FESTIVAL: BEST DOCUMENTARY NOMINEE
In one immediate moment, and once again, wildfires erupt around the trees in Valparaíso, Chile quickly and aggressively escalating the precarious condition in the Chilean wilderness. These are the challenges and dangerous circumstances that the volunteer fire brigade in the port city of Valparaíso frequently find themselves in.
MOMA DOCFORTNIGHT OFFICIAL SELECTION
Over 20 collaborators were invited to reimagine the sound of the siren to think of it as a prompt: a call to attention, a call to action, an instruction towards the possibility of future.
PREEMPTIVE LISTENING
AURA SATZ
UK, FI 2024 89 MÍN
4.10 Háskólabíó 2
19:30 + Impact Talk
CPH - DOX: NEW VISION AWARD
Impact Talk:
With Filmmaker Aura Satz, Curver Thoroddsen, Musician Guðmundur Steinn Gunnarsson, and Gylfi Þór Þorsteinsson of the Icelandic Red Cross
STRAY BODIES
ELINA PSYKOU
GR, CH, IT, BU 2024 109 MÍN
4.10 Háskólabíó 1
17:00 + Impact Talk
MODERATOR: AUTHOR HALLGRÍMUR HELGASON
Impact Talk:
With Director Elina Psykou. Other panelists TBA.
A journey across Europe to question each person's rights to bodily autonomy.
REBEKKA NYSTABAKK NO 2024 83 MÍN
17.9 Háskólabíó 2 16:15 + Impact Talk
MODERATOR: WRITER SIGMUNDUR ERNIR RÚNARSSON
Impact Talk:
With Filmmaker Rebekka Nystabakk, farmer Rakel Nystabakk, Profesor Þóroddur Bjarnason, and Þóra Jónsdóttir of the SlowLiving Association.
The director follows her sister Rakel as she takes over the family farm; where she will be the fourth generation to run the farm. With her wife Ida, she is packing up her life as a musician and heading north. Rakel is aware that there is a lot she doesn’t know how to handle. Her wife Ida has never lived on a farm before and will also have to find her place in this new everyday life. TROMSØ INTERNATIONAL FILM FESTIVAL SELECTION
EVENTIVAL ACCREDITATION
INDUSTRY DAYS FULL ACCREDITATION
WHAT
IS INCLUDED IN YOUR PASS:
FULL FESTIVAL PASS TO ALL THE SCREENINGS IN REYKJAVIK INTERNATIONAL FILM FESTIVAL’S PROGRAM
NOTE THAT THE PASS DOES NOT INCLUDE SPECIAL EVENTS.
PANELS AND MASTERCLASSES
A series of panels and masterclasses with a focus on the most pressing matters in the field and society at large, will bring
together professionals from the film industry to exchange ideas and stimulate discussion.
RIFF TALKS: IMPACT PANELS:
Held in the spirit of TED Talks, RIFF Talks aim to inspire and stimulate conversation. A series of film professionals will
be invited to share their tips & tricks of how to make it in the industry.
Hosted after all screenings of 5 of the films in the A Different Tomorrow category.
Note that special screenings, or exclusive events like industry trips, dinners and Work in Progress are not included in the Industry FULL accreditation.
INDUSTRY DAYS BASIC ACCREDITATION
WHAT IS INCLUDED IN YOUR PASS:
PANELS AND MASTERCLASSES
A series of panels and masterclasses with a focus on the most pressing matters in the field and society at large, will bring
together professionals from the film industry to exchange ideas and stimulate discussion.
RIFF TALKS:
Hosted after screenings of 5 of the films in A Different Tomorrow category. Note that the BASIC accreditation only
includes access to the talk following the screenings.
Held in the spirit of TED Talks, RIFF Talks aim to inspire and stimulate conversation. A series of film professionals will be invited to share their tips & tricks of how to make it in the industry.
Note that a pass to festival screenings, special screenings, or exclusive events like dinners and Work in Progress is not included in the INDUSTRY BASIC accreditation.
INDUSTRY DAYS FILM STUDENT ACCREDITATION
WHAT IS INCLUDED IN YOUR PASS:
PANELS AND MASTERCLASSES
A series of panels and masterclasses with a focus on the most pressing matters in the field and society at large, will bring together professionals from the film industry to exchange
Held in the spirit of TED Talks, RIFF Talks aim to inspire and stimulate conversation. A series of film professionals will
IMPACT PANELS: RIFF TALKS: IMPACT PANELS:
Hosted after all screenings of the 8 films in A Different Tomorrow category.
Note that special screenings and exclusive events like industry trips, dinners and Work in
ideas and stimulate discussion. The masterclasses will include different professionals and honorary guests, to be announced soon.
be invited to share their tips & tricks of how to make it in the industry. To be announced soon.
Progress are not included in the Industry FULL accreditation.
Háskólabíó HAGATORG 2 Norræna húsið SÆMUNDARGATA 11 Nordic house RIFF HEITIR REITIR RIFF HOT SPOTS
