RR Auction: Animation Auction by RR Auction

August 21, 2014

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The North End is steeped in history The Old North Church, the Paul Revere House, key stops along the Freedom Trail—Boston’s venerable North End is home to some American history heavyweights. Now it’s our home, too. Here, collectors and consignors can attend special auction events, preview featured items, and schedule professional appraisals—just as they’ve done for years in our New Hampshire office, where it’s still business as usual. RR Auction has a long history of achieving record-shattering results; with our new gallery situated in one of America’s most historic communities, we see a future filled with even more remarkable results.

(800) 937-3880 | www.RRAuction.com

MA/Lic. #3214

ANIMATION AUCTION Bidding begins on August 14th

An initial bid must be placed on lots by 6 pm Thursday, August 21st. A one hour extended bidding period begins followed immediately by the 30 Minute Rule at 7 pm. All times in RR Auction guidelines and instructions are stated according to the Eastern (U.S.) time zone.

This marks RR Auction’s first sale devoted entirely to animation art. As a joint venture with animation art specialist Harry Kleiman, owner of Collectors Paradise Galleries, we have assembled an eclectic collection of items worthy of our animation debut. The nearly 500 lot auction’s foundation is based upon titan Walt Disney, consisting of over 300 pieces from the iconic studio. Touchstones Fleischer, Warner Brothers, and Hanna-Barbera are all well represented as our catalog expertly weaves together the tale of animation, from Winsor McCay’s Gertie the Dinosaur, debuting in 1914, all the way up to the Simpsons’ animation of the 21st century.

Highlights

Lots 1–3: Gertie The Dinosaur production drawings Lot 9: Popeye and Donkey production cel and background from Let’s You and Him Fight Lot 55: ‘Betty Boop style’ Snow White production cel Lots 70–71: Evil Queen and Wicked Witch production cels Lot 72: Snow White rough animation drawings by Errol Gray Lot 113: Mickey Mouse as the Sorcerer’s Apprentice concept painting from Fantasia Lot 128: Jiminy Cricket key master setup from Pinocchio Lots 181–185: Mary Blair original concept paintings Lot 193: Peter Pan and Wendy production cel and background setup Lot 203: Lady and the Tramp production cel setup recreating the Bella Notte scene Lots 217–225: Eyvind Earle original concept paintings Lot 228: Briar Rose and Merryweather pan production cel and background Lots 236–239: Maleficent production cels, including two panoramas Lot 326–330: Master’s Series selections from Peter Pan, Bambi, and Pinocchio Lots 351–385: Carl Barks limited edition signed lithographs

With Harry Kleiman’s vast animation knowledge and RR Auction’s over 30-year auction experience it was a natural fit for us to collaborate on our premiere Animation Art Auction. We hope you enjoy the catalog, and enthralling works of art within, as much as we did putting it together!

Tricia Eaton (Animation Catalog Editor)

Auction Consultants Harry Kleiman, Animation Expert

Growing up in the Sixties, Harry Kleiman watched Saturday morning cartoons like most other kids, but beyond simply enjoying them, he was curious to learn how they were made. When, as a resourceful eleven year old, he reached out to Hanna-Barbera and Walt Disney Studios and received a welcoming response and actual animation cels, he had found his life’s passion. His family moved to Los Angeles in 1968, and virtually everyday after school for the next six years he visited nearly all the animation studios in LA. Kleiman fondly recalls, ‘I had more fun visiting with the people, hearing their stories, and learning from them than anything else.’ He was fortunate enough to know many animation icons, including: Walter Lantz, Bob Clampett, Hanna and Barbera, Chuck Jones, Marc Davis, Ollie Johnston, Frank Thomas, Ward Kimball, Grim Natwick, and Friz Freleng. As Harry grew older, he maintained relationships with these incredible people. In 1980, he finished college and started Collectors Paradise Galleries, attending about 30 conventions a year, buying, selling, and—his favorite—educating new collectors. In 1982, he was the first person to approach the Don Bluth Studio about selling the original cels from The Secret of Nimh, he later worked deals with Gary Goldman, and sold cels from Dragon’s Lair and Space Ace. In 1984, he partnered on Collectors Gallery in Studio City, where he interacted with customers from all over the world. Besides discovering many important collections, Kleiman himself accumulated one of the most prolific animation art collections in existence, portions of which he generously lent out to several animation scholars. In 1991, Harry even got to create his own limited edition animation cels produced by Walter Lantz and Universal Studios. As an animation veteran who’s been studying, buying, and selling this material nearly his entire life, Harry feels that now is the time to branch out and educate the next generation on this fascinating art form.

BOB EATON AND BILL WHITE, RR AUCTION

After 30 years in business, during which time well over 1,000,000 signed items have crossed their paths, no one has had more daily exposure to autographs than Bob Eaton and Bill White. To date, RR Auction has published more than 400 consecutive monthly catalogs. Several award-winning, in-depth published studies have earned Bill a reputation as a trusted authenticator. Bob, a PSA/DNA authenticator, is well established as one of the foremost authenticators in the autograph industry.

PHIL SEARS

For over 20 years Phil Sears has been the recognized world authority on Walt Disney’s autograph habits. Included among Phil-sears.com customers are the Walt Disney Company and the Walt Disney Family Museum. Sears’s items have been featured in Autograph Collector magazine, E Ticket magazine, Collect! magazine, and the biography Walt Disney’s Missouri.

Consignment Opportunities To consign to our next Animation Auction contact Harry Kleiman at (800) 937-3880 or Harry.Kleiman@RRAuction.com

Contents Early Film Animation �� 4 Winsor McCay �� 4 Fleischer Studio �� 6

Disney ��11 Disney Studio ��11 Mary Blair �� 67 Eyvind Earle �� 82 Master’s Series ��114 Carl Barks �� 120

Warner Brothers �� 130 Theatrical Short Cartoons �� 139 Hanna-Barbera Studios �� 142

Yellow Submarine �� 148 Classic TV Animation �� 150

Terms & Conditions �� 157

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Kelly Daniell Consignment Representative kelly.daniell@rrauction.com

Adam Karr Shipping Supervisor shipping@rrauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

Linda Hernandez Consignor Customer Service linda.hernandez@rrauction.com

Joe Doucette Inventory Executive joe.doucette@rrauction.com

Bobby Livingston Executive Vice President, Public Relations bobby.livingston@rrauction.com

Erika Rosenfeld Managing Editor erika.rosenfeld@rrauction.com

Sue Recks Customer Service Executive sue.recks@rrauction.com

Bobby Eaton Vice President of Operations Auctioneer, MA/Lic. #3214 bobby.eaton@rrauction.com

Tricia Eaton Editor, Authenticator tricia.eaton@rrauction.com

Sarina Carlo Creative Director sarina.carlo@rrauction.com

Bill White Lead Authenticator bill.white@rrauction.com

Annie Nichols Junior Art Director annie.nichols@rrauction.com

Mike Nelson Senior Catalog Writer mike.nelson@rrauction.com

Patty Kleiman Production Assistant

Mandy Eaton-Casey Finance Manager amanda.casey@rrauction.com Elizebeth Otto Consignment Director elizebeth.otto@rrauction.com Jon Siefken Consignment Director jon.siefken@rrauction.com

Dan McCarthy Catalog Writer, Researcher dan.mccarthy@rrauction.com

Gracie Shark Production Assistant Robert S. Eaton Sr. 1940–2001

EARLY FILM ANIMATION Winsor McCay Winsor McCay (c. 1870–1934) was an early cartoonist and animation pioneer, best known for the 1914 animated short Gertie the Dinosaur, the first animated work to see commercial success. His principal animated short with detailed backgrounds, Gertie production began during mid-1913 and the final version was photographed at Vitagraph Studios in early 1914. Accomplished on rice paper and mounted to board—just like those offered here—McCay applied registration marks to the corners to reduce the jittering of images during filming. The animator was so concerned with the character timing and motion accuracy that he used his own breathing to determine Gertie’s and added small details such as the ground reacting to the dinosaur’s immense weight. McCay innovated techniques such as keyframes, registration marks, tracing paper, and animation loops, the concepts of which remain in use to this day. This encouraged numerous film studios to pursue the craft during its infancy, but McCay’s work remained unsurpassed in quality until the emergence of Disney as the foremost animation house in the 1930s. The most well preserved of McCay’s films, Gertie is now housed in the National Film Registry.

1. Gertie and Winsor McCay production drawing from Gertie the Dinosaur. (Winsor McCay, 1914) Original production drawing featuring Gertie and Winsor McCay from Gertie the Dinosaur, showing McCay beside Gertie with a whip in his hand. Accomplished in ink on 8.5 x 6.5 rice paper and affixed to a slightly larger mount. In fine condition, show-through from adhesive at edges. McCay drew himself into the film’s finale—he walks onto the screen and cracks his whip, at which Gertie obediently places him on her back. Together they walk off camera. A rare and wonderful piece representing the animator and his creation. Estimate: $3,500-$4,500

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2. Gertie and Jumbo the Mastodon production drawing from Gertie the Dinosaur. (Winsor McCay,

1914) Original production drawing featuring Gertie and Jumbo the Mastodon from Gertie the Dinosaur, showing Gertie looking behind her as the mastodon appears in the lower left. Accomplished in ink on 9 x 6.75 rice paper and affixed to a slightly larger mount. In fine condition, show-through from adhesive at edges. In the cartoon, Jumbo walks across the scene in front of Gertie, who picks him up by the tail and hurls him into the lake. While Gertie dances in triumph, Jumbo squirts her with water. Gertie then retaliates by throwing a rock at him. McCay made 10,000 drawings in the creation of the film, of which only 400 are known to have survived, making this a rare and very desirable depiction of these two prehistoric characters. Estimate: $4,500-$6,500

3. Gertie the Dinosaur production drawing from Gertie the Dinosaur. (Winsor McCay, 1914) Original production drawing

featuring Gertie from Gertie the Dinosaur, showing the dinosaur drinking from a lake. Accomplished in ink on 8.75 x 6.75 rice paper and affixed to a slightly larger mount. In fine condition, show-through from adhesive at edges. Gertie the Dinosaur was McCay’s first piece of animation with detailed backgrounds, and this scene shows Gertie drinking from a lake after growing tired from all of her activities—she ends up drinking it dry. Gertie is considered McCay’s masterpiece, and this very rare production drawing features a large and exceptional full-length depiction of the dinosaur in which her face is visible. Estimate: $3,500-$5,000

4. Flip the Frog layout drawing by Ub Iwerks from Spooks. (Ub Iwerks Studio, 1932) Original layout drawing by Ub Iwerks featuring Flip the Frog from Spooks, showing the frog seated at a table with a human skeleton and looking down at the skeleton of a dog. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Total image measures 12 x 9, filling almost the entire page. In fine condition. Iwerks was a pioneering animator and early partner of Walt Disney, with whom he co-created Oswald the Lucky Rabbit and Mickey Mouse. Estimate: $1,000-$2,000

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Fleischer Studio Fleischer Studios was founded in 1921 in New York by brothers brothers Max and Dave Fleischer, who ran the company from its inception until its 1942 acquisition by Paramount Pictures. Unlike other studios whose most famous characters were animals, Fleischer’s popular works featured humans—Betty Boop, Popeye the Sailor, and Superman were among the cartoon characters they introduced to the screen. Fleischer grew into the first significant competitor of Walt Disney Productions, and Popeye’s success eventually rivaled that of Mickey Mouse.

5. Betty Boop production drawing from Betty Boop’s May Party. (Fleischer Studios, 1933) Original production drawing featuring Betty Boop from Betty Boop’s May Party, showing her wearing a crown and taking a step forward. Accomplished in graphite on animation paper. Image measures 1.5 x 3.5, with a mat opening of 10.25 x 7.5. This piece is also framed to an overall size of 19.5 x 16.5. In fine condition. Estimate: $600-$1,000

6. Color Classics production background from Little Dutch Mill. (Fleischer Studios, 1934) Original

Color Classics production background from Little Dutch Mill featuring a meticulously hand-painted view overlooking a Dutch town from a clock tower. Accomplished in gouache on a 12 x 9.5 sheet of illustration board. In fine condition. This innovative ‘mechanical’ background was designed so that the hands of the clock and blades of the windmills are separate cutouts that could be rotated via hand-turned wheels on the reverse. Little Dutch Mill was just the second color cartoon that Fleischer ever produced. This piece has been selected for inclusion in The Dawn of Technicolor, to be published in 2015 by George Eastman House. Estimate: $4,000-$9,000

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7. Color Classics production background from The Kids in the Shoe. (Fleischer Studios, 1935) Original Color Classics production background from The Kids in the Shoe featuring a brilliant hand-painted landscape showing the colorful shoe-turned-house. Accomplished in gouache and airbrush on a 11.25 x 8.25 sheet of illustration board. In fine condition. This is a positively gorgeous piece that is exceptionally vibrant and remarkably vivid for such an early cartoon, which was produced in two-strip Technicolor. Estimate: $5,000-$10,000

8. Color Classics production background from Christmas Comes But Once a Year. (Fleischer Studios, 1936) Original Color Classics production background from Christmas Comes But Once a Year featuring a lovely hand-painted hearth area with a nail-studded mantelpiece awaiting the childrenâ&#x20AC;&#x2122;s stockings. Accomplished in gouache on a 12 x 9 sheet of illustration board. In fine condition, with mounting remnants to corners. In this heartwarming short, Professor Grampy steps in to save Christmas for a group of orphans by dressing up as Santa Claus. This cartoon marked the only time that Grampy, a character known from the Betty Boop series, appeared in a color cartoon. Estimate: $2,000-$5,000

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Rare and exceptional production setup from 1934

9. Popeye and Donkey production cel and production background from Let’s You and Him Fight. (Fleischer Studios, 1934) Original production cel and background featuring Popeye squaring off against a donkey from Let’s You and Him Fight, showing Popeye wearing boxing gloves and getting kicked in the face. The cel is placed on a hand-painted production background from the same film. Image measures 8 x 4, with overall dimensions of 11.5 x 9.25. The cel has been professionally restored. Fleischer released Let’s You and Him Fight as a theatrical cartoon short, and it was the first cartoon to have the song ‘Stars and Stripes Forever’ playing during Popeye’s spinach fight. This wonderful Popeye setup featuring the cel and background from the same cartoon is one of just ten known to exist at present, and shows a very appealing action scene from an early release of the iconic cartoon. Estimate: $10,000-$20,000

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10. Popeye and Billy Boop production drawing from Sock-a-Bye, Baby. (Fleischer Studios, 1934) Original production

drawing featuring Popeye and Billy Boop from Sock-a-Bye, Baby, the sixth Popeye cartoon that Fleischer released. Accomplished in graphite and colored pencil on untrimmed 11 x 8.5 animation paper. Image measures 7 x 6.25. In fine condition. Billy Boop was the younger brother of Betty Boop, and makes a cameo appearance in Sock-aBye, Baby, with Popeye’s own son, Swee’Pea, not being introduced to animation until two years later. Estimate: $500-$1,000

12. Hoppity and Mr. Bumble production cel from Hoppity Goes to Town. (Fleischer Studios, 1941) Original

production cel featuring Hoppity and Mr. Bumble from Hoppity Goes to Town. Image of Mr. Hoppity and a soaking wet old Mr. Bumble measures 9 x 5, with a mat opening of 9.25 x 7.25. This piece is also double-matted and framed to an overall size of 15 x 12. In fine condition. Having the misfortune of opening two days before the attack on Pearl Harbor, the film was a financial disaster and led to the ousting of Max and Dave Fleischer from the studio they had established in 1919. Estimate: $1,000-$1,500

11. Popeye and Indian Chief concept drawing for a movie poster from Big Chief Ugh-Amugh-Ugh. (Fleischer Studios, 1938) Original concept drawing for a movie poster featuring Popeye and the Indian chief from Big Chief UghAmugh-Ugh, showing the famed sailor man preparing to escape a dangerous situation as the chief draws back his tomahawk—hiding a can of spinach behind his back, Popeye is ready to retaliate. Accomplished in graphite on untrimmed 13 x 16 animation paper. Intersecting folds and scattered creases, otherwise fine condition. A rare and terrific oversized piece of concept art for a hilarious classic. Estimate: $2,000-$5,000

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13. Popeye production cel and production background from Popeye Meets Rip Van Winkle. (Fleischer Studios, 1941) Original production cel and production background featuring Popeye from Popeye Meets Rip Van Winkle. The cel is placed on a non-matching hand-painted production background done by Erich Schenk. Black and white image of Popeye lifting up the beard of Rip Van Winkle measures 6 x 5, with overall dimensions of 17 x 13. Tack holes to borders of background, scattered toning and soiling to background, as well as a few small notations, otherwise fine condition. Cel is from the beginning scene on the street where Rip Van Winkle flops out of a bed that is being loaded into a moving truck after his eviction for not paying rent for 20 years. Finding him laying on the street, Popeye lifts the old man’s beard to hear him snore and comically says ‘I guess he’s just restin’ soes he won’ts get tired.’ Popeye spends the rest of the short reacting to Van Winkle’s sleep walking antics. Black and white cels of Popeye are quite scarce, even more so with a hand-painted background. Estimate: $4,000-$6,500

14. Koko the Clown production drawing from a Fleischer Production. (Fleischer Studios, Circa 1934–36) Original production drawing featuring Koko the Clown from production #1,065, scene #2, showing the clown walking to the left, with instructions noted above, “1 Cel scene, all Pure tube colors.” Accomplished in graphite on untrimmed 11 x 8.5 animation paper. Image measures 3.25 x 4. In fine condition. Koko the Clown originated when Max Fleischer invented the rotoscope and first appeared in 1919. Estimate: $400-$600

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DISNEY Walt Disney Studio Opening with a fantastic Mickey and Minnie production drawing from Disney’s first animated short, Plane Crazy, we continue with drawings and cels of iconic main characters from several beloved Disney shorts and Silly Symphonies of the 1930s. Then comes a special section of Snow White material, followed by Fantasia, a section highlighted by a fantastic concept painting of Mickey as the Sorcerer’s Apprentice conducting the universe. Several Pinocchio cels are available as well, including two Jiminy Cricket key master setups. Attractive production cels and drawings from Dumbo, Bambi, Song of the South, Cinderella, Alice and Wonderland, and several popular shorts of the 1940s and 50s follow. Not to be overlooked are fantastic offerings of original concept art by Mary Blair and Eyvind Earle, especially a concept storyboard painting from Sleeping Beauty of Prince Phillip holding the ‘sword of truth’ as he battles Maleficent in dragon form. Additionally included are several nice pieces from Peter Pan, especially a production cel and background featuring Peter and Wendy flying. Lady and The Tramp is well represented with several hand-painted pan production backgrounds and an impressive setup meant to recreate the famous Bella Notte scene. Sleeping Beauty holds impressive offerings including a pan production background featuring Briar Rose and Merryweather and several amazing Maleficent cels, especially a pan production background and cel picturing the iconic villainess in her dungeon. Spectacular offerings from 101 Dalmatians, The Jungle Book, Roger Rabbit, Mulan, and The Little Mermaid—the last Disney feature to use hand-painted animation cels—are also present. We close with an impressive collection of pristine, vibrant Carl Barks limited edition signed lithographs.

20. Mickey and Minnie Mouse production drawing from Plane Crazy. (Walt Disney Studios, 1928) Original production drawing featuring Mickey Mouse and Minnie Mouse from Plane Crazy, drawn by Ub Iwerks, showing the pair flying in their plane from a headon angle. Accomplished in graphite on untrimmed 12 x 9.5 animation paper, and affixed to a 14.5 x 12 sheet. Image measures 5.25 x 3.75. In fine condition. Plane Crazy was extremely significant in the history of animation, as it marked the creation of Mickey Mouse. The short was co-directed by Walt Disney and Ub Iwerks, with Iwerks serving as the main animator. Plane Crazy was a silent film and given a test screening to a theater audience, but failed to pick up a distributor; later in 1928 Disney released Steamboat Willie as a very successful sound cartoon, which is generally considered Mickey’s debut despite being made after Plane Crazy. A stunning piece of the utmost importance. Estimate: $5,500-$7,500

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21. Mickey Mouse production drawing from Steamboat Willie. (Walt Disney Studios, 1928) Original production drawing featuring Mickey Mouse from Steamboat Willie, showing him with his arms up in the air holding mallets. Accomplished in graphite on animation paper. Image measures 3.5 x 5, with a mat opening of 11.25 x 8.25. This piece is also framed to an overall size of 20 x 17. In fine condition. As the first Disney sound cartoon, Steamboat Willie is generally considered the debut of Mickey Mouse, and in it Mickey uses mallets such as these to play a drum. A highly important piece of cartoon history. Estimate: $1,200-$2,000

22. Mickey Mouse and his Nephews set of (4) production drawings from Mickey’s Nightmare. (Walt Disney Studios,

1932) Original set of four production drawings featuring Mickey Mouse and his nephews from Mickey’s Nightmare. Accomplished in graphite and colored pencil on four sheets of untrimmed 12 x 9.5 animation paper. Overall image sizes range from 1.5 x 2 to 5.5 x 3.5, including one large sketch of Mickey, one of his nephews in a group, and two picturing Mickey’s nephew alone. In overall fine condition. Estimate: $400-$600

23. Mickey Mouse and Black Pete production drawing from Touchdown Mickey. (Walt Disney Studios, 1932) Original production drawing featuring Mickey Mouse and Black Pete from Touchdown Mickey. Accomplished in graphite on untrimmed 12 x 9.25 animation paper. Total image measures 7.5 x 2.5, and shows Black Pete attempting to tackle Mickey. In fine condition. Estimate: $400-$800

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24. Mickey Mouse and Pluto production drawing from The Mad Doctor. (Walt Disney Studios, 1933) Original production

drawing featuring Mickey Mouse and Pluto from The Mad Doctor. Accomplished in graphite and red pencil on untrimmed 12 x 9.5 animation paper. Total image measures 5.25 x 3.5 and shows Pluto licking Mickey’s face. In fine condition. Estimate: $400-$700

25. Mickey Mouse and Peg Leg Pete set of (2) production drawings from The Mail Pilot. (Walt Disney Studios, 1933) Pair

of original production drawings featuring Mickey Mouse and Peg Leg Pete from The Mail Pilot, showing Mickey in his plane after getting his wings shot off, showing him dragging Peteâ&#x20AC;&#x2122;s plane through the air on a rope. Accomplished in graphite and colored pencil on two sheets of animation paper. Images measure 11 x 6.5 and 9.5 x 5.5, with mat openings of 11 x 8.5. This piece is also framed to an overall size of 33.75 x 18. In fine condition. A nice pairing of production sketches. Estimate: $1,200-$2,000

26. Mickey Mouse production drawing from Ye Olden Days. (Walt Disney Studios, 1933) Original production drawing featuring Mickey Mouse from Ye Olden Days. Accomplished in graphite and colored pencil on untrimmed 12 x 9.5 animation paper and shows Mickey and his horse being carried by a throng of knights in armor at the conclusion of the cartoon. Mickey measures 1.25 x 2.75, and the overall image measures 11 x 8. In fine condition. In the early 1930s, animators did not do many overlays, so the entire scene would have to be sketched out for each movement. A very intricate drawing with over 20 separate characters. Estimate: $1,200-$1,800

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27. Mickey Mouse production d r aw i n g f r o m The Dognapper. (Walt Disney Studios, 1934) Original production drawing featuring Mickey Mouse from The Dognapper. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 2.25 x 3 and shows Mickey in a police hat and badge. In fine condition. Estimate: $300-$500

30. Mickey Mouse production drawing from Two-Gun Mickey. (Walt Disney Studios, 1934) Original production drawing featuring Mickey Mouse from Two-Gun Mickey. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 2.5 x 5.5 and shows Mickey, clad in full western gear, at the end of a rope. In fine condition. Estimate: $300-$500

28. Donald Duck production drawing from The Dognapper. (Walt Disney Studios, 1934) Original production drawing featuring Donald Duck from The Dognapper. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 2.75 x 4 and shows a very early image of a long-billed Donald Duck, dressed in a policeman’s uniform, taking notes. In fine condition. This short was just the third appearance of Donald Duck, and the first story to feature both Mickey and Donald together. Estimate: $300-$500

29. Mickey Mouse and Black Pete production drawing from Two-Gun Mickey. (Walt Disney

Studios, 1934) Original production drawing featuring Mickey Mouse and Black Pete from Two-Gun Mickey. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 4.75 x 5 and shows Mickey and Black Pete engaged in a ferocious battle. In fine condition. Estimate: $300-$600

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31. Mickey Mouse production drawing from Two-Gun Mickey. (Walt Disney

Studios, 1934) Original production drawing featuring Mickey Mouse from Two-Gun Mickey. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 7.5 x 3.5 and shows Mickey as a Western gunslinger enthusiastically wielding a pair of revolvers. In fine condition. Estimate: $400-$600

32. Goofy production drawing from M i c k e y ’s F i r e Brigade. (Walt Disney

Studios, 1935) Original production drawing featuring Goofy from Mickey’s Fire Brigade. Accomplished in red pencil and graphite on untrimmed 19 x 9.5 animation paper. Image measures 4 x 6 and shows Goofy in a fire hat and suspenders. In fine condition. Estimate: $200-$400

33. Mickey Mouse production d r a w i n g from Mickey’s Garden. (Walt Dis-

36. Mortimer Mouse production drawing from Mickey’s Rival. (Walt Disney

ney Studios, 1935) Original production drawing featuring Mickey Mouse from Mickey’s Garden. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 4.5 x 3 and shows Mickey holding a bug sprayer. In fine condition, with a few vertical creases. Released in 1935, this short was just the second color Mickey Mouse cartoon produced by Disney. Estimate: $300-$500

34. Mickey Mouse production drawing from Mickey’s Service Station. (Walt Disney Studios, 1935) Original production drawing featuring Mickey Mouse from Mickey’s Service Station. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 4 x 4.5 and depicts a rather cross-looking Mickey. In fine condition. Estimate: $300-$500

Studios, 1936) Original production drawing featuring Mortimer Mouse from Mickey’s Rival. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 5.5 x 7, and shows Mortimer dressed as a gaucho, complete with cape, using two turkey bones as castanets. In fine condition. This short was the first appearance of Mortimer, who was vying for the affection of Minnie Mouse throughout the short. Estimate: $200-$500

3 7. M i ckey M ous e production drawing from Mickey’s Rival. (Walt Disney Studios, 1936) Original production drawing featuring Mickey Mouse from Mickey’s Rival. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 3 x 3.25 and features Mickey with a shocked look on his face. In fine condition. Estimate: $300-$500

35. Goofy production drawing from Mickey’s Service Station. (Walt Disney Studios, 1935) Original production drawing featuring Goofy from Mickey’s Service Station. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 4.25 x 4.25 and shows Goofy walking with a large mallet in his hand. In fine condition. Estimate: $200-$400

38. Mickey and Minnie Mouse production drawing from Mickey’s Rival. (Walt Disney Studios, 1936) Original production drawing featuring Mickey and Minnie Mouse from Mickey’s Rival. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures an impressive 10.25 x 7 and shows Minnie Mouse clutching a tree branch with Mickey dangling precariously from one of her legs. In fine condition. Estimate: $500-$1,000

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39. Goofy production drawing from Moving Day. (Walt Disney Studios, 1936) Original production drawing featuring Goofy from Moving Day. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 4 x 6.5. In fine condition. Estimate: $200-$400

40. Goofy and Piano production drawing from Moving Day. (Walt

Disney Studios, 1936) Original production drawing featuring Goofy and a piano from Moving Day. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image of Goofy pushing a piano measures 7.5 x 5.5. In fine condition, with some mild toning to edges. Estimate: $300-$500

42. The Three Little Pigs production cel from The Three Little Pigs. (Walt Disney Studios, Circa 1936–1937) Original pro-

duction cel featuring the Three Little Pigs from The Three Little Pigs, showing each pig character in a different costume. The cels are trimmed to image and placed on an airbrushed background. Each image measures 2 x 3.5, with a mat opening of 8 x 7. This piece is also framed to an overall size of 19.5 x 18.5. In fine condition. Estimate: $1,200-$1,800

41. Three Little Wolves and Practical Pig production cel and pan production background from Three Little Wolves. (Walt Disney Studios, 1936) Original production cel and pan production background featuring Three Little Wolves and Practical Pig from Three Little Wolves, showing the pig chasing after the wolves, who have stolen his carrots. The cels have been trimmed to image and placed on a hand-painted pan production background of a garden setting. Image measures 15.5 x 15, with a mat opening of 20.5 x 8.25. Mat dimensions are 28.75 x 17. The piece has the original Disney label on the reverse. In fine condition. In addition to capitalizing on the success of the Three Little Pigs—this was the third Silly Symphony cartoon starring the pigs, and introduced the Three Little Wolves characters—this was also produced as a symbolic allegory about the threatening danger of European fascism, and can be seen as an indication of the levels of fear and patriotism it aroused in the American populace. A wonderful example of the cels paired with a highly desirable pan production background from an early and important cartoon. Estimate: $5,000-$8,000

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43. Goofy production drawing from Clock Cleaners. (Walt Disney Studios, 1937) Original production drawing featuring Goofy from Clock Cleaners, showing Goofy spinning around in a circle. Accomplished in graphite and red pencil on untrimmed 12 x 10 animation paper. Image measures 5.5 x 5. In fine condition. Estimate: $200-$500

45. Little Hiawatha production cel from The Silly Symphony Little Hiawatha. (Walt Disney Studios, 1937) Origi-

nal production cel featuring Little Hiawatha from The Silly Symphony short Little Hiawatha. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Full-length image measures 2.75 x 5.25, with a mat opening of 5.75 x 6.75. This piece is also framed to an overall size of 14.5 x 15.5. In fine condition. Estimate: $1,200-$1,700

44. Little Hiawatha production cel from The Silly Symphony Little Hiawatha. (Walt Disney Studios, 1937)

Original production cel featuring Little Hiawatha from The Silly Symphony short Little Hiawatha, showing the Hiawatha with a determined look on his face and holding his bow and arrow, labeled on the mat in pencil, â&#x20AC;&#x153;Little Hiawatha.â&#x20AC;? The cel has been trimmed and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3 x 5.5, with a mat opening of 5 x 6.25, and an overall size of 12 x 14. In fine condition, with a small stain to the mat. A beautifully preserved production cel of the delightful little Native American Indian character from the last Silly Symphony to be released by United Artists. Estimate: $1,100-$1,800

46. Little Hiawatha production drawing from The Silly Symphony Little Hiawatha. (Walt Disney Studios, 1937) Original

production drawing featuring Little Hiawatha from The Silly Symphony short Little Hiawatha. Accomplished in graphite and red and green pencil on untrimmed 12 x 9.5 animation paper. Image measures 3.75 x 3.5 and shows Little Hiawatha crawling on all fours. In fine condition. Estimate: $300-$500 www.RRAuction.com | 17

47. Donald Duck production drawing from Lonesome Ghosts. (Walt Disney Studios, 1937) Original

production drawing featuring Donald Duck from Lonesome Ghosts, signed later in black felt tip by animator Ollie Johnston. Accomplished in graphite and red pencil on untrimmed 12 x 10 animation paper. Image measures 2.5 x 3. In fine condition. Estimate: $500-$700

48. Donald Duck production drawing from Magician Mickey. (Walt Disney

Studios, 1937) Original production drawing featuring Donald Duck from Magician Mickey. Accomplished in colored pencil and graphite on untrimmed 12 x 10 animation paper. Three pairs of images of Donald measures 9.5 x 2.25. In fine condition. Estimate: $300-$500

49. Four Ghosts set of (2) production drawings in sequence from Lonesome Ghosts. (Walt Disney Studios, 1937) Original set of two production drawings in sequence featuring the four ghosts from Lonesome Ghosts, depicting them sprinting through the air at one moment before hilariously tripping over an armchair and crashing onto the ground. Accomplished in graphite on two sheets of untrimmed 12 x 10 animation paper. Overall image sizes range from 10 x 6.5 to 12 x 6.5. In overall fine condition, with creases to the left side. A fantastic example of movement in animation and a great slapstick gag. Estimate: $500-$1,000

18 | August 21, 2014 | Disney

Snow White In 1937, Walt Disney Productions released the first full-length animated feature in film history, Snow White and the Seven Dwarfs. Based upon the Brother’s Grimm tale, the film was a critical and financial success, grossing an initial $8 million and assuming the record of highest grossing sales for a sound film. Recognized as a significant screen innovation, Disney was awarded an honorary Oscar for his feature film debut. Though few believed in him—initially including his wife and brother—Walt poured all of himself into making the first animated feature film, even mortgaging his own house to help finance it. Everything was riding on this one shot, and had it not panned out the world would undoubtedly be a different place. From movies, to theme parks, to TV, to the innovation of Pixar—our pop culture star wouldn’t have shined as bright had Snow White failed. Our spectacular Snow White collection devoted to this classic film, features one-of-a-kind production drawings and stunning cels of the heroine herself—including what is quite possibly her earliest known ‘Betty Boop’ version in fully realized cel form— the beloved dwarfs, the Evil Queen and even the Wicked Witch she transformed into. Also offered is a collection of 32 rough animation drawings, by Disney artist Errol Gray, picturing a preliminary concept for Snow White when she first meets the forest animals. There is something for everyone in this well-rounded section, celebrating the now 77-year-old landmark animation classic.

50. Snow White, Bashful, Happy, Doc, Sleepy, and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt

Disney Studios, 1937) Original production cel featuring Snow White with Bashful, Happy, Doc, Sleepy, and Sneezy from Snow White and the Seven Dwarfs, showing Snow White on the steps looking down lovingly at her dwarf friends. The cels have been trimmed to image and applied to an airbrushed woodgrain background as prepared by Courvoisier Galleries for sale. Snow White image measures 2 x 6 and total dwarf image measures 7 x 5, with a mat opening of 12.5 x 9.25. This piece is also framed to an overall size of 25.75 x 22.5. In fine condition. A positively wonderfully assembled setup featuring both the princess in a full-length pose and the majority of the dwarfs, rarely seen in such a cel. Estimate: $8,500-$12,000

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51. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Stu-

dios, 1937) Original production cel featuring Snow White from Snow White and the Seven Dwarfs, showing her in profile and holding the poison apple. The cel has been trimmed to image and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3 x 3.75, with a mat opening of 5.25 x 5.5. Also framed to an overall size of 16.5 x 18. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. A beautiful Courvoisier woodgrain background that features her name, with an especially desirable iconic image of the princess and apple. Estimate: $5,500-$7,000

52. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel

featuring Snow White from Snow White and the Seven Dwarfs. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image of Snow White and the birds measures 5.25 x 7.75, with a mat opening of 6.5 x 10. Replacement mat dimensions are 13.5 x 15. The piece has the original Disney Courvoisier Galleries label affixed to the reverse of the backing. In fine condition, with some mild rippling. Cels of Snow White in her tattered rags are quite rare, as she wore them for only a short time at the beginning of the film. It was while she was dressed in these rags that she sang ‘I’m Wishing,’ and had her first encounter with the prince. Estimate: $4,800-$6,500

20 | August 21, 2014 | Disney

53. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Snow White from Snow White and the Seven Dwarfs. The cel has been applied to a woodgrain hand-painted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image of Snow White sitting in one of the dwarf’s beds measures 6.25 x 5, with a mat opening of 6.25 x 7.25, with the cream-colored mat labeled in pencil, “Snow White.” This piece is also double-cloth-matted and framed to an overall size of 17 x 19.5. The piece has the original Disney Courvoisier Galleries label on the backing of the frame. In fine condition. An exceptionally large image of Snow White from one of the film’s most endearing scenes where she wakes up and guesses each dwarf’s name based on their mannerisms. Estimate: $5,500-$8,000

54. Snow White and Chipmunks production cel from Snow White and the Seven Dwarfs. (Walt

Disney Studios, 1937) Original production cel featuring Snow White and two chipmunks from Snow White and the Seven Dwarfs. The cel is placed on a handpainted custom prepared background, done at a later date, which shows the outside of the dwarfs’ cottage. Snow White is trimmed to a size of 2.5 x 6 and affixed to a cel bearing images of two small chipmunks, with a mat opening of 11.75 x 8.5. Overall size of the cloth mat measures 18 x 14.5 with a small plaque affixed to the mat. In fine condition, with Snow White cel partially detached and expected light rippling. An attractive and colorful display from Disney’s first full-length animated feature. Estimate: $4,500-$5,500 www.RRAuction.com | 21

Possibly the earliest Snow White in existence

55. Early Snow White production cel from Snow W h i te a nd t he S eve n Dwarfs. (Walt Disney Studios,

1937) Very early original preliminary production cel featuring Snow White from Snow White and the Seven Dwarfs, created circa 1935, showing her in a long pink dress with a blue bow in her hair. This rarity is on a full animation cel, complete with peg holes and a cel number at the bottom right, not to be mistaken for a color model. Image measures 2.25 x 5, with overall dimensions of 12.25 x 9.75. In fine condition. This is the earliest example of a Snow White production cel that we have ever seen. Walt Disney changed this design of the princess because he felt it was too ‘cartoony’—too reminiscent of Betty Boop—to be used for final production in a more serious film. This may be the earliest animated Snow White cel in existence. An extremely rare historical piece.Estimate: $10,000-$20,000

22 | August 21, 2014 | Disney

56. Snow White and the Prince production cel from Snow White and the Seven Dwarfs. (Walt

Disney Studios, 1937) Original production cel featuring Snow White and Prince Charming from Snow White and the Seven Dwarfs. The cel has been applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3 x 2.75, with a mat opening of 9 x 7. This piece is also framed to an overall size of 16 x 18. The piece has the original Disney Courvoisier Galleries label on the reverse. A gorgeous cel from the finale of the film setup to show the romantic partners at a distance, evoking the feeling of the couple walking ‘off into the sunset’ in classic fashion. Estimate: $3,500-$6,000

57. Bashful production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios,

1937) Original production cel featuring Bashful from Snow White and the Seven Dwarfs. The cel has been trimmed and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2 x 3.75, with a mat opening of 7 x 7. Acid-free mat dimensions are 13 x 13 and is notated in pencil, “Bashful,” with a WDP stamp. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. Estimate: $2,200-$3,200

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58. Bashful production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Bashful from Snow White and the Seven Dwarfs, showing him gleefully clapping next to his lantern. The cel has been trimmed and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3.25 x 4, with a mat opening of 10.5 x 13.5. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. Estimate: $1,500-$2,500

60. Dopey with Bubbles production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original

production cel featuring Dopey with bubbles on both sides from Snow White and the Seven Dwarfs. The cel has been trimmed to image and is placed on a color copy background. Image measures 4 x 3.5, with overall dimensions of 12.5 x 11.25. In fine condition, with a tiny crack to paint near one eye. Estimate: $2,500-$3,500

59. Doc production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production

cel featuring Doc from Snow White and the Seven Dwarfs. The cel has been applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Image of Doc gesturing with his palms up measures 3.5 x 5, with a mat opening of 4.5 x 7. This piece is also framed to an overall size of 10 x 13. In fine condition. A beautiful full-length image of the lovable leader of the dwarfs. Estimate: $2,500-$3,000

24 | August 21, 2014 | Disney

61. Dopey production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production

cel featuring Dopey from Snow White and the Seven Dwarfs. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. The image of Dopey resting his head in his hand measures 4.75 x 5.25, with a mat opening of 7.75 x 7, with the mat having the WDP stamp to lower right. This piece is also framed to an overall size of 15 x 15. In fine condition. An exceptional image of the beloved dwarf, much larger than usually seen. Estimate: $3,000-$3,500

62. Dopey, Doc, Happy, and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Dopey, Doc, Happy, and Sneezy from Snow White and the Seven Dwarfs. The cels, one featuring Doc and the other featuring Dopey, Happy, and Sneezy, have been applied to a woodgrain airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image of all four dwarfs measures 8.75 x 4.5, with a mat opening of 9 x 7.5. Mat dimensions are 16 x 17. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition, with slight rippling to celluloid. A nice setup of several dwarfs together, all with great expressions on their faces. Estimate: $6,000-$9,000

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63. Dopey, Sleepy, and Bashful production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel and production background featuring Dopey, Sleepy, and Bashful from Snow White and the Seven Dwarfs, showing the three dwarfs with a mine cart, peering out at some gems that were added as an embellishment. The cel has been trimmed to image and applied to an airbrushed production background as prepared by Courvoisier Galleries for sale. Image measures 7.25 x 3, with a mat opening of 7.75 x 4.75. This piece is also framed to an overall size of 17 x 14. In fine condition. A very appealing Courvoisier setup. Estimate: $3,200-$4,000

64. Grumpy production cel from Snow White and the Seven Dwarfs. (Walt Disney Stu-

dios, 1937) Original production cel featuring Grumpy from Snow White and the Seven Dwarfs, showing him emerging from a circular hole and pointing his finger. The cel has been trimmed and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 5 x 4, with overall dimensions of 6 x 6.25. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. An attractive Courvoisier woodgrain background that features his name, and a great image of one of the most memorable dwarfsâ&#x20AC;&#x201D; although he was the most vocal of his dislike for her initially, at the climax of the film, Grumpy heroically leads the dwarfs on a mission to rescue the princess when the Queen confronts her, showing his care for her at full force. Estimate: $2,800-$3,500

26 | August 21, 2014 | Disney

65. Happy and Animals production cel and production background from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel and production background featuring Happy and forest animals from Snow White and the Seven Dwarfs, showing the friendly dwarf with four birds, a bunny, and a squirrel. The cel has been trimmed to image and applied to a hand-painted production background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 4 x 5, with a mat opening of 8.25 x 8.5. This piece is also framed to an overall size of 16 x 16.5. In fine condition. An exceptional setup with an especially appealing production background. Estimate: $6,500-$7,500

66. Happy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production

cel featuring Happy from Snow White and the Seven Dwarfs. The cel has been applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2.5 x 4, with a mat opening of 4 x 4.5, with the cream colored mat labeled under the cel â&#x20AC;&#x153;Happy.â&#x20AC;? This piece is also framed to an overall size of 10.25 x 12. In fine condition, with a bit of mild rippling. Happy was voiced by longtime stage and silent comic actor Otis Harlan, who infused his own jovial personality into the role. Estimate: $2,500-$3,000

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67. Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production

cel featuring Sneezy from Snow White and the Seven Dwarfs, showing him happily emerging from a circular hole. The cel has been trimmed and applied to an airbrushed woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3 x 4.5, with a mat opening of 5.25 x 5.5. Mat dimensions are 11 x 12. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. Prepared and marketed by Courvoisier Galleries in the late 1930s, these celluloid images from the actual production of Snow White and the Seven Dwarfs were trimmed and placed on airbrushed backgrounds. A wide variety of these cel setups were created and sold. These particular examples display a visible woodgrain background. One common design was to place the character within a circle along with the name. Estimate: $2,400-$3,000

68. Deer with Animals production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring

a deer with animal friends from Snow White and the Seven Dwarfs, showing the young deer draped in the dwarfs’ clothing with a chipmunk on his back and a bird perched atop his antlers. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 5 x 4.75, with a mat opening of 6.75 x 7. Mat dimensions are 11 x 12. The piece has the original Disney Courvoisier Galleries label on the reverse. Mild rippling to celluloid and chipping and cracking to paint on the deer’s legs, otherwise fine condition. A nicely presented cel of Snow White’s adorable forest friends. Estimate: $1,000-$1,500

69. Squirrels with Spider Web production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring squirrels with a spider web from Snow White and the Seven Dwarfs, showing the three creatures gathered in front of the large web. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 5.5 x 2.5, with a mat opening of 6.75 x 5.75. Mat dimensions are 13.75 x 15. In fine condition. Estimate: $1,200-$2,000

28 | August 21, 2014 | Disney

Fantastic Courvoisier production cel from the pivotal potion scene 70. The Evil Queen production cel from Snow White and the Seven Dwarfs. (Walt Dis-

ney Studios, 1937) Original production cel featuring the Evil Queen from Snow White and the Seven Dwarfs, showing the villain flipping through a book of potions. The cel has been trimmed to image and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 7.5 x 7, with a mat opening of 8 x 9.5. This piece is also framed to an overall size of 20 x 21.5. In fine condition, with a chip to a corner of the frame. This image is from the scene when the Evil Queen is in her potions room and looking through her red ‘disguises’ book in order to change her appearance to that of the old witch to trick Snow White into taking the poison apple—this cel depicts the exact moment that she is deciding which spell to use for the task. A magnificent piece from this historically important animated feature. Estimate: $12,000-$17,000

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The iconic poison apple

71. Wicked Witch production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring the Wicked Witch from Snow White and the Seven Dwarfs, showing her holding the famous poison apple that she gives to Snow White. The cel is trimmed to image. Image measures 5.25 x 6.5, with a mat opening of 12 x 9. This piece is also framed to an overall size of 23.5 x 20. In fine condition. An exceptionally desirable and iconic piece critical to the tale of Snow White. Estimate: $7,000-$8,000

30 | August 21, 2014 | Disney

Magnificent collection of 32 Errol Gray rough sketches for Snow White’s forest scene

72. Snow White collection of (32) ‘rough’ animation drawings from Snow White and the Seven Dwarfs. (Walt Disney Studios,

1937) Amazing set of 32 original ‘rough’ animation drawings by Disney animator Errol Gray featuring Snow White from Snow White and the Seven Dwarfs. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Several have ‘stage direction’ notations, specifying bodily movements as well as mouth positions to help create believable dialogue. These were drawn for the scene in which Snow White first encounters the forest animals, specifically depicting the sequence of her rising from the ground after sobbing, at first scaring away the animals before befriending them by singing ‘With a Smile and a Song’ to soothe their fears. The scene’s rendering in the final product differs slightly from these drawings, as Walt Disney opted to slightly revise her hairstyle and other minor details in order to simplify the animation process and attain a ‘softer’ look. The artist, Errol Gray, worked for Disney from 1934 to 1945 as an animator, producer, and director, and is most notable for illustrating Snow White’s huntsman scene, and his artwork was displayed at the Disney California Adventure Park to celebrate the 70th anniversary of the film in 2007. A magnificent selection of production material from one of the most memorable scenes in Disney’s timeless classic. Estimate: $6,000-$12,000 www.RRAuction.com | 31

73. Snow White production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Snow White from Snow White and the Seven Dwarfs, showing the lovely princess in a full-length pose as she appeared at the top of the stairs. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 2 x 5. In fine condition. Estimate: $500-$1,000

74. Snow White production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original

production drawing featuring Snow White from Snow White and the Seven Dwarfs. Accomplished in red pencil and graphite on untrimmed 12 x 9.5 animation paper. The waist-up image measures 5.25 x 7. In fine condition. Estimate: $500-$1,000

32 | August 21, 2014 | Disney

75. Snow White production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Snow White from Snow White and the Seven Dwarfs. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Three-quarter length image of Snow White holding a spoon measures 4.25 x 7. In fine condition. Estimate: $700-$1,000

76. Snow White production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Snow White from Snow White and the Seven Dwarfs, showing her while singing with the forest animals after escaping from the huntsman. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 7.5 x 6. In fine condition. Estimate: $800-$1,200

77. Snow White and Doc concept drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937)

Original concept drawing featuring Snow White and Doc the Dwarf from Snow White and the Seven Dwarfs, showing Doc greeting Snow White with the humorous phrase, “My dear Quincess.” Accomplished in the style of Disney animation supervisor Fred Moore with graphite and colored pencil on untrimmed 12 x 10 animation paper. Total image measures 8 x 7.5. In fine condition. An excellent and detailed production sketch of the instantly recognizable Disney princess and the leader of the seven dwarfs, especially desirable due to the color highlights on the sketch of Snow White. Estimate: $1,000-$1,500

78. Bashful and Sneezy ‘rough’ production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original ‘rough’

production drawing featuring Bashful and Sneezy from Snow White and the Seven Dwarfs. Accomplished in red pencil and graphite on untrimmed 15.5 x 12.5 animation paper. Image measures 4.75 x 4.75 and shows the two dwarfs marching together. In fine condition, with a couple trivial edge tears. Estimate: $300-$600

79. Bashful, Doc, Grumpy, Happy, Sleepy, Sneezy, and Dopey ‘rough’ concept storyboard drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios,

1937) Original ‘rough’ concept storyboard drawing featuring Bashful, Doc, Grumpy, Happy, Sleepy, Sneezy, and Dopey from Snow White and the Seven Dwarfs, showing them in the bed building scene which was eventually removed from the film. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Image measures 14.25 x 10.75. In fine condition, with a central vertical fold. Walt Disney decided to remove this scene because he thought it slowed down the pace of the film and he wanted to heighten the tension between the villainous Queen and Snow White. Estimate: $500-$1,000

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80. Bashful, Doc, Grumpy, Happy, Sleepy, Sneezy, and Dopey concept storyboard drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Very early original

concept storyboard drawing, circa 1934–35, featuring Bashful, Doc, Grumpy, Happy, Sleepy, Sneezy, and Dopey from Snow White and the Seven Dwarfs, showing them crossing a bridge while singing the famous ‘Heigh-Ho’ song while marching to work. Accomplished in graphite and colored pencil on 10.25 x 8.25 animation paper without pegholes. Image measures 8.75 x 6.25. Tack holes and small tears to corners, and paper loss to upper left corner tip, otherwise fine condition. A rare and terrific early design of one of the most memorable moments in Snow White. Estimate: $500-$1,200

81. Bashful, Grumpy, Happy, Sleepy, Sneezy, and Dopey production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Bashful, Grumpy, Happy, Sleepy, Sneezy, and Dopey from Snow White and the Seven Dwarfs, showing the group of dwarfs in delightful detail. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper, which also bears Courvoisier Galleries Walt Disney Productions ink and blind stamps, and a red pencil inventory number notation. Image measures 13 x 6.5. In fine condition. Estimate: $600-$1,400

82. Doc ‘rough’ production drawing from Snow White and the Seven Dwarfs. (Walt

Disney Studios, 1937) Original ‘rough’ production drawing featuring Doc the Dwarf from Snow White and the Seven Dwarfs. Accomplished in graphite on untrimmed 12 x 10 animation paper. Image measures 4 x 4.5. In fine condition, with a noticeable crease to the right edge. Estimate: $200-$400

34 | August 21, 2014 | Disney

83. Doc ‘rough’ production drawing from Snow White and the Seven Dwarfs. (Walt

Disney Studios, 1937) Original ‘rough’ production drawing featuring Doc the Dwarf from Snow White and the Seven Dwarfs. Accomplished in red pencil and graphite on untrimmed 12 x 9.5 animation paper. The three-quarter ‘rough’ image of Doc gesturing with both hands measures 5.5 x 6.5. In fine condition. Estimate: $200-$400

84. Grumpy set of (2) storyboard drawings from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original set of two storyboard drawings featuring Grumpy from Snow White and the Seven Dwarfs, showing him angrily whittling as a squirrel looks on. Accomplished in graphite and colored pencil on two sheets of 7.5 x 6 trimmed animation paper. Images measure approximately 6.5 x 4. In fine condition. Estimate: $1,000-$1,500

85. Sleepy production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Sleepy the Dwarf from Snow White and the Seven Dwarfs, showing him in a humorous and desirable yawning pose. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 6 x 6.5. In fine condition. Estimate: $200-$600

86. Sneezy production drawing from Snow White and the Seven Dwarfs. (Walt Disney Stu-

dios, 1937) Original production drawing featuring Sneezy from Snow White and the Seven Dwarfs, showing the dwarf as he is about to sneeze. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper, which also bears Courvoisier Galleries Walt Disney Productions ink and blind stamps, and a red pencil inventory number notation. Image measures 2.75 x 4.75. In fine condition. Estimate: $400-$600

87. The Evil Queen production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original

production drawing featuring The Evil Queen from Snow White and the Seven Dwarfs. Accomplished in red pencil graphite on untrimmed 15.5 x 12.5 animation paper. The three-quarter length image measures 6.25 x 11. In fine condition. An unusually large and powerful image of one of Disneyâ&#x20AC;&#x2122;s most notorious villains. Estimate: $2,400-$3,800

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88. Wicked Witch production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937)

Original production drawing featuring the Wicked Witch from Snow White and the Seven Dwarfs, showing her with the famous poison apple. Accomplished in graphite and colored pencil on animation paper. Image measures 4 x 5.5, with a mat opening of 9.75 x 8.75. This piece is also framed to an overall size of 19.5 x 18.75. In fine condition. A wonderful production sketch of the witch and apple that is central to the story’s plot. Estimate: $900-$1,400

89. Wicked Witch production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring the Wicked Witch from Snow White and the Seven Dwarfs, showing her knobby fingers and warts in dramatic detail. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 6.75 x 6.5. In fine condition. Estimate: $800-$1,200

36 | August 21, 2014 | Disney

90. Humbert the Huntsman ‘rough’ production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original ‘rough’ production drawing featuring Humbert the Huntsman from Snow White and the Seven Dwarfs. Accomplished in colored pencil and graphite on untrimmed 11.75 x 10 animation paper. Image measures 7 x 7.5. In fine condition. Estimate: $700-$900

91. Humbert the Huntsman production drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production drawing featuring Humbert the Huntsman from Snow White and the Seven Dwarfs. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 4 x 7. In fine condition. Estimate: $800-$1,000

93. Mickey Mouse production cel from Brave Little Tailor. (Walt Disney Studios, 1938) Original production cel featuring Mickey Mouse from Brave Little Tailor, showing him in costume as the title character. The cel is trimmed to image. Image measures 4.5 x 4, with a mat opening of 6 x 6.25. This piece is also framed to an overall size of 13 x 13.5. In fine condition, with some trivial cracking to paint. Accompanied by a Whitney Museum of American Art exhibition tag. This cartoon was an adaptation of the fairy tale The Valiant Little Tailor and cast Mickey Mouse in the title role, voiced by Walt Disney himself. It was nominated for the Academy Award for Best Animated Short Film in 1939, but lost to Disney’s own Ferdinand the Bull; it is still considered one of Disney’s greatest shorts, and in 1994 the film was chosen as the 26th greatest cartoon of all time by members of the animation field. Estimate: $4,000-$7,000

94. Mickey and Minnie Mouse production drawing from Brave Little Tailor. (Walt Disney Studios, 1938) Original production drawing featuring Mickey Mouse and Minnie Mouse from Brave Little Tailor, showing their positioning in the final scene as they ride a carousel, just before they kiss. Accomplished in graphite and red pencil on untrimmed 12 x 10 animation paper. Total image measures 6 x 5. In fine condition, with a crease through the left side of Mickey’s head. This cartoon was an adaptation of the fairy tale The Valiant Little Tailor and cast Mickey Mouse in the title role, voiced by Walt Disney himself. It was nominated for the Academy Award for Best Animated Short Film in 1939, but lost to Disney’s own Ferdinand the Bull; it is still considered one of Disney’s greatest shorts, and in 1994 the film was chosen as the 26th greatest cartoon of all time by members of the animation field. Estimate: $1,000-$1,500

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95. Donald Duck production cel from Boat Builders. (Walt Disney Studios, 1938) Original production cel featuring Donald Duck from Boat Builders, showing him at the end of a great gag sequence in which he ends up with a paintbrush stuck on his bill. Image measures 9 x 8, with overall dimensions of 12.25 x 9.75. Professionally restored and in fine condition. A large image and great cel from a funny moment in the Boat Builders cartoon. Estimate: $1,000-$1,500

96. Goofy and Mermaid production cel from Boat Builders. (Walt Disney Studios, 1938) Original production cel

featuring Goofy and the mermaid ship’s figurehead from Boat Builders, showing Goofy doffing his cap in front of the mermaid, which plays a prominent role in a cute love gag in the second half of the short. Image measures 6 x 5 and is presented in a 17 x 13 mat. Professionally restored and in fine condition. Estimate: $1,000-$1,500

97. Donald Duck production drawing from Donald’s Golf Game. (Walt Dis-

ney Studios, 1938) Original production drawing featuring Donald Duck from Donald’s Golf Game. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image measures 3.25 x 5 and shows Donald looking skyward with a driver in his left hand. In fine condition. Estimate: $300-$500

38 | August 21, 2014 | Disney

98. Ferdinand the Bull with Butterfly production cel from Ferdinand the Bull. (Walt Disney Studios, 1938) Original production cel featuring Ferdinand with a butterfly from Ferdinand the Bull, showing the bull sitting in a field and watching the butterfly pass by. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 7.5 x 5.75, with a mat opening of 7.5 x 7.25. Mat dimensions are 15 x 16. The piece has the original Disney Courvoisier Galleries label on the reverse. A bit of rippling to celluloid and dampstaining to bottom edge of mat, otherwise fine condition. Estimate: $1,500-$2,000

99. Ferdinand Matadors (5) original studio printed model sheets from Ferdinand the Bull. (Walt Disney

Studios, 1938) Five original stat model sheets featuring the designs for characters from Ferdinand the Bull, including the tough calves, matadors, Picadorâ&#x20AC;&#x2122;s horse, Ferdinandâ&#x20AC;&#x2122;s mama, and miscellaneous supporting figures. Sheets measure 10 x 12.5. In overall fine condition. Estimate: $500-$700

100. Harpo Marx production cel from Mother Goose Goes Hollywood. (Walt Disney Studios, 1938) Original production cel featuring Harpo Marx from Mother Goose Goes Hollywood. Image of Harpo playing his violin measures 4 x 7, with overall dimensions of 12 x 10. In fine condition, with scattered mild rippling. Estimate: $1,500-$2,000

101. Groucho, Harpo and Chico Marx (2) piece set of production drawings from Mother Goose Goes Hollywood. (Walt Disney Studios, 1938)

Original production drawing (2) piece set featuring Groucho, Harpo and Chico Marx from Mother Goose Goes Hollywood. Accomplished in graphite and colored pencils on two sheets of untrimmed 12 x 9.5 animation paper. Groucho measures 3.25 x 5, and the image of Harpo and Chico measures 5.5 x 5.5. In fine condition. Estimate: $600-$1,000

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102. Kathryn Hepburn as Bo Peep concept drawing by T. Hee from Mother Goose Goes Hollywood. (Walt Disney

Studios, 1938) Original concept drawing by T. Hee featuring Kathryn Hepburn as Bo Peep from Mother Goose Goes Hollywood. Accomplished in graphite on animation paper trimmed to a size of 8.5 x 12. Image of Hepburn in profile looking for her sheep measures 7.5 x 10. In fine condition, with a bit of expected light soiling. Released as one of Disney’s Silly Symphonies in 1938, the short featured appearances by the Marx Brothers, Clark Gable, Spencer Tracy, Laurel and Hardy, W. C. Fields, and many others. However, due to its stereotypical racial overtones, it is seldom seen in its entirety. Estimate: $300-$500

103. Pluto (3) original studio printed model sheets from circa 1938. (Walt Disney Studios, Circa 1938) Three original stat

model sheets of Pluto from circa 1938, featuring him in many different moods, positions, and movements. Sheets measure 12 x 10. In overall fine condition. Estimate: $250-$500

40 | August 21, 2014 | Disney

104. Shirley Temple concept drawing by T. Hee from The Autograph Hound. (Walt Disney Studios, 1939) Original

concept drawing by T. Hee featuring Shirley Temple from The Autograph Hound. Accomplished in graphite on untrimmed 12 x 10 animation paper. Both images measure approximately 4 x 7, and the sheet is signed at the bottom in pencil, “T. Hee.” In fine condition, with a few scattered light creases. Estimate: $300-$500

105. Donald Duck production cel from The Hockey Champ. (Walt Disney Studios, 1939) Original production cel featuring Donald Duck from The Hockey Champ. Image of Donald Duck on ice skates measures 5.5 x 3.25, with a mat opening of 9.25 x 7.5. This piece is also framed to an overall size of 15 x 12. Minor paint separation and a few cracks, otherwise fine condition. Estimate: $1,000-$1,500

106. Mickey Mouse production cel and production background from The Pointer. (Walt Disney Studios, 1939) Original production cel and production background featuring Mickey Mouse from The Pointer, showing the iconic character wearing hunting attire and pointing ahead. The cel has been trimmed to image and applied to a non-matching hand-painted watercolor production background, from another Disney film of the same time period. Image measures 4.5 x 4.5, with overall dimensions of 7.75 x 9.5. In fine condition. The animated short follows Mickey as he tries to teach Pluto to be a pointer dog during a quail hunt. It is considered a milestone Mickey Mouse film for its background art and Mickey’s acting which was personally staged by Walt Disney, and was nominated for the Academy Award for Best Animated Short Film, losing out to Disney’s own The Ugly Duckling. A wonderful production pairing featuring one of the earliest examples of Mickey’s modern character design. Estimate: $3,300-$4,000

107. Mickey Mouse and Pluto production drawing from Society Dog Show. (Walt Disney Studios, 1939) Original

production drawing featuring Mickey Mouse and Pluto from Society Dog Show. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 7.75 x 4.25. In fine condition, with a small tear to top edge. Estimate: $500-$800

108. Mickey Mouse and Pluto production drawing from Society Dog Show. (Walt Disney Studios, 1939) Original

production drawing featuring Mickey Mouse and Pluto from Society Dog Show, showing Mickey walking Pluto with both looking a bit distressed. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 9 x 4. In fine condition. Estimate: $400-$800

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109. Mickey Mouse and Pluto production drawing from Society Dog Show. (Walt Disney Studios, 1939) Original

production drawing featuring Mickey Mouse and Pluto from Society Dog Show, showing Mickey happily taking Pluto to meet the judge of the Dog Show. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 7 x 5. In fine condition. Estimate: $400-$800

110. Mickey Mouse production drawing from S o c i ety D o g Show. (Walt Dis-

ney Studios, 1939) Original production drawing featuring Mickey Mouse from Society Dog Show. Accomplished in red pencil and graphite on untrimmed 12 x 10 animation paper. Image measures 6.25 x 3 and shows Mickey crawling on all fours. In fine condition. Estimate: $200-$400

111. Pluto production drawing from Society Dog S how. ( W a l t

Disney Studios, 1939) Original production drawing featuring Pluto from Society Dog Show. Accomplished in colored pencil and graphite on untrimmed 12 x 9.75 animation paper with an Art Props stamp to upper right. Image measures 7.25 x 3.5 and shows Pluto walking to his left. In fine condition. Estimate: $200-$400

112. Ugly Duckling and Family production cel from The Ugly Duckling. (Walt Disney Studios,

1939) Original production cel featuring Ugly Duckling and his family from The Ugly Duckling. The cels have been trimmed to image and applied to a production airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 8 x 6.5, with a mat opening of 11 x 8.75. This piece is also framed to an overall size of 19.75 x 18.5. In fine condition, with a few cracks to paint. This film won the 1939 Academy Award for Best Short Subject (Cartoons), and also happened to be the last entry in the Silly Symphony series. A beautifully presented setup with the separately trimmed characters arranged to create an almost three-dimensional appearance, and nice hand-painted accents enhance the appeal of the piece. Estimate: $3,800-$4,500

42 | August 21, 2014 | Disney

Spectacular concept artwork of Mickey as Fantasia’s Sorcerer’s Apprentice

113. Mickey Mouse as the Sorcerer’s Apprentice concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting featuring Mickey Mouse from Fantasia, showing him as the Sorcerer’s Apprentice. Accomplished in watercolor, using various techniques, on art board. Character image measures 4 x 4.5, with a mat opening of 8 x 7.5. This piece is also framed with an engraved nameplate to an overall size of 20.75 x 22. In fine condition. When working on the storyboards for Fantasia, composition layout artist Tom Codrick originally had Mickey conducting the ocean. Upon seeing these ideas, Walt Disney said his artwork was lovely but the idea was too dull—he wanted to see Mickey conducting the universe, as he appears here. A magnificent piece of original artwork that inspired one of the most famous scenes in cinematic history, truly capturing the magical feeling that Fantasia inspires. Estimate: $6,000-$12,000

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114. Mickey Mouse as The Sorcerer’s Apprentice ‘rough’ production drawing from Fantasia. (Walt Disney Studios, 1940) Original ‘rough’ production drawing featuring Mickey Mouse as the Sorcerer’s Apprentice from Fantasia, showing him holding the bucket he uses to fetch water before attempting to use an enchanted broom. Accomplished in graphite and red pencil on untrimmed 15.5 x 12.5 animation paper. Image measures 4.5 x 5. In fine condition. The pail is used as a central device in this iconic segment of Fantasia, and production materials showing Mickey Mouse with both the bucket and sorcerer’s hat are excessively rare. Estimate: $1,000-$2,000

115. Mickey Mouse as the Sorcerer’s Apprentice production drawing from Fantasia. (Walt Disney Studios,

1940) Original production drawing featuring Mickey Mouse from Fantasia. Accomplished in graphite and colored pencils on untrimmed 12 x 10 animation paper. Image of Mickey from the Sorcerer’s Apprentice measures 4 x 5.5, with an animator’s notation in green pencil next to the image. In fine condition. Any image of Mickey in his most-famous role is highly desirable. Estimate: $1,000-$1,500 44 | August 21, 2014 | Disney

116. Mickey Mouse as the Sorcerer’s Apprentice production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing featuring Mickey Mouse as the Sorcerer’s Apprentice from Fantasia, showing the iconic character’s cape flowing behind him. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 4.5 x 4.5. In fine condition. Estimate: $1,000-$1,500

117. Mother Pegasus and Baby Pegasus production cel from Fantasia. (Walt Disney Studios, 1940)

Original production cel featuring Mother Pegasus and Baby Pegasus from Fantasia. The cel has been trimmed and applied to a hand-painted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 9.5 x 3.75, with a mat opening of 10.25 x 8. This piece is also framed to an overall size of 18.25 x 15.75. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. The family of pegasi was part of the Pastoral Symphony segment of Fantasia, set to Beethoven’s ‘Pastorale,’ the Greek mythological creatures gathered for a festival to honor Bacchusand, the god of agriculture and wine. A beautifully arranged setup showing the mother gently nurturing her baby. Estimate: $2,000-$4,000

118. Fawns and Baby Pegasus production cel and production background from Fantasia signed by Walt Disney. (Walt Disney Studios, 1940) Original production cel and production background featuring the fawns and Baby Pegasus from Fantasia, signed and inscribed on the mat in green pencil by Disney, “To Louella, With every good wish, Walt Disney.” The cels have been trimmed to image and applied to a hand-painted production background from Fantasia’s pastoral segment as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 9.5 x 4, with a mat opening of 11 x 8. This piece is also framed to an overall size of 21 x 18.5. In fine condition. These characters appear in the Pastoral Symphony segment of Fantasia, which features the mythical ancient Greek world of centaurs, cupids, fauns, and other figures from classical mythology portrayed to Beethoven’s music. A fabulous setup comprised entirely of production materials from one of Disney’s greatest works, signed by the animation innovator himself. Pre-certified Phil Sears. Estimate: $6,000-$9,000 www.RRAuction.com | 45

121. Chernabog production d r aw i n g f r o m Fantasia. (Walt Dis-

119. Dinosaur production cel from Fantasia. (Walt Disney Studios, 1940) Original production cel featuring a dinosaur from the ‘Rite of Spring’ sequence in Fantasia. The cel is slightly trimmed to 12.25 x 10. Image measures 12 x 4.75. Slightly trimmed edges and some scattered light soiling, otherwise fine condition. Estimate: $800-$1,200

ney Studios, 1940) Original production drawing featuring Chernabog from Fantasia, showing the villainous demon from the ‘Night on Bald Mountain/Ave Maria’ segment animated by Vladimir ‘Bill’ Tytla. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper. Image measures 10.5 x 8. In fine condition, with a couple trivial tears to lower left corner. Chernabog has been praised as Disney’s best representation of pure evil, as well as Tytla’s greatest triumph in animation. Estimate: $1,000-$1,500

122. Chernabog production drawing from Fantasia. (Walt Dis-

ney Studios, 1940) Original production drawing featuring Chernabog from the Night on Bald Mountain sequence in Fantasia. Accomplished in graphite and colored pencil on untrimmed 15.25 x 12.5 animation paper. Impressive and intimidating three-quarter length image measures 15 x 12.5. In fine condition, with a small tear to bottom edge. Estimate: $1,200-$1,600

120. Madame Upanova and Ostrich concept storyboard drawing from Fantasia. (Walt Disney

Studios, 1940) Original concept storyboard drawing featuring Madame Upanova and Ostrich from Fantasia, showing them dancing and jumping in exquisite detail, drawn in a manner that radiates animated movement. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Images measure 4.5 x 4.5 and 5 x 7.5. The sheet bears a Courvoisier Galleries Walt Disney Productions ink stamp at the bottom. A few stains and slight show-through from an ink stamp to reverse, otherwise fine condition. Madame Upanova was in the segment of Fantasia entitled ‘Dance of the Hours,’ and the ostriches pursue her in hopes of getting her grapes, as seen in this beautiful production sketch. Estimate: $1,500-$2,500

46 | August 21, 2014 | Disney

12 3 . C e ntau rette production drawing from Fantasia. (Walt

Disney Studios, 1940) Original production drawing featuring a centaurette from Fantasia, used as a color model with each area filled in and notated with a color designation. Accomplished in graphite and colored pencil on untrimmed animation paper. Image measures 5.5 x 6.25, with a mat opening of 14.75 x 11.75. This piece is also framed to an overall size of 21 x 18. In fine condition. The centaurettes first appear during The Pastoral Symphony in Fantasia. Estimate: $600-$1,000

124. Pinocchio production cel from Pinocchio. (Walt Disney Studios, 1940) Original production cel featuring Pinocchio from Pinocchio. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. The full-length image of Pinocchio walking with his school books and an apple for the teacher measures 2 x 2.75, with a mat opening of 3.25 x 4. This piece is also framed to an overall size of 8.75 x 10.25. The piece has the original Disney Courvoisier Galleries label on the backing of the frame. In fine condition. Cel is from the beginning of the scene where Pinocchio is walking to school when he meets Honest John Worthington Foulfellow and Gideon, who convince him to become an actor and take him away, despite the protests by Jiminy Cricket. An adorable image which retains its bright colors. Estimate: $2,000-$2,400

125. Pinocchio production cel and preliminary production background from Pinocchio. (Walt Disney

Studios, 1940) Original production cel and production background featuring Pinocchio from Pinocchio, showing him underwater and tied to a rock anchoring him to the ocean floor, surrounded by bubble enhancements representing his breath. The cel is placed on a handpainted preliminary background, which was created during production but not actually used in the film. Image measures 3 x 4.5, with overall dimensions of 12 x 9. In fine condition, with tape to edges. A gorgeous full cel featuring the main character paired with a well-done background to make an impressive and unique display. Estimate: $5,000-$8,000

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126. Geppetto and Figaro production cel with preliminary production background setup from Pinocchio. (Walt Disney Studios, 1940) Original

production cel with preliminary production background setup featuring Geppetto and Figaro from Pinocchio, showing Geppetto sleepily rising with the little kitten sitting at the end of his bed. The cels are trimmed to image and placed on a hand-painted preliminary background, which was created during production but not actually used in the film. Image measures 7.5 x 5.75, with a mat opening of 10.5 x 9. Mat dimensions are 16.5 x 15. In fine condition. After asking his cat, Figaro, to get out of bed to open the window, Geppetto spots a wishing star. He excitedly declares, ‘Star night, star bright, first star I see tonight, I wish I may, I wish I might, have the wish I make tonight.’ He then confides in Figaro that he wishes his little Pinocchio to be a real boy, to which Jiminy Cricket retorts, ‘A very lovely thought, but not at all practical.’ Although this setup was put together later and not seen as is in the film, it is still a beautiful reminder of that memorable scene in which Geppetto wishes upon a star for Pinocchio to become a real boy. Estimate: $5,500-$8,000

127. Jiminy Cricket key master setup from Pinocchio. (Walt Disney Studios, 1940) Original production key master cel and background setup featuring Jiminy Cricket from Pinocchio, showing him chasing after Pinocchio while misbehaving on Pleasure Island. The cel is trimmed to image and placed on the matching hand-painted production background. Jiminy Cricket measures 3 x 3, with a mat opening of 11.5 x 8. This piece is also framed to an overall size of 20.5 x 16.5. In fine condition. An immensely desirable matching production setup from an exciting scene in the film, with Jiminy racing through the island as he attempts to reign in Pinocchio. Estimate: $10,000-$15,000

48 | August 21, 2014 | Disney

Superb key master setup of Pinocchioâ&#x20AC;&#x2122;s conscientious cricket

128. Jiminy Cricket key master setup from Pinocchio. (Walt Disney Studios, 1940) Original production key master cel and back-

ground setup featuring Jiminy Cricket from Pinocchio, showing him unhappily perched on a shelf. The cel has been trimmed to image and applied to a hand-painted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2 x 3, with a mat opening of 10 x 7.25. Also framed to an overall size of 20 x 18. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition, with slight discoloration to Jiminyâ&#x20AC;&#x2122;s hat. A marvelous display with rich, vibrant colors in the fabulous production key master background. Estimate: $6,000-$15,000

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129. Jiminy Cricket production cel and background overlay of ocean with Courvoisier background from Pinocchio. (Walt Disney Studios, 1940) Original production cel featuring Jiminy Cricket from Pinocchio, showing him floating through the ocean in a bottle with an angry seagull in the foreground. The cel has been trimmed and applied to a background cel overlay of the ocean and in turn applied to an airbrushed Courvoisier background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Jiminy Cricket image measures 3 x 4 and the seagull measures 3.25 x 3.5, with a mat opening of 8.5 x 7, and an overall size of 14.5 x 13.5. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. A beautifully preserved and visually pleasing Courvoisier setup. Estimate: $3,000-$4,000

130. Jiminy Cricket production cel from Pinocchio. (Walt Disney Studios, 1940) Original

production cel featuring Jiminy Cricket from Pinocchio, showing him angrily holding his umbrella. Signed in the lower left in black felt tip by noted animator and creator of Jiminy Cricket, Ward Kimball. The cel has been trimmed to image and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2 x 2.75, with a mat opening of 5.75 x 6. This piece is also framed to an overall size of 16 x 17.5. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. A very appealing piece. Estimate: $4,000-$5,000

50 | August 21, 2014 | Disney

131. Jiminy Cricket production cel from Pinocchio. (Walt Disney Studios, 1940) Original

production cel featuring Jiminy Cricket from Pinocchio. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3 x 4, with a mat opening of 5.25 x 5.25, and the original mat measuring 11 x 12. Small pencil notation under the mat opening reads, “Jiminy.” In fine condition, some mild rippling and scattered toning and foxing to mat. Written as just a minor character in the original story, Disney’s version transformed Jiminy into one of the most widely-recognized characters, who is still prominently used in Disney’s theme parks and marketing. Estimate: $2,500-$3,500

132. Jiminy Cricket and Gideon production cel from Pinocchio. (Walt Disney Studios, 1940) Original production cels

featuring Jiminy Cricket and Gideon from Pinocchio, showing the ever-conscientious cricket shushing the con-artist feline, labeled in pencil on the mat, “Sh-h-h-h—.” The cels have been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Character images measure 4 x 3.5 and 5.5 x 6.75, with a circular mat opening of 9 x 9; overall dimensions are 11 x 14. Some cracking and lifting to the paint, otherwise fine condition. A wonderfully presented setup with large images of these two key characters from Pinocchio. Estimate: $1,800-$2,800

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133. Figaro production cel from Pinocchio. (Walt Disney Studios, 1940) Original production cel featuring Figaro from Pinocchio, showing the kitten under a blanket and looking feisty. The cel has been trimmed and applied to a handpainted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 3.5 x 5.5, with a mat opening of 6.5 x 6.5. This piece is also framed to an overall size of 12 x 13. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition, with scuffs and dings to the frame. Estimate: $1,200-$2,500

134. Stromboli key master setup from Pinocchio. (Walt Dis-

ney Studios, 1940) Original production key master cel and background setup featuring Stromboli from Pinocchio. The cel is placed on a hand-painted production background of the inside of Stromboli’s wagon. Half-length image measures 7.25 x 6, with overall dimensions of 12.5 x 10.25. In fine condition. Cel is from the scene in Stromboli’s wagon after Pinocchio performs in his show. Thinking he is free to leave, Stromboli grows angry and locks him in a bird cage and threatens to chop him into fire wood if he doesn’t perform. Despite only a short appearance in the film, Stromboli remains one of Disney’s most acclaimed villains to this day. An impressive and rare key master example. Estimate: $8,000-$12,000

52 | August 21, 2014 | Disney

138. Monstro the Whale ‘rough’ production drawing from Pinocchio. (Walt

135. Jiminy Cricket preliminary model sheet drawing from Pinocchio. (Walt Disney Studios, 1940) Original preliminary model sheet drawing featuring Jiminy Cricket from Pinocchio, showing him in a great variety of emotions, movements, and costumes. Accomplished in graphite on animation paper. Images measure approximately 3 x 3 each and fill the entire page, displayed within the mat opening of 14.5 x 11.5. This piece is also framed to an overall size of 21.75 x 18.75. In fine condition, with scattered creases. Estimate: $800-$1,500

Disney Studios, 1940) Original ‘rough’ production drawing featuring Monstro the Whale from Pinocchio. Accomplished in red pencil and graphite on trimmed 14 x 12 animation paper. Image measures 12.5 x 7, and is labeled “Duplicate,” under the image in an animator’s hand. Scattered tack and staple holes, and a uniform shade of mild toning, otherwise fine condition. Any complete drawing of this character is difficult to find. Estimate: $600-$1,200

136. Pinocchio p r o d u c t i o n drawing from Pinocchio. (Walt Disney Studios, 1940) Original production drawing featuring the main character from Pinocchio after he sprouts donkey ears and a tail on Pleasure Island. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 3.5 x 6.5. In fine condition. Estimate: $500-$1,000

139. Donald Duck and naked girl animator’s gag drawing. (Walt Disney Studios, Circa 1940s) Original animator’s ‘rough’ gag drawing featuring Donald Duck chasing after a naked girl, signed later in blue felt tip by Disney animator and engineer Bill Justice. Accomplished in graphite and blue pencil on untrimmed 12 x 10 animation paper. Total image measures 10.75 x 6.5. In fine condition. A humorous and uncommonly raunchy drawing, the likes of which animators would draw to keep themselves entertained. Estimate: $500-$1,000

137. Blue Fairy production drawing from Pinocchio.

(Walt Disney Studios, 1940) Original production drawing featuring Blue Fairy from Pinocchio. Accomplished in graphite on untrimmed 12 x 10 animation paper. Image measures 11 x 9. In fine condition, with some light creasing to left side of sheet. The Blue Fairy was animated by Jack Campbell from live-action footage of Marge Champion and voiced by Evelyn Venable. Giving his animators strict instructions to avoid a ‘glamour girl’ appearance for the Blue Fairy, after several revisions the final product, possibly inspired by Jean Harlow, retained certain qualities Walt had initially wished to avoid, but he was pleased with the final result. Estimate: $700-$1,200

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140. Donald Duck set of (3) ‘rough’ production drawings in sequence. (Walt Disney Studios, Circa

1940s) Original set of three ‘rough’ production drawings in sequence featuring Donald Duck rising and stretching. Accomplished in graphite and colored pencil on three sheets of untrimmed 12 x 10 animation paper. Overall image sizes range from 4 x 3 to 3 x 6. In fine condition. A wonderful example of the process behind creating the illusion of movement in animation. Estimate: $600-$900

142. Donald Duck production layout drawing from A Good Time for a Dime. (Walt Disney Studios,

141. Donald Duck set of (3) ‘rough’ production drawings in sequence. (Walt Disney Studios, Circa 1940s) Original set of three

‘rough’ production drawings in sequence featuring Donald Duck rising and stretching. Accomplished in graphite and colored pencil on three sheets of untrimmed 12 x 10 animation paper. Overall image sizes range from 4 x 4 to 3 x 5.5. In fine condition. A wonderful example of the process behind creating the illusion of movement in animation. Estimate: $600-$800

1941) Original production layout drawing featuring Donald Duck from A Good Time for a Dime. Accomplished in colored pencil and graphite on untrimmed 12 x 10 animation paper. Full-length image of a soaked Donald measures 4 x 5.5, with two red squares added during production. In fine condition. Estimate: $300-$600

143. Mickey and Minnie Mouse production cel from The Nifty Nineties. (Walt Disney Studios, 1941) Original production cel featuring Mickey and Minnie Mouse from The Nifty Nineties, showing them traveling along in a buggy. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2.25 x 2.5, with a mat opening of 6.75 x 5.75. Mat dimensions are 12 x 13. Reverse bears a Courvoisier Galleries Walt Disney Productions ink stamp. In fine condition, with some slight chipping to paint and light dampstaining to the perimeter of the mat. The popular short starred Mickey and Minnie Mouse and romanticizes the decade of the 1890s, and was directed by Riley Thomson and animated by Ward Kimball, Walt Kelly, Fred Moore, Claude Smith, David Swift, and Les Clark with effects animation by Art Fitzpatrick. The voice cast includes Walt Disney as Mickey and Thelma Boardman as Minnie. Animators Ward Kimball and Fred Moore have cameos where they each voice a caricatured version of themselves. Estimate: $3,000-$4,000

54 | August 21, 2014 | Disney

146. Goofy production cel from The Art of Skiing. (Walt Disney Studios, 1941) Original production cel

featuring Goofy from The Art of Skiing, showing the funny character upside down and entangled in his skis. The cel has been applied to a nicely hand-painted background and enhanced with speckled flecks of snow prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 4 x 4, with a mat opening of 7.5 x 8.25; overall dimensions are 13.25 x 15. In fine condition, with uniform toning and a crease to one corner of the mat. The Art of Skiing was historically significant in the series of Goofy cartoons as it was the first to use the â&#x20AC;&#x2DC;Goofy hollerâ&#x20AC;&#x2122; sound effect, which has since appeared in many other films and cartoons. Estimate: $1,400-$2,200

147. Dumbo and Timothy production cel from Dumbo. (Walt Disney Studios,

1941) Original production cel featuring Dumbo and Timothy from Dumbo, showing the flying elephant looking concerned as his mouse friend marches away. The cel is applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 6 x 3.75, with overall dimensions of 9 x 8. The backing bears a Courvoisier Galleries Walt Disney Productions ink stamp. In fine condition. An attractive and desirable cel presenting these two best friends together, a humorous and memorable relationship from the classic Disney film. Estimate: $3,000-$4,000

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148. Dumbo production cel from Dumbo. (Walt Disney Studios, 1941) Original production cel featuring Dumbo from Dumbo, showing

him dragging a tent pole with his trunk. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 7 x 2.5, with a mat opening of 8 x 5.25. This piece is also framed to an overall size of 15 x 12. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. Estimate: $3,000-$5,000

149. Elephant production cel from Dumbo. (Walt Disney Studios, 1941) Original production cel featuring an elephant from the â&#x20AC;&#x2DC;Pink Elephants on Paradeâ&#x20AC;&#x2122; sequence in Dumbo. The cel is trimmed to image and applied to a full 12.5 x 10.5 cel. Image measures 4.5 x 4. A crack to paint in his trunk, otherwise fine condition. Estimate: $300-$700

56 | August 21, 2014 | Disney

150. Dumbo production drawing from Dumbo. (Walt Disney Studios, 1941) Original production drawing featuring Dumbo from Dumbo. Accomplished in red pencil and graphite on untrimmed 12 x 10 animation paper. Image measures 7 x 5.5 and shows Dumbo sleeping with his magic feather in his trunk. In fine condition. Estimate: $500-$900

151. Timothy Mouse production drawing from Dumbo. (Walt Disney Studios, 1941) Original production drawing featuring Timothy Mouse from Dumbo. Accomplished in red pencil and graphite on untrimmed 12 x 10 animation paper. Image measures 5.25 x 4.75 and shows Timothy Mouse with Dumbo’s ‘magic feather’ behind his back. In fine condition. Estimate: $200-$400

152. Jim Crow production drawing from Dumbo. (Walt

Disney Studios, 1941) Original production drawing featuring Jim Crow from Dumbo. Accomplished in red pencil and graphite on untrimmed 12 x 10 animation paper. Image measures 6 x 5 and shows Jim Crow, a cigar in his mouth, raising his hat in the air. In fine condition. Estimate: $200-$400

154. Mickey and Minnie Mouse production drawing from The Nifty Nineties. (Walt Disney Studios, 1941) Original

production drawing featuring Mickey and Minnie Mouse from The Nifty Nineties, showing them together in an old-fashioned car. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 2.75 x 3.25. In fine condition. Estimate: $300-$500

153. Goofy and Horse production cel from How to Ride a Horse. (Walt Disney

Studios, 1941) Original production cel featuring Goofy and his horse Percy from How to Ride a Horse, showing Goofy looking surprised as the horse steps on his foot. The cel has been applied to a hand-painted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 8.5 x 5, with overall dimensions of 13 x 9.75. Some cracking to paint (most noticeably to white areas), otherwise fine condition. This animated short was originally produced as a segment of The Reluctant Dragon before being released as a standalone short on June 20, 1941. Estimate: $1,400-$2,000

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155. Bambi and Thumper production cel from Bambi. (Walt Disney Studios, 1942) Original

production cel featuring Bambi and Thumper from Bambi, showing the animal friends frolicking in a grassy field. The cels have been trimmed and applied to a hand-drawn pastel background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Character images measure 2 x 2.75 and 1.75 x 2, with a mat opening of 6.5 x 7; overall dimensions of 11 x 12.5. The piece has the original Disney Courvoisier Galleries label on the reverse. Some cracking and lifting to the paint, otherwise fine condition. A highly desirable Courvoisier piece of the main character from this iconic Disney classic, which the American Film Institute ranked third in a list of best American films in the animation genre. Estimate: $2,200-$2,800

156. Bambi production cel from Bambi. (Walt Disney

Studios, 1942) Original production cel featuring Bambi from Bambi. The cel has been applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 4 x 4.75, with overall dimensions of 9 x 8.5. In fine condition. A particularly well-preserved example featuring an adorable image of the young Bambi with the background retaining its vibrant colors. Estimate: $2,800-$3,500

58 | August 21, 2014 | Disney

157. Bambi and Faline production cel from Bambi. (Walt Disney Studios, 1942) Original production cel featuring Bambi and Faline

from Bambi. The cels have been trimmed to image and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image sizes are 3.5 x 4.25 and 2.5 x 4, with a mat opening of 7.75 x 6.5. Mat dimensions are 14 x 13. In fine condition. Although not seen in the film, this wonderful setup was expertly crafted to remind us of the heartwarming scene where Bambi meets Faline for the first time. Estimate: $4,500-$6,000

1 5 8 . B a m b i a n d Fa l i n e production cel from Bambi. (Walt Disney Studios, 1942) Original production cel featuring Bambi and Faline from Bambi. The cels have been trimmed and applied to a hand-painted background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image sizes are 1.5 x 2.75 and 2 x 3, with a mat opening of 7.5 x 6. Mat dimensions are 14.5 x 13 and the piece is also framed to an overall size of 15.75 x 14.25. The piece has the original Disney Courvoisier Galleries label on the reverse. In very good condition, with significant rippling and chipping to paint. Estimate: $1,800-$2,600

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159. Little Golden Bambi book signed by Walt Disney. Walt

Disney’s Bambi book, published in the Little Golden Book series by Grossett & Dunlap of New York, prominently signed opposite the title page in green pencil, “Walt Disney.” The book is opened to a size of 12.5 x 7.5 and beautifully presented in an appropriately themed mat, and framed to an overall size of 24 x 24. In fine condition. A gorgeous display related to one of Disney’s most beloved films, highlighted by his enormous, uninscribed signature. Pre-certified Phil Sears. Estimate: $3,000-$4,000

160. Donald Duck production cel from Donald Gets Drafted. (Walt Disney Studios, 1942) Original production cel featuring Donald Duck from Donald Gets Drafted. The cel has been trimmed and applied to an airbrushed background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image of Donald holding his rifle with bayonet measures 4.5 x 5.25, with a mat opening of 8.5 x 6.5. Mat dimensions are 13.75 x 13. The original Disney Courvoisier Galleries label is included. Rippling to cel and missing portion of top edge of mat, otherwise fine condition. Estimate: $1,000-$1,600

161. Goofy set of (2) concept storyboard drawings from How to Play Baseball. (Walt

Disney Studios, 1942) Pair of original concept storyboard drawings featuring Goofy from How to Play Baseball, showing him on the pitcher’s mound mid-windup. Accomplished in graphite and colored pencil on two sheets of untrimmed 12 x 10 animation paper. Images sizes are 9 x 7 and 9 x 8.5. In overall fine condition. How to Play Baseball was the first of Disney’s ‘How-To’ shorts featuring Goofy, produced at the request of Samuel Goldwyn and first shown to accompany the 1942 feature film The Pride of the Yankees. Estimate: $1,000-$1,500

60 | August 21, 2014 | Disney

162. Dopey production drawing from The Winged Scourge. (Walt Disney Studios,

1943) Original production drawing featuring Dopey from The Winged Scourge, showing him cheerily walking along with a dustpan and small broom. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 6.5 x 5. In fine condition. Estimate: $300-$700

163. Winkie production drawing from The Adventures of Ichabod and Mr. Toad. (Walt Disney Studios, 1946)

165. Johnny Appleseed production cel from Melody Time. (Walt Disney Studios, 1946) Original production cel featur-

164. Goofy production background featuring Goofy’s girlfriend from Knight for a Day. (Walt Disney Studios, 1946)

166. Mickey Mouse production cel from Mickey and the Beanstalk. (Walt Disney Studios, 1946) Original production

Original production drawing featuring Mr. Winkie the tavernkeeper. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 3 x 5. In fine condition, with some creases and small areas of paper loss to upper corners. Estimate: $200-$400

Original production background featuring an interior castle setting with pictures of Goofy’s girlfriend on the wall from A Knight for a Day. Accomplished in gouache on 12 x 10 cardboard background. Image measures 11 x 8.5. In fine condition. An expertly detailed hand-painted background highlighted by the images of Goofy’s rarely seen voluptuous girlfriend. Estimate: $1,500-$2,000

ing Johnny Appleseed from Melody Time. The cel is placed on an airbrushed background, prepared at the Disney Studio to be sold at the Courvoisier Galleries. Image of Johnny Appleseed and the skunk measures 7 x 6.25, with a mat opening of 9.5 x 7.25. The original cream-colored mat is notated in pencil “From ‘Melody Time,’” and has its WDP circular stamp. The mat is in turn matted to an overall size of 16 x 14. In fine condition, with some old tape to edges of mat. Estimate: $2,000-$3,000

cel featuring Mickey Mouse from Mickey and the Beanstalk. The cel is placed on a hand-painted custom prepared background, painted at a later date. Half-length image of Mickey pouring out the very last bean for dinner measures 5.75 x 4.75, with a mat opening of 10.5 x 8.5. This piece is also triple-matted and framed to an overall size of 18.25 x 16.25. In fine condition. Estimate: $1,000-$1,500

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1 6 7. B r ’e r F o x production cel from Song of the South. (Walt Disney Studios, 1946) Original production cel featuring Br’er Fox from Song of the South, showing the film’s primary antagonist pointing ahead with his mouth open wide. The cel is placed on a blue cardstock background. Image measures 8.5 x 4, with overall dimensions of 12 x 10. In fine condition. Song of the South was Disney’s first film to use live actors, and this is a rare and well-preserved production piece from the early groundbreaking work. Estimate: $3,500-$4,500

1 6 8 . B r ’e r B e a r production cel from Song of the South. (Walt Disney Studios, 1946) Original production cel featuring Br’er Bear from Song of the South, showing the film’s expressionless dimwitted antagonist. The cel is trimmed to 12 x 8.5 and placed on a red paper background. Image measures 4 x 5. In fine condition. Song of the South was Disney’s first film to use live actors, and this is a rare and well-preserved production piece from the early groundbreaking work. Estimate: $3,000-$4,000

62 | August 21, 2014 | Disney

169. Br’er Fox production drawing from Song of the South. (Walt Disney Studios, 1946) Scarce original production drawing featuring Br’er Fox from Song of the South. Accomplished in colored pencil and graphite on untrimmed 12 x 10 animation paper. Three-quarter length image of the knife-wielding Br’er Fox measures 4.5 x 6.25. In fine condition. Estimate: $600-$1,000

171. Br’er Rabbit production drawing from Song of the South. (Walt Disney Studios, 1946) Scarce original production draw-

ing featuring Br’er Rabbit from Song of the South. Accomplished in colored pencil and graphite on untrimmed 12 x 10 animation paper. Full-length image of Br’er Rabbit measures 4.75 x 6. In fine condition. Estimate: $600-$1,000

170. Br’er Fox production drawing from Song of the South. (Walt Disney Studios, 1946) Original production drawing featuring Br’er Fox from Song of the South. Accomplished in colored pencil and graphite on slightly trimmed 11.75 x 10 animation paper. Three-quarter length image of the knife-wielding Br’er Fox measures 5.25 x 7. In fine condition. Estimate: $600-$1,000

172. Katrina production cel from The Legend of Sleepy Hollow. (Walt Disney Studios, 1947) Original production cel featuring Katrina from The Legend of Sleepy Hollow, showing her gamboling about with a parasol over her shoulder. The cel is trimmed to 5 x 6.75. Image measures 4.5 x 6.75. In fine condition. Estimate: $1,300-$1,700

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173. Ichabod and Katrina production cel and production background from The Legend of Sleepy Hollow. (Walt Disney

Studios, 1947) Original production cels and production background featuring Ichabod and Katrina from The Legend of Sleeping Hollow, showing them together at a Halloween party. The cels are placed on a hand-painted production background of a shadowy interior decorated for Halloween. Images measure 2 x 6 and 5.25 x 6.5 on slightly trimmed cels, with a mat opening of 15 x 11. This piece is also framed to an overall size of 23 x 19. A tear and hole to the armchair in the background, otherwise fine condition. A great pair of cels with production background, made even more desirable by the association between Halloween and the ‘Headless Horseman.’ Estimate: $3,000-$4,000

174. Walt Disney signed photograph inscribed to Irving Sindler. Remarkable

matte-finish 13 x 8.5 photo of Disney sitting in a personalized rocking chair accepting a teacup from Irving W. Sindler, boldly signed and inscribed in thick black ink, “To Uncle Irving, Best wishes from Uncle Walt.” In fine condition, with an unobtrusive crease to upper right. Sindler was the property master at Samuel Goldwyn Studios for many years and worked with Disney as the set decorator on Song of the South. A wonderful cinematic association with a very personal and boldly penned inscription. Pre-certified Phil Sears. Estimate: $3,000-$4,000 64 | August 21, 2014 | Disney

175. Lucifier, Gus, and Jaq production cel and production background from Cinderella. (Walt Disney

Studios, 1950) Original production cel and production background featuring Lucifier, Gus, and Jaq from Cinderella. The cel is placed on a hand-painted production background. Lucifer, the broom, and Jaq are trimmed to image and applied to the full Gus 8.5 x 4 cel, the broom measures 9˝ long, and Jaq measures .5 x .25. Overall dimensions are 15.5 x 12.5. A red pencil animator’s note at the bottom reads, “Used in ink 6-27 Margaret.” In fine condition, with tack holes to corners of background. A visually appealing piece featuring several of the film’s characters, setup to recreate one of their classic, and comical, confrontations. Estimate: $5,500-$7,000

1 7 6 . Lu c i f e r, G u s , Jaq, and Fork Mice production cel and p ro duc t i o n b ackground from Cinderella. (Walt Disney Studios, 1950) Original production cels on a hand-painted production background featuring Lucifer, Gus, Jaq, and two ‘fork mice’ from Cinderella. In this well put together non-matching scene the mice are boldly confronting Lucifer. Lucifer and the fork mice are trimmed to image and applied to the full Gus and Jaq cel. Lucifer measures 5 x 3, Gus and Jaq measure 3 x 3, and the fork mice measure 4 x 3. Overall dimensions are 12 x 14. In fine condition. Any original production background from classic Disney films are quite rare. Estimate: $4,000-$6,000

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177. Grand Duke and the King key master setup from Cinderella. (Walt

Disney Studios, 1950) Original production key master cel and background setup featuring the Grand Duke and King from Cinderella. The cel is placed on its matching hand-painted production background. Image measures 9.5 x 6.75, and shows the Grand Duke consoling the King in his office over his impatience for the prince to marry and provide grandchildren, with overall dimensions of 15.5 x 12.5. A handwritten notation along the bottom border reads, “Used in ink 8/30 Margaret.” In fine condition. Key masters from this Disney classic are few and far between. Released in 1950 after over two years in production, Cinderella became the Disney’s biggest critical and financial success since Snow White, helping the studio rebound from the verge of bankruptcy. Estimate: $3,500-$4,500

179. Lady Tremaine, the Wicked Stepmother, (2) ‘rough’ production drawings from Cinderella. (Walt Disney Stu-

178. Prince Charming production cel from Cinderella. (Walt Disney Studios, 1950) Original production cel featuring Prince Charming from Cinderella. The cel is trimmed to the size of the image which measures 3 x 6.25, with the mat opening measuring 4.5 x 6.75. This piece is also triple-matted and framed to an overall size of 13.25 x 15.5. In fine condition. Estimate: $700-$1,000

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dios, 1950) Original (2) ‘rough’ production drawings featuring Lady Tremaine, the Wicked Stepmother, from Cinderella. Accomplished in graphite and colored pencil on two untrimmed sheets of 15.5 x 11 animation paper. Each image measures approximately 3.5 x 8.25, with one sheet signed in pencil by Lady Tremaine’s animator, legendary Disney artist Frank Thomas. In fine condition, with some scattered light creases. Estimate: $400-$700

Mary Blair Mary Blair (1911–1978) was one of Walt Disney Studios’s most important concept artists whose work was characterized by its bold, vivid colors. Her storyboards and character designs served as inspiration for the Disney animators, and her artistic influence is felt throughout many of their greatest films of the 1950s, including Cinderella, Alice in Wonderland, and Peter Pan.

181. Mary Blair concept storyboard painting of Br’er Bear, Br’er Fox, and Tar Baby from Song of the South. (Walt Disney Studios, 1946) Original Mary Blair concept storyboard painting featuring Br’er Bear, Br’er Fox, and Tar Baby from Song of the South. Accomplished in tempera and watercolor on a 14 x 11 illustration board. Image shows Br’er Bear and Br’er Fox looking at their Tar Baby while hiding behind a tree. Mat dimensions are 17 x 13. In fine condition. This was one of two partially animated Disney features Blair worked on during her time at the Disney Studios. Beside providing concept art for several Disney features, she created character designs for It’s a Small World, at the personal request of Walt Disney, as well as two murals for the Tomorrowland Promenade. Much of Blair’s concept art for the film revolved around the live-action scenes, with this vibrantly-colored work featuring two of the story’s main animated characters from one of the film’s most memorable segments. Estimate: $7,000-$10,000

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68 | August 21, 2014 | Disney

Mary Blair concept storyboard painting featuring Ichabod Crane and the Headless Horseman from the Legend of Sleepy Hollow featured in the film The Adventures of Ichabod and Mr. Toad. Accomplished in tempera and watercolor on a 16.75 x 6.5 illustration board. Scene depicts Ichabod Crane fleeing through the forest on his horse being pursued by the Headless Horseman. In fine condition, with a single tack hole to each corner and a bit of trivial edge wear. Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World), and her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. An impressive image done in Blair’s unique style which was pivotal in capturing the dark conclusion to this Disney classic. Estimate: $7,000-$12,000

182. Mary Blair concept storyboard painting of Ichabod and the Headless Horseman from The Legend of Sleepy Hollow. (Walt Disney Studios, 1949) Original

183. Mary Blair concept painting of Alice and Dinah from Alice in Wonderland. (Walt Disney Studios, 1951) Original concept painting featuring Alice and Dinah from Alice in Wonderland, tempera and watercolor on heavy illustration board. Image measures 8 x 4.25, with overall dimensions of 12.5 x 11.5. In fine condition, with a single tack hole to each corner tip. Much of Blair’s art blurs the lines of naturalism and veers towards abstraction, her emotionally palpable style was a personal favorite with Walt Disney. A beautiful image of an early character rendering by one of Disney’s most trusted and talented artists. Estimate: $6,000-$7,000

185. Alice watercolor concept storyboard by David Hall from Alice in Wonderland. (Walt Disney

Studios, 1951) Original water color concept storyboard by David Hall featuring Alice from Alice in Wonderland, watercolor on a 6 x 4.75 board affixed to a 7 x 6 sheet. Artwork shows Alice running down the long hallway of the rabbit hole. Mat dimensions are 13.75 x 13.25. In fine condition. After the enormous success of Snow White in 1937, Walt Disney was working on an idea to bring Alice to the big screen. He hired Hall, who produced over 400 pieces of concept art for the film. Disney found Hall’s work on the dark side and stated it would be difficult to animate. Identifying the amount of time needed to make a proper film, and along with the economic fallout from World War II, the project was shelved for several years. Estimate: $1,500-$2,000

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186. White Rabbit production cel from Alice in Wonderland. (Walt Disney Studios, 1951) Original production

cel featuring the White Rabbit from Alice in Wonderland. Image measures 2 x 2.25, with a mat opening of 7.25 x 4. Mat dimensions are 10.5 x 7.5 Some cracking to the paint, otherwise fine condition. Estimate: $500-$800

187. Oysters production cel from Alice in Wonderland. (Walt Disney Studios, 1951) Original production cel featuring the oysters from Alice in Wonderland, showing Mother Oyster, who has a pearl for a nose, and her many children. The cel is trimmed to 9 x 11.75. Image measures 9 x 9.75. In fine condition. Estimate: $800-$1,000

70 | August 21, 2014 | Disney

188. The Walrus production cel from Alice in Wonderland. (Walt Disney Studios, 1951) Original production cel featuring The Walrus from Alice in Wonderland. Full-length image of the Walrus running with his hand on his top hat measures 3.25 x 4.25, with a mat opening having a diameter of 7.75Ë?. This piece is also framed to an overall size of 15.25 x 15. In fine condition. Estimate: $400-$700

189. Dodo Bird production cel from Alice in Wonderland. (Walt Disney Studios, 1951) Original production cel featuring Dodo Bird from Alice in Wonderland, depicting him smoking a pipe. The cel is slightly trimmed to 10 x 7.75 and placed on a studio copy background. Image measures 7.5 x 6.5. In fine condition. Estimate: $450-$700

190. Chip and Dale production cel from Test Pilot Donald. (Walt Disney Studios, 1951) Original production cel and custom prepared background featuring Chip and Dale from Test Pilot Donald, showing the two chipmunks with the small red plane. The cels are trimmed to image and placed on a hand-painted custom background as prepared by the Art Props Department at Disney Studios. Image measures 9 x 4.5, with a mat opening of 11 x 8.5. Mat dimensions are 16.5 x 14.5. In fine condition, with a bit of chipping and lifting to paint. In the short, Dale dreams of flying and finds a perfect opportunity when Donald Duck’s remote control airplane gets stuck in their tree. A nice setup with an Art Props mat. Estimate: $3,000-$5,000

191. Goofy and Son key master setup from Father’s Lion. (Walt Disney Studios, 1952) Original production key master cel and background setup featuring Goofy and Son from Father’s Lion, showing both characters joyfully holding shotguns in the woods. The cels have been trimmed and applied to a hand-painted matching production background as prepared by the Art Props Department at Disney Studios. Images measure 5.5 x 6 and 2.75 x 4, with a mat opening of 9.75 x 8. This piece is also framed to an overall size of 17.5 x 16.25. The piece has the original Disney label on the reverse. In fine condition. When Courvoisier galleries closed in 1947, the Disney Art Props Department took over creating these setups, and although they did not sell their art to the public, they were given away to generate good publicity or gifted to VIPs visiting the studio. The scene can be found about two minutes into the short, which was produced in Technicolor and tells the story of Goofy taking his son camping and teaching him how to hunt. Estimate: $2,000-$5,000

192. Mickey Mouse production cel from Pluto’s Christmas Tree. (Walt Disney Studios, 1952) Original production

cel featuring Mickey Mouse from Pluto’s Christmas Tree. Full-length image of Mickey swinging an ax measures 8.25 x 5, with overall dimensions of 12 x 9. In fine condition. Estimate: $800-$1,200

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Wonderful production pairing from Disneyâ&#x20AC;&#x2122;s classic fantasy-adventure

193. Peter Pan and Wendy production cel and production background setup from Peter Pan. (Walt Disney Studios, 1953)

Original production cel and production background setup featuring Peter and Wendy from Peter Pan, showing him holding her hand as they glide through the air. The full 16 x 12.5 cel is placed on a 12 x 10 hand-painted production forest background from the same film. Character image measures 9.25 x 7.25. In fine condition. This is an especially scarce and desirable example as Peter Pan and Wendy are both original to the same full cel, rather than separately trimmed and applied later. Between the superlative hand-painted image of the filmâ&#x20AC;&#x2122;s romantic pairing and beautifully designed background, this is an impressive piece that makes for fantastic display. Estimate: $7,000-$9,000

72 | August 21, 2014 | Disney

194. Peter Pan, Tiger Lily, and Indian Chief production cel from Peter Pan. (Walt Disney

Studios, 1953) Original production cels featuring Peter Pan, Tiger Lily, and Indian Chief from Peter Pan, showing the three characters seated close to each other. The three character cels are trimmed to image and placed on a matching laser copy background. Image measures 9 x 7, with a mat opening of 12 x 9.5. This piece is also framed to an overall size of 21.5 x 19.5. In fine condition. A wonderfully presented arrangement from the famous film. Estimate: $5,000-$8,000

195. Peter Pan and Tiger Lily production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel featuring Peter Pan and Tiger Lily from Peter Pan, showing them dancing together during the scene where the Indian Chief and his chorus sing the song â&#x20AC;&#x2DC;What Makes the Red Man Red?â&#x20AC;&#x2122; The cel is placed on a matching copy background. Character images measure 5 x 5.5 and 2.5 x 5.75, with a mat opening of 9.75 x 7.5. This piece is also framed to an overall size of 19.25 x 17.25. In fine condition, with a bit of cracking to paint. A nice cel with great images of this pair of important characters. Estimate: $3,000-$3,500

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196. Peter Pan production cel from Peter Pan. (Walt Disney

Studios, 1953) Original production cel featuring Peter Pan from Peter Pan. The cel is placed on a hand-painted custom prepared background made for this scene. Image of Peter Pan rifling through a toy box in the Darlings’s nursery looking for his shadow measures 10.5 x 8.5, with overall dimensions of 13 x 10.5. In fine condition. Development for the film began in 1940, with Walt Disney himself heading the story meetings. Concept changes, World War II, and the financial situation of the studio held up the film’s release until 1953, with Peter Pan becoming the highest grossing film of the year. A particularly large image of Peter from the opening of the film. Estimate: $1,500-$2,500

197. Captain Hook production cel from Peter Pan. (Walt Disney

Studios, 1953) Original production cel featuring Captain Hook from Peter Pan. The cel is placed on a copy background. Almost full-length image of an iratelooking Captain Hook waving his hook measures 7.5 x 10.5, with overall dimensions of 16.75 x 13. In fine condition, with a bit of mild rippling. Animated by the legendary Frank Thomas, Hook’s final persona was different than earlier versions, which portrayed him as much more callous and bloodthirsty. Fearing he would be too frightening for a younger audience, he was transformed into a more cowardly and comical villain, more suited for a family audience. A bright and colorful image of one of Disney’s most iconic villains. Estimate: $2,000-$2,500

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200. Captain Hook production cel from Pe t e r Pa n . (Walt Disney Studios, 1953) Original production cel featuring Captain Hook from Peter Pan. The cel is placed on a handpainted custom prepared background. Image measures 4.5 x 7, with overall dimensions of 16 x 13 and shows Captain Hook on the deck of the Jolly Roger. In fine condition. Estimate: $1,000-$1,600

198. Captain Hook production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel featuring Captain Hook from Peter Pan, showing the vengeful captain peering through his spyglass, supported by his namesake hooked hand. Image measures 7 x 10, with overall dimensions of 16 x 12.5. In fine condition. Estimate: $1,500-$2,000

201. Mr. Smee production cel from Pe t e r Pa n . ( Wa l t D i s n e y Studios, 1953) Original production cel featuring Mr. Smee from Peter Pan. The cel is placed on a matching studio copy background. Image of Smee cautiously sticking out his foot towards a rowboat measures 5 x 5, with overall dimensions of 15 x 12. In fine condition. Estimate: $700-$1,000

202. Michael production cel from Peter Pan. (Walt Disney

199. Captain Hook production cel from Peter Pan. (Walt

Disney Studios, 1953) Original production cel featuring Captain Hook from Peter Pan, showing him glancing away from his spyglass, supported by his hooked hand. The cel is placed on a color copy background. Image measures 6 x 6.5, with a mat opening of 8.25 x 7.5. This piece is also framed to an overall size of 16.5 x 17.5. In fine condition. A fantastic display. Estimate: $1,400-$2,400

Studios, 1953) Original production cel featuring Michael Darling from Peter Pan, showing him dressed up as a Native American Indian. Image measures 2 x 5, with overall dimensions of 16 x 12.5. In fine condition. Estimate: $500-$800

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Fabulous setup of an iconic moment

203. Lady and the Tramp production cel setup from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel setup featuring the main characters from Lady and the Tramp, showing them sharing a plate of spaghetti together as they famously do in what has become the best-known scene in the film. The character cels have been trimmed to image and applied to a hand-painted custom prepared background, accomplished at a later date, to create a marvelous setup for display. The Lady image (trimmed from the actual Bella Notte scene) measures 5 x 5, Tramp (trimmed from another scene) measures 2.75 x 5.75, and table measures 11 x 7.75, with overall dimensions of 16 x 11.75. In fine condition. Though the background is custom prepared and not production used, it is hand-painted and extremely vibrant and well-doneâ&#x20AC;&#x201D;this gorgeous setup brings to life the iconic and oft-replicated Bella Notte scene that climaxes in the â&#x20AC;&#x2DC;spaghetti kiss,â&#x20AC;&#x2122; an iconic moment in American cinema. Estimate: $6,000-$9,000

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204. Lady production cel and pan production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel and pan production background featuring Lady from Lady and the Tramp, showing her looking excited and in an indoor setting. The cel is placed on a non-matching hand-painted pan production background for an interior scene with a swirl-design rug. The large character image measures 6.5 x 6.5 and hand-painted background measures 23.5 x 11, with overall dimensions of 27 x 14. In fine condition. A beautiful pan production background and magnificent image of the title characterâ&#x20AC;&#x201D;a positively marvelous piece. Estimate: $6,000-$9,000

205. Lady and the Tramp production cel on a preliminary pan production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel on a preliminary pan production background featuring Lady and Tramp from Lady and the Tramp, showing them close together. The cels are trimmed to image and placed on a hand-painted preliminary pan production background of an interior scene. Images measure 2.25 x 3 and 3.5 x 4, and the hand-painted production background measures 30.25 x 11.5, with an overall size of 40 x 12. In fine condition. This is a wonderful setup featuring the highly desirable and meticulously designed impressively large preliminary background. Estimate: $5,000-$10,000

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206. Lady and the Tramp production cel from Lady and the Tramp. (Walt Disney Stu-

dios, 1955) Original production cel featuring Lady and Tramp from Lady and the Tramp. The cel is placed on a color copy background. Image of Lady and the Tramp walking side-by-side measures 7 x 5, with overall dimensions of 15 x 11. In very good to fine condition, with a bit of trivial paint loss to tips of Trampâ&#x20AC;&#x2122;s ears, a few ripples, paper loss to top edge of background, and some paint remnants to right edge. A nice image of one of Disneyâ&#x20AC;&#x2122;s most famous and beloved couples featured on the same cel. Estimate: $1,800-$2,200

207. Lady production cel from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel featuring Lady from Lady and the Tramp. Image measures 3.5 x 4.75, with a mat opening of 5.75 x 7.75. Mat dimensions are 8 x 9.5. Reverse bears an affixed Walt Disney Productions original celluloid drawing label and Disneyland Art Corner ink stamp. In fine condition. Estimate: $1,000-$1,400

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208. Lady and Tony production cel from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cels

featuring Lady and Tony from Lady and the Tramp, showing Tony crouching down to greet the dog. The cels are placed on a laser copy background. Image measures 11 x 6.75, with a mat opening of 15.5 x 11. This piece is also framed to an overall size of 25.5 x 21. In fine condition. Estimate: $1,200-$2,000

209. Tramp production cel and production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original

production cel and production background featuring Tramp from Lady and the Tramp. The cel has been trimmed and applied to a handpainted production background from the same film. Tramp measures 3 x 4.75. This piece is also double-matted and framed to an overall size of 18.5 x 14.5. In fine condition. An attractive item which nicely incorporates the vibrant production background with the cel of the film’s hero. Estimate: $2,000-$3,000

210. Tramp production cel from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel featuring Tramp from Lady and the Tramp. Image of Tramp walking measures 6 x 4, with a mat opening of 11.5 x 9.5, and an overall size of 17.5 x 15.5. In fine condition. Estimate: $1,000-$1,200

211. Trusty the Bloodhound and Baby Lady production cel and production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cel and production background featuring Trusty the Bloodhound and Baby Lady from Lady and the Tramp, showing them close together and looking at each other. The cel is placed on a non-matching hand-painted production background. Total image measures 11.75 x 5, with overall dimensions of 16.5 x 13.5. In fine condition. This is a wonderful setup composed entirely of production materials, and, though arranged later, is reminiscent of the heartwarming last Christmas scene when Trusty looks at the daughters of Lady and Tramp and says, ‘They’ve got their mother’s eyes.’ Estimate: $4,500-$6,000

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212. Tramp and Jock the Scotty Dog matching set of (2) production drawings from Lady and the Tramp. (Walt Disney Studios,

1955) Original matching set of production drawings featuring the Tramp and Jock the Scotty Dog from Lady and the Tramp, which could be arranged to appear as if they were talking to each other. Accomplished in graphite and colored pencil on two sheets of untrimmed 15.5 x 12.5 animation paper. Images measure 4 x 3 and 3.5 x 5. In fine condition. Estimate: $400-$800

213. Lady and Tramp dye transfer from Lady and the Tramp. (Walt Disney Studios, Circa 1960s) Original dye transfer featuring Lady and Tramp from Lady and the Tramp. Mat opening on the transfer measures 9.5 x 7.5, with the original mat having an overall size of 14 x 12. Originally sold at Disneyland, the reverse of the mat bears its original Walt Disney Classics label. In fine condition. Estimate: $200-$400

214. Knight on Horse production cel from The Truth About Mother Goose. (Walt Disney Studios, 1957) Original production cel featuring â&#x20AC;&#x153;Knight on Horseâ&#x20AC;? from The Truth About Mother Goose. The incredibly detailed image of the knight on his horse measures 12 x 11, with impressive additional hand-inking and paint applied to the front of the image, resulting in a remarkable image. The overall dimensions are 16 x 12.5. In fine condition. Estimate: $500-$900

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215. Walt Disney 1956 signed WED Board of Directors document. DS, signed “Walter E. Disney,” one page, 8.5 x 11, February 20, 1956. Minutes of the 1960 annual meeting of the shareholders of WED Enterprises, Inc. In part: “Mr. Walter E. Disney was elected Chairman of the Board by acclamation. Mr. Disney presided, and Mr. Clark acted as Secretary of the meeting. The meeting proceeded to election of officers to manage the Corporation’s affairs during the ensuing year.” Signed at the conclusion by Disney as chairman, and countersigned by Royal Clark as secretary. In fine condition. Disney founded the company in 1952, lending his initials to its name, in order to fund and oversee the development of Disneyland. He provided the startup money for the park from his own personal fortune, funneled through WED Enterprises. The company would be renamed Walt Disney Imagineering in the 1960s. Estimate: $3,000-$5,000

216. Walt Disney 1956 signed document. DS, signed “Walter E. Dis-

ney,” one page, 8.5 x 13, May 21, 1956. Third page of a document related to the transfer of 150 shares of stock in WED Enterprises. Nicely signed at the conclusion in ballpoint by Disney and countersigned by William H. D. Cottrell. In fine condition, with expected document wear and a diagonal crease to the left side. Accompanied by photocopies of the first two pages of the document. The primary business of WED Enterprises was in overseeing the construction and operations of Disneyland. Cottrell was Walt Disney’s brother-in-law and worked on films such as Alice in Wonderland, Pinocchio, and Peter Pan. This document dates to within a year of Disneyland’s opening, which occurred on July 17, 1955. A wonderful family association related to the famous theme park. Pre-certified Phil Sears. Estimate: $2,000-$3,000

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Eyvind Earle Eyvind Earle (1916–2000) was already an acclaimed artist when he joined Walt Disney Studios in 1951 as an assistant background painter, and first came to Walt Disney’s attention when he crafted the look for ‘Toot, Whistle, Plunk and Boom,’ an animated short that won an Academy Award and a Cannes Film Festival Award. He fashioned the style of Disney films throughout the rest of the decade, painting the settings for classics such as Peter Pan and Lady and the Tramp, and he was responsible for the styling, background, and colors for Sleeping Beauty that gave the movie its magical, medieval look.

217. Eyvind Earle concept painting from West Side Story. (Mirisch

Corp./Seven Arts Productions and released thru United Artists, 1961) Original concept painting by Eyvind Earle from the trailer for West Side Story. Image is done in colorful tempera on a heavy 12 x 6 illustration board, and depicts three women standing between buildings, with a streetlight illuminating the foreground. Signed in the lower right corner in black ink by Earle. In fine condition, with a single tack hole to each corner. Earle created the animated trailer for the film for United Artists through his animation company, Eyvind Earle Productions, shortly after finishing Disney’s Sleeping Beauty. A stylish image for the exciting and colorful trailer for one of the most successful musicals of all time. Estimate: $2,000-$4,000

218. Eyvind Earle concept storyboard painting of Pink Castle Spires from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring the pink castle spires from Sleeping Beauty, showing the thin stylized towers set against the purple sky with an enchanting design passing behind. Signed in the lower right by Earle. Painting, measuring 14.5 x 5.75, is framed to an overall size of 23.75 x 14.75. In fine condition. This vivid concept of the castle is especially important, as the Sleeping Beauty Castle became a focal point of Disneyland and the basis of the Disney logo. Estimate: $6,000-$10,000 82 | August 21, 2014 | Disney

219. Eyvind Earle concept storyboard painting of Baby Aurora in her Cradle from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring Aurora in her cradle as a baby from Sleeping Beauty, showing a ray of light hovering over the cradle. This blue ray of light is Merryweather the blue fairy coming to put her final spell on Aurora to protect her from Maleficent’s evil spell. Signed in the lower right by Earle. Painting, measuring 11.25 x 5.5, is framed to an overall size of 20.5 x 15. In fine condition. Earle’s work in this piece is magnificent in its rendering of a medieval room using modern artistic sensibilities, a distinct style that continues throughout his designs for Sleeping Beauty. An absolutely stunning piece of artwork with vivid colors that aptly capture the enchanting feel of the film. Estimate: $6,000-$10,000

220. Eyvind Earle concept storyboard painting of the Landscape with Stylized Castle from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring the landscape from Sleeping Beauty, showing the green tree-lined grounds, including Earle’s recognizably stylized square trees, with the castle with pointed towers looming in the distance. Signed in the lower right by Earle. Painting, measuring 11.5 x 6, is framed to an overall size of 20.75 x 15. In fine condition. An absolutely stunning piece of artwork with vivid colors that aptly capture the enchanting feel of the film. By this time Disney had already made two fairy-tale feature films, Snow White and Cinderella, so Walt Disney desired to make Sleeping Beauty stand out from its predecessors with a different visual aesthetic—eschewing the soft, rounded look of the earlier movies in favor of a more stylized one, as seen in this concept artwork. Sleeping Beauty was also made using Super Technirama 70, which allowed more detailed and complex backgrounds than ever before. Estimate: $6,000-$10,000

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221. Eyvind Earle concept storyboard painting of Maleficent and Goons in her Throne Room from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept storyboard painting featuring Malificent’s Throne Room from Sleeping Beauty, showing her purple throne standing out against the ghastly green of the rest of the room. Maleficent is ominously seated in her chair with her goons dancing in the foreground. Signed in the lower right by Earle. Painting, measuring 9.5 x 5, is framed to an overall size of 20 x 15.5. In fine condition. Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself. The elaborate paintings usually took seven to ten days to paint; by contrast, a typical animation background took only one workday to complete. Disney’s decision to give Earle so much artistic freedom was not popular among the Disney animators, who had previously exercised some influence over the style of their characters and settings. Estimate: $6,000-$10,000

222. Eyvind Earle concept storyboard painting of Prince Phillip in the Castle from Sleeping Beauty. (Walt Disney Studios, 1959) Original highly-stylized concept storyboard painting featuring Prince Phillip in the castle from Sleeping Beauty by Eyvind Earle, tempera on a 15 x 6.25 illustration board. Beautiful image shows Phillip in full armor, his sword drawn, making his way through the castle. This piece is also cloth-matted and framed to an overall size of 21.5 x 12.25. In fine condition. Earle’s artistic career spanned more than six decades, however he is best known for his work for Walt Disney, which included designing and painting backgrounds for Sleeping Beauty, part of Lady and the Tramp, and other films. A beautiful use of light and dark to capture the tense atmosphere as the prince will soon confront Maleficent. Estimate: $5,000-$8,000

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223. Eyvind Earle concept storyboard painting of Prince Phillip from Sleeping Beauty.

(Walt Disney Studios, 1959) Gorgeous original concept storyboard painting featuring a weary Prince Phillip on his horse, from Sleeping Beauty. This is from the dungeon scene where Maleficent shows Prince Phillip that he will be prisoner for nearly a lifetime, then released as an old man, missing his chance for a life of love with Sleeping Beauty. Signed in the lower right by Earle. Painting, measuring 11.75 x 5.75, is framed to an overall size of 23 x 17. In fine condition. This shows Phillip on the brink of a key moment in the story—at the castle gates Prince Phillip faces a fierce battle with Maleficent, who has assumed dragon form. A positively beautiful painting that served as inspiration for Disney’s animators. Estimate: $6,000-$10,000

224. Eyvind Earle concept storyboard painting of Maleficent, Diablo, and Prince Phillip from Sleeping Beauty. (Walt Disney Studios, 1959) Original stylized concept storyboard painting featuring Maleficent holding Prince Phillip captive from Sleeping Beauty, showing the villain with her pet raven Diablo looming over the shackled prince in a dungeon-like setting. Signed in the lower right by Earle. Painting, measuring 14.5 x 5.5, is framed to an overall size of 23.5 x 15. In fine condition. Earle did not misplace a single line in this piece, utilizing sharp, jagged angles in the design of the setting to enhance the feeling of Phillip’s discomfort as he is held captive. With rich and subtle coloring, this gorgeous piece of concept artwork is quite similar in appearance to the cinematic scene which it inspired, and Earle’s preferences for color and style can be seen throughout the classic princess tale. Estimate: $8,000-$9,500

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storyboard painting featuring Prince Phillip holding the ‘sword of truth’ as he approaches the fire-breathing Maleficent from Sleeping Beauty, done by Eyvind Earle, tempera on artist’s board, 19.75 x 9.25. Dramatic piece shows Phillip on his rearing horse as the large dragon approaches with flames coming out its mouth. Signed in the lower right in light blue paint by Earle. This piece is also cloth-matted and framed to an overall size of 27 x 16.5. In fine condition. The third ‘princess’ film produced by the studio, Disney looked to set it apart from its predecessors by its unique art design. Earle’s hands-on influence in the film cannot be overstated, as he painted all the backgrounds and set the film’s color design. His talents are most evident in this design from the film’s conclusion, one of the studio’s most ambitious sequences ever designed. Estimate: $12,000-$16,000

225. Eyvind Earle pan concept storyboard painting of Prince Phillip holding the ‘sword of truth’ from Sleeping Beauty. (Walt Disney Studios, 1959) Original concept

Sleeping Beauty Released in 1959, Sleeping Beauty was the 16th film in Disney’s Animated Classic series. Bringing to life the well-known story of Princess Aurora, fated to prick her finger and fall into a death-like sleep after a curse from the evil fairy Maleficent, the film spent nearly all of the 1950s in production. It was, notably, the last Disney animated film to use hand-inked cels and it took a significant amount of time to produce the detailed backgrounds of talented artist Eyvind Earle. Due to a mixed reception and disappointing box office result, it would be Disney’s last fairy tale adaptation until 1989’s Little Mermaid. Offered in this section are beautiful production drawings, cels, and backgrounds from the film, including several impressive examples of Maleficent, most notably a pan production background picturing her in the dungeon and an exceptionally large full panorama cel of the villainess complete with special smoke effects.

226. Briar Rose and Prince Phillip production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cels featuring Briar Rose and Prince Phillip from Sleeping Beauty. The cels are placed on a matching studio copy background. Briar Rose measures 5 x 5.25 and Prince Phillip is trimmed to image and measures 4.5 x 9, with overall dimensions of 16.5 x 12.5. In fine condition. A tremendously appealing setup of Sleeping Beauty and her Prince together in the forest. Estimate: $3,000-$3,500

2 2 7. B r i a r R o s e p r o d u c t i o n c e l f r o m Sleeping Beauty. (Walt Disney Studios, 1959) Original

production cel featuring Briar Rose from Sleeping Beauty. The cel is slightly trimmed and placed on a color copy background. Lovely image of Briar Rose walking through the forest measures 7 x 8, with overall dimensions of 17 x 11.25. In fine condition. Estimate: $1,500-$2,000

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228. Briar Rose, Merryweather, and Dancing Broom production cels and pan production background from Sleeping Beauty. (Walt Disney Studios, 1959) Original pan production cel featuring Briar Rose, Merryweather, and a dancing mop from Sleeping Beauty. The cel is placed on a hand-painted pan production background from the same film. The cels have been trimmed to image with Briar Rose measuring 2 x 7, Merryweather measuring 4.75 x 5.25, and the mop, bucket, and residual water measuring 5.5 x 8. Merryweather, bucket, and mop complete with water effects, are key to this original background, which measures 23 x 10.25â&#x20AC;&#x201D;Briar Rose was added from a different scene to create this wonderful setup. In fine condition. This exceptionally detailed background was most certainly painted by legendary Disney artist Eyvind Earle, who served as the color stylist and chief background painter for Sleeping Beauty. He was known to take anywhere from seven to ten days to painstakingly create one individual background painting. A wonderfully whimsical scene featuring two of the major characters from the Disney classic. Estimate: $12,000-$16,000

229. Briar Rose, Flora, Merryweather, and Fauna watercolor painting for the Little Golden Book Sleeping Beauty and the Good Fairies. (Walt Disney Studios, 1958)

Original gouache and watercolor painting for the book entitled Walt Disney’s Sleeping Beauty and the Good Fairies, published in the Little Golden Book series, showing a two-page spread featuring Aurora, Flora, Merryweather, and Fauna. The painting is wonderfully accomplished with an image size of 13 x 8.5 on a sheet of 15.5 x 12.5 illustration board, and cards with the text for both pages of the book are affixed in their designated areas. In fine condition. This extremely rare two-page spread format, done by artist Julius Svendsen, appeared on pages 16 and 17 of the published book. It is a meticulously detailed representation of Princess Aurora and her fairy friends with especially bright, vivid coloring. Estimate: $1,000-$2,000

230. Fauna production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Fauna the green fairy from Sleeping Beauty. Image measures 3.5 x 7. The cel is slightly trimmed to a size of 6 x 9 and housed in its original 9 x 12 mat, with the Walt Disney Productions label affixed to reverse, and was originally sold at Disneyland. In fine condition, with some surface loss to label. Estimate: $400-$600

231. Fauna production cel from Sleeping Beauty. (Walt Dis-

ney Studios, 1959) Original production cel featuring Fauna from Sleeping Beauty, showing the fairy in her classic green costume. Signed at the bottom in black felt tip by Frank Thomas and Ollie Johnston. Image measures 4 x 7, with a mat opening of 12.75 x 10.75. This piece is also framed to an overall size of 23.5 x 21.5. In fine condition. Estimate: $500-$700

232. Flora production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Flora from Sleeping Beauty. The cel is placed on a copy background of the inside of the woodcutter’s cabin with the princess’s dress on a mannequin. Flora measures 3.5 x 7, with overall dimensions of 19 x 13. In fine condition. Estimate: $600-$900

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233. King Hubert production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring King Hubert from Sleeping Beauty. The cel is slightly trimmed to 14 x 12.5. Image measures 4.75 x 5.5. In fine condition. Estimate: $300-$600

234.Merryweather production cel from Sleeping Beauty. (Walt

Disney Studios, 1959) Original production cel featuring Merryweather from Sleeping Beauty, showing the fairy holding her wand with a nice effect of magical fairy dust trailing behind. Image measures 4.25 x 4.5, with overall dimensions of 14 x 12.5. In fine condition. Estimate: $500-$800

235. Queen Mother production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Queen Mother from Sleeping Beauty, showing her bowing politely. Image measures 4 x 7.5, with overall dimensions of 16 x 12.5. In fine condition. Estimate: $500-$800

2 36 . M a l e f i ce nt production cel from Sleeping Beauty. (Walt

Disney Studios, 1959) Original production cel featuring Maleficent from Sleeping Beauty, showing the powerful villain in her full gown with her pet raven Diablo on her shoulder. The cel is placed on a color copy background. Maleficent measures 14.5 x 9, with a mat opening of 15.5 x 10. This piece is also framed to an overall size of 23 x 17. In fine condition. This is a fabulous full-length image of Maleficent with her arms raised high, appearing near the beginning of the film. Estimate: $3,500-$5,000

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featuring Maleficent from Sleeping Beauty, showing her in a prominent half-length pose holding a candle. The cel is placed on an exquisite hand-painted pan production background of a spooky dungeon-like room in Maleficentâ&#x20AC;&#x2122;s castle. Maleficent measures 7 x 9 and hand-painted background measures 30 x 11.5, with overall dimensions of 32 x 12. In fine condition. An exceptionally desirable piece. Estimate: $10,000-$14,000

237. Maleficent production cel and pan production background from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel and pan production background

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turing Maleficent from Sleeping Beauty, showing the archetypal Disney villain in her full gown with impressive trails of black and purple smoke effects behind her. Character image measures 14.5 x 8 and special effects measure 26.5, with a mat opening of 28 x 11. This piece is also framed to an overall size of 38 x 20.5. In fine condition. This is an excessively rare and impressively large set of matching cels depicting Maleficent at the climax or finale of the film, right before she turns into a dragon standing on the bridge in front of her castle, unlike any other we have seen. At this monumental point in the film, the villainess declared: â&#x20AC;&#x2DC;Now you must deal with me oh prince...and all the powers of hell!â&#x20AC;&#x2122; A truly exquisite piece of the highest desirability. Estimate: $4,000-$8,000

238. Maleficent pan production and special effects cels from Sleeping Beauty. (Walt Disney Studios, 1959) Original pan production cel with matching special effects pan cel fea-

2 39. M a l e f i ce nt c u t- o u t p r o d u c tion cel placed on a partial production background from Sleeping Beauty. (Walt

Disney Studios, 1959) Original cut-out production cel placed on a partial production background featuring Maleficent from Sleeping Beauty, showing the villain in her castle angrily shaking her fist in the air. The cel is trimmed to image and placed on a non-matching partial handpainted production background. Character image measures 7.75 x 6.25 and hand-painted background measures 10.5 x 9.5, with overall dimensions of 13.25 x 12. In fine condition. A highly desirable pairing of an original production background with a fantastic image of Maleficent. Estimate: $4,000-$6,000

240. Diablo production cel from Sleeping Beauty. (Walt

Disney Studios, 1959) Original production cel featuring Diablo from Sleeping Beauty. Image of Diablo sitting atop the green orb of Maleficent’s staff measures 3.25 x 3, with overall dimensions of 16 x 12.5, and is labeled along the bottom by an animator, “Raven.” In fine condition. Estimate: $200-$500

241. Briar Rose and Merryweather production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original

production drawing featuring Briar Rose and Merryweather from Sleeping Beauty, showing the very lightly sketched fairy handing a bucket to Briar Rose, who is boldly drawn with gorgeous detail. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper. Total image measures 10.5 x 8. In fine condition. Estimate: $200-$400 www.RRAuction.com | 93

242. Briar Rose and the Mock Prince (2) piece matched set of production drawings from Sleeping Beauty. (Walt Disney Studios, 1959) Original

matched set of two production drawings featuring Briar Rose and the Mock Prince from Sleeping Beauty. Accomplished in graphite on two sheets of untrimmed 15.5 x 12.5 animation paper. The boldly-pencilled Briar Rose, drawn by Marc Davis, measures 6 x 8, with the ‘prince,’ drawn by John Lounsberry, measuring approximately 3.5 x 4.5. In fine condition. Estimate: $400-$800

243. Briar Rose production drawing from Sleeping Beauty. (Walt Disney Studios,

1959) Original production drawing featuring Briar Rose from Sleeping Beauty. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Full-length image measures 3.5 x 7, and is signed in pencil under the image by famed Disney animator Marc Davis. In fine condition. Estimate: $300-$500

244. Mock Prince production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing featuring the owl in princely attire from Sleeping Beauty. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Image measures 4.5 x 8.5. In fine condition, with a vertical crease to the center. Estimate: $200-$400

245. Maleficent as the Dragon ‘rough’ pan production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original ‘rough’ pan production drawing featuring Maleficent as the Dragon from Sleeping Beauty. Accomplished in crayon, pastel, and charcoal on untrimmed 30 x 12.5 animation paper. Huge image measures 30 x 8 and is of Maleficent, in the form of the fire-breathing dragon, after she has crashed to the ground dead. In fine condition, with a central vertical fold. A huge full cinemascope drawing of one of Disney’s most impressive movie creations. Estimate: $800-$1,500 94 | August 21, 2014 | Disney

246. Maleficent matching set of (2) production drawings from Sleeping Beauty. (Walt Disney Studios, 1959) Original match-

ing set of production drawings featuring Maleficent and her shroud of fire from Sleeping Beauty. Accomplished in graphite and colored pencil on two sheets of untrimmed 15.5 x 12.5 animation paper. Images measure 9 x 8. In fine condition. These drawings were for the scene at the climax of the film when Maleficent yelled, ‘Now shall you deal with me, o Prince…and all the powers of Hell!,’ before busting into flames and turning into a dragon. An excellent matching pair from a memorable moment starring the recognizable Disney villain. Estimate: $400-$800

247. Maleficent as the Dragon ‘rough’ production drawing from Sleeping Beauty. (Walt Disney Studios, 1959)

Original ‘rough’ production drawing featuring Maleficent as the Dragon from Sleeping Beauty. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Image measures 11.5 x 11 and shows the dragon pierced with Prince Phillip’s ‘sword of truth’ at the climax of the film. In fine condition. Estimate: $600-$1,000

248.Maleficent production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original production drawing

featuring Maleficent from Sleeping Beauty. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Portrait pose of Malificent holding her staff measures 6 x 6.75 and is signed next to the image in pencil by renowned Disney animator Marc Davis. In fine condition, with a vertical fold to right side, not affecting the image or signature. Estimate: $400-$700

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249. Maleficent pan production drawing from Sleeping Beauty. (Walt Disney Studios, 1959) Original pan production drawing featuring Maleficent from Sleeping Beauty. Accomplished in graphite on untrimmed 22.5 x 12.5 animation paper. The panoramic portrait pose of the irate Maleficent yelling at her unseen goons measures 16 x 11.5. In fine condition, with a vertical fold to right side. Estimate: $600-$1,000

253. Pluto production cel from a Disneyland TV Show. (Walt Disney Studios, Circa 1950s) Original production cel featuring Pluto from a Disneyland TV show. Image measures 4.5 x 5, with a mat opening of 5.75 x 7.25. Mat dimensions are 8 x 9.5. Reverse bears an affixed Walt Disney Productions Disneyland Art Corner original celluloid drawing label. In fine condition. Estimate: $450-$700

254. Donald Duck p ro duc t i o n ce l from a Disney TV Show. (Walt Disney 252. Jiminy Cricket production cel from a Disneyland TV Show. (Walt Disney Studios, Circa 1950s) Original production cel

featuring Jiminy Cricket next to a smiling cattail plant from a Disneyland TV show, signed in the lower right in black felt tip by Ward Kimball. The cel is placed on a color copy background. Image measures 6 x 6, with a mat opening of 8 x 10. Mat dimensions are 12 x 14. Reverse bears an affixed Walt Disney Productions Disneyland Art Corner original celluloid drawing label. In fine condition, with toning and a Sotheby’s label affixed to mat. Estimate: $500-$700

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Studios, Circa 1950s) Original production cel featuring Donald Duck from a Disney TV show, showing the character holding a “Temporarily Out of Order” sign. Image measures 6 x 5.5, with overall dimensions of 16 x 12.5. In fine condition. Estimate: $200-$400

255. Donald Duck p ro duc t i o n ce l from a Disney Theatrical Short Cartoon. (Walt Disney

259. Donald Duck p ro duc t i o n ce l from a Disneyland TV Show. (Walt Disney Studios, Circa 1950s) Original production cel featuring Donald Duck from a 1950s Disneyland TV show, showing him strutting along and wearing a hat with Mickey Mouse ears. Image measures 1.25 x 2.25, with a mat opening of 2.5 x 5. Mat dimensions are 8.75 x 11. In fine condition. Estimate: $400-$700

Studios, early 1950s) Original production cel featuring Donald Duck from a theatrical short cartoon, showing him wearing his iconic sailor suit and feeding a couple of birds. The cel is trimmed to 9 x 7.25. Image measures 4 x 4.5. In fine condition. Estimate: $250-$400

256. Donald Duck p ro duc t i o n ce l from a Disney TV Show. (Walt Disney

Studios, Circa 1950s) Original production cel featuring Donald Duck from a Disney TV show, showing him in a very disheveled state. The cel is trimmed to 9.75 x 9. Image measures 3 x 4.25. In fine condition. Estimate: $225-$400

258. Donaldâ&#x20AC;&#x2122;s Nephew production cel from a Disney TV Show. (Walt

Disney Studios, Circa 1950s) Original production cel featuring Donaldâ&#x20AC;&#x2122;s nephew from a Disney TV show, showing him about to throw a baseball. The cel is trimmed to 8 x 10.5. Image measures 5 x 6. In fine condition. Estimate: $200-$400

260. Daisy Duck production cel from a Disney TV Cartoon. (Walt

Disney Studios, 1950s) Original production cel featuring Daisy Duck from a TV cartoon, showing her holding a book with an angry look on her face. The cel measures the full 15 x 12.5 at largest but with irregularly trimmed upper corners. In fine condition. Daisy is very scarce character to find in Disney production art. Estimate: $250-$400

261. Pluto p ro d u c t i o n cel from a Theatrical Cartoon. (Walt

Disney Studios, Circa 1950s) Original production cel featuring Pluto from a theatrical cartoon. The cel is placed on a copy background. Pluto measures 6.5 x 5.5, with overall dimensions of 14 x 11.25. In fine condition. Estimate: $500-$700

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262. Goofy from The Goofy Adventure Story. (Walt Disney Studios, Circa 1950s) Original production cel featuring Goofy from The Goofy Adventure Story, showing him wearing a yellow sailor’s raincoat and holding a book open to a page depicting Captain Ebenezer Goofy. Image measures 12 x 7, with overall dimensions of 16 x 14.25. Small chips and cracks to his left thumb and the upper corner of the book, otherwise overall fine condition. Estimate: $400-$800

264. Goofy production cel from the opening of the Mickey Mouse Club. (Walt Disney Studios, 1955) Original pro-

duction cel featuring Goofy from the opening of The Mickey Mouse Club. Image measures 2.5 x 7, with overall dimensions of 11.75 x 9, and shows Goofy marching while playing a flute. In fine condition. Estimate: $400-$700

263. Jungle Cruise Boat in Adventure Land watercolor painting for the Little Golden Book Donald Duck in Disney Land. (Walt Disney Studios, 1955) Original gouache and watercolor painting for the book entitled Walt Disney’s Donald Duck in Disney Land, published in the Little Golden Book series, showing a two-page spread featuring the Jungle Cruise boat traveling downstream through Adventureland. The illustration is fantastically accomplished on a sheet of 13 x 9 artist’s cardstock trimmed closely to the image’s edges, to a 14 x 11.25 sheet of illustration paper. In fine condition. This vibrant spread appears on pages 10 and 11 of the published version of the book, illustrated by Campbell Grant. The two-page spread format of this original artwork is extremely rare, and this is a wonderful depiction of the Jungle Cruise, which was one of the original attractions on Disneyland’s opening day roster and remains largely unchanged to this day. Estimate: $1,000-$1,500

265. Mickey Mouse production cel from the opening of the Mickey Mouse Club. (Walt Disney Studios, 1955) Original production

cel featuring Mickey Mouse from the opening of The Mickey Mouse Club. The cel is placed on a color print background. Image measures 6 x 6.5, with overall dimensions of 12.5 x 10.5, and shows Mickey, dressed in a striped jacket and straw hat, in the middle of a dance routine. In fine condition. Estimate: $500-$900

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268. Mickey Mouse production drawing for a Disneyland Building. (Walt

266. Jiminy Cricket and Ranger Woodlore art corner cel from the The Mickey Mouse Club TV Show. (Walt Disney

Studios, 1955) Original art corner cel featuring Jiminy Cricket and Ranger Woodlore from the Disney Mickey Mouse Club TV show, signed in black felt tip by Ward Kimball. Image measures 4.5 x 4.75, with a mat opening of 8.75 x 5.75. Mat dimensions are 13 x 10. Reverse bears an affixed Walt Disney Productions Disneyland Art Corner original celluloid drawing label. In fine condition, with a bit of cracking to paint. Estimate: $500-$800

Disney Studios, Circa 1955–57) Original production drawing featuring Mickey Mouse in a bandleader costume designed for a Disneyland Building, signed at the bottom in blue by Bill Justice. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper. Image measures 3 x 5. In fine condition. Estimate: $300-$700

269. Mickey Mouse and Donald Duck watercolor painting for the Little Golden Book Donald Duck Lost and Found.

267. Jiminy Cricket production cel from The Mickey Mouse Club TV Show. (Walt Disney Studios, 1955) Original pro-

duction cel featuring Jiminy Cricket from The Mickey Mouse Club TV show, showing him in front of a teapot, signed in the lower left in black felt tip by Ward Kimball. Image measures 3.5 x 7, with a mat opening of 6.5 x 9.5. Mat dimensions are 10.75 x 13.75. Reverse bears an affixed Walt Disney Productions Disneyland Art Corner original celluloid drawing label. In fine condition. Estimate: $600-$1,000

(Walt Disney Studios, 1960) Original gouache and watercolor painting for the book entitled Walt Disney’s Donald Duck Lost and Found, published in the Little Golden Book series, showing a two-page spread featuring Mickey Mouse and Donald Duck excitedly running up a hill to a tree house. The illustration is vividly accomplished on a sheet of 13.25 x 8.5 artist’s cardstock trimmed closely to the image’s edges, set with two cards bearing the book’s text and previously affixed to a 15 x 11 sheet of illustration paper, which has a diagram of the book’s dimensions. In fine condition, with the illustration no longer attached to the diagram due to dry adhesive. Bob Grant and Bob Totten are credited as the book’s illustrators with Carl Buettner as the writer. The two-page spread format of this original artwork is extremely rare, and this is a positively beautiful, vibrant example. Estimate: $1,000-$1,500

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270. Mickey Mouse, Donald Duck, and Goofy watercolor painting for the Little Golden Book Donald Duck Lost and Found. (Walt

Disney Studios, 1960) Original gouache and watercolor painting for the book entitled Walt Disney’s Donald Duck Lost and Found, published in the Little Golden Book series, showing a two-page spread featuring Mickey Mouse, Donald Duck, and Goofy, with Donald Duck wearing a Native American headdress and Goofy in a buckskin suit. The illustration is vividly accomplished on a sheet of 13.25 x 7 artist’s cardstock trimmed closely to the image’s edges, and affixed below cards bearing the book’s text to a 15 x 11 sheet of illustration paper, which has a diagram of the book’s dimensions. In fine condition. Accompanied by the published version of the book, with this painting appearing on the penultimate pages. Bob Grant and Bob Totten are credited as the book’s illustrators with Carl Buettner as the writer. The two-page spread format of this original artwork is extremely rare, and this is an absolutely gorgeous example depicting three of Disney’s greatest characters. Estimate: $1,000-$2,000

271. Donald Duck production cel from a Disney TV Cartoon. (Walt Dis-

273. Donald Duck watercolor painting by Bill Justice. (Walt Disney Stu-

dios, Circa 1960s) Original watercolor painting of Donald Duck holding a large birthday cake over his head by Bill Justice. Painting measures 8.25 x 11.25, is signed in red artist’s pencil by Justice, and is double-matted to an overall size of 12.5 x 15.5 In fine condition. Portrait was originally made for a fellow employee’s birthday. Estimate: $300-$500

ney Studios, 1960s) Original production cel featuring Donald Duck from a TV cartoon, showing him joyfully riding a bicycle. Image measures 5 x 4.5, with overall dimensions of 15 x 12.5. In fine condition. Estimate: $250-$400

272. Goofy and Neighbor from a Disney TV Show. (Walt Disney Studios, Circa 1960s) Original production cel featuring Goofy and Neighbor from a Disney TV Show. The cel is placed on a color copy background. Image measures 5.5 x 6, with a mat opening measuring 9.75 x 7.75, and an overall size of 14.75 x 13.25, and shows Goofy in a heated debate with his cigarsmoking neighbor. Reverse of the backing bears a label stating “This is an original hand-painted celluloid,” and was released exclusively through Disneyland. In fine condition. Estimate: $300-$500 100 | August 21, 2014 | Disney

274. Donald Duck and Joe Carioca production cel from a Disney TV Show. (Walt

Disney Studios, 1962) Original production cel featuring Donald Duck and Joe Carioca from a Disney TV show. Image measures 5.75 x 3, with a mat opening of 8.25 x 6.25. Mat dimensions are 12 x 10. In fine condition. Accompanied by a certificate of authenticity from Howard Lowery. Estimate: $450-$700

275. Cruella De Vil production cel and production animated background featuring her car from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel featuring Cruella De Vil and production animated background of her purple car from 101 Dalmatians, showing the evil villain angrily leaning out the window and pointing ahead. The cel is placed on a laser copy background. Cruella image measures 5.5 x 5.25 and car image measures 11.5 x 9.25, with overall dimensions of 15 x 12.5. In fine condition. An uncommon piece of De Vil with especially large and robust hand-painted images. Estimate: $2,000-$2,500

276. Cruella De Vil production cel and production background from 101 Dalmatians. (Walt Disney Studios, 1961) Original

production cel and production background featuring Cruella De Vil from 101 Dalmatians, showing Cruella surrounded by a cloud of green smoke. The cel is placed on a hand-painted production background of the interior of the Radcliffe household. Cruella setup featuring one of Disneyâ&#x20AC;&#x2122;s most recognizable villains. Estimate: $6,500-$9,000

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277. Cruella De Vil production cel from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel featuring Cruella De Vil from 101 Dalmatians. Portrait pose of an angry De Vil in her fur coat measures 6.25 x 8, with overall dimensions of 12.5 x 10. In fine condition. Estimate: $1,000-$1,600

278. Cruella De Vil production cel from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel featuring Cruella De Vil from 101 Dalmatians, showing the classic villain wearing her thick white fur coat with her long cigarette holder in hand. Image measures 8 x 7.75, with overall dimensions of 12 x 9. Some cracking and lifting to the paint, otherwise fine condition. Estimate: $1,200-$2,000

279. Po ngo a nd Puppies production cel and production background from 101 Dalmatians. (Walt Disney Studios, 1961) Rare original production cel and production background featuring Pongo and Puppies from 101 Dalmatians. The cel is placed on a hand-painted production background of a barn full of hay. Pongoâ&#x20AC;&#x2122;s image on his own full cel measures 4.5 x 7; the puppies are trimmed to image, measure 4.5 x 2.25 and are applied to a second cel; and the hay pile is trimmed to image, measuring 2.5 x 1.5, and applied to a third cel. In fine condition. The dalmatians had sought refuge from a vicious winter storm inside a dairy barn, where they were treated to warm milk and a nightâ&#x20AC;&#x2122;s sleep. A great multi-layered cel from the Disney classic. Estimate: $4,000-$6,000

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280. Pongo production cel from 101 Dalmatians. (Walt Disney Studios, 1961) Original production cel featuring Pongo from 101 Dalmatians. The cel is placed on a copy background of a snowcovered countryside. Image of Pongo running measures 5 x 2.75, with overall dimensions of 19 x 13. In fine condition, with tape along the top edge. Estimate: $600-$900

282. Mary Poppins ‘Jolly Holiday’ production background from Mary Poppins. (Walt Disney Studios, 1963) Origi-

nal production background for the ‘Jolly Holiday’ musical sequence in Mary Poppins, showing a beautiful landscape scene with a deep blue sky. Skillfully accomplished in water color and pastel on a 16 x 12.25 sheet of illustration paper. In fine condition. This background is very rare, considering most of Mary Poppins was live-action. A very beautiful and well-done piece of original background artwork for the significant film that combined live-action and animation. Estimate: $1,200-$2,500

281. Pearly Band production cel from Mary Poppins. (Walt

Disney Studios, 1963) Original production cel featuring the Pearly Band from Mary Poppins. The cel is placed on a matching studio copy background. The cel is trimmed to the size of the image of the band marching in a line, which measures 9.5 x 5, with an overall dimension of 15 x 11.75. In fine condition. The band is featured in the innovative part animation and part live action fantasy sequence in the film, which includes Mary, Bert, and the children taking part in a horse race, and Mary singing the memorable song, ‘Supercalifragilisticexpialidocious.’ The band plays the music to the song, which was voiced by Richard M. Sherman, vocal coach J. Pat O’Malley, Dick Van Dyke, and Julie Andrews. Estimate: $1,200-$1,600

283. Merlin the Magician ‘rough’ production drawing from The Sword in the Stone. (Walt Disney Studios, 1963) Original ‘rough’ production drawing featuring Merlin the Magician from The Sword and the Stone. Accomplished in red pencil and graphite on untrimmed 15.5 x 12.5 animation paper and shows Merlin gesturing with both hands. Image measures 13 x 11.5, and is signed in pencil by famed Disney animator Ollie Johnston. In fine condition. Estimate: $200-$500

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Excellent Jungle Book key master Art Props setup with Mowgli and Baloo

284. Mowgli and Baloo key master setup from The Jungle Book. (Walt Disney Studios, 1967) Original production key master cel and background setup featuring Mowgli and Baloo from The Jungle Book, showing Baloo following Mowgli as he scampers up a tree. The cels are trimmed to image and placed on the hand-painted production background as prepared by the Disney Art Props Department; Mowgli is keyed to the extremely detailed background and Baloo was subsequently added to the scene by Art Props. Baloo measures 6 x 6.5 and Mowgli measures 2.5 x 3.5, with a mat opening of 15 x 10.5. Mat dimensions are 23.5 x 20. The piece has the original Art Props label on the reverse. In fine condition. While many later Disney features had animators responsible for a single character, in The Jungle Book the animators designed entire sequences. A highly desirable and well-presented piece from a classic animated feature filmâ&#x20AC;&#x201D;the last that Disney himself worked on. Estimate: $8,000-$10,000

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285. Mowgli and Baloo production cel and production background from The Jungle Book. (Walt Disney Studios, 1967) Original production cel and production background featuring Mowgli and Baloo from The Jungle Book, showing the easygoing bear with his arm around his young friend. The cel is placed on a skillfully hand-painted production background of a jungle lake scene, from the end of the film where a girl is carrying water from the river. Image of Mowgli and Baloo measures 4.5 x 6.5, with a mat opening of 14.25 x 11. This piece is also framed to an overall size of 23.5 x 20.5. Walt Disney Productions seal to lower left. In fine condition. An excellent, beautifully presented cel pairing these two important characters against a highly desirable production background. Estimate: $5,500-$8,000

286. Mowgli and Baloo production cel from The Jungle Book. (Walt Disney Studios, 1967) Original production cel featuring Mowgli and Baloo from Jungle Book, showing the bear happily lifting the young boy into the air. Signed in the lower right in black felt tip by Frank Thomas and Ollie Johnston. The cel is placed on a laser copy background. Image measures 5.75 x 7, with a mat opening of 14.25 x 8.75. This piece is also framed to an overall size of 23.75 x 18. In fine condition. Estimate: $600-$1,200

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287. Mowgli and Baloo production cel from The Jungle Book. (Walt Disney

Studios, 1967) Original production cel featuring Baloo and Mowgli from The Jungle Book. Image of Mowgli riding on Baloo’s shoulders measures 4 x 7.25, with overall dimensions of 16 x 12.25. In fine condition. After a somewhat disappointing reaction to his studio’s last film, The Sword in the Stone, Disney took a much more prevalent role in the story and design on The Jungle Book, which would be the last one to include Disney’s personal input and touches, with Disney passing away before the film’s premiere. Estimate: $1,200-$1,600

288. Mowgli and Kaa key master setup from The Jungle Book. (Walt

289. Flaps the Vulture production cel from The Jungle Book. (Walt Disney Studios, 1967) Original production cel featuring

Flaps the Vulture from The Jungle Book, The cel is placed on a studio copy background. Image measures 7 x 6.75, with a mat opening of 11.25 x 8.5, and is double-matted to an overall size of 16 x 12. In fine condition. Flaps and the other vultures from the film were loosely modeled after the Beatles, complete with English accents and shag haircuts. Estimate: $400-$600

Disney Studios, 1 9 6 7 ) Or i g i n a l production key master cel and background setup featuring Mowgli and Kaa from The Jungle Book, showing Mowgli sitting with Kaa on a tree branch. The cels are placed on a hand-painted key master production background. Mowgli was trimmed to image at 3.25 x 2.75 and applied to the full key master cel depicting Kaa’s body for a total image size of 3.5 x 8.5. The hand-painted key master background measures 15 x 11, with a mat opening of 15.5 x 12. This piece is also framed to an overall size of 24.75 x 21.5. In fine condition. An exceptional, finely detailed piece. Estimate: $4,000-$6,000

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290. Prince John production cel and production background from Robin Hood. (Walt Disney Studios, 1973) Original production cel and production background featuring Prince John from Robin Hood, showing him wearing a crown and raising his hands in the air in frustration. The cel is placed on a hand-painted production background of the tournament grounds. Image measures 5 x 7.5, with a mat opening of 15.5 x 10.5. This piece is also framed to an overall size of 24 x 19. In fine condition. A beautiful quality production background colorfully painted with meticulous detail, apparently from the memorable archery tournament scene. Prince John set up a trap for Robin Hood by hosting an archery tournament, offering up a kiss from Maid Marian as the winning prize. Estimate: $2,000-$4,000

291. Evinrude production cel from The Rescuers. (Walt

Disney Studios, 1977) Original production cel featuring Evinrude from The Rescuers. Image measures 10 x 6.5 and shows the dragonfly at the stern of his leaf boat, with a mat opening of 13.5 x 9.5. Mat dimensions are 20 x 16. Walt Disney Studios seal to lower left and certificate of authenticity included. In fine condition. Estimate: $300-$500

292. Mickey Mouse production cel from Disney Television. (Walt Disney Studios, Circa 1980s) Original production cel

featuring Mickey Mouse from a Disney television cartoon. The cel is placed on a color copy background. Image measures 5.5 x 6.5, with a mat opening of 10.5 x 8.75. This piece is also framed to an overall size of 18.75 x 17. In fine condition. Estimate: $200-$400

293. Donald Duck production cel from Careers. (Walt Disney Studios, 1982) Original production cel featuring Donald Duck from Careers. The cel is placed on a copy background. Image measures 2.5 x 4, with overall dimensions of 16.5 x 11. In fine condition. Estimate: $200-$400

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2 9 7. P o o h , E eyo re, a nd Owl key master setup from an Educational Filmstrip. (Walt

294. Scrooge and Donald Duck layout drawing from Mickey’s Christmas Carol. (Walt Disney Studios, 1983) Original

Disney Studios, Circa 1980s) Original production key master cel and background setup featuring Pooh, Eeyore, and Owl from an educational filmstrip. The cel is placed on a hand-painted production background. Pooh measures 3.25 x 4.5, Eeyore measures 4 x 4.5, and Owl measures 3 x 3.25, with overall dimensions of 14 x 11. In fine condition. Estimate: $300-$500

layout drawing featuring Scrooge and Donald Duck from Mickey’s Christmas Carol, showing both characters wearing winter scarves with Scrooge holding a wreath. Accomplished in blue pencil on untrimmed 15.5 x 12.5 animation paper. Total image measures 9.5 x 7. In fine condition. Estimate: $200-$400

295. Scrooge and Willie the Giant production cel from M i ckey’s Christmas Carol. ( Wa l t

Disney Studios, 1983) Original production cel featuring Willie the Giant and Scrooge McDuck from Mickey’s Christmas Carol. The cel is placed on a studio copy background. Image measures 11.5 x 8, with a mat opening of 13.25 x 10, and depicts Willie as the Ghost of Christmas Present holding Scrooge by his nightshirt. Mat dimensions are 19.5 x 16. Initialed Walt Disney Studios seal to lower right. In fine condition, with an old auction label affixed to bottom of the mat. Estimate: $300-$500

296. Uncle Scrooge production drawings from Mickey’s Christmas Carol. (Walt Disney Studios, 1983) Three original production drawings featuring Uncle Scrooge from Mickey’s Christmas Carol. Accomplished in graphite and colored pencil on individual untrimmed 15.5 x 12.5 animation papers, with all three signed by animator David Pacheco. Images of Scrooge holding his money bags all measure approximately 3.5 x 4. In fine condition. Estimate: $300-$600 108 | August 21, 2014 | Disney

298. Winnie the Pooh and Piglet production cel from Winnie the Pooh and A Day For Eeyore. (Walt Disney Studios, 1983) Original production cel featuring Winnie the Pooh and Piglet from Winnie the Pooh and A Day For Eeyore, showing Pooh about to comfort Piglet after his balloon popped. Image measures 4 x 4.5, with a mat opening of 11 x 9. This piece is also framed to an overall size of 17.5 x 15.5. Walt Disney Company seal to lower left. In fine condition. Estimate: $400-$600

299. Piglet key master setup with matching drawing from The Many Adventures of Winnie the Pooh. (Walt Disney Studios, 1988) Original production key master cel and background setup with matching production drawing featuring Piglet from Many Adventures of Winnie the Pooh. The cel is placed on a hand-painted production background. Image measures 5 x 7.75, with background dimensions of 14 x 10. In fine condition. A wonderful set of matching production materials with a large character image of Winnie the Poohâ&#x20AC;&#x2122;s best friend. Estimate: $300-$500

300. Tigger production cel and matching production drawing from The New Adventures of Winnie the Pooh. (Walt Disney

Studios, 1988) Original production cel and matching production drawing featuring Tigger from The New Adventures of Winnie the Pooh television show. The cel is placed on a studio copy background. Color image measures 5.5 x 7, with overall dimensions of 13.5 x 11. Pencil production image measures the same size on a 10.5 x 9.5 animation sheet. Walt Disney Studios certificate of authenticity included. In fine condition. Estimate: $200-$500

301. Oliver and Dodger limited edition cel from Oliver and Company. (Walt Disney Studios, 1988) Limited edition replica cel, 10/50, featuring Oliver and Dodger from Oliver and Company. The cel is placed on a matching color copy background. Image of the pair measures 7 x 7, with a mat opening of 11 x 8.25. Mat dimensions are 17 x 14.75. Accompanied by a certificate of authenticity from Disneyâ&#x20AC;&#x2122;s Soda Fountain and Studio Store. In fine condition. Only number 10 of a limited 50 edition run. Estimate: $200-$400

302. Roger and Jessica Rabbit production cel from Who Framed Roger Rabbit? (Walt Disney Studios, 1988)

Original production cel featuring Roger and Jessica Rabbit from Who Framed Roger Rabbit?, showing them tied up together. The cel is placed on a matching studio copy background. Image measures 4 x 6.5, with a mat opening of 15 x 10. This piece is also framed to an overall size of 25.5 x 20.75. Walt Disney Studios certificate of authenticity included. In fine condition. Estimate: $1,200-$1,800

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3 0 3 . R o ge r Rabbit production cel from Who Framed Roger Rabbit? (Walt

Disney Studios, 1988) Original production cel featuring Roger Rabbit from Who Framed Roger Rabbit?, showing the silly protagonist resting his chin on his hands. The cel is placed on a color copy background. Image measures 5.5 x 7, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $500-$800

305. Jessica Rabbit production cel from Who Framed Roger Rabbit? (Walt

Disney Studios, 1988) Original production cel featuring Jessica Rabbit from Who Framed Roger Rabbit?, showing the curvy seductress glancing to her right. The cel is placed on a matching studio copy background that features an image of Eddie Valiant, arranged so that she is touching his tie. Image measures 5.25 x 8, with overall dimensions of 17 x 12.5. In fine condition. Estimate: $800-$1,500

306. Jessica Rabbit production cel from Who Framed Roger Rabbit? (Walt Disney

304. Roger Rabbit production cel from Who Framed Roger Rabbit? (Walt Disney Studios, 1988) Original production

cel featuring Roger Rabbit from Who Framed Roger Rabbit? The cel is placed on a matching copy background featuring Bob Hoskins as Eddie Valiant. Image measures 5 x 10, with overall dimensions of 20 x 12.5 In fine condition. Estimate: $800-$1,200

307. Ariel and Eric production cel from The Little Mermaid. (Walt Disney Studios, 1989)

Original production cel featuring Ariel and Eric from The Little Mermaid, showing Ariel with her human legs. The cel is placed on a matching studio copy background. Image measures 13.5 x 8.5, with a mat opening of 16 x 9.5. This piece is also framed to an overall size of 24.5 x 19. Disney seal to lower right. In fine condition. A large and attractive piece. Estimate: $1,400-$2,300

110 | August 21, 2014 | Disney

Studios, 1988) Original production cel featuring Jessica Rabbit from Who Framed Roger Rabbit?, showing her with her hand across her voluminous chest. The cel is placed on a black background. Image measures 6.75 x 9, with overall dimensions of 16.75 x 13.5. In fine condition. Estimate: $800-$1,500

308. Ariel prod uc t i o n c e l from The Little Mermaid. (Walt

Disney Studios, 1989) Original production cel featuring Ariel from The Little Mermaid. The cel is placed on a studio copy background. Portrait pose measures 8 x 8.5, with a mat opening of 12.75 x 9, and an overall size of 17.5 x 13.5. In fine condition, with the lower right corner of the presentation folder clipped off and not present, and an inventory label affixed to top left corner. Estimate: $600-$1,200

309. Ariel production cel from The Little Mermaid. (Walt Disney Studios, 1989) Original production cel featuring Ariel and Flounder from The Little Mermaid, with the concerned-looking Ariel prominently in the center and Flounder swimming on the far left. The cel is placed on a matching studio copy background. Character images measure 8 x 8.75 and 1.75 x 3.5, with overall dimensions of 17 x 12.25. Disney seal to lower right. In fine condition. Estimate: $900-$1,500

311. Flounder production cel from The Little Merma i d . ( W a l t

Disney Studios, 1989) Original production cel featuring Flounder from The Little Mermaid. The cel is placed on a studio copy background. Image measures 4 x 3.5, with a mat opening of 13 x 9, and an overall size of 17.5 x 13.5. Cel is housed in its original presentation folder. In fine condition. Estimate: $300-$600

312. Scuttle and Sebastian production cel from The Little Mermaid. (Walt Disney Studios, 1989) Original production

cel featuring Scuttle and Sebastian from The Little Mermaid. Image measures 10.5 x 6.5. Cel is housed in its original folder and the Walt Disney Enterprises certificate of authenticity is included. In fine condition, with clipped lower right corner to folder Estimate: $500-$700

310. Ariel production cel from The Little Mermaid. (Walt Disney Studios, 1989) Original production cel featuring Ariel from The Little Mermaid, showing her in a portrait pose with a concerned look on her face. The cel is placed on a matching studio copy background. Image measures 7 x 5, with a mat opening of 12 x 8. This piece is also framed to an overall size of 22 x 18. Disney seal to lower right. In fine condition. Estimate: $1,500-$2,500

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313. Sebastian production cel from The Little Mermaid. ( Wa l t D i s n e y Studios, 1989) Original production cel featuring Sebastian from The Little Mermaid. The cel is placed on a studio copy background. Image measures 3.75 x 4.5, with a mat opening of 11.75 x 9. This piece is also double-matted and framed to an overall size of 19 x 16. Cel also bears a printed Disney Company seal to lower right. In fine condition. Estimate: $500-$800

316. Mickey Mouse and Weasel production cel from The Prince and the Pauper. (Walt

Disney Studios, 1990) Original production cel featuring Mickey Mouse and a weasel from The Prince and the Pauper. The cel is placed on a matching studio copy background. Image measures 8 x 7, with a mat opening of 15 x 9.5. This piece is also framed to an overall size of 23 x 18. Walt Disney Company seal to lower right and Disney certificate of authenticity affixed to the reverse. In fine condition. Estimate: $300-$600

314. Ariel ‘rough’ production drawing from The Little Mermaid. (Walt Disney Studios, 1989) Original ‘rough’ production drawing featuring Ariel from The Little Mermaid, showing her holding a fork from her collection. Accomplished by animator Tony Bancroft in graphite and colored pencil on animation paper. Image measures 4.5 x 8, with a mat opening of 16.25 x 9. This piece is also framed with a nameplate to an overall size of 22 x 14. In fine condition, with a bit of brushing to graphite. Estimate: $300-$500

317. Mickey Mouse production cel from The Prince and the Pauper. (Walt

Disney Studios, 1990) Original production cel featuring Mickey Mouse from The Prince and the Pauper. The cel is placed on a matching studio copy background. Image measures 5 x 6.5, with a mat opening of 11 x 8, and an overall size of 15 x 12. Cel is housed in its still-sealed original folder and the Walt Disney Enterprises certificate of authenticity is included. In fine condition. Estimate: $300-$500

320. Belle production drawing from Beauty and the Beast. (Walt Dis-

315. Ariel production cel and production background from The Little Mermaid TV Show. (Walt Disney Studios, 1992)

Original production cel and production background featuring Ariel from The Little Mermaid television show. The cel is placed on a hand-painted production background from the same show. Image measures 7.75 x 7.5, featuring a half-length image of Ariel underwater, with overall dimensions of 15 x 11. In fine condition. Estimate: $400-$700

112 | August 21, 2014 | Disney

ney Studios, 1991) Original production drawing featuring Belle from Beauty and the Beast. Accomplished in graphite on untrimmed 17 x 12.5 animation paper. Image of Belle reading a book measures 4.25 x 3.75. Signed in black felt tip by the voice of Belle, Paige O’Hara. In fine condition. Estimate: $200-$500

321. Captain John Smith production drawing from Pocahontas. (Walt Disney Studios, 1995) Original production draw-

ing featuring Captain John Smith from Pocahontas. Accomplished in graphite on untrimmed 15.5 x 12.5 animation paper and signed by John Pomeroy. Image of Smith lying on his elbow measures 12 x 6. In fine condition. Estimate: $200-$400

322. Captain Hook limited edition cel from Peter Pan (Rerelease). (Walt

Disney Studios, 2013) Limited edition replica cel, 1/25, featuring Captain Hook issued for the 60th anniversary of Peter Pan in 2013. The cel is placed on a matching color copy background. Half-length image of Captain Hook holding his spy glass measures 9 x 8, with a mat opening of 11.25 x 8. Mat dimensions are 17 x 14.75. Accompanied by a certificate of authenticity from Disney’s Soda Fountain and Studio Store, as well as a ticket stub from the January 19, 2013, showing of the film at Hollywood’s El Capitan Theatre. In fine condition. The first cel in a limited run of 25. Estimate: $400-$1,000

324. Pinocchio and the Blue Fairy limited edition cel from Pinocchio. (Walt Disney Studios, 2001) Limited edition hand-painted

cel featuring Pinocchio and the Blue Fairy from Pinocchio, entitled ‘Fate Steps In,‘ numbered 46/200, showing the puppet’s nose growing into a bird’s nest. The cel is placed on a matching studio copy background. Character images measure 11 x 8.5 and 5.5 x 12, with a mat opening of 24 x 17. This piece is also framed to an overall size of 35 x 28. In fine condition. Accompanied by a certificate of authenticity form Disney. An impressively gargantuan display piece with a very large image area. Estimate: $1,200-$1,800

325. Limited edition sericel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 2000) Limited edition sericel featuring the characters from Snow White and the Seven Dwarfs, entitled ‘Tell Me a Story,’ released in an edition of 2500. The cel is placed on a matching studio copy background. Image measures 17.5 x 11, with a mat opening of 19 x 14. This piece is also framed to an overall size of 26.5 x 21.5. Walt Disney Studios certificate of authenticity included. In fine condition. Estimate: $300-$500

323. Color key background study m i n i p a n f ro m Pocahontas. (Walt Disney Stu-

dios, 1995) Original color key background study mini pan from Pocahontas, showing the landscape setting of the forest and waterside village full of wigwams. Wonderfully accomplished in gouache on 17.25 x 6.25 art board. In fine condition. Estimate: $800-$1,200

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Masterâ&#x20AC;&#x2122;s Series The visually stunning Masterâ&#x20AC;&#x2122;s Series of limited edition cels offered here were produced to honor each master Disney animator. The characters featured on the main cel and lithographed background of sketches represents one, or more, of the iconic characters that each of these legendary animators directed. Impressively large and extraordinarily vivid, the Masterâ&#x20AC;&#x2122;s Series cels are highly coveted, valuable pieces of animation art.

326. Captain Hook and Mr. Smee Masters Series limited edition cel from Peter Pan. (Walt Disney Studios, 1995)

Original Masters Series limited edition hand-painted cel featuring Captian Hook and Mr. Smee from Peter Pan, numbered 200/350, signed at the bottom in black felt tip by Frank Thomas and Ollie Johnston. The cel is placed on a lithographed background reproducing numerous clean-up production sketches from the film. Image measures 6.5 x 8.5, with a mat opening of 13 x 17. This piece is also framed to an overall size of 24 x 28. Disney seal to lower right and includes the Disney certificate of authenticity. In fine condition. Estimate: $1,000-$1,500

327. Bambi Masters Series limited edition cel from Bambi. (Walt Disney Studios, 1995) Original Masters Series limited edition

hand-painted cel featuring Bambi from Bambi, numbered 223/350, signed at the bottom in black felt tip by Frank Thomas. The cel is placed on a lithographed background reproducing numerous clean-up production sketches from the film. Image measures 5.5 x 9, with a mat opening of 13 x 17. This piece is also framed to an overall size of 24 x 28. Disney seal to lower right and includes the Disney certificate of authenticity. In fine condition. Estimate: $1,000-$1,500

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328. Tinker Bell Masters Series limited edition cel from Peter Pan. (Walt Disney Studios, 1995) Original Masters Series limited edition hand-painted cel featuring Tinker Bell from Peter Pan, numbered 200/350, signed at the bottom in black felt tip by Tinker Bell designer Marc Davis. The cel is placed on a lithographed background reproducing numerous clean-up production sketches by Marc Davis from the film. Image measures 5 x 10.5 with a mat opening of 13 x 17. This piece is also framed to an overall size of 24 x 28. Disney seal to lower right and includes the Disney certificate of authenticity. In fine condition. Estimate: $1,200-$1,800

329. Jiminy Cricket Masters Series limited edition cel from Pinocchio. (Walt Disney Studios, 1995) Original Masters Series limited edition

hand-painted cel featuring Jiminy Cricket from Pinocchio, numbered 200/350, signed at the bottom in black felt tip by noted animator and creator of Jiminy Cricket, Ward Kimball. The cel is placed on a lithographed background reproducing numerous clean-up production sketches from the film. Image measures 6 x 7.5, with a mat opening of 13 x 17. This piece is also framed to an overall size of 24 x 28. Disney seal to lower right and includes the Disney certificate of authenticity. In fine condition. Estimate: $1,000-$1,500

330. Pinocchio Masters Series limited edition cel from Pinocchio. (Walt Disney Studios, 1995) Original Masters Series limited edition hand-painted cel featuring Pinocchio from Pinocchio, numbered 259/350, signed at the bottom in black felt tip by Ollie Johnston. The cel is placed on a lithographed background reproducing numerous clean-up production sketches from the film. Image measures 4 x 9, with a mat opening of 13 x 17. This piece is also framed to an overall size of 24 x 28. Disney seal to lower right and includes the Disney certificate of authenticity. In fine condition. Estimate: $1,000-$1,500

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331. Snow White production cel picturing her at the Academy Awards. (Walt

Disney Studios, 1993) Original production cel of Snow White from the Disney animated portion of the 1993 Academy Awards Show. Image measures 3.5 x 6, with overall dimensions of 12.5 x 10, and shows a three-quarter length image of Snow White in a formal gown and tiara, and has a Walt Disney Company seal printed in the lower right. In fine condition. At the show, Snow White presented the award for Best Animated Short Film, which went to Mona Lisa Descending a Staircase. Estimate: $300-$500

332. Mickey Mouse as the Sorcerer’s Apprentice ‘Hats Off’ cel. (Walt

Disney Studios, 2000) Original limited edition gallery cel entitled ‘Hats Off’ featuring Mickey Mouse from Fantasia. The cel is placed on a color copy background. Image of Mickey as he appeared in the Sorcerer’s Apprentice measures 4 x 5, with a mat opening of 7.25 x 10.75. Mat dimensions are 11 x 14. In fine condition. This cel was only available through the Disney-MGM Studio at Disney World in Orlando during the early 2000s, and it has been retired for almost a decade. Accompanied by a color postcard of the image which is signed by all the artists who worked on the cels at that time. These were only available to galleries who pre-ordered the cel. Estimate: $200-$500

334. Tinker Bell production storyboard drawing from a Fairy DVD. (Walt Disney Studios, Circa 2010) Original production

storyboard drawing featuring Tinker Bell and her fairy friends from one of the Disney fairy DVDs, 7.75 x 5, numbered 147 in the lower right corner, and features an image of Tinker Bell and four of her friends, and is signed in pencil by John Pomeroy. In fine condition. Estimate: $200-$400

3 3 5 . S i mb a and Nala production cel from The Lion King 2. (Walt

Disney Studios, 1998) Original production cel featuring Simba and Nala from The Lion King 2. The cel is placed on a matching studio copy background. Image measures 6 x 6.5, with a mat opening of 13 x 8.5. This piece is also framed to an overall size of 23.75 x 19.75. Disney seal to lower left. In fine condition. Estimate: $400-$600

333. Tinker Bell production cel. (Walt Disney Studios, 1990) Original production cel featuring Tinker Bell possibly produced for an EPCOT-related project. Image measures 3.5 x 9, with overall dimensions of 16.25 x 13.5. In fine condition. Estimate: $300-$500

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336. Mulan and Mushu concept storyboard drawing from Mulan. (Walt Disney Studios, 1998) Original concept storyboard drawing featuring Mulan and Mushu from Mulan. Accomplished in graphite on a 10 x 5.5 trimmed sheet. The nicely shaded image shows Mushu sliding down the nose of a horse as Mulan looks to her right. In fine condition, with tack holes to edges. Any pieces from newer Disney movies are quite rare. Estimate: $200-$400

337. Chi-Fu limited edition cel from Mulan. (Walt Disney Studios, 1998) Original limited edition cel, featuring Chi-Fu from Mulan, numbered 2 in an edition of 16 character cel setups available only to Disney feature animation employees. The cel is placed on a matching studio copy background. Image measures 5 x 9, with a mat opening of 16.5 x 10.75. This piece is also framed to an overall size of 26.75 x 21.25. In fine condition. Accompanied by a certificate of authenticity from Disney Enterprises, Inc. An extremely rare piece—only edition 2 of a very limited run of 16. Estimate: $1,000-$1,500

338. Production storyboard drawing from Planes. (Walt

Disney Studios, 2013) Original production storyboard drawing from Planes, 7.75 x 5, numbered 27 in the right corners, and features an image of El Chupacabra and another plane, and is signed in pencil by John Pomeroy. In fine condition, with a few tack holes to top edge. Estimate: $200-$400

340. Donald Duck, Huey, Dewey, and Louie production cel from Quack Pack. (Walt Disney Studios, 1996)

Original production cel featuring Donald Duck, Huey, Dewey, Louie from the ‘Duck Quake’ episode of the Quack Pack TV series. The cel is placed on a matching studio copy background. Image measures 7.5 x 5, with a mat opening of 11.5 x 9. This piece is also framed to an overall size of 19 x 17. Walt Disney Studios Certificate of Authenticity included. In fine condition. Estimate: $200-$500

339. Walt Disney Employee Letters. Two TLSs [typed letters

signed], both one page, 8.5 x 11. First letter is on Walt Disney Productions letterhead, dated May 22, 1942, signed by Hal Adelquist of the company’s personnel department, and is a letter of recommendation for junior accountant Philip Hoffman who is to be inducted into the army. Second letter is on Walt Disney Unit Motion Pictures Workers letterhead, dated December 14, 1944, is signed by president Harry Barnick, and was accompanied by a small Christmas bonus to Hoffman, who was stationed at Fort MacArthur. Accompanied by the original mailing envelope, presenting a nice WWII stamp. In fine condition, with a few mild creases. Estimate: $200-$500

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345. Frank Thomas and Ollie Johnston signed Pinocchio book. Signed book: Pinocchio. Later printing. NY: Harry N. Abrams,

Inc., 1988. Hardcover with dust jacket, 8.5 x 11.25. Signed and inscribed on the reverse of the first free end page, “To Vicky, Best wishes—Frank Thomas,” and “Ollie Johnston.” In fine condition. Estimate: $200-$400

346. Walt Disney Artists signed books. Three hardcover books, each signed and inscribed on an opening page by a related Disney artist or voice actor. Signers are: Ron Dias (Beauty and the Beast), Jodi Benson (Tales from Under the Sea), and Kenny Thompkins (The Princess Collection), signed with two self-portrait sketches and a sketch of Abu from Aladdin on another page. In very fine condition. Estimate: $200-$400

347. Walt Disney Artists signed books.

Three hardcover books, each signed and inscribed on an opening page by a related Disney artist. Signers are: Kenny Thomkins (Aladdin), signing with a self-portrait sketch and a full page sketch of Jasmine on another page; Dennis Durrell (Sleeping Beauty); and Ron Dias and Philo Barnhart (The Little Mermaid). In very fine condition. Estimate: $300-$500

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348.MickeyMouse as ‘ The Band Leader’ Limited Edition Glass Figurine. Beautiful

limited edition glass figurine of Mickey Mouse in his bandleader costume, numbered 19/25, measuring 9.5˝ tall on an 8 x 6 base. The likeness was produced by the Arribas Brothers and released at the 1993 Official Disneyana Convention in Anaheim, where this rare piece sold out within 23 minutes. In fine condition. Accompanied by the certificate of authenticity, original box, and a limited edition catalog listing an example of this figurine. An excessively rare and positively stunning piece. Estimate: $1,800-$3,000

349. The Sword in the Stone presentation medal. Very rare original

Sword in the Stone presentation medal from Disneyland. Medal measures 2.5˝ in diameter, with a raised image of Merlin and Arthur attempting to pull the sword from the anvil, with the reverse bearing an image of the Dinseyland logo. Medal retains its original purple ribbon. In fine condition. These medals were presented, during a beloved Fantasy Land ceremony, to a young volunteer at the park who would help Merlin remove the sword and be proclaimed ‘Ruler of the Realm.’ These medals from this now defunct ceremony were not available for sale at any of the parks and we have never seen one offered for sale. Estimate: $500-$1,500

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Carl Barks Carl Barks (1901–2000) was best known for his comics about Donald Duck and as the creator of Scrooge McDuck. With a penchant for storytelling, Barks started at Walt Disney Studios in the Story Department in the 1930s, then moved to the Disney Comic Book Department. Following his retirement in 1966, the animator began doing original paintings for added cash flow and selling them at art shows. Once word spread, the values of these beautiful oil on masonite paintings climbed, and Disney stepped in claiming copyright infringement. After much protest, Disney relented in 1981, allowing Barks to resume drawing his iconic characters. The Another Rainbow series of his lithographs was inspired by Barks’s saying that there would be ‘always another rainbow’ for his character Scrooge McDuck, and these lithographs began to be released in the early 1980s to achieve greater recognition of his work. Though some are based upon Bark’s celebrated oil paintings, most are original works created specifically for this series. The lithographs offered in this special section of our catalog are gorgeous—most of impressive size—with a large following in the US and especially Europe. Many are highly sought after, seldom seen, and worth thousands. Carl Barks—one of the three inaugural inductees into the Will Eisner Comic Book Hall of Fame—was a true Disney legend and these fantastic works of art are a tangible testament to his awe-inspiring skills.

351. Carl Barks limited edition signed lithograph ‘Sailing the Spanish Main’. (Another Rainbow Publishing, 1982) Color limited edition 20 x 24 lithograph

entitled ‘Sailing the Spanish Main,’ numbered 57/245, signed in the lower border in pencil. Scene shows Scrooge, Donald, and his nephews all in a small boat, with Scrooge catching a treasure chest on his fishing line. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Barks reworked one of his most famous comic covers to include Scrooge in this inaugural lithograph in Another Rainbow’s series of limited edition lithographs. Arguably the most sought after and valuable of all the Barks lithographs. Estimate: $700-$2,000

352. Carl Barks limited edition signed lithograph ‘An Embarrassment of Riches’. (Another Rainbow Publishing, 1983) Color limited edition 20.5 x

16.5 lithograph entitled ‘An Embarrassment of Riches,’ numbered 293/395, signed in the lower border in pencil. Scene shows Scrooge and Donald having to add an extension onto the depth gauge of Scrooge’s money cave. Matted to an overall size of 24.5 x 21. In very fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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354. Carl Barks limited edition signed lithograph ‘A 1934 Belchfire Runabout’. (Another Rainbow Publishing,

1984) Color limited edition 27 x 23.25 lithograph entitled ‘A 1934 Belchfire Runabout,’ numbered 294/345, signed in the lower border in pencil. Image shows Donald Duck proudly behind the wheel of his car as other Disney characters look on. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

353. Carl Barks limited edition signed lithograph ‘Till Death Do Us Part’. (Another Rainbow Publishing, 1983) Color limited

edition 20 x 24 lithograph entitled ‘Till Death Do Us Part,’ numbered 334/495, signed in the lower border in pencil. Scene shows a full-length image of Scrooge McDuck posing with his one true love—gold. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

355. Carl Barks limited edition signed lithograph ‘In Uncle Walt’s Collectory’. (Another Rainbow Publishing, 1984)

Color limited edition 21 x 25.5 lithograph entitled ‘In Uncle Walt’s Collectory,’ numbered 139/345, signed in the lower border in pencil by Barks. Image shows Donald and his family in a treasure trove of Disneyana. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

356. Carl Barks limited edition signed lithograph ‘Return to Morgan’s Island’. (Another Rainbow Publishing, 1985) Color

limited edition 25.5 x 21 lithograph entitled ‘Return to Morgan’s Island,’ numbered 294/345, signed in the lower border in pencil. Scene shows Donald Duck, his family, and Yellowbeak hoisting a buried treasure chest out of the sand. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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359. Carl Barks limited edition signed lithograph ‘Dubious Doings at Dismal Downs’. (Another Rainbow Publish357. Carl Barks limited edition signed lithograph ‘Afoul of the Flying Dutchman’. (Another Rainbow Publishing, 1985)

Color limited edition 21 x 25.5 lithograph entitled ‘Afoul of the Flying Dutchman,’ numbered 293/345, signed in the lower border in pencil. Scene shows Scrooge McDuck, Donald, and his nephews in stormy seas with the Flying Dutchman in the distance. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

358. Carl Barks limited edition signed lithograph ‘Dam Disaster at Money Lake’. (Another Rainbow Publishing, 1986)

Color limited edition 25 x 21.5 lithograph entitled ‘Dam Disaster at Money Lake,’ numbered 293/345, signed in the lower border in pencil by Barks. Scene shows Scrooge, Donald, and his nephews looking on in shock as the dam on Money Lake is breached by the Beagle Boys. In fine condition. Estimate: $400-$600

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ing, 1986) Color limited edition 25 x 21.5 lithograph entitled ‘Dubious Doings at Dismal Downs,’ numbered 294/345, signed in the lower border in pencil. Scene shows Donald and his family mesmerized by a floating treasure chest and sword in the middle of a cemetery. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

360. Carl Barks limited edition signed lithograph ‘First National Bank of Cibola’. (Another Rainbow Publishing, 1987) Color limited edition 21 x 25.5 lithograph entitled ‘First National Bank of Cibola,’ numbered 294/345, signed in the lower border in pencil. Scene shows Scrooge, Donald, and his nephews discovering the ruins of the fabled Seven Cities of Cibola. In fine, bright condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

361. Carl Barks limited edition signed lithograph ‘Trespassers Will Be Ventilated’. (Another Rainbow Publishing, 1987) Color limited edition 25 x 21.5 lithograph entitled ‘Trespassers Will Be Ventilated,’ numbered 293/345, signed in the lower border in pencil. Scene shows Donald and his family being shot at by Glittering Goldie after they stumble across her gold. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

362. Carl Barks limited edition signed lithograph ‘The Makings of a Fish Story’. (Another Rainbow Publishing, 1988)

Color limited edition 21 x 25.5 lithograph entitled ‘The Makings of a Fish Story,’ numbered 293/345, signed in the lower border in pencil. Scene shows Scrooge, Donald, and his nephews recovering sunken treasure with difficulty looming in the form of mermaids and other underwater creatures. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

363. Carl Barks limited edition signed lithograph ‘Return to Plain Awful’. (Another Rainbow Publishing, 1989)

Color limited edition 25 x 21.5 lithograph entitled ‘Return to Plain Awful,’ numbered 293/345, signed in the lower border in pencil by Barks. Scene depicts Scrooge McDuck, Donald, and his nephews discovering a lost city and unusual gold egg-laying chickens. In very fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

364. Carl Barks limited edition signed lithograph ‘Holiday in Duckburg’. (Another Rainbow Publishing, 1989) Color

limited edition 25 x 21.5 lithograph entitled ‘Holiday in Duckburg,’ numbered 293/345, signed in the lower border in pencil by Barks. Scene shows Donald, Daisy, Scrooge, Donald’s nephews, and others enjoying a day in the park. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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365. Carl Barks limited edition signed lithograph ‘An Astronomical Predicament’. (Another Rainbow Publish-

ing, 1990) Color limited edition 21 x 25.5 lithograph entitled ‘An Astronomical Predicament,’ numbered 293/345, signed in the lower border in pencil by Barks. Scene shows Scrooge McDuck, Donald, and his nephews encountering some unfriendly inhabitants on a barren asteroid. In fine condition, with a couple of small creases to bottom border. Estimate: $400-$600

366. Carl Barks limited edition signed lithograph ‘Snow Fun’. (Another Rainbow Publishing, 1990) Color limited edition 24.75

x 20.5 lithograph entitled ‘Snow Fun,’ numbered 293/345, signed in the lower border in pencil by Barks. Scene shows Donald’s nephews about to play a prank on their uncle by tying his sled to a lamp post. In very fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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367. Carl Barks limited edition signed lithograph ‘The Stone That Turns All Metals Gold’. (Another Rainbow

Publishing, 1991) Color limited edition 21 x 25.5 lithograph entitled ‘The Stone That Turns All Metals Gold,’ numbered 293/350, signed in the lower border in pencil. Image shows Donald and his family discovering the power of the Philosopher’s Stone. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

368. Carl Barks limited edition signed lithograph ‘Mardi Gras Before the Thaw’. (Another Rainbow Publishing, 1992)

Color limited edition 25 x 21.5 lithograph entitled ‘Mardi Gras Before the Thaw,’ numbered 293/350, signed in the lower border in pencil by Barks. Image shows Donald skating with Daisy Duck, his nephews building a snowman, Scrooge McDuck renting ice skates, and Mickey, Minnie, and other characters in the background. In very fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

369. Carl Barks limited edition signed lithograph ‘Halloween in Duckburg’. (Another Rainbow Publishing, 1992)

Color limited edition 27 x 22 lithograph entitled ‘Halloween in Duckburg,’ numbered 293/395, signed in the lower border in pencil. Scene shows Donald greeted at his door by his nephews and an assortment of ghosts and monsters. In very fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

371. Carl Barks limited edition signed lithograph ‘Leaving Their Cares Behind’. (Another Rainbow Publishing,

370. Carl Barks limited edition signed lithograph ‘Dangerous Discovery’. (Another Rainbow Publishing, 1993) Color

372. Carl Barks limited edition signed lithograph ‘In the Cave of Ali Baba’. (Another Rainbow Publishing, 1997) Color limited

limited edition 25 x 21.5 lithograph entitled ‘Dangerous Discovery,’ numbered 293/350, signed in the lower border in pencil. Scene shows Scrooge, Donald, and his nephews entering the riches-filled cave of Ali Baba, with the Roc hiding behind a cave wall. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

1995) Color limited edition 20 x 25 lithograph entitled ‘Leaving Their Cares Behind,’ numbered 293/350, signed in the lower border in pencil. Scene shows Donald and his nephews in their Belchfire Runabout traveling an unsafe road and surrounded by dangerous animals. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

edition 25 x 21.5 lithograph entitled ‘In the Cave of Ali Baba,’ numbered 293/595, signed in the lower border in pencil by Barks. Scene shows Uncle Scrooge, Donald, and his nephews enjoying their new found spoils as the shadow of the Roc appears at the mouth of the cave. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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373. Carl Barks limited edition signed lithograph ‘Hands Off My Playthings’. (Another Rainbow Publishing, 1998) Color limited edition 25.5 x 21 lithograph entitled ‘Hands Off My Playthings,’ numbered 498/500, signed in the lower border in pencil. Scene shows Donald and his nephews enjoying themselves in Scrooge’s vault, much to the displeasure of Scrooge. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

374. Carl Barks limited edition signed lithograph ‘A Hot Defense’. (Another Rainbow Publishing, 1990) Color limited edition 13

x 11.5 lithograph entitled ‘A Hot Defense,’ numbered 293/595, signed in the lower border in pencil. Scene shows an armor-clad Donald Duck attempting to breech his nephew’s snow fort, and about to receive an unpleasant surprise from behind. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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375. Carl Barks limited edition signed lithograph ‘Visitor From Underground’. (Another Rainbow Publishing, 1991) Color

limited edition 13 x 11.5 lithograph entitled ‘Visitor From Underground,’ numbered 293/595, signed in the lower border in pencil. Scene shows a gopher accidentally burrowing into Scrooge’s cave, as Donald and his nephews try to avoid falling asleep on their rakes. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

376. Carl Barks limited edition signed lithograph ‘Gifts for Shacktown’. (Another Rainbow Publishing, 1991) Color limited edition 11 x 13.5 lithograph entitled ‘Gifts for Shacktown,’ numbered 293/595, signed in the lower border in pencil. Scene shows Donald, dressed as Santa, riding a toy train and his nephews carrying a huge bundle of toys. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

377. Carl Barks limited edition signed lithograph ‘Always Another Rainbow’. (Another Rainbow Publishing, 1992) Color

limited edition 11 x 13.5 lithograph entitled ‘Always Another Rainbow,’ numbered 293/595, signed in the lower border in pencil. Scene shows a young Scrooge McDuck with a bag full of gold as he emerges from the Klondike. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

378. Carl Barks limited edition signed lithograph ‘Blizzard Tonight’. (Another Rainbow Publishing, 1990) Color limited edition 11 x 13.5 lithograph entitled ‘Blizzard Tonight,’ numbered 293/595, signed in the lower border in pencil. Scene shows Donald and his nephews hunkering down during a blizzard. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

379. Carl Barks limited edition signed lithograph ‘Sixty Years Quacking’. (Another Rainbow Publishing, 1994) Color limited

edition 9.5 x 12 lithograph entitled ‘Sixty Years Quacking,’ featuring the original title of the oil painting ‘Hi, I’m Donald Duck,’ numbered 293/595, signed in the lower border in pencil. Full-length image of Donald holding a Duckburg pennant was originally done by Barks in honor of Donald’s 60th birthday. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

380. Carl Barks limited edition signed lithograph ‘Menace Out of the Myths’. (Another Rainbow Publishing, 1994) Color limited edition 13 x 11 lithograph entitled ‘Menace Out of the Myths,’ numbered 293/595, signed in the lower border in pencil. Scene depicts Scrooge, Donald, and his nephews collecting treasure and being menaced by a Larkie. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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383. Carl Barks limited edition signed lithograph ‘Golden Fleece’. (The Walt Disney Company) Color limited edition 30 x 18.5

381. Carl Barks limited edition signed lithograph ‘Goose Egg Nugget’. (Another Rainbow Publishing, 1996) Color limited edi-

tion 11 x 13.5 lithograph entitled ‘The Goose Egg Nugget,’ numbered 293/595, signed in the lower border in pencil. Scene shows a young Scrooge McDuck showing off his gold in a Dawson saloon. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

382. Carl Barks limited edition signed lithograph ‘Live It Up, Donald, You’re 50!’. (Another Rainbow Publishing, 1981)

Color limited edition 16 x 20.25 lithograph entitled ‘Live It Up, Donald, You’re 50!,’ numbered 74/500, signed in the lower border in pencil by Barks. Image shows Donald celebrating his 50th birthday with a large hot dog, a beverage, and three scoops of ice cream. In fine condition. Accompanied by a certificate of authenticity from Another Rainbow Publishing. Estimate: $400-$600

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serigraph entitled ‘Golden Fleece,’ numbered 222/500, signed in the lower border in pencil. Scene shows Scrooge McDuck running for the golden fleece, which hangs in a temple basket. In fine condition. Accompanied by a certificate of authenticity from the Walt Disney Company. Estimate: $400-$600

384. Carl Barks lithographic suite of Preliminary Paintings. (Another Rainbow Publishing, 1989) Complete limited

edition set of 10 color prints, suite #2, of Barks’s preliminary paintings done by Barks between 1983–1988, 304/500, ranging in size from 7 x 8.75 up to 11.75 x 14.75, each initialed in the lower border in pencil by Barks. Titles of the works include ‘In Uncle Walt’s Collectory,’ ‘Return to Plain Awful,’ and ‘Trail of Forty Thieves.’ Prints are housed in their original folder and are accompanied by a certificate of authenticity signed in pencil by Barks. In very fine condition. Estimate: $400-$600

385. Carl Barks limited edition signed lithograph ‘Caliph of Baghdad’. (Brockmann Publishing, 1994) Color limited edition

13.25 x 19 print entitled ‘Caliph of Baghdad,’ numbered 5/550, signed in the lower border in black felt tip by Barks. Scene shows Caliph arriving on his magic carpet to a room full of scantily-dressed and nude women. Barks Studio stamp on the reverse reads, “Famous figures of history as they might have looked if their genes had gotten mixed with those of waterfowl.” In very fine condition. Estimate: $300-$500

387. Carl Barks limited edition signed lithograph ‘The Nude With the Hat’. (Brockmann Publishing, 1994) Color limited edition 13.25 x 19 print entitled ‘The Nude With the Hat,’ numbered 5/700, signed in the lower border in black felt tip. In very fine condition. Estimate: $200-$400

386. Donald Duck production cel from a Disney TV Show. (Walt Disney Studios, Circa 1950s) Original production cel featuring Donald Duck from a Disney TV show, signed in black felt tip by Carl Barks. Image measures 6 x 4.5, with a mat opening of 9.25 x 6.25. Mat dimensions are 12 x 9. Reverse bears an affixed Walt Disney Productions Disneyland Art Corner original celluloid drawing label. In fine condition, with a bit of cracking to paint. Estimate: $450-$700

388. Scrooge production cel from Duck Tales. (Walt Disney Studios, Circa 1980s) Original production cel featuring Scrooge from Duck Tales, signed in black felt tip by creator Carl Barks. The cel is placed on a color copy background. Image measures 3 x 5, with overall dimensions of 17 x 11. In fine condition. Estimate: $300-$500

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WARNER BROTHERS Warner Brothers Studio Warner Bros. Cartoons, founded in 1933, was arguably the most successful short-form animation studio in American media history, most famous for its Looney Tunes and Merrie Melodies theatrical cartoon shorts. The characters featured in these cartoons, including Bugs Bunny, Daffy Duck, Porky Pig, Speedy Gonzales, Wile E. Coyote, and The Road Runner, are among the most famous and recognizable characters in the world. The studio was also home to many of the major figures in the art and history of traditional animation including Leon Schlesinger, Chuck Jones, Friz Freleng, Robert McKimson, Tex Avery, Robert Clampett, and Frank Tashlin.

390. Porky Pig production drawing from Old Glory. (Warner Brothers Studios, 1939) Original production drawing featuring Porky Pig from Old Glory. Accomplished in colored pencil and graphite on untrimmed 12 x 9.5 animation paper. Image of Porky dancing and holding his hat in his left hand measures 6 x 5.5. In fine condition. Early Warner Bros. production art is quite rare as a fire ravaged the studios in 1934. Estimate: $1,200-$1,500

391. Bugs B u n n y p ro duc t i o n drawing from a 1940s Cartoon. (Warner Brothers Studios, Circa 1940s) Original production drawing featuring Bugs Bunny from a 1940s cartoon. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image of Bugs Bunny diving head-first into his unseen rabbit hole measures 1 x 5.5. In fine condition, with a light central vertical crease through portions of sketch. Any Warner Bros. production art is quite rare, particularly such early examples of one of their most famous characters. Estimate: $700-$1,000 130 | August 21, 2014 | Warner Brothers

392. Bugs Bunny production drawing from a 1940s Cartoon. (Warner

Brothers Studios, Circa 1940s) Rare original production drawing featuring Bugs Bunny from a 1940s cartoon. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Very detailed image of Bugs looking under the weather measures 4.5 x 4. In fine condition. Estimate: $500-$700

393. Daffy Duck production layout drawing from a 1940s Cartoon. (Warner Brothers Studios, Circa 1940s) Original production layout drawing featuring Daffy Duck from a 1940s cartoon. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image of Daffy realizing he is carrying a lit bomb measures 2.5 x 4.75, with a small portion of a rough sketch of his face to the right of the image, and animator’s notation reading “Sudden realization,” along the bottom. In fine condition, with a mild shade of toning. Estimate: $500-$700

397. Daffy Duck production drawing from a Warner Brothers Cartoon. (Warner Brothers

394. Sniffles production drawing from a 1940s Cartoon. (War-

ner Brothers Studios, Circa 1940s) Rare original production drawing featuring Sniffles from a 1940s cartoon. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Image of Sniffles banging on a metal dish with a spoon measures 9 x 6. In fine condition, with a bit of scattered light toning and soiling. Estimate: $500-$700

Studios, Circa 1940s) Original production drawing featuring Daffy Duck from a Warner Bros. cartoon, showing him crossing his arms in disgust and saying, “Then—I don’t believe you’re a pig! So there !!!” Accomplished in graphite on animation paper. Image measures 2 x 7, with a mat opening of 10.5 x 8.5. This piece is also framed to an overall size of 19.5 x 17. In fine condition. Estimate: $800-$1,200

39 5 . Po rky P i g production drawing from a Warner Brothers Cartoon. (Warner Brothers Studios, Circa late 1940s or early 1950s) Original production drawing featuring Porky Pig from a Warner Bros. cartoon. Accomplished in graphite and colored pencil on animation paper. Image measures 3.5 x 5, with a mat opening of 9.5 x 8. This piece is also framed to an overall size of 18.5 x 16.5. In fine condition. Estimate: $700-$1,000

396. Bugs Bunny ‘rough’ production drawing from a 1940s Cartoon. (Warner Brothers Studios, Circa 1943) Scarce original ‘rough’ production drawing featuring Bugs Bunny from a 1940s cartoon. Accomplished in graphite on untrimmed 12 x 9.5 animation paper. Full-length image of Bugs Bunny measures 4.75 x 5.75. In fine condition. Estimate: $500-$700

398. Set of (3) ‘rough’ production drawings from a Circa 1943 Cartoon. (Warner Brothers Studios, Circa 1943) Rare original

set of (3) ‘rough’ production drawings featuring Bugs Bunny from a circa 1943 cartoon. Accomplished in graphite on three untrimmed 12 x 9.5 animation paper. All three images of Bugs peering out of his rabbit hole measure approximately 2 x 4.25. In fine condition. Estimate: $600-$800

39 9. Bu g s Bu n ny production cel from a Warner Brothers Theatrical Cartoon. (Warner Brothers Studios, Circa 1950s) Original production cel featuring Bugs Bunny from a Warner Bros. theatrical cartoon. Image measures 2.5 x 5, with overall dimensions of 13.5 x 10.5. In fine condition. Estimate: $600-$800

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402. Tweety Bird p ro duc t i o n ce l from a Warner Brothers Theatrical Cartoon. (Warner Brothers Studios, Circa 1950s) Original production cel featuring Tweety Bird from a Warner Bros. theatrical cartoon. Image measures 2 x 3.75, with overall dimensions of 12.5 x 10.5. In fine condition, with creases to one corner of the celluloid sheet. Estimate: $500-$800

400. Porky Pig original studio still from Porkyâ&#x20AC;&#x2122;s Picnic. (Warner Brothers Studios, Circa 1950s) Original glossy 10 x 8 studio for the Porky Pig short entitled Porkyâ&#x20AC;&#x2122;s Picnic, signed in green felt tip by Bob Clampett. In fine condition. Estimate: $200-$400

401. Sylvester p ro duc t i o n ce l from Circa 1950s. (Warner Brothers Studios, Circa 1950s) Original production cel featuring Sylvester from a circa 1950s production. Image measures 4 x 5, with overall dimensions of 12.25 x 10.25. A small Warner Bros. label is affixed to the lower right. In fine condition. Estimate: $300-$500

4 0 3 . E l me r Fud d production cel from a 1 9 5 0 s Wa r n e r Brothers Theatrical Cartoon. (Warner Broth-

ers Studios, Circa 1950s) Original production cel featuring Elmer Fudd from a Warner Bros. theatrical cartoon, showing the classic Looney Tunes character in red hunting attire. Image measures 3.75 x 5.75, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $500-$800

404. Bugs Bunny, Porky Pig, Elmer Fudd, and Petunia Pig watercolor painting for the Tell-A-Tale Book Bugs Bunny in Something Fishy. (Warner Brothers Studios, 1955)

Original gouache and watercolor painting for the book entitled Bugs Bunny in Something Fishy, published in the Whitman Tell-a-Tale Book series, featuring Bugs Bunny, Porky Pig, and Elmer Fudd in a vibrant underwater fishing scene. Accomplished on two sheets of 8.5 x 9.75 art board, each representing a single page of the spread in the final publication. In fine condition. Alfred Abranz and Norm McGary are credited as the adapters of the book. A rare two-page spread format and spectacular image of the iconic cartoon characters. Estimate: $500-$1,000 132 | August 21, 2014 | Warner Brothers

408. Daffy Duck p ro d uc t i o n c e l from the opening of the Bugs Bunny TV Show. (Warner

405. Daffy Duck p ro duc t i o n ce l from Robin Hood Daffy. (Warner Broth-

Brothers Studios, Circa 1960s) Original production cel featuring Daffy Duck from the opening of the Bugs Bunny TV show, showing him in a sharp yellow suit and pink bow tie. Image measures 3 x 5.5, with overall dimensions of 12.5 x 10.5. In fine condition, with a repaired chip to paint near his shoulder. Estimate: $500-$700

ers Studios, 1958) Original production cel featuring Daffy Duck from Robin Hood Daffy, showing him in the attire of the legendary outlaw with a surprised look on his face. Image measures 3.75 x 7.5, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $800-$1,200

406. Bugs Bunny and Daffy Duck production drawing from a Bugs Bunny TV Cartoon. (Warner Brothers Studios, Circa 1960s) Original production drawing featuring Bugs Bunny and Daffy Duck flying with a jetpack from a Bugs Bunny TV cartoon, the layout by Robert McKimson. Accomplished in graphite and colored pencil on untrimmed 14 x 10.5 animation paper. Image measures 4.5 x 6. In fine condition. Estimate: $700-$1,000

407. Daffy Duck p ro duc t i o n ce l from a 1960s TV Cartoon. (Warner

Brothers Studios, Circa 1960s) Original production cel featuring Daffy Duck from a 1960s television cartoon. The cel is placed on a handpainted background. Image of Daffy Duck holding a gold nugget in one hand and a revolver in the other measures 5.25 x 6, with overall dimensions of 12.5 x 11. In fine condition. Estimate: $500-$700

409. Daffy Duck production drawing from the opening of the Bugs Bunny TV Show. (Warner Brothers Studios, Circa 1960s) Original production drawing featuring Daffy Duck from the opening of the Bugs Bunny Television Show. Accomplished in graphite on untrimmed 14 x 10.5 animation paper. Image measures 2.75 x 5.5 and shows Daffy Duck, dressed in a jacket, hat, and tie, with his dukes up looking for a fight. In fine condition. Estimate: $200-$400

410. Elmer Fudd production cel from the early 1960s. (Warner Brothers Studios, Early 1960s) Original production cel featuring Elmer Fudd from Early 1960s. The cel is placed on a color copy background. Image measures 3.5 x 5, with a mat opening of 12 x 9.5, and an overall size of 17 x 14.5. In fine condition. Estimate: $300-$500

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414. Tasmanian Devil production drawing from Dr. Devil and Mr. Hare.

411. Foghorn Leghorn production drawing from a Foghorn Theatrical Short Cartoon. (Warner Brothers Studios, Circa 1960s) Original production drawing featuring Foghorn Leghorn from a theatrical short. Accomplished in graphite on untrimmed 14 x 10.5 animation paper. Image measures 6 x 5.5. In fine condition. Estimate: $300-$500

412. Porky Pig p ro duc t i o n ce l from a 1960s Warner Brothers production. (Warner

Brothers Studios, Circa 1960s) Original production cel featuring Porky Pig from a 1960s television cartoon. Full-length image of Porky Pig sweeping measures 5 x 5, with overall dimensions of 12.5 x 10.5. In fine condition, with a few areas of paint stuck to the plain white backing. Estimate: $200-$400

(Warner Brothers Studios, 1964) Original production drawing featuring the Tasmanian Devil, from Dr. Devil and Mr. Hare, showing Taz woozy and disoriented with bandages on his face. Accomplished in graphite on untrimmed 14 x 10.5 animation paper. Image measures 4 x 3.5. In fine condition. Estimate: $300-$500

415. Taz and Daffy layout drawing from the opening of the Bugs Bunny TV Show. (Warner Brothers Studios, Circa 1960s) Original layout drawing featuring Taz and Daffy from the opening of the Bugs Bunny Television Show. Accomplished in graphite by Robert McKimson on untrimmed 14 x 10.5 animation paper. Image measures 4.5 x 7.25, and shows Taz scaring Daffy, causing him to jump out of his jacket and hat, with a small animator’s notation reading “tiny quick roar.” In fine condition, with several vertical folds to right side. Estimate: $200-$400

416. Bugs Bunny production cel from a 1960s Warner Brothers Theatrical Cartoon. (Warner Brothers Studios,

413. Sylvester and Bird production cel from Father of the Bird. (Warner Brothers Studios, 1997) Original production cel

featuring Sylvester and Cornbread from Father of the Bird, signed in black felt tip by animator Chuck Jones and writer/director Stephen Fossatti. Image measures 9.5 x 8.5, with overall dimensions of 16.5 x 13.5. In fine condition. Estimate: $200-$500

134 | August 21, 2014 | Warner Brothers

Circa 1960s) Original production cel featuring Bugs Bunny from a Warner Bros. theatrical cartoon, showing him jumping in surprise, with nice embellishments to indicate motion. Image measures 3.5 x 7, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $500-$800

417. Daffy Duck and Yosemite Sam production drawing from a Warner Brothers TV Cartoon. (Warner Brothers

Studios, Circa 1960s) Original TV layout production drawing featuring Daffy Duck and Yosemite Sam from a TV cartoon, showing Daffy dressed up as Bugs Bunny and Yosemite Sam ready to draw his weapon. Accomplished in red pencil on untrimmed 14 x 10.5 animation paper. Image measures 9 x 7. In fine condition. Estimate: $500-$700

418. Bugs Bunny and Daffy Duck publicity cel based upon the opening to the Bugs Bunny TV Show. (Warner Brothers

420. Bugs Bunny p ro duc t i o n ce l from Bugs Bunny in King Arthur’s Court. (Warner Broth-

ers Studios, 1978) Original production cel featuring Bugs Bunny from Bugs Bunny in King Arthur’s Court, signed in black felt tip by Chuck Jones. The cel is placed on a color copy background. Image measures 3 x 6.5, with overall dimensions of 12.5 x 11. In fine condition. Estimate: $300-$500

Studios, Circa 1970s) Original publicity cel featuring Bugs Bunny and Daffy Duck based on the opening to the Bugs Bunny Television Show. The cel is placed on a hand-painted background. Image of Bugs measures 3.75 x 7.5, Daffy measures 2.75 x 6.5, with a mat opening of 11.5 x 8.5. This piece is also framed to an overall size of 16.25 x 12.25. In fine condition. Estimate: $300-$700

421. Bugs Bunny production cel from a Warner Brothers TV Cartoon. (Warner Brothers Studios, Circa 1980s)

419. Bugs Bunny and Daffy Duck Christmas card signed by Chuck Jones. Christmas card from

4 2 2 . Yo s e m i t e Sam production cel from a Warner Brothers TV Cartoon. (Warner

1976 featuring a printed image of Bugs Bunny and Daffy Duck playing the piano, 7 x 10, signed at the bottom in pencil by the animator, “Chuck Jones—1976,” and by his wife, “and Dorothy, too.” In fine condition, with a few light creases. Estimate: $200-$400

Original production cel featuring Bugs Bunny from a Warner Brother television cartoon. The cel is placed on a copy background. Full-length image measures 4.5 x 6.75, with overall dimensions of 17 x 11.25. In fine condition, with a few light spots to lower portion of image. Estimate: $200-$400

Brothers Studios, Circa 1980s) Original production cel featuring Yosemite Sam from a Warner Brother television cartoon. The cel is placed on a copy background. Image of Yosemite Sam walking with his six-guns drawn measures 2 x 4, with overall dimensions of 17 x 11. In fine condition. Estimate: $200-$400

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423. Roadrunner and Wile E. Coyote limited edition cel. (Warner Brothers Studios, 1981) Original limited edition cel featuring Roadrunner and Wile E. Coyote entitled ‘Missed Again,’ numbered 74/100, signed at the bottom in black felt tip by Chuck Jones. The cel is placed on a color hand-cut background. Image measures 8 x 6, with overall dimensions of 12.5 x 10.5. The piece has the Linda Jones Enterprises seal on lower left. In fine condition. A wonderful early piece and the smallest edition size produced. Estimate: $500-$1,000

424. Bugs Bunny production cel from 1001 Rabbit Tales. (Warner Brothers Studios, 1982) Original production cel featuring Bugs Bunny from 1001 Rabbit Tales, signed in black felt tip by animator Friz Freleng. The cel is placed on a color print background. Image measures 4 x 9, with overall dimensions of 16 x 11. Warner Bros. seal to lower right. In fine condition. Estimate: $300-$500

425. Bugs Bunny production cel from 1001 Rabbit Tales. (Warner Brothers Studios, 1982) Original production cel featuring Bugs Bunny from 1001 Rabbit Tales. The cel is placed on a copy background. Image measures 3 x 4 (with several puffs of smoke behind the image), with overall dimensions of 19 x 13, and is signed in black felt tip by Friz Freleng. In fine condition, a slightly grainy image to the printed background. Estimate: $400-$600

426. Daffy Duck sketch by Chuck Jones. (Warner Brothers Studios, 1986) Original signed sketch of Daffy Duck looking mischievous, signed on the right side, “From Daffy Duck & Chuck Jones, 1986.” Accomplished in graphite an off-white 8.5 x 7.25 sheet. Character image measures 3.5 x 3.5. In fine condition. Estimate: $700-$1,000

136 | August 21, 2014 | Warner Brothers

429. Roadrunner and Wile E. Coyote limited edition cel.

427. Bugs Bunny, Roadrunner, Wile E. Coyote, Daffy Duck, and Elmer Fudd limited edition cel . (Warner Brothers Studios,

(Warner Brothers Studios, 1988) Original limited edition cel featuring Roadrunner and Wile E. Coyote entitled ‘Salt & Pepper,’ numbered 163/300, signed at the bottom in black felt tip by Chuck Jones. The cel is placed on a color copy background. Image measures 12.5 x 7, with overall dimensions of 16.5 x 13.5. The piece has the Linda Jones Enterprises seal on lower right. In fine condition. Estimate: $600-$1,000

1983) Original limited edition cel featuring Bugs Bunny, Roadrunner, Wile E. Coyote, Daffy Duck, and Elmer Fudd entitled ‘The Great Chase,’ numbered 113/200, signed at the bottom in black felt tip by Chuck Jones. The cel is placed on a color copy background. Image measures 16.5 x 11, with overall dimensions of 16.5 x 13.5. In fine condition. A vibrant early limited edition cel portraying these classic cartoon characters. Estimate: $600-$1,400

430. Sylvester, Mrs. Sylvester, and Mr. Mouse recreation drawing based on A Mouse Divided. (Warner

Brothers Studios, 1990) Original recreation drawing featuring Sylvester, Mrs. Sylvester, and Mr. Mouse based on the 1953 short A Mouse Divided. Accomplished in graphite and colored pencil, by artist Virgil Ross, on 11.5 x 9.5 animation paper. Image of Sylvester measures 6.75 x 7.5, the image of Mrs. Sylvester and the mouse measures 6 x 6.75, with a mat opening of 11.5 x 9.75. Signed in pencil by long time Warner Bros. studio artist Virgil Ross. This piece is also framed to an overall size of 19 x 17. In fine condition, with some scattered dings to frame. These recreation drawings were sold at WB galleries in the 1990s. Estimate: $400-$600

428. Bugs Bunny, Daffy Duck, and WB Characters limited edition cel from Last Chance Saloon. (Warner Broth-

ers Studios, 1987) Original limited edition cel, 324/500, measuring 16.5 x 13.5, featuring Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig, and Marvin the Martian playing poker in the Last Chance Saloon, with Pepe Le Pew playing the piano, and Wile E. Coyote chasing the Road Runner visible through the saloon’s window. Bugs is holding five aces in his hand, while his girlfriend, Honey Bunny, stands behind him. Signed in black felt tip by Jones and set against a printed color background. The piece has a Linda Jones seal on lower left. In fine condition. Produced in 1987, this is one of the most desirable Jones pieces, featuring all of the Warner Bros. major characters, including the seldom-seen Marvin the Martian. Estimate: $1,300-$2,000

431. Bugs Bunny, Daffy Duck, and Elmer Fudd production cel from Blooper Bunny. (Warner Brothers Studios, 1991) Original production cel featuring Bugs Bunny, Daffy Duck, and a shotguntoting Elmer Fudd from Blooper Bunny. Elmer Fudd measures 4 x 6.5, Bugs Bunny measures 3.25 x 7, and Daffy Duck measures 3.25 x 5.5, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $300-$500

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432. Batman production cel from Batman: the Animated Series TV Show. (Warner Brothers Studios, 1992) Original production cel featuring Batman from Batman: The Animated Series. The cel is placed on a copy background. Half-length image measures 7.5 x 5.5, with overall dimensions of 17 x 11. In fine condition. Estimate: $200-$400

435. Lois Lane production cel from Superman. (Warner Brothers Studios, 1996) Original production cel featuring Lois Lane from the Superman animated television episode entitled World’s Finest, Part One. The cel is placed on a color copy background. Image of Lois holding a rose and speaking on the phone measures 6 x 6.75, with a mat opening of 9.5 x 7.5. Triple-matted and framed to an overall size of 17.5 x 15.5. Accompanied by a certificate of authenticity from Warner Bros. In fine condition. Estimate: $300-$600

436. Bane production cel and production background from Batman: the Animated Series TV Show. 433. Joker and Summer Gleeson production cel from Batman: the Animated Series TV Show. (Warner Brothers

Studios, 1992) Original production cel featuring Joker and Summer Gleeson from the Batman: The Animated Series episode Christmas with the Joker. The cel is placed on a copy background. Characters are both on individual sheets with the Joker’s full-length image measuring 3.5 x 6, and Summer’s image measuring 4.5 x 4.25, with overall dimensions of 17 x 11. In fine condition. Estimate: $200-$400

434. Yakko, Wakko, Dot, and Captain Kirk from Animaniacs. (Warner Broth-

ers Studios, 1995) Original production cel featuring Yakko, Wakko, Dot, and Captain Kirk from the Animaniacs episode Star Truck featuring William Shatner. Image measures 5.5 x 7.25, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $300-$600 138 | August 21, 2014 | Warner Brothers

(Warner Brothers Studios, 1999) Original production cel and production background featuring Bane from Batman: The Animated Series. The cel is placed on a hand-painted production background. Image measures 5.5 x 3.5, two overlays of the city street, and overall dimensions of 14 x 10. In fine condition. Estimate: $200-$400

4 3 7. J o k e r and Henchmen production cel from the Batman B eyo n d T V Show. (Warner

Brothers Studios, 1999) Original production cel featuring Joker and one of his henchmen from Batman Beyond. The cel is placed on a copy background. Image of the Joker blocking his ears measures 5.5 x 6.25, his henchman firing a machine gun in the air measures 3.5 x 6.75, with overall dimensions of 17 x 11. In fine condition. Estimate: $200-$400

THEATRICAL SHORT CARTOONS 440. Tom and Jerry set of (2) in sequence production drawings from Flirty Birdy. (MGM Studios, 1945) Original set of two production drawings in sequence featuring Tom and Jerry from Flirty Birdy, showing Tom about to eat a sandwich with Jerry inside, and his exasperated chomp after an eagle snatches the sandwich from his paws. Accomplished in graphite on two sheets of untrimmed 12.5 x 10.5 animation paper. Images measure 9 x 7 and 10 x 9. In overall fine condition, with a few creases. Estimate: $400-$800

443. Tom and Jerry production cel setup from a 1950s Theatrical Cartoon. (MGM Studios, early 1950s) Original pro441. Tom and Jerry production drawing from Flirty Birdy. (MGM Studios, 1945) Original production drawing featuring

Tom and Jerry from Flirty Birdy, showing Tom delightedly preparing his Jerry sandwich. Accomplished in graphite and colored pencil on untrimmed 12.5 x 10.5 animation paper. Image measures 9.5 x 7.5. In fine condition. Estimate: $400-$800

duction cel featuring Tom and Jerry from a 1950s theatrical cartoon, showing Tom mid-sprint and Jerry laughing wildly. The cel is placed on a green background. Image measures 8 x 6, with a mat opening of 10 x 7.5. This piece is also framed to an overall size of 19 x 16.5. In fine condition. A great action shot of the classic cartoon characters, nicely embellished to portray Tom’s wild movement as he gives chase. Estimate: $1,000-$1,400

442. Tom and Jerry production cels and background setup from Puppy Tale. (MGM Studios, 1954) Original production cels and hand-painted

background setup featuring Tom and Jerry from Puppy Tale. The puppies are trimmed to image and applied to the full Tom and Jerry cel. Puppies measure 3 x 2.25, Tom measures 4 x 6, and Jerry measures .75 x 1.The mat opening measures 11.25 x 8.5, with the bottom of the original MGM mat signed and inscribed in black ink, “To Georgie: ‘With best wishes’ from ‘Tom and Jerry,’” and labeled along the edge, “An original from the M.G.M. Cartoon ‘Puppy Tale’ starring ‘Tom and Jerry.’” The remainder of the original mat has been suede-matted and framed to an overall size of 17 x 15. Scattered toning and dampstaining to original mat, otherwise fine condition. In its original run, Hanna and Barbera produced 114 Tom and Jerry shorts for Metro-Goldwyn-Mayer from 1940 to 1957. During this time, they won seven Academy Awards for Animated Short Film, tying for first place with Walt Disney’s Silly Symphonies with the most awards in the category. Estimate: $1,000-$1,500 www.RRAuction.com | 139

444. Tom and Jerry production cel and production background from Mucho Mouse. (MGM Studios, 1957) Original production cel and production background featuring Tom and Jerry from the theatrical short cartoon Mucho Mouse. The cel is placed on a hand-painted background. The images of Tom and Jerry have been trimmed to size and affixed to the cel of Lightning the Cat and Joan, with Tom measuring 2.5 x 5.75, Jerry measuring 1.5 x 2, Lightning measuring 4.25 x 3.5, and Joan measuring 2.5 x 6, with a mat opening of 11 x 8.5. The mat is labeled under the cel, “An original from the Metro-Goldwyn-Mayer cartoon ‘Mucho Mouse’ starring Tom and Jerry,” and is also signed and inscribed in an artist’s hand, “Best wishes to Geri and Ben from Tom and Jerry.” This piece is also framed to an overall size of 17 x 14. In fine condition, with some toning and dampstaining to mat. In this one-reel short, Lightning convinces the home owner that it is impossible to catch the mouse known as ‘El Magnifico,’ and she calls on Tom from the United States, who bills himself as ‘the ‘Olympic, US, and World Champion Mouse Catcher.’ Estimate: $3,000-$3,500

445. Popeye sequence of (5) storyboard drawings from Popeye’s Mirth Day. (Famous Studios, 1953) Original se-

quence of (5) consecutive storyboard drawings featuring Popeye from Popeye’s Mirth Day on individual 11 x 8.5 sheets. Sequence shows Popeye trying to open a pair of French doors, with his three nephews planning a nasty surprise when he opens it, resulting in a massive collision with a piano. In fine condition, with tack holes to corners and a bit of scattered light soiling. Famous Studios grew out of Fleischer Studios—an extremely rare set of drawings. Estimate: $1,000-$1,500

446. Casper and Elephant storyboard drawing from Spooking About Africa. (Famous Studios, 1957) Original

storyboard drawing featuring Casper and an elephant from Spooking About Africa. Image of Casper squeezing the elephant’s trunk measures 8.25 x 6, with overall dimensions of 11x 8.25. In fine condition, with expected light soiling and tack holes to corners and edges. Estimate: $300-$500

140 | August 21, 2014 | Early TV Animation

447. Woody Woodpecker production cel from the Woody Woodpecker TV Show. ( Wa l -

ter Lantz, Circa 1960s) Original production cel featuring Woody Woodpecker from the Woody Woodpecker TV Show, signed later in black felt tip by creator Walter Lantz. The cel is slightly trimmed to 10.75 x 9.5. Image measures 3.25 x 3. In fine condition. Estimate: $200-$400

451. Cecil the Sea Serpent production cel from Cecil’s Comical Strip. (Bob

Clampett Studios, 1962) Original production cel featuring Cecil the Sea Serpent from Cecil’s Comical Strip, showing the funny serpent holding a pencil, paintbrushes, and some comic art. The cel is placed on a matching studio copy background. Image measures 8 x 6, with overall dimensions of 17 x 11. The piece has the Bob Clampett seal on upper left and is accompanied by a Bob Clampett Collection certificate of authenticity. In fine condition. Estimate: $500-$900

448. Chilly Willy production cel and production background from the Woody Woodpecker TV Show. (Walter

Lantz, Circa 1960s) Original production cel and production background featuring Chilly Willy from the Woody Woodpecker TV Show, showing the penguin beside a dazed policeman holding a bomb. The cel is placed on a non-matching hand-painted production background. Signed later in the lower left in black felt tip by Walter Lantz. Image measures 6 x 6, with a mat opening of 9 x 8. Mat dimensions are 12 x 11. In fine condition. Estimate: $400-$600

449. Walter Lantz signed book. Signed

book: The Walter Lantz Story. First edition, first printing. NY: G.P. Putnam’s Sons, 1985. Hardcover with dust jacket, 6.25 x 9.25, 254 pages. Signed on the first free end page, “Walter Lantz 1988,” with an additional sketch of Woody Woodpecker. In very fine condition. Estimate: $200-$400

452. Cecil and Dishonest John as Director (2) in sequence production cels from Bob Clampett’s Beany and Cecil TV Show. (Bob Clampett Studios, 1962) Two original production cels in sequence featuring Cecil and Dishonest John from Bob Clampett’s Beany and Cecil TV show, showing the villain Dishonest John as a director on set with the large green serpent Cecil. The cels are placed on matching studio copy backgrounds. Images approximately measure 8 x 7.5, with overall dimensions of 14 x 11. In fine condition. Estimate: $800-$1,200

453. Cecil the Serpent production cel from Bob Clampett’s Beany and Cecil TV Show. (Bob

Clampett Studios, 1962) Original production cel featuring Cecil the Serpent from Bob Clampett’s Beany and Cecil television show. Image measures 2.5 x 7, with a mat opening of 9.5 x 7.5. Mat dimensions are 14 x 11. In fine condition. Estimate: $400-$800

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Hanna-Barbera Studios Hanna-Barbera was formed in 1957 by the creators of Tom and Jerry, former MGM animation directors William Hanna and Joseph Barbera. They dominated television cartoons for decades, with the likes of The Flintstones, Yogi Bear, The Jetsons, Scooby-Doo, and The Smurfs. Among other accolades, HannaBarbera earned eight Emmys, a Golden Globe Award, and a star on the Hollywood Walk of Fame.

455. Ruff and Reddy production cel from the Ruff and Reddy TV Show. (Hanna-Barbera Studios, 1957) Original production cel featuring Ruff and Reddy from the Ruff and Reddy TV Show, showing them about to be chomped on by an alligator. The cels are trimmed to image and placed on an airbrushed background. Image measures 10.5 x 5.5, with a mat opening of 11 x 7.75. Signed later on the mat in black felt tip by Joe Barbera. This piece is also framed to an overall size of 18 x 15. In fine condition. Estimate: $1,200-$2,500

456. Quick Draw McGraw production cel from a 1960s TV Commercial. (Hanna-

Barbera Studios, Circa 1960s) Original production cel featuring Quick Draw McGraw from a 1960s television commercial. Black and white image measures 4.25 x 6.25, with a mat opening of 9.5 x 7.5, and is double-matted to an overall size of 13.5 x 11.5 In fine condition. Estimate: $200-$400

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4 5 7. Q u i c k Draw McGraw production ce l f ro m a n early 1960s TV Commercial. (Hanna-Barbera Studios, Early 1960s) Original production cel featuring Quick Draw McGraw from an early 1960s television commercial. The black-and-white image of McGraw on roller skates measures 5 x 6, with overall dimensions of 12.75 x 10.5. In fine condition. Estimate: $200-$400

458. Snagglepuss production cel from a Cocoa Krispies TV Commercial. (Hanna-

Barbera Studios, Early 1960’s) Original production cel featuring Snagglepuss from a Cocoa Krispies television commercial. Image of Snagglepuss measures 2.25 x 5, and he is holding a small clipped box of cereal bearing his image on the cover, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $200-$400

461. Fred and Wilma Flintstone production cel and production background from The Flintstones TV Show. 459. Scooby-Doo production cel and production background from the S co oby- D o o T V Show. (Hanna-Barbera

(Hanna-Barbera Studios, Circa 1960s) Original production cel on a production background featuring Fred and Wilma Flintstone with the movie producer character from The Flintstones TV Show. The cel is placed on a hand-painted production background from a Flintstones episode of the same year. Image measures 6.5 x 5, with a mat opening of 8.25 x 7.25. This piece is also framed to an overall size of 17 x 16. In fine condition. Estimate: $1,000-$1,600

Studios, 1970s) Original production cel and production background featuring Scooby-Doo from the Scooby-Doo television show. The cel is placed on an airbrushed production background. Image of Scooby-Doo running measures 9 x 4.5, with overall dimensions of 13.25 x 10.5. In fine condition. Estimate: $200-$400

462. Lippy the Lion and Hardy Har Har production cel from the opening title of a HannaBarbera Production. (Hanna-Barbera

Studios, 1962) Original production cel featuring Lippy the Lion and Hardy Har Har from the opening of their cartoon. Image of Lippy and Hardy Har Har being used as a yo-yo by a gorilla measures 8 x 4.5, with a mat opening of 9.5 x 7.5. Mat dimensions are 14 x 10.75. In fine condition. Estimate: $200-$400

463. Fred Flintstone production cel from a Welch’s Grape Juice Commercial. (Hanna-

460. Pebbles and Dino production cel and production background from The Flintstones TV Show. (Hanna-Barbera

Studios, Circa 1960s) Original production cel and production background featuring Pebbles and Dino from a Flintstones television show. The cel is placed on a hand-painted production background. Image of Dino and Pebbles measures 4.25 x 5.25, with overall dimensions of 11 x 8.5. In fine condition. Estimate: $400-$800

Barbera Studios, 1963) Original production cel featuring Fred Flintstone from Welch’s Grape Juice commercial. The cel is placed on a copy background. Image of Flintstone in his nightcap measures 4.5 x 5, with overall dimensions of 12.75 x 11. In fine condition. Estimate: $200-$400

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464. Laurel and Hardy production cel and production background from The Laurel and Hardy TV Show. (Hanna-Barbera Studios, 1966) Original production

cel and production background featuring Laurel and Hardy from the Laurel and Hardy Television Show. The cel is placed on a hand-painted production background. Hardy measures 2.5 x 5, Laurel measures 5.5 x 4.75, with overall dimensions of 11.75 x 10.25. Trimmed left edge, otherwise fine condition. Produced by Hanna-Barbera and originally airing in 1966, 156 shorts were made for the Laurel and Hardy animated program, with the voices done by Larry Harmon and Jim MacGeorge. Estimate: $300-$500

465. Three production storyboard pages from The Fantastic Four. (Hanna-Barbera Studios, 1967) Three original production storyboard pages from Fantastic Four, each featuring nine panels, for the episode entitled “Behold a Distant Star.” Accomplished in graphite on untrimmed 12.5 x 10 illustration paper. The scenes illustrated show the characters—Mister Fantastic (Reed), Invisible Girl (Sue), The Human Torch (John), and The Thing (Ben)—attempting to pilot a rocket ship and a violent encounter within the Skrull Galaxy. Produced by Hanna-Barbera, this was the first animated series based on Marvel’s Fantastic Four comics. “Behold a Distant Star” aired as the ninth episode on November 4, 1967; as only 20 episodes were produced, production materials from the show are quite scarce. Estimate: $200-$500

466. Complete episode of (30) production storyboard drawings from The Fantastic Four. (Hanna-Barbera Studios,

1968) Original complete episode of production storyboard drawings from Fantastic Four, 30 pages, each featuring nine panels, for the episode entitled “The Fantastic Four in The Mysterious Molecule Man.” Accomplished in graphite on untrimmed 12.5 x 10 illustration paper. The story follows the Fantastic Four as their study of a radiated meteor is interrupted when the Molecule Man appears and threatens the public. In the action-packed sequence, the Fantastic Four pursue the Molecule Man and use a piece of the meteor to defeat his superpowers and return him to his normal human form. The storyboard has various notes and revisions throughout, including some in the hand of Joe Barbera. Hanna-Barbera’s 1967–68 TV show was the first animated series based on Marvel’s Fantastic Four comics and lasted just 20 episodes, with this airing as the 17th on January 13, 1968. Complete storyboards from Fantastic Four are excessively rare, and this is just one of three complete storyboards known to exist at present. Estimate: $2,000-$3,000 144 | August 21, 2014 | Early TV Animation

469. Ruff and Reddy publicity cel from The Ruff and Reddy TV Show. (Hanna-

467. Gulliver (2) original concept model sheets from the Gulliver TV Show. (Hanna-Barbera Studios, 1968) Two original concept model sheets featuring ‘Young’ Gulliver from the Gulliver TV Show, both signed by animator Alex Toth. Accomplished in pen and ink on two sheets of untrimmed 12.5 x 10.5 animation paper. In fine condition, with adhesive remnants to borders and some creases. Estimate: $300-$500

468. Fred, Barney, Pebbles, and Bamm-Bamm publicity cel with production background from The F l i nt sto ne s T V Show. (Hanna-Barbera

Studios, Circa 1970s) Original publicity cel with production background featuring Fred Flintstone, Barney Rubble, Pebbles, and Bamm-Bamm from The Flintstones. The cel is placed on a hand-painted production background. Image of Fred and Barney with their children measures 6 x 5, with a mat opening of 9 x 7. Mat dimensions are 13 x 10, and is signed and inscribed in blue ballpoint, “To David Friedman—Best wishes from the Flintstones & Bill Hanna.” In fine condition, with a bit of mild toning to mat. Estimate: $500-$700

Barbera Studios, Circa 1970s) Original publicity cel featuring Ruff and Reddy from The Ruff and Reddy Show. The cel is placed on a handpainted background. Image of the pair posing side-by-side measures 6.5 x 8, with a mat opening of 7.5 x 9.5, and is matted to an overall size of11x14.Infinecondition. Estimate: $300-$500

47 0 . Yo g i a n d Boo-Boo Bear p ro duc t i o n ce l f ro m T he Yo g i Bear TV Show. (Hanna-Barbera Studios, Circa 1970s) Original production cel featuring Yogi and BooBoo Bear from the Yogi Bear TV Show, showing Yogi and his buddy running scared from a big yellow bear. The cel is placed on a hand-painted amusement park background. Image measures 11 x 7.5, with a mat opening of 12 x 8.75. Mat dimensions are 17.5 x 14. In fine condition. Estimate: $200-$400

471. The Legion of Doom opening title sequence cel from Challenge of the Super Friends. (Hanna-Barbera Studios, 1973) Original

opening title sequence cel featuring The Legion of Doom from Challenge of the Super Friends. The cel is placed on a color copy background. Overall image showing 11 super-villains measures 9.5 x 7, with a mat opening of approximately the same size. Villains shown are: Riddler, Lex Luthor, Brainiac, Sinestro, Scarecrow, Grodd, Solomon Grundy, Giganta, Bizarro, Toyman, and Cheetah, with Captain Cold’s hand visible along the right edge. Mat dimensions are 14 x 11. In fine condition. A very rare piece in high demand. Estimate: $800-$1,500

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472. Hong Kong Phooey production cel from The Hong Kong Phooey TV Show. (Hanna-Barbera Studios,

1974) Original production cel featuring Hong Kong Phooey and a large companion from The Hong Kong Phooey TV Show. Image measures 7.75 x 6.5, with overall dimensions of 12.75 x 10.5. In fine condition, with a couple minor chips to paint. Estimate: $500-$800

475. Fred F l i nt sto ne and Barney Rubble production cel and product i o n b a c kground from T h e F l i nt stones TV Show. (Hanna473. Scooby-Doo and Shaggy production cel from The Scooby-Doo TV Show. (Hanna-Barbera Studios, 1980) Original

production cel featuring Scooby-Doo and Shaggy from Scooby Doo, signed in black felt tip by Casey Kasem, the voice of Shaggy. The cel is placed on a color copy background. Image measures 9 x 7, with overall dimensions of 14 x 12. In fine condition. Estimate: $300-$500

474. Barney Rubble production cel and production background from a Cocoa Pebbles Cereal Commercial. (Hanna-Barbera

Studios, Circa 1980s) Original production cel and production background featuring Barney Rubble from a Chocolate Pebbles cereal commercial. Image of Barney as Mr. Spock using a communicator measures 9.5 x 8, with overall dimensions of 13.25 x 11. In fine condition. Estimate: $200-$400

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Barbera Studios, Circa 1980s) Original production cel and production background featuring Fred Flintstone and Barney as members of the Loyal Order of Water Buffaloes from a Flintstone cartoon. The cel is placed on a hand-painted production background. Image measures 6.25 x 6, and shows Fred and Barney dancing together with their glasses raised, with overall dimensions of 13.25 x 10.5. In fine condition. Estimate: $300-$600

476. Johnny Quest and Bandit from The New Adventures of Johnny Quest TV Show. (Hanna-Barbera Studios, 1986) Original cel featuring Johnny Quest and Bandit from The New Adventures of Johnny Quest. The cel is placed on a matching studio copy background. Image of Johnny and Bandit in measures 12 x 7.5, with overall dimensions of 13.25 x 10.5. Signed in black felt tip by Bill Hanna and Joe Barbera. In fine condition. Estimate: $300-$500

477. George Jetson and Fred Flintstone production cel from The Jetsons Meet the Flintstones. (Hanna-

Barbera Studios, 1987) Original production cel featuring George Jetson and Fred Flintstone from The Jetsons Meet the Flintstones, signed at the bottom in black felt tip by Bill Hanna and Joe Barbera. The cel is placed on a matching studio copy background. Image measures 4.5 x 5, with overall dimensions of 13.5 x 11. Hanna-Barbera seal to lower right. In fine condition. Accompanied by a certificate of authenticity from Clampett Studio Collections. Estimate: $200-$500

47 8 . To p C at production cel and production background from Top Cat and the Beverly Hill Cats. (Hanna-

480. Jetson Family limited edition cel from The Jetsons. (Hanna-Barbera Studios, 1989) Original limited edition cel entitled ‘Speed Limit 5500,’ 273/300, featuring the Jetson family. The cel is placed on a color copy background. Image of the family being pulled over for speeding measures 10.5 x 7.25, with overall dimensions of 13.5 x 10.5. Signed in black felt tip by Bill Hanna and Joe Barbera. In fine condition. Estimate: $400-$800

Barbera Studios, 1987) Original production cel and production background featuring Top Cat from Top Cat and the Beverly Hill Cats, signed in black felt tip by Bill Hanna and Joe Barbera. The cel is placed on a matching color copy background. Image measures 9 x 6, with overall dimensions of 13 x 10.5. HannaBarbera seal to lower right. In fine condition. Estimate: $300-$500

479. Huckleberry Hound from The Good, the Bad, and Huckleberry Hound. (Hanna-Barbera Studios, 1988) Original production cel featuring Huckleberry Hound from The Good, the Bad, and Huckleberry Hound, showing him looking at his ‘faithful horsie’ named Bob. Signed in black felt tip by Bill Hanna and Joe Barbera. The cel is placed on a matching studio copy background. Image measures 10.5 x 8.5, with overall dimensions of 13.5 x 10.5. In fine condition. Estimate: $200-$400

481. Yogi and Cindy Bear production cel from Hey There, It’s Yogi Bear. (Hanna-Barbera Studios, 1966) Original production

cel featuring Yogi and Cindy Bear from the movie, Hey There, It’s Yogi Bear. The cel is placed on a color copy background. Cindy measures 4 x 5.25, Yogi measures 3.5 x 6.25, with overall dimensions of 11 x 10.5. In fine condition. Estimate: $300-$500

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YELLOW SUBMARINE The 1968 British animated musical fantasy-comedy film Yellow Submarine, based on the music of the Beatles, was produced by United Artists and King Features Syndicate under the direction of George Dunning. The filmâ&#x20AC;&#x2122;s psychedelic aesthetic sense was developed by creative director Heinz Edelmann, and remains known for its colorfully eccentric animation style. This departure from traditional techniques helped establish animation as a serious art form.

485. George Harrison production cel from Yellow Submarine.

484. John Lennon, Paul McCartney, and the Captain production cel from Yellow Submarine. (United Artists/King

Features, 1968) Original production cel featuring John Lennon, the Captain, Paul McCartney, and another Beatle from Yellow Submarine. Lennon measures 2.25 x 2.5, McCartney measures .5 x 1, and the Captain measures 1.25 x 1.25, with a mat opening of 9.5 x 7.25. Mat dimensions are 13.75 x 10.75. In fine condition. Estimate: $500-$800

(United Artists/King Features, 1968) Original production cel featuring George Harrison from Yellow Submarine. Image measures 1.5 x 4, with overall dimensions of 16 x 12.5. In fine condition, with irregular trimming to upper corners. Estimate: $500-$1,000

486. John Lennon with Boot Marching Character production cel from Yellow Submarine. (United Artists/King Features, 1968) Original production cel featuring John Lennon with a strange marching boot character from Yellow Submarine. Total image measures 8.5 x 6.5, with overall dimensions of 14 x 11; edges of the celluloid sheet are wrapped to the edges of a one-inch thick box for display. In fine condition. Estimate: $1,000-$1,500

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487. Paul McCartney production cel from Yellow Submarine. (United Artists/King Features, 1968) Original

production cel featuring Paul McCartney from Yellow Submarine. Image measures 3 x 5, and shows McCartney holding a baton, with â&#x20AC;&#x153;Who?â&#x20AC;? above his head in colorful letters, with small images of a cube and butterfly also present, with a mat opening of 9.5 x 7. Mat dimensions are 13.75 x 10.75. In fine condition, with a small piece of tape to right edge of mat. Estimate: $600-$1,000

488. Paul, George, Ringo, and John production cel from Yellow Submarine. (United Artists/King Features, 1968) Original production cel featuring Paul, George, Ringo, and John from Yellow Submarine. The cel is placed on a laser copy background. All four images of the band walking towards a rainbow measure approximately 1.25 x 3.75, with overall dimensions of 17 x 13. In fine condition. Cels from the film featuring all four Beatles are quite uncommon and desirable, as they are not often seen on screen together. Estimate: $1,800-$2,500

489. Ringo Starr production cel from Yellow Submarine. (United Artists/

King Features, 1968) Original production cel featuring Ringo Starr from Yellow Submarine. Image measures 2.5 x 6.5, with overall dimensions of 16 x 12. Slightly trimmed edges and some stray ink marks, otherwise fine condition. Estimate: $500-$800

490. Ringo Starr production cel from Yellow Submarine. (Unit-

ed Artists/King Features, 1968) Original production cel featuring Ringo Starr from Yellow Submarine, showing him wearing a winged hat and followed by some dots and a psychedelic geometric shape. Total image measures 7 x 6, with an overall size of 16 x 12. In fine condition. Estimate: $800-$1,200

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CLASSIC TV ANIMATION 492. Casper production cel with background from Casper the Friendly Ghost TV Show. (Harvey

495. Lucy p ro duc t i o n ce l from Charlie Brown. (Bill Melen-

Studios, Circa 1970s) Original production cel with background featuring Casper and three human characters from the Casper the Friendly Ghost TV Show, showing them on stage, possibly used as a title cel. The cel is placed on a hand-painted production background. Total character image measures 8 x 6, with overall dimensions of 13 x 11.5. In fine condition. Estimate: $200-$400

dez Productions, Circa 1970s) Original production cel featuring Lucy from a Charlie Brown special. The cel is placed on a studio copy background. Image measures 2 x 4, and shows Lucy angrily gesturing while at the ball field, with overall dimensions of 12.5 x 10.5. Signed in black felt tip by Angela Lee, who voiced Lucy’s character in 1982. In fine condition. Estimate: $200-$400

496. Snoopy production cel from It’s a Mystery, Charlie Brown. (Bill Melen-

493. Charlie Brown p ro duc t i o n ce l from It Was a Short Summer. (Bill Melen-

dez Productions, 1969) Original production cel featuring Charlie Brown from It Was a Short Summer. Image measures 2 x 3.75, with overall dimensions of 12.5 x 10.5, and is signed in black felt tip, “Brad Kesten, Good Grief… ‘CB.’” In fine condition. Kesten provided the voice of Charlie Brown from 1983–1985. Estimate: $200-$400

494. Charlie Brown production cel from It Was a Short Summer, Charlie Brown. (Bill Melendez Productions, 1969) Original production cel featuring Charlie Brown from It Was a Short Summer, Charlie Brown. The cel is placed on a color copy background. Image measures 2.75 x 5.25, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $300-$500

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dez Productions, 1974) Original production cel featuring Snoopy from It’s a Mystery, Charlie Brown. The cel is placed on a studio copy background. Image measures 4.5 x 3, and shows Snoopy as Sherlock Holmes, complete with his caped jacket, matching hat, pipe, and magnifying glass, with overall dimensions of 13.5 x 11. Signed and inscribed in black felt tip, “To Cal, Bill Melendez.” In fine condition. Estimate: $300-$500

497. Charlie Brown production cel from Charlie Brown’s First Kiss. (Bill Melendez Pro-

ductions, 1977) Original production cel featuring Charlie Brown from Charlie Brown’s First Kiss. The cel is placed on a studio copy background. Image measures 4.5 x 2.25, and shows a smitten Charlie Brown floating over some hearts and flowers, with overall dimensions of 14 x 11, and is signed in black felt tip by Brad Kesten, who voiced Charlie Brown from 1983–1985. In fine condition. Estimate: $300-$500

498. Snoopy Come Home movie book signed by Charles Schulz. Signed book: The ‘Snoopy, Come Home’ Movie Book. First edition. NY: Holt, Rinehart and Winston, 1972. Hardcover with dust jacket, 8.75 x 11. Boldly signed on the first free end page in black felt tip, “Charles M. Schulz,” adding a terrific and highly desirable sketch of Snoopy above. Autographic condition: a bit of soiling and slight dampstaining to lower left of signed page, otherwise fine condition. A wonderful Peanuts piece with a nice sketch by the great cartoonist. Estimate: $2,000-$3,000

499. Sally production cel from a Peanuts TV Commercial. (Bill Melendez Productions, 1988) Original production cel featuring Sally from a Peanuts Commercial. The cel is placed on a studio copy background. Image measures 1.5 x 2.25, with overall dimensions of 12.75 x 11. Signed in blue felt tip, “Stacy H. Tolkin, ‘Sally Brown.’” In fine condition. Tolkin voiced Sally Brown for three Charlie Brown specials in 1983. Estimate: $200-$400

500. Captain Crunch production cel with matching drawings from a Captain Crunch Cereal Commercial. (Jay Ward,

Circa 1970s) Original production cel with matching drawings featuring Captain Crunch from Captain Crunch cereal television commercial. The cel is placed on a matching studio copy background. Image of Captain Crunch with a feather duster measures 5.5 x 6.25, with overall dimensions of 14.5 x 11. Also included is the matching graphite production sketch on an untrimmed 12.5 x 10.5 animation sheet. In fine condition. Estimate: $200-$300

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501. Quisp and Quake production cel with matching drawings from a Quisp TV Commercial. (Jay Ward, Circa

504. Super Chicken and Fred publicity cel and production background from Super Chicken. (Jay

1970s) Original production cel with matching drawings featuring Quisp and Quake from a Quisp television commercial. The cel is placed on a matching studio copy background. Quake measures 4.25 x 6.75, Quisp measures 2.25 x 2.75 and is holding a small affixed box of his cereal, with the overall size measuring 13.25 x 11. Also included are the matching colored pencil and graphite production sketches of both the characters on individual untrimmed 12.5 x 10 animation sheets. In fine condition. Estimate: $200-$400

502. Quisp, Quake, and Quangaroos key master setup from a Quisp, Quake, and Quangaroos TV Commercial. (Jay Ward,

Circa 1970s) Original production key master cel and background setup featuring Quisp, Quake, and Quangaroos from a Quisp, Quake, and Quangaroos television commercial. Image of Quake measures 5 x 4.75, image of Quisp and Quangaroos measures 4 x 3.75, with an overall size of 13.75 x 11, with a clipped 4 x 5.5 cereal box cover affixed to the background. In fine condition. Ward is perhaps best known for his work on Rocky and Bullwinkle, Peabody and Sherman, and Dudley Do-Right. A scarce piece from one of the joint commercials featuring all three of the Quaker cereal products. Estimate: $400-$700

Ward Studio, 1970s) Original publicity cel and production background featuring Super Chicken and Fred from the Super Chicken television show. Super Chicken measures 6 x 6.5, Fred measures 2.75 x 6.5, with a mat opening of 9 x 7, and an overall size of 14 x 11. In fine condition. Estimate: $300-$600

505. Snidely Whiplash and Nell publicity cel from Dudley Do-Right. (Jay Ward Productions, Circa 1980s) Original hand-painted publicity cel featuring Snidely Whiplash and Nell from Dudley Do-Right, signed in black felt tip by Jay Ward. Image measures 8.5 x 6.5, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $500-$700

503. Rocky and Bullwinkle publicity cel from the Rocky and Bullwinkle TV Show. (Jay Ward Productions, Circa 1970s) Original handpainted publicity cel featuring Rocky and Bullwinkle from Rocky and Bullwinkle, signed in black felt tip by creator Jay Ward. Image measures 5.5 x 6.5, with overall dimensions of 10.5 x 12.5. In fine condition. Estimate: $500-$800

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506. George of the Jungle and Shep publicity cel from George of the Jungle. (Jay Ward Productions, Circa 1980s)

Original hand-painted publicity cel featuring George and Shep from George of the Jungle, signed in black felt tip by Jay Ward. Image measures 9 x 7.5, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $500-$800

507. Mrs. Brisby with special effects production cel from The Secret of Nimh. (Don Bluth Studio, 1982) Original production cel featuring Mrs. Brisby

with special effects from The Secret of Nimh, showing Mrs. Brisby in a shocked and panicked state. The character cel is placed on a colorful hand-painted layered special effects background. Character image measures 6.75 x 4.75, with a mat opening of 12 x 9.5. Mat dimensions are 17.25 x 14.75. In fine condition. The Secret of Nimh garnered critical acclaim for being one of the most vibrantly animated films of its time and was released to moderate commercial success. Estimate: $200-$600

511. Van Camps Pork and Beans production cel and matching drawing from a 1980s TV Commercial. (1980s)

508. Alvin, Simon, and Theodore opening title cel from Alvin and the Chipmunks TV Show. (Ruby-Spears, 1983)

Original opening title cel featuring Alvin, Simon, and Theodore from the Alvin and the Chipmunks television show. The cel is placed on a matching studio copy background. Each image measures approximately 2.5 x 2.5, and shows each chipmunk on one knee at the conclusion of a musical number, with overall dimensions of 13 x 11. In fine condition. Estimate: $200-$400

Original production cel featuring a dancing hot dog from a 1980s Van Camp’s Pork and Beans television commercial. Image measures 5.5 x 6.75, with overall dimensions of 12.5 x 10.5. Corresponding production drawing (with taped-on cans) is on a 12.5 x 10.5 untrimmed animation sheet. In fine condition. Estimate: $100-$200

5 1 0 . To ny t h e Tiger and Baby Tiger production cel and drawing from a Frosted Flakes TV Commercial. (1970s)

Original production cel featuring Tony the Tiger and Baby Tiger from a Frosted Flakes television commercial. Image of Tony and the cereal box measures 6.5 x 9.5, Baby Tiger measures 2.75 x 3.25, with overall dimensions of 12.5 x 10.5. Corresponding production drawing of the baby’s blankets is on a 12.5 x 10.5 untrimmed animation sheet. In fine condition. Estimate: $100-$200

512. Van Camps Pork and Beans production cel and matching drawing from a 1980s TV Commercial. (1980s)

Original production cel featuring a hot dog from a 1980s Van Camp’s Pork and Beans television commercial. Image of the hot dog measure 5 x 8.25, can and fingers measures 5.25 x 6.5, with overall dimensions of 15.5 x 10.5. Corresponding production drawing of the hot dog is on a 12.5 x 10.5 untrimmed animation sheet. In fine condition, with missing top right corner to animation sheet. Estimate: $100-$200 www.RRAuction.com | 153

516. Sugar Bear production cel and matching drawing from a Super Sugar Crisp TV Commercial. (1980s) Original

513. Elsie the Cow production cel from a Borden’s Milk TV Commercial. (1980s) Original production cel featuring Elsie

the Cow and the Borden’s logo from a Borden’s Milk television commercial. Image measures 6.75 x 3.25, with overall dimensions of 12.5 x 10.5. In fine condition. Estimate: $100-$200

production cel featuring Sugar Bear from a 1980s Super Sugar Crisp cereal television commercial. Image measures 8.25 x 6.5, with overall dimensions of 12.5 x 10. Corresponding production drawing of the headless bear on his motorcycle is on a 12.5 x 10.5 untrimmed animation sheet. In fine condition. Estimate: $100-$200

514. Elsie the Cow production cel from a Borden’s Milk TV Commercial. (1980s) Original production cel featuring Elsie the Cow from a Borden’s Milk television commercial. Fulllength image measures 6 x 10.25, with overall dimensions of 15.75 x 13. In fine condition. Estimate: $100-$200

517. Betty Boop model sheet painting likely used for merchandising. (Toby Bluth Studio, Circa 1990s) Original water-

515. Wendell, Bob, and Quello ‘The Three Bakers’ production cel and matching drawing from a Cinnamon Toast Crunch TV Commercial. ( 1 9 8 0 s )

Original production cel featuring Wendell, Bob, and Quello from a Cinnamon Toast Crunch cereal television commercial. Image measures 11.75 x 9, with overall dimensions of 12.5 x 10.5. Corresponding colored pencil production drawing of the trio is on a 12.5 x 10.5 untrimmed animation sheet. In fine condition. Estimate: $100-$200

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color model sheet painting by Toby Bluth likely used for Betty Boop merchandising. All four images of Betty measure approximately 3.75 x 8 each, with the overall dimension of the sheet measuring 14 x 11, and show images of Betty from the front, side, and rear. Signed in the lower right by the artist, Toby Bluth, signing first name only. In fine condition. Estimate: $400-$600

518. Gambit p ro duc t i o n ce l from The X-Men TV Show. (Marvel Pro-

ductions, Circa 1990s) Original production cel featuring Gambit from the X-Men television show. The cel is placed on a copy background. Image measures 11 x 7.5, with overall dimensions of 17 x 11. In fine condition. Estimate: $200-$400

520. Homer and Leon Kompowsky productioncelfrom The Simpsons. (20th

Century Fox, 1991) Original production cel featuring Homer and Leon Kompowsky from The Simpsons episode ‘Stark Raving Dad,’ showing an exhausted Homer locked up with Kompowsky, who is a Michael Jackson impostor. The cel is placed on a matching studio copy background. Image measures 3 x 3.75, with overall dimensions of 13 x 10.75. The piece has the 20th Century Fox seal on lower right and also includes a Fox COA. In fine condition. Michael Jackson did the voice acting for Kompowsky in this episode, but was credited as John Jay Smith for contractual reasons. Estimate: $300-$700

521. Mr. Burns p ro d u c t i o n cel from The Simpsons. (20th Century Fox, 1991) Original production cel featuring Mr. Burns from The Simpsons episode ‘Bart Gets Hit by a Car.’ The cel is placed on a matching studio copy background. Image measures 6 x 7, with overall dimensions of 13 x 11. 20th Century Fox COA included. In fine condition, with a bit of trivial chipping to paint. Estimate: $200-$500

523. Chief Wiggum, Dr. Hibbert, and Moe production cel from The Simpsons. (20th Century

Fox, 1993) Original production cel featuring Chief Wiggum, Dr. Hibbert, and Moe from The Simpsons episode ‘Krusty Gets Kancelled,’ showing the three characters sitting together at the bar. The cel is placed on a matching studio copy background. Image measures 9 x 6.5, with overall dimensions of 12.5 x 10.5. 20th Century Fox COA included. In fine condition. Estimate: $200-$600

524. Bart Simpson and M r. B u r n s production cel from The Simpsons. (20th Century Fox, 1994) Original production cel featuring Bart Simpson and Mr. Burns from The Simpsons episode ‘Lady Bouvier’s Lover,’ showing Bart firing a pistol filled with mustard at Mr. Burns. The cel is placed on a matching studio copy background. Image measures 6 x 5, with overall dimensions of 12.75 x 10.5. 20th Century Fox seal on lower right and also includes Fox COA. In fine condition. Estimate: $200-$700

522. Bart, Maggie, Marge, and Lisa Simpson production cel from The Simpsons. (20th Century Fox, 1992)

Original production cel featuring Bart, Maggie, Marge, and Lisa Simpson from The Simpsons episode ‘Lisa the Greek,’ showing the family in the kitchen while Maggie takes a bath in the sink. The cel is placed on a matching studio copy background. Image measures 8 x 7.5, with overall dimensions of 13.5 x 11. 20th Century Fox seal on lower right. In fine condition. Estimate: $300-$700

www.RRAuction.com | 155

525. Homer Simpson and Mr. Flanders production cel from The Simpsons. (20th Century Fox, 2000) Original produc-

tion cel featuring Homer Simpson and Mr. Flanders from The Simpsons episode ‘Skinner’s Sense of Snow,’ showing Homer and Ned Flanders embraced in fright after their rescue mission goes awry. The cel is placed on a matching studio copy background. Image measures 11.5 x 9, with overall dimensions of 12.5 x 10.5. 20th Century Fox seal on lower right and also includes a Fox COA. In fine condition. Estimate: $200-$600

526. Homer, Marge, and Lisa Simpson with Santa’s Little Helper production cel from The Simpsons. (20th

Century Fox, 2001) Original production cel featuring Homer, Marge, and Lisa Simpson with Santa’s Little Helper from The Simpsons episode ‘Simpsons Safari.’ The cel is placed on a matching studio copy background. Image measures 8.5 x 9, with overall dimensions of 13 x 11. The piece has the 20th Century Fox seal on lower right and also includes a Fox COA. In fine condition. Estimate: $300-$700

527. H o me r Simpson production cel from The Simpsons. (20th Century Fox, 2002) Original production cel featuring Homer Simpson from The Simpsons episode ‘Weekend at Burnsie’s,’ showing him relaxing on a hammock with a crow perched on his belly. The cel is placed on a hand-painted background. Image measures 10.5 x 5, with overall dimensions of 13 x 10.75. 20th Century Fox seal on lower right and also includes a Fox COA. In fine condition. Estimate: $300-$600 156 | August 21, 2014 | Modern TV Animation

528. Astro Boy and Astro Girl production cel and matching drawing from the Astro Boy TV Show. (Te-

zuka Productions, 2003) Original production cel featuring Astro Boy and Uran (Astro Girl) from the Astro Boy television series. Astro Boy’s image measures 3 x 6, Uran measures 2.25 x 4, and the image of the young boy in the middle measures 3.5 x 6, with overall dimensions of 10.5 x 9. Corresponding colored pencil production drawing of the trio is on a 10.5 x 9.5 animation sheet. In fine condition. Estimate: $100-$200

Terms and Conditions of Sale TERMS AND CONDITIONS OF SALE - AGREEMENT BETWEEN R&R AUCTION COMPANY, LLC AND BIDDER BY EITHER REGISTERING TO BID OR PLACING A BID, THE BIDDER ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH RR AUCTION. The following terms and conditions constitute the sole terms and conditions under which R&R AUCTION COMPANY (“RR Auction”) will offer for sale and sell the property described in the Catalog. These Conditions of Sale constitute a binding agreement between the Bidder and RR Auction with respect to the auction. By bidding at auction, whether in person, through an agent or representative, by telephone, facsimile, on-line, absentee bid, or by any other form of bid or by any other means, the Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby. NO BID MAY BE PLACED IN ANY MANNER UNLESS THE BIDDER HAS FULLY REVIEWED AND AGREES TO ALL OF THE “CONDITIONS OF SALE” EITHER PRINTED IN THE CATALOG OR ONLINE, AS WELL AS THE TERMS OF THE REGISTRATION FORM. BY PLACING ANY BID, THE BIDDER REPRESENTS AND WARRANTS TO RR AUCTION THAT HE OR SHE HAS FULLY REVIEWED AND AGREES TO BE BOUND BY ALL OF THESE “CONDITIONS OF SALE” AND THE TERMS OF THE REGISTRATION FORM. WITHOUT SUCH REPRESENTATION, WARRANTY AND AGREEMENT, RR AUCTION WOULD NOT PERMIT THE BIDDER TO BID. Bidder and RR Auction agree that any agreements between the Bidder and RR Auction including but not limited to these Conditions of Sale are entered into in Boston Massachusetts, Suffolk County, which is where the agreements are to be performed and the auction to take place, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. Both RR Auction and the Bidder agree that any disputes under these Conditions of Sale, the subject matter hereof, the entering into, or any aspect of the auction, shall be exclusively governed by Boston Massachusetts, Suffolk County law, and that any and all claims or actions shall be brought and maintained only in Boston Massachusetts, Suffolk County. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. The Bidder hereby consents that any dispute shall be presented in confidential binding arbitration before a single selected Arbitrator selected by the American Arbitration Association. The Bidder and RR Auction herby agree that the dispute shall go to binding arbitration in accordance with the commercial rules of the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. Any dispute, claim, cause of action must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Both Bidder and RR Auction agree that these provisions are intended to be binding on all parties in the event of any dispute specifically including third party claims and cross-actions brought by either RR Auction or Bidder, and that absent such agreement, RR Auction would not permit Bidder to bid hereunder. Any violation of the terms of this Paragraph shall entitle RR Auction to reasonable attorney fees and litigation costs in addition to all other available remedies, all of which remain reserved. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any ju-

risdiction other than set forth in this paragraph as conclusive evidence of the parties’ agreement, and the parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. An award granted in arbitration is enforceable in any court of competent jurisdiction. The arbitrator’s award may be enforced in any court of competent jurisdiction. This agreement and any claims shall be determined and construed under Boston Massachusetts, Suffolk County law. RR Auction is in compliance, to the fullest extent possible, with Boston Massachusetts, Suffolk County procedures regarding the bonding of auctioneers. Auctioneer and Auction: 1. This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company, LLC, as identified with the applicable licensing information on the title page of the catalog or on the www.RRauction.com Internet site (the “Auctioneer”). The Auction is conducted under these Terms and Conditions of Sale and applicable state and local law. Announcements and corrections from the podium at live auctions and those made through the Terms and Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed catalog. Bidder/Bidders: 2. “Bidder” or “Bidders” shall mean the original Bidder of the property from RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal. 3. The rights granted to Bidders under these Terms and Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise. Any attempt to assign or transfer any such rights shall be absolutely void and unenforceable. No third party may rely on any benefit or right conferred on any Bidder by these Terms and Conditions of Sale. 4. Bids will not be accepted from minor persons under eighteen (18) years of age without a parent’s written consent containing an acknowledgment that the Terms and Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder. 5. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions of Sale. 6. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the auction. 7. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid. 8. By accepting the Terms and Conditions of Sale, Bidder personally and unconditionally guarantees payment. If the Bidder is a corporation, the officers, directors, and principals of the corporation hereby agree to personally and unconditionally guarantee payment as part of the corporation’s agreement to bid. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by each principal, director and officer that they each personally and unconditionally guarantee any payment due RR Auction Credit: 9. In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social

security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue. Buyer’s Premium: 10. The Bidder acknowledges and agrees that a 22.5% buyer’s premium will be added to the hammer price on all individual lots, with a 2.5% discount for those paying by cash, check or wire. RR Auction may accept a current and valid VISA or MasterCard, credit or debit cards and/or PayPal for payment of an invoice totaling $5,000.00 or less, under the express condition that any property purchased by credit or debit card shall not be refundable, returnable, or exchangeable, and that no credit to Buyer’s credit or debit card account will be issued under any circumstances. The last sentence constitutes RR Auction’s “official policy” regarding returns, refunds, and exchanges where credit or debit cards are used. For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check has fully cleared or credit or debit card funds have been fully obtained. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date, whichever is later. Bidding: 11. By submitting a bid, whether online, in person, by mail, by phone, by facsimile or through an employee or agent, the Bidder acknowledges (i) receipt of the catalogue, (ii) that the Bidder has read the Terms and Conditions of Sale and the descriptions for the lots on which they have bid, and (iii) that they agree to adhere to these Terms and Conditions of Sale. 12. Each Bidder’s determination of its bid should be based upon its own examination of the item(s), rather than the strict reliance as to what is represented in this Catalogue, online or elsewhere. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS OF VALUATION CONCERNING ANY AND ALL PURCHASES. 13. RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the 22.5% Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and the Auctioneer has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake. 14. If the description of any lot in the catalogue is incorrect (e.g. gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the sale date. NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT BY REASON OF LACK OF AUTHENTICITY, UNLESS OTHERWISE PROVIDED IN THESE TERMS AND CONDITIONS OF SALE. 15. All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder. 16. Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder. RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder. 17. It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all RISK OF LOSS once the lot(s) is in Bidder’s possession. 18. Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by

Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a purchase money security interest in such sums or items to the extent applicable, and agrees to execute such documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued expenses, until the indebtedness is paid. 19. By bidding in this sale, Bidder personally and unconditionally guarantees payment. If the Bidder is a corporation, the officers, directors, and principals of the corporation hereby agree to personally and unconditionally guarantee payment as part of the corporation’s agreement to bid. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by each principal, director and officer that they each personally and unconditionally guarantee any payment due RR Auction. 20. RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders. 21. If a dispute arises concerning ownership of a lot that has been bid upon during the course of the sale, RR Auction reserves the right to commence a statutory interpleader proceeding at the expense of the Consignor and successful Bidder and any other applicable party, and in such event shall be entitled to its reasonable attorney’s fees and costs. 22. In the event of a successful challenge to the title to any goods purchased, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s Commission actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned. Bidding Options: 23. Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be onincrement. Any podium, fax, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered your high bid. 24. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. 25. In internet only Auctions, bids on an item must raise the current high bid by at least 10%. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of the auctioneer. 26. RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless the Auctioneer directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). Bidders participating in both live and online auctions acknowledge that the law provides for substantial penalties in the form of treble damages and attorneys’ fees and costs for those who violate these provisions. For live auctions the auctioneer will have final discretion in the event that any dispute should arise between bidders. The auctioneer will determine the successful bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises our sale record is conclusive.

Payment: 27a. Subject to fulfillment of all of the Terms and Conditions of Sale set forth herein, at the close of the Auction, title to the offered lot will pass to the highest bidder acknowledged by RR Auction, and such bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as we may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than thirteen (13) business days following its sale and if it is not so removed, (i) a handling charge of 1% of the total purchase price per month from the 13th day after the sale until its removal will be payable to RR Auction by the Bidder, with a minimum of 5% of the total purchase price for any property not so removed within 60 days after the sale, and (ii) RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder. 27b. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 28. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) on the lot and any other damages pertaining to the lot. 29. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders, and are subject to all reporting requirements). All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) business day hold, and ten (10) days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via Check, personal or corporate checks. All others will be subject to a hold of five (5) days, or more, for the funds to clear prior to releasing merchandise. 30. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via Check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment. 31. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a one and one-half per cent (1.5%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. 32. If any applicable conditions herein are not complied with the Bidder will be in default and in addition to any and all other remedies available to RR Auction and the Consignor by law, including, without limitation, the right to hold the Bidder liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, RR Auction, may (a) cancel the sale of that, or any other lots sold to the defaulting Bidder at the same or any other auction, retaining as

liquidated damages all payments made by the Bidder, or (b) resell the purchased property, whether at public auction or by private sale, or (c) effect any combination thereof. In any case, the Bidder will be liable for any deficiency, any and all costs, handling charges, late charges, expenses of both sales, RR Auction’s commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. RR Auction may apply any proceeds of sale then due or thereafter becoming due to the Bidder from RR Auction or any affiliated company, or any payment made by the Bidder to RR Auction or any affiliated company, where or not intended to reduce the Bidder’s obligations with respect to the unpaid lot or lots, to the deficiency and any other amounts due to RR Auction or any affiliated companies. In addition, a defaulting Bidder will be deemed to have granted and assigned to RR Auction a continuing security interest of first priority in any property or money of RR Auction’s owing to such Bidder in RR Auction’s possession, and RR Auction may retain and apply such property or money as collateral security for the obligations due to RR Auction. Payment will not be deemed to have been made in full until RR Auction has collected good funds. In the event the Bidder fails to pay any or all of the total purchase price for any lot and RR Auction elects to pay the Consignor any portion of the sale proceeds, the Bidder acknowledges that RR Auction shall have all of the rights of the Consignor to pursue the Bidder for any amounts paid to the Consignor, whether at law, in equity, or under these Terms and Conditions of Sale. 33. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession. 34. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper. 35. Please send PayPal payments to FinanceDepartment@rrauction. com. All checks, cashiers checks or money orders are payable to R&R Auction Company, LLC. Orders paid by cashier check, money order, wire, Pay Pal or credit card are shipped upon receipt. Delivery; Shipping; and Handling Charges: 36. Bidder is liable for shipping and handling. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that Service and Handling charges related to shipping items which are not pre-paid may be charged to the credit card on file with Auctioneer. Unless otherwise specifically indicated, all merchandise is stored at Auctioneer’s facilities in Amherst, New Hampshire. The purchases shall be shipped from that facility unless bidder makes arrangements to take possession at the facility. 37. Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs. Title: 38. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by RR Auction but fully sub-

ject to Buyer’s compliance with all of the terms of the Conditions of Sale and the Registration Form. Rights Reserved: 39. RR Auction reserves the right to withdraw any lot before or at the time of the auction, and/or to postpone the auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone. Conducting the Auction: 40. RR Auction reserves the right to postpone the auction sale or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages. 41. RR Auction reserves the right to withdraw any lot at any time, even after the hammer has fallen, until the Bidder has taken physical possession of the lot. No Consignor who has registered to bid at the sale (or at any other time unless otherwise provided in the consignment agreement), or any Bidder or prospective Bidder shall have a right to claim any consequential damages if a lot is withdrawn, even after the sale. 42. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise. 43. Lots bearing bidding estimates shall open at Auctioneer’s discretion. In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold. 44. All items are to be purchased per lot as numerically indicated and no lots will be broken unless decided by RR Auction. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction. 45. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, failure to execute the reserve, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. 46. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, RR Auction may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 1-603-732-4280. 47. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. Internet Auction – Extended bidding & the 30 Minute Rule: 48. Any bidder may bid on any lot prior to 6 pm. At that time, the Extended Bidding goes into effect. If you have not bid on a lot before 6 pm, you may not bid on that lot after 6 pm. Only those bidders who have placed bids on a lot before 6 pm will be allowed to bid on that lot after 6 pm. If you are the only bidder on a lot at 6 pm, that lot is awarded to you. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm. All lots WITHOUT an opening bid at 6 pm will remain OPEN to ALL bidders until 7 pm or until they receive their first bid. These lots will close immediately upon receipt of

a bid or at 7 pm, whichever comes first. For all lots that are active after 7 pm, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot. The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the auction closes individually based on bidding activity after 7 pm. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm. If you are the high bidder, raising your maximum bid will NOT reset the timer. RR Auction reserves the right to close the auction at any time at its sole discretion. Auctioneer’s Discretion: 49. RR Auction shall determine opening bids and bidding increments. The auctioneer has the right in its absolute discretion to reject any bid in the event of dispute between bidders or if the auctioneer has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful bidder in the event of a dispute between bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. The auctioneer also may reject any bid and withdraw the lot from sale if the auctioneer decides either that any opening bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by the auctioneer at the time of sale, no lots may be divided for the purpose of sale. Reserves: 50. Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. Off-Site Bidding: 51. Bidding by telephone, facsimile-transmission (fax-in), on-line, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form. RR Auction’ Remedies: 52. Failure of the Bidder/Buyer to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder/Buyer liable for the Purchase Price or to charge and collect from the defaulting Bidder/Buyer’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Buyer as damages (the Bidder/Buyer understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages; (b) resell the property without reserve at public auction or privately; (c) charge the Bidder/Buyer interest on the Purchase Price at the rate of one and one-half per cent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’ rights and remedies. Should RR Auction resell the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such buyer is the successful bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any buyer failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such buyer’s obligations to RR Auction, any property in RR Auction’ possession owned by such buyer. RR Auction shall have the benefit of all rights of a secured party under

the Uniform Commercial Code (U.C.C.) as adopted by The Commonwealth of Massachusetts. Warranties: 53. RR Auction does not provide any warranties to Bidders or Buyers, whether expressed or implied, beyond those expressly provided for in these Conditions of Sale. All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the consignor makes any representation or warranty, expressed or implied, as to merchant ability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the consignor makes any representation or warranty, expressed or implied, as to whether the Buyer acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title. 54. All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Generally Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices. 55. Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly. 56. FIREARMS. Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm. Important Notice: Many identical versions of props and costumes are created for film and television productions in the normal course of a production. RR Auction does not warrant or represent that the screen shots referenced are exact images of the offered item (unless specifically noted in the written description). Use of a screen shot does not constitute a warranty or representation of authenticity or provenance. There is not a right of return or refund based upon a claim arising out of or pertaining to any reference to a screen shot. 57. Lots and property are not returnable to RR Auction for any reason except under Buyer’s limited Remedies set forth in Sections 58 and 59 below and under the express terms and conditions of Section 58. Limitation of Damages: 58. In the event that RR Auction is prevented for any reason from delivering any property to Buyer or Buyer is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Buyer. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost. Unauthorized Statements: 59. Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Terms and Conditions of Sale, any term or condition set forth on the Registration Form, any warranty or limitation

or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied on by Bidder as a statement, representation or warranty of RR Auction. Buyer’s Remedies: 60. Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid. The terms and conditions of sale herein described shall be enforced in accordance with, and governed by the laws of The Commonwealth of Massachusetts. 61. This section sets forth the sole and exclusive remedies of Buyer in conformity with Sections 51-55 (“Warranties”) and 56 (“Limitation of Damages”) herein, and is expressly in lieu of any other rights or remedies which might be available to Buyer by law. The Buyer hereby accepts the benefit of the consignor’s warranty of title and any other representations and warranties made by the consignor for the Buyer’s benefit. In the event that Buyer proves in writing to RR Auction satisfaction that there was a breach of the consignor’s warranty of title concerning a lot purchased by Buyer, RR Auction shall make demand upon the consignor to pay to Buyer the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the consignor not pay the Purchase Price to Buyer within thirty days after such demand, RR Auction shall disclose the identity of the consignor to Buyer and assign to Buyer all of RR Auction’ rights against the consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the consignor only. The rights and remedies provided herein are for the original Buyer only and they may not be assigned or relied upon by any transferee or assignee under any circumstances. 62. All Lots sold by RR Auction are accompanied by a Certificate of Authenticity. On any lot presented with a Certificate of Authenticity (“COA”) issued by RR Auction, that warranty insures only to the original Bidder (as shown in Auctioneer’s records) “Bidder”. Bidder may not transfer the rights afforded under the COA and it is null and void when Bidder transfers or attempts to transfer the lot. The COA warranty is valid from date of the auction in which Bidder was awarded the lot to five (5) years after its purchase. The COA warranty is valid as to its attribution to the person or entity described or to the lot’s usage. The Bidder as well as their heirs, successors and assigns is also given an unconditional lifetime guaranteed that allows the present owner of any lot purchased through RR Auction the right to consign with RR Auction. When the lot is accompanied by a Certificate of Authenticity (or its equivalent) from a third-party authentication provider, buyer has no right of return. On lots not accompanied by third-party authentication or under extremely limited circumstances not including authenticity (e.g. gross cataloging error), a Bidder who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A Bidder must notify the appropriate department head in writing of the Bidder’s request within three (3) days of the non-floor bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received at the office of RR Auction within 35 days after Auction. AFTER THAT 35 DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASONS. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. If a bidder wishes to challenge the Letter of Authenticity within the five (5) year warranty period, Bidder must present with the claim, authoritative written evidence that the lot is not authentic as determined by a known expert in the field. If Auctioneer concurs that the lot is not as represented, Bidder shall be refunded

their purchase price. If the Auctioneer denies the claim, the Bidder may file the dispute with the American Arbitration Association with locale in Boston Massachusetts, Suffolk County, before a single selected Arbitrator selected by the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. The challenge to Authenticity must be brought within one (1) year if the Auctioneer denies the claim. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Specifically, the COA provided by RR Auction, does not provide for incidental or consequential damages or other indirect damages. Any lot sold with a certificate of authenticity or other warranty from an entity other than Auctioneer is subject to such issuing entity’s rules and such conditions are the sole remedy afforded to Bidder. For information as to third party authentication warranties the bidder is directed to contact RR Auction. RR Auction’ Additional Services: 63. For Buyers who do not remove purchased property from RR Auction’ premises, RR Auction, in its sole discretion and solely as a service and accommodation to Buyers, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Buyer. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice or credit card, RR Auction will include an administration charge. Headings: 64. Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer. Entire Agreement: 65. These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties. 66. If any section of these Terms and Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way. 67. These Terms and Conditions of Sale and the auction shall be construed and enforced in accordance with, and governed by, the laws of The Commonwealth of Massachusetts, whether or not the auction is and these Terms and Conditions of Sale are fully performed in Boston Massachusetts, Suffolk County.

AUCTION GENERAL GUIDELINES Conditions of Sale: Before you bid, you must read the Terms and Conditions of Sale, immediately preceding these pages. They represent a contract between RR Auction and you, and they contain important terms and conditions such as jurisdiction, payment terms, warranties and remedies. The Conditions of Sale are controlling over these general guidelines in the event of any conflicts between their respective terms. Estimate Prices: In addition to descriptive information, each item in the catalog some-

times includes a price range which reflects opinion as to the price expected at auction. In other instances, estimate prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimates are prepared well in advance of the sale and subject to revision. Estimates do not include the buyer’s premium or sales tax (see under separate heading). Reserves: The reserve is the minimum price the seller is willing to accept and below which a lot will not be sold. Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction. Buyer’s Premium and Sales Tax: The Bidder acknowledges and agrees that a 22.5% buyer’s premium will be added to the hammer price on all individual lots, with a 2.5% discount for those paying by cash, check or wire. RR Auction may accept a current and valid VISA or MasterCard, credit or debit cards and/ or PayPal for payment of an invoice totaling $5,000.00 or less, under the express condition that any property purchased by credit or debit card shall not be refundable, returnable, or exchangeable, and that no credit to Buyer’s credit or debit card account will be issued under any circumstances. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Before the Auction: You may attend pre-sale viewing for all of our auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. You are encouraged to examine lots thoroughly. You may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment. Contact Information: 5 Rt 101A, Suite 5 • Amherst, NH 03031 Local/International: 1-603-732-4280 Local/Int’l fax: 1-603-732-4288 Website: www.RRAuction.com Email bidding: Bid@RRAuction.com Hours of Operation: Office hours are Mon-Fri, 9 a.m. -5 p.m. eastern standard time; hours on the last night of the auction are dictated by the 30 Minute Rule (see below). Any item in the auction can be viewed in our offices during normal business hours. Please call to set up an appointment. You must acknowledge having read your agreement with all of the Terms and Conditions of Sale prior to your registration and prior to your bidding on any lot. Bidding Live Auction: Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor at or above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. Maximum Bids – Internet Auction Only: To maximize your chance of winning, we strongly encourage the use of maximum bids. For example, assume an item you want currently has a high bid of $100. Your bid would then be $110 (10% over $100), and you could tell us, “I’d like a maximum bid of $242 for that item.” We will enter your bid at $110, and we will then bid for you until the lot reaches your maximum of $242. If competitive bids only reach $148, you would win the item at $163—10% over the highest previous bid. To prevent

tie bids, all maximum bids should be made in proper increments. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under bidder’s bid. Bid Increments: Bids on an item must raise the current high bid by at least 10% or at the discretion of the auctioneer. Checking Bids – Internet Auction Only: You can open, monitor, and/or raise bids as often as you wish. However, all bidding is governed by the 30 Minute Rule and extended bidding. Extended bidding always goes into effect at 6 pm on the last day of the auction. At 7 pm, the extended bidding ends and the 30 Minute Rule goes into effect. Callbacks – Internet Auction Only: RRAuction offers a callback service on auction night for any bidder who has the high bid on an item whose current bid is over $1,000 and who has placed a maximum bid. At your request, we will call you if your maximum bid is topped. We will need your correct telephone number(s) where you can be reached until the auction closes. Callbacks begin after 6 pm on auction night. You must request this service; it is not automatic. We make every effort to ensure that bidders who request a callback are contacted if outbid; however, we do not guarantee this service. Bidding - Internet Auction: To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. If you have questions about this feature, please call RR Auction well in advance of the auction. Winning bidders will be notified by RR Auction. RR Auction is not and cannot be responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. Bidding - Internet – Live Auction: During live Auctions, internet bids can be placed in real time through the following services: www.RRAuction.com, www.liveauctioneers. com, www.artfact.com and www.icollector.com. On some occasions beyond the control of RR Auction, the bid software or the Internet itself may not physically keep up with the pace of the auction. In order to help avoid disappointment, RR Auction recommends placing a realistic absentee bid now. Since Artfact and iCollector (hereinfafter referred to as “Third Party sites”) bids are not shown to RR Auction until RR Auction opens the lot on the floor, RR Auction treats those bids the same as floor or telephone bids. In most cases, however, the floor and/or telephone responds before the Third Party sites bid is presented, due to Live Internet bid software or Internet lag time, so for consistency it is RR Auction’ policy that floor bids and telephone bids are always considered first over Third Party sites bids with floor bids being considered before telephone bids. Also please note that all RR Auction lots purchased through the Third Party sites carry an additional Buyer’s Premium. RR Auction strongly urges the bidder to resolve any questions about these policies or their implementation PRIOR TO BIDDING. Successful Bids: The fall of the auctioneer’s hammer indicates the final bid. RR Auction will record the paddle number of the buyer. If your salesroom or absentee bid is successful, you will be notified after the sale by mailed or emailed invoice. Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the consignor. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. After the Auction - Payment: You are expected to pay for your purchases in full within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date. (See Generally “Payment” §27 through 35 of the Term

and Conditions of Sale). Shipping: After payment has been made in full, RR Auction may, as a service to buyers, arrange to have property packed, insured and shipped at your request and expense. For shipping information, please contact RR Auction at (603) 732-4280. In circumstances in which RR Auction arranges and bills for such services via invoice or credit card, we will also include an administration charge. Packages shipped internationally will have full value declared on shipping form. (See Generally “Delivery; Shipping; and Handling Charges” §36 and 37 of the Term and Conditions of Sale). At our discretion, some orders of high value may be sent via overnight or two-day service. Insurance is added to each invoice, with a minimum of $2 for the first $200 of value and 55¢ per $100 of value over $200. Oversized orders will have additional postage added to their invoices. Within the United States, rates for shipping and handling only are: $0–$100..........................................$10 $101–$500.......................................$15 $501–$1,000....................................$20 $1,001–$3,000.................................$35 $3,001–$10,000...............................$45 Over $10,000.................................$100 Additional Cataloging, Warranties and Disclaimers: NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opinion contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate. Release: In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opinion, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, gross cataloging error, etc. and is the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer. Some Property sold by Auctioneer are inherently dangerous e.g. firearms, and items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Bidder accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold. Dispute Resolution and Arbitration Provision: Bidder and RR Auction agree that any agreements between the Bidder and RR Auction including but not limited to these Conditions of Sale are entered into in Boston Massachusetts, Suffolk County, which is where the agreements are to be performed and the auction to take

place, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. Both RR Auction and the Bidder agree that any disputes under these Conditions of Sale, the subject matter hereof, the entering into, or any aspect of the auction, shall be exclusively governed by Boston Massachusetts, Suffolk County law, and that any and all claims or actions shall be brought and maintained only in Boston Massachusetts, Suffolk County. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. The Bidder hereby consents that any dispute shall be presented in confidential binding arbitration before a single selected Arbitrator selected by the American Arbitration Association. The Bidder and RR Auction herby agree that the dispute shall go to binding arbitration in accordance with the commercial rules of the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. Any dispute, claim, cause of action must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Both Bidder and RR Auction agree that these provisions are intended to be binding on all parties in the event of any dispute specifically including third party claims and cross-actions brought by either RR Auction or Bidder, and that absent such agreement, RR Auction would not permit Bidder to bid hereunder. Any violation of the terms of this Paragraph shall entitle RR Auction to reasonable attorney fees and litigation costs in addition to all other available remedies, all of which remain reserved. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the parties’ agreement, and the parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. An award granted in arbitration is enforceable in any court of competent jurisdiction. The arbitrator’s award may be enforced in any court of competent jurisdiction. This agreement and any claims shall be determined and construed under Boston Massachusetts, Suffolk County law. Miscellaneous: Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety.

TERMINOLOGY

Condition: Each item in the catalog is described with a statement of opinion indicating its overall condition. The condition of the items we offer generally falls into the following range: good—very good—fine—very fine. Treated as a scale of 1 to 4, good describes an item that has as many as several flaws, which are described in detail; very fine describes an item whose condition and appearance may be regarded as flawless and superior in every respect. Most of the items we offer are in fine condition, meaning that there are no serious flaws. While we make every effort to describe flaws that materially affect appearance and value, we generally do not specify minor or routine flaws, such as (but not limited to) pencil or secretarial notations, mailing folds to letters, normal aging to paper, or tiny bends or creases from normal handling. We encourage prospective bidders to examine the image(s) of each item closely and to contact us with specific inquiries regarding condition. Group Lots: In descriptions of group lots of two or more items, every effort is made to mention any obvious flaws. Bidders should note that condition for group lots is given as a general statement or range, and that specific flaws to single items within the group may be omitted in the interest of catalog space. Questions about group lots, or specific items within a group lot, should be addressed before the close of the auction to Stacey Jordan (Stacey.Jordan@RRAuction.com). Matted and Framed: Many of the items offered for sale in our monthly auctions are described as matted and/or framed. We do not remove items from frames; the given dimensions of items housed in a frame and/or mat indicate sight size only. Photographs and other ephemera used with matted and framed items are not subject to description and condition statements, nor are they considered a reason for return. Condition refers only to the item and not the mat or frame. Our terms of return apply only to the item and not the matting and framing. Any item that is removed from the frame cannot be returned. Returns are only accepted when there is an authenticity question or the description of the item is incorrect. Abbreviations and Terms: ALS - Autograph Letter Signed (a letter entirely handwritten and signed by the given personality) ANS - Autograph Note Signed (a shorter ALS) AQS - Autograph Quotation Signed AMQS - Autograph Musical Quotation Signed DS - Document Signed Endorsement - A signature on the reverse of a check, or a signature on a document indicationg approval or further instructions Ephemera - An unsigned item FDC - First Day Cover Inscribed - “Personalized” ISP - Inscribed Signed Photograph LS - Letter Signed (a letter in a secretary’s hand, but signed by the given personality) Souvenir Typescript - An excerpt from a speech, book, film, etc. or an account of an incident, typed by a collector and signed by the individual noted SP - Signed Photograph Sweet spot - The area on the baseball where the stitched lines are closest together. TLS - Typed Letter Signed Book Grading: Fine (F) - unused, no damage Near Fine (NF) - one or two very minor flaws Very Good (VG) - some signs of wear, but overall sound Good (G) - well-worn but complete Poor (P) - heavily worn, sufficient as a “Reading Copy” All defects will be noted. For complete book grading guide, please check online.

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Our auctions continually command the attention of serious collectors and consignors around the world. Last year alone we exceeded $13,000,000 in sales. Each month, our color catalog showcases the rare and remarkable from fields including space and aviation, military, presidents, art and literature, classic and modern music, entertainment, and sportsâ&#x20AC;&#x201D;all fully-authenticated and backed by our 100% guarantee. We have a 30-year history of record-breaking results, with more records still to be broken.

www.RRAuction.com | (800) 937-3880

August 21, 2014

(800) 937-3880

WWW.RRAUCTION.COM

BOSTON, MASSACHUSETTS