Rouge Magazine SS 24

the issue

A f t e r H o u r s

R ROUGE

Rouge Magazine is the official fashion magazine at the University of Georgia, founded in August 2007 by three students within the College of Family and Consumer Sciences who recognized a need for a fashion oriented publication. It became a registered student organization in 2008. Rouge is a biannual, full color publication funded by dues and a once-yearly allowance from the University’s College of Family and Consumer Sciences. The community of Athens, Georgia is one that Rouge is devoted to supporting through featuring local boutiques in the styling process, photographing various locations around the area, and engaging with the fashion-loving population through events and social media. Each issue is designed entirely from scratch by members of the Rouge staff in conjunction with the executive board and can best be described as the product of eager passion and a true love for the fashion industry. Rouge aims to create content that inspires the student body to be bold, to serve as a resource for fashion related events from a variety of perspectives, and to stitch together a publication each semester that all students can draw something from, whether it be style inspiration, knowledge of the fashion industr y, or an aesthetically pleasing graphic design scheme.

Run with Rouge

Instagram:

Email:

Web:

Executive Board

Editor in Chief

Creative Director

Margaux Binder

CG Sigman

Director of Communications

Director of Visual Content

Director of Fashion

Womenswear Editor

Directors of Beauty

Director of Writing

Director of Graphic Design

Directors of Social Media

Director of Digital Content

Directors of Blog

Director of Finance

Smriti Tayal

Savannah Hernandez

Jordan Long

Sophia Bradley

Lucy Marshall

Alexis Derickson

Keren Sahar

Grace Jones & Khai Clay

Evelyn Krakovski

Emily Slepsky

Keertana Konduru

Fashion Stylists

Addison Anderson

Alice Arabella Young

Amelia Pappas

Clara Cullerton

Claudia Vlasoff

Dahlia cousineau

Emma Lovell

Evelyn Russell

Faith Ferrer

Grace Benson

Grace Burnett

Haley Pearson

Isabella Klug

Jackson Dallas

Jasmine Song

Katelyn Porter

Katie Embry

Lily Marcus

Mariana DeTitta

Meredith Conger

Mili Gandotra

Shelby Hardin

Sophie Austin

Will Tritto

Communications Coordinators

Gianna Uvari

Grace Grant

Heather Harris

Isabelle Binder

Katelyn Porter

Khushi Valliani

Krya Gould

Layla Rogers

Liliana Guilfoyle

Lily Marcus

Marisa Gu

Mili Gandotra

Ritika Sharma

Samantha Herrera

Savannah Williams

Shruthi Vikram

Sophie Austin

Soren Dinkins

Sydney Fogarty

Tara Ravindranathan

Tyanna Tejada

Blog Columnists & Editors

Emily Arreola

Katherine Fivgas

Mimi Klump

Lovely Grace Pilibino

Nicholas Cucchi

Graphic Designers

Laura Ross

Amelia Pappas

Evelyn Russell

Mattie Blackerby

Emma Lovell

Sarah Myers

Savanna Waddell

Stella Turner

Sydney Annis

Copy - Editors

Ally Thompson

Eryn Gentry

Helen Sorme

Srujana Sivakumar

Stella Turner

Tyanna Tejada

Digital Graphic Designers

Claudia Vlasoff

Gianna Uvari

Isabella Pang

Jackson Dallas

Writers

Emily Arreola

Haley Pearson

Kaitlyn Talsky

Katherine Fivgas

Katie Embry

Lovely

Grace Pilibino

Jolie Bellaff

Laura Ross

Sheena Deepak

Madeleine Douglass

Mariana DeTitta

Mimi Klump

Nicole Moreno

Savannah Williams

Sydney Annis

Social Content Creators

Dahlia Cousineau

Isabelle Binder

Khushi Valliani

Kyra Gould

Lyla Bellar

Marisa Gu

Meg Cooper

Photographers

Amal Supariwala

Emily Cummings

Evelyn Kim

Jada Creecy

Jasmine Song

Katie Lee

Meredith Conger

Nicholas Cucchi

Ritika Sharma

Samantha Herrera

Soren Dinkins

Will Tritto

Keegan Nelson

Liliana Guilfoyle

Sheena Deepak

Sierra Hursey

Zoe DeLuca

Beauty Assistants

Addison Anderson

Alice Arabella Young

Isabella Klug

Sydney Lovell

6:00 p.m.

the Red & Black Working Overtime

8:15 p.m.

Happy Hour

Bar Bruno

Happy Hour

10:30 p.m.

After Party

Starland Lounge & Lanes

T a b l e o f C o n t e n t s

Corporate Culture / Office Siren

The Blazer

Clothing Captures On-Screen OfficesMenswear x Officewear

Unprofessional or Just Feminine?

Bows on Briefcases: Celebrating Corporate Femininity

Footwear in the Office: Sneakers In, Heels Out?

Girl Dinner

Money Talks, Fashion Listens

Evolution of the Cocktail Gown

Runway Eats First: Fashion x Food

Formal Dress Codes & Their Indulgence / Implications

The Going Out Top

Uptown or Downtown?

Girl Math: After Dark Look

Partying as Protectionism

Cities as Outfits

The Carrie Bradshaw Influence

Sleeping Beauties Reawakening Fashion

Metallic, Sequin & Fringe

92-137 52-91

With great excitement, we welcome you to “The

After Hours Issue”

Rouge Magazine’s Spring/Summer 2024 Edition.

In imagining this theme, we recognized that many members of our campus community have become well acquainted with work-filled days weighed down with responsibility. But when those hours of hard work come to a close, our Rouge team has eagerly wondered, “What happens next?”

In this eye-catching issue, we encapsulate the inescapable wanderlust that urges you to break free from the workday and chase the night’s countless thrills. With each page, you’ll find yourself transported into a world of vibrant style, eclectic ensembles and over-the-top fun.

A lot can happen when you shed your business professional for a neon green embellished gown...

The excitement that bursts from “The After Hours Issue” also reflects our team’s experience creating it. This issue comes at a perfect time for many of our executive board members, who, like myself, will graduate from the University of Georgia this spring. Having hand-crafted a joyful world of work and play, we hope to carry it with us as we embark on this next stage of our lives.

Yet, for everyone, at every stage of life, we hope this issue invites you to remember who you are outside of the work you do, and embrace it.

With love, Margaux

MARGAUX BINDER

6:00 p.m.

Working Overtime

By Mimi Klump

A tight neck and heavy eyes gawk at a computer screen with every passing minute. Tense shoulders shrug and shift, waving goodbye to countless coworkers. High heels clocked out at five, as bare feet swing faster than the second hand of the clock on the wall. Sighs fill the air as perfumed grease fills the keyboard, slick palms wishing they were papered. The silence is introduced to the clicking sound of nails typing out the oh-so-typical, “I’m sorry I’m working overtime” text. The sun sets and the room becomes dimmer. Dedication is now diminished to a mite as the evening bleeds away, only to do it all again tomorrow.

Burnout has befriended the boardrooms for the sake of what is known as “passion.” Style can be an outlet that converts burnout into a newfound passion for those in the workforce. Tired eyes can be lit up in admiration of the vibrant colors and patterns in the professional world. Periwinkle suits and cherry blossom blouses give subtle dazzle that sustains their wearers through the long day ahead. When dressed in vibrance and flare, it is easier to be excited and more productive. Overtime does not have to be mundane and melancholic, but can instead be a way to excel in the workplace. Fashion complements dedication, exuding the poise and polish of the determined worker. As Coco Chanel said, “Dress shabbily and they remember the dress; dress impeccably and they remember the woman” (Vallorani, 2018). In offices full of dress codes and by-laws, style is an outlet that opens the door to new adventures.

Overtime does not have to be dreadful with the right garments. Blazers, blouses and dresses galore embody a silver lining when it comes to working hard and looking the part. Those who dress for success in the office have an increase in “confidence, feel more powerful and are more focused on details” (Vallorani, 2018). The afternoon slump and exhaustion can be brightened by the variety in corporate fashion. In a world where it is easy to find working overtime tiring and dreadful, let fashion serve as a consolation to corporate chaos.

THE CORPORATE C A LL

By Nicole Moreno of the office siren

An homage to the early 2000s, the revolutionary corporate rendition “Office Siren” finds inspiration in The Devil Wears Prada, late ‘90s Ralph Lauren and Tom Ford’s early 2000s Gucci era. #OfficeSiren is sleek, sophisticated and cool. This aesthetic plays by the rules of the corporate world, relying on a subtle spritz of sexiness to make a statement.

Fashion influencer and student Asia Bieuville,who caught this trend early on, remarks “the corporate side is still very much present, but [the office siren] lifts it all up with a play on materials, and in the end it’s quite a subtle balance” (Huber, 2023). Thigh high socks, Bayonetta glasses, kitten heels, pencil skirts and statement jewelry are at the heart of this trend — sealed with a cherry red kiss, of course.

For a lot of Generation Z who entered the corporate world between 2020 and 2021, there was no formal introduction to the dress code culture. In a Zoom lobby, only the top half of your outfit really counts (Strater, 2024). This corporate experience is in full swing now, as businesses transition back to in-person schedules and Gen Z, always one to romanticize, is turning to the office siren aesthetic.

With neutral color palettes, tailored fits and subtle hints of pattern and texture, this new craze is perfect for the corporate it-girl looking to romanticize the 9 to 5 cubicle.

Danielle Pheloung, fashion influencer and the envy of every cool girl spearheading this trend, wears office-siren core best. Her TikTok content often features her weekly office outfits, sporting a sleek gray pencil skirt styled with a tailored white button-down, a knit sweater tied around her shoulders and matching glasses and kitten heels.

Another popular look features a gray mock-neck sweater, smartly tucked into a charcoal gray mid-rise pleated skirt, with a navy boyfriend blazer effortlessly draped upon her shoulders and go-to knee-high boots to match (@daniellephe, 2023).

These looks, though subjectively well styled, can give off a boring, monochromatic, overly-modest vibe. What truly sells the office siren aesthetic is the attitude of the woman that wears it; the “office siren is 100% the type to know exactly who she is and what she wants” (Hubert, 2023). Confidence is always key, though finding some garments that fit like a glove doesn’t hurt either.

Versatility is a strong suit of the office siren trend — no pun intended. These looks are made for a long day in the office, and an even longer night out. Consider Miu Miu’s F/W ‘23 runway show which conceived the office siren craze.

Actress Mia Goth’s show-opening outfit embodies the perfect day-to-night style with a charcoal gray cardigan, buttoned up and tucked into sheer black tights, layered with a polka-dot pencil slip skirt, strappy kitten heels and a black leather handbag swaying sassily at the side (Bakshi, 2023).

This look is perfect for typing obnoxiously on keyboards, strutting to and from the copy room and leading meetings at the head of the table. It can also double as a casual aperitivo at the local cocktail bar with closest girlfriends or a dinner reservation at a luxurious sushi bar with a potential suitor.

The office siren is driven, beautiful and constantly on the go — so her outfit better be, too.

Transitioning into adulthood is no easy feat, and the introduction into the corporate world can prove to be intimidating, dulling and frighteningly repetitive.

The office siren is a subtle reminder that looking good is feeling good, an important sentiment to the hot girls in corporate avoiding losing themselves in a bubble that promotes uniformity.

BLAZERS

Liberation Beyond Labels

By Sydney Annis

From the office to the bar, the blazer has remained a staple in the workplace for decades. Yet, in recent years, it has evolved into a statement piece in the realms of streetwear and nightlife attire. The story of this timeless piece began in the 1820s, tracing back to the primary uniform for the boating team of St. John’s College in Cambridge (Bass-Krueger, 2019). Shortly after, colorways and fabrics of the classic navy or black blazer advanced significantly just before its first Vogue debut in June 1893.

Until the 1950s, blazers remained unpopular, but with the creativity of some British students restyling their mundane school blazers, a resurgence occurred.

After this significant resurgence, a major domino effect took place over the course of 50 years. Over decades of iconic fashion eras, the blazer became established as a forever constant. While the blazer has continually been the workplace uniform, it is now blossoming into a contemporary definition in the nightlife wardrobe.

Crafted in 1885 by Englishman John Redfern, the blazer began primarily as a men’s garment before daring to enter women’s wardrobes in the 19th century (History of the Blazer, 2021). Women began wearing the blazer frequently after society realized how busy their lives truly were, and that a blazer was significantly more comfortable than a corset. In the 1920s, wearing a blazer was an act of “liberation and revolution,” which evolved into an assertion of parity in a patriarchal society (History of the Blazer, 2021).

Extremely versatile, blazers are able to be styled up or down. They are timeless, remaining as one of the best items to invest toward in a world of fast fashion. When searching for a universal blazer, choosing one that is navy, black or gray is an unfailing first acquisition. An initial styling could craft a casual errand outfit, featuring a pair of jeans, a simple or graphic T-shirt and, of course, a blazer (The Editorial Unit, 2020). Using a blazer in an outfit like this certainly adds a bit of creativity and elevates an otherwise simple look.

For a fashionable take on date night, include those same jeans but in a darker wash paired with a dress shirt, boots or heels and once again, a blazer. To add a more feminine touch, switch out the jeans for a skirt, or even layer a blazer over a dress.

Transform a workplace outfit into a sophisticated night look with dress pants — trousers or chinos — paired with a fitted tank and a tailored blazer to accentuate one’s waist. While the looks listed above involve a classic blazer, one can opt for a more intricately patterned or textured version to elevate their outfit amongst the crowd.

High-fashion brands curated several blazer prototypes over the years. Manhattan-based brand Brooks Brothers designed one of the first standout blazers in 1870, titled the seersucker blaz er. Quite outlandish at the time, it is now a staple within preppy wardrobes (Schneider, 2020). Modern brands are taking a similarly innovative approach. One of the more notable examples is the brand Labo Bokuchava, founded in 2017 in the country of Georgia. Their SSENSE Exclusive Gray Arch Blazer begins with a foundation of basic features like a lapel, top collar, sleeves and pockets. However, the designer introduces a twist by adding multiple ties to replace traditional buttons, one of which is surrounded by fabric creating a bow-like design.

Other notable brands include ALLSAINTS and Alice + Olivia. They chose instead to design blazers not of tradi-

tional color, but featuring bright green or red with distinctive patterns and unusual materials like denim and metallic leather.

In today’s fashion world, blazers are seen not just as modest workwear — they have potential to ingeniously execute any going out outfit. Celebrities like Amal Clooney are known for styling looks that include a tight dress and kitten heels paired with an oversized blazer, perhaps stolen from a boyfriend’s closet (Kessler, 2023).

Simultaneously, the bra and blazer combination remains exceedingly popular. Many women prefer this over a typical bodycon dress or tight top, as Harper’s Bazaar’s interviews confirmed, “Tight clothes or showing a ton of skin have never really been my thing; so the bra/blazer combo has been a favorite going out look for when I want to add a little chic sex appeal while still being mostly covered up.” The combo is easy to recreate as many already own the needed components, allowing the creation of a stylish outfit without spending a boatload of money. Wearing even nothing under a blazer allows women to feel dominant and showcase authority while encompassed by a fashion piece traditionally worn by men.

Celebrities on the red carpet have embodied this look, including Jennifer Anniston, Kristen Stewart and Miley Cyrus (Gonzalez, 2022). InStyle columnist Tara Gonzalez sums up the

concept of this look perfectly, saying, “It also redefines the classic 9 to 5 outfit conundrum. You can wear a blazer with a shirt — if you must — underneath at your job, but when happy hour comes around you can easily remove it in the bathroom and be ready to go.”

Understanding the iconic blazer’s history and versatility fosters an ability to empower whoever wears it. It is not just a fashion piece, but a symbol of liberation and revolution. What began as a standard workplace uniform evolved into a boldly declared statement. Transcending settings and territories, extending beyond workwear and evening regalia, the blazer is limitless.

Clothing Captures What The Screen Can’t

Films take the mundane and romanticize their very essence. Most of this onscreen magic takes place in a location that’s exotic, uncommon or just the main character’s grandma’s farm in the middle of nowhere with a sexy farm hand. Nevertheless, brave directors take it upon themselves to make some movie magic in a place familiar to most — the office.

Films like The Intern, Set It Up and The Devil Wears Prada display fabricated scenes of typical office affairs, but the fabrics showcased for each of these storylines not only deepen character understanding but inspire those working long hours in an uncomfortable version of business casual.

The Intern beautifully captures the idea of breaking the boundary of stereotypical age-related parameters. Ben Whittaker, an older gentleman, is hired as an intern for the president of “About The Fit,” a newly emerging online fashion hub. The president, Jules, delivers an iconic look — an all-black, two-textured skirt and top combo with a white trench coat adorned by navy trim. The choice of a two-textured, all-black base showcases how Jules likes to reinvent what is basic and mundane into a personalized refresh. Grasping the world of fashion and funneling her knowledge into the creation of an e-commerce platform exhibits her ability to ruffle the status quo’s feathers. White has complemented black since the dawn of time; however, the sprinkle of navy relates two colors that are deemed enemies in the textile realm. Isn’t this exactly what the film does by

By Haley Pearson

merging high-fashion, e-commerce platforms with the older demographic? Whittaker is thrown into an unfamiliar environment and ends up flourishing, which may usually not be seen as complementary. Unraveling the traditional workspace or couture, the entire film blends the unexpected into wonderful matrimony.

Set it Up combines the relatable with the dream. Journalism assistant Harper has an amazing collection of sweaters and collared shirts, but her love for simplicity adds to her arc. In the famed lunch-swap scene with fellow assistant Charlie, Harper is dressed in a pinstripe collared shirt layered under a striped sweater, accompanied by frayed, medium-wash jeans with sneakers. This relaxed style could be attributed to a lack of care, but the frenzied pairing of different-sized stripes and a frayed jean leans into Harper’s disheveled demeanor. As an overworked assistant feeling overwhelmed by the business sharks she is surrounded by, her fashion choices tend to emphasize the fact that she chose work over style points. Her sweater layering sets the stage for her shaken speech and desperate business attempts. While these choices highlight Harper’s frantic lifestyle, the classic, casual pairing of jeans and sneakers allows the audience to root for allows the audience to root for the token normal girl in a world of business royalty.

The Devil Wears Prada enthralls viewers with their renowned makeover scene, creating a new facade for aspiring journalist Andy Sachs. The look seeps into her personal demeanor for a slight moment, until she molds back into her default shell with a new sense of confidence. Her high stiletto heels blend seamlessly into leather pants. Leather demands business; so too do heels, as quoted in Mean Girls, “Watch me run the world in shoes I cannot walk in.” With these zealous heels she just learned to teeter on, Sachs walks into a newfound sense of confidence, yet can’t shake her muddy sense of clarity. Her embellished coat with flashy gold accents and sparkling undershirt exposes an exaggerated attempt to blend in with those whom she does not even want to compare. Her true self — in this case, her humble green knit purse hanging on a thin leather strap — will always peek around the corner. The purse conflicts with her current ensemble, yet it adds warmth and innocence back into Sach’s newly refined look. Work attire changes and shifts, but inner hearts are forever. Inner thoughts bleed into outer layers, crafting perception from fabric and stitching. Those who spend the majority of their time in the workplace must find an outlet of their own in a controlled environment. Expression is an art, and it persists in enforced structure… or cubicles.

By Madeleine Douglass

Elevating the Dress Code

As time progressed, society increasingly embraced a work-oriented mindset. Working longer hours, people are prioritizing jobs over relationships and seeing the world through the lens of their career. The world of menswear fashion has taken note of this trend and refused to remain on the periphery of the scene. Observing recent

collections from every favorite designer, creative directors evidently have started designing outfits that men can wear to the office while still being able to dress fashionably.

From sophisticated pants to crisply tailored button-down shirts, office wear has been elevated to the forefront of men’s fashion.

Many large names released their Fall 2024 menswear collections in Paris, debuting their designs and stunning audiences.

From Hermès to Junya Watanabe, creative directors during this season provided inspiration for both casual and proper office wear.

The Rise of Men’s Office Wear

uplift a monotonous day at work.

Meanwhile, Junya Watanabe supplied more laid-back looks, incorporating denim. Many of the designs from this runway show featured baggy jeans under long blazers, inventing a new mix of clothing to bring to the workplace. This denim was used to form pants, skirts and even full blazers.

Large, v-like cuts were used down the middle of many of the skirts and blazers, perhaps inspiring a new trend in office wear.

Hermès delivered a “palette… of putties and grays”— two col- ors perfect for the 9 to 5 — and mod- els held a variety of modern bags serving to replace old, beat-up briefcases (Leitch, 2024). Much of the collection included structured silhouettes and clean lines, speaking to the sophistication that is ever present in the office. Straightleg, leather pants were featured on some of the models, showcasing the modernity that Hermès exuded through their looks. While the collection’s majority consisted of muted tones, Hermès also sprinkled in details of green, orange and purple, colors that will

“I am reinterpreting men’s suits with my own ideas.”

Junya Watanabe

“I am reinterpreting men’s suits with my own ideas,” said Watanabe to Vogue Business (Leitch, 2024).

Examining the office attire trend in recent collections, a few thematic elements remain consistent across creative directors and shows. Especially prevalent this season are oversized clothes. In the shows of Lemaire, Yohji Yamamoto and Dries Van Noten, oversized blazers layered over tops and a variety of pants abounded. A lack of vibrance and patterns in these shows aligns with this trend and the internalized monotony of day-to-day work. Collections focus on neutral tones and solids, both of which are always common in the office. Browns, grays and blacks were present every which way. Large bags were a repeat accessory, resembling briefcases. Usually composed of some form of leather,

these altered bags provide a new approach to an old staple.

With the recent rise in office wear, this trend begs the question — why now? With society more work-focused than ever before, more people are spending longer hours in the office and better preparing themselves for another day at work. Fashion houses have caught onto this and zeroed in on a new market to enter — the 9 to 5. Some stick to the traditional blazer and pants while others venture into the more modern, casual take on business clothes, but regardless of approach, these clothes stay true to the original codes of office wear.

The evolution of menswear within the realm of office attire reflects a broader societal shift towards a work-centric lifestyle. As the lines between professional and personal life blur, fashion has effec-

tively responded to the changing preferences of society. Designers have skillfully navigated this path, offering collections that blend traditional office wear with modern fashion. These collections not only cater to the demands of the workplace but also allow for individual expression within the confines of professional modesty. This trend highlights the fashion in-

dustry’s awareness of societal shifts and its ability to adapt and thrive in response. As men continue to seek a balance between their careers and their personal identities, the world of menswear fashion stands ready to dress them for success, both in the office and beyond.

Is It

“Unprofessional?”

By Katie E. Embry

Why is a power suit the most professional outfit a woman can wear in the workplace?

Why are colors like pink, yellow and other vibrant shades all but missing from the wardrobes of corporate America? Look no further than the history of patriarchy in the workplace.

University business researchers Toyin Adisa, Fang Cooke and Vanessa Iwowo define the patriarchy as “a concept that is used to understand and analyze the systemic organization of male supremacy and female subordination” (Adisa, T. A., Cooke, F. L., & Iwowo, V., 2019). This concept of patriarchy can be seen in almost every society in the world, even in supposedly forward-thinking communities.

Since the early 20th century, women have been part of the workplace and have been able to take on more positions of power, however, their wardrobes would not suggest a liberated female population. When envisioning a business woman, what comes to mind? More than likely, the image of a woman in a dark-colored power suit flashes through. What about that makes her more worthy of respect and status?

It is becoming more commonplace to acknowledge that only respecting women found attractive is not respecting women. There is still a long way to go.

Or Just Feminine...

Women of color and plus-sized women are still largely missing from positions of power. Until women are in decision-making roles, there will not be a change in how women are perceived in professional settings. Only then will there be the opportunity to change the societal dress code for women in power. There will be more opportunities for self-expression and feminine silhouettes.

Until now and currently, women are expected to copy the wardrobes of successful men, as masculine clothing is perceived as the most professional dress a woman could wear. This is a patriarchal idea used to disempower women and keep them in a box controlled by men (Mawa, 2020).

Even if women can work, live independently and make and keep their own money, they still have to concede to these expectations created by men if they want to succeed. This includes the absence of bright or feminine colors, patterns and silhouettes. Instead, women are expected to wear dark colors like black, navy or gray, silhouettes like suit jackets and slacks or adhere to feminine items that are deemed appropriate like pencil skirts or stiletto pumps. In any office, expect to see almost no pinks or pastels, ruffles or eye-catching jewelry. What a shame it is that so many women feel forced to confine themselves to a premade box.

As more women and POC businesses come to power, hopefully there will be an increase in work clothing for women that allows them self-expression and doesn’t erase their femininity for the sake of professionality. The ultimatum of either being professionally accepted or expressing womanhood should not be something future generations are burdened with.

Going forward, girls should be taught that masculinity does not equal professionalism and that femininity is not synonymous with weakness.

Bows on Briefcases:

“Keep it conservative,” is a phrase fashioned to guide women in the professional world. From minimal makeup to the mocking of mini skirts, there is a minuscule margin for error for working women regarding fashion. Neither feathers nor frills can be found on the finance bros, so women continue to coincide in dress.

With greater numbers of women entering the workforce in the 1970s, a greater demand for women’s workwear attire began, thus introducing the birth of the power suit (Jackson, 2021). The flaw in the creation of the power suit in the ‘70s parallels the flaw in women’s professional wear today – they serve to echo men’s corporate attire (Jackson, 2021). The replication of men’s attire in the corporate world diminishes the allure and enchantment that women’s fashion exemplifies. From sequins to chiffon to pastels and prints, there is an array of choices to express the bouquet of beauty, bravery and brilliance that exists with being a woman. The celebration of femininity should not pause in the office, courtroom or cubicle.

By Mimi Klump

When a woman gets dressed for work in the office, sparkly eyeshadow stays in the palette as sequin blouses sleep in the closet. Femininity in the office is halted and chained down by the rules enforced to keep clothing “not too frilly, strongly colored but not exotic” (Jackson, 2021). The fault in diminishing femininity is not its pursuit of professionalism but instead its favor of the idea that professionalism mirrors masculinity. Vibrant eyeshadow and ribbons in hair will not hinder a woman from executing in the office, but yet is still seen as unprofessional. Thankfully, there are brands like Alice + Olivia and J. Crew that help preserve femininity while abiding by the office dress code.

In preserving this femininity, a blouse is a vessel for flamboyance and formality. Made of silk or satin, a blouse can bring elegance and sophistication to a blazer or suit in an array of pastels or patterns. The Workwear Edit from Alice + Olivia exemplifies how color and corporate can coincide. With blouses and dresses that bring life to the workforce, the Workwear Edit still maintains a “polished but oh so fun” look

Celebrating Femininty in the Corporate Workplace

(Alice and Olivia, 2024). Vibrant suits and pencil skirts can help spark the beauty of being a woman, even in a corporate setting. Incorporating color into workplace norms is a simple way to add fashion and flair.

Femininity in the office is worth preserving because it is a strength. To

be a woman is so much more than pink and frilly things — it is a multitude of entities that should be celebrated. Fashion is a wonderful vessel to keep femininity present in an office. For decades, power suits and pencil skirts have been seen as rigid, but incorporating color subtly is the perfect way to keep the spark alive.

A womanis so

muchmore

thin g s

Rubber Sole Revolution: Practicality in Professionalism

Striking down the standard, sneakers have landed on both feet in the corporate world. Loafers and pumps no longer monopolize the particular world of professionalism. In recent years, professionals have opted to save their soles and reach for a more comfortable shoe for the sake of support. This shift does not toss out formality but instead underlines functionality. The surge of sneakers in the office ignites the question — are sneakers really in or are heels just out?

Focus and footwear go hand in hand. With exhausted feet and blistered heels, it is easy to become distracted. Opting for rubber-soled shoes has been a solution to aching feet in the office without sacrificing style. With designers such as Veja and Isabel Marant, the demand for functional and fashionable footwear is booming. With an influx of remote and hybrid employment styles, “work from home accelerated the shift from work casual to work comfortable” (Hanson, 2022).

Marching into offices and courtrooms, classic pumps and peep-toes have made their mark on the feet of powerful women in the workforce. The sleek look of heels brings a feminine and playful look to work pants or pencil skirts. Yet, heels are notorious for discomfort, blisters and inconvenience when it comes to walking around, making rubber-soled, fashionable sneakers attractive to working women.

The demand for sneakers in the office is not necessarily out of discontent for heels, but out of the opportunity to diminish discomfort.

Veja and Isabel Marant have spearheaded the intersection of function and fashion with their designs. The classic Bryce Suede-Trimmed Perforated Leather Sneakers from Isabel Marant are ideal for the workplace and beyond the 9 to 5 bubble. Neutral and sleek with a “contrast between black, white and beige,” they elevate wardrobes for women seeking sleek style without

imalist’s wardrobe, Vejas pair with dresses, skirts or even jeans in a business casual setting. These designs allow for practicality and professionalism all in one.

Pumps and peep-toes might be the epitome of pretty, but the preference for comfort over cramping feet has led rubber-sole shoes to reign supreme in the office today. Heels will always have a seat at the table when it comes to office fashion, but sneakers have pulled up a chair to stay for the sake of stylish ease. The rubber-sole revolution has taken off, but it pays respects to heels, pumps and peep-toes by continuing their legacy of sleek sophistication.

Are sneakers in or are heels just out?

By Mimi Klump

8:15 p.m.

Happy Hour

Bar Bruno

It’s Friday night. The one day of the week that these best friends get to all be in the same room and let loose. Amber closes her casebook and picks up the curling wand. Eager to get her mind off of liability and licensing, she drowns it out with the rhythmic beat of house music as she wraps her auburn hair one piece at a time. Law school is no joke — demanding to say the very least. But, it’s all worth it to Amber because ever since she was young, she has always wanted to make a positive difference in this world.

Jade clocks out of her shift at Texas Roadhouse, one of her three jobs, and tosses her apron into the back seat of her 2010 Acura TSX. Driving slightly over the speed limit, she’s aching to slip on her little black dress, apply a black wing and lace up her SHAKER-70 Demonias. Thirteen shifts in seven days is enough for her to be buzzing with excitement on her twenty-minute ride home. Twenty minutes of techno never felt so long.

Cara finally finishes up her monthly financial statement for her accounting firm and is mentally already switching out her pencil skirt for her new metallic mini skirt. Head pounding with dollar signs and data, Cara shakes her hair from a slick back bun and heads home to enjoy a tall glass of pinot noir, which will probably leave her head pounding for a different reason. Poor Cara.

Blake has been making crucial decisions all day, every day since starting up her graphic tee company two years ago. She’s eagerly anticipating her hardest decision in the next hour to be whether she orders the black cod or seared salmon. Maybe she will go for the Market Margarita this time as opposed to her usual Matsuhisa Martini. Blake signs off of a Zoom meeting with her sourcing manager and applies a red lip to contrast her long blonde hair.

Night

Friday

Once appropriately dressed to perfection, Amber, Jade, Cara and Blake meet at their favorite spot, Nobu, exhilarated to get their nights started and to share their weekly recaps. Cara’s supervisor did what? There’s absolutely no way Jade served an entire birthday party without receiving a tip! Giggling and gossiping, the women indulge in drinks and a spread of specialty appetizers. There’s simply nothing quite like a Friday night for these best friends, and nothing will ever compare.

By Emily Arreola

Cheers!

Girl Dinner

By Nicole Moreno

By the end of 2023,

we were living in a girl’s world. Baby pink bows gracefully pinned the heads of every it-girl’s hair, their glossy satin arms wrapped around every seemingly normal item. Prescription bottles, french fries and even tampons were girl-ified. The Internet fawned over the hyper-feminine costumes seen in blockbuster hits Barbie and Priscilla, coin-

ing 2023 the “Year of the Girl.” These pink, ruffled, heart-shaped designs taking the fashion world by storm are a testament to the power of femininity, proving yet again how girls just want to have fun.

However, making the journey to Barbie Land or Graceland isn’t necessary to feed the inner girl. The UGA Special Collections Library houses an enchanting collection of evening wear reminiscent of this coquette aesthetic perfect to inspire the next girl’s night out. Taking even the slightest

Evening

Dress e s D e l gi h t i gn i n G i rlh ood

look at these delicate gowns, one can imagine just the kind of banquets, balls and galas their wearers once attended, notably the strikingly similar details that adorn favorite pieces today.

Take their beautiful black velveteen evening dress circa 1950. A strap - less sweetheart neck - line draws atten - tion to the top of the gown, emphasizing the intricate craftsmanship as the asymmetrical cut draws the eye down. Note the delicate lace embroidery cascading down the trim of the black overskirt, contrasting the flouncy white chiffon underskirt that fills the gown with motion and air at every turn (Special Collections Library, 2024). Perfect for a frivolous dinner party, imagine just what kind of debutante gracefully glided down the marble stairwell like a swan in serene waters, joining friends at the table with effortless elegance.

Envision her long, black satin gloves reaching across the table to meet the embrace of dear friends, cradling delicate wine glasses that clink as they meet, orchestrating a cascading melody.

Another dress from the same era plays more into the frilly girl-core trend. This beautiful light peach floor-length dinner dress from the mid 1940s was made almost certainly for more intimate gatherings, its modesty reminiscent of the times. The rounded high-neckline and back button closure emphasizes the torso, where beautiful, looser short dolman sleeves taper off the shoulders, swaying with every step. A thin belt accents the waist of the dress, adding a touch of modernity and a feminine touch to an otherwise plain garment. Rippling down the right side of the dress is a waterfall of ruffles, culminating in a tasteful leg slit allowing plenty of room for this wearer to dance across endless ballroom floors (Special Collections Library, 2024).

Nostalgia is at the forefront of nearly every fash-

ion trend, and in 2024, this notion is certainly driving a return to girlhood. “I’m obsessed with something that I can actually never return to,” Sandy Liang, fashion mogul and pioneer of the ‘girly’ trend said, perhaps voicing a wistfulness felt by many but voiced by few (O’Neill, 2023). The bows, ruffles, lace trims, velvet textures, pinks, silks and satins leading this trend are reminiscent of the babydoll dresses and Disney Princesses that have a defining grip on girlhood. Recent runway collections played into this fantasy world, including Simone Rocha’s S/S ‘24 ‘Dress Rehearsal’ line, inspired by the “exploration of procession, obsession, declaration (of love)” (De Klerk, 2023). The collection captured the girly nostalgic feeling perfectly, highlighting bows galore, draped satins and sheer dresses with icing-style ruffle accents.

In a world where the societal pressures of adulthood risk ripping away the fantastical joy of girlhood too soon, the nostalgia of coquette and girly fashion opens a magical portal of wonder where girls of all ages can seek refuge in daydreams in flower patches, offering wishes to dandelions.

But don’t get it twisted — these girlish looks, featuring ribbons tied loosely in braids and glimmering tights meeting the perfect pair of periwinkle satin ballet flats, are the biggest weapons of retaliation fighting the double standards that shackle women. Greta Gerwig’s famous Barbie monologue delivers this feeling best, stating how as a woman “you have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line” (Barbie, 2023).

a girl.

Reclaiming this girly style embraces all the stereotypes that have been ridiculed by society for far too long, packing a punch to the patriarchy that is sure to stick.

The girls who once wore the breathtaking gowns housed at the Special Collections Library understood the power of femininity and wore it as a weapon. The bow craze taking over social media is not another fleeting micro-trend to be taken lightly — it is a reminder for women everywhere to celebrate themselves, embrace a childlike attitude, and relish in the power of what it truly means to be a girl.

Money Talks, Fashion Listens

By Kaitlyn Talsky

“Money talks, wealth whispers.” Wealth has always relied on exclusivity, which leads us as a general culture to view it almost like a secret. There are corners of the most expensive balls and status-driven after parties that the majority will never have access to, not even through the media. Recently, this fascination has been exemplified by the trend of “quiet luxury” and, of course, the pop culture hit that was Saltburn (2023). What exactly about the wealthy intrigues culture if it represents so few? What has led to this rise in fascination with the wealthy and their style — or, has that fascination always been there?

As much as artists speak out against the indulgence of corporate capitalism, it has always had its place in fashion. Where extreme work hours yield extreme financial rewards, the pursuit of wealth becomes not just a means to an end but a way of life. It’s a lifestyle that seamlessly transitions from high-pressure jobs to glamorous evenings out on the town, all while adorning the expensive clothing that is typical of these societal levels. Here, the lines between professional success and personal indulgence blur, creating a degree of privilege that seems equally illustrious as it is mysterious.

Aside from corporate industries, creative and entertainment industries equally profit from the allure of wealth. Figures like Sofia Richie and Kendall Jenner epitomize the quiet wealth

trend, exuding an understated elegance that speaks volumes without uttering a word. Their lives, meticulously curated for public consumption, offer a window into the realm of the rich and famous. This window becomes a screen when adapted by news, television and social media — consider how widely documented Richie’s wedding was. Even before the rise of technology, fashion has been utilized to denote and magnify wealth since Roman times.

Saltburn, a 2023 film directed by Emerald Fennell, hints at why the general public is so fascinated by the wealthy; in fact, it positions the audience in the place of the film’s central character before propelling them into the world of extravagance and extreme privilege. The film is reliant on the notion that this lifestyle is something that can be perpetually sought after, but never achieved unless by the most extreme means. Fashion is one of the film’s most significant symbols — from main

character Oliver’s too-baggy rented tuxedo to the black-tie dress code of dinners. In fact, (Spoiler Warning!) Oliver’s freedom from the confines of his own appearance only appears at the film’s end, when he literally and figuratively sheds his clothes after achieving the very symbol of wealth he’s always desired. But his methods of achieving this end, as well as the circumstances of his achievement, only exist in the fictional setting of Saltburn’s narrative — not outside, where the commonwealth largely exists in longing detachment.

Wealth remains elusive, forever just beyond grasp. Yet, perhaps its impossibility is its greatest allure — the tantalizing promise of the so-called perfect life with maximum indulgence and fulfillment. Like with most of culture, where money talks, fashion will surely listen.

FOR THE BEST

COCKTAIL DRESS “RECIPE”

By Katherine

Sipping a dirty martini, holding the delicate glass up to plump, painted lips whispering about the latest gossip is a timeless activity in which all can indulge: the ever-classic cocktail party. Who doesn’t love a time to dress up and let loose — whether it be with a lavish cocktail or the perfect cocktail dress?

As most wonderful and fanciful things are, the invention of the cocktail party in the early 1900s is accredited to a woman — Ms. Cara D.D. Bell Walsh. At this time, as with many things, women were not allowed to drink; it was seen as insidious and tied to radicalism, particularly during Prohibition; a time in which alcohol was banned via constitutional amendment in hopes of reducing violence and drunkenness in society to bring people back to what “truly” matters such as family and religion. However, as Prohibition came and went, the idea of a cocktail party persevered: men and women alike partaking in the merriment of good company and good drinks (Welsch, 2023). Walsh simply constructed an effervescent arrangement of decor, etiquette and entertainment to connect people to the many cocktail books to which they had access, like The Official Cocktail Guide (Fields, 2022).

A key part of etiquette, regardless of time period, is adhering to the dress code. Whether attending one of the first cocktail parties in 1917 or a homecoming dance in 2023, dress matters.

It remains important to exude style, luxury and sophistication while maintaining a sense of individuality, something the cocktail dress always allowed wearers to emanate.

Cocktail dresses in the early 1900s easily captured the essence of their era. Mirroring the social movements women endured at the time, the cocktail dress portrayed liberation and flexibility while maintaining a sense of effortless excellence. Women were finally allowed the “luxury” of expressing themselves through their cocktail attire while maintaining the well-kept look of these formal parties. As the popularity of both fruity mixed drinks and elegant fashion continued to rise, trends in these cocktail gowns became simultaneously noticeable. Through the 1950s, an A-line, waist-cinching silhouette with off-the-shoulder sleeves was favored, while the sheath dress — a fitted, straight-cut dress without a waist seam, allowing the top and skirt to blend seamlessly — became the sought-after cocktail style in the 1960s (Baig, 2023). As society and fashion evolved, women were seen wearing all types of cocktail dresses, picking whichever suited their preference. Cocktail fashion shifted based on social landscapes, seasons and moods, allowing newfound flexibility for women to explore various silhouettes and styles to suit their dress desires.

For women who had never been given the opportunity of choice, the cocktail

dress was earth-shattering — an outfit neither their husband nor another woman via an etiquette book could decide. This sense of liberation was a result of cultural definitions of women’s fashion changing, broadening the possibilities of womenswear tenfold. However, the available choices can be overwhelming, with fashion and beauty trend cycles changing rapidly. It can be difficult to decide what to wear, or how to even know if said choices fit into the dress code. The cocktail dress is a victim of this issue, with so many types of silhouettes, lengths, colors and fabrics causing the idea of what’s typical to vary drastically from person to person. Never fear — the cocktail dressing guide is here to help.

Begin with dress choices that feel comfortable and the most like oneself, as the number one requirement for this attire is to be joyfully at ease with a cocktail in hand. Pick a print, cut or fabric in which the wearer feels best. Confidence is key when deciding on a cocktail dress, and practicality isn’t far behind. When surrounded by a flurry of drinks and heavily energized guests, something easily cleanable or well-secured to the body is important. No one wants to spend their night making sure their bra strap isn’t showing or thinking about how

you cannot spill this dark espresso martini on a dry-clean-only white chiffon dress (Elliot, 2022). A quick search on fashion retailer Revolve shows the variety in trending cocktail dresses, including the Pollie Mini Dress by Superdown, a black bodycon mini dress with rhinestone detailing, and the Camo Dress by Elliat, a crepe dress with a halter neck and drapery with prices ranging from $78 to $136. High-end retailer Saks Fifth Avenue displays cocktail dresses such as the Ruched One-Shoulder Mini Dress by Bottega Venetta, a jersey midi dress with gold detailing and a bodycon silhouette priced at $2,950.

Like a cocktail, there are many ways to enjoy a cocktail dress and feel at best. No one picks the same drink or dress as someone else, and that’s for the better. Above all else, personality is the best accessory at any event. Dress up and drink up.

BLACK TIE AFFAIR

The Intersection of Clothes and Class

By Stella Turner

Clothing, as is the case with most material possessions, has long served as a cross-cultural status symbol. The universality of dress and class structures allows for what’s considered en vogue to evolve with time, but ultimately remains one of the chief displays of wealth worldwide. Formal dress codes have been, and continue to be, a significant way for these divides to be perpetuated.

Wealthy members of society often set trends by simply exhibiting their possessions — what they own sets a standard for what is to be desired. During medieval times, the majority of the general public was illiterate. This meant that mass communication from royalty and any form of higher-ups occurred through the use of visual art. These images began to inspire fashion among the masses. This carries into the present day through influencers and celebrities presenting their lusted-after lifestyles to the public to spark desire for their belongings in media consumers — often young women.

Wealthy members of society often set trends by simply exhibiting their possessions — what they own sets a standard for what is to be desired. During medieval times, the majority of the general public was illiterate. This meant that mass communication from royalty and any form of higher-ups occurred through the use of visual art. These images began to inspire fashion among the masses. This carries into the present day through influencers and celebrities presenting their lusted-after lifestyles to the public to spark desire for their belongings in media consumers — often young women.

Dress codes developed as a way to differentiate between classes and visually categorize people. During the Elizabethan era, laws were put into place in many countries to ensure that commoners and those of lower class were not “dressing above their station” (Ford, 2023). If higher class, expectations were to dress in a way that set one apart from the masses. If people viewed as inferior were dressing similarly, it reflected poorly on the wearer. Queen Elizabeth was one of the first monarchs to utilize the power of fashion to legitimize her rule, creating a distinct style that was coveted by her people and kept her revered as their leader.

Though the lines of class may seem to be blurred in today’s society — at least in comparison to history — many events still utilize dress codes to display wealth. Most notably, events like the Met Gala impose an expectation of opulence through their star-studded guest lists and grandiose themes. Obviously, most ordinary people don’t have the budget for a $50,000 ticket or a custom-made outfit — and that’s what gives celebrity events their voyeuristic appeal. These events can also feed into consumerism, as they often serve as subtle marketing for brands or designers. The idealization of what is one trend as opposed to a curated personal style gives the public an idea that they can buy relevance — or at least appear that they have.

These events do continue to provide both seasoned and budding designers with opportunities to create new and evocative designs. Celebrities’ influence provides a rare opportunity to get the public interested in and excited about fashion and art like never before. Nonetheless, realize that individuality should be valued over relevance and trends. Consumerism only holds the power that we give it.

RUNWAY E

By Haley Pearson

ATS FIRST.

That look is definitely eating… literally. Couture has been described as “hot,” but did they mean hot cheetos? People may gorge on a sweet treat, but did they then make it gorgeous? Food and fashion have been two separate entities, but not for recent designers. Environmental statements,brand collabs and runway looks have used the comforting world of food to expand beyond couture boundaries towards the horizon of exploration.

After always trying to wipe the dust off, Chromat decided it was time to get dust all over at their Hot Cheetos-inspired fashion show. Not only did this show spice things up, but it sent a message of inclusivity. A snack for everyone, showcased by, well, everyone. With varying sizes and races spotlighted, Chromat’s show exuded love and understanding channeled through each piece. The world finally took a sigh of relief

amidst a “size zero only” pandemic. Redefining boundaries with not only their choice in models, but the design of each piece encapsulated the image of the designer. Bungee cords are now pockets and models can eat food while on the runway? This collaboration was truly bold, and praise goes out to all who chipped in.

Many brands are implementing sustainable practices for material development, sourcing their base materials straight from the food of the earth. London brand

Frutfiber harvested bamboo along with banana and pineapple leaf fibres, striving to launch a widespread adoption of their eco-friendly materials. Improving the surrounding ecosystems and the economic prosperity of affected tropical areas are only a few of the benefits of this new development. Pangaia has decided to pitch in to changing the world as well with their adoption of “vegea,” a biobased leather made using pomace (Deeks). They recently launched their new leather sneakers in a variety of vibrant pastels. Stores like H&M have adopted this new leather, specifically using it as a foundation for their S/S

‘20 Conscious Collection. Nature’s treats are further implemented by Mylo, a brand exhibiting their expertise by creating a leather alternative from pieces of mushroom. A white mushroom-leather handbag was recently showcased on the runway in an iconic collaboration with Stella McCartney. It is people like McCartney that bring humanity back into a world of mass production, longing to lessen the bleed of fashionable goods (Deeks).

Go back to your roots, take what is given and create. Whether inspiration strikes for a collaboration between the estranged or for the improvement of the planet called home, take a bite. You know what they say — when life gives you lemons, make a dress.

are you ready?

10:30 p.m.

The After Party Starland Lounge & Lanes

After Hours

By Srujana Sivakumar

How do you fill your Friday afternoon? The hours between 5 p.m. and dinner — too short to truly commit to anything, but too long to lounge around doing nothing.

Yet, it is the perfect amount of time to change out of work clothes and don your best outfit to roam the streets as the city comes alive at night.

Welcome to the after hours.

The after hours are fading sunlight and glowing moonlight mixing into hazy hues on the horizon.

The after hours are also bright, crackling and sparkling with blinding artificial neon signs, dim orange mood lighting and the soft halo of a nearby emergency exit sign.

The after hours are fashionable, faux fur coats and dark bell bottoms, heels with sharp stilettos and short minidresses all piecing together the perfect going-out outfits.

People mill around dimly lit bars, mingling in groups, taking shots at the billiard tables and watching as the white ball goes into the pocket every time.

Friends crowd up comfortably against intimate, hole-in-the-wall restaurants and circle street lights to share an indulgent pizza, laughing and talking as the sidewalk fills with others.

The after hours are open to everyone — the fancy evening dressers, the pregamers, the tired college kids.

The after hours are a mix of people and styles — old flannel jackets and band tees saunter along the sidewalk past the knee-high boots and trench coats sashaying across the street.

The Vegas-style newlyweds dashing past in rented outfits, a white veil flowing behind as they enter the nearest bar, intersect with the dyed hair and leather jacket duo walking out of the tattoo parlor next door, ink still drying on the forearm.

Lights off and windows open, the stray sounds and lights from the street below travel up to familiar apartments littered with haphazardly thrown shoes clustered around the front door.

The after hours carry the sounds of metal rings clanging against enclasped palms, glass cups delicately clinking, earrings chiming as the wind blows by.

The sounds of music spill out of every space, muffled as the doors swing shut, right before it opens again for patrons hopping from place to place in the electric darkness.

The after hours smell of warm pizza and pretzels, the aromas spilling out of every block, floating down streets in the brisk night air, tempting passersby. Cold creameries buzz with bright white overhead lights, flickering as scoop after scoop entices seekers of a sweet treat.

The after hours are dizzying and fleeting, small moments in time that can never last long enough to truly showcase all the ways in which the city comes to life.

The darkness of night shrouds the city, yet the twinkling glow of lingering people lights up the streets.

The after hours blur together, lights fading one into another as office workers and party-goers alike wind past each other, unknown destinations in mind, yet with paths running parallel through each passing darkness.

By Srujana Sivakumar

THE “GOINGOUT” TOP

Freshly clocked out, the sun has just started to set when a text glows across the phone screen — “Hey, you wanna go out tonight?” But what to wear? Definitely not those work clothes. Maybe there’s a few special pieces saved in the back of a closet, reserved for the spotlight only a glorious night out on the town can provide — the going-out tops. First common in the early 2000s, these expressive, shiny tops could more than stand by themselves, requiring only plain bottoms to offset their magnetism. As trends cycle through every few years, these alluring tops have once again captured the closets of many. The newest resurgence is a mix of multiple past trends. “Corsets and bustiers are definitely back.

Everything is cropped. Gen Z might wear a swimsuit or sports bra as a top” (Judkis, 2023). Similarities span across the past few decades, embellished with extra lace, sequins or beadwork. Going-out tops have never looked better. While the going-out top can be anything worn above the waist and accentuated with accessories such as jewelry and a belt, the revival and resurgence of Y2K fashion is not surprising, as “academic research in fashion dictates that ‘trends do come back like every 20 years,’” (Judkis, 2023), the going-out tops that are most popular and most sought after are the ones that are embellished and sequined, with a singular big bow or a line of ruffles to top off the shirt. Y2K fash-

ion dictates that the shirt itself should be the main centerpiece, not the accessories that can be layered on top. Photos in the early 2000s reveal sequined shirts with cut-out backs, shimmery tube tops cinched together with a bright bow or layers of ruffles lining the collar, creating a unique off-the-shoulder look. And with the popularity of thrifting rising, it’s become easier than ever to find going-out tops that were worn in the height of the Y2K fashion era. The Y2K era isn’t for everyone, and that’s okay too. A modernized version of the going-out top can be a look that still screams nightlife — just with less glitter and sparkles, as “cutouts, mesh [and] teeny tops clinging for dear life to the décolletage with dental floss-thin straps” fill the void instead (Judkis, 2023). With crops, cutout and mesh all top contenders even in high fashion — think: Timotheé Chalamet in a red jumpsuit at the 2022 Venice Film Festival — some easier-to-acquire going-out tops might already exist in your wardrobe. Bras and bralettes, string bikinis and corsets can be layered and

When Taylor Swift once said,

“We

never go out of style”

— I’m pretty sure she was talking about going-out tops. (‘Style’ by Taylor Swift, 2014).

reimagined with leather jackets, flannels and mesh overlays. Mirror lengths with cropped shirts and cropped jackets or opt for an everso-sly backless occassion.

Within the decade, going-out tops will most likely be shelved, pushed into the back corner and forgotten about until it’s time for spring cleaning — or another trend revival. Age isn’t a limit when it comes to who can and can’t wear going-out tops. Thirty-eight-year-old Olivia Wilde recently stepped out “in a white cut-out Stella McCartney dress with a plunging neckline and black platform shoes” (Satran, 2022). Paris stylist Marine Braunschvig, 43 years old, concurred with this timeless notion, saying “I don’t think we should stop wearing anything because of our age” (Satran, 2022).

UPTOWN OR

By Mariana DeTitta

The uptown and downtown aesthetics are characterized by the city that defines them. Dozens of fashion staples and trends sprouted from the streets of the bustling metropolis of New York City. Perhaps the biggest fashion rivalry of them all is the conflict between that of the “uptown” versus “downtown chic” look. Whether or not one is from the city, many of these style elements remain incorporated into everyday outfits. Who are some popular uptown and downtown fashion icons? What defines these styles? And most importantly, which style does each individual fit in?

The uptown style is high fashion glamor at its absolute finest. This style has deep roots within the Upper East Side of Manhattan. The uptown girl style goes back to the 1900s, although it has evolved greatly since this time. Imagine a very glamorous woman strolling through Central Park – what is she wearing? This style is characterized by tailored skirts, silk blouses, tweed skirt sets, diamond earrings, ballet flats and chiffon gowns (Andrews, 2012). Take a look at quintessential uptown girl Blair Waldorf’s Upper East Side ensembles (Nicholas, 2022).

DOWNTOWN?

Waldorf’s style consists of countless staples including berets, blazers, tweed and knee length skirts. This style is ultimately defined by its classic silhouettes and “old money” looks.

While the uptown girl tends to blend into the bustling fashion scene which is the Upper East Side, the downtown girl aims to stand out from the crowd. Think worn denim, Converse, band-tees and some chunky chain chokers

(Andrews, 2012). Intentional bedhead exists in harmony alongside effortless ensembles, layered just perfectly to look slightly disheveled yet stylish nonetheless. The Olsen twins and Alexa Chung embodied this edgy yet refined aesthetic (Andrews, 2012).

Knowing these staples, let’s get to the fun part:

Which style defines you the best?

Pick between two characters from iconic shows:

1. Sex and the City: Charlotte York or Carrie Bradshaw

2. Gossip Girl: Blair Waldorf or Serena Van Der Woodsen

It’s a Friday night in the city, how do you spend your evening?

1. Dorrian’s on 2nd Ave for drinks with the girls

2. A trip to the Whitney with a handsome stranger from Bumble

Your Pinterest is filled with:

1. Photos from Chanel archives or Intentionally messy street style paparazzi pictures

2. Pretty pictures of the Upper East Side skyline at midnight or Blurry digital camera pics of late night endeavors

Time to get dressed — what to wear?

1. A tweed set with a complimentary pearl headband or Distressed black jeans with a vintage tee from L-Train

2. A cream colored eyelet dress with simple gold jewelry or A leather jacket with a layered scarf and black lace undershirt

Lastly, pick your bestie:

1. The effortlessly pretty girl, who’s always ready to take the subway to the hottest new club in the city

2. The elegant socialite with a classic style

If you have some knowledge of these styles, you’ve probably gathered which one you fall under. However, if you chose more of the first option , you’re an uptown girl!

Congrats, and with this new title it’s time to claim your spot on the Met steps. Conversely, if you chose more of the second option, no surprise – you’re a downtown girl. Time to throw on your best distressed denim and get to the party.

Don’t forget that every downtown girl needs her uptown bestie. Go scouting for your complimentary half and take the city by storm.

GIRL MATH: Guide to Creating an “After Dark” Look

By Mariana DeTitta

Chances are you don’t remember the quadratic formula or the pythagorean theorem. However, let’s take these concepts and use a little “girl math.” How can one translate formulas like these into something exciting, like putting an outfit together? What’s a classic after dark outfit? What pieces are absolutely essential to perfect these outfits? Let’s discuss the formula for a captivating, chic look. Arguably the most crucial element to any going out look is the dress. This detail dictates accessories, hair, makeup and the entire direction of the outfit. The gown should be classic, yet set its wearer apart with a distinct elegance. Sequins or no sequins?

Form-fitting or flowy? Black or a pop of color?

If adorned with sequins, play around with this element. Add some shimmery eyeshadow and pops of highlighter to complementthe gown. Introduce platform heels or dramatic necklaces and no one will be able to take their eyes away.

Form-fitting or flowy? If opting for a form-fitting dress to accentuate your figure, embrace inner sexiness.

Go for an updo with a lace bow on top. Show off collar bones alongside statement earrings. If deciding on the flowy gown — and remember there’s no wrong option — play intothe silhouette. After all, the flow of this garment is designed for amusement. Enliven features with a colorful makeup look — the more whimsical, the better.

Layer on necklaces to entice the throngs of people milling about. Next, if you decide on a black dress, treat it like the archetype it is. Simple winged eyeliner with minimal makeup amplifies natural beauty, just like the dress. Pull on a mesh overlay or add a fun scarf or rosette choker to stand out. This extra element takes an essential piece to the next level. Finish off with a silver kitten heel to turn every head. Despite the utilization of “girl math” to craft a going out look, these formulas are purely suggestions. There’s no end to a fashionista’s imagination and experimentation with these formulas to see what works and what doesn’t. Personal style is one of the most underrated elements in fashion.

PROTECTIONISM PARTYING

The Art of Going Out as

Don’t walk home alone. Especially if it’s dark. If you do walk home alone, in the dark, carry your keys between your fingers. Or a taser. And if you’re wearing high heels, take them off. You’ll run faster that way. If your hair is in a ponytail, take it out so they can’t grab you by your hair. But if it’s down, they can still grab you, so make sure it’s not too long. And you shouldn’t have worn that skirt, it’s too short. You’re not wearing shorts under it? You’re practically asking for it. You’re going to give them the wrong idea. If you draw your eyeliner this way, you may just look scary enough to keep them away. But then again, that skirt. But then again, even if you were wearing jeans… even if you’re wearing sweatpants… even if you’re wearing anything, it might not even matter.

None of these words are unfamiliar to a woman. Queer people and people of color have undoubtedly heard their own version of this speech. Although there may be variations, the message is the same: “Be aware that you aren’t safe.” To be clear, caution and awareness is significant for all individuals in all situations. The issue arises in the fact that the victims of the violent, dangerous systems that exist in our culture are also respon-

By Kaitlyn Talsky

sible for preventing violence against themselves. This is especially popular rhetoric when it comes to partying. Presumably, everyone is at least somewhat aware of the dangers when it comes to “going out.” Alternatively, how can these scenes and the fashion that accompanies them offer opportunities for self-expression, freedom and even protection for minority groups?

Throughout history, dress has been a form of communication, especially for groups battling the oppression of their identities. Taking control of one’s own appearance can subsequently demonstrate their power. The fashion sphere, and spaces that are intertwined heavily with presentation and performance, have always been known for fostering individuality and expression. Take the art of drag, for example. The visual personas that drag queens create offer them an opportunity to display how they want to be seen, as well as echo who they truly feel they are on a perceptible scale.

This pattern of existence and expression has become not only a space for individuality, but community. Certain bars and clubs serve as safe spaces for specific communities, such as the LGBTQ+ community.

Ballroom culture, or “house culture,” literally creates familial-like structures for the purpose of hosting events that propel free gender and sexual expression for African-Americans — as well as Latinx/LGBTQ+ individuals. This idea of community, and especially its lack of identity-based judgment, creates space for often-oppressed individuals to seek comfort and belonging in diverse spaces. They are places not only for those who struggle with complex societal issues, but also scenes for simple celebration.

There is something to be said about the beauty and freedom found in fun, especially for those who so often feel like they aren’t safe enough to have it. Despite the frequent anxieties accompanied with the notion of “going out,” marginalized individuals are simultaneously being offered the element of empowerment without the fear of consequence they must confront in traditional settings.

CITIES AS OUTFITS

By Katherine Fivgas

Consciously or subconsciously, location habitually defines choices made — particularly in choices of dress. Whether it be dependent on the weather, predetermined codes of style or local trends, carefully curated ensembles allow onlookers to identify where someone is from. Looking at fashion capitals like New York City, Los Angeles and Paris compared to smaller towns like Athens, it is possible to identify distinctive qualities of their inhabitants and what compels their choice of dress.

Stepping outside and feeling confident in what the wearer has on can heavily depend on the environment the wearer is placed in. In a hometown, visiting the local Walmart or Walgreens for errands grandmother sent one on entails only pajama shorts, an old high school T-shirt, socks and flip-flops — a second look won’t even glance over from any fellow shoppers. However, that ensemble would not fly in New York City or even here in “small-town” Athens. Not explicitly defined yet still known, a sanctioned set of norms for what is and is not appropriate exists for outfits in every city.

ATHENS VS. NYC: NIGHTWEAR EDITION

Fashion capital New York City is an insanely diverse city with claims to fame as the namesake of New York Fashion Week, a quick vacation spot for celebrities, inspiration for artists and home to a multitude of people and cultures. Even though the people of NYC are vast and varying, they can be banded together when it comes to their hatred of tourists and love of self-expression through fashion (Kocay, 2023).

To some, consolidating NYC into a singular outfit of choice is a travesty, but for the sake of comparison and art, it must be done. Please forgive me, NYC! Regardless of identity or reasons for being in NYC, regardless of those local or tourist, a nightwear look remains essential to navigating the vibrant streets.

Easy to assume by the nickname “the city that never sleeps,” NYC nightlife is like none other, meaning brave visitors must be prepared. To begin, select a comfortable shoe — certainly don’t step out in favorite slippers, but heels are not necessarily a top choice either. Not everyone can stiletto run like Carrie Bradshaw from Sex and the City. Instead, opt for a chunky boot, dressy sneaker or funky flat — anything to stand in club queues, mosh in concert pits and chase a cab in comfort and style.

When it comes to actual attire, NYC clubs can be picky with their formal codes, so a dress or jumpsuit is standard. A true New York dress would ideally be black, textured or feature a unique sequin or print with a flattering cut and a few risque cutouts — or maybe even lack thereof (“Night Life in New York”).

Accessories can vary on personal preference, but a New Yorker will usually settle on what is trending. Statement earrings, dainty necklaces, bracelets and rings in their signature metal abound. The final touch to this New York outfit highlights a leather jacket or faux fur coat — weather permitting. A New Yorker is never seen without their unfailing jacket — whether slung over their shoulder, poshly tied around their neck or hanging out of their bag (Rutkowski, 2023). Bolting out the door, spritz a dash of perfume and a swipe of your favorite lip gloss to polish off the look.

Compared to NYC, Athens can seem drab, lacking the lavishness of the city. However, there is no doubt that Athens also has a bustling nightlife. A “powerhouse in sports and academics,” the University of Georgia and its students provide a youthful liveliness to this town while locals establish the ‘Normaltown’ vibe in rustic eateries and unique vintage stores (Weiszer,

2024). More than 80 bars in a square mile radius make a night on the town easily completed. As the founding place of R.E.M as well as countless smaller-scale alternative bands formed by students and locals alike, Athens competes with NYC when it comes to evening entertainment (Athens, Georgia: A Musical History, 2016)

Yet, the outfits typically worn for a night out in Athens can vary drastically from the outfits worn in NYC nightclubs. Starting from the bottom, cowboy boots are essential — they transition from game day to themed parties to a casual night out. Color and print vary from traditional brown leather to intricate patterns and palettes of every shade. Anything denim — shorts, skirt or pants — can go a long way in seamlessly blending class, dinner and downtown ensembles. True expression frequently exists in the carefully selected top, as wearers dig through their tiny dorms and apartment closets for the perfect piece. A corset top is always flattering, somewhat comfortable and easily dressed up or down (Jackson, 2022). Minimal accessories ensure no one loses their beloved earrings or purses in a rundown frat house or while waiting in a seemingly never-ending bathroom line. “Beat” faces and the infamous slick-back pony can instead upgrade their look in lieu of heavy jewelry (Rosenstein, 2024). A quick ‘fit pic in the full-length mirror on their closet door and they’re on their way.

Athens and New York City may be 813 miles apart and seemingly different in many ways, but their similarly vibrant nightlife unexpectedly unites them. Neither coastlines nor the dynamics of their divergent environments can alter their shared attention toward nightwear.

The Carrie Brad s haw Influence

Carrie Bradshaw: The Ultimate City Girl

By Lovely Grace Pilbino

Before she was Carrie Bradshaw, queen of the urban jungle, she was just Carrie Bradshaw of Castleberry, Connecticut. In the show “The Carrie Diaries,” we discover who Carrie was before becoming the icon loved by many. Carrie’s creativity is limited in her hometown, fueling her desire to break free from suburban life and explore the liberating and diverse environment of the city. She was just an average teenage girl who had a love for fashion, until one day her life changed. Falling into the wonderland of her dreams, she was scouted by Interview Magazine, where she was able to let her imagination run wild.

Whether getting whisked away by the city lights or venting to her best friends about boy drama, Carrie stands firmly in her individuality, making her a force to be reckoned with.

Carrie is known for her eclectic and daring fashion choices which carry over into her adulthood. Her style and wardrobe reflects the bold and vibrant fashion trends of the ‘80s, becoming a source of inspiration for many viewers. The queen of maximalism, she opts to mix prints and colors that attract passersby. Experimenting with layering and textures, Carrie incorporates oversized blazers, vests and textured fabrics into her outfits, re-

flecting the bold and experimental trends of the time. Exploring the aesthetics of punk, athleisure wear and other prevalent trends, Carrie embodies the quintessential New York City lifestyle, with its mix of glamor, excitement and challenges. Bradshaw weaves her way into the city of fashion and looks great doing it.

As the daughter of a single father, Carrie must go through her adolescence without a maternal figure. However, Bradshaw finds a way to connect with her late mother by reinventing her own style to include her mother’s clothes and accessories.

Documenting her life in a journal, Carrie initiates her love for writing. On her first day at Interview Magazine, a renowned fashion and culture publication, Carrie is eager and nervous about her internship.

Stepping into the fast-paced and glamorous atmosphere of the magazine’s office, she is instantly in awe. The vibrant and eccentric Larissa Loughlin, senior editor at Interview Magazine, becomes Carrie’s mentor through the world of fashion.

Carrie’s introduction to Interview Magazine marks a turning point in her life.

vid uality is

an acce

s o r y

It’s the beginning of her journey toward becoming a writer and sets the stage for the experiences and relationships that will shape her future. The show portrays the contrast between Carrie’s suburban teenage life and the sophisticated, high-energy environment of the New York fashion scene. Throughout the series, Carrie discovers her passion for writing and makes the decision to pursue it as a career, setting the stage for her future as a distinguished columnist.

Celebrating the fashion evolution of a young Carrie Bradshaw, “The Carrie Diaries” provides viewers with a visually appealing journey through the vibrant and dynamic style of the ‘80s. Carrie proves that fashion knows no limitations and New York is the place to experiment. She continues to dress in a vivacious manner when she’s an adult as well, proving that Carrie Bradshaw is the ultimate city girl. Carrie continues to be herself and not let the city change her but to change with it. At first a shy and timid girl to a fierce icon. Carrie Bradshaw emphasizes individuality is an accessory.

s l e e p

Sleeping is overrated - andbeauties neve r

Sleeping Beauties Never Sleep

By Savannah Williams

Many crumble when they can’t find the perfect outfit to wear out on the town. Questions linger, “Should I just stay in and put my pajamas on?” The answer isn’t necessarily to stay in, but to consider putting on something traditionally meant for the bedroom. Anything goes in 2024 — including wearing underwear as outerwear. As society evolves, the use of corsets, slip dresses, lingerie and pajama sets have become widely accepted as fashion progresses. Don’t dream about what could have been — go out and put it into existence now.

Who says comfortable and classy can’t coincide? Nightlife is meant to be a release after a long work day, but finding an outfit for the evening can be stressful. After being in business attire all day, it only feels right to throw on a pair of pajamas — but there’s evening plans on the calendar. Thankfully, these pieces can still create a classy look. Celebrities have been spotted in corsets, slip dresses, lingerie and pajama sets elevated through accessorizing. Sydney Sweeney was seen in 2023 wearing a Miu Miu corset dress for Paris Fashion Week, paired with sheer tights, a mini purse and a bow gracing her hair (Wasilak, 2023). In 2022, Rihanna wore black lingerie with a sheer slip dress paired with chunky jewelry, high boots and a blazer (Gaskin, 2022).

Two years earlier, Dior released the Chez Moi Collection reflecting the depiction of loungewear as high-class. These pajama pieces originally intended to celebrate the art of living at home (Kostopoulos, 2020). Home style still applies, but ironically the mindset has shifted as pajama pieces celebrate out on the town. Fashion is constantly changing, and the movement of underwear on the spectrum of home-wear and eveningwear will continue to seek a more established form.

Becoming widespread, sleepwear trickled into higher fashion, so much so that the Met Gala announced the 2024 theme as “Sleeping Beauties: Reawakening Fashion.” The Met’s releases from the Costume Institute permanent collection include pieces ranging from 400 years ago, such as a 17th-century Elizabethan era bodice — an item that would in modernity be worn as a top (The Associated Press, 2023). On a deeper level, this theme reflects society’s high consumption of fashion trends and the common revival of fashion from history. On the surface, the literal meaning of “Sleeping Beauty” is the fairytale of a girl who is asleep in a perfect dress and can only be awakened by her true love. Throughout history, there has been a view of Sleeping Beauty as the woman wearing the “perfect dress,” dripping with class and femininity. The Met Gala is shifting the attention from who the princess is to what she is wearing. Will these celebrities be wearing extravagant dresses or will they be wearing sleeping garments? Hopes abound for designers to reflect both interpretations this year.

Take advantage of this re-emerging trend of under garments as an outfit. Anyone can be a beauty and there is no reason to wait around for the perfect dress; instead, reinvent the concept of sleepwear and live a personalized fairytale. There is no excuse for not having an outfit to wear — go out on the town because, of course, sleeping beauties never sleep.

These Clothes Are For Dancing BySavannahWilliams

More than 100 years later, the sashaying fringe and shimmering glitz of the 1920s has reemerged with all the same eye-catching dominance. Exuberant textures and colors remain captivating, catching the eye in an instant with their attractive dazzle. These exuberant textures and colors seize the human eye

— but why is there an attraction to things that shine? Perhaps it’s a draw to be the life of the party. One hundred years later, inspiration from the freedom that flappers embraced through personality, style and dancing remains. These clothes are meant to be seen.

G leefulEu

p

h

o r ai

Who is the life of the party, and can anyone take over this vivacious persona? This character follows in the footsteps of the confident flappers that came before. Unapologetically themselves, this person shines even in the crowd through their personality and fashion. They radiate a freedom that glimmers off of their independent identity. They dance like no one is watching and shimmer under the light from above. People are drawn towards them because they are free from the shackles of everyday life, experiencing gleeful euphoria despite the risk of monotony.

The strategic use of shiny textiles is evident in pieces created by both regular designers and highend brands.

Fringe is in, and it adds an unmistakable flair to an outfit. This material sways and is brought to life with the slightest movement. The 1920s vintage concept is modernized through clothing brands widely available to the public and normalized with celebrity popularity. Harry Styles took the stage at the 2023 Grammys wearing a silver, metallic and fringe jumpsuit, “add[ing] a playful effect to the performance” (Sanchez, 2023). His songs and joyful demeanor, paired with the fringe, created an energetic ambiance that could not be replicated. He was the moment, with all eyes on Harry.

When combined with sequins, these elements become even more appealing. People are attracted to shiny things, and sequins definitely fall into this category.

Thank you,

the Red & Black, Bar Bruno,

Starland Lounge & Lanes

Adisa, T. A., Cooke, F. L., & Iwowo, V. (2019, December 6). Mind Your Attitude: The Impact of Patriarchy on Women’s Workplace Behavior. Career Development International, 25(2), 146-164. Retrieved from

https://repository.uel.ac.uk/download/58d5c68f 8876c78c0683291a5a8da6cf1a21dc0038efdc10e8 4018344b2857d9/377983/CDI%20Accepted%20 Version.pdf

ALLSAINTS. (2024). Allsaints U.S. Retrieved from https://www.allsaints.com/us Andrews, D. (2012, April 19). New York City Style: Uptown vs. Downtown. The Kit. Retrieved from https://thekit.ca/fashion/clothing/newyork-city-style-uptown-vs-downtown/ Arnold, E. A., & Bailey, M. M. (2009, April 23). Constructing Home and Family: How the Ballroom Community Supports African American GLBTQ Youth in the Face of HIV/ AIDS. Journal of Gay & Lesbian Social Services, 21(2-3), 171–188. Retrieved from https://doi. org/10.1080/10538720902772006

Arteta, M., Bushnell, C., Goldstein, L., et al. (Executive Producers). (2013, January 14). The Carrie Diaries. [Television show]. New York City, NY: The CW.

Athens, Georgia: A Musical History. (2016, August 17). Vinyl Me Please. Retrieved from https://www.vinylmeplease.com/blogs/magazine/ athens-georgia-a-musical-history

Bendet, S. (2024). Alice + Olivia. Alice + Olivia Official Store. Retrieved from https://www.aliceandolivia.com/?lang=default

Bryant, S. (2022, December 28). Woman In Total Control of Herself: The Art of Drag and Its Impact on Fashion & Beauty. Sartorial Magazine. Retrieved from https://sartorialmagazine.com/ fashion-1/2022/12/28/woman-in-total-controlof-herself-the-art-of-drag-and-its-impact-onfashion-amp-beauty

Carington, F. (2021, August 10). All For Show: A Short History of the Status Symbol. Tatler. Retrieved from https://www.tatler.com/article/ status-symbol-history

Cherelus, G. (2022, November 2). Who Wears Crop Tops to the Office? The New York Times. Retrieved from https://www.nytimes. com/2022/11/02/style/crop-tops-office.html

Clark, M. (2023, December 1). Money Can't Buy You Saltburn Style. GQ Magazine. Retrieived from https://www.gq-magazine.co.uk/article/ saltburn-costume-design-interview-2023 Cocktail Dress. (n.d.). Encyclopedia.com. Retrieved from

Works

Baig M. Z. (2023, November 29). A Journey Into The History of Classy Cocktail Dresses. The Track Reviews. Retrieved from https://www. thetrackreviews.com/blogs/a-journey-into-thehistory-of-classy-cocktail-dresses

Bakshi, P. (2023). PFW: At Miu Miu, Innerwear Makes A Big Impact. Grazia. Retrieved from https://graziamagazine.com/articles/miu-miufall-winter-2023-show/

Bass-Krueger, M. (2019, November 28). Everything to Know About the History of the Blazer. Vogue. Retrieved from https://www.vogue.com. au/fashion/trends/everything-to-know-aboutthe-history-of-the-blazer/image-gallery/dd07db6a3e45b3cbaff5851eb1b20398

Baxter, D., Jones, S., Leer, C. (2022). Audience Diversity and Well-Being at UK Drag Events. Ingenta Connect. Retrieved from https://doi.org/ 10.3727/152599521X16192004803656

https://www.encyclopedia.com/fashion/encyclopedias-almanacs-transcripts-and-maps/cocktaildress

Deeks, G. M. (2023, April 12). The Brands Using Food for Fashion. Citizen Femme. Retrieved from citizen-femme.com/2023/04/12/the-brandsusing-food-for-fashion/

De Klerk, A. (2023, September 19). The Fashion Week Cheat Sheet: Simone Rocha SS24. Harper’s Bazaar. Retrieved from https://www.harpersbazaar.com/uk/fashion/shows-trends/a45203759/ simone-rocha-spring-summer-2024/

Elliot, G. (n.d.). Dress Code Debunked: The Cocktail Dress. Liberty. Retrieved from

https://www.libertylondon.com/us/features/fashion/what-is-a-cocktail-dress.html

Fields, J. (2022, December 4). The History of the Cocktail Party. Vine Pair. Retrieved from https://vinepair.com/articles/the-history-of-thecocktail-party/

Fisher, L. A. (2018, February 10). Models Ate Flamin’ Hot Cheetos While Walking the Runway at Chromat. Harper’s Bazaar. Retrieved from

www.harpersbazaar.com/fashion/fashion-week/ a17007181/chromat-cheetos-on-runway-nyfw/ Ford, R. T. (2021, April 29). Dress Codes: How the Laws of Fashion Made History. Stanford. Retrieved from https://fsi.stanford.edu/events/ dress-codes-how-laws-fashion-made-history-0 Gaskin, A. (2022, March 1). Rihanna’s Pregnancy Style Continues With Dior Lingerie. Glamour. Retrieved from https://www.glamour.com/story/ rihanna-pregnancy-style-lingerie-dior Gonzalez, T. (2022, September 21). So, Are We Not Wearing Shirts With Blazers Anymore? InStyle. Retrieved from https://www.instyle.com/ fashion/shirtless-blazer-trend

Hanson, J. (2022, June 28). From Nike To Gucci, Women Are Ditching Their Heels For Sneakers And Enjoying A Huge ROI. Forbes. Retrieved from https://www.forbes.com/sites/janehanson/2022/06/28/from-nike-to-gucci-women-areditching-their-heels-for-sneakers-and-enjoyinga-huge-roi/?sh=6ff3844d32f2

History.com Editors. (2024, February 12). Flappers. History. Retrieved from https://www.history.com/topics/roaring-twenties/flappers#what-is-a-flapper

History of the Blazer. (2021, July 31). Maison La Jaquette. Retrieved from https://en.lajaquette. com/blogs/news/histoire-du-blazer

Jackson, A. (2021, October 29). The History of the Power Suit for Women. JSTOR Daily. Retrieved from https://daily.jstor.org/the-historyof-the-power-suit-for-women/

Jackson, C. (2022, September 22). Dua Lipa Just Reminded Us Why The Corset Trend Isn’t Going Anywhere. Elle. Retrieved from https:// www.elle.com/uk/fashion/what-to-wear/ g39324597/best-corset-bustier-top/

Jackson, L., Montgomery, J. (2023, March 6). If You Pay Attention to One Trend This Season, Make It ‘Quiet Luxury.’ Vogue. Retrieved from https://www.vogue.com/article/quiet-luxurytrend

Judkis, M. (2023, January 7). The Return of the Going-Out Top. The Washington Post. Retrieved from https://www.washingtonpost.com/lifestyle/2023/01/07/going-out-top-return-millennials-gen-z/

Kale, S. (2019, July 11). Why Should I Have to Work on Stilts?’: The Women Fighting Sexist

Dress Codes. The Guardian. Retrieved from https://amp.theguardian.com/lifeandstyle/2019/ jul/11/why-should-i-have-to-work-on-stilts-thewomen-fighting-sexist-dress-codes

Kessler, A. (2023, December 14). Amal Clooney Adds the Boyfriend Blazer to Her Party Season Wardrobe. Vogue. Retrieved from https://www. vogue.com/article/amal-clooney-boyfriendblazer-party-season-wardrobe

Kocay, L. (2023, May 24). Inside New York City’s Nightlife: How The Dance Music Scene Has Changed, According to The City’s Top Movers and Shakers. Forbes. Retrieved from https:// www.forbes.com/sites/lisakocay/2023/05/24/ inside-new-york-citys-nightlife-howthe-dance-music-scene-has-changedaccording-to-the-citys-top-movers-andshakers/?sh=1bd7690b69ae

Kostopoulos, E. (2020, November 18). Dior Releases ‘Dior Chez Moi,’ the Brands First Capsule Collection Dedicated Entirely to Loungewear. Russh. Retrieved from https://www.russh.com/ dior-chez-moi-loungewear/#:~:text=Titled%20 Dior%20Chez%20Moi%2C%20which,living%20 at%20homDior releases first loungewear collection titled 'Dior Chez Moi' - RUSSHe%20in%20 style

Leitch, L. (2024, January 20). Hermès Fall 2024 Menswear. Vogue Runway. Retrieved from https://www.vogue.com/fashion-shows/fall2024-menswear/hermes

Leitch, L. (2024, January 19). Junya Watanabe Fall 2024 Menswear. Vogue Runway. Retrieved from https://www.vogue.com/fashion-shows/fall2024-menswear/junya-watanabe

Lucas, E. (2023, December 5). Working Late May Be Making You Less Productive, Most Powerful Women and Spotify’s Layoffs. Forbes. Retrieved from https://www.forbes.com/sites/ emmylucas/2023/12/05/working-late-may-bemaking-you-less-productive-most-powerfulwomen-and-spotifys-layoffs/?sh=6c3859cb3889

Mawa, B. (2020, December). Challenging Patriarchy: The Changing Definition of Women’s Empowerment. Social Science Review, 37(2), 239-264. Retrieved from https://pdfs.semanticscholar.org/9b20/1158ed849

McNicholas, T. (2023, November 30). NYPD Boosting Pickpocket Units to Keep Up With the Rise of Reported Thefts During Holidays. CBS News. Retrieved from https://www.cbsnews.com/ newyork/news/nypd-pickpocket-unit-new-yorkcity-holiday-thefts/

Nicholas, E. (2022, May 30). Is There a Place for Uptown Fashion in 2022? W Magazine. Retrieved from https://www.wmagazine.com/ culture/uptown-preppy-fashion-trend-examinedexplained-2022

Nightlife in New York. (n.d.). NewYork.co.uk. Retrieved from https://www.newyork.co.uk/nightlife-in-newyork/

Ogunnaike, N. (2016, June 28). 5 Things You Didn’t Know about the Costumes from “The Devil Wears Prada.” ELLE. Retrieved from www.elle. com/fashion/news/a37442/devil-wears-pradafacts/

O’Neill, L. (2023, November 10). Don’t Call It Anti-Feminist: The Return of “Girly” Fashion is All About Having Fun. The Guardian. Retrieved from https://www.theguardian.com/commentisfree/2023/nov/10/girly-fashion-feminist-funfeminine

Pheloung, D. (2023, September 9). Fall Office Outfits of the Week #fallfashion #fall #ootw #corprate [Video]. TikTok. https://www.tiktok.com/@daniellephe/video/7281764076626201898

https://www.bbc.com/culture/article/20230825why-sequins-are-so-exhilarating-to-wear

Rosenstein J. (2024, February 9). Slick Hair is Here to Stay, According to NYFW’s Fall Runway. Harper’s Bazaar. Retrieved from https://www. harpersbazaar.com/beauty/hair/a46699554/slickhair-trend-nyfw-fall-2024/

Ross, H. (2022, June 21). Go Ahead, Wear Your Blazer With Nothing But a Bra Underneath. Harper’s Bazaar. Retrieved from https://www. harpersbazaar.com/fashion/trends/a39454889/ bra-and-blazer-trend-story/

Rutkowski, K. (2023, December 19). Here’s the Tea — NY Fashion Girls Are Wearing These 5 Outfit Formulas on Repeat. Who What Wear. Retrieved from https://www.whowhatwear.com/new-york-outfitformulas

Samaha, B. (2022, November 29). Shop the Looks From the 1920s That Continue to Inspire Today. Harper’s Bazaar. Retrieved from https://www.harpersbazaar.com/fashion/trends/ g35335543/1920s-fashion-photos/

Works

Porcaro, G. (2023, May 13). How to Dress Like a New Yorker and Not Like a Tourist, According to a Local Fashion Writer. Travel + Leisure. Retrieved from https://www.travelandleisure.com/new-york-citywardrobe-essentials-7497595

Rafaeil, N. (n.d.). How Formal Wear Was Born: A Look into the Past. Jovani. Retrieved from https:// www.jovani.com/blog/formal-wear-history

Rambharose, A. (2023, September 15). 22 Fresh Fringe Outfits You Haven’t Seen Before. InStyle. Retrieved from https://www.instyle.com/fringeoutfits-7969434

Rodgers, D. (2024, January 28). The Life-Changing Magic of Wearing Boring Office Clothes. British Vogue. Retrieved from https://www.vogue.co.uk/ article/sensible-office-clothes

Rosalind, J. (2023, August 28). Why Sequins Are So Exhilarating to Wear. BBC. Retrieved from

Sanchez, C. (2023, February 5). Harry Styles’s 2023 Grammys Performance Was a Joyful Return to Awards Show Flair. Harper’s Bazaar. Retrieved from https://www.harpersbazaar.com/culture/ art-books-music/a42761063/watch-harry-stylesperformance-grammys-2023/

Satran, R. (2022, November 19). Do Going-Out Tops Exist for Adults? And Other ConcertDressing. The Wall Street Journal. Retrieved from https://www.wsj.com/articles/going-out-top-concert-over-30-style-fashion-advice-11668809278

Schneider, S. R. (2020, January 5). Brooks Brothers: Their History & A Brand Evaluation. Gentleman’s Gazette. Retrieved from https://www. gentlemansgazette.com/brooks-brothers-history/

Singh, D. M. (2022, August 19). People Who Love Their Jobs Are More Prone to Burnout. Allure. Retrieved from https://www.allure.com/story/ how-to-prevent-treat-burnout

Sorren, M. (2018, November 23). 13 of the Best Looks from “Set It Up.” Business Insider. Retrieved from www.businessinsider.com/set-it-up-bestlooks2018-10#harpers-first-work-outfit-setsthe-tone-for-her-character-1

Special Collections Library. (2024). Historic Clothing and Textile Collection. 300 South Hull Street, Athens, Georgia, USA. https://www.libs. uga.edu/scl

SSENSE. (2024). Lado Bokuchava — SSENSE Exclusive Gray Arch Blazer. Retrieved from https://www.ssense.com/en-us/women/ product/lado-bokuchava/ssense-exclusive-gray-arch-blazer/14385111?gad_ source=1&gclid=CjwKCAiA_OetBhAtEiwAPTeQZ2yWsSRl0Icwl21lSuvBwOKdVRuWzg6UAewasIUdxHEIvZ1FLjZGyRoCcAUQAvD_BwE

Strater, Z. (2024, January 14). The Office Siren Trend is Business Casual For Hot Girls. Byrdie. Retrieved from https://www.byrdie.com/officesiren-tiktok-trend-8425862

Tappan, L. (2023, September 30). 12 Best Work Sneakers That Are Office-Approved. Harper's Bazaar. Retrieved from https://www.harpersbazaar.com/fashion/trends/g45340986/best-worksneakers-women/

Tariq, S. (2023, September 30). History of Fashion – A Brief Story of the Evolution of Fashion. Sew Guide. Retrieved from https://sewguide.com/ evolution-of-history-of-fashion/#fashion_in_the_ middle_ages_400_8211_1200_ad

The Associated Press. (2023, November 8). Met Gala Sets 2024 Theme of “Sleeping Beauties: Reawakening Fashion.” The Hollywood Reporter. Retrieved from https://www.hollywoodreporter.com/lifestyle/ style/met-gala-2024-theme-sleeping-beautiesreawakening-fashion-1235641244/

The Editorial Unit. (2020, January 9). Why A Versatile Blazer is Your Wardrobe’s Secret Weapon. The Upcoming. Retrieved from https://www. theupcoming.co.uk/2020/01/09/why-a-versatileblazer-is-your-wardrobes-secret-weapon/

The Fashion of Suffrage. (n.d.). Bullock Museum. Retrieved from https://www.thestoryoftexas.com/ discover/artifacts/suffrage-dress-shoes

The Intern Movie Wardrobe. (n.d.). Pinterest. Retrieved from www.pinterest.com/ pin/160370436709189342/

The National Arts Club (2023, June 12). Dress Codes: How the Laws of Fashion Made History. YouTube. Retrieved from https://www.youtube. com/watch?v=UFLXiTj9rGc

Vallorani, B. (2018, February 16). Dressing For Success And The Achievement Of Your Dreams. Forbes. Retrieved from https://www.forbes.com/ sites/forbesbooksauthors/2018/02/16/dressing-

for-success-and-the-achievement-of-yourdreams/?sh=703ac04b485b

Wasilak, S. (2023, October 19). Celebs Can’t Stop Wearing the Villain-Era Corset — the Sexy Version of Regencycore. Popsugar. Retrieved from https://www.popsugar.com/fashion/celebritieswearing-corsets-49287331

Watson, C. (2023, September 13). Downtown Mindset: Bar Culture at UGA. The Red and Black. Retrieved from https://www.redandblack.com/ uganews/downtown-mindset-bar-culture-at-uga/ article_50233518-504a-11ee-919f-fba7f23e8a81. html#:~:text=Downtown%20this%20is%20 known%20for,in%20a%20 square%20 mile%20 radius

Weiszer, M. (2024, January 16). 'We need to do better': Georgia football ranks last in FBS in latest NCAA graduation rates. Athens Banner-Herald. Retrieved from https:// www.onlineathens.com/story/sports/college/ bulldogs-extra/2024/01/16/georgia-footballkirby-smart-josh-brooks-graduation-successrate/72112553007/

Welsch, M. (2023, March 2). The Feminist History of Cocktail Parties. TastingTable. Retrieved from https://www.tastingtable.com/1215416/thefeminist-history-of-cocktail-parties/