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CHANEL BASILICA, HAUTE COUTURE FALL/WINTER 2018, Le Grand Palais, Paris The sunlight, filtering through the complex ironwork of the Grand Palais roof, transformed an already fantastic set into something magical. Unfortunately three dense rows of photographers and videographers blocked my view. Most of the show I had to shoot with my camera waving about above my head. It was intensely frustrating to be in front of such a great image and not be in a position to capture it correctly. As the show ended and the guests left I began to work out how to counteract the situation. I re-photographed the set from various different angles. I decided I could completely reconstruct the show, taking the large backdrop image of the Basilica and repeating it in the background. With many more days of work adding layers of atmosphere, adding motion to the painted river, the artwork finally came together.
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CHANEL BASILICA, HAUTE COUTURE FALL/WINTER 2018, Le Grand Palais, Paris The sunlight, filtering through the complex ironwork of the Grand Palais roof, transformed an already fantastic set into something magical. Unfortunately three dense rows of photographers and videographers blocked my view. Most of the show I had to shoot with my camera waving about above my head. It was intensely frustrating to be in front of such a great image and not be in a position to capture it correctly. As the show ended and the guests left I began to work out how to counteract the situation. I re-photographed the set from various different angles. I decided I could completely reconstruct the show, taking the large backdrop image of the Basilica and repeating it in the background. With many more days of work adding layers of atmosphere, adding motion to the painted river, the artwork finally came together.
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HARPER’S BAZAAR EDITORIAL 2006, NYC
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HARPER’S BAZAAR EDITORIAL 2006, NYC
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Above Lorem ipsum dolor sit amet Lorem ipsum dolor sit amet Lorem ipsum dolor Opposite page Lagerfeld above Logo, Fall Winter 2006, Paris
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