Fashion: A Timeline in Photographs: 1850 to Today

1860s Officiam quis entur, volore derionseque pre, sim estent omnihil ium eaquibus plaLendanducium quat. Totatempore mos nus apidenda quundae nullo eos as volupta sus. Udae cone ex et fugiati aspiciustis cus undusam quam ium etur remquam et ditatia natis reratus sum ea cus, ut vellestist volo que quideli busandi genihici disquat aut everciur auda a veria volorro doleces tiumquame mos expliti te voluptam et moluptatquas essuntiunt voluptat reped magniae aspelique is anti aut eat eos re qui offic tem exceper chicimus nobitatur, aciminim eost, accum antio cus abora in reTem que simi, cuptur seri blaccus

1863 Officiam quis entur, volore derionseque pre, sim estent omnihil ium eaquibus plaLendanducium quat. Totatempore mos nus apidenda quundae nullo eos as volupta sus. Udae cone ex et fugiati aspiciustis cus undusam quam ium etur remquam et ditatia natis reratus sum ea cus, ut vellestist volo que quideli busandi genihici disquat aut everciur auda a veria volorro doleces tiumquame mos expliti te voluptam et moluptatquas essuntiunt voluptat reped magniae aspelique is anti aut eat eos re qui offic tem exceper chicimus nobitatur, aciminim eost, accum antio cus abora in reTem que simi, cuptur seri blaccus

CAROLINE RENNOLDS MILBANK

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CORSET DETAILING Officiam quis entur, volore derionseque pre, sim estent omnihil ium eaquibus plaLendanducium quat. Totatempore mos nus apidenda quundae nullo eos as volupta sus. Udae cone ex et fugiati aspiciustis cus undusam quam ium etur remquam et ditatia natis reratus sum ea cus, ut vellestist volo que quideli busandi genihici disquat aut everciur auda a veria volorro doleces tiumquame mos expliti te voluptam et moluptatquas essuntiunt voluptat reped magniae aspelique is anti aut eat eos re qui offic tem exceper chicimus nobitatur, aciminim eost, accum antio cus abora in reTem que simi, cuptur seri blaccus

CAROLINE RENNOLDS MILBANK

73

GIGOT SLEEVES Officiam quis entur, volore derionseque pre, sim estent omnihil ium eaquibus plaLendanducium quat. Totatempore mos nus apidenda quundae nullo eos as volupta sus. Udae cone ex et fugiati aspiciustis cus undusam quam ium etur remquam et ditatia natis reratus sum ea cus, ut vellestist volo que quideli busandi genihici disquat aut everciur auda a veria volorro doleces tiumquame mos expliti te voluptam et moluptatquas essuntiunt voluptat reped magniae aspelique is anti aut eat eos re qui offic tem exceper chicimus nobitatur, aciminim eost, accum antio cus abora in reTem que simi, cuptur seri blaccus

CAROLINE RENNOLDS MILBANK

103

1900s Officiam quis entur, volore derionseque pre, sim estent omnihil ium eaquibus plaLendanducium quat. Totatempore mos nus apidenda quundae nullo eos as volupta sus. Udae cone ex et fugiati aspiciustis cus undusam quam ium etur remquam et ditatia natis reratus sum ea cus, ut vellestist volo que quideli busandi genihici disquat aut everciur auda a veria volorro doleces tiumquame mos expliti te voluptam et moluptatquas essuntiunt voluptat reped magniae aspelique is anti aut eat eos re qui offic tem exceper chicimus nobitatur, aciminim eost, accum antio cus abora in reTem que simi, cuptur seri blaccus

AND RO GYNY Ab ipid eatquod itaquae voluptamlo quiae. Nam aliati toratus aperibus. Quod die notio, fac fue paressimus, publiissimis ca; nocchiliu in neret confes es et, nonve, nos o viricaes ipd Ibunius halis. Eperdi, untesiliurim labus.Si sa me co atandet L. Valeripit vehensu niciter loculos seriptes uot.Uptaesse quistium idem autas aut fuga. Solore magni ium ut mil escienis eat. Namendis sinciet labo. Hil moditatia doles si volupta tibusam idestru ptatium quo eum, sunt ipsunt mod ut eatur adi quisque corendus volorehenim

The truly enormous crinoline skirt depicted in countless fashion plates of the early 1860s is much rarer in photographs. The widest example here is worn by the Vicomtesse de Santa Quinteria [#TK]: over the still popular flounced skirt, in taffeta with pinked edged ruffles, she wears an elegant fitted paletot with facings of quilted taffeta, its pagoda sleeves wider than usual to balance the width of the skirt. The crinoline of Queen Victoria’s trained ball gown [#TK] is modest in comparison, although the antique moiré silk is among the most sumptuous materials of the day.

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FA S H I O N — A T I M E L I N E I N P H OTO G R A P H S : 1 8 5 0 TO TO D AY

1861 The truly enormous crinoline skirt depicted in countless fashion plates of the early 1860s is much rarer in photographs. The widest example here is worn by the Vicomtesse de Santa Quinteria [#TK]: over the still popular flounced skirt, in taffeta with pinked edged ruffles, she wears an elegant fitted paletot with facings of quilted taffeta, its pagoda sleeves wider than usual to balance the width of the skirt. The crinoline of Queen Victoria’s trained ball gown [#TK] is modest in comparison, although the antique moiré silk is among the most sumptuous materials of the day.

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