Royal Talens Paper Guide | English

ENG

PASSION FOR PAINT & PAPER

Empower your creativity

PASSION FOR PAINT AND PAPER 2

We know how important a good combination is between paint & paper.

We searched the world for the paper that best suits all our colours.

And we found the perfect paper for you, for each brand and each technique.

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Creativity is power.

The power to express, to learn and to connect.

The power to make the world a better place.

Creativity is in each and every one of us.

Sometimes it just needs a little push.

New inspiration, a goal or motivation.

We give you the energy to find it.

And the very best tools to fuel it.

Pick up your pencil.

Use that marker.

Start your first brushstroke.

Make this your best work yet.

Experience how good it feels to let your creativity flow.

Create something totally new.

Express yourself in a way only you can,

LET IT OUT! 4

CREATIVITY IS IN EVERYONE

Creativity is one of the most powerful human assets. It stimulates our ability to express, to learn and to connect. It has the power to make the world a better place. Ever since we discovered that in 1899, it has been our goal to stimulate as many people possible to express their creativity.

Creative empowerment We truly believe creativity is in each and every one of us.

That’s why we enable creativity for everyone, and engage creativity in everyone. Whether you’re an experienced professional, inspired hobbyist or just starting to think about being more creative. We understand creativity sometimes needs a little push. Some new inspiration, a goal, or motivation.

We’re here for you Let us give you the energy to find your creativity and provide you with the very best tools to fuel it. From colourful acrylics and excellent oil paints to subtle fineliners and pencils for kids. You name it. Royal Talens has everything you need to create. So, pick up that brush. Make this your best work yet.

And express yourself in a way only you can.

Vision Royal Talens We believe creative expression brings out the best in everyone. It has the power to stimulate mind, body and soul and should therefore be enabled all over the world. As the preferred supplier in the creative colour industry, We are dedicated to make this happen.

Mission Royal Talens We want to enable creative expression for everyone. We do this by stimulating and facilitating as many people as possible, regardless of their level of experience, age or country of origin.

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ROYAL TALENS OFFERS A WIDE RANGE OF PAPER, SPECIALLY DEVELOPED FOR ALL YOUR CREATIVE NEEDS. And there is quite an assortment! That is why we are happy to provide you with additional information on all of the different types of Royal Talens paper on offers. This helps you choose exactly the right type of paper more quickly. Whether you work with oil paint, acrylic paint, watercolour, pastels, or whether you sketch, draw or mix different techniques, Royal Talens has the perfect paper for every technique. A carefully selected product range, highly valued by artists and hobbyists alike for its purity and quality.

/RoyalTalens

@RoyalTalens

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THE HISTORY OF PAPER

“ THE FIRST PAPER WAS MADE BY RECYCLING! “ Over the years, paper has become an indispensable product in the daily lives of many people, like newspapers, toilet paper, books, magazines and works of art. But, the history of paper started many years ago. Even before paper came into existence, people used caves and other natural surfaces to engrave and paint symbols, like in the caves of Lascaux in France.

Papyrus, the first paper The ancient Egyptians used a surface called papyrus to write down hieroglyphs. They created this writing material by overlapping thin stems of the papyrus plant and pressing them together. Papyrus spread to different countries and became more and more popular, but due to the popularity and limited availability (the papyrus plant primarily grew along

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the Nile in Egypt), an alternative had to be found. People started using parchment, a writing material made from animal skin. This surface was far more available than papyrus and was, for example, used in the Middle Ages by monks to make handwritten books for the nobles.

Pulp is a mushy substance created from mixing fibres with water, which is one of the most important ingredients in the papermaking process.

Recycling paper started more than 2000 years ago According to many sources, T’sai Lun is the inventor of paper as we know it today. He discovered than that paper can be created by mixing water with fibres of different products, such as tree bark, old rags and fishnets, and allowing it to dry. So, the first paper was made by recycling! China had kept this papermaking technique a secret for a long time, but the technique was spread to the Middle East, probably by the Arabs who imprisoned Chinese war soldiers. Paper replaced papyrus and parchment because it was cheaper and easier to create. Through the north of Africa and the south of Spain, this method of creating handmade paper came to Europe.

The first paper machine After this papermaking method came to Europe, several people tried to develop a papermaking machine that could replace manual labour. The Frenchman Nicolas-Louis Robert came up with the first concept for a paper machine but forwarded it to his brother-in-law in England. The first successful paper production machine was developed there in 1803, by Henry and Sealy Fourdrinier. The design of the first successful paper production machine is often still used in today’s papermaking machines, and is still called a Fourdrinier.

ROYAL TALENS & RECYCLING

In order to limit the impact on the environment, when developing our products, we carefully examine ways of avoiding unnecessary packaging materials and of reducing production waste as much as possible. We use paper and wood with the FSC® quality mark, recycled materials and glass instead of plastic as much as possible.

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HOW PAPER IS MADE phase 1 Wood or cotton fibers are beaten until they break down into small particles, and the fibers are diluted with water to make pulp and placed in a reservoir.

DA

LL

PULP

O

PULPER

YR ND

WIRE SCREEN

phase 2 Pulp is then metered out in a continuous stream onto a moving wire screen. The moving wire is mechanically shaken side to side to distribute the pulp evenly across the screen and drain water.

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phase 5

phase 3

After the sizing bath, the paper

The pulp is then transferred to

is re-dried. At this point, it will

a woven felt blanket and carries

go through different finishing

paper through a press roll which

processes depending on the

removes even more water. By

type of paper. A calendaring

varying the woven texture and

stack, which is a large stack of

the location of felts, the finished

rolls that the paper runs though,

texture of the paper can be

determines the final smoothness

varied.

of the sheet.

MARKING FELT

LED OR E TE D

SIZING BATH

L RO

E SH

TRANSFER FELT

CALENDAR STACK

WET PRESS

phase 4 phase 6

Next, the paper is run through a “sizing� bath to enhance the working properties of the sheet.

The paper is then rolled or

Without sizing, the paper would

sheeted. Finally the paper is cut

act like a blotter. The amount of

and converted into pads, blocks,

sizing is adjusted based on the

books, sheets or rolls. Ready to

grade and purpose of the paper.

be used by artists around the world.

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FACTS ABOUT PAPER

1.

You can’t double fold a sheet of paper more than 7 times.

Try it yourself!

3.

5.

Emails are not CO2 neutral.

The emission of 20 e-mails per day for a year, is equivalent to approximately 1000 kilometers of driving.

Most of our paper is vegan friendly.

No animals were being harmed as we mainly use plant-based and synthetic materials. Only our Rembrandt 100% cotton water colour paper is made with gelatine-based glue.

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2.

4.

6.

Paper can be recycled up to five to seven times, because then the fibers will become too short to create a new paper.

Did you know that banknotes are not made from wood, but from a combination of linen and cotton?

Wasps build nests from paper: they chew on reeds or wood until a porridge forms.

The dried porridge eventually becomes paper.

IN THE SPOTLIGHT Product specialist COOS VAN WAAS As a product specialist, Coos van Waas has been involved in the development of the paper range for nearly four decades. “It was even one of my first responsibilities when I started with Royal Talens, so I’ve been working together with artists to approve the paper we develop for 38 years.” Throughout those years, he conducted extensive research into paper in all its facets and visited many paper production facilities. “They sometimes refer to me jokingly as the paper encyclopedia”. What does paper development entail?

We want to offer the full range of supplies for artists, which is why Royal Talens began selling paper so many years ago. Paper is an essential material for many techniques, which is why we always search for the best quality when developing new paper products. After all, the foundation has a significant impact on the result of your artwork; the interaction between paper and pigment needs to be optimal.

Various properties determine the quality of the paper, such as the type and quality of the fibres, how fine these fibres have been ground, the internal and external adhesion, the structure and the paper’s fibre density. In watercolour techniques, for example, it is crucial that the paint pigments remain on the paper for optimum impact. Additionally, the fibres of the paper must not come loose due to friction of the brush and the excessive moisture of watercolours. In this way, we determine the perfect properties for each method.

Using microscopic testing, we can analyse the composition of new paper and the quality of the paper fibres down to the smallest detail. Alongside innovative measurement instruments, we also continue to test our paper using traditional methods: by hand. With sketching paper, for example, fibre density is a key indication of quality and today we still test this extensively using the age-old graphite pencil and the eraser. The faster the fibres are rubbed off by the eraser, the poorer the quality.

To improve the functional quality of the paper, additional base materials are sometimes added during the production process, such as calcium carbonate. This absorbs air-borne acidifying compounds to prevent these from damaging the paper fibres. This additive buffers the paper, guaranteeing optimum longevity. Along with the calcium carbonate, the use of acid-free fibres also improves durability. Paper containing acidic cellulose and materials eventually becomes self-destructive, which is absolutely not what we want to provide to artists. This is why we always use the highest quality of acid-free cellulose.

The attention we invest in searching for the right paper quality ensures that our end users can create artwork without worries and can enjoy the result for years to come.

WATERCOLOUR PAPER

From entry-level quality to professional watercolour paper, Royal Talens has the perfect paper for every artist. Each brand offers paper that fits in perfectly with this line. Careful thought has been put into technique, durability and usage.

Available in all shapes and sizes From postcard size to a maximum size of A3. In addition to the usual white watercolour paper, Royal Talens also offers the world’s first ever black watercolour paper included in the Van Gogh and Rembrandt brands.

Specialty paints and more opaque watercolour paints work beautifully on this black background.

100% cotton watercolour paper can be found in the professional lines. One of the great advantages of cotton is that it is strong and does not yellow. This paper ensures that the quality of the work is preserved over the long-term.

Features of the paper Watercolour is a technique that is typically practised on paper. Your paper is the very foundation of your work and that is why it is important for it to meet certain quality requirements. The paper you choose is also partly personal preference. Do you work with a lot of water?

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Then a paper block glued on four sides is recommended. This prevents the paper from bulging. Also, ‘grammage’, the weight of your paper, is important here. The thicker your paper, the more water it can hold.

There are different sizes and structures. The size you choose is entirely up to you. The structure is too, of course, but please note that the coarser your surface, the more paint pigment will accumulate in the dimples of the paper. This results in a coarser result.

Watercolour paper is characterised by the glue used inside the paper as well as on its surface. This glue largely determines the expressive quality of the paint. Gluing is necessary to prevent the paint from seeping through and to help the colour remain on the paper. This allows sunlight to pass through the transparent paint and reflect off the white background, allowing the colours to sparkle. All of the glues in the Royal Talens range have a synthetic base and are therefore vegan, except for Rembrandt 100% cotton watercolour paper.

Two watercolour techniques explained The wet in wet technique: after creating a wet surface, you can continue working with your watercolour brush. The paint will flow over your paper. This allows you to produce areas of colour with less defined edges. Control of the paint is also reduced. Because the white of the paper is traditionally used in place of white watercolour paint, you should leave any white parts open on your paper. This can prove quite difficult when using the wet in wet technique, but there is one tool that can help: Liquid Masking Film, a natural liquid rubber that repels water and paint after drying. You can easily remove this film after drying the paint, making the colour of your paper visible again.

The dry technique: working with watercolours on a dry surface. This technique allows you to work in more detail.

HOW TO USE

You can combine multiple techniques in the same work.

Taking care of your paper Paper is a fragile medium and should be well cared for, both while working and after your artwork is finished. Watercolours can be varnished. In addition to providing a protective layer, the varnish can also add a bit of shine to your work. Varnish helps you protect your work from moisture and dirt. You can also choose not to varnish your work, and instead place it in a frame with UV-resistant glass. If you plan to varnish your work, use the Talens 680 Protecting Spray, which prevents the paint from smearing, as watercolour paint is not waterproof.

If you are going to work with a lot of water, it is wise to add a small amount of Talens 008 Arabic Gum to preserve your paint film.

Paper needs to be free of grease if you want the watercolour paint to adhere well. With Talens 051 Ox Gall you can create a grease-free surface, optimising the adhesive properties of your watercolours.

Picture left: Beading paint on greasy fingerprint. Picture right: Using Ox Gall.

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Rembrandt - Water Colour Paper Blocks 25% Cotton Rembrandt paper has been specially designed for the professional painter.

It is acid-free which ensures the work stays in good condition for many years.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93071318

8712079347277

13,5 x 18

300 g

20

3

93072432

8712079347284

24 x 32

300 g

20

3

93073040

8712079347291

30 x 40

300 g

20

3

Rembrandt - Water Colour Paper Blocks made from 100% Cotton Rembrandt paper has been specially designed for the professional painter.

It is acid-free which ensures the work stays in good condition for many years.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93021318

8712079396541

13,5 x 18

300 g

20

3

93022432

8712079396558

24 x 32

300 g

20

3

93023040

8712079396565

30 x 40

300 g

20

3

Rembrandt - Black Water Colour Paper Blocks Rembrandt Paper has been specially designed for the professional painter. It is acid free, which ensures the work stays in good condition for many years. Perfect with Rembrandt interference and metallic water colours.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93070002

8712079421656

21 x 29,7 (A4)

360 g

10

3

93070001

8712079421663

29,7 x 42 (A3)

360 g

10

3

Rembrandt - Water Colour Paper Postcards Create your own postcard. Cold press paper, 25% cotton.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93070011

8712079451820

10,5 x 14,8

300 g

30

3

Van Gogh - Water Colour Paper The perfect surface for use with Van Gogh water colours. This paper has been thoroughly tested and carefully selected to make your paintings look their best. Each sheet is 100% cellulose with a cold-pressed fine texture. This water colour paper block is glued on all 4 sides.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

94171015 94171321

8712079399276 8712079399283

10,5 x 15 13,5 x 21

300 g 300 g

12 12

3 3

94172418

8712079399290

18 x 24

300 g

12

3

94173224

8712079399306

24 x 32

300 g

12

3

94174030

8712079399313

30 x 40

300 g

12

3

94173041

8712079399320

30 x 40

300 g

75

3

Van Gogh - Water Colour Paper Postcards Printed on the back as a postcard.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

94170011

8712079451844

10,5 x 14,8

300 g

25

3

94170012

8712079451868

10,5 x 14,8

360 g

25

3

Van Gogh - Black Water Colour Paper Simply beautiful! Van Gogh black paper is perfect with interference and metallic water colours.

This water colour paper is 100% cellulose and has a cold-press fine grain texture.

This is an 1-side glued pad.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

94170002

8712079421632

21 x 29,7 (A4)

360 g

12

3

94170001

8712079421649

29,7 x 42 (A3)

360 g

12

3

Talens Art Creation - Water Colour Paper Blocks The perfect water colour paper for your work of art; ringbinded, 240 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9317002M

8712079396671

21 x 29,7 (A4)

240 g

15

3

9317001M

8712079396688

29,7 x 42 (A3)

240 g

15

3

Talens Art Creation - Water Colour Paper Postcards Printed on the back as a postcard. Cold press paper, 25% cotton.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9317009M

8712079396695

10,5 x 14,8

200 g

30

3

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ACRYLIC PAPER

Acrylic paper is widely used when working on location and for experimenting with new applications. Carrying paper is a lot easier than carrying a canvas, and working with paper also makes it possible to cut out sections, frame them or attach them to something else.

Acrylic paint contains water and as the acrylic paint dries, water evaporates from the paint, leaving you with less volume. To prevent the paper from warping during the drying process, acrylic paper usually has a high grammage.

Acrylic paper can also incorporate different structures. Some acrylic paper has a canvas structure, while other acrylic paper has a fine or medium structure. A fine structure is more suitable for detailed work and fine lines. Acrylic paper is suitable for any acrylic-based product.

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How to use A block of acrylic paper is easy to take along with you, and your work can also be easily stored afterwards. You can paint on paper in the same way you do on canvas. If you would then like to hang your work on the wall, it can easily be framed.

Taking care of your paper You can varnish acrylic paper. This is possible in the gloss level of your choice: matt, satin, glossy or high gloss.

Rembrandt - Acrylic Paper Block Rembrandt paper has been specially designed for the professional painter. It is acid-free which ensures the work stays in good condition for many years.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93062432

8712079347253

24 x 32

400 g

10

3

93063040

8712079347260

30 x 40

400 g

10

3

Amsterdam - Acrylic Black Book Black books are a must-have for every artist. Ideas often take shape here. Use the 30 smooth 250 g/m² sheets to create your first drafts – with a pencil, fine liner pen or an Amsterdam marker.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93023021

8712079358334

21 x 29,7 (A4)

250 g

30

5

93023022

8712079384678

14,8 x 21 (A5)

250 g

30

5

93023020

8712079384685

29,7x 42 (A3)

250 g

30

5

Amsterdam - Acrylic Art Pad Choose our special artpad with waterproof synthetic paper if you are looking for strong, smooth and tear-resistant paper. It’s also ideal for pouring or other techniques using Amsterdam acrylic products, especially if your paper needs to stay flat.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93023024

‘8712079384692

21 x 29,7 (A4)

200 g

10

5

Van Gogh - Acrylic Paper A wonderful choice for use with acrylic paints, especially Van Gogh branded, for studies or small paintings.

A heavier weight paper allows your acrylic art to shine. This paper has a medium grain texture.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93162432

8712079347123

24 x 32

370 g

10

3

93163040

8712079347130

30 x 40

370 g

10

3

94163040 (4 sides glued)

8712079396589

30 x 40

370 g

10

3

Talens Art Creation - Acrylic Paper Blocks Acrylic paper for your work of art; glued on 1 side, 290 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9316001M

8712079396640

29,7 x 42 (A3)

290 g

15

3

9316002M

8712079396657

21 x 29,7 (A4)

290 g

15

3

OIL PAPER

Royal Talens has been creating oil paint for artists around the world since 1899. It has also been producing paper that helps release the full potential of this paint. Years of experience and craftsmanship have guided us to the materials we use today.

Royal Talens offers a variety of quality options for oil paper. from entry-level quality to oil paper for professional artists. Oil paper is easy to take with you for sketching in oil paint. Another benefit of using oil paper is that you can cut out pieces to frame or to use in collages, for example. Oil paper has the same structure as a canvas, which gives it the same feel as working on canvas.

A special external glue applied on the paper prevents the oil from soaking through the paper.

How to use The paper is prepared, so you can work on it immediately.

If necessary, a layer of (coloured) gesso can be applied to the paper. Gesso adds grip to the oil paint and it can be coloured by mixing it with a small amount of acrylic paint.

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Acrylic does not provide good grip for oil paint, so the ratio of acrylic to gesso always has to strongly favour the gesso.

Taking care of your paper/artwork Just like working on canvas, a varnish can be applied after the work has completely dried (9-12 months). In the interim (after drying for about 6-9 months), it is possible to revive any discoloured areas using the Talens 004 Retouching Varnish.

When working with thick layers of paint, it is wise to eventually glue the paper onto a hard surface. Oil paint becomes harder over time. On a firm surface, the paint has less chance of cracking (craquelure).

Rembrandt - Oil Paper Block Rembrandt paper has been specially designed for the professional painter.

It is acid-free which ensures the work stays in good condition for many years.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93052432

8712079347239

24 x 32

300 g

10

3

93053040

8712079347246

30 x 40

300 g

10

3

Van Gogh - Oil Paper A fantastic choice for using with Van Gogh oils when doing studies or smaller paintings.

The canvas grain sheet is subtly textured for optimal results when painting in oil. This paper pad is glued on all 1 side.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93152432

8712079347109

24 x 32

240 g

10

3

93153040

8712079347116

30 x 40

240 g

10

3

93153648

8712079397951

36 x 48

240 g

10

3

Talens Art Creation - Oil Paper Pad The perfect oil paper for your work of art; paperblock with 15 sheets of A4, glued on 1 side, 300 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9315002M

8712079396664

21 x 29,7 (A4)

300 g

15

3

LET YOUR CREATIVITY FLOW 21

MIXED MEDIA PAPER

Mixed Media is a creative form that brings together different techniques. Mixed Media paper is suitable for both dry and wet techniques and ideal for watercolour, gouache, acrylic, graphite, pen, ink, coloured pencils, acrylic markers, pastels and making collages. The paper block is equipped with a ring binder, allowing the paper to be easily torn off.

Mixed Media paper has its origins in the animation world, in the days when cartoons were being drawn by hand. Designers were looking for a multi-functional paper that could be used for sketching as well as painting. Mixed Media paper was developed for this purpose and is now one of the best-selling paper products thanks to its convenience and versatility.

Van Gogh - Mixed Media Paper An amazing choice for any technique! Use with paints, markers, pencils, etc. to let your creativity out.

This spiral bound paper pad contains 30 sheets of textured paper.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93120002

8712079396619

21 x 29,7 (A4)

300 g

30

3

93120001

8712079396626

29,7 x 42 (A3)

300 g

30

3

93120003

8712079396633

14,8 x 21

300 g

30

3

Talens Art Creation - Mixed Media Paper Blocks Paper for your Mixed Media work of art; paperblock with 30 sheets, ringbinded, 250 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9312002M

8712079396749

21 x 29,7 (A4)

250 g

30

3

9312001M

8712079396756

29,7 x 42 (A3)

250 g

30

3

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DRAWING AND SKETCHING PAPER

For drawing and sketching paper, it is important to know which techniques will be used on the paper. For example, smooth paper works well for creating clean lines. When working with colour and/or graphite pencils, having a bit of structure on the paper is recommended. This allows pigments to remain in the small dimples present on the paper. Sketches are best preserved on acid-free paper - just look at the sketches by the artist Rembrandt!

This paper is suitable for pencils, coloured pencils and charcoal.

The difference between sketching paper and drawing paper is that sketching paper is often lightweight and intended for sketching and experimenting. Drawing paper is of higher quality and is usually heavier than sketching paper. It is used to create works that need to be preserved for a long time.

How to use Sketching paper often comes in thick blocks. Since it is for sketching, you do not necessarily need high grammage or 100% cotton. The surface of the paper is important: it has to be nice to work with.

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A light structure is recommended so that the pencil has some grip on the paper, helping to improve colour transfer. The paper has to have a certain strength so that erasing does not become an issue. Drawing paper is of a higher quality for more serious work. Typically, drawing paper has a higher grammage.

Taking care of your paper/artwork It is best to keep your drawings in a folder or drawer so that little to no light can come in, which can help prevent yellowing.

Van Gogh - Drawing And Sketch Colour Paper Carefully selected paper to be the best choice when working with Van Gogh pencils and other dry media. This spiral bound paper pad contains 40 sheets of textured paper.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93181421

8712079347208

14,8 x 21

160 g

40

3

93182129

8712079347215

21 x 29,7 (A4)

160 g

40

3

93182942

8712079347222

29,7 x 42 (A3)

160 g

40

3

Bruynzeel - Sketch Book Sketch book with 30 sheets ultrasmooth acid free and long life paper. 250 g/m2.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

60299001

8712079411831

14,8 x 21

250 g

30

5

Talens Art Creation - Sketch Paper Blocks Sketch paper for your work of art; paperblock with 100 sheets, ringbinded, micropressed.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9318001M

8712079396725

29,7 x 42 (A3)

90 g

100

3

9318002M

8712079396732

21 x 29,7 (A4)

90 g

100

3

Talens Art Creation - Sketch Book Spiral Sketchbook for your work of art; a black spiral sketchbook, with 80 pages, 110 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9313151M

8712079341671

15 x 15

110 g

80

5

9313212M

8712079341695

21,5 x 28

110 g

80

5

9313142M

8712079341688

14 x 21

110 g

80

5

9313422M

8712079392963

29,7 x 42 (A3)

110 g

80

3

PASTEL PAPER

Royal Talens offers a wide range of pastels that can be combined with the wealth of pastel paper colours on offer. To get the most out of the pastel colour attributes, the colour of the paper must be carefully chosen. It can capture, enhance or soften the colours in the work. The paper can become part of the work. A coloured background also has the advantage that the pastel painting does not have to be completely ‘filled in’.

The structure of the paper is also important. Pastel will fall directly from the paper if it has no grip and will not give off any colour if there is too little resistance from the paper. If the structure of the paper is ‘full’, Talens Pastel fixative (061 and 064) can be used. This gives more structure, allowing the next layer to adhere. This paper is suitable for soft pastels and carré pastels, charcoal, pencils and chalk.

Taking care of your paper/artwork Because a pastel drawing is fragile, you can also fix it once the work is finished. This is possible using Talens Pastel fixative (061 and 064). The colour layers and particles will adhere to each other and to the surface and will last longer.

Rembrandt - Pastel Paper Blocks Rembrandt paper has been specially designed for the professional painter. It is acid-free which ensures the work stays in good condition for many years. Rembrandt pastel paper is available in various colours, divided in light and dark colour pads.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93082129 (light colours)

8712079347307

21 x 29,7 (A4)

160 g

6 x 5 = 30

3

93082942 (light colours)

8712079347314

29,7 x 42 (A3)

160 g

6 x 5 = 30

3

93092129 (dark colours)

8712079347321

21 x 29,7 (A4)

160 g

6 x 5 = 30

3

93092942 (dark colours)

8712079347338

29,7 x 42 (A3)

160 g

6 x 5 = 30

3

Van Gogh - Pastel Paper Carefully selected paper allowing your pastel work to look its best. The off-white sheet is textured to provide tooth for pastel use. This paper pad is glued on 1 side and contains 30 sheets.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93190001

8712079396596

29,7 x 42 (A3)

160 g

30

3

93190002

8712079396602

21 x 29,7 (A4)

160 g

30

3

Talens Art Creation -Pastel Paper Blocks Pastel paper for your work of art; paperblock with 50 sheets, glued on 1 side, 90 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9319001M

8712079396701

29,7 x 42 (A3)

90 g

50

3

9319002M

8712079396718

21 x 29,7 (A4)

90 g

50

3

27

TONED PAPER

Innovation is a high priority at Royal Talens and we enjoy receiving the input of artists worldwide.

That is why we have launched a new range of paper that rediscovers traditional colours.

There are five different colours of paper in the Rembrandt Toned Paper range, including Sanguine Red, a colour that has been used in portraits for decades. In addition, there is also Desert Brown, Verona Green, Industrial Grey and Mystical Blue. The colours has its own special character. The Talens pads unite a beautiful combination of warm and cold colours in one pad, enhanced with Royal Blue and Cotton White.

These Toned papers are of high quality, 180 grams made with 15% cotton and 20% recycled paper.

It is suitable for use with pencils, soft pastels, gouache, inks, acrylics and charcoal. Available in A3 and A4.

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Rembrandt - Toned Sanguine Red This paper provides the perfect base for your drawings. Sanguine has been commonly used in life drawings for centuries. There are many artistic possibilities with this blood-red paper. Light colours in particular will flourish on this surface.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93080042

8712079453701

21 x 29,7 (A4)

180 g

50

3

93080041

8712079453718

29,7 x 42 (A3)

180 g

50

3

Rembrandt - Toned Desert Brown Light colours flourish against this earthy background, while dark and bright shades take on a new dimension against this base tone. Light colours will flourish, while dark and bright colours get a different appearance on this natural looking paper.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93080012

8712079453640

21 x 29,7 (A4)

180 g

50

3

93080011

8712079453657

29,7 x 42 (A3)

180 g

50

3

Rembrandt - Toned Mystical Blue This paper provides the perfect base for your artwork. Contrasting colours, such as browns, reds, yellows and earthy tones, comes to life on this mystical blue paper. With blues, greens and bright colours, the paper colour will be an integral part of your work.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93080032

8712079453688

21 x 29,7 (A4)

180 g

50

3

93080031

8712079453695

29,7 x 42 (A3)

180 g

50

3

Rembrandt - Toned Industrial Grey This paper provides a cold concrete-coloured base on which you can take your artwork in an endless variety of directions. A large variety of colours pop off this grey paper. That means infinite possibilities!

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93080002

8712079453626

21 x 29,7 (A4)

180 g

50

3

93080001

8712079453633

29,7 x 42 (A3)

180 g

50

3

Rembrandt - Toned Verona Green This paper provides a natural base for your drawings. Verona green has a great history. It is a commonly used colour base for Italian artists in the Middle Ages. Warm and beige colours neutralize on this ancient green.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93080022

8712079453664

21 x 29,7 (A4)

180 g

50

3

93080021

8712079453671

29,7 x 42 (A3)

180 g

50

3

Talens - Mix Cold Toned Colours Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

91530052

8712079451547

21 x 29,7 (A4)

180 g

50

3

91530051

8712079451561

29,7 x 42 (A3)

180 g

50

3

Talens - Mix Warm Toned Colours Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

91530062

8712079451585

21 x 29,7 (A4)

180 g

50

3

91530061

8712079451608

29,7 x 42 (A3)

180 g

50

3

29

SPECIALTY PAPER Sakura - Manga Paper Bristol-quality paper specially developed for creating Manga illustrations.

Ideal for ink, felt-tip pens, watercolour, gouache, airbrushing, pencils and charcoal.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

99MANPADA4

8712079398484

21 x 29,7 (A4)

250 g

20

3

99MANPADA5

8712079398491

14,8 x 21

250 g

20

3

99MANPADA3

8712079451882

29,7 x 42 (A3)

250 g

20

3

Talens - Bristol Paper Bristol paper is characterised by its extremely white and smooth surface. This creates beautiful colours and allows for detailed work.

In addition to pencil and charcoal, this paper is also suitable for other techniques such as ink, brush pens and felt-tip pens.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

91530072

8712079451912

21 x 29,7 (A4)

250 g

20

3

91530071

8712079451936

29,7 x 42 (A3)

250 g

20

3

Talens - Tracing Paper This semi-transparent, chalk white drawing paper is of high quality and has been specially developed for architects and designers for tracing drawings. The paper is available in 90 g/m2 and 110 g/m2, in sizes A4 and A3. Once you have transferred an image onto the tracing paper, you can easily transfer it to another sheet of paper or even a canvas.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

91530032

8712079396930

21 x 29,7 (A4)

90 g

50

3

91530031

8712079396947

29,7 x 42 (A3)

90 g

50

3

91530042

8712079396954

21 x 29,7 (A4)

110 g

50

3

91530041

8712079396961

29,7 x 42 (A3)

110 g

50

3

Ecoline - Drawing Paper The Ecoline paper is the perfect surface for Ecoline and Ecoline Brush Pen applications. The paper optimises the expressive nature of the brilliant Ecoline colours. In addition to an Ecoline paper block, Ecoline also offers special printer paper. The Ecoline printer paper makes it possible to combine digitally created work with the Ecoline products.

Taking care of your paper/artwork It is important for you to properly store your works on this paper. They can be stored in a folder, drawer or cupboard, where no light can reach. Ecoline is created based on dyes. Dyes are known to discolour when exposed to sunlight. In order to keep your work as beautiful as possible, that means you have to ensure that little to no light reaches it. If you would still like to frame or hang your drawings, using UV resistant glass is recommended. If possible, it is best not to hang your work in direct sunlight.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

91580002 (printer Paper)

8712079396770

21 x 29,7

150 g

75

3

91580011

8712079451806

29,7 x 42

290 g

12

3

91582430

8712079396763

24 x 32

290 g

12

3

30

JOURNALS The sketchbooks and journals from Royal Talens are suitable for Mixed Media, sketching, scrapbooking, bullet journaling, hand lettering and, of course, for taking notes. The books are extremely popular as they perfectly reflect today’s trends!

Rembrandt - Water Colour Journal This journal is a bound book with a hard cover containing paper made of high quality cotton linters (25%) and the best lignin-free cellulose with a gram weight of 200 g/m². The paper is acid-free, pH-neutral and buffered to optimally guarantee the durability of the paper. The surface has a medium grain texture, making it perfect for many different techniques.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93071002

8712079451950

21 x 29,7 (A4)

200 g

30

3

93071003

8712079455576

14,8 x 21

200 g

30

3

Sakura - Sketch/ Notebook White Paper Note Book with 80 crème sheets of 140 g/m2 acid free paper keeps all your ink, pencil, oil pastel or charcoal creations in one place.

With a pen holder, an expandable envelope and elastic closure band that ensures the book stays closed and compact when travelling.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

94140001

8712079448493

9 x 14

140 g

80

5

94140002

8712079448509

12 x12

140 g

80

5

94140003

8712079448516

13 x 21

140 g

80

5

94140004

8712079448523

21 x 14

140 g

80

5

94140005

8712079448530

21 x 29,7 (A4)

140 g

80

5

Sakura - Sketch/ Notebook Black Paper Note Book with 80 black sheets of 140 g/m2 acid free paper keeps all your ink, pencil, oil pastel or charcoal creations in one place.With a pen holder, an expandable envelope and elastic closure band that ensures the book stays closed and compact when travelling.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

94141001

8712079448547

9 x 14

140 g

80

5

94141002

8712079448554

12 x12

140 g

80

5

94141003

8712079448561

13 x 21

140 g

80

5

94141004

8712079448578

21 x 14

140 g

80

5

94141005

8712079448585

21 x 29,7 (A4)

140 g

80

5

Van Gogh - Mix Media Journal The hard cover protects your works and the ring binder makes it possible to work with a “lay-flat” design.

Every page is micro-perforated to allow for easy removal from the journal. The mixed media paper is acid-free, pH-neutral and buffered to guarantee optimum durability of the paper.

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

93120012

8712079451998

21 x 29,7 (A4)

160 g

50

3

93120013

8712079455583

14,8 x 21

160 g

50

3

Bruynzeel - Notebook Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

60299002

8712079454210

14,8 x 21

70 g

160

4

Bruynzeel - Bullet Journal Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

60299003

8712079454241

13 x 21

140 g

80

4

Bruynzeel - Sketch/ Notebook Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

60399005

8712079454630

14,8 x 21

140 g

80

4

60399004

8712079454661

21 x 29,7 (A4)

140 g

80

4

32

Talens Art Creation - Sketchbook Black The perfect sketchbook for your work of art; a black covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314001M

8712079383497

9 x 14

140 g

80

5

9314002M

8712079383503

13 x21

140 g

80

5

9314003M

8712079383510

21 x 29,7 (A4)

140 g

80

5

9314004M

8712079383527

12 x 12

140 g

80

5

9314005M

8712079392970

21 x 14,8

140 g

80

5

Talens Art Creation - Sketchbook White The perfect sketchbook for your work of art; a white covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314101M

8712079383534

9 x 14

140 g

80

5

9314102M

8712079383541

13 x21

140 g

80

5

9314103M

8712079383558

21 x 29,7 (A4)

140 g

80

5

9314104M

8712079383565

12 x 12

140 g

80

5

9314105M

8712079392987

21 x 14,8

140 g

80

5

Talens Art Creation - Sketchbook Red The perfect sketchbook for your work of art; a red covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314201M

8712079383572

9 x 14

140 g

80

5

9314202M

8712079383589

13 x21

140 g

80

5

9314203M

8712079383596

21 x 29,7 (A4)

140 g

80

5

9314204M

8712079383602

12 x 12

140 g

80

5

9314205M

8712079392994

21 x 14,8

140 g

80

5

Talens Art Creation - Sketchbook Pastel Pink The perfect sketchbook for your work of art; a pastel pink covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314011M

8712079455866

9 x 14

140 g

80

5

9314012M

8712079451646

13 x 21

140 g

80

5

9314013M

8712079451660

21 x 29,7 (A4)

140 g

80

5

9314014M

8712079451622

12 x 12

140 g

80

5

Talens Art Creation - Sketchbook Golden Yellow The perfect sketchbook for your work of art; a golden yellow covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314111M

8712079455873

9 x 14

140 g

80

5

9314112M

8712079451707

13 x 21

140 g

80

5

9314113M

8712079451721

21 x 29,7 (A4)

140 g

80

5

9314114M

8712079451684

12 x 12

140 g

80

5

Talens Art Creation - Sketchbook Coral Red The perfect sketchbook for your work of art; a coral red covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314311M

8712079455859

9 x 14

140 g

80

5

9314312M

8712079455835

13 x 21

140 g

80

5

9314313M

8712079455842

21 x 29,7 (A4)

140 g

80

5

9314314M

8712079455828

12 x 12

140 g

80

5

Talens Art Creation - Sketchbook Lake Blue The perfect sketchbook for your work of art; a lake blue covered sketchbook, with 80 pages, 140 g/m².

Item no

EAN code

Size (cm)

g/m2

Sheets/pad

Pads/ Bundle

9314211M

8712079455880

9 x 14

140 g

80

5

9314212M

8712079451769

13 x 21

140 g

80

5

9314213M

8712079451783

21 x 29,7 (A4)

140 g

80

5

9314214M

8712079451745

12 x 12

140 g

80

5

33

MAKE THIS YOUR BEST WORK YET 34

PAPER GLOSSARY ACID-FREE PAPER The acid has been extracted from the paper fibres, allowing the paper to be stored for a long time without yellowing/ageing.

CELLULOSE Purified wood fibres.

COTTON Fibres that are derived from the cotton plant.

EXTERNAL GLUING This is a special coating on the paper. It ensures that the paint cannot seep through the fibres of the paper. For example, external gluing ensures that oil does not soak through the paper when using oil paper, and that with watercolour paper, the pigments do not seep down deeply into the paper, but instead are able to adhere to the paper.

FIBRES Paper is a thin material produced by pressing together moist and ctton fibres of cellulose pulp derived from wood, rags or grasses, which are then dried into flexible sheets.

FOUR-SIDED GLUING Paper that is glued on four sides can be used with water.

Because all four of the sides are glued, the paper will not warp.

Once the paint has dried, you can remove the sheet. There is always a small part that is not glued, so in this case you can use a palette knife under the paper to cut the work loose along the glued edges. The sheet underneath will be clean and ready to use.

FOURDRINIER The first successful paper production machine developed in 1803, by Henry and Sealy Fourdrinier. The design of the first successful paper production machine is still often used in today’s papermaking machines and is still called a Fourdrinier.

LIGNIN-FREE If paper is lignin-free, then that means the lignin has been removed from the wood fibres, which will prevent the paper from yellowing.

ONE-SIDED GLUING The paper block is glued on one side. This allows you to easily remove your paper from the block.

PAPER SURFACE (GRAIN) Every paper has a structure/grain. This will be more visible or tangible in one type of paper than in another. It depends on whether the paper has a coarse, medium or fine structure/grain.

PULP Pulp is a mushy substance created from mixing fibres with water, which is one of the most important ingredients in the papermaking process.

QUALITY The quality is determined by the internal and external gluing, the type of fibres and the grammage of the paper.

RECYCLED PAPER Recycled paper is made with recycled fibers, this is made from reprocessing waste paper. Postconsumer waste refers to paper that was recovered after actually being used by a consumer and discarded.

WEIGHT (GRAMMAGE) The weight of the paper expressed in grams per m².

Heavier paper (for example 300 g/m²) generally warps less quickly when it comes to techniques that use a lot of water.

FSC® QUALITY MARK Forest Stewardship Council®. This organisation sets global standards for responsible forest management, carefully considering the interests of people, the environment and the economy.

INTERNAL GLUING This is the glue that is mixed with the paper pulp. It ensures the strength of the paper.

35

SUSTAINABILITY Sustainable production at Royal Talens goes beyond making safe, environmentally conscious choices for responsible components and meticulous waste separation. It also means taking care of the environment and our surroundings.

For this reason, the Royal Talens range of paper blocks is largely made of wood fibres that come from responsibly grown wood that bears the FSC® quality mark. Our other wood products such as easels, stretched canvases, brushes and paint and pencil boxes are also being increasingly produced with responsibly grown wood that bears the FSC® quality mark.

This wood complies with the guidelines of the Forest Stewardship Council®. This organisation sets global standards for responsible forest management, carefully considering the interests of people, the environment and the economy.

Worldwide support The FSC® label is supported worldwide by all major environmental and development organisations, unions and international business. FSC® is the only organisation with a consistent independent standard and certification system that can be applied worldwide for all types of forests and plantations. Being awarded the quality mark is no easy process. Obtaining the quality mark means meeting strict criteria and implementing them throughout the organisation. Every year, Royal Talens undergoes an assessment by the FSC® accredited certification body as to whether our working methods are in line with the standards.

37

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39

GENERAL INFORMATION SALES OFFICES Royal Talens B.V. Sales BeNeLux & Export Tel.no.: +31 55 - 5274700 info@royaltalens.com Postal address P.O. Box 4 7300 AA Apeldoorn The Netherlands Visiting address Sophialaan 46 7311 PD Apeldoorn The Netherlands United Kingdom R. Talens UK Ltd. First floor Unit 2, Millars Brook Molly Millars Lane Wokingham Berkshire, RG41 2AD Freephone: 08009956500 sales.office@royaltalens.com France Talens France SARL Les Sitelles Hall E, 13 rue de la Perdrix CS 52344 Tremblay-en-France 95941 Roissy CDG Cédex Tel.: +33 (0)1 4817 8181 Fax: +33 (0)1 4817 8222 Spain & Portugal Talens España S.A. Titanarts Distribution SL c/ Miguel Hernandez 39 3rd and 4rd floor, Polígono Industrial Gran Vía Sur 08908 Hospitalet de Llobregat (Barcelona) Tel.: +34 93 336 8750 Fax: +34 93 336 8754 informacion@royaltalens.com Switzerland Talens AG Industriestrasse 68 4657 Dulliken Tel.: + 41 (0)62 - 285 5050 info.ch@royaltalens.com

40

Germany & Austria Talens GmbH Postfach 4 7300 AA Apeldoorn Netherlands Tel.: 00800 0400 0200 de-at@royaltalens.com Poland, Czech Republic & Slovakia Talens Poland SP. z o.o. ul.Kazury 2E 02-795 Warszawa Tel.: +48 22 649 0160 Fax: +48 22 649 0160 poland@royaltalens.com China Shanghai Sakura International Trading Co., Ltd 6F/H, Eastern Tower Shanghai Hi-Tech King World No.668, Beijing East Road, Shanghai, China 200001 Tel.: +86 21 33316560 Fax: +86 21 33316563 sakurash@126.com Japan Talens Japan 1-6-20, Morinomiya Chuo, Chuo-ku, Osaka, 540-8508 Japan Tel.: +81 6 6910 8824 Fax: +81 6 6910 8834 North America Royal Talens North America Inc. 30 Industrial Drive Northampton, MA 01060 United States Tel.: +1 (413) 300 1899 info.na@royaltalens.com Schjerning Farver A/S Østeralle 21 DK 8400 Ebeltoft Denmark Tel.: +45 8634 2211 Fax: +45 8634 5500 info@schjerning.dk

Art.no: 88000314