work by 李奕寰

Portfolio exhibition

YI HUAN LI

personal information

李奕寰

National Taipei University of Education

展覽策畫

國立台北教育大學

商業攝影

文化創意產業經營學系

後製修圖

再生網域有限公司攝影部門

Curating Commercial Photography Airbrush

Cutural and Creative Industries Management Reusebupo Domain limited company

contents

崇拜的作者《惡人》吉田修一《流浪者之歌》赫爾曼・黑塞《奧杜邦的祈禱》伊坂幸太郎《Villain》 Yoshida Shuichi 《Siddhartha》 Hermann Hesse 《Audubon's prayer》 Isaka Kotaro

展覽/策展人《劇烈加速度》尼可拉・布西歐《徐冰：回顧展》王嘉驥《造音翻土》何東洪、羅悅全、鄭慧華《The Great Acceleration》 Nicolas Bourriaud 《Xu Bing: A Retrospective》 Chia Chi Wang 《ALTERing NATIVism》 He Dong Hong、 Lue Yue Quan、Zheng Hui Hua

攝影師《Koudelka: Prague Invasion 1968》約瑟夫•寇德卡《森山大道，我的寫真全貌》森山大道《人與土地》阮義忠《Koudelka: Prague Invasion 1968》 Josef Koudelka 《Talk of photo》 Moriyama Daido 《People and land》 Ruan Yi Zhong

大學期間參觀了徐冰的回顧展，被當時強烈的創作風格所震懾，作品以直白易懂的概念呈現配合著磅礡浩大的視覺衝擊，橫劃過展間上方的天書寫滿著自創的中華文字，讓參展的人由視覺上的衝擊淺而深入，漸漸在每個不同文化背景的人們腦海中激盪著屬於自己的反思，當時認為展覽是因作品而充滿生命，直到再次參觀展區，少了第一次被作品的震撼，而是被展區的細節吸引，每個展場空間都被仔細的被規劃、編排，像是本被排版整齊的設計書籍，由序、述、標題、內容至收尾無一處不是精心策畫，遮去使人亮眼的作品後留白排列的空間反而在推動整個展覽的參展感受。當自己策展時才領悟到展覽內每一點細節都是花大量的心力不斷策畫與協商才能邁進製作的過程，並非放置驚人的內容便能完成，而是如拼圖般各領域的人才萃取各自擅長部分才能一點一點地完成理想的空間及功能，自己非常享受完成展覽的成就感，也從每次的經驗中學習不足的部分。希望能從藝文領域的工作除了獲得成就感與拓展對於藝術品的認識外，也能在工作時精進對於策展相關的經驗及認知，直到自己一日也能成為獨當一面的藝術策展者，累積實力期間也能認識不同的藝術家、創作者、策展者，從自己的生活圈踏入各式各樣不同的世界。

During the university, I visited Xu Bing’s retrospective exhibition and was shocked by the strong creative styles. The work was presented in a straightforward and easy-to-understand concept. Along with the grand visual impact, 《a book from the sky》 was written across the sky above the exhibition room. The creation of the Chinese language, which impacted the audience’s vision from simple to deep,gradually brainstorming different cultural backgrounds people’s mind. At that time, I was considered that the exhibition was lively due to the great works until I visited the exhibition again. I wasn’t shocked for the works this time, but attracted by the details of the exhibition area, each space had been carefully planned, arranged, such as the layout of the design books, order, description, title, content to the endings were all meticulously planned, and the space of “margin” were pushing the entire exhibition. When I curated exhibition by mymself, realized that every detail in the exhibition was spending lots of effort in planning and negotiating in order to move forward. Not just accomplished by placing astonishing content, but as a puzzle, extracted essence of various field little by little. And I really enjoy the accomplishment of the exhibition, that also learned everytime. I hope that gaining accomplishment and expanding my understanding of artworks by working in art field, but also advanced experience and knowledge of curatorial. During the work to accumulated experience, but also meet different artists,creators,curators,step into many different world until someday I can be a curator and be able to handle the art curatorial.

exhibition

2016-2017於國北教文創系畢業展覽負責統籌策展策展方面耗費一年籌辦的畢業展覽，核心以台灣文化做為整體主題，從大眾認知的主流文化做為前導，讓觀眾反思自身對於「台灣文化」的理解，進而帶入各創作組所闡述或是改變的在地文化，打破過去對於文化想像的框架。為此與各創作組密切的溝通與協商，分析各組呈現內容的風格與展品，以此架構展覽內容的故事線與動線空間安排，讓觀眾能依序從不同的創作主題中達到我們預期的情緒線與整體參展感受。

2017-2018 Graduation Exhibition of Cultural and Creative Industries and Management curator About curating The graduation exhibition which focus on Taiwan's culture had spent me a year to curate. Starting from the mainstream culture, let the audience think about the Taiwan's culture which we daily live on. Then, introducing local cultures that described or changed by the creators in a more creative way.

exhibition

執行方面場地測量了解如何運用每一區的空間，也能在與創作組協商展區布置時能明確分析空間特性，提出更多想像激發創作者發揮對於空間的想像力。參與展品製作過程，並確保所有的展品都能如預期地呈現，即便當中發生許多不如預期的突發狀況，也快速想出解決方案補救，例如與再生藝術工坊合作，運用回收的藝術材料，減少支出並產出符合預期的成品。另外也負責與場地及活動合作店家接洽與聯繫，確認各組展品內容能如期地完成，出現在展場中。過程中積極媒合店家與創作組，讓創作者的活動資訊、創作內容能夠在更多場所曝光。

Implementation Site measurement knew how to use the space in each area, and can also clearly analyze the spatial characteristics when negotiating with the creation team, and proposed more imaginations to stimulate creators to exert their works on space. I also participated the exhibition production process to ensure that all exhibits were presented as expcted. Even if many unexpcted situations occured, I could also quickly came up with solution remedy. Such as worked with Creative & Reuse Center by using recycled art materials to lower outlay and producing products that we expected. I also contacted with the stores that we cooperated, and make sure that the exhibits and content of each creators could be completed and showed in the exhibition as scheduled. During the process, I actively matched up the stores and creators to let their activity infomation and contents exposure in many places.

規劃能力 - 活動規劃規劃整體活動，將各創作組內容進駐實體店面展示，讓各組創作內容觸及各自鎖定的族群，引起其對主題的興趣並前來展覽參觀小組創作內容。

創意發揮 - 主題設計、文案撰寫以台灣的辦桌文化作為活動主題，形容人們因不同的文化而相遇、凝聚，而各組的創作主題就如同一道道風味十足的道地台灣菜色，參與民眾也因為參與了這樣的文化饗宴回味了如同辦桌時人與人之間的距離因桌上菜餚而變得相近的時刻。

積極向外 - 場地找尋、接洽與台北市十間實體店面合作，如：位於松菸園區的閱樂書店、台北數位藝術中心旁的噪咖，赤峰街的產出 food，找尋台北市知名的藝文聚集地將內容呈現在人流量多的區塊，讓各店家眾多的客群成為觀眾，也提升店家對於主題的認同與後續合作的意願。

YI HUAN LI Shot in 2016.6 GRII Zhuangjing Rd., Xinyi Dist., Taipei City

YI HUAN LI

Shot in 2016.12

Shot in 2016.10

GRII

Zhuangjing Rd., Xinyi Dist., Taipei City 110

YI HUAN LI Shot in 2016.12 GRII Sec. 5, Xinyi Rd., Xinyi Dist., Taipei City

YI HUAN LI Shot in 2016.12 GRII Ciyun Temple Bridge,Beijing

YI HUAN LI Shot in 2016.12 GRII Wangfujing,Beijing

YI HUAN LI Shot in 2015.12 GRII Sijiaotingkeng Rd., Ruifang Dist., New Taipei City

YI HUAN LI Shot in 2016.12 GRII Qingbian Rd., Ruifang Dist., New Taipei City

YI HUAN LI Shot in 2017.2 GRII Sec. 5, Xinyi Rd., Xinyi Dist., Taipei City

YI HUAN LI

Shot in 2017.2

GRII

Sec. 5, Xinyi Rd., Xinyi Dist., Taipei City

YI HUAN LI Shot in 2017.7 GRII Dingping Rd., Ruifang Dist., New Taipei City

YI HUAN LI

Shot in 2017.7

GRII

Dingping Rd., Ruifang Dist., New Taipei City