PROject TWo ElektriÄŒni social entrepreneur centre
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SITE ANALYSIS SITE EXPLORATION
Firstly i explored our site, on the edge of the river, by creating some quick site sketches to understand and record the local area. Whilst in Sarajevo i recorded the site conditions.
SITE ANALYSIS
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SITE OVERVIEW
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HISTORIC
MODERN
The site chosen sits in the centre of the city next to the river, it lies in a originally Austro-hungarian district, with significant communist period presence, in the middle of the modern/socialist period less dense western city and the histroic old town to the west.
Building Form Map This map shows the building forms in the immediate vicinity with the roads around and shows how the buildigns sit within the urban landscape.
Nolli Map This map shows the building forms in the immediate vicinity. It shows the building forms and the open areas around the site.
Key
Site
Buildings
Miljacka River
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A.This area is quieter 2 lane streets, congested with parked cars, used mostly as a thoroughfair.
SITE ANALYSIS CONNECTIONS
22 4 C
4 Towards: Old City A
C
A
A
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33 3
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9minutes
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Towards: New Sarajevo, Utopia of socialist architecture
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2 Key
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Pedestrian Access Major roads
B
Tram Route/ Direction Direction of car travel The site
Towards: Mountains, Suburban Sarajevo, Serb Entity.
B
Buildings Tram takes 17s to pass site Towards the train station Bus stop Tram stop
4 CONCLUSION
In conclusion the site is connected to the city by tram, bus, road and pedestrian access. Major arterial roads are near the site, heading towards the old city a major commuter highway.
B.This area is more open and the road is the major axis for entering and exiting the old city.
Number of road lanes C.The traffic intertwines the area, on large 4 lane roads.
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SITE ANALYSIS
A.Around the site, the site is bordered by small green spaces.
C
Green spaces The site is located near many greenspaces.
G.The suburbs run up the leafy valley side.
C.The Mosque has landscaped parks nearby and a tree laden cemetery.
C
E
B.This area is contains large areas of unlandscaped wasteland.
D.A park is stituated above the ‘block’, near the hospital it features a large sculpture.
D
D E E
E.The sequence of landscaped parks containing a stream, continue down to the river.
E
F.The river bank provides a green zone through the city.
F A
A
F
B central street
G
F
Key
Parks/Green CONCLUSION Areas The site sits in the centre of 2 green zones, and sits into a system Leafy of the green river bank and parks. Suburbs This green could be incorporated The site into the design. The central street links the 2 green zones. within the building.
2 “green” zones around the site. The River bank and the collection of parks to the north.
A.Cars are parked daily around the backstreets, especially near the hospital.
SITE ANALYSIS
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E.Car parking across the river.
F.Busy traffic is near the site.
PARKING
SUBURBIA
NEW SARAJEVO
Cars in Sarajevo =2,000 cars =90,000 cars in Sarajevo
Narrative of a Journey to park a car on the site to walk to work.
A
=20,000 parking spaces The number of cars compared to parking spaces, means informal/ street parking is common.
F
Key
Car Parks/Large Informal Car parks On Street Parking Narrative Car Park-Work Narrative Home-Car Park The site
D B E
NEW SARAJEVO
CONCLUSION
Sarajevo has a serious parking problem, with too few parking spaces. My site contains an informal car park. I want to keep the use of this car park and maintain the thoroughfare from it through my site (central street) towards to city. B.The site acts as a car park during the week for people walking to work. Fairly expensive cars = Fairly wealthly owners.
OLD CITY
C
Narrative of walking from parked car to work.
C.More car parking near the river.
D.Traffic is busy on the road right next to the site in small bursts(40s bursts) (when the traffic lights change), at day and night.
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SITE ANALYSIS ACTIVITY COLLAGE This collage shows the activity in the immediate vicinity of the site.
Shops Government building
New Development
SUBURBIA RIVER THE CITY Tram route Car route
Site behind, used as car park
Statue of WWII National Hero
Bank Walk through area from car park/ modern town to work in old city
CONCLUSION
The site is a riverbed of activity it sits as a monument of passersby, from pedestrians, and trams. It sits near a range of buildings, from government to shops.
SITE ANALYSIS
A.The area near the mosque is a hive of activity with a tram and bus stop.
ACTIVITY AND USE 0
40m
People Surveys 1 10.23-10.28am 2.11.2015 2 10.33-10.38am 2.11.2015 3 10.52-10.57am 2.11.2015 4 11.05-11.10am 2.11.2015 5 12.08-12.13pm 2.11.2015 6 12.24-12.29pm 2.11.2015
1
C.This area contains many ruins and is largely wasteland/car parking and quite.
B.Survey 6 shows the SCC shopping centre and the tram station next to it is an area of high activity.
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3
Scale 1:4000
4 men 4 women Young Middle Aged Older Child Unspecified Walk across site Walk to Tram
Towards: Old City
Activity/People symbol symbol
Tram stop
400m 5 minute walk
A
Towards the train station
1 Towards: Hospital, Residential, Olympic Stadium, Cemeteries.
Bus stop
3
4 8
2
D
2nd Hand
$6
16s
2m
Towards: New Sarajevo, Utopia of socialist architecture
CONCLUSION
Activity is concentrated around the SCC shopping centre, with still fairly busy areas around the site, as seen from the people surveys. The use of the buildings are mainly commercial, office and residential near the site, with the olympic event site across the river.
2nd Hand
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E 800m 10 minute walk
I want my design to harness this activity.by incorporating a public realm
C
A A
Towards: Mountains, Suburban Sarajevo, Serb Entity.
Pollution
4 D.This area is dense but as surveys 4&2 prove it’s quiet and mainly used as a thoroughfair.
E.The olympic site is’nt very dense with a fair level of activity.
Place of interest
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6
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SITE ANALYSIS
Kriterion, a student run cinema and bar, holding free events and promoting activism in Sarajevo.
IMPORTANT BUILDINGS
A tram stop provide transit for a large number of people here.
Government Building, important employer and important to the governance of the entity.
Bank, used often, especially to recieve money from loved ones abroad.
A section of the olympic site contians a temporary home for the Aers Aevi art gallery and hosts events like boxing, drawing in the crowds to the large site.
Towards; The Old City
$ $ 2nd Hand
The olympic site contains a few restaurants and shops, but in general its quite derelict and ruined. the legacy of 1984 isn’t shown in a good light.
A heating products shop, helping Sarajevans with home improvements.
A A
A second hand clothing shop, to provide Sarajevo’s poorer residents with clothing.
A 2nd Hand
A
Towards; New Sarajevo Socialist Architecture
A Bar adds to the vibrancy of the site, the Lawyer’s office is an employer and links to the Bosnian legal system. The homeware store caters to Sarajevans with money for home improvements, in contrast to the nearby second hand cothing store.
A restaurant sits right on the site, adding life to the area in the evening.
Many people enter via the bus stop, with the kiosk selling snacks and papers etc. whilst you wait. indicating a busy thoroughfair.
Towards; Mountains, Suburbs, Serb Entity Key Site symbol symbol
Place of interest Tram stop Bus stop Walk to tram/ past site
A Casino provides entertainment for some Sarajevans.
CONCLUSION
The site features many buildings around it. to the north are commercial premises and government buildings. To the south is the olympic site, which features event and cultural facilities. The centre will conceptually link to both of these.
(l-r) The Old city has the highest concentration of Ottoman Architecture. The Ali Pasha mosque is an Ottoman mosque from the 1560’s, near site (A.).The Presidency building (B.), much of the old city and a large proportion near the site (C.) are Austro-Hungarian Neoclassical.
SITE ANALYSIS AGES OF BUILDINGS
The site itself sits next to the Elektricna Centrala Power station ruins, dating from the Austro Hungarian Period (1895), with another austro Hungarian building next door.
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N
B
The site sits on the boundary of the New and Old city, in line with its location, the architectural traditions of ottoman, austro-hungarian and socialist architecture are present.
A
C
F D
E Key
Ottoman
Newer Sarajevo Socialist Yugoslav with hints of modern, Austro Hungarian and others.
Austro Hungarian
Mid town Socialist Yugoslav, Austro Hungarian with hints of modern and Ottoman.
Early 20th century
Old town Largely Austro Hungarian and Ottoman with hints of Socialist Yugoslav and very little modern.
Socialist Yugoslavia Modern
Sarajevo has distinct areas within it, developing out of the Old City and then expanding towards the west during the 19th century, before rapid development in the later 20th century, largely expanding the city.
Site
The area around the site is a made up of a austro hungarian underlayer, from when the area was first developed in the late 19th century, it has been changed and modifyed during the Socialist Yugoslav period and then a large number of modern developments are occuring, replacing ruins damaged during the 1992-5 war.
(l-r) Newer Sarajevo includes many Socialist estates. The Olympic Site (D.) near the site is also from this period, as is the modernist parliament building (E.) not far from site. The area also includes newer architecture including the SCC, built in 2012 near the site (F.).
CONCLUSION
The site sits in the centre of the old and new Sarajevo, therefore the centre can conceptually link to all eras of Sarajevo’s architectural heritage.
N
SITE ANALYSIS HIStory of site
ELEKTRIČNA CENTRALA The site sits alongside the ruins of an electric power station, built by Austro-Hungary in 1895, it was the first powerstation in Sarajevo, This provided the city with electric street lighting and the provincial government building with power. It was the scene of fighting in WWII, The station continued in service till the Bosnian War, when within the first few days of the war in 1992, the station was hit and burnt. IT has stood abandonned and empty since. Plans are to convert the building into a technical museum, but it hasn’t got off the grown due to the estimated 21 million marks necessary funding not being achieved.
Finzi’s Plan of Sarajevo, Late 1800s
1800’s Development of Marijin Dvor Area by Austrian Architect August Braun
CONCLUSION
The centre can link to the history of Sarajevo, being surrounded by it. The former power station provides a metaphor for electricity and innovation.
NEarby Socialist Architecture 1982 Parliament building finally finished after death of its architect, Juraj Neidhart in 1979.
1983 Holiday Inn completed for 1984 winter olympics.
1992-1995 Bosnian War Area Destroyed. The Parliament building sustained expansive damage during the war. The holiday inn was a refuge for foreign jounralists. (r)Journalist Barbara Demick at work in the Holiday Inn.
Modern Development Sarajevo City centre 2012, under corrupt political process.
SITE ANALYSIS
As we head Up the side of the east we valley the urban find the old fabric becomes a city, this is a suburban tapestry of dense area, detached buildings with uniformand homes with heights gardens. ranging to around 6 or 7 storeys in monolithic blocks.
MASSING
urbanity section
The centre sits within the landscape of the city. It does make a mark along the riverside, but is overshadowed by the verticality of the city blocks, the horizontality of the olympic site is viewed across the river and reflected within the cantilevers.
N
The density and massing of the area, is diverse. The site sits between the low rise suburbs and olympic site and the dense blocks of the austro-hungarian city.
N
As we head west we enter a more open area with more greenspace, yet the buildings are taller and roads wider.
Key
Site Buildings
River massing overview
Further towards the east, along the river, uniform blocks continue, the buildings are slightly taller and more often fill entire blocks. the blocks are spaced out by parks and open spaces making the area less dense.
DESIGN DECISION AS A RESULT
As we progress further into the city we see a denser urban fabric with buildings at 5+ storeys high in small uniform city blocks with internal courtyards.
New large scale apartment developments are occuting in this section, they are tall and massive.
Next to the river, there primarily are a mix of low rise small buildings, often derelict and open in a disordered pattern.
Riverside elevation
Aerial Perspective
The olympic site is elevated, but quite open and acts primarily in a horizontal plane.
CONCLUSION
The city block to the north of the site features several tall builidngs, grounding the 16m height of the centre into the context.
The Site sits between a dense urban block and a shallower olympic site. This is reflected by the conceptual response to the massing by the centre.
The centre disrupts the similar level of the ruins and austrohungarian building, similar to innovation being the disruption of tradition
The ground and first floor of the centre mimics the power station ruin’s floors.
Riverside Elevation 1:500 01m
Scale 1:500
Miljacka
N
SITE ANALYSIS VIEWS TO SITE The site can be seen from far away. Further away as go down.
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ICONIC LINES OF SIGHT
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CONCLUSION
The Site can be seen from far and wide. The design can take advantage of this view to highlight the programme and make Sarajevans interested in the proposal.
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To the north the site’s boundary is the busy road.
SITE ANALYSIS
Access can be achieved from this road.
CONSTRAINTS N The site is constrained by a number of obstacles, including buildings, the street and river.
? N
The site is constrained by a car park, ruins and restaurant to the west, accesscan be achieved through the car park.
Key Constraints in Plan
a
ck
ilja
m
The site is constrained by tthe river to the south, the site is further constrained by an austro-hungarian building, access can be achieved between the river and the austrohungarian building.
Site
Constraints Access
Constraints in Section The site is constrained by the river to the south and the road to the north.
Buildings Greenspace Section cut line
CONCLUSION
The Site has many constraints, principally the road, river, ruins and austro-hungarian building. Access is from the road, parking area nd small riverside park. The constraints define the plan layout.
SITE RESPONSE EMOTIVE RESPONSES and CONCEPT MODEL
Emotional Response Ruins of Sarajevo This response isn’t literal , it hopes to represent the chaos, conflict, coming together, interlinking relationship of the communities of Sarajevo.
Hiding Texture Sound Contrast Sharp
Emotional Response Flow of Bosnia The transformation of Bosnia, from old socialism, conflict, pain, anger, fire and division to the future, pure, freedom, peace, coming together and new bosnian nature.
Concept Model The concept model highlights the solidity of the Sarajevo old and the contrast of society. It shows sharp overhangs and decoration of concrete.
CONCLUSION
These reponses and model start to introduce the idea of contrast, cantilevers and concrete into the design. It starts to bring the spirit of Sarajevo into the design.
DEVELOPMENT OF BRIEF I wanted to combat the economic problems within bosnia to heighten the economic resilience of Bosnia. I started to formulate a social entrepreneur centre.
Overview The Centre will take ownership of the site, creating a base of entrepreneurs with a solid link to the site by an event space, a cafe, facitilies including lockers, meeting rooms and a beating heart for entrepreneurs in Sarajevo. A public understanding of the site will also develop by a connection through the parking and public services i.e. the cafe embedding themsleves or routes to them in the centre.
Final Outcomes After the social entrepreneur centre is established the programme will hopefully, try to combat a number of problems endemic to Bosnia, From unemployment specifically youth unemployment, as the centre helps entrepreneurs set up businesses, employing themsleves and possibly others providing innovation, self-determination and diversification. It will also combat the Brain Drain which occurs in Bosnia. The after-effects of the communist era allowed for Bosnia to be dominated by Publicly owned monopolies, and due to Political stalemate and corruption, monopolies have become stagnant with several lost to corruption. All of these facts link to improved economic resilience in Bosnia.
THE Brief OVERVIEW Client’s Brand, Culture and Organisation The client’s culture and brand will closely relate to modern european liberal viewpoints. The entrepreneurs will be dedicatedand hard working, possibly still in education and enjoying life in Sarajevo. They may be looking at leaving Bosnia, due to better employment opportuntities in the rest of europe.
The Client The client is budding young entrepreneurs who have creative ideas and will probably be educated, innovative and aspirational. An organisation will be established to channel funding for the centre and provide a framework for decision making and membership.
Vision, Mission and Objectives The vision of the centre will be to encourage collaboration and innovation and allow entrepreneurs the opportunity to expand and mature, and then to mentor the young entrepreneurs. The overall outcome of the centre will be to increase economic resilience and combat youth unemployment.
The entrepreneurs may enter the centre individually or as a group, but hopefully due to the highly collaborative atmosphere, cooperations will occur.
Priorities and Success The priorities of the centre will be to provide space for the entrepreneurs and provide mentoring and networking for said entrepreneurs. The centre must allow for natural growth and also bring people together to collaborate. A connection must be made to the Sarajevo business community and Sarajevo itself. If these priorities are met, then the centre could be considered a success.
EMINA Hadzic Direktora Centra čni k centar elektripodu zetni socijalni
Hiseta, Sarajevo
71000, BiH
ni.ba 7 (0) 33 600 418
@ emina@električ +38 električni.ba
Business Card Director of električni
Organisational Structure and Decision Making The entrepreneurs shall pay a membership fee and therefore join a democratic forum to make decisions in the centre. The mature entrepreneurs may have more say in the forum.
Changes to the organisation the centre will bring about. The centre will enable the entrepreneurs to have a space for them to work and provide meeting rooms and a collaborative environment.
The organisation will run the centre day by day.
In the long term it will provide an opportunity for innovation and economic resilience and help to comabt youth unemployment and the brain drain.
The organisation which channels funding will organise when entrepreneurs are allocated job opportunities in the cafe, schedules for meeting room use and organise events. The organisation will employ a director full time and a team of cleaners part time.
Client Policies The centre will have links to business policies, and it’s design will connect to sustainability and ventilation.
Preferences My preferences for the project, are for it to be incremental, allowing it to expand naturally. To allow a sense of openess and connect with the freshness of the river. To highlight the contrast between the openess and the south of the site to the density of the city to the north. It must allow materials which are vernacular to Sarajevo to be translated into project.
Principles The principles which will be adopted during the design surround the ability for the design to expand naturally as the entrepreneur base does. A principle of collaboration will also be communicated. as will adjustable and spaces and a principle of connecting the city and Sarajevan people to the project.
Električni Name of Centre Relating to the energy of innovation, the light bulb moment of entrepreneurship and former use of the site as a power station.
PROGRAMME OVERVIEW
This diagram highlights the main points of the programme and how it incorporates the public. Significantly similar precedents are shown above.
Precedent Precedent Impact Hubs, Membership based collabrative workspaces, in 77 locations across Alt Gen, a space in London to support young workers to set up co-operatives as 48 countries and 11000 members. Do events and training also. Started in 2005. a collaborative and empowering solution for youth unemployment. Above; ImpactHub Westminster
Mentor
Creative
ENTREPRENEURS
In a collabrative space Access to meeting rooms and facilities for membership fee
Grow Crowd Funding Donations
MATURE COMPANIES Private Spaces
FINAL OUTCOME
Encourages innovation Self determination Economic Resilience Manipulation by Government and corruption decreases Diversification of the economy
PUBLIC
Precedent Yardhouse, Assemble 2014, Stratford, London Is an affordable workspace building in Stratford, London
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Precedent Granby Workshop, Assemble 201, Liverpool Workshop selling homeware made by locals
SPACE TO GROW
These Precedents and Ideas highlight the formation of a centre to provide space for Sarajevans to innovate.
CAFE
Provide fundiong for the centre and job opportuntieis for some entrepreneurs, when they do’t have enough money to sustain a life solely as an entrepreneur.
CATALYST OVERVIEW Catalyst Overview The catalyst will be a week long session of seminars by Business leaders to help create a entrepreneur base for the future centre, the public will also be drawn in to take ownership of the site by engaging via coffee and social events. The Catalyst will take ownership of the site, creating a base of entrepreneurs with a solid link to the site by lectures and seminars within a Pop-up space. A public understanding of the site will also develop by a connection by a social event and creation of a buzz through the site serving free coffee as commuters from the site’s parking walk to work.
First ideas My first idea was for a cafe which would link to future centre and allow for people walking to work to buy breakfast subscriptions from volunteering entrepreneurs to provide a physical link and funding for the future centre.
People walking to work
Funding for Centre
1000KM/Year Breakfast
Year- long term link
work Entrepreneurs volunteer time and food/coffee for free membership in the future.
£ Collage of Programme
£
Overview Collage The Site will act as a connection between the parking on site and the commuters work in the city centre. The Catalyst will be a venue to gain an entrepreneur base and provide mentoring and social activities, for future collaborative work spaces in a social entrepreneur centre.
Over Time The site will firstly be cleared and made safe for the Catalyst. Then after the Pop-up is built and the seminars etc. held, the event will consume the site. The the efforts of the catalyst will allow for the Social entrepreneur centre to rise from the site with a strong base for it’s success.
CATALYST PROGRAMME AND POP UP
The Programme of the Catalyst will be based in a Pop Up space, where entrepreneurs, specifically young entrepreneurs during a week, attend daily seminars and workshops by local business leaders to help establish an entrepreneur base for the future centre. At the end of the week the business leaders will chose entrepreneurs to mentor in the long term and provide funds to, which will be generated by an event for the public, advertised through free coffee people walking through the space on their way to work from parking on the site. Programme Schedule The diagram shows the progression of the Catalyst events in the Pop up Space.
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Interior Perpsective during the event
Interior Perpsective during seminar Pop-up Space Front section, Plan and elevation 1:200 0
CONCLUSION
The Catalyst project will create an entreprenuerial base by giving seminars, funding and training to local Sarajevans, It will create a environment ready for the social entrepreneur centre. The catalyst will also form a conceptual and physical foundation for the centre.
The pop-up space is a simple construction of wood, with a simple wooden four cornered frame and wooden framed roof. the entrances are framed by curtains and within there is space for the seminars and workshops. A concrete bar is included, which provides a venue for breakfast coffee, lunch and for the event. The concrete bar shall remean in place after the catalyst dies away, the bar can be incorporated into social entrepreneur centre. People flow through the site from Parking on the site, to the road, whilst they walk to work. As people pass through the site, Buzz is created. The Plan also shows the space where the the workshops and seminars will occur and where the event will be held.
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Entreprenurs with a space to innovate, increasing economic resilience/ reducing youth unemployment.
kitchenette
Adapt the site to become a public street. Sustain the coffee culture of Bosnia.
10000mm
Sustain the entrepreneurial base by getting mature companies (more priavte spaces) to mentor younger entrepreneurs.
CONCLUSION
The centre will accomodate entrepreneurs, with the spaces providing the city and people with tools to provide economic resilience.
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kitchen
meeting room
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private workspace 5000mm
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s
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collaborative space
1800mm
cafe
3000 6.30m2 Kitchen meeting Features; sink, microwave, kettle, 34.78m2 room 1800 5350 10250 fridge, cupboards/storage, harsh Features; sink, fridge, cooking equiment, materiality, space for movement. storage, concrete bar (brought 6000 from catalyst, tile, 6000 1000 2000 concrete, steel, light, view through to cafe.
7500mm
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1000mm 2000mm 10000mm
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kitchenette
cafe
1800mm
1000mm 2000mm 3000mm
storage collaborative space
1800mm 1000mm
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storage cafe
10000 cafemm
lift
mm
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1000mm 2500mm 7500mm
mm
mm
10250 mm 2440mm kitchen
244
10250mm
5350mm 1800mm 10250mm
lift
3000
6000mm
kitchen private workspace
5350mm
3000mm mm 2440 1000mm 2000mm storage
s
3340mm
womens’ wc
1640mm
2440
2440
disabled wc meeting 1500mm room
660mm
4100mm
cafe
1500mm 2000mm
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1640mm
10250mm
private workspace
2440mm
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kitchen
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event space
5350 Kitchenette
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storage
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storage
lift
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storage
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meeting 1640mm room 660mm
10000mm 4100mm collaborative space
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kitchen
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9000mm 2000mm
5350mm womens’ wc stairwell kitchen
private workspace
660mm
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6000mm 1000mm 2000mm 4100mm private workspace
lift storage Large 10000 13.80m2 10000 1800 4100 3000 necessary, Features; no natural light collaborative space 4100 1800 inconspicuous, shelving. 1800meeting room mm
2100mm
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2100mm 800mm
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01m Scale 1:500 Spaces Relationship How the spaces are related to each other.
6000mm storage
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3340mm
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event space
5350mm
2440mm stairwell 5350mm
10250mm
disabled wc
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660mm
Small storage x2 1.61m2 1000 2000 kitchenette meeting room Features; 3000 no natural light necessary, small, inconspicuous, shelving. 1800 stairwell
lift
1500mm 2000mm meeting room
6000mm
1700mm 2440mm
3000mm
mm
storage
5000mm
1800mm lift
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1800mm
10250mm
event space
mens’ WC 5350mm
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mm
2440mm
cafe
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2670 9000mm
660mm
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4600mm 7500mm
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2670mm 4600mm
9000mm
kitchenette Enable Sarajevans 3000 to increase their skills 10000 and therefore key economic resilience by networking and training events.
800 mm mm 9000
4600mm
660mm
7100mm
10000mm collaborative space
660mm
womens’ wc
3000mm
mm
10000mm
cafe
5000mm
kitchen 1000mm 2000mm
collaborative space
Storage
1000mm 2000mm
1000mm kitchenette 2000mm
2670mm
2670mm
660mm
9000mm
2100mm
660mm
2100mm
2100mm
3000mm
3000mm
stairwell
mm
stairwell
mm
mm mm
mm
4100mm kitchenette
1640mm 3000mm kitchenette 3340mm 3000mm storage 4100mm
mm
In line with the PEAS (Provide, Enable, Adapt, Sustain model (of Nabeel Hamdi) each space will PEAS for the community/city by:
9000mm
4600mm
2000mm
4600mm
800mm 4600mm
mm
2300mm
2440mm6000mm meeting 3000mm room storage mens’ WC private workspace
disabled wc
2440mm
2440mm
private workspace 6000mm wc womens’
4100mm stairwell
6000mm
Lift 1000 2000 2.97m2 10000 Features; lift, small, metallic, room
10000mm
7500mm
7500mm
collaborative space
womens’ wc
mm
6000mm
6000mm
mm 1700mm private1640 workspace
2300mm
6000mm
mm
mm
6000mm
3340mm
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6000 meeting sliding door.
mm
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4100mm
collaborative space
660mm 1800mm
mm
mm
10000mm
10000mm
collaborative space1500mm
meeting room
3000mm
provide space for entrepreneurs to conduct business 10000 collaborative space meetings without space of their own.
1800mm mens’ WC lift
1640mm
1700mm
2440mm
1500mm
6000 Stairwell 1640 1640 1700 2 1700 13.50m Features; stairs, landings, light, 4100 1000 2000 4100 open, concrete, glass.
mm
collaborative space
660mm
2670mm
800mm
10000mm 10000mm collaborative space
4100mm
meeting 10000 mm 10000 room mm collaborative space
7500mm
waterproof, mirrors.
9000mm
mm
4100mm
1000mm 2000mm womens’ wc
6000mm
10000mm
7500mm
collaborative space
4100mm
10000mm
1700mm stairwell
Access
3000mm
4100mm
4100mm
10000mm
3340mm
movement space. 3000mm
1640mm
6000mm
23.00m2 Features; stepkitchenette seats, space, 3000 concrete, audio-visual 3000 equipment, openess, light, mm
2300mm 6000mm
1640 mm 660mm private workspace
private workspace
7500mm
mm
7100mm
mm
2670mm
4100mm
Disabled WC 4100 10000 3.00m2 collaborative space 10000 Features; Light, sinks, toilets,
2100 4600mm mm
4100mm
7100mm
room
7100mm
Womens’ WC x2 6.19m2 Features; Light, sinks, toilets, meeting waterproof, mirrors. meeting room
mm
room
mm
1640mm
storage
storage 6000mm
private workspace
1500mm
mm 50005350 mm
2440mm
private workspace
private workspace
private workspace
5000mm
3000mm 6000mm
womens’ wc
womens’ wc
2440mm
private workspace 6000mm
1500mm
1000mm 2000mm
4100mm
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4100mm 5000mm
Event 6000 Space
2300mm
6000mm
disabled wc
2440mm
3340mm
4100mm
disabled wc
6000mm
mens’ WC 5000mm
7500mm
meeting room
7100mm
7100mm
meeting room
room
3000mm 1640mm
mens’ WC
1500mm
1500mm
660mm
6000mm
5000mm
1640mm 660mm eventmeeting space room 3340mm
collaborative space storage 6000mm
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storage event space
6000mm 4100mm
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mm
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mm
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rative space 1640mm
mm mm
storage
womens’ wc
660mm
4100 mm 4100 mm 3000mm
mm
mm
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1700mm 2440mm
Meeting Rooms x2 4100 Toilets 4100 storage 2 10000 10000 29.11m 10000 collaborative space Features; meeting table, chairs, collaborative space Mens’ WC x2 1700 1640 1700 refreshments, open, light, audio7.45m2 4100 Features; Light, sinks, toilets, urinals, visual equiment, opaque from meeting 3000 exterior. waterproof, mirrors. meeting mm
660mm
660mm
storage
1640mm
1700mm
2440mm 5000mm
event space 2440mm
storage storage 1640mm 1700mm
1640mm
660mm
3340mm
storage 5000mm
2440mm 3000
1640mm 660mm 5000mm meeting 10000mm 3340mm room event space collaborative space
3000mm 10000mm
3000mm
storage
2000mm
7100 mm 660 mm
1700mm
2440mm
4100mm 1700mm
2440mm
private workspace
2440mmwomens’ wc
mens’ WC private workspace
meeting 4100mm 2440 mm room
660mm
2100mm
4100 womens’ wc mm
disabled wc 2440mm
storage
2300mm 2440mm 4100mm
6000mm
6000mm
mens’ WC
mens’ WC
1640mm
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5000mm event space
private workspace 2440mm
1500mm
2440 mm 3340 mm
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2100mm
1640mm 1640mm
storage
660mm
660mm
1700mm 4100mm
2440mm
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2440mm mm 5000 storage
disabled wc
3000mm
2440mm 4100mm storage 2000mm
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disabled wc wc womens’ 1500mmwomens’ wc
5000mm womens’ wc
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660mm2440mm 2440mm storage 3000mm storage 3340mm meeting room 2440mm 2440mm womens’ wc
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womens’ wc
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womens’ wc
meeting room
disabled wc
660mm 1500mm
3340 660mm mm
800mm 2100mm
800mm
mm
mens’ WC
1640 mm 1500 mm
1640mm
660mm
3340mm
3340mm
2670mm
800mm
2670mm
1640mm
mens’ WC
mens’ WC 2300mm
meeting1640mm room
1500mm
660mm
4100mm
1500mm
collaborative space
mens’ WC 2000mm
mens’ WC
1640mm meeting mens’ WC room
1500mm
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7100mm
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2670mm
2670mm
m
4100mm 10000mm
1700mm
womens’ wc
2100mm
2300mm
4600mm
1700mm 4100mm
2670mm
1640mm 2300mm
2670mm
1700mm
1640mm 4100mm
2300mm
2300mm
3340mm
disabled wc
3340mm
womens’ wc
storage
800mm
3000mm
2670mm
7100mm
womens’ wc
1640mm
660mm
1500mm
660mm
2100mm
2100mm
2100mm
640mm
2440mm
1500mm event space
1640mm
1640mm 660mm meeting 3340mm room
storage
3340mm
womens’ wc
m
800mm
1500mm
2440mm
1640mm
4100mm 5000mm
mens’ WC
mens’ WC 2440mm
disabled wc
660mm
2670mm
660mm
340mm
storage
660mm
1640mm
2000mm
800mm
800mm
640mm
Spaces which may be needed within the centre and their dimensions. mens’ WC
2440mm 660mm
2670mm
2670mm
ens’ WC
1500mm
800mm
2300mm
2300mm 4100mm
1700mm
storage
mens’ WC
2300mm
2300mm
2440mm
3000mm
mens’ WC 1640mm
kitchen
mens’ WC
mens’ WC
10250mm
5350mm
3340mm
storage
2300mm
2300mm
womens’ wc
1700mm
private workspace
2440mm
2670mm
2100mm
1640mm
2300mm
1500mm
3340mm
womens’ wc
event space
2440mm
660mm
3340mm
storage
660mm
1640mm
660mm
6000mm
disabled wc
2100mm
SCHEDULE OF ACCOMMODATION
800mm
800mm
1640mm
2000mm
mens’ WC
mens’ WC
2440mm
5000mm 660mm
2670mm
2670mm
THE Brief
1500mm
2300mm 2670mm
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2300mm
2300mm
mm
4100mm
4100mm 2300mm
N storage
THE Brief SCHEDULE OF ACCOMMODATION on site The relationship of spaces These plans show the relationship of the spaces as they are arranged on site. 0 1m
Scale 1:250
A fromer garage used by a group of young entrepreneurs who wanted to build the Madrid branch of the global Hub network. Timeshare offices for social entrepreneurs, which seek to
collaborative space mens’ wc
womens’ wc
Kitchen
“change the world.” Precedent Incremental Housing Iquique, Chile, Elemental, 2003
private workspace
cafe void
meeting room meeting room disabled wc
event space
collaborative space
stairwell
stairwell
stairwell
stairwell
womens’ wc lift
lift
Precedent Impact Hub Madrid Madrid, ch+qs arquitectos, 2009
private workspace
lift
lift
Homes for 100 families of the Quinta Monroy, in the same 5,000 sqm site that they have illegally occupied for the last 30 years. Due to low budget, only half the housing could be built, so the homes were constructed to allow for residents to expand their homes naturally, as they require.
mens’ wc kitchenette
GF
1F
2F
Plan of Relationship of spaces 1:250
combined Precedent Golf House Buenos Aires, Luciano Kruk, 2015 The concrete cantilevers of the house are interesting as they show how an open space can be built under the buildig, highlighting my idea of having a public realm incorporated in the lower parts of the centre. I will probably not want to use concrete as extensively but the openess and brokeness of the design is very interesting.
The relationship of spaces This sketch shows the relationship of the spaces as they could be arranged on site.
Relationship of Spaces on Site from South
The relationship of spaces These sketches shows the relationship of the spaces as they are arranged on site.
Relationship of Spaces on Site from North
The final design incorpotates more cantilevers and acts further in the north-south plane than the initial massing, but will tall stairewells annd cantilevers a link can be seen.
CONCLUSION
The centre’s spaces are coordinated into a 3d form.
Precedents (l)Maggie’s Nottingham, CZWG, Nottingham 2011 (r)Des Moines Library, David Chipperfield Architects, Des Moines, Iowa, USA, 2006
DESIGN DEVELOPMENT
N
Quiet reflective spaces, I want to mimic.
ITERATION 2 After researching office spaces and working environments looking at researchers including Lucy Kellaway of the Financial Times.
Quiet Library space
CONCLUSION
Reflective space for work which needs concentration and quiet.
From the original composition of spaces, I started to remodel the spaces to create more individual workspaces with different spaces for different working environments, times and atmospheres.
Precedents (l)Facebook, Studio O+A, Palo Alto, USA 2009 (r) Sainsbury laboratory, Stanton Williams, Cambridge, 2010
WORK
WALK THROUGH
Meeting spaces
Cafe
Professional environments for client meetings and collaborations, for entreprenurs without there own meeting places, can be booked.
PARKING
Front Area
Meeting Rm Steps
Precedent Impact Hub Berlin, Leroux Sichrovsky Architects, Berlin 2015
Quiet Library Place
Private Pod
Kitchen Bar Cafe
Precedent Holy Fox Café, Mikhail Kozlov, Moscow 2014
Private Pod Very quiet pods, for detailed work.
Pantry
The use of materiality and adaptability of the space, allow it to be a docial hub 24hours a day.I want to replicate this in my design.
Disabled WC
Steps
FUNDING JOB OPPORTUNITIES
Eating place
Women’s WC
Storage
Storage
Event Space
Large Space for events to give skills to the entrepreneur, to allow networking and gain funidng.
Event Space Corridor
Storage
Lockers Lift
Outdoor Space
Stairwell
Men’s WC Relax
SKILLS FUNDING
GF 1:200
Steps
Cafes are social spaces, it brings people into the building and encourages people to walk through the space from parking to work. It follows from the idea that business is often conducted over coffeee, i.e. in starbucks, when entrepreneurs unable to afford workspace, meet and work in coffee shops. The idea stems from the coffee houses of the 17th century where business was conducted and many influential companies (i.e. Lloyds of London) grew out of.
0
Steps to the first floor can incorporate seats to provide an event space and social walk through allowing the central atrium to become a public area.
1m
Scale 1:200
Relaxing environment for summer work
Hotdesking environment, little permanant space, so lockers for entrepreneurs necessary for storage.
Precedent Panorama House, Moon Hoon, Seoul 2013
Steps/Seats
Evernote Offices, Studio O+A, Redwood City, USA, 2013
Precedent Hub Madrid, ch+qs arquitectos, Madrid 2009
Outdoor space
Lockers
N
N
DESIGN DEVELOPMENT ITERATION 2
As entrepreneurs mature, permanent spaces are more appealing, these can be provided. Relaxing environment for summer work Precedents (l)Hub Madrid, ch+qs arquitectos, Madrid 2009 (r)Des Moines Library, David Chipperfield Architects, Des Moines, Iowa, USA, 2006
Flexible/Individual
Flexible/ Individual
Quiet reflective spaces, I want to mimic. Flexible/ Individual
Printer
Roof Terrace
Quiet Library Place
Access to roof terrace
Quiet Library space
Void
Private Booth
Private booth for telpehone calls and private meetings.
Reflective space for work which needs concentration and quiet. Private Pod
Meeting Room
Flexible/ Individual Void Flexible/ Individual
Access to roof terrace
Flexible/ Individual
Private Booth
Private Booth
Collaborative Space
Flexible/ Individual
Private booth for telpehone calls and private meetings.
Storage Women’s WC
Men’s WC
Storage Flexible/ Individual Lockers
Lockers
Flexible/ Individual
Flexible/ Individual
Stairwell
Meeting Room 1F 1:200
Workspace
Private Pods
Private Booth
Kitchenette
0
1m
Corridor
Scale 1:200
2F 1:200 0
1m
Scale 1:200
Relax
Private Booth
Workspaces for colaborative or personal work.
Workspaces for Collaboration between entrepreneurs. Precedent Hub Madrid, ch+qs arquitectos, Madrid 2009
Collaborative Space
Stairwell
Flexible/ Individual
Professional environments for client meetings and collaborations, for entreprenurs without there own meeting places, can be booked. Precedents (t)Facebook, Studio O+A, Palo Alto, USA 2009 (b) Sainsbury laboratory, Stanton Williams, Cambridge, 2010
Lift
Lift
Workspace
Precedent Kirchplatz Office and Residence, Oppenheim and Huesler Architekten, Muttenz, Swizterland 2012
Hotdesking environment, little permanant space, so lockers for entrepreneurs necessary for storage.
Very quiet pods, for detailed work.
Precedent Impact Hub Berlin, Leroux Sichrovsky Architects, Berlin 2015
Private Pods
Precedent Hub Madrid, ch+qs arquitectos, Madrid 2009
Lockers
As entrepreneurs mature, permanent spaces are more appealing, these can be provided.
Hotdesking environment, little permanant space, so lockers for entrepreneurs necessary for storage.
Precedent Kirchplatz Office and Residence, Oppenheim and Huesler Architekten, Muttenz, Swizterland 2012
Flexible/Individual Workspace
Precedent Hub Madrid, ch+qs arquitectos, Madrid 2009
Lockers
CONCLUSION
Specific spaces start to be formed to suit specific working types and tasks.
DEVELOPMENT ORGANIC
OFFICESPACE THEORY
EGALITARIAN
WEIDEN AND KENNEDY AGENCY
FLEXIBLE SPECIFIC SPACES Theory Bürolandschaft, (Office Landscape) A 1950s open plan office theory, developed in Germany. It intended to provide a more collaborative and humane environment compared to the identical rows of desks, common to open plan offices.
CENTRAAL BEHEER Theory Hotdesking Hotdesking in an office system, where employees share workstations, they don’t have a permanent desk. It can save space, providing flexible workspaces for flexible working, leading to more effective use of resources.
Developed by Eberhard and Wolfgang Schnell, it was a reaction against the authorative and hierarchical ideals of Nazism, to create a non-hierarchical environment that increased communication and collaboration. Large potted plants and curved screens were used as visual barriers, with irregular geometry and organic circulation, to enhance the egalitarian nature of the space. Especially in Bosnia, due to the large gap between rich and poor and the corrupt authoritative government and business monopolies, a more egalitarian society would be welcomed.
Hotdesking can also be used to co-ordinate different spaces specific for different working ways or functions.
ADAPTABILITY Precedent Central Beheer, Apeldoorn, Netherlands Herman Hertzberger, 1972 The idea behind this office building is for a group of equally sized units, constructed in a village-like mentality, containing different programmatic components. The space’s forms are geared towards their purpose, they’re polyvalent. It provides adaptability, mirroring organisational change.
HOTDESKING
The flexibility of the space and the village-like mentality could be reflected within the centre.
BÜROLANDSCHAFT
MINI-AGENCIES PUBLIC SPACE Precedent Wieden and Kennedy Agency, Portland, OR, USA Allied Works, 2000 This office in a formerly abandoned warehouse, designed for the Advertising Agency, Wieden and Kennedy. Workspaces are arranged into mini-agencies, that contain dedicated workspaces, meeting spaces and informal lounges. A central auditorium provides a public space for gathering, performance and exhibition.
CONCLUSION
The centre incorporates the theories of hotdesking, Bürolandschaft to create more unique and specific spaces.
N
DEVELOPMENT
TRANSLATION OF CENTRAL BEHEER
THEORY TRANSLATION
MATURE
PERMANENT
ZONED LANDSCAPE
1F Plan
YOUNG
TRANSLATION INTO BÜROLANDSCHAFT
TEMPORARY
Translation Hotdesking Hotdesking is translated into the new centre by it’s use of workspaces temporarily by entrepreneurs when they are young and new to the centre and as their involvment and companies mature, permanent workspaces and storage become available, with added flexibility due to temporary spaces. MATURITY=PERMANANCE
TRANSLATION OF HOTDESKING
Translation Centraal Beheer, Apeldoorn Taking inspiration from Hertzberger’s idea of an adaptable workspace with specialised zones. I have created spaces in-line with different working ways, for example spaces for entrepreneurs to work when they want to work socially and anti-socially. Therefore, i have identified the following spaces as necessary within the centre.
SPECIFIC ZONES CORRESPONDING WORKSPACES FOR DIFFERENT WORKING WAYS.
1F Plan
ORGANISE INTO CANTILEVERS
Translation Taking Specific Spaces into the Bürolandschaft model.
Translation Taking Specific Spaces into the Bürolandschaft model.
A simple organisation of spaces on the 2nd and 3rd working floors. The library area will be located on the ground floor in the surroundings of the
The organisation of the specific spaces is translated into an organic style, in line with the
SPACES INTO A LANDSCAPE
Bürolandschaft model.
cafe.
2F Plan 0
1m
Scale 1:200
2F Plan
CONCLUSION
The theories are translated into ideas of permanance and a zoned landscape.
0
1m
Scale 1:200
N
DEVELOPMENT
I tried to rationalise the plan by coordinating the spaces into a grid system to allow for incremental expansion, and a level of rationality in section and elevation.
RATIONALISATION
In line with the brief, the design should mimic the idea that the centre’s entrepreneurial base expands over time, but the centre is still able to accomodate the maturing companies, allowing them to mentor the ever-increasing young entrepreneurs. The design should mirror the idea of a growing organisation. This might be achieved by a core system with cantilevers allowing for the expansion of the centre. Before Development Start of the centre, Core
Hiseta
GROWTH
Developed centre Hiseta
Hiseta
Steps/Stairs
seating/steps
Steps/Stairs
Printer/ Server
Meeting Room Meeting Room Void
seating/steps
Lockers
Kitchen
Private Zone
Meditative Space
Lockers
Meeting/Workspace Void Library Quiet Zone
Meeting Table
Standing Desk
Standing Desk
Meditative Space
Lowered Seating
Stairs
Collaborative Space
Meeting/Workspace
Lowered Seating
Stairs
Individual Workspaces
seating/steps
Lockers
Men’s WC
Workspace
Cafe
Kitchenette
Private Pod
Storage
Bar
Disabled WC
Women’s WC
Void
Void Workspace
Women’s WC
Collaborative Space
seating/steps
Event Space
Stairs
Permanent Storage
Storage
Void
Private Booth
Lift
Individual Workspaces
Lift Meeting Space
Lift Void
seating stairs/steps
Stairs
Individual Workspaces
Private Booth
Stairs
seating/steps
Men’s WC
Lockers
Void
Private Booth
Individual Workspaces seating recess
Void
Standing Desk
seating/steps
Outdoor Seating
Meditative Space
Private Pod Kitchenette
Cantilevered Outdoor Seating Overview
Cantilevered Outdoor Seating
Miljacka Miljacka
GF 1:200 0
1m
GROUND FLOOR 1:100
1F 1:200 Scale 1:200
Miljacka
FIRST FLOOR 1:100
SECOND FLOOR 1:100
2F 1:200 Precedent Incremental Housing Iquique, Chile, Elemental, 2003 The form of the building allows for the residents to exapand their homes naturally asneed requires, this idea resonates within the incremental ideas this iteration.
RATIONALISE ONTO GRID Precedent Wieden and Kennedy Agency, Portland, OR, USA Allied Works, 2000 The columns and beams of the building relates to the rational grid system of the iteration.
DEVELOPMENT CONNECT
I further developed the design by incorporating folding cantilevers and expressive details without the rejection of the rational grids. Therefore the incrementality is also retained. The massing of the building is heavy and the cantilevers project out across the river.
N
GF 1:400 01m
GROUND FLOOR 1:100
SECOND FLOOR 1:100
FIRST FLOOR 1:100
N^
N^
N^
1F 1:400
2F 1:400
Scale 1:400
N
Section 1:200 (1) 0
1m
Section 1:200 (2)
Scale 1:200
GF 1:400
GROUND FLOOR 1:100 N^
01m
CONCLUSION
Scale 1:400 Section Cut (1)
The idea of a large central atrium starts to be developed, as does the idea of large concrete seating, with 2 wings containing workspaces emerges.
Section Cut (2)
^
DEVELOPMENT REFINE
This iteration helps to refine the proposal incorporating all the central ideas of the concept into the design.
Precedent Sharifi-ha House, Next Office, Tehran, Iran, 2014 Moving Cantilevers, can provide extra space and changes to climatic onditions. N
Section 1:200 0
1m
Scale 1:200
N
GF 1:400 01m
Scale 1:400 Section Cut
GF1:400 01m
1F 1:400 Scale 1:400
2F 1:400
Elevation1:400
CONCLUSION
The iteration incorporates the central tennets of the design. But the iteration have produced a unexciting, too large building.
N
DEVELOPMENT INNOVATION THEORY
BOSNIA AND HERZEGOVINA OTTOMAN Bosnia was part of the Ottoman Empire from the 1400’s till late 1800s. During these 400 years, the Ottoman rapidly altered the country, from introducing Islam to introducing Ottoman architectural, creating a foundation of traditional architecture in Bosnia.
Bosnia was later part of the AustroHungarian Empire from the late 1800s till after WWI. Though Bosnia wasn’t within Austro-Hungary for long, the Neo-Classicism and Neo-Byzantine architecture favoured by the AustroHungarians made a significant impact on Sarajevo, with it expanding rapidly and many new areas including Marijin Dvor (where the site is located) being established.
AUSTRO-HUNGARIAN
DISRUPTIVE INNOVATION How Innovation works? Entrepreneurs are dependent on innovation, innovation to break into markets and effectively compete with and succeed against traditional competitors in the industry. This innovation occurs when entrepreneurs disrupt tradition, rapidly destroying the traditional market leader. This is hard for established companys to do, as they spend the majority of there resources on keeping up with current competiton and serving the current customer needs, therefore disruptive innovation is the domain of start-ups, the tenants of the new centre. An example is Buzzfeed and internet based news outlets rapidly disrupting traditional newspapers, for example the New York Times.
DISRUPT TRADITIONAL ARCHITECTURE Relating to Architecture. Mirroring innovation-disrupting the traditional architectural language of Sarajevo.
EXAMPLE
DEVELOPMENT VERNACULAR OVERLAY Muquarnas are decorative Stucco elements, taking inspiration from Primitive Turkish Art, they act to connect piers to arches and walls and domes to column capitols they feature to mask geometric transitions and emphasise structural integrity and the unity of the space and facade.
OTTOMAN Ottoman planning was in contrast to the preceeding Byzantines, who based their system on Ancient Rome, incorporating arterial roads and grids. It operated principally on the horizontal. Ottoman’s like Sinan, worked chiefly on the vertical, emphasising the heirarchy of buildings, principally the mosque in the profile and silhoulette of the city.
Geometric decoration feature in the Muquarnas of Koski Mehmed Pasha Mosque in Mostar.
Sarajevo, The Gazi Husrev-bey Mosque in the Old Town profile is reminiscent of the Ottoman hierarchy, with mosque at the top.
Faience (fine tin-glazed) Tiles are common to Ottoman architecture. They act to decorate Mosques and buildings, bringing nature and symbolism into the internal space, in which they cover totally creating continous surfaces, again masking the geometric transitions of the building, It eliminates materiality and weight of the building, providing precision and clarity to the design.
Public Spaces were used by the Ottomans to trade and gather, due to the gender-seperation and climate of the empire grand squares, as seen in Rome didn’t appear, as monumentality was reserved for mosques, the only large squares were defined for markets. The most common public spaces were the informal Bazaars (covered shopping streets) and cafes, used for gathering. The only monumental space was Külliye’s, a complex of a Mosque, Madrasa (Religious School) and other buildings, the centre of each Ottoman town.
Mosques were the most important buildings in Ottoman tradition, their silhoulette were used to signify their importance in the hierarchy of the city. Their exterior reflected the interior structure, and plans had a symmetry incorporated within them.
Tiles provide internal decoration to the Koski Mehmed Pasha Mosque in Mostar.
Sarajevo, The old city cafes and the covered Bazaar provide a space to shop, gather and talk. They act like streets for public interaction.
Doors are important within the Ottoman architectural language, as homes are similar, modest and have simple elevations. Doors are used to reflect social status, a microcosm of the class system intertwined into architecture. The doors could become ornate and contain symbolism. Hierarchy meant that the Mosque doors were the grandest and most ornate within the chain of architecture.
Sarajevo, Mosques litter the city, the Ali Pasha mosque (l/c) and the Čekrekčija Mosque (r) included, they act within the heirarchy of the silhoulette and reflect the internal structure from the exterior, with simple symmetries.
The hierarchy and status of the Mosque is reflected in the symbolism and ornateness of the Grand doors of the Ottoman, Koski Mehmed Pasha Mosque in Mostar (l) and Ali Pasha Mosque in Sarajevo (r).
AUSTRO-HUNGARIAN The solidity of Ottoman architecture is mirrored in Bosnian homes. Street cantilevers are present in Historic Bosnia, like these in Mostar (mid/bottom).
Ottoman Houses were modest and simple, they were ordered in a u or l around a porticoed courtyard around an axis, there wasn’t a flow between rooms, due to Islamic gender seperation regulations. Therefore, the courtyard became extremly important, being a source of access and a living space, for the fresh air and the principle as a shared space for both genders. Cantilevering rooms often step out above the street, they allow people, especially women to chat to neighbours.
The importance of Neo-Classical architecture in the Austro-Hungarian era. is brought to the fore in the many districts of Sarajevo sclupted in this style. Neo-Classical architecture incorporates Grandeur and simple forms, as a reaction against Rococo architecture. It does this by using extensive use of columns and blank walls, taking cues from Ancient Greek and Roman architecture, principally the simple Doric style detailing.
The Neo-Classical style is incorporated into the everyday cityspace buildings of Sarajevo.
The Neo-Byzantine style is incorporated into Grand public buildings, the buildings have relatively simple forms but feature heavy decoration and reflect the Mudejar and Mamluk styles, examples include the National Library Building in Sarajevo (Top/ Bottom) and Mostar Gymnasium (Mid) in Mostar.
DEVELOPMENT vernacular overlay The Austro-Hungarians tried to form a Bosnian identity to seperate it from the Ottoman past. It tried to do this by reflecting the past, with a neo-byzantine style, taking cues from Spanish Mudejar and Egyptian Mamluk architecture, though these had nothing to do with Bosnian history. It was an orientalist architecture, set in a neo-classical clear form with formal internal plan, symmetry and proportions. It was mostly used on Large administrative building, i.e. the National Library in Sarajevo and the Mostar Gymnasium.
TRANSLATION OF TRADITIONAL ARCHITECTURAL LANGUAGE I have therefore tried to form an idealistic base for the building in line with ideas expressed in traditional architecture. I think this sketch is too explicit and the ideas should be implied implicitly into the design.
CONCLUSION
The vernacular architectural language of Sarajevo is used as a concept to provide a monolithic tradition to disrupt and metaphorically show innovation.
DEVELOPMENT DISRUPTIVE OVERLAY
DISRUPTION = CONFLICT = WAR
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WAR
Architecture and war are not incompatible. Architecture is war. War is architecture.
Lebbeus Woods was a mostly experimental architect, who only ever built a single work. His philosophy focused on how architecture was consistently at war, his artwork was of landscapes under the guise of conflict and catastrophe. His creations included a city connecting divided Berlin, and buildings designed in seismic zones that could move during earthquakes.
I am at war with my time, with history, with all authority that resides in fixed and frightened forms.
The theory which Woods ascribes to, has obvious links to the idea of Disruptive innovation, Entrepreneurs are at war with the traditional, with the time, with history, and with authority (government monopolies) to innovate and transform.
I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end, no “sacred and primordial site.”
War, change and modernity echoes the idea of incremental design, design to expand and respond, like Woods buildings designed in Seismic Zones. Woods experimentation, reflects politics in architecture, the division of people, a common theme in Bosnia, in response to the Bosnian War and ethnic divisions. As social entrepreneurs the interlink with politics will be prevalent as the centre attempts to build economic resilience in Bosnia.
I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. LEBBEUS WOODS 1940-2012 I know only moments and lifetimes that are as moments, and forms that appear with infinite strength, then “melt into air” I am an architect, a constructor of worlds, a sensualist who worships the flesh, the melody, a silhouette against the darkening sky. I cannot know your name. Now can you know mine. Tomorrow we begin together the construction of a city.
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Sarajevo, from War and Architecture, 1993 During the seige of Sarajevo, War and architecture became interlinked, with architecture becoming shields, weapons and deathtraps, a part of the problem, degrading the environment.
Berlin Free-Zone, 1990 Woods rethinks reconstruction by harnessing an abandoned government building in Berlin to rebuild the city. It shows how Woods engages with and disrupts other architectural languages.
Havana, Walls of Change, 1994-5 Parts of Havana have serious maintenance problems due to economic diffculties, especially the poor ruinous La Habana Vieja (the Old City). Woods along with other architects wanted to develop this zone without the unassociative omnivorious capitalism and the star architects a post-castro regime might bring. Woods planed a new urban wall to intensify new growth and energy in La Habana Vieja. Other walls provide services and structural support for new informal dwellings in gaps caused by the demoliton of old buildings, sponsoring new development. Other projects in Havana include a Hurricane proof prommenade and a institution about institutions.
Nine Reconstructed Boxes, 1999 This basic architectural element is consistenly explored by Woods, as the preeminent and easily stackable architectural component. Woods tries to use a higher form of complexity to explore this element.
Woods attempted to use found objects to transform the ruins into a new tye of architecture, dignifying the city.
San Francisco Bay Project, 1995 Woods designed structures, which sit on an abandoned San Francisco bay waterfront and transform to respond to earthquakes, using the seismic energy ejected.
CONCLUSION
Woods work indicates the disruption which can work witht the vernacular overlay to form an exciting design proposal.
DEVELOPMENT DRAWING OF DISRUPTION OF the vernacular
I took the ideas of traditional base and the disruptive language together to revitaslise the design.
Placing this ‘chaos’ into the rationalised plan to produce an exciting design.
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Precedent Mosque and Museum of Religious Harmony, Bjarke Ingels Group, Tirana, Albania 2011 This proposed mosque uses a grid system, taken from the city grid and the direction to Mecca (like my Grid system) to create new public spaces within the complex, similar to the central street.
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The Building Geometries are rationalised by a 3-level grid system, This grid system allows for an explosion of conflict between a angular core and expressive cantilevers, working on the metaphor of disruptive innovation and the entrepreneur conflicting with the static monopolies, which emerged in Bosnia during the socialist regime. This conflict can be expressed by an architectural conflict between an expressive style and a angular brutalist concrete monolith, reminiscent of the socialist state. The grid directs relationship between buildings to emphasis this conflict and allow relate to the hertitage of bosnia, which will come into the design further in line with materiality.
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RELATIONSHIP OF GRID TO MATERIALITY
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Marijin Dvor Busy City Austro-Hungarian Architecture
DEVELOPMENT
In line with the grids, I’ll take the conceptual logic to help imply material choses for the cladding of the building.
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These colours start to inspire the colours of the concrete tiles (see cladding detail sheet)
Materiality placed onto plan.
CONCLUSION
In conclusion the grid formed by it’s conceptual links to vernacular architecture, materials can be assigned.
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DISRUPTION
DEVELOPMENT RAtionalised CHAOS The grid will start to rationalise the chaos of the disruption into a design, as seen above.
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CONCLUSION
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1F 1:200 Scale 1:200
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The former development is rationalised via the vernacular overlay to form an exciting resposnse.
The Building’s materiality and atmospherre starts to be expressed within this iteration. The tiles destroy the interior/ exterior boundary and a street is formed in the centre of the centre. The central core is expressed also. The linear quality of the building and it’s spirit starts to be expressed.
DEVELOPMENT RefinING CHAOS
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Hiseta
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Seating
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Women’s WC
Server/ Computer Room
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Pod Storage
Cafe
Meeting Room
Storage
Kitchen
Disabled Toilet
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Workspace Men’s WC
Lockers
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Collaborative Space
Meeting Space
Pod Under Seat Room
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Event Space
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Miljacka Medit a Room tion
Quiet Library Space
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Miljacka Outdoor terrace Kitchenette
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DEVELOPMENT RefinING CHAOS
The Building’s materiality and atmospherre starts to be expressed within this iteration. The overhangs spread across the site and the expression of innovation is reflected. The central core is expressed also. The linear quality of the building and it’s spirit starts to be expressed. The contrast between the concrete and overhangs are celarly seen.
Precedent Jewish Museum, Daniel Libeskind, Berlin 1999 The disruption of the concrete cores by angular forms mimics my building, as does the use of heavy concrete in line with a lighter frame. (First 4, to the right) Precedent Serpentine Pavilion, Daniel Libeskind, London The frame of the pavilion, with an external cladding structure, mimics the overhang’s structure. (last on the right)
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Perspective
Elevation 1:400 01m Scale 1:400
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CONCLUSION
In conclusion the buildings starts to take form as a concrete structure with vibrant overhangs, this is shown in the model below, as is the concepts expressed.
Model Photos
Location of Section GF Plan 1:400
DEVELOPMENT synecdoche
Concrete DecoratedManchester School of Art Feilden Clegg Bradley Studios 2013 Relating to the traditional patterns of Bosnian Art
Exploded Sketch This sketch shows my idea for the synecdoche element of my design, the steps next to the event space on the ground floor, with concrete steps emerging from the concrete frame, having reclaimed wooden seats attached onto them, with metallic (probably brass) edging to keep them unscuffed. Wooden tables pull out from the concrete form to provide a object to write/draw upon.
Mettallic Endings Steel
Wood Reclaimed
To provide protection to the wood.
A better seating surface than concrete., helping bring the community into the building.
Consolidated Sketch The elements come together to form the component.
Alcolve Room A room is tucked under the steps for private and quiet meetings, it’s a cocoon of concrete and metal with intriguing windows to allow glimpses from outside in and inside out, to attract mystery and a sense of excitement and wonder. Development Plan/Section
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PLAN GROUNd FLOOR 1:200 0
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Spaces 1. Austrian Hungarian Building 2. Power Station Ruins 3. Car Park 4. Quiet Library Space 5. Alcolve Room 6. Seating/Steps 7.Event Space/Atrium 8. Cafe Seating 9. Outdoor Space 10. Bar 11. Kitchen 12. Storage 13. Meeting Room 14. Stairs 15. Lockers 16. Cafe Seating 17. Lift 18. Storage 19. Women’s WC 20. Men’s WC
Context 1. Austrian Hungarian Building 2. Power Station Ruins 3. Car Park 4. Restaurant 5. Ali Pasha Mosque 6. Olympic Site 7. Park 8. Government Buildings 9. Hospital 10. Kosevski Potok Stream 11. Tram Stop 12. Bus Stop
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Spaces 1. Austrian Hungarian Building 2. Power Station Ruins 3. Car Park 4. Kitchenette 5. Meditation Room 6. Mini-Cafe/Workspace 7.Group/Collaborative Space 8. Stairs 9. Workspace Balcony 10. Desk Workspace 11. Private Booth 12. Advertising Board 13. Private Pods 14. Permanent Storage 15. Lockers 16. Lift 17. Print and Server Room 18. Disabled WC 19. Casual Workspace 20. Meeting Room
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Miljacka Spaces 1. Austrian Hungarian Building 2. Power Station Ruins 3. Car Park 4. Kitchenette 5. Workspace 6. Roof Terrace 7.Group/Collaborative Space 8. Stairs 9. Workspace Balcony 10. Desk Workspace 11. Private Booth 12. Advertising Board 13. Private Pods 14. Permanent Storage 15. Lockers 16. Lift 17. Women’s WC 18. Men’s WC 19. Storage 20. Meeting Room
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PLAN roof PLan 1:200 0
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6 Features 1. Austrian Hungarian Building 2. Power Station Ruins 3. Atrium Roof 4. Concrete Core Roofs 5. Edge Sunshades 6. Cantilever Shading Roofs 7. Stairwell
Context 1. Austrian Hungarian Building 2. Power Station Ruins 3. Car Park 4. Restaurant 5. Ali Pasha Mosque 6. Olympic Site 7. Park 8. Government Buildings 9. Hospital 10. Kosevski Potok Stream 11. Tram Stop 12. Bus Stop
Towards Suburbia
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PLAN EXPLODED PLANS 1:500 01m
Scale 1:500
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As indicated in my final drawings, the workspaces are specific for different working styles.
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Booth Perspective
This exploded plan highlights the interlocking floors of the centre.
Library Perspective