South East Asian Artists Magazine

Vol. 3 issue no. 9 P 250 (5.25 usd)

SoutheastAsian A R T I S T S

M A G A Z I N E

Arts • Culture • Events

• Filipino Artists' Journey at BEYOND CONTEMPORARY ART PENANG (BCAP) • Learning to Walk.

• Ingrid Aimee: The Life of an Average "Zoned Out" • Magic of Borobudur • HANOI: An Art Trip to Remember

Dang Tuan

Rediscovering Our Origins: "Journey of Love, Happiness, and Passion:

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Arts • Culture • Events Published Quarterly Ruth Chua Editor in Chief

Filarts Inc. Publisher

Roy Espinosa Creative Director

Ingrid Aimee Mark Shellshear Arnaldo Mirasol Writer/Contributor

Editorial and Satellite Business Office Blk 4 Lot 13 A Gemini Street Cruzville Subd Brgy. Kaligayahan Quezon City 1124 Email: filartspublishing @gmail.com

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CONTENTS:

Page 5 Learning to Walk.

by Mark Shellshear

Page 6 Ingrid Aimee: The Life of an Average Zoned Out

Page 22 Paraiso de Avedad

Page 30 Cover Story Dang Ah Tuan Rediscovering our origins: Journey of Love, Happiness and Passion.

Page 40 Magic of Borobudur Text & Photo by Ingrid Aimee

Page 42 Waiting to be discovered is Foul!...

by Safa Bute

Page 44 Art and Holiday in Cappadocia

by Safa Bute

Page 50 Filipino Artists' Journey at Beyond Contemporary Art Penang (BCAP) Text & Photo by Ingrid Aimee

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From The Editor I

n this vibrant edition of our South East Asian Artists Magazine, we are thrilled to feature the works of the exceptionally talented Vietnamese artist, Dang Tuan, on our cover. Tuan's art reflects the rich cultural tapestry of Vietnam, offering our readers a glimpse into the profound creativity emanating from this dynamic region.

This issue delves into significant art events across South East Asia, taking you on a visual journey through the impactful exhibitions of FilArts in Hanoi, Vietnam, the awe-inspiring cultural tapestry of Borobudur in Indonesia, and the cutting-edge contemporary art scene at Beyond Contemporary Art Penang (BCAP).

We are also delighted to showcase the diverse perspectives of artists from around the globe.

Canadian-based artist Robert Martin brings a unique flavor to these pages, alongside the compelling works of Shirley Chu from Malaysia and Filipino artist Bueno Silva, who creates art that bridges the gap between Chicago and the Philippines.

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In a special highlight, we are honored to present the grandson of the esteemed Anastacio Caido, Frederic Caido, whose art echoes the legacy of a rich artistic lineage. This edition is a celebration of the interconnectedness of art and culture, transcending geographical boundaries and weaving together a narrative that spans continents.

As we present this issue to our readers, we hope you find inspiration in the diverse stories and artistic expressions contained within these pages. Art knows no borders, and in this issue, we invite you to join us in exploring the boundless creativity that South East Asia and the global art community have to offer.

Happy reading!

Ruth Chua South East Asian Artists Magazine

" Change."

When I finished this piece I thought the cardboard showing through would look interesting but unfortunately it made the piece quite drab.

So I decided to change it and put yellow oil pastels over the cardboard and I am quite happy with the results.

Experimental work is challenging as it can easily fall over because you never know what comes next. .

Mixed media collage on card.

19cm x 26cm.

Learning to walk.

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Learning to paint was fun and not hard, because we are passionate about it.

Learning to sell is hard, because we have a built in resistance when dealing with strangers.

We have been educated to fear strangers since we were little children, stranger danger, and like walking it is instinctive.

We need to reeducate ourselves to like strangers because we need them, lots of them to have a successful and rewarding Art business.

Remember, they to you and you to them are only strangers until you speak to them and then you become acquaintances, then friendlies and then friends.

Learning to walk was hard and learning to talk to strangers may be hard, but like walking once you master it, it will become instinctive and you will just do it.

Mark Shellshear

0947.647.34.65 markshellshear@gmail.com galeriadelasislas@gmail.com

South East Asian Artists Magazine

Life of an Average By: Ingrid Aimee

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"Zoned Out" It happens innocently enough: One minute,

you're sitting at your desk, working on a report, and the next minute you're thinking about how you probably need to do laundry and that you want to try the new restaurant down the street. Mind wandering is a frequent occurrence. And while mind wandering in certain situations - in class, work, for example - can be counterproductive, some say that it isn't necessarily a bad thing. You might be driving home from work, taking a shower, preparing ingredients for dinner and, suddenly - Eureka! - you have new insight into some problem or situation. Anecdotes tell us that people often have these kinds of creative thoughts while engaged in unrelated tasks. I'd argue here of course that daydreaming is an essential dimension of play. In daydreaming, we're free to psychologically traverse through every obscure or far flung thought. We are welcome to try on any solution or scenario that piques our interest at the moment. However, emotional or practical, daydreaming hones our emotional and cognitive dexterity. We take apart a problem and perceive it from an entirely new angle. We reflect on an overriding emotion, and suddenly process it on some unique level. Who hasn't indulged in a little Walter Mitty style fantasy and not felt better - or at least been

South East Asian Artists Magazine

pleasantly amused for it? Isn't it how we become more fully ourselves? More seriously, it's also partly how our species has become more deftly human. Some of humanity's greatest inventions most beautiful creations, and profound thoughts have stemmed from a bald-faced lack of intention. Anyone who's had a eureka moment while daydreaming in the shower can attest to this phenomenon. Far from some shiftless indulgence, daydreaming or zoning out is a part of our cerebral jackpot. It opens up the chance for random connection, irrelevant association, and novel insight.

My life always takes the same direction as my daydreaming. For instance, I'm a much more productive writer when my spare moments are filled with thoughts of my articles. At times like those, I sit down to write already knowing what to do because I've thought it over all day and night. It seems like an innocent activity, but the things you think about when you daydream are an important part of your life. I would venture to say it determines your future more than anything else. Why? Because your heart lies in the place your mind goes when it wanders. That's where all our attention and energy is directed, and that's where we are the most successful.

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Dash • Acrylic on Canvas • 24 x 18in • 2023

South East Asian Artists Magazine

Harmony in the Cosmos The Spiritual Odyssey of Robert Martin I

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n the realm of abstract art, Robert Martin emerges as a captivating artist, masterfully bridging the ethereal realms of spirituality and the cosmos through his mesmerizing masterpieces. His artistic prowess, evident in every stroke, transforms his creations into a conduit to the sublime, allowing him to explore dimensions beyond the tangible and capture the unseen essence that defines his unique aesthetic.

What sets Robert apart is his profound reverence for the mysteries of the universe. His artistic journey is more than a visual exploration; it's a spiritual odyssey that takes viewers on a profound and introspective journey through the vast cosmos. Each piece, a harmonious interplay of vibrant hues, dynamic compositions, and intricate textures, invites observers to embark on a celestial voyage of self-discovery.

Delving into the intricacies of Robert's abstract creations reveals a deliberate infusion of intention into every brushstroke. This intentional approach serves to imbue his pieces with a divine energy, creating an atmosphere of transcendence. The observer is not merely a spectator but a participant in a contemplative experience, where the boundaries between the physical and metaphysical blur, and a sense of awe and wonder for the universe takes hold.

Robert's art becomes a vehicle for contemplation, challenging viewers to transcend the constraints of the physical world and connect with a

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Vexation • Acrylic on Canvas • 183 x 152 x 4cm

higher force. It is an invitation to explore the spiritual dimensions of life, as his evocative artworks beckon individuals to go beyond the surface and delve into the profound depths of their own existence.

In Robert Martin's abstracts, spirituality seamlessly intertwines with artistic expression, creating a symbiotic relationship between the two. His work is not just an aesthetic experience; it's a transformative journey that encourages viewers to reflect on their place in the cosmic tapestry. Each piece serves as a poignant reminder of the profound connection between our inner selves and the expansive universe.

Through his compelling artworks, Robert Martin extends an invitation to unravel the mysteries of the universe, one brushstroke at a time. His creations serve as windows into a world where the spiritual and the cosmic converge, providing viewers with a contemplative space to explore the interconnectedness of all things. In this way, Robert's art becomes a timeless testament to the enduring harmony found within the cosmos and the profound beauty that lies in the union of spirituality and artistic expression.

—Ingrid Aimee Peñaflor Abyss • Acrylic on Canvas • 76 x 100 x 4cm

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Inception • Acrylic on Canvas • 183 x 152 x4cm

Nebula • Acrylic on Canvas • 150x100x4 cm

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"Echoes of Tradition: Frederic I. Caedo and the Enduring Legacy of Filipino Classical Sculpture" South East Asian Artists Magazine

Frederic I. Caedo Carrying the Legacy of

Filipino Classical Sculpture Frederic I. Caedo, the grandson of the late Anastacio T. Caedo, and son of the late Florante "Boy" Caedo, is a prominent figure in the world of Filipino classical sculpture. Born into a family with a rich artistic heritage, Frederic has dedicated his life to preserving and expanding upon the legacy left by his ancestors. This article explores the life, works, and contributions of Frederic I. Caedo in the realm of Filipino classical sculpture.

Frederic was born into a family deeply rooted in the arts. His grandfather, Anastacio T. Caedo, was a renowned Filipino classical sculptor, known for his exceptional craftsmanship and attention to detail.

Growing up surrounded by his grandfather's sculptures, Frederic developed a deep appreciation for the art form from an early age. His father, Florante "Boy" Caedo, was also an accomplished sculptor, further fueling Frederic's passion for the craft. To hone his skills and expand his knowledge, Frederic pursued formal

education in fine arts. He studied at the University of the Philippines College of Fine Arts, where he specialized in sculpture. Under the guidance of esteemed professors, Frederic honed his technical skills and gained a deeper understanding of the principles of classical sculpture. His education provided him with a solid foundation to build upon his family's artistic legacy. Following in the footsteps of his grandfather and father, Frederic embarked on a journey to carve his own path in the world of classical sculpture.

He embraced the traditional techniques passed down through generations, while also incorporating his unique artistic vision. His sculptures reflect a harmonious blend of traditional Filipino aesthetics and contemporary influences, showcasing his versatility and innovation. Frederic's works often draw inspiration from Filipino culture, history, and mythology. His sculptures capture the essence of Filipino identity, celebrating the rich heritage and diverse traditions of the Philippines.

Frederic's attention to detail and ability to breathe life into his creations make his sculptures come alive,

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Commissioned of the “Fabrication of Grave Bust for Nine (9) Deceased Manlilikha ng Bayan” project by the National Commission for Culture and the Arts (NCCA), delivered at the office of the NCCA.

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“Dr. Jose Rizal Monument” project by the Hon. Atty. Henry R. Villarica (City Mayor of Meycauayan Bulacan), installed at front of City Hall of Meycauyan, Bulacan, May 24, 2023.

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evoking emotions and telling stories that resonate with viewers. Caedo's body of work encompasses a wide range of sculptures, each with its own distinct narrative. Some of his notable works include "Ang Bayaning Pilipino" (The Filipino Hero), a tribute to the unsung heroes of the Philippines, and "Dalagang Filipina" (Filipina Maiden), a representation of the beauty and grace of Filipino women. Frederic's sculptures have been exhibited in various galleries and museums, both locally and internationally, garnering acclaim and recognition for his exceptional talent. Frederic's contributions to the world of Filipino classical sculpture extend beyond his artistic creations.

He has dedicated himself to preserving and promoting the art form, mentoring aspiring sculptors and organizing workshops to pass on his knowledge and skills.

Frederic's commitment to his craft and his efforts to raise awareness about Filipino classical sculpture have played a significant role in keeping this art form alive and thriving. Carrying the legacy of his ancestors, Frederic's sculptures reflect his deep-rooted passion for the art form and his commitment to preserving and expanding upon the rich heritage of Filipino sculpture. Through his exceptional talent, innovative approach, and dedication to mentoring the next generation of sculptors, Frederic I. Caedo has solidified his place as a true torchbearer of Filipino classical sculpture.

—Ingrid Aimee Peñaflor South East Asian Artists Magazine

Unveiling of APEC 2017 at Da Nang Vietnam. Mr. Frederic Caedo made the UNITY IN THE COMMUNITY Monument statue represented the Philippines., November 9, 2017.

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A Distinguished Malaysian Artist and Cultural Ambassador Shirley Chu

Also known as 朱绍瑛, is a renowned

Malaysian artist whose journey in the world of art spans decades and continents. Born in Fujian, China, in 1951, Shirley later found her artistic home in Malaysia, where her creative spirit has flourished, leaving an indelible mark on the country's art scene.

Currently residing at Kuala Lumpur, Shirley's artistic endeavors are not confined to her studio. You can reach her at +6012-3450521 or via email at shirleychu51@yahoo.com. Her Facebook page, SHIRLEY CHU ART GALLERY, serves as a virtual gateway into her vibrant artistic universe.

Shirley Chu is not only an accomplished artist but also a respected leader within the Malaysian art community. Holding the position of President in esteemed organizations such as the International Association of Creative Arts, Malaysian Artists Society, and Malaysian Female Artists Society, she plays a pivotal role in shaping and fostering the local art scene.

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A master of both fashion design and art painting, Shirley's educational background includes a Master's Degree Lesson from the prestigious China Academy of Art in the People's Republic of China. This dual expertise is reflected in the rich tapestry of her artistic expressions.

Shirley's artistic prowess has been recognized on both national and international levels. Notable accolades include the Grand Prize Winner of the Asia Art Award in 2005, the PJK Medal conferred by the Sultan of Selangor in 2011, and the Asean Chinese Outstanding Artistic Contribution Award in 2023. Her artwork has been featured in international group exhibitions since 1996, showcasing the enduring appeal of her creations.

Throughout her illustrious career, Shirley Chu has held numerous solo exhibitions, each a testament to her commitment to various charitable causes and the promotion of artistic expression. From the Sabah

Chinese High School Education Fund Raising in 1996 to the Love with WATER exhibition in 2023, her diverse solo exhibitions have captivated audiences across Malaysia and beyond.

Shirley's art has traveled far and wide, participating in group exhibitions across Asia and beyond.

Her work has graced galleries in China, the UK, the US, Japan, South Korea, India, Indonesia, the Philippines, Thailand, Singapore, Taiwan, Hong Kong, and, of course, Malaysia.

Shirley Chu's artistic journey is not just about brush strokes on canvas; it is a narrative that transcends borders, cultures, and time. As a cultural ambassador, she continues to leave an indomitable legacy, inspiring art enthusiasts and fellow artists alike with her boundless creativity and unwavering commitment to the world of art.

—Ruth Espinosa

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16 The Artist with NA Corporation, CEO John Miller.

A God-Fearing Filipino Artist with a Pellucid Soul bueno silva A

self-taught Filipino artist whose deep faith in God permeates every aspect of his life and work. With a pellucid soul, he approaches his art with a sense of reverence and devotion, creating pieces that reflect his spiritual journey and the beauty he finds in the world around him.

Although Bueno Silva initially pursued a career in business after graduating from a prestigious university, he quickly realized that his true passion lay in the realm of art. Despite his lack of formal training, he immersed himself in art books and materials, investing whatever he and his wife could spare from providing for their growing family. This self-taught approach allowed South East Asian Artists Magazine

Its Coffee Time • Oil on Canvas • 23 x 19in • 2019

The Solitaire The Red Table • 14 Oil on Canvas • 32 x 46in • 1995

him to develop a unique artistic voice, free from the constraints of traditional academic instruction.

Bueno Silva's craftsmanship is evident in his masterful blending of colors, precise anatomical drawings, and subtle compositions. Drawing inspiration from the great masters such as Velasquez and the later innovators of the impressionist movement, he honed his skills through diligent study and practice. His dedication to learning from the masters, as well as his own experimentation, has resulted in a style that is both technically proficient and emotionally resonant.

What sets Bueno Silva apart is his ability to create art that is deeply rooted in the Philippine landscape and culture. Unlike many artists who are influenced by the trendy art circles of Manila society, Bueno Silva remains true to his own artistic vision.

His early exhibitions showcased traditional subjects, inspired by long-renowned academic allegories.

However, as his career progressed, he delved deeper into the genre of landscape painting, capturing the essence and particulars of the Philippine tropical agricultural landscape.

Bueno Silva's paintings are not mere representations of the physical world; they are windows into his soul. His deep connection to his faith and the natural world infuses his work with a sense of spirituality and infectious energy. Each brushstroke is

17 Wine Bottle 1 • Oil on Canvas • 12 x 20in • 1992

imbued with his passion, inviting viewers to experience the beauty and tranquility he finds in the world around him.

Throughout his career, Bueno Silva has proven himself to be a master of whichever style he chooses to paint in. His versatility allows him to explore different techniques and subject matters, while always maintaining his unique artistic voice. Whether he is capturing the vibrant colors of a tropical sunset or the quiet serenity of a rural landscape, his paintings evoke a sense of wonder and awe.

Bueno Silva's art is a testament to the power of self-expression and the transformative nature of creativity. Through his work, he invites us to see the world through his eyes and to find solace and inspiration in the beauty that surrounds us. As a deeply god-fearing artist with a pellucid soul, Bueno Silva continues to create art that touches the hearts and minds of all who encounter it.

—Ingrid Aimee Peñaflor South East Asian Artists Magazine

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"Hanoi: an art trip to remember" Text and images by Ingrid Aimee Peñaflor

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ast February 5, 2023, I had an unforgettable experience in Hanoi, Vietnam. I was part of an art exhibit entitled Beyond Expression where Filipino and Vietnamese artists showcased their masterpieces. With the support of the Philippine Embassy of Hanoi, our thanks go out to Mr. Roy Espinosa of Filarts Incorporated, who orchestrated the partnership between our countries, as well as Mr. Dang Tuan of Palm Art Space, who provided his team's expertise and helped organise the exhibit. Without them, this rare and imperative exchange would not have been possible.

Being in Hanoi was an incredible experience, and I was thrilled to be a part of the exhibition. The venue made for an excellent location, with great lighting and an ambiance that complemented the artworks. The Vietnamese artists showcased the country's rich culture and heritage through their paintings, sculptures, and mixed media art pieces. In contrast, the Filipino artists' artworks focused on contemporary themes yet still had an essence of Filipinism.

After the exhibit, we stayed at the luxurious Vin Pearl hotel. The hotel's vibe was welcoming, and the staff were very hospitable, making us feel relaxed and South East Asian Artists Magazine

at home. The room was spacious, comfortable, and had a balcony with a magnificent view of the city.

The following day, we had a boat ride tour in Ha Long Bay, one of the Seven Wonders of the World. The sheer size of the bay was impressive, with over 1,600 islands and islets on the emerald sea. The limestone karsts and caves were breathtaking, and the natural beauty of the place was surreal.

Aside from the awe-inspiring scenery, the food in Hanoi was also memorable. The noodles dish was one of my favorites, with the perfect blend of savory and spicy. The seafood dishes were also a must-try, with a variety of choices that were fresh and flavorful.

Overall, my trip to Hanoi, Vietnam, was a fantastic experience. The rich culture and history of the place, the stunning natural beauty, and the mouth-watering cuisine made for an unforgettable journey. I will certainly come back to this charming city and explore more of what it has to offer.

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AVEDAD: A MODERN PARADISE P

araiso de Avedad Located in the beautiful province of San Pablo, Laguna in the Philippines, Paraiso de Avedad is a hidden gem that offers visitors a tranquil escape from the hustle and bustle of city life. Owned by Shanlane Fule Sta. Ana and P/ BGen. Romeo SJ Sta. Ana Jr. (ret.), Paraiso de Avedad was established in 2012 and has become a popular destination for tourists and locals alike.

One of the highlights of Paraiso de Avedad is its breathtaking natural surroundings. Surrounded by lush foliage, towering palm trees, and gently flowing rivers, the resort offers guests an opportunity to connect with nature while enjoying modern amenities and comfortable accommodations.

Speaking of accommodations, Paraiso de Avedad offers a range of unique and charming lodging options. Guests can choose from nine capsule houses, seven nipa huts (one with AC), a family hut, two tree houses, and a cabana (with AC) in the pool area. All accommodations are designed to allow guests to apSouth East Asian Artists Magazine

preciate their natural surroundings, with large windows and open-air designs that allow for a constant flow of fresh air.

While at Paraiso de Avedad, guests can also take advantage of the many recreational opportunities available on site. The resort features a multi-purpose basketball court that can also be used for volleyball and pickleball, a spacious playground for children, and of course, a refreshing swimming pool that's perfect for a quick dip. Please note that use of the pool requires advance reservations and will be exclusive to the group.

Those who enjoy good food are in for a treat at Paraiso de Avedad. The resort's main restaurant, Cafedad, is located on site and serves both local and international cuisine. Whether you're in the mood for Filipino comfort food or a tasty burger, Cafedad has you covered.

Although overnight stays are not yet available, Paraiso de Avedad has plenty of exciting plans for the future.

The resort is currently working on building a water mill and an ancestral house that will serve as a mini-gallery and souvenir shop. Additionally, there are cabanas along the river and a multi-purpose court that can be used as a function hall.

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Finally, Paraiso de Avedad is a destination that celebrates creativity. Every last Saturday and Sunday of the month, the resort invites a local artist to showcase his talent by painting in the open area. In addition, Paraiso de Avedad hosts an annual art and bonsai exhibit that showcases the talents of many local artists. In conclusion, Paraiso de Avedad is a must-visit destination for anyone looking to relax and unwind in the beauty of nature. With its cozy accommodations, range of amenities, and exciting plans for the future, the resort is truly a paradise worth experiencing.

—Ingrid Aimee Peñaflor

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South East Asian Artists Magazine

5 Tools For Sketching Quickly Scott Maier / Artists Network

Showcase your talent and win big in Artists Network prestigious art competitions!

Discover competitions in a variety of media and enter for your chance to win cash prizes, publication in leading art magazines, global exposure, and rewards for your hard work. Plus, gain valuable feedback from renowned jurors. Let your passion shine through – enter an art competition today

We recommend these sketching tools based on insights from courtroom sketch artists.

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re you looking to quickly express your creative visions and capture the emotion of a moment?

Who better than a courtroom artist to talk about sketching quickly? This article investigates five essential tools: oil pastels, clutch pencils, charcoal sticks, brush pens, and toned mixed media paper, to help hone your practice.

When cameras are prohibited in a courtroom, works created by courtroom artists bring key moments in the trial to life as a complement to the written record.

From the solemn atmosphere of a courtroom to its intense moments, courtroom artists capture it all as they translate complex legal proceedings into lasting images. Courtroom artists work quickly and need materials that make it possible. There is no set “toolkit” that all artists work with, but here are five common materials that are frequently used.

Learn more about the lives of a working courtroom artists in this article.

5 Tools For Capturing the Moment Quickly Oil Pastel Artists can work quickly and efficiently with oil pastels, perfect for indoor environments like a courtroom due to their lack of solvents or odors. These Sennelier pastels South East Asian Artists Magazine

are a great choice, with a unique formulation of premium pigments combined with a pure synthetic binding medium and mineral wax. They are long-lasting and have an excellent pigment load!

Clutch Pencils

Brush Pens

Clutch pencils offer a unique drawing experience.

Unlike traditional wooden pencils that need to be continually sharpened as the lead is used up – no mess from shavings! Quick working artists will appreciate this iconic tool for its convenience and speed of use.

Brush pens, like this Pentel Pocket Brush Pen, are ideal for creating fine to broad lines with a single brushstroke. Portable and refillable with permanent pigment ink, it’s perfect for quick, expressive, and dynamic marks.

Charcoal Sticks For creative artists looking to develop their drawing and sketching skills, General’s Primo Euro Blend Compressed Charcoal Sticks are the ideal choice. Each set includes four distinct materials — Extra Soft 3B; Soft B; Medium HB, and White — providing a quick way to achieve a range of values.

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Toned Mixed Media Paper Some courtroom sketch artists prefer to work on toned paper, selecting a tone that reflects the colors and light of the courtroom. Toned mixed media paper, like these products from Strathmore, allows artists to work in a variety of media, and build both lights and darks easily.

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A Journey of Self-Taught Artistry

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Ingrid Aimee Lopez Peñaflor I

s a remarkable artist who has carved her own path in the world of art. With a double degree in Business Administration and BS Psychology, she possesses a unique perspective that enriches her artistic endeavors. While her academic achievements are commendable, it is her true passion for art that sets her apart.

From a young age, Ingrid Aimee displayed an innate talent and fascination for the world of art. She embarked on her artistic journey as a self-taught artist, exploring various styles and techniques to develop her skills. Inspired by the surrealist master Salvador Dali, she initially delved into the realm of surrealism, creating captivating and thought-provoking pieces.

However, as her artistic journey progressed, Ingrid Aimee found herself drawn towards the realm of abstract art. This shift allowed her to fully express her creativity and explore new possibilities. Her abstract works are a testament to her boldness and willingness to push boundaries.

Ingrid Aimee's abstract pieces are characterized by bold strokes, layering, and South East Asian Artists Magazine

Manolito Acrylic on Canvas 24 x 24in 2023

transparency. She skillfully combines these elements to create a mesmerizing monogram effect that captivates the viewer's attention. Each stroke and layer intertwines, creating a visual symphony that evokes a sense of depth and complexity.

What sets Ingrid Aimee apart is her ability to infuse her emotions and experiences into her artwork.

Her abstract pieces serve as a medium for selfexpression, allowing her to convey her innermost thoughts and feelings. Through her art, she invites viewers to embark on a journey of introspection and self-discovery.

Ingrid Aimee's dedication to her craft is evident in the meticulous attention she pays to every detail.

She spends countless hours experimenting with different techniques, exploring the interplay of colors, and refining her artistic style. Her commitment to continuous growth and improvement is a testament to her unwavering passion for art.

Panda Acrylic on Canvas • 24 x 18in • 2022

Beyond her artistic pursuits, Ingrid Aimee is a firm believer in the power of art to inspire and uplift others. She actively participates in local art exhibitions and community events, sharing her talent and spreading the joy of creativity. Through her involvement, she hopes to ignite a spark of artistic passion in others and encourage them to pursue their dreams.

Ingrid Aimee Lopez Peñaflor is a true testament to the transformative power of art. Her journey as a self-taught artist, coupled with her academic achievements, showcases her multidimensional approach to life. Through her abstract works, she invites viewers to explore the depths of their own emotions and embrace the beauty of selfexpression. As Ingrid Aimee continues to evolve as an artist, we eagerly anticipate the next chapter of her artistic journey. With her unwavering dedication, unique perspective, and boundless creativity, she is poised to make a lasting impact on the art world and inspire generations to come.

—Ruth Espinosa

Dash • Acrylic on Canvas • 24 x 18in • 2023

Emilia Acrylic on Canvas 24 x 24in 2023

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Harmony in Hues: The Artistic Odyssey of Dang Tuan

In the heart of Vietnam, amidst the ancient

streets of Hanoi, Dang Anh Tuan found his muse. Born and raised in the capital city that boasts millennia of culture, Tuan's artistic journey is a captivating narrative of passion, culture, and an unyielding commitment to the canvas.

Dang Anh Tuan was born in 1969, a time when Vietnam was navigating the complexities of its history.

It was against this backdrop that Tuan's fascination with art began to blossom. His early years in Hanoi, a city that has seen dynasties rise and fall, provided him with a unique lens through which to view the world. The rich tapestry of Vietnamese culture became the palette from which he drew his inspiration.

As a testament to his dedication to the craft, Tuan graduated from Vietnam's University of Fine Art in 1996. The academic corridors became the crucible South East Asian Artists Magazine

where his raw talent was refined and his understanding of the expressive power of art deepened. Since then, Tuan has embraced the life of a full-time artist, weaving his experiences and cultural roots into the very fabric of his creations.

Tuan's artistic inclination found early inspiration in the revolutionary ideas of French artist Paul Gauguin. Gauguin's exploration of the primitive and exotic spoke to Tuan's soul, sparking a fire that would burn brightly in his early works. His paintings, a kaleidoscope of human emotions, nature's intricacies, and the diverse cultures he encountered during his travels, are a visual symphony that transcends the canvas.

The varying materials Tuan employs in his artwork reflect the depth of his experimentation and the breadth of his artistic exploration. From the rich textures of oil to the traditional allure of lacquer, the ver-

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Young single Mother • Acrylics on Canvas • 2018 • 150cm x 150cm

satility of acrylic, and the delicate touch of silk, Tuan's creations embody a harmonious blend of tradition and modernity.

Expressive abstraction is the heartbeat of Tuan's artistic style. His brushstrokes are not mere lines on canvas; they are an intimate conversation with the viewer's emotions. Tuan's paintings beckon, encouraging observers to delve into the layers of his work, where every stroke tells a story and every hue evokes an emotion.

His artistic prowess has not gone unnoticed, and a string of awards punctuates his career. In 2000, the Vietnam Literature and Art Association acknowledged his contribution to the artistic landscape. The South East Asian Artists Magazine

32 With Umar Chusaeni (Indonesian Artist),Januri (Indonesian Artist), Dang Tuan, Hadi Soesanto (Indonesian Artist), and Nguyen Nghia Cuong (Vietnamese Artist)

year 2004 brought a grant from the Vietnam and Sweden Culture Promotion Foundation, a testament to the international resonance of his work. The European International Book Art Biennal honored him in 2010, and in 2018, the 4th Paris Art Fair crowned his career with distinction.

One of the zeniths of Tuan's journey as a painter was his role as the curator of the Open Lacquer project. This ambitious endeavor, a collaboration between Vietnamese and international artists, unfolded at the Hampden Gallery in Massachusetts, USA, in 2011. The project not only showcased Tuan's ability to push the boundaries of artistic expression but also served as a cultural bridge, connecting artists from different corners of the globe.

Emotional Exchange • Acrylic on Canvas • 100 x 100cm • 2020

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In 2019, Tuan's commitment to fostering artistic exchange took a tangible form with the founding of Palm Artspace. This venture, where he wears the dual hats of founder and curator, stands as a testament to his desire to create a space where Vietnamese and international artists can converge, share ideas, and collectively contribute to the global art dialogue.

As the curator of Palm Artspace, Tuan has created

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Harmony • Acrylic on canvas • 100cm x 100cm • 2022

An Art Patron with Dang Tuan

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more than a physical gallery; he has birthed a community. A space where artists from diverse backgrounds converge, each brushstroke becomes a language, and every canvas is a chapter in a global narrative of creativity.

The title "Harmony in Hues" encapsulates not just the visual splendor of Tuan's artwork but also the melodic resonance that echoes through the cultural and emotional tapestry of Vietnam. It is a testament to the delicate balance he strikes between tradition and innovation, a harmony that pervades not only his canvases but also the spaces he creates for artistic discourse.

In a world that often seems tumultuous, Dang Anh Tuan's art is a soothing melody, an invitation to pause and immerse oneself in the symphony of life. His journey from the ancient streets of Hanoi to the global stage is not just a personal narrative but a shared odyssey, an exploration of culture, identity, and the profound impact art can have on the human soul.

Through his work, Tuan invites us to see beyond the brushstrokes and into a world where colors speak, cultures converge, and the canvas becomes a mirror reflecting the collective spirit of humanity.

—Ingrid Aimee Peñaflor South East Asian Artists Magazine

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Harmony in Hues: The Artistic Odyssey of Dang Tuan

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Adrian Morales

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Neo-Morales-ism A Filipino artist, has captivated audiences

with his unique style of art known as Neo-Morales-ism.

Born in Baganga, Davao in 1971, Morales later moved to Cotabato in 1986, amidst the turmoil of the EDSA Revolution. Despite facing difficult circumstances, Morales's talent and passion for art shone through.

Having pursued formal studies in mechanical engineering, Morales was able to merge his technical knowledge with his artistic abilities. In Cotabato, where daily life was plagued by gunfire between the army and rebels, Morales witnessed the harsh realities of the world. Bodies strewn across the town became a haunting image in his mind. However, fate had other plans for Morales when he was brought to Manila after his grandmother's passing.

Under the guidance of his aunt, Emma, and her husband, William Yu, Morales' artistic journey took flight. From a young age, Morales displayed a talent for drawing, often creating illustrations of superheroes with exaggerated muscles. While some teachers may have discouraged this form of expression, Yu recognized Morales' potential and encouraged him to pursue his artistic talents. Morales became Yu's assistant, honing his skills and learning from his mentor's expertise.

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In addition to his training with William Yu, Morales also learned the art of landscape painting from Dexter Trinidad. Trinidad not only taught him the techniques but also provided him with the opportunity to earn a modest income. Morales would create initial drawings on canvas, laying in base paints, and Trinidad would finish them, sign them, and pay Morales a fee.

Furthermore, Morales apprenticed under another artist named Inday Cadapan, further expanding his artistic horizons.

As Morales embarked on his solo career, his early paintings primarily featured solitary figures, reminiscent of his teacher's style. However, he soon realized the importance of finding his own artistic voice.

Encouraged by Mario Alcantara, Morales began to push himself and break away from the influence of William Yu's style.

To establish a universal appeal for his figures, Morales deliberately removed some of the intricate details from their faces, hands, and feet. This decision was motivated by his desire to transcend cultural boundaries and create art that would be appreciated by people from various backgrounds. Morales understood that some parts of the world harbored racial discrimination, especially towards Filipinos, and he wanted his art

Blessing under the sun Acrylic on Canvas 2023 48 x 96in

to be inclusive and relatable to all viewers. The intention was not to erase his Filipino roots but to ensure that his art would be accessible to a wider audience.

Despite his undeniable Filipino heritage, Morales often encounters the misconception that he is a Mexican artist. This misunderstanding highlights the universality of his art and its ability to resonate with people from different cultures and backgrounds.

With his Neo-Morales-ism style, Adrian Reyes Morales continues to captivate art enthusiasts around the world.

Through his creative and thought-provoking works, Morales invites viewers to explore themes of identity, cultural inclusivity, and the power of artistic expression.

As a Filipino artist, Morales not only represents his heritage but also serves as an ambassador for the collective human experience through his captivating artwork.

—Ingrid Aimee Peñaflor

Bountiful Harvest • Acrylic on Canvas • 60 x 36in • 2023

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Orange Composition • Acrylic on Canvas • 24 x 24in • 2023

julius clar 38

a filipino artist with modernist and minimalist temperament A Filipino artist, was born in Surigao del Sur

and spent his early years in a humble environment with minimal resources. Despite the challenges, Clar's determination and passion for the arts led him on a remarkable journey that would eventually establish him as a prominent figure in the Filipino art scene.

After completing his Bachelor of Science in Journalism in Manila, Clar ventured into the corporate world, initially working as a corporate writer at Dutch Boy and later at the Local Water Utilities Administration.

These professional experiences provided him with a solid foundation in writing, photography, and magazine design, honing his skills and nurturing his creative sensibilities.

It was during his tenure in the corporate world that Clar's latent passion for painting began to emerge.

The years spent crafting engaging narratives and visually captivating layouts for magazines laid the groundwork for his transition into the world of visual arts. Upon retiring from his corporate career, Clar delved into the realm of painting, drawing upon his diverse experiences to inform and inspire his artistic endeavors.

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Clar's artistic style can be best described as modernist, characterized by a minimalist temperament that reflects a profound simplicity and elegance in his works. Despite lacking formal training in painting, his approach to art is deeply rooted in symbolism, employing techniques that evoke a sense of introspection and contemplation in the viewer.

The absence of formal training allowed Clar to explore unconventional and unorthodox methods, resulting in a unique and distinctive artistic voice. His paintings often embody a sense of depth and complexity, inviting viewers to unravel layers of meaning and interpretation. Through his symbolistic approaches to painting, Clar transcends traditional artistic boundaries, offering a fresh perspective that challenges conventional norms and expectations.

In his works, Clar masterfully navigates the interplay of form, color, and space, creating compositions that exude a sense of harmony and balance. His artistry is a testament to the power of intuition and instinct, as he fearlessly experiments with different visual elements to convey his artistic vision.

Venus de Milo • Mixed Media on Canvas • 24 x 18in • 2023

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Black Hole Acrylic on Panel 44 x 14in 2023

Today, Julius Clar stands as a testament to the boundless potential of the human spirit and the transformative power of art. His journey from a modest upbringing to a celebrated artist serves as an inspiration to aspiring creatives, demonstrating that passion, perseverance, and a willingness to defy conventions can lead to extraordinary achievements. As Julius Clar continues to captivate audiences with his thought-provoking and visually arresting works, his legacy as a Filipino artist is firmly cemented in the annals of contemporary art. His contributions serve as a testament to the richness and diversity of the Filipino artistic landscape.

—Ingrid Aimee Peñaflor

Blue • Mixed Media on Canvas • 24 x 18in • 2023

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The Magic of Borobudur Text and images by Ingrid Aimee Peñaflor

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V

isiting Borobudur, Indonesia has truly been an unforgettable experience for me. Along with other talented Filipino artists, I had the opportunity to showcase my artwork through an exhibit titled Expression: Cross Border Visual Art Exhibition. With the support of the Philippine Embassy of Jakarta, this exhibition was made possible by the generous assistance of Mr. Roy Espinosa of Filarts and Mr. Umar Chusaeni of Limanjawi Art house.

With the success of our exhibit, we found ourselves with enough free time to explore the region. One of the most incredible moments of our trip was visiting the famous Borobudur temple. As we walked around, we were able to truly experience the history of the ancient temple. Every intricate detail of the temple taught us something new, and it was a great educational experience.

Another highlight of our trip was climbing the Dieng Plateau early in the morning. We woke up before sunrise, equipped with our blank canvases and paints.

As the sun began to rise, we were able to see the beauty of the surroundings in a new light. The moment was so magical, we decided to sing along.

One thing that stuck with me during our trip was how accommodating and authentic the people of Borobudur are. I met new friends and was amazed at their kindness and hospitality.

South East Asian Artists Magazine

Overall, I am so grateful for the opportunity to have visited Borobudur, Indonesia. From the success of our Expression: Cross Border Visual Art Exhibition to the incredible moments of experiencing the region's natural wonders, this trip felt like a dream come true. I will always remember and cherish every moment spent in such a beautiful place.

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South East Asian Artists Magazine

WAITING TO BE DISCOVERED IS FOUL…!

By Safa Büte

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L

et the glitters, the light of your eyes, your secrets and beauties that make you who you are, stay with you. Stay pure and clean! Live without anyone noticing you. Live so that; No one, but no one should know that you are a drop in the sea, or a sea in the drop. Live such a life; Let not even a tiny fish understand that you are a sea. Otherwise you will perish. They take from you everything that makes you you, everything that makes you valuable. Then; you're done. You disappear.

I have never taken pleasure in the praise of arrogant people and those who do not understand art.

They are always; They told what they could see, not what they couldn't see.

Artist, you who call yourself an artist; Are you so far from secrets that a wise man can discover it right away; Are you waiting to be discovered by many knowledgables? Looking into the eyes of each praiser; you are smiling. Hide your secrets, inner world, and mood in your painting, in your work; Let some who look at your picture understand you, some understand a little, and only a few people understand you very little.

Some don't understand at all, only you understand..!

But no one should understand at least half of your work. Just you..! Only you know, you understand..!

Discovery and fame means others own and market what you have. What happens next? Your mood cannot afford to produce as before. Then you start babbling.

They say, "The man sells his signature, not his picture."

What a pain.

South East Asian Artists Magazine

Nothing remains but his signature. Some also lose their signature. Saying art, he exhibits the empty frame that he cannot fill, and a fool who knows too much buys it. Such so-called artists; It comes from those who try to sell their so-called non-existent works that were previously inflated with air bubbles blown into them.

There are pictures on display in the display, but there are actually not. The so-called artist stole from him and plagiarized him, he has nothing of his own. If you add copyists to these, see what state the art is in? Those who stole it, those who came out as me… Hey hey hey,

many of them became famous! Wow Wow wow.! I am not at all surprised that those who copy other people's pictures and present them as their own are so stupid and unintelligent. Because in their own brains, crops, eyeballs, fingers with pencils and brushes, they do not have a soul, creativity or anything else of their own. If it did, it wouldn't transfer other people's dreams onto its own canvas. What foolishness and audacity..!

Safa Bute, 31 October 2022 Nigde – Türkiye

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South East Asian Artists Magazine

ART NiGDE INTERNATIONAL ART and HOLIDAY in Cappadocia

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South East Asian Artists Magazine

ART NİGDE INTERNATIONAL DORIS TOUR & LIST Of Travel Services Present Curated By Safa Büte ART and HOLIDAY in Cappadocia

NOTE In a double room two people will be stayed Total price is 1050 euros for each person if registered before 31 dec 2023 after christmas 1250 euros…

If anyone wants to stay alone in a double room, the price is 1450 euros before 31 dec 2023, after 31 dec 2023 1650 euros

Between the dates 23-29 May 2024 5-star hotel 7 nights breakfast & dinner WILL BE VISITED Celaleddin Rumi in Konya Niğde art gallery Famous İvriz rock reliefs The only fresco in the World of Smiling Madonna Olimpic marble pool of the Roman period The second largest canyon in the world, The world's first underground city, 80 meters deep, Fairy chimneys created by nature, Cave houses and other surprises... wine cellars, Turkish night inside the carved cave...

Red Pit, one of the places where the sun sets best Always everywhere we go sketch Works (sketch pad and pencil will be given by us)

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South East Asian Artists Magazine

A

Filipino artist, has captivated art enthusiasts with his unique blend of abstract expressionism and mixed media. Monserrat's artistic journey took an unexpected turn when he found a business partner in Mr. Kenneth Ipapo, who not only purchased one of his artworks but also became his collaborator. For Monserrat, this partnership marked a new beginning, as he finally felt that the "supreme authority" had heard his artistic desires. Although he never attended a formal art school, Monserrat's works embody the essence of creativity and the freedom of art, often incorporating recycled or found objects.

Unlike many artists who undergo formal training, Monserrat's artistic journey began organically, driven solely by his passion and innate talent. He believes that the true essence of art lies in the freedom to express oneself, and this philosophy is reflected in his choice of abstract expressionism and mixed media.

Monserrat's works are not confined by traditional boundaries; instead, he paints what his heart desires, allowing his emotions and intuition to guide his creative

Bert Monserrat 46

Redefining Artistic Expression process. His art is a testament to the power of imagination and the ability to transform ordinary objects into extraordinary works of art.

Mr. Kenneth Ipapo, a discerning art enthusiast, discovered Monserrat's artwork and was instantly captivated by its raw energy and emotional depth.

Intrigued by Monserrat's unique style, Ipapo sought out the artist and proposed a partnership. Recognizing the potential in this collaboration, Monserrat eagerly accepted. Together, they embarked on a creative journey, exploring new artistic horizons and pushing the boundaries of their respective styles.

This partnership not only provided Monserrat with a newfound sense of validation but also allowed him to expand his artistic vision and reach a wider audience.

Monserrat's artistic process is deeply rooted in his belief in the transformative power of art. He finds inspiration in everyday objects, often incorporating recycled or found materials into his works. By repurposing these objects, Monserrat breathes new life into them, giving them a renewed purpose and meaning. His art serves as a reminder that creativity knows no bounds and that beauty can be found in the most unexpected places. Through his use of recycled and found objects, Monserrat not only creates visually striking pieces but also highlights the importance of sustainability and environmental consciousness.

South East Asian Artists Magazine

Modern Aura Existence • Acrylic on Canvas • 48 x36in

Monserrat's art has garnered acclaim for its ability to evoke powerful emotions and provoke thought. His abstract expressionist style, combined with mixed media techniques, creates a visual language that resonates with viewers on a profound level.

Monserrat's works transcend cultural boundaries, inviting people from all walks of life to experience the beauty and complexity of his art. Through his

partnership with Mr. Ipapo, Monserrat's artistic voice has been amplified, allowing his unique perspective to reach a wider audience. Today, Monserrat continues to push the boundaries of artistic expression on the Filipino art scene. Bert Monserrat's artistic journey is a testament to the power of passion, creativity, and the freedom of artistic expression. Through his art, Monserrat reminds us that true creativity knows no boundaries and that art has the power to transform and inspire.

— Ingrid Aimee Peñaflor

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Mature Evolving • Mixed Media • 36 x 48in • 2023

Roads you need to take Alone • Mixed Media • 36 x 48in • 2023

Mind life of view • Mixed Media • 36 x 48in • 2023

Motherhood Media • Mixed-Media • 24 x 32in

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Himno ng Komposisyon • Oil on Canvas • 24 x 33in • 2023

Capturing the Enchanting Allure of Women and Children lito milan A

Filipino artist hailing from Biliran, Leyte, possesses a rare talent for capturing the captivating beauty of women and children through his art. Despite being born into a humble family, Milan's artistic spirit has always been evident. At a tender age, he began showcasing his innate skills through his initial sketches.

It was during this time that people started to take notice of his remarkable ability to wield colors and create subtle yet powerful images on paper and canvas.

Milan's artistic prowess was so exceptional that many encouraged him to pursue a career in painting.

Although he initially enrolled in the art program at the University of the Philippines, financial constraints South East Asian Artists Magazine

forced him to drop out. Nevertheless, Milan's mentors recognized his immense potential and urged him to continue honing his craft.

In1982, Milan embarked on his journey to participate in prestigious art competitions. It was during this time that he achieved a significant milestone by winning an award from the National Museum. This recognition served as a testament to Milan's exceptional talent and marked the beginning of his rise to prominence within the Filipino art scene.

Milan's artistic style is characterized by his ability to capture the essence and emotions of his subjects. His paintings exude a sense of grace, tenderness, and vulnerability, particularly when depicting women and children. Through his masterful use of colors, Milan brings his subjects to life, allowing viewers to connect with the emotions and stories they convey. The themes explored in Milan's artwork often revolve around the beauty of everyday life, the resilience of the Filipino spirit, and the importance of family and community. His paintings serve as a visual narrative, showcasing the rich cultural heritage and traditions of the Philippines. Milan's works have the power to transport viewers to a world where they can experience the warmth and vibrancy of Filipino culture.

Throughout his career, Milan has exhibited his artwork in numerous solo exhibitions, locally. His paintings have been featured in galleries and museums, captivating audiences with their evocative imagery. Milan's contributions to the art world have earned him accolades and recognition, solidifying his position as one of the most esteemed Filipino artists of his generation.

Maruja series 2 • Oil on Canvas • 36 x 26in • 2023

Beyond his artistic achievements, Milan is also known for his dedication to nurturing the next generation of artists. He has served as a mentor and teacher, sharing his knowledge and passion with aspiring artists. Milan firmly believes in the power of art to inspire and transform lives, and he is committed to passing on his legacy to future generations.

Indeed, Lito Milan is a Filipino artist whose exceptional talent and artistic vision have captivated audiences. Through his masterful use of colors and his ability to depict the enchanting allure of women and children, Milan's paintings evoke a sense of grace, tenderness, and cultural richness. His contributions to the art world and his commitment to nurturing young artists have solidified his place as a revered figure in the Filipino art scene. Milan's journey serves as an inspiration to aspiring artists and a testament to the transformative power of art.

— Ingrid Aimee Peñaflor

Panunuyo • Oil on Canvas • 48 x 30in • 2023

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The Filipino Artists' Journey at Beyond Contemporary Art Penang (BCAP)

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Filarts Group from L-R Manuel Sinquenco, Al Vargas, Art Lozano, Ingrid Aimee Peñaflor, Fe Madrid, Mr and Mrs YB Wong Hon Wai Penang State Executive Councillor for Tourism and Creative Economy (PETACE), Roy Espinosa, Mr & Mrs Dato’ Chng Huck Theng Founding President, Beyond Contemporary Art Penang (BCAP), Doodz Iligan and Lloyd Lusica.

In the vibrant world of art, a group of Filipino

artists, led by the esteemed Mr. Roy Espinosa, embarked on a remarkable journey to participate in the Beyond Contemporary Art Penang (BCAP) held at Penang, Malaysia. The participating Filarts artists, including Celso Duazo Pepito, Fe Madrid Pepito, Al Vargas, Art Lozano, Manuel Sinquenco, Lloyd Lusica, Doodz Iligan, and yours truly, were thrilled to be part of this enriching experience.

South East Asian Artists Magazine

The BCAP, hosted at St. Giles at The Wembley Hotel from November 9th to12th, 2023, provided a platform for artists to showcase their paintings and connect with a diverse community of art enthusiasts. Our booth proudly displayed our collective works, each piece reflecting the rich cultural heritage and artistic prowess of the Philippines. The event was not just about exhibiting art; it was a celebration of creativity and a convergence of artistic minds from around the world.

During our time at BCAP, we had the opportunity to forge meaningful connections with fellow artists, fostering a sense of camaraderie and mutual appreciation for each other's craft. Engaging with the local art scene and experiencing the vibrant Penang culture left an indelible mark on our artistic sensibilities.

One of the most unforgettable moments of the event was witnessing Mr. Roy Espinosa being honored with the inaugural BCAP Art Legacy Award. His dedication and contribution to the art community were recognized and celebrated, filling us with immense pride and inspiration.

Moreover, Mr. Celso Duazo Pepito graced the event as a guest speaker, sharing profound insights on the role of art in driving social change. His thought-provoking discourse resonated deeply with the audience, igniting meaningful conversations about the transformative power of art in society.

Following the enriching experience at BCAP, we seized the opportunity to explore Kuala Lumpur, albeit briefly, immersing ourselves in the city's allure.

Our whirlwind visit allowed us to marvel at the iconic Petronas Towers, which stood majestically against the night sky, leaving an awe-inspiring impression on our hearts and minds.

Our journey to BCAP and the subsequent exploration of Kuala Lumpur served as a testament to

the unifying force of art and the boundless inspiration that travel brings. As we returned home, our hearts brimmed with cherished memories, newfound friendships, and a renewed sense of purpose in our artistic endeavors. The experience was a testament to the transcendent nature of art and the profound connections it fosters across borders and cultures.

— Ingrid Aimee Peñaflor 51

Awardees of Art Legacy Awards from L-R Mr. Richards Chang (Taiwan), Mr. Roy Espinosa Founding President Filarts Inc. (Philippines), Dato' Vincent Sim Tiak Choo (Malaysia), Dato' Tan Chiang Kiong (Malaysia), YB Wong Hon Wai Penang State Executive Councillor for Tourism and Creative Economy (PETACE), Dato’ Chng Huck Theng Founding President, Beyond Contemporary Art Penang (BCAP), Mr. Hijjas Kasturi, OAM (Malaysia), Mrs. Angela Hijjas, OAM (Malaysia), Dato' Dr. Tan Chee Khuan (Malaysia) and Mr. Adrian George (Singapore)

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NUVE Heritage 52

Hotel Art Space O

ne of the world’s busiest business and tourist capitals, Singapore, has long been the art aficionado’s paradise. With such vast wealth of public galleries, creative events, and white spaces, no selection of the top contemporary art galleries can be comprehensive. Aside from better-known exhibition spaces such as Gillman Barracks, ION and Ode to Art, some strategically located art space such as NUVE Heritage Café Art Gallery are well worth a visit.

This humble art space is one to watch. It places you within a 10-minute stroll of popular attractions such as Bugis Street Shopping District and Raffles City. This 19-room, 4-star hotel has conveniences like a restaurant, a bar/ lounge, free in-room WiFi and a wall space dedicated for visual art.

NUVE Heritage art space has become the hub of burgeoning artistic life for established and promising young artists. With only 2 set of spacious walls with high ceiling, the exhibition space is undeniably compact – but each show is allowed to breathe, with a surprising fluidity between the rooms and space to wander with the knowledge to communicate with the nature of the displayed artworks. Although the gallery platform is dominated by twodimensional art forms, it champions contemporary artists with wide-reaching horizons, including sculptures. For those who enjoy art that tells a story, while staying at a cosy room, enjoying pastry and black coffee, this space exhibitions are unlikely to disappoint.

By Abu Jalal Sarimon, abjartstudio@sg Art Organiser, NUVE Heritage Hotel Art Space 13 Purvis Street, Singapore 188592 Email : abjsarimon@yahoo.com.sg Phone : +6596647914 Website : contact@hotelnuveheritage.com

South East Asian Artists Magazine

Previous Shows

Imago Mundi 3 Nations Art Exhibition Singapore, Malaysia, Indonesia December 2017

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Enchanted Odyssey 3 Nations Art Exhibition, Singapore, Philippines, Indonesia, Art dialogue with artists, Roy, Migz, Abu Jalal and Art Buyer Mr Damien, June 2019

My Place Your Place, Solo Art Exhibition by Allen Sanchez, young Philippine artist February 2020

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The Museum and Gallery of Modern and Contemporary Art The Museum and Gallery

Modern Art

s dedicated to collecting, preserving, and interpreting developments in the late 19th century to post-World War II art through 1970’s (Modern Art) and 1970’s to the present (Contemporary Art) in all media and creating a welcoming environment for its public appreciation. The Museum promote understanding and interest in art and artists through art shows and exhibitions, curatorial research and publications, and a variety of educational programs, including lectures, guided tours, and workshops.

Modern Art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. More recent artistic production is often called contemporary art or postmodern art.

The Museum is an organic, changing place. Although all the works seen are part of our permanent collection, in order to show the full range of our holdings - over 2,000 objets d’art - and to accommodate important temporary exhibitions, certain works must occasionally be taken off view.

Contemporary Art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world.

Some define contemporary art as art produced within “our lifetime”.

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South East Asian Artists Magazine

Contemporary Art

Free Admission Come Visit Us by Appointment Mon - Fri: 10am - 4pm Sat, Sun and Holidays: Closed Moncada - Alcala - Bayambang National Road (Arboleda Street) San Pedro Ili, Pangasinan, Philippines museumgallery.ph@gmail.com

Ray “ Beng “ Duque discussing to the Freedom and Love delegates about the museum.

French artist Salette Viana Le Cornet doing her mural

Delegates of Freedom and Love event who participated in the mural making in the wall of the museum.

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BRIEF

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HISTORY

Galeri Shah Alam was founded under the management of Selangor Darul Ehsan Art Foundation on 26th January 1991 and was perfectly officiated by Duli Yang Maha Mulia Sultan Salahuddin Abdul Aziz Shah on 6th July 1991.

Selangor Darul Ehsan Art Foundation was inspired by Duli Yang Maha Mulia Sultan Sharafuddin Idris Shah Alhaj Ibni Almarhum Sultan Salahuddin Abdul Aziz Shah Alhaj when he was the Duli Yang Teramat Mulia Raja Muda Selangor, where he himself has deep interest and fond of painting.

To realize the inspiration, a discussion between Duli Yang Teramat Mulia Raja Muda Selangor, YM Raja Zahabuddin Raja Yaacob (Prof. Dato’), Syed Ahmad Jamal (Datuk), Tuan Haji Mohd. Musa Ideris and Encik Kassim (Dato’ Dr.), the expert in paintings and design, museum and law was done in order to help implement Duli Yang Teramat Mulia Raja Muda Selangor’s inspiration, in planning the outline of Galeri Shah Alam function and establishment under Selangor Darul Ehsan Art Foundation .

This former Selangor’s Cultural and Tourism Office building with a traditional Malay design, was designed by Puan Maimunah Deraman in the early 1980s. Then, Shah Alam City Council renovated the building to facilitate the art activities in Galeri Shah Alam.

Other than that, the building was designed with traditional Malay design and carving precisely demonstrated Galeri Shah Alam foundation objectives. Therefore, it was in line with the efforts made to the awareness, understanding, and appreciation toward art and integration of plural society in Selangor to popularize the nation’s visual and liberal art.

Galeri Shah Alam as an art centre and tourism attraction in the Klang Valley, is located in the middle of Shah Alam city core. The beautiful building with exquisite traditional Malay art and design surrounded by the lake and recreational park added the ‘art’ value. Besides the peaceful and cosy atmosphere, it can attract more people to visit Galeri Shah Alam.

South East Asian Artists Magazine

Centre His Royal Highness Sultan Sharafuddin Idris Shah Ibni Almarhum Sultan Salahuddin Abdul Aziz Shah Sultan Of Selangor. (Chairman of Galeri Shah Alam) Sit from right of Sultan Prof. Raja Dato’ Zahabuddin Raja Yaacob (Board of Trustee) Ibrahim Bujal (retire), Iszuan Ismail, Khairulsani Ismail, Noor Mohd Ariff Hashim, and M.Hilmi Abd. Halim. Sit from left of Sultan Siti Nurani Adenan, Ratna Astuti, Nur Syafiqah Zainal, Shafinaz Ismail and Kamariah Mohammad.

The logo was inspired from a combination of soft elements of metaphoric and typography. The logo was made from a combination of the letters “SS” which means ‘Seni Selangor’, invented in abstract formation to highlight the art and aesthetic features. It also mirrors the functions and roles of Selangor Art Foundation in encouraging the visual and liberal art development.

To specifically make Shah Alam as an Art City to popularize the nation’s visual and liberal art.

To be the driving force of visual art and development activity, also variety of liberal art studies especially in Selangor and Malaysia in general.

To be the art reference for students of school, public and private institutions of higher education, and also to share experiences with the art activists especially the young generations.

To be the centre of exhibition for the painters and designers, besides as the tourism attraction.

To be the art heritage centre for the future generations.

To develop appreciation of cultural art through exhibition, poetry reading, discussion and more.

Roles of the Galeri Shah Alam • To Establish the Gallery Permanent Collection To acquire visual art works (drawings, paintings, sketches, sculptures, textile photography and others) from nation’s renowned artists from the early days until now as the permanent collections. The acquisition of foreign works is also made to enhance the Gallery collections.

• To Organize Exhibition Organizing periodical exhibition by inviting nation’s artists either solo or in groups. Exhibitions by foreign artists and art institutions also being held especially to

Islamic Art Exhibition, Khat Caligraphy 2018.

give chances to the local community to evaluate and as a reference on art development globally.

• To Organize Competition Art, photography and print art graphic competitions at South East Asian Artists Magazine

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school, institutions of higher education, district, state and national level are always held as one of the ways to develop skill and new talents in visual art.

• Art Education Programs like painting class, sculpture, print, textile and photography for children, teenagers and adults are held in line with main role of Galeri Shah Alam in its effort to provide art education to those who are interested.

• Research and Reference Provides reference materials for research such as books, magazines, exhibition catalogs, photos and slides, brochures related to local and foreign local art.

• Collaboration Programs Organize collaboration programs with National Art Gallery, National Museum, State Art Museum, local art galleries, local and foreign art institutions, government and private departments, local and foreign institutions of higher education and also foreign countries to ensure art programs can be done successfully.

Print making art activity by Faizal Suhif (Artist print maker and he is artist residency 2011)

Clients Charter Always ready to entertain, assist and give information to the artists, painters, art activists and art lovers.

To give feedback to enquiries regarding the collections and collections information within seven (7) working days.

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Always alert to the appropriateness of the needs to exhibit.

To organize Galeri Shah Alam Open Exhibition as a permanent annual activity.

Besides additional programs such as drawing competitions, workshops, drawing classes, related seminars, symposiums, conferences, talks and talk shows also take place.

Please follow us at: www.galerishahalam.com for any info about Malaysia Art scene South East Asian Artists Magazine

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Espacio Manila and Artphile Gallery are twin spaces that foster the artisanship of Filipino virtuosos ranging from conventional to contemporary visual masterpiece. These two galleries celebrate the intricate beauty of Philippine art, cultivating both fledging and prominent creators who significantly contribute to the local art scene. Albeit both serve as an avenue for various aesthetic sensibilities, Espacio Manila ventures as an exploration for the new media and contemporary expressions; while Artphile promotes the perennial pursuits of traditional artistic works. These two galleries continuously thrive since the inauguration in 2018, successfully hosting group exhibits by various artists as well as the Cebuano artists group lead by Orley Ypon, and the known contemporary art group, the KUTA Artist Group. They also held an exhibit for a cause by a three-man show between Bangladesh Pervaj Hasan Rigan and Nabila Nabi and the Philippines —Roy Espinosa. Espacio Manila also hosted Freedom and Love 2019 Plein Air Live Sketching with the visiting artists from all around the world. The twin galleries have been actively participating in ManilArt where they showcase the works of Roger San Miguel, Jean Govinda Marquesto, Mayi Peñaflorida, Pope Dalisay, Chito Borja and talents of their home-grown artists.

Artphile and Espacio Manila is located at the 2nd level of Festival Mall’s Expansion Wing, Alabang, Muntinlupa City.

For more information, email us at galeriecmg@gmail.com or reach us at 8 829 0831, 0998 964 0832 or 0917 829 3961.

South East Asian Artists Magazine

S’Kaki Art Residency + Art Gallery #skakiartgroup #skakiartstudio #skakiartresidency #skakiartgallery

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Why Looking for Studio art space for working in Art space in S’Kaki Malaysia and is part of the KL? Whether you’re a solo artist or a larger team, S’Kaki

growing artist network, meaning members in the space will have access to our Thailand, Indonesia, Singapore and Australian or over the world spaces for rent when they travel, with our S’Kaki Art Residency + Art Gallery .

‘Aim is to build a platform to bring our local art all over the world, and also bringing the world of art closer to us.’

Art For All Serviced Art Studio space and art Gallery for rent in Sri Rampai Kuala Lumpur on flexible week-tomonth terms.

space will find a space to suit with you !

Our S’Kaki Art Residency space brings Studio style Space to the capital, living with studio, Art Gallery space and hostel space for rent all available on easy, simple agreements.

Art space in S’Kaki Malaysia and is part of the growing artist network, meaning members in the space will have access to our Thailand, Indonesia, Singapore and Australian or over the world spaces for rent when they travel, with our S’Kaki Art Residency + Art Gallery .

South East Asian Artists Magazine

We offer a variety of spaces, if you are looking for a private space for just yourself or for a large team we’ve got you covered. Enquire now for more information and pricing. Price can negotiate.

Directions / Maps:- https://goo.gl/maps/xFcRonFvLY42 7-2, Jln 67/26 Taman Sri Rampai, 53300 Kuala Lumpur Parking Onsite parking available. (Beside School)

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Nearby Bus Stops Rapid – AEON @ Alpha Angle Shopping Mall.

Nearby Train Station Wangsa Maju Station or Sri Rampai Station visit site: https://skakiartresidencyartgallery.wordpress.com

South East Asian Artists Magazine

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During Filarts Beyond Expressions exhibition at the Palm Artspace

Palm Artspace is a contemporary art gallery seeking to promote a genuine appreciation and passion for Vietnam and international Arts, ranging from traditional to contemporary artworks. Established by Vietnamese visual artist Dang Tuan set in the midst of a lush greenery. It not only conducts art workshops for the young and the young at heart but is also home to local and international art exhibits.

The gallery boasts of paintings and sculptures of up and coming visual artists as well as established masters from the local and international art scene gracing its walls at one point in time. Diverse personalities flock the place to marvel at the visual art feast presented everytime the gallery holds an art show. Palm Artspace is dedicated to presenting artists who have brought esteem to Vietnam art by perfecting their skills and talents in traditional media and subjects.

Palm Artspace provides a venue for exploration of new media and contemporary expressions. It nurtures the fresh creativity of artists.“With Palm Artspace, we have given a space to artists who are bolder and more experimental in their creative pursuits. Their artistry could be described as contemporary but we could refer to them as the “Millennials” in Vietnamese art.”

Palm Artspace gallery is located at 188A Thao Nguyen Ecopark Hung Yen Vietnam.

South East Asian Artists Magazine

During the opening of Filarts Beyond Expressions in Palm Artspace between Vietnam and Philippine artists

Dorothea Fleiss artist residency at Palm Artspace 2019

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From left to right : Eddy Lui , Dang Tuan , Nguyen Phuong Mai , Winnie Mac , Pham Huy Thong, Khong Do Tuyen , Le Dinh Nguyen, Vu Binh Minh , Vu Minh

One of the guests looking immensely at the paintings

South East Asian Artists Magazine